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Your host has always wanted to talk to someone about 1984 the book and Dorian Lynskey totally delivers. He just published The ministry of Truth a biography of George Orwell's Nineteen Eighty-Four. Dorian tells us why and how this book has helped generations of readers to decode the world.
George Orwell's "Nineteen Eighty-Four" (1984) is a touchstone of 20th-century English literature and a key piece of modern political thought and speculative fiction that continues to provoke conversation, and comparison, today. Orwell's novel from 1949 describes a bleak future where the state (Big Brother) has weaponized technology, language, propaganda and memory to exert near-total control over every person. Jaret Hargreaves joins Ben in Calgary to discuss this classic and frighteningly prescient book. About the Book "Who controls the past controls the future: who controls the present controlsthe past." Hidden away in the Record Department of the sprawling Ministry of Truth, Winston Smith skilfully rewrites the past to suit the needs of the Party. Yet he inwardly rebels against the totalitarian world he lives in, which demands absolute obedience and controls him through the all-seeing telescreens and the watchful eye of Big Brother, symbolic head of the Party. In his longing for truth and liberty, Smith begins a secret love affair with a fellow-worker Julia, but soon discovers the true price of freedom is betrayal. George Orwell's dystopian masterpiece, Nineteen Eighty-Four is perhaps the most pervasively influential book of the twentieth century. About the Guest Jaret Hargreaves is a Product Management professional with more than ten years experience bringing products to market at health tech startups. Spending more time in school than his parents could reasonably have foreseen, Jaret studied Biochemistry and Computer Science, splitting time between the Universities of Calgary and British Columbia. He studied medical imaging while completing an MSc in Biomedical Engineering at the Foothills Medical Centre, where his thesis investigated image processing to aid neurologists in stroke diagnosis. With the slowly dawning realization that he would never be a truly exceptional programmer, Jaret decided to pursue an alternate career in health tech, where he could utilize his ability to speak both rudimentary “doctor” and “developer”. He spent 7 years at Calgary Scientific (now PureWeb) managing a series of medical image viewing products including ResolutionMD Mobile, the first FDA-cleared diagnostic viewer for Apple and Android mobile devices. Next, Jaret lead development of Brightsquid’s Secure-Mail, which provided secure communication between doctors and dentists, including with their colleagues and patients. Jaret currently serves as Director of Product Management at two health tech companies. At the Calgary-based medical imaging startup Kent Imaging, he leads development of SnapshotNIR, a near-infrared camera for assessing tissue health. He also manages partner opportunities for the eponymous Auxita platform for the company out of Brisbane, Australia. In his spare time, Jaret has volunteered for organizations including the Alberta Children’s Hospital, the Calgary Youth Science Fair, and local political campaigns, where he is motivated by the potential of exceptional candidates. He served as the Data Lead for the successful 2015 campaign for Calgary Centre MP Kent Hehr. If you’re looking to engage him in an animated discussion, any of the following topics are a safe bet: near-future dystopian fiction (any format), Star Trek (not-so-near-future utopia), amateur home barista-ry, returning to hockey as an adult, disc golf, 3D printing, and the collected works of Joss Whedon. Check out Jaret on LinkedIn or follow him on Twitter (@jaretis). Mentioned in this Episode "George Orwell's '1984' is Suddenly a Best-Seller", article in The New York Times, January 2017 "Kellyanne Conway: Press Secretary Sean Spicer Gave 'Alternative Facts'", video from Meet The Press / NBC News Firefly, a television series created by Joss Whedon Wag the Dog, a film directed by Barry Levinson Noam Chomsky, scholar, historian, activist and writer The Handmaid's Tale, a book by Margaret Atwood and subsequent television series The Lives of Others, a 2006 German film Guns, Germs and Steel, a book by Jared Diamond Brave New World, a 1932 book by Aldous Huxley often paired with 1984 The Road, a 2006 post-apocalyptic novel by Cormac McCarthy The Lord of the Rings, a fantasy trilogy by JRR Tolkien The Quote of the Week "The best books...are those that tell you what you know already." - From 1984 by George Orwell
This Episode of "What's Good?" explores the rise in Racism in the UK, the increasing relevance of George Orwell's "Nineteen Eighty-Four", is Football broken? And what is the best TV show in the 21st Century?
Special Guest: Michael Radford Guest Co-Hosts: Samm Deighan, Emily Intravia On this special episode of The Projection Booth we discuss Michael Radford's 1984 version of George Orwell's Nineteen Eighty-Four starring John Hurt as Winston Smith, Suzanna Hamilton as Julia, and Richard Burton as O'Brien.Emily Intravia of the Feminine Critique podcast and Samm Deighan of the Daughters of Darkness podcast join Mike to discuss Radford's 1984 as well as several other TV and film adaptations from the 1950s.Buy Michael Radford's 1984 on DVDRead 1984 by George OrwellBuy Michael Anderson's 1984 on DVDBuy V for Vendetta by Alan MooreListen to the Daughters of Darkness podcastListen to the Feminine Critique podcast
As something of a prelim to next weeks episodes on George Orwell's Nineteen Eighty-Four, we ask, is Big Brother already here? Follow us on: www.facebook.com/DisasterArtists/ www.twitter.com/DisasterArtists & SUBSCRIBE AND RATE US on iTunes: www.itunes.apple.com/podcast/id1050833027
This week Zach learns about Terry Gilliam and his 1985 classic, Brazil. BRAZIL (1985) Brazil is a 1985 British film directed by Terry Gilliam and written by Gilliam, Charles McKeown, and Tom Stoppard. British National Cinema by Sarah Street describes the film as a "fantasy/satire on bureaucratic society" while John Scalzi's Rough Guide to Sci-Fi Movies describes it as a "dystopian satire". The film stars Jonathan Pryce and features Robert De Niro, Kim Greist, Michael Palin, Katherine Helmond, Bob Hoskins, and Ian Holm. The film centres on Sam Lowry, a man trying to find a woman who appears in his dreams while he is working in a mind-numbing job and living a life in a small apartment, set in a consumer-driven dystopian world in which there is an over-reliance on poorly maintained (and rather whimsical) machines. Brazil 's bureaucratic, totalitarian government is reminiscent of the government depicted in George Orwell's Nineteen Eighty-Four, except that it has a buffoonish, slapstick quality and lacks a Big Brother figure. Jack Mathews, film critic and author of The Battle of Brazil (1987), described the film as "satirizing the bureaucratic, largely dysfunctional industrial world that had been driving Gilliam crazy all his life". Though a success in Europe, the film was unsuccessful in its initial North America release. It has since become a cult film. The film is named after the recurrent theme song, "Aquarela do Brasil", as performed by Geoff Muldaur.
This week Zach learns about Terry Gilliam and his 1985 classic, Brazil. BRAZIL (1985) Brazil is a 1985 British film directed by Terry Gilliam and written by Gilliam, Charles McKeown, and Tom Stoppard. British National Cinema by Sarah Street describes the film as a "fantasy/satire on bureaucratic society" while John Scalzi's Rough Guide to Sci-Fi Movies describes it as a "dystopian satire". The film stars Jonathan Pryce and features Robert De Niro, Kim Greist, Michael Palin, Katherine Helmond, Bob Hoskins, and Ian Holm. The film centres on Sam Lowry, a man trying to find a woman who appears in his dreams while he is working in a mind-numbing job and living a life in a small apartment, set in a consumer-driven dystopian world in which there is an over-reliance on poorly maintained (and rather whimsical) machines. Brazil 's bureaucratic, totalitarian government is reminiscent of the government depicted in George Orwell's Nineteen Eighty-Four, except that it has a buffoonish, slapstick quality and lacks a Big Brother figure. Jack Mathews, film critic and author of The Battle of Brazil (1987), described the film as "satirizing the bureaucratic, largely dysfunctional industrial world that had been driving Gilliam crazy all his life". Though a success in Europe, the film was unsuccessful in its initial North America release. It has since become a cult film. The film is named after the recurrent theme song, "Aquarela do Brasil", as performed by Geoff Muldaur.