Podcast appearances and mentions of casey crescenzo

Hello and welcome to the first Episode of All Things Dear Hunter, a sister podcast to All Things Coheed, join your hosts Blue and Rob as they interview Casey Crescenzo on All Things Dear Hunter, including Antimai, Sunya, and the Osbournes? https://linktr.ee/allthingstdh

Sinfonautas 37 Cambio de siglo, me lo agarras con sigilo Elige reproductor en el siguiente enlace: https://linktr.ee/sinfonautas En esta ocasión la Sinfoprise está piloteada por el Sargento Ingeniero Fafián (German Fafian) y el Doctor Jefe Pajares (Pedro Enrique Esteban). Escuchamos a The Mars Volta, Panic at the Disco, The Receiving End of Sirens, Casey Crescenzo, 30 Seconds to Mars, Circa Survive, My Chemical Romance y El Rostro del Sol. Sinopsis: Seguimos en un planeta de cuyo nombre no nos acordamos donde el Rostro del Sol es eterno. Pensamos en tiempos pasados, cuando lo emocional chocaba con la realidad y gritar era un recurso que desapareció poco a poco. Ahora que nuestra nave está parada sólo nos queda esperar y confiar en salir de aquí. Mientras, se oyen lamentos y risas muy lejos, demasiado. Los Sinfonautas os contamos nuestros recuerdos. A ver si nos sale el nombre del planeta… ¡Importante! Suscríbete pulsando el botón naranja de la página de Ivoox (aquí: https://www.ivoox.com/podcast-sinfonautas_sq_f11317188_1.html ) y no te pierdas ninguno de sus capítulos. Terrícola, sigue nuestro Segundo Año Luz (S.A.L ((de paseo con tus cascos)), los tripulantes de la Sinfoprise nos guían en sus travesías hacia mundos musicales eclécticos, antiguos, raros o nuevos. Etiquetas: #PanicAtTheDisco #TheReceivingEndOfSirens #CaseyCreszenzo #30SecondsToMars #CircaSurvive #MyChemicalRomance #RostroDelSol #GermanFafian #PedroEnriqueEsteban #Sinfonautas #Sinfonautaspodcast

Our FINAL S.S. Neverender 2021 recap episode... for now! Listen to TWO new interviews with Upgrade HipHop who performed with Weerd Science & Casey Crescenzo of The Dear Hunter, all while getting to hear directly from some of the COTF who sailed on the shores of compassion. Thank you to everyone who made this episode happen! Upgrade HipHop Links: https://upgradehiphop.bandcamp.com https://twitter.com/UpgradeHipHop https://www.twitch.tv/upgradehiphop https://www.facebook.com/UpgradeHipHop/ https://www.patreon.com/upgradehiphop Casey Crescenzo/The Dear Hunter Links: https://www.thedearhunter.com https://www.youtube.com/watch?v=KnnDwcOVkHE https://twitter.com/therealtdh https://open.spotify.com/artist/51lE580QM13Anmb3mK2j1e https://www.caveandcanarygoods.com https://www.thedearhuntersummercamp.com

Today we have Casey Crescenzo from The Dear Hunter on the program. He's an incredibly prolific and compelling musician that has spent a majority of his life involved in independent music not only in this band but also with his previous band, The Receiving End of Sirens. We get deep into our mutual appreciation for nu-metal, ambition and his early touring life. A must listen! Visit Rockabilia and use the code PC100WORDS for 15% off of your order. Learn more about your ad-choices at https://news.iheart.com/podcast-advertisers

Casey Crescenzo from The Dear Hunter checks in with what he has been up to during the coronavirus time including some exciting new projects.

On this episode the All Things Coheed team is beginning a brand new limited series - Artist Highlights! We each chose one band on the current SS Neverender lineup to try to force you to love them as much as we do. First up it's all about Rob's pick - The Dear Hunter. Join as as we dive in depth into 6 of our favorite songs...plus a few honorable mentions because do we ever follow our own rules? SHOW NOTES: The alternate artwork Rob mentioned is for Acts 1-3, not 4 and 5 as stated during the episode. We are humans. Note: Triple Crown Records released additional variants for Acts I, II, & III after the recording of the podcast. Listen to all the tracks we covered on this episode on this handy playlist: https://open.spotify.com/playlist/4xvWPvY6buKHxRf99pJGgg?si=bhAfm9ywQ4a-6uqSR4pPUw The Dear Hunter is from Rhode Island and currently features Casey Crescenzo, Nick Crescenzo, Maxwell Tousseau, Nick Sollecito, Robert Parr, and Gavin Castleton.

I interviewed Cellista, a classically trained American cellist, a multimedia artist and composer. She is known for her collaborations with artists across various media, as well self-producing stage poems such as live performances staged in unconventional spaces that incorporate elements of classical music, theater, improvisation and visual art across a range of genres including pop, hip-hop, classical and more. Her latest work, Transfigurations is a multimedia work album and book, co-authored by her father, Dr. Frank Seeburger. A Listener's Guide to Cellista's Transfigurations features essays by Cellista addressing the personal moments of transfiguring experiences in her own life, including events that allowed her to find her artistic voice and finding her way to Transfigurations itself and so much more. Transfiguration and her other earlier albums are available on Bandcamp and on Amazon. Cellista has worked with Grammy-nominated artist Tanya Donnelly, lead vocalist of the alternative rock bands, Belly and Throwing Muses. She also worked with producer John Vanderslice, Troyboi, Don McLean, Casey Crescenzo, Van Dyke Parks and Pam the Funkstress. She recently joined soprano Carla Canales for Hear Her Song, a project that promotes women's voices through the original compositions by female composers. www.cellista.net Cellista released an album

Episode 191 - You requested it and FINALLY here it is!  Casey Crescenzo - the mega talented mastermind behind The Dear Hunter and former frontman of cinematic post-hardcore legends The Receiving End of Sirens joins the show!  The discussion ranges from Casey's super musical upbringing, the demise of TREOS, his only ever music lesson, and Shane's confusion with the "other" band - Deer Hunter. Learn more about your ad choices. Visit megaphone.fm/adchoices

A rebroadcast of one of my favourite ever interviews with Casey from The Dear Hunter.This podcast is primarily about creativity, and over the course of the past twenty episodes I've spoken to some pretty productive people. Casey Crescenzo is probably amongst the most productive. Over the course of ten years The Dear Hunter's oeuvre is as impressive in its scope as it is in its musical diversity, with their album/EP collection ‘The Color Spectrum' comprising 36 songs all on its own. Which is wonderful, because the genre hopping nature of their music is about is staggering as the sheer volume. As you'll find out when you listen to the podcast, Casey is the kind of guy who treats songwriting like a job and it's this approach which many productive artists seem to share in common, whether they're aware of it or not. Except, Casey is a super passionate and insightful guy, and is just so thankful that he gets to do what he does. There's no lengthy story in this week's show notes about how I first got into The Dear Hunter. Instead, all I can offer is rumination on their music – it's deep, it's cinematic, it somehow feels weighty. How people classify progressive rock music is anyone's guess, but to me this just feels like epic rock music, and that's why I'm drawn to it. It's bursting with ideas, it's driven by a strong sense of narrative yet still somehow feels hugely personal. They are, in just about every single way, the exact opposite of the punk rock that I grew up listening to. Except, their sound is more immediate than most prog bands. There's a peppiness to the melodies which means that hooks come thick and fast, and never leave your head. Highlights include: - The connotations of the very term “prog rock” and the diversity of that genre - He tries not to pigeonhole the sound because it can limit the creative scope - The music he grew up on sounds nothing like his band - Casey thinks that perhaps one of the reasons they aren't a huge band is because they aren't in a specific genre - Coming from a creative household and when Casey remembers wanting to be a guitar player/songwriter - When people who consider themselves high art conduct interviews like they're special, I never look at myself like that. I just think, this is a way for me to speak. - Parents being receptive to being a musician, but also being wary because they'd seen the pitfalls of being a career musician - His parents worry more about Casey when he does something different as opposed to worrying about the pressure of the work - “Do the thing that you believe you should do – don't worry about what they're going to think until it's too late” - “The moment when I worry about people think is when an album is finished, mastered and ready to go out” - On the fear of having your art accepted - “As a creative person it should only be self-expression, but that's the scariest thing: if you're doing it only out of self-expression, at some point it goes through a filter and becomes a product…and it's up to whoever buys it to think whatever they want about it.” - Wanting people to take away something from a record that you put into it, and hoping that the opposite doesn't happen - Wanting to give people what they want after letting him do The Dear Hunter for ten years, but it doesn't have any bearing on what he's doing when he's doing it – only after the creation is complete does the hope and fear set in - It's taken a lot of hard work to find an audience for The Dear Hunter - It's good that there are musicians out there that still makes music that makes people think and isn't all about creating hits - Music as a product is okay, but it's a different world from the kind of world bands like The Dear Hunter operate in where people want music that provides them a little bit more - The discipline of creating music and treating it like work comes from his parents - The feeling of euphoria after completing a piece of work is worth any amount t... Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

Casey Crescenzo of The Dear Hunter talks about the history of the band's Act series, the latest album from 2016, Act V and more.

Lead-singer and song writer for "The Dear Hunter," Casey Crescenzo is in the studio and Kevin can't help but fanboy. Watch as Casey discusses his creative process, life musings, and a special Pointless Podcast exclusive. Have a question for Papa Kev? Looking for advice? A suggestion for the show? Send it all over to pointless@attack.media and have all your wildest dreams come true. Visit https://www.zoho.com/ to learn more and create your free account, and tweet @zoho using #thatfirstmoment to share your most inspiring first moment! Follow Casey on Twitter: https://www.twitter.com/caseycrescenzo Follow The Dear Hunter on Twitter: https://www.twitter.com/therealTDH Follow Kevin on Twitter: https://www.twitter.com/Attack @AttackSnap on Snapchat

Casey Crescenzo from The Dear Hunter joins the podcast this week to talk the Singularity, Memories, music, and even head transplants. This week's guest is Casey Crescenzo. Casey is a singer/song writer and is most notably known for his work in bands The Dear Hunter, and The Receiving End of Sirens. In episode 170 Mike and Casey cover a wide variety of interesting topics that range from head transplants to video rotoscoping. So kick back, enjoy yourself, and maybe even learn some stuff.   Where might I learn more about Casey Crescenzo you ask? Here's his Twitter Here's his Wiki And of course Instagram   Listen & Subscribe on iTunes | Stitcher | Google Play | Listen on Stitcher | on Jabber Jaw #mikeherrerahour airs on  @IDOBIradio -Friday and Sunday Nights and Tuesday Days Live on IDOBI Radio   Thanks to this week's sponsors: Merch Arsenal   Online:Website|YouTube|Facebook| Twitter|Instagram SHOW NOTES (read'em, learn'em, love'em) Background, Context & Reference: • Ten years of music [3:30] • Rotoscope  [10:00] • Where's Casey [13:50] • Back to videos [14:15] • A new head [15:45] • Downloading memories [19:30] • Subjective Experience [24:00] • Connecting to the audience [27:45] • Times change so we change [36:45] • Advice from Mike [40:30] • Act 5 What's next [46:00] • How to find Casey [52:00] • MxPx Show Announcement [55:00] Notable People Discussed: • The Dear Hunter • Triple Crown Records • Rotoscoping     Thanks to Sarah Allspaw @SarahAllspaw for producing and helping with the distribution, Jake Gravbrot @walkintothelightphotography for photos, video and co-hosting, the Idobi Radio Team, Jabber Jaw Media, & The Bob and Katie Show for preparing show notes. Special thanks to you the listeners and readers of  this blog. I appreciate you. Thanks for listening. HOW CAN I SUPPORT THE PODCAST? • Tell Your Friends & Share Online! • Subscribe & Review: iTunes Stitcher Google Play • Bookmark & Use the Amazon Banner Ad: Click through to Amazon via Link for all your Amazon purchases. Won't cost you a penny extra on any purchases but will throw some loose commission change from the Amazon coffers our way, which help cover show expenses. Wanna make it even easier to support?  Just bookmark the Amazon banner affiliate url link to your browser toolbar – then every time you click to go to Amazon  you can feel great for supporting what we are doing – Thank you!

Alex Dandino sits down with Casey Crescenzo of The Dear Hunter to discuss the band's Acts 1 - 5. Pre-order ACT V: Hymns with the Devil in Confessional now at http://www.thedearhunter.com

Alex Dandino sits down with Casey Crescenzo of The Dear Hunter to discuss the band's Acts 1 - 5.    Pre-order ACT V: Hymns with the Devil in Confessional now at http://www.thedearhunter.com

This podcast is primarily about creativity, and over the course of the past twenty episodes I've spoken to some pretty productive people. Casey Crescenzo is probably amongst the most productive. Over the course of ten years The Dear Hunter's oeuvre is as impressive in its scope as it is in its musical diversity, with their album/EP collection ‘The Color Spectrum' comprising 36 songs all on its own. Which is wonderful, because the genre hopping nature of their music is about is staggering as the sheer volume. As you'll find out when you listen to the podcast, Casey is the kind of guy who treats songwriting like a job and it's this approach which many productive artists seem to share in common, whether they're aware of it or not. Except, Casey is a super passionate and insightful guy, and is just so thankful that he gets to do what he does. There's no lengthy story in this week's show notes about how I first got into The Dear Hunter. Instead, all I can offer is rumination on their music – it's deep, it's cinematic, it somehow feels weighty. How people classify progressive rock music is anyone's guess, but to me this just feels like epic rock music, and that's why I'm drawn to it. It's bursting with ideas, it's driven by a strong sense of narrative yet still somehow feels hugely personal. They are, in just about every single way, the exact opposite of the punk rock that I grew up listening to. Except, their sound is more immediate than most prog bands. There's a peppiness to the melodies which means that hooks come thick and fast, and never leave your head. Highlights include:The connotations of the very term “prog rock” and the diversity of that genreHe tries not to pigeonhole the sound because it can limit the creative scopeThe music he grew up on sounds nothing like his bandCasey thinks that perhaps one of the reasons they aren't a huge band is because they aren't in a specific genreComing from a creative household and when Casey remembers wanting to be a guitar player/songwriterWhen people who consider themselves high art conduct interviews like they're special, I never look at myself like that. I just think, this is a way for me to speak.Parents being receptive to being a musician, but also being wary because they'd seen the pitfalls of being a career musicianHis parents worry more about Casey when he does something different as opposed to worrying about the pressure of the work“Do the thing that you believe you should do – don't worry about what they're going to think until it's too late”“The moment when I worry about people think is when an album is finished, mastered and ready to go out”On the fear of having your art accepted - “As a creative person it should only be self-expression, but that's the scariest thing: if you're doing it only out of self-expression, at some point it goes through a filter and becomes a product…and it's up to whoever buys it to think whatever they want about it.”Wanting people to take away something from a record that you put into it, and hoping that the opposite doesn't happenWanting to give people what they want after letting him do The Dear Hunter for ten years, but it doesn't have any bearing on what he's doing when he's doing it – only after the creation is complete does the hope and fear set inIt's taken a lot of hard work to find an audience for The Dear HunterIt's good that there are musicians out there that still makes music that makes people think and isn't all about creating hitsMusic as a product is okay, but it's a different world from the kind of world bands like The Dear Hunter operate in where people want music that provides them a little bit moreThe discipline of creating music and treating it like work comes from his parentsThe feeling of euphoria after completing a piece of work is worth any amount time or workWe chat about the graphic novel for Act IHow Kevin Pereira making the orchestra for Act IV happenHow Act IV is like the culmination of every element The Dear Hunter have incorporated into their soundAnd a whole bunch more stuff!Casey is a very open and honest guy, and his passion shines through in this interview. I hope you enjoy it.Featured MusicIntro: Voodoo Puppets – Electric Chair Blues (used under CC licence, you can check it out here). The Dear Hunter - The Old Haunt The Dear Hunter - Wait The Dear Hunter - Ouroboros I make no claim to the copyright of any of the music in this episode.Links'Act IV: Rebirth in Reprise' is available now through Equal Vison Records. You can get it, and the rest of their discography, over here. Please check them out on Facebook and Twitter. Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

I've had the pleasure of knowing Casey Crescenzo for 11 years, back when he was playing in The Receiving End of Sirens. Since then, he's gone on to become one of the most prolific and praiseworthy songwriters in the scene as frontman and brain trust of The Dear Hunter. In addition to releasing four of the band's six-part Acts series, Casey has penned seven EPs worth of material based on the color spectrum, composed a symphony, and much more. To celebrate the release of The Dear Hunter's new album, Act IV: Rebirth in Reprise, I caught up with Casey to chat about hitting creative roadblocks, the uncharacteristic music path he almost took and how someone who can't read music goes about writing a symphony. Thanks for listening! ---------- Casey Crescenzo's Twitter | Instagram The Dear Hunter's Facebook | Twitter Act IV: Rebirth in Reprise on iTunes Voice & Verse Podcast on iTunes | Stitcher | Twitter | Facebook

On Episode 030, I chronicle the making of one of my all-time favorite albums: The Receiving End of Sirens' Between The Heart And The Synapse. Released on April 26, 2005, Between The Heart And The Synapse was TREOS' debut full-length album – and marked the introduction of newcomer Casey Crescenzo, who stepped into the Boston-based group after original singer Ben Potrykus left the band in 2003. Crescenzo's musical versatility – bordering on genius – was immediately felt, and he pushed his new bandmates to greater musical heights along with introducing the electronic elements that made Synapse such a masterpiece. Balancing three guitars, three adept singers, complex time signatures, and cohesive lyrical content is no easy task, but TREOS made these lofty ambitions look effortless. That's why it remains a favorite of mine a decade later – and inspired bands like Cartel and Panic! At The Disco to push their craft to the next level. To celebrate the album's 10th anniversary, I caught up with old friends Brendan Brown (bass/vocals) and Nate Patterson (guitar) to share a lot of laughs, reminisce about writing Synapse, and learn why they loved tormenting former tourmates Panic! At The Disco. I hope you enjoy this very fun chat. Links: Between The Heart And The Synapse on iTunes Voice & Verse Podcast on iTunes | Stitcher | Twitter | Facebook

This week the boys are joined by special guest Casey Crescenzo, front man for The Dear Hunter, who recently recorded his first symphony.  In this interview they cover The Dear Hunter's entire library, his thoughts and writing process.  Then Casey drops the bomb on the question every fan asks, "When are you going to record the rest of the Acts?"  Wait for it... Be sure to go to their webpage, http://thedearhunter.com, for tour dates and all things The Dear Hunter. Order the symphony here: http://merchnow.com/catalogs/casey-crescenzo

This week we talk with Casey Crescenzo of The Dear Hunter about his upcoming four piece symphony project. What's it like to tackle something completely unlike anything he's done before? The in-depth discussion and answers may just inspire you to try it yourself.