Podcasts about Ronnie Scott

Jamiroquai, en 1996, en a marre d'être cantonné au statut de star de l'underground britannique. Jay Kay se rêve en grand, et vise maintenant plus haut, plus loin. Au funk et l'acid jazz des débuts, s'ajoutent des sonorités dance et des refrains plus accrocheurs. Bingo ! L'album enchaîne les hits à une vitesse impressionnante : “Cosmic Girl”, “Alright”, “High times” et bien sûr “Virtual Insanity” dont les paroles, 25 ans plus tard sont plus que jamais d'actualité. Avec 1 Grammy et 11 millions d'exemplaires écoulés dans le monde, « Travelling Without Moving » est considéré comme l'album de funk le plus vendu de l'histoire, et une influence majeure pour des artistes comme J Dilla, Madlib, Justice, Tyler The Creator et encore Dua Lipa. On vous raconte la story de Jason Luís Cheetham, alias Jay Kay avec Olivia, Gregoire nous emmène en studio au Linford Manor en Angleterre, et Fanny revient sur l'origine du Buffalo man et le clip de “Virtual Insanity” de Jonathan Glazer, une des meilleures vidéos des nineties. Crédits :Générique : Dr Alban "Sing Hallelujah"Titres écoutés dans l'émission : "Virtual Insanity", "Cosmic Girl", "Use the Force", "Everyday", "Alright", "High Times", "Drifting Along", "Didjerama", "Didjital Vibrations", "Travelling Without Moving", "You Are My Love", "Spend a Lifetime", "Do You Know Where You're Coming From?", “When You Gonna Learn?”, “Too Young to Die”, “Space Cowboy”. Steve Wonder “Superstition”,  Idris Muhammad “Could Heaven Ever Be Like This”, Eddie Harris “It's All Right Now”.Extraits : “Karen Kay Show featuring Ronnie Scott (1983, Youtube)”, “Jamiroquai - Music Planet (1999, Arte)”, “Jamiroquai - Too Young to Die (1993, Top Of The Pops)”, “Jamiroquai : Travelling without moving, version 30 secondes (1996, INA)”, “Jamiroquai - Virtual Insanity (Live in Verona) (2002, Youtube)”, “Jamiroquai Virtual Insanity タネ明かし the trick explanation Jonathan Glazer Interview (2005, jpn TV)”LAISSEZ UN MESSAGE APRÈS LE BIP !Vous pouvez nous appeler au 01 89 16 75 31, pour suggérer un album, donner votre avis ou chanter en karaoké avec nous ! Promis, on diffusera les messages au prochain épisode !Et restez connectés : — Instagram : @radio_k7— Bluesky : @radiok7podcast.bsky.social— Facebook : @Radiok7podcastHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

This week, Rob is joined by his longtime friend and brilliant singer songwriter- Curtis Stigers. The pair swap stories about how they met, the performances they've shared, and the famous faces they've encountered along the way. Curtis gives an inside look at life on the road, from Copenhagen to the legendary Ronnie Scott's, sharing stories from his incredible career. He also reveals what to expect from his latest album and even treats us to a special performance. Expect songs, laughter, and plenty of behind-the-scenes stories you won't hear anywhere else!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

How do you land a job in a higher education music institution? And what do they actually look for in a singing teacher? This week, Alexa sits down with Trudy Kerr, Head of Vocals at London College of Contemporary Music (LCCM), to uncover the reality of teaching at this level. From the application process to lesson structures, student challenges, and even salary expectations, Trudy offers an insight to what it takes to make it in higher education.WHAT'S IN THIS PODCAST? 2:57 What qualifications or experiences do I need?6:42 What is the interview process like?8:27 Do I need to teach any particular methodology?9:42 What might I earn?13:45 What common vocal challenges do the singers experience?21:40 A typical scheme of work at LCCM?27:20 How can teachers fulfil both assessment and singer needs?31:59 What to consider when writing singing curriculum34:32 Private Vs institution teaching38:26 Do I have to be a proficient pianist?About the presenter click HERERELEVANT MENTIONS & LINKSArtists: Raye; Laufey; DaydreamersLinda HutchisonJeanie LoVetriDr Trineice Robinson-MartinLCCMColchester InstituteLondon Jazz FestivalLondon Contemporary VoicesLine HiltonABOUT THE GUESTAustralian-born Trudy moved to the UK in the 90s to pursue music. Her big break came when Ronnie Scott heard her and booked her for a week at his club. She has since performed at major UK venues and festivals, including Glastonbury and Buckingham Palace.With 13 albums as a leader, her latest project, Take 5 - The Music of Paul Desmond, celebrates the alto saxophonist's work. She's collaborated with world-class musicians such as Mulgrew Miller, Jan Lundgren, Georgie Fame, Bob Dorough, Jukka Perko, Michael Garrick, Acker Bilk, and Jamie Cullum.Trudy holds a PG Cert in Jazz Studies from Guildhall School of Music and Drama and recently completed an MA in Teaching Musician at Trinity Laban. A senior fellow of the Higher Education Academy, she is Head of Vocals at London College of Contemporary Music, previously teaching at Trinity Laban, Guildhall, and Chichester University.She has presented at the International Jazz Voice Conference in Finland, adjudicated the 2018 UNISA International Jazz Voice Competition in South Africa, co-hosted BBC Southern Counties' Jazz Hour, and co-owns the Jazzizit record label.E: tkerr@ lccm.org.uk.BAST Training helps singers gain the confidence, knowledge, skills & understanding required to be a successful singing teacher. "The course was everything I hoped it would be and so much more. It's an investment with so much return. I would recommend this course to any teacher wanting to up-skill, refresh or start up." Kelly Taylor, NZ ...morebasttraining.com | Subscribe | Email Us | FB Group

Send us your thoughts! Swedish jazz virtuoso Ebba Åsman has announced the forthcoming release of her third full-length record When You Know. The new album arrives March 21st, 2025 via Dorado Records.Coinciding with the announcement of ‘When You Know' of the upcoming album are the joint first singles - the title track ‘When You Know' and ‘No Answer'. The pair of songs channel the feelings that came into clarity for Åsman during her time in the woods: the stresses of not knowing where you're headed, sensing that you're losing grip of the life you've built, drowning in the infinite questions that swirl around in your head – and ultimately, accepting the uncertainty of it all. The latter track has been described as the turning point of the album, where acceptance of the circumstances begin to prevail.Coming off of a Swedish Grammy (GRAMMIS) nomination for her 2023 sophomore album ‘Be Free', live showings at North Sea Jazz Festival and London's Ronnie Scott's and an appointment as one of Yamaha's brand ambassadors, the trombonist, songwriter and producer sought to quiet the noise around her and challenge the jazz genre's rigid rules for her next project. The end result is ‘When You Know'; a smoky and melancholic 10-track cocktail of jazz, alternative R&B, indie, Hip-Hop and ambient sonics that experiments at every turn. On hand to co-produce the record and provide the electronic elements that move ‘When You Know' away from the jazz world and into more avant-garde territory, Ebba collaborated with Berlin-based producer Lucy Liebe. Packing a potent emotional punch into a running time of just 31 minutes, the 10 tracks are a reflection of Ebba herself: direct, driven, precise. Retreating to a cabin outside of her small hometown of Hammarö, 200 miles west of Stockholm, she recorded the album in the dead of winter. With the temperatures outside nearing minus-thirty degrees, Åsman logged off for a month – disconnecting from TV, social media and emails. Embracing with vigour both the deep sense of calm and the challenges that come with the cold but also the stillness and solitude that is yielded being in the wilderness.Though this is Åsman's third studio album, it will be the first time she's singing on record. An important statement and moment of transition for Ebba. Elaborating on this further she said: “If you're singing, you are the closest you can be to your own expression but I wanted to first be respected as an instrumentalist. If you're a woman and you tell people you're a musician, everyone assumes and says “Oh – so you're a singer?”. ‘When You Know' will mark the moment on which Ebba Åsman's exceptional gifts are finally crystallised. At age 7, she began learning trombone and by 15, she won a place to study the instrument at the Södra Latin School in Stockholm. The renowned hot-house for Swedish talent whose alumni include Lykke Li, Yung Lean and the prolific hit songwriter Max Martin. But when she moved to the Netherlands to study at the Rotterdam Conservatory of Music, she began to push against the constraints of formal learning.  Self-identifying as a “jazz rebel”, rather than being preoccupied with the theoretical and mechanical aspects of jazz, Ebba operates from a mode of pure intuition and feeling. At just 26, ‘When You Know' finds Åsman continuing to push the boundaries of jazz through the two distinct sides of her musical self: the notes she conjures from the trombone and now, her voice.Support the show

Jackie Ryan is an extraordinary jazz singer who the JazzTimes Magazine has called “one of the outstanding jazz vocalists of her generation”. She sings in different languages, styles and genres including Blues, Bebop, Bossa Nova, Samba and Bolero. She's played with Clark Terry, John Mayer, Cyrus Chestnut and many others. She's performed at Ronnie Scott's in London, Jazz At Lincoln Center and the Telluride Jazz Festival.My featured song is “The Gift”, my recent single which took my ballad and, through the genius of Michael Abene, was transformed into a Big Band Samba. Spotify link.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here .To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------Connect with Jackie at:www.jackieryanmusic.com—---------------------------------------ROBERT'S SINGLES:“SOSTICE” is Robert's newest single, with a rockin' Old School vibe. Called “Stunning!”, “A Gem!”, “Magnificent!” and “5 Stars!”.Click HERE for all links.—---------------------------------“THE GIFT” is Robert's ballad arranged by Grammy winning arranger Michael Abene and turned into a horn-driven Samba. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.—-------------------------------------“LOU'S BLUES”. Robert's Jazz Fusion “Tone Poem”. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------“THE RICH ONES”. Robert's sublime, atmospheric Jazz Fusion tune. Featuring guest artist Randy Brecker (Blood Sweat & Tears) on flugelhorn. Click HERE for all links.—---------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

Happy New Year! Welcome to the latest episode of Harmonious World, in which I interview musicians about how their music helps make the world more harmonious.This first episode of season 19 features a conversation with saxophonist and composer Emma Rawicz, who I saw twice at the end of 2024 - once with her own band at Kings Place and once at Ronnie Scott's with Laila Biali (who you can also hear on episode 246).It was great to chat with Emma about her experiences as a musician and also about her forthcoming projects, particularly a duo with pianist and composer Gwilym Simcock. More of that to come!Thanks to Emma for giving me permission to play extracts from her 2023 album Chroma alongside our conversation.Get in touch to let me know what you think!Thank you for listening to Harmonious World. Please rate, review and share: click on the link and subscribe to support the show.Don't forget the Quincy Jones quote that sums up why I do this: "Imagine what a harmonious world it would be if every single person, both young and old, shared a little of what he is good at doing."Support the showRead my reviews of albums, gigs and books as well as a little personal stuff on my blogFollow me on instagram.com/hilseabrookFollow me on facebook.com/HilarySeabrookFreelanceWriterFollow me on twitter.com/hilaryrwriter

RLM: AJ (Epi: 37) In this episode, I reflect on the whirlwind of the past three months and share a powerful story of connection and resilience from a chance meeting at Ronnie Scott's Jazz Club in London. Join me as I explore the shared challenges of middle-aged female physicians around the world, the courage it takes to move forward in life, and the importance of finding joy, purpose, and love, even in the midst of change

Academy schools were one of the issues that listeners raised during, and since, Woman's Hour's special programme investigating the SEND system for children with special education needs and disabilities. We hear the voices of two mums who say their children were let down by their Academy schools for allegedly failing to support their children's SEND needs and Anita Rani discusses SEND support in Academies with Leora Cruddas, CEO of the Confederation of School Trusts which represents more than ¾ of all Academies.Choreographer and intimacy director Lucy Hind has worked on major productions including Girl From the North Country, Oliver, My Fair Lady, Secret Life of Bees and more recently Groundhog Day. Her latest project Spend Spend Spend has just opened at the Royal Exchange theatre in Manchester and is the story of the infamous Viv Nicholson who in the 1960's won today's equivalent of a few million pounds and went on to spend it all on very public lavish spending-sprees. Lucy explains to Anita why being an intimacy director is an integral part of being a choreographer.Kim Cypher is a saxophonist, composer, vocalist and a regular performer on the London and UK jazz circuit including sold our performances on the main stage at Ronnie Scott's Jazz Club. She's just launched her third album Catching Moments and Kim and her band join Anita in the Woman's Hour studio.Presenter: Anita Rani Producer: Laura Northedge

In this episode — recorded on the somewhat sombre Wednesday after the U.S. elections — we welcome the wonderful Beverley Glick to our Hammersmith lair and ask her about her New Romantic nom de plume Betty Page. Beverley tells us about her early days on Sounds, where she started out as editor Alan Lewis' secretary, and talks us through her seminal 1980 encounters with Spandau Ballet and Steve Strange. Her subsequent early interview with Duran Duran leads us to clips from David Keeps' 1993 audio interview with the Brummie band's frontman Simon Le Bon. After touching briefly on Depeche Mode, whom Beverley also interviewed very early on, our guest revisits the short-lived Noise! — Sounds' very own attempt at "doing" a Smash Hits — and recounts her subsequent path to the editorship of the rather longer-standing Record Mirror. Memories of mad moments with Happy Mondays (for Vox), and Beverley's eventual graduation to national newspapers, take us to her decision to forsake journalism for a career as a life coach specialising in "leadership communication" — and as the author of this year's In Your Own Words. A few glum thoughts on the political distortion of words such as "freedom" segue into our homage to the brilliant and outrageous Quincy Jones. Mark then quotes from newly-added library pieces about the Who (1965) and Ronnie Scott (1979)... and Jasper wraps up the episode with his thoughts on articles about "Brazilian Prince" Ed Motta (2006) and Tricky's magnificent Maxinquaye (2023). Many thanks to special guest Beverley Glick. For more Beverley, including info on her books and coaching, visit beverleyglick.com. Pieces discussed: Spandau Ballet: The New Romantics — a Manifesto for the Eighties, Visage: Stranger In Town, How I Discovered Duran Duran. Or Did They Discover Me?, Duran Duran's Simon Le Bon audio, Quincy Jones Has a Story About That, The Who, Ronnie Scott: King Of Clubs, The World of Ed Motta and Tricky: Maxinquaye (Reincarnated) (UMR/Island)

Moyet Moment #34 explores the three-show run which Alison played in October 2012 at Ronnie Scott's in London - where she explored the less-examined parts of her back catalogue. A hits-free show!

The Jamaican-born Reece was regarded as one of the foremost trumpeters in the UK in the 1950's before moving to the US later in the decade. Here are sideman appearances in both places - first with the Victor Feldman Orchestra and Ninetet (featuring Jimmy Deuchar, Tubby Hayes, Ronnie Scott, Derek Humble and Phil Seaman) and then with the Duke Jordan Quintet (with Jordan, Stanley Turrentine, Reggie Workman and Art Taylor) --- Support this podcast: https://podcasters.spotify.com/pod/show/john-clark49/support

This week on the podcast is part two of our interview with renowned English cellist Matthew Barley.  He has performed in over 50 countries, and with numerous orchestras including the BBC Philharmonic and the London Sinfonietta, and in venues from Ronnie Scott's to Wigmore Hall. In addition to being a busy performing musician, his varied experiences include founding Between the Notes, a performance and education group that works with musicians and artists in other arts genres; he was a former music director and presenter of the BBC2 Series Classical Star; and he founded the Matthew Barley Arts Foundation to run creative workshops using music and theatre to help university students improve their mental health. Matthew's most recent project is Light Stories, a new program for cello, electronics and visuals which launches this month in London's Southbank Centre.https://matthewbarley.com/

Today we released part one of our interview with renowned English cellist Matthew Barley.  He has performed in over 50 countries, and with numerous orchestras including the BBC Philharmonic and the London Sinfonietta, and in venues from Ronnie Scott's to Wigmore Hall.  In addition to being a busy performing musician, his varied experiences include founding Between the Notes, a performance and education group that works with musicians and artists in other arts genres; he was a former music director and presenter of the BBC2 Series Classical Star; and he founded the Matthew Barley Arts Foundation to run creative workshops using music and theatre to help university students improve their mental health. Matthew's most recent project is Light Stories, a new program for cello, electronics and visuals which launches this month in London's Southbank Centre.We hope you'll join us for Matthew's inspiring journey from a near-death experience as a teen to becoming a world-class performer.  https://matthewbarley.com/

Emile Hinton is a young jazz pianist from Cornwall, England. Last year he won the Tina May Young Jazz musicians award, supported Jean Toussaint and played everywhere from Ronnie Scott's, Soho Pizza Express, Vortex, 606 Club, the Bristol Beacon and beyond. This autumn he will be studying at the Tribeca Jazz Institute in NYC focusing on his craft so I wanted to capture his excitement and explore the music that has led him to this moment in his early career.It's a wonderful conversation covering the Jazz playing of Thelonious Monk, the technicality of Sonny Clark's playing, Emile's upbringing and early memories of James Brown and Malian Blues as well his Hip-Hop high school days. Check this show out if you absolutely love Jazz; you may well learn something from this young cool cat. For more info and tracklisting, visit: https://thefaceradio.com/the-london-hippyTune into new broadcasts of The London Hippy, Thursdays from 2 – 4 PM EST / 7 - 9 PM GMT.//Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

Show #1064 Summer Variety: Spinner's Choice 01. Johnny Mastro & Mama's Boys - Blues For Late Summer (9:24) (Chicken & Waffles, self-release, 2002) 02. Omar & The Howlers - Just Like A Woman (5:30) (SwingLand, Provogue Records, 1998) 03. Ray Bonneville - Ray's Jump (2:22) (Bad Man's Blood, Red House Records, 2011) 04. Red Devils - The Hook (Blackwater Roll) (7:55) (2 Meter Sessies, Live Radio Recordings May 3, 1993) 05. Kennedy, Milteau & Segal - That's Just Stupid (3:58) (CrossBorder Blues, Naïve Records, 2018) 06. Jean-Jacques Milteau (ft. N'Dambi) - The Lonely Knows (5:14) (Blue 3rd, Universal Music, 2003) 07. Mitch Kashmar - Song For My Father (9:28) (Live At Labatt, Delta Groove Records, 2008) 08. Delbert & Glen - Sure Feels Good (4:24) (Blind, Crippled And Crazy, New West, 2013) 09. Julien Kasper - Foot Clappin' (5:19) (Flipping Time, Toulcat Records, 2003) 10. Eric Gales - When You've Got No Place To Go (7:44) (Relentless, Blues Bureau International, 2010) 11. Eden Brent - If I Can't (3:24) (Ain't Got No Troubles, Yellow Dog Records, 2010) 12. Johnny A. - Get Inside (6:21) (Get Inside, Favored Nation, 2004) 13. Jeff Beck - Cause We've Ended As Lovers (5:18) (Performing This Week: Live at Ronnie Scott's, Eagle Records, 2008) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.

Nell Hudson: actor, writer, jazz singer, feminist. You've loved watching her in Outlander, Victoria and Texas Chainsaw Massacre. You've loved listening to her at Ronnie Scott's and on tour with Jools Holland. You've adored her writing in Just For Today. Now you can enjoy her mini seminar on what makes her furious. Nell is truly the voice of her generation, on everything from the pleasure gap to sexual staring, to men pretending they fancy her dog when they actually fancy her. Her points are compellingly articulate and productive. And we want more more more. Learn more about your ad choices. Visit megaphone.fm/adchoices

Pianist and singer from the band Kokomo talks about his early musical experiences in Ireland and how the band Arrival got its start at Ronnie Scott's.

Among the logs tossed on the conversational bonfire this week to combat mid-June's British winter you'll find …… ‘I Managed Van Morrison' and other films screaming to be made. … how it feels to watch someone play from the best seat in the house.… Françoise Hardy, her unsmiling photos and legions of besotted male admirers (ie us and everyone else). … the time she met Dylan and Nick Drake. … Juliette Greco, Edith Piaf and the handful of French stars who made it across the Channel.… the joy of small venues: “the bigger the gig, the smaller a component of the experience the actual performance is”. … Elvis Costello's photographic memory. … Maria Muldaur with Earl Palmer and Amos Garrett. … why Twenty Twelve says more about British life than any other TV show. ... the terrible jokes of Ronnie Scott.… “Kate Bush grew up in a world without sarcasm.” … Siobhan Sharpe, Bertie Wooster, the Artful Dodger, Basil Fawlty, Edina & Patsy and other deathless British fictional stereotypes. … plus birthday guest Paul Thompson and books tracking down people who've played with Dexys and Dylan. And who should be next – Hawkwind, Van Morrison?Find out more about how to help us keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Among the logs tossed on the conversational bonfire this week to combat mid-June's British winter you'll find …… ‘I Managed Van Morrison' and other films screaming to be made. … how it feels to watch someone play from the best seat in the house.… Françoise Hardy, her unsmiling photos and legions of besotted male admirers (ie us and everyone else). … the time she met Dylan and Nick Drake. … Juliette Greco, Edith Piaf and the handful of French stars who made it across the Channel.… the joy of small venues: “the bigger the gig, the smaller a component of the experience the actual performance is”. … Elvis Costello's photographic memory. … Maria Muldaur with Earl Palmer and Amos Garrett. … why Twenty Twelve says more about British life than any other TV show. ... the terrible jokes of Ronnie Scott.… “Kate Bush grew up in a world without sarcasm.” … Siobhan Sharpe, Bertie Wooster, the Artful Dodger, Basil Fawlty, Edina & Patsy and other deathless British fictional stereotypes. … plus birthday guest Paul Thompson and books tracking down people who've played with Dexys and Dylan. And who should be next – Hawkwind, Van Morrison?Find out more about how to help us keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Among the logs tossed on the conversational bonfire this week to combat mid-June's British winter you'll find …… ‘I Managed Van Morrison' and other films screaming to be made. … how it feels to watch someone play from the best seat in the house.… Françoise Hardy, her unsmiling photos and legions of besotted male admirers (ie us and everyone else). … the time she met Dylan and Nick Drake. … Juliette Greco, Edith Piaf and the handful of French stars who made it across the Channel.… the joy of small venues: “the bigger the gig, the smaller a component of the experience the actual performance is”. … Elvis Costello's photographic memory. … Maria Muldaur with Earl Palmer and Amos Garrett. … why Twenty Twelve says more about British life than any other TV show. ... the terrible jokes of Ronnie Scott.… “Kate Bush grew up in a world without sarcasm.” … Siobhan Sharpe, Bertie Wooster, the Artful Dodger, Basil Fawlty, Edina & Patsy and other deathless British fictional stereotypes. … plus birthday guest Paul Thompson and books tracking down people who've played with Dexys and Dylan. And who should be next – Hawkwind, Van Morrison?Find out more about how to help us keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Avec Tom Waits, Jackson Browne, Blondie et T. Rex. Un piano peut être saoul, c'est l'idée de Tom Waits dans "The Piano Has Been Drinkin" en 1976, extrait de l'album "Small Change", inspiré par les performances de l'artiste au Ronnie Scott's Club de Soho, à Londres. Sorti en 2008, "The Drums of War" de Jackson Browne exprime le désespoir face à l'injustice des conflits politique (gouvernement américain, invasion de l'Irak en 2004, contestation). "Bang a Gong (Get It On)" est l'un des morceaux les plus emblématiques de T. Rex, Marc Bolan parle d'une image sexuelle. Blondie a repris ce titre sur scène lors d'un concert au Convention Hall d'Asbury Park dans le New Jersey. --- Du lundi au vendredi, Fanny Gillard et Laurent Rieppi vous dévoilent l'univers rock, au travers de thèmes comme ceux de l'éducation, des rockers en prison, les objets de la culture rock, les groupes familiaux et leurs déboires, et bien d'autres, chaque matin dans Coffee on the Rocks à 6h30 et rediffusion à 13h30 dans Lunch Around The Clock. Merci pour votre écoute Pour écouter Classic 21 à tout moment : www.rtbf.be/classic21 Retrouvez tous les contenus de la RTBF sur notre plateforme Auvio.be Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

This cut off Jeff Beck's second solo effort was produced by the magisterial George Martin, the Beatle's north star. The song was gifted to Jeff by Stevie Wonder, who did so, (according to JB), as an apology for having released the barn-burner Superstition first, after promising to let Jeff have it. He needn't have worried - the plangent tone and human voicing Jeff discovered while creating this track was akin to a 49er striking the motherlode. Fittingly, he dedicated the recording to Roy Buchanan - another guitar master of a similar tonal inclination. It's uncanny - watching Beck's delicate hands on the Live at Ronnie Scott's video: the fluidity that this whammy bar wizard achieves creating the illusion of a cooing human voice, pregnant with longing and passion, takes my breath away. As the bare fingers of his right hand caress the spring loaded whammy bar, sensuously modulating the pitch and vibrato, he makes love to his instrument. It's pure romance.The recent demise of this musical icon came as a shock because he always seemed like Peter Pan, eternally youthful, with his toned, sleeveless arms and bowl haircut - a shredding bad boy. Not just another British Invasion survivor from decades past, but an ever fresh and present musical force. Well, Thanatos, you may have taken his life, but, Death be not proud - his soul will live forever.

Due to the torrential L.A. rains and a total lack of interest, Greg neither attended nor watched the Grammy Awards this year. He was, however, kind enough to cover the show for us this year. (Thanks Greg!)Songs:Jeff Beck - “Stratus (Live at Ronnie Scott's)”Jay brings a rare, feel good, bipartisan news story this week as lawmakers on both sides of the aisle lock arms to keep AM radio alive. With major auto manufacturers ditching the old technology, the right claims censorship of conservative talk radio's favorite little spectrum, while the left wants to put “Unsafe in Emergency” warning labels on the new vehicles. While shared frustration over amplitude modulation has gripped the nation, all is not lost. Turns out, according to Jay, internet radio is actually pretty awesome and we should all be listening to that now instead!Song: The Smile - “Read The Room”Internet Radio Stations:https://www.shadypinesradio.com/https://www.wtmd.org/radio/https://www.wwoz.org/https://walmradio.com/jazz/https://www.laurelcanyonradio.com/https://motherearthradio.de/Finally, Nick reports that UMG has called a time-out on TikTok as millions of videos went silent over the weekend. While the failed license negotiations are meant to generate better pay for the artists, UMG somehow completely botched it on the PR front as stories, such as the viral TikTok from @codyfrymusic, of artists losing revenues dominates the news. Aren't they supposed to be good at PR?Song: Plantoid -“G.Y. Drift”

Número 04.2024 de La Montaña Rusa que abrimos con la música de los neoyorkinos House of Waters, con On Becoming, una de las sorpresas de 2023. Después más sonidos desde la gran manzana, desde un ángulo distinto siempre, con la música de Caroline Davis y su Portals, Vol.1: Mourning, de 2021. Nuestro Clásico de la Semana fue Johnny Griffin, uno de los grandes tenores de la Historia del Jazz, al que escuchamos en este directo inédito en el londinense club Ronnie Scott en 1964 y publicado este pasado 2023. Seguir leyendo La Montaña Rusa 04.2024. House of Waters. Caroline Davis. Johnny Griffin. Mary Halvorson. Yago Vázquez, Pablo Menares, Rodrigo Recabarren. Mike Casey. en La Montaña Rusa Radio Jazz.

Nick And Simon Discuss the short lived but influential London Jazz club "Club Eleven", named after the number of founder members, began life just before Christmas in 1948. It was a co-operative arrangement designed to bring bebop to the attention of the jazz public at large. The musicians involved were Ronnie Scott, Hank Shaw, Leon Calvert, Johnny Rogers, Bernie Fenton, Tommy Pollard, Lennie Bush, Joe Muddel, Tony Crombie and Laurie Morgan plus manager Harry Morris. Johnny Dankworth and Denis Rose were regulars from the start. Some gave up steady work, Scott left Ted Heath, Fenton severed relations with Oscar Rabin, and Rose, Crombie, Muddel and Dankworth came from the now defunct Tito Burns orchestra.This venue with these musicians were the first truly organised bebop sessions in Britain. With the star-studded assembly of musicians, Club Eleven became the focal point for the new jazz and the inspiration to many other young musicians throughout the country.The music was played by the Johnny Dankworth Quartet comprising Dankworth, Bernie Fenton (pno), Joe Muddel (bs), and Laurie Morgan (d) and a band led by Ronnie Scott with Hank Shaw (tpt), Johnny Rogers (alto), Tommy Pollard (pno), Lennie Bush (bs), and Tony Crombie (d). The Dankworth quartet became a quintet when trumpeter Leon Calvert was added. Mac's Rehearsal Rooms, 44, Windmill Street, (where the Moffat Club had been), became the first venue operating on Thursday and Saturday nights. Entry was by descending a wooden staircase to a cramped low ceilinged room with a bandstand at one end. It was dimly lit with with bare light bulbs with a few battered sofas. Only bebop was played - fierce and urgent music! The early months of the Eleven saw the highest peak of enthusiasm in the history of British modern jazz. The jazzmen continued to listen and study as many records of Charlie Parker, Dizzy Gillespie and Miles Davis that they could get hold of. Broadcasts, recordings, and concerts came in quick succession and public acclaim was such as to force a move within a few months to much larger premises at 50, Carnaby Street, satisfying the legions of fans coming from all over the country to the by now famous Club 11. It was now operating six days a week in the evening and was open in the afternoon as a meeting point for musicians. At this point Johnny Dankworth left to form his Seven taking Joe Muddel with him, and Harry Morris also quit.This is our website This is our InstagramThis is our Facebook group

Merry Christmas! Today, let's dive into a celebration of festive joy. In this podcast I share some tips, advice, and the unveiling of the Nice and Naughty list of 2023. On the Nice list, we honour the great musicians we lost this year. These include a diverse range from Tony Bennett, Burt Bacharach, David Crosby, Gordon Lightfoot, and the legendary Jeff Beck. I recall the awe-inspiring performance by Jeff at Ronnie Scott's Jazz Club which left a powerful mark on me when I first embarked on my guitar teaching journey. Also on the Nice list is the incredible Jamie Andreas, the dedicated guitar teachers around the globe, and, of course, you!  However, let's not overlook the Naughty list, where I candidly share a famous name who has earned a spot on my not-so-favourable roster. We'll also delve into the enchanting realm of guitar-playing gifts, exploring both the thoughtful presents and the quirky offerings that our families love to surprise us with. Beyond that, we'll take a glimpse into the future, discussing the exciting prospects awaiting us in 2024. I'll be sharing some cool stuff and insights, urging you to start contemplating and planning ahead for 2024 to ensure it becomes the absolute best year you can imagine! You can get more tips, advice, and a powerful free eBook on the 13 Ways to Escape the Acoustic Asylum from me, Dan Thorpe, by joining the email list here – https://acousticasylum.com/ Like this episode? Your reviews for this podcast mean the world to me, so please let us know what you thought about the Acoustic Asylum!

A conversation with Rega Dauna - harmonica playing virtuoso who performed at the Java Jazz Festival in his home country Indonesia at the age of 13, and has been on the stage at Ronnie Scott's in London with Bluey from Incognito's side project Citrus Sun who were in Japan for live shows at Blue Note Tokyo in July 2023. Dauna talks (in his first ever English interview!) with great energy about why he loves harmonica, and emotionally about how the power of music helped him through a lonely time as a teen.

Nigel Kennedy remains the best selling violinist of all time with a repertoire that spans jazz, classical, rock, klezmer and more. Ahead of his four night residency at Ronnie Scott's in London this week, Nigel Kennedy and cellist Beata Urbanek-Kalinowska join us in the Front Row studio to perform two reworkings of pieces by Ryuichi Sakamoto and the Polish film score composer, Krzysztof Komeda. Author Christine Coulson discusses her novel ‘One Woman Show' written entirely through the medium of art gallery labels – and why we should be looking for longer at the paintings themselves. She's joined by Dr Catherine McCormack, an independent curator and lecturer at Sotheby's Art Institute, who reveals more about how labels have changed over the years and provide valuable context for visitors to galleries and museums. New figures compiled exclusively for Front Row reveal that 65,000 items are currently missing from museums around the world and listed on the Art Loss Register. Carolyn Atkinson goes on the trail of one of those missing artworks, a painting stolen during a brazen art heist in 1989, that has just been returned to a Glasgow museum. Presenter: Tom Sutcliffe Producer: Julian May

Jess Gillam and pianist Karim Kamar share some of their favourite music. Karim has an amazing musical story - after loving playing as a kid but never studying properly, at 25 he decided to quit his job and learn the piano seriously to become a professional musician. He spent years painstakingly learning how to play - and has since released 6 albums and performed at some of the most iconic music venues from Ronnie Scott's to the Royal Albert Hall. He's also a bit of a star on social media with millions of fans who follow his adventures of him playing the many street pianos you find around the country. His music picks are all based around the piano - from the pure romance of Rachmaninov's Second Piano Concerto, to the video game imagination of Ryuichi Sakamoto and the latin funk of Stevie Wonder. Meanwhile Jess finds a new inspiration in Sibelius's Third Symphony, one of her teenage soundtracks in Massive Attack and an uneasy waltz by Shostakovich. Playlist: MILES DAVIS: Nardis [Bill Evans Trio] SHOSTAKOVICH: Jazz Suite no.2 – Waltz no 2 [Royal Concertgebouw Orchestra / Riccardo Chailly (conductor)] RUYICHI SAKAMOTO: Seven Samurai: Ending Theme RACHMANINOV: Piano Concerto no 2 – 2nd mvt Adagio sostenuto [Khatia Buniatishvilli (piano), Czech Philharmonic Orchestra, Paavo Jarvi (conductor)] MASSIVE ATTACK: Hymn of the Big Wheel CHOPIN: Waltz op.64 no.2 in C sharp minor [Arthur Rubinstein (piano)] SIBELIUS: Symphony no.3 – 2nd mvt Andantino [BBC Philharmonic /John Storgards (conductor)] STEVIE WONDER: Another Star

The Groovy Guys are feeling the love, with an anonymous listener reaching out to share a seriously good haul of classic rock records. They've all been busy on the gig front too with a few too many mosh pits, a VIP experience, a jazz legend and... llamas. This is Diggin', Spinnin' Giggin' - our semi-regular round up of new arrivals, heavy rotations and live shows. Diggin': Jimi Hendrix, Black Sabbath, Led Zeppelin, Rush, Deep Purple, The Who, Amanda Marshall, Taylor Swift, Lana Del Ray, Janelle Monae, Metallica, David Bowie, Red Hot Chilli Peppers, JB Patterson, King Gizzard and the Lizard Wizard. Spinnin': Gorillaz, Amanda Marshall, Killer Mike, Lana Del Ray, Taylor Swift, Malevolent, King Gizzard and the Lizard Wizard. Giggin': Ronnie Scott's Jazz Club, Primavera Sound (Kendrick Lamar, Pusha T, St Vincent, Mars Volta), Herbie Hancock, Matt Mays, Amanda Marshall, Billy Bragg, Jason Bonham's Led Zeppelin Experience, JB Patterson, C.O.F.F.I.N., The Chats, Beddy Rays, Knotfest (In Flames, Northlane, Amon Amarth, Trivium, Megadeth, Parkway Drive, Slipknot) SHOW NOTES: 00:00:00 - 00:00:46 Intro 00:00:46 - 00:14:10 Diggin' 00:14:10 - 00:19:18 Spinnin' 00:19:18 - 00:40:45 Giggin' 00:40:45 - 00:44:54 Fan mail and outro About Crate Expectations Crate Expectations is a podcast for vinyl record collectors and music fans - featuring Groovy Guys Tom, Dan, Matt and Chris rambling on about vinyl culture, new and old bands, the music industry, gigs… and bunnies. Contact us: ⁠Email⁠ | ⁠Insta⁠ | ⁠Web⁠⁠ | ⁠LISTEN TO OUR BACK CATALOGUE HERE --- Send in a voice message: https://podcasters.spotify.com/pod/show/crate-expectations/message

Jodie Knight is a songwriter, vocalist and producer from Glasgow, Scotland now based in London. Her music draws influences from artists such as Chelsea Cutler, Ben Howard, and Holly Humberstone - very lyrically driven songs with strong, emotional melodies. In 2018 she opened for Rick Astley on 2 nights of his UK tour, and in 2022 she opened for the Scotland V Argentina game at Murrayfield Stadium (67,000). She has supported Texas in Quaglino's in London, played a sold out Sofar Sounds in The Ministry & performed at the infamous Ronnie Scott's Jazz Bar in 2023. In 2021 she graduated from Sir Paul McCartney's performing arts university LIPA, with a first class honours degree in songwriting & production and since then has used her skills to work with producers and writers from all over the world. “Jodie Knight is an expert at whether it's her own sad girl kind of pop, or whether she's supplying a vocal feature on a huge, huge dance banger. She has proven time and time again how versatile her voice is and I reckon in a couple of years time she's going to be one of BBC Introducing's major new success stories.” - Phoebe & Shereen, BBC Introducing Scotland.

Harvey Brownstone conducts an in-depth interview with Polly Gibbons, Renowned Jazz Singer / Songwriter About Harvey's guest: Today's guest, Polly Gibbons, is an internationally renowned singer from England who's rich, powerful, soulful voice delivers a unique jazz fusion that incorporates her R & B, gospel, jazz, funk and blues influences.    She's been twice-nominated as "Best Jazz Vocalist" by the BBC and Jazz FM, and the London Sunday Times described her jazz vocals as “vintage R&B with shades of Aretha Franklin”.  With her raw, smouldering voice that's full of heat, she conquered the London jazz scene at the age of 17.    And since then, she's become a regular at the legendary jazz club, Ronnie Scott's in London.  She's performed at Royal Albert Hall, opening for George Benson and Gladys Knight, and in 2018 she had a residency at New York's legendary Birdland Jazz Club.  She's performed on tour across the USA, Europe and Asia, from Java Jazz in Indonesia to the Montreal Jazz Festival and the Pittsburgh Jazz Festival.    In 2014, renowned producer George Klabin signed her to his record label, Resonance Records in Los Angeles, where she's recorded 3 highly acclaimed albums: “Many Faces of Love”, “Is it Me?”, and “All I Can Do”.  On June 30, she'll be releasing her 9th studio album entitled, “As It Is”, containing 10 original songs composed by our guest, who not only produced the album – she accompanied herself at the piano, supported by a great team of musicians.  The songs on the album feature heartfelt stories of personal struggle and resilience, with magnificent vocals, always characterized by this brilliant singer's wit and grace.   In describing this woman's voice, we need go no further than Peter Quinn of Jazzwise Magazine, who proclaimed her “a truly exceptional, once-in-a-generation talent, possessing a voice of such sizzling intensity and raw emotion, that you could fry an egg on it.” For more interviews and podcasts go to: https://www.harveybrownstoneinterviews.com/ To see more about Polly Gibbons, go to:https://www.pollygibbons.com/ https://www.facebook.com/pollygmusic/https://twitter.com/PollyGMusichttps://www.instagram.com/PollyGMusic/https://www.youtube.com/@PollyGmusichttps://open.spotify.com/artist/5HHILDuntfU7shOCmCECyF?si=B5GiF9l8TvKUWuLe7ngokA&nd=1https://soundcloud.com/pollygibbonsofficial #PollyGibbons  #harveybrownstoneinterviews

QWS Podcast S2E6 – Episode Description – Ronnie Scott S2E6. Queer Writes Session: Jonathan Butler with Ronnie Scott Queer Writes Session (QWS) Podcast, a Words & Nerds spin off series hosted by Rob aka R.W.R. McDonald, in partnership with Blarney Books & Art in Port Fairy. S2E6: In this episode guest interviewer, Jonathan Butler, chats with author Ronnie Scott, about what makes a novel Queer, his writing process and choices in his latest book, Shirley, as well as a great discussion on writing. And cats! Rob chats with Jo from Blarney Books & Art in Port Fairy who reviews Other Names for Love by Taymour Soomro. Books mentioned and reviews can be found on QUEER WRITES SESSIONS | Blarney Books and Art Resources mentioned and a transcript for this episode's interview is available at QWS Podcast · R.W.R. McDonald https://rwrmcdonald.com/

Terry Reid began performing and touring as a professional at 15 in the UK. As a teenager he opened for The Rolling Stones, Cream and Jethro Tull. He was offered the lead singer spot in Deep Purple from Ritchie Blackmore and introduced Robert Plant to Jimmy Page. He's worked and played with so many people over the years but he's been gigging out with George Kapitanelis and his New Jersey based Cosmic American Derelicts for 15 years. These two have a kinship beyond playing music together (ie a shared love of westerns) and we have a great conversation with them about their new album Bergenfield Blues. Besides diving into some of the blues meets country with a bit of southern rock we liked on Bergenfield Blues, we got to hear some road stories from Terry and George. From playing Madison Square Garden to getting a call from John Lennon to sitting in the studio with George Michael, Terry giddily shares some fond memories from over half a century in the rock world. TerryReid.com - See him at Ronnie Scott's June 20 in London CosmicAmericanDerelicts.com Ugly American Werewolf in London Website Ugly American Werewolf in London Store - Get your Wolf merch! Twitter Instagram YouTube LInkTree www.pantheonpodcasts.com Visit RareVinyl.com and use the NEW code UGLY to save 10%! Learn more about your ad choices. Visit megaphone.fm/adchoices

This London born singer-songwriter with Anglo/Trinidadian roots is a jazz vocalist with oodles of creative expression and New York as her home. Described as ‘very moving', ‘an extraordinary talent' and ‘a true musician', her style of jazz evokes Andalusian Spain, North Africa, the Middle East and Celtic folk. With an earlier successful career as an international features journalist for magazines and newspapers, she evolved to devote herself to music and over the past two decades has firmly established herself amongst glorious jazz excellence to release 5 stand out albums along with a plethora of accolades as London Sunday Times Jazz Record of the Year, Jay Hunter's Best Vocal Disc and NPR Critics Poll. From adding original lyrics to instrumental jazz standards and reimagining classic British rock, her artistry has gone from strength to strength taking her on multiple sold out tours of the philharmonic halls of Russia, the Kennedy Center Millennium Stage, Dizzy's Club Coca Cola and the Blue Note. Alongside London's Ronnie Scott's, Pizza Express and London and Edinburgh Jazz Festivals. To quote Los Angeles-based guitarist, Larry Koonse: “She has great time, beautiful phrasing, gorgeous sound, a respect for silence, an emotional connection to the moment and a wonderful ability to tell a story. She is the ‘real thing' in every way.”

Terry Reid began performing and touring as a professional at 15 in the UK. As a teenager he opened for The Rolling Stones, Cream and Jethro Tull. He was offered the lead singer spot in Deep Purple from Ritchie Blackmore and introduced Robert Plant to Jimmy Page. He's worked and played with so many people over the years but he's been gigging out with George Kapitanelis and his New Jersey based Cosmic American Derelicts for 15 years. These two have a kinship beyond playing music together (ie a shared love of westerns) and we have a great conversation with them about their new album Bergenfield Blues. Besides diving into some of the blues meets country with a bit of southern rock we liked on Bergenfield Blues, we got to hear some road stories from Terry and George. From playing Madison Square Garden to getting a call from John Lennon to sitting in the studio with George Michael, Terry giddily shares some fond memories from over half a century in the rock world. TerryReid.com - See him at Ronnie Scott's June 20 in London CosmicAmericanDerelicts.com Ugly American Werewolf in London Website Ugly American Werewolf in London Store - Get your Wolf merch! Twitter Instagram YouTube LInkTree www.pantheonpodcasts.com Visit RareVinyl.com and use the NEW code UGLY to save 10%! Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode of the Paul Weller Fan Podcast, we hear from Sarah Jane Morris - a singer-songwriter who has been sharing her musical talents with us for over 40 years now.An artist who straddles rock, blues, jazz and soul and is in possession of a stunning four octave vocal range that'll blow your mind.Her connections to Paul Weller date back to the mid-80s, when she was part of The Communards and they joined the Red Wedge Tour. As you'll hear 1986 was an pretty incredible year for her, with the worldwide smash-hit of Don't Leave Me This Way! as well.She released her debut album, Sarah Jane Morris in March 1989, receiving great critical acclaim and selling over 100,000 copies. The second single Me And Mrs Jones attained cult status as the BBC banned it for its lesbian implications.Sixteen solo albums later, pop stardom on the continent, and a diverse set of musical collaborations on record, film and stage, Sarah Jane continues to steer her unorthodox career to greater heights.In the early 1990s, Paul Weller handed her a tune called Leaves Around the Door which she added to her live setlist, including for a performance captured on her Blue Valentine LIVE at Ronnie Scott's album.You may well recognise the song under the name A Year Late which Paul himself recorded and released later on as the b-side to You Do Something To Me)In another lovely Weller connection, in 2021, Sarah Jane recorded a new album called Let The Music Play, with the Italian producer Papik. Both artists chose songs from the 80s and rearranged them with a jazz/bosa/soul vibe. On the album, you'll find a stunning cover of You're The Best Thing by The Style Council along with songs from artists as diverse as Prefab Sprout, Barry White, Todd Rundgren, Simply Red and Everything But The Girl. Hosted on Acast. See acast.com/privacy for more information.

Melbourne/Naarm-based queer author Ronnie Scott has released his sophomore novel 'Shirley,' which he shared at last weekend's Melbourne Writers' Festival.  He spoke to Liz Fouldes about breaking into the Australian publishing industry, finding queer belonging as an air force kid, and telling stories to satisfy readers.   Find Ronnie's work at https://ronniescott.au/ and read 'Shirley' where you get books.   Tune in to 90.7FM or SYN DAB+ in Melbourne/Naarm or Geelong to listen locally. Stream Australia-wide on the SYN website or the Community Radio Plus app. And catch up with Loud + Queer anytime on your preferred podcast platform.More from us: https://linktr.ee/loudandqueersynSee omnystudio.com/listener for privacy information.

Vinte anos atrás, Moysés dos Santos desembarcava em Londres pela primeira vez. Veio se apresentar em turnê de seis meses com uma banda gospel de uma igreja evangélica. O baixista paulista, da Vila Madalena, se encantou pelo que viu e voltou dois anos depois. A ideia era estudar jazz no Conservatório de Birmingham, o que fez por poucos dias, até ser chamado para nova turnê com uma banda diferente, onde chegou até a tocar com um dos professores que abandonou no conservatório. Vivian Oswald, correspondente da RFI em LondresAssim começou a carreira deste músico extrovertido, doce e cheio de amigos, que se radicou no Reino Unido e acabou incorporando um sotaque com entonação bem inglesa, idioma que só foi aprender quando se mudou para o país. Ele garante que a música é uma língua. Talvez essa seja a explicação.Da entrada até a biblioteca do hotel Mandrake's em Londres, onde conversou com a RFI Brasil, puxou assunto com todos pelo caminho. Descobriu até uma brasileira que convidou para assistir à entrevista. Moysés, que hoje toca mais funky jazz, já se apresentou com bandas de famosos e desconhecidos. Tocou em pubs no início da carreira e esteve no palco do Ronnie Scott's, uma das maiores casas de jazz de Londres, onde já se apresentou até Chet Baker e outros gigantes da música.Mas o que impulsionou a sua carreira recentemente e o animou dedicar-se a um álbum seu foi o fato de ser um dos coautores da canção "Brighter Days", que será entoada por um coral de 300 pessoas no programa de concertos que acontecerão em Windsor, no dia seguinte da coroação do rei Charles III. A música foi escolhida pelos organizadores do Palácio de Buckingham.Ela nasceu dos dias sombrios dos arrastados períodos de lockdown a que os britânicos foram submetidos durante a pandemia de coronavírus. Entre um confinamento e outro, Moysés sentou-se com a amiga britânica Emile Sandé e o produtor Olie Green para fazer a composição. A canção saiu em minutos, segundo ele. “Cinco minutos mais tarde, a gente estava com a música. Foi uma coisa muito natural e positiva e a energia estava lá. Foi um dia de trabalho e um dia para editar”, diz.Foi uma sensação de liberdade, antes mesmo de saber quando a pandemia ia acabar, num momento em que ainda não havia vacinas, segundo ele. “O mundo estava meio que virado do outro lado. Tudo o que a gente queria era mostrar uma música com vibes positivas para fazer as pessoas ficarem mais felizes. Essa música é especial para a gente, porque não sabíamos que ia tocar pelas rádios e pelo mundo”."Isso é história"Sobre ver sua música cantada e transmitida ao vivo para milhares de aparelhos de televisão pelo mundo, Moyses não esconde o orgulho: “Isso é história! Não sabia que a música ia ser escolhida por ele, pelo time dele. Um coral de 300 pessoas vai cantar nesse dia e está todo mundo feliz. Não falei com a minha família ainda. Vou ter que falar!”, diz, abrindo um sorriso.Moyses agora se dedica ao seu primeiro álbum, “Under the hat", que deve sair no final do ano. Mais conhecido fora do que no Brasil, ele quer badalar a novidade em casa. Seu projeto será multimídia e terá 16 artistas importantes que conheceu ao longa da carreira. Inclui ainda um livro de fotos dos artistas em gravação e ensaios para a confecção do álbum. As imagens também serão expostas em galerias. Outra novidade é que, quem escutar as canções, terá a possiblidade de silenciar instrumentos ou vozes para ter experiências diferentes com as mesmas músicas."Brighter days” já teve mais 9 milhões de visualizações no Spotify e é a quarta mais tocada por Emeli Sandé, que cantou na abertura dos Jogos Olímpicos de Londres em 2012. Virou tema de anúncio do bombom Ferrero Rocher, na Itália, e, segundo Moyses, já teria sido tocada para a rainha Elizabeth II em uma cerimônia na Abadia de Westminster.Moyses, que já tocou com Janelle Monae, Gregory Porter, Gavin James, The Vamps e Omar Kamaal Williams, agora terá em seu álbum nomes como o do brasileiro Arthur Verocai, Emeli Sandé, Kate Stewart, Joseph Lawrence, Jay Prince, Free Nationals, o premiado trompetista Theo Crocker, Judi Jackson, Lynda Dawn, Hamzaa e Josh Barry. A produção é dele próprio e de Ankit Suri.O músico brasileiro está cheio planos e todos incluem o Brasil, onde não põe os pés há quatro anos. Mas promete que irá assim que terminar o álbum, ao qual se dedica há um ano.

This week on Rockonteurs we chat to Superlungs himself, Terry Reid!Terry is a bit of a legend and has worked with the likes of the Stones, Graham Nash, Ike and Tina Turner and was almost in Led Zeppelin. Those stories and more on this wonderful episode. Terry plays Ronnie Scott's in London in June, so get yourself a ticket.Rockonteurs is produced by Ben Jones for Gimme Sugar Productions Hosted on Acast. See acast.com/privacy for more information.

This week on Rockonteurs we chat to Superlungs himself, Terry Reid!Terry is a bit of a legend and has worked with the likes of the Stones, Graham Nash, Ike and Tina Turner and was almost in Led Zeppelin. Those stories and more on this wonderful episode. Terry plays Ronnie Scott's in London in June, so get yourself a ticket.Rockonteurs is produced by Ben Jones for Gimme Sugar Productions Hosted on Acast. See acast.com/privacy for more information.

This week there's a guest member of the band bringing even more ideas to our recommendation rave! Do remember to send us your recs to our instagram @makingthecutpodcast.Window Film - https://www.brume.co.uk/The Long View - https://blackwells.co.uk/bookshop/product/The-Long-View-by-Richard-Fisher/9781472285218Ben Castle - https://www.bencastle.com/Ronnie Scott's - https://www.ronniescotts.co.uk/La La Land - https://www.imdb.com/title/tt3783958/Daisy Jones and the Six - https://www.imdb.com/title/tt8749198/Damien Rice - https://damienrice.com/Damien Rice and Early Harvin - https://www.youtube.com/watch?v=4Yit1OqUfMg&ab_channel=MichelbergerHotelHouse Of - https://www.houseof.com/Nix & Kix - https://nixandkix.com/Teenagers - https://www.careforthefamily.org.uk/product/teenagers-what-every-parent-has-to-know/101 Things Only Mothers of Teenage Girls Know - https://www.amazon.co.uk/Whats-Wrong-You-mothers-twenties/dp/0008407215History Hits 124 - https://www.instagram.com/historyhits124/Luke - https://www.instagram.com/iam.mrluke/?hl=enAtk Deodorant - www.aktlondon.comNight Agent - https://www.imdb.com/title/tt13918776/ Hosted on Acast. See acast.com/privacy for more information.

The recording quality of some of the live performances that have been recently unearthed, restored, and enhanced is incredible! Two of the best are from The Charles Mingus Lost Album from Ronnie Scott’s, and Dave Brubeck Trio (sans Paul Desmond) Live from Vienna 1967. Other new discoveries I feature in this episode are Chick Corea…Continue reading Episode 222: Great New Historical Albums Part 2

Last November I had the absolute pleasure and privilege to interview my dear friend and vocal powerhouse, Carol Grimes. In this interview we explore her decades spanning career paying particular attention to her broad range of singing styles and genres. The following, which I took from the Ronnie Scott's Jazz Club website in London, gives you a bit more of an inkling of her stature as a singer and the deep respect she commands as a vocalist, especially in the UK music scene.  Enjoy! Carol Grimes is one of the finest singers in British music. Her deeply personal project, 'The Singer's Tale', is an autobiographical show combining theatre, music and a grooving band!  The show weaves its stories, sometimes shady, mad and bad, but with music and song at their heart. Street Busker to Ronnie Scotts, from Notting Hill to Nashville and Memphis to San Francisco from Hackney to Texas and Eastern Europe but always returning to London. This raw, in your face, sublime performer takes you with her on a musical journey through her extraordinary life.   CAROL GRIMES A much-loved performer infusing folk, blues and jazz, came to the notice of the public when she joined the band Delivery in 1969 and recorded one album before departing for a solo career. Her debut solo album, Warm Blood (1974), was recorded with members of Area Code 615 and the Average White Band. She recorded her second album in Memphis, Tennessee, with the Brecker Brothers, Donald "Duck" Dunn, and The Memphis Horns. She founded the band Eyes Wide Open in 1984. Her career expanded into teaching and working in musical theatre. In the 1990s, she worked with the choir The Shout. As you can see below, in Carol's own words, she has been, and continues to be so much more:   “My name is Carol Grimes. I have been singing for my supper since the late 1960s. I began as a young, nervous Busker and fell in love with singing. Over time I became a Singer-Songwriter, Performance Poet, Voice Movement Therapist and Musical Director, founding the Sing for Joy Choirs in London, for people with neurological and other conditions and directed them for many years. I have recorded in the UK, USA, Sweden, The Isle of Jura and Poland. I became angry, seeing injustice, poverty and cruelty all around me and became an activist. The first Musician to step up for Rock against Racism, Sexism, Reclaim the night, singing for the striking Miners, the fire service, the Brunswick Women and refugee centres. In my life, I performed both in the UK and Internationally with my own Music with wonderful musicians and for Contemporary composers such as Orlando Gough, who directed The Shout, a contemporary opera, theatre company touring internationally with them for 12 years. From Japan to South Africa Canada and the USA and beyond, including performing at the Albert Hall in the Proms as a soloist - Blimey! I had my first book ‘The Singers Tale,' published in 2018 and many songs and poems published, recorded and performed over the years. I love writing as much as I love music. For more information, click on my Blog. The Singers Tale https://wordpress.com/posts/carolgrimes.com  also on Amazon Carol Grimes The Singers Tale, where there are some lovely reviews. Thank you.” https://soundcloud.com/user1698211 For full show notes and link to all the music played here go to www.yourfreevoice.com/podcast/episode28  

资深DJ有待介绍爵士乐发展史上各流派和代表人物，深入浅出，雅俗共赏。

Happy Monday! It's a new addition of The Graham Norton Radio Show Podcast with Waitrose!This week:Writing duo Jodi Picoult and Jennifer Finney Boylan join me to chat about their brand new novel ‘Mad Honey'. Legendary singer songwriter Macy Gray discusses her sold out run at London's iconic Jazz club Ronnie Scott's as well as not one, but two new albums, ‘Christmas With You' and ‘The Reset'. And comedy icon Brendan O'Carroll shares all the details of his very first autobiography ‘Call Me Mrs Brown'. Show Chef Martha rustles up a delicious salad and the perfect apple pie! There's a round of Guess The Guest! And Graham and Maria solve your dilemmas in Graham's Guide!Follow @VirginRadioUK for more! Hosted on Acast. See acast.com/privacy for more information.

Chapter One: Wachtel and Superposition 0:00:00 Chapter Two: Azéma and Thaumatropes 0:22:13 Chapter Three: Gatton and Camera Obscura 0:43:48 Chapter Four: Archaeo-optics 2:16:14 Epilogue: Chauvet Cave 3:19:19 "…the shadows of man and beast flickered huge like ancestral ghosts, which since the days of the caves have haunted the corners of fantasy, but which the electric light has killed." -Laurie Lee, As I Walked Out One Midsummer Morning (1969) “[Lewis Mumford, in 1934,] said that film—with its moving camera, its cuts and superimpositions—displays time and motion in a unique way. Additionally, he linked film's display of time and space to what he called ‘the emergent world-view' of the twentieth century.” -Edward Wachtel (1993) Follow along with visuals: 0:00:20 The twitter thread mentioned: https://twitter.com/DilettanteryPod/status/1403914695128457219 0:19:50 An example of the "jumble" typical of plaquettes https://twitter.com/DilettanteryPod/status/1548603870711926784 0:24:40 Azéma showing examples of animation-by-superposition in the wild https://twitter.com/DilettanteryPod/status/1528654029793812480 0:33:32 Recreation of bone disc thaumatrope https://twitter.com/DilettanteryPod/status/1528653193336410112 0:39:25 Liliana Janik's interpretation of thaumotrope involving bear paw https://twitter.com/DilettanteryPod/status/1537167816347947008 0:44:20 Thread on Newgrange, Dowth, and Knowth https://twitter.com/DilettanteryPod/status/1545398294800744450 0:49:10 Roofbox at Newgrange https://imgur.com/a/gYP01tJ 1:00:48 Balnuaran of Clava cairns, studied by Ronnie Scott and Tim Phillips in the 1990s: https://imgur.com/a/Nbn0EsH 1:14:30 Camera obscura explanatory diagram https://cdn.shopify.com/s/files/1/1281/0471/files/BONFOTON_Camera_Obscura_Diagram_W2000_WEB.jpg?v=1617094297 1:54:41 Photographs from Ronnie Scott and Aaron Watson's camera obscura experiments across Britain https://imgur.com/a/aQNnqYX 3:08:21 The Bison Man shadow animation (Spain) https://twitter.com/DilettanteryPod/status/1559349567337820160 3:14:45 Pueblo shadow and light animation (thread) https://twitter.com/DilettanteryPod/status/1559821120118747136 3:26:30 Chauvet cave animated: https://twitter.com/DilettanteryPod/status/1528640107078512641 Rock art threads: Rock art threads: https://old.reddit.com/r/DilettanteryPodcast/comments/y1i1x6/rock_art_threads/ Sources/place to discuss: https://old.reddit.com/r/DilettanteryPodcast/comments/x3bh42/31_prehistoric_animation_and_protocinema_the/?

Michael Mwenso was born in Freetown, Sierra Leone but spent his teenage years hanging out at the legendary jazz club Ronnie Scott's in London where he was exposed to musicians such as Betty Carter, Elvin Jones, Ray Brown and Cedar Walton. In his youth, Mwenso started honing his talents as a trombonist, singer and performer playing in swing bands, reggae and Afrobeat horn sections. Mwenso's talent as a performer caught the attention of many, which subsequently led him to meet James Brown who allotted space for him to sing and dance at his London shows. In 2012, friend and jazz musician Wynton Marsalis brought Mwenso to New York City to serve as curator and programming associate at Jazz at Lincoln Center where he also booked nightly sets at Dizzy's Club Coca-Cola. Over the next few years, Mwenso also booked throughout the institution at large. Through these performances at Dizzy's, Mwenso began to collaborate with a wide variety of Juilliard trained musicians that soon became known as The Shakes. This unique group of global artists presents music that merges entertainment and artistry through African and Afro-American music. In addition, Mwenso continues to break new ground as a cultural ambassador and artist in residence at various universities. Driven by Mwenso's deep ancestral understanding of the African-American music tradition, his role at these Universities is to not only teach numerous classes on Black music but grow the arts scene within their local community while creating more programming focusing on Black artists. Through this work, Mwenso has partnered with Penn State University, Georgia Tech, Miami University, University at Buffalo and Sonoma State University as a guest professor and cultural ambassador of Black music. Michael is a sought-after cultural curator as well as a master at distributing the spiritual nutrition inherent in Black music with Electric Root, the mission-driven company he co-leads with Jono Gasparro. The Caring Economy made it onto FeedSpots Top 30 CSR Podcasts Don't forget to check out my book that inspired this podcast series, The Caring Economy: How to Win With Corporate Social Responsibility (CSR). --- Support this podcast: https://anchor.fm/toby-usnik/support

Singer Stacey Kent says she tends to be attracted to the “feeling of unrest,” and she thinks that her fans like to feel it too. Over the course of a 30 year career that has produced over 20 albums (including  including the Grammy-nominated Breakfast On The Morning Tram), Stacey has mined that feeling again and again in different ways.  Maybe she understands how to express the complicated emotions around identity, romance, displacement and longing because she has lived them so fully herself. Raised in New Jersey, Stacey moved to England for graduate school. Almost immediately she met saxophonist Jim Tomlinson and the two set out together to build a life both personal and professional.  As Stacey describes it, meeting Jim was a major inflection point in her life and it's clear that the relationship between the two is at the center of the story. Eventually, they befriended the Japanese born British novelist Kazuo Ishiguro, which has led to an ongoing creative partnership between Tomlinson and Ishiguro who compose original songs for Stacey's repertoire.  In this conversation, recorded on location at Ronnie Scott's jazz club in London we talk about why she's a fatalist, escaping from New Jersey and from the bounds of category, crossing borders (in many senses), and her latest release Songs From Other Places. The Third Story is made in partnership with WBGO Studios. www.wbgo.org/studios www.third-story.com www.patreon.com/thirdstorypodcast

In this episode we invite Holly George-Warren — beamed in from upstate New York — to tell us about her long and distinguished career as a journalist, author and editor.Holly revisits her North Carolina childhood and early infatuation with pop radio, then talks about her move to New York City in the early '80s, her East Village bands Clambake and Das Furlines, and her long tenure at Rolling Stone Press. Barney, Mark and Jasper ask her about the latest of her many books — her acclaimed 2019 biography of Janis Joplin — and tie this in with two clips from a 1984 audio interview with Peter Albin of Big Brother & the Holding Company, including his account of Joplin's impact on the band in 1966.Conversation turns to the passing of Michael Nesmith, the Monkee who walked away from pop fame to commence life as an eccentric country singer-songwriter. We hear a clip of the lugubrious Texan speaking about the Monkees in 1974, then discuss "America's Beatles" [sic] and Nesmith's own singular musical legacy.Mark and Jasper talk us out with their reflections on new library pieces about John Peel (1969), the Cockettes (1971), Daft Punk (1997) and artist Jean-Michel Basquiat (2000).Many thanks to special guest Holly George-Warren; please visit her website hollygeorgewarren.com for details about her books, including Janis: Her Life and Music.Pieces discussed: Janis Joplin, Peter Albin audio, The Monkees, Michael Nesmith, Mike Nesmith audio, Marc Bölan, John Peel, The Cockettes, Ronnie Scott, The Sex Pistols, The Life and Work of Basquiat and Christmas singles.