Podcasts about kafka

Participants: John Steppling, Roger Johnson, Hiroyuki Hamada, Cory Morningstar and Dennis Riches. Topics covered: A.I. promoters want an expansion of nuclear energy, the use and abuse of youth “to save the world”, dealing with despair during a genocide that seems unstoppable, tariff wars and the end of brand value on luxury goods made in China, lost culture: journeys to family reunions, Kafka's aphorisms. Music track “Jim Jackson's Kansas City Blues, Part 1” by Jim Jackson (public domain).

Huff some ether, dress for an ORTBO, and always keep an eye out for a private place beneath a tarp—we’re here to discuss the second season of “Severance,” a story that goes beyond the first season with some twists and turns that might be Kafkaesque, but are definitely Kafka-ish. Jason Snell with Brian Hamilton, Brian Warren, Dan Moren, Glenn Fleishman and Heather Berberet.

Huff some ether, dress for an ORTBO, and always keep an eye out for a private place beneath a tarp—we’re here to discuss the second season of “Severance,” a story that goes beyond the first season with some twists and turns that might be Kafkaesque, but are definitely Kafka-ish. Jason Snell with Brian Hamilton, Brian Warren, Dan Moren, Glenn Fleishman and Heather Berberet.

Som en present kommer podden en dag tidigt denna vecka!Glad skärtorsdag – vi diskuterar:• Kommun skickade räkning på 30 000 till lokalredaktion för allmänna handlingar och får JO-kritik för dålig kommunikation• På nästan tre år har 6 åtal om hedersförtryck väckts• Siffrorna om hemlig dataavläsning från Åklagarmyndigheten och SIN stämmer inte överens – Advokatsamfundets generalsekreterare tycker att det är Kafka-varning Hosted on Acast. See acast.com/privacy for more information.

durée : 00:35:02 - Les Nuits de France Culture - par : Mathilde Wagman - Marthe Robert, traductrice et spécialiste de l'œuvre de Kafka, est invitée en 1955 sur la Chaîne nationale pour une série d'émissions afin de parler de l'œuvre de l'écrivain pragois à la lumière de la traduction du texte intégral de son Journal. - réalisation : Virginie Mourthé - invités : Marthe Robert Critique littéraire française (1914 -1996)

From 'Sex Lies and Videotape' to 'Black Bag' (which is now available on VOD), we rank every single Steven Soderbergh movie, plus a few of his miniseries and a short film. Hosted by Brad Garoon & Jake ZieglerCovering, in chronological order:Sex, Lies, and Videotape (1989), Kafka (1991), King of the Hill (1993), The Underneath (1995), Schizopolis (1996), Gray's Anatomy (1996), Out of Sight (1998), The Limey (1999), Erin Brockovich (2000), Traffic (2000), Ocean's Eleven (2001), Full Frontal (2002), Solaris (2002), Ocean's Twelve (2004), Eros/Equilibrium (2024) Bubble (2005), The Good German (2006), Ocean's Thirteen (2007), Che (2008), The Girlfriend Experience (2009), The Informant! (2009), And Everything Is Going Fine (2010), Contagion (2011), Haywire (2011), Magic Mike (2012), Side Effects (2013), Behind the Candelabra (2013), Logan Lucky (2017), Unsane (2018), Mosaic (2018), High Flying Bird (2019), The Laundromat (2019), Let Them All Talk (2020), No Sudden Move (2021), Kimi (2022), Magic Mike's Last Dance (2023), Command Z (2023), Full Circle (2023), Presence (2024), Black Bag (2024)0:00 Introduction2:12 40-3013:08 29-2024:29 19-1036:55 9-1#georgeclooney #merylstreep #michaeldouglas #juliaroberts #bradpitt #catherinezetajones #mattdamon

SEASON 3 EPISODE 118: COUNTDOWN WITH KEITH OLBERMANN A-Block (1:45) SPECIAL COMMENT: ICE Director Tom Homan and his boss Homeland Security Secretary Kristi Noem must be arrested for contempt of court. It SHOULD be President Ted Bundy Trump being arrested for contempt of court – potentially for ignoring the orders of the SUPREME COURT - but we already know how the laws of this land have been corrupted to protect the greatest criminal in our history. That it cannot be will simply hasten the latest iteration of the constitutional crisis created by a lawless chief executive who still has the military behind him. We are headed for a flashpoint, perhaps as soon as today. To summarize: Trump believes he is God. But in the interim it is time for U-S District Judge Paula Xinis to send this rogue government a message. In fact it is well past time. “Time” was two days ago, at 5 PM. Noem and Homan are now in contempt of HER order in the case of the Noem-Homan-ICE abduction, the DISAPPEARING of a Maryland man already under the PROTECTION of the government of the United States, Kilmar Abrego Garcia. They are in contempt of the orders not of some judge – as the fascist Stephen Miller and his brownshirts call any representative of law and order – they are in contempt of the LAWS OF THE UNITED STATES OF AMERICA. It is not some judge. They are in contempt of the NATION and they are on the VERGE of being in contempt of the Supreme Court. The point, of course, may be the admission that they abducted someone by "mistake." They sent a Massachusetts-born immigration lawyer a notice to leave the country by "mistake." They warned ICE will keep illegal "ideas" from entering the country, by "mistake." Maybe these are mistakes - God knows, it all involves Elon Musk - but now they see an opportunity to exploit even mistakes to deliver the message, passively but still aggressively, that even when they are wrong they are still RIGHT because even when they are wrong what do you think YOU are going to be able to DO about it? What do you think YOU are going to be able to DO about it, Mrs Abrego Garcia? What do you think YOU are going to be able to DO about it, Judge? What do you think YOU are going to be able to DO about it, AMERICA? B-Block (40:00) THE WORST PERSONS IN THE WORLD: We have a new member of the WPITW Hall of Fame, Linda McMahon. We dedicate this episode to Stephen A. Smith, still making a fool of himself. And then the nominees: Bill Maher makes a propaganda video for Trump saying all the nice things about Trump that Maher has forgotten he already said about them in 2016 and then repudiated. Trump butt dials the wrong McMaster. And Jeanine Pirro may be the dumbest person to ever work at Fox News. Do you know what an accomplishment this would be? C-Block (1:04:05) GOOD NIGHT AND GOOD LUCK: A quick announcement about the immediate future of this podcast. Sounds more ominous than it is.See omnystudio.com/listener for privacy information.

Czy jesteś programistą jednego języka? W najnowszym odcinku Short #71 rozmawiamy o niepokojącym trendzie specjalizacji w jednej technologii. Dyskutujemy też o migracji kompilatora TypeScript do Go i natywnym wsparciu dla TypeScript w Node.js. Analizujemy ekosystem Mercado Libre z ich 30 tysiącami mikroserwisów i platformą IDP. Sprawdzamy kontrowersyjną metrykę "Time on Keyboard" stosowaną przez Adidasa. Omawiamy również nadchodzące zmiany w Kafka 4.0 i zastąpienie Zookeepera implementacją Rafta. Zastanawiasz się, czy Twój zespół potrzebuje CI/CD zamiast FTP? Posłuchaj naszej dyskusji o sensownej ewolucji praktyk inżynieryjnych. A jeśli budujesz platformę, nie zapomnij o producentach - to brakujący element dobrego Platform Engineeringu!   A teraz nie ma co się obijać!

Cadena 100 es la mejor variedad musical. Este mes llega el día del libro y fíjate cada vez hay más lectores y todo gracias a la gente joven y no, no porque les manden libros en clase, sino porque leen por ocio. Sí, que no solo leen la metamorfosis de Kafka. Eso es. Es Eros Ramazzotti en Cadena 100. ¿Cómo comenzamos? Yo no lo sé. La historia que no tiene fin. Ni cómo llegaste a ser la mujer que toda la vida pedí. Contigo hace falta pasión y un toque de poesía y sabiduría o pues yo trabajo con fantasías. ¿Recuerdas el día que te canté? Fue en subito escalofrío. Por si no lo sabes, te lo diré, ...

Agapito Maestre nos ofrece su columna radiofónica sobre un asunto de actualidad.

CapeTalk’s Sara-Jayne Makwala King is joined on Weekend Breakfast by actor Tony Bonani Miyambo.See omnystudio.com/listener for privacy information.

OA1146 - We begin with a quick review of SDNY Judge Dale Ho's scathing 78-page (!) order dismissing all federal charges against NYC Mayor Eric Adams at DOJ's request to see how it compared to our recent predictions. Then in our main story, Matt breaks down a true legal nightmare from this week's news and goes beyond the headlines to explain why ICE's recent admission that it accidentally sent a man on a one-way ticket to hell with no intention of ever returning him is actually even worse than it sounds.  Also featured: Trump and DHS Secretary Kristi Noem face actual for-real legal consequences for their bigotry against Venezuelan immigrants, 1,000 UK artists combine to form the world's most boring supergroup to protest the legalization of AI art theft, Matt yearns for the open road, and Congressional Republicans assert the power to stop time itself. Judge Dale Ho's order dismissing all federal criminal charges against NYC mayor Eric Adams with prejudice (4/2/25) Docket in Abrego Garcia v. Noem (filed 3/25/25) “Imposing Duties to Address the Flow of Illicit Drugs Across Our National Border” (2/1/2025) NDCA Judge Edward Chen's order in National TPS Alliance v. Noem (3/31/25) To support the show (and lose the ads!), please pledge at patreon.com/law! Check out the OA Linktree for all the places to go and things to do! This content is CAN credentialed, which means you can report instances of harassment, abuse, or other harm on their hotline at (617) 249-4255, or on their website at creatoraccountabilitynetwork.org.

Streaming Ecosystem Complexities and Cost Management // MLOps Podcast #302 with Rohit Agarwal, Director of Engineering at Tecton.Join the Community: https://go.mlops.community/YTJoinIn Get the newsletter: https://go.mlops.community/YTNewsletter // AbstractDemetrios talks with Rohit Agarwal, Director of Engineering at Tecton, about the challenges and future of streaming data in ML. Rohit shares his path at Tecton and insights on managing real-time and batch systems. They cover tool fragmentation (Kafka, Flink, etc.), infrastructure costs, managed services, and trends like using S3 for storage and Iceberg as the GitHub for data. The episode wraps with thoughts on BYOC solutions and evolving data architectures.// BioRohit Agrawal is an Engineering Manager at Tecton, leading the Real-Time Execution team. Before Tecton, Rohit was the a Lead Software Engineer at Salesforce, where he focused on transaction processign and storage in OLTP relational databases. He holds a Master's Degree in Computer Systems from Carnegie Mellon University and a Bachelor's Degree in Electrical Engineering from the Biria Institute of Technology and Science in Pilani, India.// Related Links~~~~~~~~ ✌️Connect With Us ✌️ ~~~~~~~Catch all episodes, blogs, newsletters, and more: https://go.mlops.community/TYExploreJoin our slack community [https://go.mlops.community/slack]Follow us on X/Twitter [@mlopscommunity](https://x.com/mlopscommunity) or [LinkedIn](https://go.mlops.community/linkedin)] Sign up for the next meetup: [https://go.mlops.community/register]MLOps Swag/Merch: [https://shop.mlops.community/]Connect with Demetrios on LinkedIn: /dpbrinkmConnect with Rohit on LinkedIn: /agrawalrohit10

In this episode of Open Source Data, Charna Parkey talks with Alex Gallego, CEO and founder of Redpanda Data, about his journey as a builder, the evolution of Redpanda, and the company's new agent framework for the enterprise. Alex shares insights on low-latency storage, distributed stream processing, and the importance of developer experience to the growth of AI and the Open Source space. Timestamps[00:00:00] Introduction[00:02:00] Alex Gallego talks about his background[00:04:00] Charna Parkey discusses the importance of hands-on experience in learning.[00:06:00] Alex explains the origins of Red Panda and how it emerged from challenges in the streaming space.[00:08:00] Alex details the evolution of Red Panda, its use of C-Star and FlatBuffers, and its low-latency design.[00:11:00] Alex discusses the positioning of Kafka versus Red Panda in the market.[00:20:00] Alex introduces Red Panda's new agent framework and multi-agent orchestration.[00:24:00] Alex explains how Red Panda fits into the evolving landscape of AI-powered applications.[00:30:00] The future of multi-agent orchestration.[00:44:00] Thoughts on AI model training and data retention.[00:46:00] Alex encourages future founders and shares his perspective on risk-taking.[00:50:00] Charna Parkey and Leo Godoy discuss the key takeaways from the conversation with Alex Gallego.[00:52:00] Charna reflects on open source trends and the role of developer experience in adoption.[00:54:00] Charna and Leo talk about the different types of founder journeys and the importance of team dynamQuotes Charna Parkey"For AI, unifying historical and real-time data is critical. If you're just using nightly or monthly data, it doesn't match the context in which your prediction is being made. So it becomes very important in the future of applying AI because you need to align those things."Alex Gallego"Every app is going to span three layers. The first layer is going to be your operational layer, just like you have to do business right now. Then there always has to be an analytical layer, and the third layer is this layer of autonomy."

59E59 Theatres in New York City has presented a regular Brits Off Broadway season of British theatre productions since 2004. This year, the season runs from 22 April to 29 June and features eight productions that were recently performed in the UK. BTG Editor David Chadderton spoke to Val Day, 59E59's Artistic Director, and Brian Beirne, Managing Director, about the origins of the season, their selection process, the financing of this theatrical ‘unicorn' (as Brian calls it) and the productions in the 2025 programme: The Last Laugh, written and directed by Paul Hendy, from Evolution Productions and Jamie Wilson Productions from 22 April to 25 May. The Ungodly, written and directed by Joanna Carrick, from Red Rose Chain from 23 April to 11 May. The Mistake by Michael Mears, directed by Rosamunde Hutt, from Essential Theatre from 24 April to 11 May. Gertrude Lawrence: A Lovely Way to Spend an Evening written and performed by Lucy Stevens and directed by Sarah-Louise Young from Astor Theatre from 13 to 25 May. Shellshocked, written and directed by Philip Stokes, from Richard Jordan Productions and 412, from 14 May to 8 June. A Special Relationship by Tim Marriott and Brian Dykstra, directed by Margarett Perry, from 29 May to 29 June. Pride and Prejudice adapted by Abigail Pickard Price, who also directs, with Sarah Gobran and Matt Pinches from Guildford Shakespeare Company from 30 May to 29 June. Kafka, written and performed by Jack Klaff and directed by Colin Watkeys from Twilight Theatre Co from 12 to 29 June.

Una velada que dedicaremos a repasar la actualidad de bandas y festivales con todo este percal: KILLUS, Automatic Kafka Band, A VEIGA ROCK, Amarradizo, Festival Vidiago Rock, Granada Goblin, Asociación Unirock, Blues & Decker, Tarja Turunen, The Baboon Show - Official, Mago De Oz, VÓMITO, Carlos Escobedo Sôber, RADIOCRIMEN, Def Con Dos, Salduie, ARCHITECTS, Arch Enemy, Linkin Park, Screaming Sunset , Sínkope, Involucion, MaidaVale, SCANNER, Ilegales y AC/DC

Una velada que dedicaremos a repasar la actualidad de bandas y festivales con todo este percal: KILLUS, Automatic Kafka Band, A VEIGA ROCK, Amarradizo, Festival Vidiago Rock, Granada Goblin, Asociación Unirock, Blues & Decker, Tarja Turunen, The Baboon Show - Official, Mago De Oz, VÓMITO, Carlos Escobedo Sôber, RADIOCRIMEN, Def Con Dos, Salduie, ARCHITECTS, Arch Enemy, Linkin Park, Screaming Sunset , Sínkope, Involucion, MaidaVale, SCANNER, Ilegales y AC/DC

What to do next after KAFKA doesn't quite hit...how about adapting a boyhood memoir by the guy who helped Paul Newman bottle his salad dressing? We continue Soderbergh's less-remembered beginnings with 1993's KING OF THE HILL, a subtly brutal Depression-era bildungsroman in which a boy gets so hungry he eats pictures of food - and joining us is film writer Jason Miller! Listen along for a discussion of cinematographer careers, macroeconomics, proper marbles technique, and Spalding Gray. Good ep, even without Boomhauer and all the rest of those guys! Further Reading: King of the Hill: A Memoir by A.E. Hotchner "King of the Hill: Alone Again" by Peter Tonguette "A Multi-Storied Life" by Susan Wooleyhan Caine Further Viewing: EMPIRE OF THE SUN (Spielberg, 1987) HOPE AND GLORY (Boorman, 1987) THE LONG DAY CLOSES (Davies, 1992)   Follow Jason Miller: https://linktr.ee/millerjeremyjason   Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

What do heroes leave behind? The answer should be obvious. The contest for control of the world economy entered a new age at the end of 1991. Socialist forces were in retreat as the then-second largest superpower, the USSR, crumbled under pressure from more than 70 years of capitalist onslaught. Its splintered masses would be powerless to defend themselves against instantaneous pillage and plunder by the avaricious. Half a planet away, the ostensible beneficiaries of capitalist success, the US working class (including the writers and artists behind Superman), would find their rights and livelihoods under immediate and vicious attack as well, although you wouldn't know it by asking them. An ideology of righteous violence befits a class of owners who need the workers to fight their wars, and it limits the imagination of a class of workers who need each other if they ever hope to win their own freedom. What do heroes leave behind? More heroes. It's time to grasp what that means. ---------- Issues covered: The Legacy of Superman #1 ---------- Special thanks to our Lovable Sidekicks: Better Possible Futures, Kourtney Smith, Walt Lewellyn, Kafka, The Black Casebook's Very Own Nightwing, JD Lunt, Ambird, Mr. Pig from the Intervention, Travis Armstrong, Chris Marks, Wirecats, Sheeee-itttt, VoidTek, Mars Hottentot, Richard Bell, TakoTuesday, Joseph, and Knife Money ---------- Email: collectiveactioncomics@gmail.com Instagram: https://www.instagram.com/collectiveactioncomics Twitter: https://twitter.com/CAComixPod Bluesky: https://bsky.app/profile/cacomixpod.bsky.social Patreon: https://www.patreon.com/collectiveactioncomics

Saverio Simonelli"L'infinito non basta"Edizioni Città Nuovawww.edizionicittanuova.itHerman Grimm, figlio di Wilhelm, uno dei due fratelli autori delle celebri fiabe, vuole emulare il padre raccontando la vita di Franz Liszt, musicista sublime in grado, in gioventù, di improvvisare in maniera tale da commuovere addirittura un diffidente Beethoven, ma che ora è atteso da una sfida: conciliare il talento con le esigenze della vita. Perché dopo le tante conquiste ottenute, l'eccelso pianista si trova a dover gestire un amore difficile, una figlia sfuggente, una vocazione tardiva. Accanto a lui un giovane e talentuoso di nome Ludwig, in fuga dal destino di musicista iscritto nel suo nome ma che, proprio come Liszt, è costretto fare i conti con l'amore e con la figura paterna. Come nelle fiabe, padri e figli intrecciano i propri destini. Riuscirà Hermann a districarne la trama?Saverio Simonelli è giornalista, vicecaporedattore del Tg2000. Laureato in filologia germanica e traduttore, è autore di numerosi saggi tra cui La cuccia del filosofo (2016), Nel Paese delle fiabe (2012), Gli anelli della fantasia (2004). Nel 2020 ha pubblicato il suo primo romanzo Cercando Beethoven, premio Casinò di Sanremo Antonio Semeria. IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Gabriella Bosco"I frutti del Congo"Alexandre VialattePrehistorica Editorewww.prehistoricaeditore.itI Frutti del Congo, è innanzitutto un volantino pubblicitario di una magnifica donna nera che porta con sé dei limoni d'oro. Ma anche i sogni degli scolari di una cittadina della montagnosa Alvernia, per i quali questa illustrazione simboleggia l'impresa estrema, la poesia stessa dell'esistenza.Cos'è del resto l'adolescenza? Proprio questa è la questione cui l'autore risponde, senza di fatto avere bisogno di rispondere, in questo romanzo. Vialatte infatti ci mostra l'adolescenza, con le sue stravaganze, le sue sublimi aspirazioni, i suoi amori febbrili; ci mostra al tempo stesso una città di provincia con le sue kermesse, il suo assassino, il suo dottore, il liceo e la piazza.Ode alla poesia del quotidiano, alla creatività e all'evasione, ma anche dura critica della società di consumo, I Frutti del Congo si dà come “uno dei più grandi romanzi francesi del XX secolo” – secondo il critico Pierre Jourde –, il capolavoro dell'avventura immaginata. Si tratta di un'opera dall'ambizione altissima, fulgida metafora della Letteratura.Alexandre Vialatte, divenuto celebre per aver fatto conoscere per primo ai francesi le opere di Kafka, e per avere tradotto autori del calibro di Nietzsche, Goethe, von Hoffmannsthal, Mann, Brecht, Alexandre Vialatte (1901 Magnac-Laval – 1971 Parigi) ha nel corso degli anni dato prova di un'immensa creatività artistica, che lo ha portato a spaziare dalla poesia alla cronaca letteraria, per arrivare al romanzo. Ha pubblicato presso alcune delle più prestigiose case editrici d'oltralpe, tra le quali Gallimard e Juillard. Oggi, è universalmente annoverato dalla Critica nella categoria dei grandi classici senza tempo.Gabriella Bosco, la traduttrice di questo libro, insegna letteratura francese all'Università di Torino. Si occupa di teoria della letteratura, stadiando in particolare le neo-avanguardie e le scritture narrative in prima persona. Scrive di letteratura su varie testate italiane e francesi. Traduce romanzi e saggi. Tra gli autori tradotti Eugène Ionesco, Samuel Beckett, Philippe Forest.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

This week on the podcast we're discussing the Office for Students fine of £585,000 levied against the University of Sussex for breaches of free speech conditions, as vice chancellor Sasha Roseneil calls the process "Kafka-esque" and plans a legal challenge.Plus we examine what Bridget Phillipson has called "one of the biggest financial scandals universities have faced" – franchising. Does the affair point signal a shift towards a more “planned” system?With Vivienne Stern, Chief Executive at Universities UK, Jonathan Simons, Partner and Head of the Education Practice at Public First, Debbie McVitty, Editor at Wonkhe and presented by Mark Leach, Editor-in-Chief at Wonkhe.Sussex fined almost £600k over free speechSo are universities allowed to chill misogyny or not?The franchise problem may not have a quick answerWelcome to the walk-in degreeWhat is the franchising boom doing to drop-out? Hosted on Acast. See acast.com/privacy for more information.

This month on Books, Baby!, Ian, Bev and Alo are diving into the world of Haruki Murakami, through his novel Kafka on the Shore. We unpack talking cats, Greek mythology influences, classical music, and other themes in Murakami's storytelling. Along the way, we discuss some of Murakami's other works, his signature themes, and the cultural impact of his writing.

Send us a text[Kaiju No. 8 10 - 12 + Dandadan (Screen Time)] The end of Kaiju No. 8??? (or at least season 1) Kafka's secret double life as a kaiju is revealed - and now they want to kill him for it?Support the showWant to learn more about the show or just chat with us? Write to us at bandsgetjumped@gmail.comFollow us @bandsgetjumped on BlueSkyFind us on reddit at r/getjumped/Join the chat on Discord: https://discord.gg/DNjXhee

"This composition tells the story of an iron bridge, interweaving history, tragedy, and renewal. Drawing from Franz Kafka's enigmatic short story The Bridge and Renzo Piano's speech at the inauguration of the Genoa Saint George Bridge, it explores the profound symbolism of bridges—not just as structures, but as living entities that connect, endure, and sometimes fall. "At the heart of this work are two iconic bridges: The Iron Bridge, Gorge – The world's first iron bridge, completed in 1779 over the River Severn, a pioneering feat of engineering and a tribute to human ingenuity. The Saint George Bridge, Genoa – Designed by Renzo Piano, this bridge was born from tragedy, rising in place of the collapsed Ponte Morandi, which claimed lives on August 14, 2018. Its reconstruction symbolises resilience and the power of renewal. "The composition is deeply connected to sound as a storytelling medium. The barking of dogs forms the foundation of the recording, evoking both a raw, primal presence and the echoes of history. To further enhance the conceptual depth, I chose a quote from Kafka's The Bridge to be read by an AI voice. This artificial rendering of Kafka's words adds an uncanny, almost spectral presence—blurring the line between the human and the mechanical, much like the bridges themselves, which are both engineered structures and deeply symbolic entities. "Interwoven with the music of renowned composer Lucio Lazzaruolo, these sonic elements create an immersive and emotional landscape—one where bridges breathe, speak, and remember. "By merging Kafka's poetic vision of bridges as human-like beings with the legacies of these remarkable structures, this piece seeks to exalt the heritage, memory, and deeper meaning of bridges in our world." Ironbridge Gorge reimagined by Giovanna Iorio (concept) Lucio Lazzaruolo (music). ——————— This sound is part of the Sonic Heritage project, exploring the sounds of the world's most famous sights. Find out more and explore the whole project: https://www.citiesandmemory.com/heritage

In his memoir Feh, writer Shalom Auslander attempts to escape his biblical upbringing and carve his own path, with a little help from Kafka; poet and former professional Muay Thai fighter Simon Shieh reckons with trauma, masculinity, and the art of healing in his debut collection Master; and singer-songwriter Kara Jackson performs her single "Pawnshop" from her album Why Does the Earth Give Us People to Love?, live from the Pickathon festival. Plus, host Luke Burbank and announcer Elena Passarello hear from our audience about the small, shameful things they grapple with. 

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durée : 00:15:02 - Les Nuits de France Culture - par : Albane Penaranda - En 1920, Gustav Janouch, lycéen, rencontre Kafka. Ils nouent une relation amicale et Gustav Janouch note avec précision dans ses carnets les discussions avec Franz Kafka, parues sous le titre "Conversations avec Kafka". Un témoignage rare analysé dans l'émission "Etranger mon ami" en mars 1978. - réalisation : Virginie Mourthé - invités : Monique Nemer; Dominique Arban

Minds Almost Meeting: Season 10, Episode 10.View the transcript for this episode here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://mindsa⁠⁠⁠⁠⁠lmostmeeting.com/episodes/kafkas-the-castleImagine two smart curious friendly and basically truth-seeking people, but from very different intellectual traditions. Traditions with different tools, priorities, and ground rules. What would they discuss? Would they talk past each other? Make any progress? Would anyone want to hear them? Economist Robin Hanson and philosopher Agnes Callard decided to find out.Visit the Minds Almost Meeting website here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://mindsalmostmeeting.com⁠⁠⁠⁠⁠

Episode SummaryIn this episode of The Secure Developer, Danny Allan sits down with Mrinal Wadhwa, CTO at Ockam, to explore the evolving landscape of secure communication in distributed systems. They discuss the challenges of securing microservices, IoT networks, and Kubernetes environments and how traditional TLS-based security models may no longer be sufficient. Mrinal shares insights into Ockam's approach to end-to-end encrypted, mutually authenticated channels and the impact of WebAssembly, passkeys, and modern cryptographic identity management on security. Tune in for a deep dive into how organizations can rethink security at runtime to minimize risks in today's complex digital ecosystems.Show NotesSecurity in modern applications is more challenging than ever, with microservices architectures, IoT deployments, and distributed computing environments introducing new risks. In this episode, Danny Allan welcomes Mrinal Wadhwa, CTO at Ockam, to discuss how secure communication models need to evolve beyond traditional TLS and perimeter-based defenses.Topics covered include:The challenges of securing microservices and Kubernetes clustersHow end-to-end encryption and mutual authentication can minimize riskThe importance of cryptographic identities and key rotation at scaleHow Ockam enables secure channels across multiple transport layers (TCP, Bluetooth, Kafka, etc.)The role of WebAssembly and passkeys in rethinking security modelsShifting from perimeter-based security to secure-by-design communicationMrinal shares key insights on how organizations can rethink risk at runtime, considering the number of people and systems involved in data flow rather than just static build-time dependencies. Whether you're a security leader, developer, or architect, this episode provides actionable insights on building trust in your infrastructure without compromising performance or agility.LinksOckamPasskeys OverviewPrivate Compute Cloud by AppleSnyk - The Developer Security Company Follow UsOur WebsiteOur LinkedIn

How do you follow an industry-shaking debut like SEX, LIES, AND VIDEOTAPE? If you're Steven Soderbergh, the answer is obvious: a weird, downer sort-of-biopic of Franz Kafka shot in black and white. We're joined by filmmaker Christopher Jason Bell (MISS ME YET, THE WINDS THAT SCATTER) to talk 1991's KAFKA, Soderbergh's influence, and Chris's outstanding new film FAILED STATE. Great ep! Further Reading: "In the Penal Colony" by Franz Kafka The Trial by Franz Kafka The Castle by Franz Kafka Los Angeles Times article by David Gritten Further Viewing: THE THIRD MAN (Reed, 1949) THE TRIAL (Welles, 1962) AMERICAN GIGOLO (Schrader, 1980) BRAZIL (Gilliam, 1985)   Follow Chris: https://linktr.ee/christopherjasonbell Watch the trailer for FAILED STATE   Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

The GeekNarrator memberships can be joined here: https://www.youtube.com/channel/UC_mGuY4g0mggeUGM6V1osdA/joinMembership will get you access to member only videos, exclusive notes and monthly 1:1 with me. Here you can see all the member only videos: https://www.youtube.com/playlist?list=UUMO_mGuY4g0mggeUGM6V1osdA------------------------------------------------------------------------------------------------------------------------------------------------------------------About this episode: ------------------------------------------------------------------------------------------------------------------------------------------------------------------In this episode, Kaivalya Apte and Frederic Branczyk talk about observability, focusing on continuous profiling and the role of eBPF. They discuss the evolution of profiling techniques, the importance of systematic data collection, and the challenges faced in maintaining low overhead while gathering detailed performance metrics.Frederic shares insights from his extensive experience with Prometheus and Kubernetes, emphasizing the transformative impact of continuous profiling on software performance optimization. This conversation delves into the intricacies of eBPF (Extended Berkeley Packet Filter) and its applications in profiling and performance analysis. The discussion covers the capabilities of eBPF in extending the kernel safely, the mechanisms of user space profiling, and the handling of process terminations. It also explores memory and network profiling techniques, the challenges of profiling in different programming environments, and the limitations of eBPF in certain use cases. The conversation concludes with valuable resources for those interested in learning more about eBPF and profiling techniques.Chapters:00:00 Introduction to Observability and Profiling01:17 Frederic's Background and Expertise02:11 The Importance of Continuous Profiling06:46 The Value of Continuous Profiling11:20 Understanding Profiling Data19:09 Data Structures and Performance in Profiling32:35 The Role of eBPF in Profiling42:48 Introduction to eBPF and Its Capabilities48:32 User Space Profiling and Memory Management51:39 Handling Process Termination and Agent Recovery55:27 Memory and Network Profiling Techniques01:01:33 Profiling in Different Programming Environments01:11:47 Use Cases and Limitations of eBPF in Profiling01:13:54 Resources for Learning eBPF and Profiling Techniques------------------------------------------------------------------------------------------------------------------------------------------------------------------Like building real stuff?------------------------------------------------------------------------------------------------------------------------------------------------------------------Try out CodeCrafters and build amazing real world systems like Redis, Kafka, Sqlite. Use the link below to signup and get 40% off on paid subscription.https://app.codecrafters.io/join?via=geeknarrator------------------------------------------------------------------------------------------------------------------------------------------------------------------Link to other playlists. LIKE, SHARE and SUBSCRIBE------------------------------------------------------------------------------------------------------------------------------------------------------------------Database internals series: https://youtu.be/yV_Zp0Mi3xsPopular playlists:Realtime streaming systems: https://www.youtube.com/playlist?list=PLL7QpTxsA4se-mAKKoVOs3VcaP71X_LA-Software Engineering: https://www.youtube.com/playlist?list=PLL7QpTxsA4sf6By03bot5BhKoMgxDUU17Distributed systems and databases: https://www.youtube.com/playlist?list=PLL7QpTxsA4sfLDUnjBJXJGFhhz94jDd_dModern databases: https://www.youtube.com/playlist?list=PLL7QpTxsA4scSeZAsCUXijtnfW5ARlrsNStay Curios! Keep Learning!

The GeekNarrator memberships can be joined here: https://www.youtube.com/channel/UC_mGuY4g0mggeUGM6V1osdA/joinMembership will get you access to member only videos, exclusive notes and monthly 1:1 with me. Here you can see all the member only videos: https://www.youtube.com/playlist?list=UUMO_mGuY4g0mggeUGM6V1osdA------------------------------------------------------------------------------------------------------------------------------------------------------------------About this episode: ------------------------------------------------------------------------------------------------------------------------------------------------------------------In this episode, we talk to Søren Schmidt, Co-Founder and CEO of Prisma, discussing the evolution of Prisma from a backend as a service to a popular ORM and now to Prisma Postgres. He shares insights into the challenges faced during this journey, the importance of user feedback, and the innovative architecture of Prisma Postgres, which leverages micro VMs for performance optimization. The conversation also touches on the complexities of managing data centers and the strategies employed to ensure a seamless user experience. In this conversation, Søren Schmidt discusses the details about Postgres snapshots, their impact on performance, and the mechanisms for fault tolerance. He explains how Pulse change data capture works and how Prisma Postgres simplifies database management for users. Chapters00:00 Introduction to Prisma and Its Evolution03:00 The Journey from ORM to Prisma Postgres06:00 Simplifying Database Management09:01 Understanding Prisma Postgres Architecture12:12 The Role of Accelerate in Query Routing14:51 Optimizing Query Processing with Micro VMs18:12 Maintaining Postgres Integrity in a Micro VM Environment21:07 User Experience and Community Feedback23:57 Challenges of Data Center Management27:09 Cold Starts and Performance Optimization34:30 Understanding Snapshots in Postgres38:55 Snapshot Mechanisms and Fault Tolerance44:09 Change Data Capture with Pulse55:07 Transitioning to Prisma Postgres58:45 Community and Getting Started with Prisma PostgresSome blogs worth checking out:https://www.prisma.io/blog/prisma-postgres-the-future-of-serverless-databaseshttps://www.prisma.io/blog/cloudflare-unikernels-and-bare-metal-life-of-a-prisma-postgres-queryhttps://www.prisma.io/blog/announcing-prisma-postgres-early-accessPrisma Postgres relies heavily on the Unikraft project. There is a good introductory talk here: https://www.youtube.com/watch?v=n4wOyAuNhl0And some very technical papers here: https://unikraft.org/community/papersThe best way to get started with Prisma Postgres is to go straight to https://www.prisma.io/ ------------------------------------------------------------------------------------------------------------------------------------------------------------------Like building real stuff?------------------------------------------------------------------------------------------------------------------------------------------------------------------Try out CodeCrafters and build amazing real world systems like Redis, Kafka, Sqlite. Use the link below to signup and get 40% off on paid subscription.https://app.codecrafters.io/join?via=geeknarrator------------Database internals series: https://youtu.be/yV_Zp0Mi3xsPopular playlists:Realtime streaming systems: https://www.youtube.com/playlist?list=PLL7QpTxsA4se-mAKKoVOs3VcaP71X_LA-Software Engineering: https://www.youtube.com/playlist?list=PLL7QpTxsA4sf6By03bot5BhKoMgxDUU17Distributed systems and databases: https://www.youtube.com/playlist?list=PLL7QpTxsA4sfLDUnjBJXJGFhhz94jDd_dModern databases: https://www.youtube.com/playlist?list=PLL7QpTxsA4scSeZAsCUXijtnfW5ARlrsN

The GeekNarrator memberships can be joined here: https://www.youtube.com/channel/UC_mGuY4g0mggeUGM6V1osdA/joinMembership will get you access to member only videos, exclusive notes and monthly 1:1 with me. Here you can see all the member only videos: https://www.youtube.com/playlist?list=UUMO_mGuY4g0mggeUGM6V1osdA------------------------------------------------------------------------------------------------------------------------------------------------------------------About this episode: ------------------------------------------------------------------------------------------------------------------------------------------------------------------In this conversation, Alex from Red Panda discusses his engineering background, the challenges faced in reliability engineering, and the journey of building a better streaming system. He emphasizes the importance of understanding latency and performance in engineering systems, the market position of Red Panda in relation to Kafka, and the complexities involved in optimizing codebases for better performance. In this conversation, Alex discusses Red Panda's architecture, focusing on its thread architecture, memory allocation mechanics, and the importance of protocol correctness. He highlights how Red Panda stands out in the data systems landscape by eliminating unnecessary complexities and optimizing performance across various latency spectrums. The discussion also touches on the future of data processing, emphasizing the shift towards agentic workloads and the integration of analytical and operational layers.Chapters00:00 Introduction11:07 Building a Better Streaming System19:10 Market Position and Competition25:06 Optimizing Latency and Performance32:38 Understanding Complexity in Codebases33:36 Thread Architecture and Concurrency Models39:39 Memory Allocation Mechanics47:31 Protocol Correctness and Optimization Strategies56:27 Red Panda's Unique Position in Data Systems01:02:05 The Future of Data Processing and Agentic WorkloadsBlogs:TPC buffers: https://www.redpanda.com/blog/tpc-buffershttps://www.redpanda.com/blog/always-on-production-memory-profiling-seastarhttps://www.redpanda.com/blog/end-to-end-data-pipelines-types-benefits-and-process------------------------------------------------------------------------------------------------------------------------------------------------------------------Like building real stuff?------------------------------------------------------------------------------------------------------------------------------------------------------------------Try out CodeCrafters and build amazing real world systems like Redis, Kafka, Sqlite. Use the link below to signup and get 40% off on paid subscription.https://app.codecrafters.io/join?via=geeknarrator------------------------------------------------------------------------------------------------------------------------------------------------------------------Link to other playlists. LIKE, SHARE and SUBSCRIBE------------------------------------------------------------------------------------------------------------------------------------------------------------------If you like this episode, please hit the like button and share it with your network. Also please subscribe if you haven't yet.Database internals series: https://youtu.be/yV_Zp0Mi3xsPopular playlists:Realtime streaming systems: https://www.youtube.com/playlist?list=PLL7QpTxsA4se-mAKKoVOs3VcaP71X_LA-Software Engineering: https://www.youtube.com/playlist?list=PLL7QpTxsA4sf6By03bot5BhKoMgxDUU17Distributed systems and databases: https://www.youtube.com/playlist?list=PLL7QpTxsA4sfLDUnjBJXJGFhhz94jDd_dModern databases: https://www.youtube.com/playlist?list=PLL7QpTxsA4scSeZAsCUXijtnfW5ARlrsNStay Curios! Keep Learning!#streaming #kafka #redpanda #c++ #databasesystems #SQL #distributedsystems #memoryallocation #garbagecollection

La commission des finances de l'Assemblée nationale en France a adopté le 5 mars une proposition de loi visant à lutter contre les fermetures abusives de comptes en banque. Cette loi sera examinée en séance plénière mardi 10 mars. Si elle adoptée, elle mettra en place des dispositions qui devraient permettre de lutte contre la multiplication des fermetures de comptes en banque non motivées qui toucherait des milliers de clients en Europe et ailleurs.L'équipe de Sur le Fil a enquêté pendant plusieurs mois sur ce sujet fin 2024 et nous en avions tiré une série spéciale, dont nous vous rediffusons ici le premier épisode.Nous avons découvert que, dans certains c'est en partie lié à des systèmes algorithmiques, qui ont estimé que leur profil était risqué.Pour en savoir plus, nous avons décidé avec la fondation allemande Algorithm Watch qui étudie l'impact de l'IA et des algorithmes sur les droits humains de mener l'enquête. et nous avons appris que c'était un effet indésirable de la lutte contre le blanchiment et le financement du terrorisme. Un dommage collatéral…qui débouche sur l'exclusion bancaire de personnes ordinaires et de dissidents politiques. Un problème qui s'étend à bas bruit.Bienvenue dans Faux positifs, un podcast d'investigation produit par Algorithm Watch et l'AFP Audio. Une série en trois épisodes, qui va vous emmener en Espagne, en France, au Royaume Uni, en Pologne, en Turquie et en Allemagne.Episode #1 Kafka : des personnes se retrouvent sans compte en banque et font face à des enfers administratifs, sans comprendre vraiment pourquoi. On mène l'enquête sur leur cas et on apprend que le problème est bien plus vaste. Et oui, dans certains cas, les algorithmes peuvent jouer un rôle.CréditsSept journalistes et chercheurs ont travaillé sur cette enquête : Pablo Jimenez Arandia, Naiara Bellio, Yasir Gökce, Mayra Russo, Mathilde Saliou, Benoît Pelegrin et Nicolas Kayser-Bril et Michaëla Cancela-Kieffer. Réalisation : Camille Kauffmann; Mixage : Christophe Robert; Musique : Nicolas Vair; Design graphique : Julie PereiraDoublages : Mona Guichard, Hugo Ruaud, Maelys Sourt, Adrien Barbier, Martin Zuber, Henri Bouvier, Pierre Moutot, Guillaume Gérard, Ulysse Busnel, Camille Kauffmann.Rédaction en chef chez Algorithm Watch Naiara Bellio, Jean-Baptiste Oubrier pour l'Agence France-PresseLa suite de la série "Faux Positifs", est à écouter sur toutes les plateformes, notamment Spotify et Apple, ou sur notre site ici Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Caught in a storm of hidradenitis suppurativa, government Kafka, and a world obsessed with victimhood, I hacked my way to near remission—no docs, no mentors, just gritty, dyslexic stubbornness. This ain't self-help fluff—it's real talk on agency, authenticity, and thinking your way out. From a Goodwill toy rant on polymodal learning to dodging propaganda with Nietzsche's ressentiment in my ear, I'm spilling how I beat HS and why we've lost the art of surmounting. Live streams are coming—raw, unscripted, building a crew who get it. Join me to ditch the pity party, heal for real, and know yourself in a fractured age. Shades, not fragments—let's go.

Here are the 4 KEEN ON AMERICA take-aways in our conversation about the dysfunctional American immigration system with Felipe Torres Medina1) Background & Immigration Journey* Felipe Torres Medina is a comic writer for "The Stephen Colbert Show" and author of the new book America Let Me In about the US immigration system* Born in Bogotá, Colombia, Medina moved to the US at 21 on a student visa to pursue a master's in screenwriting at Boston University* Medina received an "alien of extraordinary ability" visa (talent visa for artists) after graduation, and eventually got a green card after marrying2) On the US Immigration System* Medina describes the immigration process as expensive (costing "tens of thousands of dollars" in legal fees) and filled with bureaucratic challenges* He emphasizes that legal immigration requires "tremendous privilege and money" that most people don't have* The book takes an interactive "choose your own path" format to highlight the maze-like nature of the immigration system* He points out that there hasn't been comprehensive immigration reform since the Clinton administration (nearly 30 years ago)3) Comedy as Commentary* Medina uses humor to process his experiences and create community around shared frustrations* He was inspired by writers like Julio Cortazar, George Saunders, Tina Fey, and Carrie Fisher* The book aims to educate Americans who "have so many opinions about immigration" but "don't know what it entails"* He mentions that making the book interactive and game-like adds "levity" to a tense topic4) How to Fix the System* While critical of Trump's immigration policies, Medina says the book isn't specifically about Trump but about a "flawed and messy" system created by multiple administrations* He suggests moving US Citizenship and Immigration Services out of the Department of Homeland Security to change the narrative that immigration is a security threat* His proposed reforms include creating better pathways for educated immigrants and hiring more USCIS staff to reduce backlogs FULL TRANSCRIPT* Andrew Keen: Hello everybody. It is Sunday, March the 9th, 2025. Interesting piece in the times. A couple of days ago, The New York Times, that is about the so-called British flame thrower who is a comic best suited to taking on Trump. They're talking about a man called Kumar. Nish Kumar looks very funny, and apparently he's very angry too. I have to admit, I haven't seen him. It's an interesting subject. It suggests that at the moment, even in spite of Trump and outraging many Americans, the state of American humor could be amped up a bit. My guest today is a writer on The Stephen Colbert Show and a comic, or certainly a comic writer in his own right, Philippe Torres Medina. He has a new book out on Tuesday. It's called America Let Me In, and I'm thrilled that he's joining us from Harlem in Manhattan today. Congratulations, Phillip, on the new job. What do you the new book? I was going to say job. That's a Freudian error here. What do you make of the Times's observation that American humor isn't in its best state when it comes to Trump?Felipe Torres Medina: Oh, wow. That's that's an interesting question. First of all, I love Nish Kumar. I think he's a wonderful, wonderful comedian. He's very funny. He has a level of wit and his observations are just wonderful. I hadn't seen this article, but I really appreciate that the times recognized him because he's been working very hard for a lot of years. I think more than American humor not being fit for the moment. I think at least personally for me, a little bit of addressing Trump again began. And addressing Trump in general is, you know, jokes have to be new. And after basically ten years of Donald Trump every day, all the time, it's certainly hard to continue to find new angles. Now, the dysfunction of the administration and perhaps sometimes the cruelty and whatever they're doing does provide you with material. But I think it can cause you as a writer to be like, oh God, here we go again. More Trump stuff. You know, because that's what we're talking about.Andrew Keen: Do you see your book, Philippe, as a Trump book? America? Let me in. It's about immigration. I mean, obviously touches on in many ways on Trump and certainly his hostility to immigration and immigrants. But is it a Trump book, or is it a broader kind of critique or observation about contemporary America?Felipe Torres Medina: Yeah, I never set out to write a book about Trump or a Trump book. My goal is to write a book about the immigration system, because I went through it, and as a comedian, I encountered in it many contradictions and absurdities that just kind of became fodder to me for comedy. So I try to write this book about the system, but the system was caused by many administrations in many parties, you know, now, the current hostility or the current everythingness of immigration, you know, immigration being kind of in the forefront of the national discourse certainly has been aided by Republican policy in the past ten years and by Donald Trump's rhetoric. But that doesn't mean that this is a book about Trump or as a response to Trump. It's actually a book responding to a system that is flawed and messy, but it's the one we have.Andrew Keen: Yeah. You described the book as a love letter to immigrants, but it's not a love letter to the system. Tell me your story. As you say. You went through it so you have firsthand experience. Where were you born?Felipe Torres Medina: So I was born in Colombia. I was born in Bogota, Colombia, which is the capital of Colombia. I lived there most of my life. I moved to United States when I was 21 on a student visa, because I came here to do my masters. I did my master's in screenwriting at Boston University. And after that, you know, I started working here as a comedian, but also as a writer. And I was able to get an alien of extraordinary ability visa, which is a very pretentiously named visa, kind of makes you sound like you're in the X-Men, but it it's just what they call talent visas for artists, athletes, entrepreneurs, educators, whatever. And so I got one of those and then several renewals of those. And then, you know, thanks to my work as a writer, as a comedian, initially as a copywriter in advertising, I was able to I bought I met the love of my life, got married, and then I have a green card and that's why I'm here.Andrew Keen: Yeah. As and quoting here, it sounds rather funny. An alien of extraordinary ability. Do you think your experience is typical? I mean, the even the fact that you came for grad school to to Boston puts you in a, in a kind of intellectual or professional elite. So is your experience in any way typical, do you think?Felipe Torres Medina: I wouldn't say typical. I would say my experience is the experience of many people who come here. And I think it's the experience of the people who are, quote unquote, the immigrants we want. Right. And, you know, if we're going to dive into the rhetoric of the of immigration these days, I came the right way and did everything, quote unquote, the right way. You know, but what this book and also this journey that I took to immigrate here proves is that it's it's only possible with tremendous amount of privilege and tremendous, tremendous amount of money. You know, it's a very expensive process for the majority of people.Andrew Keen: How much did it cost you?Felipe Torres Medina: Oh, I think in total since I started. I mean, when you count the fact that for most, like master's programs, you don't get any sort of financial aid unless you get, like a scholarship from your own country or a sort of like Fulbright or something like that. There's already the cost of a full master's program.Andrew Keen: But then you weren't coming. I mean, you didn't pay for your master's program in order to get immigration papers, you know.Felipe Torres Medina: Of course, that, but I, I had to pay for my master's program to be able to study here. You know, I didn't have I didn't have my any sort of aid. But, you know, discounting that in terms of immigration paperwork, I've spent tens of thousands of dollars because you have to hire immigration lawyers to make sure that everything's fine. And those are quite expensive.Andrew Keen: Was it worth it?Felipe Torres Medina: Well, yeah. You know, I met the love of my life. I live a.Andrew Keen: Very. I mean, there are lots of loves of. You could have met someone else, and that's true. Or you might have even you might have even met her or him at an airport somewhere else while they were on vacation.Felipe Torres Medina: That's that's possible. But yeah, I mean, I live a I live a good life. I do what I wanted to do, you know, I, I took got my master's because I wanted to write comedy professionally and I get to do that. And I do think when I set out to do this, I was like, well, the place with the best film and television industry in the world is and was then and still is the United States. So I was like, well, I have to go there, you know, and I was able to become a part of this industry and to work in this art form.Andrew Keen: You didn't get any job. You You got the combat job? Yes. I believe you drew the the short straw, right? I bet nobody else was right. Just Stephen Colbert.Felipe Torres Medina: Yeah, I'm very lucky. And but again, it's a mix of luck and hard work and all those things. So yeah, I don't I don't regret moving.Andrew Keen: So some people might be watching this maybe some some MAGA people. I'm not sure if MAGA people really watch this, but if they were they might be thinking, well, Philippe Torres Medina, he's a good example. He's the type of person we want. He jumped through many hoops. He's really smart. He's really successful. He brings value to this country. Is now a full time writer on the Colbert's show he came from it came from Latin America. And he's exactly the kind of person we want. And we want a system that's hard, because only guys like him have the intellectual and financial resources to actually get through it. Well, how would you respond to them?Felipe Torres Medina: I would say that I appreciate the compliment, but I wouldn't necessarily say that that's the best way to move forward on immigration now. I will say this book is a humorous take on the whole immigration journey. And so what? Like I tell different stories of different people coming here made up or inspired by real life. And one of the paths that you can take in this book, because this is kind of an interactive choose your own path book, is mine. But I think what this book tries to prove is that even if you do everything right, even if you, you know, have the money, sometimes it's very, very hard. And that, I think, does put us at a disadvantage when it comes to having a workforce that could be productive for the country, especially as birthrates are declining. You know, we are headed toward a but, you know, people have described as a barrel economy. If we don't simply up the population and the people who are upping the population and actually having children are immigrants.Andrew Keen: One other piece of news today, there's obviously a huge amount of news on the immigration front is apparently there's a freeze on funding to help green card holders. You've been through the process. You write about it in the new book. But how much more difficult is it now?Felipe Torres Medina: You mean under the current administration? Yeah. I wouldn't know. I you know, I think that.Andrew Keen: This idea of even freezing green card. Yeah. That holidays, even if you have a green card, you get frozen.Felipe Torres Medina: Yeah, exactly. And I think that that, you know, I think that that's what Trump did in his first term, more or less with legal immigration, was to create roadblocks and freezes and these kinds of things to kind of just like stymie the process and make it slower, make it harder, even for people who, again, are doing everything right to be able to remain in the country.Andrew Keen: And I'm guessing also some of the DOJ's stuff about laying off immigration judges and court stuff, they're taking office to leave. Apparently 100 immigration court staff are retiring. This adds to it as well.Felipe Torres Medina: Yeah. Yeah, exactly. I mean, Citizenship and Immigration Services, USCIS is a very particular part of the government because it is one of the few parts of the federal government that funds itself. Again, going back to cost the fees that they make are so big, they make so much money that if there's a government shut down, actually, USCIS does not shut down. It's one of the few parts of the government that didn't need to shut down, because they make so much money out of the immigrants trying to come here. So it's a really, really strange part of the government. It kind of doesn't know where it belongs. So seeing like the the DOJ's cuts that arrive into the and that may be implemented into USCIS. Kind I'm not familiar with any Dodge cuts recently on USCIS, but I suspect that they would be strange because it's a it's a very strange division of the federal government. It's not like the Department of Education or the like the Forestry Service. It's it's it's own kind of like little fiefdom.Andrew Keen: Are you wrote an interesting thing or you were featured recently on Lit Hub, where this show actually used to get distributed about how to write a funny book about American immigration. Of course, it's it's a good question. I mean, it's such a frustrating bureaucratic mess at the best of times. I do write anything funny, Philippe, about it.Felipe Torres Medina: Well, I think the, the to me, the, the finding a format to be able to explore this, this chaotic system. It's so, so complicated. It's like a maze. So to me, having this kind of interactive format allowed me to have some freedom to be like, okay, well, you know, one of the things that they taught me in my comedy education, when I was training at a theater here in New York, the Upright Citizens Brigade is the premise of if this is true, then what else is true? You know, so if this absurd thing is reality, then what? How can you heighten that reality? And for me, you know, the immigration system is so absurd. It's it's so Byzantine and chaotic that I was like, okay, well, I can heighten this to an extra level. And so when I keyed in on, on this format of like allowing the person who's reading it to be the many characters to inhabit the, the immigrants and also to be playing with the book, you know, going out and going to one page, making their own choices. It allowed me to change the tone immediately of the conversation because you say immigration and everyone's like, oh, you know, it gets tense. But if you're saying like, no, no, this is a game, you know, we're playing this game. It's about immigration, but it's a game. All of a sudden there's a levity to it, and then you take the real absurdities and the real chaos of the system and just heighten it, which is basically what you do with comedy at all times.Andrew Keen: Who are the the fathers or perhaps the mothers of this kind of comedy? The person who comes to my mind is is Kafka, who found his own writing very funny. Not, and I'm not sure everyone necessarily agrees. He, of course, wrote extensively about central mid European bureaucracy and its darkness and absurdity. Who's inspired you both as a comic writer and particularly in terms of this book?Felipe Torres Medina: Well, actually, Kafka also has a great book called America.Andrew Keen: Yeah. Which is a wonderful first paragraph about seeing this. Seeing the Statue of Liberty.Felipe Torres Medina: Yes. Which is also kind of about this. But I would say my inspirations comedically are, you know, I don't think I would have written this book without, like, the work of Tina Fey. I think Bossy Pants was a book where I was like, oh, you can be funny in writing. And Carrie Fisher is a big Star Wars nerd, you know, to like great, funny writer writers who are just, like, writing funny things about their lives. But I think the playfulness of it all, actually, I was inspired by this Argentine writer, Julio Cortazar, who wrote a novel that in English just translated as hopscotch. And this novel is a huge, like, structural disrupter, you know, in the like, what we call the Latin American boom of writing in the 60s, 70s and 80s. And he wrote this novel that is like a game of hopscotch. You're jumping from chapter two chapter. He's directing you back and forth. So I read a lot of that. And I, you know, I read that in my youth, and then I read it. I reread it as I was older. And then there are writers like George Saunders, who can be very funny while talking about very sad or very poignant things. And so that was also a big inspiration to me. But, you know, I am a late night writer, so I was interested in actually making it like, ha ha, funny. Not just, you know, sensible chuckle funny, you know, kind of like a very, like, intellectual kind of funny. So I was also inspired by, you know, my job and like Colbert's original character in Colbert's book, America, I am American. So can you the writing of The Onion and, you know, the book, The Daily Show Book America, which is just kind of like an explanation of what the federal government is and what the country is written in the tone of the correspondents or the the writers for The Daily Show back in the original Jon Stewart iteration. So those books kind of like informed me and made me like, realize, oh, I can you can make like a humorous guy that's jokey and funny, but also is actually saying something isn't just like or teaching you something. Because the biggest reason I started writing this book is that Americans don't know their own immigration system, and they have so many opinions about immigration, particularly now, but no one knows what what it entails. You know? And I don't just mean like conservatives, you know, I don't just mean like, oh, MAGA people. Like, I was living in New York in the Obama years or like the late Obama years, and none of my liberal Brooklyn, you know, IPA and iced matcha drinking friends had any idea what I was going through, you know, when I was trying to get my visas.Andrew Keen: The liberals drink IPA. I didn't know that I drink IPA, I mean, I have to change my. Yeah. It's interesting you bring up in the first part of that response, the, the the Argentine novelist. There's something so surreal now about America. An interesting piece in the times about not being able to pin Trump down because he says one thing one day, the next thing the next day, and everyone accepts that these are contradictions. Now, the times describes these contradictions as this ultimate cover. I'm not quite sure why they're a cover. If you say one thing one day, in the next something the opposite the next day. But is there a Latin American quality to this? I mean, there's a whole tradition of Latin American writing observing the, the cruel absurdities of of dictators and wannabe dictators.Felipe Torres Medina: Yeah. I mean, it's it's part of our literary tradition. You know, the dictator novel you have. But again, just as the feast of the goat, and you have Garcia marquez, my my compatriot, you know, like that.Andrew Keen: Was one of my favorite magnificent writing.Felipe Torres Medina: It's it's possibly, I hesitate to say, my favorite writer because it creates ranking, but.Andrew Keen: Well amongst your.Felipe Torres Medina: Favorite, among my favorite writers, 100 Years of Solitude. Obviously that is possibly my favorite novel, but he has also, I believe it's the Autumn of the Patriarch, which is his novel about. Exactly. Yeah. I mean, there is a there is. I wouldn't say it's a South American or Latin American quality to it. I think it's just once you encounter it, it is so absurd that art does have to come out and talk about it, you know, and, you know, you see the in a book like the Autumn of the Patriarch. That is a character full of contradictions. That is a character who, in chapter one, hates a particular figure because they he they think that they're against him and then is becomes friends with them and then hires him to be his personal bodyguard. You know, that is what dictators are, and that is what authoritarians do. It is the cult of the person. It is the whims of the person, and the opinion of the person are the be all and the end all to the point where the nation is. It is at the whims of, of of a a person, of those of those persons contradictions. So I wouldn't say it's necessarily a Latin American nature to this, but I think Latin America, because we experience dictatorship in many times supported or boosted by the United States. Latin Americans were able to find a way to turn this into art. And quite good art is what I would say.Andrew Keen: Yeah, and of course, it's the artists who are best able to respond to this. As you know, it's not just a Latin American thing. The Central Europeans, the Czechs in particular. Yes.Felipe Torres Medina: Milan Kundera.Andrew Keen: Yeah. Written a series of wonderful books about this. But the only way to respond to someone like Trump, for example, who says one thing one day, the next thing the next day when he talks about tariffs, he says, well, I'm going to have 25%. And the next day, oh, I've decided I'm not going to have 25%. Then the following day he's going to change his mind again. The policy people, I'm not very helpful here. We need artists, satirists of one kind or another humorist like yourself to actually respond to this, don't we?Felipe Torres Medina: I think so. I think that that that is what. Helps you? I mean, it's the emperor has no clothes, right? That's how you talk. And it's about all kinds of government, obviously. Autocracy or dictatorship is one thing, but at all in all systems of government, these are powerful people who think they have they know better and who think that they are invincible. And you know what? What satire or humor and art does is just point out and say like, wait, that's weird. That thing they just did is weird. And being able to point that out is, is a talent. But also that's why people respond to it so well. People say like, yeah, that is weird. I also notice that. And so you create community, you create partnership in there. And so all of a sudden you're punching up, which is something you want to do in comedy. You want to make fun of the people who have more power, and you're all punching up and laughing at the same thing, and you're all kind of reminding each other. You're not crazy. This is weird.Andrew Keen: Yeah. I mean, the thing that worries me. I was on Kolber on the Colbert Show a few years ago in the original show. I mean, it's brilliant comic, very funny. But him and Jon Stewart and the others, they've been going so long, and they. I'm not saying they haven't changed their shtick. I mean, writers like you produce very high quality work for them, but it's one of the problems that these guys have been going for a while and America has changed, but perhaps they haven't.Felipe Torres Medina: I mean, it's an interesting thing to bring up, particularly with with Stephen, because his show was completely different. Ten years ago, it was a completely different show. He was doing a character. Yeah, right. And now he's doing a more traditional late night show. I think I think the format of late night is a very interesting beast that somehow has become A political genre. You know, it didn't used to be with Letterman. Didn't you see with Conan O'Brien, Jay Leno? You know, they would dabble in politics. They would talk about politics because it's what people are talking about. But now it's become kind of like this world. It all has to be satire. And there's some there's some great work. And I do think people keep innovating and making, like, new things, even though the shows are about ten years old. You know, you have Last Week Tonight, which my wife writes for, but it's a show that does more like deep dive investigations and stuff like that. So it's more like end of the week, 60 minutes, but with jokes kind of format. But I do think, yeah, maybe like the shows, can the shows in the genre in general, like there's genre I could do with some change and some mixing it up and.Andrew Keen: Well, maybe your friend Kumar could.Felipe Torres Medina: Yeah. Well, what? Let us get.Andrew Keen: A slot to his own late night show. And I wonder also, when it comes to I don't want to obsess over Trump or that course it's hard not to these days, but because he himself is a media star who most people know through his reality television appearance and he still behaves like a reality television star. Does that add another dimension of challenges to the satirical writers like yourself, and comics like or satirical comics like Colbert and Jon Stewart?Felipe Torres Medina: I think it's just a layer of how to interpret him as a person. At least for me, it's like, okay, well, you have to remember that he is a show man, and that's what he's doing.Andrew Keen: Yeah. So they're coming back to your your metaphor of the air and power and not having any clothes on. He kind of, in his own nodding wink way, acknowledges that he's not pretending to wear any clothes.Felipe Torres Medina: Yeah, and, well, sometimes he is and sometimes he isn't. And that is. That's the challenge. And that's why writing jokes about him every day is hard. But, you know, we we.Andrew Keen: And the more I know I watched Saturday Night Live last week that Zelensky thing and it was brilliant. Zelensky and Musk and Trump. But I'm very doubtful it actually impacts in any way on anything. Well, and I.Felipe Torres Medina: Think that that's also a misconception people have about comedy. You know, comedy is there to be funny. You know, comedy isn't there to change your mind if it does that, great. But the number one impetus for For Comedy should be to make you laugh. And so the idea that, like, a sketch show is going to change the nation. I don't know. Those are things that I think are applied on to comedy. They're kind of glob down to comedy. I don't necessarily think that that's what it the, the people making the comedy set out to do so. I think if if it made you laugh and if it works. The comedy has done its job. Comedy, unfortunately, can't change the world, you know. Otherwise, you know, I'm sure there would have been a very. There are many good Romanian comedians who could have done something about it has.Andrew Keen: You know, time to time. I mean, Hava became Czech president for a while. You, you, you know, that you sometimes see laugh, laughter and comedy as a kind of therapy when it comes to some of the stuff you do with Kovat. Are you in in America? Let me in. Are you presenting the experience, the heartbreaking experience? So certainly an enormously frustrating experience of the American immigration system as a kind of therapy, both for people who are experiencing it And outsiders, Americans in general.Felipe Torres Medina: And for myself, I think.Andrew Keen: And of course, yes. So self therapy, so to speak.Felipe Torres Medina: I think so, I mean, it is for me a way to like comedy is a way to process things for me. It comes naturally to me, and it is inopportune at times when dealing with things like grief and things like that. But I mean event, anyone who's gone through grief, I think, can tell you there's one moment when things are going really bad and one of the people grieving with you makes one joke and you all laugh and you're like, this. This somehow fixed for one second. It was great. And then we're back to sadness. So I think comedy, you know, as much as again, I go back to what I said a second ago, it's about making you laugh and that making you laugh can create that partnership, can create that empathy and that that that community therapy, I guess, of people saying like, oh wait, yeah, this is weird, this is strange. And I feel better that someone else recognized it, that someone else saw this.Andrew Keen: It certainly makes you saying, hey, you wrote an interesting piece for The New Yorker this week. In times like these, where you, you write perhaps satirically about what you call good Americans. Is the book written for good or bad Americans or all Americans or no Americans? Who do you want to read this book?Felipe Torres Medina: Oh my God. I want everyone to read it and everyone to buy a copy so that I've got a lot of money. All right. No, I think it's written for most Americans and and immigrants as well. People living here. But I do think, yeah, it's written for everyone. I don't think I wrote it with particular like, kind of group in mind. I think to me, Obviously with my background and my political affiliations, I think liberals will enjoy the book. But I also think, you know, people who are conservative, people who are MAGA, people who don't necessarily agree on my vision of immigration, can learn a lot from the book. And I purposely wrote it so that these people wouldn't necessarily be alienated or dismissed in any way. You know, it's a huge topic, and I think it was more of a like, I know you have an opinion. I'm just showing you some evidence. Make with it what you will, but I'm just showing you some evidence that it might not be as you believe it is, both for liberals and conservatives. You know, wherever you are on the spectrum, liberals think it's super easy. Conservatives that think it's super easy but in a bad way to move here. And I'm here kind of saying like, hey, it's actually this super complicated thing that maybe we should talk about and we should try to reform in some way.Andrew Keen: Yeah. And I think even when it comes to immigration, often people are talking about different things. Conservatives tend to be talking about quote unquote, illegal immigration and progressives talking about something else, too. You deal with people who try to get into America illegally, or is that for you, just a subject that you're not touching in this book?Felipe Torres Medina: I address it very lightly toward the final pages of the book. I first of all, I can, like, claim ownership on all immigrant narratives. And I wrote this about the legal immigration system because it's what I've navigated. Again, I am not an immigration lawyer. I am not an activist. I'm a comedy writer who happened to go through the immigration like system, so I but I did feel like, you know, okay, well, let's talk for a second. You've seen how hard it is because I've shown you all this evidence in the first couple stories in the book. And again, I say in the last pages because because of the interactive nature of the book, this could there is potentially a way for you for this to be the first, one of the first things you read in the book, but to where the last pages of the book, I say, okay, let's talk about you. We've seen how hard it is. Let's talk about the people who do so much to try and come here and who go even harder because they do it in the like, in the unauthorized way, you know, or the people who come here seeking asylum, which is a legal way to come to the United States, but is very difficult. So I do present that, but I do think it is not necessarily the subject of a comedy book, As I said earlier, when you're dealing with comedy, you want to be punching up. You want to be making fun of people in authority figures or in a sort of status position that is above the general population or the the voice of the comic. And with with undocumented immigrants and people trying to come here in irregular ways. It's it's very hard to find the humor there because these people are already suffering very much. And so to me, the line is threading the line of comedy there. It can very quickly turn into bullying or making fun of those people. And I don't want to do that because a lot of people are already doing that, and a lot of people who are already doing that work on this in this administration. So I don't I don't really want to mess with that.Andrew Keen: Philip, I'm not sure if you've got a a Spanish translation of the book. I'm sure there will be one eventually.Felipe Torres Medina: Hopefully.Andrew Keen: If people start reading this in Colombia, where you're from, Bolivia or Argentina, Mexico, El Salvador, Guatemala, they think themselves, this is so hard to get in, even legally. Even if you have money to pay for lawyers, they might think, well, f**k it, I'll just try and get over the border illegally. And do you think in a way, I mean, it's obviously designed as a humor book, but in a way this would encourage any sane person to actually give up. I mean, go try and try and go somewhere else or just stay where you are.Felipe Torres Medina: I think, I think the book has a tone of I'm I'm a pretty optimistic person. So I think the book does have a tone of optimism and love for America. I do love the United States, where I, while presenting it as a difficult thing, I am also saying, like it? It's pretty good. You're going to have a good time if you make it here. So I don't think it will be a deterrent. Whether it's some sort of Trojan horse to create more people, to try and go through the border. I don't know, it'd be pretty funny if a funny book tended ended up doing that, but.Andrew Keen: It'd be great if we just got hold of the book and blamed you for for for all the illegal immigrants. But in all seriousness, it was been a lot of pieces recently about, according to the New York Times, people going silent for fear of retribution. As a comic writer and someone clearly on the left, the progressive in American politics. Do you think that there is a new culture of fear by some of your friends and colleagues in the comedy business? Are they fearing retribution? Trump, of all people, doesn't like to be laughed that some people say that he he only wanted to be president after Obama so brilliantly and comically destroyed him a few years ago.Felipe Torres Medina: I think in comedy, you know, I think people are tired of talking of Trump because, again, as I said, ten years of writing about him. I don't think anyone is necessarily afraid of talking about him or making fun of him. I think that is or his administration. I think that is proven like this past week with explosion of memes, making fun of J.D. Vance, his face, you know, to the point where J.D. Vance has tried to hop on the meme and be like, ha ha! Yes, I enjoy this very much too. Good job members. So like, obviously, first of all, he doesn't like it, but I think everyone is. And I think this is something that America does so well. Americans like to make fun of politicians, period. And even though I think in certain spaces of, you know, politics and activism, there might be fear of retribution that is much more marked. I think the let's make fun of of the Emperor for having no clothes that make fun of them is an instinct that that it's not going away and it won't go away any, anytime soon.Andrew Keen: Philip, finally, you've written a funny book about immigration. But of course, behind all the humor is a seriousness. Lots of jokes. It's a very entertaining, amusing, creative book. But it also, I think, suggests reform. You've given a great deal of thought. You've experienced it yourself. How can America improve its immigration story so that we don't have in the future more satirical books like America Like Me and what are the the reforms, realistically, that can be made that even conservatives might buy into?Felipe Torres Medina: Well, I think one of the biggest things is, if you look at it historically, there hasn't been comprehensive immigration reform since Clinton. Which is ridiculous. You know, we're nearing on 30 years there, and we're. We're basically 30 years since. And, you know, I'm 33, so it's a whole lifetime for a lot of people with no changes to a system, no comprehensive changes to a system. And that just means that, like it is going to become outdated. So obviously it's very hard right now with the tenor, but what we really need is for people to sit down and talk about it as a normal issue. And this is not an invasion. This is not a national emergency. It is simply an issue, an economic issue. And I think one of the biggest things, and one of my personal suggestions is that. The US Citizenship and Immigration Service has always been, as I said, this kind of strange ancillary part of the government. It started as part of the Department of Labor, eventually joining the Department of Justice. Then it goes back to labor. It kind of always bounces around. They don't know where it fits. And in after 911, it became part of the Department of Homeland Security. And I think that creates a an aura around immigration as something that is threatening to homeland security. You know, which is not true.Andrew Keen: Yeah. I see what you're saying. It's become the the sex when it comes to, in the context of Victorian something that we don't talk about, and we use metaphors and similes to, to, to describe. And I take your point on that. But what about some and I take your point on the fact that the system hasn't been reformed since Clinton. But let's end with a couple of final, just Doable reforms, Philippe, that can actually make the experience better. That will improve that. That might be cheaper that the the Doge people might buy into that both left and right will accept and say, oh, that's fair enough. This is one way we can make immigrating to America a better experience.Felipe Torres Medina: I think, rewarding if we're talking about this idea of like, we want the best immigrants, educated people. I think actually rewarding that because the current system does not do that for most people trying to get a work visa. They're subjected to a lottery where the chances are something like 1 in 16 of getting a work visa to be here, and that is really bad for companies in general. It's something that the big tech firms have been lobbying against for years, and because there's no consensus in Congress to actually do something. We have been able to address that. So I think actually rewarding the kind of like higher education, high achievement immigrants. In a way that isn't just like if you have $5 million, you can buy a gold car. Yeah, and.Andrew Keen: That's what Trump promised.Felipe Torres Medina: Right? Actually rewarding it in a way that's like, okay, well, if you have a college degree, maybe you don't just get a one year permit to work here, you know, maybe you can. There is a path for you to if you made your education here, if you start your professional life here, if you are contributing because all these immigrants are paying taxes or contributing, maybe there's a path that isn't as full of trapdoors and pitfalls. I would say that that that's one of the biggest things. And honestly, higher up, like I, I do think maybe this is my progressive side of me, but it's like get more people working in USCIS so that these waits aren't taking forever and getting more immigration judges, you know, hire people who are going to make this system efficient, because that is, I think, unfortunately, what Dodge thinks that the, you know, we're going to slim it down so it doesn't cost that much. Yeah. But if you slam it down, you don't have enough people. And there's a lot of people are still trying to come here and they're still trying to do things. And if you don't have enough people like working those cases, all you're creating is backlogs.Andrew Keen: Yeah. I'm guessing when those transforms the American immigration system through AI, you'll have another opportunity for you to write a book. Yeah. I mean, I let me in an important book, a very funny book, but also a very serious book by one of America's leading young comic writers full time, writing for Stephen Colbert, Philippe Torres Medina. Philippe, congratulations on the book. It's out next week. I think it will become a bestseller. Important book. Very funny too, and we can say the same about you. Thank you so much.Felipe Torres Medina: Thank you so much for having me.Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

In this podcast episode, we talked with Adrian Brudaru about ​the past, present and future of data engineering.About the speaker:Adrian Brudaru studied economics in Romania but soon got bored with how creative the industry was, and chose to go instead for the more factual side. He ended up in Berlin at the age of 25 and started a role as a business analyst. At the age of 30, he had enough of startups and decided to join a corporation, but quickly found out that it did not provide the challenge he wanted.As going back to startups was not a desirable option either, he decided to postpone his decision by taking freelance work and has never looked back since. Five years later, he co-founded a company in the data space to try new things. This company is also looking to release open source tools to help democratize data engineering.0:00 Introduction to DataTalks.Club1:05 Discussing trends in data engineering with Adrian2:03 Adrian's background and journey into data engineering5:04 Growth and updates on Adrian's company, DLT Hub9:05 Challenges and specialization in data engineering today13:00 Opportunities for data engineers entering the field15:00 The "Modern Data Stack" and its evolution17:25 Emerging trends: AI integration and Iceberg technology27:40 DuckDB and the emergence of portable, cost-effective data stacks32:14 The rise and impact of dbt in data engineering34:08 Alternatives to dbt: SQLMesh and others35:25 Workflow orchestration tools: Airflow, Dagster, Prefect, and GitHub Actions37:20 Audience questions: Career focus in data roles and AI engineering overlaps39:00 The role of semantics in data and AI workflows41:11 Focusing on learning concepts over tools when entering the field 45:15 Transitioning from backend to data engineering: challenges and opportunities 47:48 Current state of the data engineering job market in Europe and beyond 49:05 Introduction to Apache Iceberg, Delta, and Hudi file formats 50:40 Suitability of these formats for batch and streaming workloads 52:29 Tools for streaming: Kafka, SQS, and related trends 58:07 Building AI agents and enabling intelligent data applications 59:09Closing discussion on the place of tools like DBT in the ecosystem

Voice Of GO(r)D is proud to present a conversation with Guy Meister, a Nova Scotia trucker whose little daycab R Model Mack sat on Sussex Street in Downtown Ottawa during the Freedom Convoy.Guys act of peaceful protest, of standing around in Ottawa drinking coffee with his fellow countrymen, has now earned him the bizarre pursuit of the Canadian government, who have engaged in a capricious and Kafka-esque case of Lawfare against Guy that has now run for over three years, and has seen Guy make the 2000 mile round trip from his home in Nova Scotia back to Ottawa 16 times for court.So much for carbon emissions; as I type this, he is on trip number 17.I found out about Guy from my good friend Donna Laframboise, who has appeared on this show twice in discussion about The Convoy (links below), and who has just released her new book ‘Thank You, Truckers!', which exclusively profiles the regular working class Canadians who made up The Convoy or supported it. Not the politicians or the organizers or big names, just the everyday people you never hear about, who go humbly about the work of keeping society functioning, and patriotically rose up to meet the challenge of a government gone astray.Guy's story is pretty incredible, and he represents, in an understated way, the best of the Canadian everyman - humble, hardworking, and totally apolitical until the Covid Regime came along and turned our world upside down.As mentioned in the intro, you can meet Guy and Donna this upcoming Sunday, March 16, at 630 pm, at the Biker's Church of Ottawa, 155 Carillon Street.Here is their website - https://www.bikerschurch.com/Guy is back in Ottawa to continue fighting the bastards, and he has court dates scheduled for March 18, 19, and 24, all at 10am at the Ontario Court of ‘Justice' in Ottawa, 161 Elgin Street.If you are around and can make it, I'm sure he would love a show of support.https://www.ontariocourts.ca/ocj/locations/ottawa/This get together is being organized by the wonderful Melissa McKee, and you can follow her on Twitter - https://x.com/TheMelissaMckeeGuy is being represented by Brian Doody of Doody Counsel (great name, lol) and you can follow Mr Doody on Twitter and LinkedIn.https://x.com/DoodyCounselhttps://www.linkedin.com/in/brian-doody-ma-llb-39813626/Lawyers, as a lesser subspecies of human, often catch a lot of flak for their shenanigans, but Doody is one of the good ones; pop over and say thank you.The Justice Center for Constitutional Freedoms has been supporting Guy's case, and you can donate via a button on their own article about him.https://www.jccf.ca/court_cases/peaceful-trucker-arbitrarily-detained-for-hours-without-access-to-legal-counsel/For more links, information, and a bunch of great photos, head over to my substack, and while you are there, smash that subscribe button https://autonomoustruckers.substack.com/p/the-little-r-model-that-could-guyAs you heard, I'm writing a book about the decades long war on truckers in North America, and you can read about that here -https://autonomoustruckers.substack.com/p/book-project-announcement-and-a-majorIf you have a couple of bucks to spare to help me get this book out the door -https://www.givesendgo.com/EndOfTheRoadThanks for listening, and as always, share this with your fellow truckers or anyone else who might be interested.Questions, comments, suggestions, corrections and Hate Mail are welcomed and strongly encouraged - gordilocks@protonmail.com

Juan Jesús “Tito” Garza Onofre, Investigador del Instituto de investigaciones jurídicas de la UNAM

The co-authors of "Letters in Black and White" found common ground in their frustration with America's polarized racial discourse. Our conversation explored provocative ideas like "Blackness as oppression"—a concept that shook Wink's foundational beliefs about identity—and Jen's jarring return to an America where diversity training often stifled genuine dialogue.We challenged simplistic narratives of "privilege," examined the controversial topic of reparations (with Wink offering a compelling case for Black agency over victimhood), and questioned how society's racial scripts influence our thinking. Throughout our discussion, we highlighted the power of curiosity and personal storytelling to bridge seemingly insurmountable divides—inviting listeners to reconsider their own perspectives on race and identity in America.Winkfield Twyman and Jennifer Richmond are co-authors of Letters in Black and White: A New Correspondence on Race in America.A former law professor and current author, Winkfield (Wink) Franklin Twyman, Jr. is a southern writer from a small-town suburb outside of Richmond, Virginia. Wink lived on Twyman Road until the age of eight. Everyone on Twyman Road was a Twyman. A graduate of the University of Virginia and Harvard Law School, Wink has penned articles and essays in the South Carolina Law Review, the Virginia Tax Review, the National Black Law Journal, the St. Croix Review, the Pennsylvania Law Review, the Intellectual Conservative, The Civil War in Pennsylvania: The African American Experience, the Richmond Times Dispatch, the Chicago Tribune, and the New York Post. Wink identifies as an American Native to Virginia. Follow him on Substack or his personal or professional Facebook page.A former professor at Trinity University on Chinese Politics and Vice President of International Projects for Stratford, Jennifer Richmond now serves as the Executive Director and Co-founder of the Institute for Liberal Values. In this role, she takes her academic acumen and knowledge of authoritarian governments, turning her attention and skills towards the most polarizing issues within the United States.Instagram: @jsrichmond @ilvaluesX: @truth_inbetween @ilvaluesLinkedInYouTube: @ilvalues00:00 Start[00:02:09] Polarization in race discourse.[00:03:55] Diversity training experiences and reflections.[00:10:11] Language and cultural privilege.[00:12:59] Individuality vs. Stereotypes in Society.[00:19:20] Black identity and entrepreneurship.[00:20:58] Fatherlessness and its impact.[00:25:35] Racial solidarity and misalignment.[00:29:54] Individuality in racial narratives.[00:32:48] Kafka traps in wokeness.[00:37:27] Opposition to reparations for slavery.[00:40:14] Reparations and black agency.[00:45:43] Post-traumatic growth syndrome.[00:49:04] Family personality and resilience.[00:52:49] Curiosity and cognitive ability.[00:58:23] Slavery in Family Genealogy.[01:00:49] Ancestry and racial identity.[01:04:32] Ghost slaves and modern comforts.[01:09:05] Perspective taking and arrogance.[01:11:56] Lack of empathy in communication.[01:16:22] Racial consciousness in family dynamics.[01:20:44] Fragmented identity and cultural expression.[01:25:50] Racial identity and cultural upbringing.[01:27:11] Choosing cultural identity wisely.[01:32:34] Potential vs. Environment in Families.[01:38:15] Human interaction and identity politics.[01:40:41] Individual dignity and creative expression.[01:42:15] Beautiful world amidst challenges.ROGD REPAIR Course + Community gives concerned parents instant access to over 120 lessons providing the psychological insights and communication tools you need to get through to your kid. Use code SOMETHERAPIST2025 to take 50% off your first month.TALK TO ME: book a meeting.PRODUCTION: Looking for your own podcast producer? Visit PodsByNick.com and mention my podcast for 20% off your initial services.SUPPORT THE SHOW: subscribe, like, comment, & share or donate.ORGANIFI: Take 20% off Organifi with code SOMETHERAPIST.Watch NO WAY BACK: The Reality of Gender-Affirming Care. Use code SOMETHERAPIST to take 20% off your order.SHOW NOTES & transcript with help from SwellAI.MUSIC: Thanks to Joey Pecoraro for our song, “Half Awake,” used with gratitude & permission. ALL OTHER LINKS HERE. To support this show, please leave a rating & review on Apple, Spotify, or wherever you get your podcasts. Subscribe, like, comment & share via my YouTube channel. Or recommend this to a friend!Learn more about Do No Harm.Take $200 off your EightSleep Pod Pro Cover with code SOMETHERAPIST at EightSleep.com.Take 20% off all superfood beverages with code SOMETHERAPIST at Organifi.Check out my shop for book recommendations + wellness products.Show notes & transcript provided with the help of SwellAI.Special thanks to Joey Pecoraro for our theme song, “Half Awake,” used with gratitude and permission.Watch NO WAY BACK: The Reality of Gender-Affirming Care (our medical ethics documentary, formerly known as Affirmation Generation). Stream the film or purchase a DVD. Use code SOMETHERAPIST to take 20% off your order. Follow us on X @2022affirmation or Instagram at @affirmationgeneration.Have a question for me? Looking to go deeper and discuss these ideas ...

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In today's podcast, which is the second in a four-part miniseries of podcasts about Britain's talented Art Departments, Mark talks to this year's winners of THE LIFETIME ACHIEVEMENT AWARD SUPPORTED BY WARNER BROS. STUDIOS LEAVESDEN.The award honours Art Department members who have made a significant creative mark in their work, benefitting the industry as a whole. This year there are two recipients of the award.First up, Mark talks to Emily Stillman, Senior Vice President of Warner Bros. Studios Leavesden, who sponsor the award, about the pivotal role of the Art Department, before talking to this year's deserving award winners, Charmian Adams and Gavin Bocquet.Supervising Art Director Charmian Adams's notable work includes such diverse productions as SID & NANCY, DOWNTON ABBEY and SAS ROGUE HEROES Series 1Production Designer Gavin Bocquet's credits include the STAR WARS prequels, Steven Soderbergh's KAFKA, Matthew Vaughan's STARDUST and Duncan Jones' WARCRAFT.The 14th BFDG Production Design Awards took place at Royal Lancaster Hotel on Saturday 22nd February 2025.This episode of Kermode on Film is made in partnership with the BFDG.About the BFDGThe Society of British Film Directors and Designers was founded in 1946. Out of this society grew the Guild of Film Art Directors, and the present British Film Designers Guild (BFDG). Today the BFDG has over 630 members of skilled technicians and designers spanning all the various branches of the Art Department, as well as corporate members. The BFDG membership covers a diverse range of Art Department skills and experience, working on projects of all budgets, from International to Independent and micro-financed productions, to Feature Films, Shorts, Pilots, Promos, Commercials, TV Film, TV Series and Light Entertainment.Connect with the BFDG here:Instagram: @british_film_designers_guildTwitter: @BFDG_Film_GuildLinkedin: @british-film-designers-guildFacebook: /British Film Designers GuildWebsite:www.britishfilmdesigners.comThis podcast was produced by HLA Agency and edited by Alex Jones© HLA Agency Hosted on Acast. See acast.com/privacy for more information.

Episode 49: Horror Love Stories Volume Two This episode was recorded on January 13, 2025 and posted on February 22, 2025. Content Warning: Light vulgarity.  Introduction Welcome to No Bodies Episode 49 Introductions to your Ghosts Hosts with the Most - Lonely of Lonely Horror Club and Projectile Varmint aka Suzie Introductions to our guests Danimal and The Other Dan Today's Topic: Horror Love Stories Volume Two Discussion on Relationships & Violence in Culture What does horror play in how society contextualizes and responds to violence in relationships? Film Discussion What Keeps You Alive (2018) Fear (1996) Honeymoon (2014) The Crow (1994) Worst & Best Representations of Horror Love Stories - Spoilers ahead! Suzie's Deep Cuts & Surface Wounds This segment highlights lesser known films based on their IMDB ratings. If something has 5k or under reviews on IMDB, we'll call it a Deep Cut. If something has between 6-10k reviews on IMDB, we'll call it a Surface Wound. A Good Marriage (2014) The Transfiguration (2016) Hippopotamus (2018) Lifechanger (2018) We Are the Night (2010) Inhuman Kiss (2019) Closing Thoughts If you could direct a twisted horror love story, what would the premise be? Keep Up with Your Hosts Check out our instagram antics and drop a follow @nobodieshorrorpodcast.  Projectile Varmint - keep up with Suzie's film musings on Instagram @projectile__varmint Lonely - read more from Lonely and keep up with her filmstagram chaos @lonelyhorrorclub on Instagram and www.lonelyhorrorclub.com. Original No Bodies Theme music by Jacob Pini. Need music? Find Jacob on Instagram at @jacob.pini for rates and tell him No Bodies sent you!  Leave us a message at (617) 431-4322‬ and we just might answer you on the show! Sources AbiNader, M. A., Graham, L. M., & Kafka, J. M. (2023). Examining Intimate Partner Violence-Related Fatalities: Past lessons and Future Directions Using U.S. National data. Journal of Family Violence, 38(6), 1243–1254. https://doi.org/10.1007/s10896-022-00487-2 Shapiro, E. (2023, January 21).  “Anger, revenge, resentment”: A deeper look at what drives some husbands to kill their wives. ABC News. https://abcnews.go.com/US/anger-revenge-resentment-deeper-drives-husbands-kill-wives/story?id=96532239

We're Baaaaaack! Cinema Possessed returns and Jack and Corey are joined by writer/actor Nick Mandernach (The Great North, Duncanville, Young Sheldon) to talk David Lynch's surreal and groundbreaking first film, ERASERHEAD (1977)! The three talk tacos, student films, pencils, Kramer hair, t-shirts, parenthood, Kermit, sperm, surrealism, poetry, getting your weird David's mixed up, nuclear war, Bob's Big Boy, villains wiki, Kafka, bootleg DVDs and weird babies.Support the pod by joining our Patreon at patreon.com/cinemapossessedpod and unlock the Cinema Possessed Bonus Materials, our bi-monthly bonus episodes where we talk about more than just what's in our collection.Instagram: instagram.com/cinemapossessedpodTikTok: https://www.tiktok.com/@cinemapossessedpodEmail: cinemapossessedpod@gmail.com Hosted on Acast. See acast.com/privacy for more information.

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Send us a text[Kaiju No. 8 7 - 9 + That Time I Got Reincarnated as a Slime (Screen Time)] Reno has to survive an encounter with the mushroom man! Kafka has to survive an encounter with his vice captain! And everyone has to survive an encounter with some dragons?!Support the showWant to learn more about the show or just chat with us? Write to us at bandsgetjumped@gmail.comFollow us @bandsgetjumped on BlueSkyFind us on reddit at r/getjumped/Join the chat on Discord: https://discord.gg/DNjXhee

Trump and Musk and their minions declare war on federal employees. Nicole Cantello explains it all. Including the directive calling on workers to snitch on other employees who might be promoting "DEI". Straight up out of Kafka or Orwell. Take your pick. Nicole is the President of AFGE Local 704, which represents employees of the EPA. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.