Podcasts about sirens

We're headed to London! (00:00-21:25). The Real Housewives of Rhode Island reunion part 1 recap (22:01-31:58). Off Campus stars Mika Abdalla & Josh Heuston spark dating rumors (32:50-37:14). Olivia Rodrigo unveils her own music festival with all-women lineup (37:15-41:39). Keke Palmer speaks on Sean Evans dating rumors (41:40-45:07). Interview with Milly Alcock - talking her new movie Supergirl, House of the Dragon, Sirens + more! (46:26-1:23:56). CITO LINKS > barstool.link/chicks-in-the-office.You can find every episode of this show on Apple Podcasts, Spotify or YouTube. Prime Members can listen ad-free on Amazon Music. For more, visit barstool.link/chicks-in-the-office

The Chronology Series takes a stop at 2014 for this episode. It's a year full of big time Pearl Jam shows including some full album experiments, 3 hour marathons and showstopping performances. This episode covers their Milton Keynes show that ended the European run that July. This show was a quintessential performance of the era with a masterful setlist construction that didn't need to be chock full of surprises to blow people away. This show has an "it" quality that you hope for when traveling to see this band. The main set is charged up with songs that typically get played early in the night, giving it a feel of anything goes and barely stopping for air. We'll get to talking about some of the changes made from Lightning Bolt songs that we discussed in our 2013 episodes that had evolved after a year of playing them. This includes a more substantial outro on Sirens and a better placement for Let The Records Play alongside Spin The Black Circle. We'll also talk about an appearance from Pete Townshend's brother Simon for the song I Am The Answer, the connection of the early Mother Love Bone and Bad Radio songs played at this show, and an rage inducing rant during Daughter where Ed pleads to stop using tax payer money to drop bombs on children. This memorable show has been on our radar for a while, so the question heading in is how close will this get into the LO4L Hall of Fame? Will conversations about Pete Puma and children of The Beatles help push it to the top? Tune in to find out! Visit the Concertpedia - http://liveon4legs.com Contact the Show - liveon4legspodcast@gmail.com Donate to the Show - http://patreon.com/liveon4legs

Send us Fan MailThis episode of Sirens, Slammers and Service features Ricki Martin—known professionally as Ariana Martin—a 15-year member of the Edmonton Police Service who now works as a file manager in recruiting and selection.

Discussing the Japanese postmodern detective drama KEIZOKU ケイゾク and the libidinal depths of the collective human experience, mysteries as relief for existentialism and human possession with Deniz and Angel Heart. Follow Angel on Instagram: instagram.com/angel.heart.queen And check out Deniz's blog: falions.net Join us on Patreon for paywalled episodes, hundreds of hours of the SIRENS otherworld, access to the Discord and more on patreon.com/imsopopular

Attention is working in really unusual ways this election cycle. Graham Platner, a political unknown a year ago, ended up dominating his Senate primary against Maine's sitting governor – even as his campaign was rocked by a series of scandals. James Talarico also seemed to come out of nowhere to become the Democratic nominee for Senate in Texas. Jon Ossoff has ginned up a ton of excitement as a potential 2028 presidential contender, in part because of his viral videos. Meanwhile, the former reality TV personality Spencer Pratt became a political star on X during his bid to become mayor of Los Angeles and yet failed to make the runoff. All of this has a lot of lessons for how attention is working right now in American politics. So I wanted to have on my favorite person to talk to on this topic. Chris Hayes is the host of “All In With Chris Hayes” on MS NOW and the author of “The Sirens' Call: How Attention Became the World's Most Endangered Resource.” Mentioned: “Donald Trump is going to win the election and democracy will be just fine” by Jared Golden “We Took AOC to a Deep Red Data Center Town” by More Perfect Union “America Dissected” by Dr. Abdul El-Sayed “Can James Talarico Reclaim Christianity for the Left?” with James Talarico, The Ezra Klein Show “Joe Rogan Experience #2352 - James Talarico” with James Talarico, The Joe Rogan Experience “Why Everyone Wants Jon Ossoff to Run for President” by Michelle Goldberg “Obama Suddenly Panicked After Gazing Too Far Into Future” by The Onion Book Recommendations: Transcription by Ben Lerner The Godfather by Mario Puzo Alan Opts Out by Courtney Maum Thoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com. You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast, and you can find Ezra on Twitter @ezraklein. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs. This episode of “The Ezra Klein Show” was produced by Rollin Hu. Fact-checking by Michelle Harris with Julie Beer and Kate Sinclair. Our senior engineer is Jeff Geld, with additional mixing by Johnny Simon. Our recording engineer is Johnny Simon. Our executive producer is Claire Gordon. The show's production team also includes Marie Cascione, Annie Galvin, Kristin Lin, Emma Kehlbeck, Jack McCordick, Marina King and Jan Kobal. Original music by Pat McCusker and Aman Sahota. Audience strategy by Shannon Busta. The director of New York Times Opinion Shows is Annie-Rose Strasser. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

https://innn.it/ungebrochenWir freuen uns über support jeglicher Art!Kleiner Beitrag für die Kaffeekasse: ⁠⁠https://paypal.me/herzundsack?country.x=DE&locale.x=de_DE⁠⁠Uns gibts auch im werbefreien Abo! !Jeden Sonntag eine extra-Folge!Abo via Patreon (Hier geht paypal)⁠⁠⁠⁠⁠https://www.patreon.com/user/membership?u=113937737⁠⁠⁠⁠⁠via spotify (Hier nur Kreditkarte)⁠⁠⁠⁠⁠https://podcasters.spotify.com/pod/herzundsack/subscribe⁠⁠⁠⁠⁠Wir haben auch geilen MERCH!!! ⁠⁠⁠https://herzundsack.myspreadshop.de/⁠⁠⁠Du willst uns ne kleine Email schicken? ⁠⁠⁠⁠⁠mail@herzundsack.de⁠⁠⁠⁠⁠(gerne mit Steckbrief und Lesedauer-Angabe, bitte keine Geschichten über Dritte, bitte vor brisanten Themen eine Inhaltswarnung

Brunner’s prescient classic about overpopulation: is it about overpopulation? Was it prescient? And, for that matter: what does it mean to be a classic? Reviewer and editor Dan Hartland joins to discuss these questions and more. Podcasts, reviews, interviews, essays, and more at the Ancillary Review of Books. Please consider supporting ARB’s Patreon! Guest: Dan Hartland Title: Stand on Zanzibar by John Brunner Host:Jake Casella Brookins Music byGiselle Gabrielle Garcia Artwork byRob Patterson Opening poem by Bhartṛhari, translated by John Brough References: Strange Horizon’s 2026 fund-drive Strange Horizons’ Critical Friends podcast The Illuminated Man: Life, Death and the Worlds of J.G. Ballard by Christopher Priest and Nina Allan Prism, Plastic, Void by Violet Allen This Is How You Lose The Time War by Max Gladstone & Amal El-Mohtar Gideon the Ninth by Tamsyn Muir We The Parasites by A.V. Marraccini  Robert Jackson Bennett’s A Trade of Blood, Mr. Shivers, and Divine Cities trilogy Orion’s “SF Masterworks” series Alfred Bester’s The Stars My Destination Joe Haldeman’s The Forever War The Club Of Rome’s report “The Limits to Growth” Brunner’s “Club or Rome Quartet”: Stand on Zanzibar, The Sheep Look Up, Shockwave Rider, Jagged Orbit John Dos Passos’s U.S.A. trilogy New Worlds magazine "New Wave" science fiction Timothy Leary The Beatles’ Please Please Me versus Sgt. Pepper's Lonely Hearts Club Band Jad Smith’s John Brunner Kurt Vonnegut, Jr.’s The Sirens of Titan & Cat's Cradle William Gibson, Kim Stanley Robinson Thomas Disch's 334 & Camp Concentration The Population Bomb by Paul R. Ehrlich & Anne Howland Ehrlich Soylent Green, dir. Richard Fleischer Make Room! Make Room! by Harry Harrison Gibson’s “Johnny Mnemonic” Vajra Chandrasekera China Mountain Zhang by Maureen F. McHugh Mary Shelley’s Frankenstein Network, dir. Sidney Lumet Marshall McLuhan Taylor Sheridan & John Linson’s Yellowstone series Transmetropolitan comic series by Warren Ellis, Darick Robertson et al. Going Rogue podcast Warren Ellis sexual coercion allegations; lots more but here’s an early overview from the Guardian “FogHorn Barge” from Daniel Simon @ SoundBible, CC BY 3.0 James Ellroy's The Cold Six Thousand David Runciman’s “Are we doomed?” for LRB Degrowth KSR’s The Ministry for the Future E.J. Swift’s When There Are Wolves Again Strange Horizons’ “Ageing in Science Fiction” special issue Shintaro Kago’s Dementia 21 Julia Armfield’s Private Rites Jacqueline Nyathi’s Harare Review of Books David Brin's Earth Jerry Pournelle Dan's Bluesky The Clarke shortlist discussion will appear on Nerds of a Feather Tenacious D The Long Winters The Science Fiction Research Association (SFRA)

The Future Now Resembles the Past by Kinte is the third installment in an Afrofuturist hip-hop trilogy. Part 1, The Future Is Ours, was the warning. Part 2, The Future Is Here, showed the future arriving. Now Part 3 shows humanity slipping backward, repeating the same mistakes it promised to learn from. This album tells a darker chapter where the Eden Protocol has not been activated, the last rainforest is decaying, the children of the algorithm become the system, and the future begins to look like the past all over again. But even in the collapse, the final track leaves a small glimmer of hope that the next generation may finally break the cycle. Samples come from Tubeway Army by Tubeway Army, Telekon by Gary Numan, and Warriors by Gary Numan. Track Listing and Samples Intro (The Cycle Begins Again) Sample: “Listen to the Sirens” from Tubeway Army by Tubeway Army We Were Warned Before Sample: “This Wreckage” from Telekon by Gary Numan The Future Now Resembles the Past Sample: “Warriors” from Warriors by Gary Numan Eden Protocol Not Activated Sample: “I Dream of Wires” from Telekon by Gary Numan Cities Under Glass Are Cracking Sample: “This Prison Moon” from Warriors by Gary Numan The Last Rainforest Is Now in Decay Sample: “The Iceman Comes” from Warriors by Gary Numan Children of the Algorithm Became the System Sample: “Remind Me to Smile” from Telekon by Gary Numan New Kings in Tomorrow Sample: “My Centurion” from Warriors by Gary Numan Digital Ancestors Deleted Sample: “My Shadow in Vain” from Tubeway Army by Tubeway Army The Oceans Came Back for Their Names Sample: “The Aircrash Bureau” from Telekon by Gary Numan Build the Walls Again Sample: “The Dream Police” from Tubeway Army by Tubeway Army The Children Still Remember the Sun Sample: “We Are Glass” from Telekon by Gary Numan #TheFutureNowResemblesThePast #Kinte #Afrofuturism

The Future Now Resembles the Past by Kinte is the third installment in an Afrofuturist hip-hop trilogy. Part 1, The Future Is Ours, was the warning. Part 2, The Future Is Here, showed the future arriving. Now Part 3 shows humanity slipping backward, repeating the same mistakes it promised to learn from. This album tells a darker chapter where the Eden Protocol has not been activated, the last rainforest is decaying, the children of the algorithm become the system, and the future begins to look like the past all over again. But even in the collapse, the final track leaves a small glimmer of hope that the next generation may finally break the cycle. Samples come from Tubeway Army by Tubeway Army, Telekon by Gary Numan, and Warriors by Gary Numan. Track Listing and Samples Intro (The Cycle Begins Again) Sample: “Listen to the Sirens” from Tubeway Army by Tubeway Army We Were Warned Before Sample: “This Wreckage” from Telekon by Gary Numan The Future Now Resembles the Past Sample: “Warriors” from Warriors by Gary Numan Eden Protocol Not Activated Sample: “I Dream of Wires” from Telekon by Gary Numan Cities Under Glass Are Cracking Sample: “This Prison Moon” from Warriors by Gary Numan The Last Rainforest Is Now in Decay Sample: “The Iceman Comes” from Warriors by Gary Numan Children of the Algorithm Became the System Sample: “Remind Me to Smile” from Telekon by Gary Numan New Kings in Tomorrow Sample: “My Centurion” from Warriors by Gary Numan Digital Ancestors Deleted Sample: “My Shadow in Vain” from Tubeway Army by Tubeway Army The Oceans Came Back for Their Names Sample: “The Aircrash Bureau” from Telekon by Gary Numan Build the Walls Again Sample: “The Dream Police” from Tubeway Army by Tubeway Army The Children Still Remember the Sun Sample: “We Are Glass” from Telekon by Gary Numan #TheFutureNowResemblesThePast #Kinte #Afrofuturism

The Future Now Resembles the Past by Kinte is the third installment in an Afrofuturist hip-hop trilogy. Part 1, The Future Is Ours, was the warning. Part 2, The Future Is Here, showed the future arriving. Now Part 3 shows humanity slipping backward, repeating the same mistakes it promised to learn from. This album tells a darker chapter where the Eden Protocol has not been activated, the last rainforest is decaying, the children of the algorithm become the system, and the future begins to look like the past all over again. But even in the collapse, the final track leaves a small glimmer of hope that the next generation may finally break the cycle. Samples come from Tubeway Army by Tubeway Army, Telekon by Gary Numan, and Warriors by Gary Numan. Track Listing and Samples Intro (The Cycle Begins Again) Sample: “Listen to the Sirens” from Tubeway Army by Tubeway Army We Were Warned Before Sample: “This Wreckage” from Telekon by Gary Numan The Future Now Resembles the Past Sample: “Warriors” from Warriors by Gary Numan Eden Protocol Not Activated Sample: “I Dream of Wires” from Telekon by Gary Numan Cities Under Glass Are Cracking Sample: “This Prison Moon” from Warriors by Gary Numan The Last Rainforest Is Now in Decay Sample: “The Iceman Comes” from Warriors by Gary Numan Children of the Algorithm Became the System Sample: “Remind Me to Smile” from Telekon by Gary Numan New Kings in Tomorrow Sample: “My Centurion” from Warriors by Gary Numan Digital Ancestors Deleted Sample: “My Shadow in Vain” from Tubeway Army by Tubeway Army The Oceans Came Back for Their Names Sample: “The Aircrash Bureau” from Telekon by Gary Numan Build the Walls Again Sample: “The Dream Police” from Tubeway Army by Tubeway Army The Children Still Remember the Sun Sample: “We Are Glass” from Telekon by Gary Numan #TheFutureNowResemblesThePast #Kinte #Afrofuturism

The Future Now Resembles the Past by Kinte is the third installment in an Afrofuturist hip-hop trilogy. Part 1, The Future Is Ours, was the warning. Part 2, The Future Is Here, showed the future arriving. Now Part 3 shows humanity slipping backward, repeating the same mistakes it promised to learn from. This album tells a darker chapter where the Eden Protocol has not been activated, the last rainforest is decaying, the children of the algorithm become the system, and the future begins to look like the past all over again. But even in the collapse, the final track leaves a small glimmer of hope that the next generation may finally break the cycle. Samples come from Tubeway Army by Tubeway Army, Telekon by Gary Numan, and Warriors by Gary Numan. Track Listing and Samples Intro (The Cycle Begins Again) Sample: “Listen to the Sirens” from Tubeway Army by Tubeway Army We Were Warned Before Sample: “This Wreckage” from Telekon by Gary Numan The Future Now Resembles the Past Sample: “Warriors” from Warriors by Gary Numan Eden Protocol Not Activated Sample: “I Dream of Wires” from Telekon by Gary Numan Cities Under Glass Are Cracking Sample: “This Prison Moon” from Warriors by Gary Numan The Last Rainforest Is Now in Decay Sample: “The Iceman Comes” from Warriors by Gary Numan Children of the Algorithm Became the System Sample: “Remind Me to Smile” from Telekon by Gary Numan New Kings in Tomorrow Sample: “My Centurion” from Warriors by Gary Numan Digital Ancestors Deleted Sample: “My Shadow in Vain” from Tubeway Army by Tubeway Army The Oceans Came Back for Their Names Sample: “The Aircrash Bureau” from Telekon by Gary Numan Build the Walls Again Sample: “The Dream Police” from Tubeway Army by Tubeway Army The Children Still Remember the Sun Sample: “We Are Glass” from Telekon by Gary Numan #TheFutureNowResemblesThePast #Kinte #Afrofuturism

The Future Now Resembles the Past by Kinte is the third installment in an Afrofuturist hip-hop trilogy. Part 1, The Future Is Ours, was the warning. Part 2, The Future Is Here, showed the future arriving. Now Part 3 shows humanity slipping backward, repeating the same mistakes it promised to learn from. This album tells a darker chapter where the Eden Protocol has not been activated, the last rainforest is decaying, the children of the algorithm become the system, and the future begins to look like the past all over again. But even in the collapse, the final track leaves a small glimmer of hope that the next generation may finally break the cycle. Samples come from Tubeway Army by Tubeway Army, Telekon by Gary Numan, and Warriors by Gary Numan. Track Listing and Samples Intro (The Cycle Begins Again) Sample: “Listen to the Sirens” from Tubeway Army by Tubeway Army We Were Warned Before Sample: “This Wreckage” from Telekon by Gary Numan The Future Now Resembles the Past Sample: “Warriors” from Warriors by Gary Numan Eden Protocol Not Activated Sample: “I Dream of Wires” from Telekon by Gary Numan Cities Under Glass Are Cracking Sample: “This Prison Moon” from Warriors by Gary Numan The Last Rainforest Is Now in Decay Sample: “The Iceman Comes” from Warriors by Gary Numan Children of the Algorithm Became the System Sample: “Remind Me to Smile” from Telekon by Gary Numan New Kings in Tomorrow Sample: “My Centurion” from Warriors by Gary Numan Digital Ancestors Deleted Sample: “My Shadow in Vain” from Tubeway Army by Tubeway Army The Oceans Came Back for Their Names Sample: “The Aircrash Bureau” from Telekon by Gary Numan Build the Walls Again Sample: “The Dream Police” from Tubeway Army by Tubeway Army The Children Still Remember the Sun Sample: “We Are Glass” from Telekon by Gary Numan #TheFutureNowResemblesThePast #Kinte #Afrofuturism

Send us Fan MailThis episode of Sirens, Slammers and Service gets raw and real with Sarah Ruhland—better known online as The Tattooed EMT.

On this episode: as part of the Watson School's programming for Brown University's Commencement and Reunion Weekend, Dean John Friedman spoke with MS NOW's Chris Hayes ‘01 about how social media and the attention economy have reshaped American politics, how politicians should react to these seismic changes in political media, and what this means for the 2026 mid-term elections and beyond. Chris Hayes is a journalist and the Emmy Award-winning anchor of “All In with Chris Hayes,” which airs weekdays at 8:00 p.m. on MS NOW. He is the anchor of the MS NOW Original podcast “Why Is This Happening? The Chris Hayes Podcast,” and author of, most recently, “The Sirens' Call: How Attention Became the World's Most Endangered Resource.” This conversation has been edited for clarity. Watch the full, unedited conversation on our YouTube channel. Transcript coming soon to our website.

Episode 203: Reina Callier Shares Her Irreverent and Hilarious Novel SIRENS GO OFF by Laurel McHargue

Post-hardcore artist MADiSON ViOLETT discusses how she was able to drop seven singles in a year without burning out. We also talk about her latest release, “Bleed for Me,” and how she landed Kellin Quinn from Sleeping with Sirens as a featured artist.Follow MADiSON ViOLETT:SpotifyTikTokInstagramFollow Creatives Prevail:InstagramTikTokWebsiteTrying to stay consistent with your own creative work? Sign up for The Monthly Scramble for featured episodes, collaboration ideas, creative lessons, and more stories about turning momentum into real growth.Want to take a moment to recommend RootNote, a platform that helps creators track their stats and growth across multiple platforms, and makes it easy to share clean analytics with potential partners without constantly updating your one sheet or sponsorship deck. It's also especially useful for agencies managing creator rosters.They're also currently offering a course with step-by-step lessons on how creators can secure brand deals and build better partnerships.Use code CREATIVESPREVAIL for 30% off the $297 course plus RootNote Premium access at rootnote.co. And yes, we get a commission.Note: We ONLY make recommendations for products and services that we have tried ourselves and believe in their results as well as the people behind them.We would love to hear from you! Please give us a review, this really helps get others to listen in. Any suggestions on how we can improve? DM us on Instagram or TikTok.Host: Mike ZimmerlichProduced by: Omelette PrevailPost-Production: EarthtoMoiraMusic by: Daphne GreeneTech Specs:Mic and Headphone Setup:Limelight Dynamic Mic (512 Audio / Warm Audio)Vocaster One (Focusrite)MBS9500 Microphone Boom Arm (On-Stage)Pro X2 Headphones (Logitech)Light Setup:Litra Beam (Logitech)Glide Lively Wall Lights (Govee)Squares (Twinkly)Key Light (Elgato)

We need to talk to a Denver based meteorologist on the show ASAP. How does a false tornado warning alarm affect our trust in our local meteorologists? Apparently, one small mistake can make a big impact. Listen in to hear our thoughts!   As always, we're also going over the best news and events on our radar this week as well.   We're looking for an Intern! Reach out to tell us how you can help!   Check out our new Community Events Page: https://realgooddenver.com/events   Follow RGD: YouTube: https://www.youtube.com/channel/UC8u8GmvBi6th6LOOMCuwJKw Instagram: https://www.instagram.com/real_good_denver/ TikTok: https://www.tiktok.com/@realgooddenver   Do you have a Denver event, cause, opening, or recommendation that you want to share with us? We want to hear from you! Tell us what's good at tom@kitcaster.com. We're opening up early access to a custom Denver job alert program through our newsletter thanks to https://www.jobstreamai.com/. Sign up at realgooddenver.com to be the first to know when it's ready!! Check out our new Community Events Page: https://realgooddenver.com/events   News Denver Parks and Rec reducing water usage by 20%   Accidental Tornado Siren Downtown Events Red Rocks Schedule Cats on Mats   Shoutouts The Bagel Deli Little Man Ice Cream Sundae Candlight tavern Tap and Burger Parkburger Recess Beer Garden Redeemer Pizza Cart Driver Vero Italian Guido's Pizza   Check out our new Best of Denver Series ​​Music produced by Troy Higgins Goodboytroy.com

Hosts: Dirk Clingman, Kelly Clingman Guests: Office Beck Boyer, Firefighter/Paramedic Tanner Patrick Air date: June 10, 2026

Disruptive Project Leadership Podcast Episode 16: The Sirens of Leadership Host: Rene Little - The Human-Centric Project Crisis Navigator | Rescuing At-Risk Tech Projects & Fast-Tracking High-Stakes Execution—Without Burning Out Teams | PMI Published Produced by Elite Conversations Podcast Media eliteconversations.com/

Widow's Bay Editors – Isaac Hagy, ACE; Kyle Reiter, ACE and Jen Bryson The editors of Widow's Bay may not live on a cursed New England island, but after years of working together across shows like Atlanta, Station Eleven and Mr. & Mrs. Smith, Isaac Hagy, Kyle Reiter and Jen Bryson have developed the kind of shared creative history that makes them feel right at home in one. Created by Katie Dippold for Apple TV, Widow's Bay stars Matthew Rhys as Tom Loftis, the skeptical mayor of a strange little island town where the locals believe the place is cursed. Tom would very much like to turn Widow's Bay into a thriving tourist destination. Unfortunately, the island has other ideas. The series also stars Kate O'Flynn, Stephen Root, Kingston Rumi Southwick, Kevin Carroll and Dale Dickey. For Isaac, Kyle and Jen, the show was another chance to reunite with longtime collaborator Hiro Murai and post producer Kaitlin Waldron. Isaac's creative relationship with Hiro goes back nearly twenty years, starting with no-budget music videos before eventually leading to Atlanta. Kyle joined that extended creative family through Kaitlin Waldron and Atlanta, while Jen came up through the same post team, beginning as a post PA before eventually moving into the editor's chair. In our interview, the editors talk about how the show was first described to them as something close to "ten episodes of Teddy Perkins," with additional reference points including Jaws, John Carpenter films, Stephen King stories and the specific textures of rural coastal New England. The island itself was designed to feel contemporary, but also strangely out of time — a place without cell phones, without modern comforts, and possibly without a sensible tourism strategy. ISAAC HAGY, ACE Isaac Hagy, ACE is an editor whose work includes the feature films Waves and The Friend, as well as television series such as Atlanta, Mr. & Mrs. Smith, Station Eleven, American Vandal, Chef's Table and Sirens. He has received multiple Emmy and ACE nominations for his work, including recognition for Atlanta and Mr. & Mrs. Smith. Across his work in television and film, Isaac has helped shape stories that blend tonal precision, visual invention and deeply character-driven editing. KYLE REITER, ACE Kyle Reiter, ACE is an editor whose credits include Atlanta, Barry, Mr. & Mrs. Smith, Station Eleven and Black Rabbit. A multiple Emmy nominee, Kyle won an ACE Eddie Award for his work on Atlanta. His editing work spans comedy, drama, surrealism and genre storytelling, often finding the rhythm between deadpan humor, emotional honesty and unexpected tonal shifts. JEN BRYSON Jen Bryson is an editor whose credits include Atlanta, Mr. & Mrs. Smith and Sirens. After years of working with the post team connected to Hiro Murai, Kaitlin Waldron, Isaac Hagy and Kyle Reiter, Jen moved from post production assistant work into assistant editing and then into the editor's chair. Her work reflects a sharp eye for performance, character detail and the delicate balance between comedy, tension and emotional truth.   Visit ExtremeMusic for all your production audio needs. Hear Isaac discuss his work on SIRENS. Check out Kyle's interview for BLACK RABBIT. Subscribe to The Rough Cut podcast and never miss an episode. Visit The Rough Cut on YouTube.

More than 40 years after her death, the legend of Maria Callas, "La Divina Assoluta," remains unsurpassed. Much has been written about her sensational opera career and fraught private life, from her definitive mastery of iconic opera roles to her love affairs and tantrums. The prototype for the 20th century celebrity diva, Callas emblematizes the cliche of tormented talent - genius in the ring with catastrophe. Her extraordinary voice, in particular, has become an object of cult-like adoration and cultural significance almost with a life of its own: as fetish object, as sophisticated sonic signifier, and most recently, as the lifeblood for a Callas hologram. Such adoration is not without consequences. When Callas is transformed into a vessel for such transcendent magic, it overshadows what is perhaps her most superhuman ability - the masterful technique she deployed to shape and craft her astounding instrument. Singing bodies are working bodies, enacting an intimate and complex form of artistic labor and cultural signification. Using one of Callas's first recital recordings from 1954, Maria Callas's Lyric and Coloratura Arias (Bloomsbury, 2021) envisions each aria as a lens to examine various aspects of vocalization and cultural reception of the feminized voice in both classical and pop culture, from Homer's Sirens to Star Trek. With references to works by Marina Abramovic, Charles Baudelaire, Michel Chion, Wayne Koestenbaum, Greil Marcus, and Farah Jasmine Griffin, as well as films by Pier Paolo Pasolini, Jonathan Demme, and Rainer Werner Fassbinder, each chapter explores phenomena unique to the singing voice, including the operatic screaming point, the politics of listening, and the singing simulacrum. Ginger Dellenbaugh is a musician and historian who has written and lectured on music and politics, vernacular notation systems, and the cultural history of the voice. A trained opera singer, she performed for over a decade in Europe and the United States. Ginger is currently a lecturer at The New School in New York, USA and completing a PhD in musicology at Yale University, USA. She lives in New York City and Vienna, Austria. Ginger Dellenbaugh's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

More than 40 years after her death, the legend of Maria Callas, "La Divina Assoluta," remains unsurpassed. Much has been written about her sensational opera career and fraught private life, from her definitive mastery of iconic opera roles to her love affairs and tantrums. The prototype for the 20th century celebrity diva, Callas emblematizes the cliche of tormented talent - genius in the ring with catastrophe. Her extraordinary voice, in particular, has become an object of cult-like adoration and cultural significance almost with a life of its own: as fetish object, as sophisticated sonic signifier, and most recently, as the lifeblood for a Callas hologram. Such adoration is not without consequences. When Callas is transformed into a vessel for such transcendent magic, it overshadows what is perhaps her most superhuman ability - the masterful technique she deployed to shape and craft her astounding instrument. Singing bodies are working bodies, enacting an intimate and complex form of artistic labor and cultural signification. Using one of Callas's first recital recordings from 1954, Maria Callas's Lyric and Coloratura Arias (Bloomsbury, 2021) envisions each aria as a lens to examine various aspects of vocalization and cultural reception of the feminized voice in both classical and pop culture, from Homer's Sirens to Star Trek. With references to works by Marina Abramovic, Charles Baudelaire, Michel Chion, Wayne Koestenbaum, Greil Marcus, and Farah Jasmine Griffin, as well as films by Pier Paolo Pasolini, Jonathan Demme, and Rainer Werner Fassbinder, each chapter explores phenomena unique to the singing voice, including the operatic screaming point, the politics of listening, and the singing simulacrum. Ginger Dellenbaugh is a musician and historian who has written and lectured on music and politics, vernacular notation systems, and the cultural history of the voice. A trained opera singer, she performed for over a decade in Europe and the United States. Ginger is currently a lecturer at The New School in New York, USA and completing a PhD in musicology at Yale University, USA. She lives in New York City and Vienna, Austria. Ginger Dellenbaugh's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

AP correspondent Julie Walker reports on intercepted Iranian missiles and drones targeted at Bahrain and Kuwait.

More than 40 years after her death, the legend of Maria Callas, "La Divina Assoluta," remains unsurpassed. Much has been written about her sensational opera career and fraught private life, from her definitive mastery of iconic opera roles to her love affairs and tantrums. The prototype for the 20th century celebrity diva, Callas emblematizes the cliche of tormented talent - genius in the ring with catastrophe. Her extraordinary voice, in particular, has become an object of cult-like adoration and cultural significance almost with a life of its own: as fetish object, as sophisticated sonic signifier, and most recently, as the lifeblood for a Callas hologram. Such adoration is not without consequences. When Callas is transformed into a vessel for such transcendent magic, it overshadows what is perhaps her most superhuman ability - the masterful technique she deployed to shape and craft her astounding instrument. Singing bodies are working bodies, enacting an intimate and complex form of artistic labor and cultural signification. Using one of Callas's first recital recordings from 1954, Maria Callas's Lyric and Coloratura Arias (Bloomsbury, 2021) envisions each aria as a lens to examine various aspects of vocalization and cultural reception of the feminized voice in both classical and pop culture, from Homer's Sirens to Star Trek. With references to works by Marina Abramovic, Charles Baudelaire, Michel Chion, Wayne Koestenbaum, Greil Marcus, and Farah Jasmine Griffin, as well as films by Pier Paolo Pasolini, Jonathan Demme, and Rainer Werner Fassbinder, each chapter explores phenomena unique to the singing voice, including the operatic screaming point, the politics of listening, and the singing simulacrum. Ginger Dellenbaugh is a musician and historian who has written and lectured on music and politics, vernacular notation systems, and the cultural history of the voice. A trained opera singer, she performed for over a decade in Europe and the United States. Ginger is currently a lecturer at The New School in New York, USA and completing a PhD in musicology at Yale University, USA. She lives in New York City and Vienna, Austria. Ginger Dellenbaugh's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

More than 40 years after her death, the legend of Maria Callas, "La Divina Assoluta," remains unsurpassed. Much has been written about her sensational opera career and fraught private life, from her definitive mastery of iconic opera roles to her love affairs and tantrums. The prototype for the 20th century celebrity diva, Callas emblematizes the cliche of tormented talent - genius in the ring with catastrophe. Her extraordinary voice, in particular, has become an object of cult-like adoration and cultural significance almost with a life of its own: as fetish object, as sophisticated sonic signifier, and most recently, as the lifeblood for a Callas hologram. Such adoration is not without consequences. When Callas is transformed into a vessel for such transcendent magic, it overshadows what is perhaps her most superhuman ability - the masterful technique she deployed to shape and craft her astounding instrument. Singing bodies are working bodies, enacting an intimate and complex form of artistic labor and cultural signification. Using one of Callas's first recital recordings from 1954, Maria Callas's Lyric and Coloratura Arias (Bloomsbury, 2021) envisions each aria as a lens to examine various aspects of vocalization and cultural reception of the feminized voice in both classical and pop culture, from Homer's Sirens to Star Trek. With references to works by Marina Abramovic, Charles Baudelaire, Michel Chion, Wayne Koestenbaum, Greil Marcus, and Farah Jasmine Griffin, as well as films by Pier Paolo Pasolini, Jonathan Demme, and Rainer Werner Fassbinder, each chapter explores phenomena unique to the singing voice, including the operatic screaming point, the politics of listening, and the singing simulacrum. Ginger Dellenbaugh is a musician and historian who has written and lectured on music and politics, vernacular notation systems, and the cultural history of the voice. A trained opera singer, she performed for over a decade in Europe and the United States. Ginger is currently a lecturer at The New School in New York, USA and completing a PhD in musicology at Yale University, USA. She lives in New York City and Vienna, Austria. Ginger Dellenbaugh's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

More than 40 years after her death, the legend of Maria Callas, "La Divina Assoluta," remains unsurpassed. Much has been written about her sensational opera career and fraught private life, from her definitive mastery of iconic opera roles to her love affairs and tantrums. The prototype for the 20th century celebrity diva, Callas emblematizes the cliche of tormented talent - genius in the ring with catastrophe. Her extraordinary voice, in particular, has become an object of cult-like adoration and cultural significance almost with a life of its own: as fetish object, as sophisticated sonic signifier, and most recently, as the lifeblood for a Callas hologram. Such adoration is not without consequences. When Callas is transformed into a vessel for such transcendent magic, it overshadows what is perhaps her most superhuman ability - the masterful technique she deployed to shape and craft her astounding instrument. Singing bodies are working bodies, enacting an intimate and complex form of artistic labor and cultural signification. Using one of Callas's first recital recordings from 1954, Maria Callas's Lyric and Coloratura Arias (Bloomsbury, 2021) envisions each aria as a lens to examine various aspects of vocalization and cultural reception of the feminized voice in both classical and pop culture, from Homer's Sirens to Star Trek. With references to works by Marina Abramovic, Charles Baudelaire, Michel Chion, Wayne Koestenbaum, Greil Marcus, and Farah Jasmine Griffin, as well as films by Pier Paolo Pasolini, Jonathan Demme, and Rainer Werner Fassbinder, each chapter explores phenomena unique to the singing voice, including the operatic screaming point, the politics of listening, and the singing simulacrum. Ginger Dellenbaugh is a musician and historian who has written and lectured on music and politics, vernacular notation systems, and the cultural history of the voice. A trained opera singer, she performed for over a decade in Europe and the United States. Ginger is currently a lecturer at The New School in New York, USA and completing a PhD in musicology at Yale University, USA. She lives in New York City and Vienna, Austria. Ginger Dellenbaugh's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices

More than 40 years after her death, the legend of Maria Callas, "La Divina Assoluta," remains unsurpassed. Much has been written about her sensational opera career and fraught private life, from her definitive mastery of iconic opera roles to her love affairs and tantrums. The prototype for the 20th century celebrity diva, Callas emblematizes the cliche of tormented talent - genius in the ring with catastrophe. Her extraordinary voice, in particular, has become an object of cult-like adoration and cultural significance almost with a life of its own: as fetish object, as sophisticated sonic signifier, and most recently, as the lifeblood for a Callas hologram. Such adoration is not without consequences. When Callas is transformed into a vessel for such transcendent magic, it overshadows what is perhaps her most superhuman ability - the masterful technique she deployed to shape and craft her astounding instrument. Singing bodies are working bodies, enacting an intimate and complex form of artistic labor and cultural signification. Using one of Callas's first recital recordings from 1954, Maria Callas's Lyric and Coloratura Arias (Bloomsbury, 2021) envisions each aria as a lens to examine various aspects of vocalization and cultural reception of the feminized voice in both classical and pop culture, from Homer's Sirens to Star Trek. With references to works by Marina Abramovic, Charles Baudelaire, Michel Chion, Wayne Koestenbaum, Greil Marcus, and Farah Jasmine Griffin, as well as films by Pier Paolo Pasolini, Jonathan Demme, and Rainer Werner Fassbinder, each chapter explores phenomena unique to the singing voice, including the operatic screaming point, the politics of listening, and the singing simulacrum. Ginger Dellenbaugh is a musician and historian who has written and lectured on music and politics, vernacular notation systems, and the cultural history of the voice. A trained opera singer, she performed for over a decade in Europe and the United States. Ginger is currently a lecturer at The New School in New York, USA and completing a PhD in musicology at Yale University, USA. She lives in New York City and Vienna, Austria. Ginger Dellenbaugh's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies

More than 40 years after her death, the legend of Maria Callas, "La Divina Assoluta," remains unsurpassed. Much has been written about her sensational opera career and fraught private life, from her definitive mastery of iconic opera roles to her love affairs and tantrums. The prototype for the 20th century celebrity diva, Callas emblematizes the cliche of tormented talent - genius in the ring with catastrophe. Her extraordinary voice, in particular, has become an object of cult-like adoration and cultural significance almost with a life of its own: as fetish object, as sophisticated sonic signifier, and most recently, as the lifeblood for a Callas hologram. Such adoration is not without consequences. When Callas is transformed into a vessel for such transcendent magic, it overshadows what is perhaps her most superhuman ability - the masterful technique she deployed to shape and craft her astounding instrument. Singing bodies are working bodies, enacting an intimate and complex form of artistic labor and cultural signification. Using one of Callas's first recital recordings from 1954, Maria Callas's Lyric and Coloratura Arias (Bloomsbury, 2021) envisions each aria as a lens to examine various aspects of vocalization and cultural reception of the feminized voice in both classical and pop culture, from Homer's Sirens to Star Trek. With references to works by Marina Abramovic, Charles Baudelaire, Michel Chion, Wayne Koestenbaum, Greil Marcus, and Farah Jasmine Griffin, as well as films by Pier Paolo Pasolini, Jonathan Demme, and Rainer Werner Fassbinder, each chapter explores phenomena unique to the singing voice, including the operatic screaming point, the politics of listening, and the singing simulacrum. Ginger Dellenbaugh is a musician and historian who has written and lectured on music and politics, vernacular notation systems, and the cultural history of the voice. A trained opera singer, she performed for over a decade in Europe and the United States. Ginger is currently a lecturer at The New School in New York, USA and completing a PhD in musicology at Yale University, USA. She lives in New York City and Vienna, Austria. Ginger Dellenbaugh's website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

"In the recording that forms the basis of the composition, two elements act as tonic and signal, respectively: the sound of the grackles and a loud siren. The siren, a disturbing element, has been time-stretched to transform it into brushstrokes of colour, thus entering a new temporal and gestural dimension. These brushstrokes of colour unfold against the background sound of the grackles." | Nicola Fumo Frattegiani

Narrator: Thomas Jones

Are you paying attention when you scroll online? In episode 176 of Overthink, Ellie and David draw your attention to attention. They explain why attention is so hard to define and debate the extent to which it should be equated with consciousness. Is attention the same thing as consciousness? Or are there important differences between these concepts? They consider different ways that attention has been classified, from “overt vs. covert” to “effortful vs. effortless” to “voluntary vs. involuntary.” Ellie and David then discuss the commodification of attention and how it has been intensified by the digital era, or what Chris Hayes calls “the age of attention.” How has social media changed the way we attend to the world, to ourselves, and to others? Is our attention still our own? Or has it become alienated? In the Substack Bonus Segment, Ellie and David talk about Simone Weil's and Iris Murdoch's ethical approaches to attention.Works Discussed:Jelle Bruineberg, “Rethinking the cognitive foundations of the attention economy”Chris Hayes, The Sirens' Call: How Attention Became the World's Most Endangered ResourceWilliam James, The Principles of PsychologyCarlos Montemayor and Harry Haroutioun Haladjian, Consciousness, Attention, and Conscious AttentionThe Friends of Attention, Attensity! A Manifesto of the Attention Liberation MovementEnjoy our work? Support Overthink via tax-deductible donation: https://www.givecampus.com/fj0w3v Subscribe to our Substack for ad-free versions of both audio and video episodes, extended episodes, exclusive live chats, and more: https://overthinkpod.substack.com/See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Today on Ascend: The Great Books Podcast, Dcn. Harrison Garlick discusses Books 11-12 of the Odyssey with Dr. Frank Grabowski and Mr. Luke Heintschel, the Academic Headmaster of Coeur du Christ Academy.Check out Ascend's LIBRARY of written guides and SOCIAL MEDIA. Check out Luke's Substack at CoCrucified and Dr. Grabowski's at Porch & Altar.SummaryListeners are taken on Odysseus' harrowing katabasis into the underworld, where he confronts shades of the dead, including his mother, the tragic Agamemnon, and especially Achilles, whose devastating reflection on glory versus life delivers one of the most “blood on the floor” moments in Western literature. The conversation masterfully unpacks themes of piety, humanization, fate and free will, and the meaning of a well-lived life, while drawing illuminating connections to Plato, Dante, Boethius, and the Christian tradition.The discussion continues into Book 12 with the irresistible Sirens, the terror of Scylla and Charybdis, and the fateful transgression with the Cattle of the Sun. Throughout, the guests offer sharp insight into Odysseus's evolving character, the tensions between cunning and virtue, and why these ancient stories remain essential for forming minds today. Whether you're a longtime lover of Homer or new to the Great Books, this episode delivers rich intellectual conversation, pedagogical wisdom, and profound reflections that will leave you eager to pick up the text—or re-read it with fresh eyes.Chapters00:00 Introduction to the Great Books Podcast06:01 Exploring the Odyssey: Books 11 and 1212:54 The Theme of Descent into the Underworld16:57 Elpenor's Ignoble Death and Its Significance23:42 Tiresias and the Prophecies for Odysseus31:43 Fate vs. Free Will in the Odyssey38:29 The Role of Women in the Odyssey43:24 The Significance of Penelope in the Odyssey45:48 Odysseus' Emotional Journey and Family Dynamics53:13 Agamemnon's Narrative and the Role of Women58:32 Achilles' Regret and the Nature of Glory01:09:41 Ajax's Silence and the Weight of Honor01:17:53 Exploring the Underworld: Tantalus and Heracles01:20:34 Odysseus's Descent: Fear and Fate in Hades01:21:38 Homer's Philosophical Insights: Preparing for Christ01:22:29 Homer as a Teacher and Philosopher01:24:15 The Sirens: Temptation and Knowledge01:33:46 Scylla and Charybdis: Leadership and Sacrifice01:39:31 The Cattle of the Sun: Fate and Free Will01:46:04 Odysseus's Reflection: Mortality and LeadershipKeywordsHomer Odyssey Books 11 and 12, Odyssey Book 11 summary and analysis, Odyssey Book 12 summary, Odysseus katabasis underworld descent, Achilles in Hades dialogue, Odysseus meets Achilles, Sirens episode Odyssey, Scylla and Charybdis, Cattle of the Sun God, Tiresias prophecy, Elpenor burial, Odysseus piety and character development, fate versus free will in Homer, classical education podcast, Great Books discussion Homer, Ascend the Great Books Podcast, Deacon Harrison Garlick Odyssey, Dr. Frank Grabowski, Luke Heintschel Court of Christ Academy, Homer philosophy and theology, katabasis tradition Plato Dante, Christian reading of the Odyssey, Odysseus hero journey analysis.

So we're back again pretty soon. Yay me for being productive. Boo this guy who stops by the home of Dr. Owens to show him some pictures of Chrissy and Owens is like so you're just going to let the local police think that poor metal head kid did this? And Sullivan is like I think it was a girl our government traumatized, we're clearly the good guys and Owens is like we shouldn't have ever taken this land from indigenous people… Over in California, Angela is still crying boo hoo FAFO Jonathon lets the talking bong drive and they discuss how roller-skates are made. They get home find that Joyce has taken a wife, and his name is Murray and he made risotto… Joyce tells them she has to leave and Jonathon is like leave where? where are we? Mike says “sitting across the table from a monster” and El is like “last straw hair boy” and Will is like “I can't even defend him about this” Lucas finds Jason loading guns and sharpening knives and saying “I just want to talk to him” over and over. Eddie shovels cereal in his mouth and wants the bad news first, always… ☹ Sirens cause him to pull an ostrich and shove his head under a tarp while the others go and find Nancy and she tells them the plot to nightmare on elm street but they tell her the plot to this season. Steve wants her again for no discernible reason except for he peaked in high school and she was that peak. She wants to go to the library and Robin has to go with her to be scowled at because Robin is poor… (literally that's the source of this)But good thing because Robin finds out that bigfoot might be real and Victor is innocent and this is not Venca's first rodeo. Mike is good at words for the first time ever but just for a second, but then Eleven says she's different and he's like “I know what you're going through” and she's like “excuse me white middle class male in the 80s, who lives in suburbia… I was ripped from my mother's womb and grown in a test tube and trained to be an assassin, I assure you, you do not.”Also, she keeps saying “From” and he's like J.J. Abrams and Harold Parrineau? that show is awesome. The cops find out that a teenage girl stood up for herself so she is promptly arrested. On a plane Murray tells Joyce her kids are on drugs and she braces for takeoff. In Russia Hopper is beaten by his new friend and gives someone bread to break his leg. Venca gets into the minds of Hawkins teens and punches them in the back of the head with his mind or something. And Jason finds Corroded Coffin sans Eddie and hits them in the front and Lucas is like “I just wanted to play basketball now I'm in two cults” Eleven is questioned by the police who ask if she wanted to kill Angela and she's like “she's not the only one, I want to kill so many people including both of you” and I'm like “she's literally allowed” Max steals some keys to break into the school and I'm like “she's also literally allowed” Jason is after Dustin now and this finally wakes Lucas up and makes him realize he's been riding around with the dark side. So he makes me proud and leads the douchebags in the wrong direction, and promptly gets the freak out of there. Eleven is taken away and then hijacked and then kidnapped by Owens who takes her to a diner and says “if you relive your entire childhood trauma I will buy you waffles” and she's like “Eggos?” and he's like “no” and she says “I'm a monster, I think I've killed a lot of people” and he's like “No one cares, you're literally the best, most innocent character of all of fiction now and in the past and future, you're an angel” Well he didn't but he was thinking it, along with everyone else Max finds out her “headaches” and “nightmares” are caused by an ancient monster terrorizing her with a grandfather clock. Roll credits.

We have for you this evening a deluge of divine underwater divas! Mermaids are some of folklore and fantasy's most magical creatures, and for centuries, artists have been obsessed with bringing them to life on canvas. Our three, briny, beautiful paintings are: Ulysses and the Sirens, by Herbert James Draper. Sadko in the Underwater Kingdom, by Ilya Repin. And Contemplation or Promise, by Victor Nizovtsev. Don't forget your snorkel!Special Thanks to Sounds Like an Earful Music Supply for the amazing music AND sound design.a

Miho returns to discuss the 2006 film THE DEVIL WEARS PRADA + its horrific legacy sequel THE DEVIL WEARS PRADA 2 (2026). For bonus episodes of the show, the racy exclusive world of SIRENS, access to the discord and much more, join us on patreon.com/imsopopular

In this episode, Ryan Michler explores the ancient concept known as the "Ulysses Pact" and explains how it can help modern men build discipline, avoid self-sabotage, and stay committed under pressure. Drawing from Homer's Odyssey, Ryan breaks down why willpower alone often fails and how intentional systems, accountability, and pre-commitment strategies create lasting change.   Through practical examples involving finances, alcohol, work-life balance, and relationships, he shows how men can protect themselves from moments of weakness before temptation ever arrives. Ryan also shares the importance of brotherhood, structure, and personal responsibility in becoming the man one is meant to be. SHOW HIGHLIGHTS 00:00 - Why Men Break Promises to Themselves 01:56 - The Story of Odysseus and the Sirens 04:15 - The Nature of Temptation and Self-Sabotage 06:06 - Why Willpower Is Not Enough 08:23 - Understanding the Ulysses Pact 10:38 - How Stress Destroys Rational Decision-Making 12:47 - Financial Discipline Through Pre-Commitment 16:03 - Alcohol, Accountability, and Better Decisions 18:10 - The Workaholic Trap and Family Presence 20:10 - Managing Conflict and Emotional Reactions 22:30 - Five Principles of the Ulysses Pact 23:39 - Building Friction Into Bad Habits 25:00 - Why Accountability Is Essential 26:00 - The Power of Specific Commitments 27:00 - Respecting Your Future Self 29:05 - Ryan's Challenge to Build Your Own Pact 30:26 - Brotherhood, Iron Council, and Final Thoughts   Battle Planners: Pick yours up today! Order Ryan's new book, The Masculinity Manifesto. For more information on the Iron Council brotherhood. Want maximum health, wealth, relationships, and abundance in your life? Sign up for our free course, 30 Days to Battle Ready

In this episode of The Leader's Notebook (Ep. 314), I explore one of the most profound truths in Scripture—holiness. From Exodus 3:13–14 and Leviticus 19:1–2, we see that God is “I Am”—always Himself, always holy, always loving. Holiness is not a burden but the good news: it's the life of God within us, guiding us past sin, shaping our hearts, and filling our lives with His presence. When we love God above all else, sin loses its power, and His Spirit works to transform us from the inside out. Discover how holiness is both an event and a process, a divine melody that captivates the heart and frees us to live fully for Christ. – Dr. Mark Rutland Chapters (00:00:03) - The Leaders Notebook(00:00:24) - A Reading from the King James Bible(00:02:07) - The Word of Holiness(00:03:55) - God's Words of Holiness in Leviticus and Moses(00:11:37) - Can God Do Everything?(00:17:04) - You Shall Be Holy Because I Am the God(00:22:45) - The Process of Being Sanctified(00:28:51) - The Island of the Sirens

It's the Pop Culture Professors, and we continue our analysis of season 5 of For All Mankind. In this show, we discuss episode 6 “No Sudden Moves”; Episode 7 “The Sirens of Titan”; Episode 8 “Brave New World” and Episode 9 “Sons and Daughters”. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Van and X talk Matt Reeves and The Batman - Part II cast reveal. Plus - The Mandalorian and Grogu movie premieres, Eisner Award Nominations, Lantern delivers the trailer we wanted, Daisy Ridley's New Jedi Order, and more. Tap in!Rest in Peace to Tom Kane - Legendary VA who voiced Yoda (Clone Wars), The Professor (Powerpuff Girls), Mr. Herriman (Foster's Home), and more!Subscribe to Patreon: https://www.patreon.com/theblackvariantrncFollow The Black Variant on Twitter: twitter.com/BlackVariantRNCFollow Van: twitter.com/1017VanFollow X: twitter.com/XTheExiledFollow Syd: twitter.com/SydSlidePark

We read part of The Dialectic of Enlightenment (1944), specifically the parts about Homer's epic as an allegory for the merely apparent triumph of modernism (capitalism, instrumental reason) over myth (savagery, magical thinking). Homer is odd for H&A because even stylistically, the epics present a mixture of cultures: They glorify violence, but their form is very ordered, and their very popularity makes them the first mass-culture products of the West. Throughout The Odyssey, Odysseus is in effect saying goodbye to the mythical world as he turns each challenge into a tool in his quest to get home. H&A use the episode with the Sirens as an allegory for how the workers are deafened to the call of anti-social myth (they have their work to do!), while the upper class can hear it but is helpless to actually act on it; like Odysseus tied to the mast, they too are strapped into the capitalist machine. Read along with us; Ch. 2, "Odysseus or Myth and Enlightenment," starts on PDF p56 (p35), but we quickly backtrack to the first mention of Odysseus in Ch. 1 (the same essay we began previously) on PDF p46 (p25). Note: This feed is likely going away soon. To keep getting your Closereads, entirely free and now ad-free, go sign up and get your private URL from patreon.com/closereadsphilosophy. You can choose to watch this on unedited video. Learn more about your ad choices. Visit megaphone.fm/adchoices

Text the Show⭐️ Affiliate item of the week: The Waiting Room: A Novel by LA Marzulli: https://amzn.to/4wqDJyK

Mike Brown hosts an EMS Week Safety Day conversation with Dr. Douglas Kupas, president of the National Association of EMS Physicians, on practical strategies to protect providers and transform EMS into integrated healthcare. Topics include evidence on reducing lights-and-sirens use; rising ambulance thefts and simple vehicle interlocks; low-cost countermeasures like 3D‑printed stretcher buckle covers and pager-sized CO detectors in first-due bags; training options for managing assaults and the shift toward treat-in-place, mobile integrated health programs; and reimbursement reform. This talk offers practical, field-tested ideas for agencies, medical directors, and EMS providers who want safer, smarter EMS operations.

To get live links to the music we play and resources we offer, visit www.WOSPodcast.comThis show includes the following songs:Janet Devlin - Working For The Man FOLLOW ON SPOTIFYAlicia Rome - Let Him Lie FOLLOW ON SPOTIFYGodiva - Luna FOLLOW ON SPOTIFYBella Cullen - Hello FOLLOW ON SPOTIFYTHE SIRENS - Reverberations (feat. Aine) FOLLOW ON SPOTIFYjeanie - Ashes FOLLOW ON SPOTIFYShara Strand - I Know Who I Got In Bed With FOLLOW ON SPOTIFYELSKA - I Will Catch You FOLLOW ON SPOTIFYTracy Hightop - Drive You Home FOLLOW ON SPOTIFYJessie Altman - Hypnotic FOLLOW ON SPOTIFYJurana - Mirror Man FOLLOW ON SPOTIFYLynndigo - Darling FOLLOW ON SPOTIFYMeelu - Candlelight FOLLOW ON SPOTIFYKeely Burn - Bed of Nails P1 FOLLOW ON SPOTIFYSPEKTR - I Made Up Your Love FOLLOW ON SPOTIFYFor Music Biz Resources Visit www.FEMusician.com and www.ProfitableMusician.comVisit our Sponsor Nick & Ashley at nickandashleysanders.comVisit www.wosradio.com for more details and to submit music to our review board for consideration.Visit our resources for Indie Artists: https://www.wosradio.com/resourcesBecome more Profitable in just 3 minutes per day. http://profitablemusician.com/join

Editors - Laura Zempel, ACE and Lauren Connelly, ACE Although BEEF - Season 2 editors Laura Zempel and Lauren Connelly are working together for the first time, this is Laura's second season working on the series.  But despite being new to one another, Laura's and Lauren's talents seamlessly combined to tackle a complex, character-driven "slow burn" with multiple storylines that required a delicate balancing of tone, including both dark comedy and psychological drama. Created by Korean director Lee Sung Jin (Sonny Lee) for Netflix, Season 2 of BEEF stars Oscar Isaac and Carey Mulligan as Joshua Martin and Lindsay Crane-Martin, and Cailee Spaeny and Charles Melton as Ashley and Austin, two couples; the poor latter two blackmailing the rich former two, using footage Ashley shot of a heated argument which would threaten their image.  Similar to Season 1, this incident escalates into a prolonged feud and a game of cat-and-mouse...minus one dog. LAURA ZEMPEL In addition to her Emmy®-winning work on BEEF - Season 1, Laura's skills as an editor can be seen in another Netflix series, SIRENS (2025).  She has also worked on EUPHORIA (2019-22), DISPATCHES FROM ELSEWHERE (2020) and ROOM 104 (2017-19).  Prior to that, she assisted on HOUSE OF CARDS (2014), DEXTER (2011-13) and IF I CAN DREAM (2010). LAUREN CONNELLY, ACE Originally from Chantilly, Virginia, Lauren graduated from The University of Southern California with a B.A. in Cinema-Television Production.  Past credits include television shows such as MO on Netflix, GASLIT on Starz, MASTERS OF SEX on Showtime, THE STRAIN on FX, and THE SON on AMC.  Recent feature films include SITTING IN BARS WITH CAKE for Amazon Studios, A TOURIST'S GUIDE TO LOVE on Netflix, and Rodrigo Garcia's FOUR GOOD DAYS, which premiered at Sundance.   Visit ExtremeMusic for all your production audio needs Hear Laura discuss her work on BEEF - Season 1 and SIRENS. Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube

On this episode we talk with Greg Fargo, head coach of the New York Sirens in the PWHL and founder of Fargo Hockey. We discuss Greg's journey from playing goalie at Elmira College to building Colgate's women's hockey program into a national powerhouse over 12 seasons, including four ECAC championships, two Frozen Fours, and a national championship appearance. Greg shares why he made the leap from college to the PWHL, his "We Play Free" coaching philosophy, and how he's building the Sirens for the future. We also dive deep into the recruiting process, what coaches are really looking for beyond the ice, the role parents should play, and what makes the Fargo Camp college recruiting experience unique.You can connect with Greg via Greg Fargo's Champs App profile: You can learn more about Fargo Hockey and the Fargo Camp here: Follow Greg on Instagram: @fargohockey and the New York Sirens on X: @PWHL_NewYork and on Instagram: @pwhl_sirens============================Champs App is your recruiting and development copilot. We help athletes, coaches, parents, and agents/advisors navigate the youth sports landscape. Create a free Champs App account to build a beautiful hockey profile and unlock free, high-quality content focused on recruiting and hockey player development.Download Champs App for iOS in the Apple App StoreDownload Champs App for Android in the Google Play Store===========================================Champs360 is the all-in-one recruiting and development copilot for players, parents, and coaches. It gives families the clarity and tools to navigate the recruiting process with less stress and more confidence.At its core, Champs360 brings everything together in one organized system. The College Search tool lets families filter and explore every school by size, location, admission scores and tuition. My Shortlist makes it easy to save and track the programs you care about, and for every school on your shortlist, the Team Dashboard delivers deep program intelligence: rosters, coaching staff, recruiting data, upcoming events, and school-specific articles and videos, all in one place.Communication is central to recruiting, and Champs360 makes it faster and more professional. The Messaging Center, completely redesigned for this release, lets players email coaches directly, receive replies, schedule messages, send to multiple recipients, and save drafts, all from one organized dashboard. Every Champs App user also gets a free professional recruiting email address through ChampsMail, choosing between @champs.email or @champsmail.com. Coach replies forward automatically to the player's personal inbox, or a parent's inbox. With Champs360, players can also send emails to coaches directly through their ChampsMail address. Champs360 also makes it easier for families to work together. Players can share access with up to two parents, with full control over what each parent can see and do across six areas of the platform. ChampsGPT, Champs App's AI recruiting assistant trained on five-plus years of expert content, received a major update alongside this release, providing smarter, more personalized guidance throughout the recruiting journey.===========================================Want honest feedback on where your game stands today?ChampsEyeQ delivers an unbiased evaluation of your potential. Submit at least ten minutes of edited game shifts (for skaters or goalies) and receive an objective, data-driven analysis from expert scouts. ChampsEyeQ is also available as a gift card, making it a great gift for motivated players.ChampsEyeQ evaluates players across 15+ attributes (skating, hockey IQ, compete level, intangibles, and more) and provides:An overall rating (1–10)A projection of NCAA Division I potentialClear insights on strengths, weaknesses, and development prioritiesVisit www.champseyeq.comSee a Sample SubmissionView a Sample Report

ORIGINAL AIR DATE: AUG 14, 2023Were the fertility goddesses of the ancient world the women who'd been taken as wives by the rebel Watchers? Michael Gagliardi, author of Devil Take the Hindmost, a terrifying account of his childhood as the son of a mother possessed by demons, joins us to discuss an aspect of the pre-Flood world most of us have never considered: Is it possible the women venerated as fertility goddesses were simply those women who'd been chosen by the “sons of God” to bear their hybrid offspring?

Those of you with Russian parents, write in and tell us what it was like being raised by them. The rebellion heats up and For All Mankind explores each side of it. The more things change, the more they stay the same. Join Jim and A.Ron as they discuss the Mars resistance. Sirens of Titan by Kurt Vonnegut Titan's Surface Transmit your feedback to fam@baldmove.com! Hey there!  Check out https://support.baldmove.com/ to find out how you can gain access to ALL of our premium content, as well as ad-free versions of the podcasts! Join the Club! Join the discussion: Email | Discord | Reddit | Forums Follow us: Twitch | YouTube | Twitter | Instagram | Facebook Leave Us A Review on Apple Podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices

Check out Zocdoc and stop putting off those doctors appointments. Go to https://zocdoc.com/JONSOLO to find and instantly book a top-rated doctor today.

This comedy podcast episode of The Rizzuto Show kicks off with something simple — rain. But because it's this crew, that quickly spirals into a full conversation about muddy dogs, accidental tornado sirens, and the eternal question: is there actually a giant red button somewhere… or are we all just trusting computers a little too much?From there, things take a sharp left turn (as they do) into one of the most uncomfortable “what would you do” debates yet — if you see a pregnant stranger smoking and drinking, do you say something… or mind your business? The answers range from “absolutely intervene” to “I'm leaving immediately and judging silently for the rest of my life,” which honestly feels about right for this group.We also get a wild mix of real-life chaos, including:A Florida animal cruelty story that sends the crew into full rage modeA completely unnecessary (but deeply passionate) debate about eating peacocks, sharks, and… human jerky (yeah, it goes there)Life advice about “living it up” before adulthood smacks you in the faceAnd one of the best side-story arcs of the episode: Lern finally capturing her longtime backyard freeloader, Mr. Gray — the “feral” cat who may just be running a long con across multiple householdsIt's messy, unpredictable, and packed with the kind of conversations that somehow go from heartfelt to ridiculous in under 30 seconds — exactly what you expect from a daily comedy show that doesn't pretend to have it all figured out.Whether you're here for the funny stories, the weird news, or just to feel better about your own life choices, this comedy podcast delivers the chaos, the laughs, and just enough questionable logic to keep things interesting.Follow The Rizzuto Show → linktr.ee/rizzshow for more from your favorite daily comedy show.Connect with The Rizzuto Show Comedy Podcast online → 1057thepoint.com/RizzShow.Hear The Rizz Show daily on the radio at 105.7 The Point | Hubbard Radio in St. Louis, MO.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Three thousand years ago, Odysseus tied himself to a mast to resist the Sirens.  He didn't trust his willpower, so he removed the choice entirely.  Today, Owain Service, co-founder of the Behavioural Insights Team and CEO at CogCo, calls that a commitment device.  And modern evidence shows it works for everything from saving money to staying married. --- Owain's book: https://amzn.to/4smVtrP  Owain's company CogCo: https://cogco.co/  Unlock the Nudge Vaults: ⁠https://www.nudgepodcast.com/vaults⁠ Join 11,626 readers of my newsletter: ⁠https://www.nudgepodcast.com/mailing-list ⁠ Connect on LinkedIn: ⁠https://www.linkedin.com/in/phill-agnew/⁠ --- Today's sources:  Asch, S. E. (1951). Effects of group pressure upon the modification and distortion of judgment. In H. Guetzkow (Ed.), Groups, leadership and men (pp. 177–190). Carnegie Press. Ashraf, N., Karlan, D., & Yin, W. (2006). Tying Odysseus to the mast: Evidence from a commitment savings product in the Philippines. Quarterly Journal of Economics, 121(2), 635–672. Behavioural Insights Team. (2013). New BIT trial results: helping people back into work. https://www.bi.team/blogs/new-bit-trial-results-helping-people-back-into-work/ Gollwitzer, P. M., & Brandstätter, V. (1997). Implementation intentions and effective goal pursuit. Journal of Personality and Social Psychology, 73(1), 186–199. Gollwitzer, P. M., & Sheeran, P. (2006). Implementation intentions and goal achievement: A meta-analysis of effects and processes. Advances in Experimental Social Psychology, 38, 69–119. Milkman, K. (2021). How to change: The science of getting from where you are to where you want to be. Portfolio/Penguin. Olson, R. (2014, October 10). What makes for a stable marriage. http://www.randalolson.com/2014/10/10/what-makes-for-a-stable-marriage/ Read, D., Loewenstein, G., & Kalyanaraman, S. (1999). Mixing virtue and vice: Combining the immediacy effect and the diversification heuristic. Journal of Behavioral Decision Making, 12(4), 257–273. Service, O., & Gallagher, R. (2017). Think small: The surprisingly simple ways to reach big goals. Michael O'Mara Books.