Podcasts about conformist

Cinematographer Nicole Hirsch Whitaker, ASC was in the tenth grade when her English teacher screened “The Conformist” on a film print. A single scene—a car moving through trees, shot by Vittorio Storaro—changed the direction of her life. Now an Emmy-nominated cinematographer with credits spanning Netflix's record-breaking “One Piece” and the Spirit Award-nominated feature “Dust Bunny,” Nicole brings a career built on visual intelligence to Bernardo Bertolucci's 1970 psychological thriller.Andy Nelson and Pete Wright dig into Storaro's color-as-psychology approach, the fascist architecture that makes bodies feel small on screen, and the forest sequence that echoes across decades into the Coen brothers and Roger Deakins. Nicole also talks about the 3:1 aspect ratio on “Dust Bunny” and why scope is worth fighting for in a world designed for phone screens. Her word for “The Conformist”: elegant darkness.

In the last of our second round of 'Speaking Christian', Lianne spoke about what it means to be part of the baptist tradition, and the history of the church in the UK.You can join in our services by visiting us in person at One Church Brighton, Florence Road, Brighton, or by heading to our YouTube channel.If you'd like to know more about One Church Brighton, head to onechurchbrighton.org, or, if you'd like to get in touch with us, email info@onechurchbrighton.org.

Movie of the Year: 1971The Finale, Part IIThe 1971 Film Finale Podcast: One Champion RemainsThe 1971 film finale podcast brings the Taste Buds' most ambitious bracket season to its definitive conclusion. Ryan, Mike, and Greg have debated, dismissed, and championed their way through a remarkable field — and now eight films remain. In this episode, four Elite Eight matchups collapse into a single champion, and five major awards close out the season before the final verdict arrives.Furthermore, this finale caps a season that has included some of the most provocative, challenging, and enduring films ever made. From Stanley Kubrick's A Clockwork Orange to William Friedkin's The French Connection, the 1971 bracket has consistently rewarded listeners willing to sit with difficult, boundary-pushing work. The season also covered Straw Dogs, Sweet Sweetback's Baadasssss Song, and Dirty Harry — each one generating strong arguments before falling short of the Elite Eight.Additionally, five competitive award categories — Best Sex, Best Violence, Musical Moment, Best Actor, and Best Actress — draw nominees from across the full season. Consequently, this episode stands as the richest and most content-dense installment of the year.ContentsThe Elite Eight MatchupsThe 1971 AwardsWhy the 1971 Film Finale Podcast Still MattersRelated EpisodesFAQThe Elite Eight MatchupsEight films enter. One leaves as the 1971 champion. The Taste Buds structured the Elite Eight around four head-to-head matchups, and each one forces a different kind of critical argument.A Clockwork Orange vs. The DevilsTwo of the year's most transgressive films meet in the first matchup. A Clockwork Orange arrived as a season-long frontrunner — a Kubrick film operating at the height of his formal powers, one that the Taste Buds covered in depth on their dedicated episode. Ken Russell's The Devils, meanwhile, delivers a fever dream of religious hysteria and state violence that stands as one of the most divisive films the Taste Buds have discussed all season. Moreover, this matchup poses a pointed question: which film earns its provocation more honestly? Both demand something from the viewer. However, only one advances.Harold and Maude vs. McCabe and Mrs. MillerHarold and Maude represents the season's most warmly beloved film — a dark comedy about love, death, and radical living that generated some of the most enthusiastic podcast discussion of the year. By contrast, Robert Altman's McCabe and Mrs. Miller offers a revisionist Western suffused with melancholy and moral exhaustion, its beauty inseparable from its grief. Both films carry passionate advocates among the Taste Buds. Consequently, this matchup ranks among the tightest and most personal bracket debates of the entire season. Above all, it asks whether warmth or ache makes the stronger lasting impression.Wanda vs. The ConformistBarbara Loden's Wanda — a micro-budget American independent masterwork — faces Bernardo Bertolucci's The Conformist, a visually ravishing Italian political drama. Notably, both films center on characters adrift in systems designed to diminish them. Nevertheless, they arrive at very different emotional endpoints: Wanda drifts, the Conformist spirals. The Taste Buds' arguments in this matchup reveal as much about their own critical values as about the films themselves. In practice, this is the bracket's most purely cinephile debate.The French Connection vs. The Last Picture ShowThe bracket's most commercially dominant film — The French Connection, winner of five Academy Awards including Best Picture — faces Peter Bogdanovich's elegiac The Last Picture Show. In practice, this matchup pits Hollywood's muscular genre filmmaking against its more introspective New Wave ambitions. As a result, the debate cuts to the heart of what 1971 cinema actually achieved. Gene Hackman's Popeye Doyle and the dusty streets of Anarene, Texas, represent two entirely different ideas of what a great film should do — and the Taste Buds have strong opinions on which idea wins.The 1971 AwardsBefore the bracket champion is named, the Taste Buds present five awards covering the full sweep of the season. This Movie of the Year 1971 podcast segment features each host nominating the moments they found most memorable, daring, or essential — and the resulting field spans an extraordinary range of films and tones.Best SexThe nominees range from the tender to the violent to the surreal, drawing from three different films and three distinct registers of human sexuality.Jacy and Abilene — The Last Picture ShowThe Pool Party — The Last Picture ShowThe Rape of Christ — The DevilsThe Sex Duel with the Biker Gang — Sweet Sweetback's Baadasssss SongYoung Sweetback and the Sex Worker — Sweet Sweetback's Baadasssss SongBest ViolenceThe nominees span the full tonal range of 1971 action filmmaking — from Dirty Harry's iconic bank robbery standoff to the slow, aching finality of McCabe dying alone in the snow.The Car Chase — The French ConnectionHarry Foils a Bank Robbery — Dirty HarryThe Kid Kills the Cowboy — McCabe and Mrs. MillerThe Ludovico Technique — A Clockwork OrangeMcCabe Dies Alone in the Snow — McCabe and Mrs. MillerMusical MomentThe nominees here demonstrate just how varied 1971's soundtrack was — Cat Stevens, Beethoven, and Gene Wilder all make the shortlist.Maude Sings "If You Want to Sing Out, Sing Out" — Harold and MaudeOpening Funeral March — A Clockwork Orange"Pure Imagination" — Willy Wonka and the Chocolate Factory"Singin' in the Rain" — A Clockwork OrangeThe Tango — The ConformistBest Actor The five nominees represent the full range of 1971 male performance — from Hackman's coiled rage to Wilder's heartbreaking wonder. Additionally, this category generated some of the most contested debates in the entire 1971 film podcast season.Warren Beatty — McCabe and Mrs. MillerGene Hackman — The French ConnectionOliver Reed — The DevilsJean-Louis Trintignant — The ConformistGene Wilder —

Movie of the Year: 1971The Finale, Part IIThe 1971 Film Bracket Podcast Reaches the Elite EightThis 1971 film bracket podcast returns with its most dramatic episode yet. Ryan, Mike, and Greg — the Taste Buds — work through the bottom half of the Sweet 16, producing four matchups that nobody saw coming. Furthermore, the episode hands out two major awards: Comedic Performance and Biggest Shithead. The results set the stage for Part III, where the Elite Eight will be whittled down to a single 1971 champion.If you missed Part I of the finale, start there first. The bracket has been full of upsets throughout the season. Consequently, no outcome here should be taken for granted.The Sweet 16: Bottom Half of the 1971 Film BracketThe bottom half of the 1971 Sweet 16 is stacked. These four matchups pit some of the most beloved and argued-over films in the entire bracket against one another. Moreover, the range of cinema on display — from Hollywood blockbusters to European art films to New Hollywood grit — illustrates exactly why 1971 is one of the most fertile film years ever put to a bracket.The Taste Buds debate each matchup using their standard evaluative framework: craft, cultural impact, rewatchability, and gut feeling. Above all, they trust their instincts — and their instincts have produced surprises at every turn this season. Tune in to find out which four films advance to the Elite Eight.Willy Wonka and the Chocolate Factory vs. WandaThis matchup pits one of cinema's most beloved fantasies against one of its most criminally underseen gems. Willy Wonka and the Chocolate Factory needs little introduction — Gene Wilder's performance alone has kept it in the cultural conversation for over fifty years. Nevertheless, Wanda is no pushover. Barbara Loden's Wanda (1971) is a raw, naturalistic landmark of American independent cinema, and its inclusion in the bracket has been a point of pride for whoever seeded it.This is a clash of tone, scale, and intention. One film is a spectacle engineered for maximum delight. The other strips cinema down to its bones. However, the Taste Buds must pick one — and the pick will tell you something about where their tastes landed by the time the 1971 season reached its final stretch.The French Connection vs. Brian's SongTwo films that defined what mainstream American cinema could do with raw emotional and procedural intensity. The French Connection won the Academy Award for Best Picture in 1971. It features one of the most celebrated car chases in film history and a career-defining performance from Gene Hackman as the relentless, morally compromised Popeye Doyle. Additionally, William Friedkin's direction remains a masterclass in gritty, kinetic storytelling.Brian's Song, meanwhile, hit American living rooms as a TV movie and destroyed everyone who watched it. The story of Gale Sayers and Brian Piccolo remains one of the most emotionally devastating sports films ever made. Notably, the Taste Buds covered both films earlier this season — so this rematch in the 1971 film bracket carries the weight of all those prior arguments.The Last Picture Show vs. KluteTwo of New Hollywood's most enduring films square off here, and neither one will go quietly. The Last Picture Show is Peter Bogdanovich's elegiac black-and-white portrait of a dying Texas town — a film the American Film Institute has called one of the greatest ever made. Furthermore, its ensemble cast, including Jeff Bridges, Cybill Shepherd, Cloris Leachman, and Ben Johnson, delivers some of the finest performances in the bracket.Klute, however, has Jane Fonda. Her performance as Bree Daniels earned her the first of her two Academy Awards, and it remains one of the most psychologically intricate portrayals of a woman in crisis in American cinema. Alan J. Pakula's direction is coiled and paranoid in all the right ways. Consequently, this matchup may be the most difficult call in the entire bracket.The Conformist vs. The Panic in Needle ParkThe final Sweet 16 matchup is the most arthouse of the four — and arguably the most fascinating. Bernardo Bertolucci's The Conformist is a landmark of European cinema. Vittorio Storaro's cinematography is among the most studied in film school history, and the film's meditation on fascism, identity, and moral cowardice has only grown richer with time. You can read more about the film at Roger Ebert's review on RogerEbert.com.The Panic in Needle Park, by contrast, is bracingly American — a gritty, unglamorous portrait of heroin addiction on the streets of New York. It introduced Al Pacino to mainstream audiences. Moreover, Jerry Schatzberg's unflinching direction makes the film feel almost documentary in its honesty. These two films represent opposite ends of world cinema in 1971, and the Taste Buds must choose one.Award: Best Comedic Performance — 1971 Film Bracket PodcastThe Taste Buds hand out individual performance awards throughout the season, and the Comedic Performance category drew a fascinating and eclectic field of nominees. The 1971 bracket is not short on laughs — from the anarchic fantasy of Willy Wonka's chocolate factory to the dark comedy of Harold and Maude. Furthermore, the nominees represent a range of comic registers, from broad physical performance to pitch-black wit.The nominees are:David Battley — Willy Wonka and the Chocolate Factory (Mike's pick)Julie Dawn Cole — Willy Wonka and the Chocolate Factory (Greg's pick)Bud Cort — Harold and Maude (Mike's pick)Michael Gothard — The Devils (Ryan's pick)Gene Wilder — Willy Wonka and the Chocolate Factory (Greg's pick)David Battley's turn as the hapless Mr. Turkentine in Willy Wonka is a masterwork of bewildered reaction comedy. Julie Dawn Cole's Veruca Salt is a full-throttle comic creation — spoiled, relentless, and somehow sympathetic. Additionally, Bud Cort's Harold is a genuinely difficult comic achievement: deadpan to the point of catatonia, yet somehow enormously warm.Michael Gothard's Father Barre in The Devils is Ryan's wild-card choice — a performance of manic, committed intensity that functions as dark comedy whether or not Ken Russell intended it. Meanwhile, Gene Wilder's Willy Wonka remains one of cinema's great comic performances — menacing, whimsical, and deeply strange all at once. The winner is waiting for you in the episode.Award: Biggest Shithead of 1971One of the Taste Buds' most beloved recurring awards, the Biggest Shithead category recognizes the most memorably awful person — or entity — in the bracket. Notably, this award rewards commitment. Nominees do not simply do bad things. They do bad things with style, conviction, and a complete lack of self-awareness.The nominees are:Baron de Laubardemont — The Devils (Greg's pick)The Lady at Snakearama — Duel (Ryan's pick)The Motorcycle Cop — Harold and Maude (Greg's pick)Mr. Deltoid — A Clockwork Orange (Mike's pick)Veruca Salt — Willy Wonka and the Chocolate Factory (Mike's pick)Baron de Laubardemont, the cold bureaucratic villain of The Devils, brings state-sanctioned cruelty to the category. The Lady at Snakearama from Duel is Ryan's inspired choice — a brief but indelible portrait of someone who simply should not be in this movie. Furthermore, Harold and Maude's Motorcycle Cop is a monument to institutional pettiness.Mr. Deltoid from A Clockwork Orange is a sweaty, oleaginous masterpiece of ineffectual authority — Mike's nomination is well-argued. Veruca Salt, however, may be the category's most pure entry: a child who has elevated wanting things to an art form. The winner, as always, is in the episode.Why This 1971 Film Bracket Podcast Still MattersThe Sweet 16 is where bracket tournaments reveal their true character. By this stage, the obvious candidates are mostly gone. What remains are the films that survived not on reputation alone but on genuine argument. Moreover, the bottom half of the 1971 Sweet 16 contains some of the season's most debated films — which means every matchup result carries real emotional weight.The year 1971 is one of the most remarkable in cinema history. New Hollywood was hitting its stride. European art cinema was pushing form to its limits. Genre filmmaking was getting stranger, darker, and more personal. Consequently, any bracket drawn from this year produces matchups that feel genuinely impossible to call. The Taste Buds do not pretend otherwise — they argue, they agonize, and they vote.Part III is coming. The Elite Eight will determine the Movie of the Year: 1971 champion. Above all, this episode is the last chance to see which films survive before the final reckoning. Subscribe to PopFilter and follow along — the 1971 film...

Movie of the Year: 1971The Finale, Part IThe Movie of the Year 1971 Podcast Reaches Its ReckoningThe Movie of the Year 1971 podcast has arrived at its moment of reckoning. Ryan, Mike, and Greg — the Taste Buds — open the three-part finale with a full awards ceremony, a frank assessment of what 1971 means to cinema history, and the first wave of bracket eliminations. Sixteen films entered this season. Not all of them survive Part 1.This is a different kind of episode. There is no single film to defend or dissect. Instead, the Taste Buds are doing something harder: accounting for an entire year, making choices that cannot be unmade, and sending some of the finest films ever made home without a championship. The bracket is merciless. So, it turns out, is 1971.Part 2 continues the eliminations next week. Part 3 crowns the champion the week after. However, before any of that — the awards begin.About This Season: Sixteen Films, One ChampionThe Movie of the Year podcast runs a bracket-style competition each season, selecting the best film from a given year. This season, the Taste Buds covered sixteen films from across the full spectrum of 1971 cinema — studio blockbusters, guerrilla filmmaking, European art cinema, and Hollywood at its most unguarded. The field represents not just a great year in film, but an ongoing argument about what movies are for.The sixteen contenders are:A Clockwork Orange — Stanley KubrickSweet Sweetback's Baadasssss Song — Melvin Van PeeblesThe Devils — Ken RussellDuel — Steven SpielbergHarold and Maude — Hal AshbyStraw Dogs — Sam PeckinpahDirty Harry — Don SiegelMcCabe & Mrs. Miller — Robert AltmanWilly Wonka and the Chocolate Factory — Mel StuartWanda — Barbara LodenThe Conformist — Bernardo BertolucciThe Panic in Needle Park — Jerry SchatzbergThe French Connection — William FriedkinBrian's Song — Buzz KulikThe Last Picture Show — Peter BogdanovichKlute — Alan J. PakulaFor every episode from this season, visit the Movie of the Year podcast archive on PopFilter.What Does 1971 Mean to the Movies?Before any film is eliminated, the Taste Buds take a step back and ask the question the whole season has been building toward: what does 1971 actually mean to the history of cinema?The short answer is that 1971 is the year movies stopped asking permission. The Production Code was dead, and New Hollywood was at full velocity. The studios were desperate. The filmmakers who had spent the late 1960s learning a new visual language were suddenly free to use it without restraint. Consequently, the films of 1971 are not polished products. They are arguments — about violence, about sexuality, about power, and about who gets to survive.Moreover, 1971 is uniquely international in its ambitions. Bertolucci's The Conformist brought a European grammar of fascism and desire to mainstream audiences. Meanwhile, Melvin Van Peebles made Sweet Sweetback's Baadasssss Song entirely outside the studio system — financing it with his own money and changing the economics of Black independent filmmaking permanently. These were not films that happened alongside American culture. They actively reshaped it.Furthermore, the year produced an unusual number of films that resist a single reading. Dirty Harry is simultaneously a fascist power fantasy and a critique of one. Straw Dogs refuses to let its audience off the hook. The French Connection makes a hero out of a man who may not deserve the title. As a result, 1971 is defined not by its answers but by the quality of its questions.Above all, the Taste Buds argue that 1971 matters because it remains unresolved. These films are still being debated, still being taught, still being felt. That is the mark of a year that did something real — and the reason a bracket this competitive is so hard to close.Movie of the Year 1971 Podcast Awards: Best Supporting ActressThe first award of the finale is Best Supporting Actress. The nominees represent five performances that each, in their own way, stole scenes from films that were already remarkable. Notably, two nominees come from the same film — a testament to how fully The Last Picture Show populated its world with fully realized human beings.The nominees for Best Supporting Actress are:Ellen Burstyn — The Last Picture ShowCloris Leachman — The Last Picture ShowJulie Dawn Cole — Willy Wonka and the Chocolate FactoryVivian Pickles — Harold and MaudeStefania Sandrelli — The ConformistHistorically, the Academy nominated both Burstyn and Leachman at the 1972 Oscars — and Leachman won. However, the Taste Buds are not the Academy. Their winner reflects their own criteria, their own arguments, and a full season of watching these performances in context. Who walks away with the award? Listen to the episode to find out.Movie of the Year 1971 Podcast Awards: Best Supporting ActorThe second award is Best Supporting Actor — a category that reads, in 1971, like a catalog of actors doing the most demanding and least comfortable work of their careers. The nominees include debut-level performances and career-defining turns alike. The competition is, by any measure, extraordinary.The nominees for Best Supporting Actor are:Dudley Sutton — The DevilsMichael Gothard — The DevilsJeff Bridges — The Last Picture ShowBen Johnson — The Last Picture ShowGastone Moschin — The ConformistBen Johnson's Sam the Lion is among the most quietly devastating performances in American film — a man who embodies everything a dying town loved and then lost. Jeff Bridges, in his first major role, announced his entire career in a single film. Gastone Moschin made fascist complicity feel not monstrous but ordinary, which is considerably more frightening. The Devils, meanwhile, sent both its nominees into material that demanded everything an actor has. To find out who wins, listen to the episode.The Eliminations: The Bracket Does Not ForgiveThe awards are only half of Part 1 of the Movie of the Year 1971 podcast finale. The other half is the bracket — and the bracket is not sentimental. In this episode, the Taste Buds make the first wave of cuts. Films that have defined the conversation all season, films that generated genuine argument and genuine love, are sent home.This is the nature of the format. Nevertheless, that does not make it easy. 1971 is not a year with obvious fodder. Every film in this bracket earned its place. Consequently, every elimination in this finale is a real loss — and a real statement about what the Taste Buds believe cinema can do at its best.Which films survive? Which ones go home in Part 1? That, you will have to hear for yourself. Parts 2 and 3 continue the process — and by the end of the three-part finale, only one film from 1971 will be left standing.Why the Movie of the Year 1971 Podcast Finale MattersA season finale is never just a conclusion. It is an act of criticism — a declaration about what mattered, what lasted, and what deserves to be remembered. The Movie of the Year 1971 podcast finale is doing that work for one of the most important years in the history of film.Furthermore, the bracket format makes that work visible in a way that traditional film criticism rarely does. The Taste Buds cannot hedge. They cannot say everything is great and leave it there. They have to rank, eliminate, and ultimately choose. In doing so, they reveal something true about how they experience cinema — and they invite every listener to push back.Above all, this three-part finale is a love letter to a year that refused to behave. 1971 did not make comfortable films. It did not offer easy consolations. It asked audiences to look directly at things they would have preferred to avoid. The Taste Buds have been doing the same thing all season. Now, in three parts, they are going to decide which film did it best — and which one deserves to be called the Movie of the Year.Related Episodes from Movie of the Year: 1971

In the 1960's, many young americans rebelled against a society and culture that had largely been shaped by Christian values. This led to a decade of non-conformist counter culture. But the Bible teaches that we are to refuse to conform to the world, Are you being transformed daily by the renewing of your mind? To support this ministry financially, visit: https://www.oneplace.com/donate/581/29?v=20251111

In the 1960's, many young americans rebelled against a society and culture that had largely been shaped by Christian values. This led to a decade of non-conformist counter culture. But the Bible teaches that we are to refuse to conform to the world, Are you being transformed daily by the renewing of your mind? To support this ministry financially, visit: https://www.oneplace.com/donate/791/29?v=20251111

This episode is on the 1970 film, The Conformist. To hear the B-side, subscribe on Patreon: https://www.patreon.com/thelackpodcast

In the 1960's, many young americans rebelled against a society and culture that had largely been shaped by Christian values. This led to a decade of non-conformist counter culture. But the Bible teaches that we are to refuse to conform to the world, Are you being transformed daily by the renewing of your mind? To support this ministry financially, visit: https://www.oneplace.com/donate/791/29?v=20251111

This episode is Lian's All The Everything show… her solo space where she dives deeply into a theme that is alive for her, which, if you know her work, could move anywhere… from the most scientific to the most spiritual, and very often a weaving of both… which is exactly why the show carries its name. It is created for those who feel called toward a soulful life shaped by meaning, depth, truth, and love… for those who feel unsatisfied with quick answers or surface level takes. This is a rich rabbit hole that Lian journeys through alongside you. She speaks from her own lived experience and unfolding process… while inviting you into your own as you listen. The intention is that you leave feeling less alone in your seeking… more oriented within your life… and more able to trust what you already sense is true. Listeners often share that they leave these conversations feeling more settled, clearer, and more deeply connected to what matters most… both within themselves and in the world around them. The LIVE making of All The Everything is recorded live on YouTube… to join Lian for the one: Make sure you're subscribed to our YouTube channel, subscribed to our Moonly News email list and/or are a member of our Facebook group and we'll let you know when the next one is happening. In this episode, Lian, explores a question that can split a life in two… are you here to conform, or are you here to diverge? She speaks to the moment you realise you cannot keep shaping yourself to fit, the cost of going along when something inside you is saying no, and what happens when you finally stop pretending that path is yours. From there, she follows the deeper pattern beneath it… The ancient roots of the words themselves, a stark 1950s experiment that shows how easily humans deny what they can clearly see, and figures like Socrates and Joan of Arc who answered an inner call that would not let them stay inside the lines. The conversation moves into the real price of divergence… grief, rupture, being misunderstood, and why "find the others" is not poetry, it is survival. Listen if you have ever stayed silent to belong, then felt the hollowing afterwards, or sensed your soul asking for a life that costs more and gives more. We'd love to know what YOU think about this week's show. Let's carry on the conversation… please leave a comment wherever you are listening or in any of our other spaces to engage. What you'll receive from this episode: How group pressure makes people say what they know is untrue, and what this reveals about conformists, divergents, and the ones caught between Why divergence is not about being difficult or different, but about an inner truth that will not be negotiated What becomes possible when you stop waiting for permission, claim your own authority, and let your truth be your vital role in the community Resources and stuff Lian spoke about: Make sure you're subscribed to our YouTube channel, subscribed to our Moonly News email list and/or are a member of our Facebook group and we'll let you know when the next one is happening. Register your interest for the upcoming Wild Sovereign Soul journey here. Share what showed up for you listening to this show, including any questions, either in the Be Mythical facebook group or in UNIO. Join UNIO, The Community for Wild Sovereign Souls: This is for the old souls in this new world… Discover your kin & unite with your soul's calling to truly live your myth. Be Mythical Join our mailing list for soul stirring goodness: https://www.bemythical.com/moonly Discover your kin & unite with your soul's calling to truly live your myth: https://www.bemythical.com/unio Go Deeper: https://www.bemythical.com/godeeper Follow us: Facebook Instagram TikTok YouTube Thank you for listening! There's a fresh episode released each week here and on most podcast platforms - and video too on YouTube. If you subscribe then you'll get each new episode delivered to your device every week automagically. (that way you'll never miss a show).

The Corruption Diaries is a journey through the eyes of anti-corruption veterans with unique perspectives on combating one of the most compelling ethical challenges of our time.   In Series Two: Richard Allen's passion was alternative music and he set up in the music business with his own record label, managing and touring with bands like Porcupine Tree. But a tax loophole took all of that away from him and he unexpectedly became a campaigner, taking on tax dodgers and the British authorities from his garden shed. In this first episode, Richard Allen's  chance encounter with non-conformist education set him on a path away from the mainstream.   The music in this episode is courtesy of Cherry Red Records. In order of use, the tracks used are: Solstice song by Mandragora, Malpaso by Josiah and Movement by Praise Space Electric.   This is a Tax Justice Network podcast with Naomi Fowler of the Taxcast podcast. Produced and sound designed by Leo Schick. All the Tax Justice Network's podcasts are available here https://podcasts.taxjustice.net/ or wherever you get your podcasts.

Movie of the Year: 1971The ConformistRevisiting The Conformist (1971) – Power and Identity in Italian CinemaIn this episode of Movie of the Year, Ryan, Greg, and Nate take on Bernardo Bertolucci's The Conformist (1971), a visual and psychological masterpiece that defined the aesthetics of 1970s cinema. Through its haunting beauty and moral ambiguity, The Conformist examines how a man's need to belong leads him down a path of destruction.As the Taste Buds explore, Bertolucci's film is more than a political allegory—it's an intimate portrait of repression, desire, and the fragile nature of identity.Bertolucci's The Conformist and the Politics of StyleFew filmmakers balance ideology and artistry as masterfully as Bernardo Bertolucci. The Taste Buds discuss how his direction turns politics into visual poetry, using color, shadow, and architecture to mirror the internal lives of his characters.Cinematographer Vittorio Storaro creates a world of geometric perfection and emotional chaos, where fascist Italy becomes both stage and metaphor. Every shot in The Conformist (1971) is deliberate—an expression of control, guilt, and the terror of individual thought in a conformist world.(Learn more about Bertolucci's visual approach on Criterion's Bertolucci essay.)Marcello Clerici: The Psychology of FascismAt the center of The Conformist is Marcello Clerici, portrayed by Jean-Louis Trintignant with quiet dread. Marcello longs to fit in, to appear normal, to bury the parts of himself that don't conform. His fear of difference drives him toward fascism—not out of conviction, but out of insecurity.Ryan, Greg, and Nate explore how Marcello's repression and guilt become political acts. His story reveals how ordinary people become instruments of ideology—not through belief, but through cowardice and the seductive comfort of belonging.Anna and Giulia: Women, Desire, and RebellionThe women of The Conformist (1971)—Anna (Dominique Sanda) and Giulia (Stefania Sandrelli)—represent opposing forces in Marcello's life and Italy's cultural psyche. Anna is sharp, enigmatic, and politically aware—a woman whose defiance threatens to unravel Marcello's carefully constructed identity. Giulia is complacent, beautiful, and submissive, embodying the illusion of safety and control.The Taste Buds analyze how Bertolucci frames both women as agents of desire and symbols of rebellion, showing that even within oppressive systems, resistance can take many forms—some loud, others quietly devastating.Guest Spotlight: Nate Ragolia from Debut BuddiesThis episode features special guest Nate Ragolia, co-host of the hit podcast Debut Buddies. Known for celebrating pop-culture firsts—from debut albums to first films—Nate brings his trademark blend of insight and humor to The Conformist (1971). His deep appreciation for cinema's evolution adds a new dimension to the discussion, connecting Bertolucci's exploration of identity and conformity to the creative risks artists still face today.

Ben Levi Ross (Ragtime at LCT) and Bobby share the distinction of playing Mother's Younger Brother a generation apart. They share how different upbringings in different eras contributed to their interpretation of the character. Ben's history of nonconformity to norms and expectations contrasts with Bobby's history of conformity, while both experiences offer a fascinating entry point into the psychology of a young man radicalized by period of great social change. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of The Self-Driven Child Podcast, I sit down once again with my good friend and New York Times bestselling author Jeff Selingo. You probably know Jeff from his book Who Gets In and Why, which cracked open the mysterious college admissions process. But now, he's back with a powerful new guide, Dream School: Finding the College That's Right for You.We explore the realities behind the college admissions frenzy—the pressures, the myths, and the real indicators of student success. Jeff and I dive deep into why so many students and families narrow their college lists too soon, how prestige bias and community pressure shape decision-making, and what really matters when it comes to finding the best college fit. Whether you're a parent, student, educator, or just curious about higher education, this episode is a roadmap to cutting through the noise and focusing on what will actually help kids thrive. Episode Highlights:[1:55] - Welcoming back Jeff Selingo and his new book Dream School [3:41] - Unpacking the narrative arc from elite admissions to finding fit [5:27] - Why students and parents fixate on prestige and how that narrows options [7:40] - Grade inflation and the overconfidence trap [10:44] - Why balanced college lists matter more than ever [13:49] - Conformist bias and how schools like Archer are challenging the status quo [16:38] - Misconceptions around adding more "backup" schools [18:21] - Is college worth it? A nuanced look at ROI and student outcomes [23:06] - Why regional job markets matter more than college name [26:45] - The value of being a "big fish" at a smaller school [30:56] - Faculty incentives, mentorship, and why engagement matters [34:50] - Hands-on learning and mentors as keys to student success [37:09] - How to spot signs of strong faculty engagement on campus visits [41:23] - Belonging uncertainty and how it affects student retention [45:47] - First-year programming that fosters connection and success [46:59] - Extracurriculars as a path to discovery, not just admissions [49:59] - Bringing joy back to the college search [51:55] - Finite vs. infinite games and redefining what college is really aboutLinks & Resources:·         Jeff Selingo's new book: Dream School: Finding the College That's Right for You·         College Scorecard: https://collegescorecard.ed.gov ·         National Survey of Student Engagement (NSSE): https://nsse.indiana.edu ·         The Craziest Year Ever in College Admission with Jeff Selingo: https://podcasts.apple.com/us/podcast/the-craziest-year-ever-in-college-admission-with/id1676859533?i=1000650463806 ·         Who Gets In and Why with Jeff Selingo: https://podcasts.apple.com/us/podcast/who-gets-in-and-why-with-jeff-selingo/id1676859533?i=1000613195766  If this episode has helped you, remember to rate, follow, and share the Self-Driven Child Podcast. Your support helps us reach more people and create more content that makes a difference. If you have a high school aged student and would like to talk about putting a tutoring or college plan together, reach out to Ned's company, PrepMatters at www.prepmatters.com

There is so much about this biography that is about our current times … **** major correction - I said ISTP .. I meant INTP (I sort of thought I'd said it wrong!) His autobiographyMy AutobiographyCharles Chaplinhttps://www.goodreads.com/book/show/84038.My_AutobiographyThe Great Dictator final speachhttps://www.charliechaplin.com/en/articles/29-the-final-speech-from-the-great-dictator-What are we building instead of the American Dream?https://fortune.com/2025/08/12/maga-marxist-maoist-trump-assault-free-market-capitalism-socialism/Thank you for supporting my independent thought - how to support my work - My work is now driven entirely by donations or supporting my content creation Paypal Donations: https://www.paypal.com/paypalme/drnaoiseoreillyPodcast channel: https://podcasts.apple.com/us/channel/purple-psychology/id6446495392Patreon: https://www.patreon.com/purplepsychologyiBooks: http://books.apple.com/us/book/id6744105194

Sucking non-Conformist hard boiled sweets wi' nowt taken out, magazine editor Andy Lyons, writer Harry Pearson and host Daniel Gray continue with new-ish feature Backward Glance, in which a Random Issue Generator picks out an old copy of WSC magazine from the archives for them to chat about. This time, Issue 125 from July 1997 pops up to deliver tidings of Sargeant Wilko's reformist zeal, Bob Newton at the burger van, Channel 5's brave new football world, Schuster to Reading, Trevor Francis's toilet enquiry, Pontus Kåmark's museum fakery and so much more. Plus, magazine Deputy Editor Ffion Thomas previews WSC issue 456 and Record Breakers brings us a Bochum banger. Support the showWould you like to hear twice as many podcasts and longer editions of these ones, and support our print magazine? You would? Then join the WSC Supporters' Club! Sign up here: www.patreon.com/whensaturdaycomes

Vulture and New York Magazine film critic Bilge Ebiri returns to discuss Bernardo Bertolucci's stunning mood piece Little Buddha, a rich and evocative story of an American family who travel to Bhutan after learning their son may be the reincarnation of the spiritual leader of a group of Tibetan Buddhist monks. The film also chronicles chapters in the life of Siddartha (played by Keanu Reeves) who rejects his life of sheltered privilege after learning of human suffering in order to seek a path of spiritual enlightenment. Exhibiting Berolucci's customary visual richness - emboldened by breathtaking images from Academy Award-winning cinematographer Vittorio Storaro - and an otherworldly emotional frankness, Little Buddha conjures the sensation and grandeur of a personal spiritual awakening. We discuss the career of Bertolucci and his "Eastern Trilogy" beginning with 1987's Best Picture winner The Last Emperor, in which Bertolucci's fascination with the spiritual and cultural practices of the Asian continent became a personal endeavor into a deeper understanding of his own artistic ethos. Then we unpack the splendid uncannines of Little Buddha and how Bertolucci's directorial mastery allows for a film of constant settling and de-escalation to feel thrilling and proulsive through it's evocation of a preternatural emotionality. Finally, we discuss the west's fascination with the Tibetan independence movement in the 1990s and the American films it inspired during the decade.   Follow Bilge Ebiri on TwitterOrder Little Buddha on 4K or Blu-ray from Kino LorberGet access to all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.....Our theme song is "Mirror" by Chris Fish

This episode examines The Conformist, Bernardo Bertolucci's 1970 political drama set in 1930s Italy. The film centers on Marcello Clerici (Jean-Louis Trintignant), a mid-level Fascist functionary who is ordered to assassinate his former professor, an anti-fascist dissident living in Paris. The film, which includes many flashbacks to Clerici's early life and decision to join the secret police, provides powerful and chilling insights into the psychology of conformism and fascism The film, widely considered one of the greatest ever made, not only features outstanding performances but also superb production design (Fernando Scarfiotti) and cinematography (Vittorio Storaro) that helps capture Italy under Mussolini. The film is as timely today as it was when it was released, as the world witnesses a resurgence of authoritarianism in the United States and Europe.Timestamps:0:00      Introduction3:45       Fascist Italy under Mussolini7:58       Why Clerici joins the fascists12:39     Repression of sexual orientation and the desire to belong14:10      Why people are vulnerable to fascism18:56      Manganiello and the fascist enforcer23:43     Perspectives on normalcy and the scenes in Paris31:56      How the film speaks to the Trump era36:40     Architecture in Mussolini's Italy39:08     The murder of Quadri and Anna44:39     After Mussolini falls50:30     The lack of consequences for going along with fascism 56:04     The Holocaust in Mussolini's Italy      Further reading:Bosworth, R.J.B., Mussolini's Italy: Life under the Fascist Dictatorship, 1915-1945 (2006)Elbiri, Bilge, “It's Time to See ‘The Conformist' Again,” Vulture (Jan. 14, 2023)Huq, Aziz, "America Is Watching the Rise of a Dual State," The Atlantic (Mar. 23. 2025)Kael, Pauline, “‘The Conformist': The Poetry of Images,” New Yorker (Mar. 27, 1971)   Moravia, Alberto, The Conformist (1951)Musil, Robert, The Man Without Qualities (1930-43) Law on Film is created and produced by Jonathan Hafetz. Jonathan is a professor at Seton Hall Law School. He has written many books and articles about the law. He has litigated important cases to protect civil liberties and human rights while working at the ACLU and other organizations. Jonathan is a huge film buff and has been watching, studying, and talking about movies for as long as he can remember. For more information about Jonathan, here's a link to his bio: https://law.shu.edu/profiles/hafetzjo.htmlYou can contact him at jonathanhafetz@gmail.comYou can follow him on X (Twitter) @jonathanhafetz You can follow the podcast on X (Twitter) @LawOnFilmYou can follow the podcast on Instagram @lawonfilmpodcast

In episode 17 of (Pop) Cultural Marxism, Ajay and Isi once again find themselves in the regrettable position of praising the Walt Disney Company. After chatting about recent cultural highlights (Clair Obscur: Expedition 33, a 40th anniversary screening of Kurosawa's Ran, and a Criterion retrospective on Johnnie To), they consider the popular and critical success of Andor's second season, and ask what it means to describe a pop cultural text as “politically timely.” Their conversation turns to extratextual ecosystems (press junkets, interviews), Gilroy's deep engagement with cinematic depictions of fascism and rebellion (Army of Shadows, The Conformist), architecture and costume design, season 2 high points (the Ghorman Massacre, Mon Mothma's Senate speech), the politics of revolutionary alliances, and imperial bureaucracy. Finally, they consider how the show makes the transition—narratively, visually, musically—into the lore-dense timeline of Rogue One and A New Hope, and ponder its uncharacteristically fascistic final scene. (Pop) Cultural Marxism is produced by Ryan Lentini.  Learn more about upcoming courses on our website. Follow Brooklyn Institute for Social Research on Twitter / Facebook / Instagram / Bluesky Shownotes: Clair Obscur: Expedition 33 (Sandfall Interactive) Ran, dir. Akira Kurosawa (1985) Exiled, dir. Johnnie To (2006) Ghost Dog: The Way of the Samurai, dir. Jim Jarmusch (1999) Battleship Potemkin, dir. Sergei Eisenstein (1925) The Battle of Algiers, dir. Gillo Pontecorvo (1966) Army of Shadows, dir. Jean-Pierre Melville (1969) Jean-Paul Sartre, "The Republic of Silence" (1944) The Conformist, dir. Bernardo Bertolucci (1970) Sergey Nechayev, "Catechism of a Revolutionary" (1869) Laleh Khalili, "The Politics of Pleasure: Promenading on the Corniche" Guy Debord, The Society of the Spectacle Bertolt Brecht and Walter Benjamin on Brecht's "Epic Theater" McKenzie Wark, The Beach Beneath the City McKenzie Wark, A Hacker Manifesto

Kill Along to Get Along: Bernardo Bertolucci's The Conformist Does Life Imitate Art or Does Art Predict and Comment on Life?  Regardless of Bernardo Bertolucci's reputation - admitted questionable actions in the realization of art - the Italian filmmaker is regarded as one of the great Auteurs of Cinema. Films from 1900 (1976) thru the Oscar-winning The Last Emperor (1987), and the controversial (artistically and production-wise) Last Tango in Paris (1972), have explored the human eperience through Sexuality, Social Taboos, Class Conflict, and - in his directorial debut 1970s The Conformist, Politics. Lensed by the great Italian cinematographer Vittorio Storaro, The Conformist may have some of the most beautiful images ever captured in Cinema while telling a story of Political Ideology,  Conformity, and the rise of Fascism.  Questions rise in this 1970 film that have surprisingly presented themselves again over fifty years later. This is a difficult film in viewing, however it is incredibly important in what it has to say and how it says it. Take a listen and let us know what you think. Agree or Disagree, the Point is the Conversation. Let us know what you think - gondoramos@yahoo.com. Many Thanks.  For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.

Kerry and Collin plowed through this comedy starring Matthew Broderick and Danny DeVito as two feuding neighbors at Christmastime. The experience of watching the film caused one of them to ponder, "why are we doing this podcast?" There are so many other questions, though. What makes the old, white iMacs so special? How long would it actually take to make an elaborate Christmas light trail, cook an even more elaborate dinner and then cover your entire house with Christmas lights? What did DeVito do to prepare in promoting this film back in 2006? All these questions, plus Kerry gives three movies from the "1,001 Movies You Mist See Before You Die" book. Are any of them worth seeing?  Recommended short film: "The Christmas Light Killer"  Book films covered: "Papillon" (1971) "Buffalo 66" (1998) "The Conformist" (1970)  

Boomer & Brandon discuss Takahide Hori's stop-motion-animated nightmare comedy Junk Head (2017) https://swampflix.com/ 00:00 Welcome 03:55 Vampire Hunter D (1985) 07:07 Casino (1995) 15:31 Deadwood - The Movie (2019) 22:30 The Fall of the House of Usher (1960) 38:17 The Conformist (1970) 42:32 Times Square (1980) 48:56 Devil Fetus (1982) 55:38 Grave of the Fireflies (1988) 1:01:21 Junk Head (2017)

Ralph Waldo Emerson, in his essay entitled “Self-Reliance,” encourages us to be non-conformists, if we are to become our best selves. But, refusing to conform has its risks. How do we muster the courage to be a non-conformist, and be our best selves, in an age of constant pressure to comply?

In episode 135, we're discussing how important it is for us not to conform to this world, in all ways, including our weight loss journeys. Scripture: Rom 12:2, 1 John 2:15-17, James 4:4, 2 Cor 5:20, Danieln1:3-8

Join us for a special message, inspired by Dr. King's 1954 sermon "Transformed Non-Conformist". Dr. King encouraged us that a follower of Jesus does not conform to the patterns of this world but can be transformed through the renewing of your mind. SUBSCRIBE TODAY for Weekly Service messages, Daily Guided Prayers, & more! Download the FREE Churchome app in the Apple App store or Google Play store! https://www.churchome.org/app

Keeping abreast of current events as always, Tom & Gav look at a film from 1970, based on a novel from 1951.Subscribe to Gas GiantsRSS https://api.substack.com/feed/podcast/311033.rss This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit gasgiants.substack.com

When we begin to discover who we truly are, it will be strange for other people. When we begin to explore who we truly are, we will appear to be nonconformists in a world where conformity is control.

Filmmaker Michael Mann joins Letterboxd in conversation about his favorite films, on the occasion of the launch of the Michael Mann Archives — Directing Ferrari. Links: Michael Mann's Letterboxd Films talked about in this conversation Michael Mann's list of his 14 favorite films Michael Mann Archives — Directing Ferrari Mia Lee Vicino's Letterboxd Video version of this conversation on our YouTube channel Credits: The conversation was recorded by Eileen Ruiz and edited by Shannon Keirce. Theme music: “Vampiros Danceoteque” by Moniker. Producers: Brian Formo and Gemma Gracewood. The Letterboxd Show is a TAPEDECK production. Chapters: (00:01:15) Ferrari and the Michael Mann Archives — Directing Ferrari⁠ (00:09:37) Turbo (00:10:58) Battleship Potemkin, Heat, and Last of the Mohicans (00:14:31) Apocalypse Now (00:16:14) The Conformist (00:17:01) From Here to Eternity and The Jericho Mile (00:18:32) The Hurt Locker (00:19:57) Dr. Strangelove and Heat (00:21:35) The Loved One (00:22:13) Poor Things (00:23:39) L'Atalante (00:24:36) The Sweet Smell of Success and The Insider (00:26:37) I Am Cuba and Ali (00:30:22) Raging Bull (00:31:18) Miami Vice, Heat, and the theatrical experience (00:33:00) Biutiful (00:34:04) Incendies (00:34:29) Pan's Labyrinth (00:35:02) The Passion of Joan of Arc and The Insider (00:36:54) The Asphalt Jungle (00:38:54) Out of the Past (00:40:53) Memories of Murder, Manhunter, and serial killers (00:45:45) Pale Flower and Bicycle Thieves (00:46:57) Manhattan Melodrama and Public Enemies

Ephesians

Fabio Vighi joins the Malinformation channel as Sublation Media prepares to publish his next book: Emergency Capitalism: A Self-Fulfilling Prophecy this year. In this episode Fabio critiques Slavoj Zizek's Capitalist Realism and describes how Blackrock is controlling and destroying the economy.Support Sublation Media on Patreonhttps://patreon.com/dietsoap

Dive into an enlightening episode where we peel back the layers of societal expectations, spiritual misconceptions, and the quest for personal identity. Join us as we discuss the journey towards self-discovery, the illusion of paths, and the liberation found in understanding and accepting your true self. In this engaging dialogue, we unravel the complexities of existence, the pitfalls of spiritual labels, and the beauty of living in the moment without adherence to predefined paths. Whether you're a spiritual seeker, a self-help enthusiast, or simply someone navigating the uncertainties of life, this episode offers fresh perspectives on being authentically you, challenging norms, and the transformative power of self-awareness. Discover why breaking away from conventional wisdom could be the key to genuine fulfillment and how embracing the present can lead to a richer, more authentic life experience. Tune in to redefine spirituality, identity, and purpose on your own terms. [00:01]: Episode introduction and discussion on spirituality's essence. [01:40]: Authenticity and its role in the spiritual journey. [03:00]: The circular nature of spiritual paths and personal experience as the source. [05:05]: Habitual responses versus genuine reactions. [07:00]: Learning from video games and the non-existence of a 'correct' way. [09:13]: The importance of being oneself. [11:24]: Actions free from the need for approval. [13:07]: Perspectives and their impact on reality perception. [15:38]: Common roots in different personal experiences. [17:40]: Discussion on the division between observer and observed. [19:31]: Adapting to one's environment and questioning 'the right way'. [21:38]: Challenging the concept of a 'right way' and embracing creativity. [23:26]: Historical context of problem-solving and questioning norms. [25:25]: Shifting from external guidance to internal questioning. [27:15]: Reflections on self-identity without societal expectations. [29:29]: The concept of a life 'path' and its illusion. [31:22]: The inevitable expression of one's true self. [33:34]: Self-perception, judgment, and the universal nature of being 'an exposed nerve'. [35:41]: Interpretations and projections in judgments. [37:21]: Self-examination and the importance of honest expression. [39:14]: Understanding oneself beyond concepts. [41:32]: Analyzing personal motives and the illusion of self-improvement. [43:23]: Critique of spirituality becoming a confining 'path'. [44:22]: Episode conclusion and transition to the round table discussion. Instagram: https://www.instagram.com/dualisticunity/ TikTok: https://www.tiktok.com/@dualisticunity Twitter: https://twitter.com/dualisticunity Facebook: https://www.facebook.com/dualisticunity Twitch: https://twitch.tv/DualisticUnity

Pour a glass, get in the bathtub and listen to our first Bertolucci! After the boys go through some mini reviews to bring our 2023 podcast year to a close, we discuss 1970 in cinema and culture before our featured conversation discussing the tumultuous Bernardo Bertolucci film ‘The Conformist'. Do you like 'The Godfather'? 'The Sopranos'? See how they were inspired by this WWII-era Italian rise-of-fascism character study shot by 3-time Oscar winner and frequent mention on this podcast, Vittorio Storaro. Mini reviews include ‘Godzilla Minus One', ‘Leave The World Behind', and ‘May December'. See you in 2024, film fans!  Find all of our Socials at: https://linktr.ee/theloveofcinema.  
Our phone number is 646-484-9298, it accepts texts or voice messages.  0:00 Intro, Gripes + Mini Reviews; 24:44 1970 + The Conformist; 01:16:12 What You Been Watching? Additional Cast/Crew: Jean-Louis Trintignant, Stefania Sandrelli, Gastone Moschin, Alberto Moravia, Enzo Tarascio Jose Quagliom, Pierre Clémenti, Dominique Sanda, Georges Delerue, Julianne Moore, Natalie Portman, Charles Melton, Sam Esmail, Julia Roberts, Ethan Hawke, Mahershala Ali, Takashi Yamazaki, Minami Hamabe, Ryunosuke Camici, Sakura Ando. Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ  Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Additional Tags: Oscars, Academy Awards, The Golden Globes, Past Lives, Monarch: Legacy of Monsters, The Holiday, The Crown: Season 6 part 2, Napoleon, Ferrari, Beer, Scotch, The Weekend, Clifford Odets, Travis Scott, U2, Apple, Apple Podcasts, 101 Dalmations, The Parent Trap, Switzerland, West Side Story, Wikipedia, Australia, Queensland, Melbourne, Indonesia, Java, Jakarta, Bali, Guinea, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike.  

This is a preview of a bonus episode! find the rest at our reasonably-priced patreon! https://www.patreon.com/killjamesbond ------ It's Alice's bonus pick again, and she's brought us actual cinéma. A real Móvié about a sad italian man during the height of the fascist dictatorship. ------ URGENT APPEAL FOR ACTION FOR PALESTINE Aid is not getting in to Gaza. There is no donation link I can provide here that will help assuage the ethnic cleansing we're all bearing witness to on our phones. The UN and entire international community must step in and hold Israel accountable for its ongoing genocide and relentless war crimes against the Palestinian people. The time for action is now: Join a solidarity protest, write to your MPs, do anything and everything in your power to disrupt and sabotage the machine we're all a part of that creates Death.  If you want somewhere to put money, some UK activists have been disrupting arms manufacturers that supply the Israeli war machine, and any donations go towards their legal funds, and the legal funds of activists performing actions like this in the future. palestineaction.org/donate ----- Consider supporting us on our reasonably-priced patreon! https://www.patreon.com/killjamesbond ------ *WEB DESIGN ALERT*  Tom Allen is a friend of the show (and the designer behind our website). If you need web design help, reach out to him here:  https://www.tomallen.media/   Kill James Bond is hosted by Alice Caldwell-Kelly, Abigail Thorn, and Devon. You can find us at https://killjamesbond.com

The first live concert in 175 years of songs and music written by Eliza Flower (1803-1846) takes place tomorrow. A friend of JS Mill, Harriet Martineau and Robert Browning, Flower set to music some of Walter Scott's romantic songs, composed music for her sister Sarah Flower Adams, who penned hymns including Nearer, My God, to Thee. Singer Frances M Lynch, accompanied on piano by Laurence Panter, joins New Generation Thinker and historian Oskar Jensen and Dr Clare Stainthorp, who is researching the Freethought Movement: Atheism, Agnosticism, and Secularism, 1866–1907. Matthew Sweet hosts. Producer: Torquil MacLeod Flower of the Seasons: Politics, power and poverty takes place at Conway Hall in London on Friday 27th October at 7pm performed by Electric Voice Theatre. Clare Stainthorp will be leading an event - Great and Good? - at Conway Hall on Saturday 11th November as part of the Being Human Festival.

Virtual Dinners: The New Frontier for Local Businesses and Digital Marketers Discover how Virtual Dinners are not just a social novelty but a groundbreaking strategy for local businesses and digital marketers. This episode of the Dark Horse Entrepreneur Podcast dives deep into the untapped potential of Virtual Dinners, offering actionable insights for entrepreneurs, especially hardworking parents.   Why Virtual Dinners Are Revolutionary Virtual Dinners are more than just a digital hangout; they're a disruptive force in the business world. They offer local businesses a unique opportunity to expand their customer base and go global. This isn't just a trend; it's a revolution.   How to Host a Virtual Dinner: A Step-by-Step Guide Hosting a Virtual Dinner might seem daunting, but it's easier than you think. From the essential tech setup to crafting a memorable menu, we've got you covered. Learn how to avoid common pitfalls and ensure your Virtual Dinner is a hit.   The Tech Setup You Need Menu Selection: Making It Memorable Common Pitfalls to Avoid Monetizing Virtual Dinners: Turn Your Local Hustle into a Global Empire Why stop at hosting? Learn how to monetize Virtual Dinners by offering them as a marketing service. Discover how to price your packages for maximum ROI and what metrics you should focus on for long-term success.   Pricing and Packages: Maximizing ROI Metrics for Success: The Ultimate KPIs   Ready to disrupt the status quo and take your local business global? Listen to this game-changing episode now!  

For this week's episode, Jamelle and John were joined by Linda Holmes of NPR's Pop Culture Happy Our to discuss the 1995 political romantic comedy “The American President,” directed by Rob Reiner, written by — you guessed it — Aaron Sorkin, and starring Michael Douglas, Annette Bening, Martin Sheen, David Paymer, Samantha Mathis and Michael J. Fox, among others.“The American President” stars Michael Douglas as President Andrew Shepherd, a widow, who falls in love with an environmental lobbyist, played by Annette Bening, while he also runs for re-election and attempts to pass major legislation. The film is both a romantic comedy, depicting the president's courtship, and a political drama, depicting the effort to win votes, dodge criticism and shore up the White House's political position.The tagline for “The American President” is “Why can't the most powerful man in the world have the one thing he wants most?”“The American President” is available for rent or purchase on Amazon and iTunes.Our next episode will on the 1995 science-fiction thriller, “Twelve Monkeys.” Connor Lynch produced this episode. Artwork by Rachel Eck.Contact us!Follow us on Twitter!John GanzJamelle BouieUnclearPodLinda HolmesAnd join the Unclear and Present Patreon! For just $5 a month, patrons get access to a bonus show on the films of the Cold War, and much, much more. The latest episode of our Patreon podcast is on the 1970 film “The Conformist.” Our next episode will be on Elia Kazan's 1957 political drama “A Face in the Crowd.”

In this conversation with Dr. David Rainbow, Professor of Russian History at the University of Houston, we get into his journey as a Christian in the academy and what drove his interest in Russian history. We explore the unique historical narratives, including the Russian revolution, which has shaped Russian history to make sense of the Ukraine war. We also discuss Russian propaganda and Russia's Christian history. David Rainbow - https://www.uh.edu/honors/about/faculty-staff/david-rainbow.phpWebsite - Davidrainbow.comDavid Rainbow at American Reformer - https://americanreformer.org/2023/07/fools-for-christ/Support the showSign up for the Patreon - https://www.patreon.com/chasedavisFollow Full Proof Theology on Instagram - https://www.instagram.com/fullprooftheology/Follow Full Proof Theology on Facebook - https://www.facebook.com/fullprooftheology/

For this week's episode, Jamelle and John were joined by Isaac Chotiner of the New Yorker magazine to watch and discuss 1995's GoldenEye, the first James Bond film of the 1990s and the first James Bond film of the post-Cold War era. GoldenEye is the seventeenth film in the James Bond series and the first to star Pierce Brosnan, who would go on to star in three subsequent pictures, all of which we will eventually cover on the podcast: Tomorrow Never Dies, The World is Not Enough and Die Another Day.Directed by Martin Campbell and starring, in addition to Brosnan, Sean Bean, Izabella Scorupco, Famke Janssen, Alan Cumming, Judi Dench and Joe Don Baker, Goldeneye was something of a reboot for the Bond franchise, which had been on a six-year hiatus since the previous entry, License to Kill starring Timothy Dalton. The plot of GoldenEye is as straightforward as one of these movies can manage: Bond is tasked with stopping the mysterious Janus syndicate from stealing and using a Soviet-era space weapon capable of causing an electro-magnetic pulse blast anywhere on the planet. Complicating this mission is the fact that the leader of Janus, Alec Trevelayn, is a former MI6 agent who was supposed to have died on a mission with Bond, nine years earlier. There's the usual adventures and explosions and casual sexual encounters, culminating in a final showdown between Bond and Trevelayn on a massive satellite.GoldenEye, if you've somehow never seen it, is available for rental and purchase on iTunes and Amazon.For our next episode, we're covering the 1995 romantic-political comedy, “The American President,” starring Michael Douglas and Annette Benning.Connor Lynch produced this episode. Artwork by Rachel Eck.Contact us!Follow us on Twitter!John GanzJamelle BouieUnclearPodAnd join the Unclear and Present Patreon! For just $5 a month, patrons get access to a bonus show on the films of the Cold War, and much, much more. The most recent episode of the Patreon is on the 1970 Italian political drama, “The Conformist.”

This episode has been about 3 years in the making for Eric and thus we dive deep into the inner working of one Mr. Eric Baker. We not only discuss something that is near and dear to his heart but also sex w/Shakespeare, consulting with a chorus of Buddhist Goddesses, a re-frame of the term 'soul mate', non-conformist relationships Esther Perel's view's on unique and exclusive orientations and love challenging who you are. --- Send in a voice message: https://podcasters.spotify.com/pod/show/gintantra/message

Exodus 1.8-2.10, Psalm 124, Romans 12.1-8, Matthew 16.13-20; Does the Bible have any examples of good parenting? How important is morning prayer? How can we actualize our baptisms in our day to day lives? These questions and more on this episode of Strangely Warmed with guest Jason Micheli. Jason is the lead pastor of Annandale UMC in Annandale, VA.Hosted by Taylor Mertins.-Don't forget to head over to https://www.crackersandgrapejuice.comClick on “Support the Show.”Become a patronSubscribe to CGJ+For peanuts, you can help us out….we appreciate it more than you can imagine.Follow us on the three-majors of social media:https://www.facebook.com/crackersnjuicehttps://www.instagram.com/crackersandgrapejuicehttp://www.twitter.com/crackersnjuice

Jesus isn't always the Jesus you want him to be. Let him be the Jesus that he is. Have faith. Only then can he work many mighty deeds in your life.

A self-sentenced prisoner in Plato's cave, Marcello Clerici thinks he chooses the shadows. Marcello doesn't want to be a fascist. He doesn't want to be an anti-fascist, either. He doesn't want to be an academic, an assassin, a husband, son, straight, or gay. He wants to be normal. He wants to be nothing. THE CONFORMIST is a dizzying psycho-political thriller that digs into the motivations that lead worms like Marcello to follow fascist ideology (or any ideology). Watch THE CONFORMIST for free on the Internet Archive: https://archive.org/details/the.-conformist.-1970.-italian.-1080p.-blu-ray.-h-264.-aac-vxt Use IMDb Collaborations, the tool Cody uses in this episode's Cody's Noteys segment: https://www.imdb.com/search/common/ “Animula Vagula Blandula: (Un)Masking Clerici in The Conformist” by Chris Ryba-Tures for Perisphere, the Trylon blog: https://www.perisphere.org/2023/07/21/animula-vagula-blandula-unmasking-clerici-in-the-conformist/ “The Conformist: Finding Purpose in a Fascist State” by Eli Holm for Perisphere, the Trylon blog: https://www.perisphere.org/2023/07/21/the-conformist-finding-purpose-in-a-fascist-state/ Follow us on Twitter at https://twitter.com/trylovepodcast and email us at trylovepodcast@gmail.com to get in touch! Buy tickets and support the Trylon at https://www.trylon.org/. Theme: "Raindrops" by Huma-Huma/"No Smoking" PSA by John Waters. Outro music: "Chi è più felice di me" composed by Cesare A. Bixio and arranged by Georges Delerue from the THE CONFORMIST soundtrack. Timestamps 0:00 - Episode 237: THE CONFORMIST (1970) 2:34 - The episode actually starts 3:50 - The Patented Aaron Grossman Summary (under exclusive license from AG Enterprises, Ltd.) 5:41 - Adapting fascist ideology into daily society 14:09 - “The physical movement of a political movement” 18:47 - The hidden depth of the ‘allegory of the cave' scene 26:36 - How Manganiello counters Marcello's better angels 29:47 - The myth of the “new Italian” and complete self-erasure 46:13 - Anna and Luca in Paris 52:30 - The Junk Drawer 56:32 - Good Grief, Give Me a GIF! 1:07:17 - Cody's Noteys: The Common-formist (shared cast + crew trivia)

On this episode of REI Mastermind Network, real estate investor Saket Jain shares his story of losing his job and how it led him to expand his mindset and seek out advice and guidance. He emphasizes the importance of partnerships and outlines his due diligence process for operators he invests with. Jain also addresses limiting beliefs about real estate investments and encourages listeners to keep an open mind and do their due diligence. He shares his personal recommendation for investing in multifamily properties and his goal of creating a purpose-driven platform for education and mindset. Additionally, Jain discusses the importance of playing different positions in real estate investing and partnering with someone who knows more than you.

Aaron Sobczak of the Libertarian Youth Caucus discusses the challenges of getting younger people to think independently rather than adopting the establishment position on pretty much everything.

We're crying tears in the rain! The Letterboxd Show returns with actress and screenwriter Ariela Barer, star of How to Blow Up a Pipeline, whose faves include Blade Runner, The Conformist, Tie Me Up! Tie Me Down! In a shocking twist, Ariela makes hosts Gemma and Slim watch four hours of Love Exposure for nothing as she dramatically pivots live on air to Kathryn Bigelow's Strange Days for her fourth fave! We also praise film school nerds, discuss consent among movie characters, Ariela's mom's and sister's important roles in her film education, remembers watching Blade Runner on a teenage date, and unpacks Pipeline director Daniel Goldhaber's Letterboxd addiction: “He sends us reviews daily, we had to beg him to stop!” And! Blade Runner joins the one-million-watched club as the show is recorded. Chapters: Opening credits (00:00:00) Blade Runner (00:04:43) The Conformist (00:17:41) How to Blow Up a Pipeline (00:29:11) Tie Me Up! Tie Me Down! (00:42:05) Strange Days (00:59:27) Closing credits (01:05:16) Credits: Recorded in Philadelphia, Los Angeles and Auckland. Edited by Slim. Theme music: “Vampiros Danceoteque” by Moniker. Facts by Jack. Editorial producer: Brian Formo. Production manager: Sophie Shin. The Letterboxd Show and Weekend Watchlist are TAPEDECK productions. Links: Letterboxd list of movies mentioned Ariela Barer's Letterboxd profile Daniel Goldhaber's Letterboxd profile Reviews Mentioned: Ariela & Daniel & Karsten & Maddy & Nick & slim's How to Blow Up a Pipeline reviews JXvriel's Blade Runner review Erin Harrington & scottzelligan & Proto's The Conformist reviews ReCreation & Eden & CinemaVoid's Tie Me Up! Tie Me Down! reviews Lists mentioned: “Most fans on Letterboxd” by Letterboxd Letterboxd lists based on Plato's Allegory of the Cave “Horniest Movies” by Brianna “The Degenerates: Horror Movies by Gay Directors” by Liz “Black Comedy” by Mario “Love Melancholy” by Ivan

Yeah! What's This Shit?!?!?! - A funeral. A casket. Cool guy pours beer over the casket. What We're Watching: Trainwreck: Woodstock '99; Pamela: A Love Story; Sleeping With The Enemy; Cat People; Topsy Turvy (1999); The Conformist; My Neighbor Totoro "You know I love my pervert godfather David Cronenberg" Hosted by your own personal cinematic Jonathan Davis & Gavin Rossdale! Music by Splash '96 Recorded & Edited by Boutwell Studios

Tuesday Night Time To Grow on 1-31-23 with Brother Stuart Churchill's, "An Ancient Non-Conformist."

Released in 1970, Bernardo Bertolucci's The Conformist is set primarily in 1938 Europe. We follow the life of Marcello Clerici (Jean-Louis Trintingnant), the titular conformist, a man who tries desperately to fit in and follow the party line.Samm Deighan and Dahlia Schweitzer join Mike to discuss this gorgeous, unsettling film.