Podcasts about zosha

– Zosha di Castri - We live the opposite daring– Mov. III com Ekmeles– Shawn Jaeger - love is com Ekmeles– Cid Campos - Fala da Palavra– Xavier Sabater - Plunasany com Juan Angel Italiano– Kurt Schwitters - Sonate in urlauten (fragmento) com Juan Angel Italiano Produção, gravação, edição e locução: marcelo brissacMúsica “Drácula” usada no prefixo e sufixo, autoria de marcelo brissac e livio tragtenberg 

In episode 1.1 of What a Year! Ethan Warren and Ryan Pollie discuss Wes Anderson's The Darjeeling Limited, Panda Bear's Person Pitch, and the penultimate episode of Mad Men's first season with their first guest correspondent, Polygon TV editor Zosha Millman00:01:34 - introducing the show and the season00:19:16 - The Darjeeling Limited00:49:36 - Pop quiz!00:57:29 - Person Pitch01:28:09 - Mad Men with Zosha Millman

Our guest in this episode is Miriam Jones from Motion and Repose in Melbourne.  Miriam is a passionate mentor and teacher trainer of the next generation of Pilates instructors and runs a small home studio in Melbourne's northern suburbs. [01:23] Miriam elaborates on her background as a dancer who graduated, left Melbourne to see the world and got hooked on yoga and Pilates in Scotland. She decided to return to Australia, get a Pilates qualification and enter the fitness industry.[04:05] Miriam's early Pilates experience and she remembers the heated floor, and her body feeling like it had been “put back together”. She stayed with Mat Pilates and didn't get on the equipment until she came back to Australia. [06:04] Miriam recalls that in 1998 people in the UK only seemed to go to Pilates for rehabilitation, so she was sharing classes with a mix of generally older people. Most people were not familiar with Pilates, which they confused with yoga.[08:31] Miriam explains that despite never having any goal to be a movement teacher, she moved into teaching quite quickly, keen to share the benefits of Pilates. Despite 20 years of teaching, she still feels like she is only at the beginning of exploring her relationship to the body.[11:41] Miriam's mentor Zosha Piotrowski, seeing magic in Miriam and helping her deliver it, and Claire Norgate, also a member of the Australian Fitness Network, who was a role model as a teacher and mentor. [15:09] Miriam describes the Pilates available in Brisbane in 2001 was taught by physiotherapists and, although enjoyable, it was also restrictive, and that was the incentive for her to launch her group Pilates classes in church halls and community centres.[19:58] Miriam acknowledges that her way of teaching Pilates wasn't going to appeal to everybody and that was okay with her, but if something feels right, she knows to grab it and not let go.[21:14]  Miriam discusses working in a team rather than running a studio, and that gave her the time to develop as a workshop presenter, mentor, and teacher trainer. [27:42] Miriam's path in Brisbane, setting up classes in fitness environments, then doing more training and meeting Zosha and Claire in Sydney which led to her joining the Australian Fitness Network Pilates team, became a Stott Pilates teacher trainer, started delivering anatomy courses. Eventually, she opened her own studio.[30:33] Miriam reveals that what Pilates has taught her is the importance of her relationship to her body, and that the way it moves affects the way she thinks and feels and vice versa.[32:52] Miriam's plans for the future, and she talks about re-launching her six-month mentoring program, delivering more teacher training, building her studio, and organising more retreats and workshops.[34:24] Miriam's advice to someone starting out in Pilates is not to try and make it perfect, just commit to doing it. Motion and ReposeInstagramFacebookThe Pilates Diaries PodcastWebsiteFacebookInstagramEpisode SponsorsTRIMIOPilates Reformers Australia10% off with min. $100 spend - use PILATESDIARIES21Whealthy-Life10% off - use PILATESDIARIESToeSox Australia15% off with min. $49 spend - use PILATESDIARIES21

This week Zosha Millman, senior editor at Bright Wall/Dark Room, makes a guest appearance to discuss the recent, and largely overlooked, science-fiction film 'Ad Astra'. We talk about the the major differences between the earlier version of the screenplay and the final film, the power of pacing and when to use silence, and the parent-child relationship that is the heart of the story.  *** Want to comment, get news and join episode discussions? Join the community on Syncify: https://syncify.fm/podcast/the-21st-rewrite. Instagram: @the21strewrite. Website contact page: https://www.the21strewrite.com/contact

Can you smell that? It's a bunch of oiled up arsonist ogres going full tilt like a Peterbilt towards the forests of Zosha! We're getting towards the end of our Level Eater XI series, and we're feeling pretty stuffed! We make some room for seconds as the gang makes a pit stop in Portsbridge, does a little rebranding, and then book it to the forest to keep the whole dang place from going up in smoke! HOT DAMN!  *SPOILER ALERT*: This episode contains spoilers for quest 12: "The Final Sprint". Join in on the Level Eater XI bonanza and grab some limited edition treasures here!    Cast: Bill Ross: Crank the Cleric, Level 4 Life Cleric (duh) Dylan White: Gloopy A. Lombazo, Level 4 Archfey Warlock Jordan Ramsier: Level 420 Master of Dungeons Juan Rebollar-Torres: Stabby McStabbypants, Level 4 Psi Warrior Sarah Hernandez: Roarie Underbutt III, Level 4 Eldritch Knight Contact: Facebook Twitter Instagram Discord   Buy some Merch here!

In this final 'episode' of interviews curated by Seth Cluett, we get to meet Zosha Di Castri - a composer that seems to enjoy it all! Whether it is working with orchestra, string ensemble or small groups - or dance, or installation or architectural performance - Zosha seems to have a voice for it. She seamlessly mixes notated performance with improv, classical instruments with electronics, and a smattering of fixed media and voice throughout. She also embraces dynamic surprise - something we dive into during our discussion. This was an interesting discussion because we spent a fair amount of time talking about how she 'imagined' her pieces into existence, and how she takes these imaginings and turns them into performable pieces. Part of her practice is solitary, but another part of it is deeply collaborative, and the work ends up being an extension of the performers that engage with it. I hope that you'll take the opportunity to engage with it yourself; you can find a lot about her work at her website (http://www.zoshadicastri.com/), and by touring your favorite music streaming site. I found the music to be constantly surprising; the amount of drama that is wrapped in her work - along with that blending of technologies and techniques - make for a unique flavor of New Music. Enjoy!

Sean Rafferty presents highlights from In Tune, with performances from Jennifer Pike + Martin Roscoe; a trio of Ronnie Scott’s All Stars – James Pearson, Sam Burgess, and Alex Garnet; and from the In Tune broadcast from Imperial College - Solomon’s Knot and Yeol Eum Son. Plus a guided tour of Buckingham Palace with Dr. Amanda Foreman and Lucy Peter, and an interview with composer Zosha di Castri ahead of the Proms.

La Jolla Symphony & Chorus begins their 64th season with questions about lineage: Where do we come from? How does the music of our past inform our understanding of the future? "Lineage," a piece by young Canadian composer Zosha de Castri, recalls how her grandmother's tales shaped her own sense of being Canadian. Igor Stravinsky's Petrushka was inspired by his memories of Russian Shrovetide fairs, in all their color and excitement. Finally, everything on the planet began with water, and in celebration, Music Director Steven Schick gives up his baton to solo in Tan Duns "Concerto for Water Percussion and Orchestra," with Michael Gerdes conducting. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34002]

La Jolla Symphony & Chorus begins their 64th season with questions about lineage: Where do we come from? How does the music of our past inform our understanding of the future? "Lineage," a piece by young Canadian composer Zosha de Castri, recalls how her grandmother's tales shaped her own sense of being Canadian. Igor Stravinsky's Petrushka was inspired by his memories of Russian Shrovetide fairs, in all their color and excitement. Finally, everything on the planet began with water, and in celebration, Music Director Steven Schick gives up his baton to solo in Tan Duns "Concerto for Water Percussion and Orchestra," with Michael Gerdes conducting. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34002]

John Adams, Zosha di Castri and Claire Chase talk about the International Contemporary Ensemble. For captions, transcript, and more information visit http://www.loc.gov/today/cyberlc/feature_wdesc.php?rec=5952&loclr=ytb

Jon Mithril, Better Tom, Zosha, Seht and Avriss’s now find themselves facing doom inside the Tower of Abraxas as they do lengthy battle with Draxxus [...]