Podcasts about MOV

Dan VKaidi Tatham - So Happy Patrick Gibin Team Spirit Blvck Spvde & Stefan Ringer - Patterns Osunlade - Prism Peacey Culture - Bandit (feat. Vanesa Hidary) (Yoruba Soul Mix) Inkswel & Peven Everett - Stronger (DJ Spinna's Galactic Soul Remix)Visions Recordings - Magnetic ALEX ATTIAS Version Medlar - Luv Interlude Ft. Kim Anh Jolene - Salsa Frits Wentink - Nocturnal Blakai, Lady Alma - Work it out (Blaktonez CoOp Rub) Last Nubian & Dougan - Paradise (Alternate Mix) Symbiosis - Oxygen AlleviatedJolene - Clear Minimono, Delphi, Relative, DJ Rou DJ Rou - Elastic Body KNEVRM!ND ! - Keep !t Mov!n BOOF - Save The Bee (W) Patrick Gibin - No Matter What South Beach Recycling - I am (a south beach recycle) Nature Boy - Unaffected (Reprise) Soul Wun - She Who Sees All Artwork - Acid Lines Lindstrøm - Cirkl

Christian Sands - Embracing Dawn Mack Avenue | Sept 27, 2024 1. Good Morning Heartache 2:34 2. Divergent Journeys 6:47 3. Ain't That the Same 6:00 4. Thought Bubbles I (Can We Talk?) 5:25 5. Serenade of an Angel 6:07 6. MMC 4:29 7. Thought Bubbles II (Do Not Disturb) 3:55 8. Braises de Requiem I (The Embers Requiem, Mov. I) 6:06 9. Embracing Dawn 6:58 Christian Sands - piano Yasushi Nakamura - upright bass (all tracks except 8) Ryan Sands - drums (all tracks except 8) Marvin Sewell - guitar (tracks 1, 2, 3, 5, 9) Andrew Joslyn - violin, viola (tracks 1, 2, 5, 8, 9) Eli Weinberger - cello (tracks 1, 2, 5, 8, 9) Ross Gilliland - contrabasso (tracks 1, 8) Warren Wolf - vibraphone (tracks 2, 5) Grégoire Maret - harmonica (track 9) All songs written and arranged by Christian Sands • Christian Sands Music (ASCAP) except “Good Morning Heartache” by Ervin M. Drake, Dan Fisher, Irene Higginbotham • Lindabet Music Corporation (ASCAP); Microhits Music Corp (ASCAP); Sony/ATV Tunes LLC (ASCAP). Produced by Christian Sands String arrangements on “Good Morning Heartache”: Yuma Sung. String arrangements on “Divergent Journeys,” “Serenade of an Angel,” “Braises de Requiem I (The Embers Requiem Mov. I)” and “Embracing Dawn”: Andrew Joslyn. ℗© 2024 Mack Avenue Records II, LLC. All rights reserved. //////////////////////////////////// CORTINA FINAL Rebel Music Facing Dragons Christian Sands Mack Avenue Records | Sept 21, 2018 ////////////////////////////////////

Jak se čeští chovatelé skotu chrání před zavlečením slintavky a kulhavky ze Slovenska? Proč se Jan Zahradil rozhodl skončit v ODS právě teď? Bude nové vedení Mezinárodního olympijského výboru (MOV) vstřícnější k ruským a běloruským sportovcům? A proč mělo spojenecké bombardování Kralup nad Vltavou přesně před 80 lety tak ničivé následky? Poslechněte si polední publicistiku s Vladimírem Krocem.

Jak se čeští chovatelé skotu chrání před zavlečením slintavky a kulhavky ze Slovenska? Proč se Jan Zahradil rozhodl skončit v ODS právě teď? Bude nové vedení Mezinárodního olympijského výboru (MOV) vstřícnější k ruským a běloruským sportovcům? A proč mělo spojenecké bombardování Kralup nad Vltavou přesně před 80 lety tak ničivé následky? Poslechněte si polední publicistiku s Vladimírem Krocem.Všechny díly podcastu Hlavní zprávy - rozhovory a komentáře můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

Assembly Language & WebAssembly: Evolutionary ParadigmsEpisode NotesI. Assembly Language: Foundational FrameworkOntological DefinitionLow-level symbolic representation of machine code instructionsMinimalist abstraction layer above binary machine code (1s/0s)Human-readable mnemonics with 1:1 processor operation correspondenceCore Architectural CharacteristicsISA-Specificity: Direct processor instruction set architecture mappingMemory Model: Direct register/memory location/IO port addressingExecution Paradigm: Sequential instruction execution with explicit flow controlAbstraction Level: Minimal hardware abstraction; operations reflect CPU execution stepsStructural ComponentsMnemonics: Symbolic machine instruction representations (MOV, ADD, JMP)Operands: Registers, memory addresses, immediate valuesDirectives: Non-compiled assembler instructions (.data, .text)Labels: Symbolic memory location referencesII. WebAssembly: Theoretical FrameworkConceptual ArchitectureBinary instruction format for portable compilation targetingHigh-level language compilation target enabling near-native web platform performanceArchitectural Divergence from Traditional AssemblyAbstraction Layer: Virtual ISA designed for multi-target architecture translationExecution Model: Stack-based VM within memory-safe sandboxMemory Paradigm: Linear memory model with explicit bounds checkingType System: Static typing with validation guaranteesImplementation TaxonomyBinary Format: Compact encoding optimized for parsing efficiencyText Format (WAT): S-expression syntax for human-readable representationModule System: Self-contained execution units with explicit import/export interfacesCompilation Pipeline: High-level languages → LLVM IR → WebAssembly binaryIII. Comparative AnalysisConceptual ContinuityWebAssembly extends assembly principles via virtualization and standardizationPreserves performance characteristics while introducing portability and security guaranteesTechnical DivergencesExecution Environment: Hardware CPU vs. Virtual MachineMemory Safety: Unconstrained memory access vs. Sandboxed linear memoryPortability Paradigm: Architecture-specific vs. Architecture-neutralIV. Evolutionary SignificanceWebAssembly represents convergent evolution of assembly principles adapted to distributed computingMaintains low-level performance characteristics while enabling cross-platform executionExemplifies incremental technological innovation building upon historical foundations

Reverse Engineering the Brymen BM2257 Multimeter front end to understand what changes have been made from the BM235 in the Low Z mode. DaveCAD time. Also some testing of the LowZ mode and how it works. Forum: https://www.eevblog.com/forum/blog/eevblog-1667-reverse-engineering-the-brymen-bm2257-multimeter/ MOV datasheet: https://www.cnr.com.tw/cloudSpace/CNR_D.pdf How to reverse engineer: https://www.youtube.com/watch?v=lJVrTV_BeGg Multimeter Input Protection: https://www.youtube.com/watch?v=zUhnGp5vh60

It's a fun Friday and Pat Butler, Mov, and Dennis Manoloff are in joining Bloomdaddy talking about favorite Super Bowl Commercials of all time? Takes calls on that, PLUS latest edition of the Ex-Files, Mike Hargrove joined Bloomdaddy at the Greater Cleveland Sports awards and he plays that. Scott Davidson also joins in giving the latest prop bets for the big game on Sunday between the Eagles and Chiefs.

Bienvenidos al primer podcast del año. Sí, parece que hemos sido un poco holgazanes, pero no, hemos estado muy ocupados. Yo, por mi parte he estado terminando mi tercer libro, La Línea, “que si Dios quiere y la burra no se muere” tendrán muy pronto entre sus manos. Este libro es el primero en el que me dejo llevar por lo que realmente quería escribir. Eso no quita ni un ápice de buen hacer a los dos anteriores que también son criaturas mías, y de todo el grupo de Buscadores de la Verdad. Pero en este tercer libro, por fin me he lanzado a la piscina, me he mojado y aprovechando que la línea ley pasaba por el barranco del poyo he montando uno bueno… No voy a adelantarles mucho más que lo que dice la introducción de la obra que dice así: “¿Qué son las líneas ley? Si nunca has oído hablar de ellas, este libro será tu puerta de entrada a un mundo fascinante. Y si ya las conoces, prepárate para descubrir conexiones sorprendentes entre estas líneas invisibles y las dinámicas de poder y religión que moldean nuestra historia. Con un enfoque único respaldado por fotografías y pruebas contundentes, este libro revela cómo alguien está explotando la energía que fluye a través de las líneas ley. Una obra que no solo informa, sino que también desafía todo lo que creías saber sobre este enigmático fenómeno.” Creanme que me ha mojado y creo que he unido dos mundos, el de la ciencia, de la verdadera ciencia y el mundo de la espiritualidad, de la de verdad no de la New Age. Lo van a disfrutar ya que va relleno con cientos de fotos y gráficos. En tapa blanda las fotos serán en blanco y negro y en la de tapa dura de color. Unas 450 páginas de pura información para que puedan seguir tirando del hilo, un trabajo recopilatorio y varias investigaciones sobre el terreno que por fin van a ver la luz. Así que no, no he estado de vacaciones, o no del todo. Y este año tras las campanadas se armo la “gorda” y nunca mejor dicho. Porque la presentadora que salió en la primera está gorda y no tiene tetas, es un hecho, no pasa nada. Yo también estoy un poco gordo. La única diferencia es que lo sale por televisión está guionazado, nada es al azar, no se engañen ni se hagan pajas mentales. No es una obra de birlibirloque. Dicha expresión se usa para referirse a algo que se realiza o sucede de manera sorprendente, ingeniosa o aparentemente mágica, sin que quede claro cómo se ha logrado. Aunque el término no tiene un significado técnico específico, suele usarse en contextos informales o literarios para describir algo realizado con destreza o que resulta inesperado. Las tonterías que ejecutaron estos dos actores a sueldo por la primera estaban perfectamente ensayadas, pactadas y ejecutadas. Incluido el mostrar esa supuestamente inocente estampita de la vaquilla del concurso Gran Prix. Sabían perfectamente que “la gorda” entrecomillas la armaría gorda, y así fue. El péndulo de la dichosa estampita corrió como la pólvora y termino conformando un egregor cultural muy potente. Un egregor es una forma de energía colectiva que surge de los pensamientos, emociones y acciones compartidos por un grupo de personas, tomando fuerza simbólica a partir de su atención y participación. Este concepto puede aplicarse a fenómenos sociales y culturales, como el caso de la estampita mostrada en las campanadas de fin de año en La 1, donde se representó a "La Vaquilla" del concurso Gran Prix como el Sagrado Corazón de Jesús, generando una fuerte reacción entre los católicos. La creación de este egregor comenzó con la elección de un símbolo provocador que unía una figura popular con una imagen profundamente venerada, generando un contraste que captó la atención masiva de los espectadores. El contexto de las campanadas, uno de los momentos televisivos más vistos del año, amplificó su impacto al asegurar una amplia difusión. La polarización entre quienes vieron el gesto como humor inofensivo y quienes lo consideraron una ofensa grave alimentó el fenómeno, consolidándolo como un reflejo de tensiones culturales. Se movió el péndulo de un lado a otro otorgándole una cantidad masiva de energia. Como dices tu Yane, menudo show de Truman montaron. Finalmente, las discusiones públicas y la memoria colectiva mantienen vivo el significado simbólico del evento, transformándolo en un ejemplo de cómo se puede formar un egregor cultural a partir de un hecho mediático. Por cierto, en este caso hubo un tercer grupo en discordia que se dio cuenta que el hecho de utilizar una vaquilla con grandes cuernos podia recordar a la deidad de los cananeos y fenicios Baal o Moloch, ante el cual se sacrificaban niños arrojándolos a una figura con grandes cuernos que tenia una caldera en el estomago. Antes de este circo tuvimos otra vez el show del sorteo de Navidad, que no defraudo como paso ya con la de 2023 que anunciando el año del 8, el 2024, tocó el 88008. Y este año para no ser menos todos, todos, tenían un 8. ¿Cuántas series se devolvieron del primer premio? Casualmente 88 series. Ahorrandose el Estado de pagar 352 millones de euros… ¿Y quién pasaba casualmente por la administración de la Rioja donde toco el gordo? Pues el actor riojano Amadeo martín que protagonizo el anuncio de la lotería de este año. ¡Mira que apañadico todo, como diría un maño! El primer premio el 72480 salió a las 11 y 27, o sea 11-9, el segundo dos cuatros o sea 8 con un 40014, el tercero 11840, los cuartos premios también con ochos, 48020 y 77768. Este último con ese 777, el número de la suerte, toco nada más y nada menos que en Paiporta, uno de los pueblos más afectados por el ataque vía falso cambio climático que organizaron en Valencia. Nos sacaron mas números manchados de barro por la televisión con el 777 como por ejemplo el 77717 que también fue premiado por aproximarse al cuarto premio tocando en Catarroja. Uno de esos cuartos premios toco también en Letur, un pequeñísimo pueblo que también resulto devastado por este ataque. ¡Ni el que aso la manteca se cree esto! No contentos con haber hecho publicidad de la zona cero se produjo un extrañísimo evento donde se volvio a cantar el gordo, el llamado gordo falso, el 43226. Cantado exactamente a las 11 y 44 minutos. Eso por si no lo saben son 8x88 minutos. ¿Y saben dónde fue vendido? En el centro comercial Bonaire. El centro comercial Bonaire, en Aldaia, pueblo también arrasado por el agua, ha vendido parte del 48020, uno de los cuartos premios de la lotería de Navidad. Que tocó también en mi pueblo, Manises, en la administración que está a menos de 800 metros de mi casa. Por supuesto no compré, aprendí la lección del 2023 donde fui a comprar un número con un 666 al centro comercial Bonaire. Ja, ja, ja , me decía mi mujer que me había equivocado de año porque esta vez ha tocado un 666 en el Bonaire. Porque ha vuelto tocar en Bonaire para el niño, y ojo, también en Paiporta. Concretamente la administración de lotería del centro comercial Bonaire de Aldaya ha repartido cinco series en la lotería del niño, o sea 50 decimos, del tercer premio que fue el 66777. También se vendió este número en Paiporta como he dicho antes. Pero es que el segundo premio fue para el 06766. Como decía yo en un tuit, a la bestia le da igual un 667 que un 666. En este caso tenemos un 676 ó un 667 empezando de atrás hacia adelante en el segundo premio y un 667 ó 777 en el tercero. Vamos, que tuvimos gordo, gorda y se volvio a armar la gorda en el gordo del niño. Pero esperen, que aún hay más, estos psicopatas son muy rebuscados. No se crean que no eligieron bien los números del gordo de Navidad. El forero de burbuja SOY nos lo mostró como suele ser habitual en el. El falso gordo de Bonaire, ese 43226 nos habla del número de víctimas causadas por la riada provocada, aumentada, geoingenierizada, como vd quieran llamarlo, que a dia del sorteo estaba congelada en 223 víctimas, por tanto su inverso y de eso saben mucho los satánicos es el 322. Sí, el número de Skull & Bones, calavera y huesos, la hermandad sectaria de Yale donde van a parar todos los hijos de los poderosos y que luego acabaran integrando las plantillas de todos los grupos de control del mundo. Están metidos en todo. Este boleto del niño, el 43226 guarda un secreto con su anverso, o sea, el 62234. Si restamos del 62234 el 43226 obtenemos el 19008. Un número aparentemente anodino que puede traducirse en estos juegos de cifras: 24 x 33 x 24 O sea, multiplicar dos 24, número del año del sorteo, por el adorado número 33. También si descomponemos el 24 en tres ochos, obtenemos (8+8+8) x 33 x (8+8+8) Este año pasado, repito para el que no se haya enterado, era el año del ocho porque al reducir 2024, esto es, sumar todas sus cifras daba 8. Y lo que es mas gracioso, el 19008 es el resultado de multiplicar 88 x 6 x 6 x 6, o sea, tenemos otra vez el 666 que apareció en el sorteo del niño, del niño satánico, vaya. Y para rematar la faena, yo la lie gorda con un hilo que mostraba una cabeza de toro a punto de coronar una de las torres de los evangelistas de la Sagrada Familia. Total por una inocente frase que decía así: “¿Vds creen qué esta figura, una cabeza de toro es la adecuada para rematar el cimborrio principal de la Sagrada familia, la catedral diseñada por Antonio Gaudí?” La verdad es que sabia a quién decían ellos que representaba y decidí excluirlo de la información dada en mi hilo logrando el máximo de interacciones posibles. Moví ambos lados del péndulo, los que apoyan que se cuenten estas cosas aunque se hagan desde la perspectiva de una cuenta magufa como la mía y la de las personas que bien adoctrinadas desde la oficialidad repetían como loros lo que les habían dicho que debían decir. Tetramorfo, tetramorfo, tetrapollas, idiotas. Y no les llamo idiotas para insultarlos, simplemente lo utilizo como hacían los griegos para referirse a las personas que no se enteraban de la política de las polis. Gilipolis, quizás, ja, ja, ja. Fui un nene malo y por eso el primer tuit de mi hilo tuvo mas de 270.000 vistas, ¿No está mal para alguien que está en shadow bannig, no creen? En fin, que este año 2025 viene cargado de satanismo por los cuatro costados ya que por si no lo saben después del año del 8 va el año del 9, y dicho número es en verdad adorado por estos grupos ya que representa el egoísmo más absoluto. El 2025 será según creemos algunos buscadores de la verdad el verdadero punto de inflexión para que la gente empiece a verle las costuras al monstruo, que disfrazado, mueve las palancas detrás de la cortina y simplemente está esperando a que alguien le de una patada en los huevos. Ja, ja, ja, me despido riéndome, ya que esta entradilla hubiera sido imposible que la realizase una inteligencia artificial woke. Ese es otro melón que intentaremos abrir, ¿no Yane? ………………………………………………………………………………………. Conductor del programa UTP Ramón Valero @tecn_preocupado Un técnico Preocupado un FP2 IVOOX UTP http://cutt.ly/dzhhGrf BLOG http://cutt.ly/dzhh2LX Ayúdame desde mi Crowfunding aquí https://cutt.ly/W0DsPVq Invitados Dra Yane #JusticiaParaUTP @ayec98_2 Médico y Buscadora de la verdad. Con Dios siempre! No permito q me dividan c/izq -derecha, raza, religión ni nada de la Creación. https://youtu.be/TXEEZUYd4c0 ………………………………………………………………………………………. Enlaces citados en el podcast: AYUDA A TRAVÉS DE LA COMPRA DE MIS LIBROS https://tecnicopreocupado.com/2024/11/16/ayuda-a-traves-de-la-compra-de-mis-libros/ Presentación libros https://x.com/tecn_preocupado/status/1869444172241113293 Hilo sobre el toro de la sagrada familia https://x.com/tecn_preocupado/status/1875860559847145775 Hilo sobre loteria Navidad 2024 https://x.com/tecn_preocupado/status/1870868410542039041 Tuit sobre la lotería del niño 2024 https://x.com/tecn_preocupado/status/1876275823243866396 Hilo sobre la lotería de 2023 https://x.com/tecn_preocupado/status/1738281022192566710 Articulo lotería 2022 EXTRAÑAS CASUALIDADES NUMÉRICAS EN LA LOTERÍA DE NAVIDAD DEL 2022 https://tecnicopreocupado.com/2022/12/30/extranas-casualidades-numericas-en-la-loteria-de-navidad-del-2022/ Articulo lotería 2019 QUE HA SUCEDIDO EN LA LOTERÍA DE NAVIDAD https://tecnicopreocupado.com/2019/12/24/que-ha-sucedido-en-la-loteria-de-navidad/ Articulo de lotería 2015, pique en 2023 PORQUE NO VOLVERÉ A COMPRAR LOTERÍA https://tecnicopreocupado.com/2015/12/22/porque-no-volvere-a-comprar-loteria/ Denunciando cuentas pedofilas https://x.com/tecn_preocupado/status/1876743054230429911 RECONOCIENDO A DIOS EN LA OSCURIDAD (PARTE I) https://tecnicopreocupado.com/2023/02/27/inframundo/ ………………………………………………………………………………………. Música utilizada en este podcast: Tema inicial Heros Al2 El Aldeano - Alquimista https://www.youtube.com/watch?v=FmvxMgThlmI ………………………………………………………………………………………. Epílogo LOVE MASACRE - La Nieve Es Negra https://youtu.be/82QCMGcqljY?feature=shared

Guillermo Moreno en Campana con la Ag. Violeta UOM, dirigentes del Mov. Obrero Organizado y Alberto Visconti PyV 1° Secc.

Guillermo Moreno en Campana con la Ag. Violeta UOM, dirigentes del Mov. Obrero Organizado y Alberto Visconti PyV 1° Secc.

The ladies talk about their reactions to the election of Mov 5th, as well as some news of happenings in their life. nowherestaff@gmail.com Music courtesy of Yoo Soo via Songfinch

– Zosha di Castri - We live the opposite daring– Mov. III com Ekmeles– Shawn Jaeger - love is com Ekmeles– Cid Campos - Fala da Palavra– Xavier Sabater - Plunasany com Juan Angel Italiano– Kurt Schwitters - Sonate in urlauten (fragmento) com Juan Angel Italiano Produção, gravação, edição e locução: marcelo brissacMúsica “Drácula” usada no prefixo e sufixo, autoria de marcelo brissac e livio tragtenberg 

I met Shane Crosland, known as Shane.MOV, last summer and was immediately struck by his friendly and creative personality. Shane is a multi-talented artist with a rich background in film and music. For nearly a decade, he's been performing at festivals, clubs, and events, captivating audiences with his dynamic sets. Shane has launched SONIK-INO, a […] Whole Entry: https://deeprhythms.com/guest_mixes/141_shane_mov_for_deeprhythms/

In this enlightening episode, we sit down with Mike, a 20-year veteran from DITEK, a leading American manufacturer of surge protection devices based in Largo, Florida. The conversation begins with a brief discussion about recent hurricane impacts in the Tampa Bay area, where DITEK maintains its 65,000-square-foot manufacturing facility. Mike shares how the company, despite facing challenging weather conditions, continued its operations and maintained its commitment to American manufacturing. The bulk of the discussion centers around surge protection technology and its critical importance in protecting HVAC systems and other electronic equipment. Mike provides an excellent analogy, comparing surge protectors to pressure relief valves for electrical systems. He explains how Metal Oxide Varistors (MOVs) work as semiconductors that create low impedance paths to ground when voltage exceeds certain thresholds. The conversation delves into the evolution of MOV technology, particularly the development of thermally protected MOVs that provide enhanced safety features. The episode also addresses common misconceptions about surge protection, particularly the belief that surge protectors are primarily for lightning protection. Mike explains that while lightning strikes are a concern, especially in areas like Florida, approximately 65% of surges actually originate from within facilities themselves, often from equipment cycling on and off or other power quality issues. He emphasizes the importance of proper installation, particularly regarding ground connections and lead lengths, noting that every six inches of wire length can add about 100 volts to the clamping voltage of the device. Key Topics Covered: DITEK's history and commitment to American manufacturing Basic principles of surge protection and how MOVs work Evolution of MOV technology and thermal protection features Difference between transient voltage and temporary overvoltage (TOV) Importance of proper grounding and lead length in surge protection Cascading surge protection strategy for comprehensive protection UL testing standards and voltage protection ratings (VPR) Common misconceptions about surge protection Impact of aging electrical infrastructure on power quality Importance of customer support and ethical business practices Installation best practices for surge protection devices Relationship between ground resistance and surge protector performance Types of surge protective devices (SPD) and their classifications   Learn more about DITEK at https://www.diteksurgeprotection.com/.  Have a question that you want us to answer on the podcast? Submit your questions at https://www.speakpipe.com/hvacschool.  Purchase your tickets or learn more about the 6th Annual HVACR Training Symposium at https://hvacrschool.com/symposium. Subscribe to our podcast on your iPhone or Android.   Subscribe to our YouTube channel.  Check out our handy calculators here or on the HVAC School Mobile App for Apple and Android.

====================================================SUSCRIBETEhttps://www.youtube.com/channel/UCNpffyr-7_zP1x1lS89ByaQ?sub_confirmation=1=======================================================================MI VIDA EN TUS MANOSDEVOCION VESPERTINANarrado por: Miguel PaezDesde: Bogotá, Colombia===================|| www.drministries.org ||===================03 DE OCTUBRERECORRAMOS EL CAMINO DE DIOS  En Dios está mi salvación y mi gloria; en Dios está mi roca fuerte, y mi refugio. SALMOS 62:7  Movámonos hoy de manera consciente hacia Dios. Ciertamente está atrayéndonos hacia Él. Digámosle al Señor cómo nos sentimos, qué deseamos, qué nos aflige e incluso por qué creemos que hay dolor en nuestro corazón. Luego leamos la Palabra de Dios poniendo atención a las formas en que el Señor quiere hablarnos personalmente. A veces podemos sentir que Dios contesta las mismas inquietudes de nuestro corazón cuando pasamos tiempo en las Escrituras. Y esa es precisamente la obra del Espíritu Santo en nosotros y a través de nosotros. Es muy probable que recibamos el sabio consejo que necesitamos, así que leamos la Palabra con corazón receptivo a la obra que Dios desea hacer en nosotros.  A medida que el Señor revela aspectos de heridas, pecado, mejoras, retos o cualquier cosa con que luchemos, pidámosle que nos lleve a la vida que tiene para nosotros. Estemos conscientes de que, por lo general, Él no aborda problemas a nivel sintomático; más bien, va a la raíz de ellos, a las formas profundas en que desea transformarnos. Por tanto, disponte a ser receptivo y transparente en presencia del Señor, arrepintiéndote y haciendo lo que te pide, porque esta es la manera correcta de aferrarse a la esperanza que quiere darte.  Jesús, mi corazón está abierto a lo que me digas. Acércame a ti. Amén. 

This week's Espresso covers news from Versi, Scala Data Centers, and more!Outline of this episode:[00:27] – AgriCapital secures debt financing from Grupo AlphaMundi[00:39] – ROCK secures $54M to expand its Customer-Centric Solutions[00:50] – Veikul acquires Dropin to expand in Mexico[01:04] – Noodle raises a $900K seed round[01:18] – Movêu raises $550K in a round led by Investidores.vc[01:34] – Versi raises $9M in debt to expand offerings to real estate developers[01:46] – Imagine Ventures secures first fund[01:58] – Scala Data Centers raises $5500M from Coatue and IMCOResources & people mentioned:Startups: AgriCapital, ROCK, Bnex, Veikul, Dropin, Noodle, Movêu, Versi, Relif, Ainwater, Bord, Scala Data CentersVCs: SocialAlpha-Bastion (SAIF), Hindiana Fund, QED, Investidores.vc, CRI bonds, Opea, Imagine Ventures,  Coatue Tactical Solutions, Investment Management Corporation of Ontario

Send us a Text Message.The gang is back to check out the latest installment of the Alien franchise and talk all things haunt season as it is vastly approaching!Follow The Group Herehttps://linktr.ee/TheHorrificNetworkHigbee Horror Haunthttps://www.facebook.com/HigbeeHorrorHauntFastpass With Ushttps://www.youtube.com/c/FastpassWithUsCharliehttps://www.instagram.com/edwa.c/

In this insightful episode, we welcome Stephen Cuccio, Vice President of Growth at Movéo, a growth-based agency with 36 years of experience.  Stephen shares Movéo's expertise in B2B marketing, focusing on their comprehensive approach to the total marketing lifecycle. He discusses their strategies for lead generation, customer retention, and sales activation across various industries.  Listeners will gain a deep understanding of how Movéo helps clients complete their entire marketing journey, from prospect marketing to customer engagement and beyond.  

Es un programa conducido por el periodista #venezolano Alejandro Marcano Santelli [@AleMarcanoS] en el que se debaten las políticas actuales en Venezuela. Un espacio donde se respeta la libertad de expresión de los panelistas y estructurado para que el televidente llegue a su propia conclusión | Hoy: El presidente de Estados Unidos, Joe Biden, dijo el jueves que respalda una nueva elección en Venezuela. Líder opositora María Corina Machado rechaza categóricamente que el planteamiento de EEUU y otros países que apoyan una repetición de elecciones era una "falta de respeto" a la soberanía nacional | Invitados: | Manuel de la Cruz, politólogo | Edgar Rodríguez, Coord. Comando María Corina EEUU | Giannino Florio, Coord. Mov. Fuerza Nacional.

Good morning, campers! This week we're bringing you MEATBALLS, the Ivan Reitman classic starring Bill Murray as goofy lead counselor Tripper Harrison. Of course, with Bill and Ivan at the wheel we'll be lucky if this bus ever makes it to the big basketball game. So gather around the bonfire for week two of Summer Camp, and just pray you don't wake up floating in the middle of the lake!   Find us online: Instagram: @bmoviebeatFacebook: The B Movie BeatdownEmail: thebeatmoviebeatdown@gmail.com

Send us a Text Message.Its Terry Gilliam Month!Today were talking about:2006's Tideland where Little Jeliza-Rose (Jodelle Ferland) has a very warped childhood. Her parents (Jeff Bridges, Jennifer Tilly) are both drug addicts, and one of her daily chores is to prepare their syringes. After her mother dies of an overdose, her father, Noah, takes her away to his childhood home, but his own mother has passed away and the house is decaying. Then Noah overdoses, and while his body rots in his chair, Jeliza-Rose meets a taxidermist and her unstable brother.If you guys have any request for future movie request please send us an emailat whowatchesthispodcast@gmail.com - Theme Music -Lee Rosevere - Arcade Montage - Music For Podcast 3https://leerosevere.bandcamp.com/ Join the FB group page:https://www.facebook.com/WhoWatchesThisPodcast/YOUTUBE CHANNEL for commentary on shows and movies:https://www.youtube.com/channel/UCrexJV9qExxnAz45E0AJQMw

Jak známo, všechno je relativní. Například patnáct osob doslova našlapaných do malé lodní kajuty v bláznivé filmové komedii Noc v Opeře bratří Marxů je zcela absurdních. Ale patnáct ruských sportovkyň a sportovců povolených MOV k účasti na pařížských hrách zase strašlivě málo oproti třeba čtyřistašedesátidvěma reprezentujícím Ruskou federaci v Pekingu 2008.Všechny díly podcastu Názory a argumenty můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

Už zítra začínají olympijské hry v Paříži. O medaile bude bojovat 113 českých sportovců, ale také Rusové a Bělorusové pod neutrální vlajkou. Je to prohra Mezinárodního olympijského výboru?Hostem Ptám se já byl vodní slalomář, člen sportovní komise Českého olympijského výboru a stříbrný medailista z her v Londýně Vavřinec Hradilek.Proti účasti Rusů a Bělorusů na olympiádě Hradilek dlouhodobě vystupuje. „Asi si bafuňáři nechtěli někoho politicky znepřátelit,“ komentuje Hradilek účast ruských a běloruských sportovců pod neutrální vlajkou. Podle něj jde o určitý způsob diplomacie a asi se to dalo čekat.Šéf Ruského olympijského výboru Stanislav Pozdňakov označil ruské tenisty, kteří na olympiádě budou, za družstvo zahraničních agentů. „V tomhle tom měl hrát větší roli MOV a chránit sportovce, kteří by se mohli dostat pod tlak. Prostě takovéhle vyjádření je šílené. Jak ten sportovec může mít klid na výkon?“ říká Hradilek.Jaké to je pro bývalé medailisty, sledovat hry z domu? Kolik přivezeme medailí? A jak velká chyba je, že ruští a běloruští sportovci nakonec na hrách budou?---Ptám se já. Rozhovory s lidmi, kteří mají vliv, odpovědnost, informace.Sledujte na Seznam Zprávách, poslouchejte na Podcasty.cz a ve všech podcastových aplikacích.Archiv všech dílů najdete tady. Své postřehy, připomínky nebo tipy nám pište prostřednictvím sociálních sítí pod hashtagem #ptamseja nebo na e-mail: audio@sz.cz.

The 16:9 PODCAST IS SPONSORED BY SCREENFEED – DIGITAL SIGNAGE CONTENT Motion graphics designers tend to enjoy the creative side of their jobs, but there can be aspects of their work, like editing and rendering slight variations of the same spot, that are best described as soul-sucking. Neb Savicic has lived that as a motion graphics designer, and with a couple of friends in Serbia, concluded there had to be a better way. So they put their heads together and, after testing interest, started Plainly - which automates video creation and produces finished spots at scale. Like 1,000s of videos in a matter of minutes. This is not a library of pre-made templates that end-users can then tweak. It's a SaaS tool used mainly by creatives in agencies and studios to take what's developed in a professional toolset - Adobe's AfterEffects - and plug it into Plainly's cloud platform. The net result is that a creative team that is charged with producing, let's say, 500 videos for a QSR chain can do that with one template and a spreadsheet file that has all the differences itemized per location. What might take weeks to accurately produce, instead takes one click and a few minutes to get rendered, ready-to-use videos. Subscribe from wherever you pick up new podcasts. TRANSCRIPT Neb, thank you for joining me. It's nice to chat with you. We met in Munich a couple of months ago. I didn't know a lot about Plainly. I wrote a piece when you did some sort of a partnership with SignageLive, but for those who don't know who you are, can you tell me about the company, what it does, and how and why it was started? Neb Savicic: First of all, thank you so much for having me. So Plainly is a product that helps creative teams automate and scale up video output while keeping the quality of their videos high. What that means, in a nutshell, is we have a platform that allows users to automatically render variations of their After Effects videos just by providing data that's going to be in those variations. So the benefit of automation is you can produce videos at scale. You can produce a lot of videos quickly without all the monkey work to do each of them, right?  Neb Savicic: Yes, so the key benefit, and that's the problem we're solving, is that in many use cases, creatives have to spend their time changing text, changing images, and creating variations of the same templatized video they created a month ago for different markets, screens, and products. My background is actually in video. I was a motion designer before planning, and I always hated those kinds of projects, and that's where the inception story came from, and, I was like, there has to be some better way. So we created a platform where you can create one template, and one After Effects project, and then our platform will automatically create all of the different variations you need. At the same time, you can focus on different, more creative, and more important tasks. So I understand that for a lot of social media things, even for things like utility company bills, if they want to do a video summary, customer by customer, how would this be used in the context of digital signage or digital out of home?  Neb Savicic: When I first came into this industry, and I was looking at the content that the companies were putting out, and I said this on another podcast, the one thing that always bugged me is that these companies invest so much money into their systems into their digital signage systems and the content doesn't look that good. You invest so much money to have this great system running in the background, and the thing that's actually displayed and the thing that your customers see is the thing that's getting the least amount of effort.  So using a tool like ours, you can actually make sure that you have relevant content, personalized content, and updated content all the time on all of the screens. So you can imagine… This is the easiest example, but like a QSR where they have the same content on every screen in every restaurant across all the locations, and that's just because they have a limitation of human resources, they just don't have enough employees to create different content. So they're satisfied with the same stuff.  With a tool like Plainly and the power we give you, you can actually create individualized content for each screen. So, let's say it's raining in London. You can make different content when it's raining compared to Manchester, where it's sunny, and you're going to sell different stuff, it's that ability to automatically create different individualized relevant personalized content on a large scale that's what we give to the digital sign, to our users from the digital signage industry.  Do you have companies that are actively using this? I know I mentioned that a partnership was announced with SignageLive. SignageLive is always good about working with emerging companies doing interesting things, so it's not surprising they're one of the first to do that. But how are these company's customers using it?  Neb Savicic: We work with many agencies, some of the biggest agencies, especially in the advertising and creative industries. These agencies are using it for digital signage for their clients and the way they're using it is exactly how I described it.  They were spending so much time creating different variations of the same content and they realized they needed to offload this to machines and open up some of that time for our creative team to actually do something more, they paid these people a lot of money because they're great and spend time moving the pixels around, their users, agencies, and in-house creative teams all use Plainly in the same fashion, where you can just drop in a big CSV, a big Google sheet with all of the different video variations and in a click of a button you can get a hundred or a thousand different video variations.  To be clear, this is not a template system like a lot of digital signage CMS companies have. I think they are sometimes called composer systems where you just open it up and you use templates that exist there, and you can adjust what's on them.  This is developing templates within Adobe After Effects, usually, templates designed by motion graphics designers who know their way around AE. Then, that's where you plug in, right? Neb Savicic: Yes, exactly. One of our key selling points is that we are a native After Effects solution. So our users have to be After Effects users. That's why I'm saying they're in-house creative teams and agencies. So what this means is that we are not offering you boilerplate templates that are the same for everybody. You can actually create your own custom-branded bespoke templates that look awesome and then use our platform to increase the output of those templatized videos.  So, what would the workflow be for? Let's use that example you had about QSR chains and wanting to have different menus based on weather conditions, geography, and that sort of thing. How does that work in the real world?  Neb Savicic: Okay, so there are two ways you can achieve this. First of all, you can do what's called a batch renderer, which is very nicely demonstrated in a video we did for the SignageLive integration. Basically, what you do is upload your After Effects template into Plainly. You say, okay, we want to change the product's price, the product's name, and the product's image with every video. You create a big Google Sheet that's gonna have all of the different variations. You drop in that Google Sheet or a CSV into Plainly, click Render, and Plainly renders all of the different variations. That's the simple, no-code-needed way.  The second way, which is a bit more advanced, is using our API. With our API, you can actually create any kind of workflow, and this is where we can also talk about programmatic. You can programmatically create video variations on demand. So let's say you have a system that detects it's rainy in New York, let's create a new content piece, that just pings our API and says create a new video, and we send you back the video so there are a couple of ways you can achieve the workflow, depending on the technical abilities. What's the timing and everything of that? If you hit “Batch render” or whatever the button is, you click it, does that take 10 seconds, 10 hours, or 10 days?  Neb Savicic: You can see this on our YouTube channel. We actually made a video in which we rendered 1000 videos in 17 minutes so it's quite a fast system. Obviously, it depends on how complex the video template is, but it's quite fast, and it's quite capable of producing like we have customers doing tens of thousands of videos, like fifty thousand, a hundred thousand, so the core of our product is the scalable infrastructure that can output any number of videos. Are you using big, cloud-based compute systems, like AWS or whatever to do that, or is this your own iron?  Neb Savicic: No, of course, we use Google for the rendering.  So that gives you all the scalability you need.  Neb Savicic: Yeah, of course. It's scalable on demand, and we don't have to worry about them shutting down. No, they're not anytime soon, at least. So what is the output file?  Neb Savicic: It's a video, first of all, that's the big thing for digital signage.  It's not an HTML5, it's a video.  Neb Savicic: No. It's an actual video, MP4 or MOV. So that also has some benefits in terms of being able to play it on older screens and any kind of screen so that also has some benefits.  So any media player, unless it's a complete piece of junk, supports playing out the video, whereas it might not play out HTML5.  Neb Savicic: That's one of the benefits, yeah.  Are there settings? If I say, “I want 720p, 1080p, 4K,” and “Here's the format: it's portrait or it's landscape,” can you munch on those things?  Neb Savicic: Of course. So all of those things are actually handled in After Effects. So the customer decides what's the duration going to be, what's the dimension of the video going to be, what's the design, but then also some of the agencies we work with, they actually do stuff for broadcast. In those cases, they require very specific output parameters. Because of that, we have a feature where you can define these specific outputs, such as, if you want to change the bitrate, the FPS, or any of those more technical parameters. That's also possible after the video is rendered. If you do, use your example, a thousand videos in 17 minutes. For each of those videos, where do they go, and how do you distinguish which one is which? Can you give them names based on metadata so know this is Spanish, Escondido in California, postal code, and that sort of stuff? Neb Savicic: Yeah, of course. There are a couple of ways you can achieve this. One is naming the files. You can use the data parameters from the video. If you have a product name, and then you want also to add Spanish, you can name them. But in the case of the API usage, you can include the metadata in that API call, which will be how you distinguish those videos. But specifically for digital signage, and this is one of the things we did with SignageLive, so let's say in the spreadsheet you also have a column that says, where is this piece of content going to go? In SignageLive, it's called tags. You can actually use those tags and automatically distribute the videos to the screens with SignageLive because of their integration and the way we did it. But generally speaking, you can achieve that level of automation where you're dropping a CSV or filling out a Google sheet, the videos are read automatically, and they are distributed automatically to all of the screens where they need to be. I assume there are guardrails and checks and balances on this stuff. Automation is awesome, but it can work both ways. If somebody makes a mistake or something goes hairy and the rendered videos are incorrect in some way. How do you make sure that doesn't happen? Neb Savicic: So that's up to the user. We don't alter the data in any way. So what we get is what we put into the video, and then it's up to the user to introduce some checks and balances and security measures to make sure that the content looks right.  So if there's an approval gateway of some kind that you want to look at each piece of video and go, okay, yeah, that looks right. That's up to the customer. That's not something inherent in your system?  Neb Savicic: Yeah, of course, and we do it also for security reasons. Of course, we don't want to be liable for approving something and then making a mistake. So we leave that up to the user and ensure they have the flexibility to do it in the way they want.  I think I saw in one of the demo videos that you do have or offer users the ability, at least at the creative stage, to do a draft render, look at it, and then go in and change some of the things, right? Neb Savicic: Yeah, of course. If you see a video that may be in, the data was incorrect. You can easily re-render that video, or, as you mentioned, use a draft version to make sure that it actually looks good before it's published.  You're starting to work with AI, as everybody says they're working with AI, but how are you using it? Neb Savicic: So we are introducing AI into our tool to help our users do the tasks they always do with the assets outside of Plainly. So I'll give you an example. Let's say you have a product image. Those product images, in a lot of cases, have backgrounds, and in the video, you want to have an image without a background. So we are introducing features that will help you - we call it pre-processing - remove the background or denoise your audio, and do those things that really help make the lives of our users a bit easier. So they don't have to do things outside of Plainly. They can do everything in one place.  It's very much what I hear from people talking about the coding side and using AI to remove or take away a lot of the grunt work.  Neb Savicic: Exactly, and I think that's the right use case for AI. It's just that there are tons of tasks that people just don't want to do, and it's the same as with Plainly like nobody wants to change the text layer or the product name 10 times like you should use machines for that, and I think you should also use AI for those kinds of tasks where. It's so obvious that it's useful in that regard.  So what about the idea of putting in a chat GPT prompt that says, “Make me a video for hamburgers that are $2.99. Sundays only”?  Neb Savicic: That's a good idea, but it's not what we're trying to build, unfortunately. What's really interesting about Plainly, is that given that we are an API-first solution, we are very modular. We have clients that are actually doing a bunch of AI stuff before the assets go into Plainly. For example, we have one customer, at this point, multiple customers who are using AI avatars. So Plainly doesn't really add AI avatars. Still, since we have an API, they can quite easily bring our solutions together and have a solution that's creating an AI avatar. Then that video goes into plain to be included in the final video. If you want a ChatGPT prompt, you can just introduce ChatGPT before Plainly stringing them in a workflow and making any kind of workflow you want.  I have some history with content automation and using After Effects templates, going back 10 years. The struggle I had was where it was a partnership. The big challenge I had was people didn't get it. They didn't understand the idea of templates and automation and making their lives easier.  I'm guessing that it's much easier with this because you're not going to end users. You're not going to resellers or solutions providers. You're talking directly to the agencies by and large.  Neb Savicic: Yeah, it's quite an obvious thing for them because it might seem tricky from the outside because, you could say oh, you are making Motion Designers obsolete. You're taking somebody's job that somebody changed names of the product there all day. But being a motion designer before Plainly, I don't look at it from that angle, I look from the angle of, you can have that Motion Designer to do a lot more work, different work, different creative work and use his or her time a lot more efficiently.  Why do that menial work in that manner that's soul-sucking, when you can create different templates and different projects and that's what the agencies see. They see an opportunity for new revenue. Basically, they can take in more clients because they now have this tool that's going to help them output ten times more content than with the same amount of staff.  Yeah. I was curious about that. I suspect there's a huge problem, it depends on its qualifier, but I'm curious how much time and money this can save. Neb Savicic: Depends... I'm kidding.  I did some calculations, I was looking at some templates that are with our customers, and I was like, realistically, how much does it take to create ten videos from this template? And even if you have a fully templated project, you have all of the data ready to go, it can take anywhere between 10 and 30 minutes per video, depending on how complex it is. If you need to create ten videos, a hundred videos, thousand videos, you can see how that easily adds up where we clean with just literally one click. You add the CSV and can do thousands of these in 17 minutes. So the time savings are massive, but not easily counted. You cannot easily calculate it. At least some of it is owed to, it's the old phrase around garbage in, garbage out. If you don't tag everything properly in the After Effects file, automation is not as easy, right? Neb Savicic: Yes, of course. But it's not like you have to do some special work to prepare a template for Plainly.  You just have to name your layers and things.  Neb Savicic: Of course, every good Motion Designer or Video Editor will name their layers properly because otherwise, they won't find a way around their project if they return to it a month or six months later.  Believe me, I've fallen into that trap. It's very hard. So you just have to be organized. You have to name this name stuff properly, and everything is going to work like with some other solutions on the markets they all say they're After Effects supported, but the reality is that yes, they support After Effects, but it's not natively. First of all, you must alter your creative process a lot, meaning you have to work with a plugin or some special effect to import After Effects into their platform. With Plainly, you're just working with After Effects. You put After Effects into Plainly, and it's going to work. So we don't alter your creative process in any way. We just empower you to create more videos. The other thing is that if you're not an After Effects native, that means that with a lot of solutions, you're actually turning After Effects into some intermediary format, which means that you cannot use all the effects or there is some quality loss that happens in that transition. So that's what our users love about Plainly.  I would imagine this opens up the opportunity for a “boutique level” agency or creative shop to take on very large jobs at a scale that, in the past, they would go, “We would love to have this work, but it would kill us.” If they have this tool now, they can compete with the larger agencies, right?  Neb Savicic: Exactly. Yes, and that's what I meant when I said it opens up new revenue opportunities because you can now take on more work, be a huge company, you can be outputting hundreds and hundreds of videos, even though it's…  coming out of your spare bedroom. Neb Savicic: Yeah, out of the basement.  How does pricing work?  Neb Savicic: Oh, so it's a SaaS, which means you pay either monthly or annually for a subscription and that all depends on the number of minutes you export. It starts as low as $59 per month, but it can go higher if you need more minutes.  So classic pricing tiers are based on the amount of work you do and the amount of output.  Neb Savicic: Which makes sense.  You charge on finished rendered videos, not on the draft, in terms of time?  Neb Savicic: Yeah. We just look at the output, not what you're doing to plan on, just the output.  You started this a couple of years ago, or three, four years ago? Neb Savicic:  2019.  Okay. So five years ago, there were already some companies in the market doing maybe not the same work, but similar kinds of things. I did a podcast a few years back with Dataclay and I'm aware of SundaySky and some other ones out there.  How do you compare to them, and when people say, okay, why would I use you versus brand X, what do you tell them?  Neb Savicic: So there are a couple of things. First, if you compare Plainly to some other solutions, obviously being cloud-based, there is a difference to some of the other tools, like you don't have to worry about your rendering infrastructure because that's us. If something doesn't work, that's our fault. That's the core of our product. We ensure you can render as many videos as you want, as many videos as long as you have money. That's one thing, and then, of course, there are things like being After Effects native, where you can literally add any kind of template. We have had clients with amazing 3D-based templates that wouldn't be possible in other solutions, and then they were API-based. So a lot of our customers are actually building internal tools. They're actually integrating Plainly into their apps or internal tools for creative teams. So those three things are what separates us from the market.  So for the big agencies with internal software developers, who would use the API, this is great. But for the smaller agencies or the purely creative agencies, they can go at it using the no-code side of it and not have to worry about APIs and things. Neb Savicic: Exactly. Yeah, that's it.  Where are you guys at as a company? I saw that you got some seed funding from, what, the Serbian incubator fund or something?  Neb Savicic: That was the first thing. That was in 2020, and then we got accepted into a very prestigious US accelerator called Tiny Seed. We were the first company from the Balkans to get in there. So they obviously saw something in us, but we were growing as a team, growing the customer base. We are so lucky to be working with some of the largest agencies and names that you would recognize from both Europe and the US, and we're just trying to make them happy and create a product that makes their lives better.  I realized you're serving a whole bunch of different vertical markets and use cases, digital signage, just being one of them is, that a substantial noticeable or a friend of mine uses the term consequential part of your business or kind of an interesting sort of side aspect to what you do. Neb Savicic: I'm not sure how big digital signage is with our agency customers. I would imagine that a good portion of the content they do is for digital signage, but as for us working directly with digital signage companies, we're just getting into that industry. With the SignageLive integration, we might announce more integrations soon. That's a new industry for us. We see that there are a lot of benefits for the users in the digital signage industry we're just trying to get into.  We chatted at the digital signage summit in Munich. So, obviously, you were there to network and meet some people, and I had some beers. Would you also be at ISE?  Neb Savicic: Yes, of course, and then Munich next year and possibly Intelcom.  I assume this product will always evolve. Over the next year, are there new wrinkles you'll be rolling out that you can tell me about without alerting your competitors?  Neb Savicic: Honestly, the good thing is that I'm so happy to have a technical team that's really fast, and the product improvement cycle is insane. We are putting out new features on a bi-monthly basis. So I don't know. One year from here, who knows what will be added? Definitely, the AI features are greater than everybody. So all the normal stuff: faster, better, easier.  Neb Savicic: Exactly. The stuff that doesn't change.  Yes. All right, Neb. That was great. Very interesting. Thank you.  Neb Savicic: Yeah. Thank you too, Dave.

La etapa más larga del Tour, de 230kms, no tuvo sorpresa referente al desenlace final, se llegó en un sprint de pelotón, y fue el flamante ciclista de Eritrea, Biniam Ghirmay quien se llevó la victoria.  En un final muy muy rápido hubo varios incidentes y caídas pero Ghirmay supo mantenerse en buena posición y adelantó a Fernando Gaviria y Arnaud Delie en los metros finales. También vimos un cambio de liderato en la general con Richard Carapaz vistiéndose de amarillo por primera vez en su carrera.  Estamos a la espera de la primera gran cita en la alta montaña en la única etapa en los Alpes con la terrible subida del Col du Galibier al final de la etapa.

Pět spojených olympijských kruhů tradičně symbolizuje rovnost, pospolitost a bratrství všech národů. To jest i Rusů a Bělorusů? Mezinárodní olympijský výbor (MOV) se dle svých osvědčených praktik postavil k problému lišácky – jako chytrá horákyně.

Pět spojených olympijských kruhů tradičně symbolizuje rovnost, pospolitost a bratrství všech národů. To jest i Rusů a Bělorusů? Mezinárodní olympijský výbor (MOV) se dle svých osvědčených praktik postavil k problému lišácky – jako chytrá horákyně.Všechny díly podcastu Názory a argumenty můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

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Coming out of the Toronto underground with releases on Hot Creations, Hottrax, Relief, and his own imprint RAWthentic, Nathan Barato takes over Dirtybird Radio with a handful of heaters including his collaborative Dirtybird release with Gettoblaster "The Move". VR warm-up set:Ralph Session feat. Juliet Mendoza - "Freak (Ladymonix Remix)" [Freerange Records]Orlando Voorn - "No Cellphones" [Kompakt]Dave Bregoli - "Alphabet Mafia" [Dirtybird Records]Mike Agent X Clark - "Where You Get Your Funk From" [House Of EFUNK Records]Nathan Barato guest set:Gettoblaster, Nathan Barato, Tony Duke - The MoveSonique - It Feels So Good (Carlo Lio Edit)FerBR-NSoundChris Larsen - You Dont KnowLittle Simz - Gorilla (Nathan Barato Bootleg)Andy Sherman, Nathan Barato, Jay West - UntitledNathan Barato, Mikey V, Room 303 - YouKarizma - Keep !t Mov!nRadio Slave - The Lunatics (Club Mix)Lonely - BochalemaLeo Franco, Carlo Lio - Shake What Your Momma Gave Ya (Bootleg Mix)

This week on the show we're talking about Jane Schoenbrun's I Saw The TV Glow and Christy Hall's Daddio.  Both Singluar visions from their creator, but do they both work?  Join us to find out!BONUS CONTENT:     This week's patron bonus show sees Simon ask about the era of AA action movie video game adaptations, and what recent movies we'd like to get that treatment, and Matthew asks for our two three directorial first features.  Fun fact: both of these questions are inspired by a recent re-watch of Steven Spielberg's first feature, Duel. As always all patrons get access to the bonus show, and patronage starts at just $2 Canadian per month.  We hope you joinus!Link: https://www.patreon.com/posts/june-23rd-bonus-106755557EPISODE HOMEPAGE:     This week's episode homepage has JustWatch powered links to everywhere you can steam, or digital buy or rent each of this weeks movies.  The links update based on the films availability whereever you are, so check back often!Link: https://awesomefriday.ca/2024/06/podcast-i-saw-the-tv-glow-daddio/SUPPORT:             Patreon:    http://patreon.com/mcsimpson Ko-Fi: https://ko-fi.com/matthewsimpson CONNECT WITH US:        Awesome Friday: https://awesomefriday.ca        Matthew: https://stretched.ca/ Simon: https://temporarypen.com/ SHOW LINKS: Apple: https://podcasts.apple.com/ca/podcast/awesome-friday/id480100293 Spotify: https://open.spotify.com/show/4kwPQGeBvVFVtewkCbrbA9 Amazon: https://music.amazon.com/podcasts/18daf305-2c59-4718-bd5c-0dc393173353 Deezer: https://www.deezer.com/en/show/2775782 Goodpods: https://goodpods.app.link/ulvugeHonjb IHeartRadio: https://www.iheart.com/podcast/85390621/ Overcast: https://overcast.fm/itunes480100293/the-awesome-friday-movie-podcast Meanwhile, relax and enjoy your flight. 

In the MOV there's very few musicians more well known or beloved than Jesse Forrest. Join us as we discuss his musical timeline, mental health and much more on this unscripted conversation.

On today's Quick Start podcast: NEWS: Pastor's Wife Death Ruled Suicide, Boy Scouts Change Name for 'Inclusion' Detailed timeline released by authorities: https://www.wbtw.com/news/state-regional-news/robeson-county/mica-miller-relatives-meet-with-robeson-county-authorities-about-her-death/amp/ MAIN THING: Pastor Speaks Out to Quick Start After 'Miracle' Gun Attack Survival LAST THING: Proverbs 28 SHOW LINKS As Boy Scouts cave, other organizations like Trail Life USA and MOV have emerged for young men - visit www.gomov.org for more information 2024: https://www2.cbn.com/news/us/campaign-notebook-after-trump-nh-win-fat-lady-singing NEWSMAKERS POD: https://podcasts.apple.com/us/podcast/newsmakers/id1724061454 DC DEBRIEF POD: https://podcasts.apple.com/au/podcast/d-c-debrief/id1691121630 CBN News YouTube: https://www.youtube.com/@CBNnewsonline CBN News https://www2.cbn.com/news Faithwire https://www.faithwire.com/ Email us! QuickStartPodcast@cbn.org * This podcast episode has been updated to include recent developments in the case of Mica Miller

In this episode hosts Jim McClean and Adam Neeson are joined by Danny Brown (The Fright Club NI) as they chatted about some of the latest movie news, Free Comic Day( featuring Aaron Flanagan from the Comic Book Guys) and Star Wars Episode One: The Phantom Menace, which is being re-released in cinemas to celebrate its 25th Anniversary.Two Jedi escape a hostile blockade to find allies and come across a young boy who may bring balance to the Force, but the long dormant Sith resurface to claim their original glory.Jim also speaks with directors Craig Hinde & Marc Zammit along with actor Sarah Alexandra Marks about their British horror movie Witch.Small town, England. 1575. William embarks on a journey to prove the innocence of his wife, Twyla, falsely accused of being a witch and will be put to death if found guilty. William must hunt down the real witch, to save Twyla from death.Distributed by 101 Films, it's available to rent or buy now on various VOD platforms46s Film Making 46s: Filmmakers talk origins, challenges, budgets, and profits.Listen on: Apple Podcasts SpotifyAs always be warned this recording is filled with spoilers and tangents a-aplenty.If you enjoyed it, be sure to leave us a review wherever you get your podcasting fix.Check out our socials on Facebook, Twitter , Instagram and YouTube.Don't forget to subscribe to make sure you never miss a single episode and find our complete back catalogue on the BanterFlix website.

Last week the MOV had another flood, my first as a business owner in the affected area. I witnessed the best of humanity and community as the city prepared for the worst. A week later I walked the streets visiting my neighbors to talk about how the flood affected their store and business and learned a lot about how strong our community really is.

Mezinárodní olympijský výbor se na březnovém zasedání dobral konečné podoby plánu, jak dostat ruské a běloruské sportovce na olympijské hry do Paříže. K dřívějším podmínkám, že budou startovat bez využití národních barev a symbolů, že nesmí mít vazbu na ruskou armádu či podporovat ruskou stranu ve válce, přidal ještě i další omezení. Nic z toho ale už nerozptýlí skličující pachuť, kterou rozhodnutí MOV vyvolává.

In a recently held earnings call on March 26, 2024, Movado Group shared their recent earnings report with investors. The company's CEO, Efraim Grinberg highlighted some of the challenges the group is facing within U.S and European distribution channels. Notably, he said, "While challenges remain in our distribution channels in the U.S. and Europe, we are focused on partnering with our customers to help them expand their business, build consumer demand, and increase market share across our brands." Further, he shared Movado's commitment to utilize their robust financial position to support upcoming marketing initiatives with an incremental investment of $25 million. The financial figures from Movado's recent sales paint a picture of challenges that the company faces in retaining its momentum in a competitive retail industry. Declining sales for the final quarter and the full fiscal year of 2024 were clearly evident. However, the group's strong financial health was reflected through their debt-free balance sheet and a substantial cash reserve of $262 million. In order to tackle these challenges, Movado Group has implemented innovative growth strategies focusing on amplified marketing efforts and brand development in key European markets. According to the company, these measures, together with an emphasis on revitalizing the Movado brand and introducing a fresh brand campaign, have resulted in a favorable impact on sales via the Movado.com platform. Responding to changing consumer behaviors, Movado Group acknowledges the influence of various macroeconomic factors such as post-COVID dynamics, inflation, and geopolitical unrest. The management intends to invest $25 million in marketing and brand promotion with a goal to stimulate growth and establish a larger market share. Looking forward to the year 2025, the group plans to boost its expenditures in marketing and brand building targeted mainly at their flagship brands including Movado, Tommy Hilfiger, Hugo Boss, Lacoste, and Coach. This approach, as stated by the company, is expected to improve marketing communications, introduce key product range, uplift conversion rates, and focus on targeted marketing campaigns, aiming towards continuous long-term growth and profitability. In conclusion, according to the information shared during the earnings call, Movado Group has a proactive plan to handle existing financial challenges through strategic investments in marketing and brand development. The company seems determined to restore growth in the coming year. However, it's important to note that the effectiveness of these strategies will be dictated by numerous variables including market conditions and consumer behavior. While Movado appears positioned for potential success, only time will truly reveal the future outcomes of its strategic initiatives. MOV Company info: https://finance.yahoo.com/quote/MOV/profile For more PSFK research : www.psfk.com  This email has been published and shared for the purpose of business research and is not intended as investment advice.

We are reviewing our first Nollywood feature!! Join TeaRon and Tiera Janee this week, as they explore the captivating universe of Aníkúlápó in its limited series spin-off, "Aníkúlápó: Rise of the Spectre," now on Netflix.Kunle Remi and Bimbo Ademoye reprise their roles as Saro and Arolake, alongside an exceptional cast, including newcomer Owobo Ogunde as the formidable antagonist, Bashorun. Journey back to the 17th Century Oyo Empire as familiar characters evolve and new faces emerge. But amidst the excitement, questions arise: Did director Kunle Afolayan make the right choice expanding the story beyond the original film's conclusion?–––––––––––––––––––––––––––––About UBIQUITOUS BLACKS REVIEWS:'Ubiquitous Blacks Reviews' is an extension of the Ubiquitous Blacks Podcast where TeaRon (IG: @tearonworld) is joined alongside Tiera Janee' (IG: @itstierajanee) as the two review the latest in Black Movies, TV Shows, and more. These hilariously entertaining reviews are directed at discussing media that appeals to Black/African people around the world in the diaspora.You can watch the episodes on the official YouTube channel, and you can also listen to the full unedited episodes wherever you listen to podcasts.Follow and Interact With Us: Instagram, Facebook, YouTube, Threads

Welcome to an all-new bonus episode of Films for the Void! In this episode, Landon interviews Chris Nichols - a Utah-based musician, TikToker, and online personality in the world of metalcore, hardcore, and just about every subgenre in between. Not only that, but his grindcore project FIRST GRADE FIGHT CLUB just announced their debut record, Don't Tell Mom the Babysitter's Beheaded.Landon chats with Chris about growing up in Utah, discovering The Ramones, getting into metal music through Myspace, First Grade Fight Club, and some of his favorite movies - all on the latest episode of Films for the Void!TIME STAMPS00:00:00 Interview w/ Chris Nichols00:34:07 Round Robin Movie DiscussionTWITTER: @films_void$3/MONTH PATREON: patreon.com/films_voidLANDON'S TWITTER @igotdefevermanLANDON'S INSTAGRAM @duhfeverLANDON'S LETTERBOXD @landondefeverERIC'S TWITTER @ericwiththehairERIC'S INSTAGRAM @ericwiththebeardERIC'S LETTERBOXD @ericwiththehairArtwork by Annie CurleTheme Music by Meghan Gove

The conversation discusses the outbreak of pneumonia in the Hells Canyon area of Idaho among bighorn sheep. The host shares his personal experience with a similar outbreak in the past and highlights the severity of the disease. The challenges of managing and translocating infected sheep are also discussed. The conversation emphasizes the inability to slow the spread of the disease and the potential catastrophic impact on the bighorn sheep population. The tri-state area and the response of each state are mentioned, and the hope for a better outcome is expressed. Takeaways Pneumonia caused by Mycoplasma ovipneumoniae (MOV) is a serious threat to bighorn sheep populations. Translocating infected sheep can lead to the spread of the disease and compromise the entire herd. There is currently no effective way to slow the spread of the disease or reduce death among infected sheep. The outbreak in the Hells Canyon area of Idaho could have a catastrophic impact on the bighorn sheep population. The response of each state in the tri-state area will be crucial in monitoring and managing the outbreak.  Pneumonia hits Hells Canyon bighorn sheep, F&G and neighboring states monitoring the effects | Idaho Fish and Game Music from #Uppbeat (free for Creators!): https://uppbeat.io/t/paul-yudin/your-adrenaline License code: QWS1TG5BYTFK2  #bigbuck #biggamehunting #wildlife #bowhunter #archeryhunting #outdoors #huntingthings #muledeer #deerhunter   

In the vast landscape of digital content creation, podcasters are constantly seeking innovative ways to expand their reach and engage with new audiences. One strategy that has gained significant traction is repurposing podcast content into short form videos for platforms like YouTube Shorts, Instagram Reels, and TikTok. While this effort may not immediately increase podcast downloads, there are numerous benefits to this approach that can elevate awareness and take your podcast to new heights.Broader Audience Engagement: Creating short form videos allows you to tap into different demographics and preferences. Some people prefer quick and visually engaging content over longer audio formats, so repurposing your podcast into bite-sized videos can attract a broader audience base.Increased Social Media Visibility: Social media algorithms favor video content, and platforms like YouTube, Instagram, and TikTok actively promote short form videos. By sharing your podcast highlights or interesting snippets on these platforms, you can leverage their algorithms to increase visibility and reach a larger audience.Viral Potential: Consistently publishing short form videos increases the chances of hitting content that resonates with a wider audience and goes viral. A single viral video can bring an influx of attention to your podcast, leading to increased brand recognition and potential listeners.Showcasing Personality and Expertise: Short form videos provide an excellent opportunity to showcase the personality behind the podcast and highlight your expertise on specific topics. This personal touch can create a stronger connection with your audience, making them more likely to explore and subscribe to your podcast for more in-depth content.Cross-Promotion Opportunities: Repurposing content for different platforms opens up opportunities for cross-promotion. You can encourage your podcast audience to follow you on social media for exclusive clips and updates, and vice versa. This interconnected approach helps in building a community around your podcast.MY RESULTSGrowing a podcast's downloads can feel like an uphill battle, given the fierce competition for attention. The power of short form videos lies in their potential to break through the noise. Virality is unpredictable, but by consistently sharing engaging snippets, you increase the likelihood of capturing the attention of a wider audience. Even if not every video goes viral, the cumulative effect can significantly elevate your podcast's overall visibility and attract new listeners.Over 90 days, I've posted a couple dozen short form videos on social media. Please don't laugh at my modest follower counts!In my experience, I've found that views are highly unpredictable. There's no way to predict which video will perform best on each platform. The same video will do well on TikTok and not do anything on IG. The next video will do well on YouTube but not TikTok.Cumulatively, the views add up.TikTok 10,632Instagram Reels 9,712YouTube Shorts. 5,269OPUS CLIP – AI VIDEO CLIPPING TOOLI recently discovered Opus Clip an AI tool that makes creating shorts that saves me a lot of time!Here's how it works.Drop a YouTube link (or Rumble link, Zoom link, Google Drive link, or select a file MP4, MOV, WEBM)It previously took me 30-60 minutes to create 1-3...

Paz, concordia, entendimiento y amor en el mundo. Feliz Navidad. Stillness of the Holy Place Akira Kosemura In the dark woodsWhere life comes and returns Akira Kosemura SEASONSWhite Christmas Chilly Gonzales A very chilly ChristmasMov 7 Floating Points, Pharoah Sanders y London Symphony Orchestra PromisesLulajze Jezuniu (Polish Carol) Metheny y Anna María Jopek Upojenie Christmas George Winston, Meryl StreepThe Velveteen Rabbit Se Amanha Fosse Domingo Camané y Mário Laginha Aquí Está-se SossegadoWhite flowers take their bath MerediElur amá (Madre Nieve) Idoia Asurmendi, Juan Luis Zabala, Joserra SemperenaInverno Franco Battiato Inneres Auge Ao romper da Aurora Céu Um gosto de solAlvorecer Anna Setton Onde mora meu coraçao Pennies from heaven Frank Sinatra Sinatra/Basie Escuchar audio

Experience an enlightening panel interview with the charismatic and versatile actor Tyler Labine. Known for his comedic prowess in shows like "Reaper" and "Tucker and Dale vs Evil," Tyler will delve into his craft, discussing his approach to comedic timing, character development, and the art of improvisation. Get ready to laugh, learn, and gain valuable insights from a talented actor who knows how to bring humor to the screen

Welcome to an all-new Films for the Void, episode #67! In this episode, Charlie Mangan swings in to the Void once again while Eric is on a leave of absence to talk about Sam Weisman's 1997 film GEORGE OF THE JUNGLE, along with a discussion of Matt Johnson's 2013 film THE DIRTIES, in honor of its 10th anniversary - all on the latest episode of Films for the Void!TIME STAMPS00:06:18 The Dirties00:21:50 George of the Jungle01:04:42 Gracie's Pick for the Next EpisodeTWITTER: @films_void$3/MONTH PATREON: patreon.com/films_voidLANDON'S TWITTER @igotdefevermanLANDON'S INSTAGRAM @duhfeverLANDON'S LETTERBOXD @landondefeverERIC'S TWITTER @ericwiththehairERIC'S INSTAGRAM @ericwiththebeardERIC'S LETTERBOXD @ericwiththehair

After an award-winning career as a documentary filmmaker, Mrs. Risa Beer has taught Film Production in the Sullivan Center for Innovation and Leadership since the day it opened in 2013. During the past decade, several of her students have earned local, national and international accolades for their work. She helps ‘Iolani School's young filmmakers develop critical life skills as communicators and collaborators, while guiding them through the process of finding their voices and telling bold stories. Please subscribe to the ‘Iolani School Podcast. Mahalo! LINKS: 2023 ‘Iolani School Happy Holidays video produced by Film Production students 091319.MOV by Kunwoo Kim '21 ‘Iolani School Podcast episode with Mihn Ngo '21  

Today, we're going to talk about some things you really need to get a handle on, and that is the video formats. They are really important on how you distribute video and shoot video and edit video and so forth. So it'll be pretty quick, but you'll learn the differences between movie files and MP4 files, and even Android has some other kind of files. Screw The Commute Podcast Show Notes Episode 812 How To Automate Your Business - https://screwthecommute.com/automatefree/ Internet Marketing Training Center - https://imtcva.org/ Higher Education Webinar – https://screwthecommute.com/webinars See Tom's Stuff – https://linktr.ee/antionandassociates 00:23 Tom's introduction to MOV vs MP4 01:37 MOV files and MP4 files 03:55 MOV files are converted to smaller sized videos 06:17 Sending high quality large digital files 07:47 Using Handbrake software and picking a codec Entrepreneurial Resources Mentioned in This Podcast Higher Education Webinar - https://screwthecommute.com/webinars Screw The Commute - https://screwthecommute.com/ Screw The Commute Podcast App - https://screwthecommute.com/app/ College Ripoff Quiz - https://imtcva.org/quiz Know a young person for our Youth Episode Series? Send an email to Tom! - orders@antion.com Have a Roku box? Find Tom's Public Speaking Channel there! - https://channelstore.roku.com/details/267358/the-public-speaking-channel How To Automate Your Business - https://screwthecommute.com/automatefree/ Internet Marketing Retreat and Joint Venture Program - https://greatinternetmarketingtraining.com/ KickStartCart - http://www.kickstartcart.com/ Copywriting901 - https://copywriting901.com/ Become a Great Podcast Guest - https://screwthecommute.com/greatpodcastguest Training - https://screwthecommute.com/training Disabilities Page - https://imtcva.org/disabilities/ Tom's Patreon Page - https://screwthecommute.com/patreon/ Tom on TikTok - https://tiktok.com/@digitalmultimillionaire/ Which video format should you use - https://www.videomaker.com/how-to/shooting/files-and-formats/mov-vs-mp4-which-video-format-should-you-use Email Tom: Tom@ScrewTheCommute.com Internet Marketing Training Center - https://imtcva.org/ Related Episodes Tom Fox - https://screwthecommute.com/811/ More Entrepreneurial Resources for Home Based Business, Lifestyle Business, Passive Income, Professional Speaking and Online Business I discovered a great new headline / subject line / subheading generator that will actually analyze which headlines and subject lines are best for your market. I negotiated a deal with the developer of this revolutionary and inexpensive software. Oh, and it's good on Mac and PC. Go here: http://jvz1.com/c/41743/183906 The Wordpress Ecourse. Learn how to Make World Class Websites for $20 or less. https://screwthecommute.com/wordpressecourse/ Join our Private Facebook Group! One week trial for only a buck and then $37 a month, or save a ton with one payment of $297 for a year. Click the image to see all the details and sign up or go to https://www.greatinternetmarketing.com/screwthecommute/ After you sign up, check your email for instructions on getting in the group.

For our first episode of Season 4, Rich Liverance and Jerrell Jobe join Rich Ferreira to discuss a very special country: Egypt! Did you know that Egypt is mentioned more than any other place in scripture besides Israel? It's mentioned over 700 times in the OT alone!GTI will be returning to Egypt Feb. 2024 for the Egypt/Jordan Signature Tour following the Footsteps of Moses. This amazing tour will be led by Jerrell Jobe and Rich Liverance! It not only includes the Pyramids of Giza but also the Grand Egyptian Museum* (opening TBD), Valley of the Kings, a Nile River cruise, numerous temples in Luxor (ancient Thebes), as well as additional sites in Jordan such as Petra, Wadi Rum, and Mount Nebo! (*Museum opening TBD).Step into the narrative of the Exodus, and better understand the history, significance and people of the Text! Trip dates are Feb. 28-March 11, 2024. Registration is now open with limited space so don't delay! https://gtitours.org/trip/signature-egypt-2024Boat at Sunsethttps://www.dropbox.com/scl/fi/50rchnaowbmsrlvu6uen5/Boat-at-Sunset.MP4?rlkey=5lbdy9kbp9l1zk2ursb2khwz0&dl=0When in Edfuhttps://www.dropbox.com/scl/fi/ocm526g59hhbttjdb05bh/When-in-Edfu.MOV?rlkey=ppzk3vjrvg5sqemavdq02hcmu&dl=0

Mientras nuestros pasos nos llevan al otoño, en algún lugar del planeta ha llegado la primavera. Lo celebramos con un ramillete de músicas. Lilac Emil Brandqvist (Lilac) Bottomless Siestas Gustaf Ljunggren, Skúli Sverrisson (Floreana) La flor - Mov.1: La Flor Sílvia Pérez Cruz (Toda la vida, un día) juro que vi flores MARO y Sílvia Pérez Cruz (Hortelã) Casida de la Rosa Magalí Datzira Como la Rosa en la Huerta Zaruk —Iris Azquinezer y Rainer Seiferth—(Hagadá) Midnight Rose ELIZA (Midnight Rose) Rose Ludovico Einaudi (Divenire) Florcita de cardón Aca Seca Trío (Aca Seca Trío) De todas las flores Natalia Lafourcade (De todas las flores) Flowers In The Window Travis (The invisble band) Escuchar audio

This week on Mummy Dearest, Zach and Sloane unwrap 2004's bildungsroman-rom-com: Garden State! They discuss the year 2004 where everyone (except Zach) was listening to "The Shins" and wondering if they should match their shirt to their mom's powder room and riding around in quirky side-cars with manic pixie dream girls. What a time to be alive! They duo dive into Richard Gere fake dying on 9/11, the unbearable hotness of Ann Dowd and so much more on this week's episode of Mummy Dearest!Support the show

I recently completed a 6 week transformation class at Mov on Main. The class consisted of 18 semi private workouts, a nutrition plan complete with consultations, and progress checks. I sit down with Nate and Allison and we discuss the philosophy of working out and weight loss and what makes Mov on Main different! Be sure to follow Local 636 everywhere! Instagram: @Local.636 Facebook: @636Local

ChatGPT hallucinations cause turbulence in court, a riot in Wales may have been ignited on social media, and do you think .MOV is a good top-level domain for "a website that moves you"?All this and much much more is discussed in the latest edition of the "Smashing Security" podcast by computer security veterans Graham Cluley and Carole Theriault, joined this week by Mark Stockley.Plus don't miss our featured interview with David Ahn of Centripetal.Warning: This podcast may contain nuts, adult themes, and rude language.Episode links:8 new top-level domains for dads, grads and techies - Google.Tweet by Citizen Lab's John Scott-Railton - Twitter.File Archiver in the browser - mr.d0x.A Lawyer's Filing "Is Replete with Citations to Non-Existent Cases" - Thanks, ChatGPT? - Reason.Ely riot: Live updates as police investigate CCTV showing police van following bike moments before fatal crash - Wales Online.Cardiff riot: Police force refers itself to watchdog as CCTV shows its van following e-bike before fatal crash - Sky News.Two boys killed in Cardiff crash which was followed by riot are named - Sky News.Cardiff riots: social media rumours about crash started unrest, says police commissioner - The Guardian.Black Butterflies - Netflix.Black Butterflies trailer - YouTube.“The End of the World Is Just the Beginning: Mapping the Collapse of Globalization” by Peter Zeihan - Amazon.Science Vs - Gimlet Media Podcast.Smashing Security merchandise (t-shirts, mugs, stickers and stuff)Sponsored by:Bitwarden – Password security you can trust. Bitwarden is an open source password manager trusted by millions of individuals, teams, and organizations worldwide for secure password storage and sharing.Kolide – Kolide ensures that if your device isn't secure it can't access your cloud...