Podcast appearances and mentions of Bernardo Bertolucci

A la edad de 92 años ha fallecido la actriz francesa Anouk Aimée cuya belleza sin grandes alardes le convirtió en un símbolo de la sofisticación del cine europeo. Su elegancia le llevó a la consagración internacional con “La dolce vita” (1960) de Federico Fellini pero Aimée fue mucho más que una estimulante presencia. Logró la candidatura al Oscar por “Un hombre y una mujer” (1966) de Claude Lelouch, uno de los dramas románticos que revolucionaron el mundo del cine en la década de los 60. Su papel de viuda que vuelve a encontrar el amor le consagró como una de las actrices más fascinantes, elegantes y enigmáticas de su generación rodando con otros nombres de la categoría de André Cayatte, Jacques Becker, Jacques Demy, George Cukor, Sidney Lumet, Marco Bellocchio, Bernardo Bertolucci o Jerzy Skolimowski. Este reportaje pertenece al programa "El Cine de LoQueYoTeDiga" nº 439 (15x24) y fue emitido el 29 de junio de 2024.

En películas de Pedro Almodóvar suenan canciones como 'Ne me quitte pas' en la grabación de la cantante brasileña Maysa Matarzazzo ('La ley del deseo'), 'Tonada de luna llena' por Caetano Veloso ('La flor de mi secreto') y 'Cucurrucucú paloma' también por Caetano ('Hable con ella'), 'Por toda minha vida' grabación de Elis Regina & Tom Jobim ('Hable con ella'), 'Raquel' del caboverdiano Baú ('Hable con ella') y 'Tajabone' del senegalés Ismaël Lò ('Todo sobre mi madre' ). Ryuichi Sakamoto con Everton Nelson y Jaques Morelenbaum tocando 'High heels' (de la película de Almodóvar 'Tacones lejanos'), 'The sheltering sky' (de la película de Bernardo Bertolucci 'El cielo protector') y 'Merry Xmas Mr.Lawrence' (de la película de Nagisa Oshima 'Feliz navidad Mr. Lawrence'). David Bowie canta con el Pat Metheny Group 'This is not America' en la película de John Schlessinger 'The falcon and the snowman' y el pianista Bill Evans toca en trío el tema de la película de Robert Altman M.A.S.H. Abre la orquesta de Maria Schneider ('Love theme from Spartacus' que Johnny Mandel escribió para la película de Kubrick 'Espartaco') y lo cierran el pianista Giovanni Ceccarelli, el bajista Ferruccio Spinetti y la cantante Chiara Civello ('Chanson de maxence' que Michel Legrand compuso para 'Les demoiselles de Rochefort').Escuchar audio

Vulture and New York Magazine film critic Bilge Ebiri returns to discuss Bernardo Bertolucci's stunning mood piece Little Buddha, a rich and evocative story of an American family who travel to Bhutan after learning their son may be the reincarnation of the spiritual leader of a group of Tibetan Buddhist monks. The film also chronicles chapters in the life of Siddartha (played by Keanu Reeves) who rejects his life of sheltered privilege after learning of human suffering in order to seek a path of spiritual enlightenment. Exhibiting Berolucci's customary visual richness - emboldened by breathtaking images from Academy Award-winning cinematographer Vittorio Storaro - and an otherworldly emotional frankness, Little Buddha conjures the sensation and grandeur of a personal spiritual awakening. We discuss the career of Bertolucci and his "Eastern Trilogy" beginning with 1987's Best Picture winner The Last Emperor, in which Bertolucci's fascination with the spiritual and cultural practices of the Asian continent became a personal endeavor into a deeper understanding of his own artistic ethos. Then we unpack the splendid uncannines of Little Buddha and how Bertolucci's directorial mastery allows for a film of constant settling and de-escalation to feel thrilling and proulsive through it's evocation of a preternatural emotionality. Finally, we discuss the west's fascination with the Tibetan independence movement in the 1990s and the American films it inspired during the decade.   Follow Bilge Ebiri on TwitterOrder Little Buddha on 4K or Blu-ray from Kino LorberGet access to all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.....Our theme song is "Mirror" by Chris Fish

This episode examines The Conformist, Bernardo Bertolucci's 1970 political drama set in 1930s Italy. The film centers on Marcello Clerici (Jean-Louis Trintignant), a mid-level Fascist functionary who is ordered to assassinate his former professor, an anti-fascist dissident living in Paris. The film, which includes many flashbacks to Clerici's early life and decision to join the secret police, provides powerful and chilling insights into the psychology of conformism and fascism The film, widely considered one of the greatest ever made, not only features outstanding performances but also superb production design (Fernando Scarfiotti) and cinematography (Vittorio Storaro) that helps capture Italy under Mussolini. The film is as timely today as it was when it was released, as the world witnesses a resurgence of authoritarianism in the United States and Europe.Timestamps:0:00      Introduction3:45       Fascist Italy under Mussolini7:58       Why Clerici joins the fascists12:39     Repression of sexual orientation and the desire to belong14:10      Why people are vulnerable to fascism18:56      Manganiello and the fascist enforcer23:43     Perspectives on normalcy and the scenes in Paris31:56      How the film speaks to the Trump era36:40     Architecture in Mussolini's Italy39:08     The murder of Quadri and Anna44:39     After Mussolini falls50:30     The lack of consequences for going along with fascism 56:04     The Holocaust in Mussolini's Italy      Further reading:Bosworth, R.J.B., Mussolini's Italy: Life under the Fascist Dictatorship, 1915-1945 (2006)Elbiri, Bilge, “It's Time to See ‘The Conformist' Again,” Vulture (Jan. 14, 2023)Huq, Aziz, "America Is Watching the Rise of a Dual State," The Atlantic (Mar. 23. 2025)Kael, Pauline, “‘The Conformist': The Poetry of Images,” New Yorker (Mar. 27, 1971)   Moravia, Alberto, The Conformist (1951)Musil, Robert, The Man Without Qualities (1930-43) Law on Film is created and produced by Jonathan Hafetz. Jonathan is a professor at Seton Hall Law School. He has written many books and articles about the law. He has litigated important cases to protect civil liberties and human rights while working at the ACLU and other organizations. Jonathan is a huge film buff and has been watching, studying, and talking about movies for as long as he can remember. For more information about Jonathan, here's a link to his bio: https://law.shu.edu/profiles/hafetzjo.htmlYou can contact him at jonathanhafetz@gmail.comYou can follow him on X (Twitter) @jonathanhafetz You can follow the podcast on X (Twitter) @LawOnFilmYou can follow the podcast on Instagram @lawonfilmpodcast

In episode 17 of (Pop) Cultural Marxism, Ajay and Isi once again find themselves in the regrettable position of praising the Walt Disney Company. After chatting about recent cultural highlights (Clair Obscur: Expedition 33, a 40th anniversary screening of Kurosawa's Ran, and a Criterion retrospective on Johnnie To), they consider the popular and critical success of Andor's second season, and ask what it means to describe a pop cultural text as “politically timely.” Their conversation turns to extratextual ecosystems (press junkets, interviews), Gilroy's deep engagement with cinematic depictions of fascism and rebellion (Army of Shadows, The Conformist), architecture and costume design, season 2 high points (the Ghorman Massacre, Mon Mothma's Senate speech), the politics of revolutionary alliances, and imperial bureaucracy. Finally, they consider how the show makes the transition—narratively, visually, musically—into the lore-dense timeline of Rogue One and A New Hope, and ponder its uncharacteristically fascistic final scene. (Pop) Cultural Marxism is produced by Ryan Lentini.  Learn more about upcoming courses on our website. Follow Brooklyn Institute for Social Research on Twitter / Facebook / Instagram / Bluesky Shownotes: Clair Obscur: Expedition 33 (Sandfall Interactive) Ran, dir. Akira Kurosawa (1985) Exiled, dir. Johnnie To (2006) Ghost Dog: The Way of the Samurai, dir. Jim Jarmusch (1999) Battleship Potemkin, dir. Sergei Eisenstein (1925) The Battle of Algiers, dir. Gillo Pontecorvo (1966) Army of Shadows, dir. Jean-Pierre Melville (1969) Jean-Paul Sartre, "The Republic of Silence" (1944) The Conformist, dir. Bernardo Bertolucci (1970) Sergey Nechayev, "Catechism of a Revolutionary" (1869) Laleh Khalili, "The Politics of Pleasure: Promenading on the Corniche" Guy Debord, The Society of the Spectacle Bertolt Brecht and Walter Benjamin on Brecht's "Epic Theater" McKenzie Wark, The Beach Beneath the City McKenzie Wark, A Hacker Manifesto

In 1972, Bernardo Bertolucci's Last Tango in Paris pierced the cinema landscape with its gritty and unrelenting portrayal of animalistic sex, grief, and urban malaise.Marlon Brando stars as Paul, a recent middle-aged widower who meets 20-year-old Jeanne (Maria Schneider) while looking for an apartment. The two decide to shack up for three hedonistic days, blocking out the sad concerns of the world outside. The result is a portrait of mutual and self-destruction, helmed by a director so bent on "authenticity" that he permitted an actual assault to take place on his set.This year, co-writer/director Jessica Palud brought us Being Maria, a biopic about Schneider and the aftermath of Last Tango's scandalous shoot/release, with Matt Dillon and Anamaria Vartolomei turning in commendable interpretations of the film's iconic actors.In today's episode, Ian and David examine both films and walk through the various reasons neither come close to being as memorable (or, frankly, as good) as they ought to be--outside the sensationalism inherent in the infamous "butter" scene. They also look at critic Pauline Kael's 1972 New Yorker review and how it brushes right up against contemporary social mores.Show LinksWatch the Being Maria (2025) trailer.Being Maria is now available On Demand and on Blu-ray, courtesy of Kino Lorber.Keep up with all of David Fowlie's film criticism at Keeping It Reel.As mentioned in the show, you can read critic Pauline Kael's 1972 review of Last Tango in Paris.Plus! Listen to Ian and David's other recent (and very raucous) reviews of:The Unholy Trinity (2025) A Real Pain (2025)Rebel Ridge (2024)Duchess (2024)The Old Oak (2024)What Remains (2024)

Kill Along to Get Along: Bernardo Bertolucci's The Conformist Does Life Imitate Art or Does Art Predict and Comment on Life?  Regardless of Bernardo Bertolucci's reputation - admitted questionable actions in the realization of art - the Italian filmmaker is regarded as one of the great Auteurs of Cinema. Films from 1900 (1976) thru the Oscar-winning The Last Emperor (1987), and the controversial (artistically and production-wise) Last Tango in Paris (1972), have explored the human eperience through Sexuality, Social Taboos, Class Conflict, and - in his directorial debut 1970s The Conformist, Politics. Lensed by the great Italian cinematographer Vittorio Storaro, The Conformist may have some of the most beautiful images ever captured in Cinema while telling a story of Political Ideology,  Conformity, and the rise of Fascism.  Questions rise in this 1970 film that have surprisingly presented themselves again over fifty years later. This is a difficult film in viewing, however it is incredibly important in what it has to say and how it says it. Take a listen and let us know what you think. Agree or Disagree, the Point is the Conversation. Let us know what you think - gondoramos@yahoo.com. Many Thanks.  For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.

Was haben Alfred Hitchcock, Oliver Stone oder Bernardo Bertolucci gemeinsam: exakt - alles Meisterregisseure UND menschlich wohl ziemlich fragwürdige Gestalten. Wir schauen heute auf schlimme Geschichten von Filmsets, kaputte Egos und Übergriffe. Zum Glück haben wir auch leichte Kost an Bord: dank „Karate Kid: Legends“ kommen die 90er zurück und „Fountain of Youth“ ist so schlecht, dass David glatt 10 Jahre gealtert ist. 00:00:00 Start 00:12:20 Fountain of Youth 00:28:54 The Last of Us Season 2 00:35:37 Der Phönizische Meisterstreich 00:47:11 Fist of the Warrior 00:51:18 Karate Kid: Legends 01:12:30 Toxische Regisseure David O. Russell vs Lily Tomlin: https://www.youtube.com/watch?v=7SG43wa7Alo&t=77s Zwei Wie Pech und Schwafel Instagram: https://www.instagram.com/zweiwiepechundschwafel Alle Werbepartner und weiterführende Infos findest du hier: https://linktr.ee/zweiwiepechundschwafel

Last month, we waltzed through mid – 19th Century Italy. Today, we jump forward a half – century --- royalty continues its decline, the middle – class and powerful industrial leaders are ascendant in Europe. It's a new century and the dawn of a new, perhaps golden era. But is it? Where still a force, European royalty is having its last hurrah in controlling lands far beyond their borders through vicious policies of imperialism. A minor Prince in Germany (who calls himself the German language derivation of Caesar) is going to overstep his bounds and plunge Europe and some of the rest of the world into a butcher's shop of a conflict, known airily as WWI. As a result, the world further shunts royalty into the wastebin of history. But the desire for power, for rule over lands beyond your own borders? That remains. The eyes that lust after it, the hands that seek to grasp it, change from supposedly holy royal hands to an unholy alliance between politicians and industrial and financial might. And the world again sends its military off to slaughter one another. We saw the seeds of the downfall of royalty during the unification of Italy in Luchino Visconti's film, The Leopard. This month, we follow two men from very different backgrounds who emerge from a unified Italy. They face the fallout of WWI and the rise of cooperation between autocracy and industrial might that forms fascism. Another decorated Italian director, Bernardo Bertolucci, mounted an ambitious film to follow their path and that of Italy as a five – hour epic, 1900. The film, which debuted in 1976, not only portrayed another turning point for Italy and the world but was a significant change for Bertolucci as he moved away from a scandalous and dark part of his career. But this is just a light story travelling over decades --- nothing to teach the US and the world in 2025…Website and blog: www.thosewonderfulpeople.comIG: @thosewonderfulpeopleTwitter: @FilmsInTheDark

Welcome to The B-Side! Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones that they made in between.  Today we talk about the great Debra Winger! Our B-Sides include Legal Eagles, Betrayed, The Sheltering Sky, and Forget Paris. Our guest is the inestimable Murtada Elfadl, Culture Writer, Critic, and Film Curator. We discuss Winger's stratospheric rise to stardom, her indescribable performance in Terms of Endearment, and her (unfair?) reputation for being “difficult.” There's also plenty of discussion about Rosanna Arquette's documentary Searching for Debra Winger, a film in which Arquette speaks with many famous actresses about aging in Hollywood. The motivation of the piece was partly motivated by Winger's exodus from the business for over half a decade in the mid-1990s. There's also conversation about Shirley MacLaine's 1984 Oscars speech, Tom Berenger being deeply proud of Betrayed and his performance in the film, and all those NBA players that appear in Forget Paris. Janet Maslin and Roger Ebert's superb reviews of Betrayed are mentioned, as is Debra's perfect laugh. Finally, we touch on when Raquel Welch sued MGM and won for being fired from Cannery Row (Winger replaced her in the role), Winger's dropping out of A League of Their Own after Madonna was cast (bonus Patti LuPone on Evita clip here!), Melanie Griffith and William Hurt being director Bernardo Bertolucci's first choices for the leads in The Sheltering Sky, and Debra Winger's infamous Watch What Happens Live episode.

Welcome to The B-Side! Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones that they made in between. Today we talk about the great Debra Winger! Our B-Sides include Legal Eagles, Betrayed, The Sheltering Sky, and Forget Paris. Our guest is the inestimable Murtada Elfadl, Culture Writer, Critic, and Film Curator. We discuss Winger's stratospheric rise to stardom, her indescribable performance in Terms of Endearment, and her (unfair?) reputation for being “difficult.” There's also plenty of discussion about Rosanna Arquette's documentary Searching for Debra Winger, a film in which Arquette speaks with many famous actresses about aging in Hollywood. The motivation of the piece was partly motivated by Winger's exodus from the business for over half a decade in the mid-1990s. There's also conversation about Shirley MacLaine's 1984 Oscars speech, Tom Berenger being deeply proud of Betrayed and his performance in the film, and all those NBA players that appear in Forget Paris. Janet Maslin and Roger Ebert's superb reviews of Betrayed are mentioned, as is Debra's perfect laugh. Finally, we touch on when Raquel Welch sued MGM and won for being fired from Cannery Row (Winger replaced her in the role), Winger's dropping out of A League of Their Own after Madonna was cast, Melanie Griffith and William Hurt being director Bernardo Bertolucci's first choices for the leads in The Sheltering Sky, and Debra Winger's infamous Watch What Happens Live episode. Be sure to give us a follow on Bluesky at @tfsbside.bsky.social. Enjoy!

-Durch ihre Rolle in "Der letzte Tango in Paris" (1972) von Bernardo Bertolucci wurde Maria Schneider mit 19 Jahren über Nacht zum Weltstar. An der Seite von Marlon Brando spielte sie eine junge Frau, die in einem Pariser Appartement animalischen Sex mit einem älteren Mann hat. "Der letzte Tango in Paris" wurde zum Skandalfilm. Doch die improvisierten Vergewaltigungsszenen prägten Maria Schneiders gesamtes Leben. Eigentlich wollte sie ihre Geschichte zusammen mit ihrer Cousine, der Journalistin Vanessa Schneider, erzählen. Nach Maria Schneiders Tod hat Vanessa Schneider das Buch nun allein geschrieben - unsere Literaturkritikerin Katharina Döbler hat es gelesen.

Citações e trechos do livro “O que ‘não' faz de você Budista”, de Dzongsar Khyentse Rinpoche.Dzongsar Jamyang Khyentse Rinpoche ou Thubten Chökyi Gyamtso, é um grande mestre da linhagem Nyingma do budismo tibetano, cineasta e escritor.Nascido em 1961, em Khenpajong (leste do Butão), é o filho mais velho de Thinley Norbu.Aos sete anos, foi reconhecido por Sua Santidade Sakya Trizin como a principal encarnação de Dzongsar Jamyang Khyentse Chökyi Lodrö, o herdeiro espiritual de uma das mais influentes e admiradas encarnações de Manjushri (o Buda da Sabedoria).Até a idade de doze anos, Dzongsar estudou no Mosteiro do Palácio do Rei de Sikkim no nordeste da Índia, onde estudou com vários mestres contemporâneos influentes como Dudjom Rinpoche, Dalai Lama e Dilgo Khyentse que considera ser seu principal mestre. Ainda adolescente, Dzongsar construiu um pequeno centro de retiro em Ghezing em Sikkim e logo começou a viajar e ensinar pelo mundo.Em 1989, Dzongsar fundou a Siddhartha's Intent, uma associação budista internacional de centros sem fins lucrativos, a maioria das quais são sociedades e instituições de caridade, com a intenção principal de preservar os ensinamentos budistas, bem como aumentar a conscientização e a compreensão dos muitos aspectos do ensinamento budista além dos limites das culturas e tradições.Como cineasta, Dzongsar estudou com o italiano Bernardo Bertolucci; e seus dois filmes principais são “A Copa” (1999) e “Traveller e Magicians” (2003).Dzongsar Rinpoche é famoso pela liberdade descontraída com que se move entre culturas e povos e por sua dedicação incansável em trazer a filosofia e o caminho da iluminação para qualquer pessoa com um coração aberto.

This week we're excited to present a conversation from the 20205 edition of the just-concluded Rendez-vous with French Cinema with Being Maria cast members Matt Dillon and Anamaria Vartolomei. Being Maria is now in select theaters, courtesy of Kino Lorber. Actors don't choose roles,” actor Daniel Gélin (Yvan Attal) tells his daughter Maria Schneider (Anamaria Vartolomei). “Roles choose them!” After her galvanizing performance as a young woman seeking out an illegal abortion in Audrey Diwan's Happening (ND/NF 2022), Vartolomei delivers another indelible portrait of a woman in extremis with writer-director Jessica Palud's second feature, moving beyond Schneider's encounter with director Bernardo Bertolucci on the set of Last Tango in Paris, during the shoot of the infamous “get the butter” scene (which the actress repeatedly identified as a violation of her consent), to contemplate the actress's larger life and legacy. The shoot itself is meticulously reconstructed—featuring a remarkable turn by Matt Dillon as Schneider's significantly more famous costar and scene partner, Marlon Brando—in order to contextualize the private and public fallout from Schneider's equally iconic and traumatizing breakout performance. Palud was herself an assistant director for Bertolucci at age 19 (the same age Schneider was during the production of Last Tango) and brings a welcome eye for complexity to an unsparing, compassionate reframing of a much-discussed incident—rooted firmly in the perspective of the actress at its center. This conversation was moderated by FLC Assistant Programmer Madeline Whittle.

Gay homosexuals Nick and Joseph discuss Last Tango in Paris - a 1972 erotic drama film directed by Bernardo Bertolucci, starring Marlon Brando, Maria Schneider and Jean-Pierre Léaud. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Additional topics include:North Macedonia nightclub fireWendy WilliamsJames and Randy DeBargeDawn Robinson living in her carBlack filmmakers who are not Tyler Perry: Euzhan Palcy, Adamma Ebo, Jerrod Carmichael, Cauleen Smith, and Hype WilliamsJoin us on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/FishJellyFilmReviews⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Want to send them stuff? Fish Jelly PO Box 461752 Los Angeles, CA 90046Find merch here: https://fishjellyfilmreviews.myspreadshop.com/allVenmo @fishjellyVisit their website at www.fishjellyfilms.comFind their podcast at the following: Anchor: https://anchor.fm/fish-jelly Spotify: https://open.spotify.com/show/388hcJA50qkMsrTfu04peH Apple Podcasts: https://podcasts.apple.com/us/podcast/fish-jelly/id1564138767Find them on Instagram: Nick (@ragingbells) Joseph (@joroyolo) Fish Jelly (@fishjellyfilms)Find them on Letterboxd: https://letterboxd.com/ragingbells/ https://letterboxd.com/joroyolo/Nick and Joseph are both Tomatometer-approved critics at Rotten Tomatoes: https://www.rottentomatoes.com/critics/nicholas-bell https://www.rottentomatoes.com/critics/joseph-robinson

The Blockbuster Babes reunite with Breakfast host Pam Boland for the latest edition of Movie Squad, discussing a couple of films about… couples! First up, Tristan Fidler leads a review of Bong Joon-ho's long-awaited Mickey 17, starring Robert Pattinson as a regularly-reprinted ‘expendable' clone who survives his '17th death' on a remote ice planet and accidentally meets his successor, Mickey 18, also played by Pattinson. Mark Ruffalo and Toni Collette star alongside the double Roberts in the latest from the South Korean director of Parasite. Then, Simon Miraudo reviews the second Steven Soderbergh film of 2025 (after last month's Presence): the slinky espionage thriller Black Bag, in which Michael Fassbender's married MI5 agent begins investigating his spy wife, played by Cate Blanchett, of a suspected betrayal. Black Bag also features Marisa Abela, Regé-Jean Page and Naomie Harris. Both films are now in Australian cinemas. Stay tuned for a pod-exclusive review of Grand Theft Hamlet, the hilarious new documentary about out-of-work actors attempting to stage a production by William Shakespeare entirely within the open world video game GTA. Then, hear Simon's chat with Jessica Palud, director of Being Maria, which stars Anamaria Vartolomei as actress Maria Schneider and follows Maria as a 19-year-old on the set of Last Tango in Paris, and how her life was altered by a shocking and unprompted on-camera violation by her co-star Marlon Brando and director Bernardo Bertolucci. Being Maria makes its Australian Premiere at the Alliance Francaise French Film Festival. Check out its showtimes here. Be sure to tune in to RTRFM every Friday at 7:30am to hear Movie Squad live on Breakfast with Pam! And find out more about Movie Squad's curation of Throwback Thursdays at Joondalup Festival in March!

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!Welcome back to Bad Dads Film Review!This episode takes us on a journey through grand castles and mystical kingdoms as we dive into the majestic world of Top 5 Palaces, the breathtaking fantasy epic Princess Mononoke, and the delightful children's series Sofia the First.Palaces in film aren't just settings—they're symbols of power, magic, and intrigue. Whether steeped in history or conjured from fantasy, these cinematic castles and palaces have left a lasting impression on audiences.1. The Imperial Palace – The Last Emperor (1987)The Forbidden City in Beijing serves as the breathtaking backdrop for Bernardo Bertolucci's historical masterpiece. Its grandeur reflects the isolation and opulence of the young emperor's life. 2. Hogwarts – Harry Potter Series (2001-2011)A magical castle rather than a traditional palace, but let's be honest—Hogwarts is as grand and majestic as any royal residence.3. The Grand Budapest Hotel – The Grand Budapest Hotel (2014)Though fictional, its lavish design and color palette make it one of the most memorable cinematic palaces. (Ed: is it though?)4. The Castle in the Sky – Castle in the Sky (1986)Studio Ghibli's floating fortress, Laputa, is an awe-inspiring mix of magic, history, and mystery. It serves as both a relic of the past and a symbol of lost power, perfectly embodying the themes of the film.5. The Palace of Agrabah – Aladdin (1992 & 2019)Disney's shimmering golden palace, home to the Sultan and Princess Jasmine, captures the magic and adventure of the Arabian Nights. Its lavish domes and sprawling gardens make it one of the most iconic palaces in animation.Directed by Hayao Miyazaki, Princess Mononoke is an epic that blends mythology, environmental themes, and breathtaking animation into a powerful tale of conflict and coexistence.The story follows Ashitaka, a young prince cursed by a demon after defending his village. Seeking a cure, he embarks on a journey that leads him to a battle between humans, led by the ambitious Lady Eboshi, and the spirits of the forest, including the fierce warrior Princess Mononoke (San).While darker and more mature than some of Ghibli's other films, Princess Mononoke is a masterpiece that older kids and adults can appreciate for its depth and emotional weight.For younger viewers, Sofia the First offers a charming introduction to the world of princesses and magic, wrapped in fun adventures and valuable life lessons.Sofia, an ordinary girl, becomes royalty overnight when her mother marries the king. As she navigates palace life, she learns about kindness, responsibility, and courage—often with the help of magical amulets and familiar Disney princesses.From grand palaces to mystical forests, this episode celebrates the magic and wonder of cinema's most enchanting worlds. So grab your crown, saddle up your wolf, and join us for a royal adventure!

In questo episodio del format Casabiamo con... Leo e Sacco incontrano Cecilia Cenciarelli, "cinefila di professione", cercatrice di film per Immagine Ritrovata e The Film Foundation (sì, quella creata da Martin Scorsese), curatrice di fondi archivistici dedicati a Charlie Chaplin, Buster Keaton e ora Bernardo Bertolucci. Da venticinque anni dentro Cineteca di Bologna, è co-direttrice del festival Il Cinema Ritrovato. Cenciarelli racconterà della vita a tratti avventurosa di chi si prende cura della conservazione e del restauro di cinematografie anche lontane, remote nello spazio e nel tempo e sempre a rischio di oblio. Avventure che possono far incontrare anche qualche animale selvatico, possono, come le pantegane a passeggio tra le poltrone di un cinema di Londra, o macachi non proprio socievoli.0:00:41 - Chi è Cecilia Cenciarelli, con le sue parole00:02:53 - Il rapporto con Scorsese e The Film Foundation00:08:44 - Il lavoro per il Fondo Bernardo Bertolucci00:12:30 - La cinefilia oggi00:15:35 - Forse si deve essere un po' meno romantici00:16:06 - Sing-alone e pantegane a Londra00:18:38 - La questione del desiderio00:19:46 - Educazione cinefila con Fuori Orario00:22:47 - Il festival Il Cinema Ritrovato e il suo pubblico00:26:15 - Conoscere i tuoi spettatori…00:28:42 - … E come non far diventare un festival “museo di sé stesso”00:32:32 - La riapertura del Cinema Modernissimo a Bologna00:35:06 - Aprire un cinema quando chiudono i cinema00:38:12 - Essere in un luogo molto libero00:41:29 - La cosa più strana che ti è capitata in una sala cinematografica00:42:30 - In India, in missione per Martin Scorsese00:47:21 - Proiettare The Gold Rush in una penisola tropicale… attenzione ai macachi00:52:52 - I guilty pleasures cinematografici di Cecilia Cenciarelli00:53:56 - Imparare a dire: “Io questo film non lo conosco”00:56:03 - Quando un autore ritorna ad essere solo tuo: Broken Page di Takeshi Kitano00:59:22 - Emilia Pérez01:03:01 - The Brutalist01:07:36 - Contributo dal pubblico

Wild at Heart. Adiós y hasta siempre David Lynch. En 1990 David Lynch presentó en el Festival de Cannes una película visionaria: Wild at Heart. Una historia de amor y muerte salpicada de referencias pop y brutalmente honesta que, como todas las películas visionarias, incomodó a más de uno, aunque a pesar de todo e impulsada por el presidente del jurado de ese año, Bernardo Bertolucci, se hizo con la Palma de Oro, el mayor premio de ese festejo. El pasado 15 de enero David Lynch falleció, dejando un hueco enorme en el mundo pero también un legado cinematográfico robusto, poderoso y sobre todo (mil gracias señor Lynch), indescifrable. El cine de Lynch es eso, indescifrable, inabarcable para las superficiales lógicas de la opinología del siglo XXI y, sobre todo, voraz contra las formas convencionales a las que peleó desde el intestino de su industria. Lynch, en persona y en obra, luchó contra el monstruo desde el interior de ese monstruo. Y probablemente Salvaje de corazón, con su rabia, su lluvia eterna de sexo, amor loco y desencanto, sea el mejor ejemplo de ello. Y si no lo es, la usaremos de pretexto para hablar del cine del genio al que siempre recordaremos como David Lynch. Para repasar el improbable y muy violento road trip que es Salvaje de corazón invitamos a este episodio al guionista y director Antón Goenechea, quien de Lynch sabe, y sabe mucho. Adiós y hasta siempre David Lynch. Learn more about your ad choices. Visit megaphone.fm/adchoices

Insieme a Michela Gorini ripassiamo alcune delle parti più interessanti di un libro intitolato "L'occhio del regista" dove il critico cinematografico Laurent Tirard ha raccolto in una serie di interviste le rivelazioni e i consigli pratici di tanti importanti registi che hanno fatto la storia del cinema. In particolare parleremo di Martin Scorsese, Pedro Almodovar, Woody Allen, Sidney Pollack, Fratelli Coen, Win Wenders, David Lynch, Bernardo Bertolucci, David Cronenberg, Takeshi Kitano e Roman Polanski.

Susan Minot is an award-winning novelist, short-story writer, poet, playwright, and screenwriter. She also paints watercolors and makes collages. She was born in Boston and grew up in Manchester-by-the-sea, Massachusetts, with six siblings who are all artists. Her first novel was Monkeys, published in 1986. She wrote the screenplay for Bernardo Bertolucci's “Stealing Beauty” (1995.) Her novel Evening, nominated for the Los Angeles Times Book Award, was a worldwide bestseller and became a major motion picture in 2007. Her stories have received O. Henry Awards and have been anthologized widely, including The Best American Short Stories. Her eighth book, a collection of stories, Why I Don't Write, was published in 2020. Her daughter, Ava, was born in 2001. She teaches in the graduate writing program at Stony Brook University and privately at her kitchen table. She lives in both New York City and on North Haven, an island off the coast of Maine. Her new book is Don't Be a Stranger, and is the focus of today's show.  Susan joins Barbara DeMarco-Barrett to discuss naming characters, the hubbub that surrounds September to May trysts, Lolita, epigraphs, the conflict between motherhood and desire, structure, book covers, and more. For more information on Writers on Writing and extra writing perks, visit our Patreon page. For a one-time donation, visit Ko-fi. To listen to past interviews, visit our website. Support the show by buying books at our bookstore on bookshop.org. We've stocked it with titles from our guests, as well as some of our personal favorites. You support independent bookstores and our show when you purchase books through the store. And on Spotify, you'll find to an album's worth of typewriter music like what you hear on the show. Look for the artist, Just My Type. Email the show at writersonwritingpodcast@gmail.com. We love to hear from our listeners. (Recorded on November 12, 2024)  Host: Barbara DeMarco-BarrettHost: Marrie StoneMusic and sound editing: Travis Barrett (Stream his music on Spotify, Apple Music, Etc.)

Hemos estado cerca... ¡Pero no hemos conseguido resolver el caso que tenemos abierto! Con Raquel Mascaraque analizamos la importancia de escuchar nuestra voz interna y hablarnos bien. Con Laura Martínez repasamos la carrera cinematográfica de Bernardo Bertolucci, uno de los cineastas italianos contemporáneos más influyentes y una de las voces más representativas del nuevo cine italiano de los 60. Marta Centella nos explica el origen de la expresión "por h o por b". 

Yeah Uh Huh Rotisserie Cinema Take 7 is the movies of 1987 Part 1! In another place and another time a collection of uneducated nincompoops decided to wield immense power to name The Last Emperor Best Motion Picture. Of course, at Yeah Uh Huh we are greatly offended by this misguided decision, and have come up with 21 movies made that same year that surpassed the greatness of Bernardo Bertolucci's epic about the reign of Puyi. Masterpieces like Spaceballs, Hellraiser, Running Man... Ah man,, I can't keep up this charade any longer. Lost Emperor was probably better than Predator. But, you get the point. It's time for one of our classic movie episodes wit an all star cast!⁠ ⁠#spaceballs #runningman ⁠#predator ⁠#hellraiser ⁠#fullmetaljacket⁠ ⁠#lethalweapon⁠ ⁠#barfly ⁠#walker ⁠#raisingarizona YUH Theme by David T and Mojo 3 ⁠https://www.amazon.com/Insanity-Sobri...⁠ Movies Nominated for the Felix in this episode: Spaceballs Barfly The Lost Boys Broadcast News Raising Arizona La Bamba Hellraiser Full Metal Jacket Predator 84 Charing Cross Road The Princess Bride The Hidden Lethal Weapon Walker The Running Man Where Is the Friend's House The Untouchables RoboCop Princess from the Moon Evil Dead II Throw Momma from the Train Rock and Roll Heaven ⁠https://open.spotify.com/show/02fL1Vg...⁠ Maniacal Music Musings on Spotify ⁠https://open.spotify.com/show/1JnX3TT...⁠ Yeah Uh Huh Social Stuff: Yeah Uh Huh on TikTok ⁠https://www.tiktok.com/@yeahuhhuhpod⁠ Yeah Uh Huh on Facebook ⁠https://facebook.com/YeahUhHuhPod⁠ Yeah Uh Huh on Twitter ⁠https://twitter.com/YeahUhHuhPod⁠ Yeah Uh Huh on Spotify ⁠https://open.spotify.com/show/7pS9l71...⁠

Hemos estado cerca... ¡Pero no hemos conseguido resolver el caso que tenemos abierto! Con Raquel Mascaraque analizamos la importancia de escuchar nuestra voz interna y hablarnos bien. Con Laura Martínez repasamos la carrera cinematográfica de Bernardo Bertolucci, uno de los cineastas italianos contemporáneos más influyentes y una de las voces más representativas del nuevo cine italiano de los 60. Marta Centella nos explica el origen de la expresión "por h o por b". 

Is there one simple thing that would fix the world?    Building on recent discussions around monolithic goals and sympathising with emerging rivals, this week's episode examines Luchino Visconti's 'The Leopard' to consider the impermanence of permanence on both the political and personal level. We also briefly discuss: 'Tokyo Story' (1953) d. Yasujirō Ozu 'The Last Emperor' (1987) d. Bernardo Bertolucci    Contact Us E: ⁠contact@jimmybernasconi.com⁠ IG: ⁠https://www.instagram.com/filmsfortoday/⁠ 

Oggi a Cult: una nuova Prova Aperta della Filarmonica della Scala a favore di Children in Crisis Italy; al Festival dell'Economia Critica in Fondazione Feltrinelli, Guido Alfani parla del suo libro "Come dèi tra gli uomini. La sotria dei ricchi in Occidente"; la Fondazione Bertolucci e il Teatro Regio di Parma dedicano una giornata e una mostra a Bernardo Bertolucci e al suo rapporto con il melodramma; Francesca Comencini sul suo film "Il tempo che ci vuole"; la rubrica Extracult a cura di Chawki Senouci...

Returning special guest Cecilia Conti joins Torie and Maggie to discuss three eminent coming of age narratives with some solid silver screen sex.  Cringe comedy has integrity and dick poking gets literal in TURN ME ON, GODDAMMIT/FÅ MEG PÅ, FOR FAEN! (2011), a Norwegian hidden gem Torie incorrectly refers to as Swedish. Horney men run amok and Torie fails to distinguish Italian character names in Bernardo Bertolucci's mid-90s Liv Tyler flick, STEALING BEAUTY (1996). Cinema's most legendary ménage à trois crowns the gut-wrenchingly moving, multi-layered masterwork Y TU MAMÁ TAMBIÉN (2001). Bonus - Cecilia shares her story of meeting Diego Luna who, we are thrilled to report, is genuinely a sweet guy!!

durée : 01:35:00 - Les Nuits de France Culture - par : Philippe Garbit - Mardis du cinéma - Bernardo Bertolucci (1ère diffusion : 08/09/1987) - réalisation : Alexandre Fougeron

For our 250th episode this week, the boys headed to Peking to discuss the Bernardo Bertolucci masterpiece ‘The Last Emperor.'  The random year generator spun 1987, and we set up the film year, noted some world events, and then discussed how great it is to no longer have fantastic films set in Chinese spoken in English. John, with full CoVid immunity, also caught ‘Beetlejuice Beetlejuice' and gave us a spoiler-free mini-review.  Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro; 1:25 250th Episod8:58 “Beetlejuice Beetlejuice” mini review;16:16 Gripes; 20:54 1987 Year in Review; 40:58 Films of 1987: The Last Emperor; 1:21:36 What You Been Watching?; 1:33:10 Next Week's Movie Announcement Additional Cast/Crew: Enzo Ungari, Mark Peploe, John Lone, Joan Chen, Peter O'Toole, Hans Zimmer, David Byrne, Ruocheng Ting, Victor Wong, Dennis Dun, Ryuichi Sakamoto, Maggie Han, Ric Young, Vivian Wu, Richard Vuu, Tsou Tijger, Tao Wu, Guang Fan, Henry Kyi, Puyi, Vittorio Storaro, Cong Su, Gabriella Cristiani, Ferdinando Scarfiotti, Jeremy Thomas. Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Additional Tags: SAG-AFTRA, The Emmys, iPhones, Peking, Mao Zedong, The Forbidden City, Queensland, Australia, Melbourne, Sydney, Sisu, Auckland, New Zealand, Wilhelm Yell, Wilhelm Scream, Prince Charles, King Charles, John Wayne, Charleton Heston, Preparation H. 

Directors John Carpenter, John Milius & Alex Cox, film Historians Sir Christopher Frayling & Dr. Sheldon Hall, writer Bernardo Bertolucci and actress Claudia Cardinale

BOOKS:WISHFUL DRINKING by CARRIE FISHER FORBIDDEN NOTEBOOK by ALBA DE CESPEDES YELLOWFACE by REBECCA F KUANGHarriett's guests today are comedian and writer Helen Lederer known for so many roles including as Catrionia in Absolutely Fabulous. Recently she has published her memoir Not That I'm Bitter and set up the Comedy Writing In Print Prize. She has opted for the hugely witty and knowing memoir Wishful Drinking by Carrie Fisher detailing her tumultuous life as the child of two Hollywood stars who often couldn't separate fantasy from reality. Ilaria Bernardini is an Italian novelist and screenwriter. She is currently working on Bernardo Bertolucci's final script which Ilaria co-wrote with hi -The Echo Chamber. Her choice is the seminal feminist Italian novel Forbidden Notebook by the Italian-Cuban writer Alba de Cespedes about the inner life of an Italian housewife and Mama of the family. Harriett's choice is Yellowface by Rebecca F Kuang - a cautionary tale for our times of plagiarism, cultural appropriation, social media storms and more.Producer: Maggie Ayre

Donald Sutherland, in memoriam El pasado 20 de junio el actor Donald Sutherland falleció a los 88 años. El mundo se conmovió ante este hecho por la sencilla razón de que Sutherland, fue, es y será uno de los actores emblemáticos del planeta, de esos que presumiremos cuando los extraterrestres nos invadan. Su carrera incluye trabajos en televisión y cine, mismos que lo llevaron del drama a la comedia, cine de acción, bélico, de terror, con carga política, la sátira, el doblaje y hasta la fantasía felliniana. Hablando de Fellini, otros directores con los que trabajó incluyen tanto a James Gray como a Robert Redford, igual que a Giuseppe Tornatore y Bernardo Bertolucci o Denys Arcand y Robert Altman. Es decir, no le tenía miedo a nada. Para este in memoriam invitamos al no menos talentoso y multifacético René García, actor, actor de doblaje, conocedor del medio y amigo entrañable de Cinegarage aunque nos hable con la voz de Vegeta. Hablemos del recientemente fallecido Donald Sutherland. Learn more about your ad choices. Visit megaphone.fm/adchoices

durée : 00:06:05 - Le Masque et la Plume - La cinéaste adapte le livre de la journaliste Vanessa Schneider, cousine de la comédienne Maria Schneider dont la vie a basculé sur le tournage de "Dernier Tango à Paris" de Bernardo Bertolucci, durant lequel elle avait été victime d'un abus sexuel lors d'une scène avec Marlon Brando.

Italian literature is widely known for its rich tradition of passion, intellect and innovation, and it has always been a standard-bearer for imaginative & emotive literature. This week I'm speaking with the Italian author, screenwriter and BAFTA Award nominee, Ilaria Bernardini. One of Italy's leading contemporary novelists, Ilaria has penned nine novels, one graphic novel, and two collections of short stories, as well as being a screenwriter collaborating with the legendary director Bernardo Bertolucci. Two of her novels, including We Will Be Forest – her most recent book, which we're discussing today – have been longlisted for the Strega Prize, the most prestigious book award in Italy.  In today's episode, Ilaria and I discuss, as always, the four books which have had the biggest influence on her life and creative development, along with her experience writing fiction drawn from her own life, and the process of translating a book from one language to another. The books she chose are eclectic and inspirational so it was a really fun discussion with some great recommendations.  Lit with Charles loves reviews. If you enjoyed this episode, I'd be so grateful if you could leave a review of your own, and follow me on Instagram at @litwithcharles. Let's get more people listening – and reading!

Ilaria Bernardini is one of Italy's leading novelists, now writing novels in the English language, and an exciting emerging screenwriter. She has film and television projects in development and in production with Lorenzo Mieli's The Apartment, Andy Harries' Left Bank Pictures, The Russo Brothers/Amazon Studios, Francesco Melzi D'Eril's (SUSPIRIA, BECKETT) MeMo Films. Ilaria helped adapt her own novel CORPO LIBERO for producers Indigo/ALL3MEDIA and Rai & Paramount+. She is also continuing to develop Bernardo Bertolucci's final script (which Ilaria co-wrote with him) THE ECHO CHAMBER. For Amazon Studios, the Russo Brothers (as directors and creators) & Cattleya she is writing the international science fiction TV series, CITADEL. Her book, WE WILL BE FOREST, is just out in the UK.We enjoyed speaking with Ilaria and hearing about her unusual route into publishing via approaching publishers and then authors directly (not a route that she recommends others follow!) Plus, we hear why she chooses to write some books in Italian and some in English, why she translated her own English novel, The Portrait, into Italian, and what it is like working with the Russo brothers on Amazon's CITADEL series.Links:Follow Ilaria on Twitter/XBuy Ilaria's books nowPage One - The Writer's Podcast is brought to you by Write Gear, creators of Page One - the Writer's Notebook. Learn more and order yours now: https://www.writegear.co.uk/page-oneFollow us on Twitter/XFollow us on FacebookFollow us on InstagramFollow us on BlueskyFollow us on Threads Hosted on Acast. See acast.com/privacy for more information.

Comment ce biopic signé Jessica Palud évoque le traumatisme du viol qu'a subi l'actrice de dix-neuf ans sur le tournage du « Dernier tango à Paris » de Bernardo Bertolucci ? Comment le film « Un amor » marque-t-il le retour de la cinéaste espagnole Isabel Coixet ? Quel rôle étonnant endosse Cate Blanchett dans « The new boy » ? Quelle initiative originale dépeint le documentaire « Mo'zar mon style » ? Les découvertes musicales : - Saleka -Disillusion - Helmut Lotti - Que Je T'aime - Dani - Rouge - Moby feat Akemi - Fox - Fall back - Lindsey Stirling - Purpose Merci pour votre écoute La semaine des 5 Heures, c'est également en direct tous les jours de la semaine de 19h à 20h00 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes de La semaine des 5 Heures avec les choix musicaux de Rudy dans leur intégralité sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/1451 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

durée : 00:07:49 - Nouvelles têtes - par : Mathilde Serrell - Alors que le mouvement #MeToo secoue le monde du cinéma, "Maria" de Jessica Palud, revient sur le tournage éprouvant pour Maria Schneider du "Dernier tango à Paris". Le film scandaleux du maître Bernardo Bertolucci, la révèlera au grand public autant qu'il brisera sa carrière. - réalisé par : Lucie Lemarchand

Gabriella Pozzetto"Bernardo Bertolucci"Cinema di mistero e bellezzaAncora Editricewww.ancoralibri.it«So benissimo che non sono mai io a scegliere la storia di un film: è il film che sceglie me. So anche che le ragioni di un film sono sempre più misteriose e complicate delle spiegazioni che uno può trovare».Bernardo BertolucciQuesto testo ci immerge nel mondo di un gigante del cinema: Bernardo Bertolucci, il regista che non ha mai dimenticato la sua terra natale, la piccola ma raffinata città di Parma a cui resta profondamente legato affettivamente. Quel fazzoletto di terra compreso tra il fiume Po e gli Appennini sembra trasformarsi in un piccolo osservatorio da cui vedere e interpretare il mondo, descritto poeticamente nelle sue più diverse vicende, che spaziano da epiche narrazioni storiche a intime riflessioni sulla condizione umana. E l'autrice fa emergere in modo esemplare come l'«uomo»  – indagato in tutta la sua complessità psicologica – sia il protagonista, il centro della filmografia del regista. Il libro, che unisce alla profondità di analisi una lettura scorrevole quanto avvincente, è una ricca miniera di riflessioni e di intuizioni che possono essere rilette e meditate per vedere – attraverso il mistero e la bellezza del cinema di un grande artista – la bellezza del mistero dell'essere umano.(dalla Prefazione di Andrea Dall'Asta) Gabriella Pozzetto ha insegnato Semiotica dello spettacolo e multimediale presso l'Università del Piemonte Orientale. Collabora con la cattedra di Semiotica delle arti presso l'Università di Pavia e il Collegio Nuovo di Pavia. Tra i suoi libri: Ultimo tango, il mistero svelato. Con una intervista a Bernardo Bertolucci (Cucinema.com, 2004). Con Àncora ha pubblicato: «Il “perduto amor” tra cinema e canzoni», in Paolo Jachia, E ti vengo a cercare. Franco Battiato sulle tracce di Dio (2005); «Lo cerco dappertutto». Cristo nei film di Pasolini (2007); Vasco Stadio Infinito. Un viaggio sorprendente tra angeli e rock'n'roll (2008).IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

This is our 70th BPC Episode! Wow. Wild stuff as we are here to talk about this Bernardo Bertolucci film that took home the big crown in 1987. Kieran B and Jay Dowski return to join Kieran B in a conversation about THE LAST EMPEROR. Lots of conflicting points of views on this one, we hope you enjoy the conversation! As always please rate and review! Check out our Best Picture Merch: https://best-picture-cast.creator-spring.com/ Follow us on Social Media, Twitter, Facebook, Instagram, Letterboxd: @bestpicturecast Email us bestpicturepodcast@yahoo.com Follow The Co Hosts on Twitter: Artie B: @heyyyitssme Chris G: @chrisgallant17 Joey R: @joey0314 Grant Z: @Grant_Zep Jay Dowski: @JayDowski Grant's Art on Instagram: @exit28studios Chris G's Art on Instagram: @popvultureart Some of our friends: Cinemusts: @cinemusts 1001 by 1: @1001by1 Below Freezing: @BelowFreezing32 Revisionist Almanac: @RevAlmanac Greatest Movie of All Time Podcast:@gmoatpodcast Shea Cinema: @sheacinema

Ep. 246: Cannes 2024: Bilge Ebiri on Lanthimos's Kinds of Kindness, Schrader's Oh Canada, Furiosa, plus Bertolucci Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. For the latest episode on the 2024 Cannes Film Festival, I was happy to chat with Bilge Ebiri of New York Magazine for his inaugural Cannes appearance on the podcast. We discuss the much-anticipated new films from Yorgos Lanthimos (Kinds of Kindness), Paul Schrader (Oh Canada), and for a well-deserved encore, George Miller (Furiosa: A Mad Max Saga). Our conversation also explores a few facets of the phenomenon that is Cannes, and the enduring inspiration of Bernardo Bertolucci. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

SEASON 2 - EPISODE 85 - HANS ZIMMER - COMPOSER Composer Hans Zimmer (DUNE, INTERSTELLAR, THE LION KING) joins us on this episode of the Team Deakins Podcast. Hans takes us back to his early career working the espresso machine for composer Stanley Myers and later making runs for director Bernardo Bertolucci on THE LAST EMPEROR before reflecting on his experience composing the score for the South Africa-set, anti-apartheid film A WORLD APART. We later discuss the purpose of score in a film and how Hans works to create an environment in which a director's story can unfold, as does a cinematographer. We learn what Hans is really doing when he's procrastinating, and we weigh the value of being original and being good. We also trade notes on working with director Denis Villeneuve, and Hans reveals his deeply personal connection to the score and story of THE LION KING. Towards the end, Hans opines that the Hollywood sound is really made in London, and he revels in the joy of conducting an orchestra that has played everything until he brings his original score to their stands. - This episode is sponsored by the Dallas Film Commission & Godox

¡Mubi está de vuelta en el FlimCast! Y hoy les tenemos cuatro (4) recomendaciones para ver en el streaming de los que saben: Los productores (1967) de Mel Brooks, Los soñadores (2003) de Bernardo Bertolucci, Los delincuentes (2023) de Rodrigo Moreno y Los colonos (2023) de Felipe Gálvez. Esperamos les gusten estas recomendaciones, ¡gracias por escuchar/comentar/compartir! Les recordamos que pueden acceder a 30 días gratis de Mubi en este enlace: https://mubi.com/es/flimcast Y si quieren pre-estrenos y contenido exclusivo, suscríbanse en https://www.patreon.com/hermeselsabio

In this episode we discuss the sixtieth Best Picture winner, The Last Emperor, the big six-decade milestone for the Academy, the lackluster ceremony and poor performance by host Chevy Chase, the predictability of a historical epic winning Best Picture, and Bernardo Bertolucci's experience making The Last Emperor in The Forbidden City.  -- Instagram: https://www.instagram.com/thanktheacademypodcast X: https://www.twitter.com/thankacademypod Email us your thoughts: thanktheacademypod@gmail.com --- Support this podcast: https://podcasters.spotify.com/pod/show/thank-the-academy/support

Producer Jeremy Thomas remembers the making of 1987's legendary film THE LAST EMPEROR. Jeremy was a young indie producer with an eager spirit and a history of ingenuity when iconic director Bernardo Bertolucci approached him about making a film about the last Emperor of China. Jeremy knew it would be a feat to accomplish such an undertaking, but instead of shying away from the challenge, he leaned in and got the support of the Chinese government. A true international collobration, the film's authenticity is evident and it remains a classic.Become a supporter of this podcast: https://www.spreaker.com/podcast/hollywood-gold--5670584/support.

Our first Best Picture winner in this year's Oscar Month, The Last Emperor, went 9 for 9 at the awards that year. John Lone, Joan Chen and Peter O'Toole are all solid in the starring roles, but there's something fairly soulless and even a little opaque about this spectacular production...especially for a Bernardo Bertolucci film. Bertolucci and his team were the rare Western filmmakers to be allowed to shoot in The Forbidden City in China, as they told a story about a sheltered child surrounded by devious sycophants. Puyi might be a royal, but his comfortable life is spent in effectively a prison. The biggest problem we couldn't get past with this film, though, is that this was what the Oscars told us was the pinnacle of 1987 filmmaking, even though Broadcast News, Moonstruck, Robocop, Predator and Lethal Weapon were all out that year. So don't you dare try to leave the 575th edition of Have You Ever Seen---not until you get kicked out---as we marvel and moan in equal measure about The Last Emperor. Well, Actually: Maggie Han was born in Rhode Island, but her parents were South Korean. Also, Licence To Kill was released in 1989, not 1987. They can't get Sparkplug Coffee in China, but people in America and Canada can. And if you use our "HYES" promo code, you'll save 20%. Go to "sparkplug.coffee/hyes". Drop us a line via email (haveyoueverseenpodcast@gmail.com) and/or follow us on Twi-X (@moviefiend51 and @bevellisellis) and also look for Bev on Threads (@bevellisellis). Rate, review, subscribe, do all those things on your app, but also hunt us down on the web via YouTube. We post all our shows there. The destination in your browser is @hyesellis.

Behind these steamy sequences, there are body doubles, pubic wigs, legal documents, and dedicated choreographers who make sure everyone is comfortable. Zachary Crockett fast-forwards straight to the good parts.  SOURCES:Alicia Rodis, intimacy coordinator.Matthew Swanlund, founder and principal attorney at Aesthetic Legal. RESOURCES:"Romance or Nomance? Adolescents Prefer to See Less Sex, More Friendships, Platonic Relationships on Screen," by Elizabeth Kivowitz (UCLA Newsroom, 2023)."You're Not Seeing Things —'Nudity Creep' in Streaming TV Reveals More of Its Stars," by Neda Ulaby (All Things Considered, 2023)."Jennifer Aniston Rejected Offer for an Intimacy Coordinator in Sex Scenes with 'Gentleman' Jon Hamm," by Esther Kang (People, 2023)."How the Sausage Gets Made: Inside Hollywood's Prosthetic Penis Craze," by Emma Fraser (Thrillist, 2022)."The Disturbing Story Behind the Rape Scene in Bernardo Bertolucci's Last Tango in Paris, Explained," by Anna North (Vox, 2018)."Two James Francos. Porn. 1970s New York. The Deuce Could Go So Wrong — but It Doesn't," by Emily St. James (Vox, 2017)."Shooting Film and TV Sex Scenes: What Really Goes On," by Melena Ryzik (The New York Times, 2015)."Sexually Explicit Casting Contract for HBO's ‘Westworld' Extras Has SAG-AFTRA Concerned," by Jonathan Handel (The Hollywood Reporter, 2015). EXTRAS:"Why is Everyone Having Less Sex?" by No Stupid Questions (2023).

Pour a glass, get in the bathtub and listen to our first Bertolucci! After the boys go through some mini reviews to bring our 2023 podcast year to a close, we discuss 1970 in cinema and culture before our featured conversation discussing the tumultuous Bernardo Bertolucci film ‘The Conformist'. Do you like 'The Godfather'? 'The Sopranos'? See how they were inspired by this WWII-era Italian rise-of-fascism character study shot by 3-time Oscar winner and frequent mention on this podcast, Vittorio Storaro. Mini reviews include ‘Godzilla Minus One', ‘Leave The World Behind', and ‘May December'. See you in 2024, film fans!  Find all of our Socials at: https://linktr.ee/theloveofcinema.  
Our phone number is 646-484-9298, it accepts texts or voice messages.  0:00 Intro, Gripes + Mini Reviews; 24:44 1970 + The Conformist; 01:16:12 What You Been Watching? Additional Cast/Crew: Jean-Louis Trintignant, Stefania Sandrelli, Gastone Moschin, Alberto Moravia, Enzo Tarascio Jose Quagliom, Pierre Clémenti, Dominique Sanda, Georges Delerue, Julianne Moore, Natalie Portman, Charles Melton, Sam Esmail, Julia Roberts, Ethan Hawke, Mahershala Ali, Takashi Yamazaki, Minami Hamabe, Ryunosuke Camici, Sakura Ando. Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ  Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Additional Tags: Oscars, Academy Awards, The Golden Globes, Past Lives, Monarch: Legacy of Monsters, The Holiday, The Crown: Season 6 part 2, Napoleon, Ferrari, Beer, Scotch, The Weekend, Clifford Odets, Travis Scott, U2, Apple, Apple Podcasts, 101 Dalmations, The Parent Trap, Switzerland, West Side Story, Wikipedia, Australia, Queensland, Melbourne, Indonesia, Java, Jakarta, Bali, Guinea, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike.  

durée : 01:35:00 - Les Nuits de France Culture - par : Philippe Garbit - Par Francesca Piolot - Avec Michel Estève, Jean-Antoine Gili et Gérard Rancinan - Avec en archives, les voix de Jean Renoir et Bernardo Bertolucci - Réalisation Claude Giovannetti

The eleventh episode of our season on the awesome movie year of 1987 features the Academy Awards Best Picture winner, Bernardo Bertolucci's The Last Emperor. Directed and co-written by Bernardo Bertolucci and starring John Lone, Joan Chen, Peter O'Toole and Ying Ruocheng, The Last Emperor was nominated for nine Oscars and won them all.The contemporary reviews quoted in this episode come from Roger Ebert (https://www.rogerebert.com/reviews/the-last-emperor-1987), Sheila Benson in the Los Angeles Times (https://www.latimes.com/archives/la-xpm-1987-11-20-ca-15017-story.html), and Pauline Kael in The New Yorker.Visit https://www.awesomemovieyear.com for more info about the show.Make sure to like Awesome Movie Year on Facebook at http://www.facebook.com/awesomemovieyear and follow us on Twitter @AwesomemoviepodYou can find Jason online at http://goforjason.com/, on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Twitter @JHarrisComedyYou can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/ and on Twitter @signalbleedYou can find our producer David Rosen's Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod and the Popcorn & Puzzle Pieces Facebook Group at https://www.facebook.com/groups/piecingpod.You can also follow us all on Letterboxd to keep up with what we've been watching at goforjason, signalbleed and bydavidrosen.Subscribe on Patreon to support the show and get access to exclusive content from Awesome Movie Year, plus fellow podcasts Piecing It Together and All Rice No Beans, and music by David Rosen: https://www.patreon.com/bydavidrosenAll of the music in the episode is by David Rosen. Find more of his music at https://www.bydavidrosen.comPlease like, share, rate and comment on the show and this episode, and tune in for the next 1987 installment, featuring our producer David Rosen's pick, Sam Raimi's Evil Dead 2.

The tenth episode of our season on the awesome movie year of 1987 features a special Halloween selection, Joel Schumacher's The Lost Boys. Directed by Joel Schumacher and starring Jason Patric, Corey Haim, Kiefer Sutherland, Dianne Wiest, Jami Gertz and Corey Feldman, The Lost Boys had a major influence on the development of the vampire genre.The contemporary reviews quoted in this episode come from Roger Ebert (https://www.rogerebert.com/reviews/the-lost-boys-1987), Caryn James in The New York Times (https://www.nytimes.com/1987/07/31/movies/film-the-lost-boys.html), and Michael Wilmington in the Los Angeles Times (https://www.latimes.com/archives/la-xpm-1987-07-31-ca-188-story.html).Visit https://www.awesomemovieyear.com for more info about the show.Make sure to like Awesome Movie Year on Facebook at http://www.facebook.com/awesomemovieyear and follow us on Twitter @AwesomemoviepodYou can find Jason online at http://goforjason.com/, on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Twitter @JHarrisComedyYou can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/ and on Twitter @signalbleedYou can find our producer David Rosen's Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod and the Popcorn & Puzzle Pieces Facebook Group at https://www.facebook.com/groups/piecingpod.You can also follow us all on Letterboxd to keep up with what we've been watching at goforjason, signalbleed and bydavidrosen.Subscribe on Patreon to support the show and get access to exclusive content from Awesome Movie Year, plus fellow podcasts Piecing It Together and All Rice No Beans, and music by David Rosen: https://www.patreon.com/bydavidrosenAll of the music in the episode is by David Rosen. Find more of his music at https://www.bydavidrosen.comPlease like, share, rate and comment on the show and this episode, and tune in for the next 1987 installment, featuring the Academy Awards Best Picture winner, Bernardo Bertolucci's The Last Emperor.