Podcasts about salah hassan

In this episode of Backstory, curator and art historian Salah Hassan elaborates on the historical significance of Untitled (1990), a painting by Gavin Jantjes, and how it contributes to the discourse and representation of African and African Diaspora art.   Backstory is available in both audio and video formats. To view this episode in video, click here.   CREDITS Host: Salah M Hassan.  Artwork: Untitled  (1990) by Gavin Janjtes. Producers: Jyoti Dhar, Kamayani Sharma and Mahshid Rafiei. Film and Multimedia: Dima Bittard, Unnikrishnan Suresh, Ward Helal, Shafeek Nalakath Kareem, and Magdi Tawfig. Special Thanks: Nawar Al Qassimi and Carmen Hassan.   © Sharjah Art Foundation, 2023  See omnystudio.com/listener for privacy information.

En este episodio me honra mucho conversar con Jeanette Eureka Tiburcio Doctor Honoris Causa por el IFCH en Marruecos, reconocida como embajadora de paz y humanidad y líder humanitario por su misión de paz en el mundo desde el Reino de Marruecos. Con estudios de Maestría en Educación Lingüística y en Investigación e Innovación Educativa. La Fundación Cultural Forjadores de México A.C. Edición estelar le otorga el galardón por su servicio a la Nación y su trayectoria y liderazgo en nuestro país. El Grupo Árabe para la Paz y la convivencia de coexistencia la reconoce con el certificado honorario como embajadora para la armonía de las Naciones otorgado por el Dr. Salah Hassan, por los esfuerzos de difundir el arte, la cultura y la paz en el mundo. En la infancia se le detecta súper dotación intelectual con un IQ de 146 por lo que estudia paralelo a la educación básica, una carrera técnica en sistemas computacionales. A la edad de 11 años toma una certificación española en Aprendizaje Acelerado y Programación Neurolingüística. Presidenta del Consejo Eureka Y Mil Mentes Por México y Directora General de Cabina 11 (Televisión Digital) --- Send in a voice message: https://anchor.fm/paula-m-zaragoza/message

Attribution: Salah Hassan, Black marxism and the black radical tradition in “Usmaradio” for the radio program “Scuola di pensiero” by Iolanda Pensa, recorded at Dak’Art The Dakar Biennale of Contemporary African Art, Dakar, Senegal, May 2018, cc by-sa all. Photo by Iolanda Pensa, 2018, cc by-sa all.

Modern, and contemporary criticism of African and African diasporic art is an area of inquiry that Professor Chika Okeke-Agulu insisted must exist. Professor Okeke-Agulu, along with others like Salah Hassan and Okwui Enwezor wrote into life a genre, and a lineage of artists who diagnose and critique African nation states and related projects. Okeke-Agulu is author of the recent Postcolonial Modernism: Art and Decolonization in Twentieth-Century Nigeria, which takes a broad view. His new work, Obiora Udechukwu: Line, Image, Text, takes a more narrow view, focusing on a former teacher who he names as the most influential Nigerian artist of the 20th century. Okeke-Agulu is currently at work on a book called Contemporary African Art in the Age of the Big Man, which tells the story of contemporary art after dictatorships, civil wars, IMS, and the devastation of African economies in the 1980s.

Exhibition curators Gerald McMaster and Joe Baker, Globe and Mail art critic Sarah Milroy, and professor of African Diaspora art history and visual culture Salah Hassan, discuss the exhibition Remix: New Modernities in a Post-Indian World and ask the question - "Are we past the age of an aboriginal art show?"

Exhibition curators Gerald McMaster and Joe Baker, Globe and Mail art critic Sarah Milroy, and professor of African Diaspora art history and visual culture Salah Hassan, discuss the exhibition Remix: New Modernities in a Post-Indian World and ask the question - "Are we past the age of an aboriginal art show?"

Within months of the 2003 invasion of Iraq, concerns were raised about abuse at the American-run prison of Abu Ghraib outside Baghdad. Witness hears from two former detainees, Salah Hassan and Ali Shallal Abbas, about their experiences. Listeners may find parts of this report distressing. (Photo: The words 'God Help Me' are scrawled in Arabic on a prison door inside the notorious Abu Ghraib prison, 16 September 2003 in Baghdad. Credit: Robert Sullivan/AFP/Getty Images)

Rana Mitter talks to Washington insider Vali Nasr about his new book 'The Dispensable Nation - American Foreign Policy in Retreat.' The reputation of Alfred Russel Wallace, co-founder with Darwin of the Theory of Natural Selection, has now regained its former lustre. Rana and guests discuss why one of Victorian Britain's greatest scientists fell into obscurity. Ibrahim El-Salahi has a major retrospective at Tate Modern and exhibition curator, Salah Hassan explains the Sudanese artist's crucial role in the evolution of the reputation of African Art. Mount Fuji has finally gained World Heritage Status - Martin Dusinberre explains its central role in Japanese culture.

Salah Hassan and Ken Harrow (Michigan State University) on the democratic revolutions in North Africa. Events in Libya, Tunisia and Egypt are analyzed from below and above, with focus on the perspectives of youth, creative uses of technology, as well as the connections to, and relevance of, the events to Africa and the wider world. […]

Salah Hassan and Ken Harrow (Michigan State University) on the democratic revolutions in North Africa. Events in Libya, Tunisia and Egypt are analyzed from below and above, with focus on the perspectives of youth, creative uses of technology, as well as the connections to, and relevance of, the events to Africa and the wider world. […]