Podcasts about fascist italian

A fleet of Fascist Italian airplanes stop in a little seaside resort town in the Maritimes … with a dark political agenda.   On July 13th 1933 a reporter for the Moncton Daily Times was rushing towards the newly built wharfs of the tiny seaside village of Shediac. He is trying to make it in time to catch a glimpse of an incredible sight: 24 massive airplanes flying in a giant V formation that were arriving all the way from Italy...   To see plenty of photos of the Italian Air Armada's arrival in Shediac check out: https://backyardhistory.ca/articles/f/when-the-fascist-italian-air-armada-came-to-new-brunswick  

Heaton, Jen and Justin discuss the new Prime Minister of Italy and if she's the descendent of Mussoulini. We also discuss if old people can (or should) lead the government. Which is odd because they currently do just that.

109 Minutes PG-13 Bird is one-third of the hosts of the Friends Against Government podcast. Bird joins Pete to discuss the writings of philosopher Julius Evola. The guys look at his writings in which he critiques Italian fascism as popularized under Benito Mussolini. In his critique he builds a detailed case as to how he believes he would've made it work. Episode 490: 'Post-Anarchism' and Not Giving a F*&K w/ Bird From 'Friends Against Government' 484: Hegemony, Antifa and 'The Reigns of Power' w/ Bird From 'Friends Against Government' Episode 463: The Commons, the Panopticon and Your 'Society of Control' w/ Bird from Friends Against Government Episode 468: Biopower, Capitalism and Schizophrenia and American Psycho w/ Bird from Friends Against Government Episode 474: Twitter Nihilism and Simulacra w/ Bird From Friends Against Government Link to Bird's Episode on Rhizomatics Friends Against Government Podcast Get Autonomy 19 Skills PDF Download The Monopoly On Violence Pete's Patreon Pete's Substack Pete's Paypal Pete's Books on Amazon Pete's Books Available for Crypto Pete on Facebook Pete on Twitter

Based on the 1951 novel by Alberto Moravia, Italian master Bernardo Bertolucci's The Conformist is the story of a member of the Fascist Italian secret police who is dispatched to Paris to assassinate his mentor, all the while dealing with his past, his obsessions, and his repressed homosexuality. The lighting, design and camerawork are still inspiring filmmakers and discussion. The movie was deemed an instant classic upon it's release. Check us out: Patreon: http://bit.do/eSgD8 Insta: @desperatelyseekingcinema Twitter: @desperatecinema Facebook: Desperately Seeking Cinema Jimmy: Insta @jimmydbarnes Twitter @jimmydbarnes

Alex Lloyd interviews World War II veteran and POW Jack Bell. Life on the Line tracks down Australian war veterans and records their stories. Today's conversation is with a World War II air force veteran, and a survivor of Fascist Italian and Nazi Germany prisoner of war camps. This is the last episode of Season 2.

What is evil? Is it a force that lives outside us? Or something that dwells within? And how do we recognize it? Professor Rebecca Messbarger joins Jacke to discuss the problems of seeing evil and the particular ways that post-Fascist Italian writers dealt with the dilemma. We also hear the story of how a mild-mannered Italian professor’s scholarly research eventually led to her roaming the Internet in an attempt to purchase a cadaver.  Books Discussed:  The Lady Anatomist: The Life and Work of Anna Morandi Manzolini by Rebecca Messbarger Alabama Moon by Watt Key Mr. Palomar by Italo Calvino That Awful Mess on the Via Merulana by Carlo Emilio Gadda Todo Modo by Leonardo Sciascia Family Sayings by Natalia Ginzburg Show Notes: You can find more literary discussion at jackewilson.com and more episodes of the series at historyofliterature.com. Contact the host at jackewilsonauthor@gmail.com or by leaving a voicemail at 1-361-4WILSON (1-361-494-5766). Music Credits: “Handel – Entrance to the Queen of Sheba” by Advent Chamber Orchestra (From the Free Music Archive / CC by SA). “Spy Glass” and “Bushwick Tarantella Loop” by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0   Learn more about your ad choices. Visit megaphone.fm/adchoices

Bruna Riccobon | Memoirs of a Refugee Girl     WWII came to northeastern Italy and the coastal city of Trieste long before the Germans did.  As early as 1940 Fascist Italian rulers were eliminating nationalist and anti-Fascist Italians and Slovenes, imprisoning and killing thousands. As Trieste resistance fighters became active in 1943, German troops were being stationed in the region and ruling the newly formed Italian Social Republic from behind the scenes.  By 1944 near Trieste, the Germans had built the only concentration camp (with crematorium) in Italy.  Its effects were devastating, killing more than 3,000 Jews, Slovenes, and Italians. When she was a young girl, Bruna Riccobon’s family endured Trieste’s brutal Nazi occupation and subjugation of civilians.  However, by 1945 as the Allies gained ground in Italy and forced the Germans to retreat northward, the Yugoslavians moved in on Trieste and liberated the region in the name of communism. The heavy-handed Yugoslavians used their own concentration camps and execution program to punish Fascist and German collaborators, but they also began to purge hundreds of local nationalist and anti-communist Italians.  The Riccobon family, having survived the Nazis, where then forced to endure the Tito Communists until the Allies gained full control over the region. On episode 1 of the podcast, Allegheny-Kiski Valley Historical Society and Heritage Museum curator Jamie Stoner talks with Pittsburgh author Bruna Riccobon about her latest book, Memoirs of a Refugee Girl—a story of a girl during WWII in a part of Italy that later fell under communist regime, her years spent in refugee camps and immigration to America, and her struggles to adjust to a new culture and growth into adulthood. This episode was recorded April 23, 2016, Tarentum, Pennsylvania. Host: Jamie Stoner. Guest: Bruna Riccobon. Audiography: Kevin Farkas, Bryan Chemini. Music: Siren ("Let You Know"), Shoreline ("Weeks"), Alexander White ("What We Saw") available at Soundcloud.com.  ©2017 Alle-Kiski Chronicle Podast/TSVP. All rights reserved.   OTHER WAYS TO FIND THE PODCAST jQuery(document).ready(function() { jQuery('#slider_3067').owlCarousel({ responsive:{ 0:{ items:1 }, 480:{ items:2 }, 768:{ items:3 }, 980:{ items:4 }, 1200:{ items:4 }, 1500:{ items:4 } }, autoplay : true, autoplayTimeout : 3000, autoplayHoverPause : true, smartSpeed : 400, fluidSpeed : 400, autoplaySpeed : 400, navSpeed : 400, dotsSpeed : 400, loop : true, nav : true, navText : ['',''], dots : true, responsiveRefreshRate : 200, slideBy : 1, mergeFit : true, autoHeight : false, mouseDrag : true, touchDrag : true }); jQuery('#slider_3067').css('visibility', 'visible'); sa_resize_slider_3067(); window.addEventListener('resize', sa_resize_slider_3067); function sa_resize_slider_3067() { var min_height = '50'; var win_width = jQuery(window).width(); var slider_width = jQuery('#slider_3067').width(); if (win_width < 480) { var slide_width = slider_width / 1; } else if (win_width < 768) { var slide_width = slider_width / 2; } else if (win_width < 980) { var slide_width = slider_width / 3; } else if (win_width < 1200) { var slide_width = slider_width / 4; } else if (win_width < 1500) { var slide_width = slider_width / 4; } else { var slide_width = slider_width / 4; } slide_width = Math.round(slide_width); var slide_height = '0'; if (min_height == 'aspect43') { slide_height = (slide_width / 4) * 3; slide_height = Math.round(slide_height); } else if (min_height == 'aspect169') { slide_height = (slide_width / 16) * 9; slide_height = Math.round(slide_height); } else { slide_height = (slide_width / 100) * min_height; slide_height = Math.round(slide_height); } jQuery('#slider_3067 .owl-item .sa_hover_container').css('min-height',

Deeply moved by the tragedy of Gallipoli, from her studio in Rome Dora Ohlfsen sculpted a commemorative medal to aid Australian war wounded. Later commissioned by the Fascist Italian government to create memorials for the Italian Army and Mussolini, her story raises questions about the politics of war commemoration.