Podcasts about thunder boy jr

In the seventh episode of The Staffroom Podcast Summer Series, Chey and Pav talk to Rabia Khokhar, elementary teacher and equity consultant from Toronto, Ontario, Canada. Rabia talks to us today today about the impacts of books and storytelling with students when doing social justice work in the classroom A phenomenal conversation to get us thinking more about curating inclusive classroom libraries, equity and social justice work in our schools! Here's how you can get in touch with Rabia: Twitter: @Rabia_Khokhar1 Website: https://www.rabiakhokhar.com/ Here are some books that Rabia referenced during the conversation: Thunder Boy Jr. by Sherman Alexie Going Up! by Sherry J. Lee Stay connected with Chey and Pav! Tell us about your reflections from this episode - reach us at info@cheyandpav.com or on Twitter @StaffPodcast! We'd love to hear from you. Are you looking for Presenters? As we embark on a new school year, and an evolving way of teaching and learning, there's value in finding great teacher created professional development to deliver to peers. Chey and Pav offer a few great presentations that they offer, and can do for your school or district, either in person or virtually. Here are some of the topics they currently are covering for staff and administrators: Math and Social Emotional Learning: The Key Elements, Teaching Pedagogy and Assessment Pieces Rediscover Your Voice: Enhancing your Teaching Practice through Podcasting Addressing Racism, Supporting Identity Work and Creating Inclusive Learning Spaces Vision and Mission: Application to Teaching Practice Digital Storytelling - Culturally Responsive Photography and Photo-Editing There's so much to talk and learn about! Chey and Pav can develop a PD session or conversation starter based on any topics they've discussed on The Staffroom Podcast! Please reach out to us at info@CheyandPav.com for more information and to schedule your learning session with this Dynamic Duo! Chey and Pav Educational Services, Inc.

Episode Summary: Children's librarians Olivia Darrell and Christine Freeman talk about MCPL's upcoming 1000 Books Before Kindergarten program. It's a fun way to help prepare your child for kindergarten and beyond, all while fostering a love of reading. Registration for this program begins Saturday, March 24, 2018.  Recording Date: February 7, 2018 Hosts: Julia Dina and Lauren Martino Guests: Olivia Darrell and Christine Freeman. Olivia Darrell is a librarian in our Collection Management department who selects the children's fiction for MCPL. Christine Freeman is our Early Literacy and Children's Services Manager. She also manages the Noyes Library for Young Children.  Featured MCPL Resource: Bookflix, read along with classic video storybooks on this learn-to-read site, which also includes related nonfiction e-books.  What Our Guests Are Reading Or Listening to: Olivia Darrell: This American Life, an NPR show featuring spoken essays, memoirs, and other non-fiction narratives organized around a theme. No One is Coming to Save Us by Stephanie Powell Watts, and The Awkward Thoughts of W. Kamau Bell by, well, W. Kamau Bell.  Christine Freeman: The Selection series by Kiera Cass and Sucktown, Alaska by Craig Dirkes. Books and Other Media Mentioned During this Episode:  Ada Twist, Scientist by Andrea Beaty Bark George by Jules Feiffer Families, Families, Families by Suzanne Lang First Snow by Bomi Park Get a Hit Mo by David A. Adler A Hat for Mrs. Goldman by Michelle Edwards Horn Book: A magazine filled with book reviews and articles of interest to children's librarians. It is used by librarians to select books and other material.  I Got the Rhythm by Connie Schofield-Morrison In Plain Sight by Richard Jackson Jarabi Jumps by Gaia Cornwall Little Red and the Very Hungry Lion by Alex T. Smith Lola Plants a Garden by Anna McQuinn Looking for Bongo by Eric Velasquez Malika's Costume by Nadia L Horn Marta Big & Small by Jen Arena My Heart Fills with Happiness by Monique Gray Smith Quickest Kid in Clarksville by Pat Zietlow Miller Star Wars Little Golden Book Collection  School Library Journal: A magazine filled with book reviews and articles of interest to school librarians and children's librarians. It is used by librarians to select books and other material, as well as keep up with developments in the field of children's librarianship.  Thunder Boy Jr by Sherman Alexie We Sang You Home by Richard Van Camp MCPL Resources Mentioned During this Episode: Beanstack: A fun site for logging books and more. MCPL uses Beanstack for many programs, including 1,000 Books Before Kindergarten, our Reading Challenge, and our summer read and learn programs.  BookFlix: Read along with classic video storybooks on this learn-to-read site, which also includes related nonfiction e-books. MCPL's 3rd Annual Reading Challenge Picture books that include braille TumbleBooks: An online collection of animated, talking picture books. Includes story books, chapter books, nonfiction, videos, and more. Includes books in French and Spanish.  Read the transcript

Man, having a nice family is great. This week and next's podcast are all about just... the BEST families! Thunder Boy Jr., in particular, talks about a son living in the shadows of his Dad and wanting to find a way to find his own identity. It is adorable and beautiful! But I think that we can all agree that the absolute BEST part of this book is when they compliment the name Sam. Mr. Alexie was correct to compliment the greatest of names. We Sam's are humbled to have been gifted with such a good name. And we thank Mr. Alexie for bringing the world's attention to its MAJESTY! So take a listen to Thunder Boy Jr. (by - Sherman Alexie & Yuyi Morales) and revel in being in the presence of a SAM! (and also a Rachel we guess.) Rachel & Sam Read a Story is about the fun of reading children's books new and old, and also about how little sense these books make when you read them 20 years later. We read the books aloud and make fun of them as we go. Enjoy! Follow Sam (@SamGasch) or follow Rachel (@Sknowite). Either way, please subscribe!

This week on StoryWeb: Sherman Alexie’s film Smoke Signals. Smoke Signals is the first – and as far as I know, only – feature-length, commercially distributed film written and directed by Native Americans with a fully Native American cast. Written by Sherman Alexie and directed by Chris Eyre, the 1998 film is loosely based on Alexie’s first collection of short stories, The Lone Ranger and Tonto Fistfight in Heaven, published in 1993. The film also includes characters who recur throughout Alexie’s other literary works. Is it a comedy? Is it a drama? I suppose it is predominantly a drama, as Victor Joseph and his friend Thomas Builds-the-Fire travel from the Coeur d’Alene reservation in Washington to Phoenix, Arizona, to pick up his father’s remains. In that sense, it is a coming-of-age story of sorts – or perhaps more accurately, a coming-to-terms story. But there are also many comic elements to the film, and the wry humor emerges in part because Smoke Signals is also a classic buddy road trip movie. Victor and Thomas, as mismatched as they ever were as children, spar and play off each other – Victor the cool, stoic Indian, Thomas the geeky, ever-chatty storyteller who smiles too much. As they ride the bus to Arizona, Victor tutors Thomas in how to present himself as a “real Indian.” He needs to let his hair flow freely as a symbol of his warrior status, and he needs to wipe the goofy grin off his face. Thomas returns wearing a Fry Bread Power T-shirt, his braids unfurled, his gaze serious, and his walk a swagger. While this scene is funny, it is also searing, as Alexie deftly skewers the stereotypes white Americans have of Indian people. Alexie pulls off this double-edged humor again and again in the film. One of my favorite scenes is the one in which Victor and Thomas ask two young women on the reservation for a ride. The women say they’ll consider the request but first need to hear a story. Ever one to spin a yarn, Thomas launches into an account of Victor’s father, Arnold Joseph, being arrested for protesting against the Vietnam War. He plea bargained, and his ultimate charge was “being an Indian in the twentieth century.” When Victor asks the women what they think and whether this story is good enough to catch them a ride, one of the women says, “I think it is a fine example of the oral tradition.” Academics who teach Native American storytelling and literature are caught up short – they’re forever celebrating the Native American oral tradition – but those in the audience can’t help but laugh. The scene ends with Victor and Thomas climbing into the backseat and with the car taking off in reverse – the only direction in which it goes. But the film is much more than jokes, funny thought they may be. No, the film is much more a drama. Called to retrieve his dead father’s ashes, Victor goes on a quest to find his father, to make peace – if he can – with the legacy of an alcoholic, sometimes violent father who abandoned Victor and his mother. At the end of the film, Victor calls to his father, Arnold, from the bridge over a river, and we feel his release as he lets his father’s ashes go. Like all of Alexie’s writing, Smoke Signals is self-aware, self-conscious, self-referential, perhaps one could say postmodern and not go too far. In Smoke Signals, there is a strong, clear story. But there are also “meta” references, where it’s clear that Alexie, as screenwriter, and Eyre, as director, are very well aware of the tropes they are using and overturning. Buddy film? Check. Road film? Check. Coming-of-age story? You got it. Western? You just might have something there. Developed at Sundance Labs, Smoke Signals won the Filmmaker’s Trophy at Sundance. Provocative insights into the film can be found in Filmmaker Magazine’s interview with Alexie and Eyre – and background on the making of the film and its impact on other Native American filmmakers can be found in an interview with Eyre. As the New York Times says, it is also more than a “first” in Native American film: “it is a step by a new generation of Indian artists toward finding an idiom for exploring their individual and cultural identities without resorting to self-pity, political correctness or Hollywood cliches.” For those of you who are teachers, check out the University of Michigan Press’s curriculum guide to Smoke Signals as well as the Teach with Movies supplemental lesson materials. If you haven’t seen Smoke Signals, you owe it to yourself to get a copy and take a look. And when you get hooked on Alexie’s work (as I know you will), you’ll want to delve into his print writing as well. Alexie is absolutely one of the best American Indian writers today (along with N. Scott Momaday, among others). His first novel, Reservation Blues, was published in 1996. His young adult novel, The Absolutely True Diary of a Part-Time Indian, won the 2007 National Book Award for Young People’s Literature. War Dances, a collection of Alexie’s short stories and poems, won the 2010 PEN/Faulkner Award for Fiction. This year, he published a picture book for children, Thunder Boy Jr. In addition to his fiction, poetry, screenplays, and books for young adults and children, you’ll also want to check out his poem “How to Write the Great American Indian Novel.” Visit thestoryweb.com/alexie for links to all these resources and to watch a short clip from Smoke Signals.

This week, Matti Friedman discusses “Pumpkinflowers: A Soldier’s Story”; Alexandra Alter has news from the publishing world; Judith Shulevitz talks about Angela Duckworth’s “Grit”; Sherman Alexie and Yuyi Morales discuss “Thunder Boy Jr.”; and Gregory Cowles and Parul Sehgal discuss what people are reading.