Podcasts about Sundance

John Hamburg joins GG Hawkins to discuss crafting iconic, rewatchable comedies—from cult hits like Safe Men to mainstream favorites such as Meet the Parents, Zoolander, I Love You, Man, and the upcoming new Meet the Parents installment. Hamburg shares his creative journey, balancing absurd premises with emotional truth, breaking into the industry, and directing the finale of Apple TV's Stick. He also dives into working with comedic legends, developing enduring characters, and orchestrating large-scale scenes with precision and heart. In this episode, No Film School's GG Hawkins and guest John Hamburg discuss... How John's breakthrough began with an NYU short at Sundance, leading to his first film Safe Men His process for deciding to leave NYU early and navigate a career in features vs. film school What drew him to direct the final episodes of Stick on Apple TV Plus and working with Owen Wilson The particular direction and strategy involved in managing huge crowds and authentic golf interactions on a TV-scale production The building blocks of quotable comedy: committing to emotionally real characters, clear scene goals, and grounded set pieces Collaborating with actors like Ben Stiller, Robert De Niro, Philip Seymour Hoffman, Paul Rudd, and Alec Baldwin—balancing scripted freshness and improvisation Behind‑the‑scenes look at tough moments like reworking the poker table speech in Along Came Polly Hamburg's ringmaster philosophy: creating a safe, creative set for spontaneity while keeping an eye on structure and story Memorable Quotes: “I think if the characters are grounded in an emotional reality… that's maybe what makes them stand the test of time.” (27:05) “Directing is such an incredible job, but it can be very lonely at times because you're the only one that knows really.” (43:57) “Sometimes directing is also sort of like being okay with letting something formulate and happen on its own organically.” (44:42) Guests: John Hamburg (IMDb) Resources: Square Peg Social on FilmFreeway I Really Love My Husband w/ In-Person Q&A I Really Love My Husband on Instagram Find No Film School everywhere: On the Web: No Film School (https://nofilmschool.com/) Facebook: No Film School on Facebook (https://www.facebook.com/nofilmschool) Twitter: No Film School on Twitter (https://twitter.com/nofilmschool) YouTube: No Film School on YouTube (https://www.youtube.com/user/nofilmschool) Instagram: No Film School on Instagram (https://www.instagram.com/nofilmschool)

THIS IS A PREVIEW PODCAST. NOT THE FULL REVIEW. Please check out the full podcast review on our Patreon Page by subscribing over at - https://www.patreon.com/NextBestPicture Our 2009 retrospective continues with another Best Picture nominee, "Precious: Based On The Novel 'Push' By Sapphire" starring Gabourey Sidibe, Mo'Nique, Paula Patton, Mariah Carey & Lenny Kravitz. Directed by Oscar-nominee Lee Daniels (the first openly gay Black nominated director) and written by Academy Award-winner Geoffrey Fletcher (the first Black screenwriter Oscar winner), the film was an indie sensation following its premiere at Sundance and festival run, leading to a wave of Black centered stories that had both positive and negative impacts on the industry. How does the film hold up today? Please join Josh Parham & Dan Bayer, and me as we discuss the incredible performances, Lee's direction, the writing, editing, its awards season run, and more in our SPOILER-FILLED review. We appreciate your support and hope you enjoy our review! Thank you! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Park City's Egyptian Theatre will not host Sundance screenings in final Utah festival, Wasatch County Manager Dustin Grabau previews this week's county council meeting, Two of the petitioners who are taking Summit County clerk to court over rejected petition signatures Angela Moschetta and Reed Galen discuss their next steps, event organizers Charlotte Backus and Matthew Turner share details about the Uinta bikepacking trip - a 300+ mile adventure.

Jena Friedman is an Academy Award-nominated writer, comedian, and creator behind critically acclaimed series such as TRUE CRIME STORY: INDEFENSIBLE on AMC+, SOFT FOCUS on Adult Swim, and co-writer of BORAT 2: Subsequent Movie Film, which garnered her an Oscar nomination. Her writing credits include Netflix's NOBODY WANTS THIS, ABC's THE CONNERS, and she served as a field producer for THE DAILY SHOW WITH JON STEWART and writer for THE LATE SHOW WITH DAVID LETTERMAN. A contributing writer to THE NEW YORKER, Jena's bestselling debut book, Not Funny: Essays on Life, Comedy, Culture, Et Cetera., was published by Simon & Schuster in 2023. She has appeared on THE LATE SHOW WITH STEPHEN COLBERT, CONAN, THE NIGHTLY SHOW WITH LARRY WILMORE, and in the Sundance hit film PALM SPRINGS. Her first stand-up special and Edinburgh show, AMERICAN C*NT, was named one of the Top Ten Comedy Specials by Paste Magazine in 2016, and her sold-out follow-up, MISCARRIAGE OF JUSTICE, was critically-acclaimed. Her 2022 show, LADYKILLER, was ranked #2 in Decider's "Ten Best Stand-Up Specials of 2022." Her new show MOTHERF*CKER is now out, also performing in Edinburgh so check it out! We chat about her new comedy shows in Edinburgh, fake copies of her book, not playing the ‘game', John McAfee, grief, writing for Roseanne*, working on Jon Stewart, life changing moments from Conan, being kicked out of improv, working on Borat 2 plus plenty more!   Check Jena out on: Instagram: https://www.instagram.com/jenafriedman Website: http://www.jenafriedman.com/ Tickets including Edinburgh: http://www.jenafriedman.com/tour.html Book: https://www.simonandschuster.com/books/Not-Funny/Jena-Friedman/9781982178291?fbclid=PAZXh0bgNhZW0CMTEAAac1mm--WCiwGjnjAeZhpZalCe-0A66YNFrdA6iA6QSWflvK-r0wpxmyBFqqGw_aem_NEQ4unGsoT17fMPMGVCbDg   TikTok: https://www.tiktok.com/@jenafriedman   Youtube: https://www.youtube.com/user/JenaFriedman2 John McAfee interview: https://www.youtube.com/watch?v=tfe4Fjf3sds Substack: https://jenafriedman.substack.com/ ------------------------------------------- Follow @Funny in Failure on Instagram and Facebook https://www.instagram.com/funnyinfailure/ https://www.facebook.com/funnyinfailure/ and @Michael_Kahan on Insta & Twitter to keep up to date with the latest info. https://www.instagram.com/michael_kahan/ https://twitter.com/Michael_Kahan

WhoRon Schmalzle, President, Co-Owner, and General Manager of Ski Big Bear operator Recreation Management Corp; and Lori Phillips, General Manager of Ski Big Bear at Masthope Mountain, PennsylvaniaRecorded onApril 22, 2025About Ski Big BearClick here for a mountain stats overviewOwned by: Property owners of Masthope Mountain Community; operated by Recreation Management CorporationLocated in: Lackawaxen, PennsylvaniaYear founded: 1976 as “Masthope Mountain”; changed name to “Ski Big Bear” in 1993Pass affiliations:* Indy Pass – 2 days, select blackouts* Indy+ Pass – 2 days, no blackoutsClosest neighboring ski areas: Villa Roma (:44), Holiday Mountain (:52), Shawnee Mountain (1:04)Base elevation: 550 feetSummit elevation: 1,200 feetVertical drop: 650 feetSkiable acres: 26Average annual snowfall: 50 inchesTrail count: 18 (1 expert, 5 advanced, 6 intermediate, 6 beginner)Lift count: 7 (4 doubles, 3 carpets – view Lift Blog's inventory of Ski Big Bear's lift fleet)Why I interviewed themThis isn't really why I interviewed them, but have you ever noticed how the internet ruined everything? Sure, it made our lives easier, but it made our world worse. Yes I can now pay my credit card bill four seconds before it's due and reconnect with my best friend Bill who moved away after fourth grade. But it also turns out that Bill believes seahorses are a hoax and that Jesus spoke English because the internet socializes bad ideas in a way that the 45 people who Bill knew in 1986 would have shut down by saying “Bill you're an idiot.”Bill, fortunately, is not real. Nor, as far as I'm aware, is a seahorse hoax narrative (though I'd like to start one). But here's something that is real: When Schmalzle renamed Masthope Mountain to “Ski Big Bear” in 1993, in honor of the region's endemic black bears, he had little reason to believe anyone, anywhere, would ever confuse his 550-vertical-foot Pennsylvania ski area with Big Bear Mountain, California, a 39-hour, 2,697-mile drive west.Well, no one used the internet in 1993 except weird proto-gamers and genius movie programmers like the fat evil dude in Jurassic Park. Honestly I didn't even think the “Information Superhighway” was real until I figured email out sometime in 1996. Like time travel or a human changing into a cat, I thought the internet was some Hollywood gimmick, imagined because wouldn't it be cool if we could?Well, we can. The internet is real, and it follows us around like oxygen, the invisible scaffolding of existence. And it tricks us into being dumb by making us feel smart. So much information, so immediately and insistently, that we lack a motive to fact check. Thus, a skier in Lackawaxen, Pennsylvania (let's call him “Bill 2”), can Google “Big Bear season pass” and end up with an Ikon Pass, believing this is his season pass not just to the bump five miles up the road, but a mid-winter vacation passport to Sugarbush, Copper Mountain, and Snowbird.Well Bill 2 I'm sorry but you are as dumb as my imaginary friend Bill 1 from elementary school. Because your Ikon Pass will not work at Ski Big Bear, Pennsylvania. And I'm sorry Bill 3 who lives in Riverside, California, but your Ski Big Bear, Pennsylvania season pass will not work at Big Bear Mountain Resort in California.At this point, you're probably wondering if I have nothing better to do but sit around inventing problems to grumble about. But Phillips tells me that product mix-ups with Big Bear, California happen all the time. I had a similar conversation a few months ago with the owners of Magic Mountain, Idaho, who frequently sell tubing tickets to folks headed to Magic Mountain, Vermont, which has no tubing. Upon discovering this, typically at the hour assigned on their vouchers, these would-be customers call Idaho for a refund, which the owners grant. But since Magic Mountain, Idaho can only sell a limited number of tickets for each tubing timeslot, this internet misfire, impossible in 1993, means the mountain may have forfeited revenue from a different customer who understands how ZIP codes work.Sixty-seven years after the Giants baseball franchise moved from Manhattan to San Francisco, NFL commentators still frequently refer to the “New York football Giants,” a semantic relic of what must have been a confusing three-decade cohabitation of two sports teams using the same name in the same city. Because no one could possibly confuse a West Coast baseball team with an East Coast football team, right?But the internet put everything with a similar name right next to each other. I frequently field media requests for a fellow names Stuart Winchester, who, like me, lives in New York City and, unlike me, is some sort of founder tech genius. When I reached out to Mr. Winchester to ask where I could forward such requests, he informed me that he had recently disappointed someone asking for ski recommendations at a party. So the internet made us all dumb? Is that my point? No. Though it's kind of hilarious that advanced technology has enabled new kinds of human error like mixing up ski areas that are thousands of miles apart, this forced contrast of two entities that have nothing in common other than their name and their reason for existence asks us to consider how such timeline cohabitation is possible. Isn't the existence of Alterra-owned, Ikon Pass staple Big Bear, with its hundreds of thousands of annual skier visits and high-speed lifts, at odds with the notion of hokey, low-speed, independent, Boondocks-situated Ski Big Bear simultaneously offering a simpler version of the same thing on the opposite side of the continent? Isn't this like a brontosaurus and a wooly mammoth appearing on the same timeline? Doesn't technology move ever upward, pinching out the obsolete as it goes? Isn't Ski Big Bear the skiing equivalent of a tube TV or a rotary phone or skin-tight hip-high basketball shorts or, hell, beartrap ski bindings? Things no one uses anymore because we invented better versions of them?Well, it's not so simple. Let's jump out of normal podcast-article sequence here and move the “why now” section up, so we can expand upon the “why” of our Ski Big Bear interview.Why now was a good time for this interviewEvery ski region offers some version of Ski Big Bear, of a Little Engine That Keeps Coulding, unapologetically existent even as it's out-gunned, out-lifted, out-marketed, out-mega-passed, and out-locationed: Plattekill in the Catskills, Black Mountain in New Hampshire's White Mountains, Middlebury Snowbowl in Vermont's Greens, Ski Cooper in Colorado's I-70 paper shredder, Nordic Valley in the Wasatch, Tahoe Donner on the North Shore, Grand Geneva in Milwaukee's skiing asteroid belt.When interviewing small ski area operators who thrive in the midst of such conditions, I'll often ask some version of this question: why, and how, do you still exist? Because frankly, from the point of view of evolutionary biologist studying your ecosystem, you should have been eaten by a tiger sometime around 1985.And that is almost what happened to Ski Big Bear AKA Masthope Mountain, and what happened to most of the dozens of ski areas that once dotted northeast Pennsylvania. You can spend days doomsday touring lost ski area shipwrecks across the Poconos and adjacent ranges. A very partial list: Alpine Mountain, Split Rock, Tanglwood, Kahkout, Mount Tone, Mount Airy, Fernwood - all time-capsuled in various states of decay. Alpine, slopes mowed, side-by-side quad chairs climbing 550 vertical feet, base lodge sealed, shrink-wrapped like a winter-stowed boat, looks like a buy-and-revive would-be ski area savior's dream (the entrance off PA 147 is fence-sealed, but you can enter through the housing development at the summit). Kahkout's paint-flecked double chair, dormant since 2008, still rollercoasters through forest and field on a surprisingly long line. Nothing remains at Tanglwood but concrete tower pads.Why did they all die? Why didn't Ski Big Bear? Seven other public, chairlift-served ski areas survive in the region: Big Boulder, Blue Mountain, Camelback, Elk, Jack Frost, Montage, and Shawnee. Of these eight, Ski Big Bear has the smallest skiable footprint, the lowest-capacity lift fleet, and the third-shortest vertical drop. It is the only northeast Pennsylvania ski area that still relies entirely on double chairs, off kilter in a region spinning six high-speed lifts and 10 fixed quads. Ski Big Bear sits the farthest of these eight from an interstate, lodged at the top of a steep and confusing access road nearly two dozen backwoods miles off I-84. Unlike Jack Frost and Big Boulder, Ski Big Bear has not leaned into terrain parks or been handed an Epic Pass assist to vacuum in the youth and the masses.So that's the somewhat rude premise of this interview: um, why are you still here? Yes, the gigantic attached housing development helps, but Phillips distills Ski Big Bear's resilience into what is probably one of the 10 best operator quotes in the 209 episodes of this podcast. “Treat everyone as if they just paid a million dollars to do what you're going to share with them,” she says.Skiing, like nature, can accommodate considerable complexity. If the tigers kill everything, eventually they'll run out of food and die. Nature also needs large numbers of less interesting and less charismatic animals, lots of buffalo and wapiti and wild boar and porcupines, most of which the tiger will never eat. Vail Mountain and Big Sky also need lots of Ski Big Bears and Mt. Peters and Perfect Norths and Lee Canyons. We all understand this. But saying “we need buffalo so don't die” is harder than being the buffalo that doesn't get eaten. “Just be nice” probably won't work in the jungle, but so far, it seems to be working on the eastern edge of PA.What we talked aboutUtah!; creating a West-ready skier assembly line in northeast PA; how – and why – Ski Big Bear has added “two or three weeks” to its ski season over the decades; missing Christmas; why the snowmaking window is creeping earlier into the calendar; “there has never been a year … where we haven't improved our snowmaking”; why the owners still groom all season long; will the computerized machine era compromise the DIY spirit of independent ski areas buying used equipment; why it's unlikely Ski Big Bear would ever install a high-speed lift; why Ski Big Bear's snowmaking fleet mixes so many makes and models of machines; “treat everyone as if they just paid a million dollars to do what you're going to share with them”; why RFID; why skiers who know and could move to Utah don't; the founding of Ski Big Bear; how the ski area is able to offer free skiing to all homeowners and extended family members; why Ski Big Bear is the only housing development-specific ski area in Pennsylvania that's open to the public; surviving in a tough and crowded ski area neighborhood; the impact of short-term rentals; the future of Ski Big Bear management, what could be changing, and when; changing the name from Masthope Mountain and how the advent of the internet complicated that decision; why Ski Big Bear built maybe the last double-double chairlift in America, rather than a fixed-grip quad; thoughts on the Grizzly and Little Bear lifts; Indy Pass; and an affordable season pass.What I got wrongOn U.S. migration into cities: For decades, America's youth have flowed from rural areas into cities, and I assumed, when I asked Schmalzle why he'd stayed in rural PA, that this was still the case. Turns out that migration has flipped since Covid, with the majority of growth in the 25-to-44 age bracket changing from 90 percent large metros in the 2010s to two-thirds smaller cities and rural areas in this decade, according to a Cooper Center report.Why you should ski Ski Big BearOK, I spent several paragraphs above outlining what Ski Big Bear doesn't have, which makes it sound as though the bump succeeds in spite of itself. But here's what the hill does have: a skis-bigger-than-it-is network of narrow, gentle, wood-canyoned trails; one of the best snowmaking systems anywhere; lots of conveyors right at the top; a cheapo season pass; and an extremely nice and modern lodge (a bit of an accident, after a 2005 fire torched the original).A ski area's FAQ page can tell you a lot about the sort of clientele they're built to attract. The first two questions on Ski Big Bear's are “Do I need to purchase a lift ticket?” and “Do I need rental equipment?” These are not questions you will find on the website for, say, Snowbird.So mostly I'm going to tell you to ski here if you have kids to ski with, or a friend who wants to learn. Ski Big Bear will also be fine if you have an Indy Pass and can ski midweek and don't care about glades or steeps, or you're like me and you just enjoy novelty and exploration. On the weekends, well, this is still PA, and PA skiing is demented. The state is skiing's version of Hanoi, Vietnam, which has declined to add traffic-management devices of any kind even as cheap motorbikes have nearly broken the formerly sleepy pedestrian city's spine:Hanoi, Vietnam, January 2016. Video by Stuart Winchester. There are no stop signs or traffic signals, for vehicles or pedestrians, at this (or most), four-way intersections in old-town Hanoi.Compare that to Camelback:Camelback, Pennsylvania, January 2024. Video by Stuart Winchester.Same thing, right? So it may seem weird for me to say you should consider taking your kids to Ski Big Bear. But just about every ski area within a two-hour drive of New York City resembles some version of this during peak hours. Ski Big Bear, however, is a gentler beast than its competitors. Fewer steeps, fewer weird intersections, fewer places to meet your fellow skiers via high-speed collision. No reason to release the little chipmunks into the Pamplona chutes of Hunter or Blue, steep and peopled and wild. Just take them to this nice little ski area where families can #FamOut. Podcast NotesOn smaller Utah ski areasStep off the Utah mainline, and you'll find most of the pow with fewer of the peak Wasatch crowds:I've featured both Sundance and Beaver Mountain on the podcast:On Plattekill and Berkshire EastBoth Plattekill, New York and Berkshire East, Massachusetts punched their way into the modern era by repurposing other ski areas' junkyard discards. The owners of both have each been on the pod a couple of times to tell their stories:On small Michigan ski areas closingI didn't ski for the first time until I was 14, but I grew up within an hour of three different ski areas, each of which had one chairlift and several surface lifts. Two of these ski areas are now permanently closed. My first day ever was at Mott Mountain in Farwell, Michigan, which closed around 2000:Day two was later that winter at what was then called “Bintz Apple Mountain” in Freeland, which hasn't spun lifts in about a decade:Snow Snake, in Harrison, managed to survive:The Storm Skiing Journal and Podcast is a sustainable small business directly because of my paid subscribers. To upgrade, please click through below. Thank you for your support of independent ski journalism. Get full access to The Storm Skiing Journal and Podcast at www.stormskiing.com/subscribe

Hier ein Ausschnitt aus meinem Smag Sundance DJ Set zum 20ten Jubiläum. Enjoy the music...

Award-winning Cherokee and Kiowa filmmaker Loren Waters takes us on a journey through her transformative path in the film industry, starting with her roots in environmental studies and culminating in her influential roles in television and film. We engage with Loren as she shares her passion for storytelling, underscoring the power it holds in amplifying Native voices and inspiring cultural revitalization. Her work on projects like OCO TV, Reservation Dogs, and The Sensitive Kind illustrates not only her commitment to authentic representation but also her drive to open new creative avenues for Indigenous narratives.Our conversation branches into the dynamic interplay between cultural heritage and environmental themes in film. Loren discusses the emergence of Native talent in the industry, crediting trailblazers like Taika Waititi for broadening opportunities. Highlighting projects such as "Meet Me at the Creek," we explore the potential of storytelling to spark community action and address pressing issues in a way that resonates deeply with audiences. From the Sundance-premiered short film "Tiger" to the flourishing creative scene in Tulsa, Loren's insights reveal the vibrant and supportive network fostering Indigenous artists and filmmakers.Listeners are invited to explore the challenges and triumphs of navigating the film industry as a Native filmmaker. Loren candidly shares her experiences with securing grants, balancing major productions, and nurturing personal projects. As the executive director of the Lindy Waters III Foundation, she is dedicated to empowering the next generation of Native creatives through mentorship and opportunities. Our discussion concludes with reflections on the power of collaboration, the importance of authentic storytelling, and the filmmaker's aspirations for the future, leaving us with a profound appreciation for the impact of narratives on community connection and empowerment.

On this week's show, Julia and Dana are joined by June Thomas for a decidedly feminist discussion. They start with Sorry, Baby, the debut feature from writer, director, and actor Eva Victor, about a young academic's life after a terrible trauma. The panel debates whether the film— which was a Sundance hit for A24 — is a tart, surprising traumedy or a frustratingly evasive experiment. Next, they get into Dear Ms.: A Revolution in Print, the HBO documentary about the pioneering feminist magazine. Finally, they take up a recent New York Times piece to determine whether the straight white male novelist is a thing of the past—and if we should care. Steve hops on the call to offer his token male perspective, naturally. In an exclusive plus bonus episode, the feminist discourse continues with a conversation about  the oft overlooked fashion designer Claire McCardell, who is the subject of a recent biography Claire McCardell: The Designer Who Set Women Free by Elizabeth Evitts Dickinson and book review by our very own Julia Turner. Endorsements: Dana: The essay “It's Only An Island If You Look At It From The Water” by Elizabeth Cantwell in Bright Wall Dark Room about the film Jaws on its 50th anniversary. June : The action film Heads of State starring John Cena and Idris Elba, or “Mamma Mia! with explosions.” Julia -  The new book Empire of the Elite by Michael Grynbaum about the magisterial publishing reign of Condé Nast. (Recently excerpted in the New York Times.) Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's show, Julia and Dana are joined by June Thomas for a decidedly feminist discussion. They start with Sorry, Baby, the debut feature from writer, director, and actor Eva Victor, about a young academic's life after a terrible trauma. The panel debates whether the film— which was a Sundance hit for A24 — is a tart, surprising traumedy or a frustratingly evasive experiment. Next, they get into Dear Ms.: A Revolution in Print, the HBO documentary about the pioneering feminist magazine. Finally, they take up a recent New York Times piece to determine whether the straight white male novelist is a thing of the past—and if we should care. Steve hops on the call to offer his token male perspective, naturally. In an exclusive plus bonus episode, the feminist discourse continues with a conversation about  the oft overlooked fashion designer Claire McCardell, who is the subject of a recent biography Claire McCardell: The Designer Who Set Women Free by Elizabeth Evitts Dickinson and book review by our very own Julia Turner. Endorsements: Dana: The essay “It's Only An Island If You Look At It From The Water” by Elizabeth Cantwell in Bright Wall Dark Room about the film Jaws on its 50th anniversary. June : The action film Heads of State starring John Cena and Idris Elba, or “Mamma Mia! with explosions.” Julia -  The new book Empire of the Elite by Michael Grynbaum about the magisterial publishing reign of Condé Nast. (Recently excerpted in the New York Times.) Learn more about your ad choices. Visit megaphone.fm/adchoices

In this first episode of Season 2, documentarian Madeline Gavin joins Past Present Feature to discuss the making of "Beyond Utopia", her gripping BAFTA and Emmy-nominated film about North Korean defectors. She reflects on the emotional intensity of telling stories under high-stakes conditions and the delicate trust required between filmmaker and subject. From the invisible hand of editing to the indivisibility of sound and image, Madeline shares insights into her creative process, drawing inspiration from powerful works like "Collectiv" and exploring how specificity in storytelling can lead to universal resonance. This marks the first episode of Season 2, where we're mixing things up - continuing to speak with filmmakers about their latest work and past inspirations, while also expanding the conversation to include deep dives into older films and voices behind the scenes, like curators and festival programmers who play a crucial role in a film's success.What Movies Are You Watching?Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature

‘Looking' and ‘American Horror Story: NYC' star Russell Tovey joins the show. Over samosas, Russell tells me about growing up as a queer kid in ‘90s Essex, dating using astrology, and his special bond with his pup Rocky. Plus, we get into his new film ‘Plainclothes,' which made a splash at Sundance. This episode was recorded at Kricket in Shoreditch in East London. Want next week's episode now? Subscribe to Dinner's on Me PLUS. As a subscriber, not only do you get access to new episodes one week early, but you'll also be able to listen completely ad-free! Just click “Try Free” at the top of the Dinner's on Me show page on Apple Podcasts to start your free trial today. A Sony Music Entertainment & A Kid Named Beckett production. Get 15% off your Saily plan with the code ⁠dinnersonme⁠. Just download the Saily app or head to ⁠https://saily.com/dinnersonme⁠. Stay connected — and don't miss your dinner reservation. Stay connected — and don't miss your dinner reservation. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Filmmaker Mark Romanek's early love of cinema not only lead him to early acclaim at Sundance for his 1986 film Static, but his later award-winning feature films like One Hour Photo (2002), and Never Let Me Go (2010). But it also lead him to become one of the most prolific and identifiable auteurs of the 1990's music video boom, with a client list that includes Jay-Z, Beck, Fiona Apple, Beyonce, Nine Inch Nails, Taylor Swift, Billie Eilish, Lady Gaga, David Bowie, and even Johnny Cash. In this week's Special Episode, we take a detour from chats with musical artists and record producers to talk about the images behind popular music icons, and Romanek's ongoing journey of sound and vision.   The Record Store Day Podcast is a weekly music chat show written, produced, engineered and hosted by Paul Myers, who also composed the theme music and selected interstitial music.  Executive Producers (for Record Store Day) Michael Kurtz and Carrie Colliton. For the most up-to-date news about all things RSD, visit RecordStoreDay.com   Please consider subscribing to our podcast wherever you get podcasts, and tell your friends, we're here every week and we love making new friends.

This week we catch up with deadCenter filmmakers Sabrina Saleha, Loren Waters, and Kyle Kauwika Harris as they screen their films at the world-famous festival, celebrating 25 years!Loren's "Tiger" debuted at Sundance and has been taking the world by storm. Sabrina is multi-talented actor, writer, and director, and can be seen in The Cleaning Lady and Barry. Kyle's debut feature film Reverence was a labor of love for the Oklahoma filmmaker.

We're thrilled to welcome back author and Who? Weekly co-host Bobby Finger this week to talk about a fun modest thriller that helped turn one of our favorites into an industry darling. In 2001, director duo Scott McGehee and David Siegel brought thriller adaptation The Deep End to Sundance starring queer art cinema icon Tilda Swinton. As … Continue reading "349 – The Deep End (with Bobby Finger!)"

Random Vegas July 2nd is a popular date to open a casino, just before the 4th of July weekend crowd comes in. In Vegas history, 5 properties have opened on July 2nd.  They are the Stardust which opened in 1958, International, best known as the Hilton but currently known as Westgate, opened in 1969, Plaza opened in 1971, Holiday Casino, known today as Harrah's, opened in 1972 and Sundance, known today as the D, opened in 1980. (Vegas_Visual) TwitPic of the week She may have been a dud in reality but the Landmark was still a looker, shared by@las_when. Incorrectly said to be inspired by the Jetson's cartoon home, the Landmark project was designed several years before the start of that show. Some say it was inspired by the space needle in Seattle but in truth, the two were designed around the same time so any similarities are most likely coincidental. The Landmark is another one of those properties that lives on idyllically in people's minds, a Vegas legend. News Best Lobby Bars View and Drinks Bottled Blonde

Next on A2 THE SHOW: We're joined by the brilliant and unapologetically raw Dave Merheje — one of the most fearless voices in comedy today. A Juno Award winner and star of Hulu's Ramy, Dave opens up about navigating identity as a Lebanese-Canadian, the power of embracing heritage, and how comedy became his therapy. From performing in the Middle East to acting alongside Daisy Ridley at Sundance, we delve into his journey, exploring his struggles with anxiety, his faith, his family, and his quest to find his voice on stage. Get ready for an episode full of heart, laughs, and real talk.

It's officially summertime, and with the AC blasting in multiplexes around the globe, Film Comment Editors Clinton Krute and Devika Girish invited two fellow respite seekers, critics Alana Pockros and Adam Nayman, to chat about some of the buzziest new releases in circulation. The group begins with a deep dive into Celine Song's romantic comedy Materialists (2:50) before turning to Eva Victor's Sundance sensation Sorry, Baby (25:25); the racing blockbuster F1 (41:15), starring Brad Pitt; and the latest entry in Danny Boyle's zombie franchise, 28 Years Later (56:03).

As we head into our mid-summer holiday, Erik Childress and Steve Prokopy have seven movies for you to consider. They revisit their praise of Eva Victor's Sundance wonder (Sorry, Baby) chosen for their Chicago Critics Film Festival along with Danielle Deadwyler trying to protect her family and farm during another cinematic apocalypse (40 Acres). Alicia Silverstone chooses the wrong sugar daddy (Pretty Thing) while Alex Ross Perry takes us through decades of video stores in movies in a three-hour cinematic essay (Videoheaven). John Cena and Idris Elba are their country's leaders caught in an assassination plot (Heads of State) and Charlize Theron is back with her band of immortals only without her powers (The Old Guard 2). Finally, Gareth Edwards tries to do what he was called to do for Godzilla and Star Wars for the seventh film in the franchise (Jurassic World: Rebirth).2:16 - Sorry, Baby14:09 - 40 Acres22:02 - Pretty Thing27:58 - Heads of State38:45 - Videoheaven55:22 - The Old Guard 21:07:15 - Jurassic World: RebirthCheck eligibilityCLICK ON THE FILMS TO RENT OR PURCHASE AND HELP OUT THE MOVIE MADNESS PODCASTBe sure to check outChicago Screening Schedule - All the films coming to theaters and streamingPhysical Media Schedule - Click & Buy upcoming titles for your library.(Direct purchases help the Movie Madness podcast with a few pennies.)Erik's Linktree - Where you can follow Erik and his work anywhere and everywhere.The Movie Madness Podcast has been recognized by Million Podcasts as one of the Top 100 Best Movie Review Podcasts as well as in the Top 60 Film Festival Podcasts and Top 100 Cinephile Podcasts. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit erikthemovieman.substack.com

Ep. 331: Eva Victor, writer-director of Sorry, Baby, on the film's influences and her recent viewing Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. I've been eager for people to see Eva Victor's Sorry, Baby ever since I saw it at Sundance (where it picked up a prize). A wonder of a film, it's the funny and moving story of a woman working through trauma, with Victor playing the leading role, opposite Naomi Ackie (Mickey 17) and Lucas Hedges (Manchester by the Sea). The writer-director brings her tonal and emotional precision both as a performer and as a writer to a debut feature that blazes its own path (distinct from the comedic shorts that were my first introduction to her work). I was delighted to speak with Victor about influences on the film (ranging from Certain Women to The Handmaiden and beyond), as well as her recent viewing. Sorry, Baby is in theaters now, distributed by A24. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

The writer, director, and star of the Sundance hit and new A24 release joins IndieWire's Chris O'Falt to break down their directorial debut. Eva was forthright about the challenges of learning how to direct (including a graduate level film class of sorts supervised by Barry Jenkins) and also explored how she balanced a gentle tonal approach to a tough subject. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sandi DuBowski discusses the one-year anniversary of his film Sabbath Queen, which he spent 21 years making. He reflects on the journey of the 21st-century radical rabbi and how it has shaped their life. He discusses the inspiration behind his film, Tomboychik, the concept of which was developed after conversations with his grandmother. The film is a living video memorial to her spirit; it won several awards, including the Golden Gate award at the San Francisco Film Festival and the Whitney Museum program, and launched Sandi into the film world. Documentary Films and Festivals  Sandi talks about his work as an associate director of the New York Lesbian/Gay Experimental Film Video festival, MIX. He initially worked on a feature film called Fresh Kill and later worked for Planned Parenthood as a researcher and producing videos. After working for Planned Parenthood, he started filming the major feature documentary, Trembling Before G-d, about Hasidic and Orthodox Jews who are lesbian or gay. The film had a World Premiere at Sundance, and won two prizes at the Berlin Film Festival. It screened in cinemas and festivals worldwide, and Sandi went on the road for three years, doing outreach and engagement. Sandi concludes by expressing gratitude for the support and funding he received from the Steven Spielberg Righteous Persons Foundation. He also mentions that his film Sabbath Queen has been a significant moment in his life, as he reconnects with classmates from Harvard, high school, elementary school, film, queer, Jewish, and activist circles. The film has been a testament to the power of storytelling and the transformative power of time. Breaking from Traditional Religious Conventions Sandi fell into the world of filmmaking by accident. He worked with great people, including cinematographers and editors, to create a team of creatives. The film "Trembling Before G-d" was a significant leap forward in technical craft and embraced the lives of people who were not in the public realm. The first Orthodox gay Rabbi came out in the film, and the first person from a Hasidic world to come out as lesbian was featured. The film also convinced Orthodox rabbis to speak publicly on the issue, which was a tipping point in the culture. The filmmaker met with Amichai, who was already post-denominational and pushing the boundaries of Orthodoxy. Sandi talks about the film's concept and how it inspired a Muslim man to make a movie on Islam and homosexuality. Filming the Documentary Sabbath Queen Sandi shares the journey of filming Sabbath Queen, which involved following Rabbi Amichai over 21 years. The film took six years to edit due to multiple storylines, nearly 3000 hours of footage, and time spent exploring Amichai's complex identity and his numerous worlds within his rabbinic family. The film was a complicated project, but Sandi and Amichai have remained close friends. The film is Biblical in many ways, as it is a coming of age and a paradigm shift from a thousands-year-old faith to the present. The film aims to address the challenges faced by religion, as well as the rise of authoritarianism and fascism. Sandi believes that creating a film that looks at time and how values can be manifested in our lives, communities, families, houses of worship, and nations is crucial for upholding values and morals. A Documentary Filmmaker's Journey Sandi shares his experiences and lessons learned from his journey as a documentary filmmaker. He explains that his life has been unexpected and doesn't fit neatly into boxes. He also shares his experience with Good Pitch, a platform that focuses on social issue documentaries and collaborations with filmmakers. He has built a strong community around films and the film movement, which has been translated into his work with Sabbath Queen. He believes that film communities intersect with many other communities, creating an outpouring of connection and networks. One of the ways Sabbath Queen is promoting community is through live rituals and gatherings. In Berlin, he hosted a Sabbath Queen Friday night feast with Rabbi Amichai, which encouraged togetherness, peacemaking, and reflection. In San Francisco, they hosted a SoulSpa and in Chicago a Saturday night Let the Light In. Sandi also talks about expanded cinema and the importance of gathering, him co-founding a progressive group called The Creative Resistance with media makers and a Queens Food Caravan. Sandi discusses the importance of having creative collaborators who provide feedback and help in the process of creating a character-driven film. He mentions that it is crucial to have test screenings and feedback screenings to help filmmakers work on their work over time. Influential Harvard Professors and Courses Sandi mentions a History and Literature course on the Vietnam War. The course focused on the interdisciplinary nature of storytelling and history, which helped Sandi understand how we process our lives, stories, wounds, and traumas.  Timestamps: 03:28: Early Film Projects and Personal Exploration  12:34: Transition to Long-Term Documentary Filmmaking 22:01: Challenges and Rewards of Long-term Filmmaking  22:23: Personal Life and Community Building  22:41: Advice for Long-term Documentary Filmmakers  41:35: Impact of Sabbath Queen and Future Plans Featured Non-profit: The featured non-profit of this episode of The 92 Report is recommended by Mark Jacobstein, class of ‘92, who reports: “Hi. I'm Mark Jacobstein, class of 1992. The feature nonprofit of this episode of The 92 Report is The Friends of Cancer Research. The Friends of Cancer Research powers advances in science and policy that speed life saving treatments to patients. I'm proud to have worked with them during my time at Garden Health and found that they were by far the most important and effective 501, C3, in the world of cancer research. You can learn more about their work at Friends of Research, friends of cancer research.org, and now here's Will Bachman with this week's episode.” To learn more about their work, visit: FriendsofCancerResearch.org.  

In this episode of Occupied Thoughts, FMEP Fellow Hilary Rantisi speaks with author & architect Suad Amiry and film & TV director/actor/producer Cherien Dabis. They discuss Cherien's latest film, All That's Left of You, an intergenerational story that goes back to the 1948 Nakba and arrives at the present and premiered at Sundance in early 2025. They talk about one of Suad's most famous books, Sharon and My Mother-in-Law, about life under Israeli occupation on the West Bank, and its upcoming adaptation to the screen, which Cherien will direct. Along the way, they discuss the effect of humor in storytelling, the role of diaspora Palestinians and relationship to the broader Palestinian collective, and the urgency of telling Palestinian stories.  Suad Amiry is an award-winning conservation architect and writer. She is Professor of Architecture at Jordan University and Birzeit University, Palestine and a cultural heritage specialist focusing on conservation of historic buildings and revitalization of historic centers. Amiry is the founding director of Riwaq, which endeavors to protect and develop architectural heritage in Palestine and took a major role in the revitalization of the most significant 50 historic centers in rural Palestine. She is widely published and has authored many architectural books and other non-fiction books, including Sharon and My Mother-in-Law (2003, translated into 18 languages); If this is a Life? (2005); Nothing to Lose but Your Life: An 18 Hour Journey with Murad (2010); Golda Slept Here (2014); My Damascus (2016); and Mother of Strangers (2022). On Cherien Dabis is a trailblazing Palestinian American filmmaker and actress who has established herself as a creative force across a variety of mediums. She forged a new genre of Arab American storytelling with her critically acclaimed first feature “Amreeka.” The film world-premiered at the 2009 Sundance Film Festival and won the coveted FIPRESCI International Critics Prize at the Cannes Film Festival. Dabis wrote, directed and starred in her highly anticipated third feature film “All That's Left of You,” which world-premiered to critical acclaim at the 2025 Sundance Film Festival. Dabis has directed standout episodes of hit television series such as Hulu's “Ramy” and Netflix's “Ozark." In 2022, she became the first Palestinian Emmy nominee for her groundbreaking, dialogue-free episode of Hulu's comedy “Only Murders in the Building.” Her acting credits include Netflix's “Mo,” Amazon Prime's “Fallout” and Tarek Saleh's “Eagles of the Republic,” which was in competition at this year's Cannes Film Festival. Hilary Rantisi grew up in Palestine and has been involved with education and advocacy on the Middle East since her move to the US. She is a 2025 Fellow at FMEP and was most recently the Associate Director of the Religion, Conflict and Peace Initiative (RCPI) and co-instructor of Learning in Context: Narratives of Displacement and Belonging in Israel/Palestine at Harvard Divinity School. Original music by Jalal Yaquob.

On this Thursday bonus episode we are going to play the interview from episode 424 from May 2023 with writer and director Emily Abt who talks about getting into Sundance with her first feature and making her second feature Thirsty, which is not streaming on all platforms! I thought this was a great time to re-release the episode now that the movie is out and ready to be shared with the world! After that we play another round of You're the expert, enjoy! Don't forget to support us on Patreon! www.patreon.com/mmihpodcast Leave us a Review on Apple Podcasts! https://podcasts.apple.com/us/podcast/making-movies-is-hard-the-struggles-of-indie-filmmaking/id1006416952

Ten years ago, 2015 was the year of the epic Western. Two films, Alejandro Iñárritu's The Revenant and Quentin Tarantino's The Hateful Eight, clocked in at an average length of 170 minutes and scored a combined 15 Academy Award nominations, winning 4 between them. As a pair, the two films brought in nearly $700 million at the box office. Along with John Maclean's Sundance darling Slow West, the year marked a return to prominence of the western genre, foreshadowing the next decade's breakout hits like Taylor Sheridan's Yellowstone and Hell or High Water, and Martin Scorsese's Killers of the Flower Moon. Slipping somewhat under the radar in 2015 was the directorial debut of S. Craig Zahler, a prolific author and screenwriter with a penchant for wit, grit, and gore. Zahler cast Kurt Russell, Patrick Wilson, Matthew Fox, and Richard Jenkins in a Western akin to John Ford's The Searchers by way of Wes Craven's The Hills Have Eyes. When townsfolk are kidnapped by a clan of troglodyte cannibals, four men - the sheriff, a cowboy, a gunslinger, and the back-up deputy - ride out as a posse to rescue them. The indie film quickly earned praise for its direction, dialogue, and disturbing imagery, and has built a cult following in the decade hence. But is our posse of hosts in agreement on how Bone Tomahawk lands? Or will we, too, be split down the middle?   For more geeky podcasts visit GonnaGeek.com    You can find us on iTunes under ''Legends Podcast''. Please subscribe and give us a positive review. You can also follow us on Twitter @LegendsPodcast or even better, send us an e-mail: LegendsPodcastS@gmail.com    You can write to Rum Daddy directly: rumdaddylegends@gmail.com    You can find all our contact information here on the Network page of GonnaGeek.com Our complete archive is always available at www.legendspodcast.com, www.legendspodcast.libsyn.com  Music: Title Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 https://creativecommons.org/licenses/by/4.0/

Did Capitol Hill & Punk Rock Save Steven Blush from Reagan's America?

In this episode, GG Hawkins speaks with writer-director Alessandra Lacorazza about her award-winning film In the Summers, which took home both the U.S. Grand Jury Prize and Best Director at the 2024 Sundance Film Festival. Lacorazza shares the deeply personal roots of the film, the tumultuous road to production, and the pressures of staying true to a creative vision in the face of industry challenges. The conversation dives into casting across timelines, editorial discovery, and the intense final days before Sundance. It's an intimate and inspiring look at how a deeply personal, quietly powerful film almost didn't get made—and why it ultimately resonated so profoundly. In this episode, No Film School's GG Hawkins and guest Alessandra Lacorazza discuss... The semi-autobiographical inspiration behind In the Summers Creating emotionally complex characters and tender portrayals of masculinity Casting multiple actors for the same role across time The chaotic production process and financial uncertainty before filming How Alessandra balanced creative integrity with commercial pressures Editing discoveries, including changing the film's ending after test screenings What it was like to win at Sundance—while sick and alone The unexpected emotional reach of the film across different demographics Advice for emerging filmmakers on trusting collaborators and staying clear on your vision Memorable Quotes: “I just knew I couldn't make this film with that suggestion... I'd rather not make it because it won't be good.” “Making the film was harder than having a baby.” “There's no real villain, and you just leave the audience to make up their own mind.” “If you don't [know your story], you're going to get lost in the maze, and then your editing process is going to be a lot more complicated.” Guest: Alessandra Lacorazza Resources: In the Summers is now available to stream on Hulu. Find No Film School everywhere: On the Web: No Film School Facebook: No Film School on Facebook Twitter: No Film School on Twitter YouTube: No Film School on YouTube Instagram: No Film School on Instagram

The Masters of Deception are presently working overtime to foment chaos and confusion.  Civil War in the U.S., genocide in the Middle East and the balkanization of Russia are just a few of the theatrical treats well under way.  There's nothing new under the Sun, and current events simply mirror the cyclic game-plan rehashed through centuries past.   After being relentlessly hunted by faceless agents, a bewildered Butch Cassidy famously queried Sundance, his partner in crime, "who are these guys?!" The same question has crossed many minds in more recent times, as the undeniable antics of a predator class are now beginning to dispel the collective hypnosis. Alfacast friend, and audience favorite, Steve Falconer, returns with his incredible depth of knowledge to further expose the duplicitous machinations of these shadowy villains and the black box sorcery they use to maintain their power. In the last few shows with Steve, he identified a diversity of complicit players in secretive sects to paint a revealing mosaic from ancient times to the current globalists agenda.  Rather than adding to this already comprehensive historical analysis, we've decided to conduct Part III in a roundtable discussion format.  A growing portion of the populace is feeling a palpable & foreboding tension, so what can we do about it? The fact is, "we" have always held all of the cards, and this end-game is being played out exclusively on the mental plane.  Weapons of mass distraction are the deadliest of all, and this Alfacast will focus on the re-emergence of ancient truths that we can use now to counter the agenda to usurp the Life Force of each and every embodied Soul. Steve is a prolific investigator and the voice of Spacebusters on Youtube, Bitchute, Odysee and Vigilante.tv. He is also the author of the children's book "The Dukes of Dense", available on all Amazon platforms and a former writer and administrator for Truth Serum News, where he wrote under the pen name Areyou Sure.  He is a former Chicago native living in Copenhagen Denmark, a music teacher and full time touring musician. He is a father and researcher into all things hidden, esoteric and out of the ordinary daily experience, with a gift for debunking or demystifying occulted information. Show links:    / @spacebusters3933   Catch Barre & friends on the Aetheric Summit June 14th & 15th https://www.aethericsummit.com/barre Join the Free masterclass on The Hidden Roots of Birth w/ Eyla Cuenca https://www.uncoveringbirth.com/a/214... Learn The True Nature Of Dis-Ease & How Our Bodies Actually Work: https://alfavedic.com/themyth/ Join Our Private Community And Join In The Discussion: https://alfavedic.com/join-us/ Follow our new YT channel: / @offgridelegance Start healing yourself and loved ones with ozone! https://alfavedic.com/ozone Get our favorite blue blocker glasses! https://alfavedic.com/raoptics Learn how to express your law and uphold your rights as one of mankind. https://alfavedic.com/lawformankind Alfa Vedic is an off-grid agriculture & health co-op focused on developing products, media & educational platforms for the betterment of our world. By using advanced scientific methods, cutting-edge technologies and tools derived from the knowledge of the world's greatest minds, the AV community aims to be a model for the future we all want to see. Our comprehensive line of health products and nutrition is available on our website. Most products are hand mixed and formulated right on our off grid farm including our Immortality Teas which we grow on site. Find them all at https://alfavedic.com​​​​​​​​​​​​​​ Follow Alfa Vedic: https://linktr.ee/alfavedic Follow Mike Winner: https://linktr.ee/djmikewinner

On today's episode, we welcome Michael G. Kehoe, a filmmaker who turned a whisper of an idea into the resounding voice of a feature film. From Brooklyn to Hollywood, from an eight-year-old boy watching his mother direct community theater to a director commanding his own set, Michael's journey is one of persistence, heartbreak, and sheer creative will.In this profound conversation, Michael G. Kehoe shares the winding road of his career, one marked by passion and loss. A pact among friends, the bright lights of New York, and the uncertainty of Los Angeles formed the backdrop to his early years. But it was a personal tragedy—the untimely passing of two close friends—that set the stage for his first short film, Second Dance. With no roadmap but a fierce determination, he crafted a story that not only resonated but landed him in the heart of Sundance, proving that even the smallest project can open the biggest doors.The journey didn't stop there.Years later, inspired by his twin boys' innocent bedtime fears, he penned a horror story that would eventually become The Hatred. Rather than waiting for a green light from the industry, he carved his own path. He created Hush, a short film that distilled the very essence of fear—the anticipation of the unknown. The reaction was immediate. Audiences jumped, festivals awarded, and industry heavyweights, including the producers behind Halloween, took notice. The lesson? The industry rewards those who show, not just tell.But success in Hollywood is rarely a straight road. Shooting The Hatred on a tight budget and an even tighter schedule meant adapting, improvising, and making every shot count. “Poverty breeds creativity,” Michael says, a testament to the resilience needed in independent filmmaking. Working with a largely female cast, he crafted a horror film that stood apart from the blood-soaked clichés, focusing instead on atmosphere, character, and tension. The result? A film that paid homage to the horror classics of the past while carving its own identity in the present.Of course, filmmaking is a collaborative art. Michael speaks of the relationships that make the journey worthwhile—the actors who return to work with him time and again, the cinematographers who bring his visions to life, and the producers who take a chance on passion over pedigree. “Surround yourself with people smarter than you,” he advises. A lesson as true for life as it is for film.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

Jason Lubin is a manager-producer and the principal at First Story Entertainment, which he founded in 2018. The lit management company represents a diverse roster of talented writers and directors with fresh voices in all genres for Film and TV. The company's clients have been on the writing staffs of a plethora of shows, sold series to multiple networks, and directed films selected for the Sundance and Cannes Film Festivals. In 2021, two of the nine participants selected for the highly competitive WBTV Writers Workshop were clients. In the feature space, First Story clients have written films starring Robert De Niro and John Malkovich, sold specs to Searchlight Pictures and Sony International and had scripts selected for the prestigious annual Black List. Jason also develops both feature film and television projects under the company's banner. Prior to starting First Story, Jason was a seasoned development executive. He worked at Lynda Obst Productions as the Head of Development and at Lionsgate, where he rose to Story Editor in the Motion Picture Group. Jason cut his teeth as the assistant to CEO Jon Feltheimer and was named one of Variety's Ten Assistants to Watch in 2013. A graduate of USC, Jason currently sits on the university's Board of Governors as the School of Cinematic Arts' representative and is a former President of the Trojan Entertainment Network.Connect with Jason:➡️ Instagram: @firststoryentertainment➡️ TikTok: @firststoryentAbout The Lot1 Podcast ✨The Lot1 Podcast is designed for anyone who is interested in or working in filmmaking. Whether you're just starting out or a seasoned veteran, we hope you gain the knowledge you need to improve your craft, achieve your filmmaking goals, or simply get an understanding and appreciation for the roles and duties of your peers and colleagues.

Show Notes: Tanya Selvaratnam shares her journey from high school to present day. She moved to New York after graduating and worked at Columbia Law School's Center for Chinese Legal Studies. She also assisted Anna Deavere Smith on her show “Twilight: Los Angeles, 1992” about the LA riots. Tanya went back to Harvard for graduate school, studying Chinese language and the history of law. An Adventure in Theatre  After her father passed away, she returned to New York, where she was working on the Beijing Women's Conference. Wandering the streets one day, she came across The Performing Garage with a poster on the wall for a show by the Wooster Group. On a whim, she slipped a note on the door offering to help in any capacity and was taken on as an intern. Before long, she was asked to come to rehearsals, and, despite having no intentions of becoming a performer, this led to her performing with the Wooster Group. She toured all over the world with them and with other companies like the Builders Association. On Becoming a Film Producer Currently, Tanya writes books and makes movies. She also advises various organizations, foundations, and corporations. She recently started advising the Open Future Lab in Vienna, Austria. She has also worked as a producer, which began when she worked at the Ms. Foundation for Women, on what was then called "Take Our Daughters to Work Day" as well as the Gloria awards. She also worked with Jed Weintrob, whom she had met at Harvard when she was in his production of “Dracula.” In the late 90s, Jed asked her to produce a movie he was writing at the time. It went on to premiere at Sundance and then the Berlinale in 2002. This led to more work as a producer, and Tanya is still currently producing.  The Connection between Event Organizer and Film Producer Tanya shares her experiences in organizing events since high school. While at Phillips Academy Andover, she was the head of the South Asian Students Association and served on the divestment committee during apartheid days. She organized events like readings of poetry, essays, and performances to raise awareness about activism and advocacy. After college, she also organized events for the youth tent at the Women's Conference in China, where she performed a piece called "Wet Sari Syndrome," which was a take on Bollywood movies. Tanya learned the craft of producing films directly from her friend and trusted colleague, Jed. She was willing to work hard, focusing on tasks such as finding locations, cleaning up the set, and figuring out what needed to happen to make the film come together. Tanya was able to tap into her resources and connections to make shoots possible and be attentive to Jed's vision. Dealing with Difficult Times The conversation turns to her experience with bullying and harassment, which she has faced in various situations. She deals with this by focusing on her tasks and work. Tanya goes to Portland to write and escape from these situations, as it provides a safe space to escape the pressures of life. She also talks about her two books, The Big Lie: Motherhood, Feminism, and the Reality of the Biological Clock, which grew out of her own struggles with fertility and Assume Nothing: A Story of Intimate Violence. When dealing with fertility issues, Tanya was shocked at the amount of misinformation surrounding fertility awareness. She talks about the problems with sex education in America and how the book changed when she was diagnosed with two types of cancer. In her second book, she shares her experiences of being entrapped in an abusive relationship with former Attorney General Eric Schneiderman. She explains why she was motivated to write the book and why she went into hiding after her story first became public. Working with Cultural Institutions Tanya has also worked on cultural events around the world, such as at the Rubell Museum in Miami, the Women's Conference in China, with Anna Deavere Smith and the Wooster Group. She has collaborated with major institutions and museums, such as the Brooklyn Academy of Music, Barbican in London, and Victoria Theatre in Singapore. She toured to 62 cities all over the world in a space of 12 years. She's also worked with the Sundance Film Festival and the New York Film Festival. She talks about The Federation, an organization that aims to show how art unites people and keeps cultural borders open. She recently worked with Carrie Mae Weems at the Torino book fair in Italy.  Co-directing and Producing a Documentary Short Tanya co-directed and produced a 13-minute documentary short called Love to the Max, which was acquired by the New Yorker magazine and recently nominated for an Emmy Award for Outstanding Documentary Short. The film was inspired by the mother of Max Briggle, who was targeted for loving and supporting her trans kid. Tanya was inspired to make the film after Max Briggle's mother reached out to a women's listserv for help because she'd been approached by child protection services. Tanya has also been working with Catherine Gund for 17 years, producing a film called Paint Me a Road Out of Here, which is about the interconnected journeys of artists Faith Ringgold and Mary Baxter. She is also working on a new book called Love Me and Leave Me, which is about adventures through intimate pleasure and intimacy in many forms. Influential Harvard Professors and Courses Tanya initially thought she would study science at Harvard but found the large classes to be lacking in intimacy. She became interested in Chinese history and legal history, taking classes with visiting scholars and professors like Chang Weijen, William Alford, Professor Kuhn, and Professor Bol; Caroline Reeves, a graduate student, helped her decide what to explore for her thesis. Timestamps: 05:38: Transition to Producing and Social Justice Work  13:22: Challenges and Learning in the Film Industry  20:28: Personal Struggles and Advocacy  34:07: Work with Museums and Cultural Institutions  37:11: Future Projects and Reflections  41:10: Harvard Experiences and Influences  Links: Website: Tanyaturnsup.com LinkedIn: https://www.linkedin.com/in/tanyaauthor/ Featured Non-profit: The featured non-profit of this episode of The 92 Report is recommended by Olu  Ajilore, class of ‘92, who reports: “The featured nonprofit of this episode of The 92 report is the American Foundation for Suicide Prevention, or AFSP. AFSP is a volunteer organization that supports those affected by suicide through research, education and advocacy. I've worked with our local chapter of AFSP raising funds with their annual out of the darkness walks, and I'm proud to serve on the Scientific Council for AFSP. You can learn more about their work@afsp.org.”   To learn more about their work, visit: afsp.org      

In part three of this three-part series, at Leonard’s trial in 1977 federal prosecutors changed the failed narrative from the Butler / Robideau trial, claiming that Leonard executed the agents with an AR15 that they claimed matched casings found near the bodies. Bruce Ellison and Ron Kuby explain how false evidence was used to secure a conviction that survived our appellate system and 8 presidencies. But through it all, Leonard never gave up, and with the help of tribal advocate Holly Macarro, he was finally granted clemency in the final minutes of the Biden Administration. The Wrongful Conviction of Leonard Peltier is a production of Lava For Good™ Podcasts in association with Signal Co. No1. It follows the January 2025 Sundance premiere of the documentary FREE LEONARD PELTIER, a searing investigation of the case from Public Square Films and directors David France and Jesse Short Bull. DONATE DIRECTLY BY CHECK TOLEONARD PELTIERPO BOX 760Belcourt ND 58316https://www.imdb.com/title/tt34966036/https://ndncollective.org/free-leonard-peltier/https://lavaforgood.com/podcast/414-guest-host-john-huffington-with-elmer-daniels/https://birchbarkbooks.com/products/prison-writingshttps://www.penguinrandomhouse.com/books/322000/in-the-spirit-of-crazy-horse-by-peter-matthiessen/ We have worked hard to ensure that all facts reported in this show are accurate. The views and opinions expressed by the individuals featured in this show are their own and do not necessarily reflect those of Lava for Good.See omnystudio.com/listener for privacy information.

Explaining how and why our world works the way it does touches on so many fields of science: biology, chemistry, physics, and, of course, technology. However, according to researcher Blaise Agüera y Arcas, computation should also be part of the understanding of life on all levels – and going back further than one might think. In What Is Life? Evolution as Computation, Agüera y Arcas uses computation as a means of examining the complexities of our own universe. Inspired by the work of quantum mechanics pioneer Erwin Schrödinger, he revisits the question that has showcased the divide between biology and physics: what is life? How can life and all its attendant complexities come to exist in a random universe, governed by simple laws, whose disorder only increases over time? What Is Life? aims to provide surprising answers, reframing core concepts of self-reproduction, complex growth, and symbiotic relationships as inherently computational. Agüera y Arcas draws on decades of theory and existing literature from figures like Alan Turing and John von Neumann, as well as recent endeavors in the field of artificial life. From evolution and symbiogenesis to thermodynamics and climate models, What Is Life? explores computation as a tool beyond raw calculation to understand intricate phenomena. This volume serves as a first installment of an ongoing body of work, with his larger book What Is Intelligence? further developing this perspective on intelligence from simple organisms to brains and from societies to AI. What Is Life? is richly illustrated and studded with examples, recontextualizing computational concepts and applications for a general audience curious about diving deeper into the machinations of our living world. Blaise Agüera y Arcas is a researcher and author focused on artificial intelligence, sociality, evolution, and software development. He is a VP and Fellow at Google, where he is the CTO of Technology & Society and founder of Paradigms of Intelligence (Pi). He is a frequent speaker at TED and has been featured in the Economist and Noēma, and has previously published the books Who Are We Now? and Ubi Sunt. Charles Tonderai Mudede is a Zimbabwean-born cultural critic, urbanist, filmmaker, college lecturer, and writer. He is the Senior Staff writer of the Stranger, a lecturer at Cornish College of the Arts, and has collaborated with the director Robinson Devor on three films, two of which Police Beat and Zoo, premiered at Sundance, and one of which, Zoo, screened at Cannes, and the most recent of which, Suburban Fury, premiered at New York Film Festival. (Police Beat is now part of MOMA's permanent collection.) Mudede, whose essays regularly appear in e-Flux and Tank Magazine, is also the director of Thin Skin (2023).

Today we're joined by actor Bobby Naderi, whose path from Iran to college basketball athlete to working actor in Hollywood is anything but typical. Bobby shares how a drama class unexpectedly launched his acting career, ultimately leading to standout roles in films like Argo, Bright, and The Beekeeper. Bobby reflects on everything from his nerve-wracking first audition to a pivotal moment standing up for cultural authenticity in a meeting with Ben Affleck for Argo. Bobby also dives into his creative process, including his close collaboration with director David Ayer and his recent work in The Better Sister, where strong writing and on-screen chemistry helped shape his performance. Whether he's offering grounded advice for fellow actors or breaking down how he prepares for complex characters, Bobby brings a mix of humility, insight, and grit to the mic. These are the unforgettable stories that landed Bobby Naderi right here. CREDITS: The Better Sister The Beekeeper Bright Argo Black Summer Prison Break Fear the Walking Dead Deputy Scandal Under the Shadow GUEST LINKS: IMDB: Bobby Naderi, Actor, Producer, Director THAT ONE AUDITION'S LINKS: For exclusive content surrounding this and all podcast episodes, sign up for our amazing newsletter at AlyshiaOchse.com. And don't forget to snap and post a photo while listening to the show and tag me: @alyshiaochse & @thatoneaudition MAGIC MIND: Get 60% off with code ONEAUDITION60 THE BRIDGE FOR ACTORS: Become a WORKING ACTOR THE PRACTICE TRACK: Membership to Practice Weekly PATREON: @thatoneaudition CONSULTING: Get 1-on-1 advice for your acting career from Alyshia Ochse COACHING: Get personalized coaching from Alyshia on your next audition or role INSTAGRAM: @alyshiaochse INSTAGRAM: @thatoneaudition WEBSITE: AlyshiaOchse.com ITUNES: Subscribe to That One Audition on iTunes SPOTIFY: Subscribe to That One Audition on Spotify STITCHER: Subscribe to That One Audition on Stitcher EPISODE CREDITS: WRITER: Erin McCluskey WEBSITE & GRAPHICS: Chase Jennings ASSISTANT: Elle Powell SOCIAL OUTREACH: Alara Ceri

(00:00-22:00) Doug says it felt like old times at Busch yesterday. Lotta Dodger blue at the old ballyard. Friend of the Show, Jon Hamm wearing a Yankees hat on Sunday Night Baseball. Masyn's mad dash. Jackson's been giving Pop Warner guff. Making sure Barrero knows he's still on the team. Are the Cardinals legitimate contenders in 2025 and are people bought into this year's team? Pitching injuries.(22:00-41:11) Mom cried from the soccer highlights. Jackson has a brief media question. The season's over, right? Doug thinks the league should have fixed yesterday's game. Clayton Kershaw not happy with the Cardinals organization after playing the Matt Adams HR highlight. Audio of Kershaw after the game calling it "Bush League." Feels like Kershaw's been around forever. Trolling being celebrated. Interns living in squaller. Which STL overpass would you wanna live under? Tommy Edman's ovation.(41:21-1:03:39) Doug likes the cheap drinks promotion. The 2Fox production snafu last night. People down on Mike Breen because he didn't "Bang." Discussing stadiums and public funding in the state of Missouri. Less nacho splatter in the lower level at Busch. Does the wave distract players? The Wave is a Lemay courtship ritual. Stick on Apple TV. The Celibate of Sundance.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

To celebrate the re-release of Dogma (which is celebrating its 25th Anniversary), Bella and Nick took a field trip to see the Kevin Smith classic on the big screen. We were joined by our good friend and returning guest, Max Sopkin. The trio discusses their theater experience and does a deep dive on Kevin Smith's early career work. First up, we explore the industry-shaking “little movie that could: " the foul-mouthed and wildly hilarious cult classic Clerks. Second, we explore the deeper recesses of Kevin Smith's romantic side in the unique romantic comedy Chasing Amy. Lastly, it's Dogma: Resurrected! Max and Nick discuss how formative this movie was for them growing up, and Bella reviews her thoughts seeing the film for the first time. Let us know what you think of these films and your favorite Kevin Smith picture. ❗️SEND US A TEXT MESSAGE ❗️Support the showSign up for our Patreon for exclusive Bonus Content.Follow the podcast on Instagram @gimmethreepodcastYou can keep up with Bella on Instagram @portraitofacinephile or Letterboxd You can keep up with Nick: on Instagram @nicholasybarra, on Twitter (X) @nicholaspybarra, or on LetterboxdShout out to contributor and producer Sonja Mereu. A special thanks to Anselm Kennedy for creating Gimme Three's theme music. And another special thanks to Zoe Baumann for creating our exceptional cover art.

424. Living with Bipolar Disorder: Cameron Esposito Stand-up comedian, actor, writer and friend, Cameron Esposito joins us for a conversation about being diagnosed and living with bipolar disorder. -Cameron takes us inside a manic episode and shares what it really felt like-The beauty and heartbreak of loving someone with a mental illness-What it means to be a witness to your own pain and your life-How comedy changes on and off medication for Cameron  Cameron Esposito is a standup comic, actor & writer. A nationally and internationally touring headliner, Cameron has released three specials, including the culture-shifting Rape Jokes, and three albums, the award-winning Same Sex Symbol amongst them. As an actor, Cameron has been seen on Netflix, Max, Prime Video, Hulu & many more, as well as in big budget movies & Sundance indies.  Cameron is the author of the bestselling book, Save Yourself, about growing up very religious and very gay and hosted the long-running podcast, Queery.Cameron will be on tour with their next hour of standup in select cities this year before it debuts at Chicago's famed Steppenwolf Theater in the fall. Cameron Esposito released their newest standup special, Four Pills—about being diagnosed with bipolar disorder at 40 – on comedy streaming service Dropout to broad acclaim; it was featured in Variety, the LA Times and People. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Ben Bowlin, new co-host of Wrongful Conviction and host of the long-standing podcast Stuff the Don’t Want You to Know and Jason Flom from the Wrongful Conviction podcast had the honor of sitting down for many hours to speak with Leonard Peltier about his personal life, the historical context of the resistance movement and events that led to the attack on Jumping Bull Ranch in ‘75, as well as his near 50 year fight for justice that led to his sentence commutation in the final minutes of the Biden Administration. In part two of this three-part series, the FBI had such a large suspect list after the shootout on Jumping Bull Ranch that it included every native combat veteran in the area and even a 4-year-old. But soon the target list was narrowed down to Dino Butler, Bob Robideau, and Leonard Peltier. Both Butler and Robideau were soon arrested, tried, and acquitted, successfully arguing self defense. But Leonard tells us how he sought help from Marlon Brando, and asylum in Canada before the presentation of false evidence brought him back to the US to stand trial. The Wrongful Conviction of Leonard Peltier is a production of Lava For Good™ Podcasts in association with Signal Co. No1. It follows the January 2025 Sundance premiere of the documentary FREE LEONARD PELTIER, a searing investigation of the case from Public Square Films and directors David France and Jesse Short Bull. We have worked hard to ensure that all facts reported in this show are accurate. The views and opinions expressed by the individuals featured in this show are their own and do not necessarily reflect those of Lava for Good.See omnystudio.com/listener for privacy information.

Send us a textThe sprawling plains of North America once thundered with the hoofbeats of countless bison and horses belonging to the Kiowa Nation – a people experiencing a golden age of cultural flourishing in the early 19th century. From their origins near the Yellowstone and Missouri Rivers, the Kiowa embarked on an epic southward migration that transformed them into masters of the Southern Plains landscape.Step into this vibrant world through the story of Satanta, known initially as "Big Ribs" and later as "White Bear." Born between 1815-1820 to the revered Chief Red Tipi, Satanta entered a society of remarkable complexity. His father stood at the pinnacle of Kiowa leadership, serving both as a powerful band chief and as keeper of the Tai Mi – the tribe's most sacred object and centerpiece of their Sundance ceremony. This extraordinary heritage placed Satanta on a path toward prominence within a society structured around intricate kinship networks, spiritual power, and warrior accomplishments.The Kiowa way of life reveals sophisticated adaptations to plains existence. Their masterful horsemanship revolutionized hunting, warfare, and trade, while their deep connection to buffalo provided sustenance, shelter, and tools. Through bilateral kinship systems and a clear social hierarchy based on horse wealth and spiritual authority, the Kiowa organized themselves into bands led by prestigious chiefs from the aristocratic onde class. The spiritual world centered on Dawdaw – a sacred life force permeating all existence – accessed through vision quests and embodied in the ten sacred medicine bundles guarded by hereditary priests.Discover how this cultural context shaped Satanta's formative years and set the stage for his emergence as one of the most significant Kiowa leaders during a period of profound change and challenge. By understanding the rich tapestry of beliefs, traditions, and social structures that defined Kiowa life, we gain insight into a sophisticated indigenous society whose legacy continues to resonate in Native American history. Subscribe now for an immersive journey into one of the most fascinating chapters of the American West.Support the showIf you'd like to buy one or more of our fully illustrated dime novel publications, you can click the link I've included. "Edward Masterson and the Texas Cowboys," penned by Michael King, takes readers on an exhilarating ride through the American West, focusing on the lively and gritty cattle town of Dodge City, Kansas. This thrilling dime novel plunges into the action-packed year of Ed Masterson's life as a lawman, set against the backdrop of the chaotic cattle trade, filled with fierce conflicts, shifting loyalties, and rampant lawlessness. You can order the book on Amazon.

YOUR MISSION….SHOULD YOU CHOOSE TO ACCEPT…..OUR NEW EPISODE!!!! The unstoppable, couch-jumping Scientologist force of cinema Tom Cruise is back for the “final” (note: air quotes) Mission: Impossible, but is the world box-office ready to reward this three hour action vanity project with success or the “success” (note: air quotes) of the last film “Mission:Impossible - Dead Reckoning Part One”, itself so not very but kinda successful…they CHANGED the title of this film (!) WilDaBeast and Cupcake break out their spy gear and take on the M:I franchise and movie #8. You will be surprised at who fell for this and who thought it deserved to come in from the cold and be retired. GIVE YOUR EYES AND EARS ITS FINAL RECKONING AND DIVE IN!Mike plus's a streaming Sundance-r with phalluses and cut toes while Jose plus's one of the best open ear earbuds on the market…and no, the brand name does not rhyme with “Jose”. .#podcast #newpodcast #movie #moviereview #moviereviewpodcast #film #filmisnotdead #cinematography #filmcritic #missionimpossible #missionimpossiblethefinalreckoning #tomcruise #scientology #haleyatwell #vingrhames #simonpegg #esaimorales #pomflementieff #henryczerny #gregtarzandavis #sheawhigham #christophermcquarrie #brucegeller #frasertaggert #erikjendresen #maxaruj #alfiegodfrey #paramountpictures #skydancemedia #TCproductions TIMESTAMPS00:00 Teaser01:15 Intro02:41 M:I the Franchise07:35 Below the Line: The Crew17:27 Above the Line: The Cast29:18 Spoiler Free Thoughts51:29 Spoilers Ahead01:10:14 Mike's Plus01:14:21 Jose's Plus01:17:46 Outro- - - - - - - - - -WE ARE WATCH SKIP PLUS! Watch Listen Love!Email us: WatchSkipPlus@gmail.comIG: https://www.instagram.com/watchskipplus/Facebook: https://www.facebook.com/watchskippluspodX: https://x.com/watchskipplusYouTube: www.youtube.com/@WatchSkipPlusDiscord: https://discord.gg/PGX4RRUe

Field Sketches is a personal film that grew from Director/Writer/Producer Carl Bessai's filmmaking journey.  After a life of making films, what matters most to a person?  Carl, a long-time resident of Toronto now based in Vancouver, BC, sharing time between Toronto and Los Angeles, is thrilled to bring his twentieth film to Toronto.   Nine of Carl's feature films have screened at TIFF, including Johnny, Lola, Emile, Unnatural & Accidental, Normal, Mothers & Daughters, Cole, Repeaters and Sisters & Brothers.  Former TIFF programmer Steve Gravestock will be the talk-back host for the Q&A after the film. Field Sketches Toronto Theatrical Premiere at the Revue Cinema will screen on Wednesday, June 11th, 2025, at 6:45 PM with the cast and director in attendance. Peter (Vincent Gale), a middle-aged architect whose business and personal life are imploding, has been trying to return to his creative roots as an architect.  His successful partnership with his college friend Bruce (David Cubitt) has left him feeling like he can no longer find the art in his creative practice.  With nothing left to hold him in the city, Peter decides to move to his family farm and spend the winter in Saskatchewan. He soon discovers that pioneer life is much more than he bargained for.  And the silence and loneliness play tricks on his imagination. Carl Bessai is a writer/director/producer/cinematographer based in Vancouver, BC, Toronto and Los Angeles, California. His feature films have appeared in numerous festivals, including Sundance, Berlin, and Toronto, have been released worldwide, and have won numerous critics' prizes, jury prizes, and film awards. He has directed some of the world's leading acting talent, including Sir Ian McKellen (Emile, Lord of the Rings, X-Men), Carrie Ann Moss (Normal, The Matrix Films), Bruce Greenwood (Rehearsal, Star Trek), Tantoo Cardinal (Mothers&Daughters, Dances with Wolves), and Bruce Dern (The Lears, Nebraska).   Vincent Gale is known for his work on Van Helsing, X-Men Evolution, Watson, The Dragon Prince, Midnight Mass, Snowpiercer and Supernatural.      Want to watch: YouTube Meisterkhan Pod (Please Subscribe)

Join the Movement: How Ocean 7 is Transforming Lives and Winning AwardsWelcome to another exciting episode of "Roots to Riches," where natural healing meets unstoppable success. I'm your host, Justin Benton, and today we have some thrilling updates and announcements that you won't want to miss.Documentary Nominations and Red Carpet EventsWe kicked off the episode by discussing the incredible journey of our documentary, which has already been nominated for several awards. Whether it's the Boise Film Festival, Cannes, Sundance, or even the Oscars, we're gearing up for some major red carpet moments. The excitement is palpable as we anticipate the recognition and celebration of our hard work.Live Streams and Behind-the-Scenes InsightsWe reminisced about our spontaneous live stream from Utah, which was a blast. Russell, Danny, and I, along with other team members, shared some behind-the-scenes moments, including a priceless Andrew Carnegie signed document. These live interactions bring a unique, unfiltered look into our journey and the making of the documentary.Ocean 7 Launch and Affiliate OpportunitiesToday marks the beginning of the Ocean 7 launch, a significant milestone for us. This is not just about promoting the documentary but also about engaging with our community through affiliate opportunities. By sharing the documentary, affiliates can earn cash and make a meaningful impact by spreading the message of personal development.Exclusive Prizes and ContestsWe announced an exciting affiliate contest with some fantastic prizes. From Voxer access to private coaching sessions, signed books, and even Amazon gift cards, there's a lot up for grabs. The grand prize is a VIP ticket to join us on the red carpet at one of the major film festivals. This is a once-in-a-lifetime opportunity to be part of a glamorous event and meet some incredible people.Legacy and Future VisionOur work is not just about the present; it's about creating a lasting legacy. The Atlas Library and Event Center will be a hub for personal development, featuring 4D images and AI avatars of speakers, including Tony Robbins and Napoleon Hill. This project ensures that our contributions will be remembered for generations to come.Call to ActionTo watch Ocean's 7 and share it before it disappears you simply register for free as an affiliate at jv.secretsofsuccess.com then click on Highlighted Links (three lines on top of your phone) to watch and share this ground-breaking film all over the Internet streets.ASK THIS EPISODE ANYTHINGTIMESTAMPS:00:00:07 - Documentary Awards and Red Carpet Dreams00:00:41 - Introduction to Roots to Riches Podcast00:01:02 - Live Broadcast Fun and Spontaneity00:01:35 - Behind the Scenes of a Live Stream00:02:26 - Launch of Ocean 700:03:11 - Documentary Nominations and Future Plans00:04:05 - PBS Greenlight and National Distribution00:05:27 - Community Support and Collaboration00:06:09 - Affiliate Opportunities and Personal Development00:08:07 - Impact of Personal Development Books00:09:02 - Promoting the Documentary and Affiliate Contest00:10:00 - Shoutout to Molly Morgan and Affiliate Contest Details00:11:39 - Contest Prizes and Incentives00:13:09 - Grand Prize Announcement: Red Carpet Experience00:17:07 - How to Participate in the Affiliate Contest00:18:26 - Encouragement and Support for Affiliates00:19:23 - Legacy and Future Vision of the Project00:20:54 - Closing Remarks and Call to Action Thank you for tuning in to the Miracle Plant Podcast. Remember, our mission is to heal the world with the power of this miracle plant. Join us next time for more inspiring stories and insights into the world of cannabis. Produced by PodConx 101cbd - https://101cbd.org/Email Justin Benton - jbenton@101cbd.orgGet a free consultation - askjanet.orgKaneh Bosm Connection - https://youtube.com/@kanehbosmconnection

Send us a textThere is no OFF- SEASON on the Full Court Press : A College Basketball Coaches Show as we go UNCENSORED with Wyoming Coach Sundance Wicks and Northern Colorado Coach Stephen Smiley as they share stories from their days as College Teammates/Roommates to now Head Coaches in this no hold bars episode. Always a GREAT time with some of our favorites coaches as we talk  Hoops, Life, Coaching and Friendship on this FUN and energetic Full Court Press Episode that is a MUST LISTEN!Our ALL YEAR ROUND NCAA coverage brings you the latest College Hoops news and notes, with exclusive insights and interviews from our experienced team at the Full Court Network.

Jackie discusses her pre-menstrual cycle dreams, announces her (presumably) Sundance and Cannes award-winning live show, and gives updates on the Diddy and Blake Lively cases using her best legal jargon.Thanks for supporting my sponsors!Leesa Mattress: Get 20% off mattresses, plus get an extra $50 off with promo code BIBLE at www.Leesa.comAddyi: Check out the FDA-approved treatment for certain premenopausal women who are bothered by low libido and want their sex drive back at www.Addyi.comIQBAR: Get 20% off all IQBAR products, plus get shipping by texting BIBLE to 64000Home Chef: Get 50% off and free shipping for your first box, plus free dessert for life at www.HomeChef.com/BIBLETimeline: Get 10% off your order of Mitopure at www.timeline.com/bitchbibleSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week on No More Late Fees, Jackie and Danielle dive headfirst into the academic fever dream that is The Curve (aka Dead Man's Curve)—a 1998 thriller where the only thing deadlier than a roommate is the GPA curve. It's Lillard Mayhem month, and Matthew Lillard does not disappoint—serving up pure chaos with a side of rat poison and tequila. The ladies try to untangle a plot that involves murder for grades, pregnancy tests, and enough homoerotic tension to fill a dorm fridge. Add in Carrie Russell's pre-Felicity hair and Michael Vartan's aggressively beige acting, and you've got a Sundance-selected mystery that somehow makes less sense the more you pay attention.·Season 5 Episode 6·—No More Late Fees ⁠https://nomorelatefeespodcast.com⁠909-601-NMLF (6653)—Follow Us on Social:Instagramhttps://www.instagram.com/nomorelatefees TikTokhttps://www.tiktok.com/@nomorelatefees Facebookhttps://www.facebook.com/nomorelatefeesYoutubehttps://www.youtube.com/@nomorelatefees Twitterhttps://x.com/NoMoreLateFees —CONQUERing⁠⁠myconquering.com⁠⁠10% Off Code: JACKIE10

It's the second half of our 100% Accurate Way Too Early Oscars Predictions for 2025/26. In this episode, we discuss the Supportings, Casting, Director, Picture and 12 categories in all! Cinematography - 2:16 Film Editing - 5:07 Animated 9:38 International - 13:09 Documentary - 17:51 Costume Design - 20:24 Production Design - 23:24 Supporting Actor - 29:00 Supporting Actress - 37:24 Casting - 41:17 Director - 45:00 Picture - 52:00 OUTRO - Go back and enjoy our entire Oscars Year In Preview Series as we discussed the calendar, reviewed Sundance, and previewed Cannes. Do look forward to our continuation of our Oscar Profile Movie Reviews series as we'll do film study episodes on upcoming contenders. But first, we cannot wait to review the reviewers and time the standing ovations from the 2025 Cannes Film Festival later this week. https://linktr.ee/mikemikeandoscar

It's Part One of our Way Too Early 2025-26 Oscars Predictions Special, or Guarantees Special as we should have called it. Screenplays, VFX, Sound, Score, Song, the Shorts, yes - The Shorts, Make-up & Hairstyling, plus Lead Actor and Actress are all discussed. Original Screenplay reveals films where we're heavy + where Vegas leans - 3:07 Adapted Screenplay includes former winners, noms + a UFC champ - 11:37 VFX w/ Avatar & F1 + sentimental favorites & trailers that look good to us - 18:00 Sound Design w/ F1 as the favorite + other blockbusters - 23:00 Original Score has a murderers row of legendary contenders - 25:22 Original Song includes multiples by two films + the Diane Warren rule - 28:48 Documentary Short included the most research ever - 31:48 Animated Short included the least research ever - 35:09 Live Action Short is as clear a vision into the future as we've ever had - 36:44 Make-up & Hairstyling where we share 4 noms, but talk honorable mentions more - 39:26 Lead Actor has huge stars and irrational confidence levels from us in our picks - 41:05 Lead Actress - 47:07 OUTRO - 55:00 - Make sure to go back to the rest of our Oscars Year In Preview Series. We have specials to preview each section of the calendar, plus a Sundance review and a Cannes preview. Also stay locked on our feed for Part Two, where we'll predict the Supportings, Director, Casting, Best Picture and the rest of the 24 Oscar categories. And as always, let us know your thoughts, comments, questions, concerns, and your predictions via our socials. https://linktr.ee/mikemikeandoscar

On this episode of The Rickey Smiley Morning Show Podcast, legendary singer Smokey Robinson breaks his silence after being accused of sexual assault by four housekeepers in a lawsuit spanning incidents from 2007 to 2024 — claims he says he’s “appalled” by. Meanwhile, Malia Obama is facing plagiarism accusations over her Nike commercial for A’ja Wilson’s new signature shoe, with filmmaker Natalia Jasmine Harris alleging it mirrors a scene from her Sundance-featured short film that Malia attended. We also unpack the latest in Diddy’s legal saga: the music mogul has reportedly turned down a five-year plea deal in a looming RICO case, maintaining his innocence. Plus, Lil Wayne unveils a new era for Young Money, introducing a fresh roster while signaling the end of its superstar-heavy days. Website: https://www.urban1podcasts.com/rickey-smiley-morning-show See omnystudio.com/listener for privacy information.

Malia Obama is facing plagiarism accusations over her Nike commercial for A’ja Wilson’s new signature shoe, with filmmaker Natalia Jasmine Harris alleging it mirrors a scene from her Sundance-featured short film that Malia attended. See omnystudio.com/listener for privacy information.