Podcasts about kafka

Who benefits and who loses when emotions are described in particular ways? How do metaphors such as "hold on" and "let go" affect people's emotional experiences? Banned Emotions: How Metaphors Can Shape What People Feel (Oxford UP, 2019), written by neuroscientist-turned-literary scholar Laura Otis, draws on the latest research in neuroscience and psychology to challenge popular attempts to suppress certain emotions. This interdisciplinary book breaks taboos by exploring emotions in which people are said to "indulge" self-pity, prolonged crying, chronic anger, grudge-bearing, bitterness, and spite. By focusing on metaphors for these emotions in classic novels, self-help books, and popular films, Banned Emotions exposes their cultural and religious roots. Examining works by Dante, Dickens, Dostoevsky, Kafka, Forster, and Woolf in parallel with Bridesmaids, Fatal Attraction, and Who Moved My Cheese?, Banned Emotions traces pervasive patterns in the ways emotions are represented that can make people so ashamed of their feelings, they may stifle emotions they need to work through. The book argues that emotion regulation is a political as well as a biological issue, affecting not only which emotions can be expressed, but who can express them, when, and how. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Today we talk about Kafka's book The Castle and how the symbolism is interpreted by two powerhouse philosophers: Theodore Adorno and Hannah Arendt. Hope you love it! :) Sponsors: Incogni: https://www.Incogni.com/philothis Quince: https://www.QUINCE.com/pt ZocDoc: https://www.ZocDoc.com/PHILO Thank you so much for listening! Could never do this without your help.  Website: https://www.philosophizethis.org/ Patreon: https://www.patreon.com/philosophizethis  Social: Instagram: https://www.instagram.com/philosophizethispodcast X: https://twitter.com/iamstephenwest Facebook: https://www.facebook.com/philosophizethisshow Learn more about your ad choices. Visit podcastchoices.com/adchoices

Ken Krimstein‘s Einstein in Kafkaland: How Albert Fell Down the Rabbit Hole and Came up with the Universe builds on the fact that these two stars of the early 20th century were part of the same friend group at one point and builds it up into what NPR described as “Alice in Wonderland meets The … Continue reading #841 Ken Krimstein on Einstein, Kafka, and comics in general

The guys are back after a wild weekend at WasabiCon! CJ kicks things off with Saturn's first anime appearance—find out what the crew thinks about his design and power level. Then it's time for the Zoro Gauntlet Challenge: can Zoro survive four brutal match ups in a row?Next up: Rico and Ty go head-to-head in a free-for-all anime battle debate—can Shigaraki take down Mahoraga, Beru, and Kafka? Things get heated.Finally, the crew dives into a hot Discord debate: Jiraiya vs. the 4th Raikage. CJ and Rico make the case for the Raikage, but does Jiraiya have too much in his arsenal? Tap in to find out who the crew picked.

Welcome to Season 10 of All the Feelings, where your hosts Pete Wright and Tommy Metz III take you on a guided tour of that weird liminal space between “I should know better by now” and “Why does filling out a W-2 feel like a personality test written by Kafka?”In this premiere episode, the subject is Money, starting with the slow-burning crisis of homeownership. Tommy—staunch apartment loyalist and occasional demon extractor—wonders if owning property is still the pinnacle of adult success, or just another gatekeeping tradition propped up by 1940s mortgage policy and peer pressure from ghosts. Pete, long-time homeowner and accidental handyman, walks us through the real cost of grass, siding, and painting things that no landlord will pay for.Then, it's Tax Time: the annual gauntlet where America's adults cosplay as accountants and hope they don't accidentally confess to fraud. If you've ever had to Google “What is MAGI?” and gotten answers involving sorcery or the Nativity, this episode is for you. Pete recounts his annual ritual of fiscal shame and digital form-filling dread, and Tommy offers a scathing comparison between the IRS and the HOV lane—both of which function primarily through fear.Along the way, we explore the emotional toll of systems that are designed to be opaque, the quiet panic of feeling unqualified to do basic grown-up things, and why the true cost of adulthood might just be your confidence. Spoiler: No one really knows what they're doing. Even Einstein.

De greves históricas a escritórios claustrofóbicos, de herdeiros perdidos a entregadores de aplicativo: o trabalho é um dos temas mais universais (e explosivos) da literatura. Neste episódio especial do 30:MIN, Arthur Marchetto e Cecilia Garcia Marcon mergulham em livros que retratam o suor, a revolta e o estranhamento daqueles que precisam ganhar a vida — ou dos tontos que acabam por herdá-la.Passando por clássicos, como Kafka ou Zola, e por contemporâneos, como Oyamada e Falero, a dupla analisa como a literatura representa o trabalho em diversas frentes: o absurdo, a opressão, mas também a resistência e os conflitos pessoais. Então aperta o play e conta pra gente: qual livro fez você ver seu trabalho com outros olhos?---Links⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apoie o 30:MIN⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Siga a gente nas redes⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Já apoia? Acesse suas recompensas⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Confira todos os títulos do clube!---Livros citados no episódioGerminal - Émile ZolaOs Miseráveis - Victor HugoNorte e Sul - Elizabeth GaskellPerguntas de um trabalhador que lê - Bertolt BrechtTrabalho e os dias - HesíodoCidadão - Zé GeralCotidiano - Chico BuarqueConstrução - Chico BuarqueFama e Anonimato - Gay TaleseA Fábrica - Hiroko OyamadaEles não usam black-tie - Gianfrancesco GuarnieriBilly Elliot - Melvin BurgessMemórias póstumas de Brás Cubas - Machado de AssisQuincas Borba - Machado de AssisAngústia - Graciliano RamosSão Bernardo - Graciliano RamosSuperação - Stephanie LandCidadã de Segunda Classe - Buchi EmechetaQuarto de Despejo - Carolina Maria de JesusOs Supridores - José FaleroVera - José FaleroMas em que mundo tu vive - José FaleroO amante de Lady Chatterley - D.H. Lawrence

What would Kafka think about our attention economy today? And what about the state of our art? Find out more! 

This week welcomes back to the pod Heinrich von Kleist and perhaps his most famous novella, "Michael Kohlhaas"! Niko and Tatiana discuss justice, certainty, and doubt in a story that even Kafka read with "true piety" 

¿Volverías a un bar que te cobrara por "remolonear" en la mesa? Lo hemos hablado con nuestros opinantes y oyentes. El embajador del movimiento Movember, Fernando Rodríguez, nos habla del evento de motos clásicas que se celebrará en Gijón. Tuvimos la visita de Paco Abril que como cada vez que viene, nos contó un cuento; ademá, Miguel Trevín nos maravilló con los diferentes coros del mundo. Luz Macías, escritora presenta de la mano de la Sociedad de Filólogos para las Humanidades, en la librería Kafka, su último trabajo bajo el título "Esa esencia". " Chavela, la última chamana" se representa estos días en Gijón, hemos hablado con la actriz ganadora de un Goya, Luisa Gavasa. Y cerramos por hoy, con Borja García, cantante de Alto Volto, en los acústicos de La Radio es Mía".

Philosophize This!: Read the notes at at podcastnotes.org. Don't forget to subscribe for free to our newsletter, the top 10 ideas of the week, every Monday --------- Today we talk about Camus' book The Fall and what the main character represents in his larger project. We also talk about someone Camus deeply admired, Franz Kafka, and how to think of the images he created in his work. We talk about the experience of the modern individual in relation to politics. We also talk about what Camus and Kafka disagreed on. Hope you love it. :) Sponsor: Better Help: https://www.BetterHelp.com/PHILTHIS Thank you so much for listening! Could never do this without your help.  Website: https://www.philosophizethis.org/ Patreon: https://www.patreon.com/philosophizethis  Social: Instagram: https://www.instagram.com/philosophizethispodcast X: https://twitter.com/iamstephenwest Facebook: https://www.facebook.com/philosophizethisshow Learn more about your ad choices. Visit podcastchoices.com/adchoices

Ričardas Gavelis. „Vilniaus pokeris“. Išleido leidykla „Tyto alba“.Daugiau nei prieš trisdešimt metų išleistas „Vilniaus pokeris“ sukėlė tikrą sprogimą Homo sovieticus, bevirstančio laisvu žmogumi, sąmonėje. Tai neabejotinai žymiausias Ričardo Gavelio kūrinys. 2009 m. romanas buvo išverstas į anglų kalbą ir išleistas JAV, kur sulaukė pripažinimo ir pateko į 25 geriausių verstinių metų knygų sąrašą. „Vilniaus pokerio“ leidėjas Prancūzijoje šį romaną pristato kaip „galiausiai išverstą šiuolaikinės lietuvių literatūros šedevrą“, o prancūzų literatūros apžvalgininkai ir tinklaraštininkai ne tik nešykšti jam tokių epitetų kaip „tobulas“, „fantasmagoriškas“, „genialus“, bet ir lygina Gavelį su Kafka, Džoisu, Faulkneriu, Orvelu ir kitais pasaulyje pripažintais rašytojais. Knygos ištraukas skaito aktorius Egidijus Stancikas. (S)

Host Jo Reed and AudioFile's Alan Minskoff talk about Laila Lalami's dystopian novel, set in an uncomfortably near future. It's narrated by an exceptional Frankie Corzo, who voices an innocent woman incarcerated for her dreams. Much of the narrative is the protagonist Sara's thoughts, feelings, and reactions. The novel is reminiscent of Kafka and Orwell, had they lived in the Internet Age. Sara and her cohorts' mysterious plight seem frighteningly possible. This eloquently written, Earphones Award-winning audiobook lingers with the listener.   Read our review of the audiobook at our website Published by Random House Audio Discover thousands of audiobook reviews and more at AudioFile's website Learn more about your ad choices. Visit megaphone.fm/adchoices

Peter Capaldi – aka Malcolm Tucker, Dr Who, the universal screen delight and an Oscar-winning film director – was the singer in the punk band the Dreamboys in the late ‘70s who put out a single when he was at the art school in Glasgow. And then became an actor. And then - in the grand tradition of actors who've made albums, Hugh Laurie, Scarlett Johansson, Jeff Bridges and Keanu Reeves among them – released St Christopher in 2021. He's just recorded a second, Sweet Illusions, and talks to us in this extremely funny and entertaining pod about … … how his sole motivation was “a burning desire to be on the telly”. … the difference between fronting bands and being in plays. … how he grievously stitched up support band the Cocteau Twins at a gig in Grangemouth. … a teenage love of Slade - “a bit terrifying but still a bit safe”. … first-hand evidence of the connection between Blakey from On the Buses, Adolph Hitler and Beatles. … “you have to write a hundred songs before you can write a good one”. … arriving at art school in '76 a Neil Young fan and his overnight transformation – “peroxide hair, PVC trousers and bright red crepe sole shoes”. … seeing Simple Minds at the Mars Bar in Glasgow, Jim Kerr with his Shakespearian haircut, “strange, powerful, imaginative, post-glam”. … forming the Dreamboys and “trying to be big, clever and Kafka-esque”. … the stigma of being virtually the only band in Glasgow not to get a John Peel session. … writing the “bizarro pulp” lyrics for the Dreamboys – “we couldn't decide if we were the Cramps or Talking Heads”. … what's required, “apart from a terrible Scouse accent”, in playing John Lennon onstage and George Harrison onscreen. … auditioning (comedian, actor, TV host) Craig Ferguson as the band's drummer.   … how Bill Forsyth launched his acting career: “one minute you're supporting Altered Images, the next in a movie with Burt Lancaster”. … forming a duo with Keanu Reeves when filming Dangerous Liaisons in Paris – powdered wigs in the daytime, guitar/bass punk-thrash at night. .. the romantic Edward Hopper charm of Glasgow in the ‘70s - proto-goths, street lights, rain. … how Dr Robert of the Blow Monkeys and four months filming The Suicide Squad in Atlanta spurred him into writing songs.   … the greatest record of all time. Order the Sweet Illusions album here:https://shop.lastnightfromglasgow.com/products/peter-capaldi-sweet-illusions-vinyl-lp-cd-lossless-dlHelp us to keep the conversation going by joining our global Patreon community: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Peter Capaldi – aka Malcolm Tucker, Dr Who, the universal screen delight and an Oscar-winning film director – was the singer in the punk band the Dreamboys in the late ‘70s who put out a single when he was at the art school in Glasgow. And then became an actor. And then - in the grand tradition of actors who've made albums, Hugh Laurie, Scarlett Johansson, Jeff Bridges and Keanu Reeves among them – released St Christopher in 2021. He's just recorded a second, Sweet Illusions, and talks to us in this extremely funny and entertaining pod about … … how his sole motivation was “a burning desire to be on the telly”. … the difference between fronting bands and being in plays. … how he grievously stitched up support band the Cocteau Twins at a gig in Grangemouth. … a teenage love of Slade - “a bit terrifying but still a bit safe”. … first-hand evidence of the connection between Blakey from On the Buses, Adolph Hitler and Beatles. … “you have to write a hundred songs before you can write a good one”. … arriving at art school in '76 a Neil Young fan and his overnight transformation – “peroxide hair, PVC trousers and bright red crepe sole shoes”. … seeing Simple Minds at the Mars Bar in Glasgow, Jim Kerr with his Shakespearian haircut, “strange, powerful, imaginative, post-glam”. … forming the Dreamboys and “trying to be big, clever and Kafka-esque”. … the stigma of being virtually the only band in Glasgow not to get a John Peel session. … writing the “bizarro pulp” lyrics for the Dreamboys – “we couldn't decide if we were the Cramps or Talking Heads”. … what's required, “apart from a terrible Scouse accent”, in playing John Lennon onstage and George Harrison onscreen. … auditioning (comedian, actor, TV host) Craig Ferguson as the band's drummer.   … how Bill Forsyth launched his acting career: “one minute you're supporting Altered Images, the next in a movie with Burt Lancaster”. … forming a duo with Keanu Reeves when filming Dangerous Liaisons in Paris – powdered wigs in the daytime, guitar/bass punk-thrash at night. .. the romantic Edward Hopper charm of Glasgow in the ‘70s - proto-goths, street lights, rain. … how Dr Robert of the Blow Monkeys and four months filming The Suicide Squad in Atlanta spurred him into writing songs.   … the greatest record of all time. Order the Sweet Illusions album here:https://shop.lastnightfromglasgow.com/products/peter-capaldi-sweet-illusions-vinyl-lp-cd-lossless-dlHelp us to keep the conversation going by joining our global Patreon community: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

At Google Cloud Next '25, the company introduced Ironwood, its most advanced custom Tensor Processing Unit (TPU) to date. With 9,216 chips per pod delivering 42.5 exaflops of compute power, Ironwood doubles the performance per watt compared to its predecessor. Senior product manager Chelsie Czop explained that designing TPUs involves balancing power, thermal constraints, and interconnectivity. Google's long-term investment in liquid cooling, now in its fourth generation, plays a key role in managing the heat generated by these powerful chips. Czop highlighted the incremental design improvements made visible through changes in the data center setup, such as liquid cooling pipe placements. Customers often ask whether to use TPUs or GPUs, but the answer depends on their specific workloads and infrastructure. Some, like Moloco, have seen a 10x performance boost by moving directly from CPUs to TPUs. However, many still use both TPUs and GPUs. As models evolve faster than hardware, Google relies on collaborations with teams like DeepMind to anticipate future needs.Learn more from The New Stack about the latest AI infrastructure insights from Google Cloud:Google Cloud Therapist on Bringing AI to Cloud Native InfrastructureA2A, MCP, Kafka and Flink: The New Stack for AI AgentsJoin our community of newsletter subscribers to stay on top of the news and at the top of your game. 

Ričardas Gavelis. „Vilniaus pokeris“. Išleido leidykla „Tyto alba“.Daugiau nei prieš trisdešimt metų išleistas „Vilniaus pokeris“ sukėlė tikrą sprogimą Homo sovieticus, bevirstančio laisvu žmogumi, sąmonėje. Tai neabejotinai žymiausias Ričardo Gavelio kūrinys. 2009 m. romanas buvo išverstas į anglų kalbą ir išleistas JAV, kur sulaukė pripažinimo ir pateko į 25 geriausių verstinių metų knygų sąrašą. „Vilniaus pokerio“ leidėjas Prancūzijoje šį romaną pristato kaip „galiausiai išverstą šiuolaikinės lietuvių literatūros šedevrą“, o prancūzų literatūros apžvalgininkai ir tinklaraštininkai ne tik nešykšti jam tokių epitetų kaip „tobulas“, „fantasmagoriškas“, „genialus“, bet ir lygina Gavelį su Kafka, Džoisu, Faulkneriu, Orvelu ir kitais pasaulyje pripažintais rašytojais. Knygos ištraukas skaito aktorius Egidijus Stancikas. (S)

Today we talk about Camus' book The Fall and what the main character represents in his larger project. We also talk about someone Camus deeply admired, Franz Kafka, and how to think of the images he created in his work. We talk about the experience of the modern individual in relation to politics. We also talk about what Camus and Kafka disagreed on. Hope you love it. :) Sponsor: Better Help: https://www.BetterHelp.com/PHILTHIS Thank you so much for listening! Could never do this without your help.  Website: https://www.philosophizethis.org/ Patreon: https://www.patreon.com/philosophizethis  Social: Instagram: https://www.instagram.com/philosophizethispodcast X: https://twitter.com/iamstephenwest Facebook: https://www.facebook.com/philosophizethisshow Learn more about your ad choices. Visit podcastchoices.com/adchoices

​B. Traven's​ novels and stories​ have sold m​ore than ​3​0 million copies​ over the past century in more than 30 languages​ worldwide. He was Einstein's favourite novelist. Der Spiegel ranks his The Death Ship as the third greatest German novel ever written (okay in the past 100 years), after Thomas Mann's The Magic Mountain, and Kafka's The Castle; and yet, despite this, few today, in the English speaking world at least, have heard of him. It's only thanks to the movie, The Treasure of Sierra Madre, based on one of his stories, that he's known here at all. Why is this? Perhaps because no-one knows with absolute certainty who Traven was. No-one is 100% sure of his true identity. Timothy Heyman ​(CBE​) is 99% sure. We talk here about his hypothesis, plus the tasks he's set himself to re-establish Traven's reputation and re-gain an audience for his works. Heyman, a considerable person in his own right, is co-manager (recently promoted to managing director) of the B. Traven Estate along with his wife (who is proprietor), Malú Montes de Oca de Heyman​, Traven's stepdaughter. I met Tim up in the couple's beautiful apartment overlooking Mexico City to talk about what he's achieved to date with Traven's literary archive, and, again, who he thinks Traven really was. We were surrounded by a library of books written by the mystery man, accompanied by a glorious panoramic view of the city. After our conversation we went upstairs to a special room which holds the archive - the place where Tim occupies himself with the business of legacy building.

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Ein Professor der Mathematik - technikfeindlich und weltfremd - erhält im Rahmen eines Forschungsauftrags eine neuartige Apparatur in sein Zuhause. Zunächst verblüfft über die Möglichkeiten, scheint die Maschine bald ein Eigenleben zu entwickeln. Mit jeder weiteren erstaunlichen Leistung wird dem Professor das sogenannte „Elektronengehirn“ unheimlicher. Wie stellte man sich in den 1960er-Jahren Künstliche Intelligenz vor? Im Hörspiel „Aufzeichnungen eines ordentlichen Menschen“ aus dem Jahr 1967 nimmt Heinz von Cramer einiges lustvoll vorweg. Die heutigen technischen Möglichkeiten waren in den 1960ern natürlich noch in weiter Ferne - doch die Ambivalenz dieser neuen Technologie ist bereits deutlich spürbar. Mit: Willy Trenk-Trebitsch, Maria Donnerstag, Erwin Scherschel, Claus Villinger. Regie: Heinz von Cramer Produktion: hr/SR/SDR/SWF 1967 | ca. 65 Min. (Audio verfügbar bis 09.05.2026)

What does it mean? The siblings discuss this and more in their listener-requested discussion of Kafka's Orson Welles's THE TRIAL, also known as the pine cone jam of classic Cinema. Contains spoilers. Thank you for listening!  www.orwhatevermovies.com 818-835-0473 orwhatevermovies@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Alex Rosenzweig talks to Holocaust survivor Felix Kafka who together with his brother was lucky enough to join a children's transport to Great Britain, organised by Nicholas Winton. Mr. Kafka, who will turn 100 in June of this year, shares his memories of the time. And later on Jakub Ferencik will talk to Ivan Puš, a historian at Palacký University in Olomouc about Jewish identity and belonging in 20th century.

I'm joined this week by one of the authors of Apache Kafka In Action, to take a look at the state of Kafka, event systems & stream-processing technology. It's an approach (and a whole market) that's had at least a decade to mature, so how has it done? What does Kafka offer to developers and businesses, and which parts do they actually care about? What have streaming data systems promised and what have they actually delivered? What's still left to build?–Apache Kafka in Action: https://www.manning.com/books/apache-kafka-in-actionPat Helland, Data on the Inside vs Data on the Outside: https://queue.acm.org/detail.cfm?id=3415014Out of the Tar Pit: https://curtclifton.net/papers/MoseleyMarks06a.pdfMartin Kleppmann, Turning the Database Inside-Out: https://martin.kleppmann.com/2015/11/05/database-inside-out-at-oredev.htmlData Mesh by Zhamak Dehghani: https://www.amazon.co.uk/Data-Mesh-Delivering-Data-Driven-Value/dp/1492092398Quix Streams: https://github.com/quixio/quix-streamsXTDB: https://xtdb.com/Support Developer Voices on Patreon: https://patreon.com/DeveloperVoicesSupport Developer Voices on YouTube: https://www.youtube.com/@developervoices/joinAnatoly's Website: https://zelenin.de/Kris on Mastodon: http://mastodon.social/@krisajenkinsKris on LinkedIn: https://www.linkedin.com/in/krisjenkins/Kris on Twitter: https://twitter.com/krisajenkins

Apologies for this month's episode being late. Unfortunately we have a sick kitty that we've been taking care of, but that didn't stop us from finishing Ronnie's April pick, which was The Seep, by Chana Porter. This novel follows the story of a trans woman named Trina who is going through a bit of a crisis after an alien species known as The Seep takes over Earth. The Seep in many ways makes things better. People are more empathetic, people no longer deal with illness, and people can do pretty much anything they can imagine. However, after Trina's wife leaves her to become a baby again, Trina is forced to reckon with a world she doesn't understand, and still, somehow find beauty in it.    Next month's book was chosen by Ian and is The Memory Police by Yōko Ogawa. A dream-like Orwellian, science fiction novel influenced highly by Kafka!

Notes and Links to Vanessa Saunders' Work       Vanessa Saunders is a writer living in New Orleans. She teaches as a Professor of Practice at Loyola University New Orleans. She was the editor-in-chief of Helium Journal from 2013 to 2016. Her writing has appeared in Writer's Digest, Writer's Chronicle, Seneca Review, Sycamore Review, Los Angeles Review,  Nat. Brut, Entropy, PANK, Passages North, Stockholm Review of Literature and other journals.​​ She is at work on a novel of magical realism about whiteness and a book-length prose poem about the ethics of authorship.  Buy The Flat Woman   Vanessa's Website At about 1:45, Vanessa recommends places to buy her book, including Baldwin Books At about 2:55, Vanessa responds to Pete's question about her expectations for the Pub Day and beyond versus the realities At about 5:20, the two discuss Kafka's Metamorphosis and his parables and connections to Vanessa's The Flat Woman, as well as absurdities and allegory At about 9:30, Vanessa gives background on her early reading and writing, including her grandfather's and Sylvia Plath's influences, and Anne Carson's influence on The Flat Woman At about 13:30, Vanessa explains the unique British library system At about 15:25, Vanessa responds to Pete's questions about At about 16:35, Vanessa mentions Kelly Link, Sarah Rose Etter, Aimee Bender, and Hadriana in my Dreams as contemporary writers and writing that inspires him At about 18:20, Pete and Vanessa shout out the generosity and greatness of Aimee Bender, and Vanessa talks about meetings with inspiring writers At about 19:20, Pete shouts out Antonya Nelson's “In the Land of Men” for the 1,987,231 time in Chills at Will history At about 19:55, The two discuss the book's epigraph and seeds for the book At about 22:40, Vanessa expands upon stewardship and community and the environment in the formulation of her book At about 24:20, Pete wonders about Vanessa's decision to avoid naming her characters At about 26:40, Pete asks Vanessa  At about 29:10, the two discuss the lengthy “setups” that are chapter titles, or “headlines” At about 32:20, “leaky boundaries” and the family dynamic, including the absent father, are discussed At about 33:35, “Terrorism” and government cover-up in the book and its couching is discussed; Vanessa talks about birds as “indicator species,” as she learned from a group of “elite ornithologists” (!!!) with whom she lived At about 36:40, Vanessa talks about perpetual archetypes and storylines for “female villainy” At about 37:40, Bird grief and research and animals as stand-ins for humans as discussed in the book is explored by Vanessa At about 41:10, Vanessa, in explaining her views of animals and things and dominion, references a wonderful Louise Gluck line  At about 42:35, Pete and Vanessa discuss Bay Area history, anthropology. and its effects on their mindsets and writing At about 44:00, The two talk about the “patriarch[al]” POPS Cola, and the protagonist's early life after her mother is arrested and convicted  At about 45:45, Vanessa expands on the patriarchal society and the 2024 election's connections to the systemic misogyny on display in the book At about  49:50, The protagonist, depicted 10 years as “The woman,” and Part II are described, as well as the “chaotic aunt” and more ugly realities that confront the woman At about 51:45, Vanessa cites inspiration from an interview with Toni Morrison regarding family alienation  At about 53:10, Vanessa explores connections between humor and speculative fiction At about 54:10, The woman's earliest interactions with and attractions to the man are discussed At about 55:10, Vanessa responds to Pete's question about the man being drawn to Elvis, with a trip down memory lane of a San Francisco that may no longer exist  At about 59:20, Vanessa talks about setting the woman as working at the very company that has imprisoned her mother  At about 1:01:25, Vanessa responds to Pete's question about the grisly displays of hurt and dead animals, and the two discuss ideas of entertainment and willful (or not) ignorance about the brutality in Gaza and climate change At about 1:05:00, Pete complements Vanessa for humor on the page and asks if the man has “discovered the manosphere”  At about 1:08:35, Vanessa talks about social justice being “commodified” At about 1:10:40, Vanessa talks about initial hesitat[ion] in depicting the man as having some assorted wisdom, along with many horrible traits At about 1:11:40, Vanessa discusses a famous writer, who is not related to her :(  At about 1:13:00, Another Maurice Carlos Ruffin shoutout At about 1:14:20, Movie actors for the book's characters! At about 1:16:10, “You are hearing me talk”-Al Gore You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. This week, his conversation with Episode 270 guest Jason De León is up on the website. A big thanks to Rachel León and Michael Welch at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, his DIY podcast and his extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! This month's Patreon bonus episode will feature an exploration of the wonderful poetry of Khalil Gibran. I have added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.    This is a passion project of Pete's, a DIY operation, and he'd love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.     The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 285 with The Philharmonik, Episode 58 guest, vocalist, multi-instrumentalist, lyricist, music producer and genre defining artist. Recently, he has been nationally and globally recognized after winning the 2023 American Song writer contest and NPR's 2024 Tiny Desk Contest for his song “What's It All Mean?” The episode marks the one-year anniversary of his NPR Tiny Desk Contest win. This will be released on May 16.  

Send us a textIn this episode of the Quivercast, we sit down with legendary big wave surfer and water safety expert Jeff Kafka. Jeff shares his journey growing up in Pacifica, CA, where surfing was a family affair from the start. After a gnarly head injury and a less-than-cool blue helmet imposed by his dad, Jeff drifted away from surfing and embraced bodyboarding instead. Determined to make it as a pro, he left home as a teenager to chase heavy waves and remote slabs around the globe. But fate had other plans—a serious injury in Hawaii forced him to hit pause and return to his roots.Back home in Northern California, Jeff found a new passion in the cold, raw power of Mavericks. What started as curiosity turned into a calling, as he committed himself to the world of big wave surfing. Today, Jeff is not only known for charging monster swells but also for keeping others safe in the most dangerous conditions imaginable. From coordinating rescue efforts at Mavericks to providing water safety around the world, Jeff has become a pillar of the big wave community. Tune in to hear his inspiring story of commitment to surfing.Support the showBUY THE ENDLESS SUMMER BOX SET HERE!If you like the QuiverCast here are some ways to help us keep going! I always like Coffee! Buy me a Coffee! Find Us: Website: thequivercast.com Instagram: @quiver_cast Facebook: The QuiverCast Sound Editing by: The Steele Collective

It's the 250th episode of The Pulp Writer Show! To celebrate this occasion, this episode takes a look at the expectations people have of a full-time writer's life and contrasts them with the reality. This coupon code will get you 50% off the audiobook of Dragonskull: Talons of the Sorcerer, Book #6 in the Dragonskull series (as excellently narrated by Brad Wills), at my Payhip store: TALONS50 The coupon code is valid through May 27, 2025. So if you need a new audiobook for spring, we've got you covered! TRANSCRIPT 00:00:00 Introduction and Writing Updates   Hello, everyone. Welcome to Episode 250 of The Pulp Writer Show. My name is Jonathan Moeller. Today is May 2, 2025, and today we're looking at what it is really like to be a full-time writer. This is also the 250th episode of the podcast, so thank you all for listening to the podcast over these last six years. Before I started recording, I totaled up the total length of previous podcast episodes and came to about 78 hours, give or take. That's like three days of continuous talking, which sounds less impressive when you realize it was recorded over the last six years.   Thank you all for listening and here's hoping you can stick around with the next 250 episodes. Before we get to our main topic, which is the expectations versus reality of being a full-time writer, we are going to do Coupon of the Week, a progress update my current writing projects, and then Question of the Week. So let's kick off with Coupon of the Week. This week's coupon code will get you 50% off the audiobook of Dragonskull: Talons of the Sorcerer, Book Six in the Dragonskull series (as excellently narrated by Brad Wills) at my Payhip store. That code is TALONS50. As always, you can get that coupon code and the links to my Payhip store in the show notes. This coupon code is valid through May 27th, 2025. So if you need a new audiobook for spring, we have got you covered.   Now an update on my current writing projects. I am 60,000 words into Ghost in the Corruption, which puts me on chapter 13 of 21, so I'm about two thirds of the way through. I think the rough draft will be between 90-100,000 words long, so hopefully I can have that out before the end of May, if all goes well. I also just finished Chapter One of Shield of Power, which will be the final book of the Shield War series and that'll be my main project once Ghost in the Corruption is finished. I'm also 87,000 words into Stealth and Spells Online: The Final Quest, and that will be my main project once Shield of Power comes out. I expect Final Quest should come out pretty soon after Shield of Power just because I've been chipping away at it for so long and I'm getting close to the end.   In audiobook news, recording is almost done for Ghost in the Assembly and that'll be narrated by Hollis McCarthy. Recording is totally done for Shield of Deception (as narrated by Brad Wills) and that is working its way through processing at the various audiobook platforms, so hopefully we'll not be too much longer before we can get that to you.   00:02:26 Question of the Week So that is where I'm at with my current writing projects. And now let's move on to Question of the Week. Question of the Week is intended to inspire enjoyable discussions of interesting topics. This week's question, what is your favorite Jonathan Moeller book? The reason for this question is that this is the 250th podcast episode, so it seems like a good topic for that particular milestone. And as you might expect, we had an array of different opinions.   Joachim says: You are kidding us! By the end of the week? How long did you think about your own answer? Let me mirror you: for my own answer, the question is a bit difficult because I spent money on all your books, which meant I thought all of them a good buy. So let me split my answer into male and female protagonists. The best female book was Ghost Exile: Omnibus One because it prompted me to continue with Ghost Exile and fill in the Ghost series later. The Ghosts Omnibus One and Ghost Exile: Omnibus One were my first two books from you. The best male book was the one with Jack March where Thunderbolt said, “males are ogling breasts which never existed”, especially as such AI generated videos are now all over the place on YouTube.   I have to admit that I first came up with the character of Thunderbolt back in early 2021 when I was working on Silent Order: Rust Hand (that was before the AI boom really took off), so she turned out to be a very prescient character for the AI era in a number of ways.   Joe B. says: That is a tough question as there are many contenders. I'm going to go with one that is a little different, Sevenfold Sword Online: Creation, but now known as Stealth and Spells Online: Creation.   Justin says: I nominate Soul of Swords, an excellent end to an excellent series.   Perry says: There can only be one! Demonsouled. Paul says: For me, I think my favorite female protagonist  book is Cloak Games: Truth Chain. Such a dramatic change to Nadia, sets up the series in her struggles with self and enemies so well.   Brad Wills (who as you know narrated the Frostborn, Dragonskull, Malison, and Shield War series for me) says: Does a three book arc count?  Excalibur, The Dragon Knight, and The Shadow Prison made for a fantastic lead-up and finale of the Frostborn series.   Hollis McCarthy (who as you know, narrated the Ghosts and Cloak Mage audiobooks) says: Ghost in the Storm, when Caina and Kylon meet in the Battle for Marsis. Nonstop action, incredible chase scenes, and a great intro to their combative relationship.   Fred says: It's hard for me to say which book is my favorite. All your book series were all great.   Juana says: Frostborn: Excalibur with Ridmark. I happen to love stories about Excalibur, odd but true. Caina in Cloak and Ghost: Rebel Cell because Caina and Nadia are an incendiary team. So there! Randy says: Frostborn: The Dragon Knight. This whole series is great, but that is one of the high points.   Dennis says: I couldn't name my favorite as I enjoy everything you write. I probably enjoyed the Frostborn series best at the time, but having bought and read every one of your books it's now impossible.   Kevin says: There's no way on earth that I could put one book above another, so I would've to take the coward's way out and say Frostborn: The Gray Knight simply because it has a book that drew me to the worlds of Jonathan Moeller back in the spring of 2017, since which time I have bought 117 of his books, including a few omnibus editions, so a few more actual books, I suppose. I avidly read them all as they're published these days, except the Silent Order series (just doesn't grab me and pull me in like the others). Jesse says: Cloak Games: Sky Hammer. Damaged Nadia at her best, epic action the whole way. And yeah, the chapter The Last Death of Nadia Moran was viscerally cinematic and probably the biggest emotional payoff you've written in my opinion, tied her entire journey together. In my head, I cast Castle-era Stana Katic as Nadia, and it worked better than I expected it might.   Morgan says: I can't narrow it down to just one. So top three in no particular order, Sevenfold Swords: Swordbearer, Dragontiarna: Gates, and Stealth and Spells Online: Leveling. That being said, I think Niara might be my favorite character of all your books I have read.   Jonathan T says: I too am torn though only between two books, Frostborn: The Eightfold Knife and Frostborn: The Shadow Prison.   [Side note/addition from The Transcriptionist: My vote is for Half-Elven Thief!]   So thank you everyone for the kind words about all those books. For my own answer, the question is a bit difficult because I've written them all, which meant I thought all of them were good idea at the time. I suppose the glib answer would be the one that made me the most money, which was Frostborn: The Iron Tower, but it really depends on the category, like my favorite heist book, my favorite mystery book, my favorite dungeon crawl, my favorite first in series. So I think I'll go for the most basic level of categorization and split it up by male and female protagonists.   My favorite book of mine with a female protagonist would probably be Cloak Games: Rebel Fist, since it's such a turning point for Nadia and starts the trajectory of the rest of her character arc. It's the first time she really has to save the day instead of just trying to save herself and shows that her brother Russell can also handle himself, which as you know, comes up again later. My favorite book of mine with a male protagonist would probably be Dragontiarna: Defenders, since it has the Battle of Shadow Crown Hill, which was one of my favorite sequences to write. Four different characters have plans and they all crash into each other at the same time, which was a lot of fun to write and set up, which was a real highlight for me in 2020 because as we all know, 2020 was a fun year.   00:07:35 Main Topic of the Week: Writing Full Time: Expectations Versus Reality   So that is it for Question of the Week. Now let's move on to our main topic this week, writing full-time: expectations versus reality (admittedly from the perspective of a self-published author). If you spent any time around the writing community on the Internet at all, you know that many people dream of becoming a full-time writer, and sometimes people think that the only way to be successful as a writer is to write full-time. There are many expectations that people have about what it means to be a full-time writer. Now that I've been a full-time indie writer for nearly nine years at this point, I can provide some lived perspective. In this episode, I will talk about five of those expectations that people have about full-time writing and the way those expectations might be skewed.   So before we get to those, I should mention how I actually became a full-time writer. In 2016 (which seems like a really long time ago now), the Frostborn series was doing really well, and at the time I was also working full time and I realized that summer I was going to have to move for family reasons. I wasn't very enthusiastic about the idea of moving at first, but I decided to embrace the idea and try to make the best of it. This would involve moving a considerable distance to a different state and all the different problems that entails. So I thought about it and I thought I could look for a new job, but any job I would be qualified for in the area I was moving to would make less money than I was actually making from writing part-time. So I thought, why not try and make a go of full-time writing and see what happens?   Since that was nine years ago, I think I can safely say it's worked out pretty well. And I will say that it's been a pretty good experience and I am very fortunate and very grateful and very blessed to have been able to do this because not everyone has the opportunity to pursue a full-time creative job like I have been able to for these last nine years. That said, while it has been pretty great, it comes with a lot of flexibility and I've gotten to write a lot of great books that many people have enjoyed, it's not always all wine and roses, so to speak, which is part of the reason why I wanted to do this episode to let people more in what the reality of being a full-time writer for this long has been like. So with that introduction out of the way, let's move on to our five expectations versus reality.   Expectation #1: Full-time authors make a lot of money. The reality is that even full-time authors generally don't make that much money. A survey from The Author's Guild showed that the median amount that full-time authors make was just about $20,000, though full-time romance writers had a higher median income of about $37,000. Remember that this amount is before any health insurance costs, benefits, retirement contributions, and of course taxes that a traditional job might be able to provide or help with. In the United States, buying even fairly basic health insurance can easily be a thousand dollars per month for a family, and that doesn't include any costs related to deductibles, prescriptions, or additional dental or vision insurance. Authors are either on their own for healthcare in the US or have to rely on a spouse or partner's healthcare coverage. In other words, you either have to pony up a lot of money to buy your own health insurance or you have to rely on your spouse or partner's healthcare coverage.   And at least in the US, taxes are also much higher on the self-employed. Uncle Sam really does not like the self-employed. If you are self-employed, it is in your best interest to essentially form a small corporation and work for yourself (though for details on how to do that, you should consult with an accountant licensed to practice in your region). Now all these costs can add up pretty quickly, and they make the amount of money that you'll earn from writing much less than you think based on raw earnings before taxes and all the other expenses we were talking about. You also have business expenses like cover design, site hosting, editors, narrators, advertising, et cetera, that take even more pieces out of those earnings. You can duck some of those, but not all of them.   So it boils down to that you have to make a significant amount of money as an author to make an actual living after taxes, healthcare costs, and business expenses are taken out of your earnings, which is one of the reasons that writing part-time as you have a full-time job is not the worst idea in the world and can in fact be a very good idea.   Expectation #2: My next book will make as much or more than the last one did. The reality is that your next book or series might not make you as much money as the previous ones did. In fact, you can reliably predict that most book series will have a certain amount of reader drop off as a series goes on, which is why these days I tend to want to keep my series under nine to ten books or so. Budgeting based on your current income levels is not wise, especially with the current economic climate (which for a variety of reasons is very unpredictable) and with increased competition in the ebook market. Most authors have a peak at some point in their career. For example, Stephen King is still obviously making a great living as a writer putting out new books, but his new books don't sell nearly as well as the ones he put out in the ‘80s. J.K. Rowling's novels for adults (she writes as Robert Galbraith the Cormoran Strike series) don't sell anywhere near the number of copies as her Harry Potter series did at its peak.   For myself, my peak years in terms of writing income were 2016 and 2017, and I've never quite been able to recapture that level. In fact, in 2024, I only did about two thirds of what I did in 2017 (my peak year), which can be a little nerve wracking as you watch those numbers move up and down. That is why it is important for a writer (like many other creatives like actors) to anticipate that they might only have a limited window of peak success and to save aggressively rather than living large on the amount you're earning in that peak era. And I am pleased to report that I was fortunate enough and sensible enough to do that, so that even if my income has varied from year to year (2017 onward), it hasn't been a crippling loss and I haven't been out in the street or lost the house or anything like that.   Expectation #3: You will be happier if you write full-time. The reality is that is not true for everyone. Some people actually do better creatively and emotionally with the time restrictions placed on them by having a full-time job. Many famous writers, including Trollope and Kafka, kept their full-time jobs. Even Tolkien was never a full-time writer. He was a professor of philology until he retired. That was interesting to me because personally, I haven't had much in terms of emotional trouble being a full-time writer. I've always kind of had the ability to hyperfocus on a task, and I've been doing that for almost nine years now, and it's worked out well for me.   I've since realized that is not true for many people. One of the things that demonstrated it to me, believe it or not, was insurance actuarial tables. One thing that I tried to do after I became a full-time writer was try and get disability insurance in case I had an accident or severe illness and could not write anymore. I learned that it's extremely difficult for full-time writers to get disability insurance due to their high rates of substance abuse and mental illness. I was astonished by this because I've never had problems with substance abuse or mental illness myself, but given the number of writers and other creatives I've known who have had those issues, perhaps that's not that surprising, but I was still baffled to learn that.   For example, in my area there are a number of tree management companies (because it's a heavily wooded area) and it's a lot easier for an arborist who works with a chainsaw all day to get disability insurance than it is for a writer, which is somewhat crazy to think about because as a writer, I'm mostly sitting in a chair all day pressing buttons on a keyboard while an arborist is climbing a tree or in a crane with a chainsaw, which is a much more physically dangerous thing. But because of the rates of substance abuse and mental illness among full-time writers, apparently it is very difficult for full-time writers to get disability insurance. Some people struggle with the lack of structure and outward accountability that comes from being a full-time writer and find that actually decreases their productivity and leads them to fall into substance abuse or sink deeper into mental health problems. Very few people have the self-discipline and mental resilience required to be a full-time writer for years on end. And that's not me tooting my own horn so to speak, but apparently it is just the facts. Some writers even go back to full-time work just because they find it less stressful or better for their wellbeing. So I think this is an excellent example of having to know yourself and know what is best for you. For example, if you're a very extroverted person who enjoys talking to people at the office, becoming a full-time writer where you spend most of your time by yourself typing might not be the best for your long-term mental and physical health. Expectation #4: Writing full-time will make me more productive. The reality is having more time does not necessarily mean that you'll be more productive. Writers are notorious for falling prey to time wasters, such as social media scrolling, research spirals, and writing adjacent activities (of which there is a whole series about on this podcast already). It does take a lot of a self-discipline, focus, and determination to be a full-time writer. If you are a full-time writer, especially a full-time indie writer, you also have to balance writing time with various administrative tasks, marketing and ads, social media, fan correspondence, and the various tasks involved in the self-publishing process. Writing is not the only thing that writers actually do, and the other tasks often make finding time for writing more difficult than you might expect. Even traditionally published writers still have to carve out time for administrative work and assisting with marketing and social media work.   As your writing career scales up, so does the behind the scenes workload. This is true in my case. Up until 2023, I basically did everything myself, but I did have COVID pretty badly for a while in 2023 and it just knocked out my energy for a while and I realized that I can't keep trying to do everything by myself. I basically had a choice, either cut some tasks or get some help. So I have some people now, some contractors who help me with things like listening to audiobook proofs (I used to do that all myself), doing the podcast transcript, and Excel record keeping (which I used to do myself). While that is an expense, I don't regret it because it really has taken a lot off my plate and freed up more time for writing, which of course is the entire point.   Expectation #5: I admit this one made me laugh. I will have more free time as a full-time writer. I can attest firsthand that that is not true. What you have as a full-time writer is flexibility. The reality is, although there is flexibility on the job, the hours can be more than for a full-time job. There's a joke that full-time writers can work any 12 hours they want every day.   Most indie authors are putting out far more than one book a year in order to make a full-time income, and that requires a fairly demanding pace that most people don't have the self-discipline to maintain as a lifestyle for years and years on end. The majority of full-time writers right now are either romance or erotica writers who are putting out at least a book a month, sometimes even more. As I mentioned in an earlier point in the show, the administrative task can take far more time than most people would imagine. They could, depending on the circumstances, be easily 40 hours a week on their own before you have time to do a single word of writing on the page. I found you really have to guard your writing time well and find ways to keep administrative tasks, distractions, and necessary tasks such as home maintenance or childcare separate from writing.   Anyone who has ever worked from home is familiar with how difficult that can be because home comes with a wide set of distractions. Granted, that's often fewer distractions than the office, but home can have its own set of distractions. I've mentioned before that you need a bit of tunnel vision to produce the quantity of writing I do month after month. I do keep to a pretty rigid schedule. I have daily word count goals I always try to meet and I use the Pomodoro Method to make sure that I'm prioritizing my writing time.   If you are self-employed and working for yourself, that means there are no allocated vacation or sick days and no paid sick leave in the writing world. Taking a couple of weeks off usually means anticipating a loss in income, such as a month without a book being released. Sometimes, especially in the case of illness, family emergencies, and so forth, that just can't be helped. However, the long vacations people imagine writers being able to take mean either a loss of income or a couple of weeks beforehand of working extra hours to make up for it. For example, Brandon Sanderson, who is probably the most famous fantasy author right now, still works and writes on his vacations and does extra work before leaving for a vacation (such as pre-recording videos).   So as you can see, most of the expectations people have about what it's like to write full-time come from the hope that it will change their productivity or make it easier to write. In reality, if you manage your time well, you can often meet all your writing goals even while working another full-time job. Some people are even more productive under the time pressure of only having an hour or so available to write each day. You don't have to wait until you are a full-time writer for your writing career to start. I wrote for decades and published for years before I was a full-time writer.   Frankly, the idea that you need to be a full-time writer in order to be taken seriously or make money exists only in your own mind. Whether you are a full-time writer or not, what matters is having the discipline to shut out distractions and write with absolute consistency regardless of the circumstances. Even writing 250 to 300 words every single day can add up very quickly, even if you don't do it in 15 minute bursts like Anthony Trollope did.   Finally, I suppose this makes it sound like I'm painting a very bleak picture here, but I'm not. As I said before, I'm very fortunate to be able to do what I do, and I'm very grateful to all my readers that I'm able to write full-time and even hire on contractors for narration and behind the scenes work. I appreciate and am very grateful to all the readers who have supported me by continuing to buy my work and access it through subscription services like Kindle Unlimited or Kobo Plus or library options like Libby and Hoopla.   So that is it for this week. I hope it provided some insight into what it's like to be a full-time writer. Thanks for listening to The Pulp Writer Show and all 250 episodes. I hope you found the show and all 250 episodes useful. A reminder that you can listen to all the back episodes on https://thepulpwritershow.com. If you enjoyed the podcast, please leave your review on your podcasting platform of choice. Stay safe and stay healthy and see you all next week.  

In the stories of Franz Kafka we find the fantastical wearing the most ordinary, realist dress. Though haunted by abjection and failure, Kafka has come to embody the power and potential of literary imagination in the 20th century as it confronts the nightmares of modernity. In this episode, Marina Warner is joined by Adam Thirlwell to discuss the ways in which Kafka extended the realist tradition of the European novel by drawing on ‘simple forms' – proverbs, wisdom literature and animal fables – to push the boundaries of what literature could explore, with reference to stories including ‘The Judgment', ‘In the Penal Colony' and ‘A Report to the Academy'.Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:Directly in Apple Podcasts: https://lrb.me/applecrffIn other podcast apps: https://lrb.me/closereadingsffFurther reading in the LRB:Franz Kafka (trans. Michael Hofmann): Unknown Lawshttps://www.lrb.co.uk/the-paper/v37/n14/franz-kafka/short-cutsRivka Galchen: What Kind of Funny is He?https://www.lrb.co.uk/the-paper/v36/n23/rivka-galchen/what-kind-of-funny-is-heJudith Butler: Who Owns Kafka?https://www.lrb.co.uk/the-paper/v33/n05/judith-butler/who-owns-kafkaJ.P. Stern: Bad Faithhttps://www.lrb.co.uk/the-paper/v05/n13/j.p.-stern/bad-faithNext episode: Jan Potocki's The Manuscript Found at Saragossa and stories by Isak Dinesen.Get the books: https://lrb.me/crbooklist Hosted on Acast. See acast.com/privacy for more information.

An airhacks.fm conversation with Colt McNealy (@coltmcnealy) about: first computing experience with Sun workstations and network computing, background in hockey and other sports, using system76 Linux laptops for development, starting programming in high school with Java and later learning C, fortran, assembly, C++ and python, working at a real estate company with kubernetes and Kafka, the genesis of LittleHorse from experiencing challenges with distributed microservices and workflow management, LittleHorse as an open source workflow orchestration engine using Kafka as a commit log rather than a message queue, building a custom distributed database optimized for workflow orchestration, the recent move to fully open source licensing, comparison with AWS Step Functions but with more capabilities and open source benefits, using RocksDB and Kafka Streams for the underlying implementation, performance metrics of 12-40ms latency between tasks and hundreds of tasks per second, the multi-tenant architecture allowing for serverless offerings, integration with Kafka for event-driven architectures, the distinction between orchestration and choreography in distributed systems, using Java 21 with benefits from virtual threads and generational garbage collection, plans for Java 25 adoption, the naming story behind "Little Horse" and its competition with MuleSoft, the Sun Microsystems legacy and innovation culture, recent adoption of Quarkus for some components, the "Know Your Customer" flow as the Hello World example for Little Horse, the importance of observability and durability in workflow management, plans for serverless offerings and multi-tenant architecture, the balance between open source core and commercial offerings Colt McNealy on twitter: @coltmcnealy

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Franz Kafka's novella The Metamorphosis is a strange tale that poses the question of what it would be like to one day wake up and suddenly find yourself transformed into an insect, however, through the use of satire and absurdism, Kafka has sculpted a story that has far deeper meaning. Join Dave and Greg as they explore themes of isolation, disability, and poor mental health within Kafka's most well known story.   Intro/Outro Music by 13th Ward Social Club https://open.spotify.com/artist/5Gvw7YedKx6d2fhiObH5Cc https://www.youtube.com/channel/UCzmdJyWuzBpwlsCtn_sVC_A

In a new season of the Oracle University Podcast, Lois Houston and Nikita Abraham dive into the world of Oracle GoldenGate 23ai, a cutting-edge software solution for data management. They are joined by Nick Wagner, a seasoned expert in database replication, who provides a comprehensive overview of this powerful tool.   Nick highlights GoldenGate's ability to ensure continuous operations by efficiently moving data between databases and platforms with minimal overhead. He emphasizes its role in enabling real-time analytics, enhancing data security, and reducing costs by offloading data to low-cost hardware. The discussion also covers GoldenGate's role in facilitating data sharing, improving operational efficiency, and reducing downtime during outages.   Oracle GoldenGate 23ai: Fundamentals: https://mylearn.oracle.com/ou/course/oracle-goldengate-23ai-fundamentals/145884/237273 Oracle University Learning Community: https://education.oracle.com/ou-community LinkedIn: https://www.linkedin.com/showcase/oracle-university/ X: https://x.com/Oracle_Edu   Special thanks to Arijit Ghosh, David Wright, Kris-Ann Nansen, Radhika Banka, and the OU Studio Team for helping us create this episode. ---------------------------------------------------------------   Episode Transcript: 00:00 Welcome to the Oracle University Podcast, the first stop on your cloud journey. During this series of informative podcasts, we'll bring you foundational training on the most popular Oracle technologies. Let's get started! 00:25 Nikita: Welcome to the Oracle University Podcast! I'm Nikita Abraham, Team Lead: Editorial Services with Oracle University, and with me is Lois Houston: Director of Innovation Programs. Lois: Hi everyone! Welcome to a new season of the podcast. This time, we're focusing on the fundamentals of Oracle GoldenGate. Oracle GoldenGate helps organizations manage and synchronize their data across diverse systems and databases in real time.  And with the new Oracle GoldenGate 23ai release, we'll uncover the latest innovations and features that empower businesses to make the most of their data. Nikita: Taking us through this is Nick Wagner, Senior Director of Product Management for Oracle GoldenGate. He's been doing database replication for about 25 years and has been focused on GoldenGate on and off for about 20 of those years.  01:18 Lois: In today's episode, we'll ask Nick to give us a general overview of the product, along with some use cases and benefits. Hi Nick! To start with, why do customers need GoldenGate? Nick: Well, it delivers continuous operations, being able to continuously move data from one database to another database or data platform in efficiently and a high-speed manner, and it does this with very low overhead. Almost all the GoldenGate environments use transaction logs to pull the data out of the system, so we're not creating any additional triggers or very little overhead on that source system. GoldenGate can also enable real-time analytics, being able to pull data from all these different databases and move them into your analytics system in real time can improve the value that those analytics systems provide. Being able to do real-time statistics and analysis of that data within those high-performance custom environments is really important. 02:13 Nikita: Does it offer any benefits in terms of cost?  Nick: GoldenGate can also lower IT costs. A lot of times people run these massive OLTP databases, and they are running reporting in those same systems. With GoldenGate, you can offload some of the data or all the data to a low-cost commodity hardware where you can then run the reports on that other system. So, this way, you can get back that performance on the OLTP system, while at the same time optimizing your reporting environment for those long running reports. You can improve efficiencies and reduce risks. Being able to reduce the amount of downtime during planned and unplanned outages can really make a big benefit to the overall operational efficiencies of your company.  02:54 Nikita: What about when it comes to data sharing and data security? Nick: You can also reduce barriers to data sharing. Being able to pull subsets of data, or just specific pieces of data out of a production database and move it to the team or to the group that needs that information in real time is very important. And it also protects the security of your data by only moving in the information that they need and not the entire database. It also provides extensibility and flexibility, being able to support multiple different replication topologies and architectures. 03:24 Lois: Can you tell us about some of the use cases of GoldenGate? Where does GoldenGate truly shine?  Nick: Some of the more traditional use cases of GoldenGate include use within the multicloud fabric. Within a multicloud fabric, this essentially means that GoldenGate can replicate data between on-premise environments, within cloud environments, or hybrid, cloud to on-premise, on-premise to cloud, or even within multiple clouds. So, you can move data from AWS to Azure to OCI. You can also move between the systems themselves, so you don't have to use the same database in all the different clouds. For example, if you wanted to move data from AWS Postgres into Oracle running in OCI, you can do that using Oracle GoldenGate. We also support maximum availability architectures. And so, there's a lot of different use cases here, but primarily geared around reducing your recovery point objective and recovery time objective. 04:20 Lois: Ah, reducing RPO and RTO. That must have a significant advantage for the customer, right? Nick: So, reducing your RPO and RTO allows you to take advantage of some of the benefits of GoldenGate, being able to do active-active replication, being able to set up GoldenGate for high availability, real-time failover, and it can augment your active Data Guard and Data Guard configuration. So, a lot of times GoldenGate is used within Oracle's maximum availability architecture platinum tier level of replication, which means that at that point you've got lots of different capabilities within the Oracle Database itself. But to help eke out that last little bit of high availability, you want to set up an active-active environment with GoldenGate to really get true zero RPO and RTO. GoldenGate can also be used for data offloading and data hubs. Being able to pull data from one or more source systems and move it into a data hub, or into a data warehouse for your operational reporting. This could also be your analytics environment too. 05:22 Nikita: Does GoldenGate support online migrations? Nick: In fact, a lot of companies actually get started in GoldenGate by doing a migration from one platform to another. Now, these don't even have to be something as complex as going from one database like a DB2 on-premise into an Oracle on OCI, it could even be simple migrations. A lot of times doing something like a major application or a major database version upgrade is going to take downtime on that production system. You can use GoldenGate to eliminate that downtime. So this could be going from Oracle 19c to Oracle 23ai, or going from application version 1.0 to application version 2.0, because GoldenGate can do the transformation between the different application schemas. You can use GoldenGate to migrate your database from on premise into the cloud with no downtime as well. We also support real-time analytic feeds, being able to go from multiple databases, not only those on premise, but being able to pull information from different SaaS applications inside of OCI and move it to your different analytic systems. And then, of course, we also have the ability to stream events and analytics within GoldenGate itself.  06:34 Lois: Let's move on to the various topologies supported by GoldenGate. I know GoldenGate supports many different platforms and can be used with just about any database. Nick: This first layer of topologies is what we usually consider relational database topologies. And so this would be moving data from Oracle to Oracle, Postgres to Oracle, Sybase to SQL Server, a lot of different types of databases. So the first architecture would be unidirectional. This is replicating from one source to one target. You can do this for reporting. If I wanted to offload some reports into another server, I can go ahead and do that using GoldenGate. I can replicate the entire database or just a subset of tables. I can also set up GoldenGate for bidirectional, and this is what I want to set up GoldenGate for something like high availability. So in the event that one of the servers crashes, I can almost immediately reconnect my users to the other system. And that almost immediately depends on the amount of latency that GoldenGate has at that time. So a typical latency is anywhere from 3 to 6 seconds. So after that primary system fails, I can reconnect my users to the other system in 3 to 6 seconds. And I can do that because as GoldenGate's applying data into that target database, that target system is already open for read and write activity. GoldenGate is just another user connecting in issuing DML operations, and so it makes that failover time very low. 07:59 Nikita: Ok…If you can get it down to 3 to 6 seconds, can you bring it down to zero? Like zero failover time?   Nick: That's the next topology, which is active-active. And in this scenario, all servers are read/write all at the same time and all available for user activity. And you can do multiple topologies with this as well. You can do a mesh architecture, which is where every server talks to every other server. This works really well for 2, 3, 4, maybe even 5 environments, but when you get beyond that, having every server communicate with every other server can get a little complex. And so at that point we start looking at doing what we call a hub and spoke architecture, where we have lots of different spokes. At the end of each spoke is a read/write database, and then those communicate with a hub. So any change that happens on one spoke gets sent into the hub, and then from the hub it gets sent out to all the other spokes. And through that architecture, it allows you to really scale up your environments. We have customers that are doing up to 150 spokes within that hub architecture. Within active-active replication as well, we can do conflict detection and resolution, which means that if two users modify the same row on two different systems, GoldenGate can actually determine that there was an issue with that and determine what user wins or which row change wins, which is extremely important when doing active-active replication. And this means that if one of those systems fails, there is no downtime when you switch your users to another active system because it's already available for activity and ready to go. 09:35 Lois: Wow, that's fantastic. Ok, tell us more about the topologies. Nick: GoldenGate can do other things like broadcast, sending data from one system to multiple systems, or many to one as far as consolidation. We can also do cascading replication, so when data moves from one environment that GoldenGate is replicating into another environment that GoldenGate is replicating. By default, we ignore all of our own transactions. But there's actually a toggle switch that you can flip that says, hey, GoldenGate, even though you wrote that data into that database, still push it on to the next system. And then of course, we can also do distribution of data, and this is more like moving data from a relational database into something like a Kafka topic or a JMS queue or into some messaging service. 10:24 Raise your game with the Oracle Cloud Applications skills challenge. Get free training on Oracle Fusion Cloud Applications, Oracle Modern Best Practice, and Oracle Cloud Success Navigator. Pass the free Oracle Fusion Cloud Foundations Associate exam to earn a Foundations Associate certification. Plus, there's a chance to win awards and prizes throughout the challenge! What are you waiting for? Join the challenge today by visiting visit oracle.com/education. 10:58 Nikita: Welcome back! Nick, does GoldenGate also have nonrelational capabilities?  Nick: We have a number of nonrelational replication events in topologies as well. This includes things like data lake ingestion and streaming ingestion, being able to move data and data objects from these different relational database platforms into data lakes and into these streaming systems where you can run analytics on them and run reports. We can also do cloud ingestion, being able to move data from these databases into different cloud environments. And this is not only just moving it into relational databases with those clouds, but also their data lakes and data fabrics. 11:38 Lois: You mentioned a messaging service earlier. Can you tell us more about that? Nick: Messaging replication is also possible. So we can actually capture from things like messaging systems like Kafka Connect and JMS, replicate that into a relational data, or simply stream it into another environment. We also support NoSQL replication, being able to capture from MongoDB and replicate it onto another MongoDB for high availability or disaster recovery, or simply into any other system. 12:06 Nikita: I see. And is there any integration with a customer's SaaS applications? Nick: GoldenGate also supports a number of different OCI SaaS applications. And so a lot of these different applications like Oracle Financials Fusion, Oracle Transportation Management, they all have GoldenGate built under the covers and can be enabled with a flag that you can actually have that data sent out to your other GoldenGate environment. So you can actually subscribe to changes that are happening in these other systems with very little overhead. And then of course, we have event processing and analytics, and this is the final topology or flexibility within GoldenGate itself. And this is being able to push data through data pipelines, doing data transformations. GoldenGate is not an ETL tool, but it can do row-level transformation and row-level filtering.  12:55 Lois: Are there integrations offered by Oracle GoldenGate in automation and artificial intelligence? Nick: We can do time series analysis and geofencing using the GoldenGate Stream Analytics product. It allows you to actually do real time analysis and time series analysis on data as it flows through the GoldenGate trails. And then that same product, the GoldenGate Stream Analytics, can then take the data and move it to predictive analytics, where you can run MML on it, or ONNX or other Spark-type technologies and do real-time analysis and AI on that information as it's flowing through.  13:29 Nikita: So, GoldenGate is extremely flexible. And given Oracle's focus on integrating AI into its product portfolio, what about GoldenGate? Does it offer any AI-related features, especially since the product name has “23ai” in it? Nick: With the advent of Oracle GoldenGate 23ai, it's one of the two products at this point that has the AI moniker at Oracle. Oracle Database 23ai also has it, and that means that we actually do stuff with AI. So the Oracle GoldenGate product can actually capture vectors from databases like MySQL HeatWave, Postgres using pgvector, which includes things like AlloyDB, Amazon RDS Postgres, Aurora Postgres. We can also replicate data into Elasticsearch and OpenSearch, or if the data is using vectors within OCI or the Oracle Database itself. So GoldenGate can be used for a number of things here. The first one is being able to migrate vectors into the Oracle Database. So if you're using something like Postgres, MySQL, and you want to migrate the vector information into the Oracle Database, you can. Now one thing to keep in mind here is a vector is oftentimes like a GPS coordinate. So if I need to know the GPS coordinates of Austin, Texas, I can put in a latitude and longitude and it will give me the GPS coordinates of a building within that city. But if I also need to know the altitude of that same building, well, that's going to be a different algorithm. And GoldenGate and replicating vectors is the same way. When you create a vector, it's essentially just creating a bunch of numbers under the screen, kind of like those same GPS coordinates. The dimension and the algorithm that you use to generate that vector can be different across different databases, but the actual meaning of that data will change. And so GoldenGate can replicate the vector data as long as the algorithm and the dimensions are the same. If the algorithm and the dimensions are not the same between the source and the target, then you'll actually want GoldenGate to replicate the base data that created that vector. And then once GoldenGate replicates the base data, it'll actually call the vector embedding technology to re-embed that data and produce that numerical formatting for you.  15:42 Lois: So, there are some nuances there… Nick: GoldenGate can also replicate and consolidate vector changes or even do the embedding API calls itself. This is really nice because it means that we can take changes from multiple systems and consolidate them into a single one. We can also do the reverse of that too. A lot of customers are still trying to find out which algorithms work best for them. How many dimensions? What's the optimal use? Well, you can now run those in different servers without impacting your actual AI system. Once you've identified which algorithm and dimension is going to be best for your data, you can then have GoldenGate replicate that into your production system and we'll start using that instead. So it's a nice way to switch algorithms without taking extensive downtime. 16:29 Nikita: What about in multicloud environments?  Nick: GoldenGate can also do multicloud and N-way active-active Oracle replication between vectors. So if there's vectors in Oracle databases, in multiple clouds, or multiple on-premise databases, GoldenGate can synchronize them all up. And of course we can also stream changes from vector information, including text as well into different search engines. And that's where the integration with Elasticsearch and OpenSearch comes in. And then we can use things like NVIDIA and Cohere to actually do the AI on that data.  17:01 Lois: Using GoldenGate with AI in the database unlocks so many possibilities. Thanks for that detailed introduction to Oracle GoldenGate 23ai and its capabilities, Nick.  Nikita: We've run out of time for today, but Nick will be back next week to talk about how GoldenGate has evolved over time and its latest features. And if you liked what you heard today, head over to mylearn.oracle.com and take a look at the Oracle GoldenGate 23ai Fundamentals course to learn more. Until next time, this is Nikita Abraham… Lois: And Lois Houston, signing off! 17:33 That's all for this episode of the Oracle University Podcast. If you enjoyed listening, please click Subscribe to get all the latest episodes. We'd also love it if you would take a moment to rate and review us on your podcast app. See you again on the next episode of the Oracle University Podcast.

Caught in a storm of hidradenitis suppurativa, government Kafka, and a world obsessed with victimhood, I hacked my way to near remission—no docs, no mentors, just gritty, dyslexic stubbornness. This ain't self-help fluff—it's real talk on agency, authenticity, and thinking your way out. From a Goodwill toy rant on polymodal learning to dodging propaganda with Nietzsche's ressentiment in my ear, I'm spilling how I beat HS and why we've lost the art of surmounting. Live streams are coming—raw, unscripted, building a crew who get it. Join me to ditch the pity party, heal for real, and know yourself in a fractured age. Shades, not fragments—let's go.

Eine Komödie über Sprache, Kafka und das "Aussteigen". Georg Horvath hat das Vertrauen in die Sprache verloren. Und auch physisch kommt der Justiziar auf einer Handelsreise nach Brasilien abhanden. In Rio gerät er in die Hände eines Chauffeurs, der ihn überall hinbringt, nur nicht an sein Ziel. Eine Entführung? Eine Verwechslung? Auf der kurvigen Irrfahrt will es Georg Horvath selbst nicht so recht wissen und lässt es mit sich geschehen. In seinem Kopf reisen mit: Regina, seine in allen Dingen professionelle Lebensgefährtin, ein labyrinthisches Bukarester Kongresshotel und Franz Kafka. Autor: Saša Stanišić Besetzung: Martin Engler als Horvath, Victoria Trautmannsdorff als Regina, Kleber Valim als Ali, Katja Brügger als Alte, Barnaby Metschurat als Powala, Fumio Okura als Asiate, Peter Kaempfe als Kapitän, Céline Fontanges als Flugbegleiterin, Valentin Platareanu als Pullunder, Christoph Luser als Walter, Hans Schernthaner als van Sannen, Wolf-Dietrich Sprenger als Hartmut Vogel, Jon Kiriac als Taxifahrer, Christian Onciu als Diener Komposition: Andreas Bick Vibraphon: Karl Ivar Refseth Gitarre: Christian Kögel Berimbau: Andreas Weiser Technische Realisation: Christian Alpen und Sebastian Ohm Regie: Oliver Sturm Dramaturgie: Michael Becker Redaktion: Thilo Guschas Produktion: Norddeutscher Rundfunk 2017 Jetzt abonnieren: "Die Erschöpften" l Hörspielserie in 10 Folgen von Oliver Sturm https://1.ard.de/dieerschoepften

11 Dakika uzun süre sonra yeni bölümüyle “Uyanmak” temasına odaklanıyor. Uyanmak nasıl bir deneyimdir? Uyandığımızda hatırladığımız ve unuttuklarımız nelerdir? Rüyada olmadığımızdan nasıl emin oluruz? Nasıl uyandığımız kadar, neye uyandığımıza, neyi unutup neyi hatırladığımıza ve bunun bireysel ve toplumsal tezahürlerine farklı duraklara uğrayarak değiniyoruz.11 Dakika'nın bu bölümü HayySpace'te 17 Mayıs 2025 tarihine kadar açık kalacak olan Bazen de Gölgesi Düşüyor İçeriye adlı sergiye konuk oluyor. Instagram: https://www.instagram.com/11_dakika/YouTube: https://www.youtube.com/@11DakikaPodcast

Prof. Zbigniew Bajek „Obcy. Kafka”. Muzeum ASP w Krakowie, plac J. Matejki 13, wernisaż wystawy: 24 kwietnia 2025, godz. 17,00.

Participants: John Steppling, Roger Johnson, Hiroyuki Hamada, Cory Morningstar and Dennis Riches. Topics covered: A.I. promoters want an expansion of nuclear energy, the use and abuse of youth “to save the world”, dealing with despair during a genocide that seems unstoppable, tariff wars and the end of brand value on luxury goods made in China, lost culture: journeys to family reunions, Kafka's aphorisms. Music track “Jim Jackson's Kansas City Blues, Part 1” by Jim Jackson (public domain).

Huff some ether, dress for an ORTBO, and always keep an eye out for a private place beneath a tarp—we’re here to discuss the second season of “Severance,” a story that goes beyond the first season with some twists and turns that might be Kafkaesque, but are definitely Kafka-ish. Jason Snell with Brian Hamilton, Brian Warren, Dan Moren, Glenn Fleishman and Heather Berberet.

Huff some ether, dress for an ORTBO, and always keep an eye out for a private place beneath a tarp—we’re here to discuss the second season of “Severance,” a story that goes beyond the first season with some twists and turns that might be Kafkaesque, but are definitely Kafka-ish. Jason Snell with Brian Hamilton, Brian Warren, Dan Moren, Glenn Fleishman and Heather Berberet.

durée : 00:35:02 - Les Nuits de France Culture - par : Mathilde Wagman - Marthe Robert, traductrice et spécialiste de l'œuvre de Kafka, est invitée en 1955 sur la Chaîne nationale pour une série d'émissions afin de parler de l'œuvre de l'écrivain pragois à la lumière de la traduction du texte intégral de son Journal. - réalisation : Virginie Mourthé - invités : Marthe Robert Critique littéraire française (1914 -1996)

From 'Sex Lies and Videotape' to 'Black Bag' (which is now available on VOD), we rank every single Steven Soderbergh movie, plus a few of his miniseries and a short film. Hosted by Brad Garoon & Jake ZieglerCovering, in chronological order:Sex, Lies, and Videotape (1989), Kafka (1991), King of the Hill (1993), The Underneath (1995), Schizopolis (1996), Gray's Anatomy (1996), Out of Sight (1998), The Limey (1999), Erin Brockovich (2000), Traffic (2000), Ocean's Eleven (2001), Full Frontal (2002), Solaris (2002), Ocean's Twelve (2004), Eros/Equilibrium (2024) Bubble (2005), The Good German (2006), Ocean's Thirteen (2007), Che (2008), The Girlfriend Experience (2009), The Informant! (2009), And Everything Is Going Fine (2010), Contagion (2011), Haywire (2011), Magic Mike (2012), Side Effects (2013), Behind the Candelabra (2013), Logan Lucky (2017), Unsane (2018), Mosaic (2018), High Flying Bird (2019), The Laundromat (2019), Let Them All Talk (2020), No Sudden Move (2021), Kimi (2022), Magic Mike's Last Dance (2023), Command Z (2023), Full Circle (2023), Presence (2024), Black Bag (2024)0:00 Introduction2:12 40-3013:08 29-2024:29 19-1036:55 9-1#georgeclooney #merylstreep #michaeldouglas #juliaroberts #bradpitt #catherinezetajones #mattdamon

SEASON 3 EPISODE 118: COUNTDOWN WITH KEITH OLBERMANN A-Block (1:45) SPECIAL COMMENT: ICE Director Tom Homan and his boss Homeland Security Secretary Kristi Noem must be arrested for contempt of court. It SHOULD be President Ted Bundy Trump being arrested for contempt of court – potentially for ignoring the orders of the SUPREME COURT - but we already know how the laws of this land have been corrupted to protect the greatest criminal in our history. That it cannot be will simply hasten the latest iteration of the constitutional crisis created by a lawless chief executive who still has the military behind him. We are headed for a flashpoint, perhaps as soon as today. To summarize: Trump believes he is God. But in the interim it is time for U-S District Judge Paula Xinis to send this rogue government a message. In fact it is well past time. “Time” was two days ago, at 5 PM. Noem and Homan are now in contempt of HER order in the case of the Noem-Homan-ICE abduction, the DISAPPEARING of a Maryland man already under the PROTECTION of the government of the United States, Kilmar Abrego Garcia. They are in contempt of the orders not of some judge – as the fascist Stephen Miller and his brownshirts call any representative of law and order – they are in contempt of the LAWS OF THE UNITED STATES OF AMERICA. It is not some judge. They are in contempt of the NATION and they are on the VERGE of being in contempt of the Supreme Court. The point, of course, may be the admission that they abducted someone by "mistake." They sent a Massachusetts-born immigration lawyer a notice to leave the country by "mistake." They warned ICE will keep illegal "ideas" from entering the country, by "mistake." Maybe these are mistakes - God knows, it all involves Elon Musk - but now they see an opportunity to exploit even mistakes to deliver the message, passively but still aggressively, that even when they are wrong they are still RIGHT because even when they are wrong what do you think YOU are going to be able to DO about it? What do you think YOU are going to be able to DO about it, Mrs Abrego Garcia? What do you think YOU are going to be able to DO about it, Judge? What do you think YOU are going to be able to DO about it, AMERICA? B-Block (40:00) THE WORST PERSONS IN THE WORLD: We have a new member of the WPITW Hall of Fame, Linda McMahon. We dedicate this episode to Stephen A. Smith, still making a fool of himself. And then the nominees: Bill Maher makes a propaganda video for Trump saying all the nice things about Trump that Maher has forgotten he already said about them in 2016 and then repudiated. Trump butt dials the wrong McMaster. And Jeanine Pirro may be the dumbest person to ever work at Fox News. Do you know what an accomplishment this would be? C-Block (1:04:05) GOOD NIGHT AND GOOD LUCK: A quick announcement about the immediate future of this podcast. Sounds more ominous than it is.See omnystudio.com/listener for privacy information.

Agapito Maestre nos ofrece su columna radiofónica sobre un asunto de actualidad.

OA1146 - We begin with a quick review of SDNY Judge Dale Ho's scathing 78-page (!) order dismissing all federal charges against NYC Mayor Eric Adams at DOJ's request to see how it compared to our recent predictions. Then in our main story, Matt breaks down a true legal nightmare from this week's news and goes beyond the headlines to explain why ICE's recent admission that it accidentally sent a man on a one-way ticket to hell with no intention of ever returning him is actually even worse than it sounds.  Also featured: Trump and DHS Secretary Kristi Noem face actual for-real legal consequences for their bigotry against Venezuelan immigrants, 1,000 UK artists combine to form the world's most boring supergroup to protest the legalization of AI art theft, Matt yearns for the open road, and Congressional Republicans assert the power to stop time itself. Judge Dale Ho's order dismissing all federal criminal charges against NYC mayor Eric Adams with prejudice (4/2/25) Docket in Abrego Garcia v. Noem (filed 3/25/25) “Imposing Duties to Address the Flow of Illicit Drugs Across Our National Border” (2/1/2025) NDCA Judge Edward Chen's order in National TPS Alliance v. Noem (3/31/25) To support the show (and lose the ads!), please pledge at patreon.com/law! Check out the OA Linktree for all the places to go and things to do! This content is CAN credentialed, which means you can report instances of harassment, abuse, or other harm on their hotline at (617) 249-4255, or on their website at creatoraccountabilitynetwork.org.

Streaming Ecosystem Complexities and Cost Management // MLOps Podcast #302 with Rohit Agarwal, Director of Engineering at Tecton.Join the Community: https://go.mlops.community/YTJoinIn Get the newsletter: https://go.mlops.community/YTNewsletter // AbstractDemetrios talks with Rohit Agarwal, Director of Engineering at Tecton, about the challenges and future of streaming data in ML. Rohit shares his path at Tecton and insights on managing real-time and batch systems. They cover tool fragmentation (Kafka, Flink, etc.), infrastructure costs, managed services, and trends like using S3 for storage and Iceberg as the GitHub for data. The episode wraps with thoughts on BYOC solutions and evolving data architectures.// BioRohit Agrawal is an Engineering Manager at Tecton, leading the Real-Time Execution team. Before Tecton, Rohit was the a Lead Software Engineer at Salesforce, where he focused on transaction processign and storage in OLTP relational databases. He holds a Master's Degree in Computer Systems from Carnegie Mellon University and a Bachelor's Degree in Electrical Engineering from the Biria Institute of Technology and Science in Pilani, India.// Related Links~~~~~~~~ ✌️Connect With Us ✌️ ~~~~~~~Catch all episodes, blogs, newsletters, and more: https://go.mlops.community/TYExploreJoin our slack community [https://go.mlops.community/slack]Follow us on X/Twitter [@mlopscommunity](https://x.com/mlopscommunity) or [LinkedIn](https://go.mlops.community/linkedin)] Sign up for the next meetup: [https://go.mlops.community/register]MLOps Swag/Merch: [https://shop.mlops.community/]Connect with Demetrios on LinkedIn: /dpbrinkmConnect with Rohit on LinkedIn: /agrawalrohit10

In this episode of Open Source Data, Charna Parkey talks with Alex Gallego, CEO and founder of Redpanda Data, about his journey as a builder, the evolution of Redpanda, and the company's new agent framework for the enterprise. Alex shares insights on low-latency storage, distributed stream processing, and the importance of developer experience to the growth of AI and the Open Source space. Timestamps[00:00:00] Introduction[00:02:00] Alex Gallego talks about his background[00:04:00] Charna Parkey discusses the importance of hands-on experience in learning.[00:06:00] Alex explains the origins of Red Panda and how it emerged from challenges in the streaming space.[00:08:00] Alex details the evolution of Red Panda, its use of C-Star and FlatBuffers, and its low-latency design.[00:11:00] Alex discusses the positioning of Kafka versus Red Panda in the market.[00:20:00] Alex introduces Red Panda's new agent framework and multi-agent orchestration.[00:24:00] Alex explains how Red Panda fits into the evolving landscape of AI-powered applications.[00:30:00] The future of multi-agent orchestration.[00:44:00] Thoughts on AI model training and data retention.[00:46:00] Alex encourages future founders and shares his perspective on risk-taking.[00:50:00] Charna Parkey and Leo Godoy discuss the key takeaways from the conversation with Alex Gallego.[00:52:00] Charna reflects on open source trends and the role of developer experience in adoption.[00:54:00] Charna and Leo talk about the different types of founder journeys and the importance of team dynamQuotes Charna Parkey"For AI, unifying historical and real-time data is critical. If you're just using nightly or monthly data, it doesn't match the context in which your prediction is being made. So it becomes very important in the future of applying AI because you need to align those things."Alex Gallego"Every app is going to span three layers. The first layer is going to be your operational layer, just like you have to do business right now. Then there always has to be an analytical layer, and the third layer is this layer of autonomy."

What to do next after KAFKA doesn't quite hit...how about adapting a boyhood memoir by the guy who helped Paul Newman bottle his salad dressing? We continue Soderbergh's less-remembered beginnings with 1993's KING OF THE HILL, a subtly brutal Depression-era bildungsroman in which a boy gets so hungry he eats pictures of food - and joining us is film writer Jason Miller! Listen along for a discussion of cinematographer careers, macroeconomics, proper marbles technique, and Spalding Gray. Good ep, even without Boomhauer and all the rest of those guys! Further Reading: King of the Hill: A Memoir by A.E. Hotchner "King of the Hill: Alone Again" by Peter Tonguette "A Multi-Storied Life" by Susan Wooleyhan Caine Further Viewing: EMPIRE OF THE SUN (Spielberg, 1987) HOPE AND GLORY (Boorman, 1987) THE LONG DAY CLOSES (Davies, 1992)   Follow Jason Miller: https://linktr.ee/millerjeremyjason   Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

In his memoir Feh, writer Shalom Auslander attempts to escape his biblical upbringing and carve his own path, with a little help from Kafka; poet and former professional Muay Thai fighter Simon Shieh reckons with trauma, masculinity, and the art of healing in his debut collection Master; and singer-songwriter Kara Jackson performs her single "Pawnshop" from her album Why Does the Earth Give Us People to Love?, live from the Pickathon festival. Plus, host Luke Burbank and announcer Elena Passarello hear from our audience about the small, shameful things they grapple with.