Podcast appearances and mentions of John Vanderslice

Episode 146 of the Truth About Vintage Amps: Troubled drummers, bulk Gatorade, more typewriter and Rockford Files talk, and a bunch of amp questions. Reminder: Amplified Parts now has amp kits! Thanks, as always, for being a part of the world's finest call-in tube amp repair show. Want amp tech Skip Simmons' advice on your DIY guitar amp projects? Join us by sending your voice memo or written questions to podcast@fretboardjournal.com! Include a photo, too.  Some of the topics discussed this week:  :43 The Ampeg book (Amazon link), George Barnes and 'Guitars Galore' 3:43 A 1982 black panel Fender Champ 4:43 A Super Reverb that sounds like a dying motorcycle 6:09 Jason goes to Peru, vicuñas, alpacas   10:23 Some TAVA announcements: Sam Plecker has a new album ('So True'); congrats to John Vanderslice; RIP to Michael Hurley; thanks to Tin Can Valley Letterpress printing (link) 14:37 Ep. 150 idea: Skip's amp guru on the podcast?; servicing a hybrid Standel 18:24 Our sponsors: Save $20 off Amplified Parts' new MOD vintage amp kits with the discount code TAVA20! (expires April 30, 2025); Grez Guitars; and Emerald City Guitars  25:40 Recommended pedal: The Catalinbread Topanga reverb pedal (note: Skip said "Tropicana," but it's the Topanga) 27:45 Replies to last week's Rockford Files Baffler; Jim Gordon, 'Drums & Demons' (Amazon link); Hal Blaine's 'Buh-doom!' comedy album (it's on Spotify) and other Hollywood gossip; more Rockford Files (and letterpress!) 35:46 Accidentally injecting positive feedback into a Precision single-ended amp; tools for measuring plate current 40:23 Cleaning motor oil off of tubes and a vintage microphone; Gatorade and Tang; running a Traynor off of a gas generator 47:37 A smoking 1980s Fender Super Champ and fried resistors 52:51 A 6-watt Princeton Reverb / Vibro-Champ clone in a custom beetle-kill pine tree cabinet 59:02 An amp cabinet with sympathetic strings (Reverb link), explained! Vulture Amplification video one and two; Treehaus field coil speakers (link) 1:05:08 Hooking something up: Experimenting with a speaker outside of a cabinet  1:06:29 Servicing an all-original Vibrolux Reverb to sell  1:09:58 Giving the gift of an El Pato Tone practice amp (order yours here); Typewriter Revolution; typewriter ribbons from Baco Ribbon & Supply Co. 1:18:52 Reverse audio taper potentiometers 1:22:37 Come get a free SVT speaker 1:23:13 Sacramento's Delta Breeze record store, redux; not all capacitors are created equal; always use a test speaker; Amplified Parts' Hammond enclosure for short reverb tanks 1:27:22 Recommended reading: Hampton Sides' 'The Wide Wide Sea' (Amazon link)  1:28:51 Homework: Check out the Maestro GA-2RT schematic Hosted by amp tech Skip Simmons and co-hosted/produced by Jason Verlinde of the Fretboard Journal.  Don't forget, we have a Patreon page. Support the show, get behind-the-scenes updates and get to the front of the line with your questions. 

I feel like I just had a quarter-life crisis. I can't be having a midlife crisis already. At least Scandanavian synthesizers are cheaper than Alfa Romeos, although not by as much as you might think.Soundtrack"deep sea leaks" by Google Earth, James Riotto, and John Vanderslice, Street View (2024)"White Plains" bu John Vanderslice, Cellar Door (2004)"Scorpio Rising" by John Vanderslice and the Mountain Goats, Moon Colony Bloodbath (2009)"green grid" by Google Earth, James Riotto, and John Vanderslice, Street View (2024)"How the West Was Won by John Vanderslice, Dagger Beach (2013)

Get Snoop to rap over this album and call it "Diamond Doggs." Also get him to have a fake conversation with David Bowie like he did with Jim Morrison on that cover of Riders on the Storm. Covers by: Beck, Gilby Clarke, Lindsay Katt, John Vanderslice, Ten Jinn Tidal playlist here

In this episode of Working Class Audio, Matt welcomes back the Pellicci Brothers, Jay and Ian, who appeared originally on WCA #054. They have worked with Deerhoof, John Vanderslice, Sleater-Kinney, and the Magnetic Fields.They currently run Brothers (Chinese) Recording in the Bay Area. In This Episode, We Discuss: Challenges in Naming Unintentional Uniformity Studio History Literal Creativity Creative Decision Making Not Planning Studio Projects Burlap Links and Show Notes: Brothers (Chinese) Recording WCA #057 with The Pellicci Brothers Matt's Rant: Identity Credits: Guest: The Pellicci Brothers Host/Engineer/Producer: Matt Boudreau WCA Theme Music: Cliff Truesdell The Voice: Chuck Smith

There is a long list of accolades for indie legend, producer, engineer, songwriter and musician John Vanderslice. In addition to being the owner of Oakland recording studio Tiny Telephone, he has released sixteen full length albums, five remix albums and EPs and worked with artists such Spoon, St. Vincent, Deerhoof, the Mountain Goats, and Grandaddy. His new project, Google Earth, is a collaboration with James Riotto and their debut album, Street View, leans heavily into the electronic realm. Geoff Stanfield caught up with John to discuss his career, this new release and more. Enjoy!

Hunger Strike https://files.fireside.fm/file/fireside-uploads/images/c/c7e7a43b-5714-4470-a244-6aa82c1dceff/FSgzrBbI.jpg YEEEEEEEEAH What we're listening to: Matthew: THEM, Girls Mind (https://songwhip.com/them3/girls-mind) The Raveonettes, The Raveonettes Sing... (https://songwhip.com/the-raveonettes/the-raveonettes-sing) The Mountain Goats and John Vanderslice, Moon Colony Bloodbath (https://songwhip.com/the-mountain-goats/moon-colony-bloodbath) Jake: The Dip, Love Direction (https://songwhip.com/the-dip/lovedirection) Parlor Greens, In Green We Dream (https://songwhip.com/parlorgreens/ingreenwedream) Fleet Foxes, Live on Boston Harbor (https://songwhip.com/fleet-foxes/live-on-boston-harbor)

Podcast #701 shares the good stuff from The Clash, The Hollywood Stars, Bobby Mahoney, The Dahlmanns, John Vanderslice, The Mountain Goats, Marcel Wave, & Tim Barry.

Here's another song-concept idea from Patrick. This one focuses on songs written about movies, which differs from soundtracks. You'll hear John Vanderslice singing about a David Lynch film and Neil Young watching a Jim Jarmusch flick.  Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart, Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Threads, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, covered by Frank Muffin. Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.

⁠⁠Join our PATREON for bonus episodes.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ This week we have songwriter/producer/vibe poet John Vanderslice on to discuss the cult masterpiece Steve McQueen by Prefab Sprout. We also dig into: switching hands, Dan pods topless, traveling less, TrueAnon, Keep the Dream Alive, the office brain, the Vanderslice band lineage, the other MK Ultra, it's good to be pushed out, the crazy first solo show, John Darnielle, the coroners gambit kinda changed my life, The Prayers and Tears of Arthur Digby Sellers, Pixel Revolt, the demands of being on a band, the cost of being an ophthalmologist, the genius of Evan Weiss, Dolby worked on it, a product of its time, the remaster sounds bad, Vanderslice gives an offer Andrew can't refuse, and honestly a million more things. ________ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Order our Gatekeep Harder shirt here!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ // Follow us at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@danbassini⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@mysprocalledlife⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, @johnvanderslice ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@runintotheground⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.

John Vanderslice has transformed from indie rock analog purist to electronic experimentalist during his more than 20-year music career. He spoke with Jasmine Albertson about the making of his 2000 debut album, 'Mass Suicide Occult Figurines,' as well as his most recent album, 'CRYSTALS 3.0.' They spoke last year about the jarring differences between the two records, as well as the massive changes in the music industry landscape since the turn of the millennium.Support the show: https://www.kexp.org/sound/See omnystudio.com/listener for privacy information.

We attended the X3 Porn Expo in Los Angeles thanks to our guest Zoë Ligon, author of 'Carnal Knowledge: Sex Education You Didn't Get In School', founder of the Spectrum Boutique sex shop and Onlyfans content creator. We discuss her experience running a booth at the event, creating for onlyfans, and running a sex toy shop. Plus Julian gets bullied for writing poetry. For access to the full episode (+ all miniseries + all premium QAA episodes) go to http://patreon.com/qaa and subscribe for just $5 a month. Zoë Ligon's Links: https://linktr.ee/zoeligon/ Liv Agar: https://linktr.ee/livagar Theme by Nick Sena, additional music by John Vanderslice. Editing by Corey Clotz.

On the show this time, it's the detail driven divinations of The Mountain Goats. The Mountain Goats are a definitive independent band. John Darnielle has been releasing music under that name since 1991. He started out taping straight onto cassette, with a boombox, and over the years has returned to that medium - lo-fi for sure, but oddly high in emotional fidelity. He's also worked with engineers - in particular with Tiny Telephone's John Vanderslice, and is now equally comfortable with full-studio productions. The band has changed over the years too, but at the moment is a wonderfully cohesive group - Peter Hughes on bass, Matt Douglas on sax/keys and 2nd guitar, and rockin' Jon Wurster on drums. His latest is “Jenny From Thebes” - his 22nd full length album, and it's available on Merge Records. Recorded 08/08/2023. Make You Suffer The Slow Parts on Death Metal Albums Clean Slate Hostages Watch the full Live on KEXP session on YouTube.Support the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

On the show this time, it's the detail driven divinations of The Mountain Goats. The Mountain Goats are a definitive independent band. John Darnielle has been releasing music under that name since 1991. He started out taping straight onto cassette, with a boombox, and over the years has returned to that medium - lo-fi for sure, but oddly high in emotional fidelity. He's also worked with engineers - in particular with Tiny Telephone's John Vanderslice, and is now equally comfortable with full-studio productions. The band has changed over the years too, but at the moment is a wonderfully cohesive group - Peter Hughes on bass, Matt Douglas on sax/keys and 2nd guitar, and rockin' Jon Wurster on drums. His latest is “Jenny From Thebes” - his 22nd full length album, and it's available on Merge Records. Recorded 08/08/2023. Make You Suffer The Slow Parts on Death Metal Albums Clean Slate Hostages Watch the full Live on KEXP session on YouTube.Support the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

** Note to the Amp Purists: There is virtually NO amp talk on this episode. If that's what you're seeking, stay tuned for TAVA episode 123, out tomorrow, where we'll have two hours of deep amp knowledge with special guest Larry Chung. Everyone else: Enjoy a very special TAVA featuring Skip's son, Will!** What's it like to have amp tech Skip Simmons as your dad? We find out on the 122nd episode of the Truth About Vintage Amps featuring special guest Will Simmons! Will shares tales of growing up alongside a bunch of amps; Skip's parenting style; Will's love for art; and his his current work as an art critic. Also discussed: Drawbridge tales; photographer Laurie Simmons (Wikipedia link); Lena Dunham's Tiny Furniture (Wikipedia link); Wynton Marsalis' "Blood on the Fields" (YouTube link); Brice Martin; Lo Moon (link); "Are You Awake?" by Lauren Mayberry (YouTube link); Wood Belly (link); Dean & Britta; Lady Gaga vs. Lana Del Rey; and so much more. All-told, it's a very sweet father & son (& podcast cohost) chat. Plus: Jason learns about diet pills! Amp related topics: 1:19:27 Soursound transformers 1:20:09 Are there any classic Fender amps that Skip hates? 1:21:51 Congratulations, John Vanderslice! 1:22:34 MTI Tubes effects unit, redux 1:26:55 A Peavey Mace 2x12, what are matched tubes?    1:32:31 Recommended: Replica tweed cabinets by Armadillo    As always, keep the amplifier questions and voice memos coming to podcast@fretboardjournal.com and thanks to everyone who listens to our show. If you love it, leave us a five-star review over on Apple Podcasts. Join our Facebook group, 'A Rustic Kegger in the Woods': https://www.facebook.com/groups/164889374531738 Join the TAVA Patreon Page: https://www.patreon.com/vintageamps Our sponsors are Emerald City Guitars, Amplified Parts, and Grez Guitars. Recorded October 6, 2023. Hosted by amp tech Skip Simmons and co-hosted/produced by Jason Verlinde of the Fretboard Journal. 

We have longtime indie musicmaker John Vanderslice on the podcast as we cover off on the everchanging style of music, basketball fandom etiquette, and we even take a stab at a basketball Immaculate Grid. He also puts his twist on Build-a-Band by ranking his top 3 NBA players with musical talent.   ---- Merch available now at http://www.indiebasketball.com Season 2 of Half Court Sessions is here: https://youtu.be/Uv9RSZB1Iz8 Support Indie Basketball on Patreon! http://www.patreon.com/indiebasketball Join the conversation on Discord: https://discord.gg/HJaDNwxSbe Instagram | YouTube | TikTok Theme music courtesy of Empty Heaven. Outro courtesy of Mother Evergreen.

It's the 117th episode of the Truth About Vintage Amps podcast, where legendary amp tech Skip Simmons fields your questions on guitar amps and their repair!  Want to be a part of the show? Keep the amp questions for Skip coming to podcast@fretboardjournal.com! Voice memos or emails are welcome. And don't forget we now have a Patreon. This week's sponsors: Emerald City Guitars, Stringjoy Strings (use the code FRETBOARD to save off your first string order), Amplified Parts, and Grez Guitars.  This week's topics: 1:18 Jason goes to NYC (and Montana) 4:43 Special thanks: Listener Doug, QSL cards, Micah 9:18 Skip's movie, music and book picks of the week: 'Little Miss Sunshine,' an Arhoolie Records box set (link), "A Hero's Death" by Fontaines D.C., "Cleanin' Out My Closet" by Eminem; 'Fire in Sierra Nevada Forests' by George E. Gruell 16:34 The amps Skip has seen the most often and why 21:51 When to NOT just service it first, should I gut this Stromberg Carlson AU-42? Daniel Romano; Premier Amps 29:45 Can I actually use the AC outlet on the back of my vintage Fender? 32:43 Extending the leads on a Mojotone Tweed Princeton kit, what are turret boards made of? 38:08 Do I need to replace all the resistors on my 1953 Gibson GA-20? 42:52 Coupling cap orientation, redux 44:30 Sourcing a parts kit for vintage amp servicing 51:17 John Vanderslice visits Skip, Gibson resistors again 54:02 Using the vintage speakers found in the walls of my midcentury modern home's intercom system 59:06 Hope for the Fender Musicmaster bass amp, GSS Speaker Repair Services in Los Angeles 1:05:50 Plate voltage versus screen voltage on a power tube; @thevalvinist on Instagram; a Hohner / Sano combo amp for sale; the 2023 Fretboard Summit (link) 1:14:14 Modding the tone control on a Silvertone 1482, using a tip ring sleeve jack to bypass a cap 1:22:40 Fat Tire Amber beer Hosted by amp tech Skip Simmons and co-hosted/produced by Jason Verlinde of the Fretboard Journal.  Support us on Patreon.com for added content and the occasional surprise and don't forget to get a subscription to the Fretboard Journal (link). Digital subscriptions start at just $30. Submit your amp questions, recipes, and life hacks to podcast@fretboardjournal.com and don't forget to share the show with friends on social media.

This is an alternate edit to take into account our life and times. It's the story of getting harassed on the internet. This, of course, never happens anymore. I recorded, wrote, edited, scored, etc. Some music is a gift of John Vanderslice. Here is his Patreon.Also, I now have books on Amazon.The Frontier Psychiatrists is a remarkable media brand. Music, narrative journalism, and enough absurdity to shake a stick at. Subscribe. Everyone you know will respect you more. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit thefrontierpsychiatrists.substack.com/subscribe

John Vanderslice has been one of the most dynamic and interesting indie rock artists for decades, and a world class producer for artists like Spoon, Death Cab for Cutie, The Mountain Goats and more. With his new album Crystals 3.0, he abandons the guitar in favor of pure electronic texture. In this episode of Hotline, Vanderslice answers your questions from the 1-877-WASTOIDS answering machine, sharing tips and tricks for managing vibes in a recording studio, his favorite places to eat, and how visiting Japan expanded his mind. Vanderslice's studio was recently looted—check out this fund to cover some losses.Call us anytime at 1-877-WASTOIDS. More podcasts and videos at WASTOIDS.com | Follow us on Instagram and YouTube.

Rain welcomes John Vanderslice to LaunchLeft today.  John launches Spacemoth, and together we discuss how getting away from the handbook and taking risks can make a lasting piece of art. John doesn’t hold back on his views of creativity, production, artists' treatment, and more. Spacemoth joins in to discuss recording studios and her music. Stay tuned to the end to hear Spacemoth’s vibey track ‘UFO Bird’.  -----------------  LAUNCHLEFT OFFICIAL WEBSITEhttps://www.launchleft.com  LAUNCHLEFT PATREON https://www.patreon.com/LaunchLeft  TWITTER https://twitter.com/LaunchLeft  INSTAGRAM https://www.instagram.com/launchleft/  FACEBOOK https://www.facebook.com/LaunchLeft  --------------------- LaunchLeft Podcast hosted by Rain Phoenix is an intentional space for Art and Activism where famed creatives launch new artists. LaunchLeft is an alliance of left-of-center artists, a curated ecosystem that includes a podcast, label and NFT gallery. --------------------- IN THIS EPISODE: [01:08]John discusses his journey through what, how and why he writes his music.  [07:28] What two artists inspired John to step out of his comfort zone.  [10:27] John’s examples of ‘whatever it takes to get by’.  [11:55] John talks about his collection of instruments.  [13:57] What would John do if he ever stopped making music?  [17:31] What non-attachment means to John and how grieving informs an artist.  [20:29] How John spends his time in and out of the studio and his views of this creative art.  [27:51] Spacemoth talks about finding Tiny Telephone and the different vibes in studios.  [36:40] Listen to Spacemoth’s song “UFO Bird” from the album, No Past No Future.   KEY TAKEAWAYS:  Artists must always find something inspiring. They are constantly looking for gems in music and others. Sometimes when “accidents” happen in the studio, they can result in fantastic music. Collaboration in music is the key to making lasting records while the artists have fun and find joy in making them.   BIOGRAPHY:  The Reintroduction of John Vanderslice by Grayson Haver Currin Nearly 20 years ago, or just after the start of this century, John Vanderslice made some of his generation’s most masterful singer-songwriter records. Life and Death of an American Four-Tracker, Cellar Door, Pixel Revolt: Every year or so, he’d release another set of engrossing songs set expertly on edge, vulnerable excavations animated by a new dawn of endless-war unrest. Those albums sounded like little else, each blown-out drum line or warped calliope melody or sun-baked synthesizer layer a testament to Vanderslice’s laborious process and tireless ingenuity. (There were rumors, possibly true, he once cut 500 hours of tape for a single album.) This dovetailed, of course, with his emergence as a keen analog revivalist and the proprietor of one of the best studios in the country, San Francisco’s Tiny Telephone. But on a sunny winter day in his gently sloped Los Angeles backyard, feet from the little green cabin where he now makes music, Vanderslice beams as he disavows all of it. “I went from this scrappy dude who wanted to own a studio to someone able to record in a big room with a full orchestra, like fucking Frank Sinatra, the end result of an obsession with songwriting,” he says of his maximalist apogee, 2011’s White Wilderness, brushing hair so blonde it sometimes seems white from his suddenly trenched brow. “I should have wrapped it up right there—no more tape, no more reel-to-reel, no more linear format. Let’s blow it up. It took me a long time to learn how.” Let’s round it, in fact, to a dozen years: Crystals 3.0—the culmination of a span of ecstatic experimentation with harsh noise and hard drugs, curious samples and cascading sequencers—is both a new pinnacle for Vanderslice and the manifestation of a revelatory outlook. A seamless 19-minute sequence of melodies so memorable they belong in an ice cream truck, static bursts so meticulous they belong on a Merzbow tribute and beats so spring-loaded they belong on a trap record, Crystals 3.0 applies the unencumbered enthusiasm of vintage Vanderslice records to his ideas about breaking old molds, about avoiding easy interpretation. “Songwriting is inherently conservative, and I just don’t have the mindset to write something like ‘Exodus Damage’ again,” Vanderslice, now 55, says, grinning broadly in his contagious way. “I want to make music that poses more questions than it answers.” The essential elements here are nothing unprecedented for Vanderslice. He was, after all, the sample guy in his acclaimed band of ’90s weirdos, MK Ultra, and his approach to crosshatching rhythms and hooks in playful patterns betrayed a love of hip-hop and electronica at least since 2004’s Cellar Door. During pandemic lockdowns, though, a budding fascination led him to embrace those elements unabashedly—drugs, from acid and coke to mushrooms and MDMA. After years as the songwriter who didn’t drink on tour for fear of how it might impact his craft, the spoils of a libertine Los Angeles became distinct tools, allowing him to tunnel into his creativity in distinct ways. He would build electronic trances on ecstasy or up the mushrooms on recording days, looking for unimagined connections. During 2022, Vanderslice would often sit in his backyard studio in some pleasant psychedelic state and work while a film—maybe something by the Maysles Brothers or Frederick Wiseman—played in the background. If something caught his ear, he’d often weave it into the music, using the distortion inherent in those decades-old documentaries to counter the rigidly clean tones of digital instruments. No context, just the serendipity of overlapping moments. Those samples populate Crystals 3.0 like reawakened ghosts, maybe guests of honor at one of the drug parties Vanderslice throws in the backyard with his partner, Maria. The whole dense little record feels like a distilled fête, its 13 overlapping tracks functioning as fragments from conversations and encounters. Bits of singing that might have fit on Pixel Revolt about sequences that Chicks on Speed would have loved; celebrations of jungle drums run into sunken-keyboard miasmas, like an old friend pulling you aside to deliver some bad news. Vanderslice spent a year building, sorting, and stitching together these pieces; despite the brevity, you may spend just as long trying to unpack every layer, and decode every secret. It is no mystery that the music Vanderslice made at the start of this century is no longer in supreme vogue, not a source of major cachet. He’s not only OK with that but also invigorated by it, the way it permits him to pursue whatever excites him. When he talks about music, he hopscotches between modern rappers and classical composers, abrasive producers and Charles Mingus, beaming as he goes. He gloats about one day dying broke, about creating with no master plan except what’s right in front of him. “You have to move on to more challenging silos,” he says, “or you’re just going to be a boring fucking artist.” Named for a novel method of synthesizing pure LSD, Crystals 3.0 overflows with youthful vim, the sense that to settle into an old pattern is to be dead already. If you have previously loved John Vanderslice, you will hear him here instantly, whether it’s that familiar warble during “Crystals 26” or the way he cavorts with hooks. If you’ve never known him, you will instead instantly hear a mind on post-modern fire, trying, like always, to make sense of our modern mess. This side of John Vanderslice’s sound hid in plain sight for two decades on records that remain essential because of those very interests; it has never sounded more full, dauntless, or thrilling than on Crystals 3.0.   RESOURCE LINKS Podcast - LaunchLeft John Vanderslice - Website John Vanderslice - Twitter John Vanderslice - Facebook John Vanderslice - Instagram John Vanderslice - Bandcamp - Website John Vanderslice - Wikipedia Spacemoth - Website Spacemoth - Bandcamp - Website Spacemoth - Instagram Spacemoth - Twitter Spacemoth - YouTube

Lords: * John * Quil Topics: * Taking advantage of a rare opportunity to play a Legend of Zelda game before every aspect of it is documented on the internet * RCA's implementation of color television is one of the most impressive engineering feats of the 20th century * The guy next to me on BART talked to me the entire ride home from GDC. He made me play the phone game he was addicted to and compared my performance to the coworker he was also making play the game. He got a call from his wife and introduced me to her. He told me he was in prison for 30 years for murder. His step son is a pitbull breeder and he complained about how few free pitbulls he was getting. He smelled weed on the train and put on a loud voice to announce "I'm a cop, put your vape pen away." My stop was also his stop, so the monologue didn't let up when I got off the train. I finally escaped when he was distracted by girl scout cookies. * http://blueridgejournal.com/poems/rl-fall.htm * Are dumplings universal? It seems like every civilization has at some point invented their version of 'carbs around a protein' food Microtopics: * The best part of the show. * The Great Lakes Pigeon Rescue. * How best to keep a pigeon. * Hiding in the discord * Solving problems in interesting ways. * A very interesting idea that just barely pays off. * Playing a new game all weekend for the first time in your life. * A game that is too spiky to be solved by one person. * A matchmaking service that puts you on a forum with fifty people who are each starting a Dark Souls game for the first time. * Accidentally playing geez Fez with your sister. * A riddle about risk management. * Not being able to throw away radioactive waste because you don't want to waste food. * Deciding which cookie to put in your mouth * Finding the password to someone's laptop in a video game by googling their information in real life. * Digital vs. Analog circuitry. * Piggybacking the color signal on top of the black and white signal. * Quadrature amplitude modulation. * Racing the Beam. * Being banished from the kingdom for partly understanding how television works. * Inventing two televisions so you can run one backwards. * Extroverts who when meeting an introvert, think to themselves "it's my job to bridge the gap" * Escaping when someone is distracted by Girl Scout Cookies. * Encountering the ARG that you made for yourself and then forgot about. * Not getting as many free pitbulls as you thought. * Getting off the train early to get away from the person who won't stop talking to you and he's like "oh ok I'll get off here too." * Your wife who hates when you impersonate a cop. * The episode of Train Hot Dog which was just Jim reading a stack trace for twenty minutes. * Trying to figure out what web site you can browse on your phone to get the person sitting next to you to stand up. * Jim's preferred San Francisco residents. * The orange bland ambassadorial face of the moon. * Wild spiders crying together. * What to do when the air raid sirens go off. * Moving to a new place where they don't have monthly nuclear accident drills. * John Vanderslice. * The Human Missile Crisis. * Showing fear for humanity before it's cool. * Poetry that is not meant to be read aloud. * Stripping the formatting out of e e cummings's poetry. * A poem that skips around on the page like Chutes and Ladders. * Topic Troves. * Carbs around a protein food. * A rooster named Pierogi. * Whether dumplings have to be slimy. * Putting the pudding in a protein. * A particleboard meat. * A McRib that's been injected with custard. * Sweet and savory things placed inside a carb. * What civilizations have never invented the dumpling. * How to get from agriculture to the Hot Pocket. * The singular of funfetti. * How to get into the Topic Lords discord. * Topic Lords the Phone Game. * Cheap Bots Toot Sweet.

It's a big ol' music show and then some! Tom welcomes back JOHN VANDERSLICE to the studio to talk about his upcoming East Coast Living Room Tour and perform a live set of music! Plus, the amazing BIG JOANIE also play live and chat with Tom about their upcoming U.S. tour! Don't miss this one! SUPPORT THE BEST SHOW ON PATREON! WEEKLY BONUS EPISODES & VIDEO EPISODES! https://www.patreon.com/TheBestShow WATCH THE BEST SHOW LIVE EVERY TUESDAY NIGHT 6PM PT ON TWITCH https://www.twitch.tv/bestshow4life FOLLOW THE BEST SHOW: https://twitter.com/bestshow4life https://instagram.com/bestshow4life https://tiktok.com/@bestshow4life https://www.youtube.com/bestshow4life THE BEST SHOW IS A FOREVER DOG PODCAST https://thebestshow.net https://foreverdogpodcasts.com/podcasts/the-best-show Learn more about your ad choices. Visit megaphone.fm/adchoices

We check back in with John Vanderslice, the subject of our limited series Keep the Dream Alive (soundcloud.com/trueanonpod/sets/keep-the-dream-alive), a year after its release. We chat about scraping by in the music industry, the Bay Area scene, and John's new record. Check out John's upcoming tour dates on his instagram: instagram.com/johnvanderslice/ The final performance of TrueAnon's Year of the Smile will be on April 15 in Austin, TX: prekindle.com/event/53167-trueanon-austin

This week we have TrueAnon producer and musician Yung Chomsky on to talk about Neutral Milk Hotel's landmark album In The Aeroplane Over The Sea. We discuss getting things done even when it's cold out, mixing business with pleasure, podcast quality, Full Sail University, Formative Wawas, school plays, Koding With Klossy, teaching guitar, Ol' Slow Hands, making electronic music out of necessity, working within restrictions, the Year of the Smile, composing a live set, MC Shaq Diesel, the expression of dance, Tiny Telephone Studios, keeping the dream alive, John Vanderslice, Survival Research Laboratories, meme bands, flesh licking ladies, "ethnic" music, and awful fandoms. // Follow us at @danbassini, @mysprocalledlife, @trueanonpod, @yungchomsky, and @runintotheground. Check out TrueAnon on Patreon here and tour dates and tickets here! Listen to our RITG Mixtape Vol. 12 Best of 2022 here and our Best of RITG playlist here.

Part One: The Early Years of Chuck Dederich, a history of rehabs and Alcoholics Anonymous, acid tests at UCLA, and the birth of Synanon. Additional voices by: Mark Ames, Michael S. Judge, Ben Howard, John Vanderslice, and Matt Christman.

To hear the full episode, subscribe at patreon.com/TrueAnonPod ---------- Part Three: Encounter group casualties suffer from input overload, Chuck Dederich experiments beyond The Game, the birth of CEDU, the rise of Her Majesty's Imperial Marines, and the 21st century legacy of Project MKUltra. Featuring: Joe Apollonio as JAKE Francesca D'Uva as JANE Chris Gabriel as THE SYNANIST Mercedes Kilmer as SAMMY Eric Rahill as MARK Peter Smith as TAYLOR Additional voices by: Julian Feeld, Will Menaker, John Vanderslice, Michael S. Judge, and Ben Howard.

Part One: The Early Years of Chuck Dederich, a history of rehabs and Alcoholics Anonymous, acid tests at UCLA, and the birth of Synanon. Additional voices by: Mark Ames, Michael S. Judge, Ben Howard, John Vanderslice, and Matt Christman.

BEST SHOW 24 rolls onward! SUDAN ARCHIVES makes a special visit to the studio and chats with Tom! R.E.M's PETER BUCK calls in as surprise guest #1! JON DALY and JAKE FOGELNEST keep the laugh train rolling in the studio! Plus, the next amazing music performance from the one and only JOHN VANDERSLICE!

One of our funnier guests in some time, John Vanderslice is an indie musician, producer, and captain of the infamous Tiny Telephone studios in San Francisco. We chat with him from his home in Los Angeles about the gilded failures of fashion's biggest night, Kim K only ate tomatoes for 16 days but didn't eat on the carpet, why John escaped the Bay Area, covid fucking LA restaurants up, buying drugs on the Silk Road, Bitcoin is the new hundred dollar bill, ceremonial drug usage, edging doesn't have to end in the bedroom, going sober on tour, working at Chez Panisse in the 90s, we spitball how covid started, doing fat caterpillar lines of cocaine, which countries to avoid when touring in Europe, all the ways John relates himself to a rat, and we end with a handful of his favorite low-level schemes, scams, and slights of hand. Outro Song: MK Ultra - The Dream Is Over (1999) instagram.com/johnvanderslice twitter.com/donetodeath twitter.com/themjeans --- Support this podcast: https://anchor.fm/howlonggone/support

Why Not Both is an exploration of how our multiple passions shape our identity, hosted by musician and therapist Pam Shaffer and produced by writer and photographer Laura Studarus. For our fifth season, we partnered up with Under The Radar to explore the lives of musicians, writers, actors, and creatives. John Vanderslice is really onto something that we should focus on the important things in life, like being in love, petting our cats, and spending time with our friends. We chatted with the duality between creativity and ambition as well as personal versus societal responsibility when it comes to how we navigate our increasingly chaotic world. As he put it, "maybe we need to simplify and wise up as external notches aren't going to do it" when it comes to how we play the game of life. Thanks again for listening! We appreciate your support and would love to hang out with you on the internet. Join our community on Patreon Come chill on Insta Chat with us Twitter --- Support this podcast: https://anchor.fm/why-not-both/support

Welcome to the fifth and final chapter of TrueAnon Presents: Keep the Dream Alive. In this episode: facing the inevitable; the sacred and the profane; falling in love with LA; opening in Oakland; embracing digital; on the road again. Interviews with Merrill Garbus, John Congleton, and Tabor Allen. Featured tracks: "cracked pass words" by John Vanderslice, "If" by The Dodos, "Coast to Coast" by Tune-Yards.

In this episode: the calendar gets full; sticking with tape; working with big bands; musical conservatism; owning the means of production; women in recording; love on tour. Interviews with: Daniel Handler, Beau Sorenson, and Maryam Qudus. Featured tracks: "Holy Roller" by Thao and the Get Down Stay Down, "Trance Manual" by John Vanderslice, and "Buck and Judy" by Deerhoof.

In this episode: capitalism makes you crazy; numbers shrinking; relationships spiraling; losing family; giving up on touring; the beginning of the end. Interviews with James Riotto, Samantha Crain, and Danielle Goldsmith. Featured tracks: "Fangless" by Sleater-KInney, "Paint" by Samantha Crain, and "Harlequin Press" by John Vanderslice.

To hear the full episode, subscribe at patreon.com/TrueAnonPod ---------- Welcome to the fifth and final chapter of TrueAnon Presents: Keep the Dream Alive. In this episode: facing the inevitable; the sacred and the profane; falling in love with LA; opening in Oakland; embracing digital; on the road again. Interviews with Merrill Garbus, John Congleton, and Tabor Allen. Featured tracks: "cracked pass words" by John Vanderslice, "If" by The Dodos, "Coast to Coast" by Tune-Yards.

To hear the full episode, subscribe at patreon.com/TrueAnonPod ---------- In this episode: capitalism makes you crazy; numbers shrinking; relationships spiraling; losing family; giving up on touring; the beginning of the end. Interviews with James Riotto, Samantha Crain, and Danielle Goldsmith. Featured tracks: "Fangless" by Sleater-KInney, "Paint" by Samantha Crain, and "Harlequin Press" by John Vanderslice.

To hear the full episode, subscribe at patreon.com/TrueAnonPod ---------- In this episode: the calendar gets full; sticking with tape; working with big bands; musical conservatism; owning the means of production; women in recording; love on tour. Interviews with: Daniel Handler, Beau Sorenson, and Maryam Qudus. Featured tracks: "Holy Roller" by Thao and the Get Down Stay Down, "Trance Manual" by John Vanderslice, and "Buck and Judy" by Deerhoof.

Chokes, scalloped potatoes, Monoprice amps, phase inverters, and more! It's the 88th episode of the Truth About Vintage Amps.  This week's episode is sponsored by Jupiter Condenser Co., Amplified Parts and Grez Guitars. You can also use the discount code FRET10 to save 10% off your Izotope purchase and, if you head over to BED|STÜ shoes and use the discount code FRETXBS, you'll save 20% off your BED|STÜ order and help support the FJ. Support us on Patreon.com for added content and the occasional surprise.  Some of the topics discussed this week: 2:31 Before you start charging people to fix amps... 5:57 RIP listener Bill Eldred; happy birthday, Clayton 7:04 John Vanderslice's new podcast, 'Keep the Dream Alive' 9:09 Skip's music recommendation: Brave Combo 10:24 economycandy.com for all your vintage candy needs 12:02 Live taping of the TAVA's 100th episode at the 2022 Fretboard Summit? (Chicago, August 25-27) 13:22 Skip sounds like Jerry Garcia, redux; Jerry Garcia Funny Story (YouTube link); what to do with a busted Monoprice Stage Right 15-watt, 12" combo? 20:35 How did Fender circuits get named? El Pato red enchilada sauce (in the big can) 24:36 Tweed Deluxe vs. Ampeg M-12, redux; replacement reverb tank for a Gibson Falcons (4FB3D1B) 27:02 Chokes: What are they, why and more? henrys; scalloped potatoes 34:34 A Cromwell lap steel and matching amp; pre-servicing an amp to clean out pests, etc. before you send it to a tech; more scalloped potatoes; Aleene's Tacky Glue 39:34 Recovering old cloth-covered wire; Otis Amps on the Sonic Artifacts Podcast 43:18 Boutique builders: Vintage 47 amps (link); Swart amps; Dr. Z; BC amps (link) 46:53 Kalamazoo Reverb 12 revisited; 5E3 vs. 6G3 (Deluxe) schematics 50:01 Phase inverters in the 6G3, 5E3 and Ampeg M-12 amps 51:02 A typewriter baffler from listener Bob K. 54:25 Phase issues with different sized speakers?; using a 9v battery to test the phase of a speaker; Nashville Amp Works 58:49 The Beginner's Corner for Tone Geeks, by Marty from the Oregon Coast; Sarno Music Solutions Earth Drive pedal (link); Neil Young's 'Live Rust'; non-alcoholic hoppy water 1:11:30 The Ampro combo amp revisited 1:15:33 Recommended reading: the Ampeg book, the Gibson amp book 1:16:54 The TAVA Angela Super Single Ended amp group build... happening soon (we hope)! 1:18:27 Simple recipes: Cast Iron Roast Chicken (link), Herb Salad (link); an Ampeg flip-top B-15 with replaced coupling capacitors; Cornell Dubilier capacitors, mylar versus polyester; Johnnie Taylor "It's Your Thing" 1:33:52 Recommended sources for good resistors and caps for new builds; Skip still has a TEAC a7010 reel-to-reel tape deck available 1:40:32 A circuit for weirdos: Epiphone EA-70 with tube compression 1:41:10 Recommended reading: Trustee from the Tool Room The Truth About Vintage Amps is hosted by amp tech Skip Simmons. Co-hosted and produced by the Fretboard Journal's Jason Verlinde. Email or send us a voice memo to: podcast@fretboardjournal.com or leave us a voicemail or text at 509-557-0848. And don't forget to share the show with friends. 

In this episode: scamming hotels; when touring gets tough; thin profit margins; the brutal real estate market; signing to a label. Interviews with: Ben Gibbard, Joel Hamilton, and Laura Dean. Featured tracks: "The New Year" by Death Cab for Cutie, "It Ends With a Fall" by Okkervil River, and "You Were My Fiji" by John Vanderslice.

We talk with venerated musician John Vanderslice (instagram.com/johnvanderslice) and our own Yung Chomsky about the life of a working musician, the transformation of San Francisco, and the making of our upcoming podcast series Keep the Dream Alive.

On today's episode, I talk to musician John Vanderslice. Raised in rural North Florida, Vanderslice was forced into piano lessons as a young child, and eventually picked up the guitar and started writing songs as a teen. After moving to San Francisco in 1989, John made three records as a part of the experimental band MK Ultra, including the critically-acclaimed The Dream is Over. His obsession with recording craft persisted: while working as a waiter at Chez Panisse in 1997, he opened Tiny Telephone Recording as an affordable outlet for the Bay Area's indie rock community. Between 2000 and 2014, John released 10 records on Barsuk, Dead Oceans, and Secretly Canadian, and collaborated as a producer and musician on records by Spoon, the Mountain Goats, Okkervil River, Death Cab for Cutie and Tune-Yards. Taking a break from his own recording, he became a full-time producer for a number of years, and in 2018, John decided to leap back into his solo career with full force, releasing a number of albums and EPs, the latest of which is a tribute to Dave Berman entitled "John, i can't believe civilization is still going here in 2021! Congratulations to all of us, Love, DCB" This is the website for Beginnings, subscribe on Apple Podcasts, follow me on Twitter.

On this episode, Jake discusses John Vanderslice's 2011 album "White Wilderness", which is his entry for the "Albums Of One" theme.  Chaz listens to it as well at the gentle behest of Jake, and wants to discuss it as well, but is so busy ravaging the indie legend John Vanderslice with John Mayer and Jack Johnson comparisons that he disappears up his own butt in a spectacular display of poor referentialism.   But at least he likes the album alot, on this episode of Louder Than Sound.

Producer and musician John Vanderslice returns to the Truth About Vintage Amps Podcast with Skip Simmons.  This week's episode is sponsored by Jupiter Condenser Co., Amplified Parts and Grez Guitars.  Special podcast offers: Use the discount code TAVA to get free domestic shipping through October 31, 2021 on any speaker at jupiter-speakers.com. Use the discount code TAVA10 to get 10% off all orders at  amplifiedparts.com through November 13, 2021. Some of the topics discussed this week: 8:40 Special guest: Musician/producer John Vanderslice returns! dEATh bUg, CRYSTALS; running Tiny Telephone studio during COVID, getting double-vaxxed, staying motivated, tape vs. digital recordings, Forssell converters, the four-track pre-amp used by Mk.Gee on Dijon's new song (YouTube link), Ritchie Blackmore uses an AKAI tape deck, Gibson Falcons, Peter Jensen's Magnovox speakers, Schoeps CMC and MK4 microphones, Neve 31102, Shure 565, Bogen RP2 mic-pre, Stromberg-Carlson AV38, Yamaha NS-10s as mics, Frank Sinatra, Vanderslice's Spotify Playlists (link) 1:06:43 Recommended Reading: They Might Be Giants' BOOK (order link), "I Broke My Own Rule" (YouTube link); Warren Ellis' 'Nina Simone's Gum' (Amazon link) 1:11:38 How to interview prospective amp techs 1:19:32 Making a copy of a Magnatone 210 with a jack socket on either side of the vibrato circuit; Kewpie Japanese mayonnaise 1:21:56 The Fender Champ 12's speaker-driven reverb (revisited), peppers in a cast iron pan 1:27:42 Bridging a Fender tube amp 1:30:46 Optimizing a Stromberg-Carlson AU-42 for guitar; 'Look Me in the Eye' by (Amazon link), old olive orchards 1:38:49 Fixing goop'd amps (Joe Bonamassa's Instagram link) 1:42:24 Eric Daw (Fret Files Podcast, luthier, Gibson handle MacGyver) 1:43:56 Blown Marshall output transformer (JCM800 2303) 1:46:09 Outboard reverb and trem units: Weber's ReVibe and TorVibe 1:47:47 Jumpered Marshall amps and La Costena & El Pato Frijoles (email us for the recipe) 1:52:08 Steve Dawson (Music Makes & Soul Shakers); a 1953 Fender Deluxe (5B3) with a sweet spot at 4; troubleshooting a dud Deluxe clone 1:58:57 Ohsawa organic tamari; availalbe: An SVT bass amp in Oroville, California, a single-ended Knight PA head at Skip's, and a Vox Cambridge Reverb Co-hosted by the Fretboard Journal's Jason Verlinde. Email or send us a voice memo to: podcast@fretboardjournal.com or leave us a voicemail or text at 509-557-0848. And don't forget to share the show with friends. 

This week on Chasing Artists with XENJA, we chat with musician, composer, and performance artist Cellista about her new multi-media operetta Pariah. Guest Bio Cellista is a Los Angeles-based performance artist. Her critically acclaimed stage poems (narrative multimedia works) juxtapose seemingly disparate elements. The works are acts of resistance art. Employing a politically concerned, observant, and revealing voice, the pieces investigate the ruptures of daily life. Cellista posits that creating art is a radical act. An act that illuminates fragmentations, and allows the community -- as witnesses -- to attend to collective wounds, and to transfigure them. Her most recent work, Pariah, is an operatic fairytale with semi-autobiographical overtones. It explores issues of othering and exile within our communities. Cellista explains "I placed myself within Pariahto reflect on (not represent) my own experience as an artist. Pariahha's allowed me to examine my own feelings of loneliness and othering. Through Pariah, I am confronting myself." Pariah features collaborations from notable soprano Carla Canales and composer Mazz Swift, and is accompanied by a book co-written with philosopher Dr. Frank Seeburger, and a dance film written and directed by Cellista. Cellista's penchant for performing music in unconventional spaces, and her devotion to collaborating with artists across media, and genres, disrupts the world of the classical performing arts. She defies standard categorization, her sound brims with a dissident voice informed by her classical foundation and her desire to tear that very foundation apart. Fresh off her 2021 Lincoln Center debut, Cellista is a sought after collaborator. She has worked with Grammy-nominated artist Tanya Donelly, producer John Vanderslice, Troyboi, Don McLean, Casey Crescenzo (The Dear Hunter), Van Dyke Parks, Tony! Toni! Toné! and Pam the Funkstress. Her compositions and performances have been heard on film and TV including PBS; and she has appeared as an extra on the TV shows Better Things and Will & Grace playing her cello. Her interdisciplinary exhibit The End of Time premiered alongside renowned visual artist Barron Storey's solo exhibit Quartet at Anno Domini art gallery in downtown San Jose with her chamber music collective the Juxtapositions Chamber Ensemble. The dual exhibition, created in tribute to French composer Olivier Messiaen's seminal chamber work The Quartet for the End of Time, received critical acclaim. She is an elected chapter governor of the Recording Academy and a former San Jose arts commissioner. She received a masters in business from the Berklee College of Music in 2020. She is the founding artistic director of House of Cellista in Longmont, Colorado; a microcenter for the arts which advocates and offers subsidized housing to working artists. Cellista was born in Colorado, on February 21, 1983. She plays a Luis & Clarke carbon fibre cello, and an 1885 Czech cello named Chordelia. Links to Guest cellista.net wikipedia.org/wiki/Cellista facebook.com/cellista.music instagram.com/xcellistax twitter.com/xcellistax medium.com/@xcellistax Links to XENJA @iamxenja www.xenja.org www.xenja.bandcamp.com Produced by XENJA Music by XENJA Audio Editing by High Noon Audio

Toward the middle of the 1990s, the shift away from loud grunge, post-hardcore, and punk resulted in a wide variety of more introspective sounds. Some bands were tagged with emo, some with slowcore, others with simply indie rock. From Death Cab for Cutie and John Vanderslice to Elliott Smith and Iron & Wine, the late 90s and early aughts were full bands turning down both the volume and tempo. San Diego's Pinback, comprised of veteran scene musicians Rob Crow and Armistead Burwell Smith IV, utilize a wide variety of instruments and approaches on their self-titled debut from 1999. A simple drum preset can carry an entire song, mixing a variety of analog keyboard and guitar sounds, while occasionally introducing samples, guitar-mimicking vinyl scratching, or vocal loops. It's a melancholy but charming debut that presents many interesting ideas that sometimes lack a second or third gear to make them truly inspired.   Songs in this Episode: Intro - Hurley 17:34 - Tripoli 20:20 - Rousseau 25:33 - Crutch Outro - Lyon   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

Toward the middle of the 1990s, the shift away from loud grunge, post-hardcore, and punk resulted in a wide variety of more introspective sounds. Some bands were tagged with emo, some with slowcore, others with simply indie rock. From Death Cab for Cutie and John Vanderslice to Elliott Smith and Iron & Wine, the late 90s and early aughts were full bands turning down both the volume and tempo. San Diego's Pinback, comprised of veteran scene musicians Rob Crow and Armistead Burwell Smith IV, utilize a wide variety of instruments and approaches on their self-titled debut from 1999. A simple drum preset can carry an entire song, mixing a variety of analog keyboard and guitar sounds, while occasionally introducing samples, guitar-mimicking vinyl scratching, or vocal loops. It's a melancholy but charming debut that presents many interesting ideas that sometimes lack a second or third gear to make them truly inspired.   Songs in this Episode: Intro - Hurley 17:34 - Tripoli 20:20 - Rousseau 25:33 - Crutch Outro - Lyon   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

Podcast #571 plays bingo and records by Yum Yums, Boyracer, The Laughing Chimes, Guadalcanal Diary, Quicksand, Militarie Gun, Nonagon, & John Vanderslice.

Episode 25 of the HELL FUCKIN' YEAH! Podcast with Mike Gruttola. Interview with the prolific Indie Singer-Songwriter John Vanderslice. We discuss his career, personal life, drug use and Whole Foods.

While we work on the next season of remotely possible, we hope you enjoy our first mini series, never before released, self disclosure! Stories of health professionals facing their own mental health, and coming out the other side. Please visit our website at www.asksphere.co And www.Brooklynminds.com. musical contributions by the remarkable John Vanderslice. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/RemotelyPossible/message

In this episode I chat with Scott Solter about artistic insecurity and what it means to get in your own way; we also talk about the benefits of being mean, and what he calls "bringing the pathology" to a musical career.Solter is known primarily as a recording engineer, producer, and mixer who has worked with super-talents like St. Vincent, John Vanderslice, Spoon, The Mountain Goats, Maps and Atlases, Superchunk, Bombadil, and Fred Frith. An artist himself, Solter is a member of the ambient group, Boxharp, and has also released two solo albums, The Brief Light and One River. He has also released a number of album remixes of original albums by John Vanderslice, Pattern is Movement and others. Image used by permission of the artist.

Jane Friedman and Manjula Martin founded Scratch Magazine, a born-digital publication that tells writers what they're worth and how the publishing industry sausage-making factory actually works. Jane has an extensive background as an editor, and may be best known for her decade at Writer's Digest. Manjula is a freelance writer, whose work has appeared widely in places like Modern Farmer, San Francisco Weekly, and our own The Magazine, in which she wrote about musician and producer John Vanderslice. Sponsored by: TypeEngine: From the passionate indie publisher to the multi-publication agency, TypeEngine is the beautifully simple publishing platform to deliver your works digitally. Publish long-form content, photos, and rich media. Media Temple: Web hosting for artists, designers, and Web developers since 1998. World-class support available 24x7 through phone and chat—and even Twitter. Sign up with coupon code "tnd" to get 25% off your first month of hosting.

On today's show we talk to filmmakers Rob Hatch-Miller and Puloma Basu. Rob and Puloma are accomplished filmmakers and documentarians, and along with Best Show creator Tom Scharpling, they make up Production Company Productions. Over the last few years, the three have created a large number of funny and interesting music videos for acts such as The New Pornographers, Ted Leo, Ben Gibbard and Aimee Mann.Over the weekend, Rob and Puloma came over to the Wrestling Team apartment to get in deep about music (John Vanderslice, Midlake, Bob Mould, Husker Du, Parquet Courts and Palma Violets!), and chat about how Puloma used to run with Indian street musicians, Andy's childish palette, as well as Rob and Puloma's collaborations with Tom Scharpling. Subscribe on iTunes and follow Andy and Mark on Twitter! See a live episode on April 2nd at UCB East at 8pm with a sweet line-up TBA!