Podcasts about Sundance

Today on What's My Frame I'm joined by Casting Professional and Actor, Andrew Dahreddine. Andrew is based between Los Angeles and New York. He is currently casting Lauren Minnerath's debut feature film, CLARE (which has been supported by Sundance, Tribeca, and SXSW); Stacey Maltin and Jay DeYonker's feature film, C-SIDE (working title); and Rebecca Louisell's film, THE TRIP, which is one segment of the upcoming anthology feature film, THROUGH THE BLINDS. Andrew previously worked with Barden/Schnee Casting on television shows for Apple TV+ (the breakout series, PALM ROYALE), Paramount+ (SCHOOL SPIRITS), and ABC (ALASKA DAILY), as well as many films including the upcoming feature, CODE 3 (Rainn Wilson, Lil Rel Howery, and Aimee Carrero); and EZRA (Robert De Niro, Bobby Cannavale, Rose Byrne).Additional selected casting credits include: the FX limited series, THE PATIENT (starring Steve Carell & Domhnall Gleeson); Aaron Sorkin's Oscar-nominated Netflix feature film, THE TRIAL OF THE CHICAGO 7; and the first season of the Emmy-nominated Hulu series, RAMY. Andrew has also been the casting director for many short films that have competed at festivals including SXSW, BFI, SIFF, Palm Springs ShortFest, HollyShorts, Vienna Shorts, and many others.As an actor, Andrew was a series regular on the comedy series, 86'd, for BRIC TV. He also has appeared in many national commercials, and was the lead role in the second season premiere of Homicide City on Investigation Discovery.A BFA graduate of NYU's Tisch School of the Arts and the Stella Adler Studio of Acting, Andrew has performed in many stage productions, as well. Selected credits include: Kenneth Branagh and Rob Ashford's epic Macbeth at the Park Avenue Armory; the Lincoln Center Festival's Russian-language adaptation of Miss Julie (dir. Thomas Ostermeier) at NY City Center. He also appeared in several productions with The Drilling Company, and received praise in the New York Times for his performance in their version of As You Like It. Regionally, he spent a season with the Alabama Shakespeare Festival, as well as one summer at Boston's Commonwealth Shakespeare Company, in their production of Coriolanus. Andrew is a fierce union advocate, and a proud member of SAG-AFTRA; the Hollywood Teamsters Local 399 - Casting Shop; and Actors Equity Association. #UnionStrongFor more follow Andrew on Instagram @Dramaddine or visit www.andrewdahreddine.com -What's My Frame, hosted by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Laura Linda Bradley⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join the WMF creative community now!Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@whatsmyframe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IMDb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? official site⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Madison Iseman is making her play for horror icon status, starring in the fun and freaky forthcoming "cursed object" horror film WITCHBOARD. At the same time, she's embracing her "district attorney era" with a lead role in the new USA series THE RAINMAKER. And on this show, we can't leave out her credits playing twin sisters Lennon and Allison on the I KNOW WHAT YOU DID LAST SUMMER tv series (though Madison might prefer we did). Through it all, another iconic horror performance with a complicated history served as Madison's North Star of performance: Shelley Duvall as Wendy Torrance in THE SHINING.After this long-awaited conversation, Jordan has one quick thing about the new film EAST OF WALL, which had its premiere at Sundance 2025. Feeling Seen is hosted by Jordan Crucchiola and is a production Maximum Fun.Need more Feeling Seen? Keep up with the show on Instagram and Bluesky.

In this week's basketball coaching conversation, Wyoming head coach Sundance Wicks joins the Basketball Podcast to share insights on his teach and reach philosophy and the six championship factors.In his first year at Green Bay, Wicks was named the 2023-24 Horizon League Coach of the Year. He was also named the Joe B. Hall National Coach of the Year, which is presented annually to the top rookie, first-year head coach in NCAA Division I college basketball. Last season, Wicks posted an 18-14 record after the program finished at 3-29 prior to his arrival in 2022-23. That 15-game turnaround tied for the ninth-best turnaround in NCAA DI history.Wicks spent three seasons at Wyoming under former head coach Jeff Linder. The Cowboys reached the NCAA Tournament in 2022 finishing the season with a 25-9 overall record. The Pokes received their first at-large bid to the NCAA Tournament since 2002 and marked the first trip to the Big Dance since 2015. The Pokes recorded 24 wins in the regular season for the most since the 1951-52 campaign.Prior to his time in Laramie, Wicks was the head coach at Missouri Western for two seasons. Wicks led the Griffons to 18 wins in 2019-20, as it was the most by the program in 10 years. He spent eleven years as an assistant at four different colleges, including Northern State, Colorado, Northern Illinois, and San Francisco.Wicks also built the Arizona Power Basketball Academy, serving as a skill instructor and director from 2011-15. Prior to launching the APBA, he spent five months training NBA pre-draft prospects at the Impact Basketball Academy in Las Vegas. Wicks' draft class trainees included Kawhi Leonard, Alec Burks and Isaiah Thomas.He began his collegiate coaching career as a graduate assistant at Northern State under the legendary Don Meyer.

Getting into major film festivals like Sundance, Cannes, or Toronto isn't about luck—it's about connections. In this episode, I reveal the exact ways to make sure your film gets seen by the right people.

Tyler and David discuss the movies David saw that the 2025 Sundance Film Festival as well as Monia Chokri's The Nature of Love.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Jeffrey Doe is an Emmy-nominated filmmaker whose work has premiered at Sundance, Cannes, and Telluride. Starting his career as an editor of MTV Award-winning music videos, Jeff then transitioned to documentary, cutting WE SOLD OUR SOULS FOR ROCK 'N ROLL for famed “rock-u-mentary” director Penelope Spheeris and the Grammy Award-winning RUNNIN' DOWN A DREAM for director Peter Bogdanovich, about the life and career of the late Tom Petty. Most recently, he directed WICK IS PAIN, the never-before-seen footage and story behind the John Wick phenomenon, from independent film to billion-dollar franchise. In this interview, we talk about the two types of documentaries: archival vs. verite, the importance of conflict and drama in documentaries, his latest work WICK IS PAIN, his approach to note-taking and organizing footage, and much more. Want more? Steal my first book, INK BY THE BARREL - SECRETS FROM PROLIFIC WRITERS, right now for free. Simply head over to www.brockswinson.com to get your free digital download and audiobook. If you find value in the book, please share it with a friend as we're giving away 100,000 copies this year. It's based on over 400 interviews here at Creative Principles. Enjoy! If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts? It only takes about 60 seconds, and it really helps convince some of the hard-to-get guests to sit down and have a chat (simply scroll to the bottom of your iTunes Podcast app and click “Write Review"). Enjoy the show!

Recorded - 8/3/025 On Episode 333 of the Almost Sideways Movie Podcast, we review one of our most anticipated comedies of the summer as well as a Sundance favorite. Then we dive into a David Fincher classic that asked the all-important question ... "WHAT'S IN THE BOX?!?" Does the movie hold up 30 years later? Check it out! Here are the highlights:What We've Been Watching"Breathless" - Todd Liotta Meter Karen Review (8:20)"Don't Let's Go to the Dogs Tonight" & "A House in the Hills" - Zach Reviews (13:00)"The Bridges of Madison County", "Nixon", & "Transamerica" - Terry Oscar Anniversary Reviews (20:00)"The Naked Gun" - Featured Review (31:10)"Together" - Featured Review (47:10)"SE7EN" 30TH ANNIVERSARY DEEP DIVE"Se7en" Trivia (56:00)First Impressions (1:15:10)Mt. Rushmore: Movie/TV Boxes (1:42:30)Recasting "Se7en" (1:49:30)Highest WAR, Worst Performance (2:04:20)Minor Character Triumvirate, Tripod of Depravity (2:13:30)Best Scene, Gripes and Conspiracies (2:26:00)LVP, MVP, Quote of the Day (2:31:45)Find AlmostSideways everywhere!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠almostsideways.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/AlmostSidewayscom-130953353614569/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠AlmostSideways Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠: @almostsideways⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Terry's Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠: @almostsideterry⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Zach's Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠: @pro_zach36Todd: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Too Cool for Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Adam's Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠: @adamsideways⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://podcasts.apple.com/us/podcast/almostsideways-podcast/id1270959022⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://open.spotify.com/show/7oVcx7Y9U2Bj2dhTECzZ4m⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/channel/UCfEoLqGyjn9M5Mr8umWiktA/featured?view_as=subscriber⁠⁠⁠⁠⁠⁠

Submitting to film festivals without a strategy is the fastest way to burn cash. In this episode, I explain how to choose the right festivals for your indie film, why big festivals like Sundance are a long shot, and when you're better off skipping festivals entirely and heading to film markets instead. Perfect for indie filmmakers looking to save money and actually reach an audience.

Get ready to get inspired! Our next gen of Native filmmakers are here and showing us how its done. We met filmmakers Sabrina Saleha and Littlebear Sanchez at imagineNative and deadCenter film fests, and just had to have them on to share their experiences as young Indigenous filmmakers going through Sundance, imagineNative, and even Tisch. Let's decolonize filmmaking together!

British-Peruvian musician Luis Felber (Attawalpa) co-created the buzzy Netflix series Too Much with his wife Lena Dunham, a rom-com full of joy and complexity set in London. Luis gets beneath the surface of it all with Jason. Australian filmmaker Michael Shanks on Together, his sticky body horror that made a mark at Sundance, starring Dave Franco and Alison Brie.French master François Ozon on his latest When Fall is Coming, an ambiguous murder-mystery set in Burgundy.CREDITSPresenter, Jason Di RossoProducer, Sarah CorbettSound engineer, Angie GrantExecutive producer, Rhiannon Brown

This week, we start a new diversion with themed movie selections. The next three weeks, your hosts will be selecting one movie each that fits within the current theme - Death. The first film is an underrated and under seen movie that won big at the Sundance film festival back when it first came out. Me and Earl and the Dying Girl (2015), directed by Alfonso Gomez-Rejon.

Andy Farnsworth joins KSL-TV to help audiences decipher #WhatToWatch for the weekend of July 25, 2025.  Andy had high hopes for Marvel's latest superhero movie, "The Fantastic Four: First Steps," and was mostly pleased with the result. Director Matt Shakman got the family dynamic right and didn't over-rely on action, plus had a (dare we say?) fantastic retro-futuristic design. In the second segment of our episode, we even have our good friend Natalie Mollinet of Nat’s Nerd Knowledge giving her quick review, as producer KellieAnn is on vacation.  Also out this weekend are a couple of indie movies that were very compelling, including "Sorry, Baby," a Sundance 2025 award-winner about a college professor coping and trying to move on after being assaulted by her own professor years before. "Shosana" gives us a look at the conflict between Zionists and the British rulers in the 1930s and 40's in Tel Aviv through the eyes of a Jewish reporter and her fiancé, a British policeman assigned there. Sadly, not featured on this review rundown, but not available on Netflix, "Happy Gilmore 2" is a sequel that Adam Sandler fans, like Andy, can’t wait to watch.  The brains behind Fan Effect are connoisseurs of categories surpassing nerdy, with a goal to publish a weekly "What to Watch on the Weekend" minisode taken from KSL-TV's Friday segment, and two deep-dives a month on shows, creative works, artists, local events, and other fandom topics.  Based in the beautiful beehive state, Fan Effect celebrates Utah's unique fan culture as it has been declared The Nerdiest State in America by TIME, and is hosted by KSL Movie Show's Andy Farnsworth and KSL Podcasts' KellieAnn Halvorsen.  Listen regularly on your favorite platform, at kslnewsradio.com, or on the KSLNewsRadio App. Join the conversation on Facebook @FanEffectShow, or Instagram @FanEffectShow. Fan Effect is sponsored by Megaplex Theatres, Utah's premier movie entertainment company.

Will Mari joins Dave to talk about what it means for media after the merger of Paramount-Sundance.

Kenneth Lonergan, one of our host's favorite filmmakers, joins Toolkit to reflect on his first film as a director, 'You Can Count On Me.' He walks us through his transition from writer to the director's chair, and shares stories of working with Mark Ruffalo and Laura Linney on the film that would be their Sundance breakthrough. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on the New Music Business podcast, Ari sits down with Jess Furman—a creative executive, Emmy-nominated composer, and music industry leader whose work spans TV, film, Web3, and beyond. Named one of Billboard's Top 40 Industry-Shaping Executives, Jess blends creative vision with business savvy. She founded Sound Revolver (now part of Big Noise Music Group), where she led award-winning music campaigns and earned Tellys, Clios, and RIAA Gold certifications. Her credits include Moonlight, Westworld, My Little Pony: Pony Life, Littlest Pet Shop, and campaigns for brands like Ralph Lauren. As a singer-songwriter and multi-instrumentalist, Jess's music has been featured on Sesame Street, MTV, Drop Dead Diva, Sundance, and SXSW.In this episode, we follow Jess's journey from New York singer-songwriter to a leading force in the world of sync licensing in Los Angeles. She shares what it takes to write custom music for film, TV, and branded content—and breaks down the creative and business challenges that come with it. In the second half, things get lively as she and Ari debate the future of AI in music. Jess previews her next project: an AI-generated artist built to test a blockchain-driven brand model. The music is created by AI, refined by humans, and designed to support real artists through tech. Jess sees promise in it. Ari isn't so sure—and questions the ethics and long-term effects of AI-generated content on platforms already flooded with music.https://www.instagram.com/jessfurmanmuse05:45 Introduction and History11:16 Journey to Sync Licensing21:31 Founding Sound Revolver31:06 Custom Music for TV and Film45:56 AI in Music Creation1:01:16 Debating The Future of the Music Industry1:15:46 Final Thoughts and Making It in MusicEdited and mixed by Peter SchruppMusic by Brassroots DistrictProduced by the team at Ari's TakeOrder the THIRD EDITION of How to Make It in the New Music Business: https://book.aristake.com Hosted on Acast. See acast.com/privacy for more information.

Hello everyone! It's hard to fathom how quickly time has passed and now how long it's been since my last episode. This quick little episode talks about what's been going on in my life and the industry in the time since. I hope you all do the homework I assign to you! Sending much love to all of you out there.   --- If you want to support the work that I do or you want to be a part of my little community, you can meet me over on our Patreon page. I have a free membership tier too so it doesn't have to cost any money at all.  When I get back to releasing episodes (will be asap!) — I release episodes there two days before the main podcast feed and some of these episodes will be longer with more even more stories than the public version. I also host a monthly movie watching party on my Patreon and share fun costume trivia and behind the scenes facts for each film.  --- Whitney Anne Adams is a Costume Designer who has worked on several internationally acclaimed films, many of which have been featured at the Sundance, Cannes, Tribeca, and Toronto International Film Festivals. Her credits include The Supremes at Earl's All-You-Can-Eat, Story Ave, Freaky, We Have A Ghost, Happy Death Day 2U, as well as the upcoming film Five Nights at Freddy's 2. Whitney is an active union member of two I.A.T.S.E locals: the Costume Designers Guild, Local 892 and United Scenic Artists, Local 829. She is passionate about advocating for the essential art of costume design. --- TFACD Links: Patreon: Tales From A Costume Designer Instagram: @talesfromacostumedesigner Twitter: @talesfromaCD TikTok: @talesfromaCD --- Whitney Anne Adams Links: Website: whitneyadams.com IMDb: Whitney Anne Adams Instagram: @WAACostumeDesign Twitter: @WhitneyAAdams TikTok: @waacostumedesign --- Union Links: Costume Designers Guild IG: @cdglocal892 CDG at Comic-Con United Scenic Artists Local 829 IG: @unitedscenicartists IATSE IG: @iatse

Mike 1 has returned for this Oscar Race Checkpoint, covering his Hollywood vacation stories, the TIFF Galas & Special Presentations announcements and a fun catch-up on a bunch of incredible trailers from After The Hunt & Bugonia to Project Hail Mary & Downton Abbey to Predator Badlands & Keeper. Top of the Show - Mike 1 Returns! He recaps his vacation, pneumonia & comeback. THE TIFF LINEUP (+++ More Los Angeles Anecdotes from Mike1) Hamnet (& Mike talks about Room Service in LA Hotels) - 9:07 Our Lost Bus & Wake-Up Dead Man Oscar Bets - 11:00 The Roofman will debut in Toronto & we review the trailer - 13:39 Why Rental Family with Brendan Fraser could be a sleeper contender - 16:03 Ralph Fiennes in The Choral & Agnieska Holland's Franz - 19:26 Sundance & Cannes Carryovers (+ M1 & Swell do The Grove) - 22:32 Good Fortune, Ballad of a Small Player, Frankenstein, Hedda & Smashing Machine - 29:20 Sydney Sweeny is Christie + the next from Angelina Jolie & Al Pacino - 33:28 Unlikely genre choices for Miles Teller's Eternity & Amanda Seyfried's Anne Lee - 37:09 Actors turn Directors w/ Alex Winter, James McAvoy, Brian Cox & Maude Apatow - 38:42 Saoirse Ronan's next, a Fuze lit in Hot Fuzz & Nuremberg will not be funny - 41:04 Chris Evans in Sacrifice, Scarlet for Animated Feature & Swiped on Bumble - 44:21 TRAILER BREAKDOWNS: Julia Roberts in Luca Guadagnino's After The Hunt - 47:25 Bugonia stars Emma Stone, Jesse Plemons & Fish Eye Lens for Yorgos - 51:49 Dakota Johnson appears perfect & awesome again in Splitsville - 54:42 Downton Abbey: The Grand Finale launches its Best Picture campaign on MMO - 56:00 Ryan Gosling's Project Hail Mary sets trailer viewing records - 58:34 Weapons is the one script that got away from Jordan Peele - 1:01:32 Glen Powell's The Running Man feels very Purge-esque - 1:02:52 Mortal Kombat 2 is the ultimate middle aged white guy fantasy - 1:06:07 Predator: Badlands is a must see for Mike, Mike and Alien listeners - 1:07:50 Keeper puts Osgood Perkins in M. Night Shyamalan territory as a horror filmmaker - 1:10:20 OUTRO: M2 refuses to jinx future episodes. But of course, we do hope to be back soon with both Mikes on more episodes very very soon. There are a bunch of film studies, Oscar Race Checkpoints, and Boogie Mikes episodes that we want to record ASAFP, and God willing, we will do so. https://linktr.ee/mikemikeandoscar

Go to https://cozyearth.com and use code HUMANHR for 40% off their best-selling sheets, pajamas, towels, and more. And if you get a post-purchase survey? Let them know you heard about Cozy Earth right here.In this episode, Traci Chernoff interviews Topaz Adizes, an Emmy award-winning writer and experience design architect. Their conversation explores the challenges of navigating discomfort in relationships and the need to create safe spaces for it to cultivate growth and deeper connections. Moreover, they talk about the implications of AI on human interactions in the workplace and highlight the value of humanity in an increasingly AI-driven world as well as the importance of asking quality questions to shape a better future. Traci Chernoff and Topaz discuss the challenges of authenticity in content creation and the overwhelming presence of synthetic content. Their dialogue reiterates the need for reframing social media engagement, the existential implications of AI companionship, and the necessity of bringing humanity back into work environments.Chapters00:00 Introduction to Topaz Adizes02:25 The Power of Questions and Listening07:04 Creating Safe Spaces for Discomfort12:36 Navigating Discomfort in Relationships18:50 The Role of Humanity in an AI-Driven World27:54 Rethinking Questions in the Workplace29:36 The Role of Authenticity in Content Creation32:56 Navigating the Sea of Synthetic Content35:22 Reframing Social Media Engagement39:32 AI's Impact on Creativity and Human Connection43:34 The Existential Crisis of AI Companionship47:45 Bringing Humanity Back to WorkWe hope you enjoyed this episode with Topaz Adizes. If you found our discussion insightful, we'd like you to take a moment to rate our podcast. Your feedback helps us grow and reach more listeners who are passionate about these topics. You can also leave a review and tell us what you loved or what you'd like to hear more of - we're all ears!Don't forget to rate, review, and subscribe! Plus, leave a comment if you're catching this episode on Spotify or YouTube.About Our Guest: Topaz is an Emmy award-winning writer, director, and experience design architect. He is an Edmund Hillary fellow and Sundance/Skoll stories of change fellow. His works have been selected to Cannes, Sundance, IDFA, and SXSW; featured in New Yorker magazine, Vanity Fair, and the New York Times; and have garnered an Emmy for new approaches to documentary and Two World Press photo awards for immersive storytelling and interactive documentary. He is currently the founder and executive director of the experience design studio The Skin Deep. Topaz studied philosophy at UC Berkeley and Oxford University. He speaks four languages, and currently lives in Mexico with his wife and two children.Connect with Topaz Adizes here:LinkedIn: https://www.linkedin.com/in/topazadizes/ Website: http://www.topazadizes.com/ Connect with Traci here: ⁠https://linktr.ee/HRTraci⁠Disclaimer: Thoughts, opinions, and statements made on this podcast are not a reflection of the thoughts, opinions, and statements of the Company by whom Traci Chernoff is actively employed.Please note that this episode may contain paid endorsements and advertisements for products or services. Individuals on the show may have a direct or indirect financial interest in products or services referred to in this episode.

John Hamburg joins GG Hawkins to discuss crafting iconic, rewatchable comedies—from cult hits like Safe Men to mainstream favorites such as Meet the Parents, Zoolander, I Love You, Man, and the upcoming new Meet the Parents installment. Hamburg shares his creative journey, balancing absurd premises with emotional truth, breaking into the industry, and directing the finale of Apple TV's Stick. He also dives into working with comedic legends, developing enduring characters, and orchestrating large-scale scenes with precision and heart. In this episode, No Film School's GG Hawkins and guest John Hamburg discuss... How John's breakthrough began with an NYU short at Sundance, leading to his first film Safe Men His process for deciding to leave NYU early and navigate a career in features vs. film school What drew him to direct the final episodes of Stick on Apple TV Plus and working with Owen Wilson The particular direction and strategy involved in managing huge crowds and authentic golf interactions on a TV-scale production The building blocks of quotable comedy: committing to emotionally real characters, clear scene goals, and grounded set pieces Collaborating with actors like Ben Stiller, Robert De Niro, Philip Seymour Hoffman, Paul Rudd, and Alec Baldwin—balancing scripted freshness and improvisation Behind‑the‑scenes look at tough moments like reworking the poker table speech in Along Came Polly Hamburg's ringmaster philosophy: creating a safe, creative set for spontaneity while keeping an eye on structure and story Memorable Quotes: “I think if the characters are grounded in an emotional reality… that's maybe what makes them stand the test of time.” (27:05) “Directing is such an incredible job, but it can be very lonely at times because you're the only one that knows really.” (43:57) “Sometimes directing is also sort of like being okay with letting something formulate and happen on its own organically.” (44:42) Guests: John Hamburg (IMDb) Resources: Square Peg Social on FilmFreeway I Really Love My Husband w/ In-Person Q&A I Really Love My Husband on Instagram Find No Film School everywhere: On the Web: No Film School (https://nofilmschool.com/) Facebook: No Film School on Facebook (https://www.facebook.com/nofilmschool) Twitter: No Film School on Twitter (https://twitter.com/nofilmschool) YouTube: No Film School on YouTube (https://www.youtube.com/user/nofilmschool) Instagram: No Film School on Instagram (https://www.instagram.com/nofilmschool)

Actor and comedian Michael Hartney -- a Superman guy to his core - joins us to discuss James Gunn's much-anticipated, highly-speculated upon take on the world's most famous superhero. Then, in honor of Krypto (the Superdog, of course) we nominated best (goodest?) movie dogs to the Hall of Excellence.What's GoodAlonso - Dark Chocolate OreosDrea - gift article links on BlueskyMichael - Superman discourseKevin - finding his Tracy Bonham album (Sky Too Wide)ITIDICFinal Sundance in Park City Will Honor Its History in Utah and Founder RedfordAlamo Founder Launches Private Movie Experience in New York CityThe Devil Wears Prada Sequel Set for Next Spring HoE NomineesAlonso - Asta (The Thin Man)Drea - Dug (Up)Michael - Old Yeller Kevin - E. Buzz (Poltergeist)Staff PicksDrea - Life AfterAlonso - The Damned (2024)Michael - Popstar: Never Stop Never StoppingKevin - Hero at LargeMichael's Characters Welcome Patreon Follow us on BlueSky, Facebook, Instagram, or LetterboxdWithKevin AveryDrea ClarkAlonso DuraldeProduced by Marissa FlaxbartSr. Producer Laura Swisher

THIS IS A PREVIEW PODCAST. NOT THE FULL REVIEW. Please check out the full podcast review on our Patreon Page by subscribing over at - https://www.patreon.com/NextBestPicture Our 2009 retrospective continues with another Best Picture nominee, "Precious: Based On The Novel 'Push' By Sapphire" starring Gabourey Sidibe, Mo'Nique, Paula Patton, Mariah Carey & Lenny Kravitz. Directed by Oscar-nominee Lee Daniels (the first openly gay Black nominated director) and written by Academy Award-winner Geoffrey Fletcher (the first Black screenwriter Oscar winner), the film was an indie sensation following its premiere at Sundance and festival run, leading to a wave of Black centered stories that had both positive and negative impacts on the industry. How does the film hold up today? Please join Josh Parham & Dan Bayer, and me as we discuss the incredible performances, Lee's direction, the writing, editing, its awards season run, and more in our SPOILER-FILLED review. We appreciate your support and hope you enjoy our review! Thank you! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Tyler and David preview what's coming up at this year's Sundance Film Festival as well as a slight change to the podcast.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Park City's Egyptian Theatre will not host Sundance screenings in final Utah festival, Wasatch County Manager Dustin Grabau previews this week's county council meeting, Two of the petitioners who are taking Summit County clerk to court over rejected petition signatures Angela Moschetta and Reed Galen discuss their next steps, event organizers Charlotte Backus and Matthew Turner share details about the Uinta bikepacking trip - a 300+ mile adventure.

Jena Friedman is an Academy Award-nominated writer, comedian, and creator behind critically acclaimed series such as TRUE CRIME STORY: INDEFENSIBLE on AMC+, SOFT FOCUS on Adult Swim, and co-writer of BORAT 2: Subsequent Movie Film, which garnered her an Oscar nomination. Her writing credits include Netflix's NOBODY WANTS THIS, ABC's THE CONNERS, and she served as a field producer for THE DAILY SHOW WITH JON STEWART and writer for THE LATE SHOW WITH DAVID LETTERMAN. A contributing writer to THE NEW YORKER, Jena's bestselling debut book, Not Funny: Essays on Life, Comedy, Culture, Et Cetera., was published by Simon & Schuster in 2023. She has appeared on THE LATE SHOW WITH STEPHEN COLBERT, CONAN, THE NIGHTLY SHOW WITH LARRY WILMORE, and in the Sundance hit film PALM SPRINGS. Her first stand-up special and Edinburgh show, AMERICAN C*NT, was named one of the Top Ten Comedy Specials by Paste Magazine in 2016, and her sold-out follow-up, MISCARRIAGE OF JUSTICE, was critically-acclaimed. Her 2022 show, LADYKILLER, was ranked #2 in Decider's "Ten Best Stand-Up Specials of 2022." Her new show MOTHERF*CKER is now out, also performing in Edinburgh so check it out! We chat about her new comedy shows in Edinburgh, fake copies of her book, not playing the ‘game', John McAfee, grief, writing for Roseanne*, working on Jon Stewart, life changing moments from Conan, being kicked out of improv, working on Borat 2 plus plenty more!   Check Jena out on: Instagram: https://www.instagram.com/jenafriedman Website: http://www.jenafriedman.com/ Tickets including Edinburgh: http://www.jenafriedman.com/tour.html Book: https://www.simonandschuster.com/books/Not-Funny/Jena-Friedman/9781982178291?fbclid=PAZXh0bgNhZW0CMTEAAac1mm--WCiwGjnjAeZhpZalCe-0A66YNFrdA6iA6QSWflvK-r0wpxmyBFqqGw_aem_NEQ4unGsoT17fMPMGVCbDg   TikTok: https://www.tiktok.com/@jenafriedman   Youtube: https://www.youtube.com/user/JenaFriedman2 John McAfee interview: https://www.youtube.com/watch?v=tfe4Fjf3sds Substack: https://jenafriedman.substack.com/ ------------------------------------------- Follow @Funny in Failure on Instagram and Facebook https://www.instagram.com/funnyinfailure/ https://www.facebook.com/funnyinfailure/ and @Michael_Kahan on Insta & Twitter to keep up to date with the latest info. https://www.instagram.com/michael_kahan/ https://twitter.com/Michael_Kahan

WhoRon Schmalzle, President, Co-Owner, and General Manager of Ski Big Bear operator Recreation Management Corp; and Lori Phillips, General Manager of Ski Big Bear at Masthope Mountain, PennsylvaniaRecorded onApril 22, 2025About Ski Big BearClick here for a mountain stats overviewOwned by: Property owners of Masthope Mountain Community; operated by Recreation Management CorporationLocated in: Lackawaxen, PennsylvaniaYear founded: 1976 as “Masthope Mountain”; changed name to “Ski Big Bear” in 1993Pass affiliations:* Indy Pass – 2 days, select blackouts* Indy+ Pass – 2 days, no blackoutsClosest neighboring ski areas: Villa Roma (:44), Holiday Mountain (:52), Shawnee Mountain (1:04)Base elevation: 550 feetSummit elevation: 1,200 feetVertical drop: 650 feetSkiable acres: 26Average annual snowfall: 50 inchesTrail count: 18 (1 expert, 5 advanced, 6 intermediate, 6 beginner)Lift count: 7 (4 doubles, 3 carpets – view Lift Blog's inventory of Ski Big Bear's lift fleet)Why I interviewed themThis isn't really why I interviewed them, but have you ever noticed how the internet ruined everything? Sure, it made our lives easier, but it made our world worse. Yes I can now pay my credit card bill four seconds before it's due and reconnect with my best friend Bill who moved away after fourth grade. But it also turns out that Bill believes seahorses are a hoax and that Jesus spoke English because the internet socializes bad ideas in a way that the 45 people who Bill knew in 1986 would have shut down by saying “Bill you're an idiot.”Bill, fortunately, is not real. Nor, as far as I'm aware, is a seahorse hoax narrative (though I'd like to start one). But here's something that is real: When Schmalzle renamed Masthope Mountain to “Ski Big Bear” in 1993, in honor of the region's endemic black bears, he had little reason to believe anyone, anywhere, would ever confuse his 550-vertical-foot Pennsylvania ski area with Big Bear Mountain, California, a 39-hour, 2,697-mile drive west.Well, no one used the internet in 1993 except weird proto-gamers and genius movie programmers like the fat evil dude in Jurassic Park. Honestly I didn't even think the “Information Superhighway” was real until I figured email out sometime in 1996. Like time travel or a human changing into a cat, I thought the internet was some Hollywood gimmick, imagined because wouldn't it be cool if we could?Well, we can. The internet is real, and it follows us around like oxygen, the invisible scaffolding of existence. And it tricks us into being dumb by making us feel smart. So much information, so immediately and insistently, that we lack a motive to fact check. Thus, a skier in Lackawaxen, Pennsylvania (let's call him “Bill 2”), can Google “Big Bear season pass” and end up with an Ikon Pass, believing this is his season pass not just to the bump five miles up the road, but a mid-winter vacation passport to Sugarbush, Copper Mountain, and Snowbird.Well Bill 2 I'm sorry but you are as dumb as my imaginary friend Bill 1 from elementary school. Because your Ikon Pass will not work at Ski Big Bear, Pennsylvania. And I'm sorry Bill 3 who lives in Riverside, California, but your Ski Big Bear, Pennsylvania season pass will not work at Big Bear Mountain Resort in California.At this point, you're probably wondering if I have nothing better to do but sit around inventing problems to grumble about. But Phillips tells me that product mix-ups with Big Bear, California happen all the time. I had a similar conversation a few months ago with the owners of Magic Mountain, Idaho, who frequently sell tubing tickets to folks headed to Magic Mountain, Vermont, which has no tubing. Upon discovering this, typically at the hour assigned on their vouchers, these would-be customers call Idaho for a refund, which the owners grant. But since Magic Mountain, Idaho can only sell a limited number of tickets for each tubing timeslot, this internet misfire, impossible in 1993, means the mountain may have forfeited revenue from a different customer who understands how ZIP codes work.Sixty-seven years after the Giants baseball franchise moved from Manhattan to San Francisco, NFL commentators still frequently refer to the “New York football Giants,” a semantic relic of what must have been a confusing three-decade cohabitation of two sports teams using the same name in the same city. Because no one could possibly confuse a West Coast baseball team with an East Coast football team, right?But the internet put everything with a similar name right next to each other. I frequently field media requests for a fellow names Stuart Winchester, who, like me, lives in New York City and, unlike me, is some sort of founder tech genius. When I reached out to Mr. Winchester to ask where I could forward such requests, he informed me that he had recently disappointed someone asking for ski recommendations at a party. So the internet made us all dumb? Is that my point? No. Though it's kind of hilarious that advanced technology has enabled new kinds of human error like mixing up ski areas that are thousands of miles apart, this forced contrast of two entities that have nothing in common other than their name and their reason for existence asks us to consider how such timeline cohabitation is possible. Isn't the existence of Alterra-owned, Ikon Pass staple Big Bear, with its hundreds of thousands of annual skier visits and high-speed lifts, at odds with the notion of hokey, low-speed, independent, Boondocks-situated Ski Big Bear simultaneously offering a simpler version of the same thing on the opposite side of the continent? Isn't this like a brontosaurus and a wooly mammoth appearing on the same timeline? Doesn't technology move ever upward, pinching out the obsolete as it goes? Isn't Ski Big Bear the skiing equivalent of a tube TV or a rotary phone or skin-tight hip-high basketball shorts or, hell, beartrap ski bindings? Things no one uses anymore because we invented better versions of them?Well, it's not so simple. Let's jump out of normal podcast-article sequence here and move the “why now” section up, so we can expand upon the “why” of our Ski Big Bear interview.Why now was a good time for this interviewEvery ski region offers some version of Ski Big Bear, of a Little Engine That Keeps Coulding, unapologetically existent even as it's out-gunned, out-lifted, out-marketed, out-mega-passed, and out-locationed: Plattekill in the Catskills, Black Mountain in New Hampshire's White Mountains, Middlebury Snowbowl in Vermont's Greens, Ski Cooper in Colorado's I-70 paper shredder, Nordic Valley in the Wasatch, Tahoe Donner on the North Shore, Grand Geneva in Milwaukee's skiing asteroid belt.When interviewing small ski area operators who thrive in the midst of such conditions, I'll often ask some version of this question: why, and how, do you still exist? Because frankly, from the point of view of evolutionary biologist studying your ecosystem, you should have been eaten by a tiger sometime around 1985.And that is almost what happened to Ski Big Bear AKA Masthope Mountain, and what happened to most of the dozens of ski areas that once dotted northeast Pennsylvania. You can spend days doomsday touring lost ski area shipwrecks across the Poconos and adjacent ranges. A very partial list: Alpine Mountain, Split Rock, Tanglwood, Kahkout, Mount Tone, Mount Airy, Fernwood - all time-capsuled in various states of decay. Alpine, slopes mowed, side-by-side quad chairs climbing 550 vertical feet, base lodge sealed, shrink-wrapped like a winter-stowed boat, looks like a buy-and-revive would-be ski area savior's dream (the entrance off PA 147 is fence-sealed, but you can enter through the housing development at the summit). Kahkout's paint-flecked double chair, dormant since 2008, still rollercoasters through forest and field on a surprisingly long line. Nothing remains at Tanglwood but concrete tower pads.Why did they all die? Why didn't Ski Big Bear? Seven other public, chairlift-served ski areas survive in the region: Big Boulder, Blue Mountain, Camelback, Elk, Jack Frost, Montage, and Shawnee. Of these eight, Ski Big Bear has the smallest skiable footprint, the lowest-capacity lift fleet, and the third-shortest vertical drop. It is the only northeast Pennsylvania ski area that still relies entirely on double chairs, off kilter in a region spinning six high-speed lifts and 10 fixed quads. Ski Big Bear sits the farthest of these eight from an interstate, lodged at the top of a steep and confusing access road nearly two dozen backwoods miles off I-84. Unlike Jack Frost and Big Boulder, Ski Big Bear has not leaned into terrain parks or been handed an Epic Pass assist to vacuum in the youth and the masses.So that's the somewhat rude premise of this interview: um, why are you still here? Yes, the gigantic attached housing development helps, but Phillips distills Ski Big Bear's resilience into what is probably one of the 10 best operator quotes in the 209 episodes of this podcast. “Treat everyone as if they just paid a million dollars to do what you're going to share with them,” she says.Skiing, like nature, can accommodate considerable complexity. If the tigers kill everything, eventually they'll run out of food and die. Nature also needs large numbers of less interesting and less charismatic animals, lots of buffalo and wapiti and wild boar and porcupines, most of which the tiger will never eat. Vail Mountain and Big Sky also need lots of Ski Big Bears and Mt. Peters and Perfect Norths and Lee Canyons. We all understand this. But saying “we need buffalo so don't die” is harder than being the buffalo that doesn't get eaten. “Just be nice” probably won't work in the jungle, but so far, it seems to be working on the eastern edge of PA.What we talked aboutUtah!; creating a West-ready skier assembly line in northeast PA; how – and why – Ski Big Bear has added “two or three weeks” to its ski season over the decades; missing Christmas; why the snowmaking window is creeping earlier into the calendar; “there has never been a year … where we haven't improved our snowmaking”; why the owners still groom all season long; will the computerized machine era compromise the DIY spirit of independent ski areas buying used equipment; why it's unlikely Ski Big Bear would ever install a high-speed lift; why Ski Big Bear's snowmaking fleet mixes so many makes and models of machines; “treat everyone as if they just paid a million dollars to do what you're going to share with them”; why RFID; why skiers who know and could move to Utah don't; the founding of Ski Big Bear; how the ski area is able to offer free skiing to all homeowners and extended family members; why Ski Big Bear is the only housing development-specific ski area in Pennsylvania that's open to the public; surviving in a tough and crowded ski area neighborhood; the impact of short-term rentals; the future of Ski Big Bear management, what could be changing, and when; changing the name from Masthope Mountain and how the advent of the internet complicated that decision; why Ski Big Bear built maybe the last double-double chairlift in America, rather than a fixed-grip quad; thoughts on the Grizzly and Little Bear lifts; Indy Pass; and an affordable season pass.What I got wrongOn U.S. migration into cities: For decades, America's youth have flowed from rural areas into cities, and I assumed, when I asked Schmalzle why he'd stayed in rural PA, that this was still the case. Turns out that migration has flipped since Covid, with the majority of growth in the 25-to-44 age bracket changing from 90 percent large metros in the 2010s to two-thirds smaller cities and rural areas in this decade, according to a Cooper Center report.Why you should ski Ski Big BearOK, I spent several paragraphs above outlining what Ski Big Bear doesn't have, which makes it sound as though the bump succeeds in spite of itself. But here's what the hill does have: a skis-bigger-than-it-is network of narrow, gentle, wood-canyoned trails; one of the best snowmaking systems anywhere; lots of conveyors right at the top; a cheapo season pass; and an extremely nice and modern lodge (a bit of an accident, after a 2005 fire torched the original).A ski area's FAQ page can tell you a lot about the sort of clientele they're built to attract. The first two questions on Ski Big Bear's are “Do I need to purchase a lift ticket?” and “Do I need rental equipment?” These are not questions you will find on the website for, say, Snowbird.So mostly I'm going to tell you to ski here if you have kids to ski with, or a friend who wants to learn. Ski Big Bear will also be fine if you have an Indy Pass and can ski midweek and don't care about glades or steeps, or you're like me and you just enjoy novelty and exploration. On the weekends, well, this is still PA, and PA skiing is demented. The state is skiing's version of Hanoi, Vietnam, which has declined to add traffic-management devices of any kind even as cheap motorbikes have nearly broken the formerly sleepy pedestrian city's spine:Hanoi, Vietnam, January 2016. Video by Stuart Winchester. There are no stop signs or traffic signals, for vehicles or pedestrians, at this (or most), four-way intersections in old-town Hanoi.Compare that to Camelback:Camelback, Pennsylvania, January 2024. Video by Stuart Winchester.Same thing, right? So it may seem weird for me to say you should consider taking your kids to Ski Big Bear. But just about every ski area within a two-hour drive of New York City resembles some version of this during peak hours. Ski Big Bear, however, is a gentler beast than its competitors. Fewer steeps, fewer weird intersections, fewer places to meet your fellow skiers via high-speed collision. No reason to release the little chipmunks into the Pamplona chutes of Hunter or Blue, steep and peopled and wild. Just take them to this nice little ski area where families can #FamOut. Podcast NotesOn smaller Utah ski areasStep off the Utah mainline, and you'll find most of the pow with fewer of the peak Wasatch crowds:I've featured both Sundance and Beaver Mountain on the podcast:On Plattekill and Berkshire EastBoth Plattekill, New York and Berkshire East, Massachusetts punched their way into the modern era by repurposing other ski areas' junkyard discards. The owners of both have each been on the pod a couple of times to tell their stories:On small Michigan ski areas closingI didn't ski for the first time until I was 14, but I grew up within an hour of three different ski areas, each of which had one chairlift and several surface lifts. Two of these ski areas are now permanently closed. My first day ever was at Mott Mountain in Farwell, Michigan, which closed around 2000:Day two was later that winter at what was then called “Bintz Apple Mountain” in Freeland, which hasn't spun lifts in about a decade:Snow Snake, in Harrison, managed to survive:The Storm Skiing Journal and Podcast is a sustainable small business directly because of my paid subscribers. To upgrade, please click through below. Thank you for your support of independent ski journalism. Get full access to The Storm Skiing Journal and Podcast at www.stormskiing.com/subscribe

Hier ein Ausschnitt aus meinem Smag Sundance DJ Set zum 20ten Jubiläum. Enjoy the music...

Award-winning Cherokee and Kiowa filmmaker Loren Waters takes us on a journey through her transformative path in the film industry, starting with her roots in environmental studies and culminating in her influential roles in television and film. We engage with Loren as she shares her passion for storytelling, underscoring the power it holds in amplifying Native voices and inspiring cultural revitalization. Her work on projects like OCO TV, Reservation Dogs, and The Sensitive Kind illustrates not only her commitment to authentic representation but also her drive to open new creative avenues for Indigenous narratives.Our conversation branches into the dynamic interplay between cultural heritage and environmental themes in film. Loren discusses the emergence of Native talent in the industry, crediting trailblazers like Taika Waititi for broadening opportunities. Highlighting projects such as "Meet Me at the Creek," we explore the potential of storytelling to spark community action and address pressing issues in a way that resonates deeply with audiences. From the Sundance-premiered short film "Tiger" to the flourishing creative scene in Tulsa, Loren's insights reveal the vibrant and supportive network fostering Indigenous artists and filmmakers.Listeners are invited to explore the challenges and triumphs of navigating the film industry as a Native filmmaker. Loren candidly shares her experiences with securing grants, balancing major productions, and nurturing personal projects. As the executive director of the Lindy Waters III Foundation, she is dedicated to empowering the next generation of Native creatives through mentorship and opportunities. Our discussion concludes with reflections on the power of collaboration, the importance of authentic storytelling, and the filmmaker's aspirations for the future, leaving us with a profound appreciation for the impact of narratives on community connection and empowerment.

On this week's show, Julia and Dana are joined by June Thomas for a decidedly feminist discussion. They start with Sorry, Baby, the debut feature from writer, director, and actor Eva Victor, about a young academic's life after a terrible trauma. The panel debates whether the film— which was a Sundance hit for A24 — is a tart, surprising traumedy or a frustratingly evasive experiment. Next, they get into Dear Ms.: A Revolution in Print, the HBO documentary about the pioneering feminist magazine. Finally, they take up a recent New York Times piece to determine whether the straight white male novelist is a thing of the past—and if we should care. Steve hops on the call to offer his token male perspective, naturally. In an exclusive plus bonus episode, the feminist discourse continues with a conversation about  the oft overlooked fashion designer Claire McCardell, who is the subject of a recent biography Claire McCardell: The Designer Who Set Women Free by Elizabeth Evitts Dickinson and book review by our very own Julia Turner. Endorsements: Dana: The essay “It's Only An Island If You Look At It From The Water” by Elizabeth Cantwell in Bright Wall Dark Room about the film Jaws on its 50th anniversary. June : The action film Heads of State starring John Cena and Idris Elba, or “Mamma Mia! with explosions.” Julia -  The new book Empire of the Elite by Michael Grynbaum about the magisterial publishing reign of Condé Nast. (Recently excerpted in the New York Times.) Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's show, Julia and Dana are joined by June Thomas for a decidedly feminist discussion. They start with Sorry, Baby, the debut feature from writer, director, and actor Eva Victor, about a young academic's life after a terrible trauma. The panel debates whether the film— which was a Sundance hit for A24 — is a tart, surprising traumedy or a frustratingly evasive experiment. Next, they get into Dear Ms.: A Revolution in Print, the HBO documentary about the pioneering feminist magazine. Finally, they take up a recent New York Times piece to determine whether the straight white male novelist is a thing of the past—and if we should care. Steve hops on the call to offer his token male perspective, naturally. In an exclusive plus bonus episode, the feminist discourse continues with a conversation about  the oft overlooked fashion designer Claire McCardell, who is the subject of a recent biography Claire McCardell: The Designer Who Set Women Free by Elizabeth Evitts Dickinson and book review by our very own Julia Turner. Endorsements: Dana: The essay “It's Only An Island If You Look At It From The Water” by Elizabeth Cantwell in Bright Wall Dark Room about the film Jaws on its 50th anniversary. June : The action film Heads of State starring John Cena and Idris Elba, or “Mamma Mia! with explosions.” Julia -  The new book Empire of the Elite by Michael Grynbaum about the magisterial publishing reign of Condé Nast. (Recently excerpted in the New York Times.) Learn more about your ad choices. Visit megaphone.fm/adchoices

In this first episode of Season 2, documentarian Madeline Gavin joins Past Present Feature to discuss the making of "Beyond Utopia", her gripping BAFTA and Emmy-nominated film about North Korean defectors. She reflects on the emotional intensity of telling stories under high-stakes conditions and the delicate trust required between filmmaker and subject. From the invisible hand of editing to the indivisibility of sound and image, Madeline shares insights into her creative process, drawing inspiration from powerful works like "Collectiv" and exploring how specificity in storytelling can lead to universal resonance. This marks the first episode of Season 2, where we're mixing things up - continuing to speak with filmmakers about their latest work and past inspirations, while also expanding the conversation to include deep dives into older films and voices behind the scenes, like curators and festival programmers who play a crucial role in a film's success.What Movies Are You Watching?Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature

‘Looking' and ‘American Horror Story: NYC' star Russell Tovey joins the show. Over samosas, Russell tells me about growing up as a queer kid in ‘90s Essex, dating using astrology, and his special bond with his pup Rocky. Plus, we get into his new film ‘Plainclothes,' which made a splash at Sundance. This episode was recorded at Kricket in Shoreditch in East London. Want next week's episode now? Subscribe to Dinner's on Me PLUS. As a subscriber, not only do you get access to new episodes one week early, but you'll also be able to listen completely ad-free! Just click “Try Free” at the top of the Dinner's on Me show page on Apple Podcasts to start your free trial today. A Sony Music Entertainment & A Kid Named Beckett production. Get 15% off your Saily plan with the code ⁠dinnersonme⁠. Just download the Saily app or head to ⁠https://saily.com/dinnersonme⁠. Stay connected — and don't miss your dinner reservation. Stay connected — and don't miss your dinner reservation. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Filmmaker Mark Romanek's early love of cinema not only lead him to early acclaim at Sundance for his 1986 film Static, but his later award-winning feature films like One Hour Photo (2002), and Never Let Me Go (2010). But it also lead him to become one of the most prolific and identifiable auteurs of the 1990's music video boom, with a client list that includes Jay-Z, Beck, Fiona Apple, Beyonce, Nine Inch Nails, Taylor Swift, Billie Eilish, Lady Gaga, David Bowie, and even Johnny Cash. In this week's Special Episode, we take a detour from chats with musical artists and record producers to talk about the images behind popular music icons, and Romanek's ongoing journey of sound and vision.   The Record Store Day Podcast is a weekly music chat show written, produced, engineered and hosted by Paul Myers, who also composed the theme music and selected interstitial music.  Executive Producers (for Record Store Day) Michael Kurtz and Carrie Colliton. For the most up-to-date news about all things RSD, visit RecordStoreDay.com   Please consider subscribing to our podcast wherever you get podcasts, and tell your friends, we're here every week and we love making new friends.

We're thrilled to welcome back author and Who? Weekly co-host Bobby Finger this week to talk about a fun modest thriller that helped turn one of our favorites into an industry darling. In 2001, director duo Scott McGehee and David Siegel brought thriller adaptation The Deep End to Sundance starring queer art cinema icon Tilda Swinton. As … Continue reading "349 – The Deep End (with Bobby Finger!)"

Random Vegas July 2nd is a popular date to open a casino, just before the 4th of July weekend crowd comes in. In Vegas history, 5 properties have opened on July 2nd.  They are the Stardust which opened in 1958, International, best known as the Hilton but currently known as Westgate, opened in 1969, Plaza opened in 1971, Holiday Casino, known today as Harrah's, opened in 1972 and Sundance, known today as the D, opened in 1980. (Vegas_Visual) TwitPic of the week She may have been a dud in reality but the Landmark was still a looker, shared by@las_when. Incorrectly said to be inspired by the Jetson's cartoon home, the Landmark project was designed several years before the start of that show. Some say it was inspired by the space needle in Seattle but in truth, the two were designed around the same time so any similarities are most likely coincidental. The Landmark is another one of those properties that lives on idyllically in people's minds, a Vegas legend. News Best Lobby Bars View and Drinks Bottled Blonde

Next on A2 THE SHOW: We're joined by the brilliant and unapologetically raw Dave Merheje — one of the most fearless voices in comedy today. A Juno Award winner and star of Hulu's Ramy, Dave opens up about navigating identity as a Lebanese-Canadian, the power of embracing heritage, and how comedy became his therapy. From performing in the Middle East to acting alongside Daisy Ridley at Sundance, we delve into his journey, exploring his struggles with anxiety, his faith, his family, and his quest to find his voice on stage. Get ready for an episode full of heart, laughs, and real talk.

It's officially summertime, and with the AC blasting in multiplexes around the globe, Film Comment Editors Clinton Krute and Devika Girish invited two fellow respite seekers, critics Alana Pockros and Adam Nayman, to chat about some of the buzziest new releases in circulation. The group begins with a deep dive into Celine Song's romantic comedy Materialists (2:50) before turning to Eva Victor's Sundance sensation Sorry, Baby (25:25); the racing blockbuster F1 (41:15), starring Brad Pitt; and the latest entry in Danny Boyle's zombie franchise, 28 Years Later (56:03).

Ep. 331: Eva Victor, writer-director of Sorry, Baby, on the film's influences and her recent viewing Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. I've been eager for people to see Eva Victor's Sorry, Baby ever since I saw it at Sundance (where it picked up a prize). A wonder of a film, it's the funny and moving story of a woman working through trauma, with Victor playing the leading role, opposite Naomi Ackie (Mickey 17) and Lucas Hedges (Manchester by the Sea). The writer-director brings her tonal and emotional precision both as a performer and as a writer to a debut feature that blazes its own path (distinct from the comedic shorts that were my first introduction to her work). I was delighted to speak with Victor about influences on the film (ranging from Certain Women to The Handmaiden and beyond), as well as her recent viewing. Sorry, Baby is in theaters now, distributed by A24. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

The writer, director, and star of the Sundance hit and new A24 release joins IndieWire's Chris O'Falt to break down their directorial debut. Eva was forthright about the challenges of learning how to direct (including a graduate level film class of sorts supervised by Barry Jenkins) and also explored how she balanced a gentle tonal approach to a tough subject. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sandi DuBowski discusses the one-year anniversary of his film Sabbath Queen, which he spent 21 years making. He reflects on the journey of the 21st-century radical rabbi and how it has shaped their life. He discusses the inspiration behind his film, Tomboychik, the concept of which was developed after conversations with his grandmother. The film is a living video memorial to her spirit; it won several awards, including the Golden Gate award at the San Francisco Film Festival and the Whitney Museum program, and launched Sandi into the film world. Documentary Films and Festivals  Sandi talks about his work as an associate director of the New York Lesbian/Gay Experimental Film Video festival, MIX. He initially worked on a feature film called Fresh Kill and later worked for Planned Parenthood as a researcher and producing videos. After working for Planned Parenthood, he started filming the major feature documentary, Trembling Before G-d, about Hasidic and Orthodox Jews who are lesbian or gay. The film had a World Premiere at Sundance, and won two prizes at the Berlin Film Festival. It screened in cinemas and festivals worldwide, and Sandi went on the road for three years, doing outreach and engagement. Sandi concludes by expressing gratitude for the support and funding he received from the Steven Spielberg Righteous Persons Foundation. He also mentions that his film Sabbath Queen has been a significant moment in his life, as he reconnects with classmates from Harvard, high school, elementary school, film, queer, Jewish, and activist circles. The film has been a testament to the power of storytelling and the transformative power of time. Breaking from Traditional Religious Conventions Sandi fell into the world of filmmaking by accident. He worked with great people, including cinematographers and editors, to create a team of creatives. The film "Trembling Before G-d" was a significant leap forward in technical craft and embraced the lives of people who were not in the public realm. The first Orthodox gay Rabbi came out in the film, and the first person from a Hasidic world to come out as lesbian was featured. The film also convinced Orthodox rabbis to speak publicly on the issue, which was a tipping point in the culture. The filmmaker met with Amichai, who was already post-denominational and pushing the boundaries of Orthodoxy. Sandi talks about the film's concept and how it inspired a Muslim man to make a movie on Islam and homosexuality. Filming the Documentary Sabbath Queen Sandi shares the journey of filming Sabbath Queen, which involved following Rabbi Amichai over 21 years. The film took six years to edit due to multiple storylines, nearly 3000 hours of footage, and time spent exploring Amichai's complex identity and his numerous worlds within his rabbinic family. The film was a complicated project, but Sandi and Amichai have remained close friends. The film is Biblical in many ways, as it is a coming of age and a paradigm shift from a thousands-year-old faith to the present. The film aims to address the challenges faced by religion, as well as the rise of authoritarianism and fascism. Sandi believes that creating a film that looks at time and how values can be manifested in our lives, communities, families, houses of worship, and nations is crucial for upholding values and morals. A Documentary Filmmaker's Journey Sandi shares his experiences and lessons learned from his journey as a documentary filmmaker. He explains that his life has been unexpected and doesn't fit neatly into boxes. He also shares his experience with Good Pitch, a platform that focuses on social issue documentaries and collaborations with filmmakers. He has built a strong community around films and the film movement, which has been translated into his work with Sabbath Queen. He believes that film communities intersect with many other communities, creating an outpouring of connection and networks. One of the ways Sabbath Queen is promoting community is through live rituals and gatherings. In Berlin, he hosted a Sabbath Queen Friday night feast with Rabbi Amichai, which encouraged togetherness, peacemaking, and reflection. In San Francisco, they hosted a SoulSpa and in Chicago a Saturday night Let the Light In. Sandi also talks about expanded cinema and the importance of gathering, him co-founding a progressive group called The Creative Resistance with media makers and a Queens Food Caravan. Sandi discusses the importance of having creative collaborators who provide feedback and help in the process of creating a character-driven film. He mentions that it is crucial to have test screenings and feedback screenings to help filmmakers work on their work over time. Influential Harvard Professors and Courses Sandi mentions a History and Literature course on the Vietnam War. The course focused on the interdisciplinary nature of storytelling and history, which helped Sandi understand how we process our lives, stories, wounds, and traumas.  Timestamps: 03:28: Early Film Projects and Personal Exploration  12:34: Transition to Long-Term Documentary Filmmaking 22:01: Challenges and Rewards of Long-term Filmmaking  22:23: Personal Life and Community Building  22:41: Advice for Long-term Documentary Filmmakers  41:35: Impact of Sabbath Queen and Future Plans Featured Non-profit: The featured non-profit of this episode of The 92 Report is recommended by Mark Jacobstein, class of ‘92, who reports: “Hi. I'm Mark Jacobstein, class of 1992. The feature nonprofit of this episode of The 92 Report is The Friends of Cancer Research. The Friends of Cancer Research powers advances in science and policy that speed life saving treatments to patients. I'm proud to have worked with them during my time at Garden Health and found that they were by far the most important and effective 501, C3, in the world of cancer research. You can learn more about their work at Friends of Research, friends of cancer research.org, and now here's Will Bachman with this week's episode.” To learn more about their work, visit: FriendsofCancerResearch.org.  

In this episode of Occupied Thoughts, FMEP Fellow Hilary Rantisi speaks with author & architect Suad Amiry and film & TV director/actor/producer Cherien Dabis. They discuss Cherien's latest film, All That's Left of You, an intergenerational story that goes back to the 1948 Nakba and arrives at the present and premiered at Sundance in early 2025. They talk about one of Suad's most famous books, Sharon and My Mother-in-Law, about life under Israeli occupation on the West Bank, and its upcoming adaptation to the screen, which Cherien will direct. Along the way, they discuss the effect of humor in storytelling, the role of diaspora Palestinians and relationship to the broader Palestinian collective, and the urgency of telling Palestinian stories.  Suad Amiry is an award-winning conservation architect and writer. She is Professor of Architecture at Jordan University and Birzeit University, Palestine and a cultural heritage specialist focusing on conservation of historic buildings and revitalization of historic centers. Amiry is the founding director of Riwaq, which endeavors to protect and develop architectural heritage in Palestine and took a major role in the revitalization of the most significant 50 historic centers in rural Palestine. She is widely published and has authored many architectural books and other non-fiction books, including Sharon and My Mother-in-Law (2003, translated into 18 languages); If this is a Life? (2005); Nothing to Lose but Your Life: An 18 Hour Journey with Murad (2010); Golda Slept Here (2014); My Damascus (2016); and Mother of Strangers (2022). On Cherien Dabis is a trailblazing Palestinian American filmmaker and actress who has established herself as a creative force across a variety of mediums. She forged a new genre of Arab American storytelling with her critically acclaimed first feature “Amreeka.” The film world-premiered at the 2009 Sundance Film Festival and won the coveted FIPRESCI International Critics Prize at the Cannes Film Festival. Dabis wrote, directed and starred in her highly anticipated third feature film “All That's Left of You,” which world-premiered to critical acclaim at the 2025 Sundance Film Festival. Dabis has directed standout episodes of hit television series such as Hulu's “Ramy” and Netflix's “Ozark." In 2022, she became the first Palestinian Emmy nominee for her groundbreaking, dialogue-free episode of Hulu's comedy “Only Murders in the Building.” Her acting credits include Netflix's “Mo,” Amazon Prime's “Fallout” and Tarek Saleh's “Eagles of the Republic,” which was in competition at this year's Cannes Film Festival. Hilary Rantisi grew up in Palestine and has been involved with education and advocacy on the Middle East since her move to the US. She is a 2025 Fellow at FMEP and was most recently the Associate Director of the Religion, Conflict and Peace Initiative (RCPI) and co-instructor of Learning in Context: Narratives of Displacement and Belonging in Israel/Palestine at Harvard Divinity School. Original music by Jalal Yaquob.

On this Thursday bonus episode we are going to play the interview from episode 424 from May 2023 with writer and director Emily Abt who talks about getting into Sundance with her first feature and making her second feature Thirsty, which is not streaming on all platforms! I thought this was a great time to re-release the episode now that the movie is out and ready to be shared with the world! After that we play another round of You're the expert, enjoy! Don't forget to support us on Patreon! www.patreon.com/mmihpodcast Leave us a Review on Apple Podcasts! https://podcasts.apple.com/us/podcast/making-movies-is-hard-the-struggles-of-indie-filmmaking/id1006416952

Ten years ago, 2015 was the year of the epic Western. Two films, Alejandro Iñárritu's The Revenant and Quentin Tarantino's The Hateful Eight, clocked in at an average length of 170 minutes and scored a combined 15 Academy Award nominations, winning 4 between them. As a pair, the two films brought in nearly $700 million at the box office. Along with John Maclean's Sundance darling Slow West, the year marked a return to prominence of the western genre, foreshadowing the next decade's breakout hits like Taylor Sheridan's Yellowstone and Hell or High Water, and Martin Scorsese's Killers of the Flower Moon. Slipping somewhat under the radar in 2015 was the directorial debut of S. Craig Zahler, a prolific author and screenwriter with a penchant for wit, grit, and gore. Zahler cast Kurt Russell, Patrick Wilson, Matthew Fox, and Richard Jenkins in a Western akin to John Ford's The Searchers by way of Wes Craven's The Hills Have Eyes. When townsfolk are kidnapped by a clan of troglodyte cannibals, four men - the sheriff, a cowboy, a gunslinger, and the back-up deputy - ride out as a posse to rescue them. The indie film quickly earned praise for its direction, dialogue, and disturbing imagery, and has built a cult following in the decade hence. But is our posse of hosts in agreement on how Bone Tomahawk lands? Or will we, too, be split down the middle?   For more geeky podcasts visit GonnaGeek.com    You can find us on iTunes under ''Legends Podcast''. Please subscribe and give us a positive review. You can also follow us on Twitter @LegendsPodcast or even better, send us an e-mail: LegendsPodcastS@gmail.com    You can write to Rum Daddy directly: rumdaddylegends@gmail.com    You can find all our contact information here on the Network page of GonnaGeek.com Our complete archive is always available at www.legendspodcast.com, www.legendspodcast.libsyn.com  Music: Title Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 https://creativecommons.org/licenses/by/4.0/

In this episode, GG Hawkins speaks with writer-director Alessandra Lacorazza about her award-winning film In the Summers, which took home both the U.S. Grand Jury Prize and Best Director at the 2024 Sundance Film Festival. Lacorazza shares the deeply personal roots of the film, the tumultuous road to production, and the pressures of staying true to a creative vision in the face of industry challenges. The conversation dives into casting across timelines, editorial discovery, and the intense final days before Sundance. It's an intimate and inspiring look at how a deeply personal, quietly powerful film almost didn't get made—and why it ultimately resonated so profoundly. In this episode, No Film School's GG Hawkins and guest Alessandra Lacorazza discuss... The semi-autobiographical inspiration behind In the Summers Creating emotionally complex characters and tender portrayals of masculinity Casting multiple actors for the same role across time The chaotic production process and financial uncertainty before filming How Alessandra balanced creative integrity with commercial pressures Editing discoveries, including changing the film's ending after test screenings What it was like to win at Sundance—while sick and alone The unexpected emotional reach of the film across different demographics Advice for emerging filmmakers on trusting collaborators and staying clear on your vision Memorable Quotes: “I just knew I couldn't make this film with that suggestion... I'd rather not make it because it won't be good.” “Making the film was harder than having a baby.” “There's no real villain, and you just leave the audience to make up their own mind.” “If you don't [know your story], you're going to get lost in the maze, and then your editing process is going to be a lot more complicated.” Guest: Alessandra Lacorazza Resources: In the Summers is now available to stream on Hulu. Find No Film School everywhere: On the Web: No Film School Facebook: No Film School on Facebook Twitter: No Film School on Twitter YouTube: No Film School on YouTube Instagram: No Film School on Instagram

The Masters of Deception are presently working overtime to foment chaos and confusion.  Civil War in the U.S., genocide in the Middle East and the balkanization of Russia are just a few of the theatrical treats well under way.  There's nothing new under the Sun, and current events simply mirror the cyclic game-plan rehashed through centuries past.   After being relentlessly hunted by faceless agents, a bewildered Butch Cassidy famously queried Sundance, his partner in crime, "who are these guys?!" The same question has crossed many minds in more recent times, as the undeniable antics of a predator class are now beginning to dispel the collective hypnosis. Alfacast friend, and audience favorite, Steve Falconer, returns with his incredible depth of knowledge to further expose the duplicitous machinations of these shadowy villains and the black box sorcery they use to maintain their power. In the last few shows with Steve, he identified a diversity of complicit players in secretive sects to paint a revealing mosaic from ancient times to the current globalists agenda.  Rather than adding to this already comprehensive historical analysis, we've decided to conduct Part III in a roundtable discussion format.  A growing portion of the populace is feeling a palpable & foreboding tension, so what can we do about it? The fact is, "we" have always held all of the cards, and this end-game is being played out exclusively on the mental plane.  Weapons of mass distraction are the deadliest of all, and this Alfacast will focus on the re-emergence of ancient truths that we can use now to counter the agenda to usurp the Life Force of each and every embodied Soul. Steve is a prolific investigator and the voice of Spacebusters on Youtube, Bitchute, Odysee and Vigilante.tv. He is also the author of the children's book "The Dukes of Dense", available on all Amazon platforms and a former writer and administrator for Truth Serum News, where he wrote under the pen name Areyou Sure.  He is a former Chicago native living in Copenhagen Denmark, a music teacher and full time touring musician. He is a father and researcher into all things hidden, esoteric and out of the ordinary daily experience, with a gift for debunking or demystifying occulted information. Show links:    / @spacebusters3933   Catch Barre & friends on the Aetheric Summit June 14th & 15th https://www.aethericsummit.com/barre Join the Free masterclass on The Hidden Roots of Birth w/ Eyla Cuenca https://www.uncoveringbirth.com/a/214... Learn The True Nature Of Dis-Ease & How Our Bodies Actually Work: https://alfavedic.com/themyth/ Join Our Private Community And Join In The Discussion: https://alfavedic.com/join-us/ Follow our new YT channel: / @offgridelegance Start healing yourself and loved ones with ozone! https://alfavedic.com/ozone Get our favorite blue blocker glasses! https://alfavedic.com/raoptics Learn how to express your law and uphold your rights as one of mankind. https://alfavedic.com/lawformankind Alfa Vedic is an off-grid agriculture & health co-op focused on developing products, media & educational platforms for the betterment of our world. By using advanced scientific methods, cutting-edge technologies and tools derived from the knowledge of the world's greatest minds, the AV community aims to be a model for the future we all want to see. Our comprehensive line of health products and nutrition is available on our website. Most products are hand mixed and formulated right on our off grid farm including our Immortality Teas which we grow on site. Find them all at https://alfavedic.com​​​​​​​​​​​​​​ Follow Alfa Vedic: https://linktr.ee/alfavedic Follow Mike Winner: https://linktr.ee/djmikewinner

On today's episode, we welcome Michael G. Kehoe, a filmmaker who turned a whisper of an idea into the resounding voice of a feature film. From Brooklyn to Hollywood, from an eight-year-old boy watching his mother direct community theater to a director commanding his own set, Michael's journey is one of persistence, heartbreak, and sheer creative will.In this profound conversation, Michael G. Kehoe shares the winding road of his career, one marked by passion and loss. A pact among friends, the bright lights of New York, and the uncertainty of Los Angeles formed the backdrop to his early years. But it was a personal tragedy—the untimely passing of two close friends—that set the stage for his first short film, Second Dance. With no roadmap but a fierce determination, he crafted a story that not only resonated but landed him in the heart of Sundance, proving that even the smallest project can open the biggest doors.The journey didn't stop there.Years later, inspired by his twin boys' innocent bedtime fears, he penned a horror story that would eventually become The Hatred. Rather than waiting for a green light from the industry, he carved his own path. He created Hush, a short film that distilled the very essence of fear—the anticipation of the unknown. The reaction was immediate. Audiences jumped, festivals awarded, and industry heavyweights, including the producers behind Halloween, took notice. The lesson? The industry rewards those who show, not just tell.But success in Hollywood is rarely a straight road. Shooting The Hatred on a tight budget and an even tighter schedule meant adapting, improvising, and making every shot count. “Poverty breeds creativity,” Michael says, a testament to the resilience needed in independent filmmaking. Working with a largely female cast, he crafted a horror film that stood apart from the blood-soaked clichés, focusing instead on atmosphere, character, and tension. The result? A film that paid homage to the horror classics of the past while carving its own identity in the present.Of course, filmmaking is a collaborative art. Michael speaks of the relationships that make the journey worthwhile—the actors who return to work with him time and again, the cinematographers who bring his visions to life, and the producers who take a chance on passion over pedigree. “Surround yourself with people smarter than you,” he advises. A lesson as true for life as it is for film.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

In part three of this three-part series, at Leonard’s trial in 1977 federal prosecutors changed the failed narrative from the Butler / Robideau trial, claiming that Leonard executed the agents with an AR15 that they claimed matched casings found near the bodies. Bruce Ellison and Ron Kuby explain how false evidence was used to secure a conviction that survived our appellate system and 8 presidencies. But through it all, Leonard never gave up, and with the help of tribal advocate Holly Macarro, he was finally granted clemency in the final minutes of the Biden Administration. The Wrongful Conviction of Leonard Peltier is a production of Lava For Good™ Podcasts in association with Signal Co. No1. It follows the January 2025 Sundance premiere of the documentary FREE LEONARD PELTIER, a searing investigation of the case from Public Square Films and directors David France and Jesse Short Bull. DONATE DIRECTLY BY CHECK TOLEONARD PELTIERPO BOX 760Belcourt ND 58316https://www.imdb.com/title/tt34966036/https://ndncollective.org/free-leonard-peltier/https://lavaforgood.com/podcast/414-guest-host-john-huffington-with-elmer-daniels/https://birchbarkbooks.com/products/prison-writingshttps://www.penguinrandomhouse.com/books/322000/in-the-spirit-of-crazy-horse-by-peter-matthiessen/ We have worked hard to ensure that all facts reported in this show are accurate. The views and opinions expressed by the individuals featured in this show are their own and do not necessarily reflect those of Lava for Good.See omnystudio.com/listener for privacy information.

424. Living with Bipolar Disorder: Cameron Esposito Stand-up comedian, actor, writer and friend, Cameron Esposito joins us for a conversation about being diagnosed and living with bipolar disorder. -Cameron takes us inside a manic episode and shares what it really felt like-The beauty and heartbreak of loving someone with a mental illness-What it means to be a witness to your own pain and your life-How comedy changes on and off medication for Cameron  Cameron Esposito is a standup comic, actor & writer. A nationally and internationally touring headliner, Cameron has released three specials, including the culture-shifting Rape Jokes, and three albums, the award-winning Same Sex Symbol amongst them. As an actor, Cameron has been seen on Netflix, Max, Prime Video, Hulu & many more, as well as in big budget movies & Sundance indies.  Cameron is the author of the bestselling book, Save Yourself, about growing up very religious and very gay and hosted the long-running podcast, Queery.Cameron will be on tour with their next hour of standup in select cities this year before it debuts at Chicago's famed Steppenwolf Theater in the fall. Cameron Esposito released their newest standup special, Four Pills—about being diagnosed with bipolar disorder at 40 – on comedy streaming service Dropout to broad acclaim; it was featured in Variety, the LA Times and People. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Ben Bowlin, new co-host of Wrongful Conviction and host of the long-standing podcast Stuff the Don’t Want You to Know and Jason Flom from the Wrongful Conviction podcast had the honor of sitting down for many hours to speak with Leonard Peltier about his personal life, the historical context of the resistance movement and events that led to the attack on Jumping Bull Ranch in ‘75, as well as his near 50 year fight for justice that led to his sentence commutation in the final minutes of the Biden Administration. In part two of this three-part series, the FBI had such a large suspect list after the shootout on Jumping Bull Ranch that it included every native combat veteran in the area and even a 4-year-old. But soon the target list was narrowed down to Dino Butler, Bob Robideau, and Leonard Peltier. Both Butler and Robideau were soon arrested, tried, and acquitted, successfully arguing self defense. But Leonard tells us how he sought help from Marlon Brando, and asylum in Canada before the presentation of false evidence brought him back to the US to stand trial. The Wrongful Conviction of Leonard Peltier is a production of Lava For Good™ Podcasts in association with Signal Co. No1. It follows the January 2025 Sundance premiere of the documentary FREE LEONARD PELTIER, a searing investigation of the case from Public Square Films and directors David France and Jesse Short Bull. We have worked hard to ensure that all facts reported in this show are accurate. The views and opinions expressed by the individuals featured in this show are their own and do not necessarily reflect those of Lava for Good.See omnystudio.com/listener for privacy information.

Jackie discusses her pre-menstrual cycle dreams, announces her (presumably) Sundance and Cannes award-winning live show, and gives updates on the Diddy and Blake Lively cases using her best legal jargon.Thanks for supporting my sponsors!Leesa Mattress: Get 20% off mattresses, plus get an extra $50 off with promo code BIBLE at www.Leesa.comAddyi: Check out the FDA-approved treatment for certain premenopausal women who are bothered by low libido and want their sex drive back at www.Addyi.comIQBAR: Get 20% off all IQBAR products, plus get shipping by texting BIBLE to 64000Home Chef: Get 50% off and free shipping for your first box, plus free dessert for life at www.HomeChef.com/BIBLETimeline: Get 10% off your order of Mitopure at www.timeline.com/bitchbibleSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.