Bohemian novelist and short-story writer (1883–1924)
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Debates about AI typically deal with its immediate material consequences, from cybersecurity and infrastructure to plagiarism and copyright. Yet most people deal with AI as a generative consumer product that raises longer-term questions about its cultural effects on American society, human art, and ultimately, our souls. What is the role of the artist, for example, when a bot can crank out the same thing more quickly and efficiently?To help answer that question, as we continue Season 6, I have as our guest the playwright, novelist, and essayist Matthew Gasda. The author of the novels The Sleepers (2025) and Stranger Beauty (2026), he has written, produced, and directed over thirty plays, including Dimes Square, Zoomers, and Doomers, with his former production company, The Center for Theatre Research.Today, drawing on his upcoming book, Futurepast (Encounter Books 2026), alongside Stranger Beauty, his many essays on culture and technology, as well as his Ted Talk about training an LLM on his own works, we discuss the future of the creative arts in the AI age.We also touch upon the paradoxes of Jorge-Luis Borges, Harold Bloom's literary criticism, what is different about large language models, why Kafka felt older than his predecessors, the mysteries of poetic inspiration and of the soul, what hosting live theater was like during the pandemic, the possibility of secular monasteries, how to use AI as a competitor to root out artistic complacency, and the unpredictable prospects for cultural renewal.Hosted by Ryan Shinkel, Madison's Notes is the podcast of Princeton University's James Madison Program in American Ideals and Institutions. The transcript for this interview is available on the JMP substack page, “Madison's Footnotes. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
My Republican Dad Fought Fascism, Then Gave Me Kafka. Trump Just Made Me Understand Why...See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Joe Casey talks about the comic book reboot of Ben 10 by the Men Of Action for Dynamite.He's also re-releasing his and Ashley Wood's mind bending Automatic Kafka for Image in November.We also talk about his DC mini series Knee Before Zod and his Skybound series with Robert Kirkman Terminal
Americans don't trust the government anymore. Annie Lowery, Atlantic staff writer and author of the new book The Time Tax, joins Offline to identify the culprit: a plodding, vindictive, racist bureaucracy that people must navigate to get government services and benefits. The paperwork, lines and emotional strain—just to feed your kids or renew your driver's license––adds up to a “time tax” that falls most heavily on low-income Americans. Annie and Jon take stock of the Kafka-esque system and discuss why, if Democrats don't do something to change it, people will continue to tune out the party that wants to build something better.Hate listening to ads? Become a Friends of the Pod subscriber for ad-free episodes of Pod Save America, Pod Save the World, Lovett or Leave It, Runaway Country, Offline with Jon Favreau, and more—plus exclusive content, including bonus episodes of Pod Save America. Subscribe now at crooked.com/friends, on Apple Podcasts, or through the Pod Save America YouTube channel.To watch this episode with subtitles, click here and turn on closed captions (CC).You can request a transcript by emailing transcripts@crooked.com. Include the podcast name, episode title, and air date. Please allow 48 hours for delivery.
No novo episódio do Linhas Cruzadas, Thaís Oyama e Luiz Felipe Pondé revisitam Kafka, Dostoiévski, Freud e Nelson Rodrigues para mostrar como esses autores anteciparam angústias que continuam presentes no século XXI: a busca pela perfeição, o medo da intimidade, as relações descartáveis e o julgamento constante.Com a psicanalista Carol Tilkian, o programa discute nossa dificuldade de criar e manter vínculos em uma época marcada pelo controle, pela produtividade e pela exaustão. A conversa mostra como velhos conflitos ganharam novas formas com as redes sociais e a tecnologia.Ansiedade, niilismo e exaustão moral não são novidades. Muito antes dos algoritmos e do burnout, esses pensadores já investigavam as contradições e fragilidades da mente humana.#LinhasCruzadas #TVCultura #SomosCultura
"Krás naší vlasti je tolik, že na ně ani celý lidský život nestačí" říká František Kafka. Ve svých 66 letech se rozhodl vypravit na cestu kolem českých hranic, pěkně po svých, aby naši zemi prozkoumal důkladně. Vypráví nejen o svých zážitcích z cest, ale také o své rodině, jejíž kořeny sahají do 17.století.Tento podcast můžete podpořit na https://radio7.cz
Is freedom always an absolute good? For freedom to be beneficial and practical, does it need constraining? Are attacks on freedom really the first step to tyranny?From freedom from tyranny and poverty to the right to free speech, we assume freedom is always desirable. But critics argue the consequences of freedom are less obviously desirable than we imagine and frequently unknown. Kafka wrote, "It is often better to be in chains than to be free," and Sartre that, "we're condemned to be free" since we are responsible for everything we do. And in wealthier countries where citizens are freer from the hunt for basic necessities like food, water, and housing, studies show depression and anxiety are more prevalent, not less.Daniel Markovits is Professor of Law at Yale Law School and the Founding Director of the Center for the Study of Private Law. He is the author of the bestselling book The Meritocracy TrapElizabeth Anderson is Professor of Public Philosophy, Politics and Economics at the University of Michigan. She specialises in moral, social and political philosophy, as well as feminist theory and the philosophy of economics and the social sciences.Yaron Brook is an entrepreneur, writer, activist, and political scientist. He is currently chairman of the board of the Ayn Rand Institute and host of the Yaron Brook Show.Isabel Hilton hosts.Don't hesitate to email us at podcast@iai.tv with your thoughts or questions on the episode!To witness such talks live buy tickets for our upcoming festival: https://howthelightgetsin.org/festivals/And visit our website for many more articles, videos, and podcasts like this one: https://iai.tv/You can find everything we referenced here: https://linktr.ee/philosophyforourtimesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Today on Ascend: The Great Books Podcast, Dcn. Garlick is joined by Dr. Joseph Boyne to discuss Flannery O'Connor's "Enduring Chill" as part of Short Story September. Visit thegreatbookspodcast.com for our reading schedule, articles, and a whole host of written guides.Asbury Fox, the failed New York writer who returns home to his mother's dairy farm convinced he is dying a tragic, Kafka-esque death, meets a rural doctor, two farmhands who refuse to share his resentment, and a deaf, one-eyed priest from Purrgatory who simply walks him through the Baltimore Catechism. What begins as another Southern Gothic confrontation with pride becomes something rarer in O'Connor: a dark comedy in which the protagonist desires of a romantic death are met with an enduring chill.Dr. Boyne and Dcn. Garlick draw out the story's autobiographical shadows, its critique of performative liberalism and abstract love of humanity, and the way O'Connor uses both the Jesuit in New York and the homely Father Finn to insist that meaning—and grace—cannot be manufactured from the self. The conversation lingers on the water-stain dove that descends as ice rather than fire, the question of whether the tale is comic or merely purgatorial, and what it means for those of us who prize the Great Books that education, by itself, is never enough. Listeners who have been scarred by “The Lame Shall Enter First” will find this one far easier to finish—and far more unsettling in its quiet demand that we keep living.Chapters00:05 — Podcast intro and the reading plan for Short Story September01:01 — Introducing Enduring Chill and Dr. Joseph Boyne03:21 — Why Dr. Boyne picked the story05:00 — Flannery O'Connor and the Southern Gothic tradition12:55 — The grotesque, violence, and grace in O'Connor20:32 — Asbury returns home and the education theme30:30 — Asbury's desire for a meaningful death and the Jesuit in New York41:42 — Dr. Block and Asbury's confrontation with illness50:00 — The dairy farm, the black workers, and failed communion57:13 — Asking for a priest and the dream sequence70:29 — Father Finn arrives and subverts Asbury's expectations80:31 — Randall and Morgan return85:34 — Dr. Block diagnoses the illness correctly87:40 — Final scene: the Holy Ghost in ice and the enduring chill96:23 — Closing reflections on O'Connor and the story's meaningKeywordsFlannery O'Connor The Enduring Chill short story analysis, Ascend the Great Books Podcast Short Story September episode with Deacon Harrison Garlick and Dr. Joseph Boyne of Tulsa Community College, Southern Gothic literature, Catholic short stories, Christ-haunted South, Asbury Fox character study, Jesuit priest Ignatius Vogle, Father Finn from Purgatory, Baltimore Catechism, Holy Spirit as ice instead of fire, undulant fever raw milk irony, performative liberalism and racial condescension, education versus practical wisdom, grotesque as medium of grace, O'Connor comedy versus tragedy, Good Country People comparison, lupus and autobiographical elements, Great Books education critique, upcoming Plato Republic series, Robert E. Howard Red Shadows Solomon Kane, Neil Gaiman Chivalry with Archduke Eduard Habsburg, Herman Melville Bartleby the Scrivener.
Alain Berenboom "Le soupçon ordinaire" (Kennes)2060. Pour mettre fin aux conflits, le monde a pris une décision radicale : interdire la religion juive. Officiellement, elle n'existe plus.À Bruxelles, Max Weingarten mène une vie tranquille de commerçant respecté. Jusqu'au jour où la police s'intéresse à lui. Sans accusation précise, sans preuve tangible, mais avec une question obsédante : qui est-il vraiment ?Peu à peu, les contrôles se multiplient, les interrogatoires deviennent plus insistants, les proches s'éloignent. Le soupçon s'insinue partout, transformant le quotidien en piège administratif. Ce qui semblait absurde devient menaçant. Ce qui était anodin devient suspect.Dans "Le Soupçon ordinaire", Alain Berenboom signe un polar dystopique aussi jubilatoire qu'inquiétant, où l'enquête avance à pas feutrés, dans un monde qui rappelle celui de Kafka, transposé dans un futur glaçant mais étrangement familier. Avec humour, ironie et une grande finesse psychologique, il explore les mécanismes du contrôle, de la peur et de l'identité.Un roman à suspense, politique et profondément humain, qui se lit avec le plaisir d'un excellent policier et qui laisse une empreinte durable bien après la dernière page.Musique : « Max » de Paolo ConteHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.
An airhacks.fm conversation with Simon Ritter about: Azul Zulu as a straight build of openJDK versus Azul Zing/Prime as the commercial high-performance JVM, improving Java performance without changing application code, C4 the Continuously Concurrent Compacting Collector, fully concurrent and compacting pauseless garbage collection, reaching a global safe point and millisecond-level pauses, a loaded-value read barrier intercepting every object read with a two-instruction test-and-jump, using bits in the object header limiting heaps to 20 terabytes, the one and a half day garbage collection pause anecdote on a terabyte-scale heap, latency-sensitive workloads like high-frequency trading and ad brokering, ZGC as a garbage collector heavily based on the published C4 work, Falcon a JIT compiler based on LLVM replacing HotSpot's C2, contributing the JIT wrapper and garbage collector integration back to LLVM, speculative optimizations and deoptimizations, throughput gains around 53 percent for Kafka and 30 percent for Cassandra, doing more with less to reduce cloud costs, ReadyNow capturing a profile of loaded classes, initialized classes, profiling data and compiled methods to reach about 98 percent of steady-state performance at startup, the Cloud Native Compiler offloading JIT compilation to a centralized cloud service, the Optimizer Hub storing profiles locally or centrally, soft real-time versus hard real-time JVMs, the Real-Time Specification for Java and immortal memory, garbage-collector-less programming, tiered compilation with C1 client and C2 server compilers, virtual threads and platform threads in relation to garbage collector threads, Azul Vega hardware history, Log4Shell as a potential security check in the compiler service Simon Ritter on twitter: @speakjava
Hanns Zischler ist in Bewegung: Seit den 1970er Jahren steht er vor der Kamera, arbeitete in Filmproduktionen von Wim Wenders, Peter Handke, Peter Lilienthal. Der Film "Im Lauf der Zeit" von Wim Wenders machte ihn 1976 bekannt, auch international. Es folgten Filme mit Claude Chabrol, Andrew Birkin. Neben seiner äußerst produktiven Filmarbeit schreibt Hanns Zischler Bücher. Er schreibt Romane, Sachbücher, beschäftigt sich mit Literatur, Architektur oder Philosophie. "Berlin ist zu groß für Berlin", "Kafka geht ins Kino" oder seine Übersetzung der Graphic Novel "Die drei Leben der Hannah Arendt" von Ken Krimstein wurden viel beachtet.Jetzt ist Hanns Zischler mit Sandra Hüller in Pawel Pawlikowskis Film "Vaterland" zu sehen. Ein Film, der in Cannes bereits mit der Silbernen Palme ausgezeichnet und über den in den Feuilletons schon viel gesprochen wurde, der von Thomas Manns Reise durch das tief gezeichnete, erschütterte Nachkriegseuropa handelt. Bevor "Vaterland" in die deutschen Kinos kommt, ist Hanns Zischler zu Gast bei NDR Kultur à la carte.
God torsdag!! I denne sendingen snakker Maria og Solveig om Oslo Pix utekino, klassisk litteratur med Leseklubben, ny programleder for debatten og Maria har starta på Athletica!!
It's the crossover episode every Millennial has been waiting for! We discuss bringing in the aunties from Sabrina the Teenage Witch, our memories of the sitcom, the many crossover episodes and the shows depiction of sitcoms as a never ending hell. Other topics include Sharp Objects, Hollywood Squares, Alan Wake 2, Kafka's Metamorphosis, and the Prisoner. Episode 66 content warnings: lovecraft, witchcraft, hell, satan, death, toxic masculinity, objectification, eating disorders, cannibalism Our amazing cover art is by Senki R and you can follow them at https://cara.app/senkireignTheme song: "Spellcraft" by Geoff HarveyGeoff Harvey - PixabayFollow us on Instagram at deadendspcast and bluesky @dead-ends.bsky.socialSend your podcast or show questions to our inbox at deadendspcast@gmail.com.Find all of Emily's links here: https://linktr.ee/emilypyleFind all of Brenton's here: https://linktr.ee/brentonpyle
A family court judge can reach into your family, single you out by name, and rearrange your life by dinnertime: where your child sleeps tonight, whether you're allowed to see them, whether you're even permitted to raise a concern about your spouse. Karen Winner told me that in the opening minutes of our conversation, and it's the line I keep coming back to. Winner is a journalist turned attorney and the author of Divorced from Justice: The Abuse of Women and Children by Divorce Lawyers and Judges, a book that started as a government investigation and became one of the few serious accountings of how family court actually operates in this country. Winner's path into this work began at the New York City Department of Consumer Affairs, where she investigated financial abuse of women by their own divorce attorneys under commissioner Mark Green. Three women brought her their stories, including Monica Getz, the ex-wife of saxophonist Stan Getz, and Peggy Hammond, ex-wife of blues musician John Hammond Jr. Winner went on to interview roughly a hundred people inside the system, insiders included. One judge pulled her aside in an empty courtroom to whisper how the wealthy get exploited by their own lawyers. The resulting report led to New York's Statement of Client's Rights, one of the first consumer protections written specifically for divorce clients, and still law today. What struck me most was Winner's explanation of judicial discretion. Family court judges, she said, "operate without any checks and balances." They decide behind closed doors, rarely have to explain their reasoning, and face almost no outside scrutiny because the whole apparatus runs at the state level. Custody evaluations compound the problem. Courts routinely appoint psychologists to assess parents, but "there's nobody reviewing the reviewers." Their reports are often sealed from the public and, astonishingly, from the parents whose children's futures depend on them. "It's not fair," Winner said. "It's not democratic. It's Kafka." A small, favored pool of evaluators gets reused case after case, regardless of credentials, because judges default to whoever they already know. That is the same undue influence dynamic I study in destructive cults: a closed information environment where the people affected by a decision have no way to question the process that produced it. When Bandy Lee joined me on this podcast, she described family courts as functioning like "a mini cult," advancing a false narrative that protects the wrong parent while the public stays in the dark. Learn more about your ad choices. Visit megaphone.fm/adchoices
The political economy of AI — things are getting weird, it seems. We have models on the loose, open weights being dropped from the heavenly temple, and data center protests fanning out across the land. There's a lot of salience in a way that feels really different than it did even six months ago. To discuss, we have the wonderful Anton Leicht, a fellow at Carnegie and author of the excellent Substack Threading the Needle. Our conversation covers: Why even a small amount of AI-driven unemployment could upend national politics, especially if agents start replacing junior white-collar workers and breaking the career pipeline, What policymakers can do to protect workers without calcifying the economy, how to collect better data on AI and labor, and whether to subsidize junior hiring, The case for funding the AI transition with corporate income taxes instead of token taxes, and why offering the government AI equity or “golden shares” would backfire, Data center backlash, strategies for winning hearts and minds, and options for friendshoring AI infrastructure, The political economy of safety — why pausing AI development wouldn't work, but a coordinated slowdown might, The coming reckoning between open source and the national security state. Plus, Kafka on bureaucracy and happenstance, how Anton's years in esports shaped his career, and why new ideas seem to travel more easily through American policy discourse than European institutions. Learn more about your ad choices. Visit megaphone.fm/adchoices
The political economy of AI — things are getting weird, it seems. We have models on the loose, open weights being dropped from the heavenly temple, and data center protests fanning out across the land. There's a lot of salience in a way that feels really different than it did even six months ago. To discuss, we have the wonderful Anton Leicht, a fellow at Carnegie and author of the excellent Substack Threading the Needle. Our conversation covers: Why even a small amount of AI-driven unemployment could upend national politics, especially if agents start replacing junior white-collar workers and breaking the career pipeline, What policymakers can do to protect workers without calcifying the economy, how to collect better data on AI and labor, and whether to subsidize junior hiring, The case for funding the AI transition with corporate income taxes instead of token taxes, and why offering the government AI equity or “golden shares” would backfire, Data center backlash, strategies for winning hearts and minds, and options for friendshoring AI infrastructure, The political economy of safety — why pausing AI development wouldn't work, but a coordinated slowdown might, The coming reckoning between open source and the national security state. Plus, Kafka on bureaucracy and happenstance, how Anton's years in esports shaped his career, and why new ideas seem to travel more easily through American policy discourse than European institutions. Learn more about your ad choices. Visit megaphone.fm/adchoices
En mutation constante, dans le journal comme au cinéma Depuis 2013, toutes les deux ou trois semaines, Paul B. Preciado tient chronique dans Libération. Le philosophe y saborde l'usage d'un mot-valise bourré de haine (« féminazie »), suggère de déboulonner chaque statue de notre passé colonial, évoque avec tendresse sa mère âgée, déclare « la grève des utérus » ou son amour « pour le mouvement délicat d'une chenille sur l'écorce d'un arbre ». Il y raccourcit ses phrases et élargit son lectorat, qui ne se cantonne plus aux universitaires et aux camarades des luttes LGBTQIA+. En 2019, un recueil de ces textes, qui portent la mémoire de l'oppression sexiste, homophobe ou transphobe, écrits dans des hôtels ou des aéroports, rassemblés sous le titre Un appartement sur Uranus (Grasset), s'orne d'une préface de Virginie Despentes. L'autrice de King-Kong Théorie prévient : « L'idée n'est pas de vous laisser indemne, mais vous verrez, c'est sans violence. » La même année, Preciado provoque une polémique internationale lors d'un colloque de psychanalystes freudiens, en passant par Kafka. Le titre du livre qui en découle, Je suis un monstre qui vous parle, vendu à seize mille exemplaires, confirme sa propension à chanter « les mutations constantes », comme en témoigne encore Mon nom est Body, sa longue postface au témoignage anonyme d'une existence trans paru en 1907 en Allemagne sous le titre Mémoires des années de jeune fille d'un homme (Seuil, 2026). Mais où en est sa relecture du mythe d'Œdipe, Œdipe trans ? A-t-il quitté les éditions Grasset ? Comment est-il passé à la réalisation pour adapter si brillamment le roman Orlando de Virginia Woolf, quatre fois récompensé à Berlin en 2023 ? Comme le démontre ce troisième et dernier épisode, gloire au mélange des genres, surtout quand ça dérange. L'auteur du mois : Paul B. Preciado Né en 1970 à Burgos (Espagne), Paul B. Preciado est philosophe, écrivain, commissaire d'exposition et réalisateur. Depuis la sortie de son Manifeste contre-sexuel (Balland, 2000, réédité Au Diable Vauvert), ce sniper cérébral ne cesse de tirer sur les normes violentes du capitalisme hétéro-patriarcal. Titulaire d'un doctorat à l'université de Princeton (New Jersey), le précis et précieux Preciado troue les préjugés et déride notre époque, notamment au sujet de la transidentité, via une demi-douzaine de livres hybrides (dont Un appartement sur Uranus, chez Grasset en 2019, vendu à 25 000 exemplaires), un fabuleux documentaire (Orlando, ma biographie politique) ou ses articles pour Libération. Il vit et travaille à Paris, au rythme des ronflements de son chien Rilke. Enregistrements juin 2026 Entretien, découpage Richard Gaitet Prise de son Mathilde Guermonprez Montage Mathilde Guermonprez, Esteban Capron Réalisation, mixage Charlie Marcelet Lectures Elios Levy Musiques originales Samuel Hirsch Chant, clavier, pads Cha Illustration Sylvain Cabot Remerciements Andréa Cloutrier
The rest of my conversation with Peter Kuper on his bold political art, Kafka adaptations, and nearly three decades of Spy vs. Spy. Fantastic Comic Fan Podcast Website
A conversation with Peter Kuper on his bold political art, Kafka adaptations, and nearly three decades of Spy vs. Spy. Fantastic Comic Fan Podcast Website
Massimo Carloni"La sovranità delle cose eterne"Montesquiou, Proust e La RechercheMimesis Edizioniwww.mimesisedizioni.itVincitore del Premio: Prix Robert de Montesquiou 2025L'esprit di Montesquiou e il suo gusto modern style aleggiano ovunque negli ambienti frequentati da Swann, negli arredi orientaleggianti di Odette, negli abiti Fortuny di Albertine, per incarnarsi poi nella figura, a un tempo fantomatica e tragica, del barone di Charlus. Chiunque voglia respirare l'atmosfera in cui è germogliata la Recherche di Proust, coglierne le virtù segrete, dovrà esplorare quel giardino incantato, lussureggiante, esotico e soffuso di malinconia che è stata la vita e l'opera del suo “professore di bellezza”. Il libro ripercorre il connubio amicale e artistico tra Montesquiou e Proust, le rivelazioni folgoranti, i fervori estetici, i duelli, le pene, gli amori, fino all'incontro con l'ultima musa, l'orrenda signora in nero: la morte. Come per incanto risorge tutto un mondo mitologico popolato da personaggi leggendari che hanno ispirato tanto la poetica dell'effimero di Montesquiou, quanto l'apoteosi eterna dell'arte che Proust pone a suggello del Temps retrouvé.Massimo Carloni (1968), saggista, ha curato scritti e carteggi di Antoine Rivaroli, Charles Baudelaire, Marcel Proust, Paul Valéry, Emil Cioran. Ha curato i volumi: Il visitatore della sera di Marcel Proust (2019); Una segreta complicità, corrispondenza tra Emil Cioran e Mircea Eliade (2019) e Il profumo imperituro del tempo. Lettere e scritti (1893-1921) di Marcel Proust e Robert de Montesquiou (2020). È autore dell'opuscolo Kafka. Un destino di solitudine (2020).Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/
Andrey Breslav (creator of Kotlin and founder of CodeSpeak) discusses why, in the AI era, the hard problem isn't generating code but clearly deciding what software should do. He explains how “specs” range from formal documents to informal prompts, and why CodeSpeak is moving from long docs to a structured, versioned set of interconnected requirements extracted from everyday agent chats. The conversation covers how clearer requirements reduce ambiguity (including using output stability/semantic entropy), help teams communicate, surface inconsistencies early, and ease review bottlenecks as AI increases code volume. They compare prompt-driven work to spec-driven workflows, talk through examples like a modified tic-tac-toe game, and explore testing (regression, conformance, acceptance), constraints and temporary decisions, modularity and discoverability of requirements, and how roles and languages may evolve while humans stay in control.Chapters:00:00 Introduction04:16 What Counts as a Spec07:49 Human vs Machine Specs10:16 Codespeak Structured Requirements12:14 Writing Better Requirements17:51 Right Abstraction Level22:25 Why Prompts Break at Scale29:58 Keeping Requirements in Sync33:30 Testing in Spec Driven Dev39:01 Beyond Tests and Trust41:11 Abstraction Tradeoffs43:49 Trusting Generated Code44:34 Safe Zones and Checks46:58 Shared Spec Artifacts49:24 Modular Specs and Grounding52:28 Why Teams Adopt Specs55:11 Review Bottlenecks and Balance01:00:21 Capturing Constraints as Intent01:02:29 Do Languages Still Matter01:07:48 Roles in the AI Era01:10:42 CodeSpeak Workflow SummaryImportant Links:- https://codespeak.dev/For memberships: join this channel as a member here:https://www.youtube.com/channel/UC_mGuY4g0mggeUGM6V1osdA/joinDon't forget to like, share, and subscribe for more insights!=============================================================================Like building stuff? Try out CodeCrafters and build amazing real world systems like Redis, Kafka, Sqlite. Use the link below to signup and get 40% off on paid subscription.https://app.codecrafters.io/join?via=geeknarrator=============================================================================Database internals series: https://youtu.be/yV_Zp0Mi3xsPopular playlists:Realtime streaming systems: https://www.youtube.com/playlist?list=PLL7QpTxsA4se-mAKKoVOs3VcaP71X_LA-Software Engineering: https://www.youtube.com/playlist?list=PLL7QpTxsA4sf6By03bot5BhKoMgxDUU17Distributed systems and databases: https://www.youtube.com/playlist?list=PLL7QpTxsA4sfLDUnjBJXJGFhhz94jDd_dModern databases: https://www.youtube.com/playlist?list=PLL7QpTxsA4scSeZAsCUXijtnfW5ARlrsNStay Curios! Keep Learning!
En Comic-Con Colombia 2026 decidimos abrir nuestros micrófonos a la comunidad, para que tanto los geek ponchos, como los ciudadanos del común, pudiesen vivir la experiencia de podcasters por un día. ¿Kafka escribió el primer Isekai? ¿El salon agrado de los vírgenes tiene sucursal en Colombia ? ¿Geek punch se va para Guasca? ¿El K-pop y los K-dramas son más adictivos que el p4r1c0? ¿Existe el Eren de la Espriella? ¿Los juegos de mesa salvan vida? La respuesta a todo esto y más en el nuevo capitulo de Geek Punch en directo desde Comic-Con Colombia 2026
durée : 00:58:06 - Avec philosophie - par : Géraldine Mosna-Savoye - Le philosophe Peter Szendy évoque "Le Terrier" de Franz Kafka, un petit conte inquiétant et inachevé sur une taupe paranoïaque qui n'a qu'un rêve, celui de bâtir le terrier parfait, à l'abri du monde, de ses bruits et de ses dangers, jusqu'à faire de son chez-soi le lieu de toutes les menaces... - équipe : Nicolas Berger, Manon de La Selle, Corinne Amar Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France
Kafka dan Enzo mengubah seragam jadi idola generasi muda. Apakah kekaguman ini sekadar tren viral atau sinyal pergeseran nilai yang lebih besar?
An airhacks.fm conversation with Johan Haleby about: discussion about the Occurrent event sourcing library for Java, motivation behind building Occurrent as a set of building blocks for event sourced applications, using higher-order functions instead of distinct framework concepts, the library approach for gradually introducing event sourcing into regular projects, CloudEvents as the serialized event format and its evolution into CNCF, real use cases including querying the event store for consistent reads and per-user logs, using the CloudEvents subject attribute to index a user, enforcing unique constraints such as one email per person, dynamic consistency boundary, event sourcing fundamentals of storing a list of events instead of mutable state, basing decisions on prior events, the distinction between event sourcing, CQRS and CQS, materialized views and different read and write models, subscriptions to events after they are persisted, the difference between domain events and integration events for decoupling teams, auditing versus event sourcing and why intent matters, Hibernate Envers, Transaction Script pattern, folding events into state with Java Gatherers fold, modelling domain logic with sealed interfaces and records, static decision methods returning new events, the Redux analogy, snapshotting and closing the books for long streams, Kafka and Kafka Streams for event-driven architecture, cascading enriched events, ksqlDB materializing streams as tables, DynamoDB Streams and on-demand tables, storing state alongside events in one transaction, tractors and fitness trackers as event sources Johan Haleby on twitter: @johanhaleby
¿Por qué importa la vida de un escritor para entender su obra? En esta conversación , con nuestro amigo Javier Peña, director del Podcast Grandes Infelices, exploramos esa pregunta a través de la vida de grandes autores como Kafka, Virginia Woolf, Hemingway, Pessoa y muchos otros que transformaron su dolor, sus amores y su inconformidad con el mundo en obras inolvidables. Hablamos de la infelicidad como motor creativo, de los libros que cambiaron la literatura y de por qué conocer la biografía de un escritor puede transformar la forma en que leemos sus obras. Una conversación sobre su último libro Tinta Invisible, sobre nuestros vínculos con las historias, creatividad, lectura y la necesidad de encontrar, en los libros, mundos donde sí queremos vivir.
The creator of NBC's Smash and the author of more than 20 plays - including 'Seminar,' 'Bernhardt/Hamlet,' 'Dig and Seared' - Theresa Rebeck is also the longtime resident playwright at Vermont's Dorset Theatre Festival. This summer she's returning to direct her own acclaimed backstage comedy, 'The Understudy,' running through Sunday.Set in the rehearsal room of a Broadway production of a long-lost Kafka play, 'The Understudy' follows an overlooked actor, a Hollywood star, and a frazzled stage manager as old rivalries, bruised egos, and dreams of success collide. It's a funny, fast-paced look at ambition, jealousy, second chances, and the wonderfully chaotic world behind the curtain.
В 94-м выпуске подкаста Javaswag поговорили с Николаем Шипяковым, Java-разработчиком, который провел всю свою карьеру в финтехе и суровом энтерпрайзе. В этом эпизоде мы проследили эволюцию энтерпрайз-решений: от тяжеловесных вендорских платформ вроде IBM WebSphere и IBM BPM, где бизнес-логика «рисовалась кубиками», до современных подходов со Spring, Kotlin и Camunda. Николай поделился историей о том, как на хакатоне зародилась идея создать собственный Kotlin DSL для описания бизнес-правил, который успешно заменил неповоротливые решения и прослужил долгие годы. Мы также разобрали архитектурные кейсы, обсудили, как подружить синхронные REST-вызовы с асинхронными процессами в Camunda при помощи Kafka и Kotlin Flow. В завершение выпуска поговорили о выборе оркестраторов (Camunda 7, 8, Temporal), внутренней кухне организации ИТ-конференций и обсудили непопулярное мнение о том, почему gRPC зачастую переоценен в энтерпрайзе. Шоуноты 00:00:22 Приветствие 00:01:43 с .NET на Java и первый крупный проект для Альфа-Банка 00:04:43 Каким был энтерпрайз в десятых годах 00:09:04 Переход в Тинькофф (Т-Банк) в 2015 году: 00:16:53 Смена технологического стека: отказ от решений IBM в пользу оркестратора Camunda в связке со Spring и Kotlin 00:23:33 Что такое Camunda простыми словами: почему этот инструмент удобно использовать как надежную стейт-машину для сложных распределенных транзакций 00:27:11 Идея с хакатона: создание кастомного Kotlin DSL для удобного описания бизнес-правил (вместо визуальных редакторов для бизнеса), который стал успешным внутренним продуктом 00:33:01 Преимущества подхода “Contract/Code First”: тестирование, контроль версий в Git и трейсинг процессов, написанных на Kotlin DSL 00:47:40 Внутренняя мобильность в Т-Банке: почему разработчику полезно менять проекты и как найти команду сильных сеньоров внутри одной компании 00:53:42 Разбор архитектурного кейса: как объединить асинхронный процесс Camunda и синхронный REST-контроллер с использованием топиков Kafka и Kotlin Flow 01:01:17 Очереди в энтерпрайзе: в каких случаях стоит использовать Kafka, а когда для обработки задач подойдет PostgreSQL 01:05:46 О важности observability (наблюдаемости): история инцидента со 100% загрузкой CPU в базе данных из-за отвалившейся репликации PostgreSQL 01:09:02 Переход в стартап и проблема выбора: почему старушка Camunda 7 до сих пор актуальнее, чем Temporal или платная Camunda 8 с закрытой архитектурой 01:20:18 Организация собственной технической Java-конференции от компании: сбор программы, уникальные доклады и почему платные билеты улучшают отношение аудитории 01:32:18 Непопулярные мнения от гостя: почему группа Ария без Кипелова звучит отлично, и почему технология gRPC часто применяется в энтерпрайзе не по делу 01:39:23 О важности софт-скиллов
El perro narrador se cruza con una jauría de canes músicos. O mejor dicho: animales a su semejanza que son capaces de generar un sonido en conjunto jamás antes escuchado por el que este texto escribe. No hay ladridos ni gruñidos: hay notas únicas. La extravagante literatura de Kafka nos convida en Los perros musicales una fantasía hilarante . Originalmente escrito en 1922 como parte de lo que se publicó post-morten bajo el título Investigaciones de un perro, estas líneas salieron en la revista Disco de junio de 1945 y llega a nosotros gracias a la digitalización del Archivo Histórico de Revistas Argentinas. ++++++++++++++++++++++++++++++++++ Pre producción y voz: CECILIA BONA Editó este episodio: DANY FERNÁNDEZ @danyrap.f para @activandoproducciones.proyecto ⚙️ Producción: XIMENA GONZALEZ @ximegonzal3z Edición de video: LUZ FERNÁNDEZ @luzma.fz ¡Ayudanos a crecer! Patrociná POR QUÉ LEER: https://porqueleer.com/patrocina Nuestras redes sociales: ⚡https://instagram.com/porqueleerok ⚡https://twitter.com/porqueleerok ⚡https://www.facebook.com/porqueleerok/
durée : 00:59:00 - Les émissions culturelles de France Culture - par : Marie Richeux - Malgré une actualité chargée, le comédien et humoriste Ramzy Bedia, à l'affiche de deux films en cette rentrée, a accepté de nous faire découvrir les livres qui ont compté pour lui. Un choix éclectique où se côtoient Kafka, Bukowski en passant par Fabcaro et Woody Allen. - équipe : Jeanne Aléos, Mathilde Wagman, Marianne Chassort, Alexandre Alajbegovic, Cyril Marchan, Vivien Demeyère, Julie Gastal Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France
Recorded during the height of the most recent heatwave, Jon from Horror Vanguard joins us to finally decide if Franz Kafka was a Poster. A German-speaking Czech Jewish man born in Prague, which at the time was part of the Empire of Austria-Hungary, Kafka is well-regarded as one of the most influential figures in 20th-century literature, producing novellas, novels and short stories, almost all of which he burned or instructed to be burnt after his death. But is that enough to make him a Poster? Check out Horror Vanguard here! https://www.patreon.com/horrorvanguard -------- LEBANON AID LINKS Here are some fundraisers to support collective rebuilding and survival efforts on the ground in Lebanon. -Beit El-Baraka started out as a food bank, but has grown to help people afford rent, cover their essentials, and live with dignity. https://beitelbaraka.org/donate-directly/ or donate in general https://beitelbaraka.org/donate-now/ -LiveLove was a charity for a number of other matters, but since 2024 has been solely comitted to helping people displaced by Israeli attacks. https://livelove.org/donate -Lebanese Food Bank supports displaced and impoverished people https://lebanesefoodbank.org/take-action/donate/ Solar Powered Lebanon is an initiative to restore people's power using solar panels, since larger infrastructure is at constant risk of attack. https://fundahope.com/en/campaigns/solar-powered-lebanon ----- PALESTINE AID LINKS These are some general links you can support collective efforts with! -The Palestinian Communist Youth Union is doing a food and water effort, and is part of the official communist party of Palestine https://www.gofundme.com/f/to-preserve-whats-left-of-humanity-global-solidarity -Water is Life, a water distribution project in North Gaza affiliated with an Indigenous American organization and the Freedom Flotilla https://www.waterislifegaza.org/ -Vegetable Distribution Fund, which secured and delivers fresh veg, affiliated with Freedom Flotilla also https://www.instagram.com/linking/fundraiser?fundraiser_id=1102739514947848 ----- PHOEBE ALERT Okay, now that we have your attention; check out her Substack Here! Check out Masters of our Domain with Milo and Patrick, here! -------- Ten Thousand Posts is a show about how everything is posting. It's hosted by Hussein (@HKesvani), Phoebe (@PRHRoy) and produced by Devon (@Devon_onEarth).
durée : 00:57:07 - Théâtre et compagnie - "Ce récit est sorti de moi comme une véritable délivrance couverte de saletés et de mucus", écrit Kafka dans son Journal à l'occasion de la sortie des épreuves de La Sentence en février 1913. - équipe : Oriane Delacroix, Caroline Ouazana Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France
durée : 00:57:07 - Théâtre - "Ce récit est sorti de moi comme une véritable délivrance couverte de saletés et de mucus", écrit Kafka dans son Journal à l'occasion de la sortie des épreuves de La Sentence en février 1913. - équipe : Oriane Delacroix, Caroline Ouazana Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France
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Welcome to episode 360 of The Cloud Pod, where the weather is always cloudy! Justin, Matt, and Jonathan (for a bit, anyway) are in the studio this week bringing you all the latest in cloud and AI news, including a bunch of analytics, some upgrades courtesy of AI agents, and some news from Kafka. There's a lot to cover, so let's get started! Titles we almost went with this week MSK Agent Skills Make Kafka Migration Less Kafkaesque One Token Pool to Rule All Claude Tools STRIDE Into Security Without Leaving Your IDE Your Code Must Be This Stable to Enter Production ChatGPT Gets a Budget So Karen Can’t Break the Bank One Platform to Train Them All and in Darkness Deploy Them Who Let the Agents Out? Snowflake Knows Kafka Whisperer Now Comes With an AI Upgrade Stop Reading Docs, Let MSK AI Do the Kafka Math Your AI Wrote That Pull Request, Own It Claude. Tag, you're it! See, there are more features that we can add to s3 A big thanks to this week's sponsors: We're sponsorless! Want to get your brand, company, or service in front of a very enthusiastic group of cloud news seekers? You've come to the right place! Send us an email or hit us up on our Slack channel for more info. AI Is Going Great – or How ML Makes Money 03:45 Claude Design now stays on brand for daily work Claude Design now integrates directly with Claude Code through two new slash commands: /design-sync pulls your design system into Claude Code, and /design lets you create and manage design projects without leaving the terminal, keeping both tools in sync throughout the workflow. The rebuilt design system import supports GitHub repos, design files, and raw uploads, with Claude automatically checking its output against your components before rendering results. Enterprise admins can lock down a single approved system to enforce consistency across teams. Anthropic updated the usage model, so Claude Design now shares a token pool with chat, Claude Cowork, and Claude Code rather than having separate limits, which should give most users more headroom and reduce how often they hit caps. Export and integration options expanded substantially, with connectors now covering Adobe, Canva, Gamma, Lovable, Miro, Replit, Vercel, Wix, Base44, and standard PDF and PowerPoint formats, making it easier to move finished work into existing production pipelines. Claude Design is available in beta on Pro, Max, Team, and Enterprise plans at claude.ai/design, with Enterprise having it disabled by default pending admin activation and output restricted to internal sharing only. 05:07 Matt – “…when I’ve used it – just playing around with it, it produced really nice things. I just used half my session tokens real fast with iterations and things like that. So I would be careful using it, but it does great front-end design.” Data+AI Summit – Top Announcements 07:31
Tim Berglund talks to Andrew Schofield (Confluent) about his career in Apache Kafka. Andrew's first job: working on queuing systems in 1991. His challenge: working at Confluent and in the Kafka community to bring queue semantics into Kafka while also helping shape major efforts like diskless Kafka, disaster recovery, and the project's broader evolution.► Queues for Kafka Explained (KIP-932): https://youtu.be/Wb0xyqgaIqwSEASON 2 Hosted by Tim Berglund, Adi Polak and Viktor Gamov Produced and Edited by Noelle Gallagher, Peter Furia and Nurie Mohamed Music by Coastal Kites Artwork by Phil Vo
Alejandro Dolina, Patricio Barton, Gillespi Introducción • 0:00:00 Apertura por los cuarenta años del programa • 0:01:13 Bromas sobre ocurrencias, muletillas e incorporación de “imbécil” Segmento Inicial • 0:03:33 Próximas presentaciones en Rosario, El Cairo y La Trastienda • 0:09:28 Funciones de La noche extraviada en Córdoba • 0:09:58 Hábitos antes buenos y ahora malos • 0:12:26 Cepillarse los dientes después de comer • 0:14:24 Despertadores con sonidos de la naturaleza • 0:16:53 Hacer la cama apenas uno se levanta • 0:20:59 Uso de almohadas y posturas para dormir • 0:24:48 Sacarse los zapatos al entrar a casa • 0:27:08 Hábitos antes malos y ahora buenos • 0:27:24 Garabatear mientras se escucha a alguien • 0:28:42 Dormir con perros y gatos en la cama • 0:32:32 Dejar la ropa usada sobre una silla • 0:34:24 Masticar chicle con ruido y hacer globos • 0:36:10 Meterse al agua después de comer • 0:37:58 Comidas picantes y supuestos beneficios • 0:42:10 Rechazo general al informe y ataque humorístico a la lechuga Oyentes • 0:45:14 Mensajes sobre juegos del programa, cartas manuscritas, recuerdos y pedidos • 0:54:14 Créditos de producción y equipo técnico Segmento Dispositivo • 0:57:31 Oficios y trabajos de escritores famosos antes o junto a la literatura • 0:58:23 Chejov médico y Tolstói en el ejército • 1:01:08 Kafka empleado de seguros y Agatha Christie enfermera • 1:02:46 Lewis Carroll matemático y Mark Twain impresor, piloto y minero • 1:04:48 Nabokov entomólogo y Joyce bancario, pianista y cantante • 1:06:46 Dickens en fábrica, Saramago herrero y administrativo • 1:08:18 Borges, biblioteca e historia del inspector de aves y conejos • 1:10:52 Elección musical: La mariposa por Gardel Segmento Humorístico • 1:15:42 Informe sobre la lancha colectiva en el Delta • 1:16:56 Patrón, marinero y tareas a bordo • 1:18:53 Distribución de pasajeros y riesgos de tormenta • 1:21:14 Caídas al agua y pedido de parada • 1:24:40 Choques, niebla y viaje con animales • 1:27:44 Comer, viajar parado y ubicación de salvavidas • 1:32:13 Falla del motor, auxilio y límites del recorrido • 1:36:30 Idea de barcos de pasajeros a Rosario y Mar del Plata Sordo Gancé / Manuel Moreira • 1:40:06 Presentación del segmento musical • 1:40:44 “Barrio Viejo” ♫ • 1:42:56 “My Dark Sweet Lady” ♫ • 1:47:29 “Satin Doll” ♫ • 1:49:15 “En este punto del mapa” ♫ • 1:50:26 Cierre y agradecimiento (Resumen generado automáticamente con IA, puede contener errores)
Rob St. Mary and Rob Spencer join Mike to dig into Proyas's tale of John Murdoch (Rufus Sewell), who wakes in a cheap hotel room with no memory, a dead body nearby, and a city that refuses to add up. Detective Bumstead (William Hurt) closes in while the pale, bald Strangers rearrange reality every time the clocks stop — building a world that is simultaneously a locked-room mystery, a Philip K. Dick nightmare, a Kafka story with a superhero ending, and a filmmaker's self-portrait: the Strangers as producers, Dr. Schreber (Kiefer Sutherland) as the compromised writer, and Murdoch as the protagonist who tears through the painted backdrop and seizes the apparatus.The conversation covers the film's screenplay stages and two finished cuts, the studio-mandated voice-over that Proyas spent a decade trying to undo, and Roger Ebert's role as the mechanism of the film's survival. Mike and the Robs also place Dark City within the remarkable 1998–99 cluster of simulated-world films — The Truman Show, The Matrix, eXistenZ, The Thirteenth Floor — and examine what it means that Murdoch's triumphant ending leaves the city still a construct, still running on hidden machinery, with only the god changed.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth
Vi kastar oss tillbaka ett årtionde till 2016 och avsnitt 126, för att via Kafka förirra oss i byråkratiska labyrinter och absurditeter i stora organisatoriska system. Eventuellt än mer igenkännbart idag än i 1910-talets Österrike-Ungern. Livet i periodens Prag där Kafka levde blir också en punkt på programmet. Det förvandlas och processas, häng med! Hosted on Acast. See acast.com/privacy for more information.
Rob St. Mary and Rob Spencer join Mike to dig into Proyas's tale of John Murdoch (Rufus Sewell), who wakes in a cheap hotel room with no memory, a dead body nearby, and a city that refuses to add up. Detective Bumstead (William Hurt) closes in while the pale, bald Strangers rearrange reality every time the clocks stop — building a world that is simultaneously a locked-room mystery, a Philip K. Dick nightmare, a Kafka story with a superhero ending, and a filmmaker's self-portrait: the Strangers as producers, Dr. Schreber (Kiefer Sutherland) as the compromised writer, and Murdoch as the protagonist who tears through the painted backdrop and seizes the apparatus.The conversation covers the film's screenplay stages and two finished cuts, the studio-mandated voice-over that Proyas spent a decade trying to undo, and Roger Ebert's role as the mechanism of the film's survival. Mike and the Robs also place Dark City within the remarkable 1998–99 cluster of simulated-world films — The Truman Show, The Matrix, eXistenZ, The Thirteenth Floor — and examine what it means that Murdoch's triumphant ending leaves the city still a construct, still running on hidden machinery, with only the god changed.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth
Addiction, Accommodation, and Vulnerability in Psychoanalysis: Circles Without a Center (Routledge, 2022) explores the compulsions and trauma that underlie addiction, using an intersubjective approach in seeking to understand the inspirations and challenges arising from the psychoanalytic treatment of addiction, compulsivity, and related dissociative conditions. Drawing on insights from his own analytic practice and personal experience, in addition to the work of Stolorow, Brandchaft and Winnicott, among others, Haber considers the complex ways in which addiction becomes woven into a person's life, and analyses how it interacts with other problems such as depression and anxiety, self-fragmentation, and ambivalence about treatment. Haber creatively integrates the work of Camus, Kafka, and Beckett to further contemplate the dilemmas that can arise during the clinical process and, in identifying his own and his patients' vulnerabilities and contradictions, provides an honest, humorous and sometimes painful account of what happens in the consulting room. With its use of rich clinical material and an accessible and vivid writing style, this book will appeal to all psychoanalysts and psychotherapists working with patients affected by addiction, as well as other professionals seeking new insights into effective strategies for treating this most challenging malady. Darren M. Haber is a psychoanalyst practicing in west Los Angeles. Isak de Vries is a Psychoanalyst in private practice in New York City, New York. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychoanalysis
Addiction, Accommodation, and Vulnerability in Psychoanalysis: Circles Without a Center (Routledge, 2022) explores the compulsions and trauma that underlie addiction, using an intersubjective approach in seeking to understand the inspirations and challenges arising from the psychoanalytic treatment of addiction, compulsivity, and related dissociative conditions. Drawing on insights from his own analytic practice and personal experience, in addition to the work of Stolorow, Brandchaft and Winnicott, among others, Haber considers the complex ways in which addiction becomes woven into a person's life, and analyses how it interacts with other problems such as depression and anxiety, self-fragmentation, and ambivalence about treatment. Haber creatively integrates the work of Camus, Kafka, and Beckett to further contemplate the dilemmas that can arise during the clinical process and, in identifying his own and his patients' vulnerabilities and contradictions, provides an honest, humorous and sometimes painful account of what happens in the consulting room. With its use of rich clinical material and an accessible and vivid writing style, this book will appeal to all psychoanalysts and psychotherapists working with patients affected by addiction, as well as other professionals seeking new insights into effective strategies for treating this most challenging malady. Darren M. Haber is a psychoanalyst practicing in west Los Angeles. Isak de Vries is a Psychoanalyst in private practice in New York City, New York. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Lola Vendetta vuelve para enfrentarse de nuevo al machismo y la violencia de género. Su creadora, Raquel Riba Rossy, presenta “Kattanazo al amor romántico. Parte 2”, una novela gráfica en la que la protagonista intenta reconstruir su vida tras una relación de maltrato mientras una nueva víctima de su agresor irrumpe inesperadamente en su camino. Humor, crítica social y empoderamiento femenino se combinan en una de las sagas más reconocidas del cómic español.El programa conversa también con Carlos del Amor, periodista de RTVE y Premio Nacional de Periodismo Cultural 2026, uno de los reconocimientos más prestigiosos del periodismo español. La actualidad literaria pasa además por Ana Blandiana, Premio Princesa de Asturias de las Letras 2024, que participa en Salamanca con motivo de la presentación de “En el mortero de la esencia”, una publicación dedicada a su obra.La dimensión internacional llega de la mano de Miguel Marín, director del Flamenco Festival de Londres, que celebra su 21.ª edición con 13 compañías, 80 artistas y 20 funciones en la capital británica. Nuestra colaboradora Marta García Miranda analiza “Cucaracha”, de la dramaturga escocesa Sam Holcroft, dirigida por Julián Fuentes Reta en los Teatros del Canal de Madrid. Por último, Vicente Monroy comenta Diez versiones de Kafka, de Maïa Hruska, un ensayo publicado por Anagrama que reconstruye la historia de las primeras traducciones de Franz Kafka y de quienes hicieron posible su difusión internacional.Escuchar audio
Hoy hablaremos de salmón y cómo pasó de los ríos fríos a ser un globalizado; de la sidra, bebida de manzana muy presente en la literatura; de Kafka en su aniversario luctuoso, con sus personajes atrapados entre culpas, oficinas y puertas que nunca se abren del todo; y, como estamos en vísperas mundialistas, de cómo el fútbol y la política se han cruzado en los Mundiales, desde la propaganda y la Guerra Fría hasta las democracias jóvenes y las dictaduras.See omnystudio.com/listener for privacy information.
Entra nella Cogito Academy, il terzo anno inizia presto ➤➤➤ QUI Il futuro non è un'attesa, è un atto di volontà.
En su sección de ciencia en Más de uno, Alberto Aparici ha aprovechado la posible clasificación del CD Castellón para el playoff de ascenso a Primera para introducir un tema muy distinto: la desaparición progresiva de la escritura a mano. Junto a Begoña Gómez de la Fuente y Jorge Abad, el divulgador ha recorrido manuscritos originales de autores como Tolstói, Kafka, Dickens o J.K. Rowling para reflexionar sobre cómo la tecnología ha cambiado nuestra relación con la escritura. Aparici ha recordado además estudios recientes que apuntan a que escribir a mano podría favorecer una actividad cerebral más rica y una mejor comprensión de los conceptos frente al teclado. El programa contó también con la participación del biólogo y experto en neuroeducación David Bueno, profesor de la Universitat de Barcelona, que explicó cómo influye la escritura manual en el aprendizaje y el funcionamiento del cerebro.
AI artist Mick Mahler has a counterintuitive take: the more powerful the machines get, the less the technology actually matters. Showing delightful examples of his own art, from jazz-playing spiders to a Kafka-inspired beetle film, he explains how creators can use new technology to serve their vision (not replace it). The real question — the one that separates meaningful work from AI slop — is the one only you can answer. Hosted on Acast. See acast.com/privacy for more information.
(Insight Meditation Society - Retreat Center) Dolls, loss, love and the narrative cure. Kafka consoles a girl with a series of letters about a lost doll. An excursion into four different and indispensable tasks for any contemplative practitioner: (i) Calming & stabilzing (ii) Dis-identification and decentering (iii) Deep Inquiry and thorough contemplative Investigation (iv) The bigger Picture – gaining an universal perspective on the personal
Live from the SoulWords House on Rosh Chodesh Sivan, Rabbi Shais Taub, Rabbi Dovid Bashevkin, and Bruce Backman come together for a raw and wide-ranging conversation honoring the yahrzeit of Franz Kafka. Why does Kafka continue to speak so powerfully to the Jewish soul?What is the spiritual root of alienation?Why do sensitive souls often feel like strangers in the world?And what happens when Kafka's writings are read through the lens of Torah and Chassidus? לעילוי נשמת אנשיל בן חנוך EMERGENCY RELIEF FOR THE REITER FAMILY: Our community is heartbroken by the tragic passing of Devora Leah Reiter ע"ה, a 47-year-old mother of nine children who spent her life helping others. Please open your heart to this urgent cause. 100% goes directly to the family: https://charidy.com/reiterfamilyfund/..
This is a preview of a premium episode. To the listen to the full thing, head over to our Substack: https://designbetterpodcast.com/p/mason-currey At several points in his life, Eli imagined what it would take to become a full-time artist — a photographer or illustrator free from client work. What he didn't realize was that he already had an example of a different path right in front of him: his father, a practicing physician whose published poetry earned recognition from luminaries like John Ashbery. Mason Currey's most recent book explores these alternate paths. He's the author of Daily Rituals, the beloved book that catalogued the working habits of nearly 200 artists, writers, and composers. His new book, Making Art and Making a Living, goes deeper — into the financial realities, the schemes, the compromises, and the surprising strategies that creatives have used to keep their work alive across centuries. What he found is both humbling and strangely reassuring. Virginia Woolf had inherited investments. Kafka had insurance. Chantal Akerman had a cash register she skimmed from. John Cage had Italian game show winnings. And yet, running through all of it is the same question that Mason has been asking about his own life since the day he sat down to write a novel and couldn't: How am I going to pay for this? In this conversation, Mason walks us through the four funding models his book explores — family money, day jobs, patronage, and schemes — and what the lives of creatives from Kafka to Murakami can teach us about building a practice that actually lasts. Bio Mason Currey is the author of the Daily Rituals books, featuring brief profiles of the day-to-day working lives of more than 300 brilliant minds. His latest book, Making Art and Making a Living, was published by Celadon Books on March 31, 2026. Currey lives in Los Angeles and writes Subtle Maneuvers, a twice-monthly newsletter on the creative process. *** Premium Episodes on Design Better This is a premium episode on Design Better. We release two premium episodes per month, along with two free episodes for everyone. New premium subscriber benefit coming soon: we're launching a private Slack community…join now so you get access when it launches! And get a behind-the-scenes pass to every episode with The Roundup, where each week we bring you insights and actionable tactics from recent episodes. Premium subscribers get access to the documentary Design Disruptors and our growing library of books. You'll also get access to our monthly AMAs with former guests, ad-free episodes, discounts and early access to workshops, and our monthly newsletter The Brief that compiles salient insights, quotes, readings, and creative processes uncovered in the show. And subscribers at the annual level now get access to the Design Better Toolkit, which gets you major discounts and free access to tools and courses that will help you unlock new skills, make your workflow more efficient, and take your creativity further. Upgrade to paid