Podcasts about Theatre studies

Alexis Sakellaris is a triple citizen and grew up between Europe and the US, always singing, acting, dancing their way from place to place :)They are currently performing their original queer musical comedy show A STAN IS BORN! at various theatre festivals in the UK.Alexis just finished a US tour and a run at Soho Theatre London with comedian Matt Rogers, supporting his show “Have You Heard Of Christmas?” as a featured vocalist.Madison Cole (any pronouns) is a an award-winning theatre and film maker based in London. They have a dual B.A. in English and Theatre Studies from Yale University with concentrations in Playwriting and Directing, respectively. Recently, they directed the sold-out world premiere of Daughters of the Pirate Queen at the National Concert Hall of Ireland.​Recent directorial projects include A Stan is Born at Edinburgh Fringe Festival 2024, as well as Edward II at the Camden Fringe Festival 2024, both of which received London transfers. She also directed her original play Inferna in its world premiere at Riverside Studios in January 2025, to sold-out audiences.​Assistant work includes Bronco Billy: The Musical at the Charing Cross Theatre, The Worst Witch at the Tower Theatre, and Sisters at the Jack Studio Theatre. They also recently worked as 1st AD to award-winning cinematographer Steven Fierberg on the film The Spirit Lock, scheduled to release in late 2024.

Dancing Black, Dancing White: Rock 'n' Roll, Race, and Youth Culture of the 1950s and Early 1960s (Oxford University Press, 2023) offers a new look at the highly popular phenomenon of the televised teen dance program. These teen shows were incubators of new styles of social and popular dance and both reflected and shaped pressing social issues of the day. Often referred to as "dance parties," the televised teen dance shows helped cultivate a nascent youth culture in the post-World War II era. The youth culture depicted on the shows, however, was primarily white. Black teenagers certainly had a youth culture of their own, but the injustice was glaring: Black culture was not always in evident display on the airwaves, as television, like the nation at large, was deeply segregated and appealed to a primarily white, homogenous audience.  The crux of the book, then, is twofold: to explore how social and popular dance styles were created and disseminated within the new technology of television and to investigate how the shows both reflected and re-affirmed the racial politics and attitudes of the time. The story of televised teen dance told here is about Black and white teenagers wanting to dance to rock 'n' roll music despite the barriers placed on their ability to do so. It is also a story that fuses issues of race, morality, and sexuality. Dancing Black, Dancing White weaves together these elements to tell two stories: that of the different experiences of Black and white adolescents and their desires to have a space of their own where they could be seen, heard, appreciated, and understood. Julie Malnig is Professor of Dance and Theatre Studies at The Gallatin School of Individualized Study at New York University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Dancing Black, Dancing White: Rock 'n' Roll, Race, and Youth Culture of the 1950s and Early 1960s (Oxford University Press, 2023) offers a new look at the highly popular phenomenon of the televised teen dance program. These teen shows were incubators of new styles of social and popular dance and both reflected and shaped pressing social issues of the day. Often referred to as "dance parties," the televised teen dance shows helped cultivate a nascent youth culture in the post-World War II era. The youth culture depicted on the shows, however, was primarily white. Black teenagers certainly had a youth culture of their own, but the injustice was glaring: Black culture was not always in evident display on the airwaves, as television, like the nation at large, was deeply segregated and appealed to a primarily white, homogenous audience.  The crux of the book, then, is twofold: to explore how social and popular dance styles were created and disseminated within the new technology of television and to investigate how the shows both reflected and re-affirmed the racial politics and attitudes of the time. The story of televised teen dance told here is about Black and white teenagers wanting to dance to rock 'n' roll music despite the barriers placed on their ability to do so. It is also a story that fuses issues of race, morality, and sexuality. Dancing Black, Dancing White weaves together these elements to tell two stories: that of the different experiences of Black and white adolescents and their desires to have a space of their own where they could be seen, heard, appreciated, and understood. Julie Malnig is Professor of Dance and Theatre Studies at The Gallatin School of Individualized Study at New York University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Dancing Black, Dancing White: Rock 'n' Roll, Race, and Youth Culture of the 1950s and Early 1960s (Oxford University Press, 2023) offers a new look at the highly popular phenomenon of the televised teen dance program. These teen shows were incubators of new styles of social and popular dance and both reflected and shaped pressing social issues of the day. Often referred to as "dance parties," the televised teen dance shows helped cultivate a nascent youth culture in the post-World War II era. The youth culture depicted on the shows, however, was primarily white. Black teenagers certainly had a youth culture of their own, but the injustice was glaring: Black culture was not always in evident display on the airwaves, as television, like the nation at large, was deeply segregated and appealed to a primarily white, homogenous audience.  The crux of the book, then, is twofold: to explore how social and popular dance styles were created and disseminated within the new technology of television and to investigate how the shows both reflected and re-affirmed the racial politics and attitudes of the time. The story of televised teen dance told here is about Black and white teenagers wanting to dance to rock 'n' roll music despite the barriers placed on their ability to do so. It is also a story that fuses issues of race, morality, and sexuality. Dancing Black, Dancing White weaves together these elements to tell two stories: that of the different experiences of Black and white adolescents and their desires to have a space of their own where they could be seen, heard, appreciated, and understood. Julie Malnig is Professor of Dance and Theatre Studies at The Gallatin School of Individualized Study at New York University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Dancing Black, Dancing White: Rock 'n' Roll, Race, and Youth Culture of the 1950s and Early 1960s (Oxford University Press, 2023) offers a new look at the highly popular phenomenon of the televised teen dance program. These teen shows were incubators of new styles of social and popular dance and both reflected and shaped pressing social issues of the day. Often referred to as "dance parties," the televised teen dance shows helped cultivate a nascent youth culture in the post-World War II era. The youth culture depicted on the shows, however, was primarily white. Black teenagers certainly had a youth culture of their own, but the injustice was glaring: Black culture was not always in evident display on the airwaves, as television, like the nation at large, was deeply segregated and appealed to a primarily white, homogenous audience.  The crux of the book, then, is twofold: to explore how social and popular dance styles were created and disseminated within the new technology of television and to investigate how the shows both reflected and re-affirmed the racial politics and attitudes of the time. The story of televised teen dance told here is about Black and white teenagers wanting to dance to rock 'n' roll music despite the barriers placed on their ability to do so. It is also a story that fuses issues of race, morality, and sexuality. Dancing Black, Dancing White weaves together these elements to tell two stories: that of the different experiences of Black and white adolescents and their desires to have a space of their own where they could be seen, heard, appreciated, and understood. Julie Malnig is Professor of Dance and Theatre Studies at The Gallatin School of Individualized Study at New York University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Dancing Black, Dancing White: Rock 'n' Roll, Race, and Youth Culture of the 1950s and Early 1960s (Oxford University Press, 2023) offers a new look at the highly popular phenomenon of the televised teen dance program. These teen shows were incubators of new styles of social and popular dance and both reflected and shaped pressing social issues of the day. Often referred to as "dance parties," the televised teen dance shows helped cultivate a nascent youth culture in the post-World War II era. The youth culture depicted on the shows, however, was primarily white. Black teenagers certainly had a youth culture of their own, but the injustice was glaring: Black culture was not always in evident display on the airwaves, as television, like the nation at large, was deeply segregated and appealed to a primarily white, homogenous audience.  The crux of the book, then, is twofold: to explore how social and popular dance styles were created and disseminated within the new technology of television and to investigate how the shows both reflected and re-affirmed the racial politics and attitudes of the time. The story of televised teen dance told here is about Black and white teenagers wanting to dance to rock 'n' roll music despite the barriers placed on their ability to do so. It is also a story that fuses issues of race, morality, and sexuality. Dancing Black, Dancing White weaves together these elements to tell two stories: that of the different experiences of Black and white adolescents and their desires to have a space of their own where they could be seen, heard, appreciated, and understood. Julie Malnig is Professor of Dance and Theatre Studies at The Gallatin School of Individualized Study at New York University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Dancing Black, Dancing White: Rock 'n' Roll, Race, and Youth Culture of the 1950s and Early 1960s (Oxford University Press, 2023) offers a new look at the highly popular phenomenon of the televised teen dance program. These teen shows were incubators of new styles of social and popular dance and both reflected and shaped pressing social issues of the day. Often referred to as "dance parties," the televised teen dance shows helped cultivate a nascent youth culture in the post-World War II era. The youth culture depicted on the shows, however, was primarily white. Black teenagers certainly had a youth culture of their own, but the injustice was glaring: Black culture was not always in evident display on the airwaves, as television, like the nation at large, was deeply segregated and appealed to a primarily white, homogenous audience.  The crux of the book, then, is twofold: to explore how social and popular dance styles were created and disseminated within the new technology of television and to investigate how the shows both reflected and re-affirmed the racial politics and attitudes of the time. The story of televised teen dance told here is about Black and white teenagers wanting to dance to rock 'n' roll music despite the barriers placed on their ability to do so. It is also a story that fuses issues of race, morality, and sexuality. Dancing Black, Dancing White weaves together these elements to tell two stories: that of the different experiences of Black and white adolescents and their desires to have a space of their own where they could be seen, heard, appreciated, and understood. Julie Malnig is Professor of Dance and Theatre Studies at The Gallatin School of Individualized Study at New York University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Dancing Black, Dancing White: Rock 'n' Roll, Race, and Youth Culture of the 1950s and Early 1960s (Oxford University Press, 2023) offers a new look at the highly popular phenomenon of the televised teen dance program. These teen shows were incubators of new styles of social and popular dance and both reflected and shaped pressing social issues of the day. Often referred to as "dance parties," the televised teen dance shows helped cultivate a nascent youth culture in the post-World War II era. The youth culture depicted on the shows, however, was primarily white. Black teenagers certainly had a youth culture of their own, but the injustice was glaring: Black culture was not always in evident display on the airwaves, as television, like the nation at large, was deeply segregated and appealed to a primarily white, homogenous audience.  The crux of the book, then, is twofold: to explore how social and popular dance styles were created and disseminated within the new technology of television and to investigate how the shows both reflected and re-affirmed the racial politics and attitudes of the time. The story of televised teen dance told here is about Black and white teenagers wanting to dance to rock 'n' roll music despite the barriers placed on their ability to do so. It is also a story that fuses issues of race, morality, and sexuality. Dancing Black, Dancing White weaves together these elements to tell two stories: that of the different experiences of Black and white adolescents and their desires to have a space of their own where they could be seen, heard, appreciated, and understood. Julie Malnig is Professor of Dance and Theatre Studies at The Gallatin School of Individualized Study at New York University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

Dancing Black, Dancing White: Rock 'n' Roll, Race, and Youth Culture of the 1950s and Early 1960s (Oxford University Press, 2023) offers a new look at the highly popular phenomenon of the televised teen dance program. These teen shows were incubators of new styles of social and popular dance and both reflected and shaped pressing social issues of the day. Often referred to as "dance parties," the televised teen dance shows helped cultivate a nascent youth culture in the post-World War II era. The youth culture depicted on the shows, however, was primarily white. Black teenagers certainly had a youth culture of their own, but the injustice was glaring: Black culture was not always in evident display on the airwaves, as television, like the nation at large, was deeply segregated and appealed to a primarily white, homogenous audience.  The crux of the book, then, is twofold: to explore how social and popular dance styles were created and disseminated within the new technology of television and to investigate how the shows both reflected and re-affirmed the racial politics and attitudes of the time. The story of televised teen dance told here is about Black and white teenagers wanting to dance to rock 'n' roll music despite the barriers placed on their ability to do so. It is also a story that fuses issues of race, morality, and sexuality. Dancing Black, Dancing White weaves together these elements to tell two stories: that of the different experiences of Black and white adolescents and their desires to have a space of their own where they could be seen, heard, appreciated, and understood. Julie Malnig is Professor of Dance and Theatre Studies at The Gallatin School of Individualized Study at New York University.

Send us a textThis is a very important episode shining light onto a subject a lot of us don't realize our fellow creatives are struggling with and how it may affect their craft - disabilities. Peter Anthony Fields sat in the Playwright's Spotlight and shared his experience fighting Parkinson's and how his diagnosis changes his creative pursuit. We discuss not only the physical afflictions of the disease but also the mental symptoms, his transition from filmmaker to playwright, advice for other creatives whom might be trying to overcome a disease or disability and the tools to help them cope but, also, the gifts having a disability may offer. We talk about self publishing and promotion, facets of playwriting playwright's shouldn't burden themselves with, how minute direction can change a piece, and the ramifications of a character's action. It was certainly an insightful interview that I hope you take something away from to encourage other artists who might be holding themselves back from the creativity brewing inside. Peter Anthony Fields has written numerous stage plays that have been read or performed in Ohio, Texas, Wisconsin, Missouri, and London, U.K. The self-published edition of his full-length stage play, That Guy, was awarded the top prize in the Performing Arts category of the 2020 Best Book Awards, sponsored by American Book Fest. The Invited, a whodunit mystery, was self-published in September of 2022 and is a 2024 Red Ribbon Award winner from The Wishing Shelf Book Awards. His 10 minute play, See, Invisible, was performed at the Columbus Black Theatre Festival in Columbus, Ohio also in 2022. His plays, About Michael, Monster, and The Parking Lot, are published and licensed by Lazy Bee Scripts. He has a BA in Theatre Studies from Kent State University and is a member of the Dramatists Guild.To watch the video format of this episode, visit -            https://youtu.be/Ds5QWyPxf44Links to resources mentioned in this episode -Playwright's Corner -                                     https://www.youtube.com/@PeterFields18Lazy Bee Scripts -                                                            https://www.lazybeescripts.co.ukThe Wishing Shelf Book Awards -                                              https://www.thewsa.co.ukAmazon Self Publishing -                                                             https://kdp.amazon.comWebsite and Socials for Peter Anthony Fields -www.peteranthonyfields.comPeter Anthony Fields' Amazon Page -               https://www.amazon.com/stores/Peter-Anthony-Fields/author/B07SHJG5SG?ref=ap_rdr&isDramIntegrated=true&shoppingPortalEnabled=trueLinkedIn - https://www.linkedin.com/in/peter-anthony-fields-3a188a182/                Facebook - https://www.facebook.com/PeterFields007                                               IG - @peteranthonyfieldsSupport the show

This very special episode features members of the English and Theatre Studies teaching team at SETU who share their innovative approaches to teaching and research. In studio with Jenny are Dr Kate McCarthy, Dr Christa de Brún, Dr Úna Kealy, Dr Helena Walsh-Kiely and Deirdre Grant who each bring a variety of skills and to their roles. During the episode, we discuss approaches to teaching and learning, the team's ongoing research and creative work, and what we love about our jobs and our students!

Episode 142Dr Natália Pikli discusses the changing view of the 'The Shrew' in Medieval and Early Modern European culture and how women are represented in Shakespeare's early comedies,She then goes on to outline how Shakespeare became part of national Hungarian culture and how the plays have been treated in translation.Dr Natália Pikli is Associate Professor at the Department of English Studies, Eötvös Loránd University, Budapest. She teaches medieval and early modern culture and literature and is Head of the relevant PhD Program. She also teaches contemporary popular culture, as well as theatre history and theatre reviewing for students majoring in Theatre Studies. She has published extensively on Shakespeare, early modern popular culture, theatre, iconography, and on the reception of Shakespeare in our days, with a focus on contemporary theatre. Her book chapters and articles appeared in, for instance, Shakespearean Criticism (Thomson-Gale, 2004), Shakespeare's Others in 21st-century European Performance (Bloomsbury, 2021), and in academic journals: European Journal of English Studies, Journal of Early Modern Studies (Florence) Shakespeare Survey (Cambridge), Theatralia (Brno). She (co-)edited five books and is the author of two monographs, The Prism of Laughter: Shakespeare's 'very tragical mirth' (VDM Verlag, 2009) and Shakespeare's Hobby-Horse and Early Modern Popular Culture (Routledge, 2022). In her free time, she directs amateur student performances and writes theatre reviews.Support the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.

The staff of an East Clare school says it's an honour to be chosen as one of the first schools in the country to offer a new Senior Cycle subject. St. Anne's Community College in Killaloe is one of 57 post-primary schools that have been selected to have Drama, Film and Theatre Studies as an optional subject for the Leaving Certificate from next year. According to the Department of Education, the subject will "promote and encourage creativity as a basis for learning through immersive experiences" and will give students "the opportunity to cultivate informed thinking through learning supported by creative and critical processes". Assistant Principal and English and Drama teacher at St. Anne's Community College Maree Murphy says given the long-standing embrace of the arts at the school, it's well placed to teach the new area.

Award-winning film producer and educator, David Puttnam, discusses the official launch of Drama Film and Theatre Studies as a Leaving Cert subject.

For the first time, I'm finally telling my story—a story of how alcohol slowly destroyed my life, leaving me physically and mentally powerless, addicted & suicidal. I used to be a weekend-only drinker, fully focused on my career but one "hair of the dog" turned into drinking all week and, before I knew it, I was trapped in alcoholism. I was among the 9% of people with alcohol use disorder classified as chronic and severe—it consumed me entirely. Today, I share my story to give hope. If you feel like you've sunk so low that there's no way out, know that recovery is possible. A life beyond your wildest dreams awaits. A huge thank you to guest host Issy Hawkins, who took charge of my podcast and put me in the hot seat. It's time for me to speak up and inspire those who need it most ❤️ More on Oliver - Oliver began drama classes at the age of six with The Guildhall School of Speech & Drama and got accepted to join The National Youth Theatre aged thirteen. Oliver gained a B.A. (Honours) degree at The University of South Florida & Middlesex University in Drama & Theatre Studies before training as an actor at The Webber Douglas Academy of Dramatic Art. Film/TV credits include: From Bard To Verse (BabyCow/BBC), The Mysti Show Series 1 and 2 (BBC Series Regular), Jam, EastEnders (BBC), Bin Weevils (Nickelodeon), Sinbad: The Persian Prince (SyFy), Untitled A Film (Truk Films), CTRL (Breaking Fourth), BroBots (Samsung Films) Lilybuds (Discovery), Red Dwarf (BabyCow/Dave), Time Rewind (Creation Box Films) & Halo (Amblin/Showtime). West End credits include Bombitty of Errors & Twelfth Night. Voiceovers include: The Disney Channel, Santander, McDonald's, The Samaritans, BBC Worldwide, Virgin Media, eBay, Currys, Morissons, Nissan, Seat, T-Mobile, BT & Kellogs. Topics - 0:00 Intro 1:50 Oliver's rock bottom 7:20 Why is Oliver telling his story now? 8:55 Early recovery challenges physical & mental 12:45 Oliver's relationship to the industry when he was drinking vs recovery 16:30 Is relapse part of recovery? 20:00 The 12 steps was the last thing I wanted to do! 23:15 Is addiction progressive? 28:20 Heavy drinking vs alcoholism 30:30 Relationships with family 30:45 Is addiction a disease? 34:20 Is addiction trying to kill you? 37:10 Dealing with fear, self pity amd anger 44:00 Panic attacks! 48:10 Does Oliver need a recovery community to stay sober? 51:25 Navigating sobriety in a drinking culture society 54:25 What has recovery given you today? For further support I recommend reaching out to your local NHS alcohol service and AA - T: 0800 917 7650 E: help@aamail.org W: https://www.alcoholics-anonymous.org.uk Great book for panic attacks - https://www.christineingham.com/panic This Podcast is not for profit but my goal is to break even. To help me make more please donate here. Thank you! https://bit.ly/3kSucAs Follow Issy Tik Tok - https://www.tiktok.com/@issyhawkins_ Instagram - https://www.instagram.com/issyhawkins_ Follow Oliver Instagram - https://bit.ly/3IemHLY Facebook - http://bit.ly/3w8S1Gx TikTok - https://bit.ly/3YGLsYm LinkedIn - http://bit.ly/3kp4ymC Threads - https://bit.ly/3svw7yL X - http://bit.ly/3GQYj2l Listen or watch on: (please subscribe/follow & rate/review) Spotify - https://bit.ly/4cFvnIy YouTube - https://bit.ly/3Ts8npR Apple - https://apple.co/3PajZvQ

The Aside Podcasts are a free resource supported by Drama Victoria - Australia's oldest Drama Association In this episode of The Aside, we are joined by Brendan Carroll from the VCE Theatre Studies and VCE Drama Network as we discuss the 2024 VCE Theatre Studies monologues. We chat through each of the monologues as we head into exam time and discuss opportunities and challenges for each. Link to the 2024 'Monologues at a Glance' document with some basic information on each play and monologue - https://drive.google.com/file/d/1QRNbtfx39I6L6qxycFXmVtXQS50rX8cn/view?usp=sharing Please feel free to email asidepodcast@outlook.com to ask a question. We will try and answer on a future podcast.

In this episode, we speak with Artist, Amanda Inglis. Amanda was raised on a farm just off the shore of Lake Erie, south of London, Ontario. At a young age, she became known within her small community for her insatiable curiosity for the creative arts. Her interdisciplinary mindset earned her a Bachelor of Fine Arts in Theatre Studies from York University. Following the loss of her father in 2008, Amanda returned to her rural roots and discovered solace in the study of botany, with a newfound appreciation for the delicate life cycle of flowers. She works with oil on canvas to depict her homegrown floral subjects in anatomical detail. Her artwork serves as a symbol of the beauty found within the symbiotic relationship between resilience and vulnerability. Her debut collection earned her accolades as an award-winning artist at the Royal Botanical Gardens in Burlington, Ontario for her piece “Timeless Trinity”. Amanda humbly describes her knowledge of working with oils akin to the progression of a real garden's maturation: two decades of growing at a quiet pace.” In this episode, we discuss: 1) Perfectionism, our armour, not allowing ourselves to be fully seen, and how it was this journey of 36 years for Amanda until she hit a deep, dark, breaking point in 2023, after losing a close friend, after losing her father years earlier, and she found herself in a hospital bed, her body unable to carry the grief any longer. Amanda went into the hospital as a PSW worker and came out deciding it was time to allow herself to be the artist she knew was inside of her all along. 2) This is a beautiful conversation, as Amanda shares her story, how we crossed paths over 13 years ago, how we were mirrors for each other, and how it took the loss of a friend for our lives to circle back around.  Through loss and grief, Amanda found herself, her voice, and her courage to allow her gifts to be fully seen as within 6 months of painting her first oil painting, she found her paintings on a wall in a gallery that she walked by so many times the year before envisioning and imagining seeing her work on the walls inside. Connect with Amanda Instagram: https://www.instagram.com/amandainglisfineart/ Website: www.amandainglisfineart.com Email: studio@amandainglisfineart.com Floral Oil Paintings Available At Westland Gallery www.westlandgallery.caTo Join Amanda's Budding Community Go To www.amandainglisfineart.com and subscribe to her newsletter. Marsha Vanwynsberghe — Storytelling NLP Trainer, Speaker, Publisher & Author, 2xs Podcaster Marsha is the 6-time Bestselling Author of “When She Stopped Asking Why”.  She shares her lessons as a parent who dealt with teen substance abuse that tore her family unit apart. Marsha has been published 7xs, most recently with her co-platform, Every Body Holds A Story, and she is on a mission to continue to help women and men to speak, share, and publish their stories.  Through her tools, OUTSPOKEN NLP certification, programs, coaching, and podcast, Marsha teaches the power of Radical Responsibility and Owning Your Choices in your own life.  She empowers people how to heal and own their stories, be conscious leaders, and build platform businesses that create massive impact.  

Tamara Trojanowska gave a lecture on “Cryptotheology, Psychobiography: Transgression in Polish 20th-Century Theatre” on Thursday, December 7, 2023 at 4:00 pm in 206 Ingraham Hall, 1155 Observatory Drive. About the Lecture: Tamara Trojanowska will present on her current research, which focuses on the intersections of 20th and 21st-century drama and theatre with history and religious thought, highlighting identity, subversion, and transgression issues. Her latest research project, co-edited with Joanna Niżyńska and Przemysław Czapliński and entitled A History of Polish Literature and Culture: New Perspectives on 20th and 21st Centuries, includes her extensive analysis of the transgressive practices in Polish drama and theatre (“Delectatio furiosa, or the modes of cultural transgression”) among over sixty essays by colleagues from all over the world. She has also contributed a chapter on this subject to Theatermachine: Tadeusz Kantor in Context (eds. Magda Romanska and Cathleen Cioffi, 2020), with her investigations of the dramatic and the sacred resulting in a new selection of and an extensive introduction to the plays of Roman Brandstaetter (Dzień gniewu. Dramaty, 2016). About the Lecturer: A graduate of the Drama Centre at the University of Toronto (Ph.D.) and of Theatre Studies at the Jagiellonian University in Kraków (MA), Tamara Trojanowska has also formerly held an Oxford University scholarship and an internship at the Royal Dramatic Theatre in Stockholm. She has taught at universities in Poland, Canada, and the United States, returning to the University of Toronto as a faculty member in 1998. Since then, she has directed the Polish Language and Literature Program at the Slavic Department, strengthening its profile and presence in North America, the University College Drama Program (2008-2012), and the Center for Drama, Theatre and Performance Studies (2017-2021). She now serves as Vice-Dean Faculty and Academic Life in the Faculty of Arts and Science.

Several times recently in the Management Café our hosts have talked about regrets. Those formative management experiences where they look back and wish they had acted differently. Making mistakes is part of our learning journey but some situations weigh on us more than others. Revisiting them can bring a range of challenging emotions like regret, guilt and shame. Regret is an uncomfortable feeling, it's something we avoid. The discomfort can be heightened for managers who have a duty of care over their team and the extra weight that comes with an official title and position within the hierarchy. Yet we can't just ignore it and move on. Regret carries valuable knowledge. It helps us understand what truly matters to us. It makes us aware of what behaviours need to change to in order to match our values. And it doesn't want to let go until we've acknowledged the lesson. This can be a slow and painful but very worthwhile process. Pilar and Tim share a few of their (many) regrets as managers and talk how these experiences changed them. For our hosts this conversation is, in the words of Hector Santiesteban, restorative and therapeutic. SHOW NOTES 00:30 mins In episode #74 "Leading in the Flow of Work", Pilar and Tim each talked about how they previously tried to live a life without regrets. But with age and more experiences this changed. Inevitably there are lots of regrets. 2:20 Regret can be a very helpful emotion for managers. It tells us that our actions in a particular situation weren't in line with our values. And it is important that in the future we handle these situations differently. Regret is a guide for our behaviour. When a situation comes up again we can be reminded of our regret. This helps us make better decisions in the moment. 4:15 Regret is uncomfortable but knowing that we can learn from bad experiences can make them a little more bearable. Regret wants us to understand why we feel bad about our actions and to try behaving differently in the future. 5:15 We experience regret because we care about what happened. If we pay attention to our regret and explore why we cared so much about a particular situation, it helps us better understand our values and how we want to live. 6:30 Tim used to tell himself that he'd never regret something if he felt he'd made a good decision based on what he knew then. But he came to realise that a lack of knowledge or awareness didn't necessarily excuse his actions and decisions. He'd still experience regret. 7:15 If we reject our regrets and hide behind phrases like "it's just business" then we are denying ourselves a valuable opportunity to learn. 8:00 Pilar highlights two different learning experiences. The first is regret from doing something we know we shouldn't do. The second is more nuanced - we think we're doing the right thing but we aren't. We are lacking the knowledge or experience to know better. So regret comes in to teach us. 8:50 Tim shares a story of one of his big regrets, when he reacted poorly to one of his team members who was struggling during a difficult period. The way Tim handled this situation nagged away at him for a long time. Looking back he can see he turned away from an opportunity to connect with and support the person. As a result they both suffered more. 12:00 This realisation took a long time to arrive and revealed itself in stages. 14:00 Talking about these situations with others can help us see things differently. 15:30 Pilar has a big regret from her period teaching A level students for Theatre Studies. A situation came up where her natural approach of positive reinforcement didn't work. She can still picture her student's face when it went awry! But for Pilar, the lesson was learnt and she decided to get better at corrective feedback. 20:15 Another of Pilar's regrets came from ignoring her gut instinct when taking on client work. The next time her gut started to tell her "no", she listened! 21:30 If we listen to our regret and act accordingly, at least we shouldn't experience regret over it. But it's hard to change behaviour. It might take a few attempts. 22:15 Regret hurts. Our memories of those situations are so vivid. We have a visceral reaction to the negative impact of our actions. This is part of the process, the pain helps us change our future behaviour. In a sense the deeper the regret, the better the lesson. 25:50 Pilar references The Power of Regret: How Looking Backward Moves Us Forward by Daniel Pink which suggests people have more regret over things they haven't done versus things they have done. (Neither host has read the book, neither has regrets). Pilar suggests that talking about regrets over things you've done is harder than regrets over things you didn't do. Because we have a clear understanding of the impact from the things we've actually done. What about you, dear listener? What is your biggest regret as a manager? We'd love to hear from you! Get in touch through our Contact Form https://managementcafepodcast.com/contact/ 

The Braw and The Brave is a podcast about people and their passions. Episode 225 is in conversation with Edinburgh-based Maltese Theatre Director André Agius. Having directed numerous productions in Malta, he came to further his education here in Scotland , after obtaining his BA (Hons) in Theatre Studies at the University of Malta and also studying at Rose Bruford College. Starting out as an actor, André soon discovered a passion and talent for directing and most recently worked as Associate Director on Two Sisters at the Lyceum and is currently directing Tamám Shud with A Play, A Pie and A Pint. André on Instagram https://www.instagram.com/andre_agius?igsh=NmwwcHdiYnQzeTF1 If you've enjoyed this episode you can help support the production of future episodes by clicking on the Ko-Fi link below. Many thanks. https://ko-fi.com/thebrawandthebrave Follow The Braw and The Brave https://www.instagram.com/thebrawandthebravepodcast/ https://www.facebook.com/TheBrawandTheBrave https://twitter.com/BrawBrave

In this episode, we speak with playwright John Patrick Bray. He has a Ph.D. in Theatre Studies from Louisiana State University, an MFA in Playwriting from The Actors Studio Drama School at The New School, and he teaches at the University of Georgia. His plays have won the 2015 Appalachian Festival of Plays and Playwrights and received its world premiere at Barter Theatre and he has been a Semifinalist for both the O'Neill National Playwrights Conference and the Ashland New Play Festival. Bray is also an independent screenwriter and anthology editor and a once-upon a time bagel baker.

Welcome to First Thought Backstage with Galway International Arts Festival, a series where we sit down with theatre-makers from GIAF 2023 to discuss the making of their shows. Life & Times of Michael K, is a hugely ambitious theatrical staging of Nobel Prize-winning author J.M. Coetzee's novel which combines puppetry, performance, film and evocative music bringing together some of South Africa's most revered, multi-award-winning artists in this epic production adapted and directed by Lara Foot. Listen to Charlotte McIvor, lecturer in Drama and Theatre Studies at University of Galway, catch up with cast members in this post-show talk recorded live after their performance at Galway International Arts Festival 2023. First Thought Backstage is presented in association with University of Galway.

Welcome to First Thought Backstage with Galway International Arts Festival, a series where we sit down with theatre-makers from GIAF 2023 to discuss the making of their shows. The Pulse by Gravity & Other Myths is a hugely ambitious and monumental work of scale that unites audience, acrobat and choir into a single mesmerising organism. A shimmering mass of sixty acrobats and choir members unite and divide, becoming a spectacular being of muscle, bone and voice as a mountain of bodies crumbles into an ocean of sound. Listen to Charlotte McIvor, lecturer in Drama and Theatre Studies at University of Galway, catch up with cast members in this post-show talk recorded live after their performance at Galway International Arts Festival 2023. First Thought Backstage is presented in association with University of Galway.

Episode 074: Ghosts by Henrik Ibsen Host: Douglas Schatz Guest: Kirsten Shepherd-Barr Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We'll discuss the play's origins, its themes, characters, structure and impact. For us the play is the thing. Henrik Ibsen's dark family drama Ghosts provoked outrage when it was published in 1881, its treatment of sexual disease, incest and euthanasia too much for the critics. More than 140 years later its portrait of repressed truths and social hypocrisy remains as powerful as ever. As we record this episode a new adaptation of Ghosts by Joe Hill-Gibbons is playing in the Sam Wanamaker theatre at Shakespeare's Globe theatre in London. Kirsten Shepherd-Barr, Professor English and Theatre Studies at St Catherine's College, Oxford, joins us to review Ibsen's unflinching drama.

EPISODE 155| Chestnuts roasting by the fire, stringing popcorn on thread, Santa pictures with matching pj's, and caroling are just a few of the things that come to mind when people think of holiday traditions. Traditions can be an important part of any time of our lives but truthfully most of us have that one, if not more, tradition that brings that warm fuzzy feeling to our hearts and minds. Holidays are often when those traditions occur because family gathers but with that comes stress and the feeling that we have to do more or be more.  In today's podcast join Janna and her guests, Sharon and Rachel as they discuss traditions, stress, and how they manage homeschooling around the holidays. May you enter the holidays with peace and grace for yourself and your family as you pass on your traditions or create new beautiful ones. ABOUT OUR GUESTS| Rachel Davis lives in Maryland with her husband, two teenaged daughters, two highly energetic dogs, and her favorite, the cat. Her family has been homeschooling for 7 years. Rachel actually has a bachelor's degree in history and really loves that subject… but she has found that teaching math is her favorite thing to do; she is pretty sure that even though her kids ‘hate' math, they too will find joy in it when they are older. Give it twenty years. Rachel also loves playing piano (and teaching other kids to play), baking (and eating), and reading (so much reading!) She is one of BookShark's advisors and enjoys helping other homeschooling moms and dads figure out how to best use BookShark's curriculum in their homeschools. Sharon Wilson Miller is originally from southern California but now lives just outside Chicago with her husband and is a homeschool mom of 2 (9 and 11). Sharon holds a BFA in Theatre Studies from DePaul University, she spent many years as a Stage Manager working regionally and on some large-scale touring musicals. Sharon is also a licensed massage therapist and enjoys her work as an Advisor for BookShark. LISTENER COUPON CODE ★Request your coupon code to use on any purchase at bookshark.com. QUOTABLES|  Homeschooling during holidays with a focus on traditions and food. (0:01) Homeschooling and holiday traditions. (2:52) Balancing homeschooling and holiday activities. (6:24) Parenting, homeschooling, and holiday traditions. (11:30) Homeschooling and intergenerational learning during the holidays. (18:48) How to get back into routine after holidays. (24:23) Balancing holiday activities with self-care and family happiness. (29:40) Thanks to show sponsor BookShark. Request a homeschool curriculum catalog or download samples at bookshark.com. If you'd like to share an aha moment, an inspirational quote, a homeschool hack, a book you're loving, or a suggested podcast topic/guest, leave a comment at bookshark.com/podcast. We'd love to feature your reflection on a future episode.

Spooky Season maybe officially over but not here at Persistent and Nasty. We still have amazing creepy stories for you so stay tuned. Our final spooky tales is here. W.I.T.C.H. written by Louise Oliver and performed by Misha McCullagh and Elaine Stirrat Louise Oliver Louise is an actor, writer and producer based in Glasgow. She has a Masters in Theatre Studies from the University of Glasgow and trained as an actor at the New York Conservatory for Dramatic Arts. You can find out more about her work at her website www.mslouiseoliver.com. OUR WEBSITE - www.persistentandnasty.co.uk Persistent Pal & Nasty Hero - Pals and Hero Membership Support In The Room - https://www.crowdfunder.co.uk/p/in-the-room Email – persistentandnasty@gmail.com Instagram - @persistentandnasty Twitter - @PersistentNasty Coffee Morning Eventbrite - Coffee Morning Tickets LINKTREE - LINKTR.EE Resources Samaritans - Rape Crisis Scotland - Rape Crisis UK ArtsMinds - BAPAM Freelancers Make Theatre Work Stonewall UK - Trevor Project - Mermaids UK Switchboard LGBT+ - GATE PLANNED PARENTHOOD DONATE - DONATE ABORTION SUPPORT NETWORK UK - ASN.COM- DONATE WeAudition offer: For 25% off your monthly subscription quote: NASTY25 Backstage Offers: Get a free 12 months Actor Subscription: https://join.backstage.com/persistentnasty-uk-12m-free/

Seth Adam is no stranger to career moves. After getting his degree in Theatre Studies, he spent time working at GLAAD before becoming a US Foreign Service Officer. He talks to Hunter about lessons he's learned along the way including finding work you love, learning from your mistakes, and using your voice for good. Recorded on September 2, 2023.

What is the BIBA Conference and why is it such a crucial event on the insurance industry calendar? To what extent are skills from external industries transferrable into insurance careers? How can the mobility of such external skills into insurance roles be better communicated in the current recruitment landscape? In this episode, we're very pleased to be speaking with Emma Chapman, Head of Conference at BIBA. This year's BIBA Conference held in Manchester in May attracted 9000 people across two days. The event aims to unite brokers, insurers, and the wider insurance community to do business, establish and build relationships, and much more. In conversation with Sandra Lewin, Emma discusses how her background in theatre has informed her decision-making in curating and arranging the annual conference over the past eight years. As such, she is a testament to the transferability of skills from seemingly unrelated industries into the wide array of roles available in insurance.   Quote of the Episode “You go to conferences for so many reasons. Number one is to do business, we know that. Fundamentally, people say [that, at BIBA,] they get a month's worth of business done in two days. Brilliant. But what else can you get?” The BIBA Conference is, first and foremost, a springboard for networking, bolstering existing business relationships and fostering new ones. Yet, in a post-COVID landscape in which many people have hybrid work schedules and a more intertwined work-life balance, it is harder to entice people to attend these events. BIBA's first in-person conference after the pandemic was in 2022, and it was a huge success, which can largely be attributed to people's glee at being able to attend such events and network face-to-face. In 2023, Emma and her team faced a challenge of how to improve upon this warm reception, now that hybrid working patterns are seemingly here to stay. They decided to bring a flavour of fun and theatricality to the conference, with puppies available to cuddle at a Wellness Zone, and with a speech from Sir Mo Farah.   Key Takeaways Emma studied a Drama and Theatre Studies degree at Exeter, and went into Stage Management in the West End. After several successful years managing a variety of big productions, she sought a change and became involved in event organising, eventually working for BIBA via an agency before being invited to arrange the conference in-house post-pandemic. Theatre and insurance are undoubtedly very different industries, but Emma's role at BIBA entails a need to put on a spectacle for conference attendees. She argues that her theatre background has significantly informed her work at BIBA, emphasising that if and when you do decide to switch roles or even industries into insurance, your past experience will always be beneficial in one way or another. You should never consider your previous working roles or plans as a barrier to entry or transition within the industry. Emma's daily work at BIBA is extremely varied, but it is ultimately founded upon building and maintaining mutually beneficial business relationships, organisation, and an ability to meet deadlines – all skills she developed in her previous career which are transferrable to and crucial in an insurance career. Indeed, Emma suggests that taking skills from external and ostensibly unrelated industries into insurance is extremely beneficial to ensure a consistent inflow of fresh ideas and perspectives. Emma argues that we must actively combat the common misconception that insurance careers are boring, noting that she's never had an uninteresting day on the job. She emphasises that insurance is something which everyone must experience and engage with from a client perspective. As such, irrespective of which industry one initially works in, everyone is in a strong position to contribute ideas to insurance, as every year, we all have to purchase or renew car insurance, home insurance, life insurance, and so on.   Best Moments/Key Quotes “Because we now live in a semi hybrid world, it takes even more to get people out of their homes. You have to deliver something that you cannot get at home, more so than when everyone was in offices, because everyone was always leaving their home. Everyone was always travelling; it was very easy to go to things after work.”   “What I love about my job is it's so varied. I mean, we organise literally everything to do with the exhibition… So, my day could be, depending on where we are on the lifecycle of the event, it could be signing off on social media, ordering 1000s of chairs, approving budget, briefing contractors, sorting out the advertising, paying for things, booking things. It's a real smorgasbord of things. And that's why I love what I do so much.”   “If you spent some time understanding the insurance industry, you could be an excellent addition, [if you] come with outside ideas. That's what I'm always passionate about: there are these transferable skills in so many different career choices.”   “For example, as an event organiser, someone who does event organising for a pharmaceutical company, something totally different to insurance, but because you are still organising a live event, an engaging thing for delegates, you still need to listen to the feedback, and work out whether what you're giving is what people actually want to receive. They would come with amazing ideas, and vice versa. There almost needs to be this give and take between industries, so that you constantly have fresh ideas coming.”   Resources BIBA – The BIBA Conference wins Best Association Event Award: https://www.biba.org.uk/press-releases/the-biba-conference-wins-best-association-event-award/   About the Guest Emma Chapman is the Head of Conference at BIBA (British Insurance Brokers' Association), leading a team who organises its annual conference. Emma's LinkedIn Profile: https://uk.linkedin.com/in/emma-chapman-29a97610b    About the Host Sandra Lewin started her career in insurance as a broker and has since taken on many different roles. Alongside being a host of this podcast "100 Women in Insurance", she also specializes in helping insurance businesses and professionals establish a social media presence, delivers change programs, and provides one-on-one coaching for women looking to take control of their careers and lives. Connect with Sandra on LinkedIn and find out more: https://uk.linkedin.com/in/sandralewin

On the episode Ariana chats to Ad man Oliver Durkin. Oliver is described as more of a dawn guy than a sunset guy. He graduated from University of Ulster, Ireland, 1991 in English and Theatre Studies. Wrote poems. Wrote prose. Took Photographs. Co-founded UK's first digital TV advertising agency Guerillascope. Made set top boxes with wild men who flew in jets. Went to Dubai. Ran away to the Irish countryside. Trains horses. Jumps hedges. Went to India. Made a movie. Now thinks and dreams in film. Remarkably we cover all of the above in this hour long episode and lots more in between. Solo living comes in many forms at many stages in people lives and is more of a way of life than any one thing. #sololiving#solopreneur#podcast#comfortzone#livefast#liveslow#lovelife#lovewhatyoudo Hosted on Acast. See acast.com/privacy for more information.

Recorded September 19th, 2023. *Please note that this discussion contains topics of sexual violence and graphic descriptions of war. Please listen at your own discretion. ‘Women and War' is the theme of the 2023 Wexford Festival Opera (24 Oct-5 Nov). Developed by Wexford's Artistic Director, Rosetta Cucchi, this year's programme uses the medium of opera to explore how war is experienced, endured, and articulated by women. The three main stage operas at Wexford will be: Zoraida di Granata (1822) by Gaetano Donizetti; L'Aube Rouge (1911) by Camille Erlanger; and La Ciociara (Two Women) (2015) by Marco Tutino, based on the novel by Alberto Moravia. In anticipation of this innovative programme, the Trinity Long Room Hub is hosting a special discussion to explore the representation of ‘Women and War' in literature, theatre, music, and visual art. The Festival's acclaimed Artistic Director Rosetta Cucchi will join the celebrated Irish Times foreign correspondent Lara Marlowe and the Trinity Long Room Hub Director, Eve Patten, for a wide-ranging conversation on the themes and vision behind this year's Wexford Festival Opera. This unique collaboration event, which will include both film and music excerpts from the opera programme itself, is open to all and not to be missed. Speakers: Rosetta Cucchi is the Artistic Director of the Wexford Festival Opera and an experienced director in many of the world's greatest opera houses. She is also a pianist, and has a master's degree in Theatre Studies from the University of Bologna. From 2006 to 2018, she was the Artistic Director of Fondazione and Symphonic Orchestra Arturo Toscanini, Parma. Her most recent and future directing projects include Tutino's La Ciociara, Wexford Festival, Figaro and La Bohème, Boston Lyric Opera, Adriana Lecouvreur, Teatro Comunale di Bologna, Rossini's Otello, Rossini Festival Pesaro, Eugene Onegin, Opera Omaha, USA, and L'Amico Fritz, Teatro del Maggio Musical Fiorentino. Lara Marlowe became a foreign correspondent for The Irish Times in 1996. Since her official retirement in April 2023 she has continued to contribute regularly to the Irish Times and radio stations in France, Ireland and the UK. She has worked extensively in France, the Middle East and the US, and reported on the war in Ukraine in 2022. Before the Irish Times, she wrote for Time Magazine, the Financial Times and the International Herald Tribune, covering many major world events and conflicts. Lara has received four press awards for her work for The Irish Times and was also awarded a Chevalier de la Légion d'Honneur for her contribution to Franco-Irish relations. In 2020, she published the best-selling memoir Love in a Time of War, My Years with Robert Fisk. Eve Patten is Director of the Trinity Long Room Hub Arts and Humanities Research Institute and Professor of English at Trinity College, Dublin. She lectures and writes in the area of nineteenth and twentieth-century British and Irish literary history and has a special interest in the literature of war. Her most recent book is Ireland, Revolution, and the English Modernist Imagination (2022), and previous publications include Imperial Refugee: Olivia Manning's Fictions of War (2012), and, as co-editor with Richard Pine, Literatures of War (2008).

Audiences are returning to theatres, but the future is uncertain for university-level theatre education.

The rebrand/reboot of Mollynook Podcasts! We're starting fresh (back at Episode 1) with a brand new cohost, Mitchell Case! Mitchell is an actor turned director and is an undergraduate Theatre Studies and English major at Penn State University. Mitchell has cerebral palsy and is a wheelchair user, meaning his insights into accessibility in the arts/performance spaces comes from both his research on this topic and his own first-hand experiences.

Today's guest is Toril Moi, whose book Revolution of the Ordinary: Literary Studies After Wittgenstein, Austin and Cavell (University of Chicago Press, 2017) returns to three twentieth-century figures in ordinary language philosophy to renew how we think about style and argumentation. Revolution of the Ordinary brings together a diverse archive of primary sources, from the Argentine writer Julio Cortazar to the 1970s TV show All in the Family. I am excited to welcome Toril to the podcast today. Toril is James B. Duke Professor of Literature and Romance Studies and Professor of English, Philosophy, and Theatre Studies at Duke University. Toril's previous books include Sexual/Textual Politics: Feminist Literary Theory and Simone de Beauvoir: The Making of an Intellectual Woman. She has served as Research Professor at Norway's National Library for the last five years. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Today's guest is Toril Moi, whose book Revolution of the Ordinary: Literary Studies After Wittgenstein, Austin and Cavell (University of Chicago Press, 2017) returns to three twentieth-century figures in ordinary language philosophy to renew how we think about style and argumentation. Revolution of the Ordinary brings together a diverse archive of primary sources, from the Argentine writer Julio Cortazar to the 1970s TV show All in the Family. I am excited to welcome Toril to the podcast today. Toril is James B. Duke Professor of Literature and Romance Studies and Professor of English, Philosophy, and Theatre Studies at Duke University. Toril's previous books include Sexual/Textual Politics: Feminist Literary Theory and Simone de Beauvoir: The Making of an Intellectual Woman. She has served as Research Professor at Norway's National Library for the last five years. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Today's guest is Toril Moi, whose book Revolution of the Ordinary: Literary Studies After Wittgenstein, Austin and Cavell (University of Chicago Press, 2017) returns to three twentieth-century figures in ordinary language philosophy to renew how we think about style and argumentation. Revolution of the Ordinary brings together a diverse archive of primary sources, from the Argentine writer Julio Cortazar to the 1970s TV show All in the Family. I am excited to welcome Toril to the podcast today. Toril is James B. Duke Professor of Literature and Romance Studies and Professor of English, Philosophy, and Theatre Studies at Duke University. Toril's previous books include Sexual/Textual Politics: Feminist Literary Theory and Simone de Beauvoir: The Making of an Intellectual Woman. She has served as Research Professor at Norway's National Library for the last five years. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Today's guest is Toril Moi, whose book Revolution of the Ordinary: Literary Studies After Wittgenstein, Austin and Cavell (University of Chicago Press, 2017) returns to three twentieth-century figures in ordinary language philosophy to renew how we think about style and argumentation. Revolution of the Ordinary brings together a diverse archive of primary sources, from the Argentine writer Julio Cortazar to the 1970s TV show All in the Family. I am excited to welcome Toril to the podcast today. Toril is James B. Duke Professor of Literature and Romance Studies and Professor of English, Philosophy, and Theatre Studies at Duke University. Toril's previous books include Sexual/Textual Politics: Feminist Literary Theory and Simone de Beauvoir: The Making of an Intellectual Woman. She has served as Research Professor at Norway's National Library for the last five years. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/language

When Seamus Heaney wrote, “Walk on air, against your better judgement,”  he could have been writing about Pauline Turley.From Newry to New York, Pauline has paired hard work with serendipity to arrive at her pivotal role charting the impressive trajectory on New York's Irish Arts Center from a cramped tenement building to its expansive new home.She tells of how winning the Green Card lottery led this Trinity College Drama and Theatre Studies grad to depart for New York on something of a lark, of hustling her way into work in bars and restaurants, and of picking up the telephone book to discover the Irish Arts Center, where two weeks after starting work she'd find herself in charge of the whole thing as its executive director.And the IAC would be her professional and spiritual home for the next 26 years and counting, first as its executive director and for the past 16 years its vice chair with Aidan Connolly bringing his government and non-profit management chops to the executive director role.Imagine the patience, ingenuity, energy, collaboration, and cajoling that went into conceiving and then realizing the dream for a new home for Irish arts in New York. And as opening day approached, Pauline had another major project in gestation, her daughter Lily who conveniently held off her arrival until after Pauline had wrapped up the year's IAC Gala.The migration from its old home has opened new possibilities for Irish arts in New York, with bigger venues for music and dance, spaces for visual arts, and new ways to play a growing role in the multicultural vitality of the city. IAC is a place where you could find the punk rock musical Good Vibrations from Belfast's Lyric Theatre on the main stage, while in a studio space around the corner a decidedly non-punk crowd is having good craic with traditional Irish set dancing.From The Troubles in Northern Ireland to the triumph of the Irish Arts Center in New York—join us in our conversation with the “Muse of Irish Arts in New York,” here on Irish Stew.For Tickets to “Good Vibrations: A Punk Rock Musical” (June 14-July 16, 2023) go to: https://irishartscenter.org/event/good-vibrations-a-punk-rock-musicalLinksPauline TurleyTwitterLinkedInIrish Arts CenterWebsiteTwitterFacebookInstagram

Jeannette talks to renowned theatre director, Luke Kernaghan, on the ways in which he has harnessed the power of his creativity to unlock success, the value of connections and how networking has accelerated his journey of growth, and why following your passions is the key to lifelong happiness when it comes to your career choice. KEY TAKEAWAYS There is no substitute for authenticity, and you cannot truly be yourself until you've asked the internal questions required. Sometimes the forces that drive us are difficult to identify, and manifest themselves through instinct. We should always listen to our inner voice. If we are able to identify our passions, and forge a career in that sector, then working becomes a privilege, and fulfilment is far easier to achieve. Theatre in particular, thrives upon community. Those who are in the field, raise each other up and encourage support from all sides. BEST MOMENTS 'Your energy is incredible. You clearly love what you do' 'My journey was not linear' 'You don't go into theatre to make money!' This is the perfect time to get focused on what YOU want to really achieve in your business, career, and life. It's never too late to be BRAVE and BOLD and unlock your inner BRILLIANCE. If you'd like to jump on a free mentoring session just DM Jeannette at info@jeannettelinfootassociates.com or sign up via Jeannette's linktree https://linktr.ee/JLinfoot VALUABLE RESOURCES Brave, Bold, Brilliant podcast series - https://podcasts.apple.com/gb/podcast/brave-bold-brilliant-podcast/id1524278970     Luke Kernaghan Instagram - https://www.instagram.com/kernaghanluke/?hl=en ABOUT THE GUEST Luke Kernaghan is a freelance theatre director, working extensively within the UK and internationally. He started his career as an actor in devised and physical theatre companies, performing mainly in Europe, before moving into directing. He has directed for theatres such as The National Theatre of Scotland, The Royal Shakespeare Company, The Abbey Theatre in Ireland, Seensee in Seoul South Korea, The National Theatre of Mexico, The Donmar, The Jamie Lloyd Company and ATG. Recent productions include the award-winning(*) musical The Stamping Ground (featuring the songs of Runrig), The US premiere tour of How The Hell Did I Get Here? starring Downton Abbey's Lesley Nicol, and co-written by the multiplatinum-selling and Emmy-nominated songwriter Mark Mueller. His production of Katie Honan's one-woman-show How To Fall Flat On Your Face won two Greenroom Awards(**) in Ireland, and is transferring to Dublin in winter 2023. A graduate of Oxford University, with a BA Joint Honours in French and Spanish, Luke also earned a Diploma in Theatre Studies from the École Internationale de Théâtre Jacques Lecoq in Paris. Luke gained an MA in Directing from the Central School of Speech and Drama in London, and trained on the National Theatre's Director's Course. ABOUT THE HOST Jeannette Linfoot is a highly regarded senior executive, property investor, board advisor, and business mentor with over 25 years of global professional business experience across the travel, leisure, hospitality, and property sectors. Having bought, ran, and sold businesses all over the world, Jeannette now has a portfolio of her own businesses and also advises and mentors other business leaders to drive forward their strategies as well as their own personal development. Jeannette is a down-to-earth leader, a passionate champion for diversity & inclusion, and a huge advocate of nurturing talent so every person can unleash their full potential and live their dreams.  CONTACT THE HOST Jeannette's linktree - https://linktr.ee/JLinfoot https://www.jeannettelinfootassociates.com/ YOUTUBE - https://www.youtube.com/channel/UCtsU57ZGoPhm55_X0qF16_Q LinkedIn - https://uk.linkedin.com/in/jeannettelinfoot Facebook - https://uk.linkedin.com/in/jeannettelinfoot Instagram - https://www.instagram.com/jeannette.linfoot/ Email - info@jeannettelinfootassociates.com Podcast Description Jeannette Linfoot talks to incredible people about their experiences of being Brave, Bold & Brilliant, which have allowed them to unleash their full potential in business, their careers, and life in general. From the boardroom tables of ‘big' international businesses to the dining room tables of entrepreneurial start-ups, how to overcome challenges, embrace opportunities and take risks, whilst staying ‘true' to yourself is the order of the day.Travel, Bold, Brilliant, business, growth, scale, marketing, investment, investing, entrepreneurship, coach, consultant, mindset, six figures, seven figures, travel, industry, ROI, B2B, inspirational: https://linktr.ee/JLinfootSee omnystudio.com/listener for privacy information.

In this episode of “The Journey of My Mother's Son” podcast, I sit down to talk with Krystal Hille. Krystal is another one of the amazing humans that I met through the Your Words Have Power event sponsored by Wendy Corner back in October of 2022. Krystal is the founder of Hill House Publishing and Inspired Relations.  She is an international speaker, bestselling author, and soul leadership mentor. Krystal is enthusiastic about empowering individuals to fulfill their highest potential and she has always been curious about people's motivations and why they do what they do. The common thread through all has been to help the community as well as her clients – purpose-driven entrepreneurs especially in the personal development field, change-makers, and conscious creatives – to step into their zone of flow and claim the essence of soul leadership, so their passion can ignite global change. ​Krystal is a serial entrepreneur who has a thriving coaching, speaking, and now publishing business since 2008. In her own words, Krystal says: I grew up in Germany as the eldest daughter of a church minister and I was the editor of the school magazine amongst many other things. After school, I moved to England to explore my freedom and traveled the world extensively in my teens and twenties. I graduated from University with a BA Hons (with distinction) in English Literature and Theatre Studies, became a theatre director, drama teacher, and spent some time in Education Outreach Programs for the Royal Shakespeare Company. This satisfied my desire to share stories and understand human motivations through literature and theatre. After a divorce in my early 30s, the universe guided me (in a literal dream and many other synchronicities) to move to Australia. So, I did. After some soul-searching about what to do next, I wrote myself into clarity that it was time to stop putting stories on stage and instead help people improve the stories of their lives. I studied coaching, NLP, Timeline Therapy, Reiki etc. and started helping women to step into their feminine flow. ​I had studied with spiritual teachers since my mid-twenties, and my spiritual side started to influence my work, especially the retreats I began running. I facilitated past-life regressions, ancestral clearings and soul reconnections. When I realized that many women were disembodied and scared to be fully present in their lives, I added Tantra to my toolkit, to assist with this phenomenon and help cultivate life-force energy for manifestation purposes and more. When Covid hit, I was running big events in Melbourne, Brisbane and Sydney and was speaking at many Tantra Festivals in Australia. With lockdowns, it was time to re-invent myself again, especially since I didn't feel like staying in ‘my lane'. I wasn't speaking about authentic relating, embodiment, or conscious communication anymore. Instead, I spoke about the importance of conscious entrepreneurs and change makers stepping up and speaking up. I wanted to help create a countermovement to the fear mongering propagated by the mainstream media and share inspiration and hope with the world. But many light workers and change-makers were still not stepping into their full potential, and I felt called to help them (and myself, if I am totally honest). After becoming a bestselling author in 2020, the opportunity to become a publisher presented. It resonated and I said yes in early 2021 when I founded Hille House Publishing. Multi-author books, also known as collaborative books, became a vehicle for clients to get permission to claim a future personality of pure potential, certainty, and confidence. Since then (now June 2022), I have enrolled over 90 thought leaders from 5 continents and 20 countries, and every book has become an international #1 bestseller in numerous categories on Amazon. In June of 2022, my desire to give back to the community propelled me to create Inspired Relations, a not-for-profit organization dedicated to provide education around co-dependency, coercion and more. Krystal lives in the country Victoria, Australia, with her two gorgeous children. If you are interested in finding out what your unique Author Archetype is, take the quiz by clicking here: https://www.krystalhille.org/author-archetype-quiz To find out more about Krystal, check out her website at https://www.krystalhille.org/.

Friday live, The Allens Investigate welcome their special guest Guy Loveridge!!! About The Guest: Guy Loveridge, Actor, Presenter and Publisher. Guy has a history of working in the automotive industry and commentates on historic motorsports as well as working in local radio. He has appeared and been involved in making and presenting TV programmes. He has acted in Films, TV and stage work, having achieved a B.A. Honours in Theatre Studies. He spent four years in the RAF. As a publisher, Guy has been responsible for the publishing of over 20+ book titles. He has an interest in the paranormal, having encountered some strange experiences! Episode Bio: In this episode we welcome Guy Loveridge, Actor, Presenter and Publisher..We will be discussing his life, his work in TV, Film and Radio, and his fascinating paranormal encounters.

Friday live, The Allens Investigate welcome their special guest Guy Loveridge!!! About The Guest: Guy Loveridge, Actor, Presenter and Publisher. Guy has a history of working in the automotive industry and commentates on historic motorsports as well as working in local radio. He has appeared and been involved in making and presenting TV programmes. He has acted in Films, TV and stage work, having achieved a B.A. Honours in Theatre Studies. He spent four years in the RAF. As a publisher, Guy has been responsible for the publishing of over 20+ book titles. He has an interest in the paranormal, having encountered some strange experiences! Episode Bio: In this episode we welcome Guy Loveridge, Actor, Presenter and Publisher..We will be discussing his life, his work in TV, Film and Radio, and his fascinating paranormal encounters.

Welcome to First Thought Backstage at Galway International Arts Festival. In this series we get to sit down with theatremakers at GIAF 2022 to discuss the making of their shows. First Thought is presented in association with University of Galway. One of the world's most celebrated theatre ensembles, Chicago's Steppenwolf make their much-anticipated return to Galway for the first time in 15 years with Sam Shepard's True West. Listen to University of Galway Professor of Drama and Theatre Studies, Patrick Lonergan catch up with cast members Randall Arney and Ora Jones in this post-show talk. Hear the ensemble members' thoughts on the characters they play, the history of the ensemble and new resonances in the revived American classic.

Latest from Spoken Label and our last session of the year features the magnificent Louise Fazackerley. Louise's work is described as “ work rooted in word-witchery and the working class, Louise explores the synergy between poetry, voice and movement in a way that makes the ugly beautiful and the mundane fantastical. Winner of BBC Radio 3 ‘New Voices', European Slam Finalist and support artist for punk legend Dr. John Cooper Clark, Louise is a true, Northern powerhouse. Welcome to her world of darkly humorous poetry. Previous poetry collections include The Lolitas and The Uniform Factory (Verve Poetry Press), Bird St. (The Secret Writers Club) and audio book, Council House Poetry (Nymphs & Thugs.) Louise has a degree in Theatre Studies and Creative Writing from Lancaster University and an MA in Creative Writing from Edge Hill University. She lectures and teaches creative writing in schools, prisons and universities. When she is not writing, Louise is loping around Wigan and wrangling two teenage daughters and two teenage cats. “ Louise's latest book ‘pleasure dome which this sesison talks about ' is described as: “Take your little feelings-junkie-self on a dash through the house of fun. Here is hedonism and anhedonia a.k.a 'the inability to feel anything' nothing? explored through lyric poetry and dystopian prose poetry. Here are the Romantic Poets. Here are some bands from the 1980's. Here is a bathroom. Here is a place where the super-rich get to use your organs instead of their own. Obvs. Think escapism, mothers guilt and drink- some of it set in an alternate dimension of distorted mirrors and super-fun balloons. Dilettantes and the discerning brain are welcome here. “ More about Louise can be found at: https://www.louisethepoet.co.uk/

Today's guest on the show is Dr. MC. Theresa Melito-Conners, Ph.D.  Dr. MC is the founder of “Dr. MC's Self-Care Cabaret.” Dr. MC is a self-care, growth mindset, and trauma recovery expert. In addition to her Ph.D., Dr. MC has a Master's in school counseling and psychology, and a Bachelor's in Theatre Studies. Dr. MC regularly presents workshops, professional development opportunities, keynotes, and she has two published handbook chapters in educational texts. She also hosts a blog, podcast, and growing social media community.  She has appeared on TV, high profile podcasts such as Nike Trained and is regularly cited as an expert in various publications.In this episode we talk about.....What self care means to Dr. MCWhy self love is importantMental health challenges Dr. MC faced and overcameHow "Dr. MC's Self-Care cabaret" helps othersTechniques for stress managementHow Dr. MC will show up and love for herself and othersTo learn more about Dr. MC, visit the links below:Instagram: https://www.instagram.com/drmcselfcare/Website: https://drmcselfcare.com/To learn more about Lorrine or order her Books, visit the links below:Website: https://beacons.page/lorrinepattersonFreeing Your Heart For Love: https://www.freeingyourheartforlove.com/A Hearthology, Collection of Writings with Love: https://www.showupandlove.com/book-loveFollow the podcast on Instagram: https://www.instagram.com/showupandlove/Please like, subscribe, and leave a review if you enjoyed the episode!

[Note: In the episode image the artwork behind Dionne Brand at the podium is by Torkwase Dyson, as is the cover art work for Nomenclature] In this conversation we are thrilled to welcome Dionne Brand to the podcast.  This is a conversation with her new book Nomenclature: New and Collected Poems and also with a number of her lectures, interviews, and dialogues over the years. If we reference something not in Nomenclature we have done our best to include a link to it in the show notes.  We ask questions about themes and ideas we hear or read Brand grappling with in her work, as well as questions that we grapple with in relation to her work. These include questions about time, epistemology, nature, the category of the human, Black thought, spectacle, narrative, capital, imperialism, socialism and liberation. If you find value in this conversation and others we publish, we encourage you to support the podcast at patreon.com/millennialsarekillingcapitalism, we are 100% supported by our listeners and you can be a part of that for as little as $1 a month. Dionne Brand is a renowned poet, novelist, and essayist. Her writing is notable for the beauty of its language, and for its intense engagement with issues of international social justice. Her work includes ten volumes of poetry, five books of fiction and three non-fiction works. She was the Poet Laureate of the City of Toronto 2009-2012. From 2017-2021 Brand was Poetry Editor at McClelland & Stewart- Penguin Random House Canada. Dionne Brand became prominent first as an award-winning poet, winning the Griffin Poetry Prize for her volume Ossuaries, the Governor General's Literary Award and the Trillium Book Prize for her volume Land to Light On. She's garnered two other nominations for the Governor General's Literary Award for the poetry volumes No Language Is Neutral and Inventory respectively, the latter also nominated for the Trillium and the Pat Lowther. She has won the Pat Lowther Award for poetry for her volume thirsty also nominated for the Griffin Poetry Prize and the city of Toronto Book Award.  Her 2018 volume, The Blue Clerk, was nominated for the Governor General's Literary Award for poetry and the Griffin Poetry Prize and won the Trillium Book Prize. Brand has also achieved great distinction and acclaim in fiction and non-fiction. Her most recent novel, Theory won the Toronto Book Award 2019 and the BOCAS fiction prize. Her novel, Love Enough was nominated in 2015 for the Trillium Book Award. Her fiction includes the critically acclaimed novels In Another Place, Not Here, At the Full and Change of the Moon, and, What We All Long For an indelible portrait of the city of Toronto which also garnered the Toronto Book Award. Her fiction has been translated into Italian, French and German. Dionne Brand's non-fiction includes Bread Out Of Stone, and A Map to the Door of No Return, which has been widely taken up by scholars of Black Diaspora and An Autobiography of The Autobiography of Reading. In 2021 Brand was awarded the Windham Campbell Award for fiction. Dionne Brand has published nineteen books, contributed to many anthologies and written dozens of essays and articles. She has also been involved in the making of several documentary films. She was a Distinguished Visiting Professor at St. Lawrence University in New York and has taught literature and creative writing at universities in both British Columbia and Ontario. She has also held the Ruth Wynn Woodward Chair in Women's Studies at Simon Fraser University. She holds several Honorary Doctorates, Wilfred Laurier University, University of Windsor, Simon Fraser University, The University of Toronto, York University and Thornloe/Laurentian University.  She lives in Toronto and was Professor in the School of English and Theatre Studies at the University of Guelph until 2022. She is a member of the Order of Canada. In every area of her work Brand has received widespread recognition through literary awards, honorary doctorates, and praise by the likes of Audre Lorde, Adrienne Rich, Kamau Braithwaite, and so many, many others. In the show notes we will include Dionne Brand's full bio which further details her award winning work in poetry, fiction, non-fiction, and film. As well as her distinguished work as an educator, documentary film maker, and poetry editor. Sources: Nomenclature: New and Collected Poems David Naimon's interview with Dionne Brand on Between The Covers Podcast  Adrienne Rich and Dionne Brand in Conversation  Dionne Brand: The Shape of Language (along with Torkwase Dyson)  “I Am Not The Person You Remember” - In Memoriam of MF DOOM with Hanif Abdurraqib “The Oppressed Have a Way of Addressing Their Own Conditions” - On Joshua Myers' Cedric Robinson: The Time of the Black Radical Tradition   Dionne Brand - “An Autobiography of the Autobiography of Reading”  

During this episode of Why Change? co-hosts Rachael and Jeff chat with their colleague Dr. Michael Finneran about the topic of ‘creative justice.' Rachael and Michael have been exploring this concept, and its applications around the world, for the last few years - the discussion explores the histories, theories, applications, and healthy tensions within the big idea. In this episode you'll learn: About the concept of ‘creative justice' and the role of arts education within its framework; How expanding the discourse on change-oriented arts education can interrogate the grand narratives which influence our work; and In what ways critical reflection can impact creativity, justice, and activism through the arts. Check out some of the things mentioned during this podcast, including: “Can Assessment Bring About Creative Justice?” session from the World Alliance for Arts Education Virtual World Summit 2021 Dancing toward the light in the dark: COVID-19 changes and reflections on normal from Australia, Ireland and Mexico article underpinning the research Civil Disco-Bedience: It's Time To Dance For Your Life blog by Rachael Jacobs Keep Making Art That Counts blog from Michael Finneran The 10th International Drama in Education Research Institute ABOUT DR. MICHAEL FINNERAN: Dr Michael Finneran is the founding Head of the Department of Drama and Theatre Studies at the University of Limerick (Mary Immaculate College) Ireland and Programme Director for the BA in Contemporary & Applied Theatre Studies. Michael's research interests lie in applied theatre, drama education, theatre practice, creativity, arts policy and social justice in the arts. He has published widely in those areas and is co-author (with Prof. Kelly Freebody) of Critical Themes in Drama: Social-Cultural and Political Analysis in Drama Education & Applied Theatre (Routledge, 2021) and co-editor of a number of volumes, including Drama and Social Justice: Theory, research and practice in international contexts (Routledge, 2016), Applied Theatre: Understanding Change, (Springer, 2018), Education and Theatres (Springer, 2019). He is currently Principal Investigator on an Irish Research Council/Creative Ireland funded study examining creativity and wellbeing. Michael led the establishment of the professional 510-seat Lime Tree Theatre in 2012 and served on the board for a decade. He is currently is Chairman/Cathaoirleach of the board of Branar Téater do Pháistí , and Chairman of the board of Dance Limerick. Michael is a practicisting theatre artist, working as director, producer and designer in professional and community theatre. Michael was a Gilbert Visiting Fellow to the University of Sydney Social Sciences and Humanities Advanced Research Institute in 2022 and was added to the DCU Alumni Distinguished Wall in 2020. This episode was produced by Rachael Jacobs; the executive producer is Jeff M. Poulin. The artwork is by Bridget Woodbury. Creative Generation's Digital Media Producer is Daniel Stanley. This podcasts' theme music is by Distant Cousins. For more information on this episode and Creative Generation please visit the episode's webpage and follow us on social media @Campaign4GenC --- Support this podcast: https://anchor.fm/whychange/support

This week, Theatre Maker, Trevor Copp encourages us to constantly aim to develop our creative ideas over many years. Trevor shares his own journey on how his pursuit of story telling, creativity and exploring new ideas is always evolving throughout his career and lead one of his most recent explorations has lead to to his new collaboration in turning one of his mime pieces into feature film!    At the end of the day, don't be afraid to ask yourself “And now what?” Be willing to let your projects and ideas evolve. Desire, passion, curiosity, and work ethic are more important than talent any time.  In this episode: There are parts of the mind that do not distinguish between real and imagined events. Confidence is being willing to hold your hand all the time. The wonderful gift of being untalented is being able to constantly reinvent and rediscover your creativity. For a creator, there is no poverty, space, and opportunity that creativity doesn't have a way to get into it. Trevor founded Tottering Biped Theatre (TBT) in 2009, a professional company emphasizing original, issue driven, and highly physical work. He completed Theatre Studies at Waterloo, a MA at Guelph, and Mime at the Marcel Marceau School in Paris. He has been a professional actor for over 15 years in pieces ranging from Classical to contemporary, performing in over 40 National and International cities and Theatre Festivals. Trevor is also a professional Mime, a regional American Style Latin Dance Champion, and has taught/coached physical Theatre for over a dozen professional Theatre companies and University Theatre programs. He is an active arts advocate, director and choreographer. SHARE THIS EPISODE >>  www.thisischelseajohnson.com/212 Connect with Cue To Cue on  I: @thissichelseajohnson F: @thisischelseajohnson T: @thisischelseaj Follow Trevor! online: Tottering Biped Theatre facebook: @trevor.copp

Thinking Cap Theatre's Artistic Director Nicole Stodard Ph.D talks with Gwendolyn Alker Associate Arts Professor and Director of Theatre Studies in the Department of Drama, Tisch/NYU about Fornes' legacy, identity politics, feminism, the landmark play Fefu and Her Friends and Alker's latest work on Fornes' Evelyn Brown. GWENDOLYN ALKER'S BIO Gwendolyn Alker is an Associate Arts Professor and Director of Theatre Studies in the Department of Drama, Tisch/NYU. She is the former Editor of Theatre Topics and the former managing editor of Women & Performance. As a scholar and dramaturg, she has taught and advocated for the work of María Irene Fornés over the last two decades. Dramaturgical credits include the New York Fornés Festival (2010), which she curated and organized, the award-winning documentary The Rest I Make Up by Michelle Memran (2018), and JoAnne Akalaitis' Maria Irene Fornes Marathon at The Public Theatre (2018). Publications on Fornés include “Teaching Fornes: Preserving Fornesian Techiques in Critical Context” published in Theatre Topics in 2009, as well as “Fornesian Animality: María Irene Fornés' Challenge to a Politics of Identity” published in the Journal of Dramatic Theory and Criticism (2020). Most recently, she dramaturged and re-assembled the Fornés lost great work, Evelyn Brown (A Diary) as part of Princeton's Atelier series during the Fall of 2021. Evelyn Brown will be debuted as part of La Mama's Spring 2023 season. --- Support this podcast: https://podcasters.spotify.com/pod/show/thinking-cap-theatre/support

Sally Cade Holmes is a two time Tony Award-winning producer and thought leader committed to making challenging and innovative entertainment with broad appeal. She believes that brave, accessible, social justice-minded storytelling will make the world a better place. Her Broadway producing credits include Hadestown (Tony Award), The Inheritance (Tony Award / GLAAD Media Award), Terrence McNally's Frankie and Johnny in the Clair de Lune (Tony nomination), and Anastasia. Her Off-Broadway credits include Little Shop of Horrors (Drama Desk, Drama League & Outer Critics Circle Awards) and Puffs. Past credits include Nubia (featuring the queens of RuPaul's Drag Race), Boy Gets Violent (Ars Nova's AntFest), Summer Valley Fair (New York Musical Theatre Festival), Ryan J. Haddad's Hi, Are You Single (2015 Hot! Festival and 2016 Under The Radar) and Here's Hoover (directed by Tony Award winner Alex Timbers). She spent the early part of her producing career as Associate Producer at Tom Kirdahy Productions (White Rabbit Red Rabbit, The Jungle, It's Only A Play) where she was mentored by Tom Kirdahy and the late Terrence McNally. Prior to that, she served as Producing Associate at Williamstown Theatre Festival where she worked on Broadway and off-Broadway productions of The Bridges of Madison County, Fool for Love, Living on Love, The Old Man and The Old Moon, and The Visit. Sally Cade holds a Masters Degree in Arts Administration with an advanced certificate in Arts Enterprise from Boston University. She received her BS in Theatre Studies with a minor in Religious Studies from the University of Evansville. Currently, Sally Cade is a Guest Teaching Artist at Furman University where she teaches an Advanced Seminar in Creative Leadership. She is developing several new theatrical works. @sally.cade | www.sallycadeholmes.com