Podcasts about Sundance

Anne Thompson and Ryan Lattanzio break down the underwhelming Film Independent Spirit Awards and what their winners actually mean for the Oscars. They also dive into political controversy at the Berlin Film Festival, revisit a star-studded Oscar screenwriters panel, and analyze the risky acquisition of a buzzed-about Sundance favorite. Plus, early reactions to new releases and what's worth watching this week. Learn more about your ad choices. Visit megaphone.fm/adchoices

Recorded live from the Sundance Film Festival, GG Hawkins hosts a roundtable conversation with four short film directors premiering work at the festival: Kelly McCormack (How Brief), Anna Baumgarten (Balloon Animals), Ana Alpízar (Norheimsund), and Anooya Swamy (Pankaja). The filmmakers discuss the origins of their films, navigating production across Cuba, India, Canada, and the U.S., working within (and outside of) film school structures, and the deeply personal themes of grief, mother-daughter relationships, disappearance, and survival that unexpectedly connect their work. In this episode, No Film School's GG Hawkins and guests discuss… Shooting narrative shorts on location in Havana, Bangalore, Vancouver, and Los Angeles Returning to Cuba to film Norheimsund after seeking asylum in the United States How Pankaja draws from growing up in the slums of Bangalore and confronting personal memory Making a $6,500 microbudget short inside a real grocery store overnight Building a short film over eight years and resisting the “proof of concept” mindset Working within NYU's film school structure versus creating outside institutional systems Casting mother-daughter dynamics rooted in real-life relationships Designing color theory, texture, cement, and dirt as emotional language Shooting inside real police stations and navigating bureaucracy while telling stories about it Grief as a “big soup of emotions” and balancing melancholy with comedy Collaborating with ride-or-die creative partners Advice for emerging filmmakers about not compromising and trusting instinct Memorable Quotes: “Dreaming doesn't cost a thing.” “Choosing oblivion.” “We often live really simple lives in complicated worlds.” “You are allowed not to compromise.” Guests: Kelly McCormack – Director, How Brief Anna Baumgarten – Writer/Director, Balloon Animals Ana Alpízar – Director, Norheimsund Anooya Swamy – Writer/Director, Pankaja Find No Film School everywhere: On the Web: No Film School Facebook: No Film School on Facebook Twitter: No Film School on Twitter YouTube: No Film School on YouTube Instagram: No Film School on Instagram

Episode #298 - Steven Blush has written seven books about rock and pop culture—including American Hardcore (2001), American Hair Metal (2006), 45 Dangerous Minds (2005), Lost Rockers (2015), New York Rock (2016), When Rock Met Disco (2023), and When Rock Met Reggae (2024)—as well as one about Billie Jean King's rebel tennis league, Bustin' Balls (2020), currently in television development. He wrote and produced the theatrically released, Sundance-premiered documentary American Hardcore (Sony Pictures Classics, 2006), followed by an expanded second edition of the American Hardcore book, now available in five languages. He joins Mistress Carrie to talk about the 40 year history of Rock and Hip Hop. Check out the custom playlist for Episode #298 here!Find Steven Blush here:WebsiteFacebookXInstagramOrder "When Rock Met Hip Hop here!Find Mistress Carrie Online:Official WebsiteThe Mistress Carrie Backstage Pass on PatreonXFacebookInstagramThreadsYouTubeCameoPantheon Podcast NetworkFind The Mistress Carrie Podcast online:InstagramThreads Learn more about your ad choices. Visit megaphone.fm/adchoices

Send a textToday we're bringing you three Sundance Film Festival short film narratives that explore the darker side of life.Crisis Actor follows an impulsive actress as she reaches a breaking point in her addiction to drama. We sit down with director/writer Lily Platt and actor Sarah Steele to talk victimhood, privilege, and why everyone could use a little therapy. Congrats to Crisis Actor for winning the Short Film Jury Award for US Fiction!Taga follows a Filipino American as she travels to the Philippines to reconnect to her roots, but encounters a group of eco-volunteers who disturb the village and awaken ancient monsters. Director/writer Jill Marie Sachs and producer Louise Barretto join us to discuss the wealth of monsters and folklore in Filipino culture, why they prepared an offering for the land before filming in a remote village of the Philippines, and how "woke backpackers" can sometimes turn toxic.In Prime, a trauma victim joins a utopian farm and realizes she's bitten off more than she can chew. Director/writer Meagan Coyle joins us to discuss why people are drawn to cults, the art of pacing in a short film, and how she went from make-up artist to director.Follow director Lily Platt on IGFollow actor Sarah Steele on IGFollow Taga on IGFollow director Jill Marie Sachs on IGFollow producer Louise Barretto on IGFollow director Meagan Coyle on IGSupport the showThanks for listening and for your support! We couldn't have won Best of the Bay Best Podcast in 2022 , 2023 , and 2024 without you! -- Fight fascism. Shop small. Use cash. Fuck ice. -- Support Bitch Talk here! Subscribe to our channel on YouTube for behind the scenes footage! Rate and review us wherever you listen to podcasts! Visit our website! www.bitchtalkpodcast.com Follow us on Instagram, Threads, and Substack Listen every Monday at 7 am on BFF.FM

Sharon Liese joins the show after premiering Seized at Sundance to unpack the story behind the Marion, Kansas newspaper raid that ignited a national debate around press freedom, abuse of power, and the fragility of the First Amendment. What begins as an egregious police search of a small-town newsroom expands into a layered portrait of community tension, history, ego, and how something unthinkable can happen in a place that looks quiet on the surface. The film moves beyond headlines into character, contradiction, and the uncomfortable gray areas that fueled the raid.We dig into craft and access: how Liese drove two hours the moment she heard the news on NPR, earned trust without a formal agreement for months, and built a film out of surveillance footage, body cams, courtroom material, and intimate interviews. She talks about structuring the story around a one-year time jump, using a young reporter as an audience surrogate, shaping tone so viewers can register the absurdity without losing the stakes, and making the call to abandon fourth-wall devices in favor of a cleaner, more immersive approach.She shares the films that informed her thinking during the edit, including All the President's Men and the investigative restraint of Laura Poitras' Citizenfour and Cover Up. Sharon reflects on what it meant to launch the film at Sundance amid both celebration and uncertainty in the documentary market. Advice to filmmakers: there are no shortcuts. Put in the hours, earn trust slowly, and keep showing up until the experience begins to live inside the work.What Movies Are You Watching?This episode is brought to you by BeastGrip. When you're filming on your phone and need something solid, modular, and built for real productions - including 28 Years Later and Left Handed Girl - BeastGrip's rigs, lenses, and accessories are designed to hold up without slowing you down. If you're ready to level up your mobile workflow, visit BeastGrip.com and use coupon code PASTPRESENTFEATURE for 10 % off.  Revival Hub is your guide to specialty screenings in Los Angeles - classics on 35mm, director Q&As, rare restorations, and indie gems you won't find on streaming. We connect moviegoers with over 200 venues across LA, from the major revival houses to the 20-seat microcinemas and more.Visit revivalhub.com to see what's playing this week.  Introducing the Past Present Feature Film Festival, a new showcase celebrating cinematic storytelling across time. From bold proof of concept shorts to stand out new films lighting up the circuit, to overlooked features that deserve another look. Sponsored by the Past Present Feature podcast and Leica Camera. Submit now at filmfreeway.com/PastPresentFeatureSupport the show Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature The Past Present Feature Film Festival - Nov. 20-22, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature

From the Big Sky Documentary Film Festival in Missoula, Montana, we sit down in the Trail 103.3 studios with filmmaker Pete Sillen, who brings two rare music documentaries to Big Sky: Speed Racer: Welcome to the World of Vic Chesnutt and Benjamin Smoke (co-directed with Jem Cohen).Pete shares how he first discovered the power of Vic Chesnutt's songwriting in Athens, Georgia, how a chance connection through Michael Stipe (R.E.M.) helped lead to filming during the recording of West of Rome, and why these two films — tied by friendship, influence, and the Georgia music scene — create a unique “conversation” when screened together.We also talk about documentary filmmaking in a fast-changing era, why human-scale storytelling matters more than ever, and what Pete's working on next — including his Sundance-premiered film Love Machina.Screening + Q&A (Missoula):

Send a textQueen of Chess is a documentary about Judit Polgár, a Hungarian girl who revolutionized the sport's patriarchal culture to become the greatest woman chess player of all time.We sit down with Judit Polgár and director Rory Kennedy to discuss how Judit knew Rory was the right person to tell her story, Rory's arduous hunt for archival footage, Judit's special bond with her sisters, playing chess blindfolded against Alec Baldwin, and the connection between punk music and chess.Watch Queen of Chess right now on Netflix!Follow Queen of Chess Judit Polgár on IGFollow director Rory Kennedy on IGSupport the showThanks for listening and for your support! We couldn't have won Best of the Bay Best Podcast in 2022 , 2023 , and 2024 without you! -- Fight fascism. Shop small. Use cash. Fuck ice. -- Support Bitch Talk here! Subscribe to our channel on YouTube for behind the scenes footage! Rate and review us wherever you listen to podcasts! Visit our website! www.bitchtalkpodcast.com Follow us on Instagram, Threads, and Substack Listen every Monday at 7 am on BFF.FM

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Andri Snær Magnason er nýkominn til landsins eftir að hafa fylgt eftir heimildarmyndinni Time and Water, sem gerð er upp úr bók hans Um tímann og vatnið. Myndin hefur verið sýnd til dæmis á Sundance kvikmyndahátíðinni og vakti mikla athygli. Við fengum Andra til að segja okkur frá myndinni og hvernig hún kom til og hver væri munurinn á henni og bókinni. Svo tókum við aðeins með honum stöðuna í loftslagsmálum, því það er auðvitað það sem Andri skrifaði um í bókinni, sem kom út árið 2019, þar sem hann notaði sögur af forfeðrum sínum og ættingjum til þess að fjalla um loftslagsvísindin og þær breytingar sem eru að verða sem hafa áhrif á allt líf á jörðinni. Við ræddum hvernig umræðan hefur breyst undanfarnið, til dæmis þegar Bandaríkjastjórn hefur afturkallað ákvaraðnir um hættu vegna gróðurhúsalofttegunda. Lesandi vikunnar í Mannlega þættinum í þetta sinn var svo Gunnar Lárus Hjálmarsson, betur þekktur sem Dr. Gunni. Við fengum hann til að segja okkur frá því hvaða bækur hann hefur verið að lesa undanfarið og hvaða bækur og höfundar hafa haft mest áhrif á hann í gegnum tíðina. Gunnar talaði um eftirfarandi bækur og höfunda: Einn, tveir þrír, fjór... Bítlarnir í tímanna rás e. Craig Brown (Þýð. Helgi Ingólfsson) Tune in e. Mark Lewisohn Ævisögur Charles Mingus, Thelonious Monk og Chet Baker Bækur Braga Ólafssonar, Braga Páls Sigurðsson og Ólaf Gunnarsson Kokkáll e. Dóra DNA Bjarmalönd e. Val Gunnarsson Reyndu aftur, ævisaga Magnúsar Eiríkssonar e. Tómas Hermannsson Boy on Fire um Nick Cave e. Matt Mordue The Big Midwwk, Life inside the Fall e. Steve Hanley Tónlist í þættinum í dag: Frost / Pálmi Gunnarsson og Ragnheiður Gröndal (Pálmi Gunnarsson, Ragnheiður Gröndal, Stefán Örn Gunnlaugsson) Frostrósir / Haukur Morthens (Freymóður Jóhannsson) UMSJÓN: GUÐRÚN GUNNARSDÓTTIR OG GUNNAR HANSSON

What does it actually mean to adapt a story- and how can radically different adaptations emerge from the same source material? In this episode, Jacob Krueger looks at the novel and film versions of Hamnet and the '90s award darling Shakespeare in Love to show how finding the location of your adaptation shapes character, structure, tone, and theme—and why successful adaptations are defined less by fidelity to source material than by the clarity of your intentions

In this episode, host Giles Alderson (The Dare) sits down with acclaimed director Corin Hardy for an in-depth conversation about craft, career trajectory, and working within the horror genre. Corin Hardy is an award-winning filmmaker, illustrator, sculptor, and writer known for a striking visual style that blends the macabre with the epic and the beautiful. After studying theatre design at Wimbledon School of Art, Hardy created the award-winning stop-motion short Butterfly (2004), which launched his directing career. He went on to direct acclaimed music videos for major artists, before making his feature debut with The Hallow, which premiered at Sundance and won multiple international awards. He later directed the global horror hit The Nun, part of The Conjuring Universe, and most recently completed his latest feature Whistle. In this episode, we discuss: Corin's early creative upbringing and DIY beginnings in practical FX Transitioning from shorts and music videos into feature filmmaking The making and impact of his debut feature The Hallow How he landed the directing role on The Nun Working within major studio franchises vs independent filmmaking His newest feature Whistle and what audiences can expect Crafting visual storytelling through storyboarding ...and so much more! A must-listen episode for directors, horror fans, and anyone interested in the intersection of visual design, genre storytelling, and career progression in the film industry. WHISTLE is out NOW! | TRAILER FOOD FOR THOUGHT documentary out NOW | Watch it FREE HERE. A documentary exploring the rapid growth and uptake of the veganlifestyle around the world. – And if you enjoyed the film, please take amoment to share & rate it on your favourite platforms. Every review& every comment helps us share the film's important message withmore people. Your support makes a difference! Help us out and Subscribe, listen and review us on iTunes, Spotify,or wherever you get your podcasts but more importantly, tell your pals about this podcast. Thank you! PODCAST MERCH Get your very own Tees, Hoodies, on-set water bottles, mugs and more MERCH. https://my-store-11604768.creator-spring.com/   COURSES Want to learn how to finish your film? Take our POST PRODUCTION COURSE https://cuttingroom.info/post-production-demystified/   PATREON Big thank you to: Serena Gardner Mark Hammett Lee Hutchings Marli J Monroe Karen Newman Want your name in the show notes or some great bonus material on filmmaking? Join our Patreon for bonus episodes, industry survival guides, and feedback on your film projects!   SUPPORT THE PODCAST Check out our full episode archive on how to make films at TheFilmmakersPodcast.com   CREDITS The Filmmakers Podcast is written and produced by Giles Alderson @gilesalderson Edited by @tobiasvees Logo and Banner Art by Lois Creative  Theme Music by John J. Harvey Learn more about your ad choices. Visit megaphone.fm/adchoices

Entre dezenas de produções independentes do mundo inteiro, um filme brasileiro marca presença na competição do Slamdance Film Festival, que começa no próximo dia 19, em Los Angeles. É com a estreia mundial de “Antônio Odisseia” que o Brasil desembarca no evento conhecido por revelar grandes nomes do cinema como Sean Baker, Christopher Nolan e o sul-coreano Bong Joon-ho. O longa, dirigido pelo paranaense Thales Banzai, leva à tela uma jornada intensa, caótica, visceral e bem brasileira. Cleide Klock, correspondente da RFI em Los Angeles Na história, Tony e sua melhor amiga, Ivy, assaltam o bar onde ele trabalha e roubam drogas que os levam a uma odisseia surrealista rumo a um encontro com Deus. O que começa como um roubo impulsivo rapidamente se transforma em uma jornada existencial, atravessada por delírio, espiritualidade e encontros inesperados. O cineasta Thales Banzai mora em Los Angeles desde 2020 e depois de anos tentando viabilizar projetos por editais e plataformas, decidiu apostar em uma produção completamente independente.“A gente financiou por conta da nossa produtora, a Seiva, que é a nossa coprodutora no Brasil, e produtores, amigos, próximos passaram o chapéu, todo mundo botou uma grana no filme porque acreditava no projeto e a gente resolveu fazer", diz. Filmado no fim de 2024, em São Paulo, em 17 dias, o roteiro foi desenvolvido ao lado de Kelson Succi, artista vindo do teatro e que também interpreta Antônio. Uma mistura de universos que ajudou a definir o tom do filme em uma produção toda em preto e branco. “Eu adoro trabalhar em preto e branco, fotografo em preto e branco faz muito tempo. Então é algo que consigo trabalhar nessa linguagem com facilidade e de que gosto muito. Dentro da nossa situação de produção, ajuda muito num filme de baixo orçamento, para a gente conseguir fazer, trazer mais valor de produção com menos, conseguir filmar mais rápido com poucos recursos de luz, criar uma situação expressiva interessante”, reitera. Além da trilha sonora (assinada por Kiko Dinucci e arranjo de cordas de Arthur Verocai) também ser peça central da narrativa, costurando realidade e delírio, o filme reúne participações especiais de Antônio Pitanga, Teuda Bara (que faleceu em dezembro), Leci Brandão e Chico César (narração). “O mais difícil foi chegar o roteiro no Pitanga, mas quando chegou, ele leu e curtiu muito. Foi a parte que também deu energia, colocou ainda mais energia. Ele falou que [o roteiro] lembrava dos personagens que fazia nos anos 1960 e 1970 e que estava animado", relembra. Festival alternativo Criado há mais de 30 anos como uma alternativa independente, o Slamdance aconteceu durante décadas simultaneamente ao Festival de Sundance em Park City, aproveitando a concentração de profissionais da indústria que já estavam na cidade nessa época do ano. Mas, a partir de 2025, o festival saiu de Utah e se estabeleceu em Los Angeles, marcando uma nova fase na capital do cinema. “Eu sinto que pra todo mundo com quem eu falo, e que está mais ligado na indústria, esse é um festival que todo mundo curte muito e admira muito, porque é feito com uma curadoria real. É um processo super democrático de pessoas que fazem filmes mesmo e que assistem a todos os filmes e debatem extensivamente o que deve entrar", diz Banzai. Para ele, o momento é propício ao cinema brasileiro, principalmente diante do sucesso de "Ainda Estou Aqui" e "Agente Secreto". “Acho que é algo que a gente pode começar a dar esses passos no Brasil, também, de sair só dos grandes cinco festivais, Cannes, Berlim, Toronto, Oscar e Veneza, e conseguir olhar para outros lugares, que são também super catalisadores de carreiras no mundo todo não só aqui”, diz Thales. Uma coprodução Brasil–Estados Unidos, “Antônio Odisseia”, chega a Los Angeles com apresentações nos dias 23 e 24 de fevereiro dentro da programação do Slamdance Film Festival.

The Cinematography Podcast Episode 346: Adolpho Veloso, ABC, AIP The film Train Dreams tells a story that feels less like a narrative and more like a memory. It began as an independent project that premiered at Sundance to critical acclaim before getting acquired by Netflix. Director Clint Bentley and cinematographer Adolpho Veloso, ABC, AIP, chose to shoot in the rugged landscapes of the Pacific Northwest. Veloso's radical commitment to naturalism in the film meant relying almost entirely on firelight, candlelight and natural light. The gorgeous result has earned him an Academy Award nomination for Best Cinematography. After their successful collaboration on the low-budget indie movie Jockey, Veloso and director Clint Bentley knew a tiny crew and small group of actors could lead to good, intimate storytelling. They developed a specific visual shorthand designed to make Train Dreams feel like a discovered artifact. They chose a 3:2 aspect ratio, a deliberate nod to still photography, intended to evoke the sensation of looking through a dusty box of old family photos. “We wanted the movie to feel like memories, like finding a box of pictures,” explains Veloso. “The whole visual motif came from still images and still photography in a way.” Using a single, handheld ARRI ALEXA 35 camera operated by Veloso allowed the actors freedom to improvise and move naturally, often capturing moments that a more rigid, multi-camera setup would have missed. To maintain a clear narrative thread through Robert's (Joel Edgerton) life, Veloso established visual rules using specific lighting shifts to distinguish between the warmth of Robert's good memories and the starker, haunting quality of his loss. Grounding the film in nature was extremely important. The team scoured Washington state, looking for woods that appeared untouched by time, yet remained accessible enough for a film crew. They shot around the Spokane area, where the drier weather and specific light quality offered the perfect backdrop for the film's mid-century setting. Working in national forests meant strict regulations with a small footprint, and timber cutting and axe work was carefully planned. Using almost entirely firelight, candlelight and natural light is very nontraditional filmmaking, and required a great deal of planning from all departments. For the two sets, the cabin and fire tower, Veloso spent weeks tracking solar orientation. The crew carefully built the cabin to exact specifications to allow plenty of light into the space. “You have the privilege to build it the way you want,” Veloso explains. “It's a lot of studies of what the sun is doing from week one to week seven. You have to decide where to place the windows so the light continuity holds as the seasons shift.” The most interesting technical choice was the total ban on LED lighting for period scenes. Veloso wanted the authentic flicker and color temperature of the era, but candles alone often create harsh, distracting shadows. To solve this, the team engineered a “1920s Sky Panel.” This custom rig used large reflective surfaces combined with candles and diffusion to create a soft, glowing light source that felt period-accurate yet flattering on the actors' faces. This required a constant dance between the camera and the art department. Candles, oil lamps, firelight, and campfires had to be good quality light to expose the image properly. For campfire scenes, the gaffer measured light levels in real-time, signaling the fire safety monitor to add wood precisely when the "exposure" needed a boost. A devastating forest fire at the film's climax required a shift from the naturalistic to the surreal. To capture the flames and feeling of a real forest fire, the production moved to an LED volume stage. Robert is dreaming about what happened in the fire, so the fire scene had to be strange and surreal. Veloso shot at a low frame rate with a wide shutter to create a blurred, fever dream aesthetic. The crew also shot in previously burned forests, capturing the aftermath of a real fire. Through Veloso's lens, Train Dreams is a tactile, flickering meditation on time itself. Find Adolpho Veloso: https://www.adolphoveloso.com/ Instagram: @adolphoveloso Watch Train Dreams on Netflix Support Ben's short film, The Ultimate Breakup! https://www.kickstarter.com/projects/theultimatebreakup/the-ultimate-breakup-short-film?ref=nav_search&result=project&term=the%20ultimate%20breakup&total_hits=2 The Cinematography Podcast website: www.camnoir.com YouTube: @TheCinematographyPodcast Facebook: @cinepod Instagram: @thecinepod Blue Sky: @thecinepod.bsky.social

Sabar Bonda, the Marathi film that won a prestigious honour at Sundance last year, is either a poetic exploration of the road not taken or a pretentious try-hard desperate to feel important.We discuss the film's unconventional dramatic choices, the effects of its stillness, and the lacklustre quality of the central performances. We also debate its performative nature and wonder how it turned out to be so divisive.—Hosted by Akhil Arora and Rohan Naahar, The Long Take is fully bootstrapped. Please consider donating if you enjoy our work.The Long Take is available on Spotify, Apple Podcasts, Amazon Music, Gaana, JioSaavn, Overcast, Pandora, RadioPublic, iHeart Radio, YouTube Music, and wherever you get your podcasts.Follow The Long Take on Instagram, Facebook, Threads, and YouTube. Write to us at thelongtakepod@gmail.com.

Today I am doing a live stream to talk about all the stage and screen I've seen in the last month Get all our movie and theatre inspired merch at https://hallmarkies.dashery.com/ Check out OnStage Blog https://www.youtube.com/@onstageblog8213 Please support us and help us make more podcasts at our patreon. Cool benefits! https://www.patreon.com/hallmarkies Follow Rachel Reviews on Itunes https://itunes.apple.com/us/podcast/rachels-reviews/id1278536301?mt=2 To see all my Family Movie Night reviews https://www.youtube.com/watch?v=Py6obIJMCfE&list=PL7wz447AgL4yAT7WALhqQASaJPunxdFoW Follow my blog at http://rachelsreviews.net Follow me on twitter http://www.twitter.com/rachel_reviews Follow me on facebook http://www.facebook.com/smilingldsgirlreviews Listen to Hallmarkies Podcast at https://podcasts.apple.com/us/podcast/hallmarkies-podcast/id1296728288 Learn more about your ad choices. Visit megaphone.fm/adchoices

Hey future celeb — it's Whitney! In this episode, I'm joined by my dear friend and creative powerhouse, Sebastian Cail — a singer, songwriter, and filmmaker fresh off of our Sundance run. We sat down to unpack all things art, evolution, and what it really means to stay grounded when you're living a thousand lifetimes in Los Angeles. We talk about: ✨ Why the creative timeline feels like “LA years” (aka living ten lives in one) ✨ How Sundance cracked open new layers of identity and artistic purpose ✨ The spiritual weirdness of success — and learning to celebrate your own expansion ✨ Utah food hot takes (yes, we get into Swig, Café Rio, and sugar cookies) ✨ What it means to build a career that's both sacred and self-directed This conversation is raw, real, and so full of creative wisdom. Whether you're an artist navigating your next chapter or just craving permission to evolve, this one's for you.

NEVILLE SPITERI is founder and CEO of WEVR, a creative development and production studio, pioneering the field of immersive interactive experiences. Signature projects include “Harry Potter VR” with Warner Brothers, “Gnomes & Goblins” created with Jon Favreau, an Emmy finalist for Outstanding Innovation in Interactive Media, and the immersive underwater VR experience “The Blu,” discovered at Sundance and presented at the LA County Natural History Museum. WEVR was named one of the “Top 10 Most Innovative Companies in AR/VR” by Fast Company.  Host Jason E. Squire is Professor Emeritus, USC School of Cinematic Arts, and Editor of The Movie Business Book. Music: “The Day it All Began and it All Ended” by Pawel Feszczuk (License: CC by 4.0)

On this week’s episode, Amanda, Shandy, and Colleen talk about the loss of Catherine O’Hara and other current events for the week of February 1, 2026. Amanda is watching The Pitt, Shandy watched several of the Sundance films, and Colleen went down a Reddit rabbit hole that is making her seem even crazier than usual. […]

On this week's episode, Amanda, Shandy, and Colleen talk about the loss of Catherine O'Hara and other current events for the week of February 1, 2026. Amanda is watching The Pitt, Shandy watched several of the Sundance films, and Colleen went down a Reddit rabbit hole that is making her seem even crazier than usual.Feedback: TheBroadcasters3@gmail.com or 331-BROADS3 (331-276-2373)Links: Merchandise, Matt's Broadcast Book ClubSubscribe (MP3) l Become a Patron l Join Our Facebook GroupBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-broadcast-with-amanda-shandy-and-colleen--2940971/support.

Send a textHoly shit, it's finally here, our 900th episode! And there was no better way to celebrate than with friends of the show Daveed Diggs and Rafael Casal. We sit down in Park City to talk about getting older (and being afraid of hurting ourselves), Sundance highlights throughout the years, red carpet anxiety, and exciting new projects on the horizon. Then we proceed to challenge Daveed and Rafa to a "Friend Versus Friend" game to see which group knows each other better. Place your bets now and have a listen, we're off to celebrate being 900 episodes old! Special shout out to Liza Mandelup (director of the Sundance short film Luigi) who makes a background cameo in this episodeFollow Daveed Diggs on IGFollow Rafael Casal on IGSupport the showThanks for listening and for your support! We couldn't have won Best of the Bay Best Podcast in 2022 , 2023 , and 2024 without you! -- Fight fascism. Shop small. Use cash. Fuck ice. -- Support Bitch Talk here! Subscribe to our channel on YouTube for behind the scenes footage! Rate and review us wherever you listen to podcasts! Visit our website! www.bitchtalkpodcast.com Follow us on Instagram, Threads, and Substack Listen every Monday at 7 am on BFF.FM

Gabby Osio Vanden and Jack Weisman join the show after winning Sundance's Grand Jury Prize to unpack the ten-year road behind Nuisance Bear, a polar bear's journey through two connected worlds: tourist-heavy Churchill, Manitoba, and the Inuit community of Arviat, where the stakes are far more complex and far less welcoming. The film becomes a meditation on coexistence, control, and who gets labeled a “nuisance” in a shared landscape.We dig into craft and access: finding the right position for the camera so the story can reveal itself, structuring the feature in two halves, and how a dialogue-free short film born partly out of COVID constraints became the proof of concept that unlocked TIFF, The New Yorker, and eventually A24. They also talk candidly about what the audience never sees: rough living conditions, long hours waiting, the specific agony of “the best thing happened, and we missed it,” and the slow but important work of earning trust, where listening comes before filming.They share influences that shaped them, including Miyazaki's sense of nature and modernity, Gus Van Sant's bravery with form, and John Cassavetes' belief in the energy of a set. The conversation closes on what it meant to experience Sundance as both a career peak and a personal milestone, getting engaged and then married during the festival. Advice to filmmakers: be tenacious when you know you need to tell a story, protect trust like it is part of the craft, and do not turn on each other when the pressure spikes.What Movies Are You Watching?This episode is brought to you by BeastGrip. When you're filming on your phone and need something solid, modular, and built for real productions - including 28 Years Later and Left Handed Girl - BeastGrip's rigs, lenses, and accessories are designed to hold up without slowing you down. If you're ready to level up your mobile workflow, visit BeastGrip.com and use coupon code PASTPRESENTFEATURE for 10 % off.  Revival Hub is your guide to specialty screenings in Los Angeles - classics on 35mm, director Q&As, rare restorations, and indie gems you won't find on streaming. We connect moviegoers with over 200 venues across LA, from the major revival houses to the 20-seat microcinemas and more.Visit revivalhub.com to see what's playing this week.  Acclaimed documentary ROADS OF FIRE is now available on Amazon, iTunes, and Fandango at home. Directed by Nathaniel Lezra, the film won best documentary at the 2025 Santa Barbara International Film Festival. The film examines the migrant crisis here in the States all the way down to Venezuela, and Academy Award nominee Diane Lane calls it "a must-see journey of human dignity." Roads of Fire - now on Amazon, iTunes, Fandango. Introducing the Past Present Feature Film Festival, a new showcase celebrating cinematic storytelling across time. From bold proof of concept shorts to stand out new films lighting up the circuit, to overlooked features that deserve another look. Sponsored by the Past Present Feature podcast and Leica Camera. Submit now at filmfreeway.com/PastPresentFeatureSupport the show Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature The Past Present Feature Film Festival - Nov. 20-22, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature

Josephine ist die große Gewinnerin des Sundance Film Festivals 2026 - und Daniel Pook war für "Die Letzte Filmkritik" im Eccles Theatre bei der Weltpremiere des Films live dabei. Das Drama von Beth de Araújo mit Channing Tatum, Mason Reeves und Gemma Chan hat sowohl den Jury- als auch den Publikumspreis der Hauptkategorie U.S. Dramatic für sich entscheiden können. Verdient? Das können wir euch jetzt besonders früh bereits beantworten.

A Sunday solo recorded last week when Jane was deep in Sundance energy—packed theaters, popcorn, Q&As, and that electric feeling of watching filmmakers live inside the moment where years of grit and devotion finally become real. It's like watching the Olympics - which is - yay! Happening this week. And yet… it's also been a time of profound dissonance: joy in community, despair in the headlines, and that gut-punch awareness that not everyone gets to feel safe walking out their front door. So today I want to talk about something that feels urgently needed right now—for your personal projects, your family, and our nation: The practice of holding a vision. Not as escapism. Not as a 'let's buy something else'. But as an active, stabilizing, creative force—especially when the world feels like it's cracking. In this episode, I share: Why Sundance reminded me that visions don't become real by accident—they become real through sustained attention A wild personal story about a soulmate “vision” that eventually led me to meet my husband at Denver International Airport How the Hero's Journey shows us what happens when you say yes to a calling (spoiler: tests, allies, ordeals… and flying monkeys) A stunning excerpt from our upcoming guest Mary Porter-Kearns (The Flowers Are Speaking) on imagination, biology, and evolution Why it's possible (and necessary) to hold both the dark and the light—without surrendering either A simple 1-minute visioning practice you can start immediately Quotes from the episode Shakti Gawain “The more we trust and follow our intuition, the more our lives flow, the more we contribute to the evolution of the whole.” “Trust is the key to transformation. When you trust yourself, you know how to live.” “When we align with our highest vision, we naturally act in ways that support the greater good.” Mary Porter-Kearns (teaser from an upcoming episode) Dreams and wishes matter… sustained imagination and emotional focus can reshape neural networks and influence patterns of gene expression. Our dreams are not mere thoughts—they are biological signals that help direct how we grow and adapt. (When her episode drops, you'll understand why I'm obsessed.) A tiny practice: 1 minute of visioning If meditation feels like too much right now, try this: Sit for one minute Picture a future that feels beautiful, safe, and sane Let it welcome you Attend to it and notice how it makes you feel better When you can, as best as you can. Resources mentioned Creative Visualization by Shakti Gawain (book) Mary Porter-Kearns — Substack: The Flowers Are Speaking (upcoming guest) Joseph Campbell — The Hero with a Thousand Faces Ecotopia (visionary fiction mentioned) TheyDream - Sundance film Jane on RevThink podcast (leaving a career + following the call)  If this episode helped you, please rate, review, and share Medium Curious with a friend. It genuinely supports the show—and helps the right people find us. Medium Curious Website: https://www.mediumcurious.com Jane's Website: https://www.janemorganmedium.com Sarah's Website: https://www.sarahrathke.com Jane's new cohort 'Source Studio'; https://www.janemorganmedium.com/higher-calling Instagram: @mediumcuriouspod Medium Curious Substack 

Disney is ready to try the whole transitioning-from-Iger-to-a-new-CEO thing, going with a similar play to last time: elevating the head theme parks and experiences. Now they hope that Josh D'Amaro turns out better than Bob Chapek. Carl & Eitan breakdown what it means, including how important it will be to keep Dana Walden at house of mouse.Also in this episode: Sundance's last hurrah in Park City, Eitan's review of The Testament of Ann Lee (spoiler alert: he loved it), and a couple more miscellaneous topics.Join us!

Recorded live at Sundance, this episode features a wide-ranging roundtable on the current state of independent film exhibition. Host GG Hawkins speaks with festival programmers, exhibitors, and platform founders about what's broken in the exhibition ecosystem, what's actually working better than people realize, and how community-driven models—from art houses to new distribution tools—are reshaping how films are discovered, shown, and sustained beyond the festival circuit. In this episode, No Film School's GG Hawkins and guests discuss… Why art house cinemas and film festivals remain vital community hubs The realities of audience-building beyond “market festivals” and multiplexes How filmmakers can rethink distribution, touring, and self-exhibition New tools and platforms helping filmmakers navigate submissions and discovery The rise of alternative distribution models, including physical media reimagined Why shorts, community producers, and collaboration matter more than ever How filmmakers and exhibitors can work together more effectively What a sustainable film community could look like in 2026 Memorable Quotes: “Art house cinemas and independent exhibitors and film festivals are thriving because they build community.” “Making movies is like having a baby… then you've got to raise it.” “There is such an opportunity on both sides for filmmakers and exhibitors to learn how to work together.” “Independent film is rooted in community and curation.” Guests: Ash Cook – Programmer, Sundance Film Festival; Festival Director, San Francisco Jewish Film Festival; Founder & CEO, Video.Storage Tony Gapastone – Founder & Executive Director, Bravemaker Lela Meadow-Conner – Interim Executive Director, Art House Convergence; Co-founder, The Popcorn List Tyler Knohl – Co-founder, Hiike; Assistant Director, Boston Sci-Fi Film Festival Brynne Norquist – Co-founder & CEO, Hiike Aidan Dick – COO, Video.Storage; Programmer, Frameline Film Festival Resources: Bravemaker – https://bravemaker.org Art House Convergence – https://arthouseconvergence.org The Popcorn List – https://thepopcornlist.com Hiike – https://hiike.com/ Video.Storage – https://www.videostoreage.com Frameline Film Festival – https://www.frameline.org Find No Film School everywhere: On the Web: No Film School Facebook: No Film School on Facebook Twitter: No Film School on Twitter YouTube: No Film School on YouTube Instagram: No Film School on Instagram

IndieWire's Anne Thompson and Ryan Lattanzio share their initial reactions to Emerald Fennel's new adaptation of "Wuthering Heights" and parse the fine line between social media reactions and reviews. Then Anne shares memories from 40 years of covering Sundance and her final farewell to Park City, before both hosts share their 5 Favorite Films from the festival. Learn more about your ad choices. Visit megaphone.fm/adchoices

It's the final Sundance Film Festival in Utah and Dillon is here to talk about it with Rachel Follow Dillon on instagram https://www.instagram.com/slasher_review/ Follow Slasher reviews on tiktok https://www.tiktok.com/@slasherreviews?lang=en Check out the Hallmarkies Podcast for coverage of many of these films https://www.youtube.com/c/HallmarkiesPodcast Don't miss your chance to pick the next Family Movie Night selection and other great perks by joining the patreon! https://www.patreon.com/hallmarkies Get a Smile and Frown worthy shirt at our merch store https://hallmarkies.dashery.com/ Follow Rachel Reviews on Itunes https://itunes.apple.com/us/podcast/rachels-reviews/id1278536301?mt=2 To see all my Family Movie Night reviews https://www.youtube.com/watch?v=Py6obIJMCfE&list=PL7wz447AgL4yAT7WALhqQASaJPunxdFoW Follow my blog at http://rachelsreviews.net Follow me on twitter http://www.twitter.com/rachel_reviews Listen to Hallmarkies Podcast at https://podcasts.apple.com/us/podcast/hallmarkies-podcast/id1296728288 Learn more about your ad choices. Visit megaphone.fm/adchoices

Siobhan and Marcelo talk scores and soundtracks in this episode; more specifically, the best original scores of 2025 and the best original songs. Plus, some Oscar-nominated shorts talk and some Sundance 2026 talk. You can vote in the 13th Annual Talk Film Society Awards now! Help select the best in film of 2025: TalkFilmSoc.com/Vote. Follow the TFSPod for awards season updates: TalkFilmSoc.com/TFSAwards.

On this special interview episode, Erin sits down to talk to Emmy and Peabody Award-winning editor Jessica Hernandez about her work on the documentary The Best Summer, which recently premiered at Sundance to critical acclaim. The Best Summer is an immersive POV camera footage that reveals electric performances, candid interviews, and intimate backstage life with Beastie Boys, Sonic Youth, Foo Fighters, Pavement, Rancid, Beck, The Amps, and Bikini Kill — an all-access view inside an era-defining moment in music. You can follow us on Letterboxd at: https://letterboxd.com/itsafandomthing/Consider supporting us on Patreon: ⁠⁠https://www.patreon.com/itsafandomthingpod⁠⁠.For links to our social media, visit our website: ⁠⁠https://itsafandomthingpod.com/⁠⁠Discord: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.com/invite/7aTTCAWZRx⁠⁠⁠⁠⁠⁠⁠⁠⁠You can follow Fergie on TikTok: ⁠⁠https://www.tiktok.com/@schroederandfergs⁠⁠Cover art by Carla Temis.Podcast logo by Erin Amos.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

IndieWire's Chris O'Falt sat down with the director of the Sundance darling turned Best Picture nominee for an in depth discussion of the film's subtle beauties. From Joel Edgerton's near wordless performance, to the 360 degree all natural light sets and the use of editing to evoke memory, you'll learn why 'Train Dreams' packs such a punch on an indie budget. Watch the video version of this conversation and read our full breakdown of the making of 'Train Dreams' here: https://www.indiewire.com/p/netflix-train-dreams-clint-bentley/ Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode of Bounced From The Roadhouse:Special Guests in 4B: Frank, Reggie Gaylord, Karen Orms, Scout Wheeler and BrookWoman in a Car WashNFL World RecordPRCA Rodeo TonightTanner Usrey - TX at BoothSylvia BHSSGuessing Frank's Hat SizeStock Show BackstoryReggie with Sundance Custom SteelThe Cow Lot - Karen OrmsScout Punxtawney PhilThat's a Great QuestionBrook's Boot CountBijou on The VoiceMassage Chair GalleryQuestions? Comments? Leave us a message! 605-343-6161Don't forget to subscribe, leave us a review and some stars Hosted on Acast. See acast.com/privacy for more information.

Honey, we're buzzing about Bugonia with Marie Bardi-Salinas! The movie surprised us with its appeal to Oscar voters, but maybe it shouldn't have: Director Yorgos Lanthimos and star, frequent collaborator Emma Stone, have proven themselves Oscar favorites with strong showings from their past films, especially The Favourite and Poor Things.  We discuss the film, but first, a Sundance report from Richard before digging into Lanthimos and Stone's history with the Oscars, and why this somewhat prickly, political movie succeeded with the Academy despite a relatively weak showing upon release. Then we discuss the movie itself, get into spoilers, the future of the Stone-Lanthimos collaboration, and finally discover whether or not Richard is an Andromedan. Sign up for Check Book, the Blank Check newsletter featuring even more “real nerdy shit” to feed your pop culture obsession. Dossier excerpts, film biz AND burger reports, and even more exclusive content you won't want to miss out on. Join our Patreon for franchise commentaries and bonus episodes. Follow us @blankcheckpod on Twitter, Instagram, Threads and Facebook!  Buy some real nerdy merch Connect with other Blankies on our Reddit or Discord For anything else, check out BlankCheckPod.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Update: MAGA trolls mock Rep. Maxwell Frost after he was attacked by a racist Trumper at Sundance. Update: Man Who Fatally Shot Black Woman Gets Sentenced to 21 Years to Life in Prison. Alex Pretti's killer's Identified. Host: Dr. Rashad Richey (@IndisputableTYT) Guest Host: Senator Nina Turner (@ninaturner) *** SUBSCRIBE on ⁠⁠⁠YOUTUBE⁠⁠⁠  ☞ ⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/IndisputableTYT⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ FOLLOW US ON: ⁠⁠⁠FACEBOOK⁠⁠⁠  ☞ ⁠⁠⁠  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/IndisputableTYT⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠TWITTER⁠⁠⁠  ☞     ⁠⁠⁠  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.twitter.com/IndisputableTYT⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠INSTAGRAM⁠⁠⁠ ☞ ⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/IndisputableTYT⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit podcastchoices.com/adchoices

Thank you to our sponsors:Earnin: Download EarnIn today! Spelled “E” “A” “R” “N” “I” “N” in the Google play or Apple app store.Prize Picks: Visit https://prizepicks.onelink.me/LME0/GJ and use code GJand get $50 in lineups when you play your first $5 lineup!Master Class: Right now, our listeners get an additional 15% off any annual membership at https://www.MASTERCLASS.com/GJZocDoc: Visit https://www.Zocdoc.com/GJThis week on the Gin & Juice Podcast, the sisters Melissa and Mel recap Melissa's first-ever Sundance experience, spill the tea on Salt Lake City, and review Lisa Barlow's watery tequila. Then Melissa talks about when the parents get kicked out of a high-school soccer game, followed by Grammy reactions, thoughts on Justin Bieber, and a real conversation about who should (and shouldn't) speak out publicly. Plus, reality TV chaos with The Traitors and Real Housewives of Salt Lake City. 

This week's bonus Out Now with Aaron and Abe heads back to Park City, Utah, for one last time. FirstShowing.net's Alex Billington joins Aaron to go over the films seen by each at this year's in-person/virtual Sundance Film Festival, with plenty of thoughts on which films stood out most, which films were not so strong, and what the experience was like overall. Enjoy thoughts on some of the more notable movies featured, including Josephine, The Weight, Wicker, Run Amok, Carousel, If I Go Will They Miss Me, Chasing Summer, Ha-Chan Shake Your Booty, and more, along with a few documentaries, including The Best Summer, Once Upon a Time in Harlem, and The Last First: Winter K2. Plus, the guys discuss how they approach films at these festivals, and what it's like to consider this as the last Sundance before it moves. So now, if you've got an hour or so to kill... Get yourself a free audiobook and help out the show at AudibleTrial.com/OutNowPodcast! Follow all of us on Twitter/Bluesky: @Outnow_Podcast, @AaronsPS4, @WalrusMoose, @FirstShowing Check out all of our sites and blogs:  TheCodeIsZeek.com, Why So Blu?, We Live Entertainment, FirstShowing.net Next Week: The 2025 Out Now Horror Awards

Ep. 374: Sundance 2026 – Eric Hynes on Carousel, One in a Million, Frank and Louis, The Lake, Time and Water Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. To wrap up Sundance 2026, I talked with Eric Hynes, director of film curation and programming at the Jacob Burns Film Center. We talk a bit about movie theaters, as we often do, and then discuss a few final movies from the lineup: Carousel (Rachel Lambert), One in a Million (Itab Azzam and Jack MacInnes), Frank and Louis (Petra Volpe), The Lake (Abby Ellis), and Time and Water (Sara Dosa). Then at the end I round up a couple of fiction films that somehow escaped the pod dragnet, including new films from Macon Blair and Gregg Araki. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

It's finally here! This week, Karen Peterson (@KarenMPeterson) and Derek Miranda (@DerekMiranda85) are unveiling their Top 10 Films of 2025.  This discussion might include some of the following titles: Black Bag  Frankenstein Bugonia The Naked Gun Friendship 28 Years Later The Testament of Ann Lee And it definitely WILL include so much more. We're also catching up with some of the big stuff Karen watched at Sundance 2026, what Derek has been watching, what YOU have been watching, and more! @TheWatchAndTalk (Twitter/Instagram) Letterboxd.com/TheWatchandTalk Facebook.com/TheWatchAndTalk www.TheWatchAndTalk.com TheWatchAndTalk@gmail.com   Support the show! www.Patreon.com/TheWatchAndTalk

Iliza discusses her experience at Sundance with Chasing Summer and answers a time-sensitive skiing dilemma.See omnystudio.com/listener for privacy information.

INTRO (00:24): Kathleen opens the show drinking a Little Wing Pilsner from Horse Thief Hollow Brewing Co. in Chicago. She reviews her weekend in Chicago and announces that her new cooking series “Kat's Kitchen” is available on her YouTube channel.    TOUR NEWS: See Kathleen live on her “Day Drinking Tour.”   TASTING MENU (2:12): Kathleen samples jerky from Chicago's Paulina Market, Russell Stover Dubai Chocolate, and Wally's Jalapeno Mustard.    COURT NEWS (9:14): Kathleen shares news involving Cher's Lifetime Achievement Grammy award, Post Malone pays tribute to Ozzy Ozborne, and Jelly Roll wins Contemporary Country Album of the Year at the Grammy's.    UPDATES (26:43) : Kathleen shares updates on Meghan Markle's jam jars overtaking Netflix HQ, Sundance moves from Park City to Boulder CO, a Waymo crashes into parked cars in LA, and the new US TikTok deal has an impact on users.    FRONT PAGE PUB NEWS (42:27): Kathleen shares articles on vacant Canadian malls being converted into senior housing, NFL quarterback Sam Darnold's grandfather was Dick Hammer (the original Marlboro Man), Southwest Airlines' first week of assigned seating is a disaster, Bill Belichick is snubbed as a 1st ballot Hall of Famer, a coyote swims to Alcatraz, and elephant tosses a tourist in Thailand, the New York Yankees have signed 13-year-old Albert Mejias, Missouri's “Elvis Judge” resigns, and Netflix's founder is opening Utah's most exclusive private ski resort.   HOLY SHIT THEY FOUND IT (40:04): Kathleen reads about a rare marten being captured on a trail cam, and Egypt's lost “Golden City” resurfaces after 3,400 years.    WHAT ARE WE WATCHING (25:25): Kathleen recommends watching the Waste Management Open PGA tournament, and “Victoria” on Netflix.    SAINT OF THE WEEK (1:09:45): Kathleen reads about St. Christopher, patron saint of bachelors, transportation, traveling, storms, epilepsy, gardeners, holy death, and toothaches.    FEEL GOOD STORY (1:01:28): Kathleen shares a story about President Lincoln's cats. 

Ana has some music and movie recommendations along with everything else being talked about in the KiddNation Group Chat. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ep. 373: Sundance 2026 – Chloe Lizotte on Night Nurse, Homemade Gatorade and other shorts, Public Access Redux, plus A Rotterdam Surprise Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. To look at the remote experience of Sundance 2026, I chatted with Chloe Lizotte, deputy editor of MUBI Notebook, for what ended up being a bit of a mindbending tour through cinema's possibilities. Among the Sundance films discussed: Night Nurse (directed by Georgia Bernstein), Homemade Gatorade (Carter Amelia Davis), and Public Access (David Shadrack Smith) and Joy Bubbles (Rachel J. Morrison) from another angle. And for a final twist, we couldn't resist talking about James N. Kienitz Wilkins's newest feature, The Misconceived, freshly premiered at the International Film Festival Rotterdam. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

We watched a ton of movies and we're recommending some of the best things we saw at this year's Sundance Film Festival. This includes a thrilling adventure starring Ethan Hawke, a quiet romance with Chris Pine, and quite possibly the best documentary we'll see all year.For a complete list of the movies we loved at Sundance, Pop Culture Happy Hour on LetterboxdLearn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Sean and Amanda open today's action-packed show by discussing the incredible box office success of Markiplier's self-financed ‘Iron Lung,' and they talk through how it could possibly impact the future of moviegoing and studio strategy (2:32). Then, they react to breaking news in real time, with Nancy Meyers's new film starring Penélope Cruz, Kieran Culkin, and Jude Law being dated for December 2027 (17:22). Next, they honor the legendary actor Catherine O'Hara following her passing and briefly build her Hall of Fame (21:58). Following that, Sean shares his 10 favorite movies from the Sundance Film Festival and highlights ‘Josephine' as emotionally devastating and a major standout (27:16). Later, they discuss two recent releases in ‘People We Meet on Vacation,' which they found to be quite disappointing (43:12), and the Charli xcx mockumentary ‘The Moment,' which they both thoroughly enjoyed (1:07:16). Finally, Sean is joined by legendary production designer Jack Fisk to discuss all things ‘Marty Supreme,' his incredibly detail-oriented creative process behind building a new world, and what he learned from working with filmmakers like Terrence Malick, David Lynch, and Paul Thomas Anderson (1:21:57). Hosts: Sean Fennessey and Amanda Dobbins Guest: Jack Fisk Producer: Jack Sanders A State Farm agent can help you choose the coverage you need. Like a good neighbor, State Farm is there.® Learn more about your ad choices. Visit podcastchoices.com/adchoices

*Brought to you in partnership with GreenSlate* Bucket list moment unlocked!

This year marks a big change the life of the Sundance Film Festival. Founder Robert Redford died in 2025, and 2026 is the final year that the festival was held in Park City, Utah, before moving to Boulder, Colorado. Senior entertainment writers at The Hollywood Reporter David Canfield and Mia Galuppo discuss their new piece, "The Ultimate Sundance Oral History: 'Screaming, Crying and Almost Throwing Up,'" what the festival has meant to indie film in America, and what the future may hold. Plus, listeners share their own experiences with Sundance.

Ana went to the very last Sundance Film Festival in Utah. Learn more about your ad choices. Visit megaphone.fm/adchoices

Lara and Carey head back into the livestream continuum for one last reunion episode of RHOSLC Season 6. First, they discuss Brandi Glanville debuting her new head at Sundance, holding her face parasite cards close, and our own speculations over her actual diagnosis.Meanwhile, Britani runs off stage after Meredith's confounding bigotry defense, returning soon after with a giant coffee and a backbone. Meredith continues to maintain her innocence in PlaneGate as Hengie K breathes enough in her corset to speak twice. Babygirl Lisa gets rill about her marriage issues with John, and Bronwyn channels a possessed child and monologues about Muzzy and Todd, revealing she and Mr. Farts have separated. Wild Rose breaks down over her own marital tribulations after severing ties with Entity. Bronwyn snaps back into Transatlantic mode and tears into Meredith one last time. Au revoir for now, our Sisters of Salt! Hosted on Acast. See acast.com/privacy for more information.

Brandy Howard and Julie Goldman are here! Meghan and Harry go to Sundance. Was Taylor Swift just being a girls' girl or a mean girl? The Traitors drama between Lisa Rinna and Colton is giving. Tyra Banks is owning it. Sydney Sweeney's bras are here. The Grande Dame is back on Potomac. Dorit can't read a room on RHOBH. Who is gay on RHSLC? Was Jen Aniston hypnotized? So funny! So Juicy! Enjoy! -New listeners can get their choice between organic ground beef, chicken breast or ground turkey in every box for a year, PLUS $20 off when you go to ⁠https://butcherbox.com/juicyscoop⁠   -Go to ⁠https://quince.com/juicy⁠ for free shipping on your order and 365-day returns. Now available in Canada, too. -Go to ⁠https://RO.CO/JUICYSCOOP⁠ to see if you're eligible for the new GLP-1 pill on Ro -Our listeners get 15% off plus free shipping when they buy two or more pairs of prescription glasses at ⁠https://warbyparker.com/juicyscoop⁠ — using our link helps support the show. #WarbyParker  #ad #sponsored  -Sign up for your one-dollar-per-month trial and start selling today at ⁠https://shopify.com/juicy⁠  Subscribe to my new show Juicy Crimes!: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/juicycrimes⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Stand Up Tickets and info: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://heathermcdonald.net⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  Subscribe to Juicy Scoop with Heather McDonald and get extra juice on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/JuicyScoopPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/juicyscoop ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Watch the Juicy Scoop On YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@JuicyScoop⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Shop Juicy Scoop Merch: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://juicyscoopshop.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow Me on Social Media: Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/heathermcdonald⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.tiktok.com/@heathermcdonald⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@HeatherMcDonaldOfficial⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit podcastchoices.com/adchoices

On today's show, Richard and Alison hop on a boxcar and stare wistfully as the 20th century passes them by with Best Picture nominee Train Dreams. They discuss director Clint Bentley's lush, if somewhat sanded-down take on Denis Johnson's novella about a lumberman haunted by his past, starring a very quiet Joel Edgerton. Train Dreams is one of Netflix's Best Picture nominees this year, but the film was not an original production. It was acquired by the streamer at last year's Sundance Film Festival. On the occasion of this year's festival (which is happening as we speak) we also discuss how Sundance works, and what, exactly gives a movie that ineffable Sundance flavor we have come to associate with small-scale American indies like Little Miss Sunshine.  We also discuss Netflix's seemingly endless quest to win Best Picture, why the Academy is so resistant to giving them the big prize, and why the most popular streamer in the world is so desperate for Academy validation in the first place. Sign up for Check Book, the Blank Check newsletter featuring even more “real nerdy shit” to feed your pop culture obsession. Dossier excerpts, film biz AND burger reports, and even more exclusive content you won't want to miss out on. Join our Patreon for franchise commentaries and bonus episodes. Follow us @blankcheckpod on Twitter, Instagram, Threads and Facebook!  Buy some real nerdy merch Connect with other Blankies on our Reddit or Discord For anything else, check out BlankCheckPod.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Megyn Kelly is joined by Emily Jashinsky, host of "After Party," to discuss what's happening now between the Trump administration and Democratic politicians in Minnesota, Kristi Noem's vulnerability, how Trump can get creative with solving the illegal immigration and deportation situation, a gross comment from Kara Swisher compares Stephen Miller to a Nazi, how this sort of commentary could get him killed, Ethan Hawke's whining on the Sundance red carpet about being afraid to speak, tone-deaf commentary from celebrities like Ellen DeGeneres and Molly Ringwald, Katy Perry's hypocritical activism, her bizarre relationship with Justin Trudeau, new reporting that Alex Pretti may have been a part of an anti-ICE group chat, activist nurses posting disgusting videos, Tony "Toprah" Dokoupil actually interviewing his mom on air, the failed attempt to humanize the news, and more. Subscribe now to Emily's "After Party":Apple: https://podcasts.apple.com/us/podcast/after-party-with-emily-jashinsky/id1821493726Spotify: https://open.spotify.com/show/0szVa30NjGYsyIzzBoBCtJYouTube: https://www.youtube.com/@AfterPartyEmily?sub_confirmation=1  Relief Factor: Find out if Relief Factor can help you live pain-free—try the 3-Week QuickStart for just $19.95 at https://ReliefFactor.com or call 800-4-RELIEF.PureTalk: Save on wireless with PureTalk—get unlimited talk, text, and data for just $25 a month, plus 50% off your first month at https://PureTalk.com/KELLYMelania: Step inside the 20 days before history is made—watch MELANIA, only in theaters January 30; get your tickets now!Paleovalley: Visit https://Paleovalley.comand use code MEGYN at checkout to get 20% off your first order  Follow The Megyn Kelly Show on all social platforms:YouTube: https://www.youtube.com/MegynKellyTwitter: http://Twitter.com/MegynKellyShowInstagram: http://Instagram.com/MegynKellyShowFacebook: http://Facebook.com/MegynKellyShow Find out more information at:https://www.devilmaycaremedia.com/megynkellyshow Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.