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In this episode, we speak with Dr. Meredith McCarroll, an educator, author, and writing coach. Her work focuses on Appalachia, and her publications include "Un-White: Appalachia, Race, and Film" (UGA Press) and "Appalachian Reckoning: A Region Responds to Hillbilly Elegy" (WVU Press). We speak about how McCarroll had to leave Appalachia to learn about it and Lillian Smith, her journey to activism, and the contentious definitions related to region. You can visit her on her website https://meredithmccarroll.com/
Dr. Meredith McCarroll joins the ROI team to discuss "Appalachian Reckoning." McCarroll is the co-editor of this book. It is a collection of essays and creative work from people who live in the Appalachian. McCarroll is English Director of Writing and Rhetoric, Director of the First-Year Writing Seminar Program, and a Lecturer in English at Bowdoin College in Brunswick, Maine. Relevant or Irrelevant is recorded at the studios of KALA-FM, Davenport, IA-Quad Cities.
What images spring up in your mind when you think about popular representations of people living in Appalachia? Is it a bearded man in a coon-skin cap? A toothless old granny? Young children running barefoot in homemade clothes? The truth is that Appalachia is as diverse in race, class and thought as the rest of the nation but rather than take the time to tell more complicated and nuanced stories, the media frequently fall back on stereotypes. The most recent example, but by no means the last, is director Ron Howard's new film, Hillbilly Elegy, which was released by Netflix in 2020. The film is based on the bestselling memoir by J.D. Vance. Like the book, the movie follows Vance's struggle to rise above impoverishment and drug addiction in southwestern Ohio to become a Yale law graduate and later, a high-powered venture capitalist. Critics blasted the film as being little more than a “shameless piece of Oscar bait.” Nevertheless, the strategy worked. The Academy of Motion Picture Arts and Sciences recently honored Glenn Close with an Oscar nomination for her portrayal of Vance's Mamaw. The fact that Howard's film garnered so much buzz and attention, even if most of it is negative, is a testament to the power of media. In this week's episode, host Jonathan Michels speaks with Meredith McCarroll about Hillbilly Elegy and why media literacy is so important if we hope to recognize the ways that Hollywood and publishers perpetuate stereotypes of Appalachian life in the media. McCarroll was born and raised in the Appalachian mountains of Western North Carolina. She currently teaches writing and rhetoric at Bowdoin College and is the author of several books including Un-White: Appalachia, Race, and Film and Appalachian Reckoning, an edited collection of essays written in response to Hillbilly Elegy. For a transcription of this episode, please click here. Further reading: Unwhite: Appalachia, Race, and Film by Meredith McCarroll “J.D. Vance, the False Prophet of Blue America” 2016 article by Sarah Jones about how J.D. Vance became one of the media's favorite explainers of the Trump phenomenon “Parler Wanted Donald Trump On Its Site. Trump's Company Wanted A Stake.” Appalshop Appalachian Media Institute
In this week’s episode, Kendra chats Meredith McCarroll, the author of Appalachian Reckoning, which is out now from West Virginia University Press. Grab one of our totes for 20% off by heading over to our Etsy Store! Thank you to The House of Chanel for sponsoring this episode. Find out more at inside.Chanel.com. Check out our Patreon page to learn more about our book club and other Patreon-exclusive goodies. Follow along over on Instagram, join the discussion in our Goodreads group, and be sure to subscribe to our newsletter for more new books and extra book reviews! Things Mentioned Interview with Elizabeth Catte Interview with Leah Hampton Interview with Annette Saunooke Clapsaddle Black in Appalachia Appodlachia @ReadAppalachia on Instagram Books Mentioned Unwhite: Appalachia, Race, and Film by Meredith McCarroll Appalachian Reckoning: A Region Responds to Hillbilly Elegy edited by Anthony Harkins and Meredith McCarroll Meredith Recommends F*ckface and other Stories by Leah Hampton Even As We Breathe by Annette Saunooke Clapsaddle When These Mountains Burn by David Joy What You Are Getting Wrong About Appalachia by Elizabeth Catte CONTACT Questions? Comments? Email us hello@readingwomenpodcast.com. SOCIAL MEDIA Reading Women Twitter | Facebook | Instagram | Website Music by Isaac Greene Learn more about your ad choices. Visit megaphone.fm/adchoices
We're joined by Meredith McCarroll, co-editor of "Appalachian Reckoning: A Region Responds to Hillbilly Elegy" to discuss the book, Hillbilly Elegy, and progress in Appalachia
Appalachian Reckoning: A Region Responds to Hillbilly Elegy (West Virginia University Press, 2019) is a retort, at turn rigorous, critical, angry, and hopeful, to the long shadow J.D. Vance’s Hillbilly Elegy: A Memoir of a Family and Culture in Crisis has cast over the region and its imagining. Anthony Harkins and Meredith McCarroll use this anthology as an opportunity for Appalachians from varied backgrounds to move beyond Hillbilly Elegy and reveal their own diverse and complex stories through an imaginative blend of scholarship, prose, poetry, and photography. The essays and creative works found in this anthology provide a personal portrait of a place that has a unique, rich culture that is usually portrayed as economically distressed and almost always American. Harkins and McCarroll clash with the overly simplistic narratives too often told about the people of the Appalachian region. The region is not a place where people are destined down a path of death, destruction, and decay. Harkin and McCarroll make clear in Appalachian Reckoning that this region is intellectually vital, spiritually rich, and progressive. Anthony Harkins, Ph.D. is a professor of history at Western Kentucky University in Bowling Green, Kentucky, where he teaches courses in popular culture and twentieth-century United States history and American studies. He is the author of Hillbilly: A Cultural History of an American Icon. Meredith McCarroll, Ph.D. is the director of writing and rhetoric at Bowdoin College, where she teaches courses in writing, American literature, and film. She is the author of Unwhite: Appalachia, Race, and Film. Michael O. Johnston, Ph.D. is an Assistant Professor of Sociology at William Penn University. He is currently conducting research on the continuous process that occurs with placemaking at farmers’ market. Learn more about your ad choices. Visit megaphone.fm/adchoices
Appalachian Reckoning: A Region Responds to Hillbilly Elegy (West Virginia University Press, 2019) is a retort, at turn rigorous, critical, angry, and hopeful, to the long shadow J.D. Vance’s Hillbilly Elegy: A Memoir of a Family and Culture in Crisis has cast over the region and its imagining. Anthony Harkins and Meredith McCarroll use this anthology as an opportunity for Appalachians from varied backgrounds to move beyond Hillbilly Elegy and reveal their own diverse and complex stories through an imaginative blend of scholarship, prose, poetry, and photography. The essays and creative works found in this anthology provide a personal portrait of a place that has a unique, rich culture that is usually portrayed as economically distressed and almost always American. Harkins and McCarroll clash with the overly simplistic narratives too often told about the people of the Appalachian region. The region is not a place where people are destined down a path of death, destruction, and decay. Harkin and McCarroll make clear in Appalachian Reckoning that this region is intellectually vital, spiritually rich, and progressive. Anthony Harkins, Ph.D. is a professor of history at Western Kentucky University in Bowling Green, Kentucky, where he teaches courses in popular culture and twentieth-century United States history and American studies. He is the author of Hillbilly: A Cultural History of an American Icon. Meredith McCarroll, Ph.D. is the director of writing and rhetoric at Bowdoin College, where she teaches courses in writing, American literature, and film. She is the author of Unwhite: Appalachia, Race, and Film. Michael O. Johnston, Ph.D. is an Assistant Professor of Sociology at William Penn University. He is currently conducting research on the continuous process that occurs with placemaking at farmers’ market. Learn more about your ad choices. Visit megaphone.fm/adchoices
Appalachian Reckoning: A Region Responds to Hillbilly Elegy (West Virginia University Press, 2019) is a retort, at turn rigorous, critical, angry, and hopeful, to the long shadow J.D. Vance’s Hillbilly Elegy: A Memoir of a Family and Culture in Crisis has cast over the region and its imagining. Anthony Harkins and Meredith McCarroll use this anthology as an opportunity for Appalachians from varied backgrounds to move beyond Hillbilly Elegy and reveal their own diverse and complex stories through an imaginative blend of scholarship, prose, poetry, and photography. The essays and creative works found in this anthology provide a personal portrait of a place that has a unique, rich culture that is usually portrayed as economically distressed and almost always American. Harkins and McCarroll clash with the overly simplistic narratives too often told about the people of the Appalachian region. The region is not a place where people are destined down a path of death, destruction, and decay. Harkin and McCarroll make clear in Appalachian Reckoning that this region is intellectually vital, spiritually rich, and progressive. Anthony Harkins, Ph.D. is a professor of history at Western Kentucky University in Bowling Green, Kentucky, where he teaches courses in popular culture and twentieth-century United States history and American studies. He is the author of Hillbilly: A Cultural History of an American Icon. Meredith McCarroll, Ph.D. is the director of writing and rhetoric at Bowdoin College, where she teaches courses in writing, American literature, and film. She is the author of Unwhite: Appalachia, Race, and Film. Michael O. Johnston, Ph.D. is an Assistant Professor of Sociology at William Penn University. He is currently conducting research on the continuous process that occurs with placemaking at farmers’ market. Learn more about your ad choices. Visit megaphone.fm/adchoices
Appalachian Reckoning: A Region Responds to Hillbilly Elegy (West Virginia University Press, 2019) is a retort, at turn rigorous, critical, angry, and hopeful, to the long shadow J.D. Vance’s Hillbilly Elegy: A Memoir of a Family and Culture in Crisis has cast over the region and its imagining. Anthony Harkins and Meredith McCarroll use this anthology as an opportunity for Appalachians from varied backgrounds to move beyond Hillbilly Elegy and reveal their own diverse and complex stories through an imaginative blend of scholarship, prose, poetry, and photography. The essays and creative works found in this anthology provide a personal portrait of a place that has a unique, rich culture that is usually portrayed as economically distressed and almost always American. Harkins and McCarroll clash with the overly simplistic narratives too often told about the people of the Appalachian region. The region is not a place where people are destined down a path of death, destruction, and decay. Harkin and McCarroll make clear in Appalachian Reckoning that this region is intellectually vital, spiritually rich, and progressive. Anthony Harkins, Ph.D. is a professor of history at Western Kentucky University in Bowling Green, Kentucky, where he teaches courses in popular culture and twentieth-century United States history and American studies. He is the author of Hillbilly: A Cultural History of an American Icon. Meredith McCarroll, Ph.D. is the director of writing and rhetoric at Bowdoin College, where she teaches courses in writing, American literature, and film. She is the author of Unwhite: Appalachia, Race, and Film. Michael O. Johnston, Ph.D. is an Assistant Professor of Sociology at William Penn University. He is currently conducting research on the continuous process that occurs with placemaking at farmers’ market. Learn more about your ad choices. Visit megaphone.fm/adchoices
Appalachian Reckoning: A Region Responds to Hillbilly Elegy (West Virginia University Press, 2019) is a retort, at turn rigorous, critical, angry, and hopeful, to the long shadow J.D. Vance’s Hillbilly Elegy: A Memoir of a Family and Culture in Crisis has cast over the region and its imagining. Anthony Harkins and Meredith McCarroll use this anthology as an opportunity for Appalachians from varied backgrounds to move beyond Hillbilly Elegy and reveal their own diverse and complex stories through an imaginative blend of scholarship, prose, poetry, and photography. The essays and creative works found in this anthology provide a personal portrait of a place that has a unique, rich culture that is usually portrayed as economically distressed and almost always American. Harkins and McCarroll clash with the overly simplistic narratives too often told about the people of the Appalachian region. The region is not a place where people are destined down a path of death, destruction, and decay. Harkin and McCarroll make clear in Appalachian Reckoning that this region is intellectually vital, spiritually rich, and progressive. Anthony Harkins, Ph.D. is a professor of history at Western Kentucky University in Bowling Green, Kentucky, where he teaches courses in popular culture and twentieth-century United States history and American studies. He is the author of Hillbilly: A Cultural History of an American Icon. Meredith McCarroll, Ph.D. is the director of writing and rhetoric at Bowdoin College, where she teaches courses in writing, American literature, and film. She is the author of Unwhite: Appalachia, Race, and Film. Michael O. Johnston, Ph.D. is an Assistant Professor of Sociology at William Penn University. He is currently conducting research on the continuous process that occurs with placemaking at farmers’ market. Learn more about your ad choices. Visit megaphone.fm/adchoices
Appalachian Reckoning: A Region Responds to Hillbilly Elegy (West Virginia University Press, 2019) is a retort, at turn rigorous, critical, angry, and hopeful, to the long shadow J.D. Vance’s Hillbilly Elegy: A Memoir of a Family and Culture in Crisis has cast over the region and its imagining. Anthony Harkins and Meredith McCarroll use this anthology as an opportunity for Appalachians from varied backgrounds to move beyond Hillbilly Elegy and reveal their own diverse and complex stories through an imaginative blend of scholarship, prose, poetry, and photography. The essays and creative works found in this anthology provide a personal portrait of a place that has a unique, rich culture that is usually portrayed as economically distressed and almost always American. Harkins and McCarroll clash with the overly simplistic narratives too often told about the people of the Appalachian region. The region is not a place where people are destined down a path of death, destruction, and decay. Harkin and McCarroll make clear in Appalachian Reckoning that this region is intellectually vital, spiritually rich, and progressive. Anthony Harkins, Ph.D. is a professor of history at Western Kentucky University in Bowling Green, Kentucky, where he teaches courses in popular culture and twentieth-century United States history and American studies. He is the author of Hillbilly: A Cultural History of an American Icon. Meredith McCarroll, Ph.D. is the director of writing and rhetoric at Bowdoin College, where she teaches courses in writing, American literature, and film. She is the author of Unwhite: Appalachia, Race, and Film. Michael O. Johnston, Ph.D. is an Assistant Professor of Sociology at William Penn University. He is currently conducting research on the continuous process that occurs with placemaking at farmers’ market. Learn more about your ad choices. Visit megaphone.fm/adchoices
If you mention Appalachia to many people, they may immediately respond with the "Deliverance" dueling banjos theme. Unfortunately, this is an example of how the region is stereotyped and misunderstood, particularly in films. In her book, Unwhite: Appalachia, Race, and Film(University of Georgia Press, 2018), Meredith McCarroll, Director of Writing and Rhetoric at Bowdoin College, describes Appalachian people as being shown as different from both white and nonwhite groups, often considered as belonging to the worst of each group. Her book discusses specific film examples that help to illustrate the negative connotation heaped upon Appalachia, and also presents where filmmakers treat them more fairly. Learn more about your ad choices. Visit megaphone.fm/adchoices
If you mention Appalachia to many people, they may immediately respond with the "Deliverance" dueling banjos theme. Unfortunately, this is an example of how the region is stereotyped and misunderstood, particularly in films. In her book, Unwhite: Appalachia, Race, and Film(University of Georgia Press, 2018), Meredith McCarroll, Director of Writing and Rhetoric at Bowdoin College, describes Appalachian people as being shown as different from both white and nonwhite groups, often considered as belonging to the worst of each group. Her book discusses specific film examples that help to illustrate the negative connotation heaped upon Appalachia, and also presents where filmmakers treat them more fairly. Learn more about your ad choices. Visit megaphone.fm/adchoices
If you mention Appalachia to many people, they may immediately respond with the "Deliverance" dueling banjos theme. Unfortunately, this is an example of how the region is stereotyped and misunderstood, particularly in films. In her book, Unwhite: Appalachia, Race, and Film(University of Georgia Press, 2018), Meredith McCarroll, Director of Writing and Rhetoric at Bowdoin College, describes Appalachian people as being shown as different from both white and nonwhite groups, often considered as belonging to the worst of each group. Her book discusses specific film examples that help to illustrate the negative connotation heaped upon Appalachia, and also presents where filmmakers treat them more fairly. Learn more about your ad choices. Visit megaphone.fm/adchoices
If you mention Appalachia to many people, they may immediately respond with the "Deliverance" dueling banjos theme. Unfortunately, this is an example of how the region is stereotyped and misunderstood, particularly in films. In her book, Unwhite: Appalachia, Race, and Film(University of Georgia Press, 2018), Meredith McCarroll, Director of Writing and Rhetoric at Bowdoin College, describes Appalachian people as being shown as different from both white and nonwhite groups, often considered as belonging to the worst of each group. Her book discusses specific film examples that help to illustrate the negative connotation heaped upon Appalachia, and also presents where filmmakers treat them more fairly. Learn more about your ad choices. Visit megaphone.fm/adchoices
If you mention Appalachia to many people, they may immediately respond with the "Deliverance" dueling banjos theme. Unfortunately, this is an example of how the region is stereotyped and misunderstood, particularly in films. In her book, Unwhite: Appalachia, Race, and Film(University of Georgia Press, 2018), Meredith McCarroll, Director of Writing and Rhetoric at Bowdoin College, describes Appalachian people as being shown as different from both white and nonwhite groups, often considered as belonging to the worst of each group. Her book discusses specific film examples that help to illustrate the negative connotation heaped upon Appalachia, and also presents where filmmakers treat them more fairly. Learn more about your ad choices. Visit megaphone.fm/adchoices