Podcasts about filmmaker magazine

Steve Zahn gained early attention for his breakout roles in the 1990s, including “Reality Bites” and “That Thing You Do!” He became a frequent scene-stealer in films like “Out of Sight,” “Happy, Texas,” and “Saving Silverman,” showcasing his offbeat humor and charm. In HBO's “Treme,” he played a passionate music teacher navigating post-Katrina New Orleans. More recently, he appeared in the first season of “The White Lotus,” earning critical acclaim for his role as a troubled father on vacation. His latest is personal on multiple levels—the indie film “She Dances,” which he co-wrote with his producing partner Rick Gomez, who also directs. On this episode, he talks about co-staring in that film with his daughter Audrey, and being continually blown away by her work. He takes us back to his early stage work, makes a case for the importance of rehearsal, gives us the two attributes that make a great director, explains why he loves the communal aspect of filmmaking, and much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

Tim Bagley has so much experience doing comedy on television that his credits read like a comprehensive list of every sit-com over the past 30 years. But his depiction of Brad Schraeder on “Somebody Somewhere” is on another level. It's beautiful, truthful, restrained work, that is often hilarious and sometimes very moving. Few performances on television this year have impacted me more. On this episode, he talks about how the collaborative nature of that show helped so much with his work, the big part logic plays in his comedy, why it's important to keep challenging himself,  and much more. Plus he tells a couple wonderful stories about discovering that sometimes it's not about you at all, and you have to just let it go. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

Carrie Preston is back in her Emmy-winning role as 'Elsbeth Tascioni' in the second season of the CBS series "Elsbeth," from "The Good Fight" and "The Good Wife," creators Michelle and Robert King. On this episode she gives us a deep dive into her work on that hit show, taking us way back to the “queen of quirk” as just a recurring role on the “Goods”, trying to figure out how to dip her toes into this new character, taking clues from the word “pause,” all the way till the second season of her own show, taking the job of number one on the call sheet seriously, learning what it means to give “more Tascioni,” working with her acting heroes when they come on as guest stars, and much more! Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

The legendary Ian McShane has been acting for more than 60 years, from “The Wild and The Willing,” “The Last of Shelia,” and “Jesus of Nazareth” to “Lovejoy,” “Sexy Beast,” and the “John Wick” films. His two latest films are “Ballerina,” set in the John Wick universe, and and the action comedy “Deep Cover.” On this episode he talks about what made his time as Al Swearengen on “Deadwood” (perhaps his most iconic role) so special, and tells a story about an unforgettable suggestion from creator David Milch. He explains what sets Wick's Chad Stahalski apart as a director/producer, why life experience helps an actor, how a few short words from director Tony Richardson placed him right on track to do his work, and much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

You know Bobby Naderi from his subtle and sometimes hilarious work in films like “Bright” and “The Beekeeper.” Now he brings that same aliveness to the new Amazon series “The Better Sister,” where he plays Detective Matt Bowen. On this episode, he talks about how his nomadic youth shaped his life and work, how failures paved the way for breakthroughs, why he stopped anticipating how a scene will play out, how his mother's blunt criticism of his acting work helped him get better, and much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

The young but wise Lovie Simone is best known for “Selah and The Spades” and “The Craft: Legacy.” Now she stars in the hit Netflix series “Forever,” an adaptation of the Judy Bloom book. On this episode, she talks about the giant role music plays in her preparation, why having a Black hair & make-up person on set is crucial to work, “importance over relevance,” “quality over quantity,” her love of words “and the weight of each word,” the “accidental” way she and Michael Cooper Jr. built their “Forever” chemistry, plus much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

Theodore Bouloukos returns to the podcast after nearly 7 years (first time was episode 14). The “secret weapon of independent cinema,” as The New Yorker's Richard Brody called him, brings us up to date on his adventures in acting. He talks about why he never dwells on a project's prospects after his work is done, explains the kind of characters that attract him, reminisces about a couple exceptional recent shoots (including the wonderful ode to the game of Baseball that is the film “Eephus”), makes a case for going “full on” for every role, and much more. “Eephus” is currently on demand and highly recommended. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

We rarely get to hear Joel Potrykus talk about himself as an actor. The independent filmmaker of such beloved low-budget treasures as “Ape,” “Buzzard,” and “Relaxer” says he has, in fact, never talked about it. In his latest, “Vulcanizadora,” he once again co-stars with the man he loves to point his camera at, Joshua Burge. The two reprise their roles of Derek and Marty exactly ten years after they birthed those characters in “Buzzard.” On this episode, Potrykus explains the decision to take on the role in both films, why he loves working with the “machine” that is Burge, the part of directing actors he likes the least, how the end of “Field of Dreams” helped his acting process, and much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

You know him as Murray in “Stranger Things,” or Martin in “Fleabag,” or loved him in “Lemon” (the wonderful indie film he also co-wrote), or his countless guest star roles on Comedy Central, Adult Swim, “The Office,” “Curb” (the list goes on), but lately Brett Gelman has been venturing into more serious projects like “McVeigh” and “Lady in the Lake.” On this episode, he talks about the conscious choice to just “do great roles” that often takes him away from comedy. He talks about his relationship to the craft which started in acting school, explains how bombing on stage doing improv was great training for acting, describes why a method approach continues to serve him, makes a plea for us to stop being afraid to “enter into the ugly,” and much more. Currently you can catch him, and his co-host (and wife) Ari Dayan, on their podcast “Neurotica,” which gives listeners an unfiltered view into their marriage! Listen wherever you get your podcasts! Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

Adeel Akhtar is a versatile British actor known for his powerful performances across film, television, and theatre. He gained widespread acclaim for his BAFTA-winning role in the BBC drama “Murdered by My Father,” and won another one, a few years later, for “Sherwood.” His other credits in front of the camera include “Four Lions,” “The Big Sick,” “Enola Holmes,” “Utopia,” and “Sweet Tooth.” On stage, Akhtar has appeared in productions at the National Theatre and the Royal Court. Currently he wows audiences as Lopakhin in a new production of Chekhov's “The Cherry Orchard” at St. Ann's Warehouse in Brooklyn. On this episode he talks about the pleasures of performing “with complete freedom” in that production, interacting with the audience, and the interesting connections he finds between that character and his own return to theater. Plus he explains why he no longer finds himself over-preparing for a role, shares something a valued teacher gave him that changed his approach to the work, and much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

Michael Angarano has been acting since he was an infant and has a long resume of memorable work in both comedic and dramatic roles—“Almost Famous,” “Will and Grace,” “This is Us,” “Gentlemen Broncos,” “Oppenheimer,” to name a few. His latest is a wonderful comedy with a lot of heart that he stars in, co-wrote and directed called “Sacramento.” On this episode he talks about the long road of getting that film made, how he needed to adjust once he saw Michael Cera's approach to the role, and the interesting realization that he may not need to act and direct and write at the same time again. He tells a story about suddenly facing a strange form of stage fright, and the sensitive way Steven Soderbergh helped him get though it. He explains why he says he doesn't have an acting process, has a particular aversion to relaxation exercises, and much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

Jolene Purdy is always a standout. She gained recognition for her performance as Cherita Chen in the cult classic “Donnie Darko,” and later appeared in hit shows like “Orange Is the New Black,” “Under the Dome,” “Breaking Bad,” “WandaVision,” and “The White Lotus.” She now plays opposite Kevin Bacon in the new Amazon series “The Bondsman.” On this episode, she talks about how the collaborative nature of that production ignited her creativity and brought out the best in her. She tells us her secret to mastering the art of delivering exposition, why she loves to be directed, how she learned to protect her characters, why Kevin Bacon is “boss,” and much more.  Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

The incredible Lebanese actor Hadi Tabbal just finished the monumental Broadway run of Sanaz Toossi's Pulitzer Prize-winning play “English.” He originated the role of Omid, and performed in various iterations of this powerful and transformative play over the last few years. On this episode, he talks about the fascinatingly unique aspect of “English” that is unlike any other play he's performed, and what he means when he says it is “alive” every night and “very delicate,” and he has to “take care” not to “derail” it. He explains the difference between “discovery” and “deciding,” talks about the “saddest” part of acting, describes his pre-show ritual, how it all comes down to “learning people,” and much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

Jonathan Majors is an actor. His latest film is "Magazine Dreams." He sat down with Peter Rinaldi to talk about the work.  Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram    

Ariella Mastroianni is an actor from New Jersey by way of Ontario, Canada. With director Ryan J. Sloan, she co-wrote and co-produced "Gazer," which she also stars in. The film, which the duo shot on weekends over the course of two years, brings the paranoid thriller genre into wildly original new territory. On this episode, Mastroianni tells the story of deciding to shoot on film, using their own money, with no formal support, no connections, just a deep desire to make the film they were both dying to see. She talks about the tools her acting teachers (like Brad Fleischer and Kyle Donnelly) provided that still serve her, how “mapping” her character's physical journey grounded her on the set, the trick she used to stop worrying and love her marks, the “desperate love” it took to see this film through, and much more. "Gazer" open in New York on April 4th and LA on April 11th. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram  

An actor's actor of the first order, Vincent D'Ononfrio has been delivering “all in” performances, usually in supporting roles, for  nearly four decades—“Full Metal Jacket,” “Men In Black,” “Household Saints,” “Steal This Movie!,” “The Cell,” “The Magnificent Seven,” to name just a few, not to mention 10 audience-loving seasons of “Law & Order: Criminal Intent.” He's getting more accolades for his latest performance as Wilson Fisk in “Daredevil: Born Again.” On this episode he talks about the “emotional event” that he has to summon to bring about Fisk's voice in that series and its predecessor. He takes us all the way back to his introduction to Stanislavsky through Sonia Moore and Method work through Sharon Chatten, talks about renting camera equipment to make an early self-tape to send to Stanley Kubrick, explains why script analysis is the best way to serve the story, how “Law & Order” made him a better actor, the fundamental importance of failure, and much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

The celebrated period drama "Belle" marked the arrival of Gugu Mbatha-Raw and since then she hasn't stopped impressing audiences in films like “Motherless Brooklyn," “Misbehaviour” and series like “Doctor Who,” “Black Mirror” (San Junipero episode), “Loki," “The Morning Show,” and “Surface,” which is now releasing episodes from its second season. On that Apple TV+ series, Gugu plays Sophie, a woman who has lost her recent memories and must piece them together. She talks about the “liberating” feeling she got playing someone with a missing back story and how it forced her to be present. She explains how she utilizes her sense of smell in her preparation process, how she learned to claim her space on set and not be “crushed by the technicalities,” how taking on the leadership role of EP expanded all aspects of her work, plus much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

Caveh Zahedi is one of the most influential independent filmmakers of our time. Jay Duplass, Lena Dunham, Richard Linklater, Greta Gerwig, are all big fans of his 30+ years worth of ultra-autobiographical work (five features, “I am A Sex Addict” perhaps being the most popular). His magnum opus, “The Show About The Show,” started out as a “self-reflexive TV show about its own making” for BRIC TV and has continued despite lawsuits, loss of distribution, re-castings, and many more obstacles, thanks to Zahedi's dogged determination to simply tell the story, mostly through re-enactments using the actual people in his orbit playing themselves, of what happened in his life. He gets a small, but passionate amount of support from his loyal fanbase who want him to see this now decade long journey come to an end in the final season, which is about to be released. Zahedi has done a lot of interviews about his filmmaking, but rarely any, like this one, that focuses on his work as an actor for other filmmakers and in front of his own camera, where he plays a version of himself. He talks about the tonal fine line he has to walk when addressing the camera, nudity (his and others'), actors who work well with his directorial approach (like Emmy Harrington and Jim Fletcher), the rigors of auditioning to play a pedophile rabbi, striving for “non-acting,” and much more. Creative Nonfiction Film Weekend is bringing Zahedi's work (and the man himself) on a UK tour in March 2025. Check here for more info Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

Lucy Boynton is known for delivering exceptional performances in films like “Sing Street,” “Bohemian Rhapsody,” “Chevalier,” and “The Greatest Hits.” Her latest is the BritBox's limited series “A Cruel Love: The Ruth Ellis Story,” about a woman convicted of killing her abusive lover who then became the last woman to be hanged in the UK. On this episode, she talks about why the challenge she faced portraying Ellis “wasn't an actor issue,” but more about facing the traumas women are still dealing with decades later. She ponders how acting as a child served her into adulthood, explains why over-direction is never a problem for her, why “turning the dials” on micro-facial acting excites her, makes a plea for more women screenwriters, and much much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

Griffin Dunne has balanced acting, directing, and producing for over 40 years in this business. “Chilly Scenes of Winter,” “An American Werewolf in London,” “After Hours,” “Practical Magic,” “This is Us,” to name just a small handful of his credits. For his latest, “Ex-Husbands,” he delivers a performance revelatory in its ease, miraculously blending lightness and dread. It's so much fun, and even inspirational, to simply watch him walk around as this character, carrying this load. Hopefully, this is the start of a new chapter: Dunne as the contemplative man of a certain age who has seen it all. On this episode, he shares his favorite piece of direction, talks about how producing affected his acting work, tells the story of discovering he's a Chekhovian actor, explains why it all comes down to listening and being in the moment, and much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

In movies like “Million Dollar Baby,” "August: Osage County,” “Blow The Man Down,” and series like "The Americans,” “Justified,” and “Sneaky Pete,” “esteemed character actress Margo Martindale” loves to play people much different from herself. And she's been so good at it for so long that she only started to get truly recognized for her work in her 60s. Three Emmys later, she's able to pick and choose what she wants to do. Her latest, the Amazon series “The Sticky,” finds her number one on the call sheet and having a blast playing the bombastic maple syrup farmer Ruth Landry. On this episode she explains why the first step in her preparation process is knowing where a character was born and raised. She talks about feeling most free when she's able to “play” like she did in her backyard, what makes Alexander Payne and Robert Benton great directors, why it took some time for her to settle in to sit-com acting, and much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

Marianne Jean-Baptiste is getting accolades and awards for her incredible performance in Mike Leigh's “Hard Truths.” The two last worked together nearly 30 years ago, on Leigh's “Secrets and Lies,” for which Jean-Baptiste was nominated for an Oscar. On this episode, she takes us all the way back to her first time working with Mike Leigh, on the play “It's A Great Big Shame,” and details for us the ins and outs of working with him on these three projects. She talks about her love of process, how this intense character work fuels her on less actor-centric jobs, why she's still mad at Leigh for “murdering” Pansy's mother, and much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

The U.S. premiere of “Hard Truths” at the New York Film Festival in October brings director Mike Leigh back to the podcast for the third time (Ep. 54 and Ep. 204). He talks about working again with Marianne Jean-Baptiste after nearly 30 years, how a lower budget didn't change his process but made him “dig vertically,” why American actors are unofficially not allowed in his films. Plus he shares his hope for cinema after he's gone, but explains why he refuses to officially pass down his process. And much more! "Hard Truths" opens in select U.S. theaters on Friday January 10th.  Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

Tiffany Boone's breakout role was Jerrika Little on the series “The Chi.” “Little Fires Everywhere,” “The Midnight Sky,” “Nine Perfect Strangers” and “Hunters” followed. Now she voices Sarabi in Disney's “Mufasa: The Lion King.” She explains how getting back to her childlike imagination was a must for that role. She tells the story of trying to break up with acting but acting wouldn't break up with her. She talks about the importance of knowing the character better than anyone else, how focusing on connecting with people through her art allowed her to “let go of the desperation,” and much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

Tommy Dewey is best known for playing Alex Cole on the Hulu series “Casual” for five seasons. This year, two movies benefit from his talents—the Jason Reitman ensemble comedy “Saturday Night”, and Caroline Lindy's romantic/horror/comedy “Your Monster,” where he brilliantly plays the titular character. On this episode, he talks about what went into deciding on the proper mixture of absurdity and tenderness  for that special role. He explains why, if a comedy script connects with him, he “maybe reads it once and stay the hell away from it.” Plus how writing can help you as an actor, the increased pressure of 3-dimensionality the higher you are on a call sheet, and much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

Kyra Knox is an award-winning director who understands the power of storytelling. Her work has been featured in Deadline, The Hollywood Reporter, NPR Morning Edition, Axios, Filmmaker Magazine, and more. Driven by a passion for storytelling, Kyra transitioned from a full-time job to pursue directing. Her directorial debut, the award-winning feature documentary "Bad Things Happen in Philadelphia," explores gun violence in her city and the community's efforts to combat it. FOX Soul and Prime Video have acquired her feature, and it has been seen by over 300,000 households (and counting) since its December 2023 debut. Kyra's filmmaking approach fosters a deep connection between the audience and the participants of her documentaries. This stems from her belief in respecting and caring for each person's story. Her dedication has been recognized with numerous awards, including Producer of the Year at the Shorty Impact Awards, one Shorty Impact Award for Storytelling, eight Telly Awards, four Communicator Awards, a Gold Addy, and a Mosaic Award. Kyra is known for her infectious enthusiasm and commitment to creating a safe and collaborative environment on set.

Alessandro Nivola returns to the podcast (Ep. 37 and Ep.170) to discuss three performances he gives in three different films out at the same time this week—Pedro Almodóvar's “The Room Next Door,” “The Brutalist,” and “Kraven The Hunter.” He gifts us with a detailed peek into what it took to build each of these characters. He talks about the interesting way he received a “green light” from Almodóvar in terms of his approach to the role of an Upstate New York policeman, the challenge of balancing adherence to period authenticity with a modern accessibly as Attila in Brady Corbet's epic, tells the thrilling story of how he found a way to bypass the Marvel committee approval to bring his version of The Rhino to life while miraculously having a creatively fulfilling time in the process, and much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

On the thirty- fourth episode of ATFT, I talk with writer/ director/ editor Franklin Ritch!  Franklin Ritch, one of Jacksonville's most prominent filmmakers, has worn many hats since he was a child. Once he was gifted a video camera by his grandmother for Christmas, there was no slowing Franklin down. His earliest projects were stop motion shorts, and he continued to make films through middle school and high school. His work only proved more versatile in terms of stories, characters, and genres when making a series of short films, such as "Bedridden" and "New Wings: A Batgirl Fan Film" under his production company Last Resort Ideas. Franklin's debut feature film, The Artifice Girl, had quite a successful film festival run. Franklin has been named one of the “25 New Faces of Independent Film” by Filmmaker Magazine. Franklin is without a doubt on the rise and a filmmaker who I'm sure you'll be hearing more about in the years to come.  Franklin's latest project is the highly- anticipated sci- fi short film, "Last Weekend". The short is set in the distant future where aliens have taken over Earth while humans live in reservations and follows two aliens who approach humans intending to help… but the humans are skeptical. While the plot is mostly under wraps at the moment, the film is largely a commentary on colonialism, specifically the treatment of indigenous communities in America. Franklin directed, wrote, and edited this film. "Last Weekend" reunites the team behind The Artifice Girl, including actors David Girard and Tatum Matthews. If you look closely in the final scene, you may spot past ATFT guest, Bernardo Goya! "Last Weekend "is currently in the midst of a film festival run and is expected to release this Winter! While you're waiting for "Last Weekend" to be posted on YouTube, check out Franklin's past work on the Last Resort Ideas Youtube channel by clicking this link: https://www.youtube.com/c/LastResortIdeas  This is Franklin's first appearance on ATFT! We were introduced through our mutual friend, Bassel Jadaa, nearly a year ago at joint WIFT x Jacksonville Film Bar event. It was in this first meeting that I asked Franklin to come on the show, for which he was absolutely down for, and over the course of the year I've gotten to know him by chatting with him monthly at Film Bar. He's one of the people I look forward to chatting with most each month since, aside from being very kind and humble, we both share a strong passion for cinema. Since we mostly talk about cinema rather than our own work, it wasn't until I started preparing for this episode that I realized just how brilliant and rare of a filmmaker Franklin is. The Artifice Girl was without a doubt remarkable, ahead- of- its- time debut feature film, but watching Franklin's films and videos from high school is what blew me away. There is not one bad film or video posted through the Last Resort Ideas Youtube channel. His early work is incredibly well made in all aspects from writing to acting to special effects, proving how gifted he is as a filmmaker. For this reason, this was one of the most exciting interviews I have ever had the pleasure of conducting. This episode was recorded on December 5, 2024.  In this episode, Franklin talks about his connection to film and filmmaking as well as his early work up to his recent projects such as The Artifice Girl. Up and coming filmmakers will greatly benefit from learning about Franklin and his drive to making his cinematic dreams a reality. Franklin also talks about his integral relationship with frequent collaborator Britt McTammany, what he gained as a filmmaker from being on the set of his mentor Mike Flanagan's new film The Life of Chuck, and why the end of each of his films contain a credit for “Marlon Brando's chest”. All this and much more on the latest episode of All the Film Things! Background music created and used with permission by the Copyright Free Music - Background Music for Videos channel on YouTube.

Ethan Herisse and Brandon Wilson are the stars of “Nickel Boys,” RaMell Ross' bold and brilliant adaptation of Colson Whitehead's novel that tells the story, cinematically, almost entirely in a first-person POV-style. Herisse and Wilson talk about the challenge of acting to the camera, their saga of navigating auditions, the “freedom” and “openness” they both felt from Ross, how the trust they built with the crew played a big part in performing in this process, and much more. “Nickel Boys” opens in select theaters on December 14th. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

Michael Shannon is known for his intense and versatile performances across film, television, and theater—“Take Shelter,” “99 Homes,” “Nocturnal Animals,” “Boardwalk Empire,” “Long Days Journey Into Night,” “George and Tammy,” to name just a few. On this episode, he talks about his “simplistic” approach to preparation, the test he gives directors to see if he can trust them, the importance of “disappearing,” why he no longer likes to do endless takes, and much more. Plus he discusses his love for George Mackay, who plays “Son” to Shannon's “Father” in “The End,” Joshua Oppenheimer's post-apocalyptic musical which opens in select theaters December 6th. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

In this time of the year when traditions give us a sense of comfort and repetition that we need, especially in these volatile times, Back To One has a tradition of its own—the annual Kevin Corrigan episode! The patron saint of the indie film actor was the first guest on this podcast and he has returned every year since, telling hilarious stories from his adventures in the acting world, waxing about Brando, Walken, Scorsese, expounding on music, philosophizing about life in general—these episodes have become listener favorites. In this installment, Corrigan talks about shooting a scene recently where his emotions were almost too much at his finger tips, shares the awe and pride he felt working for his old friend Natasha Lyonne, and the similar feeling of working for his Daughter in a film she directed. Plus he brings back the Moss Hart story he told in a previous episode, but this time movingly reads it in Hart's words, and much much more. Past Kevin Corrigan Episodes: Ep. 1, Ep. 67, Ep. 133, Ep.185 Ep. 234 Ep. 268 Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

As an actor, Peter Vack is known for his work in television series such as “I Just Want My Pants Back (series lead),” “Mozart In The Jungle,” and “Love Life,” and recent independent films like “PVT Chat,” Eugene Kotlyarenko's “The Code” and his virtuoso turn as an evil version of “Peter Vack” in “Actors” (written, directed, and co-staring his sister Betsey Brown). As a filmmaker, he has gotten a reputation for demanding an “all in” approach from his performers. His first feature, “Assholes” (called “the most disgusting movie ever”), won a jury prize at SXSW, and his latest, “www.RachelOrmont.com,” described as a “psychedelic techno-satire about growing up in captivity,” just premiered in September and is already on the fast track toward “cult hit” status. On this episode, he describes his belief that an actor has to develop a pure, almost religious faith in their ability, fueled by positivity and joy. He explains why “intellectual homework” doesn't help him at all anymore, how incorporating a “toxic method” approach when playing a toxic “method actor” actually worked for him, what being “a player on the field” and “embodying the energy” mean for him as a director, why the best practice an actor can do is actually outside the work, and much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram (Photo by  Marcus Maddox)

Jack Dunphy is a writer, filmmaker, animator, actor and podcaster. His shorts have played in festivals around the world and his latest, “Bob's Funeral,” won Best Nonfiction Short Film at the 2024 Sundance Film Festival. As an actor, he starred in Peter Vack's “Assholes” and Caveh Zahedi's legendary, unfinished, 24-hour retelling of Joyce's “Ulysses.” He can soon be seen in “Paradise and Lunch,” the new film from Jordan Tetwesky and Joshua Pikovsky, and "Anything That Moves” from Alex Phillips. His wonderful new podcast, “Revelations with Jack Dunphy,” in which he talks about his struggles with addiction and mental illness with fellow artists, is out now on the Talkhouse network. Even though he draws on his real life so much in his work, Jack talks about his difficulty with playing a version of himself. He explains why authenticity shouldn't be a brand but a necessity, what it means to be a “three chord” actor, how fame would negatively impact his addiction management, and much more. Listen to "Revelations with Jack Dunphy" here. It's fast becoming one of my favorite podcasts.  Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

We're continuing our look at the career of Julianne Moore by looking at her first lead performance, in Todd Haynes's 1995 indie classic Safe! Join in as we discuss cults, color schemes, environmental illness, and milkaholism! Plus: How did Carol and Greg get together? What's Chris's deal? Is Rory the worst kid ever? And why did the New York Times think the movie was set in the future? Make sure to rate, review, and subscribe! Next week: Nine Months (1995) ------------------------------------------------ Key sources and links for this episode: Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film by Peter Biskind (2004) BOMB Magazine interview with Haynes in 1995 covering the film's development Filmmaker Magazine interview with Haynes about production Haynes interview with Australian TV during the film's initial release Haynes and Moore talk about the film with Criterion in 2014 Superstar: The Karen Carpenter Story on YouTube

Jaclyn Bethany is an Emmy award winning filmmaker, writer and actor based in New Orleans, Louisiana. She has been committed to creating art and telling stories exploring complex women, the intimacy of female friendship, sisterhood and queerness from the female perspective. Some upcoming film projects include "Delusion “- a short film in collaboration with Adult Film NYC, “In Transit,” written by Alex Sarrigeorgiou and featuring Jennifer Ehle and Francois Arnaud, and “All Five Eyes,” which she co-wrote with Greta Bellamacina, featuring Bellamacina and Honor Swinton-Byrne. In this episode she talks about her role as the Co-Artistic Director of The Fire Weeds, a female driven immersive theater company based in New Orleans, and her endeavor to present new theater, and new approaches to old theater, in a place where “new” takes some getting used to. She also discusses what she learned as an actor that helps her directing, why she's so fascinated by Tennessee Williams, the importance of a “child-like” approach to the work, and much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

Daisy Ridley shot to global fame for her portrayal of Rey in the “Star Wars” sequel trilogy. Since then, she has been choosing diverse roles that showcase her talents in films with wide ranging budgets that prove her north star is the quality of the work and nothing else. She has three films that have come out in this year alone—“Sometimes I think About Dying,” “Young Woman and The Sea”, and her latest, “Magpie.” On this episode, she explains how coming up with the idea for “Magpie” and building her character from the ground up was an interesting exercise in multiple ways. She makes a compelling case for why not all actors can be objective enough to give notes on a film, talks about the ways her process changes when she has to do an accent, ponders the healthy amount of worry and uncertainty that surround her return to the character of Rey, and much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

Actor, director, coach, teacher, Maria Dizzia is a perpetual student of the craft of acting, which makes her celebrated and in-demand for all those jobs. The movie “My Old  Ass” and the play “Pre-Existing Condition” are a couple of her most recent projects. On this incredibly dense and gold-filled  episode, she generously gives us a peek into the aspects of the work that she deems important to focus on, worth struggling with, or where she simply finds the most fruit. She talks about the huge importance of those first subconscious “offerings,” how to use the discoveries made when “alive” to fuel the work in times when you're not, learning gentleness is much more affective than being hard on yourself, the value of “I don't know,”  and much much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

Today on the show we have writer, producer, and director Josef Kubota Wladyka.Josef Kubota Wladyka's debut feature film, Manos Sucias, won Best New Narrative Director at the 2014 Tribeca Film Festival and was nominated for two Independent Spirit Awards, Best First Feature and Best Editing.Josef has also directed episodes of the acclaimed television shows, Narcos, Fear the Walking Dead, and The Terror. Residing in Brooklyn, New York, Josef holds an MFA from New York University's Graduate Film Program and was named one of Filmmaker Magazine's 25 New Faces of Independent Film. He remains committed to making socially conscious genre films.Enjoy my conversation with Josef Kubota Wladyka.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

“There are practical paths and intuitive paths with each character,” says Cory Michael Smith at the start of this episode, and it's a recurring theme throughout. The talented actor was Riddler on the series “Gotham,” a standout in three Todd Haynes films, and now plays Chevy Chase in "Saturday Night.” On this episode he details the careful process of studying Chevy clips for months before diving into the script. He talks about the importance of “ridding myself of any hint of fraudulence,” why it's so important for him to show up with lots of ideas, how being intentional with his career choices allows him to better serve the work, and much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

Michael Urie is one of those mega-talented actors who seems to jump effortlessly from theater (like "Torch Song," "Spamalot," and, currently, the revival of "Once Upon A Mattress") to television (like "Ugly Betty," "Younger," and, currently, "Shrinking"), with a genuine love for both. On this episode, he talks in-depth about his acting process with a humility and a humor that is infectious. He explains why he decided to always be off-book on day one, how he came to believe in himself as an actor after starting out wanting to be a director, tells an interesting story about the temptation to mold a joke based on the audience's response, lays out what makes "Shrinking" such a special show, reminisces on the "Hamlet" experience, takes us through his pre-show ritual, and much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

Straddling the line between outsider artist and full fledged Hollywood sellout, Will Janowitz has always found solace working both sides of the industry. With work ranging from Troma films to Ang Lee's “Taking Woodstock” to “The Sopranos,” he's made a career of always doing the unpredictable. This year two films he produced, and one he wrote, will make their festival run; “Bang Bang” starring Tim Blake Nelson and the later, “Train Dreams,” starring Joel Edgerton and Felicity Jones directed by Clint Bently. On this episode he talks about his improvisational sweet spot and how it rests in the heart of danger and risk, brings us back to his beginnings at UNCSA and the reasons why that school didn't work so well for him, charts his own journey discovering his way into the craft, tells some hilarious and relatable audition stories, plus an eye opening one from the other side of the table, and much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

In the final episode of the season, Hilliard and guest co-host, veteran actor/writer TONY WINTERS sat down for a 2 hour conversation with award-winning writer/director of the new hit film - Searchlight Pictures THE SUPREMES AT EARL'S ALL-YOU-CAN-EAT - TINA MABRY (also Mississippi Damned, “Queen of the South”, “Pose”, "Queen Sugar", "Women of the Movement", "Insecure") to list a few!A native of Tupelo, Mississippi, Tina Mabry graduated from the University of Southern California's School of Cinematic Arts with an MFA in Film Production. A true hyphenate, Mabry is an award-winning writer, director, and producer for television and film. She was a co-producer, writer, and director for USA's hit drama "Queen of the South". Mabry was also a producer, writer, and director on OWN's "Queen Sugar" created by Ava DuVernay.Mabry's vast episodic directing credits include “Insecure” (HBO), “Dear White People” (Netflix), “Pose” (FX), “Grand Army” (Netflix), “Women of the Movement” (ABC), “Power” (STARZ), the “Beast Mode” pilot (Macro/TNT), and “The Politician” (Netflix).Out Magazine listed her as one of the most inspirational and outstanding people of the year (2009), Filmmaker Magazine named Mabry among the “25 New Faces of Independent Film,” the Advocate magazine featured her in their list of “Top Forty Under 40”, and with over 300 nominees and only 50 selected artists, United States Artists named Mabry the James Baldwin Fellow in Media (2010). In addition to winning the Creative Promise Award of Tribeca All Access, Mabry has participated in several talent development programs including the Fox Writers Intensive, Sundance's Screenwriters Intensive, and in a plethora of FilmIndependent's Artist Development programs (Project: Involve, Directors Lab, Writers Lab, Fast Track) where Mississippi Damned was awarded the Kodak Film Grant. She was also in the inaugural class for Women in Film's ReFrame Rise initiative (2019), highlighting her commitment to promoting diversity and inclusion in the industry.Our Motto: "We keep it GAME all day!"For information, Merch (T-SHIRTS/HOODIES), and all things Rant Room!Screenwritersrantroom.comhttps://screenwriters-rant-room.printify.me/productsSubscribe, like, follow, share & 5-star review!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@Hilliard Guess on all social mediaIG: @ScreenwritersRantRoom@TinaMabry@prettytonywintersWE ARE NOW OPEN TO SPONSORSHIPS AND BRANDING OPPORTUNITIES⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠: Screenwritersrantroom@gmail.comWe invest countless hours per week to deliver the actionable content that goes into this podcast. We appreciate your support!SCREENWRITER NETWORKS:OBSwriter.comBTFC.orgSend in a voice message: https://podcasters.spotify.com/pod/show/screenwriters-rant-room/messageSupport this podcast: https://podcasters.spotify.com/pod/show/screenwriters-rant-room/support⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠PODCASTS WE SUPPORT:2 Writers Talkin Shit: https://podcasts.apple.com/us/podcast/2-writers-talking-shit/id1671253747Hollywood Confessional: https://podcasts.apple.com/us/podcast/hollywood-confessional/id1628848064?i=1000630276175The Qube & Queer News: https://podcasts.apple.com/us/podcast/queer-news/id1595777135A Conversation With Floyd Marshall Jr: https://podcasts.apple.com/us/podcast/a-conversation-with-host-floyd-marshall-jr/id1544499834THEME SONG: Jack SpadeWEBSITE: Abigail Bloom & Laura HuieLOGOS: Rachel MusikanthRANT ROOM TEAM:Richard Scott - Creative ProducerTyler Musikanth - Associate ProducerBrooke Baltimore - MarketingTogo - Marketing --- Support this podcast: https://podcasters.spotify.com/pod/show/screenwriters-rant-room/support

His breakout role in Netflix's “Outer Banks” catapulted Chase Stokes to fame. In the series, he portrays the charismatic and determined John B, the leader of a group of young outcasts on a treasure hunt in the Outer Banks of North Carolina. The show's blend of adventure, mystery, and coming-of-age drama quickly gained a massive fanbase, establishing Stokes as a rising star. Since then he's been in “Tell Me Your Secrets,” this year's “The Uglies,” opposite Joey King, and next year's “Valiant One,” not to mention Season 4 of “Outer Banks,” which is dropping in October. On this episode, he tells the story of his struggle to break in to the business. It's an epic, sometimes hilarious, saga of “failing forward,” an inspiring tale of determination and perseverance. He talks about why his process starts with “the newspaper read,” the importance of the “f*ck it” mindset, how Nick Cassavetes made him fall in love with making movies, and much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

The mega-talented Canadian multi-hyphenate Grace Glowicki gives an incredible performance in Mary Dauterman's debut feature “Booger.” On this episode, she reveals why she was interested in the project before even opening the script, and how she could just tell Dauterman was going to be the kind of director that would give her the support she needs. She talks about her current focus on examining issues dealing with authority, her love of bodily fluids in film, her struggle with emotional scenes, how directing herself as an actor actually helped her acting career, differences between the Canadian and American indie film scene, and much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

Odessa Young is only 26, but she already has a truly impressive body of work behind her. “Assassination Nation,” “A Million Little Pieces,” “Shirley,” “Mothering Sunday,” “The Stand,” “The Staircase,” “Manodrome,” in each of these projects, she seems to have an effortless command over her character, each unique, never forced, always true. Now she stars as Vita, the lead character based on Zia Anger in “My First Film.” On this episode, she talks about the need to “cultivate an obsession” as character preparation, recent musings on “how much an actor should act to the camera,” why she never worries about being misinterpreted, the importance of “kindredness with creators,” and much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

To be a standout on a show featuring Jason Segel and Harrison Ford is quite a feat, but that's exactly what Luke Tennie did in his breakthrough role as Sean in the hit Apple TV+ series “Shrinking.” On this episode, the seemingly effortlessly-talented young actor takes us back to his early days and details how football played a pivotal part in helping him with the disciplines required for acting. He explains his belief that there can be no real “play” without massive preparation; talks about coming to a place of understanding that auditioning is simply a “demonstration of my capabilities;” tells a hilarious story about his first job, working with Rob Reiner, which ends up being a lesson in letting go, plus much more. The second season of “Shrinking” is dropping this fall and Tennie also has a small part in the eagerly anticipated film “Nickel Boys” which is scheduled to be released on October 25th. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

He was in “The OA,” “The Marvelous Mrs. Maisel,” and played Roy Cohn in “Fellow Travelers,” but the stage is where Will Brill has found the most satisfaction and success recently, in “A Case For The Existence of God,” “Uncle Vanya,” and, just this year, as Reg in “Stereophonic” on Broadway, for which he received a Tony Award. On this episode he talks about building Reg by starting with his voice, why following playwright David Adjmi to a bar was a pivotal move, the importance of directorial affirmation, how his pre-show ritual has changed, and much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

He was a model and MTV VJ, and then Simon Rex transitioned to acting, becoming widely recognized for his comedic roles in the "Scary Movie" franchise, where his sharp timing and parody skills made him a fan favorite. But more substantial parts were on the horizon. On this episode, he talks about the job that changed everything, Sean Baker's *Red Rocket,” which won him wide acclaim, an Independent Spirt Award, and a fresh chapter in his career. He talks about the interesting new place he finds himself now at the intersection of “not caring and caring SO MUCH.” He explains what he had to do to feel confident playing a chef in Zoë Kravitz's directorial debut “Blink Twice,” learning that “to simply par the course” is enough, and sometimes “you don't have to slap the fish.” Plus much more! Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

"Seventeen and you can't stop me! Seventeen and you won't boss me! You cannot control me father! Daddy's girl's a fucking monster!"It's BJ's birthday so to celebrate the Wives Colangelo are getting goth, singing their faces off, and making sure their organ payments are on time as to not face the Repo Man. That's right, it's finally time for REPO! THE GENETIC OPERA! What's up with the Vaseline filter? Is this Paris Hilton's best role? And where exactly does that Zydrate come from? These questions and more are answered in this week's episode.-----Become a Patron! https://www.patreon.com/thisendsatprom-----Article DiscussedDarren Lynn Bousman for Filmmaker Magazine: https://filmmakermagazine.com/4773-freak-show-by-andr-salas/-----Find the Show on Twitter & Instagram: @ThisEndsAtPromBJ Colangelo —Twitter & Instagram: @BJColangeloHarmony Colangelo — Twitter & Instagram: @Veloci_trap_tor----------Logo Design: Haley Doodles @HaleyDoodleDoTheme Song: The Sonder Bombs 'Title': https://thesonderbombs.bandcamp.com/

Look out for UFOs and stay away from Froot Loops because we're discussing Gregg Araki's tender-yet-traumatizing adaptation Mysterious Skin (2004). Tagging in for the conversation is RogerEbert.com Assistant Editor and The Spool founder & EIC Clint Worthington. Join us as we have many difficult conversations about a film filled to the brim with controversial subject matter. From Joseph Gordon Levitt and Brady Corbet's heartbreaking performances to the accurate depiction of the long-term effects of child sex abuse, there's no shortage of things to talk about. Plus: a defense of the single working mother, praise for Michelle Trachtenberg, MPAA woes (again) and the journey of Scott Heim's source novel from page to screen. References: > "Gregg Araki's Mysterious Skin". Ion Magazine > Damon Young and Gilbert Caluya. “A Vessel of Imagery: An Interview with Gregg Araki”. Sense of Cinema > 'Mysterious Skin'. Hazel & Katniss & Harry & Starr Podcast > Peter Bowen. "THE WONDER YEARS: An Interview with Gregg Araki". FilmMaker Magazine > Jeff Otto. "Interview: Joseph Gordon-Levitt, Brady Corbet and Michelle Trachtenberg". IGN Questions? Comments? Snark? Connect with the boys on Twitter, Instagram, Youtube, Letterboxd, Facebook, or join the Facebook Group to get in touch with other listeners > Trace: @tracedthurman > Joe: @bstolemyremote > Ariel: @justaskabaska (Insta) Be sure to support the boys on Patreon!  Theme Music: Alexander Nakarada   Learn more about your ad choices. Visit megaphone.fm/adchoices