Podcast appearances and mentions of Michael Radford

Par Rafael Wolf et Thomas Gerber. La cache de Lionel Baier, avec Michel Blanc, William Lebghil, Liliane Rovère. The Last Showgirl de Gia Coppola, avec Pamela Anderson, Jamie Lee Curtis, Dave Bautista. Game over – La chute de Crédit Suisse documentaire de Simon Helbling. Les conseils: Dancing at the blue Iguana (2000) de Michael Radford, avec Daryl Hannah, Sandra Ho, Jennifer Tilly, (en DVD, BluRay et sur certaines plateformes.) Agent of happiness documentaire de la cinéaste hongroise Dorottya Zurbo et du réalisateur bhoutanais Arun Bhattarai, (à voir en salles, le film est sorti la semaine passée.)

75 años después, la obra de Orwell es ya de “dominio público”. Se multiplican ahora las ediciones de "1984" y ha vuelto a aparecer en las listas de los libros más vendidos. La clásica distopía de Orwell parece escrita para una época como la nuestra, donde la posverdad y los “hechos alternativos” se han vuelto a apoderar de la política. El escritor británico – cuyo nombre real era Eric Blair (1903-1959) – descubrió en España el lado oscuro del comunismo y ahora nos muestra la otra cara del capitalismo. Nos hace preguntarnos qué es la verdad, ¿la opinión de la mayoría, que nos marca el Gran Hermano, determinada por los índices de audiencia? ¿O la que nos da la libertad de decir lo que la gente no quiere oír? En este programa "Al Trasluz" escuchamos fragmentos del libro, leído por Eugenio Barona y la película británica que hizo Michael Radford, ese mismo año con John Hurt y Richard Burton. Oímos escenas de un documental sobre Orwell de la BBC y canciones inspiradas en el libro de David Bowie (1984 y Big Brother) en su disco de 1974 (Diamond Dogs), así como la que hizo el dúo británico de "tecno-pop" Erythmics ese mismo año 1984, sobre el personaje de Julia en el álbum del mismo título de la novela. La música instrumental está también toda ella, inspirada en el libro, desde la Obertura de Rick Wakeman (antes de Yes) hasta la Suite de Robert O. Blong y sus temas instrumentales "Donde no hay oscuridad", "Dos más dos", "El tema de Julia", "La mujer" y "¡Qué dure la fiesta!". Al hablar de la guerra civil española suena el tema popular de "A las barridas" y al final, una composición de Anthony Phillips (antes de Genesis) sobre el libro, (Ascension), todo ello escrito y narrado por José de Segovia con la realización técnica de Daniel Panduro.

Michael Radford's chilling adaptation of Orwell's novel

Book Vs. Movie: 1984The 1949 Classic Novel Vs. the 1984 AdaptationThe Margos continue their look at “Banned Books' in September with the novel 1984, which is set in a dystopian world dominated by a totalitarian regime that enforces complete obedience and constant surveillance. The protagonist, Winston Smith, works at the Ministry of Truth, altering historical records to fit the Party's narrative. He questions the Party's authority despite outward compliance and secretly documents his dissent. The story culminates in Winston's imprisonment and torture, leading to his ultimate betrayal and psychological manipulation. The 1984 film adaptation, directed by Michael Radford, is considered one of the most faithful to Orwell's novel.Which version did we (the Margos) prefer? Have a listen to find out. In this ep, the Margos discuss:The work of George Orwell. Why is this work still controversial?The differences between the 1949 novel and the 1984 adaptation. The 1957 Movie Cast: John Hurt (Winston Smith,) Richard Burton (O'Brien,) Suzanna Hamilton (Julia,) Cyril Cusack (Mr. Carrington,) Gregor Fisher (Parsons,) James Walker (Syme,) Andrew Wilde (Tillotson,) John Boswall (Emmanuel,) Bob Flag as Big Brother. Clips used:“Your kind is extinct.”1984 (Original 1984 movie trailer) Apple 1984 adWinston & O'Brien“Sexcrimes” by Eurythmics. Book Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts. Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupFollow us on Twitter @bookversusmovieInstagram: Book Versus Movie https://www.instagram.com/bookversusmovie/Email us at bookversusmoviepodcast@gmail.com Margo D. Twitter @BrooklynMargo Margo D's Blog www.brooklynfitchick.com Margo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok https://www.tiktok.com/@margodonohuebrooklynfitchick@gmail.comYou can buy your copy of Filmed in Brooklyn here! Margo P. Twitter @ShesNachoMamaMargo P's Instagram https://www.instagram.com/shesnachomama/Margo P's Blog  https://coloniabook.weebly.com/ Our logo was designed by Madeleine Gainey/Studio 39 Marketing. Follow on Instagram @Studio39Marketing & @musicalmadeleine 

Book Vs. Movie: 1984The 1949 Classic Novel Vs. the 1984 AdaptationThe Margos continue their look at “Banned Books' in September with the novel 1984, which is set in a dystopian world dominated by a totalitarian regime that enforces complete obedience and constant surveillance. The protagonist, Winston Smith, works at the Ministry of Truth, altering historical records to fit the Party's narrative. He questions the Party's authority despite outward compliance and secretly documents his dissent. The story culminates in Winston's imprisonment and torture, leading to his ultimate betrayal and psychological manipulation. The 1984 film adaptation, directed by Michael Radford, is considered one of the most faithful to Orwell's novel.Which version did we (the Margos) prefer? Have a listen to find out. In this ep, the Margos discuss:The work of George Orwell. Why is this work still controversial?The differences between the 1949 novel and the 1984 adaptation. The 1957 Movie Cast: John Hurt (Winston Smith,) Richard Burton (O'Brien,) Suzanna Hamilton (Julia,) Cyril Cusack (Mr. Carrington,) Gregor Fisher (Parsons,) James Walker (Syme,) Andrew Wilde (Tillotson,) John Boswall (Emmanuel,) Bob Flag as Big Brother. Clips used:“Your kind is extinct.”1984 (Original 1984 movie trailer) Apple 1984 adWinston & O'Brien“Sexcrimes” by Eurythmics. Book Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts. Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupFollow us on Twitter @bookversusmovieInstagram: Book Versus Movie https://www.instagram.com/bookversusmovie/Email us at bookversusmoviepodcast@gmail.com Margo D. Twitter @BrooklynMargo Margo D's Blog www.brooklynfitchick.com Margo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok https://www.tiktok.com/@margodonohuebrooklynfitchick@gmail.comYou can buy your copy of Filmed in Brooklyn here! Margo P. Twitter @ShesNachoMamaMargo P's Instagram https://www.instagram.com/shesnachomama/Margo P's Blog  https://coloniabook.weebly.com/ Our logo was designed by Madeleine Gainey/Studio 39 Marketing. Follow on Instagram @Studio39Marketing & @musicalmadeleine 

It's true, the classic novel was published in 1949, but it's quite obviously relevant to this season, and to the modern day, and thus - It Happened One Year is going all-in on George Orwell's 1984! Sarah & Joe discuss the history of the novel and their reactions from recent reads. Then, the greatest marketing tie-in of all time - Michael Radford's 1984 starring John Hurt and Richard Burton, filmed during the timeframe of the novel's setting, and released in that title year! Suck it, 2012 (2009) and Blues Brothers 2000 (1998)! Finally, some little discussion of our current verging-of-dystopia here in America - the impending (possible) Biden v. Trump rematch.  (This all leads directly into the bonus episode, also available right now!)

Bentrovati e benvenuti ad un altro appuntamento con la serie Film alla Radio. Siete con Marco Pieroni e Radioincontri inblu Cortona. Oggi ti parlerò di un film molto speciale,  Il Postino. è un film del 1994, diretto da Michael Radford, con Massimo Troisi, Maria Grazia Cucinotta. è un film ispirato al romanzo Il postino di Neruda di Antonio Skármeta, che racconta l'amicizia tra il poeta cileno Pablo Neruda e un semplice postino italiano, Mario Ruoppolo, sullo sfondo di un'isola del sud Italia negli anni Cinquanta.Con la collaborazione di Lucia Pareti, Mariangela Ungaro - Cinema d'Ascolto, Fernanda Cherubini. 

Le Calendrier de l'après, une série d'émissions de l'Apéro Ciné Volume 21 : 1984, réalisé par Michael Radford. Plus d'infos sur le film : https://m.imdb.com/title/tt0087803/ Pour voir le film : https://www.justwatch.com/fr/film/1984 Un podcast Apéro Ciné, en collaboration avec Galaxie Pop.

Veteran filmmaker Julia Verdin is a multi-hyphenate - she is known as an accomplished producer, award-winning Director and has written a number of screenplays. Having been in the film business for 30 years, Julia has established herself as one of Hollywood's leading independent producers, with over 36 critically acclaimed feature films produced to date. She founded and has been running Rough Diamond Productions since 1995.Some of the memorable, acclaimed theatrical releases and top film festival favorites Julia has produced, includes 2 Jacks, directed by Bernard Rose: the film starred Danny Huston, Jack Huston, Sienna Miller, Jacqueline Bisset, and Billy Zane; Stander, directed by Bronwen Hughes starring Thomas Jane, Deborah Unger, Dexter Fletcher, and David O'Hara; Sony Pictures Classics released The Merchant of Venice, directed by Michael Radford, starring Al Pacino, Jeremy Irons, and Joseph Fiennes; and Riding The Bullet based on a Stephen King story, directed by Mick Garris, and starring David Arquette, Jonathan Jackson, Erica Christensen, and Barbara Hershey. Julia's faith-based film, The Least Among You was a Lionsgate release, starring Lou Gossett Jr., Lauren Holly, and William Devane, and featured in major festivals, being nominated for two N.A.A.C.P awards. Julia also Executive Produced the 2015 Lionsgate release Born of War, directed by Vicky Jewson, starring James Frain and Sophia Black D'Elia.Julia's films have been selected for many major film festivals including Sundance, Toronto, Venice, AFI, Raindance, Vancouver International, and London. As a director, her former acting background has given her the tools to support her actors and bring out amazing performances, and her producing background enables her to stay on budget while bringing out the best creative results.

MOVIE DISCUSSION: Kathryn joins Melvin in discussing an early English adaption of George Orwell's ground-breaking, genre-defining, and highly-influential novel Nineteen Eighty-Four. In this semi-live BBC rendition, one whose controversy is as historic as it is ironic, Kathryn and Melvin discuss not only the impact of this adaption but also the debilitating hopelessness and powerful insight that only Nineteen Eighty-Four can offer.Topics:(PATREON EXCLUSIVE) 16-minutes of Kathryn playing "Would You Rather" except, in the theme of 1984, whatever option Kathryn chooses for herself means the opposite happens to Melvin! Hilarity ensures! (PATREON EXCLUSIVE)This version of Nineteen Eighty-Four is a combination of pre-recorded and live-stage performances streamed to its original audience, and thus includes some interesting quirks that Melvin finds endearing and fascinating.Kathryn begins by explaining the complicated history behind this particular adaption of Nineteen Eighty-Four, including the controversy surrounding its initial screening.For insight (and giggles!), Kathryn reads a collection of quotes from reviews criticizing the content and tone of this adaption of Nineteen Eighty-Four upon its release.Melvin briefly compares this adaption of Nineteen Eighty-Four with the later released Michael Radford version, stating his preferences, and what works so well in this adaption.People were so disgusted with the tone and content of Nineteen Eighty-Four that cast and crew members had even received bomb threats.Pondering the myth of the Mickey Snow-Globe. Or, as it's known; Snow-Globe Gate.Discussing the iconography of the Snow-Globe.Discussing the monologue on language destruction and thought control delivered by Syme in the film (which is an extra fictional essay in the book).Discussing the oppression of power and Big Brother.Recommendations:Slapstick, or Lonesome No More! by Kurt Vonnegut (1999) (Book)Papers, Please (2013) (Video Game) Support the showSupport on Patreon for Unique Perks! Early access to uncut episodes Vote on a movie/show we review One-time reward of two Cinematic Doctrine Stickers & Pins Social Links: Threads Website Instagram Facebook Group

We're back at it again. John embarks upon the pointless annual journey he calls Schlocktober with the movie that started it all: John Landis' directorial debut Schlock (1973). Ryan tackles another horror franchise with The Conjuring (2013), and Dixon probably gets a little too political with his discussion of Michael Radford's adaptation of the dystopian George Orwell novel 1984 (1984). Dixon is patiently awaiting his banishment from the internet while John and Ryan quietly talk to potential replacements. If you'd like to join the Afterthoughts team and don't hold any currently objectionable views, please contact us on Twitter @theafterpod.

Dans ce 4ème épisode je vous emmène à la rencontre de la romancière Serena Giuliano. A travers ses mots, il y a d'abord, une plongée dans l'Italie du sud, sa région natale. Pour faire simple, ses histoires ont des décors de rêve : la Costiera amalfitana, Napoli, ou encore non loin de là... la magnifique île de Procida ! Le temps d'un roman, on embarque pour un voyage en Italie, comme s'y on y était !     Mais pas seulement... Ses livres sont aussi de véritables guides de la culture l'italienne : on y apprend des expressions napolitaines qui valent vraiment le détour, on lit en musique avec la playlist 100% italienne des personnages, on y trouve même des adresses de restaus insolites ! Telle une ambassadrice, Serena Giuliano propage avec poésie et esprit la culture italienne en France ! Preuve que nous avons bien besoin de ces inspirations qui nous viennent du « Bel Paese »... plus de 500 000 exemplaires de ses livres se sont déjà vendus, parmi eux : « Ciao Bella », « Mamma Maria », « Luna », « Sarà Perché ti Amo », et le dernier en date « Un coup de soleil » publié en Mars 2023. Un joli succès de librairie derrière lequel se cache aussi l'histoire d'une femme qui a su relever des défis à l'image de ses héroïnes, battantes et audacieuses... et si ce n'était pas un hasard ?! C'est ce que je vous propose de découvrir... Bell'ascolto ! Les inspirations italiennes de Serena :   Le village coup de cœur de la côte amalfitaine : Vietri sul Mare ! Le film « Il Postino » (« Le facteur », Real. Michael Radford, 1994) tourné sur l'île de Procida, avec le célèbre acteur italien Massimo Troisi et Philippe Noiret. La saga littéraire « L'Amica Geniale » (« L'amie prodigieuse », 2011-2014) d'Elena Ferrante, et son adaptation en série (2018-2022). Le groupe « Ricchi e Poveri » dont deux de leurs chansons ont inspiré les titres de romans de Serena Giuliano : « Sarà Perché ti Amo » et « Mamma Maria ». La radio Kiss Kiss Italia pour swinguer sur des mélodies italiennes ! Instagram : @radiokisskissitalia / www.kisskissitalia.it L'auteur Erri De Luca dont les romans (et un, en particulier, « Montedidio », 2001) plongent Serena Giuliano dans le Naples de son enfance. Les photographies de Ciro Pipoli qui sait capter à travers son objectif des « instants volés » typiquement napolitains ! Instagram : @ciropipoli Le dernier restaurant italien découvert en France dont les saveurs transportent Serena Giuliano dans son pays natal : La Prison Dorée à Thionville.  Instagram : @laprisondoree / www.laprisondoree.com  Adresse : 46 Rue de l'Ancien Hôpital, 57100 Thionville (Tel : 03 82 52 89 17) L'objet typiquement italien dont Serena Giuliano ne pourrait se passer : le piment qu'elle porte autour de son cou, un « Cornicello ». Un porte-bonheur qui a donné naissance à une marque : « Sera Bijoux », lancée avec son frère, Raffaele ! Instagram : @serabijoux / www.serabijoux.fr Il mondo de Serena Giuliano : Instagram : @serena_giuliano_ Publiée aux Éditions Robert Laffont / Instagram : @robert_laffont     Portrait Serena Giuliano : © Amélie Marzouk / Miroirs podcast  Instagram : @amelie__marzouk / @miroirspodcast Merci à l'Hôtel Mercure Metz Centre pour leur accueil.  Adresse : 29 Pl. St Thiébault, 57000 Metz (Tel : 03 87 38 50 50)  Instagram : @mercurefr / Site Internet : https://all.accor.com/hotel/1233/index.fr.shtml   Conçu, réalisé et présenté par Claire Plantinet   Montage & Mixage Générique : François Praud   Musique : Happy Clapping Cinematic Score / PaBlikMM / Envato Elements   Création visuelle : Thomas Jouffrit   Podcast hébergé par Ausha. Contattami, Scrivimi !   Suivez allora sur Instagram @allora.lepodcast & Facebook @alloralepodcast ! Et n'hésitez pas à m'écrire sur les réseaux sociaux ou à l'adresse suivante : alloralepodcast@gmail.com ! Vous pouvez aussi laisser vos “stelle” ou vos commentaires sur iTunes, Spotify, ApplePodcast, ou GooglePodcast. C'est tellement précieux ! Grazie Mille !  

Join me on the next episode of my podcast as I sit down with Robert Weston, a renowned movie producer who has made a name for himself in the industry. We dive deep into Robert's personal experiences and discuss how he got into the movie industry, as well as his background and the art of storytelling. From his start in the horror genre to producing comedy dramas, science fiction extravaganzas, and action thrillers, Robert has worked with some of the biggest names in the industry, including Charlize Theron, Michael Radford, and Christopher Plummer. We'll hear about his journey and the challenges he's faced along the way. More than just a producer, Robert is a master storyteller, and we'll explore his creative process, discussing his art goals and how he brings his vision to the screen. Don't miss this insightful episode where we delve into the world of movie-making with the talented Robert Weston.

Faz tempo que este Podcast vem alertando sobre as tendências totalitárias do mundo moderno. Obviamente, faltava-nos ainda analisar uma das obras que mais nos faz refletir acerca desse assunto: 1984. Neste episódio, contudo, não analisamos a obra-prima de George Orwell, mas um dos filmes que nela se baseia: o do diretor Michael Radford. Os pontos de reflexão suscitados por essa obra são inúmeros, difícil de enumerar neste pequeno texto. Mas, se você se sente cada vez mais oprimido pelo esmagador peso do Poder, não deixe de escutar este episódio para compreender e, de certa forma — e na medida do possível —, defender-se deste monstro. Curtam nossas páginas e nos sigam no: Facebook: www.facebook.com/Ordem.Natural.Podcast Instagram: @ordemnaturalpodcast Telegram: https://t.me/ordem_natural_podcast Twitter: @naturalordem Gettr: https://gettr.com/user/ordem_natural Imagem: 1984 George Orwell Book Drawing, Darkpixel1, 2023. Trilha sonora: Antonio Vivaldi, “La Notte", Concerto em G menor, RV 439. Felix Mendelssohn, “Variations Sérieuses”, Op. 54, solo para piano. #cinema #totalitarismo #liberdade #cultura #conservadorismo #filosofia #história #literatura #anticomunismo #olavotemrazao #stalinismo #socialismo #fascismo #direitaconservadora #familiatradicional #direita #comunismonao #comunismomata #comunismojamais #filme #redpill #Ocidente #Orwell #1984

Luis Bacalov es un compositor y director de orquesta argentino, considerado uno de los artistas más importantes de la música para cine. Nació en Buenos Aires en 1933, en el seno de una familia judía, orígen que claramente influyó en su vida y obra, pues Bacalov integró elementos de la música judía en su trabajo artístico, dándole un sello distintivo a sus composiciones para cine y otros proyectos musicales. Luis Bacalov inició su carrera en Argentina, estudiando en el Conservatorio Nacional de Música de Buenos Aires. Desde 1950 trabajó como pianista y director de orquesta, enfocado en la televisión y el teatro argentino. En 1960 recibió el premio Martín Fierro por su música para la serie de televisión: “El hombre que compró la Luna”. Continuó su carrera desde Italia trabajando junto a directores reconocidos del mundo del cine. Bacalov demostró su habilidad para mezclar diversos sonidos y estilos musicales, combinando la música clásica con la música popular argentina. En 1996, recibió el Premio Oscar a Mejor Banda Sonora, por su trabajo en la película “El Cartero”, dirigida por Michael Radford. También ganó el premio Grammy en 2001 por “Misa Tango”, una obra coral en donde combinó sonidos litúrgicos con el tango argentino. Luis Bacalov falleció en Roma en 2017, dejando un legado en el cine, la música y la cultura del mundo.

We review 1984 (1984) on The Atomic Cinema Experiment. This is a sci fi movie podcast. Nineteen Eighty-Four is directed by Michael Radford and stars John Hurt, Richard Burton, Suzanna Hamilton patreon: https://www.patreon.com/mildfuzztv twitter: https://twitter.com/Mild_Fuzz discord: https://discord.gg/8fbyCehMTy TWITCH: https://www.twitch.tv/mildfuzztv Email: mftvquestions@gmail.com Audio version: https://the-ace-atomic-cinema-experime.pinecast.co

For our eighth anniversary, actor Romina D'Ugo (I Like Movies, now playing in theatres across Canada) is here to honor Michael Radford's 1994 heartbreaker Il Postino -- a film that stands as testament to both Pablo Neruida's poetry, and star Massimo Troisi, who spent a decade trying to make this movie and died the day after it wrapped. Your genial host Norm Wilner is in awe of ... well, all of that.

George Orwell's popularity is at a new high in the post-Trump era, and he's been claimed by both the left and right. We discuss NINETEEN EIGHTY-FOUR (1984), Michael Radford's feature-film adaptation of Orwell's most famous novel, and try to rescue a self-described socialist from the Dave Rubins of the world.Michael and Us is a podcast about political cinema and our crumbling world hosted by Will Sloan and Luke Savage. Hosted on Acast. See acast.com/privacy for more information.

George Orwell's popularity is at a new high in the post-Trump era, and he's been claimed by both the left and right. We discuss NINETEEN EIGHTY-FOUR (1984, Michael Radford's feature-film adaptation of Orwell's most famous novel, and try to rescue a self-described socialist from the Dave Rubins of the world. Listen to us discuss Orwell's writing in episode #190 - https://www.patreon.com/posts/190-lion-and-44728064

En la edición de hoy de El ContraPlano, el espacio dedicado al cine dentro de La ContraCrónica, los contraescuchas nos traen los siguientes títulos: – «Judas y el Mesías Negro” (2021) de Shaka King - https://amzn.to/3HT3bo2 – «Los gritos del silencio» (1984) de Roland Joffé - https://amzn.to/3K3CS1r – «El cartero (y Pablo Neruda)» (1994) de Michael Radford - https://amzn.to/3xc6NfZ Consulta en La ContraFilmoteca la selección de las mejores películas de este espacio - https://diazvillanueva.com/la-contrafilmoteca · “La ContraHistoria de España. Auge, caída y vuelta a empezar de un país en 28 episodios”… https://amzn.to/3kXcZ6i · “Lutero, Calvino y Trento, la Reforma que no fue”… https://amzn.to/3shKOlK · “La ContraHistoria del comunismo”… https://amzn.to/39QP2KE Apoya La Contra en: · Patreon... https://www.patreon.com/diazvillanueva · iVoox... https://www.ivoox.com/podcast-contracronica_sq_f1267769_1.html · Paypal... https://www.paypal.me/diazvillanueva Sígueme en: · Web... https://diazvillanueva.com · Twitter... https://twitter.com/diazvillanueva · Facebook... https://www.facebook.com/fernandodiazvillanueva1/ · Instagram... https://www.instagram.com/diazvillanueva · Linkedin… https://www.linkedin.com/in/fernando-d%C3%ADaz-villanueva-7303865/ · Flickr... https://www.flickr.com/photos/147276463@N05/?/ · Pinterest... https://www.pinterest.com/fernandodiazvillanueva Encuentra mis libros en: · Amazon... https://www.amazon.es/Fernando-Diaz-Villanueva/e/B00J2ASBXM #FernandoDiazVillanueva #killingfields #fredhampton Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

This is the sixth part of an eight-part series about American movie ratings. Part 1 focused on Prano Baily-Bond's “Censor”. Part 2 focused on Mike Nichols's “Who's Afraid of Virginia Woolf?”. Part 3 focused on Brian DePalma's “Greetings”. Part 4 focused on Gordon Flemyng's “The Split”. Part 5 focused on Steven Spielberg's “Indiana Jones and the Temple of Doom”.Future episodes will focus on John McNaughton's “Henry: Portrait of a Serial Killer” (1986) and Philip Kaufmans's “Henry & June” (1990).***Referenced media:“Green Book” (Peter Farrelly, 2018)“Crash” (Paul Haggis, 2004)“Stand By Me” (Rob Reiner, 1986)“The Graduate” (Mike Nichols, 1967)“Arrested Development” (Mitchell Hurwitz, 2003-2006 and 2013-2019)“The Naked Gun: From the Files of Police Squad!” (David Zucker, 1988)“Happy Days” (Garry Marshall, 1974-1984)“My Tutor” (George Bowers, 1983)“American Graffiti” (George Lucas, 1973)“Head of the Class” (Michael Elias and Richard Eustis, 1986-1991)“Eight is Enough” (William Blinn, 1977-1981)“Paris, Texas” (Wim Wenders, 1984)“The Terminator” (James Cameron, 1984)“A Nightmare on Elm Street” (Wes Craven, 1984)“The Killing Fields” (Roland Joffé, 1984)“Supergirl” (Jeannot Szwarc, 1984)“Beverly Hills Cop” (Martin Brest, 1984)“City Heat” (Richard Benjamin, 1984)“The Cotton Club” (Francis For Coppola 1984)“Dune” (David Lynch, 1984)“1984” (Michael Radford, 1984)“A Passage to India” (David Lean, 1984)“Runaway” (Michael Crichton, 1984)“Starman” (John Carpenter, 1984)“The River” (Mark Rydell, 1984)“Breakin' 2: Electric Boogaloo” (Sam Firstenberg, 1984)“Blood Simple” (Joel Coen, 1984)“The Falcon and the Snowman” (John Schlesinger, 1985)“Fandango” (Kevin Reynolds, 1985)“Witness” (Peter Weir, 1985)“The Breakfast Club” (John Hughes, 1985)“Vision Quest” (Harold Becker, 1985)“The Sting” (George Roy Hill, 1973)

George Orwell’s dystopian novel was made into a great film in the year of its title: 1984. I'm guessing most of you have at least heard of George Orwell's novel “1984.” It's about a totalitarian state in the future, one of constant surveillance, in which critical thinking is a crime, and authority is represented by a dictator named Big Brother. An office worker in one of the ministries, Winston Smith, starts to question authority, and initiates a secret love affair with a woman named Julia, even though unsanctioned relationships are illegal. This is the plot, in brief, but perhaps the book has become so familiar that we've neglected to read it carefully anymore. Crucially, Orwell's ideas hinged on language and the way authoritarians use it to hide and distort the facts. Making a good film version of 1984 is difficult. It's been tried a few times, with varied success. My favorite version was released in 1984, adapted and directed by a young Englishman named Michael Radford. Radford's producers and other backers were behind his project, but they insisted that the picture be released in the year 1984, when the media would inevitably start talking about the book, comparing what it said to what the year looked like now, and so forth. That meant they were in a hurry to get it done, and it's impressive what Radford and his team, under pressure, managed to achieve on a pretty low budget. The screenplay was very faithful to the book. The director's first brilliant decision was to make the production design appear, not like some vision of the future, but similar to the styles of the year the book was written, 1948. There are computer, surveillance, and television screens in the film, but all the technology looks shabby and old-fashioned. The vehicles, the offices and other buildings, the clothes, look bleak, like England did after the war. Roger Deakins, early in what would become a very long career, paints the film in stark gray—a world of grime and confinement. The color photography sometimes looks almost black and white. All the amazing visual effects, such as the crowd scenes at the hate rallies with the large screens and the image of Big Brother, were done in camera—in other words, they were shot just as they appear. Of course there was no computer generated imagery then, but Radford couldn't even afford the current technology such as blue screens. In the main role of Winston Smith, Radford cast John Hurt, who conveys a kind of wounded resentment and passivity that gives an edge to the character's rebellion. The terrible punishment Winston endures Hurt makes palpable—his suffering has a visceral onscreen power. He truly went the extra mile. As Julia, a relative newcomer named Suzanna Hamilton has just the right mix of mischief and defiant strength. But the biggest coup was getting Richard Burton to play O'Brien, the drily sinister official who represents the intellectual voice of the state machine. He was not a well man, and had trouble remembering his lines. This caused some agonizing delays in the shoot. But the final result on screen is utterly compelling, one of his great performances. Instead of trying to act the villain as a lesser performer would do, Burton's calm and deliberate manner, and the precision and thoughtfulness of his delivery, turns O'Brien into the epitome of totalitarian thinking. It was his last appearance on screen. He died of a cerebral hemorrhage two months before the movie was released. 1984 did OK at the time—not a big hit. Since then, however, its stature has steadily increased, and now it's widely considered the best film version of Orwell's great, still relevant book.

Pour cet épisode-dossier, le trio Gravlax – Papa(Gubi)da – Casa s'est penché sur le thème très riche des **films de complots**. Après une petite introduction sur le thème dans la fiction, il traite d'un des thèmes fondateurs du genre dans le cinéma des années 1970 : l'assassinat de John Fitzgerald Kennedy. Le film central de cet épisode est celui choisi par Gravlax : « À cause d'un assassinat ( The Parallax View ) » d'Alan J.Pakula ( 1974 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=1349.html Il y aura d'autres métrages sur ce thème qui seront plus développés que d'habitude :« Les hommes du Président » d'Alan J.Pakula ( 1976 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=3690.html « Complot à Dallas » de David Miller ( 1973 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=130689.html « Les 3 Jours du Condor » de Sydney Pollack ( 1975 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=33360.html « La Théorie des Dominos » de Stanley Kramer ( 1977 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=31392.html « Winter Kills – Qui a tué le Président ? » de William Richert ( 1979 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=34488.html( traité par Gravlax dans l'épisode « Saison 1.5 - L.A. Confinemential 1** » :https://podcloud.fr/podcast/tu-las-vu/episode/saison-1-point-5-la-confinemential-1-les-films-vus-pendant-le-confinement ) Films de complots évoqués dans d'autres épisodes de « Tu L'As Vu ? » : La « trilogie de la paranoïa » de John Frankheimer :“Un crime dans la tête” de John Frankenheimer ( 1962 ) :http://www.allocine.fr/film/fichefilm_gen_cfilm=5170.html“Sept Jours en Mai” de John Frankenheimer ( 1964 ) :http://www.allocine.fr/film/fichefilm_gen_cfilm=4424.html« Seconds – L'Opération Diabolique » de John Frankenheimer ( 1966 ) :http://www.allocine.fr/film/fichefilm_gen_cfilm=121907.htmlÉvoqués et/ou traités dans l'épisode « 22 - 1.001 Films à Voir ( 3 films choisis dans le livre )** »https://podcloud.fr/podcast/tu-las-vu/episode/22-1-point-001-films-a-voir-3-films-choisis-dans-le-livre « Winter Kills – Qui a tué le Président ? » de William Richert ( 1979 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=34488.htmlTraité par Gravlax dans l'épisode « Saison 1.5 - L.A. Confinemential 1** » :https://podcloud.fr/podcast/tu-las-vu/episode/saison-1-point-5-la-confinemential-1-les-films-vus-pendant-le-confinement Œuvres citées dans l'épisode : Le roman « Une Ténébreuse Affaire » d'Honoré de Balzac ( 1841 ) :https://fr.wikipedia.org/wiki/Une_t%C3%A9n%C3%A9breuse_affaire Le roman « Le Juif Errant » d'Eugène Sue ( 1845 ) :https://fr.wikipedia.org/wiki/Le_Juif_errant Le roman « Joseph Balsamo » d'Alexandre Dumas ( 1853 ) :https://fr.wikipedia.org/wiki/Joseph_Balsamo_(roman) Le roman « Les 39 Marches » de John Buchan ( 1915 ) :https://fr.wikipedia.org/wiki/Les_39_Marches_(roman) « Les 39 Marches » d'Alfred Hitchcock ( 1935 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=2161.html Le roman « Le Procès » de Franz Kafka ( 1925 ) :https://fr.wikipedia.org/wiki/Le_Proc%C3%A8s « Le Procès » d'Orson Welles ( 1962 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=279.html Le roman « 1984 » de George Orwell ( 1949 ) :https://fr.wikipedia.org/wiki/1984_(roman) « 1984 » de Michael Radford ( 1984 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=1791.html Le roman « Vente à la criée du lot 49 » de Thomas Pynchon ( 1966 ) :https://fr.wikipedia.org/wiki/Vente_%C3%A0_la_cri%C3%A9e_du_lot_49 Le roman « L'Arc-en-ciel de la Gravité » de Thomas Pynchon ( 1973 ) :https://fr.wikipedia.org/wiki/Vente_%C3%A0_la_cri%C3%A9e_du_lot_49 Le roman « Outremonde (Underworld) » de Don DeLillo ( 1997 ) :https://fr.wikipedia.org/wiki/Outremonde « Greetings » de Brian de Palma ( 1968 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=28138.html « Klute » d'Alan J.Pakula ( 1971 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=45028.html « Du Silence et des Ombres » de Robert Mulligan ( 1962 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=42792.html « Le Choix de Sophie » d'Alan J.Pakula ( 1982 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=2362.html « Présumé Innocent » d'Alan J.Pakula ( 1990 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=6003.html « L'affaire Pélican » d'Alan J.Pakula ( 1993 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=33300.html « Ennemis Rapprochés » d'Alan J.Pakula ( 1997 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=13551.html « Bonnie & Clyde » d'Arthur Penn ( 1967 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=1353.html « Blow Out » de Brian de Palma ( 1981 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=1993.html « Dans la ligne de mire » de Wolfgang Petersen ( 1993 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=8293.html « L'inspecteur Harry » de Don Siegel ( 1971 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=381.html « Phantom of the Paradise » de Brian de Palma ( 1974 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=59996.html « Le Parrain » de Francis Ford Coppola ( 1972 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=1628.html « Marathon Man » de John Schlesi nger ( 1976 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=8172.html “JFK” d'Oliver Stone ( 1991 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=1417.html « The Secret Man – Mark Felt » de Peter Landesman ( 2017 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=242448.html « Network – Main basse sur la télévision » de Sidney Lumet ( 1976 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=46077.html « Et au milieu coule une rivière » de Robert Redford ( 1992 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=5362.html « Captain America – Le Soldat de l'Hiver » d'Anthony et Joe Russo ( 2014 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=193113.html « Conversation secrète » de Francis Ford Coppola ( 1974 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=9955.html « Devine qui vient dîner » de Stanley Kramer ( 1967 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=12693.html « Le Groupe » de Sidney Lumet ( 1966 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=42737.html « Soldat Bleu » de Ralph Nelson ( 1970 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=7567.html « Gandhi » de Richard Attenborough ( 1982 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=2596.html « Miss Detective » de Donald Petrie ( 2000 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=26861.html « Il était une fois la Légion » de Dick Richards ( 1977 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=46835.html « Ennemi d'État » de Tony Scott ( 1998 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=16026.html « Blow Up » de Michelangelo Antonioni ( 1966 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=1422.html « Snake Eyes » de Brian de Palma ( 1998 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=19439.html La série « 22/11/63 » de Bridget Carpenter ( 2016 ) :https://www.allocine.fr/series/ficheserie_gen_cserie=18160.html « American Graffiti » de George Lucas ( 1973 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=37040.html « Un Monde Parfait » de Clint Eastwood ( 1993 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=8966.html Musique diffusée durant l'épisode : Générique « Loud Pop » ( Gravlax ) Aurélien Rivière « Focus on the road » Louis Levy « 39 Steps Suite » David Bagatelle, Charles Breteville & Jean Villa « Stray Dogs Squad » Michael Small « The Parallax View Suite » / “Marathon Man Suite” Michael Small “B.O de Klute” : “Love theme” / “Main title” / “I Want to Speak to You” / “Phone Call Play Back” / “Walk to Casting Office” / “Casting Office” / “Goldfarb's Record” / “On the Road” / “Tea With Madame” / “Ligourin's Disco” /"First Disco" / "Bree Followed on Street" David Shire “Presidents Man Suite” Randy Edelman “Executive Action – Main Title” Dave Grusin “Three Days of the Condor Suite” Harry Shannon “Some Day Soon” Samuel Chastan « Exile » Maurice Jarre « L'année de tous les dangers Suite » Liens : L'excellente conférence de Jean-Baptiste Thoret sur « The Parallax View » :https://youtu.be/6k-P2p2mC9Y Le livre « 26 secondes : L'Amérique éclaboussée » de Jean-Baptiste Thoret ( 2003 ) :https://www.rougeprofond.com/produit/26-secondes-lamerique-eclaboussee/ Scène du test de la Parallax : https://youtu.be/8wCLHHKgCKc?t=15 Documentaire « Warren Beatty, une obsession hollywoodienne » d'Olivier Nicklaus ( 2015 ) :https://boutique.arte.tv/detail/warren_beatty_une_obsession_hollywoodienne Chaîne YouTube TLV Podcast :https://www.youtube.com/channel/UCoLK73hPXzMYGnZEYVRvAEQ Lien Twitter : https://twitter.com/TLVPodcast Page Facebook : https://www.facebook.com/M.Gravlax Page du podcast : https://podcloud.fr/podcast/tu-las-vu Page Sens Critique avec tous les films traités dans le podcast :https://www.senscritique.com/liste/Tous_les_films_traites_dans_notre_podcast_Tu_l_as_vu_venez_n/2716388

Sara Ghaleb (Arden Podcast / Historical Hookups) comes on the pod to discuss the oft forgotten Michael Radford crime drama B. MONKEY.We discuss this film's sexuality, the reasons it fell between the cracks of pop culture, and the behind the scenes atrocities that brought it into the limelight twenty years later. We also critique the concept of the manic pixie dream girl, the relationships at the movie's forefront, and the crime genre in general.Find Sara at: twitter.com.saraghalebPodcast Like It's 1989: patreon.com/podcastlikeits1989Twitter: twitter.com/podcastlike1999Instagram: instagram.com/podcastlike1999Reddit: reddit.com/r/podcastlikeits See acast.com/privacy for privacy and opt-out information.

Le dessinateur Xavier Coste nous raconte les coulisses de son adaptation du classique de George Orwell publié aux éditions Sarbacane.  Big Drawer Pas facile d'innover quand on souhaite adapter l'univers de George Orwell. 1984 a souvent été représenté que ce soit par les différentes couvertures ou par l'excellente adaptation de Michael Radford. Avec son faux rythme dans toute la première moitié du roman, la dystopie orwellienne met aussi du temps à démarrer. Conscient des problématiques, l'auteur et dessinateur Xavier Coste réussit à surprendre grâce à sa compréhension de ce classique de la science-fiction. Lauréat du prix Fnac-France Inter pour son travail, Xavier Coste revient avec nous sur les coulisses de son dessin ainsi que sur ses partis pris graphiques et esthétiques. Comment faire ressentir cette ambiance oppressante ? Faut-il représenter Big Brother à chaque page ? Quid de la violence pourtant intrinsèque au texte ? Avec modestie et humour, Xavier Coste revient sur les aspects de sa création tout en rendant hommage à son livre préféré.

In the twenty-first episode of Season 5 (Dystopia Myopia) Kyle is joined by fellow podcaster Ben Thelen (of the Dead Reckoner podcast) and editor Kristi Shimek (of Zoey's Extraordinary Playlist) to discuss Michael Radford's adaptation of George Orwell's foundational novel about love and individuality expunged in statist conformity and thought control in 1984.

Matt introduces Andrew to the 1998 Asia Argento film "B. Monkey" in which Beatricè (B for short) is a thief who can get in anywhere. But she wants to leave her life of crime. A chance meeting with a school teacher and late night hospital jazz DJ may be her way out.

Por la novela Ardiente impaciencia (1985) del chileno Antonio Skármeta y su versión fílmica Il Postino (El cartero), de Michael Radford (1994), supe de las intrigas y cabildeos que caracterizaron la etapa inmediata

dźwiękościeżka - podcast o muzyce filmowej[IL Postino] reżyseria: Michael Radford || muzyka: Luis Bacalovlubię filmy / lubię je oglądać i je robić / ale ten podcast przede wszystkim jest o muzyce filmowej / bo to taka szczególna forma, która powstaje po to żeby wspierać film / ale czasem, naprawdę rzadko, nagle taki soundtrack staje się dziełem samodzielnym  i wtedy ma się do czynienia z prawdziwą sztuką / a to jest dokładnie to - czego szukam w życiu.utwory wykorzystane w dzisiejszym podcaście:1. IL Postino - Luis Bacalov | 2.442. Milonga del Poeta - Luis Bacalov | 1.163. In Bicicletta  -Luis Bacalov | 2.294. Beatrice - Luis Bacalov | 4.075. Il Postino (Guitar And Bandoneon Version) - Luis Bacalov | 3.13wszystkie utwory wykorzystane legalnie na mocy umowy z ZAiKS. 

Avant 1984 et Le Meilleur des Mondes, il y avait Nous de Evgueni Zamiatine publié en 1920. Cette contre-utopie russe disponible chez Actes Sud est à l'origine de nombreuses dystopies.  Patrice Lajoye est le co-auteur d'Etoiles Rouges, La Littérature de Science-Fiction SoviétiqueavecViktoria Lajoye aux éditions Piranha.  Nous est disponible chez Actes Sud : https://www.actes-sud.fr/node/58552 Résumé de l'éditeur : Nous se présente comme le journal tenu par D-503, le constructeur de l’Intégrale, un vaisseau spatial dont la mission est de convertir les civilisations extraterrestres au “bienheureux joug de la raison”, au “bonheur mathématiquement infaillible” que l’État Unitaire prétend avoir découvert. Six siècles après notre époque, le monde civilisé s’est en effet organisé en un “État Unitaire” sous la férule d’un “Bienfaiteur”. Les hommes – des “Numéros” – habitent une cité de verre où tout est régulé, particulièrement l’activité sexuelle, et ils paient de leur vie le moindre écart à cet ordre établi contre lequel, malgré tout, une poignée de dissidents va s’insurger. Les Extraits de l'émission :  "Nous" d'Evgueni Zamiatine lu par Eric Herson-Macarel : https://www.youtube.com/watch?v=M_XBrLxeU7k&t=540s&ab_channel=SixtridEditions Evgueni Zamiatine (1884-1937) : Une vie, une œuvre (1991 / France Culture) : https://www.youtube.com/watch?v=lMyFQK7_Mhg&t=1627s&ab_channel=LeS%C3%A9maphore Extrait du film 1984 de Michael Radford  : https://www.youtube.com/watch?v=JP2j6QWkedY&ab_channel=Talfir

Bir Kitap Bir Film'in dördüncü bölümünde Ayrıntı Yayınları tarafından çevrilen Zygmunt Bauman & David Lyon'ın "Akışkan Gözetim" kitabı ile Michael Radford'un "Bin Dokuz Yüz Seksen Dört" filmini öneriyoruz. Keyifli dinlemeler!

We sit down with 5 of our playwriting peers in this awesome supersize episode. Our special guests: Chris Bishop, Michael Radford, Bill McCann, Lisa Holt, and Bill Brohaugh offer insight into their playwriting process, thoughts on working with others, and talk about some of their projects - past and present, as well as pet peeves, and more in this wide ranging discussion.Note: We recorded this podcast over multiple days and times, and were originally going to cut this into 2 episodes, but wanted to present it in its entirety since we found the subject matter and our guests fascinating. As such, the original ending and beginning of another episode is heard, and the guests may be out of the recorded order. After this recording, Michael Radford and Bill McCann were named the winner and runner up, respectively, in the Kentucky Theater Association Roots of the Bluegrass Playwriting contest for their 10 minute play entries this year, and we want to congratulate them both on this accomplishment.  Great work!

Act One Podcast - Episode 08 - Interview with producer, Justin Bell. Justin Bell is a feature film, TV, and branded entertainment producer based in Los Angeles. His latest project, the horror-comedy “Summoned” for Disney/20th Digital, is currently airing on Hulu, FX and Freeform. He is also in post-production on a 1970's style superhero heist movie – The Hyperions (2020), starring Cary Elwes. Bell produced the TV pilot “Journey to the East”, and his bible-era feature film about Mary of Nazareth, Full of Grace, was released by Cinedigm on BluRay/DVD in Walmart and Target stores, and is also available for download on iTunes. Bell also co-produced the BAFTA-winner Michael Radford's Elsa & Fred (2015), starring Academy Award-winners Shirley MacLaine and Christopher Plummer, which Millennium Entertainment released in theaters and VOD. Justin has several projects in active development, is the former Director of the Act One Producing & Entertainment Executive Program, and is a member of the Producers Guild of America.A graduate of the Peter Stark Producing Program at USC's School of Cinematic Arts (MFA), Justin's thesis project, That Evening Sun (2009), was made into a critically acclaimed independent feature film (NY Times Critics Pick, two Independent Spirit Award nominations), produced by his friends Laura D. Smith and Terence Berry, directed by Scott Teems, and distributed by Freestyle Releasing. While in film school, Bell received the USC Special Project Grant, and was voted Most Outstanding Filmmaker by his peers.Justin earned a Master of Divinity (MDiv) from Fuller Theological Seminary, and is a graduate of Wheaton College (B.A.) in Illinois.The Act One Podcast provides insight and inspiration about the business and craft of Hollywood from a Christian perspective.Support the show (https://actoneprogram.com/donate/)

In this week’s minisode, Will and James discuss Michael Radford’s 2004 adaptation of The Merchant of Venice, starring Al Pacino, Jeremy Irons, and Joseph Fiennes’ distinctive mullet. Despite its sumptuous costume and scenery that Pacino avoids chewing during the course of his humane performance as Shylock, the movie still doesn’t quite work. The guys break down why and discuss whether Merchant can work as a movie today. // CREDITS // Intro Music: Jon Sayles, "The Witches' Dance" (composed by anonymous); Outro Music: Jon Sayles, “Saltarello” (composed by anonymous); Illustrative Excerpt: “The Merchant of Venice,” dir. Michael Radford (2004)

"Shylock." The very name of Shakespeare’s infamous Venetian moneylender overshadows the plot of this complex and twisted comedy about love, marriage, and the importance of always reading the fine print in your credit card agreement. Is he an anti-Semitic caricature? A representation of vengeful legalism run amok, contrasted with the concept of mercy and grace? An anti-hero who deserves sympathy? The voice of one of Shakespeare’s most humanistic and moving speeches? In this episode with discussions of everything from The Sopranos to capital markets in the Mediterranean to critiques of the merchant Antonio’s moronic business practices, Will and James argue that the answer is “all of the above.” // CREDITS // Intro Music: Jon Sayles, "The Witches' Dance" (composed by anonymous); Outro Music: Jon Sayles, “Saltarello” (composed by anonymous); Illustrative Excerpts: “In Camelot,” The Sopranos, dir. Steve Buscemi (2004); “The Merchant of Venice,” dir. Michael Radford (2004)

Massimo Troisi had a driving passion to make The Postman, so much so that he put medical care off to get it made. This lead to his death immediately after principal photography, but his passion project was able to be seen by the world. But would it have the success story it has if it wasn't for the Miramax marketing machine? Hard to say, but we don't think so, despite it being an absolutely adorable film. Join us – Pete Wright and Andy Nelson – as we continue our Foreign Language Films Nominated for Best Picture series with Michael Radford's 1994 film The Postman (Il Postino). We talk about the nature of foreign language films being left out of the Best Picture race from the early 70s to the mid 90s and why that may have been. We also talk about the nature of the Best Picture award and what a film should have intrinsically to get that nomination, but how marketing efforts really led to shifts there. We discuss Troisi's passion for this film and how it pushed him to get it made, regardless of his health. We look at the nature of a biographical story and why including Pablo Neruda in this film doesn't make it biographical. We chat about the power of Neruda's poetry and why it works so well in this film. We touch on Radford as a director and Luis Bacalov's incredible score. And we look at other films that were left out of the Best Picture race. It's a beautiful and heartwarming film. Maybe not Best Picture material, but certainly something that warmed both our hearts. We had a great time talking about it so check it out then tune in to this week's show! The Next Reel – when the movie ends, our conversation begins. Join the conversation with movie lovers from around the world on The Next Reel's Discord channel! Film Sundries Thank you for supporting The Next Reel Film Podcast on Patreon! Watch this film: Amazon Script Transcript Original theatrical trailer Original poster artwork Flickchart Letterboxd

Massimo Troisi had a driving passion to make The Postman, so much so that he put medical care off to get it made. This lead to his death immediately after principal photography, but his passion project was able to be seen by the world. But would it have the success story it has if it wasn’t for the Miramax marketing machine? Hard to say, but we don’t think so, despite it being an absolutely adorable film. Join us – Pete Wright and Andy Nelson – as we continue our Foreign Language Films Nominated for Best Picture series with Michael Radford’s 1994 film The Postman (Il Postino). We talk about the nature of foreign language films being left out of the Best Picture race from the early 70s to the mid 90s and why that may have been. We also talk about the nature of the Best Picture award and what a film should have intrinsically to get that nomination, but how marketing efforts really led to shifts there. We discuss Troisi’s passion for this film and how it pushed him to get it made, regardless of his health. We look at the nature of a biographical story and why including Pablo Neruda in this film doesn’t make it biographical. We chat about the power of Neruda’s poetry and why it works so well in this film. We touch on Radford as a director and Luis Bacalov’s incredible score. And we look at other films that were left out of the Best Picture race. It’s a beautiful and heartwarming film. Maybe not Best Picture material, but certainly something that warmed both our hearts. We had a great time talking about it so check it out then tune in to this week’s show! The Next Reel – when the movie ends, our conversation begins. Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel! Film Sundries Thank you for supporting The Next Reel Film Podcast on Patreon! Watch this film: Amazon Script Transcript Original theatrical trailer Original poster artwork Flickchart Letterboxd

This week, Big Paul returns to help Paul discuss George Orwell's seminal novel, 1984, and to also discuss some of the various film and television adaptation - mostly focusing on the Michael Radford directed version from the year 1984. They talk about the characters, the themes, disconcerting modern parallels, and everything in between. Honestly, this episode should have been called Zoo Box Goes to the Library! ► YouTube: https://www.youtube.com/channel/UC2R6OdMfkW0oTY5xbFaC8Eg ► Facebook: https://www.facebook.com/zooboxpodcast ► iTunes: https://podcasts.apple.com/us/podcast/zoo-box/id1481669986 ► Spotify: https://open.spotify.com/show/55VagZqO5PyBvJSpzBuEIY ► Google Podcasts: https://podcasts.google.com/?feed=aHR0cHM6Ly96b29ib3hwb2RjYXN0LnBvZG9tYXRpYy5jb20vcnNzMi54bWw&hl=en ► Anchor: https://anchor.fm/zoo-box ► Twitch: https://www.twitch.tv/zooboxgaming ► Twitter: https://twitter.com/ShaunZooBox ► Twitter: https://twitter.com/Deegster2 ► Instagram: https://www.instagram.com/zooboxpodcast

In perhaps our most detailed exploration so far, we dive into the '84 adaptation of 1984 by Michael Radford, weighing the quality of translation, the missing & present underlying themes, the classic story's applications to modern society, and what Orwell was up to with this idea. Plus, a TON of creative pondering on what a modern adaptation might be like. It's a cinephile's delight in this deepest of dives, where little is left untouched. Subscribe to Repeat Viewing wherever you listen, please rate & review kindly before sharing with your film friends! Please follow us on Facebook, twitter & instagram @repeatviewpod!

Pour cette nouvelle édition, Christophe Dordain, Karine Lebreton et David Mauqiui vous proposent un grand voyage musical dans l'univers du cinéma pour une play-liste qui est la suivante : - Les Dents de la Mer de Steven Spielberg (pour le 45ème anniversaire du film et la sortie en Bluray 4k), - Miami Vice de Michael Mann, - 1984 de Michael Radford, - Casino Royale de Martin Campbell, - Flash Gordon de Mike Hodges, - Les Guerriers de la Nuit de Walter Hill. En cours de programme, un concours vous est proposé auquel vous pouvez participer par courriel à l'adresse suivante : redaction@lequotidienducinema.com.  L'équipe de l'émission vous offre des DVD surprises de grands films et de séries télévisées de prestige. De même, en cours d'émission, Les Aventuriers évoquent l'actualité avec le retrait provisoire du film Autant en emporte le vent (annoncé par le studio Warner Bros.) et la situtation des intermittents du spectacle en lien avec la production de films et de séries télévisées.  Un programme produit et proposé par Le Quotidien du Cinéma.

En estos tiempos tan distópicos, dedicamos este completísimo especial a las adaptaciones que se han hecho de 1984, la novela de George Orwell que... ¿anticipaba en lo que se está convirtiendo nuestra sociedad...? No temáis, política aparte, este es un programa de cine y de lo que hablaremos es de las películas de Michael Anderson, de 1956; y de Michael Radford, rodada precisamente en 1984. INVITADO: José Manuel García Ortíz, editor. REALIZA, PRESENTA Y DIRIGE: Harry Callahan Emitido por Radio la La Isla el 20 de mayor de 2020. S02E25-Programa 62-4º confinado. Recuerda ¡el Gran Hermano te vigila! ¡Gracias por escucharnos! Si te gustó, danos un like, comparte, comenta!

Il Postino: The Postman, was a hugely successful Italian film made in 1994, but behind the scenes tragedy had played out during production. The lead, Massimo Troisi was plagued by heart problems relating to a childhood illness. The film’s British director, Michael Radford, was faced with a difficult decision, to finish the film or stop, as Massimo’s health deteriorated on set. He opted to push on with the production, but Massimo didn’t quite make it. He died the day after principle filming ended. Michael went on to complete the film, wanting to make it something that Massimo would have been proud of. Presenter: Jo Fidgen Producer: Harry Graham Photo: Massimo Troisi Credit Getty Images/Michael Ochs Archive

Nineteen Eighty-Four, also known as 1984, is a #1984 British dystopian science fiction film written and directed by Michael Radford, based upon George Orwell's novel of the same name. Starring John Hurt, Richard Burton, Suzanna Hamilton, and Cyril Cusack, the film follows the life of Winston Smith, a low-ranking civil servant in a war-torn London ruled by Oceania, a totalitarian superstate. Smith (Hurt) struggles to maintain his sanity and his grip on reality as the regime's overwhelming power and influence persecutes individualism and individual thinking on both a political and personal level. The film, which features Burton's last screen appearance, is dedicated to him.[6] The film was nominated for a BAFTA Award for Best Art Direction, and won two Evening Standard British Film Awards for Best Film and Best Actor. The Communist Party of China is the founding and ruling political party of the People's Republic of China. The CPC is the sole governing party within mainland China, permitting only eight other, subordinated parties to co-exist, those making up the United Front. Wikipedia #TheHungerGames is a 2012 American dystopian science fiction-adventure film directed by Gary Ross and based on Suzanne Collins’s 2008 novel of the same name. It is the first installment in The Hunger Games film series and was produced by Nina Jacobson and Jon Kilik, with a screenplay by Ross, Collins, and Billy Ray. The film stars Jennifer Lawrence, Josh Hutcherson, Liam Hemsworth, Woody Harrelson, Elizabeth Banks, Lenny Kravitz, Stanley Tucci, and Donald Sutherland.[5] The story takes place in a dystopian post-apocalyptic future in the nation of Panem, where a boy and a girl from each of the nation's 12 Districts are chosen annually as "tributes" and forced to compete in The Hunger Games, an elaborate televised fight to the death. Katniss Everdeen (Jennifer Lawrence) volunteers to take her younger sister's place, and with her district's male tribute, Peeta Mellark (Josh Hutcherson), travels to the Capitol to train and compete in the games. #ww4 #NineteenEightyFour --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/vegansteven/message

Neste episódio, conversamos com um programador/arquiteto de software (Lucas Coppio) e com um linguista computacional (Jackson Souza, doutor pela UFSCar) para entender melhor as possibilidades de diálogo entre essas duas áreas, a princípio tão distintas.Discutimos um pouco sobre como os estudos da linguagem humana oferecem subsídio para o desenvolvimento de programas computacionais e para a estruturação das próprias linguagens de programação. Também falamos sobre algumas das questões sociais e políticas associadas ao desenvolvimento a esse tipo de tecnologia.Anunciamos, neste ep, o sorteio do livro O cérebro no mundo digital: os desafios da leitura na nossa era, de Maryanne Wolf (Editora Contexto, tradução de Mayumi Ilari e Rodolfo Ilari), a ser realizado no dia 5 de abril.>>> SUMÁRIO 00:00:00 a 00:11:47Apresentação do tema, anúncio do sorteio, apresentação dos convidados e de suas atividadesBloco 1 >>> 00:11:48 a 00:29:30O que é Linguística Computacional, princípios básicos das linguagens computacionais e o protagonismo feminino na história da computaçãoBloco 2 >>> 00:29:31 a 00:53:37Linguagens de programação e linguagem humana: aproximações teóricas e práticas, implicações políticas e a dicotomia “exatas versus humanas”Bloco 3 >>> 00:53:38 a 01:17:24Sociedade, literatura e desenvolvimento tecnológico: expectativas, avaliações e distopiasRecomendações culturais e encerramento >>> 01:17:25 a 01:28:44 >>> NOSSOS CONTATOS PARTICIPARAM DO EPISÓDIO REFERÊNCIAS DO EP RECOMENDAÇÕES CRÉDITOS PLAYLIST COMO CITAR ESTE EPISÓDIO

In the latest edition of make/remake Dakota Arsenault and Stephanie Prior talk about George Orwell’s novel 1984 and two different cinematic adaptations of it. In 1949, George Orwell published his landmark novel detailing what the future might look like if we allow our civil liberties to be eroded and for extreme ideologies to take hold so strongly that the very fabric of society would crumble. It only took eight years for the first film adaptation of the book to be made directed by Michael Anderson and staring Edmond O’Brien as Winston Smith. The 1984 version of 1984 directed by Michael Radford and staring John Hurt as Winston, portrays communism just as dangerous as right wing authoritarianism. Dakota and Steph discuss what similarities both films employ to tell the same story along with what differences the filmmakers decided to diverge from each other. Both contexts are looking at the pros and cons of the director’s choices. Follow the show @ContraZoomPod and Dakota @Dgapa on Twitter. --- Send in a voice message: https://anchor.fm/contrazoompod/message

Ryan and Dave consult the authority on authoritarianism, George Orwell, for director Michael Radford's adaptation of the famed author's frightening 1949 novel, which conceived a world where the very thoughts in your head could be criminalized. Set to a soundtrack by Eurythmics. Because the '80's. John Hurt is fantastic as rebellious hero Winston Smith, and the most well-known of Liz Taylor's husbands makes for quite the terrifying inquisitor. Also, Ryan and Dave share nutty/scary factoids about North Korea, the modern day "Eastasia", if you will. In addition, Ryan clears up confusion over whether anybody in Canada could actually be prosecuted just for being a transphobic douchebag, while Dave searches far and wide to come up with an example of discrimination against white people for the color of their skin. It's like a rare Pokemon, but you too can see it if you're in JUST the right place at JUST the right time! Next week, Dave's fascination with animal/human hybrid stories leads your hosts to... "The Island of Dr. Moreau" (yes, THAT one)!

Michael, Lars, and Kathleen discuss the Best Picture nominees of 1995

IT’S OUR 100TH FILM! And what better film to celebrate than the monochrome miserabilism of Michael Radford’s 1984, yay! Alex hosts as we thoroughly dissect the film breaking occasionally from the misery to take part in an incredibly self indulgent quiz about…ourselves. Next week we watch 1984 again, but through the lens of a hyperactive 14 year old in 2000 – its Equilibrium! GIVE US 5 STARS ON ITUNES! (https://podcasts.apple.com/gb/podcast/science-fiction-rating-system/id1200805447) Get in touch! (https://www.sciencefictionratingsystem.com/contact) Visit the Website! (https://www.sciencefictionratingsystem.com) See the list so far! (https://letterboxd.com/scifirating/list/science-fiction-rating-system-rankings/) And we're on Twitter (https://twitter.com/scifirating), Instagram (https://www.instagram.com/scifirating/) and Facebook (https://www.facebook.com/scifirating/) too!

From the age of Big Brother, from the age of podcasting... greetings. Bob 'Moviebob' Chipman joins us again as we engage in thoughtcrimes galore while discussing the film adaptation of 1984, directed that same year by Michael Radford. Grab yourself some Victory Gin and listen in as we explore the changing political contexts of Orwell's novel, comment on Radford's visual style for the movie, and note the controversy over the film's music score. Warning: Contains explicit language, spoilers and John Hurt / William Hurt confusion.

From the age of Big Brother, from the age of podcasting... greetings. Bob 'Moviebob' Chipman joins us again as we engage in thoughtcrimes galore while discussing the film adaptation of 1984, directed that same year by Michael Radford. Grab yourself some Victory Gin and listen in as we explore the changing political contexts of Orwell's novel, comment on Radford's visual style for the movie, and note the controversy over the film's music score. Warning: Contains explicit language, spoilers and John Hurt / William Hurt confusion.Subscribe to our podcast here.Listen to us on Stitcher here.Interested in getting more from this movie? Check out supplemental material for this episode here.Do you know anyone you think you should inform on to the thoughtpolice? What would be in Room 101 for you? Know where we can score some contraband coffee? Leave a comment below and keep the conversation going.

Read 'SYS Podcast Episode 216: Writer / Director Michael Radford Talks About His Andrea Bocelli Biopic feature, The Music of Silence' at http://www.SellingYourScreenplay.com. Screenwriter and director Michael Radford talks about his new Andrea Bocelli biopic feature, The Music of Silence. We talk through Michael's early days as a director of documentaries and how he was […]

Listen to the Eurythmics' full score to 1984, which director Michael Radford famously called "crass rubbish" and mostly excised from the film upon release.

In our fifth episode of the pod, we talk about movie score composers, and it's surprisingly... informational?! We couldn't believe it, either. Don't worry, there's still a few goofs in there. Featuring: Take a trip to the land of giants (please don't actually do that thing); Audrey argues against herself and wins (or loses?); the other on-screen monster was Weeping Angels; shed a tear for Alex North; also shed a tear for our horrible pronunciations of international composers' names. Thanks to Jordan Stewart for our cover art. Check him out athttps://www.jstewillustration.com/ Theme song "Jingle Jangle" by Carmen Thorley and Michael Radford

Whoops! Didn't mean to be a day late there. To make it up to you, we're going to talk about not one, not two, but SEVERAL favorite things! Welcome to our first Potpourri episode, where we talk about some of the little things we're excited about. Featuring: Julie Andrews sings Salt n Pepa; Double the Royce; The one true female bonding experience; and Dog Wrestlers. Thanks to Jordan Stewart for our cover art: https://www.jstewillustration.com/ Opening and closing music, "Jingle Jangle" by Carmen Thorley and Michael Radford

On this special episode of The Projection Booth we discuss Michael Radford's 1984 version of George Orwell's Nineteen Eighty-Four starring John Hurt as Winston Smith, Suzanna Hamilton as Julia, and Richard Burton as O'Brien.Emily Intravia of the Feminine Critique podcast and Samm Deighan of the Daughters of Darkness podcast join Mike to discuss Radford's 1984 as well as several other TV and film adaptations from the 1950s.Learn more about your ad choices. Visit megaphone.fm/adchoices

Special Guest: Michael Radford Guest Co-Hosts: Samm Deighan, Emily Intravia On this special episode of The Projection Booth we discuss Michael Radford's 1984 version of George Orwell's Nineteen Eighty-Four starring John Hurt as Winston Smith, Suzanna Hamilton as Julia, and Richard Burton as O'Brien.Emily Intravia of the Feminine Critique podcast and Samm Deighan of the Daughters of Darkness podcast join Mike to discuss Radford's 1984 as well as several other TV and film adaptations from the 1950s.Buy Michael Radford's 1984 on DVDRead 1984 by George OrwellBuy Michael Anderson's 1984 on DVDBuy V for Vendetta by Alan MooreListen to the Daughters of Darkness podcastListen to the Feminine Critique podcast 

Following a free screening of Michael Radford's adaptation of 1984 in early April as part of a nationwide event, Film Comment Editor Nicolas Rapold moderated a panel discussion about present-day doublespeak and dystopia. This week's episode of the FC podcast presents the conversation, which took place at the Film Society of Lincoln Center. Using the film's aesthetics and narrative as a starting point, the panel—featuring critic and curator Ashley Clark; filmmaker Petra Epperlein, director of the Stasi documentary Karl Marx City; and New York Magazine book critic Christian Lorentzen—considers the Trump administration's manipulations of memory, motifs in modern dystopian literature and film, the role of media in public discourse in the UK and Russia, and how Orwell's original text resonates in 2017.

Juntamos um time de fãs de ficção científica para bater um papo interessantíssimo sobre o filme "Z.P.G. - Zero Population Growth" ou aqui no Brasil " É Proibido Procriar" de 1972, dirigido por Michael Campus com atuações de Geraldine Chaplin, Oliver Reed, Diane Cilento e Don Gordon! Uma gema quase esquecida pelos cinéfilos, cujo universo distópico rendeu uma das melhores conversas sobre Sci-Fi que você pode conferir apertando o play! Angélica Hellish e Marcos Noriega convidaram os amigos Alexandre Luiz do Cine Alerta e Fábio Fernandes, do podcast Três Páginas, escritor, professor de jogos digitais da PUC SP e tradutor de Neuromancer! Escutem até o final para conferir a timeline de eventos distópicos nos filmes de ficção científica que o Marcos bolou. Mencionados: Clique no link para ver o trailer/escutar o podcast! Do diretor Michael Campus: The Mack (1973) / The Passover Plot (1976) / The Christmas Cottage (2008) Durante o Podcast: 1984 (1984) Michael Radford - Filhos da Esperança (2006) Alfonso Cuarón - THX 1138 (1971) George Lucas - Soylent Green (1973) Richard Fleischer - Logan's Run (1976) Michael Anderson [Escute o nosso podcast!] -  Silent Running  (1972) Douglas Trumbull [Podcast sobre o filme]- Blade Runner (1982) Ridley Scott - Ravagers  (1979) Richard Compton - A Boy And a is Dog (1975) L.Q. Jones [Podtrash com a nossa participação sobre o filme] - Mad Max (1979) George Miller - Zardoz (1974)  John Boorman - The Road (2009) John Hillcoat  - Adaptações para o livro de Richard Matheson Eu Sou a Lenda: Vincent Price (The Last Man on Earth - 1964) - Charlton Heston (The Ômega Man - 1971) - Will Smith ( I Am Legend - 2007) Acesse também! [Conto] Amor: Uma Arqueologia de Fábio Fernandes, na Revista Trasgo [Trailer] É Proibido Procriar [Podcast] Trilogia Flamenca de Carlos Saura [Podcast] Masmorra Cast Sobre Filmes Apocalípticos e Distopias [Filme] Z.P.G. Zero Population Growth [Livro PDF] Superbrinquedos Duram o Verão Todo / Jornada de Esperança (Brian Aldiss)

George Orwell’s classic dystopian novel 1984 is one of Missing Frames host Shawn Eastridge’s all-time favorites. And though Michael Radford’s film adaptation (released in 1984) has a decent reputation thanks to Roger Deakins’ stunning cinematography and John Hurt’s esteemed lead performance, Shawn has avoided it out of fear that it wouldn’t live up to his expectations.But no more.Join Shawn and co-hosts Brandon and Lindsey Kendrick as they discuss 1984 and the risks that come with adapting a beloved novel to the big screen.And remember…Big Brother is watching you…NOTE: As if 1984 wasn't depressing enough, we got the news that John Hurt had passed away while we were recording this episode. We want to extend our deepest condolences to his friends and family. He was one of the all-time greats and we're glad we could honor his memory with a viewing of one of his finest performances.HOSTSShawn EastridgeBrandon KendrickLindsey Kendrick 

País España Director Michael Radford Guión Michael Radford, Juan Eslava Galán (Novela: Juan Eslava Galán) Música Óscar Navarro Fotografía Ashley Rowe Reparto Mario Casas, María Valverde, Secun de la Rosa, Luis Callejo, Daniel Grao, Antonio Gil, Jorge Suquet, Alfonso Begara, Pepa Rus, Eduardo Velasco, Alfonso Delgado, Selu Nieto, Jesús Carroza Sinopsis Año 1939. Solo quedan 3 meses para que acabe la Guerra Civil española. El cabo Juan Castro, un joven de Jaén que combate en el bando nacional, encuentra una mula perdida en medio del campo de batalla y decide esconderla para llevársela a casa al final de la guerra. Con su mula y con las cuatrocientas pesetas que lleva en el bolsillo intentará conquistar a la chica más guapa que ha visto nunca.

Story: Der schüchterne Mario, eigentlich Fischer auf der kleinen sizilianischen Insel Salinas, betätigt sich in den 50er Jahren als privater Briefträger des hier im Exil lebenden legendären Poeten Pablo Neruda. Angetan von dessen Liebeslyrik lässt sich „Il Postino“ in die hohe Kunst der Poesie einführen, um mit Nerudas Worten das Herz der schönen Beatrice zu gewinnen. DVD-Release: 25.02.2016 (Koch Media GmbH - DVD) Il Postino Drama, Lovestory Land: Frankreich, Italien, Belgien 1994 Laufzeit: ca. 90 min. FSK: ohne Regie: Michael Radford Drehbuch: Giacomo Scarpelli, Massimo Troisi, Anna Pavignano, Michael Radford, Furio Scarpelli Buch: Antonio Skármeta Mit Philippe Noiret, Massimo Troisi, Maria Grazia Cucinotta, Renato Scarpa, Linda Moretti, ... http://www.youtube.com/watch?v=l-wrM1ptyHM

Story: Der schüchterne Mario, eigentlich Fischer auf der kleinen sizilianischen Insel Salinas, betätigt sich in den 50er Jahren als privater Briefträger des hier im Exil lebenden legendären Poeten Pablo Neruda. Angetan von dessen Liebeslyrik lässt sich „Il Postino“ in die hohe Kunst der Poesie einführen, um mit Nerudas Worten das Herz der schönen Beatrice zu gewinnen. DVD-Release: 25.02.2016 (Koch Media GmbH - DVD) Il Postino Drama, Lovestory Land: Frankreich, Italien, Belgien 1994 Laufzeit: ca. 90 min. FSK: ohne Regie: Michael Radford Drehbuch: Giacomo Scarpelli, Massimo Troisi, Anna Pavignano, Michael Radford, Furio Scarpelli Buch: Antonio Skármeta Mit Philippe Noiret, Massimo Troisi, Maria Grazia Cucinotta, Renato Scarpa, Linda Moretti, ... http://www.youtube.com/watch?v=l-wrM1ptyHM

S2E11* (Show Notes) Book: “Nineteen Eighty-Four” by George Orwell Movie:  “1984” by Michael Radford (John Hurt) Movie:  “1984” by Michael Anderson (Edmond O'Brien) Play:  “1984” by Hallie Gordon (Mathew Abraham)   Hosted by: Ryan Sean O'Reilly David Wilkinson a/k/a "Wilk" Rick Special Guest: John Doyle a/k/a "Dole"   Website: www.nodeodorant.com Related Links: Dole's band's website and links to videos of the band: (www.i-decline.com) Episode on "Something Wicked This Way Comes" (also featuring Dole) Click here for other episodes with Dole.   The beginning of the show starts with a short song composed and performed by Dole called "War is Peace". This piece was inspired by 1984 and comprises lyrics from the book. We want to thank Vickie Dillon from A.M. Heath Literary Agency for working with Dole to secure permission to utilize the lyrics and allow us to incorporate the song into the podcast.   CREDITS FOR "WAR IS PEACE": Nineteen Eighty-Four by George Orwell (Copyright © George Orwell, 1948). Reproduced by permission of Bill Hamilton as the Literary Executor of the Estate of the Late Sonia Bownell Orwell. Music, melody and sound recording by John Doyle (Copyright © John Doyle, 2015). Reproduced by permission of John Doyle.   * DISCLAIMER: Please be advised that the views and opinions of the hosts and guests of NDIOS are completely their own and do not necessarily reflect the views and beliefs of the other hosts and guests or that of NDIOS.

Em 1948, George Orwell escreveu um livro impactante e assustador. E no ano de seu nome, 1984 (Nineteen Eighty-Four, 1984) chegou aos cinemas numa versão dirigida por Michael Radford e no elenco John Hurt, Richard Burton e Suzanna Hamilton. Para comemorar a edição 84, Tiago Lira, o Tigre (@tiagoplira), Marcelo Zagnoli (@marcelozagnoli), Matheus Des (@matheusdes) e o convidado José Rodrigo Baldin (Central 42) falam do marketing, afinal o filme foi lançado em 1984, sobre o que acontecia no cinema nesse ano, política, ecos na nossa realidade, invasão de privacidade, controle dos indivíduos, destruição ou manipulação da memória, guerras para assegurar uma paz, fim do sexo e manipulação dos númerose da fotografia do grande Roger Deakins. Além disso, discutimos nossos momentos favoritos. E, como de costume, spoilers liberados!

Em 1948, George Orwell escreveu um livro impactante e assustador. E no ano de seu nome, 1984 (Nineteen Eighty-Four, 1984) chegou aos cinemas numa versão dirigida por Michael Radford e no elenco John Hurt, Richard Burton e Suzanna Hamilton. Para comemorar a edição 84, Tiago Lira, o Tigre (@tiagoplira), Marcelo Zagnoli (@marcelozagnoli), Matheus Des (@matheusdes) e o convidado José Rodrigo Baldin (Central 42) falam do marketing, afinal o filme foi lançado em 1984, sobre o que acontecia no cinema nesse ano, política, ecos na nossa realidade, invasão de privacidade, controle dos indivíduos, destruição ou manipulação da memória, guerras para assegurar uma paz, fim do sexo e manipulação dos númerose da fotografia do grande Roger Deakins. Além disso, discutimos nossos momentos favoritos. E, como de costume, spoilers liberados!

Michael Radford meets Chiara Nicoletti right after his cinema master class to the audience and students in the Teatro Petruzzelli. The director is in BARI for the 5th edition of Bari International Film Festival to receive the FELLINI AWARD FOR CINEMATIC EXCELLENCE. Radford gives us some insights on his films [...] The post Michael Radford – Cinema Master Class #BIFEST appeared first on Fred Film Radio.

Michael Radford meets Chiara Nicoletti right after his cinema master class to the audience and students in the Teatro Petruzzelli. The director is in BARI for the 5th edition of Bari International Film Festival to receive the FELLINI AWARD FOR CINEMATIC EXCELLENCE. Radford gives us some insights on his films [...] The post Michael Radford – Cinema Master Class #BIFEST appeared first on Fred Film Radio.

Michael Radford meets Chiara Nicoletti right after his cinema master class to the audience and students in the Teatro Petruzzelli. The director is in BARI for the 5th edition of Bari International Film Festival to receive the FELLINI AWARD FOR CINEMATIC EXCELLENCE. Radford gives us some insights on his films [...] The post Michael Radford – Cinema Master Class #BIFEST appeared first on Fred Film Radio.

Michael Radford meets Chiara Nicoletti right after his cinema master class to the audience and students in the Teatro Petruzzelli. The director is in BARI for the 5th edition of Bari International Film Festival to receive the FELLINI AWARD FOR CINEMATIC EXCELLENCE. Radford gives us some insights on his films [...] The post Michael Radford – Cinema Master Class #BIFEST appeared first on Fred Film Radio.

Michael Radford meets Chiara Nicoletti right after his cinema master class to the audience and students in the Teatro Petruzzelli. The director is in BARI for the 5th edition of Bari International Film Festival to receive the FELLINI AWARD FOR CINEMATIC EXCELLENCE. Radford gives us some insights on his films [...] The post Michael Radford – Cinema Master Class #BIFEST appeared first on Fred Film Radio.

Michael Radford meets Chiara Nicoletti right after his cinema master class to the audience and students in the Teatro Petruzzelli. The director is in BARI for the 5th edition of Bari International Film Festival to receive the FELLINI AWARD FOR CINEMATIC EXCELLENCE. Radford gives us some insights on his films [...] The post Michael Radford – Cinema Master Class #BIFEST appeared first on Fred Film Radio.

Michael Radford è il regista de Il postino, da molti attribuito a Massimo Troisi, che del film era comunque legittimo "genitore". Ed è anche il regista de Il mercante di Venezia, interpretato da Al Pacino, e di Petrucciani, biopic sul grande musicista. Radford sarà con noi a Bari, "gestito" dal nostro inviato Dario Zonta. Steve Della Casa sarà invece a via Asiago, a cercare di contenere le intemperanze dell'esuberante Efisio Mulas. Ah, e non dimenticatevi del nostro concorso, i 300 colpi! Votate votate votate!

Rev. Michael Radford Sullivan is the rector of Holy Innocents’ Episcopal Church, an author and a sculptor. Michael is the author of Windows into the Soul and Windows into the Light. The books explore the place of art in spirituality and how creativity can contribute to the richness of the Christian journey. He has been a featured writer for Episcopal Café and Explorefaith.com.

El cartero (y Pablo Neruda)es una película italiana de 1994 dirigida por Michael Radford. Está protagonizada por Philippe Noiret, Massimo Troisi y Maria Grazia Cucinotta. Es una adaptación de la novela Ardiente paciencia de Antonio Skármeta, quien ya había adaptado la novela para el cine en 1983 con el título "Ardiente paciencia". La novela y la película original están inspiradas con Neruda viviendo en Isla Negra (Chile) alrededor de 1970. Sin embargo, Il Postino traslada la acción a la Isla Salina en Italia durante los años 50.

This episode features co-host Michael Radford and his solo project "Letters for Saints." Join us as we discover a little more about this Washington native and his tunes, which are "at once accommodating and haunting" (editor at www.download.com/music). Enjoy a free live set from Letters for Saints and don't forget to subscribe!