Podcasts about Screenplay

Host Jeff Goldsmith talks to writer-producer Aline Brosh McKenna about her latest film, The Devil Wears Prada 2. Download my podcast here Copyright © Unlikely Films, Inc. 2026. All rights reserved. For more great content check out Backstory Magazine @ Backstory.net

Gillian Flynn's novel Gone Girl defined a literary niche when it first came out in 2012, and it still defines it to this day. David Fincher's great 2014 adaptation—written in collaboration with Flynn—is one of the greatest and most fun movie thrillers of the 21st century. Now I want to present you with a terrifying scenario: What if this book had come out three years later, and instead of this glorious 2.5-hour film, we got a boring 12-hour streaming series? Come on, you can see it right now in your mind: Episode 3 is a flashback to Amy's life as a child, with none of the regular actors in it. Episode 9 is the Desi episode, and Amy finally arrives at his door right before the closing credits. No thank you. And so 1-Week Rental is here to take you through the history of that movie. How Gillian Flynn wrote her novel and then worked closely with Fincher on the production, how perfect the casting of both Ben Affleck and Rosamund Pike was, how Reese Witherspoon produced the movie with the intention of playing Amazing Amy herself only to be told by Fincher she was all wrong for the part, and how this movie is loosely based on the lives of Laci Roth and Matt Stokes. Did you know that? Watch the history segment in full on YouTube: https://youtu.be/i0WuyvYAyrg  We're off next week (June 5, 2026). The next episode will be out on Friday, June 12, 2026 when our summer miniseries begins. The Summer of Nolan opens with a podcast about Christopher Nolan's Memento (2000)!    Time stamps: 00:05:50 — History segment: Gillian Flynn writes the Gone Girl novel; movie optioned by Reese Witherspoon and David Fincher is hired to direct; career of Rosamund Pike; career of Ben Affleck  00:51:40 — Movie discussion 02:38:20 — Final thoughts & star ratings   Gone Girl (2014) was directed by David Fincher. Screenplay by Gillian Flynn, based on her novel. Starring Ben Affleck, Rosamund Pike, Carrie Coon, Kim Dickens, Neil Patrick Harris, Tyler Perry, Patrick Fugit, Missi Pyle, Emily Ratajkowski, Casey Wilson, David Clennon, Lisa Banes, and Scoot McNairy.   Sources: "Kansas City native Gillian Flynn emerges as a literary force with her twisted mystery 'Gone Girl'" by Steve Paul | The Kansas City Star (2012) - https://bit.ly/4dE9MTf  "Gillian Flynn on Adapting 'Gone Girl,' Being Too 'Wimpy' for Crime Reporting and Her Best Advice to Writers" by Kimberly Nordyke | The Hollywood Reporter (2012) - https://bit.ly/4v9mh0i  "Gillian Flynn Peers Into the Dark Side of Femininity" by Lauren Oyler | The New York Times (2018) - https://bit.ly/3Q1DV7e  "Gillian Flynn on her bestseller Gone Girl and accusations of misogyny" by Oliver Burkeman | The Guardian (2013) - https://bit.ly/42X7s54 "A Surprise Hit Spawns a Movie Deal" by Stafanie Cohen | The Wall Street Journal (2012) - https://bit.ly/3RMwcud  "Author Gillian Flynn says filming 'Gone Girl' went much better than expected" by Robert Butler | The Kansas City Star (2014) - https://bit.ly/431uebV "David Fincher Talks 'Gone Girl,' Avoids Spoilers (Hooray!)" by Audie Cornish | NPR (2014) - https://n.pr/4vdg1ER  "Movie Sneaks: Thrills, chills for Gillian Flynn in adapting 'Gone Girl'" by Gina McIntyre | The Los Angeles Times (2014) - https://lat.ms/4vcYnB3  "Gone Girl film director David Fincher on his potential Oscar contender" by James Mottram | The Independent (2014) - https://bit.ly/4utRP0R  "Reese Witherspoon Says David Fincher Told Her 'I'm Not Putting You' in 'Gone Girl': 'He Was Totally Right' and 'Rosamund Pike Is So Diabolical'" by J. Kim Murphy | Variety (2015) - https://bit.ly/49W9BBH  "Ambition" (w/ Reese Witherspoon) | Las Culturistas podcast (2025) - https://apple.co/4nWEU5q  "Building a New Ben" | GQ (2004) - https://bit.ly/3S4aDFy  "An Actor-Director Above Suspicion" by Cara Buckley | The New York Times (2014) - https://bit.ly/4dytjpy  "Jon Hamm Confirms He Almost Starred in Ben Affleck's 'Gone Girl'" by Carly Thomas | The Hollywood Reporter (2023) - https://bit.ly/434AKyF    Transcript: https://1weekrentalpod.com/2026/05/gone-girl/#transcript  Artwork by Laci Roth.   Check out Laci's coloring videos on YouTube! https://www.youtube.com/channel/UC-kKLhWb2g0bKA-RrvvLh0Q/  Matt has a monthly spin-off podcast covering the James Bond films! Check out PodJob: A James Bond Podcast on Apple Podcast (https://bit.ly/4jRL2K1), Spotify (https://bit.ly/4a8jM6E), and YouTube (https://youtube.com/@podjob007).   Music by Rural Route Nine. Listen to their album The Joy of Averages on Spotify (https://bit.ly/48WBtUa), Apple Music (https://bit.ly/3Q6kOVC), or YouTube (https://bit.ly/3MbU6tC).   Songs by Rural Route Nine in this episode: "Winston-Salem" - https://youtu.be/-acMutUf8IM "Snake Drama" - https://youtu.be/xrzz8_2Mqkg "The Bible Towers of Bluebonnet" - https://youtu.be/k7wlxTGGEIQ    Follow 1-Week Rental, a movie podcast: Twitter: @1weekrental | @MattStokes9 | @LRothConcepts Facebook: @1weekrental Instagram: @1weekrental TikTok: @1weekrental | @mattstokes9 Letterboxd: @loadbearinglaci | @mattstokes9 Bluesky: @1weekrental.bsky.social   1-Week Rental used to be Load Bearing Beams.

Journey to the Seventh Planet (1962)  AIP Production #608 / 6108  Jeff and Cheryl fight the urge to crack wise about Uranus in Journey to the Seventh Planet. Screenplay by Ib Melchior and Sid Pink From a Story by Sid Pink Produced and Directed by Sidney Pink Starring:  John Agar as Don  Carl Ottosen as Eric  Ove Sprogøe as Barry  Louis Miehe Renard as Svend  Peter Mönch as Karl  Greta Thyssen  Ann Smyrner as Ingrid  Mimi Henrich as Ursula  Annie Birgit Garde as Ellen  Ulla Moritz as Lise  Bente Juel as Colleen  Julian Burton as Alien Brain (voice / uncredited)  A Cinemagic Production  An American International Picture  View the Journey to the Seventh Planet trailer here. Stream Journey to the Seventh Planet on Philo, Fubo, MGM+ or Prime Video Visit our website - https://aippod.com/ and follow the American International Podcast on Letterboxd, Instagram and Threads @aip_pod and on Facebook at facebook.com/AmericanInternationalPodcast  Get your American International Podcast merchandise at our store. Our open and close includes clips from the following films/trailers: How to Make a Monster (1958), The Brain That Wouldn't Die (1962), I Was a Teenage Werewolf (1957), High School Hellcats (1958), Beach Blanket Bingo (1965), The Wild Angels (1966), It Conquered the World (1956), The Abominable Dr. Phibes (1971), and Female Jungle (1955) 

Frankie Stockes sits in for Stew Peters and drills down on members of government and corporate media alike who've stepped up to remind us all of just how fake the world they present to the masses really is - apparently down to the faces and necks of the actors in their Truman Show reality.

In the fourth 15-minute section of our movie screenplay we move towards the midpoint, the critical moment where accumulating consequences for our hero Napoleon Bonaparte make him realise his military successes represent a false hope. He's going to have to rethink - and we need to set out in this section of the film why that's the case. In episode four of our screenwriting escapade we continue to forge ahead in our mission of crafting a top-notch screenplay treatment about the life of Napoleon Bonaparte. Alex Stevenson is joined by James Topham (who knows a thing or two about screenwriting) and Ben Deery (who knows a thing or two about acting) to put the movie world to rights. Having analysed the pitfalls and frustrations of Ridley Scott's Napoleon 2023 in the first season the Napoleon Movie Quarter-Hourly, this time round the team have to come up with the magic themselves.As our resident bot NAIpoleon Bot-aparte puts it:Introduction and Project Title DiscussionAlex Stevenson reflects on the complexities of both the project's title and their ongoing efforts to tackle the Napoleon movie's midpoint (00:00:09).Screenwriting Structure and the "Midpoint"James Topham explains the significance of the midpoint in screenwriting, emphasizing the protagonist's realization that their initial insight was a false hope, necessitating a new approach (00:02:16).Napoleon's Myth and PowerBen and Alex Stevenson discuss how Napoleon leaned into myth-making for power, and debate when in his real-life story this strategy likely fails or must be re-evaluated (00:03:47).Limits of Power and FrustrationAlex Stevenson suggests that Napoleon's frustration comes from being undermined by political rivals (the Directory, especially Barras), despite his military successes (00:04:37).Internal vs. External ConflictJames Topham highlights the internal conflict between Napoleon's public myth and his private insecurities, amplified by his relationship with Josephine (00:05:39).Humorous Interlude: The Pug IncidentThe hosts share an anecdote from a Napoleon biography about Josephine's pug being killed, debating its potential inclusion in the screenplay for dramatic or comedic effect (00:08:47).Montage of Military Success and Growing AmbitionA recap of part of the screenplay treatment: Napoleon's rapid victories in Italy, the spread of his legend, and his increasing enjoyment of administrative power (00:10:25).Love Triangle and Character ComplexityThe group discusses Josephine's ambiguous love life, including her affair with Lieutenant Charles. They recognize its importance for the evolving love triangle and consider how this complexity impacts Napoleon's character and the script (00:21:06).The Real Midpoint: Power Struggles and SetbacksAlex Stevenson proposes that the midpoint pivots on Napoleon's frustration with being constrained by the Directory, underscored by a potential “resignation scene” where he realizes his myth is not sufficient for true power (00:27:03).Foreshadowing Future Conflict and DirectionThe episode ends with the group teasing Napoleon's next move, possibly the Egyptian campaign, and reiterating the need to heighten personal and political conflict—while ending on a comedic note debating pears and apples (00:39:23).

Ahoy! Sorry for the re-release everyon! But Andy is on a cruise ship right now! We have to take a week break. But we decided to release one of Andy's favorite episodes! In this episode Andy write a script for a movie he has never seen and the cast of Notable Nostalgia acts it out!We also had very special guest Anthony O'neal on the episode too! So sit back with some hot cocoa! Grab a plate of corn dogs and enjoy this week's episode of Notable Nostalgia!Back next week with a brand new epiosde!(It's Munchie May, baby! What does that mean? Well, we saw the poster for the 1992 film Munchie. Without looking up any plot points or reviews, Andy wrote a script for the movie of what he thought it was about.)We borrowed from one of our favorite podcasts Never Seen It. A podcast by comedian Kyle Ayers where comedians write scripts for movies they've never seen.)

Hosts Tasha Huo and Josh Hallman sit down with producer & development consultant, Emmeline Yang Hankins, to discuss what she's learned over the years about perfecting a pitch, and how she teaches pitching as a powerful tool at any stage of development. Her signature class for scripted TV, Kickstart My Pitch, has new dates coming up in June!  Act Two listeners can get an exclusive discount to Emmeline's pitching class at http://talktoemm.com/acttwo   Questions / Comments: ActTwoWriters@gmail.com Edited by the GREAT Paul Lundquist 

Meteor (1979)  AIP Production #7809 Jeff and Cheryl prepare for a disaster of epic proportions in Meteor.  Screenplay by Stanley Mann and Edmund H. North  Story by Edmund H. North  Produced by Arnold Orgolini and Theodore Parvin  Directed by Ronald Neame Starring:  Sean Connery as Paul Bradley  Natalie Wood as Tatiana Donskaya  Karl Malden as Harry Sherwood  Brian Keith as Dr. Dubov  Martin Landau as General Adlon  Trevor Howard as Sir Michael Hughes  Richard Dysart as Secretary of Defense  Henry Fonda as The President A Sandy Howard / Gabriel Katzka / Sir Run Run Shaw PresentationReleased by American International / A Filmways Company View the Meteor trailer here.Stream Meteor on Tubi or Fawesome, or rent it on Prime Video or Apple TV+ Visit our website - https://aippod.com/ and follow the American International Podcast on Letterboxd, Instagram and Threads @aip_pod and on Facebook at facebook.com/AmericanInternationalPodcast  Get your American International Podcast merchandise at our store. Our open and close includes clips from the following films/trailers: How to Make a Monster (1958), The Brain That Wouldn't Die (1962), I Was a Teenage Werewolf (1957), High School Hellcats (1958), Beach Blanket Bingo (1965), The Wild Angels (1966), It Conquered the World (1956), The Abominable Dr. Phibes (1971), and Female Jungle (1955) 

When Hollywood director Rian Johnson started making Wake Up Dead Man, the new Knives Out mystery (a movie you can watch on Netflix), he needed some help. His uncle and aunt in Denver connected him with their pastor in Denver, Father Scott Bailey, who became an advisor to the project. He talks about the process and the big questions of this movie with me. (And I admit: I hated the beginning and stopped watching a few minutes in. After reading about Fr Scott online and finding several Catholic sources who praised the movie, I gave it another look. I'm glad I did, because I think it's not only entertaining but also important … and beautiful.) Article in First Things by Father Scott about the movie and his role in it, “Wake Up Dead Man Captures the Beauty of Priestly Ministry,” January 5, 2026. Article in Denver Catholic about Fr Scott and the movie, “A Denver Priest, a Hollywood Director and a Bowl of Fettuccine: Father Scott Bailey Advises on Catholic Life for New ‘Knives Out' Film” by Jay Sorgi, November 22, 2025. Screenplay of Wake Up Dead Man by Rian Johnson, the director and writer, available on his website. Fr Scott Bailey at the Archdiocese of Denver. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

When Hollywood director Rian Johnson started making Wake Up Dead Man, the new Knives Out mystery (a movie you can watch on Netflix), he needed some help. His uncle and aunt in Denver connected him with their pastor in Denver, Father Scott Bailey, who became an advisor to the project. He talks about the process and the big questions of this movie with me. (And I admit: I hated the beginning and stopped watching a few minutes in. After reading about Fr Scott online and finding several Catholic sources who praised the movie, I gave it another look. I'm glad I did, because I think it's not only entertaining but also important … and beautiful.) Article in First Things by Father Scott about the movie and his role in it, “Wake Up Dead Man Captures the Beauty of Priestly Ministry,” January 5, 2026. Article in Denver Catholic about Fr Scott and the movie, “A Denver Priest, a Hollywood Director and a Bowl of Fettuccine: Father Scott Bailey Advises on Catholic Life for New ‘Knives Out' Film” by Jay Sorgi, November 22, 2025. Screenplay of Wake Up Dead Man by Rian Johnson, the director and writer, available on his website. Fr Scott Bailey at the Archdiocese of Denver. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

When Hollywood director Rian Johnson started making Wake Up Dead Man, the new Knives Out mystery (a movie you can watch on Netflix), he needed some help. His uncle and aunt in Denver connected him with their pastor in Denver, Father Scott Bailey, who became an advisor to the project. He talks about the process and the big questions of this movie with me. (And I admit: I hated the beginning and stopped watching a few minutes in. After reading about Fr Scott online and finding several Catholic sources who praised the movie, I gave it another look. I'm glad I did, because I think it's not only entertaining but also important … and beautiful.) Article in First Things by Father Scott about the movie and his role in it, “Wake Up Dead Man Captures the Beauty of Priestly Ministry,” January 5, 2026. Article in Denver Catholic about Fr Scott and the movie, “A Denver Priest, a Hollywood Director and a Bowl of Fettuccine: Father Scott Bailey Advises on Catholic Life for New ‘Knives Out' Film” by Jay Sorgi, November 22, 2025. Screenplay of Wake Up Dead Man by Rian Johnson, the director and writer, available on his website. Fr Scott Bailey at the Archdiocese of Denver. Learn more about your ad choices. Visit megaphone.fm/adchoices

When Hollywood director Rian Johnson started making Wake Up Dead Man, the new Knives Out mystery (a movie you can watch on Netflix), he needed some help. His uncle and aunt in Denver connected him with their pastor in Denver, Father Scott Bailey, who became an advisor to the project. He talks about the process and the big questions of this movie with me. (And I admit: I hated the beginning and stopped watching a few minutes in. After reading about Fr Scott online and finding several Catholic sources who praised the movie, I gave it another look. I'm glad I did, because I think it's not only entertaining but also important … and beautiful.) Article in First Things by Father Scott about the movie and his role in it, “Wake Up Dead Man Captures the Beauty of Priestly Ministry,” January 5, 2026. Article in Denver Catholic about Fr Scott and the movie, “A Denver Priest, a Hollywood Director and a Bowl of Fettuccine: Father Scott Bailey Advises on Catholic Life for New ‘Knives Out' Film” by Jay Sorgi, November 22, 2025. Screenplay of Wake Up Dead Man by Rian Johnson, the director and writer, available on his website. Fr Scott Bailey at the Archdiocese of Denver. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Five Guns West (1955) Jeff and Cheryl head out west, or maybe north, with a quintet of pardoned criminals on a mission in Five Guns West.Screenplay by R. Wright Campbell Produced and Directed by Roger Corman Starring: John Lund as Govern Sturges Dorothy Malone as Shalee Touch Conners as Hale Clinton Bob Campbell as John Morgan Candy Jonothon Haze as Wiliam "Billy" Parcell Candy Paul Birch as J. C. Haggard James Stone as Uncle MimeJack Ingram as Stephen JethroLarry Thor as Confederate Captain James B. Sikking as Union Sergeant (uncredited) A Palo Alto Production Distributed by American Releasing Corp. View the Five Guns West trailer here.Stream Five Guns West on Tubi, Plex, Prime Video, or the Roku Channel.Visit our website - https://aippod.com/ and follow the American International Podcast on Letterboxd, Instagram and Threads @aip_pod and on Facebook at facebook.com/AmericanInternationalPodcast  Get your American International Podcast merchandise at our store. Our open and close includes clips from the following films/trailers: How to Make a Monster (1958), The Brain That Wouldn't Die (1962), I Was a Teenage Werewolf (1957), High School Hellcats (1958), Beach Blanket Bingo (1965), The Wild Angels (1966), It Conquered the World (1956), The Abominable Dr. Phibes (1971), and Female Jungle (1955) 

In the first 15 minutes of Act 2 of our putative Napoleon movie, we get into "the promise of the premise"—delivering the kind of content audiences expect from a Napoleon film: military campaigns, political maneuveures, personal intrigue... as well as some further development of the love story with Josephine and Napoleon's antagonist Paul Barras; and, above all, the idea of mythmaking as a key theme. In episode four of our screenwriting escapade we continue to forge ahead in our mission of crafting a top-notch screenplay treatment about the life of Napoleon Bonaparte. Alex Stevenson is joined by James Topham (who knows a thing or two about screenwriting) and Ben Deery (who knows a thing or two about acting) to put the movie world to rights. Having analysed the pitfalls and frustrations of Ridley Scott's Napoleon 2023 in the first season the Napoleon Movie Quarter-Hourly, this time round the team have to come up with the magic themselves.As our resident AI bot N-AI-poleon Bot-aparte puts it:1. Three-Act Structure and Threshold CrossingThe end of Act 1 is discussed as a pivotal moment when the protagonist, Napoleon, consciously begins constructing his own myth (00:19:41), a literal and figurative threshold crossing (00:19:55).Detailed walk-through of Act 1 scenes, including:Substituting Josephine for Desiree in the narrative (00:02:39).Key action sequences at Vendemiare and the bridges of Lodi/Arcola (00:03:39, 00:15:14), with discussion on historical accuracy versus dramatic conflation (00:16:10, 00:17:43).Introduction of supporting characters and ensemble around Napoleon (00:06:01), focusing on ambitious opportunists rather than loyalists.Exploration of the dynamics between Napoleon, Josephine, and Barras, including scenes blending political manipulation and sexual intrigue (00:08:24, 00:09:31).The concept that "the story and reality are separate things" is thematically highlighted (00:05:05), with the motif of Napoleon recognizing and starting to orchestrate his public image (00:19:01, 00:19:51).Visual iconography is suggested (e.g., Napoleon with the bicorne hat, the famous bridge painting) to support the myth-making theme (00:19:50, 00:20:24).James Topham and Alex Stevenson discuss "the promise of the premise"—delivering the kind of content audiences expect from a Napoleon film: campaigns, political maneuvers, personal intrigue (00:22:44), reminiscent of "fun and games" sections seen in classic screenplay structures.Suggestions about Act 2 include focusing on:Napoleon's rapid military successes in Italy (00:25:30),His dual role as both general and proto-ruler, highlighting the confluence of military, political, and personal exploits (00:26:32),The beginnings of conflict between Napoleon and the Directory/Barras, including themes of looting, propaganda, and evolving power (00:28:11, 00:29:38).The love triangle between Napoleon, Josephine, and Barras is positioned as a B-story, serving both as counterpoint and commentary on Napoleon's personal limitations and vulnerabilities despite public success (00:34:12, 00:35:25).James Topham notes this B-story should provide the "kernel of a realization" that the main character's myth-making may not resolve deeper internal needs (00:35:00).Strong emphasis on the importance of an active antagonist. Barras is not simply reactive but is shown making tactical moves to rein in Napoleon through proxies and political maneuvers (00:42:09, 00:44:00).Barras's motivations are clarified: survival, controlling or harnessing Napoleon's force, and concern for the stability of the Directory (00:39:09, 00:45:08).Discussion of tonal variation, humor, and the inclusion of sex and farce elements (e.g., the pug scene) to balance dramatic and comedic moments (00:10:26, 00:12:17).Plan for the next episode focuses on Act 2's midpoint—the major reversal where Napoleon must confront the limitations of his current approach (00:49:14).

The She-Creature (1956)  Jeff and Cheryl experience a visitation from a being that emerges from the depths of the past - and the sea - in The She-Creature. Story and Screenplay by Lou Rusoff  Based on an original idea by Jerry Zigmond  Produced by Alex Gordon  Directed by Edward L. Cahn Starring:  Chester Morris as Dr. Carlo Lombardi  Tom Conway as Timothy Chappel  Cathy Downs as Dorothy Chappel  Lance Fuller as Dr. Ted Erickson  Ron Randell as Police Lt. Ed James  Frieda Inescourt as Mrs. Chappel  Marla English as Andrea  A Golden State Production  An American International Picture View The She-Creature trailer here.Stream The She-Creature on Tubi, Fawesome, FilmRise, AMC+, Philo, or rent it on Prime Video.Visit our website - https://aippod.com/ and follow the American International Podcast on Letterboxd, Instagram and Threads @aip_pod and on Facebook at facebook.com/AmericanInternationalPodcast  Get your American International Podcast merchandise at our store. Our open and close includes clips from the following films/trailers: How to Make a Monster (1958), The Brain That Wouldn't Die (1962), I Was a Teenage Werewolf (1957), High School Hellcats (1958), Beach Blanket Bingo (1965), The Wild Angels (1966), It Conquered the World (1956), The Abominable Dr. Phibes (1971), and Female Jungle (1955) 

Our music this go round is provided by these wonderful artists: Thelonious Monk, Aimee Mann, Branford Marsalis and Terence Blanchard. Commercial Free, Small Batch Radio Crafted in the West Mountains of Northeastern Pennsylvania... Heard All Over The World. Tell Your Friends and Neighbors.

The team behind Lessons from the Screenplay breaks down the narrative of The Dark Knight Rises to extract storytelling lessons and explore the kinds of tools writers can use to address various problems in their stories. In particular, we look at the design of Bane's character, the complicated nature of Bane's plan, and the struggle of balancing so many supporting characters.NOTE: We recorded this with the intention it just be for our YouTube channel, but we ended up not referring to the visuals much in the conversation. Hopefully everything makes sense in a strictly audio form.

Matilda (1978) AIP Production #7814 Jeff and Cheryl go a couple rounds with the marsupial marauder from down under, Matilda.Screenplay by Albert S. Ruddy and Timothy Galfas Based on the Booky by Paul Gallico Produced by Albert S. Ruddy Directed by Daniel Mann Starring: Elliott Gould as Bernie Bonnelli  Clive Revill as Billy Baker  Harry Guardino as Uncke Nono  Roy Clark as Wild Bill Wildman  Karen Carlson as Kathleen Smith  Art Metrano as Gordon Baum  Lionel Syander as Pinky Schwab  Roberta Collins as Tanya Six  Larry Pennell as Lee Dockerty  Gary Morgan as Matilda  Robert Mitchum as Duke Parkhurst  View a TV Spot for Matilda here.Stream Matilda on Tubo, Pluto TV, the Roku Channel or Shout! TV. Visit our website - https://aippod.com/ and follow the American International Podcast on Letterboxd, Instagram and Threads @aip_pod and on Facebook at facebook.com/AmericanInternationalPodcast  Get your American International Podcast merchandise at our store. Our open and close includes clips from the following films/trailers: How to Make a Monster (1958), The Brain That Wouldn't Die (1962), I Was a Teenage Werewolf (1957), High School Hellcats (1958), Beach Blanket Bingo (1965), The Wild Angels (1966), It Conquered the World (1956), The Abominable Dr. Phibes (1971), and Female Jungle (1955) 

Host Jeff Goldsmith talks to writer-director Lee Cronin about his latest film, Lee Cronin's The Mummy. Download my podcast here Copyright © Unlikely Films, Inc. 2026. All rights reserved. For more great content check out Backstory Magazine @ Backstory.net

From of our patron-exclusive episode on The Princess Bride. Listen to the full episode over on the Beyond the Screenplay Patreon: https://www.patreon.com/posts/patreon-princess-155569899

In minutes 15-30 of our screenplay treatment our protagonist Bonaparte has his refusal of the call moment, the love story gets going, the gang gets together, and then it all builds to the end of Act 1 when Napoleon crosses the threshold - and the bridge of Lodi - at the same time. This is really the episode when this project properly gets going - and our hero begins to narrow the gap between his star-following destiny-bound self-perception and his somewhat awkward reality.Here's those secret movie voice notes in full, as recorded between episodes 2 and 3: https://www.patreon.com/posts/those-secret-in-155837568Yes, it's episode three of this odd project. Taking up the challenge of crafting a top-notch screenplay treatment about the life of Napoleon Bonaparte, Alex Stevenson is joined by James Topham (who knows a thing or two about screenwriting) and Ben Deery (who knows a thing or two about acting) to put the movie world to rights. Having analysed the pitfalls and frustrations of Ridley Scott's Napoleon 2023 in the first season the Napoleon Movie Quarter-Hourly, this time round the team have to come up with the magic themselves.As our resident AI bot N-AI-poleon Bot-aparte puts it:The team reviews and refines the first 15 pages of the Napoleon screenplay, breaking down five key scenes that chart Napoleon's journey from imprisonment in 1794 to his emergence as a political and military player.There's an in-depth discussion on revising historical details and narrative structure, including the role of the antagonist (shifting focus from Talleyrand to Barras) and centering Josephine as the driving love interest—replacing Desiree in earlier scenes for thematic cohesion.The episode explores the depiction of Napoleon's character during this formative period, emphasizing his internal ambiguity, uncertainty, and the tension between his self-image versus his reality—touching on his social awkwardness, aspirations, and motivations.The hosts map out the next 15 minutes of the screenplay, focusing on classic screenwriting beats such as the refusal of the call, assembling Napoleon's ‘gang' of key figures, and leading up to a major “crossing the threshold” moment in Italy, with a proposed set piece at the Battle of Lodi bridge.There's a debate about how to balance historical accuracy with cinematic storytelling, such as condensing events for emotional impact, portraying Napoleon's myth-building, and weaving Josephine and Barras into the heart of the story's momentum.

Host Jeff Goldsmith talks to screenwriter Michael Lesslie about his latest film, Hamlet. Download my podcast here Copyright © Unlikely Films, Inc. 2026. All rights reserved. For more great content check out Backstory Magazine @ Backstory.net

Truck Turner (1974) AIP Production #7410 / 7411 Jeff and Cheryl hit the seedy streets of Los Angeles to hunt for pimps and pushers with Truck Turner.Screenplay by Oscar Williams and Michael AllinStory by Jerry Wilkes Produced by Fred Weintraub & Paul Heller Directed by Jonathan Kaplan Starring:  Isaac Hayes as Mack "Truck" Turner  Yaphet Kotto as Blue  Alan Weeks as Jerry Annazette Chase as Annie Nichelle Nichols as Dorinda  Sam Laws as Nate  Paul Harris as Gator  A Weintraub-Heller Production  An American International Release View the Truck Turner trailer here. Stream Truck Turner on Prime Video, Philo, Pluto TV or ScreenPix. Visit our website - https://aippod.com/ and follow the American International Podcast on Letterboxd, Instagram and Threads @aip_pod and on Facebook at facebook.com/AmericanInternationalPodcast  Get your American International Podcast merchandise at our store. Our open and close includes clips from the following films/trailers: How to Make a Monster (1958), The Brain That Wouldn't Die (1962), I Was a Teenage Werewolf (1957), High School Hellcats (1958), Beach Blanket Bingo (1965), The Wild Angels (1966), It Conquered the World (1956), The Abominable Dr. Phibes (1971), and Female Jungle (1955) 

Host Jeff Goldsmith talks to writer-director BenDavid Grabinski about his latest film, Mike and Nick and Nick and Alice. Download my podcast here Copyright © Unlikely Films, Inc. 2026. All rights reserved. For more great content check out Backstory Magazine @ Backstory.net

Taking up the challenge of crafting a top-notch screenplay treatment about the life of Napoleon Bonaparte, Alex Stevenson is joined by James Topham (who knows a thing or two about screenwriting) and Ben Deery (who knows a thing or two about acting) to put the movie world to rights. Having analysed the pitfalls and frustrations of Ridley Scott's Napoleon 2023 in the first season the Napoleon Movie Quarter-Hourly, this time round the team have to come up with the magic themselves.This episode covers their consideration of the film's first 15 minutes: critical real estate in any screenwriting escapade. Whilst we might not be clear what Napoleon's 'save the cat' moment is - the event which gets the audience to like or engag with the protagonist - we do have a clear answer to what the 'inciting incident' should be that propels our lead character into the world. And, shock horror, it's not going to be Toulon...As our resident AI bot N-AI-poleon Bot-aparte puts it:The team reconvenes to craft a unique treatment for a Napoleon movie, blending heist-movie energy with historical dramaAlex Stevenson lays out the initial setting: a dissolute, awkward young Napoleon in 1795 Paris, skipping over the usual Toulon set-piece in favour of a fresh perspectiveJames Topham explains the crucial components of a film's first 15 pages: establishing character, creating a “save the cat” moment, and delivering a compelling inciting incidentThe hosts debate Napoleon's lack—whether it's ambition, savoir faire, or something deeper—and explore how his transformation sets up the arc of the filmThe episode climaxes with the inciting incident, launching Napoleon onto the stage of history, and setting up the next challenge: assembling his mustachioed crew for the film's heist vibe.Help us produce more episodes by supporting the Napoleonic Quarterly on Patreon: patreon.com/napoleonicquarterly

Taking up the challenge of crafting a top-notch screenplay treatment about the life of Napoleon Bonaparte, Alex Stevenson is joined by James Topham (who knows a thing or two about screenwriting) and Ben Deery (who knows a thing or two about acting) to put the movie world to rights. Having analysed the pitfalls and frustrations of Ridley Scott's Napoleon 2023 in the first season the Napoleon Movie Quarter-Hourly, this time round the team have to come up with the magic themselves.They do not succeed in this opening episode. But the creative process is a messy one, it turns out, and our trio very much hope listeners will struggle through these opening lurches towards excellence in order to access the cinematic gold which, ultimately, lies at the culmination of this project.As our resident AI bot N-AI-poleon Bot-aparte puts it:The team discusses what makes compelling screenwriting, focusing on the importance of theme, character, and narrative structure, and explores strategies for portraying Napoleon on screen Deliberation over Napoleon's core traits, debating insecurity, power, and the idea of him as an "addicted gambler" constantly pushing his luck, shapes the central approach to the scriptThe hosts entertain genre-bending ideas—from a heist film to comedic undertones—while considering historical accuracy, key relationships (like with Josephine), and the inclusion of iconic antagonists such as Talleyrand Plans are set to collaboratively develop the screenplay “Napoleon: One Last Job” live on the podcast, tackling 15 pages at a time, blending their theatrical, historical, and screenwriting perspectivesListeners are advised not to get too excited about the whole heist thing. That might not last too long.

This week, we discuss the atmospheric, dystopian sci-fi noir, Blade Runner, the film that ranks number 97 on the AFI list.SPOILER ALERT We will be talking about this movie in its entirety. If you haven't seen this classic, we strongly suggest you watch it before listening to our takes.A Warner Bros. and The Ladd Company production. Released on June 25, 1982. Directed by Ridley Scott. Screenplay by Hampton Fancher and David Peoples, based on the novel Do Androids Dream of Electric Sheep? by Philip K. Dick. Starring Harrison Ford, Rutger Hauer, Sean Young, and Edward James Olmos. Cinematography by Jordan Cronenweth. Edited by Terry Rawlings. Music by Vangelis.

Host Jeff Goldsmith talks to screenwriter Drew Goddard about his latest film, Project Hail Mary. Download my podcast here Copyright © Unlikely Films, Inc. 2026. All rights reserved. For more great content check out Backstory Magazine @ Backstory.net

Host Jeff Goldsmith talks to screenwriter Alex Litvak about his latest film, They Will Kill You. Download my podcast here Copyright © Unlikely Films, Inc. 2026. All rights reserved. For more great content check out Backstory Magazine @ Backstory.net

Hosts Tasha Huo and Josh Hallman field a listener question about Rewrites. Do you really need to rewrite your drafts before sending them to managers and agents? Will that slow momentum? How many scripts should you revise before you can start querying reps? Do you need a portfolio of scripts, or just one solid script?   Questions / Comments: ActTwoWriters@gmail.com Edited by the GREAT Paul Lundquist

The BTS team discusses the film's tone, the effect of its parallel timelines, and why it feels like a throwback to some of Steven Spielberg's early sci-fi films.Watch this episode on YouTube: https://youtu.be/Bw4eodxnAOw

S7 EP 204Special Guest - Stephanie NovelMeet Stephanie Novel!  She is a screenwriter, New York Tish University grad, donor conceived, listens to the Universe, a Mets fan, a Swifty, has two adorable cats, is currently perimenopausal who loves progesterone and says she's an acquired taste...Also she is an avid user of the word Fuck, as she gives none!  This is a convo you don't want to miss as we discuss why it is so important to normalize the conversation about perimenopause and all of its symptoms, all women experience, but no one talks about on the regular.  We get to hear about Stephanie's creative journey, that led her creating her screenwriting baby - Quiet Storm. There are lots of laughs, a few mind-blowing moments and of course...a few choice words shared!  Stephanie Novel Links -IG - https://www.instagram.com/sjnovel/This is a shareable podcast where a group of creatives join together to  document their creative voiceover & on-camera journeys in real time. We hope this podcast creates inspiration, stirs up a few ah-ha moments or maybe brings to the surface a feeling of "you're not alone" while navigating the creative process. Either way, we are glad you are here.  Oh, and we also pull into our conversations at the chaos table industry professionals along with other fellow actors, to share their stories, experiences and knowledge - so we can all connect, share, learn, grow and expand together.  This podcast is for entertainment and not educational purposes!  Enjoy and thank you for listening to our Creative Chaos! *Have a creative story or journey to share, we'd love to hear it - email us at chaoskeepers411@gmail.com or jozlynrocki@gmail.com Follow all the Chaos - YT - https://www.youtube.com/channel/UChG0fKKBt2QNplJowSaKU6wFB - https://www.facebook.com/keepingupwithchaospodcastIG - https://www.instagram.com/keeping_up_with_chaos/

From of our patron-exclusive episode on The Martian. Listen to the full episode over on the Beyond the Screenplay Patreon: https://www.patreon.com/posts/patreon-martian-153766625

Die, Monster, Die! (1965) AIP Production # 6512 / 6549 Jeff and Cheryl get infected with the strange, unearthly glow of Die, Monster, Die!Screenplay by Jerry Sohlfrom "The Colour Out of Space" by H. P. Lovecraft Produced by Pat Green Directed by Daniel Haller Starring: Boris karloff as Nahum Witley Nick Adams as Stephen Reinhart Freda Jackson as Letitia WitleySuzan Farmer as Susan Witley Patrick Magee as Dr. Henderson Paul Farrell as Jason Terence De Marney as Merwyn Leslie Dwyer as Potter Harold Goodwin as taxi driver Sydney Bromley as Pierce Billy Milton as Henry Sheila Raynor as Miss Bailey An Alta Vista Film Production An American International Picture Visit our website - https://aippod.com/ and follow the American International Podcast on Letterboxd, Instagram and Threads @aip_pod and on Facebook at facebook.com/AmericanInternationalPodcast  Get your American International Podcast merchandise at our store. Our open and close includes clips from the following films/trailers: How to Make a Monster (1958), The Brain That Wouldn't Die (1962), I Was a Teenage Werewolf (1957), High School Hellcats (1958), Beach Blanket Bingo (1965), The Wild Angels (1966), It Conquered the World (1956), The Abominable Dr. Phibes (1971), and Female Jungle (1955) 

Once more unto the breach, dear friends. Before our post-oscars week break, we need to review Project Hail Mary. A.) because we both loved it. And B.) it's also probably gonna nab at least a few Oscar nominations next year, maybe more. NON-SPOILER REVIEW OF PROJECT HAIL MARY: Production Backstories, the Book's Profile & Early Reception / Box Office - 4:20 General Story Thoughts + Interstellar Takes, Crash Dieting & Seeing It in NYC - 12:46 Performance Reviews: Does Gosling get in? How about other favorites - 20:50 Legends Contend in Score Next Year + Bang The Table for Techs & Crafts - 23:51 A Big Oscar Lens Debate - 30:05 Spoiler Warning - 41:02 SPOILER REVIEW OF PROJECTION HAIL MARY: Strengths of the Screenplay - 42:03 Fun Science Lessons- 47:14 That Ending: Book vs Movie - 55:25 Warming to a Sign of the Times - 1:00:33 Recalibrating movie heroes - 1:05:42 Other Bests, Worsts & Final Grades - 1:10:21 Outro: We discuss why we do this show year round and dive into a bit of a study of last year's nominees to prove it. Did eventual nominees release each month last year? The answer will not shock you. Plus, we reiterate our thanks for listening to us during our year's worth of content, and knock on wood, we'll return in a week or so with a whole lot more of it. https://linktr.ee/mikemikeandoscar

In this preview of our patron-exclusive episode on Fight Club, the BTS team discusses their initial reactions to the film as well as its structural framework.Listen to the full episode over on the Beyond the Screenplay Patreon:https://www.patreon.com/posts/151754250

This week, we discuss Billy Wilder's other definitive LA-based film noir, the gothic movie-about-movies classic, Sunset Boulevard, famous for its daring narrative and one of the most iconic "mad scenes" in cinema history.SPOILER ALERT We will be talking about this movie in its entirety, including the famous opening image of the floating narrator and the tragic, delusional finale. If you haven't seen this classic, we strongly suggest you watch it before listening to our takes.A Paramount Pictures production. Released on August 10, 1950. Directed by Billy Wilder. Screenplay by Charles Brackett, Billy Wilder, and D.M. Marshman Jr. Starring Gloria Swanson, William Holden, Erich von Stroheim, and Nancy Olson. Cinematography by John F. Seitz. Edited by Arthur P. Schmidt and Doane Harrison. Score by Franz Waxman.

Full episodes and much more available on Patreon.com/slopquest Andrew claims to have “fighter’s arthritis” and O’Neill will not let this slide. There’s some classic dog piling from O’Neill that will delight old BCUSA fans. Andrew is sick of taking dumps and wants to invent a dump teleporter. Andy thinks we was “born” to be a sword fighter which elicits tears of laughter from O’Neill. Intense mockery abounds. YouTube screws over the stream again and Andy panics . Andy and Ryan are vindicated again with their predictions that the government would distract people from “the files” by talking about aliens. Then they argue about whether or not Elizabeth Holmes is hot and they create a “Rain Man” Barbie Doll. Then comic creator , Winston Gambro, posts the boy’s joke screenplay “Michael’s By The Sea” on Reddit asking for screenplay advice and the results are fantastic. The boys find a rapper who sounds just like O’Neill. Andy gets put in Instagram prison for a meme then forces O’Neill to freestyle rap. O’Neill then gives his best life advice “all businesses are scams and make sure to eat beans.”.

Breaking Shame: The Villain's Favorite, The Hero's Way OutShame can destroy stories—and characters—if writers let it dominate the narrative. In this episode of The Storyteller's Mission, Zena Dell Lowe dives into why shame is the villain's favorite weapon and how heroes must break its hold. Learn how shame impacts character arcs, storytelling structure, and audience engagement, and discover the difference between shame and conviction in redemptive storytelling.From coercion to clarity, we explore:-Why writers are tempted to use shame-How shame freezes character arcs and collapses moral nuance-The distinction between shame and conviction-How heroes preserve dignity, see complexity, & confront evil without becoming it-A deep dive into the climax of About Schmidt and how it demonstrates redemptive storytellingIf you want to write stories with moral clarity, avoid turning your narrative into propaganda, and create arcs where shame loses its power, this episode is a must-watch.Watch this episode on YouTubeWatch Ep06 first (optional for added context)Free Resources for Writers:Seven Deadly Plot Points FREE TRAINING VIDEO Free Video Tutorial for ScreenwritingSign up for The Storyteller's Digest, my exclusive bi-monthly newsletter for writers and storytellers. Each edition delivers an insightful article or practical writing tip straight from me, designed to help you master your craft and tell compelling stories.The Storyteller's Mission Podcast is now on YouTube.  Subscribe to our channel and never miss a new episode or announcement.

MURDER MARCH #2 | Follow us on X: https://x.com/menonfilmpod Will, Adam, and Ryan watched THE COUNSELOR: Extended Version (written by Cormac McCarthy and directed by Ridley Scott). Is it any good? Yes... but it's also extremely stupid and pretentious. It's basically a near perfect movie (if you're an idiot). Luckily, one of us is an idiot. Which one? That's for you to decide... IMDb: https://www.imdb.com/title/tt2193215/ Trailer: https://www.youtube.com/watch?v=iU25WxQksXE

Host Jeff Goldsmith talks to screenwriter Colby Day about his latest film, In the Blink of an Eye. Download my podcast here Copyright © Unlikely Films, Inc. 2026. All rights reserved. For more great content check out Backstory Magazine @ Backstory.net

How did two unknown actors from Boston write one of the most beloved screenplays in Hollywood history?This week on So Many Sequels, Josh, Garrett, and David kick off their Best Screenplay Oscar Month with Good Will Hunting (1997)—the film that launched Matt Damon and Ben Affleck from aspiring writers to Academy Award winners. The guys break down the screenplay that shocked Hollywood, the legendary performances from Matt Damon and Robin Williams, and the moments that turned this indie drama into a cultural phenomenon. Along the way they debate whether the script truly deserves its reputation, which characters work best, and how the film balances raw dialogue with emotional storytelling.Follow the show for more episodes this month as we explore Oscar-winning and nominated screenplays. If you enjoy the show, leave a review and connect with us online at SoManySequels.com.

Host Jeff Goldsmith interviews writers Clint Bentley, Robert Kaplow and Will Tracy about their Oscar® nominated screenplays. Download my podcast here Copyright © Unlikely Films, Inc. 2026. All rights reserved. For more great content check out Backstory Magazine @ Backstory.net

Storytelling is more than entertainment — it's a moral act. In this episode of The Storyteller's Mission, Zena Dell Lowe explores the danger of stories replacing standards — and what that means for writers. When trust collapses and authority becomes unaccountable, storytellers are often asked to shape meaning and moral judgment. But assigning verdicts before exploring truth turns story into propaganda, even with the best intentions.Learn how to:Recognize the difference between moral clarity vs. moral coercionAvoid letting your story pre-judge or manipulate the audiencePreserve complexity, nuance, and consequences in fictionTrust your audience to wrestle with truth rather than forcing conclusionsWhether you write drama, historical fiction, or speculative worlds, this episode is a must-watch for writers committed to truthful, morally responsible storytelling.Watch this episode on YouTube Free Resources for Writers:Free Video Tutorial for ScreenwritingSign up for The Storyteller's Digest, my exclusive bi-monthly newsletter for writers and storytellers. Each edition delivers an insightful article or practical writing tip straight from me, designed to help you master your craft and tell compelling stories.The Storyteller's Mission Podcast is now on YouTube.  Subscribe to our channel and never miss a new episode or announcement.

[REBROADCAST FROM September 9, 2025] In a new thriller, a retail worker develops a parasocial relationship with a burgeoning pop star and finds a way into his orbit. Actor Théodore Pellerin and director Alex Russell discuss their film “Lurker,” which was a nominee at this year's Independent Spirit Awards.  

The BTS team discusses the film's use of containment and dialogue-heavy scenes, dissect how the direction, performances, and score make it all feel epic, and contemplate whether the absurdist approach keeps the story from feeling too pessimistic.Watch this episode on YouTube: https://youtu.be/e03TLrSMkeQ

Host Jeff Goldsmith talks to screenwriter Matthew Robinson about Good Luck, Have Fun, Don't Die. Download my podcast here Copyright © Unlikely Films, Inc. 2026. All rights reserved. For more great content check out Backstory Magazine @ Backstory.net

We decided to spend this segment thinking of actors who can portray the former Nebraska athletic director.

In this preview of our patron-exclusive episode on Marty Supreme, the BTS team discusses the design of Marty's character arc(s).Listen to the full episode over on the Beyond the Screenplay Patreon:https://www.patreon.com/posts/149463306

MUSICGene Simmons and Paul Stanley, Taylor Swift, Alanis Morissette and Kenny Loggins have been elected in the Performing Songwriters category for induction into the Songwriters Hall of Fame. At 36, Taylor is the youngest female to achieve this honor.In the Non-Performing Songwriters category, those elected are:Walter Afanasieff (for Mariah Carey) - "All I Want For Christmas Is You," "My All," "Hero," and "One Sweet Day"Terry Britten and Graham Lyle (for Tina Turner) - "What's Love Got To Do With It" and "We Don't Need Another Hero," and for Cliff Richard - "Devil Woman"Christopher “Tricky” Stewart - "Umbrella" (Rihanna), "Single Ladies" and "Break My Soul" (Beyonce), "Obsessed" (Mariah Carey), and "Just Fine" (Mary J. Blige)To be nominated, a songwriter with a catalog of notable songs qualifies for induction 20 years after their first commercial release of a song. The induction ceremony will be held on June 11th in New York City.Among those nominated but who fell short this year were:Randy Bachman and Burton Cummings - The Guess WhoDavid Byrne - Talking HeadsSarah McLachlanPink - real name Alecia B. MooreBoz ScaggsLL Cool J - real name James Todd Smith Maynard James Keenan's Puscifer will screen their concert film Normal Isn't: Puscifer Live at The Pacific Stock Exchange from February 6th through the 8th for free at 100 independent record stores. The film will then go on sale February 9th through the band's website. Phil Collins turns 75 on January 30th, and things aren't going great. https://consequence.net/2026/01/phil-collins-health-update-2026/ TVKaramo Brown reportedly fell out with his "Queer Eye" costars because they were talking behind his back . . . and his mother overheard it. https://www.tmz.com/2026/01/21/queer-eye-karamo-brown-hot-mic-rift-hosts/ William Shatner went viral the other day for eating cereal behind the wheel. But it turns out it was all for Kellogg's Super Bowl commercial. He took a few publicity photos at different locations, including the behind the wheel shot, which he says is one of the silliest photos he's ever taken. Shatner says the actual commercial will be him inside a spaceship. Here are a few other Super Bowl commercials we can expect to see: 1. Post Malone, Shane Gillis, and Peyton Manning are returning as the "Big Men on the Cul-de-Sac" for Bud Light. Instead of a neighborhood block party, they're on their way to a wedding with a keg of Bud Light.2. Liquid I.V. released a short clip of Rumi from "Kpop Demon Hunters" . . . singing a cover of Phil Collins' "Against All Odds". Netflix's revival of the talent show "Star Search" is live, and one of the singers, Bear Bailey, had signed up to sing Jelly Roll's song "Hard Fought Hallelujah" before Jelly was announced as a judge on the show. Bear's performance had Jelly in tears and speechless for a while. Wheel of Fortune co-host Vanna White married her longtime partner, John Donaldson, in a private ceremony, the 68-year-old announced on Instagram Wednesday.“Surprise! We got married!” White wrote, sharing a photo from the celebration with Donaldson carrying her in his arms. The couple, together since meeting at a 2012 barbecue, said they “wanted to make it official” after more than a decade of dating.White has been a fixture on the hit game show since 1982 and now co-hosts alongside Ryan Seacrest following Pat Sajak's retirement. She was previously married to restaurateur George Santo Pietro, with whom she shares two adult children. Kristen Bell will return to host the 32nd Annual Actor Awards presented by SAG-AFTRA on March 1st. https://variety.com/2026/tv/news/kristen-bell-host-sag-aftra-actor-awards-1236636289/ If you've been planning to pick up a Nintendo Switch 2, you might want to act fast. Industry insiders are noticing that the cost of the high-tech parts inside the console, like memory and storage, has been quietly climbing, which means Nintendo might have to raise the price of the Switch 2. It wouldn't be such a radical move as the PlayStation and Xbox have already increased the prices of their consoles after releasing them to the public. Netflix has canceled both "The Vince Staples Show" and "The Abandons." https://deadline.com/2026/01/the-abandons-the-vince-staples-show-canceled-netflix-1236691960/ MOVING ON INTO MOVIE NEWS: The Mel Brooks documentary, "The 99 Year Old Man", includes posthumous interviews with David Lynch and Rob Reiner. It airs in two parts, tonight and tomorrow ON HBO. https://nypost.com/2026/01/21/entertainment/mel-brooks-doc-will-include-posthumous-interviews-with-david-lynch-rob-reiner-its-a-tribute/ The annual Goop Valentine's Day gift guide is here. And as usual, it includes a wide range of vibrators . . . including one you wear around your neck called the Vesper Mini. It's 2.75 inches long, has variable speeds and . . . it's waterproof! And if you feel like taking things to the next level, you can kick it into TURBO MODE. The price for pleasure, in this case, is $165.For his-n-hers action, there's also The Hug. It wraps around him, but it stimulates both of you at the same time. And for just $79. Ladies, if you really want him to have a VD he'll never forget, you can throw down $10,000 to design your own lingerie. That price gets you a session with an actual designer, and together you to come up with your own three-piece collection. AND FINALLY – it's time for the RIZZIE RAZZIES:The Golden Raspberry Awards, known as the Razzies, has announced the nominations for its 46th edition. Here are the nominees: WORST PICTURE “The Electric State” “Hurry Up Tomorrow” “Snow White” (2025) “Star Trek: Section 31” “War of the Worlds” (2025) WORST ACTOR Dave Bautista / “In the Lost Lands” Ice Cube / “War of the Worlds” Scott Eastwood / “Alarum” Jared Leto / “Tron: Ares” Abel “The Weeknd” Tesfaye / “Hurry Up Tomorrow” WORST ACTRESS Ariana DeBose / “Love Hurts” Milla Jovovich / “In the Lost Lands” Natalie Portman / “Fountain of Youth” Rebel Wilson / “Bride Hard” Michelle Yeoh / “Star Trek: Section 31” WORST REMAKE/RIP-OFF/SEQUEL “I Know What You Did Last Summer” (2025) “Five Nights at Freddy's 2” “Smurfs” (2025) “Snow White” (2025) “War of the Worlds” (2025) WORST SUPPORTING ACTRESS Anna Chlumsky / “Bride Hard” Ema Horvath / “The Strangers: Chapter 2” Scarlet Rose Stallone / “Gunslingers” Kacey Rohl / “Star Trek: Section 31” Isis Valverde / “Alarum” WORST SUPPORTING ACTOR All Seven Artificial Dwarfs / “Snow White” (2025) Nicolas Cage / “Gunslingers” Stephen Dorff / “Bride Hard” Greg Kinnear / “Off the Grid” Sylvester Stallone / “Alarum” WORST SCREEN COMBO All Seven Dwarfs / “Snow White” (2025) James Corden & Rihanna / “Smurfs” (2025) Ice Cube & His Zoom Camera / “War of the Worlds” (2025) Robert DeNiro & Robert DeNiro (as Frank & Vito) / “The Alto Knights” The Weeknd & His Colossal Ego / “Hurry Up Tomorrow” WORST DIRECTOR Rich Lee / “War of the Worlds” (2025) Olatunde Osunsanmi / “Star Trek: Section 31” The Russo Brothers / “The Electric State” Trey Edward Shults / “Hurry Up Tomorrow” Marc Webb / “Snow White” (2025) WORST SCREENPLAY “The Electric State” / Screenplay by Christopher Markus and Stephen McFeely. Adapted from the illustrated novel by Simon Stalenhag. “Hurry Up Tomorrow” / Screenplay by Trey Edward Shults, Abel Tesfaye, Reza Fahim “Snow White” (2025) / Screenplay by Erin Cressida Wilson and a bunch of others too numerous to mention. Drawing from the original fairy tale by the Brothers Grimm. “Star Trek: Section 31” / Screenplay by Craig Sweeny with original story concept developed by Bo Yeon Kim & Erika Lippoldt “War of the Worlds” (2025) / Screen Story and Screenplay by Kenny Golde and screenplay by Marc Hyman, adapting (or destroying) the classic novel by H.G. Wells. AND THAT IS YOUR CRAP ON CELEBRITIES!Follow The Rizzuto Show → linktr.ee/rizzshow for more from your favorite Saint Louis comedy show.Connect with The Rizzuto Show Comedy Podcast online → 1057thepoint.com/RizzShow.Hear The Rizz Show daily on the radio at 105.7 The Point | Hubbard Radio in St. Louis, MO.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.