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Ary Barroso é conhecido no mundo todo por sua música.Mas o saudoso mineiro de Ubá também costuma ser lembrado por ter sido o inventor dos efeitos sonoros em transmissões esportivas.Segundo o biógrafo Sérgio Cabral, autor de No Tempo de Ary Barroso, certa vez o saudoso compositor de Aquarela do Brasil, ao ouvir um jogo narrado por Gagliano Neto, desligou o rádio certo de que a partida havia terminado empatada em 2 a 2 entre América e Botafogo. No dia seguinte, ao abrir o jornal, viu que tinha sido 3 a 2 para o Botafogo. Naquele momento, Ary percebeu que às vezes não se ouvia o grito de gol. Naquele tempo, não havia cabine de rádio nos estádios e o narrador ficava no meio da torcida. Como, nos anos 1930, entre as muitas funções que exercia no rádio, também narrava partidas de futebol, passa a buscar uma forma de marcar para o ouvinte a hora do gol. É esta história de como o radialista se torna o "Homem da Gaitinha" que você conhece melhor nesta edição do Interferência, originalmente levada ao ar em 2015.
La Venganza Será Terrible: todo el año festejando los 40 años Estudios AM 750 Alejandro Dolina, Patricio Barton, Gillespi Introducción • Entrada0:01:26 Segmento Inicial • Verdadero o falso sobre animales marinos*0:13:15 *Con la participación del erudito, Marcelo Gillespi • ..bueno, tan machos no serán0:30:55 • Oyentes Segmento Dispositivo • El cónclave0:53:18 • "La Canción del Pobre Juan" ♫ (Franck Pourcel) La Goualante du pauvre Jean; Marguerite Monnot/Rene Rouzaud. Segmento Humorístico • Diez cosas a las que me aferro y ya tendría que soltar • Esa ramera vieja..1:14:12 Sordo Gancé / Manuel Moreira • Presentación • "La Fulana" ♫ (Alberto Mastra/Luis Caruso) Con Permiso • "Aquarela" ♫ (Guido Morra/Maurizio Fabrizio/Toquinho/Vinícius) • "For No One" ♫ (The Beatles) Caetano • "How High the Moon" ♫ (Nancy Hamilton/Morgan Lewis) • "El Cumbanchero" ♫ (Rafael 'El Jibarito' Hernández)
O maestro gaúcho Radamés Gnattali foi um dos responsáveis por dar uma identidade nacional à música erudita e incorporá-la à música popular. A primeira gravação de Aquarela do Brasil, lançada por Francisco Alves, em 1939, tem arranjos de Radamés, que também contrinuiu com trabalhos de Orlando Silva, Noel Rosa, Ernesto Nazareth e muitos outros. Depois de conhecida a história e reconhecida a importância de Radamés Gnattali, vamos ouvi-lo na música Seu Ataulfo.
durée : 00:59:11 - "Aquarela do Brasil" (Ary Barroso) (1939) - par : Laurent Valero - "Ary Barroso étudia très tôt le piano et joua vite dans les théâtres comme accompagnateur. Si la musique fut le point cardinal de sa vie, ce juriste de formation, mena plusieurs activités : animateur radio et télévision, humoriste, écrivain, producteur, commentateur de football ..." Laurent Valero
durée : 00:59:11 - "Aquarela do Brasil" (Ary Barroso) (1939) - par : Laurent Valero - "Ary Barroso étudia très tôt le piano et joua vite dans les théâtres comme accompagnateur. Si la musique fut le point cardinal de sa vie, ce juriste de formation, mena plusieurs activités : animateur radio et télévision, humoriste, écrivain, producteur, commentateur de football ..." Laurent Valero
Neste episódio do podcast Digital de Tudo, Iago Ribeiro recebe Marcos Santos, CEO da Aquarela Analytics, para um mergulho no mundo da inteligência artificial aplicada à indústria. Marcos compartilha como a experiência em multinacionais revelou o potencial de profissionais locais, inspirando a criação de uma empresa que hoje combina IA preditiva e generativa em projetos revolucionários. Para 2025, a aposta da Aquarela está nos “agentes de IA”: sistemas autônomos capazes de executar tarefas complexas na indústria, como otimizar linhas de produção e logística. Confira os detalhes dessa conversa no episódio. Learn more about your ad choices. Visit megaphone.fm/adchoices
Neste programa discutimos a valorização de algumas técnicas mais do que outras.
Nelson Rodrigues (1912-1980) pernambucano de Recife, foi escritor, jornalista, romancista e cronista de futebol. É considerado o mais influente dramaturgo do Brasil. Publicou essa crônica em 1975 no jornal O Globo, fazendo um paralelo entre paralelepípedo e multidão. Quer saber que estória é essa? Escute o episódio da semana. Acompanha a crônica Aquarela do Brasil de Ary Barroso. Obrigado.
Esse episódio faz parte da série sobre Forças de caráter e virtudes embasada pela ciência do bem-estar e da felicidade, mais conhecida como Psicologia Positiva. Nesse Barulhinho Bom abordamos a força de caráter da CRIATIVIDADE que faz parte da virtude da SABEDORIA. Primeiro episódio da série sobre Forças de Caráter e Virtudes: - Podcast Barulhinho Bom – Episódio 525 Forças de caráter e virtudes: https://soundcloud.com/barulhinhobom/525-forcas-de-carater-e Principais livros recomendados e utilizados como referência para elaboração dessa série: Intervenções com forças de caráter: um guia de campo para praticantes – Ryan M. Niemiec O poder das forças de caráter: valorize e impulsione o seu melhor – Ryan M. Niemiec Psicologia Positiva dos filmes – Ryan M. Niemiec e Danny Wedding Jornadas para a Alma do Instituto Trem da Vida: https://www.sympla.com.br/produtor/tremdavida Contribuição especial de Guto Horn com a versão cover da música: Aquarela, que se encontra em seu canal no YouTube no link: https://youtu.be/eUxvfq0zYck?si=1QY8sxxYEsMOiBIA Que tal esse Barulhinho Bom? Obrigada por permitir tocar seu coração! Se sentir que esse conteúdo pode contribuir para a vida de alguém, por favor, compartilhe sem moderação! Contamos com você nessa missão! Assine ou siga o Podcast Barulhinho Bom em seu agregador de áudio preferido e receba os novos episódios tão logo sejam publicados (Apple Podcasts, Spotify, Deezer, SoundCloud, Amazon Music, Audible entre outros). Se ficou com vontade de saber mais e participar de nossas jornadas para a alma no Trem da Vida clique aqui ou entre em contato com a gente: https://tremdavida.com.br ........................................................................................ Ficou com vontade de entrar em contato com a gente? E-mail: podcastbarulhinhobom@gmail.com Todos os contatos e conteúdos: https://linktr.ee/tremdavida Instagram Trem da Vida: https://instagram.com/tremdavidaoficial Podcast Barulhinho Bom: https://soundcloud.com/barulhinhobom WhatsApp / Telegram: +55 (48) 99984.1014 Lista de transmissão VIP via WhatsApp: basta solicitar sua inclusão enviando uma mensagem para o número anterior e adicioná-lo em sua agenda de contatos. Grupo público no WhatsApp do Barulhinho Bom: https://chat.whatsapp.com/EBwa0Ojt3bv15njM1HD8Uj Grupo público no Telegram do Barulhinho Bom: https://t.me/barulhinhobom Grupo público no Telegram do Trem da Vida: https://t.me/tremdavida Canal no YouTube com mais conteúdos (@tremdavidaoficial): https://www.youtube.com/channel/UCkB1TvYNjuXwilqUkmFPccg Playlist musical do Podcast no Spotify chamada “Trilha Barulhinho Bom” – segue o link, siga, compartilhe e delicie-se sem moderação com as músicas utilizadas nos episódios: https://open.spotify.com/playlist/0ECjtl1bjx8mnWiDAKChnt?si=bK2ttO8KQPeZPsBNBT6xJg Produção, narração e edição do Podcast: Lidia Picinin (https://instagram.com/lidia.picinin) Criação e edição das inspiradoras capinhas de cada episódio: Pat Malinski (https://instagram.com/pat_malinski) .......................................................................................... Conheça também o trabalho incrível dos artistas de nossa música tema “Barulhinho”: Canal YouTube dos músicos Renato Motha e Patricia Lobato: https://www.youtube.com/user/mcom20 Instagram: https://instagram.com/renatomothaepatriciobato Royalty free music by http://www.epidemicsound.com/ ......................................................................................... Um Podcast criado para deixar um Barulhinho Bom reverberando em seu coração em seus momentos de pausa! .........................................................................................
Elis Regina, para muchos la mayor cantante que ha dado Brasil, nos dejó con solo 36 años un 19 de enero. La recordamos con sus grabaciones de 'Aquarela do Brasil'/'Nega do cabelo duro', 'Triste', 'Só tinha de ser com você', 'Vento de maio', 'Madalena', 'Cai dentro', 'Vera Cruz', 'Essa mulher', 'Morro velho', 'Upa neguinho', 'Águas de março' -con Jobim-, 'Dois pra lá, dois pra cá', 'Romaria', 'Atrás da porta', 'E com esse que eu vou' y 'Agora tá'. Escuchar audio
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Resumen informativo con las noticias más destacadas de Colombia del jueves 31 de octubre de 2024 a la una de la madrugada.
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Resumen informativo con las noticias más destacadas de Colombia del martes 08 de octubre de 2024 a las dos de la madrugada.
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Kirk digs into the work of master composer Antônio Carlos Jobim via his timeless 1974 duet with Elis Regina on his song "Águas de Marçco," known Stateside as "The Waters of March." He's joined by special guest Frederico Barros, Professor of Musicology at Federal University of Rio De Janeiro.Written by: Antônio Carlos JobimPerformed by: Jobim and Elis ReginaAlbum: Elis & Tom (1974)Listen/Buy via SongwhipALSO DISCUSSED:"The Girl From Ipamena" and "Desefinado" by Tom Jobim from Getz/Gilberto, 1964"Corcovado (Quiet Night of Quiet Stars)," "Triste," and "Bigras Nunca Mais" by Jobim from Elis & Tom, 1974 and Getz/Gilberto, 1964"Felicidade" by Jobim recorded by Vince Maggio and Mark Colby from Reunion, 1999Chega de Saudade by Jobim as recorded by the Dizzy Gillespie Sextet----LINKS-----SUPPORT STRONG SONGS!Paypal | Patreon.com/StrongsongsFred's Brazilian music playlist on Spotify and YouTube Music (Notes on each song further down)MERCH STOREstore.strongsongspodcast.comSOCIAL MEDIAIG: @Kirk_Hamilton | Threads: @Kirk_HamiltonNEWSLETTERhttps://kirkhamilton.substack.com/subscribeJOIN THE DISCORDhttps://discord.gg/GCvKqAM8SmOUTRO SOLO PLAY-A-LONG:https://soundcloud.com/kirkhamilton/strong-songs-outro-music-no-soloSTRONG SONGS PLAYLISTSSpotify | Apple Music | YouTube MusicSHOW ARTTom Deja, Bossman Graphics--------------------MARCH 2024 WHOLE-NOTE PATRONSRobyn MetcalfeBrian TempletCesarBob TuckerCorpus FriskyBen BarronCatherine WarnerDamon WhiteKaya WoodallJay SwartzMiriam JoySEAN D WINNIERushDaniel Hannon-BarryChristopher MillerJamie WhiteChristopher McConnellDavid MascettiJoe LaskaKen HirshJezMelanie AndrichJenness GardnerDave SharpeSami SamhuriJeremy DawsonAccessViolationAndre BremerDave FloreyMARCH 2024 HALF-NOTE PATRONSLauren KnottsDave KolasHenry MindlinMonica St. AngeloStephen WolkwitzSuzanneRand LeShayMaxeric spMatthew JonesThomasAnthony MentzJames McMurryEthan LaserBrian John PeterChris RemoMatt SchoenthalAaron WilsonDent EarlCarlos LernerMisty HaisfieldAbraham BenrubiChristopher BrunoChris KotarbaCallum WebbLynda MacNeilDick MorganBen SteinSusan GreenSean MurphyThirteen71Alan BroughRandal VegterGo Birds!Robert Granatdave malloyNick GallowayHeather Jjohn halpinPeter HardingDavidJohn BaumanMartín SalíasStu BakerSteve MartinoDr Arthur A GrayCarolinaGary PierceMatt BaxterLuigi BocciaE Margaret WartonCharles McGeeCatherine ClauseEthan BaumanKenIsWearingAHatJordan BlockAaron WadeJeff UlmDavid FutterJamieDeebsPortland Eye CareCarrie SchneiderRichard SneddonDoreen CarlsonDavid McDarbyWendy GilchristElliot RosenLisa TurnerPaul WayperBruno GaetaKenneth JungAdam StofskyZak RemerRishi SahayJason ReitmanAilie FraserRob TsukNATALIE MISTILISJosh SingerAmy Lynn ThornsenAdam WKelli BrockingtonVictoria Yumino caposselaSteve PaquinDavid JoskeBernard KhooRobert HeuerDavid NoahGeraldine ButlerMadeleine MaderJason PrattAbbie BergDoug BelewDermot CrowleyAchint SrivastavaRyan RairighMichael BermanLinda DuffyBonnie PrinsenLiz SegerEoin de BurcaKevin PotterM Shane BordersDallas HockleyJason GerryNathan GouwensLauren ReayEric PrestemonCookies250Damian BradyAngela LivingstoneSarah SulanDiane HughesMichael CasnerLowell MeyerStephen TsoneffJoshua HillWenGeoff GoldenPascal RuegerRandy SouzaClare HolbertonDiane TurnerTom ColemanDhu WikMel DEric HelmJonathan DanielsMichael FlahertyCaro Fieldmichael bochnerNaomi WatsonDavid CushmanAlexanderChris KGavin DoigSam FennTanner MortonAJ SchusterJennifer BushDavid StroudBrad CallahanAmanda FurlottiAndrew BakerAndrew FairL.B. MorseBill ThorntonBrian AmoebasBrett DouvilleJeffrey OlsonMatt BetzelNate from KalamazooMelanie StiversRichard TollerAlexander PolsonEarl LozadaJustin McElroyArjun SharmaJames JohnsonKevin MorrellColin Hodo--------------------FRED'S PLAYLIST NOTES:1 x 0 - traditional choro, Pixinguinha playing sax and sort of inventing “Brazilian counterpoint” - in the second part of this piece, when it modulates to G major, you'll hear the sax play a rhythmic figure important to Aquarela do Brasil (see below);Espinha de Bacalhau - choro, played by an orchestra that was created with the aim of playing Brazilian music in the manner of American Big Bands;O Relógio da Vovó - the Trio Surdina was comprised of musicians who worked at the Radio Nacional (where Jobim would also work as an arranger) and whose compositions and way of playing were fundamental to the development of “modern” Brazilian music - yes, Desafinado!;Aquarela Brasileira - Radamés Gnattali was an arranger at Radio Nacional and this arrangement of Ary Barroso's Aquarela do Brasil is kind of an inflexion point - the story is (always) more complicated, but the TL;DR is its importance lies in the use of samba rhythm in the orchestral parts, not only in the percussion section, as was previously usual (attention to the long notes in the melody accompanied by the same chromatic figure played by the tenor sax in 1 x 0 above);Copacabana - there are two versions of the song here, both sung by Dick Farney (Sinatra's influence on him is pretty clear). The first one was arranged by Radamés Gnattali and was a huge hit at the turn of the 1940s to the 50s. The song is kind of a symbol of the stylistic change from live music in cassinos (closed by the government in 1948) to small clubs in Copacabana where Bossa Nova and Samba-jazz would eventually be born;Copacabana (second version) - also sung by Dick Farney, but recorded much later (couldn't find the exact date) now in complete Bossa style - I thought it could be interesting to be able to compare both versions;Chega de Saudade - João Gilberto's 1959 recording of Chega de Saudade. Considered by practically everyone interested in music at that time as sounding absolutely novel and unprecedented: the singing, the lyrics, the arrangement, the guitar playing. Kind of Bossa Nova's inaugural moment, the song has kind of a choro form and I once saw Jobim say in an interview that he had the idea when he saw his mother's housemaid singing the choro Sonoroso and he thought something like “well, it seems people can remember a long melody and all these lyrics, after all…”;Chega de Saudade - following the commentary I made about Chega de Saudade and the choro, here a 1963 version - right in the period where it was all happening - by the old-school mandolinist Jacob do Bandolim;Estamos Aí - sung here by Leny Andrade in her debut album, totally positioned as “Modern Popular Music”, as they would define it, it shows very clearly the new style that was emerging - the whole scat singing section in the middle is really pointing to jazz and the lyrics talk about Bossa Nova itself;Rapaz de Bem - Johnny Alf is one of the unsung heroes and precursor of Bossa Nova: the singing, the harmonic language, the compositional aesthetics… it was all there;Embalo - a typical example of what was called samba-jazz back then;Influência do Jazz - by one of the early Bossa Nova composers, Carlos Lyra, the song talks about how samba was influenced by jazz in a somewhat ambivalent manner and has acquired sort of a symbolic, manifesto-like status - we hear a younger Elis Regina singing it here, in the famous program/series O Fino da Bossa;Preconceito - two versions, first Orlando Silva's old school version (1941), then João Gilberto singing the same song years later (2003) and doing his thing;Aos Pés da Cruz - one of the classic João Gilberto recordings. I added it to the playlist just because it's so beautiful;Elis' first recording of Águas de Março is interesting because the guitar “levada” is sort of middle ground between the “modern samba” that will be so characteristic of her band's playing and the more subdivided earlier style of playing samba;Coisa N. 1 - Moacir Santos was also an arranger (they were called maestros, actually) at Rádio Nacional, where Jobim, Radamés, the Trio Surdina guys and many other important musicians worked. Moacir was the only black maestro of the time and had studied with classically-trained composers like Guerra-Peixe (also a maestro at Rádio Nacional) and H. J. Koellreutter (German composer who fled Germany during the rise of the Nazis and is credited as having introduced dodecaphonism in Brazil). He wrote the “Coisas” (Things) and numbered them as if they were “Opus 1”, “Opus 2” etc. Moacir is an entire chapter in itself and unfortunately one can't find the original 1966 recording of the Coisas on Spotify, which used practically all important “modern” musicians living in Rio de Janeiro at the time. This recording was made in 2001 with Moacir's approval and is true to the original arrangement, though the solos were improvised by the musicians;O Mestre Sala dos Mares - written by Elis' contemporaries João Bosco and Aldir Blanc, we first listen to Bosco's recording of this samba, more in the traditional style, with percussion, cavaquinho, 7-string guitar and all, and then Elis' version with most of the band that recorded Elis & Tom - sorry for insisting with the comparison thing, but I think it's instructive and it takes a lot of examples to start grasping some subtleties;É Com Esse Que Eu Vou - first listen to Elis' version and then the traditional one. This is carnival music, really, and they did this wonderful modern, samba-jazzy version;Como Nossos Pais - another, arguably as important, side of Elis. From 1976, this is perhaps her most famous recording and serves here to show that her repertoire was considerably wider than samba. People get really moved by this recording (understandably, at least to my Brazilian ears) and despite the stylistic differences, this is also the same core band we hear in Elis & Tom.
El polémico edificio Aquarela se desmontará progresivamente. Se tiene previsto que serán demolidos 29.000 metros cuadrados de muros y losas de concreto.
El proceso de demolición del edificio Acuarela en Cartagena es una medida para preservar el patrimonio histórico de la ciudad y evitar que se pierda la declaratoria. See omnystudio.com/listener for privacy information.
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El 7 de noviembre de 1903 nacía en Ubá, Minas Gerais, Brasil, el autor de la celebérrima 'Aquarela do Brasil' en 1942. Escuchamos sus composiciones, que no han dejado de sonar desde entonces, en grabaciones de Rosemary Clooney ('Brasil'), Elis Regina ('Aquarela do Brasil'), Rosa Passos ('Foi ela'), João Gilberto ('Na baixa do sapateiro'), João Bosco ('Rio de Janeiro'), Edu Lobo & Tom Jobim ('Pra machucar meu coração'), Leny Andrade ('Morena boca de ouro'), Caetano Veloso ('Camisa amarela'), Elza Soares & Aquarela Carioca ('É luxo só'), Joyce ('Isto aquí o que é'), Luiz Melodia & Wagner Tiso ('Folha morta'), Dori Caymmi ('Inquietação') y Chick Cora & Bela Fleck ('Brazil'). Escuchar audio
Neste programa discutimos a valorização de algumas técnicas mais do que outras.
Neste episódio "Chiara Bozzeti e um olhar sobre a aquarela", temos a segunda entrevista Chiara Bozzetti para o Arte Academia Podcast. Chiara compartilhou sua jornada desde a formação em pintura até se tornar uma professora bem-sucedida, ensinando aquarela em seu atelier presencial e online. Ela fala sobre superar o medo de errar, buscar sua identidade artística e lidar com o desafio de viver da arte. Além disso, a artista destaca a importância do autocuidado, aprendizado contínuo e do uso consciente das redes sociais para o crescimento na carreira artística. A paixão de Chiara pela arte e seu compromisso com a pesquisa sobre a aquarela tornam sua jornada inspiradora e repleta de valiosas lições para aspirantes a artistas. —————————— Chiara Bozzetti no Instagram: @ateliechiaroscuro —————————— Conheça os cursos, assista as aulas gratuitas e entre para a lista de emails Arte Academia: arteacademia.com.br —————————— Mande uma alô no @emersonferrandini lá no Instagram —————————— Mande um alô por email: emerson@arteacademia.com.br —————————— Apoie o Arte Academia Podcast Se você NÃO está na América do Sul, apoie diretamente aqui no Spotify --- Support this podcast: https://podcasters.spotify.com/pod/show/arte-academia/support
No episódio "Aquarela e a vida em Portugal de Amanda Reis, conheça a história inspiradora de Amanda Reis, uma artista apaixonada pela aquarela. Ela compartilha sua jornada desde o desejo de viver no exterior até sua mudança para Portugal, sua transição de economia para arquitetura e sua descoberta da arte da aquarela. Amanda conversou sobre os desafios da técnica, oferece dicas para superar o medo, além de abordar questões relacionadas ao empreendedorismo artístico. Ela também destaca a importância de valorizar a arte, encontrar mentores inspiradores e acreditar em si mesmo. —————————— Amanda Reis no Instagram: @amanda.reis —————————— Conheça os cursos, assista as aulas gratuitas e entre para a lista de emails Arte Academia: arteacademia.com.br —————————— Mande uma alô no @emersonferrandini lá no Instagram —————————— Mande um alô por email: emerson@arteacademia.com.br —————————— Apoie o Arte Academia Podcast Se você NÃO está na América do Sul, apoie diretamente aqui no Spotify --- Support this podcast: https://podcasters.spotify.com/pod/show/arte-academia/support
Neste episódio "O carvão, o guache e aquarela de Fernanda Sabia, conversei com Fernanda Sabia, uma artista de São Paulo. Ela revela como descobriu sua paixão pelo desenho desde a infância e como essa paixão a levou a seguir uma carreira artística, mesmo depois de estudar arquitetura. Fernanda compartilha sua jornada, explorando diferentes áreas artísticas, como cerâmica e joalheria, até encontrar sua verdadeira vocação como professora de desenho e pintura. Ela também destaca a importância de seguir nossa essência artística, buscar inspiração interior e superar desafios para crescer e se realizar como artistas. Vamos nos inspirar na coragem e dedicação de Fernanda para abraçar nossa criatividade e perseguir nossos sonhos artísticos com paixão e determinação. —————————— Fernanda Sabia no Instagram: @fernandasabia_drawings —————————— Conheça os cursos, assista as aulas gratuitas e entre para a lista de emails Arte Academia: arteacademia.com.br —————————— Mande uma alô no @emersonferrandini lá no Instagram —————————— Mande um alô por email: emerson@arteacademia.com.br —————————— Apoie o Arte Academia Podcast Se você NÃO está na América do Sul, apoie diretamente aqui no Spotify --- Support this podcast: https://podcasters.spotify.com/pod/show/arte-academia/support
El bahiano Tiganá Santana ('Elizabeth Noon', 'Mama Kalunga', Disu ye mvula', 'Palavra de honra') en Madrid (6/7) y Barcelona (7/7) y la también bahiana Luedji Luna ('Uanga', 'Tirania', 'Ain´t got no', 'Asas') en Madrid (7/7) y Barcelona (8/7). Arnaldo Antunes, voz, y Vitor Araújo, piano ('Lágrimas no mar', 'Manhãs de love'), en Madrid (14/7) y Barcelona (15/7). Los cariocas Bala Desejo ('Muito só', 'Baile de máscaras') en Cartagena (14/7) y Barcelona (20/7). Y Chico César en Cádiz (29/7), Gilberto Gil & Familia en Madrid (29/7) y Toquinho ('Aquarela') en Alicante (22/7), Barcelona (25/7) y Las Palmas (29/7). Escuchar audio
Igor Franzotti é um artista que se destaca tanto na pintura quanto na produção artesanal de aquarelas. Nessa entrevista "Igor Franzotti e a Franz Watercolor: entre pinturas e a produção de aquarela artesanal" para o Arte Academia Podcast, ele compartilha sua combinação única de habilidades e paixão pela arte. Crescendo em Vitória, Brasil, Igor inicialmente se interessou por quadrinhos e grafite, mas acabou explorando tintas acrílicas e revistas especializadas para aprender novas técnicas. Embora tenha seguido uma carreira como designer gráfico, Igor redescobriu seu amor pela pintura e aprendeu aquarela de forma autodidata em 2017. Com o tempo extra proporcionado pela pandemia, ele mergulhou mais profundamente no mundo da aquarela, aprimorou suas habilidades por meio de cursos online e workshops, e começou a ensinar outras pessoas. Durante sua jornada, Igor ficou curioso em relação à composição e qualidade das tintas de aquarela. Diante da escassez de informações técnicas, ele decidiu pesquisar e experimentar por conta própria. Em 2020, ele desenvolveu uma receita básica para a produção de aquarelas artesanais e começou a buscar os materiais necessários, enfrentando desafios na busca por fornecedores confiáveis. Igor enfatiza a importância de ingredientes de alta qualidade e do manejo cuidadoso na criação de aquarelas artesanais excepcionais. Ele também destaca a significância de escolher fornecedores respeitáveis para garantir a pureza e a limpeza de cada elemento utilizado. Apesar das dificuldades encontradas, a dedicação de Igor em produzir aquarelas artesanais de alta qualidade o levou a estabelecer uma loja virtual para que os clientes possam adquirir suas criações únicas. Igor Franzotti no Instagram @igorfranzotti_watercolor —————————— Conheça os cursos, assista as aulas gratuitas e entre para a lista de emails Arte Academia: arteacademia.com.br —————————— Mande uma alô no Instagram —————————— Mande um alô por email: emerson@arteacademia.com.br —————————— Apoie o Arte Academia Podcast Se você NÃO está na América do Sul, apoie diretamente aqui no Spotify --- Support this podcast: https://podcasters.spotify.com/pod/show/arte-academia/support
Bio:About Silvia Manrique Silvia Manrique is a Chicago-based Brazilian and Latin Jazz vocalist. She has performed at respected venues and festivals like the Old Town School of Folk Music, the Logan Square Arts Festival, the Chicago World Music Festival, the Chicago Latino Film Festival and the Millennium Park Summer Music festival at the beautiful Pritzker Pavilion. In 2016, she participated in the album ‘Aquarela,' a compilation of children's songs arranged and produced by the incomparable Paulinho Garcia who says she “carries a song with mastery, both melodically and rhythmically.” Silvia is also plays percussion focused on the Brazilian tamborim, completing studies with Carnaval-style samba percussion masters like Mestre Ailton Nunes of the Mangueira Samba School, Dudu Fuentes of Monobloco and Bangalafumenga, Jorge Alabe and Mestre Jonas of Mocidade Independente. About Fabiana Cozza Fabiana Cozza has been heralded by critics and the public as a leading performer in contemporary Brazilian music. In September 2020, “Dos Santos” was born, her eighth and latest album, a contemporary work that is a tribute to the cultural universe of Brazilian Afro-native religions. In 2017, she published her first book of poems, Álbum Duplo, by the editor Pedra Papel Tesoura.Fabiana has taken Brazilian music to festivals in Israel, Germany, France, Canada, USA, Bulgaria, Chile, Spain, Portugal, Sweden, Cuba, Moçambique, Cape Verde and worked with celebrated artists including Sadao Watanabe, HR Big Band (Germany), Mú Mbana (Guiné Bissau) and Omara Portuondo (Cuba). About Fi Maróstica Fi Maróstica is an upright and electric bass player, born in the city of Ourinhos (SP), who has shared the stage with many renowned artists including Hermeto Pascoal, Toquinho, Miucha, Elza Soares, Hamilton de Holanda, Rosa Passos, Maria Gadu, among others. In addition to concerts in Brazil with several of these names, Fi has already toured several countries, passing through South America, North America, Europe and Asia. He also received several awards at renowned festivals in Brazil, such as best instrumentalist (Festival Botucanto - 2010 and Festival de Música de Sorocaba - 2013), in addition to being a finalist in this category for the Brazilian Professional Music Awards in 2017 and 2018, the year in which who was also won in the Contact: press@silviamusic.com Chicago Jazz Artist Silvia Manrique Releases Debut EP ‘Sonho' Featuring Collaborations with Renowned Brazilian Artists Chicago-based jazz artist Silvia Manrique releases her Latin/Brazilian jazz solo debut EP titled ‘Sonho' available now. Recorded at São Paulo's prestigious Estúdio Arsis and musically directed by award-winning Brazilian musical artist Fabiana Cozza, this 4-song EP serves as an introduction to Manrique's delicate delivery and unique blend of Latin and Brazilian jazz and contemporary sounds. A fixture in the Chicago Brazilian jazz and samba scene for many years, Silvia is a three-time performer for Chicago's World Music Festival. Described by music critic Peter Margasak as “a natural, delivering sophisticated melodies with ease and sensuality,” Silvia has opened for world music artists like Dona Onete, Céu and Luisa Maita and recorded vocals for national advertisements for brands including State Farm and McDonald's. In 2016, she recorded the full-length ‘Aquarela' with the critically acclaimed Paulinho Garcia under the GLP label featuring Brazilian classics designed to introduce children to the Brazilian Portuguese language. A bout with breast cancer in 2020 led her to refocus on her artistic career and this EP commemorates her official return to music. “This release is titled ‘Sonho' because it means dream in Portuguese – and this EP is exactly that, the realization of a deep desire to record music not only for pleasure but also for posterity,” said Silvia, who began vocal training with Fabiana Cozza while undergoing chemotherapy as a way to release stress. “Fabiana really encouraged me to stop thinking of singing as a hobby or a pastime – it really is a vocation that I have to nurture every day for the wellbeing of my body and soul.” ‘Sonho' features covers of classic world jazz songs by Rosa Passos, Joyce Moreno, Henri Salvador, as well as a bolero by legendary Cuban composer Frank Dominguez, a nod to Silvia's Latin American (Mexican) heritage. Cozza, a force in Brazilian music and two-time winner of the Prêmio da Música Brasileira, the Brazilian equivalent of a Grammy award, produced and had a hand in selecting repertoire and instrumentation. The songs were carefully arranged by acclaimed bassist and creative musician Fi Maróstica, known for his innovative style that brings bass to the forefront of the musical mix. Rounding out the musical performance are two young stars of the vibrant São Paulo jazz scene, Nichollas Maia on piano and Matheus Marinho on drums. Track listing for ‘Sonho' includes: ● Dunas (Passos) ● Tú Me Acostumbraste (Dominguez) ● E Vamos Lá (Moreno) ● Dans Mon Île (Salvador) The EP is available now on all streaming platforms. For more information about Silvia Manrique and her music, please visit www.silviamusic.com. PORTUGUESE VERSION Contato de imprensa: press@silviamusic.com Silvia Manrique, artista de jazz de Chicago, lança EP de estreia ‘Sonho' com colaborações com Artistas Brasileiros Renomados CHICAGO (26 de maio de 2023) – Silvia Manrique, artista de jazz de Chicago, lança seu EP solo de jazz latino/brasileiro intitulado ‘Sonho', disponível hoje. Gravado no prestigioso Estúdio Arsis de São Paulo e dirigido musicalmente pela premiada artista musical brasileira Fabiana Cozza, este EP de 4 canções serve como uma introdução à entrega delicada de Manrique e à mistura única de jazz latino e brasileiro e sons contemporâneos. Uma figura fixa na cena brasileira de jazz e samba de Chicago por muitos anos, Silvia já se apresentou três vezes no Chicago World Music Festival. Descrita pelo crítico musical Peter Margasak como “um talento natural, entregando melodias sofisticadas com facilidade e sensualidade,” Silvia abriu para artistas da world music como Dona Onete, Céu e Luisa Maita e gravou vocais para publicidades nacionais de marcas como State Farm e McDonald's. Em 2016, ela gravou o longa 'Aquarela' com o aclamado Paulinho Garcia sob o selo GLP com clássicos brasileiros com o fim de introduzir as crianças ao idioma português brasileiro. Uma luta contra o câncer de mama em 2020 a levou a retomar a sua carreira artística e este EP comemora seu retorno oficial à música. “Este lançamento se chama 'Sonho' porque este EP é exatamente isso, a concretização de uma vontade profunda de gravar música não só para o prazer, mas também para a posteridade," disse Silvia, que iniciou o treinamento vocal com Fabiana Cozza durante a quimioterapia como forma de liberar o estresse. “Fabiana me encorajou muito a parar de pensar em cantar como um hobby ou passatempo – realmente é uma vocação que tenho que cultivar todos os dias para o bem-estar do meu corpo e alma.” 'Sonho' apresenta covers de canções clássicas do jazz mundial de Rosa Passos, Joyce Moreno, Henri Salvador, bem como um bolero do lendário compositor cubano Frank Dominguez, uma homenagem à herança latino-americana (mexicana) de Silvia. Cozza, uma força da música brasileira e duas vezes vencedora do Prêmio da Música Brasileira, o equivalente brasileiro ao Grammy, produziu e participou da seleção de repertório e instrumentação. As músicas foram cuidadosamente arranjadas pelo aclamado baixista e músico criativo Fi Maróstica, conhecido por seu estilo inovador que traz o baixo para o primeiro plano da mixagem musical. Completando a apresentação musical estão duas jovens estrelas do jazz paulistano, Nichollas Maia no piano e Matheus Marinho na bateria. A lista de faixas de ‘Sonho' inclui: Dunas (Passos) Tú Me Acostumbraste (Dominguez) E Vamos Lá (Moreno) Dans Mon Île (Salvador) O EP já está disponível em todas as plataformas de streaming. Para mais informações sobre Silvia Manrique e sua música, visite www.silviamusic.comLinks:Silvia Manrique: https://www.instagram.com/silvia_music and silviamusic.com Fi Marostica: https://linktr.ee/fimarosticaNichollas Maia: https://www.instagram.com/_nichollass/Matheus Marinho: https://tratore.ffm.to/vinticinco and https://www.instagram.com/marinho2o Fabiana Cozza: https://www.fabianacozza.com.br and https://www.instagram.com/fabianacozza
Nesse episódio, "A transparência da aquarela do brasileiro Eudes Correia pelo mundo", o Eudes compartilhou a sua paixão e jornada inspiradora. Da infância em Gurupi ao reconhecimento como referência, ele revela detalhes fascinantes e impacto na vida. Eudes transmite paixão pela aquarela, contando sobre sua trajetória de aprendizado e descobertas. Como cartunista e ilustrador, buscou aprimorar habilidades, encontrando na aquarela fonte de inspiração. Estabelecido em SP, aprofundou seus estudos com mestres renomados. Participa de exposições e workshops, testemunhando crescimento da aquarela no Brasil e mundo. Aquarela une artistas de diferentes culturas, criando comunidade colaborativa. Eudes destaca compartilhamento de conhecimentos e fortalecimento dos laços, criando identidade artística única. Aquarela é técnica desafiadora, demandando domínio técnico e criatividade. Transparência é essencial para resultados excepcionais. Neste episódio, exploramos jornada de Eudes Corrêa e como a aquarela se tornou sua paixão e forma de expressão única. —————————— Eudes Correia no Instagram: @eudeswatercolor —————————— Conheça os cursos, assista as aulas gratuitas e entre para a lista de emails Arte Academia: arteacademia.com.br —————————— Mande uma alô no Instagram —————————— Mande um alô por email: emerson@arteacademia.com.br —————————— Apoie o Arte Academia Podcast Se você NÃO está na América do Sul, apoie diretamente aqui no Spotify --- Support this podcast: https://podcasters.spotify.com/pod/show/arte-academia/support
Conciertos en España, en estos días del mes de mayo, de Emicida ('A ordem natural das coisas', 'Pequenas alegrias da vida adulta' -con Marcos Valle-, 'Quem tem um amigo tem tudo' -con Zeca Pagodinho y Tokyo Ska Paradise Orchestra-, 'É pra ontem' -con Gilberto Gil-), de Toquinho ('Na boca da noite', 'Escravo da alegria'/'Ao que vai chegar', 'Aquarela', 'Carta ao Tom 74') y de Yamandu Costa ('Capitão do mato', 'É chorando que se aprende' y 'Samba pro Rafa' -dúos de guitarra las tres con Alessandro Penezzi-, 'Lamentos do morro', 'Manhã de carnaval').Escuchar audio
El 7 de julio de 2001 Rosa Passos se presentó con un cuarteto en el Jazzhouse de Copenhague. El primer pase está recogido en el disco de 2021 'Dunas. Live in Copenhagen' ('Cigano', 'Dunas', 'Juras', 'Chuva de verão', 'Águas de março', 'O que é que a baiana tem?', 'Sábado em Copacabana') y el segundo en el disco de 2023 'Samba sem você' ('Samba sem você', 'Nem eu', 'Vestido de bolero', 'Samba da minha terra', 'Altos e baixos', 'Bala com bala', 'Aquarela do Brasil'). Escuchar audio
La bossa nova dejó su huella en la canción francesa de los años 60 y 70: Les Masques ('Il faut tenir'), Isabelle Aubret ('Casaforte'), Christianne Legrand ('HLM et cité roman'), Jean Constantin ('Pas tant d´ chichi pompon'), Billy Nencioli ('Si rien ne va'), Jean-Pierre Sabar ('Vai vai'), Sophia Loren ('De jour en jour'), Isabelle de Funès ('Jusqu´à la tombée du jour'), Sylvia Fels ('Corto Maltese'), Ann Sorel ('La poupée des favelas'), Charles Level ('Un enfant café au lait'), Andrea Parisy ('Les mains qui font du bien'), Audrey Arno ('Quand Jean-Paul rentrera'), Christianne Legrand ('Cent mille poissons dans ton filet'), Clarinha ('Iemanjá'), Jean-Pierre Lang ('Tendresse'), Magaly Noël ('Une énorme samba') y Hit Parade des Enfants ('Aquarela'). Escuchar audio
Entrevistador: Edwin López (fundador Enfoque Juventud) Invitada: Paola Rivera Edad: 22 años Pueblo: Arecibo, Puerto Rico Se destaca como saxofonista graduada del Conservatorio de Música de Puerto Rico. Fue una de 8 mujeres becadas para estudiar en el prestigioso Berklee College of Music en Boston. Cuenta con su primer sencillo "Resplandece" y también cuenta con su grupo Aquarela. Se presentará con su grupo en nuestro 5to Aniversario. Sábado, 25 de marzo de 2023, en la plaza pública de Utuado, desde las 12:00 PM en adelante. Contacto: Facebook: https://www.facebook.com/paolamarie425 Instagram: https://www.instagram.com/paolariveramusic/ YouTube: https://www.youtube.com/@paolariveramusic2431 ----------------------- Contacto Enfoque Juventud: Facebook: https://www.facebook.com/enfoquejuventudpr Instagram: https://www.instagram.com/enfoquejuventud/ YouTube: https://www.youtube.com/channel/UCPfeRFbhD3jJkHeBva06Wrw Página web: https://enfoquejuventud.com/ E-mail: enfoquejuventudpr@gmail.com Programa de Radio: WUPR Exitos 1530 AM Utuado & 98.3 FM Arecibo / sábados 11:00 AM WGDL Radio Grito 1200 AM Lares, 93.3 FM Aguadilla, 92.1 FM Mayagüez / sábados 1:00 PM WKUM Cumbre 1470 AM Orocovis, 106.3 FM Corozal / sábados 5:00 PM Escucha el programa en internet por: www.exitos1530.com, www.cumbre1470am.com, y por la aplicación móvil de Radio Grito Aplicación: TuneIn Radio
Tech Unicorn Valuations are Fake Introduction Welcome to Distilling Venture Capital. I am your host, Bill Griesinger Distilling VC is a visionary podcast that provides an insightful and informed view of the key trends affecting the VC and tech startup world. My mission is to cut through and go beyond the hype that tends to dominate the tech landscape. And provide you with information you can use. It is your podcast for Fintech, DeFi, Blockchain and smart contracts, digital banking and all the frontier Web 3 technologies changing the financial landscape globally. Hello everyone – it´s been a couple of months since my last podcast episode – I took some time off...It´s great to be back with you again. After some thought, consideration and a couple defining events, and an announcement by Pitchbook, one of the so called data analytics firms in the VC space, I decided it was imperative that I do an episode in my Unicorn Mania series. I´ll fill you in on the PB announcement I am referring to in a moment – it´s insane! Before we jump into the episode though, I wanted to pay recognition and acknowledgement to a wonderful Brazilian singer and artist, Gal Costa. My intro music and exit music is Aquarela do Brasil by Gal Costa. Gal Costa passed away on Nov. 9, 2021. A makpr talent in Brazil, I thoroughly enjoyed her music. She will be missed. So, let´s jump into this edition of Unicorn Mania: If you´ve followed this podcast in the past, you are aware that in the UnicornMania series I highlight the largely fake, deceptive valuations of VC-backed private technology companies – Which are Fondly called Unicorns...Isn´t that cute? For background, I refer you to my first episode in the UnicornMania series, March of 2020. Episodes 5 and 6 also deal with this twisted freak show perpetrated by VCs, the tech & financial press and others that engage in all of this Unicorn nonsense. I encourage you to go back to Episode 1 for insights and valuable background information as to why I categorically state and prove that tech Unicorns, a VC-backed tech company allegedly with a $1B or more valuation, are indeed mostly fake… Let´s start off with some levity and have a little fun, shall we, at the expense of Sil. Valley VCs? I read this a couple years ago in a CrunchBase piece; There´s an old joke about a new bar in Sil. Valley. On opening day, 6,000 people showed up. No one buys a drink. The business is declared a roaring success! [This joke will hopefully make perfect sense by the time we finish this episode. Only in SV culture would the above be considered a success! In Sil. Valley, comedy often becomes reality To briefly review, let´s start with some basics I will get into in this episode: So, as I just mentioned, the definition of this tech unicorn we hear so much about is: A private VC-backed tech company with an alleged valuation of $1B or more; I say allegedly b/c these valuations are largely fake; I´ll demonstrate that with conclusive evidence in just a moment; VCs and others arrive at this distorted value using a completely improper, simplistic method known as the Post Money Valuation – In a moment, I´ll walk through how the Post-Money Valuation is calculated and explain why it is a completely erroneous notion of value; On what basis do I call it fakery and deception? Largely b/c it has been conclusively proven beyond a doubt based on the research; The body of evidence comes from a Stanford Univ. GSB study called, ``Squaring VC Valuations with Reality.`` The results were originally revealed at a Silicon Valley Open Doors conf. in 2016 and then officially published in April 2017. It´s been updated since, as late as Dec. 2019. It also has been published in peer-reviewed journals like The Journal of Financial Economics in 2020. There are links to both the 2016 video and to the research report in the description of this video Links: Squaring Venture Capital Valuations with Reality https://papers.ssrn.com/sol3/papers.cfm?abstract_id=2955455 Video presentation to the Silicon Valley Open Doors conf., 2016 https://youtu.be/k4OtGWZ3iYI Why a return to this topic? Several reasons; Because it continues to be an absolute freak show that is out of control. It is a twisted and a deceitful exercise that, as I mentioned, VCs, the tech and financial press and others engage in to ascribe and hype a false value to priv. tech companies; Further, It is an insult to those of us who have an interest in discovering the true value of these tech companies; And Finally, b/c many of the largest mutual fund companies have been investing in the high-risk asset category since at least 2015 (think of Fidelity, T. Rowe Price, Vanguard, JH) – so I view it as a consumer protection issue, well. Where is the SEC?? Where is FINRA? They claim to be interested in protecting the consumer. My mission, as I´ve always stated, is to cut through the BS that tends to dominate the VC & tech landscape to inform you and make you fully aware of what´s going on in this freak show; I stated at the open, one of the defining events that motivated/prompted me to do a Unicorn Mania episode was a recent announcement by Pitchbook, which is owned by Morningstar, btw (acq. in 2016) That is Morningstar, the venerable, well-known mutual fund rating company founded in 1984. Its star rating system has been considered the gold std in rating mutual funds, ETFs, etc., for years… What is The announcement: I get a daily feed in my email inbox called the Daily Pitch. In the last 30-45 days or so, PB announced they are creating a new index fund for, are you ready for it?; An index of unicorn tech companies. When I saw this I thought, I couldn't think of anything more ridiculous and useless. B/C an index that begins with garbage valuations, yields garbage! I will get into that and demonstrate how this alleged index fund is deceiving to investors and should be scrapped immediately…IMO So, when I received this announcement, I immediately downloaded the Whitepaper at the PB website; It is called, ´Harnessing Unicorns; ``Demiystifying the venture capital Market with the Moringstar-Pitchbook Global Unincorn Indexes.`` I´ll share some of the key findings and takeaways in a moment – truly a fraud, in my view, to be avoided at all costs – I´ll explain Finally, there was one other event that was a motivating factor. That is, in the wake the FTX implosion, the crypto exchange company that blew up in November 2022, caused by a liquidity crisis of the company's token and fraudulent use of investors funds. As investors all tried to get their money out at the same time, the whole thing collapsed. Why do I bring up this event? B/C prior to its collapse, FTX would have surely been, no doubt, a part of this bogus index fund. [Just like Wework before, only a couple years ago. Remember them?] WeWork was valued at $47B before pulling its IPO around Sept. 2019 when many entities called BS on its S-1 filing. I devote all of Episode 6 (Aug. 5, 2020) to exposing the Wework fraud and breaking down their bus. model – something, unfortunately, Firms like Pitchbook, CB Insights and the tech press failed to do; In fact, they continuously published fawning articles prior to Wework´s collapse and implosion, slobbering all over themselves about WeWork´s amazing valuation ($47B)! And now, they want you to trust them with an index of Unicorns based on fake valuations – right! That´s messed up, IMHO. So, let´s get into this PB announcement, shall we? Whitepaper Takeaways: It´s a complete mishmash of deceptive jargon, in my view; Under, ``Clearly defined eligibility rules:`` The Whitepaper clearly states at the outset it uses the post-money valuation Under, ``Quarterly Rebalancing;`` It states, All companies attaining unicorn status in the preceding qtr are eligible for inclusion. [That would have meant FTX, Wework, and other failed, overvalued companies!] Get the picture? Under, ``Weighting Methodology:`` It states, ``companies are, weighted using their latest post-money valuation or estimated worth after latest round of outside financing.`` There´s that term again… And, ``The model prioritizes a company´s most recent VC deal.`` i.e., post-money valuation; Further, it emphasizes, and I quote, ``Past Deals (post-money valuation) is arguably the most important data point used to value unicorns because it reflects real world deals and valuations.`` Are you kidding me?! How about NO, it does not. Completely erroneous statement! And, here is one of the real head-scratchers in the Paper under `´Index Calculation`´ - It states, the index is ``calculated once a day at the close of public markets in the US.`` Huh? These are private companies with no reporting of financial results or any other fin. info., for that matter, to the public. There is no correlation b/c of all the private equity rounds of preferred stock are not public either; Each round has its own exclusive rights, protections, economics and terms that usually suck value from prior rounds, especially from common shares. There is no daily determination of value like in most all mutual funds and ETFs! And Morningstar knows this! The terms and conditions of these priv. preferred stock financings are not reported to the public and there is no correlation whatsoever to US public markets – there is no repricing daily based on this information. • This is nothing more than a fake, window-dressing comment to give the false impression that there is some rigorous analysis going on and is correlated to public markets – Prime Unicorn Index BTW, in preparing this episode, I discovered there is already an existing Unicorn Index Fund, created in 2017, called Prime Unicorn Index. On their website they describe it as, ``A modified market cap price return index that measures the share price performance of private companies valued at $1B or more…. I take issue with the term, ``market cap return`` It is not the market cap. Prime reveals that they also use the flawed post-money valuation as one of the factors in calculating value – but the don´t say so on their website! [Dig into the key highlights and takeaways of the Stanford/Strebulaev Report] Conclusions I´ve seen what I would characterize as three major frauds during my professional lifetime where the major institutional entities that we normally rely on to provide us with independent, unbiased assessments and analysis, were all compromised: Dotcom Bubble (2000 – 2001): The Major investments banks were peddling bogus research and analysis on tech company IPOs that had little to no revenue – this helped fuel outrageous valuations; 2008 Financial Crisis: This was a real estate crisis and bubble. The rating agencies were compromised (S&P, Moodys, etc.) and part of the problem and fraud. They erroneously rated packages of low-grade and subprime mortgages as investment grade quality – and you know the rest of the story… I view Unicorn Mania as, perhaps, just another iteration or vector of the dotcom bubble only with a different twist or flavor. In the dotcom fraud, it was the I-Banks peddling nonsense and hype, unsupported by company fundamentals. In the Tech Unicorn fraud, the complicit entities are the VCs, tech press, financial press and perhaps accounting firms. They Used a black-box approach, protected by non-public reporting of financial transactions (i.e. Pref. Stock rounds with unique, exotic, and complicated structures). They then peddled a completely useless and inappropriate notion of value via the post-money valuation. This is fraud IMO. Again, the research supports this conclusion… And this one is inexcusable b/c the hard data and research exists. It is being ignored.
Entrevista com Leandro Nunes para o Arte Academia Podcast. O Leandro contou um pouco sobre sua história, a aquarela trip e outros projetos O post 188. Leandro Nunes. Aquarela: quando os obstáculos são o caminho apareceu primeiro em Arte Academia.
Caaaaro ouvinte que nos ouve com seu ouvido! Muitos samba-enredos são lembrados até hoje não só por quem curte o carnaval mas também por quem tem aquele pézinho no samba. Hoje, Lucas Salles e Rodolfo Abritta relembram alguns samba-enredos inesquecíveis e a história deles. Vem ouvir!Sobretudo é um Original da Pod360Apresentadores: Lucas Salles e Daniel CuriDireção Executiva: Marcos Chehab e Tiago BiancoDireção de Conteúdo: Felipe LobãoRoteiro: Lucas SallesProdução: Débora Wajnberg SardelliEdição e sound design: André Assunção
El saxofonista Houston Person abriendo, con la grabación en la Cité de la Musique de París de 'Only trust your heart' de Benny Carter, un programa con Madeleine Peyroux ('J´ai deux amours', 'I´ll be around', 'Dance me to the end of love', 'Don´t wait too long'), Toquinho ('Boca da noite', 'Carta ao Tom 74', 'Cotidiano 2', 'Aquarela'), Yamandú Costa & Alessandro Penezzi ('Saracoteco', 'Samba pro Rafa') y Tiago Iorc ('Desconstrução', 'Nessa paz eu vou', 'Tua caramassa'). Escuchar audio
Caaaaro ouvinte que nos ouve com seu ouvido! Depois de falar dos bordões que marcaram nossa vida, hoje vamos relembrar alguns comerciais que todo mundo lembra como a propaganda da Faber Castell com a música “Aquarela” e aquele simbólico comercial do Pão de Açúcar com a música “O que faz você feliz?”. Aperta o play e vem ouvir essas propagandas nostálgicas!Sobretudo é um Original da Pod360Apresentadores: Lucas Salles, Daniel Curi e Fabiana RibeiroDireção Executiva: Marcos Chehab e Tiago BiancoDireção de Conteúdo: Felipe LobãoRoteiro: Lucas SallesProdução: Débora Wajnberg SardelliEdição e sound design: André Assunção
Entrevista com Pedro Loureiro para o Arte Academia Podcast. Pedro compartilhou um pouco de sua história e o seu trabalho com desenhos e ilustrações com aquarela. O post 167. Pedro Loureiro. Desenhos, ilustrações e aquarela. apareceu primeiro em Arte Academia.
Ainara's first feature was feature film See You Tomorrow, God Willing about a group of Franciscan nuns which she wrote, shot, directed and edited. She has collaborated with Russian filmmaker Victor Kossakovsky as First Assistant Director on several of his acclaimed films like: Varicella, Aquarela, and more recently Gunda. Ainara's most recent directorial project is her acclaimed documentary feature, Polaris.
ARTE ACADEMIA www.arteacademia.com.br Instagram: @emersonferrandini Youtube: Arte Academia O post 160. Luciana Leite. A Aquarela contando histórias em diferentes formatos. apareceu primeiro em Arte Academia.
ARTE ACADEMIA www.arteacademia.com.br Instagram: @emersonferrandini Youtube: Arte Academia O post 159. Giselle Vargas. Ilustração, aquarela e a função terapêutica da arte apareceu primeiro em Arte Academia.
Born and raised in São Paulo, Brazil, Plínio Fernandes' musical talent has brought him all over the world, including to the Royal Academy of Music in London where he received his master's degree and has lived for the last seven years. With Saudade, an entrancing collection of works for solo guitar, Fernandes makes his auspicious recording debut for Decca Records US, weaving together all his musical loves and telling his complex and captivating international story in sound. “I chose songs that I grew up listening to,” Fernandes explains, “and in many cases I fell in love with the guitar through them.” We hear that boundless love, that charge of artistic talent in early bloom, throughout Saudade.Saudade Tracklist 1. Assanhado — Jacob do Bandolim 2. The Girl From Ipanema — Antônio Carlos Jobim 3. Beatriz — Edu Lobo, Chico Buarque 4. Aquarelle: II. Valseana — Sérgio Assad 5. Aquarela do Brasil — Ary Barroso 6. Bachianas brasileiras No. 5: I. Aria (Cantilena): Adagio (feat. Sheku Kanneh-Mason) — Heitor Villa-Lobos 7. Ponta de Areia — Milton Nascimento, Fernando Brant 8. 5 Preludes, W419: No.1 in E Minor — Heitor Villa-Lobos 9. 5 Preludes, W419: No. 2 in E Major — Heitor Villa-Lobos 10. 5 Preludes, W419: No. 3 in A Minor — Heitor Villa-Lobos 11. 5 Preludes, W419: No. 4 in E Minor — Heitor Villa-Lobos 12. 5 Preludes, W419: No. 5 in D Major — Heitor Villa-Lobos 13. O Mundo É Um Moinho (feat. Maria Rita) — Angenor de Oliveira 14. Recuerdos de Ypacarai — Zulema de Mirkin, Demetrio Ortíz 15. Samba do Avião — Antônio Carlos Jobim 16. Gracias A La Vida — Violeta Parra 17. Se todos fossem iguais a você / Águas de Março Medley — Antônio Carlos Jobim 18. Menino (feat. Braimah Kanneh-Mason) — Sérgio AssadPurchase the music (without talk) at:Saudade by Plínio Fernandes on Amazon Music UnlimitedYour purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!http://www.classicalsavings.com/donate.html staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Katlyn Morahan from Morahan Arts and Media. https://khedgecock.podomatic.com/rss2.xml
Daniel is a professor at the Federal University of São Carlos in Brazil, along with being a contributor to "The Cambridge Companion to the Drum Kit". Daniels history for this episode goes back to 1917 in Brazil and takes us through the amazing history of drum sets, drumming styles, and iconic drummers which has many parallels to the American and European histories we usually hear on the show - but this is uniquely Brazilian! Here is a link to Daniels website: https://danielgohn.wixsite.com/website A Link to my book: https://hudsonmusic.com/product/no-mundo-da-bateria/ Link to the Cambridge book: https://www.cambridge.org/core/books/cambridge- companion-to-the-drum-kit/3883F371E040EC3681646F170E4FA078 Here is a resource of names that Daniel mentioned in this episode that he provided to help English speakers easily find the players and records easily: - Luciano Perrone (father of Brazilian drumming) - first drum solo in the song Faceira (1931) - 50 years partnership with Radamés Gnatalli - Recording of the song Aquarela do Brasil in 1939 - Oscar Bolão: author of “Batuque is a privilege” - Edison Machado – creator of samba no prato - Or was Hildofredo Correa? - Antonio Carlos Jobim (record in 1963): The composer of Desafinado, plays and the only record of Edison Machado as a leader: É Samba novo (1963) - Milton Banana played in the João Gilberto record Chega de Saudade (1959). He also played in Getz / Gilberto (1963) - Dom Um Romão played in the Jobim / Sinatra record (1967) - Airto Moreira played with Sambalanço Trio and Sambrasa Trio, then in Quarteto Novo (1967) - When discussing recording technologies, I mentioned the drummer Wilson das Neves and suggested listening to his work with Chico Buarque - Modern players: Marcio Bahia, Nenê, Zé Eduardo Nazário, Celso de Almeida, Ramon Montagner, Edu Ribeiro, Kiko Freitas - I mentioned Hermeto Pascoal and Egberto Gismonti as important references
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