Podcasts about motion picture arts

HMSG Interview Scorch Marks Dir. Brendan Haley ~ “Penda's Fen”This week we have another fabulous guest, friend of the show, Brendan Haley, to discuss PENDA'S FEN (1974). Queer, subversive, art house horror! A film that is a spiritual companion to Brendan's directorial feature debut, SCORCH MARKS! You can stream Scorch Marks on Dekkoo October 1st!We hope you enjoy our conversation!More About Our Guest!Brendan Haley is a filmmaker, producer, actor, art director, and columnist known primarily for his array of work in both the horror genre and LGBTQ+ media. Haley's notable credits include writing and directing the gay apocalyptic horror feature Scorch Marks on Dekkoo, producing on the Daytime Emmy-winning Netflix series Eastsiders, executive producing The New York Times' “favorite of the week” The Jessica Cabin, art directing special segments for The Kelly Clarkson Show and The Boulet Brothers' Dragula, and serving as the production designer for the prestigious Fangoria Chainsaw Awards on AMC/Shudder. Beyond film/TV, Haley operates as an illustrator, creating original art pieces and installations for clients such as Jinkx Monsoon and BenDeLaCreme, The Academy Museum of Motion Picture Arts & Sciences, Outfest Film Festival, McFarland Publishing, LA Comic-Con, and more. A contributing voice in numerous publications, Haley maintains bylines in The Advocate Magazine, Out, Pride.com, and more.Follow Brendan on Instagram: https://www.instagram.com/brendanhaleyBlueSky: https://bsky.app/profile/brendohales.bsky.socialTikTok: https://www.tiktok.com/@brendohalesBrendan Haley IMDB Here: https://www.imdb.com/name/nm7162946/?ref_=mv_descScorch Marks IMDB Here: https://www.imdb.com/title/tt37059678/?ref_=mv_descGet Dekkoo Here! https://dekkoo.com/Support the show

Front Row Classics is pleased to welcome film historian Randy Haberkamp. Randy recently retired as the Executive Vice President of the Library, Archive and Sci-Tech for the Academy of Motion Picture Arts and Sciences where he held various positions for 23 years.  Brandon and Randy discuss some of his best memories from the Academy as well as his work as founder of The Silent Society which preserves the legacy of silent film. The two also discuss Randy's love of dog movies. 

Cameron sits down with Jon Reiss and Marjan Safinia to examine the structural challenges facing independent filmmaking—and why many of the assumptions that shaped the last two decades no longer hold.Jon is a filmmaker, author, and media strategist whose book Think Outside the Box Office has become a key resource for independent filmmakers thinking seriously about audience building and distribution. Through his company 8 Above, he creates custom audience-building strategies, theatrical experiences, and digital release campaigns for independent features and documentaries—and actively distributes films himself, most recently bringing The Librarians to over 200 theaters. He has consulted with hundreds of filmmakers and organizations worldwide, helped run the IFP/Gotham Filmmaker Lab for a decade, and founded the 8 Above Distribution Lab to teach filmmakers how to distribute and market their work.Marjan is an Iranian documentary filmmaker whose work—including Seeds and But You Speak Such Good English—has played at over 100 international festivals and been broadcast across North America, Europe, and the Arab world. She is the longest-serving president of the International Documentary Association and the only woman of color to have led the organization since its founding in 1982. A member of the Academy of Motion Picture Arts & Sciences Documentary Branch and a Sundance Catalyst Fellow, she is also a board member of Chicken & Egg Pictures and co-hosts The D-Word, a leading online documentary community.Jon is also the co-founder and board president of the Future Film Coalition, formed in 2025 to unite independent film professionals and organizations in building collective power, securing visibility, and shaping public policy that ensures U.S. independent filmmaking continues to flourish. Marjan is an active member of the coalition. In this conversation, Jon and Marjan discuss how financing, distribution, discoverability, and audience behavior have fundamentally shifted—and why the biggest challenge facing independent filmmakers today isn't getting a film made, but building a sustainable path for it to reach an audience. They explore why distribution thinking needs to begin at the development stage, how marketing and audience strategy have become inseparable from production, and why the changing economics of streaming and theatrical exhibition make direct audience relationships more important than ever.Finally, Jon and Marjan discuss the Future Film Coalition's broader advocacy work, including efforts to address media consolidation, strengthen tax credit programs across the country, and make the case to policymakers and regulators that independent film is a significant economic force in communities across the United States.The views and opinions expressed by guests on this podcast are solely their own and do not reflect the views of Wrapbook, its employees, or affiliates.ABOUT WRAPBOOKWrapbook is the AI platform for production finance.Built for today's fast-moving production landscape, Wrapbook brings payroll, spend, and accounting into one AI-powered system—giving production teams the tools they need to do more, faster.Built for features, TV, or commercials—Wrapbook helps the industry's biggest production companies stay compliant, track every dollar in real time, and eliminate the paper-chasing that slows everything down. AI handles the busywork—reading invoices, flagging issues, syncing data—so your team can focus on the work that really matters.But software is only half the story. Wrapbook pairs powerful automation with concierge support from industry experts who've worked on set and know what's at stake. It's how the best production teams scale smarter, protect their budgets, and keep their crews happy.See how Wrapbook is a force multiplier for production finance teams at www.wrapbook.com.

Let's talk about some current topics.05:25 -Representation and Inclusion Standards | Oscars.org | Academy of Motion Picture Arts and Sciences 16:28 - https://www.imdb.com/title/tt0763038/ 20:22 - https://www.whitehouse.gov/lab-leak-true-origins-of-covid-19/ 23:15 - https://www.theguardian.com/world/2022/dec/15/from-zero-tolerance-into-the-unknown-a-visual-guide-to-three-years-of-covid-in-china 24:24 - “Wuhan is famous as the largest and most populous city in Central China, a major transportation and industrial hub” - https://en.wikipedia.org/wiki/Wuhan 25:00 - https://edition.cnn.com/2026/07/29/politics/anthony-fauci-fifth-amendment-plea 25:50 - https://www.reddit.com/r/AskTheWorld/comments/1pvf0b4/what_was_the_most_absurd_or_bizarre_covid_rule_in/ + https://www.cso.ie/en/releasesandpublications/ep/p-covid19/covid-19informationhub/covid-19inirelandtimeline2020-2023/ 31:00 - “East German Snitching Went Far Beyond the Stasi” https://www.spiegel.de/international/germany/east-german-domestic-surveillance-went-far-beyond-the-stasi-a-1042883.html 33:20 - https://www.aljazeera.com/features/2026/8/5/how-a-social-media-campaign-triggered-huge-migrant-surge-on-ceuta 37:00 - https://www.reuters.com/world/spains-amnesty-drive-brings-600000-migrants-into-formal-economy-during-2026-07-02/ 42:00 - https://www.cnbcafrica.com/2026/eu-can-give-morocco-more-border-support-von-der-leyen-tells-spain-after-ceuta-spat 43:00 - Morocco is a constitutional monarchy with a parliamentary system. King Mohammed VI is the head of state, while Aziz Akhannouch serves as the Head of Government (Prime Minister), leading a ruling coalition formed after the 2021 elections. Executive power is shared between the Monarch and the cabinet, operating under the 2011 Constitution. - https://en.wikipedia.org/wiki/Government_of_Morocco 47:00 - https://www.rte.ie/news/analysis-and-comment/2026/0404/1566623-covid-review-analysis/*Recorded on 2nd August 2026

Hollywood is not trying to stop a monopoly by blocking the Paramount Skydance merger with Warner Bros. It's trying to protect one.If a monopoly means near-complete control over what gets made, promoted, and rewarded, then much of Hollywood and the cultural institutions around it operate under the ideological consensus of the Left and the Democratic Party. Why do the Obamas have a long-running production deal at Netflix? Why do the Emmys consistently elevate late-night hosts whose politics align with that consensus? Jimmy Kimmel, John Oliver, Stephen Colbert, Jon Stewart? Do you think they'd ever nominate Greg Gutfeld, whose show often tops them all in ratings? If that isn't an ideological monopoly, I don't know what is. Why did major awards shows stay silent on Charlie Kirk? Why did so many artists cancel Kennedy Center appearances after its Trump-era changes, and why did multiple acts drop out of America 250 events?David Ellison and Paramount Skydance are attempting something brave and unprecedented: an outside challenge to that consensus. Their roughly $110 billion bid for Warner Bros. Discovery would give them control of a major studio, HBO/Max, CNN, and a large portfolio of cable and streaming assets. While there has been some resistance to the biggest mergers in recent history, we've never seen anything like #blockthemerger. Meet the new resistance, same as the old resistance. 12 state attorneys general, including California, have sued to block the deal. The Writers Guild of America has filed its own antitrust lawsuit. SAG-AFTRA has publicly opposed the merger, though it has not joined the litigation. Opposition also includes the Future Film Coalition (which leads the #BlockTheMerger campaign), Democracy Defenders Fund, Committee for the First Amendment, Free Press, the International Documentary Association, and the American Economic Liberties Project, among others. More than 5,600 industry figures have signed an open letter against the deal, including Mark Ruffalo, Jane Fonda, Javier Bardem, Elliot Page, Emma Thompson, Ben Stiller, and Cynthia Nixon.Paramount Skydance has, for now, delayed closing. Can they hold the line under this unprecedented pressure campaign? Hope springs eternal. But you won't read about that point of view in any of the trades. They're a monopoly, too. Most of them are owned by the same entity, Penske Eldridge. Just today, it was announced that the Hollywood Foreign Press, the former owners of the Golden Globes, are suing Jay Penske for $150 million. They are claiming Penske orchestrated their downfall so he could buy the Golden Globes. Jay Penske already owns Deadline, The Hollywood Reporter, Variety, Indiewire, Gold Derby predicting site, Rolling Stone, a virtual monopoly on the awards race from soup to nuts. Gold Derby shapes the nominees, the trades take ads from the studios and the Golden Globes hand out the awards. But wouldn't you know, when Rebecca Keegan wrote a hit piece on me, she did so in the Hollywood Reporter, owned by Penske Eldridge. I was a vocal and prominent critic of Penske's growing monopolistic power on the awards race and one of the few willing to speak out. With one hit piece, the Penske company took out both a competitor for ad money and a pesky nuisance for the brand. That is what you call a monopoly. A Climate of Fear and A Culture of SilenceI found out firsthand how monopolies work in Hollywood when I was canceled in 2024. The day a Hollywood Reporter story labeled me a “MAGA darling,” one studio pulled its ads from my site that day. The last thing they wanted was to be associated with an accused and condemned witch.It was shocking how many of them fell in line in robotic fashion, gripped with fear. The response was swift and uniform. Every writer on my site left to protect their reputations. Friends of fifteen years ended the friendship. My Oscars ticket was revoked. Jane Fonda's Women's Media Center fired me from their annual Oscars report. Screening and party invitations dried up. I was benched on Gold Derby.Worst of all, the lucrative studio ad buys for the Oscars and Emmys vanished. As it all collapsed, I remembered in 2012, an advertising strategist telling me I could be making far more money if I sold the site better. “You have no baggage to speak of,” she'd said.That was true then. I was one of the few independent Oscar sites left, and still am, known around town for being honest to a fault. I stayed independent even as the ad money made life more comfortable for me and my daughter than it had ever been.There was never any question why my career ended in Hollywood: I had been outed as a Trump voter. I was on the wrong side of Hollywood's progressive orthodoxy, and that meant I was finished.How it started…I started Oscarwatch.com as a single mom with a one-year-old baby living in a studio guest house in Van Nuys, California, in 1999. I was an early web pioneer with a 1200-baud modem and a really good idea. I was already catching the attention of publicists and rocking the boat, as all of us amateurs did back then. We were moving fast and breaking things. Traditional media was not ready. The studios weren't either. They were used to having a monopoly on Oscar FYC ads in Variety and the Hollywood Reporter, their bread and butter. Until the blogs came along.By 2006, I was starting to make money because my little site had birthed a big bang of other Oscar sites, and by then even the New York Times had an Oscar blogger, the late great David Carr, who called himself the Carpetbagger.David Carr became a mentor of sorts and encouraged me to sell ads for myself, rather than piggyback off bigger sites. I was working three jobs by then: as a horoscope writer under a pseudonym (Laura Wilde), a janitor working my dad's routes because he was a good guy and knew I needed the money, and a freelance film critic.Right around then, the Academy of Motion Picture Arts and Sciences sued me for trademark infringement, and my site was renamed AwardsDaily.com. Now I was cleared to start making real money.David Carr was horrified that I was working as a janitor while the trades were raking in millions on Oscar ads and encouraged me to start sending out RFPs. But I didn't have to, because before long the studios were sending them to me. My site became so influential that I never really had to pitch to them. They all wanted real estate on my site. Who could ever have imagined that? Certainly not me, someone who got online in 1994 back when no one thought you could make money on the internet.One of the first studios that bought ads was Fox Searchlight, an awards subsidiary of Fox. I called it Big Fox and Little Fox, and both advertised on my site. When I got my first $15,000 just to run ads, I was stunned. That was more money than I had ever seen on a check. I was just kind of faking it, pretending I knew what I was doing, but I really didn't.Of course, it was also about promoting films the studio wanted to place in the Oscar race, and that's still what it's about. It's not exactly pay-to-play, but most of the bloggers making money in the Oscar game are grateful and help keep the advertisers' movies prominent. I did too.I barely noticed in 2019 when Disney bought Fox for $71 billion. The Writers Guild objected to the merger, just as they have to the Paramount Skydance merger with Warner Bros., but there was nowhere near the same amount of public outcry.Trump praised the Disney/Fox merger after having attempted to stop the 2018 merger of AT&T and Time Warner, leading to a trial, but the judge ruled against the Trump administration, and the deal went through. Again, no major public outcry.At some point after 2020, I'd noticed that Disney had stopped advertising on my site. I wrote it off as their shying away from my comments on “gender affirming care” for kids. I'll never know exactly why, but all I do know is that once the merger went through, Fox and Fox Searchlight also stopped advertising. The Paramount/Skydance merger with Warner Bros. is significantly higher and covers more territory than any of the major corporate mergers we've seen as Hollywood reshuffles the deck amid the shift to streaming. Warner Bros. was selling. The only question was whether Netflix or Paramount Skydance would buy it. Both deals would have had the blessing of the Trump administration.But because it's David Ellison and the team that bought CBS, and because Trump is an ally, the Democrats and the Left have turned #BlockTheMerger into another No Kings protest or battle for the “resistance.”After the story about me broke in the Hollywood Reporter, Netflix also stopped advertising. No other studio except Focus Features, an adjunct of Universal, had the courage to run ads on my site. I was now officially blacklisted. Emails to the various studio reps went unanswered.This past year, Paramount bought a modest ad package on my site for the Emmys to celebrate the success of Landman and The Madison. I felt lucky to get it, and it was a sign, at least to me, that Paramount, like Focus Features, was brave enough to take a chance on someone deemed too toxic by the industry.Landman, Taylor Sheridan's Billy Bob Thornton drama, had become one of Paramount+'s biggest hits: its first season averaged 15.8 million viewers in Nielsen's cross-platform ratings and ranked among the top 10 series of the 2024-25 season. Season 2 opened to a Paramount+ record 9.2 million views in its first few days and continued to dominate the streaming charts, at one point leading all multiplatform viewing with more than 14 million. The Madison, starring Michelle Pfeiffer, launched as Sheridan's biggest series debut yet, drawing 8 million views in its first 10 days.But unfortunately, #blockthemerger had bled into the awards ecosystem, which remains a closed loop. Sure enough, when the Emmy nominations arrived, the Paramount shows were completely blanked—even Billy Bob Thornton in Landman and Michelle Pfeiffer in The Madison. Kathy Bates was similarly overlooked for Matlock.If Gold Derby shapes the Emmy nominations, and they do, they have to similarly play ball by blacklisting all Paramount Plus's most popular shows, proving to American audiences that the industry does not care about what they want or what they watch. Sheridan has transformed much of the television landscape, thanks to Paramount Plus. If Paramount buys Warner Bros., they won't be creating a monopoly but breaking one up. The Death RattleI know I should walk away from this industry and give up the site that took me 26 years to build. But I just can't do that. I can't let them win. Now that I've walked in the shoes of the other half of the country, I can clearly see why Hollywood's empire is collapsing. If ratings and box office don't matter, neither do audiences. None of this is about artistic freedom or making better movies or television shows. This is the Left flexing its muscle in an attempt to keep all of Hollywood to itself, to push its ideology on the people, to convert them, to indoctrinate them, to “correct them,” everything but entertaining them. Most of all, though, it is about one man: Donald Trump and their failure to stop him, destroy him, kill him, or exile him and his supporters. This is one of the most exciting times to be living through in American history, but you'd never know it by the movies and TV shows Hollywood pumps out. Their monoculture, their one-sided point of view, has choked the life out of Hollywood. If they could make fun of themselves, if they could humanize their fellow Americans, they might be able to tell stories that resonate with everyone. Maybe, just maybe, they would breathe new life into a decaying organism.But they can't risk it. Like the Democrats who don't trust the people with elections, Hollywood doesn't trust them with the culture.Elon Musk spent $44 billion to take Twitter out of the hands of its previous gatekeepers. Ellison is now trying to pry open a crack in the thick shell of Hollywood's product and return more of it to market forces and all of those people Hollywood left behind. // This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.sashastone.com/subscribe

Brenda Fricker became the first Irish woman to win an Academy Award for her performance in the film “My Left Foot”. She began her career with parts in Ireland's first soap opera Tolka Row, ITV's Coronation Street, and became a household name as the nurse Megan Roach in Casualty on the BBC. Her friend and fellow actress Anna Friel pays tribute.The BBC's long-serving correspondent David Willey was a renowned authority on the Vatican, covering the lives and deaths of five popes. Before he settled in Rome, David had travelled widely for the BBC, reporting from Algeria, the Vietnam War and China just after the communist revolution. Two of his colleagues, former Chief News Correspondent Kate Adie and International Editor Jeremy Bowen, share their memories of working with him.The name David Austin is forever indelibly associated with the rose growing business. He created some of the most sought after roses, naming new varieties after fictional or real-life people, including Gabriel Oak from Far From the Madding Crowd, the actress Dame Judi Dench and ceramicist Emma Bridgewater - who pays tribute to him alongside Gardeners' World presenter Sue Kent.Wally Funk broke records as the oldest person to go to space onboard Jeff Bezos' Blue Origin Rocket in 2021. In the early 1960s she was part of a group of women known as the Mercury 13 who were tested to see if they could compete with male astronauts for a place in the American space programme. But the project was abandoned and her hopes dashed. Loretta Hall, who co-wrote her memoir, tells us her story. Producer: Ben Mitchell Assistant Producer: Catherine Powell Researcher: Jesse Edwards Editor: Andrea KennedyArchive: "My Left Foot", Ferndale Films, Granada Film, RTÉ, Hell's Kitchen Films; BBC One, Wogan, 16/02/1990; 62nd Academy Awards, The Academy of Motion Picture Arts and Sciences, 26/03/1990; BBC Radio 4, Woman's Hour, 05/03/1997; BBC One, Wogan, 15/02/1991; BBC Radio 4, Sunday, 10/03/2013; BBC Radio 4, Archive on 4, From our Rome Correspondent, 07/04/2012; BBC One, RHS Chelsea Flower Show, 21/05/2007; BBC One, Football Focus, 06/10/2018; BBC Radio 4, Woman's Hour, 19/06/2019; BBC News, 19/06/1983; Blue Origin, YouTube, 20/07/2021; Other audio courtesy of Loretta Hall

What really happened to hatred in America after World War II?Most of us were taught that defeating Hitler marked a turning point — that America emerged from the war more tolerant, more unified, more committed to its democratic ideals. Historian Steven J. Ross is here to tell us that story is a myth. And he has the documents to prove it.In this episode, Rabbi Yoshi sits down with one of America's most compelling Jewish historians to discuss Ross's new book, The Secret War Against Hate: American Resistance to Antisemitism and White Supremacy — a USA Today bestseller that uncovers a hidden chapter of postwar American history. When the war ended, antisemitism and racism didn't recede. They surged. Organized hate groups more than doubled between 1940 and 1946, and a network of domestic terrorists set about — in their own words — finishing the job Hitler had begun.But that's only half the story. The other half is about the people who fought back: the citizen-spies recruited by the ADL, the American Jewish Committee, and the Anti-Nazi League, who infiltrated these groups at great personal risk and brought their dangerous work to light. Their names have been largely forgotten. Ross gives them back to us.Rabbi Yoshi and Steve talk about the history, what it illuminates about this moment in American Jewish life, and — in true Search for Meaning fashion — where a man who has spent his career in some of the darkest chapters of human experience still finds hope and meaning.About Steven J. RossSteven J. Ross is Dean's Professor of History at the University of Southern California and the Myron and Marian Casden Director of the Casden Institute for the Study of the Jewish Role in American Life. The first person in his family to go to college, he holds degrees from Columbia, Oxford, and Princeton.His books include Hitler in Los Angeles: How Jews Foiled Nazi Plots Against Hollywood and America, a Pulitzer Prize finalist and Los Angeles Times bestseller; Hollywood Left and Right: How Movie Stars Shaped American Politics, winner of the Academy of Motion Picture Arts and Sciences' Film Scholars Award; and Working-Class Hollywood: Silent Film and the Shaping of Class in America, nominated for both the Pulitzer Prize and the National Book Award.His latest book is The Secret War Against Hate: American Resistance to Antisemitism and White Supremacy (Bloomsbury, 2026).More at his USC Dornsife faculty page: https://dornsife.usc.edu/profile/steve-ross/Learn about the book at https://www.bloomsbury.com/us/secret-war-against-hate-9781635578003/

→ The podcast has a new YouTube Channel! @axisconversationspodcast Three Big Conversations: Taylor Swift and Travis Kelce got married in a garden in The Garden - 08:04 So-called "butter moms" are setting the vibe for a deep-fried summer - 19:00 New data from CIY and Barna gives us insight into how Christian teens are using AI. - 32:20 Slang of the Week: "NPC" - 00:56 In Other News:- 48:00 The round of 16 is officially wrapped in the 2026 World Cup, with all three host countries (Canada, Mexico, and the US) failing to continue. Another notable casualty is Portugal, with global superstar Cristiano Ronaldo saying goodbye to World Cup competition. Building on the trend of hosting in-person experiences, Charli xcx has announced official listening parties, hosted around the world, for her July 24th album, titled Music, Fashion, Film. The Academy of Motion Picture Arts and Sciences has invited 529 new members, perhaps as an attempt to regain relevance with the rising generation. The new Oscar voters will include Gen Z notables like Jacob Elordi, Jenna Ortega, and Mia Goth. The video game industry continues to be volatile, as Xbox announced this week that they're laying off almost 5,000 employees and "resetting Xbox." While perhaps not indicative of all, trends where young people reject modern "big tech" continue to rise in popularity, like the "Luddite Festival" that took place in New York City last week.

Taylor Swift and Travis Kelce got married in a garden in The Garden, so-called "butter moms" are setting the vibe for a deep-fried summer, and new data from CIY and Barna gives us insight into how Christian teens are using AI. Slang of the Week: "NPC" In Other News: The round of 16 is officially wrapped in the 2026 World Cup, with all three host countries (Canada, Mexico, and the US) failing to continue. Another notable casualty is Portugal, with global superstar Cristiano Ronaldo saying goodbye to World Cup competition. Building on the trend of hosting in-person experiences, Charli xcx has announced official listening parties, hosted around the world, for her July 24th album, titled Music, Fashion, Film. The Academy of Motion Picture Arts and Sciences has invited 529 new members, perhaps as an attempt to regain relevance with the rising generation. The new Oscar voters will include Gen Z notables like Jacob Elordi, Jenna Ortega, and Mia Goth. The video game industry continues to be volatile, as Xbox announced this week that they're laying off almost 5,000 employees and "resetting Xbox." While perhaps not indicative of all, trends where young people reject modern "big tech" continue to rise in popularity, like the "Luddite Festival" that took place in New York City last week.

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Vienas ryškiausių Lietuvos dokumentinio kino kūrėjų – režisierius Audrius Stonys sulaukė kvietimo prisijungti prie Kino meno ir mokslo akademijos (Academy of Motion Picture Arts and Sciences), vienijančios pasaulio kino elitą ir teikiančios prestižinius „Oskaro“ apdovanojimus. Pokalbis su režisieriumi.Kauno fotografijos galerijoje atidaryta iraniečių kilmės menininko Aria Shahrokhshahi paroda „Drėgna žemė“. Joje fotografas vietoje įprastų karo Ukrainoje vaizdų pristato kasdienes, kartais absurdiškas ar netikėtas situacijas. Sekdamas jaunimo ir subkultūrų gyvenimą, autorius atskleidžia, kaip šiuolaikinėje Ukrainoje kuriami gyvenimai, nepaisant nuolatinės grėsmės. Su galerijos svečiu jo pasirinkimus, menininko etiką ir savanorišką veiklą fronte aptarė Kotryna Lingienė.Alantoje, Molėtų rajone prasidėjo kasmetinis „Santaros-Šviesos“ suvažiavimas. Pokalbis su viena iš „Santaros-Šviesos“ organizacinio komiteto narių, Prezidento Valdo Adamkaus bibliotekos-muziejaus valdybos pirmininke, pristatančia filmą „Video pokalbiai: Valdas Adamkus ir Santara“, Birute Garbaravičiene.Ved. Gerūta Griniūtė

How does the daughter of Chinese immigrants become one of the most influential figures in Hollywood?In this wide-ranging conversation, Bret Bradigan sits down with Academy Award-winning producer and former Academy President Janet Yang to explore an extraordinary life spent building bridges between cultures.Before producing acclaimed films and working alongside Steven Spielberg on Empire of the Sun, Janet helped introduce Chinese-language and Hong Kong cinema to American audiences, opening doors that would reshape Hollywood's understanding of Asian storytelling.Together they discuss her family's journey from China to America, the regional cuisines of Shanghai and Hainan, why food is often the quickest path to understanding another culture, the enduring legacy of China's Cultural Revolution, the rise of Hong Kong cinema, representation in Hollywood, and the changing relationship between East and West through film.They also reflect on leadership, the future of cinema, what brought Janet to Ojai, and why great stories remain our most powerful tool for building understanding across cultures.This is a conversation about movies—but even more, it's a conversation about identity, history, immigration, curiosity, and the enduring power of storytelling.Topics include:• Janet Yang's family history and immigration story• Shanghai and Hainan food and culture• Hong Kong's cinematic golden age• Working with Steven Spielberg on Empire of the Sun• Producing films that changed Hollywood• Serving as President of the Academy of Motion Picture Arts and Sciences• The Cultural Revolution and modern China• Representation and diversity in film• Why Ojai has become homeIf you enjoy thoughtful conversations about culture, history, filmmaking and the people who shape our world, you'll enjoy this episode of Ojai: Talk of the Town.

This week, updates for an opening day attraction, Toy Story has taken over the resort, flick cards will be moving to yesterland, a Disney Legend to receive an Oscar, we talk about my recent trip to Tokyo and more! Please support the show if you can by going to https://www.dlweekly.net/support/. Check out all of our current partners and exclusive discounts at https://www.dlweekly.net/promos. News: Disneyland's Autopia attraction is facing a strict state-mandated deadline to retire its gas-powered car fleet by February 1, 2027, or face being shut down. This comes after Honda discovered an administrative engine certification error in 2023, resulting in a 2024 environmental violation notice and a financial settlement for Disney. While the compliance plan doesn't explicitly force electric vehicles, Disneyland officials have confirmed they are actively developing a fully electric car prototype to keep the 71-year-old ride running. – https://www.micechat.com/437247-disneyland-news-autopia-tinker-bell-construction/ To celebrate the release of Toy Story 5 this summer, Disney California Adventure is introducing rotating drawing lessons for characters like Woody, Buzz, and newcomer Lilypad at the Animation Academy. Additionally, starting in early July, Disneyland Resort hotel guests can exclusively enjoy the “Poolside Splash Bash,” featuring themed dance parties, trivia, and character appearances in new costumes. – http://laughingplace.com/disney-parks/celebrate-toy-story-5-new-lessons-disney-california-adventures-animation-academy/ https://www.laughingplace.com/disney-parks/disney-poolside-splash-bash-toy-story-5/ Disney Parks has officially retired FLIK, the wait-time tracking system that helped measure attraction queue times for more than 25 years. Introduced in 1999, FLIK relied on guests carrying red tracking cards through attraction lines, with the final installation recently removed from Goofy's Sky School at Disney California Adventure. Disney now uses newer technologies, including MagicBand data and sensors, to monitor and post attraction wait times more accurately. – https://www.laughingplace.com/disney-parks/flik-ends-disney-parks/ Construction walls have recently come down around a new two-story Downtown Disney building, signaling that the ground-floor Earl of Sandwich and upstairs Gordon Ramsay restaurant, The Carnaby, are nearing completion. Meanwhile, Buzz Lightyear Astro Blasters has officially reopened following a refurbishment that updated its exterior with a retro 1967 Tomorrowland color scheme. Although official opening dates for the new dining spots haven't been announced yet, both the restaurants and the refreshed ride represent major visual updates for the resort. – https://www.laughingplace.com/ https://www.laughingplace.com/disney-parks/astro-blasters-new-colors-disneyland/ Guest falls down Tiana's Bayou Adventure – https://www.disneyfoodblog.com/2026/06/23/disney-guest-falls-down-50-foot-drop-on-tianas-bayou-adventure/ Disney Legend Floyd Norman will receive an Honorary Oscar at the 17th Annual Governors Awards on November 15, 2026. The Academy of Motion Picture Arts and Sciences is presenting him with the lifetime achievement award to honor his barrier-breaking, 65-year career as Disney's first Black animator. He will be celebrated at the Hollywood ceremony alongside other industry icons, including director Ridley Scott and actress Glenn Close. – https://www.micechat.com/437707-disneyland-news-labor-trouble-oogie-boogie-toy-story-takeover/ SnackChat: New in Downtown Disney – https://www.laughingplace.com/disney-parks/happy-ice-opens-at-downtown-disney/ https://www.disneyfoodblog.com/2026/06/23/something-new-is-coming-to-downtown-disney/ Discussion Topic: Tokyo Disneyland with Ryan Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Send Kevin a Text MessageSid Ganis, former President of the Motion Picture Group at Paramount Pictures, former Vice Chairman of Columbia Pictures, and four-term President of the Academy of Motion Picture Arts and Sciences, joins host Kevin Goetz for a wide-ranging conversation spanning more than five decades in Hollywood. Ganis traces his path from an office-boy job won through a chance connection, to marketing campaigns for The Empire Strikes Back and Raiders of the Lost Ark, to greenlighting Ghost and Fatal Attraction, and to acquiring the rights to Forrest Gump during his years running Paramount.Brooklyn Roots and Greek Jewish Heritage (03:14): Ganis traces his Romaniote Jewish heritage to Ioannina, Greece, and his grandparents' flight to New York's Lower East Side. Ganis recalls his first solo trip to the movies, seeing Gunga Din for 25 cents at a neighborhood theater.Quitting College and a Lucky Break (08:50): After dropping out of Brooklyn College, Ganis landed his first publicity job thanks to a chance connection from his Uncle Phil.Joining 20th Century Fox (12:57): Ganis describes his early years in publicity, working for Lee Solters and later joining Fox while Cleopatra was in production.Working with Joseph L. Mankiewicz (17:44): Ganis remembers collaborating with the director years later and calls him one of Hollywood's greats.Testing Ghost (28:01): Ganis shares a test-screening story from Ghost that captures how unpredictable audiences can be.Meeting George Lucas and Joining Lucasfilm (31:34): Ganis recalls being introduced to a young George Lucas by Francis Ford Coppola, then later joining Lucasfilm as Empire Strikes Back went into production.Marketing Raiders of the Lost Ark and Meeting Nancy (33:40): While promoting Raiders of the Lost Ark, Ganis met his future wife, Nancy Hult, through a PBS fundraiser project that later won him an Emmy.Columbia Pictures and a Career in Marketing (37:20): Recruited to Columbia by Peter Guber and Jon Peters, Ganis explains why he stayed in marketing rather than move into production.Four Terms as Academy President (42:26): Ganis reflects on his proudest achievement: spearheading the 17-year effort to build the Academy Museum of Motion Pictures.Sid Ganis's career is a reminder that cultivating relationships and a willingness to stay close to the audience can carry someone through every era of a changing industry. In his own words, his story is one of gratitude for the people who opened doors for him, and for a business he never stopped loving.Host: Kevin GoetzGuest: Sid GanisProducer: Kari CampanoWriters: Kevin Goetz, Darlene Hayman, Nick Nunez, and Kari CampanoAudio Engineer: Gary Forbes (DG Entertainment)For more information about Sid Ganis:Wikipedia: https://en.wikipedia.org/wiki/Sid_GanisIMDB: https://www.imdb.com/name/nm0304398/Variety: https://variety.com/exec/sid-ganis/For more information about Kevin Goetz:- Website: www.KevinGoetz360.com- Audienceology Book: https://www.simonandschuster.com/books/Audience-ology/Kevin-Goetz/9781982186678- How to Score in Hollywood: https://www.amazon.com/How-Score-Hollywood-Secrets-Business/dp/198218986X/- Facebook, X, Instagram, TikTok, YouTube, Substack: @KevinGoetz360- LinkedIn @Kevin Goetz- Screen Engine/ASI Website: www.ScreenEngineASI.com

Actor and Equity member Monica Sayers will chat to Australian casting director Kirsty McGregor about discuss auditions, castings and the actor/casting director relationship. Kirsty McGregor's journey from performer to an influential casting director working across Australia and internationally has had a significant impact on film and television. She is the recipient of three AACTA Awards and seventeen Casting Guild of Australia Awards, and has also received three nominations from the Casting Society of Americas well as an Emmy nomination. A long-time advocate for the craft of casting, Kirsty has been a leading voice within the Casting Guild of Australia, championing the recognition of casting as a key creative department. Her work has helped shape some of the most acclaimed Australian productions of recent years, including Lion, Animal Kingdom, Babyteeth, Colin from Accounts, Top Of The Lake, The Twelve, Apple Cider Vinegar and Bump. Her work continues to shape and elevate talent both in Australia and internationally. Kirsty is a proud member of the Casting Guild of Australia, the Casting Society of America and the Academy of Motion Picture Arts and Sciences.

On this episode of Self-Publishing with ALLi, Dan Holloway breaks down Audible's decision to retire its legacy royalty model by the end of 2026, explaining what the new model means for audiobook authors and the separate decision about whether to enter the All You Can Listen pool. He also reports on the Academy of Motion Picture Arts and Sciences' new Oscar eligibility rules requiring human actors and writers, and examines a Book Industry Study Group survey showing that concern about AI-generated books in the marketplace has now entered the top four worries for publishing industry professionals. Show Notes Audible's New Royalty Model Sponsor Self-Publishing News is proudly sponsored by PublishMe—helping indie authors succeed globally with expert translation, tailored marketing, and publishing support. From first draft to international launch, PublishMe ensures your book reaches readers everywhere. Visit publishme.me. Find more author advice, tips, and tools at our Self-publishing Author Advice Center, with a huge archive of nearly 2,000 blog posts and a handy search box to find key info on the topic you need. About the Host Dan Holloway is a novelist, poet, and spoken word artist. He is the MC of the performance arts show The New Libertines, He competed at the National Poetry Slam final at the Royal Albert Hall. His latest collection, The Transparency of Sutures, is  available on Kindle.

-OpenAI introduced AI-generated pets to the Codex app, its agentic tool that helps with coding. -Meta has purchased Assured Robot Intelligence, a startup company that's building artificial intelligence for robots in order to "address critical challenges" in "high-value labor markets." -On Friday, Reuters reported that AI-generated acting and writing won't be eligible for Academy Awards. The new rules from the Academy ​of Motion Picture Arts and Sciences will take effect beginning with next year's presentation. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Our two new books... STORY QUESTIONS is currently 10% off! - https://payhip.com/b/ZTvq9 and 17 Steps To Writing A Great Main Character - https://payhip.com/b/kCZGd Watch the video version of this podcast here: https://www.youtube.com/watch?v=bbwuZGHSGM4 Film Director/Producer/Writer Keith Sutliff, originally from Florida, moved to Los Angeles in 2012. His award-winning work in film encompasses feature films, episodic narratives, short form content and commercial productions. Keith's original screenplays are the foundation for his creative projects. His original screenplay The Refuge (2019), acquired by the Academy of Motion Picture Arts and Sciences is included in the Margaret Herrick Library (The Oscars Library) permanent Core Collection there. His feature films held premieres at Grauman's Egyptian Theatre in Hollywood with theatrical releases to follow. Keith's creative vision has driven him to master the aspects of filmmaking, writing and now virtual production. He founded his production company, KS Pictures, in early 2016. He is now fully committed to virtual production, opening a film studio in the Arts District-Downtown area of Los Angeles called “Sutliff Studios: Virtual Productions.” The studio focuses on rental to companies for film, TV, commercial, and other related media content productions. The studio also focuses on in-house production of its own virtual productions. This is done using the latest cutting-edge software and equipment to bring productions together on a virtual stage. Gaming software such as Unreal Engine combined with a camera tracking solution to help bring real time rendering along with “parallax” on the LED volume wall to life. He is also heavily involved in the operation of the production and filming techniques used on a virtual stage and In-Camera VFX. Familiarity with 2D and 3D assets used on a LED volume and all the technical elements that goes into filming on these stages. MORE VIDEOS WITH KEITH SUTLIFF http://tinyurl.com/4v935nxp CONNECT WITH SUTLIFF STUDIOS: VIRTUAL PRODUCTIONS https://sutliffstudiosvp.com CONNECT WITH KEITH SUTLIFF https://sutliffstudiosvp.com http://www.imdb.com/name/nm5335962 / keith-sutliff-402714233 / sutliffstudiosvp / keithsutliff (Affiliates) ►FILMMAKER STARTER KIT BLACKMAGIC Design Pocket Cinema Camera 4K - https://amzn.to/4gDU0s9 ZOOM H4essential 4-Track Handy Recorder - https://amzn.to/3TIon6X SENNHEISER Professional Shotgun Microphone - https://amzn.to/3TEnLiE NEEWER CB300B 320W LED Video Light - https://amzn.to/3XEMK6F NEEWER 160 LED CN-160 Dimmable Ultra High Power - https://amzn.to/3XX57VK ►WE USE THIS CAMERA (B&H) – https://buff.ly/3rWqrra ►WE USE THIS SOUND RECORDER (AMAZON) – http://amzn.to/2tbFlM9 ►Stuff we use: LENS - Most people ask us what camera we use, no one ever asks about the lens which filmmakers always tell us is more important. This lens was a big investment for us and one we wish we could have made sooner. Started using this lens at the end of 2013 - http://amzn.to/2tbtmOq AUDIO Rode VideoMic Pro - The Rode mic helps us capture our backup audio. It also helps us sync up our audio in post https://amzn.to/425k5rG Audio Recorder - If we had to do it all over again, this is probably the first item we would have bought - https://amzn.to/3WEuz0k LIGHTS - Although we like to use as much natural light as we can, we often enhance the lighting with this small portable light. We have two of them and they have saved us a number of times - http://amzn.to/2u5UnHv SUPPORT FILM COURAGE BY BECOMING A PATRON https://www.patreon.com/filmcourage SUPPORT FILM COURAGE BY BECOMING A MEMBER https://www.youtube.com/channel/UCs8o1mdWAfefJkdBg632_tg/join *Disclaimer: This video and description contains affiliate links, which means that if you click on one of the product links, we'll receive a small commission. This helps support the channel and allows us to continue to make videos like this. Thank you for your support!

Bonus Episode of "Inside Schizophrenia" podcast from Healthline Media. “Paranoid schizophrenic admits to attacking dog walker.” When we watch a horror movie, we know the “madman” on screen is a work of fiction. But when the nightly news leads with a diagnosis to explain a tragedy, the fear it creates is very real — and often permanent.Why does the media lead with schizophrenia only when the story involves violence, yet remain silent when it comes to stories of recovery, hope, and humanity? In this hard-hitting episode, host Rachel Star Withers (who lives with schizophrenia) explores the Lead with Fear phenomenon — the dangerous journalistic trend of linking a diagnosis to a crime before the facts are even in — and why schizophrenia seems to have the worst PR team in the world. Later in the show, we sit down with two media heavyweights who are using their platforms to overhaul how the world views mental health.: Janet Yang, an Emmy and Golden Globe Award-winning producer and former President of the Academy of Motion Picture Arts and Sciences. Frank Kosa, an Emmy-nominated documentary filmmaker for National Geographic, the History Channel, and A&E. Listener Take-A-Ways: why "paranoid schizophrenia" is an obsolete clinical term that journalists refuse to let go of the startling statistic that fewer than 20% of news stories about schizophrenia include themes of recovery practical ways you can hold news outlets accountable and promote stories of hope Our guest, Frank Kosa, is an award-winning documentary producer-writer-director, and a journalist. He produced National Geographic's “The Story of God with Morgan Freeman,” wrote the inaugural season of Travel Channel's hit show “Booze Traveler,” produced the award-winning “The Revolutionary War,” a mini-series for A&E, “Christianity: The Second Millennium” and multiple shows of TV's most engaging documentary series including “Life Without People,” “The Universe,” and “Game Changers.” His shows have aired on The Science Channel, The History Channel, Discovery, A&E, TLC, Animal Planet, The Travel Channel, The Weather Channel, Lifetime, Bloomberg TV, HGTV, and National Geographic. His print journalism has appeared in The LA Times, USA Today, Sacramento Bee, The Christian Science Monitor, and numerous magazines. He has also worked for films and TV shows produced by Universal, Warner Bros., & Sony. He is Emmy-nominated, has won a Cable Ace and other awards, and strives to tell stories that deeply connect with audiences.  Our guest, Janet Yang, is an Emmy and Golden Globe Award-winning Hollywood producer, former President of the Academy of Motion Picture Arts and Sciences, and has been named one of the “50 Most Powerful Women in Hollywood” by the Hollywood Reporter. Yang's extensive film and television credits include “The Joy Luck Club,” “The People vs. Larry Flynt,” “The Weight of Water,” “Shanghai Calling,” “High Crimes,” “Zero Effect,” and “Over the Moon.” Yang began her career by running the first distribution company to market Chinese films into North America. She also brokered the reintroduction of American studio films to the Chinese marketplace after a decades-long hiatus. This, in turn, led to joining Steven Spielberg on the historic production of “Empire of the Sun.” This was followed by long-term partnership with multiple Academy-Award winning writer/director, Oliver Stone. Our host, Rachel Star Withers, (Link: www.rachelstarlive.com) is an entertainer, international speaker, video producer, and schizophrenic. She has appeared on MTV's Ridiculousness, TruTV, NBC's America's Got Talent, Marvel's Black Panther, TUBI's #shockfight, Goliath: Playing with Reality, and is the host of the HealthLine podcast “Inside Schizophrenia”. She grew up seeing monsters, hearing people in the walls, and having intense urges to hurt herself. Rachel creates videos documenting her schizophrenia, ways to manage, and letting others like her know they are not alone and can still live an amazing life. She has created a kid's mental health comic line, The Adventures of ____. (Learn more at this link: https://www.amazon.com/Adventures-Fearless-Unstoppable-Light-Ambitious/dp/B0FHWK4ZHS ) Our cohost, Gabe Howard, is an award-winning writer and speaker who lives with bipolar disorder. He is the author of the popular book, "Mental Illness is an Asshole and other Observations," available from Amazon; signed copies are also available directly from the author. He also hosts the twice Webby honored podcast, Inside Bipolar, with Dr. Nicole Washington. To learn more about Gabe, please visit his website, gabehoward.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

“Paranoid schizophrenic admits to attacking dog walker.” When we watch a horror movie, we know the “madman” on screen is a work of fiction. But when the nightly news leads with a diagnosis to explain a tragedy, the fear it creates is very real — and often permanent.Why does the media lead with schizophrenia only when the story involves violence, yet remain silent when it comes to stories of recovery, hope, and humanity? In this hard-hitting episode, host Rachel Star Withers (who lives with schizophrenia) explores the Lead with Fear phenomenon — the dangerous journalistic trend of linking a diagnosis to a crime before the facts are even in — and why schizophrenia seems to have the worst PR team in the world. Later in the show, we sit down with two media heavyweights who are using their platforms to overhaul how the world views mental health.: Janet Yang, an Emmy and Golden Globe Award-winning producer and former President of the Academy of Motion Picture Arts and Sciences. Frank Kosa, an Emmy-nominated documentary filmmaker for National Geographic, the History Channel, and A&E. Listener Take-A-Ways: why "paranoid schizophrenia" is an obsolete clinical term that journalists refuse to let go of the startling statistic that fewer than 20% of news stories about schizophrenia include themes of recovery practical ways you can hold news outlets accountable and promote stories of hope Our guest, Frank Kosa, is an award-winning documentary producer-writer-director, and a journalist. He produced National Geographic's “The Story of God with Morgan Freeman,” wrote the inaugural season of Travel Channel's hit show “Booze Traveler,” produced the award-winning “The Revolutionary War,” a mini-series for A&E, “Christianity: The Second Millennium” and multiple shows of TV's most engaging documentary series including “Life Without People,” “The Universe,” and “Game Changers.” His shows have aired on The Science Channel, The History Channel, Discovery, A&E, TLC, Animal Planet, The Travel Channel, The Weather Channel, Lifetime, Bloomberg TV, HGTV, and National Geographic. His print journalism has appeared in The LA Times, USA Today, Sacramento Bee, The Christian Science Monitor, and numerous magazines. He has also worked for films and TV shows produced by Universal, Warner Bros., & Sony. He is Emmy-nominated, has won a Cable Ace and other awards, and strives to tell stories that deeply connect with audiences.  Our guest, Janet Yang, is an Emmy and Golden Globe Award-winning Hollywood producer, former President of the Academy of Motion Picture Arts and Sciences, and has been named one of the “50 Most Powerful Women in Hollywood” by the Hollywood Reporter. Yang's extensive film and television credits include “The Joy Luck Club,” “The People vs. Larry Flynt,” “The Weight of Water,” “Shanghai Calling,” “High Crimes,” “Zero Effect,” and “Over the Moon.” Yang began her career by running the first distribution company to market Chinese films into North America. She also brokered the reintroduction of American studio films to the Chinese marketplace after a decades-long hiatus. This, in turn, led to joining Steven Spielberg on the historic production of “Empire of the Sun.” This was followed by long-term partnership with multiple Academy-Award winning writer/director, Oliver Stone. Our host, Rachel Star Withers, (Link: ⁠www.rachelstarlive.com⁠) is an entertainer, international speaker, video producer, and schizophrenic. She has appeared on MTV's Ridiculousness, TruTV, NBC's America's Got Talent, Marvel's Black Panther, TUBI's #shockfight, Goliath: Playing with Reality, and is the host of the HealthLine podcast “⁠Inside Schizophrenia⁠”. She grew up seeing monsters, hearing people in the walls, and having intense urges to hurt herself. Rachel creates videos documenting her schizophrenia, ways to manage, and letting others like her know they are not alone and can still live an amazing life. She has created a kid's mental health comic line, The Adventures of ____. (Learn more at this link: ⁠https://www.amazon.com/Adventures-Fearless-Unstoppable-Light-Ambitious/dp/B0FHWK4ZHS⁠ ) Our cohost, Gabe Howard, is an award-winning writer and speaker who lives with bipolar disorder. He is the author of the popular book, "Mental Illness is an Asshole and other Observations," available from Amazon; signed copies are also available ⁠directly from the author.⁠ He also hosts the twice Webby honored podcast, ⁠Inside Bipolar⁠, with Dr. Nicole Washington. To learn more about Gabe, please visit his website, ⁠gabehoward.com⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1969, a Picasso painting titled Portrait of a Woman and Musketeer vanished from Logan International Airport's loading dock in Boston and ended up in the home of Merrill “Bill” Rummel, a forklift operator. Unaware of its contents, Rummel took the crate home, later discovering that it contained the painting and hiding it in his closet. As the missing Picasso drew the attention of the FBI and the Winter Hill Gang, Rummel and his fiancée panicked. Could this accidental Picasso thief avoid both the mob and the FBI?What happened next was a sort of reverse heist. Stealing this painting was easy—it was actually an accident.The tricky part was devising a foolproof plan to return it without getting arrested or killed. This book, co- authored by Whit Rummel Jr. and best-selling author and art crime expert Noah Charney, tells the full story and looks at incidents of art theft in the United States, putting this quirky crime into context.ABOUT THE AUTHOR:Whit Rummel Jr. is an award-winning screenwriter and film maker. After graduating with a Master's in Film from Boston University, he began his career as a documentarian. His first project, TATOO, was a quirky 16mm film about heavily tattooed people that aired nationally on the PBS series, Independent Focus. He went on to establish WHITCOM Associates, a Boston-based production house specializing in innovative programming for corporate and commercial clients. His first screenplay, Secret Boy, was awarded the Nicholl Fellowship from the Academy of Motion Picture Arts and Sciences. He was contracted by Disney Toon studios to script an animated feature calls Pigs Might Fly.

This week on the show, Project Greenlight creator Alex Keledjian and his movie nerd co-host Sam Levine continue their takedown of the Academy of Motion Picture Arts and Sciences through the lens of post-Oscar clarity. And they compare their previous predictions to how things actually shook out. Follow How I Got Greenlit on Instagram: @howigotgreenlit Follow Alex on Instagram: @akeledjian Follow Sam on Instagram: @moderately_quick Subscribe wherever you get your podcasts or at youtube.com/@NextChapterPodcasts Inquiries: pete@ncpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

pWotD Episode 3240: 98th Academy Awards Welcome to popular Wiki of the Day, spotlighting Wikipedia's most visited pages, giving you a peek into what the world is curious about today.With 1,465,719 views on Monday, 16 March 2026 our article of the day is 98th Academy Awards.The 98th Academy Awards ceremony, presented by the Academy of Motion Picture Arts and Sciences (AMPAS), took place on March 15, 2026, at the Dolby Theatre in Hollywood, Los Angeles, United States. During the gala, the AMPAS presented Academy Awards (commonly referred to as the Oscars) in 24 categories, honoring films released in 2025. The ceremony was televised in the United States by ABC and streamed on Hulu. Comedian Conan O'Brien returned to host the show for the second consecutive time, after receiving acclaim for hosting the previous year, with Raj Kapoor and Katy Mullan returning as executive producers for the third consecutive year, and Hamish Hamilton returning as director.In related events, the Academy held its 16th Governors Awards ceremony at the Ray Dolby Ballroom of the Ovation Hollywood complex in Hollywood on November 16, 2025. The Academy Scientific and Technical Awards will be presented on April 28, 2026, in a ceremony at the Academy Museum of Motion Pictures in Los Angeles.One Battle After Another won a leading six awards, including Best Picture and Best Casting, becoming the inaugural recipient for the latter category. Other winners included Sinners with four awards; Frankenstein with three; KPop Demon Hunters with two; and All the Empty Rooms, Avatar: Fire and Ash, F1, The Girl Who Cried Pearls, Hamnet, Mr Nobody Against Putin, Sentimental Value, The Singers, Two People Exchanging Saliva, and Weapons with one each.This recording reflects the Wikipedia text as of 03:59 UTC on Tuesday, 17 March 2026.For the full current version of the article, see 98th Academy Awards on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Bluesky at @wikioftheday.com.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm standard Joey.

For this special Oscars 2026 wrap-up, we discuss the events, speeches, and winners of the 98th Annual Academy Awards. Including Conan O'Brien's hosting performance, in-memoriam, one battle after another between Paul Thomas Anderson and Ryan Coogler, and more. All this and more are up for grabs as we recap this year's Oscars! The Academy Awards ("Oscars") are the most prestigious awards in filmmaking and showcase some of the greatest talent and work in motion pictures for that running year. The nominees and winners are selected by majority vote from members of the Academy of Motion Picture Arts and Sciences. Ballots are cast by members from within the industry and, in most categories, represent the corresponding branch (ex.: actors nominate actors).  

The 98th Academy Awards ceremony, presented by the Academy of Motion Picture Arts and Sciences (AMPAS), which took place on March 15, 2026, at the Dolby Theatre in Hollywood, Los Angeles, United States. During the gala, the AMPAS will present Academy Awards (commonly referred to as Oscars) in 24 categories, honoring films released in 2025. The ceremony will be televised in the United States by ABC and streamed on Hulu. Comedian Conan O'Brien is set to host the show for the second consecutive time,Hosted on Ausha. See ausha.co/privacy-policy for more information.

Every year, the Academy of Motion Picture Arts and Sciences hosts the biggest celebration of movies and moviemaking: The Oscars. Thousands of members vote in multiple categories to honor the best films and performances of the previous year. …and in many years, they get it completely and totally wrong.  Learn more about the biggest Oscar snubs and the time the academy completely blew it on this episode of Everything Everywhere Daily. Sponsors Quince Go to quince.com/daily for 365-day returns, plus free shipping on your order! Mint Mobile Save 50% on Unlimited premium wireless plans starting at $15/month at MintMobile.com/EED Audible Listen to Project Hail Mary Audible.com/hailmary Fast Growing Trees Get 20% off your first purchase when using the code DAILY at checkout at fastgrowingtrees.com/daily Subscribe to the podcast!  https://everything-everywhere.com/everything-everywhere-daily-podcast/ -------------------------------- Executive Producer: Charles Daniel Associate Producers: Austin Oetken & Cameron Kieffer   Become a supporter on Patreon: https://www.patreon.com/everythingeverywhere Discord Server: https://discord.gg/Ds7Rx7jvPJ Instagram: https://www.instagram.com/everythingeverywhere/ Facebook Group: https://www.facebook.com/groups/everythingeverywheredaily Twitter: https://twitter.com/everywheretrip Website: https://everything-everywhere.com/  Disce aliquid novi cotidie Learn more about your ad choices. Visit megaphone.fm/adchoices

Where do you watch the latest movie everyone's talking about—on Netflix at home or in a packed theater? Are theaters the irreplaceable heart of cinema, creating cultural moments and spectacle, or is streaming the future with its convenience and global reach? Two high-level Hollywood insiders, a former president of The Academy versus a film executive, debate in time for the Oscars: The Future of Film: Big Screen or Stream?  Arguing "Big Screen": Hawk Koch, Film Producer; Former President of the Academy of Motion Picture Arts and Sciences and the Producers Guild of America  Arguing "Stream": Chris Aronson, Former President Of Domestic Theatrical Distribution at Paramount Pictures  Emmy award-winning journalist John Donvan moderates  Join the conversation on Substack—share your perspective on this episode and subscribe to our weekly newsletter for curated insights from our debaters, moderators, and staff.  Follow us on YouTube, Instagram, LinkedIn, X, Facebook, and TikTok to stay connected with our mission and ongoing debates.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

Today on Whats My Frame I'm joined by Director & Author, Rob Spera. Rob has a broad background in film, television, and theatre. His credits include the feature films The Sweet Life, Fathers and Sons, the cult classic Leprechaun in the Hood, and the TV shows Criminal Minds, Supernatural, Suspect Behavior, and Army Wives.During four seasons as Resident Director at the Tony Award-winning Actors Theatre of Louisville, he directed over 75 productions. His play Tracks enjoyed a successful run in Los Angeles, where it was hailed as “Chilling” by Variety, “Haunting long after leaving the theatre” by the Daily News, and “a comic horrific dance of death…in a world somewhere between Samuel Beckett and Full Metal Jacket” by The Los Angeles Times.Rob's teaching credits include 20 years at the American Film Institute Conservatory, as well as contributions to AFI's Directing Workshop for Women, the Sundance Collab, the Feirstein Graduate School of Cinema at Brooklyn College, and numerous others. His students regularly earn top honors at festivals worldwide, as well as awards and nominations from the Academy of Motion Picture Arts and Sciences and the Academy of Television Arts and Sciences. He is currently the Head of Directing at Rideback RISE in Los Angeles, a fellowship program for mid-career filmmakers from POC and underrepresented groups.His recently published book, Film/TV Directors' Field Manual: Seventy Maxims to Change Your Filmmaking, has become an instant must-read for students and professionals and is available on Amazon. His other works include Actors Write For Actors, Encore, and The Field.robspera.com@robsperaofficial

MARTY SUPREME writer/director Josh Safdie unpacks his favorite movies with podcast hosts Josh Olson and Joe Dante. Show Notes: Movies Referenced In This Episode Abigail's Party (1977) Marty Supreme (2025) Burying the Ex (2015) Uncut Gems (2019) Dazed and Confused (1993) King of New York (1990) Bad Lieutenant (1992) The Funerals (1996) The Addiction (1995) 4:44 Last Day On Earth (2011) Tomasso (2019) The Driller Killer (1979) Ms .45 (1981) Go Go Tales (2007) The Killing of a Chinese Bookie (1976) A Woman Under the Influence *Kramer vs Kramer (1979) Hero (1992) Alice Doesn't Live Here Anymore (1974) Pink Floyd's The Wall (1979) The Brood (1979) *Fire in the Sky (1993) *Matinee (1993) *A Clockwork Orange (1971) The Lost Boys (1987) *Ferris Bueller's Day Off (1986) Planes, Trains and Automobiles (1987) *E.T. The Extraterrestrial (1982) *The Shining (1980) *Misery (1990) Popeye (1980) The Leprechaun (1992) Mandy (2018) The Princess Bride (1987) This Is Spinal Tap (1984) Barry Lyndon (1975) 2001: A Space Odyssey (1968) Full Metal Jacket (1987) *The 400 Blows (1959) *Pulp Fiction (1994) The Breakfast Club (1985) *The Red Balloon (1956) White Mane (1953) Gremlins (1984) *The Running Man (1987) The Terminator (1984) The King of Comedy (1983) Total Recall (1990) Robocop (1987) *Above The Rim (1994) Rocky (1976) Rocky II (1979) *Rocky III (1982) Rocky IV (1985) Rocky V (1990) Masters of the Universe (1987) Beverly Hills Cop II (1987) *Saturday Night Fever (1977) Stayin' Alive (1983) Carrie (1976) Other Notable Items Our Patreon!  The Hollywood Food Coalition The battle of Jericho Josh Mostel G.I. Joe Anton Yelchin Anagrams  Mike Leigh Abel Ferrera Willem Dafoe Odessa A'zion Clint Eastwood James Cagney The Academy of Motion Picture Arts and Sciences Kevin Garnett Ronald Bronstein Timothee Chalamet Tyler, the Creator Gwyneth Paltrow IFC Films Zohran Mamdani Mira Nair Dustin Hoffman Meryl Streep Eric Clapton Stephen Frears Geena Davis Andy Garcia Chevy Chase David Cronenberg Robert Benton A Nightmare on Elm Street series Wendy Carlos John Candy John Goodman The Cuban Missile Crisis 4DX William Castle Smell-O-Vision Shelley Duvall The Shining novel by Stephen King (1977) Stanley Kubrick TFH Guru Mick Garris The Shining miniseries (1997) Jack Nicholson The Beatles Our Panos Cosmatos podcast episode Johan Johansson Gramaphone Records Kathy Bates James Caan Rob Reiner Alfred Hitchcock Scatman Crothers Vivian Kubrick Jean-Pierre Léaud Benny Safdie John Lennon John Hughes Chris Columbus Chicago The Ramones Richard Edson Jim Jarmusch The History of Bones: A Memoir book by John Lurie (2021) Bob Hope Bing Crosby Mel Brooks Matthew Broderick Albert Lamorisse  The Fleischer Brothers Tex Avery Harold Faltermeyer Arnold Schwarzenegger Oneohtrix Point Never  Richard Dawson Jerry Lewis Paul Verhoeven The New York Knicks Queen Onyx Bernie Mac 2Pac Dolph Lundgren Sylvester Stallone John Travolta Welcome Back, Kotter TV series (1975-78) The Bee Gees Learn more about your ad choices. Visit megaphone.fm/adchoices

The Academy of Motion Picture Arts and Sciences has officially unveiled its long anticipated list of Oscar nominations, and as always, it's already sparking plenty of conversation.While some of the heavyweight contenders felt inevitable, like Sinners and One Battle After Another, there were also a few surprises that shook up the usual predictions.Looking back now, what did the 2025 film slate really look like after a full year of releases, buzz and box-office results?Were there actors who reclaimed their old glory with career-reviving roles, and is there a new generation of box office stars?What are some of the biggest nominees, the most talked-about snubs and the performances that captured audiences and critics alike?We'll also look ahead to which films are already generating excitement and which projects should be on your radar as we head into 2026.GuestsAlissa Wilkinson, New York Times film criticScott Mantz, film critic, entertainment journalist and producerPaul Dergarabedian, senior media analyst, ComScoreIf you have a disability and would like a transcript or other accommodation you can request an alternative format.(Photo Credit: Jordan Strauss / Invision / AP)

The Academy of Motion Picture Arts and Sciences has officially unveiled its long anticipated list of Oscar nominations, and as always, it's already sparking plenty of conversation.While some of the heavyweight contenders felt inevitable, like Sinners and One Battle After Another, there were also a few surprises that shook up the usual predictions.Looking back now, what did the 2025 film slate really look like after a full year of releases, buzz and box-office results?Were there actors who reclaimed their old glory with career-reviving roles, and is there a new generation of box office stars?What are some of the biggest nominees, the most talked-about snubs and the performances that captured audiences and critics alike?We'll also look ahead to which films are already generating excitement and which projects should be on your radar as we head into 2026.GuestsAlissa Wilkinson, New York Times film criticScott Mantz, film critic, entertainment journalist and producerPaul Dergarabedian, senior media analyst, ComScoreIf you have a disability and would like a transcript or other accommodation you can request an alternative format.(Photo Credit: Jordan Strauss / Invision / AP)

Send us a textIn this episode, we are joined by Cheryl Boone Isaacs, a former Pan Am stewardess from 1972 to 1974 who went on to build an extraordinary career in Hollywood. Her journey is a remarkable one that spans aviation, Hollywood, and film education. She began her professional career as a Pan Am stewardess from 1972 to 1974, an experience that gave her a global perspective and a deep appreciation for storytelling and human connection.After leaving Pan Am, Cheryl moved to San Franscico where she held various jobs. However, she always thought about either going back into aviation or pursuing her dream of being in the film business inspired in part by her brother, Ashley Boone, a pioneering film executive. Learn more about Ashley here: https://www.hollywoodreporter.com/movies/movie-features/he-was-star-wars-secret-weapon-why-was-he-forgotten-1275211/Through him, she attended an advanced screening of Star Wars before its release in May 1977. That moment proved transformational and solidified her belief that the motion picture industry was where she belonged. So, she packed her bags and moved to Hollywood. Over the decades that followed, Cheryl worked on the marketing, publicity, and release of some of the most iconic films in cinema history. Her credits include Forrest Gump, Titanic, The King's Speech, Braveheart, The Artist, Close Encounters of the Third Kind, The Right Stuff, Once Upon a Time in America, The Wedding Singer, Austin Powers: The Spy Who Shagged Me, and Spider-Man 2. She also worked on two Indiana Jones films and five Star Trek films.Behind the scenes, Cheryl broke significant barriers. She became the first African American woman to lead a major studio marketing department at New Line Cinema, and later the first African American to serve as President of the Academy of Motion Picture Arts and Sciences, where she guided the organization through a pivotal period of reflection and change.Today, she continues shaping the future of storytelling as the Founding Director and Professor of Practice at the Sidney Poitier New American Film School at Arizona State University (film.asu.edu). In that role, she mentors students and builds a program grounded in Sidney Poitier's legacy, emphasizing inclusion, leadership, and real-world industry experience.From the skies of Pan Am to Hollywood studios and now the classroom, Cheryl Boone Isaacs' career reflects a lifelong commitment to storytelling, leadership, and opening doors for future generations. Support the show Visit Us for more Pan Am History! Support the Podcast! Donate to the Museum! Visit The Hangar online store for Pan Am gear! Become a Member! Follow us on Facebook, Instagram, and Twitter!A very special thanks to Mr. Adam Aron, Chairman and CEO of AMC and president of the Pan Am Historical Foundation and Pan Am Brands for their continued and unwavering support!

Academy of Motion Picture Arts and Sciences voters showered “Sinners” with more nominations than they had ever bestowed before, breaking the 14-nomination mark set by “All About Eve,” “Titanic” and “La La Land.” Please Like, Comment and Follow 'Philip Teresi on KMJ' on all platforms: --- Philip Teresi on KMJ is available on the KMJNOW app, Apple Podcasts, Spotify, YouTube or wherever else you listen to podcasts. -- Philip Teresi on KMJ Weekdays 2-6 PM Pacific on News/Talk 580 AM & 105.9 FM KMJ | Website | Facebook | Instagram | X | Podcast | Amazon | - Everything KMJ KMJNOW App | Podcasts | Facebook | X | Instagram See omnystudio.com/listener for privacy information.

Academy of Motion Picture Arts and Sciences voters showered “Sinners” with more nominations than they had ever bestowed before, breaking the 14-nomination mark set by “All About Eve,” “Titanic” and “La La Land.” Please Like, Comment and Follow 'Philip Teresi on KMJ' on all platforms: --- Philip Teresi on KMJ is available on the KMJNOW app, Apple Podcasts, Spotify, YouTube or wherever else you listen to podcasts. -- Philip Teresi on KMJ Weekdays 2-6 PM Pacific on News/Talk 580 AM & 105.9 FM KMJ | Website | Facebook | Instagram | X | Podcast | Amazon | - Everything KMJ KMJNOW App | Podcasts | Facebook | X | Instagram See omnystudio.com/listener for privacy information.

The Academy of Motion Picture Arts and Sciences have announced the nominees for the 98th Academy Awards, with Ryan Coogler's vampire horror "Sinners" leading the charge. Racking up a record 16 nominations in various categories, "Sinners" is followed by Paul Thomas Anderson's "One Battle After Another", on 13 nominations. FRANCE 24's Olivia Salazar-Winspear takes us through the movies and the movie stars who could be in line for a gold statuette on March 15.

Today's guest, John McCarney is a graduate of the Writers Guild Foundation Veterans Writing Project, an award-winning screenwriter and community builder, who grew up in Hollywood in the 1960's. Three of his screenplays have placed in the Academy of Motion Picture Arts and Science Nicholl Fellowship in the last five years; two of them Semi-finalists. Has had multiple screenplays finish in the Austin Film Festival Screenwriting contest, along with many other wins. He is an American Cuban having been embraced by a Cuban family who took him in during his teen years. He is also a certified bilingual and volunteers as an ESL teacher, helping new immigrants learn English. Join John and I as we talk about his unique life of growing up in Hollywood in the 1960's with a Cuban family, his experience in Vietnam during operation Babylift, being a community builder and developing a successful screenwriting career later in life. You don't want to miss any of today's interesting and inspiring chat!To learn more about today's guest John McCarney please visit:Website:http://JFMWRITES.COM/Facebook Page:https://www.facebook.com/john.mccarney.9Instagram Handle:https://www.instagram.com/john_mccarney/ LinkedIn:https://www.linkedin.com/in/john-mccarney-3b36b740/--------To learn more about host G. Brian Benson:www.gbrianbenson.comDon't forget to sign up for the newsletter!

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Stephen Larkin is the Managing Director of Growth and Development at GALE, where he leads initiatives to expand the agency's reach and accelerate new business opportunities. With three decades of experience in growth strategy, corporate development, and marketing, Stephen has worked across top agencies—including Erich & Kallman and R/GA helping brands and organizations build stronger market presence and impactful relationships. His background includes spearheading high-profile assignments for clients such as the Academy of Motion Picture Arts and Sciences , the Hollywood Foreign Press Association, and the Golden Globes, blending strategic insight with creative execution.

A2 THE SHOW #593Join us as we welcome Cyril Aris, Lebanese director, screenwriter, and member of the Academy of Motion Picture Arts and Sciences®, whose feature A Sad and Beautiful World (2025) premiered at Venice and became Lebanon's Oscar® submission. Cyril opens up about choosing filmmaking over consulting, capturing Beirut's most challenging moments, and using cinema as a political and social tool. He reflects on navigating censorship, working with first-time actors, and crafting deeply human stories of love, loss, and resilience. Along the way, he shares how life experiences shape meaningful cinema and the importance of challenging global stereotypes about Beirut and Lebanese identity.IG: @cyrilarisWEBSITE: https://www.cyrilaris.com/

Description: Rob Gregory Browne discusses the concept of writer's block, emphasizing the importance of discipline in writing. He explores how writing is a job that requires commitment, even on difficult days. The discussion dives into the creative process and the mindset needed to succeed as a writer. Social Media Links: https://www.facebook.com/robertgregorybrowne/ Author Bio: Robert Gregory Browne is a Nicholl Fellow and Academy of Motion Picture Arts & Sciences Gold Alumnus. He has written teleplays for Showtime, Saban, Marvel, and Fox Kids, and has published multiple novels under multiple names in multiple countries with St. Martin's Press, Penguin Dutton, Signet, Harlequin, and his own small publishing company, Braun Haus Media, LLC. His novel, KISS HER GOODBYE, was produced for television by CBS TV/Sony Pictures. His novel, THE PARADISE PROPHECY, was optioned for ABC by Temple Hill Entertainment. Book Link: https://www.amazon.com/gp/product/B09LRS34SW Love this episode? Rate it ⭐️ Thumbs Up

Our very special guest today is Angus Fletcher, professor of story science at Ohio State's Project Narrative. His research has been called “life-changing” by Brené Brown and “mind blowing” by Malcolm Gladwell; has been endorsed by psychologists, neuroscientists, and doctors such as Martin Seligman and Antonio Damasio; and has been supported by institutions ranging from the National Science Foundation to the Academy of Motion Picture Arts and Sciences. In 2023, he was awarded the Commendation Medal by the U.S. Army for his “groundbreaking research” with U.S. Army Special Operations into primal intelligence. His latest book is called Primal Intelligence: You Are Smarter Than You Know. There are very few books or writers who have affected me as much as Angus and this book have. In the few weeks since I have read it, my coaching has changed. My thoughts about intuition, imagination and emotion have changed. I've watched close to 20 videos featuring Angus on youtube… and I don't typically ever watch that many videos about one person. Dr. Fletcher says that as humans, we think in story, not in words or pictures. He has plenty of research and street cred to back this up. Hollywood studios consult with him regularly. In addition to everything else, he's a screenwriter, and a very compelling author. I could go on and on but that wouldn't leave much time for us to talk, would it? So I will start with something familiar, and soon you will discover how mind-blowingly different some of Angus's groundbreaking ideas are. But first, the amazingly familiar part… Copy is powerful. You're responsible for how you use what you hear on this podcast. Most of the time, common sense is all you need. But if you make extreme claims... and/or if you're writing copy for offers in highly regulated industries like health, finance, and business opportunity... you may want to get a legal review after you write and before you start using your copy. My larger clients do this all the time. 1. A lot of people in the direct marketing community have felt boxed-in by the conventional wisdom that the only true kind of story is a hero's journey. I believe you have a very different point of view about stories, that includes that anatomy of the brain. Could you tell us about it? 2. Let's talk about primal intelligence. When I first found out about your book and before I read it, my guess about primal intelligence was, well, pretty primal. Lizard brain stuff. That is, the animal description that you either mate with something, or you kill it, or you eat it. You have a different and I think much more sophisticated and I would say much more useful definition of primal intelligence and it has to do with four qualities of thinking that have nothing to do with logic. Could you talk about that? 3. Our listeners are copywriters and business owners who use direct response copy in their businesses. Pragmatic creativity is high on the list of capabilities people always want to increase. Could you share your thoughts on what creativity is, from the point of view of primal intelligence? And how to increase our abilities to be creative? 4. In your book there's a surprisingly long list of people, including politicians, scientists and even a famous classical composer, as well as writers, who have mentioned Shakespeare as a major influence in their lives. What is it about Shakespeare's work that is so valuable to all these people? 5. Can you give us some more tips about using stories in our content and advertising that will capture people's attention and help us with our businesses? 6. Tell us about your work with Army special operators? 7. Would you like to give us a preview of the book Primal Intelligence? Links: Primal Intelligence https://www.amazon.com/Primal-Intelligence-Smarter-Than-Know/dp/0593715306 Angus's LinkedIn Address https://www.linkedin.com/in/angus-fletcher-99713617/ Download.

Step behind the camera with Ellen Kuras, the award-winning director and cinematographer whose visual storytelling has defined a generation of modern cinema. From her groundbreaking cinematography in Eternal Sunshine of the Spotless Mind (2004) to her powerful directorial work in Lee (2024), Ellen has redefined what it means to tell stories through light, emotion, and movement. In this in-depth conversation, Ellen shares her creative process, challenges as one of the first women in major cinematography, and her approach to capturing the soul of a story on screen. Whether you're a filmmaker, cinephile, or curious creative, this episode delivers rare insights into the craft, collaboration, and courage that fuel visual storytelling.

Step behind the camera with Ellen Kuras, the award-winning director and cinematographer whose visual storytelling has defined a generation of modern cinema. From her groundbreaking cinematography in Eternal Sunshine of the Spotless Mind (2004) to her powerful directorial work in Lee (2024), Ellen has redefined what it means to tell stories through light, emotion, and movement. In this in-depth conversation, Ellen shares her creative process, challenges as one of the first women in major cinematography, and her approach to capturing the soul of a story on screen. Whether you're a filmmaker, cinephile, or curious creative, this episode delivers rare insights into the craft, collaboration, and courage that fuel visual storytelling.

We are thrilled to welcome the insanely talented musical composer Nami Melumad to the show. Nami's work includes some things you may have heard of….including Thor Love & Thunder, Dream Productions (part of the Inside Out Franchise), Star Trek Prodigy, One Fast Move, and so much more. We certainly recognize her creative genius in the amazing music she has given us in Star Trek Strange New Worlds. This year she was invited to join the Academy of Motion Picture Arts and Sciences as part of their 2025 class. In 2023 she was nominated for and won The Society of Composers and Lyricists (SCL)'s David Raskin Award for Emerging Talent for her score on Star Trek: Strange New Worlds! We are huge fans of hers and we hope you enjoy our sit down with her as we learn more about her career, the music composition process and much more!

Lifelong Lakers suing LeBron James after paying over $850 for game tickets Florida Man Accused of Punching Father After Being Told to Remove Prostitute from Home In an unprecedented awards season move, indie studio IFC has unleashed an open letter to the Academy of Motion Picture Arts and Sciences — signed by none other than Indy, the breakout canine star of “Good Boy.” A new study claims to have uncovered non-human alien DNA, and it could potentially be affecting millions of people across the globe. FOLLOW TNR ON RUMBLE: https://rumble.com/c/c-7759604 FOLLOW TNR ON SPOTIFY: https://open.spotify.com/show/7zlofzLZht7dYxjNcBNpWN FOLLOW TNR ON APPLE PODCASTS: https://podcasts.apple.com/us/podcast/the-next-round/id1797862560 WEBSITE: https://nextroundlive.com/ MOBILE APP: https://apps.apple.com/us/app/the-next-round/id1580807480 SHOP THE NEXT ROUND STORE: https://nextround.store/ Like TNR on Facebook: / nextroundlive Follow TNR on Twitter: / nextroundlive Follow TNR on Instagram: / nextroundlive Follow everyone from the show on Twitter: Jim Dunaway: / jimdunaway Ryan Brown: / ryanbrownlive Lance Taylor: / thelancetaylor Scott Forester: / scottforestertv Tyler Johns: /TylerJohnsTNR Sponsor the show: sales@nextroundlive.com #SEC #Alabama #Auburn #secfootball #collegefootball #cfb #cfp #football #sports #alabamafootball #alabamabasketball #auburnbasketball #auburnfootball #rolltide #wareagle #alabamacrimsontide #auburntigers #nfl #sportsnews #footballnews Learn more about your ad choices. Visit megaphone.fm/adchoices

I 30 film italiani che bisogna aver visto (pt3) -  vi consiglio i titoli di 30 film italiani! Spendieren Sie einen Cafè (1€)? Donate a coffee (1€)? https://ko-fi.com/italiano Livello B2, C1#language #Movies #italiano #vhs #Film #OscarsBuongiorno cari amici e amanti dell'italiano e benvenuti all'ultima parte della lista dei 30 film italiani da me consigliati per voi, per imparare l'italiano e per conoscere meglio la società italiana.Prima però di parlarvi dei film voglio accennare ai premi più importanti che i film possono vincere. Primo fra tutti c'è l'Oscar, premio americano e anche il più antico, consegnato per la prima volta nel 1929. Il film che vince l'Oscar o l'Academy Award viene premiato con una statuetta dorata. Il nome “Oscar” sembra che derivi dall'esclamazione dell'impiegata all'Academy of Motion Picture Arts and Sciences, Margaret Herrick, che, quando ha visto la statuetta per la prima volta, ha esclamato: “Assomiglia proprio a quel pelato di mio marito Oscar!”. Il premio Oscar è il più importante e ambito premio in questo campo.C'è poi il Golden Globe, il globo d'oro, premio anche americano, che viene dato due mesi prima della consegna dell'Oscar e il primo è stato dato nel 1944.Il Leone d'Oro invece è il premio che viene assegnato alla Biennale di Venezia. Esiste dal 1932 e all'inizio si chiamava “Il Leone di San Marco”. Fino al 1942 il massimo premio assegnato era la “Coppa Mussolini” , che, nell'epoca fascista, ricopriva anche un ruolo propagandistico, poi è stato chiamato “Gran Premio Internazionale di Venezia”. Il David di Donatello è un premio cinematografico ......- The full transcript of this Episode (and excercises for many of the grammar episodes) is available via "Luisa's learn Italian Premium", Premium is no subscription and does not incur any recurring fees. You can just shop for the materials you need or want and shop per piece. Prices start at 0.20 Cent (i. e. Eurocent). - das komplette Transcript / die Show-Notes zu allen Episoden (und Übungen zu vielen der Grammatik Episoden) sind über Luisa's Podcast Premium verfügbar. Den Shop mit allen Materialien zum Podcast finden Sie unterhttps://premium.il-tedesco.itLuisa's Podcast Premium ist kein Abo - sie erhalten das jeweilige Transscript/die Shownotes sowie zu den Grammatik Episoden Übungen die Sie "pro Stück" bezahlen (ab 20ct). https://premium.il-tedesco.itMehr info unter www.il-tedesco.it bzw. https://www.il-tedesco.it/premiumMore information on www.il-tedesco.it or via my shop https://www.il-tedesco.it/premium

Send us a textAfter the Supreme Court's recent ruling in the US vs. Skrmetti case, trans youth and their families have been reeling. The decision upheld state bans on healthcare for trans youth, further stripping away life-saving care and deepening the fear and uncertainty so many of us and our kids already live with. Through it all, Mama Dragons has been here–holding families, offering comfort, and standing as a community of fierce love and unwavering support as this case has unfolded. Today In the Den, Sara sits down with special guests Sam Feder and Erin Reed to go behind the headlines and to explore the longer, more human story–one of courage, resistance, and the fight for dignity, a story that is powerfully told in the new documentary Heightened Scrutiny. This incredible film follows fearless civil rights lawyer Chase Strangio as he battles at the Supreme Court for transgender adolescents' access to gender-affirming healthcare, confronting not only the legal system but also a media landscape that distorts public perception and threatens the struggle for trans rights. Special Guest: Sam FederSam Feder is a Peabody Award-nominated film director and writer. Sam's films explore the intersection of visibility and politics along the lines of race, class, and gender. Sam directed the award-winning Netflix Original documentary DISCLOSURE (2020) and the widely acclaimed documentary Kate Bornstein Is a Queer & Pleasant Danger. Sam was recently invited to join the Academy of Motion Picture Arts and Sciences Documentary Branch and is an on-going Project& Fellow.Special Guest: Erin ReedErin Reed, known to her readers by her newsletter, Erin in the Morning, is a transgender journalist based in Washington, D.C. tracking LGBTQ+ legislation around the United States. Her work has been cited by the AP, Reuters, The New York Times, The Washington Post, and many more major media outlets.Links from the Show:Project&: https://projectand.org/ Find a Heightened Security screening near you: https://www.heightenedscrutinydoc.com/ Watch a trailer for Heightened Scrutiny here: https://www.heightenedscrutinydoc.com/#trailer Find Erin in the Morning's substack here: https://www.erininthemorning.com/ Find Erin on Blue Sky at: https://bsky.app/profile/did:plc:m65ifh7vn5zdgs7izcmht4gy Join Mama Dragons today: www.mamadragons.org In the Den is made possible by generous donors like you. Help us continue to deliver quality content by becoming a donor today at www.mamadragons.org.  Support the showConnect with Mama Dragons:WebsiteInstagramFacebookDonate to this podcast

Bonnie Clevering|The Creative Force Behind Iconic Hollywood HairHollywood Hair Designer of 50 Years with 120 A-list Credits and New MemoirBonnie Clevering, in a nearly 5-decade career as a Motion Picture Hair Stylist, has trussed the tresses of hundreds of actors including Hilary Swank, Bette Davis, Brad Pitt, Julia Roberts, Al Pacino, Keanu Reeves, and Kristen Stewart. Her impressive resume includes iconic films and TV series like Hello, Dolly!, RoboCop, Any Given Sunday, Ocean's Eleven, Erin Brockovich, Office Space, The Twilight Saga, and Mr. & Mrs. Smith, totaling over 120 productions. She earned membership in the Academy of Motion Picture Arts & Sciences in 2001. In September, Bonnie is releasing her pictorial memoir, CONTINUITY WITH BONNIE CLEVERING: LIFE BEYOND THE CREDITS.Links:https://continuitybybonnieclevering.com/https://www.instagram.com/bonnieclevering/Tags:AuthorBooksCelebrityHair StylistMoviesSingle MomTV & Filmworking in Hollywood and being a single momLive Video Podcast InterviewBonnie Clevering|The Creative Force Behind Iconic Hollywood HairSupport PEG by checking out our Sponsors:Download and use Newsly for free now from www.newsly.me or from the link in the description, and use promo code “GHOST” and receive a 1-month free premium subscription.The best tool for getting podcast guests:https://podmatch.com/signup/phantomelectricghostSubscribe to our Instagram for exclusive content:https://www.instagram.com/expansive_sound_experiments/Subscribe to our YouTube https://youtube.com/@phantomelectricghost?si=rEyT56WQvDsAoRprRSShttps://anchor.fm/s/3b31908/podcast/rssSubstackhttps://substack.com/@phantomelectricghost?utm_source=edit-profile-page

SEASON 2 - EPISODE 151 - Dave Freeth - Inventor of the Stabileye In this episode of the Team Deakins Podcast, we speak with Dave Freeth, a recipient of a Scientific and Engineering Award by the Academy of Motion Picture Arts and Sciences for the invention of the Stabileye. The Stabileye is a remotely-operated, motorized camera stabilization system, and we used the equipment extensively on 1917 to pull the film off. Dave originally started out in an apprenticeship for watchmaking but soon found himself working for the Ministry of Defence until making the transition into the film industry. We asked Dave to come on the podcast to discuss the Stabileye's inception and design, and he describes the underlying mechanics that not only power the Stabileye but other stabilization systems in use today. We talk about gyroscopes, satellites, lasers, and even gravity! He also shares how the Stabileye is adapting to newer camera models, and he reveals some surprising potential developments in sensor technology. We learn a lot in this episode, and we were excited to celebrate Dave's recent recognition with him.  - This episode is sponsored by Aputure & Barco

On this week's show, we preview the Oscars and Trump's demolition throughout renowned institutions of art. Isaac Butler — author of The Method: How the Twentieth Century Learned to Act and host of the new Criterion Channel series, The Craft of Acting — sits in for Stephen Metcalf. First, the hosts discuss I'm Still Here and the continued addition of non-English speaking films getting some of the biggest Oscar buzz. Then we tackle the latest Trump shakeups at the National Endowment for the Arts and The Kennedy Center. Finally, Dana and Julia sit down with the CEO of the Academy of Motion Picture Arts and Sciences Bill Kramer. Endorsements: Dana: The documentary Pictures of Ghosts (2023) Julia: Doppelganger: A Trip into the Mirror World by Naomi Klein, also discussed on Culture Gabfest in September 2023 Isaac: The film Z (1969), available on streaming Podcast production and research by Vic Whitley-Berry. Email us at culturefest@slate.com. Learn more about your ad choices. Visit megaphone.fm/adchoices