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How can indie authors raise their game through academic-style rigour? How might AI tools fit into a thoughtful research process without replacing the joy of discovery? Melissa Addey explores the intersection of scholarly discipline, creative writing, and the practical realities of building an author career. In the intro, mystery and thriller tropes [Wish I'd Known Then]; The differences between trad and indie in 2026 [Productive Indie Fiction Writer]; Five phases of an author business [Becca Syme]; Bones of the Deep – J.F. Penn; Today's show is sponsored by Bookfunnel, the essential tool for your author business. Whether it's delivering your reader magnet, sending out advanced copies of your book, handing out ebooks at a conference, or fulfilling your digital sales to readers, BookFunnel does it all. Check it out at bookfunnel.com/thecreativepenn This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Melissa Addey is an award-winning historical fiction author with a PhD in creative writing from the University of Surrey. She was the Leverhulme Trust Writer in Residence at the British Library, and now works as campaigns lead for the Alliance of Independent Authors. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes Making the leap from a corporate career to full-time writing with a young family Why Melissa pursued a PhD in creative writing and how it fuelled her author business What indie authors can learn from academic rigour when researching historical fiction The problems with academic publishing—pricing, accessibility, and creative restrictions Organising research notes, avoiding accidental plagiarism, and knowing when to stop researching Using AI tools effectively as part of the research process without losing your unique voice You can find Melissa at MelissaAddey.com. Transcript of the interview with Melissa Addey JOANNA: Melissa Addey is an award-winning historical fiction author with a PhD in creative writing from the University of Surrey. She was the Leverhulme Trust Writer in Residence at the British Library, and now works as campaigns lead for the Alliance of Independent Authors. Welcome back to the show, Melissa. MELISSA: Hello. Thank you for having me. JOANNA: It's great to have you back. You were on almost a decade ago, in December 2016, talking about merchandising for authors. That is really a long time ago. So tell us a bit more about you and how you got into writing and self-publishing. MELISSA: I had a regular job in business and I was writing on the side. I did a couple of writing courses, and then I started trying to get published, and that took seven years of jumping through hoops. There didn't seem to be much progress. At some point, I very nearly had a small publisher, but we clashed over the cover because there was a really quite hideous suggestion that was not going to work. I think by that point I was really tired of jumping through hoops, really trying to play the game traditional publishing-wise. I just went, you know what? I've had enough now. I've done everything that was asked of me and it's still not working. I'll just go my own way. I think at the time that would've been 2015-ish. Suddenly, self-publishing was around more. I could see people and hear people talking about it, and I thought, okay, let's read everything there is to know about this. I had a little baby at the time and I would literally print off stuff during the day to read—probably loads of your stuff—and read it at two o'clock in the morning breastfeeding babies. Then I'd go, okay, I think I understand that bit now, I'll understand the next bit, and so on. So I got into self-publishing and I really, really enjoyed it. I've been doing it ever since. I'm now up to 20 books in the last 10 or 11 years. As you say, I did the creative writing PhD along the way, working with ALLi and doing workshops for others—mixing and matching lots of different things. I really enjoy it. JOANNA: You mentioned you had a job before in business. Are you full-time in all these roles that you're doing now, or do you still have that job? MELISSA: No, I'm full-time now. I only do writing-related things. I left that in 2015, so I took a jump. I was on maternity leave and I started applying for jobs to go back to, and I suddenly felt like, oh, I really don't want to. I want to do the writing. I thought, I've got about one year's worth of savings. I could try and do the jump. I remember saying to my husband, “Do you think it would be possible if I tried to do the jump? Would that be okay?” There was this very long pause while he thought about it. But the longer the pause went on, the more I was thinking, ooh, he didn't say no, that is out of the question, financially we can't do that. I thought, ooh, it's going to work. So I did the jump. JOANNA: That's great. I did something similar and took a massive pay cut and downsized and everything back in the day. Having a supportive partner is so important. The other thing I did—and I wonder if you did too—I said to Jonathan, my husband, if within a year this is not going in a positive direction, then I'll get another job. How long did you think you would leave it before you just gave up? And how did that go? Because that beginning is so difficult, especially with a new baby. MELISSA: I thought, well, I'm at home anyway, so I do have more time than if I was in a full-time job. The baby sleeps sometimes—if you're lucky—so there are little gaps where you could really get into it. I had a year of savings/maternity pay going on, so I thought I've got a year. And the funny thing that happened was within a few months, I went back to my husband and I was like, I don't understand. I said, all these doors are opening—they weren't massive, but they were doors opening. I said, but I've wanted to be a writer for a long time and none of these doors have opened before. He said, “Well, it's because you really committed. It's because you jumped. And when you jump, sometimes the universe is on board and goes, yes, all right then, and opens some doors for you.” It really felt like that. Even little things—like Writing Magazine gave me a little slot to do an online writer-in-residence thing. Just little doors opened that felt like you were getting a nod, like, yes, come on then, try. Then the PhD was part of that. I applied to do that and it came with a studentship, which meant I had three years of funding coming in. That was one of the biggest creative gifts that's ever been given to me—three years of knowing you've got enough money coming in that you can just try and make it work. By the time that finished, the royalties had taken over from the studentship. That was such a gift. JOANNA: A couple of things there. I've got to ask about that funding. You're saying it was a gift, but that money didn't just magically appear. You worked really hard to get that funding, I presume. MELISSA: I did, yes. You do have to do the work for it, just to be clear. My sister had done a PhD in an entirely different subject. She said, “You should do a PhD in creative writing.” I said, “That'd be ridiculous. Nobody is going to fund that. Who's going to fund that?” She said, “Oh, they might. Try.” So I tried, and the deadline was something stupid like two weeks away. I tried and I got shortlisted, but I didn't get it. I thought, ah, but I got shortlisted with only two weeks to try. I'll try again next year then. So then I tried again the next year and that's when I got it. It does take work. You have to put in quite a lot of effort to make your case. But it's a very joyful thing if you get one. JOANNA: So let's go to the bigger question: why do a PhD in creative writing? Let's be clear to everyone—you don't need even a bachelor's degree to be a successful author. Stephen King is a great example of someone who isn't particularly educated in terms of degrees. He talks about writing his first book while working at a laundry. You can be very successful with no formal education. So why did you want to do a PhD? What drew you to academic research? MELISSA: Absolutely. I would briefly say, I often meet people who feel they must do a qualification before they're allowed to write. I say, do it if you'd like to, but you don't have to. You could just practise the writing. I fully agree with that. It was a combination of things. I do actually like studying. I do actually enjoy the research—that's why I do historical research. I like that kind of work. So that's one element. Another element was the funding. I thought, if I get that funding, I've got three years to build up a back catalogue of books, to build up the writing. It will give me more time. So that was a very practical financial issue. Also, children. My children were very little. I had a three-year-old and a baby, and everybody went, “Are you insane? Doing a PhD with a three-year-old and a baby?” But the thing about three-year-olds and babies is they're quite intellectually boring. Emotionally, very engaging—on a number of levels, good, bad, whatever—but they're not very intellectually stimulating. You're at home all day with two small children who think that hide and seek is the highlight of intellectual difficulty because they've hidden behind the curtains and they're shuffling and giggling. I felt I needed something else. I needed something for me that would be interesting. I've always enjoyed passing on knowledge. I've always enjoyed teaching people, workshops, in whatever field I was in. I thought, if I want to do that for writing at some point, it will sound more important if I've done a PhD. Not that you need that to explain how to do writing to someone if you do a lot of writing. But there were all these different elements that came together. JOANNA: So to summarise: you enjoy the research, it's an intellectual challenge, you've got the funding, and there is something around authority. In terms of a PhD—and just for listeners, I'm doing a master's at the moment in death, religion, and culture. MELISSA: Your topic sounds fascinating. JOANNA: It is interesting because, same as you, I enjoy research. Both of us love research as part of our fiction process and our nonfiction. I'm also enjoying the intellectual challenge, and I've also considered this idea of authority in an age of AI when it is increasingly easy to generate books—let's just say it, it's easy to generate books. So I was like, well, how do I look at this in a more authoritative way? I wanted to talk to you because even just a few months back into it—and I haven't done an academic qualification for like two decades—it struck me that the academic rigour is so different. What lessons can indie authors learn from this kind of academic rigour? What do you think of in terms of the rigour and what can we learn? MELISSA: I think there are a number of things. First of all, really making sure that you are going to the quality sources for things—the original sources, the high-quality versions of things. Not secondhand, but going back to those primary sources. Not “somebody said that somebody said something.” Well, let's go back to the original. Have a look at that, because you get a lot from that. I think you immerse yourself more deeply. Someone can tell you, “This is how they spoke in the 1800s.” If you go and read something that was written in the 1800s, you get a better sense of that than just reading a dictionary of slang that's been collated for you by somebody else. So I think that immerses you more deeply. Really sticking with that till you've found interesting things that spark creativity in you. I've seen people say, “I used to do all the historical research. Nowadays I just fact-check. I write what I want to write and I fact-check.” I think, well, that's okay, but you won't find the weird little things. I tend to call it “the footnotes of history.” You won't find the weird little things that really make something come alive, that really make a time and a place come alive. I've got a scene in one of my Regency romances—which actually I think are less full of historical emphasis than some of my other work—where a man gives a woman a gift. It's supposed to be a romantic gift and maybe slightly sensual. He could have given her a fan and I could have fact-checked and gone, “Are there fans? Yes, there are fans. Do they have pretty romantic poems on them? Yes, they do. Okay, that'll do.” Actually, if you go round and do more research than that, you discover they had things like ribbons that held up your stockings, on which they wrote quite smutty things in embroidery. That's a much more sexy and interesting gift to give in that scene. But you don't find that unless you go doing a bit of research. If I just fact-check, I'm not going to find that because it would never have occurred to me to fact-check it in the first place. JOANNA: I totally agree with you. One of the wonderful things about research—and I also like going to places—is you might be somewhere and see something that gives you an idea you never, ever would have found in a book or any other way. I used to call it “the serendipity of the stacks” in the physical library. You go looking for a particular book and then you're in that part of the shelf and you find several other books that you never would have looked for. I think it's encouraging people, as you're saying, but I also think you have to love it. MELISSA: Yes. I think some people find it a bit of a grind, or they're frightened by it and they think, “Have I done enough?” JOANNA: Mm-hmm. MELISSA: I get asked that a lot when I talk about writing historical fiction. People go, “But when do I stop? How do I know it's enough? How do I know there wasn't another book that would have been the book? Everyone will go, ‘Oh, how did you not read such-and-such?'” I always say there are two ways of finding out when you can stop. One is when you get to the bibliographies, you look through and you go, “Yep, read that, read that, read that. Nah, I know that one's not really what I wanted.” You're familiar with those bibliographies in a way that at the beginning you're not. At the beginning, every single bibliography, you haven't read any of it. So that's quite a good way of knowing when to stop. The other way is: can you write ordinary, everyday life? I don't start writing a book till I can write everyday life in that historical era without notes. I will obviously have notes if I'm doing a wedding or a funeral or a really specific battle or something. Everyday life, I need to be able to just write that out of my own head. You need to be confident enough to do that. JOANNA: One of the other problems I've heard from academics—people who've really come out of academia and want to write something more pop, even if it's pop nonfiction or fiction—they're also really struggling. It is a different game, isn't it? For people who might be immersed in academia, how can they release themselves into doing something like self-publishing? Because there's still a lot of stigma within academia. MELISSA: You're going to get me on the academic publishing rant now. I think academic publishing is horrendous. Academics are very badly treated. I know quite a lot of academics and they have to do all the work. Nobody's helping them with indexing or anything like that. The publisher will say things like, “Well, could you just cut 10,000 words out of that?” Just because of size. Out of somebody's argument that they're making over a whole work. No consideration for that. The royalties are basically zilch. I've seen people's royalty statements come in, and the way they price the books is insane. They'll price a book at 70 pounds. I actually want that book for my research and I'm hesitating because I can't be buying all of them at that price. That's ridiculous. I've got people who are friends or family who bring out a book, and I'm like, well, I would gladly buy your book and read it. It's priced crazy. It's priced only for institutions. I think actually, if academia was written a little more clearly and open to the lay person—which if you are good at your work, you should be able to do—and priced a bit more in line with other books, that would maybe open up people to reading more academia. You wouldn't have to make it “pop” as you say. I quite like pop nonfiction. But I don't think there would have to be such a gulf between those two. I think you could make academic work more readable generally. I read someone's thesis recently and they'd made a point at the beginning of saying—I can't remember who it was—that so-and-so academic's point of view was that it should be readable and they should be writing accordingly. I thought, wow, I really admired her for doing that. Next time I'm doing something like that, I should be putting that at the front as well. But the fact that she had to explain that at the beginning… It wasn't like words of one syllable throughout the whole thing. I thought it was a very quality piece of writing, but it was perfectly readable to someone who didn't know about the topic. JOANNA: I might have to get that name from you because I've got an essay on the Philosophy of Death. And as you can imagine, there's a heck of a lot of big words. MELISSA: I know. I've done a PhD, but I still used to tense up a little bit thinking they're going to pounce on me. They're going to say that I didn't talk academic enough, I didn't sound fancy enough. That's not what it should be about, really. In a way, you are locking people out of knowledge, and given that most academics are paid for by public funds, that knowledge really ought to be a little more publicly accessible. JOANNA: I agree on the book price. I'm also buying books for my course that aren't in the library. Some of them might be 70 pounds for the ebook, let alone the print book. What that means is that I end up looking for secondhand books, when of course the money doesn't go to the author or the publisher. The other thing that happens is it encourages piracy. There are people who openly talk about using pirate sites for academic works because it's just too expensive. If I'm buying 20 books for my home library, I can't be spending that kind of money. Why is it so bad? Why is it not being reinvented, especially as we have done with indie authors for the wider genres? Has this at all moved into academia? MELISSA: I think within academia there's a fear because there's the peer reviews and it must be proven to be absolutely correct and agreed upon by everybody. I get that. You don't want some complete rubbish in there. I do think there's space to come up with a different system where you could say, “So-and-so is professor of whatever at such-and-such a university. I imagine what they have to say might be interesting and well-researched.” You could have some sort of kite mark. You could have something that then allows for self-publishing to take over a bit. I do just think their system is really, really poor. They get really reined in on what they're allowed to write about. Alison Baverstock, who is a professor now at Kingston University and does stuff about publishing and master's programmes, started writing about self-publishing because she thought it was really interesting. This was way back. JOANNA: I remember. I did one of those surveys. MELISSA: She got told in no uncertain terms, “Do not write about this. You will ruin your career.” She stuck with it. She was right to stick with it. But she was told by senior academics, “Do not write about self-publishing. You're just embarrassing yourself. It's just vanity press.” They weren't even being allowed to write about really quite interesting phenomena that were happening. Just from a historical point of view, that was a really interesting rise of self-publishing, and she was being told not to write about it. JOANNA: It's funny, that delay as well. I'm looking to maybe do my thesis on how AI is impacting death and the death industry. And yet it's such a fast-moving thing. MELISSA: Yes. JOANNA: Sometimes it can take a year, two years or more to get a paper through the process. MELISSA: Oh, yes. It moves really, really fast. Like you say, by the time it comes out, people are going, “Huh? That's really old.” And you'll be going, “No, it's literally two years.” But yes, very, very slow. JOANNA: Let's come back to how we can help other people who might not want to be doing academic-level stuff. One of the things I've found is organising notes, sources, references. How do you manage that? Any tips for people? They might not need to do footnotes for their historical novel, but they might want to organise their research. What are your thoughts? MELISSA: I used to do great big enormous box files and print vast quantities of stuff. Each box file would be labelled according to servant life, or food, or seasons, or whatever. I've tried various different things. I'm moving more and more now towards a combination of books on the shelf, which I do like, and papers and other materials that are stored on my computer. They'll be classified according to different parts of daily life, essentially. Because when you write historical fiction, you have to basically build the whole world again for that era. You have to have everything that happens in daily life, everything that happens on special events, all of those things. So I'll have it organised by those sorts of topics. I'll read it and go through it until I'm comfortable with daily life. Then special things—I'll have special notes on that that can talk me through how you run a funeral or a wedding or whatever, because that's quite complicated to just remember in your head. MELISSA: I always do historical notes at the end. They really matter to me. When I read historical fiction, I really like to read that from the author. I'll say, “Right, these things are true”—especially things that I think people will go, “She made that up. That is not true.” I'll go, “No, no, these are true.” These other things I've fudged a little, or I've moved the timeline a bit to make the story work better. I try to be fairly clear about what I did to make it into a story, but also what is accurate, because I want people to get excited about that timeline. Occasionally if there's been a book that was really important, I'll mention it in there because I don't want to have a proper bibliography, but I do want to highlight certain books. If you got excited by this novel, you could go off and read that book and it would take you into the nonfiction side of it. JOANNA: I'm similar with my author's notes. I've just done the author's note for Bones of the Deep, which has some merfolk in it, and I've got a book on Merpeople. It's awesome. It's just a brilliant book. I'm like, this has to go in. You could question whether that is really nonfiction or something else. But I think that's really important. Just to be more practical: when you're actually writing, what tools do you use? I use Scrivener and I keep all my research there. I'm using EndNote for academic stuff. MELISSA: I've always just stuck to Word. I did get Scrivener and played with it for a while, but I felt like I've already got a way of doing it, so I'll just carry on with that. So I mostly just do Word. I have a lot of notes, so I'll have notepads that have got my notes on specific things, and they'll have page numbers that go back to specific books in case I need to go and double-check that again. You mentioned citations, and that's fascinating to me. Do you know the story about Angle of Repose by Wallace Stegner? It won the Pulitzer. It's a novel, but he used 10% of that novel—and it's a fairly slim novel—10% of it is actually letters written by somebody else, written by a woman before his time. He includes those and works with them in the story. He mentioned her very briefly, like, “Oh, and thanks to the relatives of so-and-so.” Very brief. He got accused of plagiarism for using that much of it by another part of her family who hadn't agreed to it. I've always thought it's because he didn't give enough credence to her. He didn't give her enough importance. If he'd said, “This was the woman who wrote this stuff. It's fascinating. I loved it. I wanted to creatively respond and engage with it”—I think that wouldn't have happened at all. That's why I think it's quite important when there are really big, important elements that you're using to acknowledge those. JOANNA: That's part of the academic rigour too— You can barely have a few of your own thoughts without referring to somebody else's work and crediting them. What's so interesting to me in the research process is, okay, I think this, but in order to say it, I'm going to have to go find someone else who thought this first and wrote a paper on it. MELISSA: I think you would love a PhD. When you've done a master's, go and do a PhD as well. Because it was the first time in academia that I genuinely felt I was allowed my own thoughts and to invent stuff of my own. I could go, “Oh no, I've invented this theory and it's this.” I didn't have to constantly go, “As somebody else said, as somebody else said.” I was like, no, no. This is me. I said this thing. I wasn't allowed to in my master's, and I found it annoying. I remember thinking, but I'm trying to have original thoughts here. I'm trying to bring something new to it. In a PhD, you're allowed to do that because you're supposed to be contributing to knowledge. You're supposed to be bringing a new thing into the world. That was a glorious thing to finally be allowed to do. JOANNA: I must say I couldn't help myself with that. I've definitely put my own opinion. But a part of why I mention it is the academic rigour—it's actually quite good practice to see who else has had these thoughts before. Speed is one of the biggest issues in the indie author community. Some of the stuff you were talking about—finding original sources, going to primary sources, the top-quality stuff, finding the weird little things—all of that takes more time than, for example, just running a deep research report on Gemini or Claude or ChatGPT. You can do both. You can use that as a starting point, which I definitely do. But then the point is to go back and read the original stuff. On this timeframe— Why do you think research is worth doing? It's important for academic reasons, but personal growth as well. MELISSA: Yes, I think there's a joy to be had in the research. When I go and stand in a location, by that point I'm not measuring things and taking photos—I've done all of that online. I'm literally standing there feeling what it is to be there. What does it smell like? What does it feel like? Does it feel very enclosed or very open? Is it a peaceful place or a horrible place? That sensory research becomes very important. All of the book research before that should lead you into the sensory research, which is then also a joy to do. There's great pleasure in it. As you say, it slows things down. What I tend to say to people if they want to speed things up again is: write in a series. Because once you've done all of that research and you just write one book and then walk away, that's a lot. That really slows you down. If you then go, “Okay, well now I'm going to write four books, five books, six books, still in that place and time”—obviously each book will need a little more research, but it won't need that level of starting-from-scratch research. That can help in terms of speeding it back up again. Recently I wrote some Regency romances to see what that was like. I'd done all my basic research, and then I thought, right, now I want to write a historical novel which could have been Victorian or could have been Regency. It had an openness to it. I thought, well, I've just done all the research for Regency, so I'll stick with that era. Why go and do a whole other piece of research when I've only written three books in it so far? I'll just take that era and work with that. So there are places to make up the time again a bit. But I do think there's a joy in it as well. JOANNA: I just want to come back to the plagiarism thing. I discovered that you can plagiarise yourself in academia, which is quite interesting. For example, my books How to Write a Novel and How to Write Nonfiction—they're aimed at different audiences. They have lots of chapters that are different, but there's a chapter on dictation. I thought, why would I need to write the same chapter again? I'm just going to put the same chapter in. It's the same process. Then I only recently learned that you can plagiarise yourself. I did not credit myself for that original chapter. MELISSA: How dare you not credit yourself! JOANNA: But can you talk a bit about that? Where are the lines here? I'm never going to credit myself. I think that's frankly ridiculous. MELISSA: No, that's silly. I mean, it depends what you're doing. In your case, that completely makes sense. It would be really peculiar of you to sit down and write a whole new chapter desperately trying not to copy what you'd said in a chapter about exactly the same topic. That doesn't make any sense. JOANNA: I guess more in the wider sense. Earlier you mentioned you keep notes and you put page numbers by them. I think the point is with research, a lot of people worry about accidental plagiarism. You write a load of notes on a book and then it just goes into your brain. Perhaps you didn't quote people properly. It's definitely more of an issue in nonfiction. You have to keep really careful notes. Sometimes I'm copying out a quote and I'll just naturally maybe rewrite that quote because the way they've put it didn't make sense, or I use a contraction or something. It's just the care in note-taking and then citing people. MELISSA: Yes. When I talk to people about nonfiction, I always say, you're basically joining a conversation. I mean, you are in fiction as well, but not as obviously. I say, well, why don't you read the conversation first? Find out what the conversation is in your area at the moment, and then what is it that you're bringing that's different? The most likely reason for you to end up writing something similar to someone else is that you haven't understood what the conversation was, and you need to be bringing your own thing to it. Then even if you're talking about the same topic, you might talk about it in a different way, and that takes you away from plagiarism because you're bringing your own view to it and your own direction to it. JOANNA: It's an interesting one. I think it's just the care. Taking more care is what I would like people to do. So let's talk about AI because AI tools can be incredible. I do deep research reports with Gemini and Claude and ChatGPT as a sort of “give me an overview and tell me some good places to start.” The university I'm with has a very hard line, which is: AI can be used as part of a research process, but not for writing. What are your thoughts on AI usage and tools? How can people balance that? MELISSA: Well, I'm very much a newbie compared to you. I follow you—the only person that describes how to use it with any sense at all, step by step. I'm very new to it, but I'm going to go back to the olden days. Sometimes I say to people, when I'm talking about how I do historical research, I start with Wikipedia. They look horrified. I'm like, no. That's where you have to get the overview from. I want an overview of how you dress in ancient Rome. I need a quick snapshot of that. Then I can go off and figure out the details of that more accurately and with more detail. I think AI is probably extremely good for that—getting the big picture of something and going, okay, this is what the field's looking like at the moment. These are the areas I'm going to need to burrow down into. It's doing that work for you quickly so that you're then in a position to pick up from that point. It gets you off to a quicker start and perhaps points you in the direction of the right people to start with. I'm trying to write a PhD proposal at the moment because I'm an idiot and want to do a second one. With that, I really did think, actually, AI should write this. Because the original concept is mine. I know nothing about it—why would I know anything about it? I haven't started researching it. This is where AI should go, “Well, in this field, there are these people. They've done these things.” Then you could quickly check that nobody's covered your thing. It would actually speed up all of that bit, which I think would be perfectly reasonable because you don't know anything about it yet. You're not an expert. You have the original idea, and then after that, then you should go off and do your own research and the in-depth quality of it. I think for a lot of things that waste authors' time—if you're applying for a grant or a writer-in-residence or things like that—it's a lot of time wasting filling in long, boring forms. “Could you make an artist statement and a something and a blah?” You're like, yes, yes, I could spend all day at my desk doing that. There's a moment where you start thinking, could you not just allow the AI to do this or much of it? JOANNA: Yes. Or at least, in that case, I'd say one of the very useful things is doing deep searches. As you were mentioning earlier about getting the funding—if I was to consider a PhD, which the thought has crossed my mind—I would use AI tools to do searches for potential sources of funding and that kind of research. In fact, I found this course at Winchester because I asked ChatGPT. It knows a lot about me because I chat with it all the time. I was talking about hitting 50 and these are the things I'm really interested in and what courses might interest me. Then it found it for me. That was quite amazing in itself. I'd encourage people to consider using it for part of the research process. But then all the papers it cites or whatever—then you have to go download those, go read them, do that work yourself. MELISSA: Yes, because that's when you bring your viewpoint to something. You and I could read the exact same paper and choose very different parts of it to write about and think about, because we're coming at it from different points of view and different journeys that we're trying to explore. That's where you need the individual to come in. It wouldn't be good enough to just have a generic overview from AI that we both try and slot into our work, because we would want something different from it. JOANNA: I kind of laugh when people say, “Oh, I can tell when it's AI.” I'm like, you might be able to tell when it's AI writing if nobody has taken that personal spin, but that's not the way we use it. If you're using it that way, that's not how those of us who are independent thinkers are using it. We're strong enough in our thoughts that we're using it as a tool. You're a confident person—intellectually and creatively confident—but I feel like some people maybe don't have that. Some people are not strong enough to resist what an AI might suggest. Any thoughts on that? MELISSA: Yes. When I first tried using AI with very little guidance from anyone, it just felt easy but very wooden and not very related to me. Then I've done webinars with you, and that was really useful—to watch somebody actually live doing the batting back and forth. That became a lot more interesting because I really like bouncing ideas and messing around with things and brainstorming, essentially, but with somebody else involved that's batting stuff back to you. “What does that look like?” “No, I didn't mean that at all.” “How about what does this look like?” “Oh no, no, not like that.” “Oh yes, a bit like that, but a bit more like whatever.” I remember doing that and talking to someone about it, going, “Oh, that's really quite an interesting use of it.” And they said, “Why don't you use a person?” I said, “Well, because who am I going to call at 8:30 in the morning on a Thursday and go, ‘Look, I want to spend two hours batting back and forth ideas, but I don't want you to talk about your stuff at all. Just my stuff. And you have to only think about my stuff for two hours. And you have to be very well versed in my stuff as well. Could you just do that?'” Who's going to do that for you? JOANNA: I totally agree with you. Before Christmas, I was doing a paper. It was an art history thing. We had to pick a piece of art or writing and talk about Christian ideas of hell and how it emerged. I was writing this essay and going back and forth with Claude at the time. My husband came in and saw the fresco I was writing about. He said, “No one's going to talk to you about this. Nobody.” MELISSA: Yes, exactly. JOANNA: Nobody cares. MELISSA: Exactly. Nobody cares as much as you. And they're not prepared to do that at 8:30 on a Thursday morning. They've got other stuff to do. JOANNA: It's great to hear because I feel like we're now at the point where these tools are genuinely super useful for independent work. I hope that more people might try that. JOANNA: Okay, we're almost out of time. Where can people find you and your books online? Also, tell us a bit about the types of books you have. MELISSA: I mostly write historical fiction. As I say, I've wandered my way through history—I'm a travelling minstrel. I've done ancient Rome, medieval Morocco, 18th century China, and I'm into Regency England now. So that's a bit closer to home for once. I'm at MelissaAddey.com and you can go and have a bit of a browse and download a free novel if you want. Try me out. JOANNA: Brilliant. Well, thanks so much for your time, Melissa. MELISSA: That was great. Thank you. It was fun. The post Research Like An Academic, Write Like an Indie With Melissa Addey first appeared on The Creative Penn.
Aujourd'hui, Abel Boyi, éducateur, Charles Consigny, avocat, et Laura Warton Martinez, sophrologue, débattent de l'actualité autour d'Alain Marschall et Olivier Truchot.
In this episode of Truth Talk Live, I reflect on the recent disruption of a Sunday worship service in Minneapolis and ask a question that can't be answered by politics, outrage, or security plans alone: What happens to our faith when the world barges into sacred space, and are we actually prepared for that moment? As churches face increasing hostility, the conversation often turns quickly to fear, anger, or strategy. I wanted to slow that down and look instead at spiritual readiness. Drawing from Scripture, historic hymns, and decades of lived experience walking through suffering, I explore what it means to be vigilant without becoming hardened, prepared without becoming fearful, and faithful without becoming reactive. Listeners call in with passages from Romans, Hebrews, Luke, the Psalms, and Paul's letters, all pointing to the same unshakable truth: God's people have never been promised freedom from opposition, but we have been promised a Kingdom that cannot be shaken. The real question is whether we are grounding ourselves deeply enough in God's Word for it to come out of us when pressure hits. I close the program by returning to the hymn How Firm a Foundation, particularly the line, "The soul that on Jesus hath leaned for repose." Repose is not escape or passivity. It is settled trust. It is the rest that comes when something stronger is carrying the load. When worship is disrupted, faith is mocked, and fear presses in, the issue is not whether the church can hold its ground, but whether we know where to stand. Long before crisis arrives, each of us must answer a simple, searching question: What do I believe, and where am I placing my weight? There's More at HOPEFORTHECAREGIVER.com
Aujourd'hui, Bruno Poncet, cheminot, Antoine Diers, consultant, et Zohra Bitan, cadre de la fonction publique, débattent de l'actualité autour d'Alain Marschall et Olivier Truchot.
Dans cette nouvelle interview, Véra Nikolski, essayiste et docteure en sciences politiques, revient sur son livre Féminicène (éditions Fayard), où elle propose une lecture radicalement nouvelle de l'histoire de l'émancipation des femmes.Loin d'expliquer les avancées féministes uniquement par les idées ou les luttes, elle montre comment le monde matériel : énergie, technologies, infrastructures, santé, production industrielle, a rendu possible l'égalité entre les femmes et les hommes. Selon elle, l'entrée dans l'Anthropocène, ère née de la révolution industrielle, a bouleversé les conditions de vie de toute l'humanité, et particulièrement celles des femmes : baisse de la mortalité infantile, maîtrise de la fécondité, accès au travail salarié, autonomie financière.Mais ces acquis pourraient être fragilisés. Crise énergétique, antibiorésistance, ruptures d'approvisionnement, dégradation climatique : Véra Nikolski explique comment ces bouleversements pourraient remettre en cause les droits des femmes, « vides de sens si le monde matériel ne permet plus de les exercer ».Elle invite à dépasser le « féminisme de la réclamation » pour encourager un féminisme du faire : investir les domaines scientifiques, techniques et productifs afin de protéger l'égalité de demain.Soutenez ce podcast http://supporter.acast.com/les-deviations. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.
"If you give nature—within your own body—the right preconditions, it finds a way to thrive." — Jordan Perry In this episode, KO sits down with Jordan Perry, founder of Repose Health, a groundbreaking, integrative therapy designed to heal the gut at the root cause — not just manage symptoms. From navigating seven years of chronic illness to building a science-backed system that has helped people with IBS, Crohn's, eczema, chronic fatigue, food sensitivities, UTIs, and more, Jordan shares the full origin story behind his innovative approach. We dive into: The real role of the gut microbiome in immune health, mental clarity & inflammation Why gut issues often show up only after deeper dysfunction has already begun How the Repose system combines prebiotics, probiotics, spore-based biotics, gut-lining repair, suppository therapy, hydration, self-massage, and breathwork to create whole-system healing Why suppository-based therapy is common internationally — and why the U.S. is late to the conversation How breathwork and somatic regulation support digestive healing and nervous-system balance Why your gut may actually be your first brain — not your second What the future of personalized gut health, microbiome testing & metabolite-driven solutions looks like Jordan is currently piloting clinical programs and connecting directly with people searching for answers after years of feeling dismissed by traditional healthcare. His mission is simple: help people get their lives back. If you've struggled with chronic digestive issues, fatigue, food sensitivities, or unexplained inflammation — or you're just curious about the next frontier of wellness — this conversation is a must-listen. Time Stamps: 00:00 – Welcome to Turmeric & Tequila + sponsor shout-outs 01:10 – Introducing guest Jordan "Dozzi" Perry of Repose Health 02:00 – Jordan's upbringing: Italian restaurant roots, community, nature & creativity 04:10 – How his personal health crash led to a 7-year struggle with chronic symptoms 07:20 – Discovering the microbiome and the scientific breadcrumb trail that changed everything 09:00 – Building the first version of the Repose Health kit — and why it worked when nothing else did 11:40 – Why chronic disease isolates people + the emotional/mental toll of poor gut health 13:00 – What Repose actually is: capsules, lining repair, suppository therapy, breathwork + why it's different from probiotics 18:20 – Why suppository-based therapy matters + why other countries use it more 20:00 – Who Repose Health is for: IBS, Crohn's, eczema, chronic constipation, fatigue, food sensitivities, UTIs & more 23:10 – The gut-brain connection + why digestive issues often show up after deeper problems begin 25:30 – Breathwork, somatic healing & nervous system regulation as part of real recovery 27:00 – Your "first brain": why the gut is the true engine of human behavior & cognition 30:00 – Microbiome individuality vs. universal needs of the gut lining 33:00 – The future of gut health: personalized testing, metabolites & next-gen therapies 35:00 – Jordan on being early in the movement + how Repose is entering clinical pilot studies 37:00 – How listeners can learn more, reach out, and explore whether Repos is right for them Jordan Dozzi- Perry: Jordan is the founder of Repose Health, a novel integrative digestive health therapy born of his own personal health journey. His self-directed research revealed to him how the gut microbiome and one's inflammation status both play critical roles in immune health and general resilience, inspiring his innovative therapeutic program that addresses root cause. With training in both science and fine art, he blends academic rigor with storytelling from his work in documentary film. When he's not building gut-health solutions or making inspiring media, you'll find him gardening, surfing, or exploring mountains by foot or splitboard. www.repose.health https://www.linkedin.com/in/jordan-dozzi-perry-b64655215/?skipRedirect=true @repose.health T&T DISCOUNT CODE: T&TKOA15% Connect with T&T: IG: @TurmericTequila Facebook: @TurmericAndTequila Website: www.TurmericAndTequila.com Host: Kristen Olson IG: @Madonnashero Tik Tok: @Madonnashero Website: www.KOAlliance.com WATCH HERE MORE LIKE THIS: https://youtu.be/ZCFQSpFoAgI?si=Erg8_2eH8uyEgYZF https://youtu.be/piCU9JboWuY?si=qLdhFKCGdBzuAeuI https://youtu.be/9Vs2JDzJJXk?si=dpjV31GDqTroUKWH
Though he has not been glorified by the Church, Fr Lazarus was a pioneer and exemplar of Orthodoxy in the West. He was born in England in 1902. In his early manhood he moved to western Canada, where he worked as a farm laborer for several years. While working in Alberta, he sensed a call to become a missionary and went to an English missionary college for five years. Sad to say, our sources are unclear about how he came to the Orthodox faith from this unlikely beginning. But in 1934 he spent seven weeks on Mt Athos, then lived as a monk in Yugoslavia. He was ordained to the priesthood by Archbishop Theophan (Russian Orthodox Church Abroad), then sent to Palestine to serve the Russian Mission in Jerusalem. In 1948, the new State of Israel gave the Mission's property to the Soviet Union and the mission was left dispossessed. Fr Lazarus served as priest to the Russian Convent in Aïn Karim and Transjordan, then was sent to India in 1952, where he helped in Orthodox missionary work for twenty years. Several of his books and translations, such as his biography/study of St Seraphim of Sarov, were written while he lived in India. While there, he met Mother Gavrilia of Greece, whose beautiful biography Ascetic of Love includes good descriptions of him during his life in India. Though very strict in his Orthodoxy, he was flexible in externals: in India he wore a white rather than a black cassock, because black clothing had offensive connotations to the Indian people. In 1972 Fr Lazarus was called to Greece, then in 1974 to Australia, where he served for nine years. In 1983 he moved to California in answer to call from Fr Peter Gillquist to assist members of the former 'Evangelical Orthodox Church' in their move to Orthodoxy. In 1989 he moved to Alaska, where he continued this work. He reposed in Eagle River, Alaska in 1992. Following is an excerpt from an account of his last days by members of his community in Eagle River: "Father always signed his name with TWA, "Traveling With Angels". A few days before his death, after battling cancer many years, faithfully using the Jesus Prayer as the medicine for his affliction, the Archangel Michael appeared to help him. His final journey homeward had begun, TWA... 'the time of my departure is at hand. I have fought the good fight, I have finished the race, I have kept the faith.' (2 Timothy 4: 6-8)."
Though he has not been glorified by the Church, Fr Lazarus was a pioneer and exemplar of Orthodoxy in the West. He was born in England in 1902. In his early manhood he moved to western Canada, where he worked as a farm laborer for several years. While working in Alberta, he sensed a call to become a missionary and went to an English missionary college for five years. Sad to say, our sources are unclear about how he came to the Orthodox faith from this unlikely beginning. But in 1934 he spent seven weeks on Mt Athos, then lived as a monk in Yugoslavia. He was ordained to the priesthood by Archbishop Theophan (Russian Orthodox Church Abroad), then sent to Palestine to serve the Russian Mission in Jerusalem. In 1948, the new State of Israel gave the Mission's property to the Soviet Union and the mission was left dispossessed. Fr Lazarus served as priest to the Russian Convent in Aïn Karim and Transjordan, then was sent to India in 1952, where he helped in Orthodox missionary work for twenty years. Several of his books and translations, such as his biography/study of St Seraphim of Sarov, were written while he lived in India. While there, he met Mother Gavrilia of Greece, whose beautiful biography Ascetic of Love includes good descriptions of him during his life in India. Though very strict in his Orthodoxy, he was flexible in externals: in India he wore a white rather than a black cassock, because black clothing had offensive connotations to the Indian people. In 1972 Fr Lazarus was called to Greece, then in 1974 to Australia, where he served for nine years. In 1983 he moved to California in answer to call from Fr Peter Gillquist to assist members of the former 'Evangelical Orthodox Church' in their move to Orthodoxy. In 1989 he moved to Alaska, where he continued this work. He reposed in Eagle River, Alaska in 1992. Following is an excerpt from an account of his last days by members of his community in Eagle River: "Father always signed his name with TWA, "Traveling With Angels". A few days before his death, after battling cancer many years, faithfully using the Jesus Prayer as the medicine for his affliction, the Archangel Michael appeared to help him. His final journey homeward had begun, TWA... 'the time of my departure is at hand. I have fought the good fight, I have finished the race, I have kept the faith.' (2 Timothy 4: 6-8)."
We live in Grace,while we wait for Grace. We live in God, work in God, Love in God. (T)here's only God. No 'we'. Hi Love. His Work. His Life. Trust Him with It. I Love you, nik nikki@curlynikki.comPlease support the show:▶▶https://www.patreon.com/goodmornings▶▶ Cash App $NikWalton __________________________________________Surrender Novena Day 8 - Father Dolindo Ruotolo Close your eyes and let yourself be carried away on the flowing current of my grace; close your eyes and do not think of the present, turning your thoughts away from the future just as you would from temptation. Repose in me, believing in my goodness, and I promise you by my love that if you say “You take care of it” I will take care of it all; I will console you, liberate you and guide you.O Jesus, I surrender myself to you, take care of everything! (10 times)Mother, I am yours now and forever. Through you and with you I always want to belong completely to Jesus.Amen"__________________________________________"Don't pray from the hurt, pray from the Heart" - Iyanla "Tomorrow isn't promised but when you live for Jesus, Eternity is." - @betteryouliving"He is a letter to everyone. You open it. It says, 'Live'." - RumiThe Emergency Novena-- Memorare:"Remember, O most gracious Virgin Mary, that never was it known, that anyone who fled to thy protection, implored thy help or sought thy intercession, was left unaided. Inspired by this confidence, I fly unto thee, O Virgin of virgins, my Mother. To thee I come, before thee I stand, sinful and sorrowful. O mother of the Word Incarnate, despise not my petition, but in thy Mercy, hear and answer me. Amen"'Mother Teresa was flooded with prayer requests, and she had many intentions that she wanted to send up quickly to Our Lady. Her solution? Pray a novena of Memorares. Mother Teresa would pray nine Memorares in a row - and then she immediately added a tenth in thanksgiving for graces received. I can't remember where I first heard about the Emergency Novena, but the graces I have received each time I've prayed it have been tangible and immediate." - Maura Roan McKeegan, Catholic Exchange
Vote sur le budget fédéral: les oppositions vont-elles flancher et appuyer le budget? Retour sur le congrès du PQ. La rencontre Tougas-Dutrizac avec Stéfanie Tougas. Regardez aussi cette discussion en vidéo via https://www.qub.ca/videos ou en vous abonnant à QUB télé : https://www.tvaplus.ca/qub ou sur la chaîne YouTube QUB https://www.youtube.com/@qub_radioPour de l'information concernant l'utilisation de vos données personnelles - https://omnystudio.com/policies/listener/fr
In a season of Stillness, but I'm still here. ❤️
Pour la Refoua chelema de: Dina bat Simha ABITBOL Sharon bat DALIA Déborah bat Ninette Moché Ben MyriamSarah Bat Léa
Welcome to the BH Sales Kennel Kelp Holistic Healing Hour with Grandpa Bill! Dive into the science and spirit of restful sleep. In this episode, GB tackles the root causes of nightmares and insomnia, moving beyond quick fixes. Grandpa Bill shares his unique 5-7-8 Breath work technique (a Wim Hof adaptation) to calm the nervous system and silence the 'fight or flight' response that fuels bad dreams. Learn the psychological reasons why your brain creates dreams and how to use breath to become the director of your own slumber. Achieve better rest, better health, and a better life—from 1 to 92.Grandpa Bill Asks: Are your nightmares the key to unlocking your daytime anxieties? Tune in to find out how to decode your dream-life for true emotional healing. Tired of the night shadows?
Send us a textIn today's episode, I am chatting with Denise Smith Cline. Denise grew up in a textile town in Upstate South Carolina before the world got so complicated. The youngest of 5 spirited siblings, Denise realized early on to survive, she'd need to master the dual arts of watchfulness and eavesdropping. A shy kid, she buried her face in books and found a few fine friends for company. Denise started her writing career as a newspaper reporter fresh out of Davidson College. Denise still practices employment law in the firm she founded in Raleigh, North Carolina. She reads constantly and has an abiding interest in people from big families and small places. When she's not working, reading or writing, she loves good conversations with her beloved family and friends. We are here today to discuss her latest novel, The Resettlement of Vesta Blonik. Episode Highlights:Denise shares how her day job as a lawyer and her night job as a novelist complement each other.Why her legal background helps her craft compelling, character-driven stories.The surprising history behind New Deal resettlement programs and mental health institutions that inspired parts of her novel.The humorous (and humbling!) amount of research she did to accurately portray farm life and livestock.Her book flight features novels with strong female protagonists set in harsh climates.Connect with Denise:InstagramWebsiteBooks and authors mentioned in the episode:Elizabeth Strout booksJane Austen booksWellness by Nathan HillClaire Keegan booksTana French booksAngle of Repose by Wallace StegnerPeace Like a River by Scott GouldBook FlightThe House of Doors by Tan Twan IngThe Last Whaler by Cynthia ReevesThe Resettlement of Vesta Blonik by Denise Smith ClineDessert PairingSalt Houses by Hala Alyan
Check out the Leadership Lounge here.In this episode of the Leadership Tea Podcast, Shelby and Belinda welcome a special guest, Ellen Tannor, a former senior diplomat who recently participated in the 'Repose, a Day of Reflection' retreat at Salamander Resort in Middleburg. Ellen shares her rich career experiences, including her service as a special agent and protective detail member for Secretary of State Colin Powell. Now pursuing a master's degree in journalism at American University, Ellen reflects on her transition from being a diplomat and the importance of mental and spiritual refreshers. The discussion highlights key takeaways from the retreat, such as the importance of moving with purpose, making 'better mistakes tomorrow,' and the benefits of lifting others as a way to protect one's mental health. The episode encapsulates the essence of intentionality, community, and forward-thinking, leaving listeners with valuable insights on how to thrive in their personal and professional lives.00:00 Welcome to the Leadership Tea Podcast00:05 Introducing Ellen Tannor01:40 Reflecting on the Repose Event04:01 Key Takeaways from the Retreat06:28 The Importance of Being Intentional08:00 Executing Big Ideas11:09 Transitioning from Diplomacy to Journalism19:20 Maintaining Mental Health and Resilience22:47 Final Thoughts and GratitudeSend us a comment!Leadership isn't easy and sometimes, the podcast isn't enough. That's why we're creating The Leadership Lounge, a members-only community designed for leaders who want to go deeper, reflect more, and stay grounded.What do you get? A monthly group coaching session led by the Leadership Tea Podcast hosts and monthly virtual community connection sessions, as well as leadership resources and articles.We publish new episodes every other Wednesday. Subscribe to the Leadership Tea Podcast Subscribe to Leadership Tea on YouTube! Follow us on Instagram @Leadership_Tea for more inspiration and insights. Get your FREE copy of our Strategic Change WorkbookLearn more about us at stirringsuccess.com
In a season of Stillness, but I'm still here. ❤️
Lc 12,13-21 Du milieu de la foule, un homme demanda à Jésus: «Maître, dis à mon frère de partager avec moi notre héritage». Jésus lui répondit: «Qui m'a établi pour être votre juge ou pour faire vos partages?». Puis, s'adressant à la foule: «Gardez-vous bien de toute âpreté au gain; car la vie d'un homme, fût-il dans l'abondance, ne dépend pas de ses richesses». Et il leur dit cette parabole: «Il y avait un homme riche, dont les terres avaient beaucoup rapporté. Il se demandait: ‘Que vais-je faire? Je ne sais pas où mettre ma récolte'. Puis il se dit: ‘Voici ce que je vais faire: je vais démolir mes greniers, j'en construirai de plus grands et j'y entasserai tout mon blé et tout ce que je possède. Alors je me dirai à moi-même: Te voilà avec des réserves en abondance pour de nombreuses années. Repose-toi, mange, bois, jouis de l'existence'. Mais Dieu lui dit: ‘Tu es fou: cette nuit même, on te redemande ta vie. Et ce que tu auras mis de côté, qui l'aura?'. Voilà ce qui arrive à celui qui amasse pour lui-même, au lieu d'être riche en vue de Dieu».
Ecoutez RTL Soir avec Vincent Parizot du 17 octobre 2025.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
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In a season of Stillness, but I'm still here. ❤️
The holy Apostle was, by the world's reckoning, the nephew of our Savior, since his mother Salome was the daughter of St Joseph the Betrothed. Called 'the beloved disciple,' St John was the only one of Christ's disciples to follow Him to the Cross. He was entrusted by the Savior with the care of the most holy Theotokos, and became like another son to her, providing for her care until the day of her repose. He preached the Gospel of Christ throughout Asia Minor, especially in Ephesus. During the persecutions of the Emperor Domitian, he was taken in bonds to Rome, where he was subjected to various tortures; but when he emerged from these miraculously unharmed, he was exiled to the island of Patmos, where he wrote the book of Revelation. After the death of Domitian, he returned to Ephesus and there wrote his Gospel and Epistles. He reposed in peace at a great old age. When his disciples later opened his grave, they found that his body was not there. He is called the Theologian because of the sublimity of theological expression in his New Testament writings.
The holy Apostle was, by the world's reckoning, the nephew of our Savior, since his mother Salome was the daughter of St Joseph the Betrothed. Called 'the beloved disciple,' St John was the only one of Christ's disciples to follow Him to the Cross. He was entrusted by the Savior with the care of the most holy Theotokos, and became like another son to her, providing for her care until the day of her repose. He preached the Gospel of Christ throughout Asia Minor, especially in Ephesus. During the persecutions of the Emperor Domitian, he was taken in bonds to Rome, where he was subjected to various tortures; but when he emerged from these miraculously unharmed, he was exiled to the island of Patmos, where he wrote the book of Revelation. After the death of Domitian, he returned to Ephesus and there wrote his Gospel and Epistles. He reposed in peace at a great old age. When his disciples later opened his grave, they found that his body was not there. He is called the Theologian because of the sublimity of theological expression in his New Testament writings.
Guest: Deanna Repose OaksShort Bio (taken from Deanna's website) "I devoured books in childhood as a way to disassociate from the chaos of my family life and I started writing to keep record of what was happening. My writing began humbly with journals and diaries, like any preteen girl is wont to do, but when my writing was exposed to gaslight, the colors and tones became tainted and ruined, so in the seventh grade I turned to poetry. I hid what I was feeling in metaphors & analogies so they couldn't be torn apart and designated lies. What seems simple language on the page is a very complex retelling of events.There are 3 poems revealing facets of this: “Note To Self” and “Looking The Part” both included within Trauma's Death, and “Dear Mom” in The Order of Chaos."Find out more about Deanna at her website: https://deannareposeoaks.com/
✦ We live in a time where women's rights, visibility, and autonomy are under assault and being eroded daily. Writer Trenton Judson has decided to write a film that challenges and flies in the face of these attacks. Enter, Bad... well, the second word also starts with a B and rhymes with Mitch. So, for the sake of FCC-monitored radio, let's call the film BB. Enter BB, an independent vigilante film with a strong female lead that looks to challenge stereotypes, perceptions, and even your definition of the second B. ✦ "In Their Own Words" is our segment where creatives tell us who they are, what they do, what they love, and a few things you might not see coming. What things? Who knows, there's only one way to find out. Today, poet Deanna Repose Oaks takes the spotlight. ✦ LA star power thrives in Atlanta, as actor Kat Graham can attest. An Atlanta transplant since 2017, Kat starred in TV's megahit series "The Vampire Diaries" throughout its 8 seasons: she's also a dancer, author, musician, and recording artist with four studio albums. Now, the multi-talented performer stars in - and executive produces - the new Lifetime original movie "If I Run." It's based on a novel by Terri Blackstock about a suspenseful murder mystery with Graham's character falsely accused, on the run, and surviving on faith. WABE arts reporter Summer Evans spoke with Graham about this new film. ✦ This Saturday, August 16, the Star Bar in Little Five Points is hosting a benefit for Upbeat, an Atlanta nonprofit that helps musicians in need. City Lights Collective co-host Kim Drobes has more. ✦ There's been a lot of chatter lately about proposed budget cuts to the National Endowment for the Arts and the National Endowment for the Humanities, but what is the actual impact of these cuts on working artists, arts institutions, and the communities they serve? Who are the human beings whose livelihoods are at risk? City Lights Collective member Kelundra Smith recently spoke with Heather Infantry, CEO of The Giving Gap, to find out.See omnystudio.com/listener for privacy information.
We live in Grace,while we wait for Grace. We live in God, work in God, Love in God. (T)here's only God. No 'we'. Hi Love. His Work. His Life. Trust Him with It. I Love you, nik nikki@curlynikki.comPlease support the show:▶▶https://www.patreon.com/goodmornings▶▶ Cash App $NikWalton __________________________________________Surrender Novena Day 8 - Father Dolindo Ruotolo Close your eyes and let yourself be carried away on the flowing current of my grace; close your eyes and do not think of the present, turning your thoughts away from the future just as you would from temptation. Repose in me, believing in my goodness, and I promise you by my love that if you say “You take care of it” I will take care of it all; I will console you, liberate you and guide you.O Jesus, I surrender myself to you, take care of everything! (10 times)Mother, I am yours now and forever. Through you and with you I always want to belong completely to Jesus.Amen"__________________________________________"Don't pray from the hurt, pray from the Heart" - Iyanla "Tomorrow isn't promised but when you live for Jesus, Eternity is." - @betteryouliving"He is a letter to everyone. You open it. It says, 'Live'." - RumiThe Emergency Novena-- Memorare:"Remember, O most gracious Virgin Mary, that never was it known, that anyone who fled to thy protection, implored thy help or sought thy intercession, was left unaided. Inspired by this confidence, I fly unto thee, O Virgin of virgins, my Mother. To thee I come, before thee I stand, sinful and sorrowful. O mother of the Word Incarnate, despise not my petition, but in thy Mercy, hear and answer me. Amen"'Mother Teresa was flooded with prayer requests, and she had many intentions that she wanted to send up quickly to Our Lady. Her solution? Pray a novena of Memorares. Mother Teresa would pray nine Memorares in a row - and then she immediately added a tenth in thanksgiving for graces received. I can't remember where I first heard about the Emergency Novena, but the graces I have received each time I've prayed it have been tangible and immediate." - Maura Roan McKeegan, Catholic Exchange
All 3 UBIP podcasters are fond of the Superior Wall System, but connecting the extended "foot" of the foundation wall panel to the basement slab is a bit tricky. But not for Steve, but of course. And while sump pumps OUTSIDE are a mystery to Pete, Jake & Steve walk Pete through it. And a bonus: using gravel to spread the structural load and better manage the water load. All that and a "joke" by Steve to-just-die-for...PETE'S RESOURCES:- Superior Wall resources on slab-to-panel connections - https://weaverprecast.com/wp-content/uploads/2017/11/Pouring-the-Concrete-Floor-Slab.pdf& https://www.superiorwalls.com/api/getFile/19- Outdoor sump pumps- Sump Pump Guide- https://buildingscience.com/documents/building-science-insights-building-profiles-new-construction/bsi-146-below-grade-water- "Angle of Repose" by Wallace Stegnerhttps://www.arclin.com/
If you find the typical funeral layout mundane, why not advocate for human taxidermy instead? Reference Links: Kari the Embalmer Interview https://youtu.be/h0-1hlVtfUs?si=7jkVNkKexej8xDDU Save My Ink Forever https://www.savemyink.tattoo/ Samples used from Freesound.org: https://freesound.org/people/Seth_Makes_Sounds/sounds/686644/
In a season of Stillness, but I'm still here. ❤️
Grandpa Bill share time-tested wisdom for cultivating a clearer mind, a calmer heart, and a more vibrant life. We explore practical techniques like heart-brain meditation and affirmations, drawing on ancient principles to help you achieve mental clarity, emotional balance, and lasting well-being. Join our community and rediscover your inner strength!""Tune into 'The BH Sales Holistic Healing Hour' with Grandpa Bill!
In a season of Stillness, but I'm still here. ❤️
In a season of Stillness—but I'm still here. ❤️
In this captivating episode of the Meditative Prayers podcast, hosted by the insightful Dr. Tim Clinton and accessible on Pray.com, we delve into the profound theme of finding repose within our spiritual journey—a concept deeply cherished within our Christian community. Amidst the hustle and bustle of life, there arises a longing for moments of tranquil repose, where we can rest in the arms of our faith and find solace in the presence of the Divine. Throughout our spiritual odyssey, there are instances when experiencing true repose becomes the ultimate aspiration. These moments not only nurture our souls but also rejuvenate our spirits, guiding us towards a deeper sense of peace and fulfillment. Anchored by the unwavering guidance of the Lord, we discover the innate capacity to embrace these moments of repose, unveiling a renewed sense of purpose and tranquility along our journey. Drawing profound inspiration from sacred scriptures, we embark on a reflective exploration of this transformative human experience. For those seeking solace and repose along their spiritual path, we extend a sincere invitation to explore the Pray.com app. By simply downloading it today, you can embark on a journey of spiritual renewal and resilience, firmly rooted in the comforting presence of the Divine. Together, let us wholeheartedly embrace the extraordinary potential for repose within us, finding boundless inspiration and serenity during our shared spiritual pilgrimage. Join us in this enlightening episode as we journey towards a profound understanding of finding repose within our spiritual aspirations, discovering the remarkable sense of peace that resides within each one of us. Embracing the practice of praying before slumber is more than just a routine; it's an avenue to recenter your heart, aligning it with God's purpose. Let Pray.com’s Meditative Prayer be a nightly companion, deepening your bond with the Almighty and settling your spirit for a serene night's rest.Dr. Tim Clinton is from the American Association of Christian Counselors, for more information please visit: https://aacc.net/See omnystudio.com/listener for privacy information.
In a season of Stillness—but I'm still here. ❤️
23 May 2025
Yes, we've all heard about The Bushido Code. Yes, we've all heard about Boston Rob's genius and The Buddy System. But what we as a culture have not discussed is the lifechanging magic of Lounging Around in Various Stages of Repose. If you listen to this episode while standing up or god forbid WORKING, you are doing it wrong. About: Two new-ish, passionate Survivor fans discuss the 25-year old reality show from the very beginning. A fun stroll down memory lane for seasoned fans or a guide for fellow newcomers through a reality classic, all through the lens of two improvisers. Hosted by Kate Hopkins & Caroline McCallum.
After the 12:10 p.m. Mass on April 25, 2025, Father Edward Hathaway, the Rector of the Basilica, led a recitation of the Glorious Mysteries of the Holy Rosary, with musical meditations, for the repose of the soul of Pope Francis.
In this NBN episode, host Hollay Ghadery speaks with PEI poet and commercial fisherman, Chris Bailey, about his collection, Forecast: Pretty Bleak (McClelland & Stewart, 2025). Confessional, candid, and insightful, Forecast: Pretty Bleak looks at life in rural PEI. These poems explore climate change, work, family, love, and the idea that sometimes all you've got is hope for better weather and favourable winds tomorrow. About Chris Bailey: CHRIS BAILEY is a graphic designer and commercial fisherman from Prince Edward Island. He holds a MFA in Creative Writing from the University of Guelph. Chris' writing has appeared in Grain, Brick, The Fiddlehead, Best Canadian Stories 2021, Best Canadian Stories 2025, and elsewhere. His debut poetry collection, What Your Hands Have Done, is available from Nightwood Editions. His piece Fisherman's Repose was a winner of the 2022 BMO 1st Art! Award. Forecast: Pretty Bleak is his second poetry collection. About Hollay Ghadery: Hollay Ghadery is an Iranian-Canadian multi-genre writer living in Ontario on Anishinaabe land. She has her MFA in Creative Writing from the University of Guelph. Fuse, her memoir of mixed-race identity and mental health, was released by Guernica Editions in 2021 and won the 2023 Canadian Bookclub Award for Nonfiction/Memoir. Her collection of poetry, Rebellion Box was released by Radiant Press in 2023, and her collection of short fiction, Widow Fantasies, was released with Gordon Hill Press in fall 2024. Her debut novel, The Unraveling of Ou, is due out with Palimpsest Press in 2026, and her children's book, Being with the Birds, with Guernica Editions in 2027. Hollay is the host of the 105.5 FM Bookclub, as well as a co-host on HOWL on CIUT 89.5 FM. She is also a book publicist, the Regional Chair of the League of Canadian Poets and a co-chair of the League's BIPOC committee, as well as the Poet Laureate of Scugog Township. Learn more about Hollay at www.hollayghadery.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature
In this NBN episode, host Hollay Ghadery speaks with PEI poet and commercial fisherman, Chris Bailey, about his collection, Forecast: Pretty Bleak (McClelland & Stewart, 2025). Confessional, candid, and insightful, Forecast: Pretty Bleak looks at life in rural PEI. These poems explore climate change, work, family, love, and the idea that sometimes all you've got is hope for better weather and favourable winds tomorrow. About Chris Bailey: CHRIS BAILEY is a graphic designer and commercial fisherman from Prince Edward Island. He holds a MFA in Creative Writing from the University of Guelph. Chris' writing has appeared in Grain, Brick, The Fiddlehead, Best Canadian Stories 2021, Best Canadian Stories 2025, and elsewhere. His debut poetry collection, What Your Hands Have Done, is available from Nightwood Editions. His piece Fisherman's Repose was a winner of the 2022 BMO 1st Art! Award. Forecast: Pretty Bleak is his second poetry collection. About Hollay Ghadery: Hollay Ghadery is an Iranian-Canadian multi-genre writer living in Ontario on Anishinaabe land. She has her MFA in Creative Writing from the University of Guelph. Fuse, her memoir of mixed-race identity and mental health, was released by Guernica Editions in 2021 and won the 2023 Canadian Bookclub Award for Nonfiction/Memoir. Her collection of poetry, Rebellion Box was released by Radiant Press in 2023, and her collection of short fiction, Widow Fantasies, was released with Gordon Hill Press in fall 2024. Her debut novel, The Unraveling of Ou, is due out with Palimpsest Press in 2026, and her children's book, Being with the Birds, with Guernica Editions in 2027. Hollay is the host of the 105.5 FM Bookclub, as well as a co-host on HOWL on CIUT 89.5 FM. She is also a book publicist, the Regional Chair of the League of Canadian Poets and a co-chair of the League's BIPOC committee, as well as the Poet Laureate of Scugog Township. Learn more about Hollay at www.hollayghadery.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Friends of the Rosary,Today, Holy Thursday, the first day of the Paschal Triduum of the Passion, Death, and Resurrection of the Lord, we listen to the words spoken by Christ Jesus to His apostles at the Last Supper, after He had completed the washing of the feet in all humility.As reflected in the Gospel, we meditate on Christ's actions that day. They included:1 - The eating of the Easter lamb or the paschal meal;2 - The washing of the disciples' feet;3 - The institution of the Most Holy Eucharist and the Holy Orders. It was the first Mass at which Jesus Christ, the eternal high priest, was the celebrant, with the first Communion of the apostles.4 - The foretelling of Judas' betrayal and Peter's denials;5 - The farewell discourse and priestly prayer of Jesus;6 - The agony and capture of Jesus in the Garden of Gethsemane.On Holy Thursday, there are two Masses:1 — The Chrism Mass or Mass of the Holy Oils is usually said in the morning at the diocese's cathedral. The local Bishop consecrates the holy oils to be used during the next year and celebrates the institution of the priesthood. Catholics experience the communion of priests with their bishop in this Mass and give thanks for the Church's priests and for Jesus Christ, the eternal High Priest who "became the source of eternal salvation to all who obey him" [Hebrews 5.9]2 — The evening Mass of the Lord's Supper. The whole community and the priests of the parish participate. We recall the institution of the Holy Eucharist and the priesthood and celebrate the Washing of the Feet.In the readings, we recall the Agony in the Garden, and the arrest and imprisonment of Jesus.After the Communion Prayer, the Holy Eucharist is carried through the Church and placed into the tabernacle at the Altar of Repose.We remain in quiet prayer and adoration, keeping Christ company. The Blessed Sacrament is conserved in a closed tabernacle.There is a tradition to try and visit seven churches for silent adoration, to answer Christ's invitation "Could you not, then, watch one hour with me?" (Matt 26:40)Ave Maria!Jesus, I Trust In You!Come, Holy Spirit, come!To Jesus through Mary!Here I am, Lord; I come to do your will. Please give us the grace to respond with joy!+ Mikel Amigot | RosaryNetwork.com, New YorkEnhance your faith with the new Holy Rosary University app:Apple iOS | New! Android Google Play• April 17, 2025, Today's Rosary on YouTube | Daily broadcast at 7:30 pm ET
On this Holy Thursday, as we enter into the sacred Triduum, we remember the night Jesus chose to serve. He washed the feet of His disciples and gave us the gift of the Eucharist. Tonight begins one continuous liturgy that spans Holy Thursday, Good Friday, and the Easter Vigil—three holy days, one sacred mystery. In this video, we reflect on the question: Who serves you? And how are we called to serve in return? We also look to the Garden of Gethsemane, where Jesus asked, “Could you not stay awake with me for one hour?” Let us keep watch. Let us serve. Let us begin these sacred days in love.
"You will succeed in all you do, and light will shine on your path." - Job 22:28 You know how when you walk into a Cathedral it's so quiet, that the quiet echoes? The silence echoes. That's how it is here right now. It's as quiet as His tomb, as empty as His tomb. Match My empty. Match My Silence. Feel His Love there. The air you think you're breathing is Love. Love that inhale. Love that exhale. He loves you. You can trust him. Tell Him you're scared. Tell Him to help you. Pray, 'save me, I need you. This is hard." And then linger in the Silence. Listen for Him in the Silence. Tell Him you're listening for Him in the Silence. I feel for Him in and AS the Silence, and I find Him every time. I Love you, nik nikki@curlynikki.comPlease support the show: ▶▶https://www.patreon.com/goodmornings▶▶ Cash App $NikWalton __________________________________________Surrender Novena Day 8 - Father Ruotolo Dolindo Close your eyes and let yourself be carried away on the flowing current of my grace; close your eyes and do not think of the present, turning your thoughts away from the future just as you would from temptation. Repose in me, believing in my goodness, and I promise you by my love that if you say “You take care of it” I will take care of it all; I will console you, liberate you and guide you.O Jesus, I surrender myself to you, take care of everything! (10 times)Mother, I am yours now and forever. Through you and with you I always want to belong completely to Jesus.Amen"In fact, Mary is so silent that the evangelists say little about the Mother of God. She is entirely absorbed by contemplation, adoration, and prayer. She hides herself in Her Son; She exists only in Her Son. She disappears in Her Son (.) The attitude of Mary is that of listening. She is completely turned to the word of the Son. Mary does not speak. She simply wants to submit to God like a trusting child. Her fiat is tot a I and joyful. She intends to receive God's will through Jesus." - Robert Cardinal Sarah, The Power of SilenceIsaiah 43"God's timing might be sooner than you think. Be ready." - Unknown
We live in Grace,while we wait for Grace. We live in God, work in God, Love in God. (T)here's only God. No 'we'. Hi Love. His Work. His Life. Trust Him with It. I Love you, nik nikki@curlynikki.comPlease support the show: ▶▶https://www.patreon.com/goodmornings▶▶ Cash App $NikWalton __________________________________________Surrender Novena Day 8 - Father Dolindo Ruotolo Close your eyes and let yourself be carried away on the flowing current of my grace; close your eyes and do not think of the present, turning your thoughts away from the future just as you would from temptation. Repose in me, believing in my goodness, and I promise you by my love that if you say “You take care of it” I will take care of it all; I will console you, liberate you and guide you.O Jesus, I surrender myself to you, take care of everything! (10 times)Mother, I am yours now and forever. Through you and with you I always want to belong completely to Jesus.Amen"__________________________________________"Don't pray from the hurt, pray from the Heart" - Iyanla "Tomorrow isn't promised but when you live for Jesus, Eternity is." - @betteryouliving"He is a letter to everyone. You open it. It says, 'Live'." - RumiThe Emergency Novena-- Memorare: "Remember, O most gracious Virgin Mary, that never was it known, that anyone who fled to thy protection, implored thy help or sought thy intercession, was left unaided. Inspired by this confidence, I fly unto thee, O Virgin of virgins, my Mother. To thee I come, before thee I stand, sinful and sorrowful. O mother of the Word Incarnate, despise not my petition, but in thy Mercy, hear and answer me. Amen"'Mother Teresa was flooded with prayer requests, and she had many intentions that she wanted to send up quickly to Our Lady. Her solution? Pray a novena of Memorares. Mother Teresa would pray nine Memorares in a row - and then she immediately added a tenth in thanksgiving for graces received. I can't remember where I first heard about the Emergency Novena, but the graces I have received each time I've prayed it have been tangible and immediate." - Maura Roan McKeegan, Catholic Exchange
We are on book #5 of the Power of Three! Time to start wrapping up some of these loose threads.Book: Warriors, Series 3: Power of Three #5: Long ShadowsSupport us on Ko-fi! WCWITCast Ko-fiFollow us on BlueSky! WCWITCastFollow us on Instagram! WCWITCast What We Are Reading (Not Sponsored):And Then There Were None by Agatha ChristieWitchcraft for Wayward Girls by Grady HendrixCat Fact Sources: Cat in Repose - WikipediaCat in Repose in Portland, ORSmithsonian American Art Museum - SIRIS - Kathleen McCulloughcyclotram: Cat in ReposeArtwork damaged by street maintenance crew | Portland Public ArtLimestone Lion | Artwork | Chicago Park District Music:The following music was used for this media project:Happy Boy Theme by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/3855-happy-boy-themeLicense: http://creativecommons.org/licenses/by/4.0/
The Lord's Prayer is quite a workout. You're asking for a lot of things: daily bread, deliver us from evil. But at the end, you rest in God. The last phrase in the Lord's Prayer is, “For thine is the kingdom and the power and the glory forever and ever, amen.” Is that just a rhetorical flourish? After all, it doesn't seem to be a prayer. But ancient commentators have said this is a prayer of repose. You realize all the things you've been looking for are already there in God. In Psalm 27 we have an example of a prayer of repose, and it's exactly what the end of the Lord's Prayer embodies. This is a psalm of David, and we learn 1) what he's facing, 2) what he does about it, 3) how he does it, and 4) why he's confident it will work. This sermon was preached by Dr. Timothy Keller at Redeemer Presbyterian Church on November 16, 2014. Series: The Prayer of Prayers. Scripture: Psalm 27:1-14. Today's podcast is brought to you by Gospel in Life, the site for all sermons, books, study guides and resources from Timothy Keller and Redeemer Presbyterian Church. If you've enjoyed listening to this podcast and would like to support the ongoing efforts of this ministry, you can do so by visiting https://gospelinlife.com/give and making a one-time or recurring donation.
Wake Up to Love, and pray the Holy Rosary, pray the LOVE with us LIVE every weekday morning at 4:44 am ET
The Light of God broke through the moment you took the focus off of yourself, and placed it on God. The moment you stopped stopping, and kept feeling Love, kept affirming- "I have resources the world knows not of. The fish I need will be sent to my nets. I am healing, and I am healed. Everything I need is here, because I feel Him here." If you take nothing else from what is shared daily, take this- how you feel while listening, is what you must continue to feel while living. You are to Love more. I Love you, nik nikki@curlynikki.com Please support the show: ▶▶https://www.patreon.com/goodmornings __________________________________________ I will be on hiatus for a week while I record the Audiobook for 'Wake Up to Love'! In the meantime, I'll be re-running the first Surrender Novena beginning on Monday. Please share it with a friend, pray it with them, change a life, change yours... more! ____________________________________ My new book, 'Wake Up to Love' is a lifetime in the making (and now a Top New Release, thanks to you!). Divinely inspired. Love led. And WILL bring forth the ‘more' in you. ❤️
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