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15 episodes with sunya
2 episodes with sunya
2 episodes with sunya
2 episodes with sunya
2 episodes with sunya
In this episode of the Unbound Writer's Club, Nicola's in conversation with magical author Lisa 'Sunya' Joynes. Join them as they talk about Sunya's journey and her recently birthed book, ‘The Story of Sunya's Magic Hat: A true and remarkable tale of synchronicity, intuition... and the magic of The Universe'. In this Episode:Transforming from Lisa to Sunya the ShamanIt's all about inspiring people to take a step on the path of transformationDivine timing and trusting the processHow does the magic hat come into the picture?Clown energy and imaginationBeing your true, authentic selfEverything is about energyEach book is a portal of its ownOpening your heart and mindThe magic and power of constantly changingIt's no coincidence that Sunya chose to publish her book with the Unbound PressBalance between the divine masculine and the divine feminineWhat was Sunya's actual writing process like?How is Sunya's next book unfolding and evolving?Links:Ready to go deeper into your own book-writing journey? We invite you to join the Unbound Writer's Collective - the dedicated membership and community for magical, unbound writers.To find out more about our Done-For-You Publishing Packages at The Unbound Press, get in touch.Connect with Nicola on Instagram, and The UNBOUND Press on Instagram or Facebook.Connect with Lisa 'Sunya' Joynes via her website, TikTok, or Facebook.Music Credit: Joseph McDadeWe'd love you to share this episode with your friends, community, and anyone you think would enjoy it.
Śūnya significa vazio. Este exercício serve para desvincular-nos das experiências corporais, emocionais e mentais. A dissolução da identificação com o corpo e o pensamento é essencial para responder àquela pergunta: ‘quem sou eu?‘. Pratique esta meditação sentada ou deitada e dedique-se a seguir as instruções com concentração aproveitando cada minuto desta prática. Namaste
This We Question & Learn program will feature an interview with Debra Sunya Moore, Senior Vice President and Chief Program Officer at the Chautauqua Institution, talking about the upcoming season. Then our guests will be Ferki Ferati, President of the Jefferson Educational Society along with Ben Speggen, Vice President, outlining the Jefferson's outreach and activities. You can hear these guests, Sunday afternoon, March 3rd starting at 4 on WQLN NPR, and then online at WQLN dot o r g slash we question.
Download our free guide on 5 ways to take action!Coming at you live from Light House Studio's Vinegar Hill Theatre in Charlottesville, our fair city: Emily and Siva welcome Jennifer Weiss-Wolf and Samhita Sunya to the stage, as part of the Karsh Institute's Democracy360 forum. Sunya, a cinema expert, and Weiss-Wolf, a pioneering advocate for women's rights, discuss the power of film and print media to shape global feminism. From Bollywood to Ms. magazine, we look at why the women's movement and its representation matter for the health of a society.Additional InformationDemocracy in Danger PodcastMore shows from The Democracy Group
Coming at you live from Light House Studio's Vinegar Hill Theatre in Charlottesville, our fair city: Emily and Siva welcome Jennifer Weiss-Wolf and Samhita Sunya to the stage, as part of the Karsh Institute's Democracy360 forum. Sunya, a cinema expert, and Weiss-Wolf, a pioneering advocate for women's rights, discuss the power of film and print media to shape global feminism. From Bollywood to Ms. magazine, we look at why the women's movement and its representation matter for the health of a society.
Today, we welcome on Melissareads! We will be discussing a fanstasy novel called the Darkening. We may have choosen it because of the mind blowing tiktoks that the writer has posted on Tiktok. Listen to us as we discuss this book, talk about plants, our favorite characters, and how confused we were throughout this book. About The Book: Vesper Vale is the daughter of revolutionaries. Failed revolutionaries. When her mother was caught by the queen's soldiers, they gave her a choice: death by the hangman's axe, or death by the Storm that surrounds the city and curses anyone it touches. She chose the Storm. And when the queen's soldiers--led by a paranoid prince--catch up to Vesper's father after twelve years on the run, Vesper will do whatever it takes to save him from sharing that fate. Even arm herself with her father's book of dangerous experimental magic. Even infiltrate the prince's elite squad of soldier-sorcerers. Even cheat her way into his cold heart. But when Vesper learns that there's more to the story of her mother's death, she'll have to make a choice if she wants to save her city: trust the devious prince with her family's secrets, or follow her mother's footsteps into the Storm. Check Out Melissa: Tiktok: Melissa_read_s IG: Melissareads Follow Our Socials: IG: www.instagram.com/justonemorepageofficial/ Tiktok: www.tiktok.com/@justonemorepagepodcast Youtube: www.youtube.com/channel/UCpgQxE__Hxln2LWHWza_94w
In this We Question and Learn program we interview Deborah Sunya Moore, Senior Vice President and Chief Program Officer at the Chautauqua Institution with details on the upcoming season. Then our guest will be Karen Rzepecki with the story of reCAP Mason Jars, a local entrepreneur with national success using all local companies and employees.
Hello and welcome to the first Episode of All Things Dear Hunter, a sister podcast to All Things Coheed, join your hosts Blue and Rob as they interview Casey Crescenzo on All Things Dear Hunter, including Antimai, Sunya, and the Osbournes? https://linktr.ee/allthingstdh
Hello, world! This is the Global Media & Communication podcast series. In this inaugural episode, our host Aswin Punathambekar speaks with Samhita Sunya, the author of the book Sirens of Modernity: World Cinema via Bombay (U California Press, 2022). In this episode you'll hear about: Dr. Sunya's intellectual trajectory in studying South Asian cinema from Houston to Bangalore, Bombay, and beyond; How the periodization of the “long” 1960s – bookended by the 1955 Bandung Afro-Asian Conference and the 1975 Indian Emergency – comes into view through the author's interdisciplinary approach; How Dr. Sunya works her way through and out of a popular binary misunderstanding of Indian cinema - a familiar opposition between an auteurist world cinema and song-and-dance driven popular cinema; Why the author chooses what would be considered oddball or off-beat media artifacts, what kinds of sources she gathers in relation to these materials, and where she looks for them in creative ways; Reflection upon the pedagogy of world cinema in the classroom; A discussion of the notion of “excess” and how it is weaved into the three central themes – love, desire, and gender – that emerge throughout the book; How Dr. Sunya's cross-industry and trans-regional perspective counter the spatial biases that are deeply ingrained into the disciplinary boundaries; A reflection on the nature of academic work through the lens of “love” on topics like world cinema and South Asia. About the Book By the 1960s, Hindi-language films from Bombay were in high demand not only for domestic and diasporic audiences but also for sizable non-diasporic audiences across Eastern Europe, Central Asia, the Middle East, and the Indian Ocean world. Often confounding critics who painted the song-dance films as noisy and nonsensical. if not dangerously seductive and utterly vulgar, Bombay films attracted fervent worldwide viewers precisely for their elements of romance, music, and spectacle. In this richly documented history of Hindi cinema during the long 1960s, Samhita Sunya historicizes the emergence of world cinema as a category of cinematic diplomacy that formed in the crucible of the Cold War. Interwoven with this history is an account of the prolific transnational circuits of popular Hindi films alongside the efflorescence of European art cinema and Cold War–era forays of Hollywood abroad. By following archival leads and threads of argumentation within commercial Hindi films that seem to be odd cases—flops, remakes, low-budget comedies, and prestige productions—this book offers a novel map for excavating the historical and ethical stakes of world cinema and world-making via Bombay. You can find the open access version of Dr. Sunya's book through Luminosoa.org at the University of California Press website. Author Bio: Samhita Sunya is Assistant Professor of Middle Eastern & South Asian Languages & Cultures at the University of Virginia. Host Bio: Aswin Punathambekar is a Professor of Communication and Director of the Center for Advanced Research in Global Communication at the Annenberg School for Communication, University of Pennsylvania. Editor & Producer Bio: Jing Wang. She is Senior Research Manager at CARGC at the Annenberg School for Communication, University of Pennsylvania. Original Background Music by Mengyang Zoe Zhao. Our podcast is part of the multimodal project powered by the Center for Advanced Research in Global Communication (CARGC) at the Annenberg School for Communication at the University of Pennsylvania. At CARGC, we produce and promote critical, interdisciplinary, and multimodal research on global media and communication. We aim to bridge academic scholarship and public life, bringing the very best scholarship to bear on enduring global questions and pressing contemporary issues. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Hello, world! This is the Global Media & Communication podcast series. In this inaugural episode, our host Aswin Punathambekar speaks with Samhita Sunya, the author of the book Sirens of Modernity: World Cinema via Bombay (U California Press, 2022). In this episode you'll hear about: Dr. Sunya's intellectual trajectory in studying South Asian cinema from Houston to Bangalore, Bombay, and beyond; How the periodization of the “long” 1960s – bookended by the 1955 Bandung Afro-Asian Conference and the 1975 Indian Emergency – comes into view through the author's interdisciplinary approach; How Dr. Sunya works her way through and out of a popular binary misunderstanding of Indian cinema - a familiar opposition between an auteurist world cinema and song-and-dance driven popular cinema; Why the author chooses what would be considered oddball or off-beat media artifacts, what kinds of sources she gathers in relation to these materials, and where she looks for them in creative ways; Reflection upon the pedagogy of world cinema in the classroom; A discussion of the notion of “excess” and how it is weaved into the three central themes – love, desire, and gender – that emerge throughout the book; How Dr. Sunya's cross-industry and trans-regional perspective counter the spatial biases that are deeply ingrained into the disciplinary boundaries; A reflection on the nature of academic work through the lens of “love” on topics like world cinema and South Asia. About the Book By the 1960s, Hindi-language films from Bombay were in high demand not only for domestic and diasporic audiences but also for sizable non-diasporic audiences across Eastern Europe, Central Asia, the Middle East, and the Indian Ocean world. Often confounding critics who painted the song-dance films as noisy and nonsensical. if not dangerously seductive and utterly vulgar, Bombay films attracted fervent worldwide viewers precisely for their elements of romance, music, and spectacle. In this richly documented history of Hindi cinema during the long 1960s, Samhita Sunya historicizes the emergence of world cinema as a category of cinematic diplomacy that formed in the crucible of the Cold War. Interwoven with this history is an account of the prolific transnational circuits of popular Hindi films alongside the efflorescence of European art cinema and Cold War–era forays of Hollywood abroad. By following archival leads and threads of argumentation within commercial Hindi films that seem to be odd cases—flops, remakes, low-budget comedies, and prestige productions—this book offers a novel map for excavating the historical and ethical stakes of world cinema and world-making via Bombay. You can find the open access version of Dr. Sunya's book through Luminosoa.org at the University of California Press website. Author Bio: Samhita Sunya is Assistant Professor of Middle Eastern & South Asian Languages & Cultures at the University of Virginia. Host Bio: Aswin Punathambekar is a Professor of Communication and Director of the Center for Advanced Research in Global Communication at the Annenberg School for Communication, University of Pennsylvania. Editor & Producer Bio: Jing Wang. She is Senior Research Manager at CARGC at the Annenberg School for Communication, University of Pennsylvania. Original Background Music by Mengyang Zoe Zhao. Our podcast is part of the multimodal project powered by the Center for Advanced Research in Global Communication (CARGC) at the Annenberg School for Communication at the University of Pennsylvania. At CARGC, we produce and promote critical, interdisciplinary, and multimodal research on global media and communication. We aim to bridge academic scholarship and public life, bringing the very best scholarship to bear on enduring global questions and pressing contemporary issues. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film
Hello, world! This is the Global Media & Communication podcast series. In this inaugural episode, our host Aswin Punathambekar speaks with Samhita Sunya, the author of the book Sirens of Modernity: World Cinema via Bombay (U California Press, 2022). In this episode you'll hear about: Dr. Sunya's intellectual trajectory in studying South Asian cinema from Houston to Bangalore, Bombay, and beyond; How the periodization of the “long” 1960s – bookended by the 1955 Bandung Afro-Asian Conference and the 1975 Indian Emergency – comes into view through the author's interdisciplinary approach; How Dr. Sunya works her way through and out of a popular binary misunderstanding of Indian cinema - a familiar opposition between an auteurist world cinema and song-and-dance driven popular cinema; Why the author chooses what would be considered oddball or off-beat media artifacts, what kinds of sources she gathers in relation to these materials, and where she looks for them in creative ways; Reflection upon the pedagogy of world cinema in the classroom; A discussion of the notion of “excess” and how it is weaved into the three central themes – love, desire, and gender – that emerge throughout the book; How Dr. Sunya's cross-industry and trans-regional perspective counter the spatial biases that are deeply ingrained into the disciplinary boundaries; A reflection on the nature of academic work through the lens of “love” on topics like world cinema and South Asia. About the Book By the 1960s, Hindi-language films from Bombay were in high demand not only for domestic and diasporic audiences but also for sizable non-diasporic audiences across Eastern Europe, Central Asia, the Middle East, and the Indian Ocean world. Often confounding critics who painted the song-dance films as noisy and nonsensical. if not dangerously seductive and utterly vulgar, Bombay films attracted fervent worldwide viewers precisely for their elements of romance, music, and spectacle. In this richly documented history of Hindi cinema during the long 1960s, Samhita Sunya historicizes the emergence of world cinema as a category of cinematic diplomacy that formed in the crucible of the Cold War. Interwoven with this history is an account of the prolific transnational circuits of popular Hindi films alongside the efflorescence of European art cinema and Cold War–era forays of Hollywood abroad. By following archival leads and threads of argumentation within commercial Hindi films that seem to be odd cases—flops, remakes, low-budget comedies, and prestige productions—this book offers a novel map for excavating the historical and ethical stakes of world cinema and world-making via Bombay. You can find the open access version of Dr. Sunya's book through Luminosoa.org at the University of California Press website. Author Bio: Samhita Sunya is Assistant Professor of Middle Eastern & South Asian Languages & Cultures at the University of Virginia. Host Bio: Aswin Punathambekar is a Professor of Communication and Director of the Center for Advanced Research in Global Communication at the Annenberg School for Communication, University of Pennsylvania. Editor & Producer Bio: Jing Wang. She is Senior Research Manager at CARGC at the Annenberg School for Communication, University of Pennsylvania. Original Background Music by Mengyang Zoe Zhao. Our podcast is part of the multimodal project powered by the Center for Advanced Research in Global Communication (CARGC) at the Annenberg School for Communication at the University of Pennsylvania. At CARGC, we produce and promote critical, interdisciplinary, and multimodal research on global media and communication. We aim to bridge academic scholarship and public life, bringing the very best scholarship to bear on enduring global questions and pressing contemporary issues. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/world-affairs
Hello, world! This is the Global Media & Communication podcast series. In this inaugural episode, our host Aswin Punathambekar speaks with Samhita Sunya, the author of the book Sirens of Modernity: World Cinema via Bombay (U California Press, 2022). In this episode you'll hear about: Dr. Sunya's intellectual trajectory in studying South Asian cinema from Houston to Bangalore, Bombay, and beyond; How the periodization of the “long” 1960s – bookended by the 1955 Bandung Afro-Asian Conference and the 1975 Indian Emergency – comes into view through the author's interdisciplinary approach; How Dr. Sunya works her way through and out of a popular binary misunderstanding of Indian cinema - a familiar opposition between an auteurist world cinema and song-and-dance driven popular cinema; Why the author chooses what would be considered oddball or off-beat media artifacts, what kinds of sources she gathers in relation to these materials, and where she looks for them in creative ways; Reflection upon the pedagogy of world cinema in the classroom; A discussion of the notion of “excess” and how it is weaved into the three central themes – love, desire, and gender – that emerge throughout the book; How Dr. Sunya's cross-industry and trans-regional perspective counter the spatial biases that are deeply ingrained into the disciplinary boundaries; A reflection on the nature of academic work through the lens of “love” on topics like world cinema and South Asia. About the Book By the 1960s, Hindi-language films from Bombay were in high demand not only for domestic and diasporic audiences but also for sizable non-diasporic audiences across Eastern Europe, Central Asia, the Middle East, and the Indian Ocean world. Often confounding critics who painted the song-dance films as noisy and nonsensical. if not dangerously seductive and utterly vulgar, Bombay films attracted fervent worldwide viewers precisely for their elements of romance, music, and spectacle. In this richly documented history of Hindi cinema during the long 1960s, Samhita Sunya historicizes the emergence of world cinema as a category of cinematic diplomacy that formed in the crucible of the Cold War. Interwoven with this history is an account of the prolific transnational circuits of popular Hindi films alongside the efflorescence of European art cinema and Cold War–era forays of Hollywood abroad. By following archival leads and threads of argumentation within commercial Hindi films that seem to be odd cases—flops, remakes, low-budget comedies, and prestige productions—this book offers a novel map for excavating the historical and ethical stakes of world cinema and world-making via Bombay. You can find the open access version of Dr. Sunya's book through Luminosoa.org at the University of California Press website. Author Bio: Samhita Sunya is Assistant Professor of Middle Eastern & South Asian Languages & Cultures at the University of Virginia. Host Bio: Aswin Punathambekar is a Professor of Communication and Director of the Center for Advanced Research in Global Communication at the Annenberg School for Communication, University of Pennsylvania. Editor & Producer Bio: Jing Wang. She is Senior Research Manager at CARGC at the Annenberg School for Communication, University of Pennsylvania. Original Background Music by Mengyang Zoe Zhao. Our podcast is part of the multimodal project powered by the Center for Advanced Research in Global Communication (CARGC) at the Annenberg School for Communication at the University of Pennsylvania. At CARGC, we produce and promote critical, interdisciplinary, and multimodal research on global media and communication. We aim to bridge academic scholarship and public life, bringing the very best scholarship to bear on enduring global questions and pressing contemporary issues. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
Hello, world! This is the Global Media & Communication podcast series. In this inaugural episode, our host Aswin Punathambekar speaks with Samhita Sunya, the author of the book Sirens of Modernity: World Cinema via Bombay (U California Press, 2022). In this episode you'll hear about: Dr. Sunya's intellectual trajectory in studying South Asian cinema from Houston to Bangalore, Bombay, and beyond; How the periodization of the “long” 1960s – bookended by the 1955 Bandung Afro-Asian Conference and the 1975 Indian Emergency – comes into view through the author's interdisciplinary approach; How Dr. Sunya works her way through and out of a popular binary misunderstanding of Indian cinema - a familiar opposition between an auteurist world cinema and song-and-dance driven popular cinema; Why the author chooses what would be considered oddball or off-beat media artifacts, what kinds of sources she gathers in relation to these materials, and where she looks for them in creative ways; Reflection upon the pedagogy of world cinema in the classroom; A discussion of the notion of “excess” and how it is weaved into the three central themes – love, desire, and gender – that emerge throughout the book; How Dr. Sunya's cross-industry and trans-regional perspective counter the spatial biases that are deeply ingrained into the disciplinary boundaries; A reflection on the nature of academic work through the lens of “love” on topics like world cinema and South Asia. About the Book By the 1960s, Hindi-language films from Bombay were in high demand not only for domestic and diasporic audiences but also for sizable non-diasporic audiences across Eastern Europe, Central Asia, the Middle East, and the Indian Ocean world. Often confounding critics who painted the song-dance films as noisy and nonsensical. if not dangerously seductive and utterly vulgar, Bombay films attracted fervent worldwide viewers precisely for their elements of romance, music, and spectacle. In this richly documented history of Hindi cinema during the long 1960s, Samhita Sunya historicizes the emergence of world cinema as a category of cinematic diplomacy that formed in the crucible of the Cold War. Interwoven with this history is an account of the prolific transnational circuits of popular Hindi films alongside the efflorescence of European art cinema and Cold War–era forays of Hollywood abroad. By following archival leads and threads of argumentation within commercial Hindi films that seem to be odd cases—flops, remakes, low-budget comedies, and prestige productions—this book offers a novel map for excavating the historical and ethical stakes of world cinema and world-making via Bombay. You can find the open access version of Dr. Sunya's book through Luminosoa.org at the University of California Press website. Author Bio: Samhita Sunya is Assistant Professor of Middle Eastern & South Asian Languages & Cultures at the University of Virginia. Host Bio: Aswin Punathambekar is a Professor of Communication and Director of the Center for Advanced Research in Global Communication at the Annenberg School for Communication, University of Pennsylvania. Editor & Producer Bio: Jing Wang. She is Senior Research Manager at CARGC at the Annenberg School for Communication, University of Pennsylvania. Original Background Music by Mengyang Zoe Zhao. Our podcast is part of the multimodal project powered by the Center for Advanced Research in Global Communication (CARGC) at the Annenberg School for Communication at the University of Pennsylvania. At CARGC, we produce and promote critical, interdisciplinary, and multimodal research on global media and communication. We aim to bridge academic scholarship and public life, bringing the very best scholarship to bear on enduring global questions and pressing contemporary issues. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies
Hello, world! This is the Global Media & Communication podcast series. In this inaugural episode, our host Aswin Punathambekar speaks with Samhita Sunya, the author of the book Sirens of Modernity: World Cinema via Bombay (U California Press, 2022). In this episode you'll hear about: Dr. Sunya's intellectual trajectory in studying South Asian cinema from Houston to Bangalore, Bombay, and beyond; How the periodization of the “long” 1960s – bookended by the 1955 Bandung Afro-Asian Conference and the 1975 Indian Emergency – comes into view through the author's interdisciplinary approach; How Dr. Sunya works her way through and out of a popular binary misunderstanding of Indian cinema - a familiar opposition between an auteurist world cinema and song-and-dance driven popular cinema; Why the author chooses what would be considered oddball or off-beat media artifacts, what kinds of sources she gathers in relation to these materials, and where she looks for them in creative ways; Reflection upon the pedagogy of world cinema in the classroom; A discussion of the notion of “excess” and how it is weaved into the three central themes – love, desire, and gender – that emerge throughout the book; How Dr. Sunya's cross-industry and trans-regional perspective counter the spatial biases that are deeply ingrained into the disciplinary boundaries; A reflection on the nature of academic work through the lens of “love” on topics like world cinema and South Asia. About the Book By the 1960s, Hindi-language films from Bombay were in high demand not only for domestic and diasporic audiences but also for sizable non-diasporic audiences across Eastern Europe, Central Asia, the Middle East, and the Indian Ocean world. Often confounding critics who painted the song-dance films as noisy and nonsensical. if not dangerously seductive and utterly vulgar, Bombay films attracted fervent worldwide viewers precisely for their elements of romance, music, and spectacle. In this richly documented history of Hindi cinema during the long 1960s, Samhita Sunya historicizes the emergence of world cinema as a category of cinematic diplomacy that formed in the crucible of the Cold War. Interwoven with this history is an account of the prolific transnational circuits of popular Hindi films alongside the efflorescence of European art cinema and Cold War–era forays of Hollywood abroad. By following archival leads and threads of argumentation within commercial Hindi films that seem to be odd cases—flops, remakes, low-budget comedies, and prestige productions—this book offers a novel map for excavating the historical and ethical stakes of world cinema and world-making via Bombay. You can find the open access version of Dr. Sunya's book through Luminosoa.org at the University of California Press website. Author Bio: Samhita Sunya is Assistant Professor of Middle Eastern & South Asian Languages & Cultures at the University of Virginia. Host Bio: Aswin Punathambekar is a Professor of Communication and Director of the Center for Advanced Research in Global Communication at the Annenberg School for Communication, University of Pennsylvania. Editor & Producer Bio: Jing Wang. She is Senior Research Manager at CARGC at the Annenberg School for Communication, University of Pennsylvania. Original Background Music by Mengyang Zoe Zhao. Our podcast is part of the multimodal project powered by the Center for Advanced Research in Global Communication (CARGC) at the Annenberg School for Communication at the University of Pennsylvania. At CARGC, we produce and promote critical, interdisciplinary, and multimodal research on global media and communication. We aim to bridge academic scholarship and public life, bringing the very best scholarship to bear on enduring global questions and pressing contemporary issues. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture
Hello, world! This is the Global Media & Communication podcast series. In this inaugural episode, our host Aswin Punathambekar speaks with Samhita Sunya, the author of the book Sirens of Modernity: World Cinema via Bombay (U California Press, 2022). In this episode you'll hear about: Dr. Sunya's intellectual trajectory in studying South Asian cinema from Houston to Bangalore, Bombay, and beyond; How the periodization of the “long” 1960s – bookended by the 1955 Bandung Afro-Asian Conference and the 1975 Indian Emergency – comes into view through the author's interdisciplinary approach; How Dr. Sunya works her way through and out of a popular binary misunderstanding of Indian cinema - a familiar opposition between an auteurist world cinema and song-and-dance driven popular cinema; Why the author chooses what would be considered oddball or off-beat media artifacts, what kinds of sources she gathers in relation to these materials, and where she looks for them in creative ways; Reflection upon the pedagogy of world cinema in the classroom; A discussion of the notion of “excess” and how it is weaved into the three central themes – love, desire, and gender – that emerge throughout the book; How Dr. Sunya's cross-industry and trans-regional perspective counter the spatial biases that are deeply ingrained into the disciplinary boundaries; A reflection on the nature of academic work through the lens of “love” on topics like world cinema and South Asia. About the Book By the 1960s, Hindi-language films from Bombay were in high demand not only for domestic and diasporic audiences but also for sizable non-diasporic audiences across Eastern Europe, Central Asia, the Middle East, and the Indian Ocean world. Often confounding critics who painted the song-dance films as noisy and nonsensical. if not dangerously seductive and utterly vulgar, Bombay films attracted fervent worldwide viewers precisely for their elements of romance, music, and spectacle. In this richly documented history of Hindi cinema during the long 1960s, Samhita Sunya historicizes the emergence of world cinema as a category of cinematic diplomacy that formed in the crucible of the Cold War. Interwoven with this history is an account of the prolific transnational circuits of popular Hindi films alongside the efflorescence of European art cinema and Cold War–era forays of Hollywood abroad. By following archival leads and threads of argumentation within commercial Hindi films that seem to be odd cases—flops, remakes, low-budget comedies, and prestige productions—this book offers a novel map for excavating the historical and ethical stakes of world cinema and world-making via Bombay. You can find the open access version of Dr. Sunya's book through Luminosoa.org at the University of California Press website. Author Bio: Samhita Sunya is Assistant Professor of Middle Eastern & South Asian Languages & Cultures at the University of Virginia. Host Bio: Aswin Punathambekar is a Professor of Communication and Director of the Center for Advanced Research in Global Communication at the Annenberg School for Communication, University of Pennsylvania. Editor & Producer Bio: Jing Wang. She is Senior Research Manager at CARGC at the Annenberg School for Communication, University of Pennsylvania. Original Background Music by Mengyang Zoe Zhao. Our podcast is part of the multimodal project powered by the Center for Advanced Research in Global Communication (CARGC) at the Annenberg School for Communication at the University of Pennsylvania. At CARGC, we produce and promote critical, interdisciplinary, and multimodal research on global media and communication. We aim to bridge academic scholarship and public life, bringing the very best scholarship to bear on enduring global questions and pressing contemporary issues. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Tune in for a replay of The Six Five Summit's #ESG Spotlight Keynote with Sunya Norman, VP of ESG Strategy & Engagement, Saleforce. In this session, Sunya sits down with Shelly Kramer to discuss the value of Stakeholder Capitalism, ESG and sustainability initiatives. They also cover how they build trust with the Stakeholder Impact report and the future of ESG. The Six Five Summit is a 100% virtual, on-demand event designed to help you stay on top of the latest developments and trends in digital transformation brought to you by Futurum Research and Moor Insights & Strategy. With 12 tracks and over 70 pre-recorded video sessions, The Six Five Summit showcases an exciting lineup of leading technology experts whose insights will help prepare you for what's now and what's next in digital transformation as you continue to scale and pivot for the future. You will hear cutting-edge insights on business agility, technology-powered transformation, thoughts on strategies to ensure business continuity and resilience, along with what's ahead for the future of the workplace. More about The Six Five Summit: https://thesixfivesummit.com/
A fierce revolutionary. A desperate prince. Together they will face the Storm, or be swept away.... In this thrilling and epic YA fantasy debut, the only hope for a city trapped in the eye of a cursed storm lies with the daughter of failed revolutionaries and a prince terrified of his throne. Prince Dalca was born for one purpose: to protect his home from the Storm, a deadly force that surrounds his city and curses everyone it touches. Vesper Vale is the daughter of failed revolutionaries. Since the queen sentenced her mother to death by the Storm, she and her father have been on the run. So when the queen's soldiers—led by Prince Dalca—catch up to Vesper's father, she will do whatever it takes to save him from sharing her mother's cruel fate. Even arm herself with her father's book of dangerous experimental magic. Even infiltrate the prince's elite squad of soldier-sorcerers. Even cheat her way into his cold heart. But when Vesper learns that there's more to the story of her mother's death, and that her home is in dire peril, she has little choice: trust the devious prince with her family's secrets, or follow her mother's footsteps into the Storm....
On this episode we have Burlesque Dancer and Lucky 13 Saloon Dancer Sunya Steel on the show we talk about her time living in buffalo, how she got into dancing and her travels around the country and much more. A Podcast done on the stage of the world famous metal bar in Brooklyn, NY Lucky 13 Saloon. Hosted by: Jeff & Jamal Guest: Sunya Steel Metal News by: The Voice by: Dee Rotten Music by: Hanibal Death Machine (Mon cadavre) 1:13:54 Lucky 13 Saloon Social Media…………… https://youtube.com/channel/UCXzEDGlnk_EcmzEyso1lbLw https://instagram.com/lucky13saloon?utm_medium=copy_link https://www.facebook.com/Lucky13Saloon/ https://www.lucky13saloon.com/ Lucky 13 Saloon Podcast Social Media……. https://www.instagram.com/lucky13saloonpodcast/ https://soundcloud.app.goo.gl/G1wgfQwgs7j4d9hf7 Sunya Steel Social Media.............. https://www.instagram.com/str33t_cat/ Hanibal Death Machine Social Media................. https://www.instagram.com/hanibaldeathmachine/ https://hanibaldeathmachine.bandcamp.com/ https://www.facebook.com/hanibaldeathmachine/ Copyright 2022
As the Russian invasion of Ukraine drags on with the death toll mounting, what should the American peace movement be doing and calling for? Larry Wittner, professor emeritus in history at SUNYA, talks with Mark Dunea for the peace segment on Hudson Mohawk Magazine.
Sukadev spricht über den 74. Vers der Hatha Yoga Pradipika, 4. Kapitel, als Inspiration des Tages. Essenz: Im dritten Wirkungsbereich wird der Ton einer Trommel im Sunya, zwischen den Augenbrauen, erkennbar. Dann bewegt sich die Strömung in Richtung Mahasunya, der Quelle aller Kräfte. Mehr zur Hatha Yoga Pradipika findest du im Hatha Yoga Pradipika Portal: […]
सुन्यबाट करोडपति || Sunya bata Crorepati|| डा. केशव श्रेष्ठ || Neu Narrations
Aashish Dalal is the founder and former CEO of ParkWhiz. In 2008, Aashish created the company to simplify the parking experience by connecting drivers with an open parking space. Since then, ParkWhiz has become the nation's top booking platform, conducting millions of transactions on its apps, saving drivers time and money. Under his leadership, ParkWhiz has raised more than $50 million in funding and in May 2021 the company was acquired. CONNECT WITH AASHISH DALALLinkedIn - https://www.linkedin.com/in/aashishdalal/CONNECT WITH MELinkedIn - https://www.linkedin.com/in/jayneil Twitter - https://twitter.com/jayneildalal
In the second of a two-video series interaction between Prof. Balram Singh (Institute of Advanced Sciences) and Dr. Mrittunjoy Guha Majumdar (IISc Bangalore), the centre of focus is on a specific scientific study of an element of Ayurveda that has been spoken of since times immemorial - Bhasma or metallic powders, particularly physico-chemical properties of herbally prepared silver nanoparticles and its potential as a drug bioenhancer and the integrity of cellular junctions in the presence of Swarna Bhasma, besides various contemporary characterisations of Bhasma that can validate (or not) the attributes mentioned in ancient texts, such as Apunarbhavata, Varitaratavam and Nishchandratvam. Prof. Singh and Dr. Guha Majumdar also speak on the nature of reality at its most fundamental, in this interaction. They look primarily at the conceptualisation of Sunyata and ānīdavātam, whether the quantum void can really be equated to Sunya or Brahman, as well as the vibratory and possibly self-organising nature of reality. They also touch upon the modelling of consciousness and Penrose's Cyclic Cosmology Model. To support Infinity Foundation's projects including the continuation of such episodes and the research we do: इनफिनिटी फ़ौंडेशन की परियोजनाओं को अनुदान देने के लिए व इस प्रकार के एपिसोड और हमारे द्वारा किये जाने वाले शोध को जारी रखने के लिए: http://infinityfoundation.com/donate-2/ Do check out our YouTube channel 'Rajiv Malhotra Official' and do follow us on Facebook '@RajivMalhotra.Official' and Twitter '@InfinityMessage' and '@RajivMessage'. --- Support this podcast: https://anchor.fm/kurukshetra/support
In the second of a two-video series interaction between Prof. Balram Singh (Institute of Advanced Sciences) and Dr. Mrittunjoy Guha Majumdar (IISc Bangalore), the centre of focus is on a specific scientific study of an element of Ayurveda that has been spoken of since times immemorial - Bhasma or metallic powders, particularly physico-chemical properties of herbally prepared silver nanoparticles and its potential as a drug bioenhancer and the integrity of cellular junctions in the presence of Swarna Bhasma, besides various contemporary characterisations of Bhasma that can validate (or not) the attributes mentioned in ancient texts, such as Apunarbhavata, Varitaratavam and Nishchandratvam. Prof. Singh and Dr. Guha Majumdar also speak on the nature of reality at its most fundamental, in this interaction. They look primarily at the conceptualisation of Sunyata and ānīdavātam, whether the quantum void can really be equated to Sunya or Brahman, as well as the vibratory and possibly self-organising nature of reality. They also touch upon the modelling of consciousness and Penrose's Cyclic Cosmology Model. To support Infinity Foundation's projects including the continuation of such episodes and the research we do: इनफिनिटी फ़ौंडेशन की परियोजनाओं को अनुदान देने के लिए व इस प्रकार के एपिसोड और हमारे द्वारा किये जाने वाले शोध को जारी रखने के लिए: http://infinityfoundation.com/donate-2/ Do check out our YouTube channel 'Rajiv Malhotra Official' and do follow us on Facebook '@RajivMalhotra.Official' and Twitter '@InfinityMessage' and '@RajivMessage'. --- Support this podcast: https://anchor.fm/kurukshetra/support
L'épisode de rentrée et de la saison 2 du podcast is out ! Avec Vincent Lartizien, fondateur de la magnifique entreprise Nunty Sunya, nous avons parlé de : Hawai, industrie du surf, énérgétique, histoire du chanvre, complotisme et gouvernement mondial, médecine du cannabis, autonomie, abondance et de souveraineté. Mais aussi de faire la révolution, de sortir de la colère en agissant, de qualité vibratoire, de méditation et d'excellence ! Les auteurs dont il nous a parlé : Alexis Chanebeau et Michka. Le site de la marque : https://www.nuntisunya.com/ Le lien pour tout savoir sur notre séjour Self Love Immersion : https://pasquedeshippies.com/weekend-selflove Si vous avez aimé l'épisode, n'hésitez pas à le partager et à laisser 5 étoiles sur Apple Podcast ! Crédit musique teaser : K2R Riddim Dub en do mineur
We will uncover the false narrative that is being created all the time that science is originated in the west, while the other part of the world is doing nothing. How Indian mathematics exported to the West?
Sunya, The Great Big Nothing. Lecture delivered by His Holiness on philosophy, principles, and practices of Krishna consciousness based on revealed Vedic scriptures as received in parampara.
Shahbaz chohan is a famous poet who recite his poetry on different television channel like PTV,PTV Home,Roze TV,Such Tv,Channel 92 etc with Well-known poets like Prof.Anwar Masood,Sarfraz Shahid,Dr.Inam ullah javed,Syed Salman Gillani, Dr.Tahir Shaheer, Zahid Fakhri, Ali Zulfi,etc
Dulal Chandra Prabhu, systematic teacher of Srila Jiva Goswami's six sandarbhas. Today discussion cover the jñāna-śūnyā bhakti of the Śaṭ Sandarbhas. The mystery of the internality that is the epistemological (knowledge) basis of Śrīla Jīva Gosvāmī's Śaṭ Sandarbhas. There are sometimes misconceptions within the Gaudiya community between knowledge that nourishes our development and enduring taste for spiritual practice, and becoming overly absorbed in jñāna simply in a quest for knowledge. This presentation will address this important issue.
durée : 00:03:09 - Circuits courts en Gascogne - Installé à St Geours de Maremne depuis 2015, Nunti-Sunya (Les Chanvres de l’Atlantique) propose une gamme de produits tirés du Chanvre, 100% Bio et français. Ses vertus nutritionnelles, son goût, les propriétés de sa fibre sont autant de qualités qui rendent cette plante unique.
This talk was given by Sunya Kjolhede Roshi at one of our regular Sunday program’s. To find out more about all the things the Windhorse Zen Center has to offer, please visit: windhorsezen.org Sunya is a sanctioned Dharma heir of the late, Philip Kapleau Roshi (author of the Three Pillars of Zen and former abbot of the Rochester Zen center). She has been practicing in the Zen tradition for over 40 years and is currently the co-abbot (along with her husband, Lawson Sachter Roshi) of the Windhorse Zen center, located in the mountains outside of Asheville, NC. These teachings are offered free of charge. If you would like to help support the center, please click the “Donate” button on our website. windhorsezen.org
This talk was given by Sunya Kjolhede Roshi at the Windhorse Zen Community, located in the mountains outside of Asheville, North Carolina. Sunya is a sanctioned Dharma heir of the late, Philip Kapleau Roshi (author of the Three Pillars of Zen and former abbot of the Rochester Zen center). She has been practicing in the Zen tradition for over 40 years and is currently the co-abbot (along with her husband, Lawson Sachter Roshi) of the Windhorse Zen center, located in the mountains outside of Asheville, NC. These teachings are offered free of charge. If you would like to help support the center, please click the “Donate” button on our website. windhorsezen.org
This talk was given by Sunya Kjolhede Roshi at the Windhorse Zen Community, located in the mountains outside of Asheville, North Carolina. Sunya is a sanctioned Dharma heir of the late, Philip Kapleau Roshi (author of the Three Pillars of Zen and former abbot of the Rochester Zen center). She has been practicing in the Zen tradition for over 40 years and is currently the co-abbot (along with her husband, Lawson Sachter Roshi) of the Windhorse Zen center, located in the mountains outside of Asheville, NC. These teachings are offered free of charge. If you would like to help support the center, please click the “Donate” button on our website. windhorsezen.org
Story: Der böse Spinnenkult beherrscht das wilde Land und sein Hohepriester unterdrückt samt seiner Kriegertruppen die Bevölkerung, doch eine Prophezeiung besagt, daß ein Kind mit dem "Zeichen des Thoran" den Tyrannen stürzen wird. Als das Kind mit Namen Ator geboren wird, läßt der Priester zwar das komplette Dorf niedermetzeln, der Krieger Griba bringt das Baby in Sicherheit und verbirgt sein Mal, bis aus Ator ein schmucker, muskulöser Recke geworden ist. Doch auch seine Stiefeltern fallen wieder dem Spinnenkult zum Opfer, seine geliebte Sunya wird entführt, worauf Griba Ator seine Herkunft erklärt und ihn zum Kämpfer ausbildet. Mit Schwert und Schild gerüstet, macht der Recke sich auf zum Rachefeldzug. An der Seite der Amazone Roon übersteht er Begegnungen mit untoten Kriegern und Schattenkämpfern, erobert dann den Schild von Mordor und macht sich dann daran, es den Spinnenkultierern richtig zu besorgen ...
Story: Der böse Spinnenkult beherrscht das wilde Land und sein Hohepriester unterdrückt samt seiner Kriegertruppen die Bevölkerung, doch eine Prophezeiung besagt, daß ein Kind mit dem "Zeichen des Thoran" den Tyrannen stürzen wird. Als das Kind mit Namen Ator geboren wird, läßt der Priester zwar das komplette Dorf niedermetzeln, der Krieger Griba bringt das Baby in Sicherheit und verbirgt sein Mal, bis aus Ator ein schmucker, muskulöser Recke geworden ist. Doch auch seine Stiefeltern fallen wieder dem Spinnenkult zum Opfer, seine geliebte Sunya wird entführt, worauf Griba Ator seine Herkunft erklärt und ihn zum Kämpfer ausbildet. Mit Schwert und Schild gerüstet, macht der Recke sich auf zum Rachefeldzug. An der Seite der Amazone Roon übersteht er Begegnungen mit untoten Kriegern und Schattenkämpfern, erobert dann den Schild von Mordor und macht sich dann daran, es den Spinnenkultierern richtig zu besorgen ...
This talk was given by Sunya Kjolhede Roshi at the Windhorse Zen Community, located in the mountains outside of Asheville, North Carolina. Sunya is a sanctioned Dharma heir of the late, Philip Kapleau Roshi (author of the Three Pillars of Zen and former abbot of the Rochester Zen center). She has been practicing in the Zen tradition for over 40 years and is currently the co-abbot (along with her husband, Lawson Sachter Roshi) of the Windhorse Zen center, located in the mountains outside of Asheville, NC. These teachings are offered free of charge. If you would like to help support the center, please click the “Donate” button on our website. windhorsezen.org
“Grow, Retain and Monetize. In current times, anyone operating in consumer internet needs to know this Thumb Rule to survive."Associate Director of Product at Hotstar Shobhit Singhal joins Shiladitya and Amit this week on Shunya One. Shobhit discusses his early ventures before Hotstar and shares interesting insights on digital education.The trio dive deep into understanding the inner motives of developing a content platform by transactional portals like Amazon, Flipkart and Zomato, the value of consumers spending time on the apps and more! Tune in to get the best perspective on the direction of OTT platforms.Tweet to hosts @shiladitya & @doshiamit for your questions or reactions to this episode.To join the Shunya One slack channel, request for an invite here: http://ivmpodcasts.com/shunyaoneYou can listen to this show and other awesome shows on the IVM Podcasts app on Android: https://ivm.today/android or iOS: https://ivm.today/ios, or any other podcast app.You can check out our website at http://www.ivmpodcasts.com/
Episode 24 Featuring: Lions in Paris & Sunya Whitelight This Month's Guest: Lions in Paris https://soundcloud.com/lions-in-paris https://www.instagram.com/lions_in_paris/ Featuring: Sunya Whitelight http://instagram.com/sunyawhitelight Art Page: Art by Sunya Whitelight and Friends http://sunyawhitelight.com Store: http://modabloom.com This episode’s mix comes from the one and only globetrotting DJ extraordinaire Mr. Chad Ross a.k.a. Lions In Paris! We are always looking for new sounds and music slingers with unique ears. Because I live under a rock I only just recently found out about Lions In Paris. He truly inspiring sets can be caught all over town laying down fresh dancehall, r&b, dance, house, hip-hop, and other vibey sounds. Please welcome our new friend with Make Friends Radio love! The interview this episode comes from an influential local artist by the name of Sunya Whitelight. I got the opportunity to visit her studio the check out some of her current art projects and can’t speak highly enough about some of the artwork I saw. Rumor has it that her end of year sale is upon us and you can get yourself a piece at a discounted rate at http://modabloom.com for a limited time. We chatted about Sacramento’s art scene, Burning Man and the thriving dance community in our beautiful city. Another quality episode that we hope you enjoy as much as we do! As always thank you for the support!
Dar Soegamoh Sunya Ahghaw
This talk was given by, Sunya Kjolhede-Roshi at one of our regular Sunday program’s. To find out more about all the things the Windhorse Zen Center has to offer, please visit: windhorsezen.org Sunya is a sanctioned Dharma heir of the late, Philip Kapleau-Roshi (author of the Three Pillars of Zen and former abbot of the Rochester Zen center). She has been practicing in the Zen tradition for over 40 years and is currently the co-abbot (along with her husband, Lawson Sachter-Roshi) of the Windhorse Zen center, located in the mountains outside of Asheville, NC. These teachings are offered free of charge. If you would like to help support the center, please click the “Donate” button on our website. windhorsezen.org
This talk was given by, Sunya Kjolhede-Roshi at one of our regular Sunday program’s. To find out more about all the things the Windhorse Zen Center has to offer, please visit: windhorsezen.org Sunya is a sanctioned Dharma heir of the late, Philip Kapleau-Roshi (author of the Three Pillars of Zen and former abbot of the Rochester Zen center). She has been practicing in the Zen tradition for over 40 years and is currently the co—abbot (along with her husband, Lawson Sachter-Roshi) of the Windhorse Zen center, located in the mountains outside of Asheville, NC. These teachings are offered free of charge. If you would like to help support the center, please click the “Donate” button on our website. windhorsezen.org
This talk was given by, Sunya Kjolhede-Roshi at one of our regular Sunday program’s. To find out more about all the things the Windhorse Zen Center has to offer, please visit windhorsezen.org Sunya is a sanctioned Dharma heir of the late, Philip Kapleau-Roshi (author of the Three Pillars of Zen and former abbot of the Rochester Zen center). She has been practicing in the Zen tradition for over 40 years and is currently the co—abbot (along with her husband Lawson Sachter-Roshi) of the Windhorse Zen center, located in the mountains outside of Asheville, NC. These teachings are offered free of charge. If you would like to help support the center, please click the “Donate” button on our website. windhorsezen.org
This talk was given by, Sunya Kjolhede-Roshi at one of our regular Sunday program’s. To find out more about all the things the Windhorse Zen Center has to offer, please visit our website. windhorsezen.org Sunya is a sanctioned Dharma heir of the late, Philip Kapleau- Roshi (author of the Three Pillars of Zen and former abbot of the Rochester Zen center). She has been practicing in the Zen tradition for over 40 years and is currently the co—abbot (along with her husband Lawson Sachter-Roshi) of the Windhorse Zen center, located in the mountains outside of Asheville, NC. These teachings are offered free of charge. If you would like to help support the center, please click the “Donate” button on our website. windhorsezen.org
This unedited Teisho was given by Sunya-Roshi at our regular Sunday sittings. In this talk Sunya goes into the story of Jizo Bodhisattva and sheds some light on one of Japan's most famous Zen figures. Thanks for your continued interest in these podcasts. Send us an email at our new email address windhorsezen@windhorsezen.org. Let us know who you are, ask questions, just let us know you're listening. The Windhorse Zen Community has meditation open to the public, and has a residential zen training program. To learn more, and to help support our podcasts and the work of the Windhorse Zen Community, see our website at www.windhorsezen.org
Deborah Sunya Moore, vice president of performing and visual arts at Chautauqua Institution, joins the podcast this episode to share her unique path to Chautauqua — she first came as a guest artist in 1996 — and her department's important work in arts-integrated education in the local region, plus a preview of 2018 Chautauqua programming in opera, theater, visual arts, dance, orchestral and chamber music, and popular entertainment. Moore is a percussionist and arts educator with a long history as an advocate of performing arts programs for youth and persons with disabilities. In addition to her appointment at Chautauqua, she is a National Workshop Leader for the John F. Kennedy Center for the Performing Arts. Previously, Moore held the positions of arts education and community engagement specialist and associate professor of percussion at the University of Trinidad and Tobago; director of education and community engagement for the Louisville Orchestra; and artistic director and percussionist of Tales & Scales, a nationally touring instrumental quartet for youth. Follow her on Facebook at @deborahsunyamoorechq.
Teisho by Sunya Kjolhede Roshi: Reclaiming Our Resilient Spirit The post Teisho by Sunya Kjolhede Roshi: Reclaiming Our Resilient Spirit appeared first on Rochester Zen Center.
This unedited dharma talk (teisho) is the second of a three-part series on the life and poems of the wonderful 18th c. Japanese monk, Ryōkan Taigu. Sunya-roshi gave this talk during our Sunday program on April Fool’s Day and Easter; it includes more stories and poetry from the Zen’s most famous ‘Great Fool. Thanks for your continued interest in these podcasts. Send us an email at windhorsezen@windhorsezen.org. Let us know who you are, ask questions and give feedback, just let us know you're listening. The Windhorse Zen Community has meditation open to the public, and a residential zen training program. To learn more, and to help support our podcasts and the work of the Windhorse Zen Community, see our website at www.windhorsezen.org
This unedited dharma talk (teisho) is the third of a three-part series on the life and poems of the 18th c. Japanese monk, Ryōkan Taigu. Sunya-roshi gave this talk during our Sunday program on April 8th, 2018; it includes more stories and poetry from Zen’s most famous ‘Great Fool.' Thanks for your continued interest in these podcasts! Send us an email at windhorsezen@windhorsezen.org. Let us know who you are, go ahead and ask questions and give feedback -- just let us know you're listening. Windhorse Zen Community has meditation open to the public, and a residential zen training program. To learn more, and to help support our podcasts and the dharma work of Windhorse, see our website at www.windhorsezen.org
This unedited dharma talk (teisho) is the first of a three-part series on the life and poems of the wonderful 18th c. Japanese monk, Ryōkan Taigu. Sunya-roshi gave this talk during our Sunday program on March 25, 2018, from our zendo in the mountains of North Carolina near Asheville. Thanks for your continued interest in these podcasts. Send us an email at windhorsezen@windhorsezen.org. Let us know who you are, ask questions and give feedback, just let us know you're listening. The Windhorse Zen Community has meditation open to the public, and a residential zen training program. To learn more, and to help support our podcasts and the work of the Windhorse Zen Community, see our website at www.windhorsezen.org
En aquesta edició del programa hem entrevistat l'Anna Pons, autora del llibre "Me dirijo hacia el horizonte", editorial Sunya, hem parlat sobre el Sónar 2017, cinema, teatre i molt +.
En aquesta edició del programa hem entrevistat l'Anna Pons, autora del llibre "Me dirijo hacia el horizonte", editorial Sunya, hem parlat sobre el Sónar 2017, cinema, teatre i molt +.
On our agenda: Jesse's read Neuromancer and now he's really worried about how Wilfy's sentience has developed and which other AI he has been colluding with. Will SIFR be the end of ICE as we know it? How does Aaron Marron help Criminals deal with their card draw issues? Will 24/7 ever be playable again with so many answers in the metagame? How does Encore compare to Time Walk? Will Encore be $1500 per copy, and banned in all formats other than Vintage? Will extra turns prove as fruitful for runners as they are for magicians? Is Peace in Our Time the best Anarch economy card since Temujin Contract? Will anyone play Fawkes over Dagger? What's the go with Sunya? Twitter: @winningagenda Facebook: The Winning Agenda Patreon: www.patreon.com/thewinningagenda Email: thewinningagenda(AT)gmail.com
Sukadev spricht über den 74. Vers der Hatha Yoga Pradipika, 4. Kapitel, als Inspiration des Tages. Essenz: Im dritten Wirkungsbereich wird der Ton einer Trommel im Sunya, zwischen den Augenbrauen, erkennbar. Dann bewegt sich die Strömung in Richtung Mahasunya, der Quelle aller Kräfte. Mehr zur Hatha Yoga Pradipika findest du im Hatha Yoga Pradipika Portal: […]
Taking on new challenges forces us to re-evaluate existing processes in new ways. This shake-up can introduce discomfort and confusion, par for the course in a change initiative, ultimately all for the reward of greater efficiency, productivity, and affinity. These challenges are magnified when your institution boasts a legacy over 100 years strong. Our guest, Deborah Sunya Moore, serves as associate director of programming with The Chautauqua Institution, an arts and education community in New York on a consistent march to balance innovation and change with the expectations of guests who have been attending Chautauqua for generations. This week on the show, Deborah Sunya Moore joins Howard Teibel and Pete Wright to share how the Chautauqua Institution balances change with culture year after year.
Die Quelle aller Kräfte - HYP.IV.74. Sukadev spricht über den 74. Vers der Hatha Yoga Pradipika, 4. Kapitel, als Inspiration des Tages. Essenz: Im dritten Wirkungsbereich wird der Ton einer Trommel im Sunya, zwischen den Augenbrauen, erkennbar. Dann bewegt sich die Strömung in Richtung Mahasunya, der Quelle aller Kräfte.Lesung und Kommentar von Sukadev Bretz, Gründer und Leiter von Yoga Vidya. http://www.yoga-vidya.de
In this podcast, I rant about many things, but I try and focus on the power of Thunor as the Electro-Magnetic Force of quantum physics. I sputter through copious notes and share from my thoughts in an incomplete and frantic way. I also talk more about the indo-european connections between the Teutonic goddess Sunna and the Vedic God Surya and his wife.... (drum roll).... Sunya! (Sound familiar?) I will also talk about from a scientific perspective as to why the Vedics believed that the Sun worshipped the god Indra (Thunor). All of this will hopefully give the listener a better understanding of how Thunor is the protector of Midgard and the most powerful of the gods!
Koans - A Brief Introduction, An introduction to koans- Sunya Sensei often discusses koans. This brief introduction to koans is taken from a longer teisho, Chosha's Spring Walk that will follow this podcast. Roshi Kapleau, our teacher's teacher, said in his book The Three Pillars of Zen, that a koan is "a formulation, in baffling language, pointing to ultimate truth."A well-known example is "what is the sound of one hand clapping?" Sunya sensei refers to the most widely used initial koan in our practice - Joshu's Mu. Zen teaches us that all things have Buddha nature. The koan goes, "A monk asked Joshu, Does a dog have Buddha Nature?" Joshu replies "Mu" , which means "no". The student is asked to demonstrate what is mu. Sunya Sensei refers to the dokusan room. Part of our practice is the formal private interview with the teacher, dokusan, during which the student is asked to demonstrate understanding of the koan.
Relationships, Sunya sensei discusses relationships in this teisho from April 11th, 2004. For more information on the Windhorse Zen Community, see our website at www.windhorsezen.org.
The Thousand Arms of KannonWho is Kannon, the bodhisattva of compassion? Sunya sensei addresses Kannon and the place of compassion in the practice of zen in today's teisho, from a dharma talk given on July 23rd, 2006. For more information on the Windhorse Zen Community, see our website at www.windhorsezen.org
Sri Caitanya-caritamrta lecture given by Swami B.V. Tripurari on December 27th, 2000 on the Madhya-lila, 8th Chapter - Jnana-sunya bhakti, Part 2.
Sri Caitanya-caritamrta lecture given by Swami B.V. Tripurari on December 27th, 2000 on the Madhya-lila, 8th Chapter - Jnana-sunya bhakti, Part 2.
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