Podcast appearances and mentions of Matti Friedman

When we last recorded Saturday night, the U.S. had just announced its strike on Iran's nuclear facilities. The U.S. had entered the war. The restrainers had seemingly lost. In the following hours, President Donald Trump said the mission was a “spectacular military success.” And Defense Secretary Pete Hegseth said the program “obliterated” Iran's nuclear sites.  But there's much more to that story than meets the eye. As Jay Solomon wrote in our pages: Before the U.S. struck, 16 cargo trucks entered the fortified mountain complex and moved unidentified equipment to another location. Are the sites destroyed or merely damaged? Was enriched uranium smuggled out? It all remains unclear. Now the war is heating up. Israel has expanded its bombing campaign beyond nuclear facilities to hit regime targets. Qatar has closed its airspace. And just as we write this, Iran has reportedly fired toward Qatar and Iraq. It all begs the question: Was the strike on Iran's Fordow Fuel Enrichment Plant the end of this war—or just the beginning? And what comes next? To understand the state of the nuclear facilities and the state of the war, we've brought together three of the most well-read experts: Michael Oren, Jay Solomon, and Matti Friedman. Oren is the former Israeli ambassador to the U.S. He served from 2009 to 2013. He is also a former Knesset member. He is the author of many books, including Ally: My Journey Across the American-Israeli Divide. Solomon is an investigative journalist who has covered Iran and the region for decades. He just published an explosive piece for The Free Press titled “Did Iran Just Sneak Out Critical Nuclear Material from Fordow?” And, Friedman is our Jerusalem-based columnist, and the author of four books, including his latest, Who by Fire: Leonard Cohen in the Sinai. He just wrote  “After the Bombs: American B-2s Just Changed the Middle East. Now It's Time to Return the Region to the Humans Who Live Here” for our pages. We'll note we recorded this Monday morning, starting around 11 a.m. ET, as a Free Press Live event. To join these, you just need to do one thing—and that's become a Free Press subscriber. Be sure to go to sapirjournal.org/honestly to sign up for your free subscription today! Check out What Could Go Right—available on all major podcast platforms. Learn more about your ad choices. Visit megaphone.fm/adchoices

Seasoned journalist Matti Friedman joins Jamie Weinstein to unpack the current state of Israel's war against Hamas, exploring the tension between military objectives and the return of hostages. He also delves into the role of American leadership, the morality of warfare, and what the future might hold for Israeli-Iranian relations. The Agenda:—Public trust in Israel's government is at an all-time low—The dilemma of the hostage return—Perception of American leadership and Donald Trump—Qatar: friend or foe?—Taking out Iran's nukes—Is there a Leonard Cohen in today's war? The Dispatch Podcast is a production of ⁠⁠⁠⁠The Dispatch⁠⁠⁠⁠, a digital media company covering politics, policy, and culture from a non-partisan, conservative perspective. To access all of The Dispatch's offerings—including members-only newsletters, bonus podcast episodes, and regular livestreams—⁠⁠⁠⁠click here. Learn more about your ad choices. Visit megaphone.fm/adchoices

On today’s episode of the Jewish Review of Books Podcast, Abe Socher was joined by journalist Matti Friedman. Matti is the author of several excellent books about the Arab-Israeli Wars, including Pumpkinflowers, Spies of No Country, and, most recently, Who by Fire: Leonard Cohen in the Sinai. He is also a regular contributor to The […] The post Matti Friedman and the Difficult Choices of War appeared first on Jewish Review of Books.

As Qatar-gate gathers momentum—following the arrests of two of Netanyahu's closest advisors and an Israeli journalist—the scandal inches closer to the heart of power. Netanyahu names a new Shin Bet chief and rescinds his decision within hours. Meanwhile, the IDF expands its military operations in Gaza, raising questions about next steps on multiple fronts. We are joined by acclaimed writer and journalist Matti Friedman ("The Free Press") to discuss a dramatic week for Israel.Plus: A conversation with Lawyer, author and scholar Anthony Julius, whose new book casts a piercing light on one of the Bible's most elusive and troubling figures—Abraham.Join our Patreon community and get access to exclusive content and more: www.patreon.com/unholypod Social links, Unholy store and more: https://linktr.ee/unholypod   Matti Friedman is an award-winning Canadian-Israeli journalist and author. A former Associated Press correspondent, his work has appeared in The New York Times, The Atlantic, and The Free Press. Known for his sharp analysis of Israeli society and media coverage of the Middle East, he brings deep insight and nuance to complex regional issues. Anthony Julius is a British solicitor, literary critic, and academic, best known for representing Princess Diana and for his writing on anti-Semitism and English literature. His latest work explores the enigmatic figure of Abraham, offering a fresh and provocative reading of one of the Bible's most iconic characters.

Send us a textInside Israel's Government: The War for Public OpinionWhat is Israel's strategy to combat Hamas' global propaganda machine? In this exclusive interview, Salo Aizenberg, an independent scholar and leading voice in exposing misinformation, gives an inside look at how the Israeli government counters Hamas' disinformation war.Key Topics Covered in This Episode:How Hamas manipulates the media to spread anti-Israel narrativesThe NGO industrial complex that launders Hamas propagandaWhy Israel's communication strategy struggles against biased global mediaThe real numbers behind humanitarian aid and the famine mythHow Hamas weaponizes international law to secure military advantages

This morning in Gaza, in a ceremony that was even more twisted than those that came before it, Hamas paraded four coffins, containing the dead bodies of four hostages who were killed in captivity, before handing them over to the Red Cross. Israel then received the remains of Oded Lifshitz, an 83-year-old peace activist abducted […]

I'm sure you remember the images of Kfir and Ariel Bibas. They were just nine months and four years old when they were kidnapped by Hamas along with their mother, Shiri, on October 7, 2023. It was impossible to look at the image of her shielding them, her eyes full of terror, the children clinging to her, and not think of the Holocaust.  For more than 500 days, people around the world prayed for the safe return of these babies. Our hopes were raised on February 1, when the fourth member of the family—Yarden Bibas—was liberated after 484 days in Hamas captivity. But as this episode goes live, Kfir, Ariel, and Shiri Bibas won't be returning home alive. Hamas instead will hand over their remains.  How can Israel live alongside an enemy that kidnaps and murders babies? And what does it mean for us to live in a world, where people in the West tore down posters of the Bibas children.  My friend, Commentary magazine senior editor Seth Mandel, explains why in The Free Press:  “In a better world, the faces of the Bibas children would be everywhere at all times. In the world in which we live, by contrast, posters with those faces get torn down from bulletin boards. . . . The crimes against the Bibas family are indeed the symbol of the anti-civilizational menace that is Hamas—but also of the cowardice of the political and cultural leaders of the enlightened West. . . . It is impossible for the rest of us to pretend that we didn't see a chunk of society, whether in person or online, rush to cross that line and cheer on the people who kidnapped two babies . . . .Kfir became a symbol because he is the answer to every relevant question about this conflict. His case is the war boiled down to its essence. Kfir is the dividing line. In a better world, there'd be no one standing on the wrong side of it.” Before the devastating news of the Bibas children broke, Bari sat down with Matti Friedman, Free Press correspondent in Jerusalem. They happened to talk on the very day that Kfir and Ariel's father, Yarden, was released after being kept in unimaginable conditions. Now Yarden confronts the nightmare that his entire family was murdered. Bari and Matti talk about the toll of this war, why returning the hostages is so fundamentally important to the future of Israel, about the rise of anti-Jewish hate, and about how to be American, Jewish, and Zionist all at the same time, and how Jews are waking up to a new reality in 2025.  If you liked what you heard from Honestly, the best way to support us is to go to TheFP.com and become a Free Press subscriber today. Go to groundnews.com/Honestly to get 40% off the unlimited access Vantage plan and unlock world-wide perspectives on today's biggest news stories. Learn more about your ad choices. Visit megaphone.fm/adchoices

This morning in Gaza, in a ceremony that was even more twisted than those that came before it, Hamas paraded four coffins, containing the dead bodies of four hostages who were killed in captivity, before handing them over to the Red Cross. Israel then received the remains of Oded Lifshitz, an 83-year-old peace activist abducted from his home in Kibbutz Nir Oz; and the bodies of the iconic young mother Shiri Bibas, and her boys, Kfir and Ariel, who were respectively 9 months old and 4 years old at the time of their abduction, also from Nir Oz, which lost a quarter of its residents on October 7, 2023. Shiri, Kfir and Ariel came to symbolize Hamas's brutality and the helplessness of the victims of October 7. Oded was also a symbol of the many men and women who had dedicated their lives to seeking peace with the Palestinians, and whose lives were brutally ended by Palestinians on that darkest of days. In a year of somber days, today is one of the more difficult ones we have experienced - here at Call Me Back, and as a nation. We are joined today to process this wrenching moment by a Call Me Back favorite: Matti Friedman, to help us understand what this day means for Israel, and how it will change us and the stories we tell ourselves about Israel and our hopes for peace. Matt Friedman is an award-winning journalist and author of four books. He is based in Jerusalem, and writes a column for The Free Press. Read his latest, “The Family That Never Came Home,” here: https://www.thefp.com/p/matti-friedman-the-bibas-shiri-kfir-ariel-yardenMatti's books: https://www.amazon.com/stores/Matti-Friedman/author/B0073YU31CLink to Seth Mandel's article in Commentary Magazine, mentioned by Dan in this episode: https://www.commentary.org/seth-mandel/the-meaning-of-kfir-bibas/We would like to take this opportunity to thank Rebecca Strom, who has been running Ark Media's operations almost since the beginning of the war, and is now moving on to the next chapter in her career. Rebecca was our first hire, and in hindsight, having her run our operations allowed Ilan and Dan to develop a larger vision. More on that in the near future. In the meantime, on behalf of the Ark Media team, we want to share our gratitude for all the hard work, long hours, holidays and weekends that Rebecca poured into this venture.Consequently, Ark Media is now looking for a hard working, mission-aligned, highly motivated Chief Operating Officer. If you want to throw your hat into the ring,  please follow this link CREDITS:ILAN BENATAR - Producer & EditorMARTIN HUERGO - EditorSTAV SLAMA - Director of OperationsGABE SILVERSTEIN - Research Intern YUVAL SEMO - Music Composer

Is Israel's war with Lebanon going to end differently from past attempts to secure Israel's northern border? Journalist Matti Friedman, who recounted his experience as a soldier in Lebanon in his book Pumpkinflowers, reflects on that experience in light of current events and looks to the future in this conversation with EconTalk's Russ Roberts.

An author and reporter who was in the Jerusalem bureau of the Associated Press, Matti Friedman has a firsthand look at how often many news agencies distort the facts when it comes to Israel. Both American and international organizations consistently appear to have a bias against the Jewish State, while social media has become a cesspool of antisemitism. Host Steven Shalowitz sits down with Matti Friedman once again to discuss what the media gets wrong about the Middle East conflict, the issue with people turning to social media for news, and the United Nation's role in legitimizing anti-Israel sentiments.

This past Monday marked the grim one-year anniversary of October 7th. Around the world, Jewish communities gathered to memorialize a war still being fought. How did Israeli society experience this grief, and how did Diaspora communities memorialize? What are Israelis going through that we might not be able to see from a distance? And what are  Diaspora communities going through that Israelis may not see? To discuss, we are joined by Matti Friedman, who is one of the most thoughtful writers when it comes to all matters related to Israel, the broader Middle East, and also trends in the world of journalism. He is a columnist for The Free Press: https://www.thefp.com/ Matti's most recent book is called “Who by Fire: Leonard Cohen in the Sinai.” Before that he published "Spies of No Country: Secret Lives at the Birth of Israel," and before that "Pumpkinflowers: A Soldier's Story of a Forgotten War.” Matti's army service included tours in Lebanon. His work as a reporter has taken him from Israel to Lebanon, and other hotspots across the Middle East and around the world. He is a former Associated Press correspondent and essayist for the New York Times opinion section. Matti's book referenced in the episode: “Pumpkinflowers: A Soldier's Story of a Forgotten War” — https://www.barnesandnoble.com/w/pumpkinflowers-matti-friedman/1122279367?ean=9781616206918

This past Monday marked the grim one-year anniversary of October 7th. Around the world, Jewish communities gathered to memorialize a war still being fought. How did Israeli society experience this grief, and how did Diaspora communities memorialize? What are Israelis going through that we might not be able to see from a distance? And what […]

Sponserd by Beth and Matti Friedman.In memory of our father Rabbi Milton Nordlicht z”l of Kew Gardens Hills, NY.

This week we look at the collapse of journalism with Matti Friedman; the aftermath of the Presidential debate, Austalia banning social media for children; Aberto Fujimori; Deaths in Senegal; the Sale of the Spectator; Cancelling Morrisey; Decline of EV's; Gas Cookers in Victoria; Robert Kennedy on Ukraine; Under the Banner of Heaven; Abbe Pierre; Warren Goldstein; Apollo Quiboloy; the Heresy of Pope Francis; the Truth of Bishop Barron; and SEEK 51 - Effective Prayer with music from  Del Amitri, the Smiths, Morrisey, Mason Williams,  Bon Jovi, Cleine Dion and Andrea Bocelli. 

Israel braces itself for what feels like an inevitable, lethal response from Iran and its proxies, following not one but two assassinations – one of them in Tehran itself. Meanwhile, Israelis are shaken by a moment some describe as the country's January 6. Yonit and Jonathan discuss it all with author and journalist Matti Friedman, one of the sharpest observers of Israeli society and history. Plus: a chutzpah award for the Americans weighing into the Veepstakes with an effort to block one potential running mate for Kamala Harris in particular. Send in your listener questions at: https://www.speakpipe.com/Unholy or via our social media: Unholy Podcast on Instagram & Facebook.  See omnystudio.com/listener for privacy information.

This past weekend we saw a major and brazen escalation against Israel by Hezbollah. This war front is not new, but it will now come into much sharper focus. And with the slaughter of Druze children, we have received a number of questions about Israel's Druze community in Israel's North, as well as questions about the options for Israeli decision-makers now. To help us unpack all of this, we are joined by Matti Friedman, who is one of the most thoughtful writers when it comes to all matters related to Israel, the broader Middle East, and also trends in the world of journalism. He is a columnist for The Free Press: https://www.thefp.com/ Matti's most recent book is called “Who by Fire: Leonard Cohen in the Sinai.” Before that he published "Spies of No Country: Secret Lives at the Birth of Israel," and before that "Pumpkinflowers: A Soldier's Story of a Forgotten War.” Matti's army service included tours in Lebanon. His work as a reporter has taken him from Israel to Lebanon, and other hotspots across the Middle East and around the world. He is a former Associated Press correspondent and essayist for the New York Times opinion section. Matti Friedman's published works that are relevant to this episode: -“The Wisdom of Hamas” — The Free Press — https://www.thefp.com/p/matti-friedman-the-wisdom-of-hamas -“What if the Real War in Israel Hasn't Even Started?” — The Free Press — https://www.thefp.com/p/matti-friedman-israel-hezbollah-war -"There Is No 'Israeli-Palestinian Conflict'" -- The New York Times -- https://www.nytimes.com/2019/01/16/opinion/israeli-palestinian-conflict-matti-friedman.htm -"An Insider's Guide to the Most Important Story on Earth" -- Tablet Magazine -- https://www.tabletmag.com/sections/israel-middle-east/articles/israel-insider-guide -"What The Media Gets Wrong About Israel" -- The Atlantic -- https://www.theatlantic.com/international/archive/2014/11/how-the-media-makes-the-israel-story/383262/ -“Pumpkinflowers: A Soldier's Story of a Forgotten War” — https://www.barnesandnoble.com/w/pumpkinflowers-matti-friedman/1122279367?ean=9781616206918

This past weekend we saw a major and brazen escalation against Israel by Hezbollah. This war front is not new, but it will now come into much sharper focus. And with the slaughter of Druze children, we have received a number of questions about Israel's Druze community in Israel's North, as well as questions about […]

With looming threats and escalating violence from Hezbollah in Lebanon, Israel is being forced to shift its gaze to the North. In this episode, Yehuda Kurtzer speaks with journalist and author Matti Friedman about the rising tensions with Lebanon, Hezbollah's history and ethos, and the ideological and geopolitical challenges currently faced by Israel. You can now sponsor an episode of Identity/Crisis. Click HERE to learn more.  JOIN OUR EMAIL LIST FOR MORE HARTMAN IDEAS 

Matti Friedman - On The Front Porch [00:00:00] Matti Friedman - On The Front Porch [00:12:02] On the Front Porch 2 [00:23:00] On the Front Porch 3 [00:34:08] On the Front Porch 4See omnystudio.com/listener for privacy information.

Very excited to have Matti Friedman on The Lonely Podcast.Matti Friedman is an Israeli-Canadian journalist and a best-selling author of several books, including The Aleppo Codex, Pumpkinflowers, Spies of No Country, and Who by Fire: Leonard Cohen in the Sinai.In 2014 Matti published two essays in Tablet Magazine and The Atlantic where he recounted his experience as a reporter for the Associated Press working in Jerusalem covering the Israeli-Palestinian conflict from 2006 to 2011.  Matti's essays shed a concerning light on the way international media is framing and covering the story, how through their “journalistic work” they launder biased reporting that portrays Israel as the villain, and why this one tiny country that constitutes less than 0.5% of the entire Islamic world, became the most covered story in journalism.We recorded this conversation two days after the unprecedented attack against Israel launched by Iran and its proxies, which illustrates again why framing this conflict as an Israeli-Palestinian one is so wrong and misleading.Our conversation was focused mainly on Israel, but we also touched on Matti's books. We discussed, Matti's experience at the AP, why Israel gets so much bad press, the role of Qatar and Al-Jazeera in amplifying the propaganda against Israel, the role of Israeli journalists in covering the conflict, whether Benjamin Netanyahu is to blame for the deteriorating US-Israel relations, the almost inevitable future war against Hezbollah, the First Lebanon War and its impact on the way Israel is pursuing wars ever since, Leonard Cohen's visit to Israel during the Yum Kippur war of 1973, what is the Aleppo Codex and why Matti started investigating the story about the most ancient Hebrew bible in the world, and much more.Matti is one of the more honest journalists out there, and if you read his articles, books, or essays, it is hard not to conclude that he is doing something that has almost vanished from this world - true investigative journalism...................................................................................................................................................YOU CAN LISTEN TO THE FULL EPISODE ON:YouTube - https://www.youtube.com/@LonelyPodcast-uh1rpSpotify - https://open.spotify.com/show/4ktRM7SIzVWcAhE9jqGIq3Apple Podcast - https://podcasts.apple.com/us/podcast/the-lonely-podcast/id1510273071..................................................................................................................................................TIMESTAMPS:(00:00) - Introduction(05:10) - Working for the Associated Press (AP) covering the Israeli-Palestinian Conflict(08:20) - Why Israel is getting so much (bad) press?(13:23) - How does the Media launder Palestinian Propaganda?(19:15) - Why framing the story as an Israeli-Palestinian conflict is misleading?(24:48) - How Israel should be covered?(26:40) - Journalism vs. Activism(31:15) - Do Israelis understand how the Media captures them?(39:30) - How is Benjamin Netanyahu prosecuting this war?(44:00) - Is a war with Hezbollah inevitable?(49:50) - Has Israel forgotten how to win wars?(55:10) - Why a change in Israeli leadership is necessary(59:00) - Who By Fire(65:00) - The Aleppo Codex..................................................................................................................................................MATTI'S BOOKS:The Aleppo Codex: In Pursuit of One of the World's Most Coveted, Sacred, and Mysterious Books: https://a.co/d/8mpMXVXPumpkinflowers: A Soldier's Story of a Forgotten War: https://a.co/d/hLwegmhSpies of No Country: Israel's Secret Agents at the Birth of the Mossad: https://a.co/d/h2nl0HYWho By Fire: War, Atonement, and the Resurrection of Leonard Cohen: https://a.co/d/3tyCi3Q 

In the late hours of Saturday night 170 drones, 120 ballistic missiles, and 30 cruise missiles barreled toward Israel. It was a direct and unprecedented strike on Israel from Iran. Extraordinarily, Israel—with the help of the Americans, the British, the French, and even the Jordanians and the Saudis—were able to intercept 99 percent of the missiles.  Iran said the attack was a response to Israel's hit on a consular building in Syria earlier this month that killed high-ranking Iranian Revolutionary Guard commanders. Many analysts and journalists have also framed the attack the way Iran had: as a “retaliatory strike.” But it's a strange way to describe the historic onslaught considering Iran's war of aggression since October 7. After all, it was Iran that trained and armed Hamas to come and butcher 1,200 Israelis. It was Iran that trained and armed Hezbollah, whose attacks on northern Israeli communities have kept tens of thousands from their homes.  Free Press columnist Matti Friedman nailed it when he wrote that this weekend's attack was Iran coming out of the shadows for the first time: “like a flash going off in a dark room, the attack has finally given the world something valuable: a glimpse of the real war in the Middle East.”  Walter Russell Mead wrote on Twitter Saturday night: “By any reasonable standard, a state of war now exists between the State of Israel and the Islamic Republic of Iran. The questions now are how fast and how far does it escalate, who will be drawn in, and who will win.” Today, Michael Moynihan speaks with Michael Oren, the former Israeli ambassador to the United States about these questions—and what comes next in this unprecedented moment in history. While the U.S. was instrumental in helping Israel defend itself over the weekend, Biden has been clear with Israel: he does not want Israel to respond. He is reported to have said to Netanyahu, “You got a win. Take the win.” But if Israel doesn't respond, will that only embolden Iran further? Isn't that the sort of appeasement that got us here in the first place? And if Israel is compelled to respond for the sake of its country, can it do so without American support? As Michael Oren wrote for The Free Press: “The story of America can end only one of two ways: either it stands up boldly against Iran and joins Israel in deterring it, or Iran emerges from this conflict once again unpunished, undiminished, and ready to inflict yet more devastating damage.” Learn more about your ad choices. Visit megaphone.fm/adchoices

On today’s episode, Abe spoke with two brilliant Jerusalem-based journalists, Ben Balint and Matti Friedman. Ben’s most recent book, Bruno Schulz: An Artist, a Murder, and the Hijacking of History won the 2024 National Jewish Book Award in biography. Matti Friedman is the author, most recently, of Who By Fire: Leonard Cohen in the Sinai. […] The post Benjamin Balint & Matti Friedman: 1973 & 2023 appeared first on Jewish Review of Books.

FDD Senior Vice President Jon Schanzer delivers timely situational updates and analysis on headlines of the Middle East, followed by a conversation with author and journalist Matti Friedman, whose work has been central to exposing ways in which terrorists, including Hamas, have coopted the information space and weaponized the mainstream media against Israel.Learn more at: www.fdd.org/fddmorningbrief/

Welcome to the Jewish Review of Books Podcast! For a long time now, we've wanted to share the discussions the editors get to have with our brilliant writers, and now we'll be doing just that. We'll be covering books and ideas about religion, literature, culture, and politics. Our first episodes will feature writers Neta Stahl, Stu Halpern, Matti Friedman, and Ben Balint. We'll be bringing you those episodes and more soon, so listen now and subscribe. The post Welcome to the JRB Podcast appeared first on Jewish Review of Books.

Every day we see news accounts “reported” by reputable journalists. There is typically one frame in the post-10/07 War: ‘Gazan Palestinians are the victims of Israel.' How does this happen? How do journalists actually operate in Gaza and around the world? And is this a window into what had Hamas figured out long before 10/07 — that the forces of barbarism could manipulate the intentional press reaction to their massacre of 10/07? That is why we wanted to sit down with Matti Friedman, who is one of the most thoughtful writers when it comes to all matters related to Israel, the broader Middle East, and also trends in the world of journalism. He is a monthly writer for Tablet Magazine and a regular contributor to The Atlantic. His newest book is called “Who by Fire: Leonard Cohen in the Sinai.” Before that he published "Spies of No Country: Secret Lives at the Birth of Israel," and before that "Pumpkinflowers: A Soldier's Story of a Forgotten War.” Matti's army service included tours in Lebanon. His work as a reporter has taken him from Israel to Lebanon, Morocco, Moscow, the Caucasus, and Washington, DC. He is a former Associated Press correspondent and essayist for the New York Times opinion section. But it was his time covering Hama's takeover of Gaza that led him to study with great detail how Hamas manipulates the media, NGOs and the international community, and how they are working from the same playbook right now, perhaps quite masterfully. Matti Friedman's published works that we discuss in this episode: "There Is No 'Israeli-Palestinian Conflict'" -- The New York Times -- https://www.nytimes.com/2019/01/16/opinion/israeli-palestinian-conflict-matti-friedman.htm "An Insider's Guide to the Most Important Story on Earth" -- Tablet Magazine -- https://www.tabletmag.com/sections/israel-middle-east/articles/israel-insider-guide "What The Media Gets Wrong About Israel" -- The Atlantic -- https://www.theatlantic.com/international/archive/2014/11/how-the-media-makes-the-israel-story/383262/

Every day we see news accounts “reported” by reputable journalists. There is typically one frame in the post-10/07 War: ‘Gazan Palestinians are the victims of Israel.' How does this happen? How do journalists actually operate in Gaza and around the world? And is this a window into what had Hamas figured out long before 10/07 […]

On this week's podcast, hear Rabbi Cosgrove and Matti Friedman have a wide ranging discussion about Israel since October 7th.   For more Rabbi Elliot Cosgrove, follow @Elliot_Cosgrove on Instagram and Facebook.   Want to stay connected with PAS? Follow us @ParkAvenueSyn on all platforms, and check out www.pasyn.org for all our virtual and in-person offerings.

Journalist Matti Friedman worked for the Jerusalem Bureau of the Associated Press from 2006 to 2011. Looking back at that experience, Friedman argues that little has changed in the journalism landscape. Listen as Friedman discusses with EconTalk host Russ Roberts the media's obsession with Israel and how and why the media often sidelines facts in service of ideology, and the challenge of objective reporting in wartime.

Israel is known for its advances in military technology, from the helmet-mounted displays of the newest fighter jets to the Iron Beam anti-missile defense system. (See this recent discussion with the military strategist and author Edward Luttwak about his new book on the subject, or this discussion with the entrepreneur Alon Arvatz about the cyber-specific dimension of Israeli defense.) But as with everything, there are always tradeoffs to technology. Those tradeoffs are the concern of the Israeli writer Matti Friedman, who recently published an essay in the Atlantic called “Israel Is Dangerously Dependent on Technology.” Here, he speaks with Mosaic's editor Jonathan Silver about that essay, and the tradeoffs for Israeli planners and politicians that have recently arrived. Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble.

Justin's guest this week is Matti Friedman. Matti has worked as a correspondent for the Associated Press and his work has appeared in The New York Times, The Atlantic, Smithsonian Magazine, and elsewhere. He's also the author of four nonfiction books covering subjects related to the formation of Israel and the conflicts that followed the birth of that nation. Today Matti tells the story of four men who worked undercover as part of the Arab Section, a tiny group of Jewish spies who operated with no support, no funding, and facing almost impossible odds during the tumultuous months in 1948 when Israel declared independence and faced the combined armies of the Arab nations surrounding it.Connect with Matti:Twitter: @MattiFriedmanCheck out Matti's book, Spies of No Country, here.https://www.amazon.com/Spies-No-Country-Secret-Israel/dp/1616207221Connect with Spycraft 101:Check out Justin's latest release, Covert Arms, here.spycraft101.comIG: @spycraft101Shop: spycraft-101.myshopify.comPatreon: Spycraft 101Find Justin's first book, Spyshots: Volume One, here.Download the free eBook, The Clandestine Operative's Sidearm of Choice, here.A podcast from SPYSCAPE.A History of the World in Spy Objects Incredible tools and devices and their real-world use.Support the show

This is a free preview of a paid episode. To hear more, visit smokeempodcast.substack.comSarah and Nancy are together in New York, along with a pink tree and some confusing Christmas lyrics. In this season of love and war, we discuss:* Which holiday standard will make us millions?* What is “parse and brown” and what does it have to do with Christmas?* What was Nancy's Not Finest Hour and does it involve yelling at protestors on the Manhattan Bridge?* Macy's Day Parade protesters apply Super Glue directly to their hands* Your hosts decline to “pick a lane”* Susan Sarandon says a dumb thing, gets the boot* Matti Friedman educates us* Is Nancy the last person to realize her unconventional reporting from Portland might have impacted her career?* The steep decline of family dining and the rise of solo-everything* The younger the woman, the more they report “disrespect from the opposite sex”* Who's lonelier: Boomers or Gen Z?* Sarah mixes up Leonard Cohen and Leonard Bernstein* Nancy mixes up the actress from The Gilded Age with the actress from DeadwoodPlus, delightful new hot boxes, and a sultry money pitch you won't want to miss.

Author and journalist Matti Friedman was working for the Associated Press when he noticed a persistent bias in coverage: For the Western media, the story of the region was a simple narrative of good and evil, and Israel was cast as villain. Matti joins Jamie to discuss how this narrative formed and whether there's hope for serious journalism in such a conflict. Show Notes: -An Insider's Guide to the Most Important Story on Earth -What the Media Gets Wrong About Israel -You're All Israel Now Learn more about your ad choices. Visit megaphone.fm/adchoices

Although six weeks have passed since Iran-backed Hamas terrorists invaded Israel and butchered more than 1,200 innocent civilians while taking hostage another 240, this is just the beginning of Israel's multi-front defensive war.One key battlefield: the information space.Historically, the odds of winning in this arena have not been in Israel's favor. They don't seem to be now, either.To understand why, host Cliff May and Israeli journalist and author Matti Friedman dissect both past and present media coverage of Gaza.They explain how almost all the foreign press' current work inside Gaza is being conducted by local “fixers” who either support or dare not cross Hamas. In either case, Hamas controls the narrative.Despite an ethical imperative, most news organizations are not transparent about these restrictions that ultimately shape their coverage. And while this helps explain the “almost eagerness” of the press to accept without question and package as news Hamas talking points, Matti tells Cliff that a “deeper psychology” is also in play.

In this episode of the 18Forty Podcast, we talk to journalist Matti Friedman, author of Who By Fire: Leonard Cohen in the Sinai, about how the Israel-Hamas war is (mis)understood globally. Additionally, we speak to a series of students and educators about the state of antisemitism on school campuses. Special thanks to these guests: Moshe, Micah Greenland, Derek Gormin, Ben Spanjer, Nati Stern, and Celeste. In this episode we discuss:What gets lost in translation when we superimpose Americanized notions of racism and colonialism onto the Middle East? What drew Leonard Cohen to go to Israel during the Yom Kippur War? What help is being offered right now to Jewish students in American public schools?Tune in to hear a conversation about Jewish identity, moral clarity, and human resilience in times of crisis. Interview with Matti Friedman begins at 11:45.Campus interviews begin at 37:46.Matti Friedman's work as a reporter has taken him from Lebanon to Morocco, Cairo, Moscow and Washington, D.C., and to conflicts in Israel and the Caucasus. He has been a correspondent for the Associated Press, and his writing has appeared in the Wall Street Journal, the New York Times, Tablet Magazine, and elsewhere. He grew up in Toronto and lives in Jerusalem. The Aleppo Codex, his first book (Algonquin, 2012) won the 2014 Sami Rohr Prize and the ALA's Sophie Brody Medal, among other honors. His second book, Pumpkinflowers: A Soldier's Story (Algonquin, May 2016) won starred reviews in Kirkus, Booklist, Publishers Weekly, and Library Journal, and was compared by the New York Times to Tim O'Brien's masterpiece The Things They Carried.References:Spies of No Country: Secret Lives at the Birth of Israel by Matti Friedman Who By Fire: Leonard Cohen in the Sinai by Matti Friedman “Who by Fire” by Leonard Cohen“Who by Fire” by Rufus Wainwright and Amsterdam SinfoniettaThe Aleppo Codex: In Pursuit of One of the World's Most Coveted, Sacred, and Mysterious Books by Matti Friedman “An Insider's Guide to the Most Important Story on Earth” by Matti Friedman “Israel's Problems Are Not Like America's” by by Matti Friedman Anti-Judaism: The Western Tradition by David Nirenberg“The Decolonization Narrative Is Dangerous and False” by Simon Sebag Montefiore“Leonard Cohen speaks about G-d consciousness and Judaism (1964)”“The Anguished Fallout from a Pro-Palestinian Letter at Harvard” by Eren Orbey“We Stand Together With Israel Against Hamas”“Modernity and Messiah: On Parshas Noach and the Human Capacity for Revolution” by David Bashevkin“Why Jews Cannot Stop Shaking Right Now” by Dara Horn

During this episode of the Red-Haired Archaeologist® Podcast, learn what caused the ancient United Kingdom of Israel to split into the North and the South, why religion impacted that action, where the Northern tribes attempted to worship God, and how Israel's dead were buried. Episode links: “Two Riddles of the Queen of Sheba,” tapestry from Strasbourg, Germany (ca. 1490-1500), Metropolitan Museum of Art, https://www.metmuseum.org/art/collection/search/465954 J. Gordon Edwards, dir., The Queen of Sheba (1921; Hollywood, CA, Fox Film Corp.), https://www.tcm.com/tcmdb/title/499794/the-queen-of-sheba/#synopsis Dalia Karpel, “The Little Match Girl,” Haaretz (31 May 2006): https://www.haaretz.com/2006-05-31/ty-article/the-little-match-girl/0000017f-e994-d62c-a1ff-fdff89f50000 Tel Maresha https://en.parks.org.il/reserve-park/bet-guvrin-national-park/ Matti Friedman, “Oded Golan is not guilty of forgery. So is the ‘James ossuary' for real?” Times of Israel (14 March 2012): https://www.timesofisrael.com/oded-golan-is-not-guilty-of-forgery-so-is-the-james-ossuary-for-real/ Tel Dan https://en.parks.org.il/reserve-park/tel-dan-nature-reserve/ Philippe Bohstrom, “Israelites in Biblical Dan Worshipped Idols – and Yahweh Too, Archaeologists Discover,” Haaretz (31 October 2018): https://www.haaretz.com/archaeology/2018-10-31/ty-article-magazine/.premium/israelites-in-biblical-dan-worshipped-idols-and-yahweh-too/0000017f-db76-db5a-a57f-db7ebdd20000 Red-Haired Archaeologist® links: https://redhairedarchaeologist.com/free https://www.facebook.com/AmandaHopeHaley/ https://www.instagram.com/redhairedarchaeologist/ https://amandahopehaley.square.site/ Learn more about my fabulous video editor, Tanya Yaremkiv, by visiting her website at ⁠https://tanyaremkiv.com⁠ and listening to her podcast, Through the Bible podcast with Tanya Yaremkiv. You can also follow her on Facebook and Instagram @tanyaremkiv.

Everything in this corner of the world has changed since Saturday, October 7. All around us, friends, family, colleagues, people have died. People are missing. People have been kidnapped. There's a lot of uncertainty and we're all involved in dozens of initiatives but we're also going to bring you some voices and testimonies that try to paint a picture of these devastating times. Hosted on Acast. See acast.com/privacy for more information.

Reil, Julianewww.deutschlandfunk.de, CorsoDirekter Link zur Audiodatei

At the height of the Yom Kippur War, when Israel was at its lowest, famed poet and singer Leonard Cohen visited the country and did a series of performances that raised the spirits of a nation. Almost 50 years later, journalist and author Matti Friedman took a deep dive into Cohen's impromptu tour with Who by Fire: War, Atonement, and the Resurrection of Leonard Cohen, which chronicles Cohen's also delves into Cohen's spiritual and professional crisis and reawakening. Host Steven Shalowitz sits down with Friedman once again to discuss his research on Leonard Cohen, Israel's attitude during the Yom Kippur War, and the importance of Cohen's appearance in boosting soldiers' morale.

In 1973, Leonard Cohen announced he was done with music for good. The same year, in October, war broke out in Israel. The Yom Kippur War would become the bloodiest in Israel's young history—and Cohen was there to witness it. As the war broke out, he left his home on the Greek island of Hydra to fly into the warzone. Leonard Cohen never said much about why he went to the front. What we know is that in the months that followed, he would write “Who By Fire.” Five decades later, on Spotify and in synagogue, you can still hear the echoes of this trip. So what was it that happened in the desert in October of 1973 between this depressed musician and these too young soldiers going off to battle? How did it remake Leonard Cohen? How did it transform those who heard him play? And how did the war transform Israel itself? Those are just some of the questions Matti Friedman explains in his beautiful book Who By Fire: Leonard Cohen in the Sinai. This episode aired last year on Honestly, and we're thrilled to reshare it with you today, as we approach the 50 year anniversary of the war that remade a country—and one searching folk star.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to What Matters Now, a weekly podcast exploration into one key issue shaping Israel and the Jewish World — right now. “To Israel's friends in North America, we are taking the unusual step of directly addressing you at a moment of acute crisis in Israel. We write with a sense of anguish and anxiety for the future of our country.” With these words, authors Yossi Klein Halevi, Daniel Gordis and Matti Friedman began a February oped on The Times of Israel that they titled, “An open letter to Israel's friends in North America.” The Times of Israel hosted the trio this week in a webinar and this week's What Matters Now episode is a very lightly edited recording of the event. It's rather long, so we'll get right to it. So this week, we ask Yossi Klein Halevi, Daniel Gordis and Matti Friedman, what matters now. What Matters Now podcasts are available for download on iTunes, TuneIn, Pocket Casts, Stitcher, PlayerFM or wherever you get your podcasts. Image: Anti-overhaul activists protest against the government's judicial overhaul outside the president's residence in Jerusalem, on July 29, 2023. (Chaim Goldberg/Flash90)See omnystudio.com/listener for privacy information.

After months of civil unrest in Israel, the first bill from the governing coalition's judicial reform proposal was officially passed on Monday. Recording together in Jerusalem, Matti Friedman and Yehuda Kurtzer break down and analyze recent events, including the political appointments and identity politics that led to this moment, the anti-reform protesters' incredibly wide coalition, the radicalization of the Israeli Right, Netanyahu's role, the stories that Americans are telling themselves, and more. Matti Friedman's previous Identity/Crisis episode: Leonard Cohen's Military Mystery Tour

Last month, we sat down with journalist and author Matti Friedman in a Jerusalem studio to talk about Leonard Cohen, the Israel-Diaspora relationship, and the turning point that was the 1973 Yom Kippur War. Selected by Vanity Fair as one of the best books of 2022, Friedman's “Who by Fire: Leonard Cohen in the Sinai,” explores the late poet and singer's concert tour on the front lines of the Yom Kippur War – a historic moment of introspection for the Jewish State that continues to reverberate through events we witness today.  *The views and opinions expressed by guests do not necessarily reflect the views or position of AJC.  __ Episode Lineup:  (0:40) Matti Friedman __ Show Notes: Listen: From the Black-Jewish Caucus to Shabbat and Sunday Dinners: Connecting Through Food and Allyship How to Tell Fact from Fiction About the Israeli-Palestinian Conflict Live from Jerusalem: Exploring Israel and the Media with Matti Friedman Watch: Should Diaspora Jews Have a Say in Israeli Affairs?  Learn: Four Common Tough Questions on Israel 75 Years of Israel: How much do you know about the Jewish state? Follow People of the Pod on your favorite podcast app, and learn more at AJC.org/PeopleofthePod You can reach us at: peopleofthepod@ajc.org If you've enjoyed this episode, please be sure to tell your friends, tag us on social media with #PeopleofthePod, and hop onto Apple Podcasts to rate us and write a review, to help more listeners find us. __ Transcript of Interview with Matti Friedman: Manya Brachear Pashman:   Matti Friedman has joined us on this podcast multiple times. Last year, he gave us an essential lesson on how to tell fact from fiction about Israel, and when AJC held its global forum in Jerusalem in 2018, he joined us for our first live recording, so I could not pass through Jerusalem without looking him up, Especially after learning that the writer behind Shtisel is adapting Matti's latest book, “Who By Fire” about the late great Leonard Cohen's time on the front lines of the Yom Kippur War. He joins us now in a studio in the Talpiot neighborhood of Jerusalem. Matti, welcome to People of the Pod. Matti Friedman:   Thank you for having me. Manya Brachear Pashman:   So I take it you're a fan of Leonard Cohen, or just as a journalist you find him fascinating? Matti Friedman:   No, of course, I'm a fan of Leonard Cohen. First of all, I'm Canadian. So if you are Canadian, you really have no choice. You have to be a Leonard Cohen fan, and certainly if you're a Canadian Jew. We grew up listening to Leonard Cohen. So absolutely, I'm a big admirer of the man and his music. Manya Brachear Pashman:   What are your favorite songs? Matti Friedman:   Probably my favorite Leonard Cohen song is called “If it Be Your Will." Just a prayer that came out on a Cohen album in the 80s. But I love all the Cohen you know top 10- Suzanne and So Long Marianne, Famous Blue Raincoat and Chelsea Hotel. It's a very long list. Manya Brachear Pashman:   So I should clarify that your book is not a biography of Leonard Cohen. It's about just a few weeks of his life when he came in 1973, during the Yom Kippur War, and these few weeks were a real turning point in his life, also for Israel, but we can talk about that later. But I want to know, why is it important? Why do you think it's important for Leonard Cohen fans, for Jews, particularly Israelis, to know this story about him? Matti Friedman:   I think that those few weeks in the fall of 1973, when Cohen finds himself at the front of the Yom Kippur War, those weeks are really an incredible meeting of Israel and the diaspora, maybe one of the ultimate diaspora figures, Leonard Cohen, this kind of universal poet and creature of the village, and this product of a very specific moment in North American Jewish life, when Jews are really kind of bursting out of the ghetto and entering the mainstream. And we can think of names like Paul Simon and Bob Dylan, even Phil Ochs, and people like that. And Cohen is very much part of that.  And he comes to Israel and meets, I guess the other main trend in Jewish history, in the second half of the 20th century, which is the State of Israel, and Israelis, who are not bursting into, you know, a universal culture in the United States, they're trying to create a very specific Jewish culture–in Hebrew, in this very kind of tortured scrap of the Middle East.  And the meeting of those two sides, who have a very powerful connection to each other, but don't really understand each other. It's a very interesting meeting. And the fact that it happens at this moment of acute crisis, one of the darkest moments in Israel's history, which is the Yom Kippur War, that makes it even more powerful.  So I think if we take that snapshot, from October 1973, we get something very interesting about Israel, and about the Jewish world and about this artist. And in some ways, I think those weeks really encapsulate much of Leonard Cohen's story. So it's not a biography, it doesn't trace his life from birth to death. But it gives us something very deep about the guy by looking at him at this very intense and kind of traumatic moment. Manya Brachear Pashman:   Do you also think it sheds some light on the relationship between diaspora Jews and Israel? And how has that relationship changed and evolved since the 1970s? Matti Friedman:   When Cohen embarks on this strange journey to the war, which, I mean, it's a long story, and I tell it in the book, but it starts on a Greek island or he's kind of holed up. He's in a crisis, and he's unhappy with his domestic life and he's unhappy with his creative life and he kind of needs to escape. So he gets on a ferry from the island and gets on an airplane from Athens and inserts himself into this war, by mistake, not really intending to do it. And he says in this manuscript that he writes about that time, which is unpublished until, until my own book, I published segments of it.  He says, I'm going to my myth home. That's how he describes Israel. He uses this very interesting phrase myth home. And it's hard to understand exactly what he means. But I think many Jewish listeners will understand kind of almost automatically what that means. Israel is not necessarily your home. And it's possible that you've never even been there. But you have this sense that it is your mythical home or some alternate universe where you belong. And of course, that makes the relationship very fraught. It's a lot of baggage on a relationship with a country that is, after all, a foreign country.  And Cohen lands in Israel and has a very powerful, but also very confusing time and leaves quite conflicted about it. And I think that is reflective, more generally of the experience of many Jews from the diaspora who come here with ideas about the country and then are forced to admit that those ideas have very little connection to reality. And it's one reason I think that I often meet Jews here from, you know, from North America, and they're not even fascinated by the country, but they're kind of thrown off by it, because it doesn't really function in the way they expect. It's a country in the Middle East. It's very different from Jewish life in North America. And as time goes on, those two things are increasingly disconnected from each other. Manya Brachear Pashman:   Yeah. Which is something that I think you say, Israelis say repeatedly, that lots of people have opinions about Israel and decisions that are made and how it's run. But they have no idea what life is like here, right? That's part of the disconnect. And the reason why there's so much tumult. Matti Friedman:   Yes, and runs in the other direction, too, of course. Israelis just have less and less idea of what animates Jews in the United States. So the idea that we're one people, and we should kind of automatically understand each other. That just doesn't work anymore. I think in the years after the Second World War, it might have worked better because people were more closely connected by family ties. So you'd have two brothers from Warsaw or whatever, and one would go to Rehovot, and one would go to Brooklyn, but they were brothers. And then in the next generation, you know, their children were cousins, and they kind of knew something about each other, but a few generations have gone by, and it's much more infrequent to find people who have Israeli cousins, or American cousins, you know, it might be second cousins or third cousins, but the familial connections have kind of frayed and because the communities are being formed by completely different sets of circumstances, it's much harder for Americans to understand Israelis and for Israelis to understand Americans. And we're really seeing that play out more and more in the communication or miscommunication between the two big Jewish communities here in the United States. Manya Brachear Pashman:   So this is my first trip to Israel. And many people told me that I would never be the same after this trip. Was that true for Leonard Cohen? Matti Friedman:   I think it was, I think it was a turning point in his life. Of course, I wrote a book about it. I would have to say that, even if it weren't true, but I happen to think that it is true. He comes here at a moment of a real kind of desperation, he had announced that he was retiring from music that year. So he had this string of hits, and he was a major star of the 60s and early 70s. And those really famous Cohen songs that I mentioned, most of them had already come out and he'd been playing at the biggest music festivals at the Isle of White, which was a bigger festival than Woodstock. And he was a big deal. And, and he just given up, he felt that he had hit a wall and he no longer had anything to say. And he was 39 years old. That's pretty old for a rock star. And he was in those days, of course, people are dying at 27. So he kind of thought he was washed up. And he came to Israel. And he writes in this manuscript, this very strange manuscript that he wrote, and then shelved, that he thinks that Israel is a place where he might be able to be born again, or just saying, again, he writes both of those thoughts. And in a very weird way, it happens.  So he's too sophisticated a character to tell us exactly how that happened, or to ever say that he went to Israel and was saved or changed in some way. Leonard Cohen would never give us that moment that of course, as a journalist I'm looking for but they won't give us all we can do is look at the fact that he had announced his retirement before the war, came home from this war very rattled, not at all waving the Israeli flag and singing the national anthem or anything like that, but he came back invigorated in some way.  And a few months after that war, he releases one of his best albums, which is called “New Skin for the Old Ceremony.” Which is a reference, of course, to circumcision, which is itself a kind of wink toward rebirth. And that album includes Chelsea Hotel and Lover Lover Lover and Who by Fire and he's back on the horse and he goes on to have this absolutely incredible career that lasts until he's 80 years old and beyond. Manya Brachear Pashman:   So let's talk about Lover Lover Lover, and the line of that song. You had interviewed a former soldier on the frontlines in the Yom Kippur War. He had heard Leonard Cohen sing, was very moved by that song, which was composed on an Israeli Air Force Base, I believe originally. And then the album comes out and he hears it again. And something is different. The soldier is not happy about that. Can you talk a little bit about how you confirmed that?  Matti Friedman:   Right, so I spent a lot of time trying to track down the soldiers who had seen Leonard Cohen during this very weird concert tour that he ends up giving on the Sinai front of the Yom Kippur War. And it's this series of concerts, these very small concerts, mostly for just small units of soldiers who are in the sand and suddenly Leonard Cohen shows up in a jeep and plays music for them. And it's kind of a hallucinatory scene.  And one of the soldiers told me that he will never forget the song that Cohen sang, and it was on the far side of the Suez Canal. So the Israeli army having kind of fallen back in the first week and a half of the war has crossed the Suez Canal, in the great counter attack that changes the course of the war, and now they're fighting on Egyptian territory. And one night, on that, on the far side of the canal, he meets Leonard Cohen, it's just kind of sitting on a helmet in the sand playing guitar, and he sang a song that would later become famous, but no one knew it at the time, because it had just been written. As you said, it was written for an audience of Israeli pilots at an Air Force base a few weeks before, or a few days before.  And the song's lyrics address the Israeli soldiers as brothers. That's what the soldier remembered. And he said, I'll never forget it. He called us his brothers. And that was a big deal for the Israelis, to hear an international star like Leonard Cohen, say,  I'm a member of this family, and you're my brothers. And that was a great memory. But there's no verse like that in the song Lover, Lover, Lover. And there's no reference at all that's explicit to Israeli soldiers. And the word brothers does not appear in the song. Manya Brachear Pashman: At least the one on the album, the song on the album. Matti Friedman: On the album, right. So that is the only one that was known at the time that I was writing the book. And then I kind of set it aside, I just figured that it was a strange memory that was, you know, mistaken or manufactured. And I didn't think much more about it. But I was going through Cohen's old notebooks and the Cohen archive in Los Angeles, which is where many of his documents are kept. And he had a notebook in his pocket throughout the war, and was writing down notes and writing down lyrics and writing on people's phone numbers. And in in the notebook, I found the first draft of  Lover, Lover, Lover, and this verse, which had somehow disappeared from the song and the verse is a really powerful expression of identification, not uncomplicated identification, but definitely sympathy for the Israelis who was traveling with, he was traveling with a group of Israeli musicians, he was wearing something that looked a lot like an Israeli uniform, he was asking people to call him by his Hebrew name, which was Eliezer Cohen.  So he was definitely, he had kind of gone native. And the verse, the verse goes, ‘I went down to the desert to help my brothers fight. I knew that they weren't wrong. I knew that they weren't right. But bones must stand up straight and walk and blood must move around. And men go making ugly lines across the holy ground.'  It's quite a potent verse. And it definitely places Cohen on one side of the Yom Kippur War. And when he records the song, a few months later, that verse is gone. So he obviously made a different decision about how to locate himself in the experience. And ultimately, the experience of the war kind of disappears from the Cohen story. He doesn't talk about it. Later on, he very rarely makes any explicit reference to it. The Cohen biographies mention it in passing, but don't make a big deal of it. And I think that's in part because he  always played it down.  And when that soldier Shlomi Groner, who I call the soldier, but he's going into his seventies, but you know, for me, he's a soldier. He heard that song when it came out on the radio, and he was waiting for that verse where Cohen called Israeli soldiers, his brothers and the verse was gone. And he never forgave Leonard Cohen for it, for erasing that expression of tribal solidarity.  And in fact, the years after the war, 1976, Cohen is playing the song in Paris, you can actually find this on YouTube. And he introduces the song to a French audience by saying, he admits that he wrote the song in the war in Sinai, and he says, he wrote the song for the Egyptians, and the Israelis, in that order. So he was very careful about, you know, where he placed himself, and he was a universal poet. He couldn't be on one side of a war, you couldn't be limited to any particular war, he was trying to address the human soul.  And he was aware of that contradiction, which I think is a very Jewish contradiction. Is our Judaism best expressed by tribal solidarity, or is it best expressed in some kind of universal message about the shared humanity of anyone who might be reading a Leonard Cohen poem? So that tension is very much present for him and it's present for many of us. Manya Brachear Pashman:   So he replaces the line though with watching the children, he goes down to watch the children fight. Matti Friedman:   So before he erases the whole verse, he starts fiddling with it. And we can actually see this in the notebook because we can see him crossing out words and adding words. So he has this very strong sentence that says, I went down to the desert to help my brothers fight, which suggests active participation in this war and, and then we see that he's erase that line held my brothers fight, and he's replaced it with, I went on to the desert to watch the children fight.  So now he's not helping, and it's not his brothers, he's kind of a parent at the sandbox watching some other people play in the sand. So he's taken a step back, he's taken himself out of the picture. And ultimately, that whole verse goes into the memory hold, and it only surfaces. When I found it, and I had the amazing experience of sending it to the soldier who'd heard it and didn't quite remember the words, he just remembered the word brothers. And over the years, I think he thought maybe he was mistaken, he wasn't 100% sure that he was remembering correctly and I had the opportunity to say, I found the verse, you're not crazy, here's the verse. It was quite a moment for him. Manya Brachear Pashman:   Yeah, confirmation, validation. Certainly not an expression of solidarity anymore, but I read it as an expression of critique of war, right. Your government's sending sons and daughter's off to fight you know, that kind of critique, but it changes it when you know that he erased one sentiment and replaced it with another. Matti Friedman:   Right, even finding the Yom Kippur War in the song now is very complicated, although when you know where it was written, then the song makes a lot more sense. When you think a song called Lover Lover Lover would be a love song, but it's not really if you listen to the lyrics.  He says, “The Spirit of the song may rise up true and free. May be a shield for you, a shield against the enemy”. It's a weird lyric for a love song. But if you understand that he's writing for an audience of Israeli pilots are being absolutely shredded in the first week of the Yom Kippur War, it makes sense. The words start to make sense the kind of militaristic tone of the words and even the kind of rhythmic marching quality of the melody, it starts to make more sense, if we know where it was written, I think Cohen would probably deny. Cohen never wanted to be pinned down by journalism, you know, he wasn't writing a song about the Yom Kippur War. And I don't think he'd like what I'm doing, which is trying to pin him down and tie him to specific historical circumstances. But, that's what I'm doing. And I think it's very interesting to try to locate his art in a specific set of circumstances, which are, the Yom Kippur war, this absolute dark moment for Israel, a Jewish artist who's very preoccupied with his own Judaism, and who grows up in this really kind of rich and deep Jewish tradition in Montreal, and then kind of escapes it, but can never quite escape it and doesn't really want to escape it, or does he want to escape it and, and then here he is, in this incredible Jewish moment with the Israeli Army in 1973.  And we even have a picture of him standing next to general Ariel Sharon, who is maybe the other symbolic Jew of the 20th century, right? You have Leonard Cohen, who is this universal artists, this kind of, you know, man of culture and a kind of a dissolute poet and and you have this uniform general, this kind of Jewish warrior, this kind of reborn new Jew of the Zionist imagination, and we have a photograph of them standing next to each other in the desert. I mean, it's quite an amazing moment. Manya Brachear Pashman:   Yeah. I love that you use the word hallucinatory earlier to describe the soldier coming upon Leonard Cohen in the desert, because it reminded me that it was not Leonard Cohen's first tour of sorts in Israel. He had been in Israel the year before, 1972, gave a concert in Tel Aviv and Jerusalem, very different shows. Can you speak to that? Matti Friedman:   So Cohen was here a year before the war. And what's amazing is that you can actually see the concerts because there was a documentary filmmaker with him named Tony Palmer. And there's a documentary that ultimately comes out very briefly, that is shelved because Cohen hates it, and then resurfaces a couple of decades later, it's called Bird on a Wire. And it's worth seeing. And you can see the concert in Tel Aviv. And then the concert in Jerusalem the next day, which are the end of this problematic European tour, which kind of goes awry, as far as Cohen is concerned.  In Tel Aviv, they have to stop a concert in the middle because there's a riot in the audience and for kind of strange technical reason, which was that the arena in Tel Aviv had decided to keep the audience really far away from the stage and people tried to get close to Leonard Cohen and Cohen wanted them to come closer to the stage because they were absurdly far from the musicians and they tried to move closer but the security guards wouldn't let them and they start, you know, people start fighting, and Cohen's begging them to calm down.  And you can see this in the, in the documentary and then ultimately he leaves the stage, he says, you know, it's just not I can't perform like this, and he and the whole band just walk off the stage, and you get the impression that this country is on the brink of total chaos, like it's a place that's out of control. And then the next day, he's in Jerusalem for the last concert of this tour. And the concert also goes awry. But this time, it's Cohen's fault. And he is onstage, and you can see that he can't focus, like he just can't put it together. And in the documentary, you can see that he took acid before the show. So it might have had something to do with that. But also, it's just the fact that he's in Jerusalem. And for him, that's a big deal. And he just can't treat it like a normal place. It's not a normal concert. So there's, there's so much riding on it, that it's too much for him, and he just stops playing in the middle of a concert. And he starts talking to the audience about the Kabbalah. And it's an amazing speech, it's totally off the cuff.  It's not something that he prepared, but he starts to explain that, in the Kabbalistic tradition, in order for God to be seated on his throne, Adam and Eve need to face each other, or the man and the woman need to face each other in order for the divine presence to be enthroned. And he says, my male and female sides aren't facing each other, so I can't get off the ground. And it's a terrible thing to have happen in Jerusalem. That's what he says. And then he leaves, he says, I'm gonna give you your money back, and he leaves. And instead of rioting, which is what you'd expect them to do, or getting really angry, or leaving, the audience starts to sing, “Haveinu Shalom Alechem,” that song from summer camp that everyone knows, I think they just assume that he would know it.  And in the documentary, you see him in the dressing room trying to kind of get himself together. And hears the audience singing, a couple thousand young Israelis singing the song out in the auditorium, and he goes back out on stage and kind of just beams at that. He just kind of can't believe it, and just smiling out at them. They're entertaining him, but he's on the stage. And they're singing to him, and then the band comes back on. And they give this incredible show that ends with everyone crying. You see Cohen's crying and the band's crying and he says later that the only time that something like that had ever happened to him before was in Montreal when he was playing a show for an audience that included his family. So there was a lot going on for Cohen in Israel, it wasn't a normal place. It wasn't just a regular gig. And that's all present in his brain when he comes back the following year for the war. Manya Brachear Pashman:   Makes that weird decision to get on the ferry, and come to Israel make a little more sense. I had tickets to see Leonard Cohen in 2013. He was in Chicago, and Pope Benedict the 16th decided to resign. And as the religion reporter, I had to give up those tickets and go to Rome on assignment. And I really regret that because he died in 2016. I never got the chance to see him live. Did you ever get the chance to see him live?  Matti Friedman:   I wonder if we should add that to the long list of, you know, Jewish claims against Catholicism, but I guess we can let it slide. I never got to see him. And I regret it to this day, of course, when he came to Israel in 2009 for this great concert that ended up being his last concert here. I had twins who were barely a year old. And I was kind of dysfunctional and hadn't slept in a long time. And I just couldn't get my act together to go. And that's when I got the idea for this book for the first time. And I said, well, you know, just catch him the next time he comes. You know, the guy was in his late 70s. There wasn't gonna be a next time. So it was a real lapse of judgment, which I regret of course. Manya Brachear Pashman:   I do wonder if I should have gone to Rome for that unprecedented moment in history to cover that, kind wish I had been at the show. So you do think that the Jerusalem show played a role in him returning to Israel when it was under attack? Matti Friedman:   Yeah, absolutely. Absolutely. I mean, he had this very again, complicated, powerful, not entirely positive experience in Israel. And he'd also met a woman here. And that also became clear when I was researching the book that there was, there was a relationship that began when he was here in 1972, and continued. He had a few contacts here, and it wasn't a completely foreign place. And he had some memory of it and some memory of it being a very powerful experience. But when he came in ‘73, he wasn't coming to play. So he didn't come with his guitar. He didn't bring any instruments. He didn't come with anyone. He came by himself. So there is no band. There's no crew, there's no PR people. He understands that there's some kind of crisis facing the Jewish people and he needs to be here.  Manya Brachear Pashman:   I interviewed Mishy Harman yesterday about the Declaration of Independence, the series that [the I`srael Story podcast] are doing, and he calls it one of Israel's last moments of consensus. We are at a very historic moment right now. How much did this kind of centrifugal force of the Yom Kippur War, where everybody was kind of scattered to different directions, very different ways of soul searching, very Cohen-esque. How much of that has to do with where Israel is now, 50 years later? Matti Friedman:   That's a great question. The Yom Kippur war is this moment of crisis that changes the country and the country is a different place after the Yom Kippur War. So until 73, it's that old Israel where the leadership is very clear. It's the labor Zionist leadership. It's the founders of the country, Ben Gurion and Golda Meir, and the people who kind of willed this country into existence against long odds and won this incredible victory in the 1967 War. And then it's all shattered by this catastrophe in 1973. And even though Israel wins the war and the end, it's a victory that feels a lot like a defeat, and 2600 soldiers are killed in three weeks in a country of barely 3 million people and many more wounded and the whole country is kind of shocked. And it takes a few years for things to play out. But basically, the old Israeli consensus is shattered. And within a few years within the war, the Likud wins an election victory for the first time. And it's a direct result of, of a loss of faith and leadership after the Yom Kippur War. That's 1977.  And then you have all kinds of different voices that emerge in Israel. So you have, you know, you have Likud. You have the voice of Israelis, who came from the Arab world who didn't share the background of, you know, Eastern Europe and Yiddish and who had a different kind of Judaism and a different kind of Zionism and they begin to express themselves in a more forceful way and you have Israelis who are demanding peace now. You know, on the left, and you have a settlement movement, the religious settlement movement really kind of becomes empowered and emboldened after the Yom Kippur War after the labor Zionist leadership loses its confidence and that's when you really start seeing movements like Gush Emunim pop up in the West Bank with this messianic script and so, so the the fracturing of that that consensus really happens in wake of Yom Kippur war and you can kind of see it in in the music, which is an interesting way of looking at it because the music until 73 had really been this folk music that still maybe the only place that still sees it as Israeli music might be American Jewish summer camp, where it kind of retains its, its, its hold and yeah, that those great old songs that were sung around the campfire and the songs of early Israel and that was very much the music that dominated the airwaves. After the Yom Kippur War, it's different, the singers start expressing themselves a lot less in the collective we and much more in using the word I and talking about their own soul and you hear a lot more about God after 73 than you did before. And the country really becomes a much more heterogeneous place and a much more difficult place, I think, to run and with that consensus, you're talking about the Declaration of Independence. And that series, by the way, Israel Story, which I highly recommend, it's a wonderful series about an incredible document, which we still should be proud of, and which we should pay much more attention to than we do. But when do we have consensus, when we're under incredible pressure from the outside. The Declaration of Independence is signed, you know, as we face the threat of invasion by fighter armies.  So that's basically what it takes to get the Jews to sit down and agree with each other. And, you know, there are these years of crisis and poverty after the 48 war into the 60s. And that kind of keeps the consensus more or less in place, and then it fractures. And we're in a country where it's much easier to be many different things, you know, you can be ultra-Orthodox, and you can be Mizrachi, and you can be gay, and you can be all kinds of things that you couldn't really be here in the 60s.  But at the same time, the consensus is so fractured, that we can barely, you know, form a coherent political system that works to solve the problems of the public. And we're really saying that in a very dramatic and disturbing way in the dysfunction, in the Knesset and in our political system, which is, you know, has become so extreme.  The political system is simply incapable of a constructive role in the society and has moved from solving the problems of the society to creating problems for a society that probably doesn't have that many problems. And it's all a reflection of this kind of fracturing of the consensus and this disagreement on what it means to be Israeli what the meaning of the state is, once you don't have those labor Zionists saying, you know, we are a part of a global proletarian revolution, and the kibbutz is at the center of our national ethos. Okay, we don't have that. But then what is this place? And if you grab 10 Israelis on the street outside the studio, they'll give you 10 different answers. And increasingly, the answers are, are at odds with each other, and Israelis are at odds with each other. And the government instead of trying to ease those divisions, is exacerbating them for political gain. So you're right, this is a very important and I think, very dark moment for the society. Manya Brachear Pashman:   And do you trace it back to that kind of individualistic approach that Cohen brought with him, and that the war, not that he introduced it to Israel, and it's all his fault, that the war, and its very dark outcome, dark victory, if you will, produced? Matti Friedman:   I don't want to be too deterministic about it. But definitely, that is the moment of fracture. The old labor Zionist leadership would have faded anyway. And just looking at the world, that kind of ethos, and that ideology is kind of gone everywhere, not just in Israel. But definitely the moment that does it here is that war, and we're very much in post-1973 Israel.  Which in some ways is good, again, a more pluralistic society is good. And I'm happy that many identities that were kind of in the basement before ‘73 are out of the basement. But we have not managed to find a replacement for that old unifying ideology. And we're really feeling it right now. Manya Brachear Pashman:   Thank you so much, Matti, for joining us. Matti Friedman:   Thank you very, very much. That was great.

This week we are joined by author and journalist Matti Friedman, who recently penned "Who by Fire: Leonard Cohen in the Sinai" (you can hear him discuss it with Bari Weiss here) and before that the incredible "Spies of No Country: Secret Lives at the Birth of Israel" about the founding of the Mossad and the nation.A former AP correspondent, Matti blew the lid on what the media gets wrong about Israel, in this badass essay in The Atlantic and in Tablet.We cover a lot of ground in this one, and manage to make it all the way to the end without talking about current Israeli politics, but then discuss Matti's impactful and insightful letter to American Jews (with OG's Yossi Klein Halevy and Daniel Gordis) on why they need to raise their voice against Israel's current government. Also: From Toronto to JerusalemThe myth of the KibbutzIf someone offers to introduce you to an old spy - you say yes!There are no delis in israel This ain't Norway Why the media is so obsessed with Israel (maybe because there are more staffers covering Israel than all of China and Africa?)Save us Bruno Mars Herzl the Hipster Media literacy Where does Matti get his information? (in books, like some nerd)News is activism We want to believe...The NY times Can we afford to criticize Israel publicly? Let's end on a pessimistic note J/k we're never letting him go The orthodox scene in israel is thriving...and it's terrifying (to some of us)We want to be socialists, as long as everyone else is a libertarian Draft theo orthodox to the army? Yael puts chaya Leah on the spot Matti's Hotmail We want to give Matti an out but then we remember Indian Jews Questions? Email askajewpod@gmail.comSign up to our substack askajewpod.substack.com 

In the final episode of this podcast, Dr. Polisar revisits one of the two central questions that were posed in the opening episode: How did the Jewish people succeed in creating a country that, against all odds, developed an internal character marked by all of the following? A) Kibbutz Galuyot, the ingathering of the exiles on an unimaginable scale; B) a vital role as a national state acting to advance the interests of the Jewish people; C) a robust and stable democracy; D) an economic powerhouse that is widely seen as the “Start-Up Nation.” Covering the period from 1979 to the present, this episode examines the key decisions and watershed moments that led Israel to be miraculously successful in each of these areas. Supplemental Materials:  "Israel's Russian Wave, Thirty Years Later" by Matti Friedman. 

According to his middle school yearbook, Matti Friedman wanted to be a journalist when he grew up. The only problem? He didn't really know what that meant. But Matti knew that writing was the best way to make sense of a very complicated world. As his career progressed, Matti allowed his life experiences to influence the formation of his work. From his early days in Israel living on a kibbutz, to his first gig as a reporter at The Jerusalem Post, he wrote stories that tackled complex moments in history and his own life. To date, the Canadian-Israeli writer has published four lauded books, and his headlines have appeared in top outlets like The New York Times and The Atlantic. Listen in as Gil and Matti travel back in time, wading through memories that take Matti from Canada to various parts of the Middle East, which Matti believes are the key to seeing Israel with new eyes.More about storymarkTMstorymark is brought to you by itrek studios. itrek is a non-profit that inspires tomorrow's leaders through peer-led, week-long Israel Treks to experience Israel's innovation, diversity and complex reality firsthand. For more on itrek's mission, visit itrek.org.storymark is hosted by Gil Galanos. Our Producer is Patrick Emile. Our Associate Producer is Rebekah Sebastian. Our Editor is Zev Levi. Special thanks to the itrek marketing team.Connect with storymarkWant to continue the story?Sign up for the storymark newsletter which will keep you up-to-date on show news and future guests: storymarkpodcast.orgDid you enjoy this episode?Help us spread the storymark word!Please rate and review storymark on Apple Podcasts, Spotify, or wherever you listen. Want to see the faces behind the voices? Follow us on Instagram: @storymarkWant to say hello or recommend a guest?Drop us a note: storymark@itrek.org Hosted on Acast. See acast.com/privacy for more information.

The battle for Israeli democracy, to quote the opponents of Benjamin Netanyahu's "judicial reform" plan, moved to a new front this week - with an effort to enlist the Jewish diaspora into the protest movement. Yonit and Jonathan speak to writer and journalist Matti Friedman about his "Open Letter to Israel's Friends". Plus an update on the earthquakes that shook the Middle East and a chutzpah award to a woman in (British) politics and to the absence of women in (Israeli) politics.See omnystudio.com/listener for privacy information.

Since arriving in Israel as a teenager, journalist Matti Friedman has spent his life and career trying to make sense of the Jewish state — and why it receives such outsized coverage.Support this podcast at — https://redcircle.com/in-these-times-with-rabbi-ammi-hirsch/donations

In 2022, we convened 46 new conversations, probing some of the most interesting and consequential subjects in modern Jewish life: the war-torn Jewish community in Ukraine, the nature of modern sexual ethics, the prospects of Israeli judicial reform, how to read the book of Esther, and the passing of one of the great Jewish critics of the 20th century. In conversation with Mosaic editor Jonathan Silver, each guest brought his or her unique expertise or viewpoint to some timely issue or enduring question that stands before the Jewish people. In this episode, we present some of our favorite conversations from this year. Guests featured include the former U.S. Ambassador to Israel David Friedman, the Chabad writer Dovid Margolin, the Washington Post columnist Christine Emba, the British intellectual Douglas Murray, the Israeli MK and legal reformer Simcha Rothman, the rabbi Jacob J. Schacter, the journalist Matti Friedman, the professor Ronna Burger, the Christian leader Robert Nicholson, Commentary editor John Podhoretz, and the returning Israeli prime minister Benjamin Netanyahu. Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble.

In October 1973, an unhappy Leonard Cohen was listening to the radio on his Greek island home when he heard that Israel was at war. He headed to Tel Aviv, exchanging a personal and creative crisis for a national one. Absent a plan and even a guitar, Cohen wound up serenading Israeli soldiers at the front. Journalist Matti Friedman talks about his book Who by Fire with EconTalk host Russ Roberts and explains how a songwriter and a nation were transformed in the crucible of war.

In 1973, Leonard Cohen announced he was done with music for good. The same year, in October, war broke out in Israel. The Yom Kippur War would become the bloodiest in Israel's young history—and Cohen was there to witness it. As the war broke out, he left his home on the Greek island of Hydra to fly into the warzone. Leonard Cohen never said much about why he went to the front. What we know is that in the months that followed, he would write “Who By Fire.” Five decades later, on Spotify and in synagogue, you can still hear the echoes of this trip. So what was it that happened in the desert in October of 1973 between this depressed musician and these too young soldiers going off to battle? How did it remake Leonard Cohen? How did it transform those who heard him play? And how did the war transform Israel itself? Those are just some of the questions Matti Friedman explains in his beautiful new book Who By Fire: Leonard Cohen in the Sinai.  Learn more about your ad choices. Visit megaphone.fm/adchoices