Podcasts about Decolonization

Aubrey Masango speaks to Prof. Linda Meyer, Managing Director of Rosebank International, to unpack what decolonial education could actually mean in practice today, not just a philosophical or historical correction, but a reimagining of curricula, skills development, and knowledge production to better respond to South Africa’s economic realities. Tags: 702, Aubrey Masango show, Aubrey Masango, Bra Aubrey, Education Matters, Prof. Linda Meyer, Skills development, Higher education, Decolonization, Decolonizing Education The Aubrey Masango Show is presented by late night radio broadcaster Aubrey Masango. Aubrey hosts in-depth interviews on controversial political issues and chats to experts offering life advice and guidance in areas of psychology, personal finance and more. All Aubrey’s interviews are podcasted for you to catch-up and listen. Thank you for listening to this podcast from The Aubrey Masango Show. Listen live on weekdays between 20:00 and 24:00 (SA Time) to The Aubrey Masango Show broadcast on 702 https://buff.ly/gk3y0Kj and on CapeTalk between 20:00 and 21:00 (SA Time) https://buff.ly/NnFM3Nk Find out more about the show here https://buff.ly/lzyKCv0 and get all the catch-up podcasts https://buff.ly/rT6znsn Subscribe to the 702 and CapeTalk Daily and Weekly Newsletters https://buff.ly/v5mfet Follow us on social media: 702 on Facebook: https://www.facebook.com/TalkRadio702 702 on TikTok: https://www.tiktok.com/@talkradio702 702 on Instagram: https://www.instagram.com/talkradio702/ 702 on X: https://x.com/Radio702 702 on YouTube: https://www.youtube.com/@radio702 CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567See omnystudio.com/listener for privacy information.

Concerns about Palantir in the UK, Bulgaria's incoming prime minister, and the power of magic mushrooms. Then: DW's Delayland goes in search of Germany's lost mojo, women's role in Spain's progressive milestones, and Germany's handling of its colonial past.

Interview with Vineet Ahuja, DM, author of Fecal Microbiota Transplant and Multidrug-Resistant Organism Decolonization in Gastrointestinal Disease: A Randomized Trial and Michael H. Woodworth, MD, MSc, author of Fecal Microbiota Transplant for Multidrug Resistance—No Benefit Without Disruption? Hosted by Ilana Richman, MD, MHS. Related Content: Fecal Microbiota Transplant and Multidrug-Resistant Organism Decolonization in Gastrointestinal Disease Fecal Microbiota Transplant for Multidrug Resistance—No Benefit Without Disruption?

Interview with Vineet Ahuja, DM, author of Fecal Microbiota Transplant and Multidrug-Resistant Organism Decolonization in Gastrointestinal Disease: A Randomized Trial and Michael H. Woodworth, MD, MSc, author of Fecal Microbiota Transplant for Multidrug Resistance—No Benefit Without Disruption? Hosted by Ilana Richman, MD, MHS. Related Content: Fecal Microbiota Transplant and Multidrug-Resistant Organism Decolonization in Gastrointestinal Disease Fecal Microbiota Transplant for Multidrug Resistance—No Benefit Without Disruption?

In this episode of Guerrilla History, we bring back our friend and comrade, Sarah Jilani (whom you will remember from our episode Subjectivity and Decolonization in the Post-Independence Novel and Film) to discuss one of our favorite topics - Fanon.  Specifically here, we are talking about two articles that Sarah wrote, the first being Fanon's psycho-politics of decolonisation, a fascinating scholarly article that came out in the Review of African Political Economy (ROAPE).  We then talk about a ROAPE blog piece that Sarah cowrote titled Fanon, Gaza and the anxieties of empire which was a response to members of the British government and diplomatic corps denigrating Fanon and even calling out Sarah by name in doing so.  A really fascinating discussion, and the articles are really great too so be sure to check them out!  Sarah Jilani is a Lecturer in English at City, University of London. She is the author of several articles on postcolonial literatures and film that have appeared in Textual Practice, Interventions, and Journal of Commonwealth Literature, amongst others, and a widely published culture journalist.  Be sure to check out her book Decolonisation in the Post-Independence Novel and Film and her show The Global Gaze. Keep up to date with Sarah by checking out her website for more of her work, and follow her on twitter @sarahjilani.   Help support the show by signing up to our patreon, where you also will get bonus content: https://www.patreon.com/guerrillahistory   

Decolonization has long been debated across the social sciences, but the economics discipline has so far avoided such critical engagement. Decolonizing Economics: An Introduction (Polity, 2024) provides a much-needed intervention.Dutt, Alves, Kesar, and Kvangraven uncover the deeply Eurocentric foundations that shape how economists study the world today. These have rendered the discipline ill-equipped to tackle critical questions, such as structural racism, uneven development, the climate crisis, labour relations, and how structural power shapes economic outcomes. Decolonizing economics entails challenging the norms of neutrality and objectivity that economists claim to speak from, while fostering alternative ways of understanding the economy that take seriously structural power relations and contemporary processes of economic development. Readers will come to understand the political stakes of decolonization and the wide range of scholarship that already exists that can help us grasp economics from non-Eurocentric perspectives. Through such scholarship, we can gain an enriched understanding of capitalism and its relationship to exploitation, colonialism, and racialization. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Decolonization has long been debated across the social sciences, but the economics discipline has so far avoided such critical engagement. Decolonizing Economics: An Introduction (Polity, 2024) provides a much-needed intervention.Dutt, Alves, Kesar, and Kvangraven uncover the deeply Eurocentric foundations that shape how economists study the world today. These have rendered the discipline ill-equipped to tackle critical questions, such as structural racism, uneven development, the climate crisis, labour relations, and how structural power shapes economic outcomes. Decolonizing economics entails challenging the norms of neutrality and objectivity that economists claim to speak from, while fostering alternative ways of understanding the economy that take seriously structural power relations and contemporary processes of economic development. Readers will come to understand the political stakes of decolonization and the wide range of scholarship that already exists that can help us grasp economics from non-Eurocentric perspectives. Through such scholarship, we can gain an enriched understanding of capitalism and its relationship to exploitation, colonialism, and racialization. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Decolonization has long been debated across the social sciences, but the economics discipline has so far avoided such critical engagement. Decolonizing Economics: An Introduction (Polity, 2024) provides a much-needed intervention.Dutt, Alves, Kesar, and Kvangraven uncover the deeply Eurocentric foundations that shape how economists study the world today. These have rendered the discipline ill-equipped to tackle critical questions, such as structural racism, uneven development, the climate crisis, labour relations, and how structural power shapes economic outcomes. Decolonizing economics entails challenging the norms of neutrality and objectivity that economists claim to speak from, while fostering alternative ways of understanding the economy that take seriously structural power relations and contemporary processes of economic development. Readers will come to understand the political stakes of decolonization and the wide range of scholarship that already exists that can help us grasp economics from non-Eurocentric perspectives. Through such scholarship, we can gain an enriched understanding of capitalism and its relationship to exploitation, colonialism, and racialization. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Decolonization has long been debated across the social sciences, but the economics discipline has so far avoided such critical engagement. Decolonizing Economics: An Introduction (Polity, 2024) provides a much-needed intervention.Dutt, Alves, Kesar, and Kvangraven uncover the deeply Eurocentric foundations that shape how economists study the world today. These have rendered the discipline ill-equipped to tackle critical questions, such as structural racism, uneven development, the climate crisis, labour relations, and how structural power shapes economic outcomes. Decolonizing economics entails challenging the norms of neutrality and objectivity that economists claim to speak from, while fostering alternative ways of understanding the economy that take seriously structural power relations and contemporary processes of economic development. Readers will come to understand the political stakes of decolonization and the wide range of scholarship that already exists that can help us grasp economics from non-Eurocentric perspectives. Through such scholarship, we can gain an enriched understanding of capitalism and its relationship to exploitation, colonialism, and racialization. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/economics

Prof. Junaid Ahmad teaches Law, Religion, and Global Politics and is the Director of the Center for the Study of Islam and Decolonization

Decolonization has long been debated across the social sciences, but the economics discipline has so far avoided such critical engagement. Decolonizing Economics: An Introduction (Polity, 2024) provides a much-needed intervention.Dutt, Alves, Kesar, and Kvangraven uncover the deeply Eurocentric foundations that shape how economists study the world today. These have rendered the discipline ill-equipped to tackle critical questions, such as structural racism, uneven development, the climate crisis, labour relations, and how structural power shapes economic outcomes. Decolonizing economics entails challenging the norms of neutrality and objectivity that economists claim to speak from, while fostering alternative ways of understanding the economy that take seriously structural power relations and contemporary processes of economic development. Readers will come to understand the political stakes of decolonization and the wide range of scholarship that already exists that can help us grasp economics from non-Eurocentric perspectives. Through such scholarship, we can gain an enriched understanding of capitalism and its relationship to exploitation, colonialism, and racialization. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of High Theory, Zac Zimmer talks to Kim about Decolonizing the Novum. The novum is a concept developed by Darko Suvin that names the new element of a science fiction or speculative fiction narrative. SF narratives from the Americas that rewrite archival material about colonization and first contact have begun an imaginative project of decolonizing that novum. In Zac's words, the "novum" has been part of our definition of science fiction since Darko Suvin first offered up the concept of part of his critical assessment of SF. This idea of "novelty" is linked to conquest and colonialism through the figure of the New World, i.e. the post-1492 Americas. Thus untangling the relationship between colonialism, novelty, and science fiction must pass through the historical record of the conquest. One way to do this is to focus on SF that deeply engages the archival record of the XVIth century in the Americas: texts and artworks that use speculation to depart from the knowledge that things didn't quite occur the way the dominant paradigms would lead us to believe, and to imagine other futures linked to past moments of historical contingency. In the episode, Zac references an incredible list of writers and theorists, including Edmundo O'Gorman and Walter Benjamin, Saidiya Hartman's “Venus in Two Acts,” You Dreamed of Empires by Álvaro Enrigue, Destrucción de todas las cosas by Hugo Hiriart, and “Decolonization is not a metaphor” by Eve Tuck and K. Wayne Yang. The transcript lives here as a WordDoc and here as a PDF. Zac's book, First Contact: Speculative Visions of the Conquest of the Americas (Northwestern University Press 2025), is a comparative study of Latin American science fiction and narratives of the sixteenth century conquest of the Americas. It moves through a corpus of Mexican novels, Andean visual arts practices, and other cultural artifacts that have dramatized counterfactual narratives. Reimagining the early colonial period's historiography from a south-to-north directionality while inventing parallel realities, these texts, which are concerned with limit cases, alterities, and alternative temporalities, refuse any reliance on the imperial ontologies of European expansion. Zac examines these works to explore the slippage that exists between science fiction as the exemplary genre of the modern, colonial reality and literary speculation as an aesthetic tool that can be used to imagine other possible worlds. You can read a review in the Los Angeles Review of Books. Zac Zimmer works as an Associate Professor of Literature at UC Santa Cruz. His research explores questions of literature, aesthetics, politics, and technology in the Americas.In addition to his current research on the cultural infrastructure of technosystems, he co-facilitates the Ethics & Astrobiology reading group, part of UCSC's Astrobiology Initiative. In the Literature department, he teaches classes on Latin American literature, science fiction, ethics & technology, and the poetics of California infrastructure. The image for this episode is the view from the Hubble Space Telescope, showing the birth of a sun-like star, retrieved from Flicker for High Theory by Lili Epstein. Image credit: NASA, ESA, G. Duchene (Universite de Grenoble I); Image Processing: Gladys Kober (NASA/Catholic University of America) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this episode of High Theory, Zac Zimmer talks to Kim about Decolonizing the Novum. The novum is a concept developed by Darko Suvin that names the new element of a science fiction or speculative fiction narrative. SF narratives from the Americas that rewrite archival material about colonization and first contact have begun an imaginative project of decolonizing that novum. In Zac's words, the "novum" has been part of our definition of science fiction since Darko Suvin first offered up the concept of part of his critical assessment of SF. This idea of "novelty" is linked to conquest and colonialism through the figure of the New World, i.e. the post-1492 Americas. Thus untangling the relationship between colonialism, novelty, and science fiction must pass through the historical record of the conquest. One way to do this is to focus on SF that deeply engages the archival record of the XVIth century in the Americas: texts and artworks that use speculation to depart from the knowledge that things didn't quite occur the way the dominant paradigms would lead us to believe, and to imagine other futures linked to past moments of historical contingency. In the episode, Zac references an incredible list of writers and theorists, including Edmundo O'Gorman and Walter Benjamin, Saidiya Hartman's “Venus in Two Acts,” You Dreamed of Empires by Álvaro Enrigue, Destrucción de todas las cosas by Hugo Hiriart, and “Decolonization is not a metaphor” by Eve Tuck and K. Wayne Yang. The transcript lives here as a WordDoc and here as a PDF. Zac's book, First Contact: Speculative Visions of the Conquest of the Americas (Northwestern University Press 2025), is a comparative study of Latin American science fiction and narratives of the sixteenth century conquest of the Americas. It moves through a corpus of Mexican novels, Andean visual arts practices, and other cultural artifacts that have dramatized counterfactual narratives. Reimagining the early colonial period's historiography from a south-to-north directionality while inventing parallel realities, these texts, which are concerned with limit cases, alterities, and alternative temporalities, refuse any reliance on the imperial ontologies of European expansion. Zac examines these works to explore the slippage that exists between science fiction as the exemplary genre of the modern, colonial reality and literary speculation as an aesthetic tool that can be used to imagine other possible worlds. You can read a review in the Los Angeles Review of Books. Zac Zimmer works as an Associate Professor of Literature at UC Santa Cruz. His research explores questions of literature, aesthetics, politics, and technology in the Americas.In addition to his current research on the cultural infrastructure of technosystems, he co-facilitates the Ethics & Astrobiology reading group, part of UCSC's Astrobiology Initiative. In the Literature department, he teaches classes on Latin American literature, science fiction, ethics & technology, and the poetics of California infrastructure. The image for this episode is the view from the Hubble Space Telescope, showing the birth of a sun-like star, retrieved from Flicker for High Theory by Lili Epstein. Image credit: NASA, ESA, G. Duchene (Universite de Grenoble I); Image Processing: Gladys Kober (NASA/Catholic University of America) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

In this episode of High Theory, Zac Zimmer talks to Kim about Decolonizing the Novum. The novum is a concept developed by Darko Suvin that names the new element of a science fiction or speculative fiction narrative. SF narratives from the Americas that rewrite archival material about colonization and first contact have begun an imaginative project of decolonizing that novum. In Zac's words, the "novum" has been part of our definition of science fiction since Darko Suvin first offered up the concept of part of his critical assessment of SF. This idea of "novelty" is linked to conquest and colonialism through the figure of the New World, i.e. the post-1492 Americas. Thus untangling the relationship between colonialism, novelty, and science fiction must pass through the historical record of the conquest. One way to do this is to focus on SF that deeply engages the archival record of the XVIth century in the Americas: texts and artworks that use speculation to depart from the knowledge that things didn't quite occur the way the dominant paradigms would lead us to believe, and to imagine other futures linked to past moments of historical contingency. In the episode, Zac references an incredible list of writers and theorists, including Edmundo O'Gorman and Walter Benjamin, Saidiya Hartman's “Venus in Two Acts,” You Dreamed of Empires by Álvaro Enrigue, Destrucción de todas las cosas by Hugo Hiriart, and “Decolonization is not a metaphor” by Eve Tuck and K. Wayne Yang. The transcript lives here as a WordDoc and here as a PDF. Zac's book, First Contact: Speculative Visions of the Conquest of the Americas (Northwestern University Press 2025), is a comparative study of Latin American science fiction and narratives of the sixteenth century conquest of the Americas. It moves through a corpus of Mexican novels, Andean visual arts practices, and other cultural artifacts that have dramatized counterfactual narratives. Reimagining the early colonial period's historiography from a south-to-north directionality while inventing parallel realities, these texts, which are concerned with limit cases, alterities, and alternative temporalities, refuse any reliance on the imperial ontologies of European expansion. Zac examines these works to explore the slippage that exists between science fiction as the exemplary genre of the modern, colonial reality and literary speculation as an aesthetic tool that can be used to imagine other possible worlds. You can read a review in the Los Angeles Review of Books. Zac Zimmer works as an Associate Professor of Literature at UC Santa Cruz. His research explores questions of literature, aesthetics, politics, and technology in the Americas.In addition to his current research on the cultural infrastructure of technosystems, he co-facilitates the Ethics & Astrobiology reading group, part of UCSC's Astrobiology Initiative. In the Literature department, he teaches classes on Latin American literature, science fiction, ethics & technology, and the poetics of California infrastructure. The image for this episode is the view from the Hubble Space Telescope, showing the birth of a sun-like star, retrieved from Flicker for High Theory by Lili Epstein. Image credit: NASA, ESA, G. Duchene (Universite de Grenoble I); Image Processing: Gladys Kober (NASA/Catholic University of America) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/native-american-studies

In this episode of High Theory, Zac Zimmer talks to Kim about Decolonizing the Novum. The novum is a concept developed by Darko Suvin that names the new element of a science fiction or speculative fiction narrative. SF narratives from the Americas that rewrite archival material about colonization and first contact have begun an imaginative project of decolonizing that novum. In Zac's words, the "novum" has been part of our definition of science fiction since Darko Suvin first offered up the concept of part of his critical assessment of SF. This idea of "novelty" is linked to conquest and colonialism through the figure of the New World, i.e. the post-1492 Americas. Thus untangling the relationship between colonialism, novelty, and science fiction must pass through the historical record of the conquest. One way to do this is to focus on SF that deeply engages the archival record of the XVIth century in the Americas: texts and artworks that use speculation to depart from the knowledge that things didn't quite occur the way the dominant paradigms would lead us to believe, and to imagine other futures linked to past moments of historical contingency. In the episode, Zac references an incredible list of writers and theorists, including Edmundo O'Gorman and Walter Benjamin, Saidiya Hartman's “Venus in Two Acts,” You Dreamed of Empires by Álvaro Enrigue, Destrucción de todas las cosas by Hugo Hiriart, and “Decolonization is not a metaphor” by Eve Tuck and K. Wayne Yang. The transcript lives here as a WordDoc and here as a PDF. Zac's book, First Contact: Speculative Visions of the Conquest of the Americas (Northwestern University Press 2025), is a comparative study of Latin American science fiction and narratives of the sixteenth century conquest of the Americas. It moves through a corpus of Mexican novels, Andean visual arts practices, and other cultural artifacts that have dramatized counterfactual narratives. Reimagining the early colonial period's historiography from a south-to-north directionality while inventing parallel realities, these texts, which are concerned with limit cases, alterities, and alternative temporalities, refuse any reliance on the imperial ontologies of European expansion. Zac examines these works to explore the slippage that exists between science fiction as the exemplary genre of the modern, colonial reality and literary speculation as an aesthetic tool that can be used to imagine other possible worlds. You can read a review in the Los Angeles Review of Books. Zac Zimmer works as an Associate Professor of Literature at UC Santa Cruz. His research explores questions of literature, aesthetics, politics, and technology in the Americas.In addition to his current research on the cultural infrastructure of technosystems, he co-facilitates the Ethics & Astrobiology reading group, part of UCSC's Astrobiology Initiative. In the Literature department, he teaches classes on Latin American literature, science fiction, ethics & technology, and the poetics of California infrastructure. The image for this episode is the view from the Hubble Space Telescope, showing the birth of a sun-like star, retrieved from Flicker for High Theory by Lili Epstein. Image credit: NASA, ESA, G. Duchene (Universite de Grenoble I); Image Processing: Gladys Kober (NASA/Catholic University of America) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this episode of High Theory, Zac Zimmer talks to Kim about Decolonizing the Novum. The novum is a concept developed by Darko Suvin that names the new element of a science fiction or speculative fiction narrative. SF narratives from the Americas that rewrite archival material about colonization and first contact have begun an imaginative project of decolonizing that novum. In Zac's words, the "novum" has been part of our definition of science fiction since Darko Suvin first offered up the concept of part of his critical assessment of SF. This idea of "novelty" is linked to conquest and colonialism through the figure of the New World, i.e. the post-1492 Americas. Thus untangling the relationship between colonialism, novelty, and science fiction must pass through the historical record of the conquest. One way to do this is to focus on SF that deeply engages the archival record of the XVIth century in the Americas: texts and artworks that use speculation to depart from the knowledge that things didn't quite occur the way the dominant paradigms would lead us to believe, and to imagine other futures linked to past moments of historical contingency. In the episode, Zac references an incredible list of writers and theorists, including Edmundo O'Gorman and Walter Benjamin, Saidiya Hartman's “Venus in Two Acts,” You Dreamed of Empires by Álvaro Enrigue, Destrucción de todas las cosas by Hugo Hiriart, and “Decolonization is not a metaphor” by Eve Tuck and K. Wayne Yang. The transcript lives here as a WordDoc and here as a PDF. Zac's book, First Contact: Speculative Visions of the Conquest of the Americas (Northwestern University Press 2025), is a comparative study of Latin American science fiction and narratives of the sixteenth century conquest of the Americas. It moves through a corpus of Mexican novels, Andean visual arts practices, and other cultural artifacts that have dramatized counterfactual narratives. Reimagining the early colonial period's historiography from a south-to-north directionality while inventing parallel realities, these texts, which are concerned with limit cases, alterities, and alternative temporalities, refuse any reliance on the imperial ontologies of European expansion. Zac examines these works to explore the slippage that exists between science fiction as the exemplary genre of the modern, colonial reality and literary speculation as an aesthetic tool that can be used to imagine other possible worlds. You can read a review in the Los Angeles Review of Books. Zac Zimmer works as an Associate Professor of Literature at UC Santa Cruz. His research explores questions of literature, aesthetics, politics, and technology in the Americas.In addition to his current research on the cultural infrastructure of technosystems, he co-facilitates the Ethics & Astrobiology reading group, part of UCSC's Astrobiology Initiative. In the Literature department, he teaches classes on Latin American literature, science fiction, ethics & technology, and the poetics of California infrastructure. The image for this episode is the view from the Hubble Space Telescope, showing the birth of a sun-like star, retrieved from Flicker for High Theory by Lili Epstein. Image credit: NASA, ESA, G. Duchene (Universite de Grenoble I); Image Processing: Gladys Kober (NASA/Catholic University of America) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In this episode of High Theory, Zac Zimmer talks to Kim about Decolonizing the Novum. The novum is a concept developed by Darko Suvin that names the new element of a science fiction or speculative fiction narrative. SF narratives from the Americas that rewrite archival material about colonization and first contact have begun an imaginative project of decolonizing that novum. In Zac's words, the "novum" has been part of our definition of science fiction since Darko Suvin first offered up the concept of part of his critical assessment of SF. This idea of "novelty" is linked to conquest and colonialism through the figure of the New World, i.e. the post-1492 Americas. Thus untangling the relationship between colonialism, novelty, and science fiction must pass through the historical record of the conquest. One way to do this is to focus on SF that deeply engages the archival record of the XVIth century in the Americas: texts and artworks that use speculation to depart from the knowledge that things didn't quite occur the way the dominant paradigms would lead us to believe, and to imagine other futures linked to past moments of historical contingency. In the episode, Zac references an incredible list of writers and theorists, including Edmundo O'Gorman and Walter Benjamin, Saidiya Hartman's “Venus in Two Acts,” You Dreamed of Empires by Álvaro Enrigue, Destrucción de todas las cosas by Hugo Hiriart, and “Decolonization is not a metaphor” by Eve Tuck and K. Wayne Yang. The transcript lives here as a WordDoc and here as a PDF. Zac's book, First Contact: Speculative Visions of the Conquest of the Americas (Northwestern University Press 2025), is a comparative study of Latin American science fiction and narratives of the sixteenth century conquest of the Americas. It moves through a corpus of Mexican novels, Andean visual arts practices, and other cultural artifacts that have dramatized counterfactual narratives. Reimagining the early colonial period's historiography from a south-to-north directionality while inventing parallel realities, these texts, which are concerned with limit cases, alterities, and alternative temporalities, refuse any reliance on the imperial ontologies of European expansion. Zac examines these works to explore the slippage that exists between science fiction as the exemplary genre of the modern, colonial reality and literary speculation as an aesthetic tool that can be used to imagine other possible worlds. You can read a review in the Los Angeles Review of Books. Zac Zimmer works as an Associate Professor of Literature at UC Santa Cruz. His research explores questions of literature, aesthetics, politics, and technology in the Americas.In addition to his current research on the cultural infrastructure of technosystems, he co-facilitates the Ethics & Astrobiology reading group, part of UCSC's Astrobiology Initiative. In the Literature department, he teaches classes on Latin American literature, science fiction, ethics & technology, and the poetics of California infrastructure. The image for this episode is the view from the Hubble Space Telescope, showing the birth of a sun-like star, retrieved from Flicker for High Theory by Lili Epstein. Image credit: NASA, ESA, G. Duchene (Universite de Grenoble I); Image Processing: Gladys Kober (NASA/Catholic University of America) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

In this continuation of our African Revolutions and Decolonization series, we bring back two returning guests, Gerald Horne and Anthony Ballas, to discuss the documentary Soundtrack to a Coup d'Etat, the assassination of Patrice Lumumba, and the U.S.'s "jazz ambassadors".  A really stimulating discussion, we highly recommend you also check out our other episodes focused on the Congo to orient yourself historically here - The Congo - From Colonization Through Lumumba & Mobutu and The Situation in Congo - From Mobutu to M23 Rebels Today (both with Georges Nzongola-Ntalaja) and Mining the Congo w/ Josaphat Musamba, Germain Ngoie Tshibambe, & Ben Radley. We also recommend you check out the previous episodes we have done with Dr. Horne, which include - Histories of Resistance in LA from 60's to Today, Texas and the Roots of U.S. Fascism, and The Counterrevolution of 1776 Anthony Ballas was also on the show recently, you can listen to the episode we did with him - Whiteness, Jake Paul, Boxing, & the Crisis of US Imperialism Gerald Horne is the John J. and Rebecca Moores Chair of History and African American Studies at the University of Houston.  His research interests are unbelievably varied, encompassing biographies of W.E.B. Du Bois and Paul Robeson, to The Haitian Revolution, to Hollywood in the '30s-'50s, to Jazz and Justice.  Be sure to check out his bibliography, you're certain to find something that interests you! Anthony Ballas is an organizer and a PhD student at Duke University. His work appears in Monthly Review, Protean Magazine, Caribbean Quarterly, 3:AM Magazine, Truthout, Middle West Review, CounterPunch, Scalawag Magazine, Peace, Land and Bread Magazine, and elsewhere. He also the host of the De Facto Podcast and co-host of Cold War Cinema.  Help support the show by signing up to our patreon, where you also will get bonus content: https://www.patreon.com/guerrillahistory 

The Church as we know it in our Western culture has become intertwined with the dominant colonial systems and power structures. These systems and structures do not reflect the ministry or the justice of Jesus, and can perpetuate inequity and harm on the marginalized. This Sunday's sermon will look at how our congregation may pursue justice by intentionally stripping away those biases and actively promoting restorative justice through our teaching, our community, and our budget.

Shae discusses green colonialism, what it is, how we see it in climate activism and the overall nuances that come with considering solutions to confront climate change and better ourselves as activists. To get a better understanding of this, Shae interviews Tiahni Adamson from Bush Heritage Australia.This show features music: Coming Home by Joey Leigh Wagtail and Cameleon by Ziggy Ramo.  References Akama, J. S., Maingi, S. and Carmago, B. A. (2011) ‘Wildlife Conservation, Safari Tourism and the Role  of Tourism Certification in Kenya: A Postcolonial Critique', Tourism Recreation Research, 36(3)Bocarejo, D. and Ojeda, D. (2016) ‘Violence and Conservation: Beyond Unintended Consequences and  Unfortunate Coincidences', Geoforum, 69, doi:https://doi.org/10.1016/j.geoforum.2015.11.001. Gilio-Whitaker, D. (2019) The Story We've Been Told About America's National Parks Is Incomplete.  Available at: https://time.com/5562258/indigenous-environmental-justice/ Jago, R. (2020) Canada's National Parks are Colonial Crime Scenes. Available at:  https://thewalrus.ca/canadas-national-parks-are-colonial-crime-scenes/ Dowie, M. (2011) Conservation Refugees: The Hundred-Year Conflict between Global Conservation and  Native Peoples. Cambridge, Massachusetts: MIT Press. Kimmerer, R. W. (2013) Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the  Teachings of Plants. Minneapolis: Milkweed Editions. Luke, T. W. (1997) ‘The World Wildlife Fund: Ecocolonialism as Funding the Worldwide “Wise Use” of  Nature', Capitalism Nature Socialism, 8(2), doi:https://doi.org/10.1080/10455759709358734.  Adams, W. M. (2017) ‘Sleeping with the enemy? Biodiversity conservation, corporations and the green  economy', Journal of Political Ecology, 24(1), doi:https://doi.org/10.2458/v24i1.20804. Allen, K. (2018) ‘Why Exchange Values are Not Environmental Values: Explaining the Problem with  Neoliberal Conservation', Conservation and Society, 16(3), doi:http://www.jstor.org/stable/26500638. Bhattacharyya, J. and Slocombe, S. (2017) ‘Animal Agency: Wildlife Management from a Kincentric  Perspective', Ecosphere, 8(10), doi:https://doi.org/10.1002/ecs2.1978. Büscher, B., Sullivan, S., Neves, K., Igoe, J. and Brockington, D. (2012) ‘Towards a Synthesized Critique  of Neoliberal Biodiversity Conservation', Capitalism Nature Socialism, 23(2),  doi:https://doi.org/10.1080/10455752.2012.674149.Cox, P. A., Elmqvist, T. (1997) ‘Ecocolonialism and Indigenous-Controlled Rainforest Preserves in  Samoa', Royal Swedish Academy of Sciences, 26(2).Crosby, A. (1986) Ecological Imperialism: The Biological Expansion of Europe, 900-1900. Cambridge:  Cambridge University Press. Fletcher, R. (2010) ‘Neoliberal Environmentality: Towards a Poststructuralist Political Ecology of the  Conservation Debate', Conservation and Society, 8(3), doi:http://www.jstor.org/stable/26393009 Goldman, M. J. (2020) Narrating Nature: Wildlife Conservation and Maasai Ways of Knowing. Tucson,  AZ: The University of Arizona Press.  Mantaay, J. (2002) ‘Mapping Environmental Injustices: Pitfalls and Potential of Geographic Information  Systems in Assessing Environmental Health and Equity', Environmental Health Perspectives, 110(2), doi:10.1289/ehp.02110s2161.   Mei-Singh, L. (2016) ‘Carceral Conservationism: Contested Landscapes and Technologies of  Dispossession at Ka‘ena Point, Hawai‘i', American Quarterly, 68(3),  doi:https://doi.org/10.1353/aq.2016.0059.  Mitall, A. and Fraser, E. (2018) ‘Losing the Serengeti: The Maasai Land that was to Run Forever', The  Oakland Institute.Neale, T. (2017) Wild Articulations: Environmentalism and Indigeneity in Northern Australia. Honolulu:  University of Hawai'i Press. Nogrady, B. (2019) ‘Trauma of Australia's Indigenous 'Stolen Generations' is still affecting children  today', Nature (London), 570(7762), doi:10.1038/d41586-019-01948-3. Pascoe, B. (2014) Dark Emu: Aboriginal Australia and the Birth of Agriculture. Broome: Magabala Books  Aboriginal Corporation.  Smith, W., Neale, T., Weir, J. K. (2021) ‘Persuasion Without Policies: The Work of Reviving Indigenous  Peoples' Fire Management in Southern Australia', Geoforum, 120, doi:https://doi.org/10.1016/j.geoforum.2021.01.015.  Steffensen, V. (2020) Fire Country: How Indigenous Fire Management Could Help Save Australia.  Melbourne: Hardie Grant Explore.  Tuck, E. and Yang, K. W. (2012) ‘Decolonization is not a Metaphor', Decolonization: Indigeneity, Education & Society, 1(1). Whyte, K. P, Brewer, J. P, Johnson, J. T. (2016) ‘Weaving Indigenous Science, Protocols and  Sustainability Science', Sustainability Science, 11(1) doi:10.1007/s11625-015-0296-6 Whyte, K. P. (2017) ‘Is it Colonial Dèja-Vu? Indigenous Peoples and Climate Injustice', Humanities for  the Environment: Integrating knowledge, forming new constellations of practice, ed. By Joni Adamson  and Michael Davis.Whyte, K. P. (2018) White Allies, Let's Be Honest About Decolonization. Available at:  https://www.yesmagazine.org/issue/decolonize/2018/04/03/white-allies-lets-be-honest-about decolonization.Wood, S, Bowman, D. (2011) ‘Alternative stable states and the role of fire–vegetation– soil feedbacks in  the temperate wilderness of southwest Tasmania', Landscape Ecology.  WebsitesBush Heritage Australia - https://www.bushheritage.org.au/?srsltid=AfmBOoqnkDeqMH5UAddiKk5QZWOwRDVP4bwRvCB7JKs4c79eaYt6Z7cqCountry Needs People - https://www.countryneedspeople.org.au/These Sacred Hills - https://sacredhillsfilm.com/ North Australian Indigenous Land and Sea Management Alliance - https://nailsma.org.au/ Australian Land Conservation Alliance - https://alca.org.au/ Indigenous Desert Alliance - https://www.indigenousdesertalliance.com/z

In this continuation of our African Revolutions and Decolonization series, we bring back Max Siollun, whom you will remember from our episode Precolonial Nigeria from a few months ago.  This time, we look at the Independence Movement in Nigeria, and then look at the post-colonial era with a particular focus on the Coup Era from the mid-60's through mid-80's.  A fascinating history, and one which we hope you will find useful!  Be sure to stay tuned for further episodes of the series! Max Siollun is a historian. He has written several acclaimed books on Nigeria's history, including What Britain Did to Nigeria: A Short History of Conquest and Rule, which was shortlisted in BBC History Magazine's 2021 Books of the Year, and The Forgotten Era: Nigeria Before British Rule.  Follow him on twitter @maxsiollun. Help support the show by signing up to our patreon, where you also will get bonus content: https://www.patreon.com/guerrillahistory 

 Imagine tuning a radio time-machine dial between the past and present of the Zambezi River valley; birds weave a tapestry in and out of the soundscape as static, magnetic drift, crosstalk and interference rise and fall with the signals in the atmosphere. The foundation of this mix, an original recording in the Pitt Rivers Museum collection, is a radio broadcast of singing and drumming by an unidentified group circa 1965, in the first years of Zambia's independence and the period of transition from colonial broadcasting structures to a national network. The available information is minimal; a single scrap of paper tells us the recording is "starring Stephen & Pio". During the copying process one of the reels of tape was accidentally overprinted, so that one track runs backwards while another simultaneously runs forward. In my reimagined mix this glitch leads us through history and memory, the reversed rhythms of backwards magnetic tape conducting an aural transition back into the past.  In the 1970s the government and the people supported the Black majorities in neighbouring countries who were engaged in armed struggles against oppressive white settler regimes. Lusaka, the capital of Zambia, acted as the headquarters for clandestine shortwave radio broadcasts supporting these wars of African liberation. In transmissions of solidarity and strategy sent across borders, the sound of gunfire was a form of station identification, heard here among victory celebrations and swarming mosquitoes. Collectivities float across the airwaves: clouds of insects, armies and colonies and communities of people, soloist and chorus in call and response, the undercurrent of winds and rivers, flocks of birds. For the Tonga of Southern Province, birds are associated with spirits and the women who perform rainmaking rituals with them. Tuning into the Zambezi Valley in the 2020s, we catch voices of women's empowerment amidst fragments of an ongoing community radio revitalization movement. New volunteer-run stations are broadcasting on FM in areas where Internet and cell phone service are sketchy or nonexistent, but most households own at least one radio. Questions asked by Brooklyn College anthropology students are answered by students and radio producers in the Zambezi Valley in an exchange of audio letters, part of a co-production with Claudia Wegener (a.k.a. radio continental drift). In the coda we return to the early years of Zambian freedom and independence, as the tape plays backwards again and the individual voices of the original recording multiply to form a nation.Birds: Macaulay Library, Cornell University Ornithology LabClandestine shortwave recordings: Interval Signals OnlineClips: Radio Zambia, Radio Chikuni, Sinazongwe Community Radio Voices:Maseline Mureles (Narrator), Chisa Mwiinde, ManJun Luo, Anna Kowalski, Miriam Salama, Arilda Hyka, Galit Mamrout, Lucia Munenge, Megi Murati, Meggie Cheng, Mrs. Banda Ndeti, Nosiku Mundia, Margaret Munkuli, Monica Siabunkululu, Patience KabukuThanks: Claudia Wegener, Zongwe FM, Zubo Trust for Women, Brooklyn College, Stuart Fowkes, Anna Stereopolou, Wave Farm, Library of Congress Radio Preservation Task Force, National Endowment for the Humanities Radio & Decolonization workshop.Bantu songs from Zambia reimagined by Tom Miller.———Part of the project A Century of Sounds, reimagining 100 sounds covering 100 years from the collections of the Pitt Rivers Museum at the University of Oxford. Explore the full project at citiesandmemory.com/century-sounds

For this episode of In Theory, Disha Karnad Jani interviews Esmat Elhalaby about his first book, "Parting Gifts of Empire: Palestine and India at the Dawn of Decolonization" (University of California Press, 2025), which offers a pathbreaking perspective on the under-explored relationship between Arab and Indian intellectuals throughout the twentieth century and the era of decolonization. Their conversation charts the various forms of knowledge production that arose from these two regions and their shared experiences of imperialism, contemporary critiques of cosmopolitanism, and how else scholars might write global intellectual histories in the present.

URGENT: Sign now to oppose Bill 242-38; the hearing is happening as this episode drops.  Petition: https://forms.gle/zEoq7Rf6Jmg32jTS7 Note: The recording took place 24 hours before the public hearing at the Guam Congress Building on Bill 242-38. Red Power Hour co-host Melanie Yazzie and TRN comrade Tåhdong talk with Melvin Won Pat-Borja (Executive Director, Guam Commission on Decolonization) and Michael Lujan Bevacqua (Co-Chair, Independent Guåhan) about why Bill 242-38 would erase a Native-Inhabitant–led vote and violate CHamoru self-determination. We cover Guåhan and Micronesia's decolonization history, the ways U.S. citizenship is switched on/off by a militarized agenda, how an Independent Micronesia could shift Guam from being America's "tip of the spear" to a bridge of peace between East and West, and why Indigenous solidarity is more powerful than spam. Submit written or oral testimony before the public hearing. Toolkit with scripts, emails, addresses: https://tinyurl.com/y2kxa38n Sign & share now: https://forms.gle/zEoq7Rf6Jmg32jTS7 →  Then submit testimony and call Guam's senators using the COD Toolkit https://tinyurl.com/y2kxa38n   Empower our work: GoFundMe: https://www.gofundme.com/f/empower-red-medias-indigenous-content Subscribe to The Red Nation Newsletter: https://www.therednation.org/ Patreon https://www.patreon.com/redmediapr

In this episode of the World of Higher Education Podcast, host Alex Usher is joined by Simon Marginson, Emeritus Professor of Higher Education at Oxford University, to discuss his new book 'Global Higher Education in Times of Upheaval: On Common Goods, Geopolitics and Decolonization.' They cover a range of topics, including the rise of right-wing nationalism, China's scientific advancement, and the challenges posed by neoliberalism and neocolonialism to the higher education sector. Simon emphasizes the need for higher education to be oriented towards the common good and discusses the distinctions between public goods and common goods in this context. The conversation explores the differences between higher education systems in the Anglosphere and other parts of the world, as well as the implications of internationalization versus globalization.

In the 1930s and 1940s, amid intensifying anticolonial activism across the British Empire, dozens of new West African and Caribbean newspapers printed their first issues. With small staffs and shoestring budgets, these newspapers nonetheless became powerful vehicles for the expression of Black political thought. Drawing on papers from Trinidad, Jamaica, Ghana, and Nigeria, Leslie James shows how the press on both sides of the Atlantic nourished anticolonial and antiracist movements. Editors with varying levels of education, men and women journalists, worker and peasant correspondents, and anonymous contributors voiced incisive critiques of empire and experimented with visions of Black freedom. But as independence loomed, the press transformed to better demonstrate the respectability expected of a self-governing people. Seeing themselves as “the Fourth and Only Estate,” the sole democratic institution available to a colonized population, early press contributors experimented with the form and function of the newspaper itself. They advanced anticolonial goals through clipping and reprinting articles from a variety of sources; drawing on local ways of speaking; and manipulating photography, comics, and advertising. Such unruly content, James shows, served as a strategic assertion of autonomy against colonial bureaucracy. Yet in the 1950s, this landscape changed as press professionalism became a proxy for a colony's capacity to govern itself. Analyzing a key moment in the history of Black Atlantic political thought, The Moving Word: How the West African and Caribbean Press Shaped Black Political Thought, 1935-1960 (Harvard UP, 2025) highlights the boundless, shapeshifting power of experimental media. During the era of decolonization, as independence loomed on the horizon, West African and Caribbean newspapers creatively engineered and reinvented debates about imperialism, racial capitalism, and Black freedom dreams and realities. Leslie James is Reader and Sinor Lecturer in Global History at Queen Mary University of London and the author of George Padmore and Decolonization from Below: Pan-Africanism, the Cold War, and the End of Empire, 1939–1959. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the 1930s and 1940s, amid intensifying anticolonial activism across the British Empire, dozens of new West African and Caribbean newspapers printed their first issues. With small staffs and shoestring budgets, these newspapers nonetheless became powerful vehicles for the expression of Black political thought. Drawing on papers from Trinidad, Jamaica, Ghana, and Nigeria, Leslie James shows how the press on both sides of the Atlantic nourished anticolonial and antiracist movements. Editors with varying levels of education, men and women journalists, worker and peasant correspondents, and anonymous contributors voiced incisive critiques of empire and experimented with visions of Black freedom. But as independence loomed, the press transformed to better demonstrate the respectability expected of a self-governing people. Seeing themselves as “the Fourth and Only Estate,” the sole democratic institution available to a colonized population, early press contributors experimented with the form and function of the newspaper itself. They advanced anticolonial goals through clipping and reprinting articles from a variety of sources; drawing on local ways of speaking; and manipulating photography, comics, and advertising. Such unruly content, James shows, served as a strategic assertion of autonomy against colonial bureaucracy. Yet in the 1950s, this landscape changed as press professionalism became a proxy for a colony's capacity to govern itself. Analyzing a key moment in the history of Black Atlantic political thought, The Moving Word: How the West African and Caribbean Press Shaped Black Political Thought, 1935-1960 (Harvard UP, 2025) highlights the boundless, shapeshifting power of experimental media. During the era of decolonization, as independence loomed on the horizon, West African and Caribbean newspapers creatively engineered and reinvented debates about imperialism, racial capitalism, and Black freedom dreams and realities. Leslie James is Reader and Sinor Lecturer in Global History at Queen Mary University of London and the author of George Padmore and Decolonization from Below: Pan-Africanism, the Cold War, and the End of Empire, 1939–1959. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In the 1930s and 1940s, amid intensifying anticolonial activism across the British Empire, dozens of new West African and Caribbean newspapers printed their first issues. With small staffs and shoestring budgets, these newspapers nonetheless became powerful vehicles for the expression of Black political thought. Drawing on papers from Trinidad, Jamaica, Ghana, and Nigeria, Leslie James shows how the press on both sides of the Atlantic nourished anticolonial and antiracist movements. Editors with varying levels of education, men and women journalists, worker and peasant correspondents, and anonymous contributors voiced incisive critiques of empire and experimented with visions of Black freedom. But as independence loomed, the press transformed to better demonstrate the respectability expected of a self-governing people. Seeing themselves as “the Fourth and Only Estate,” the sole democratic institution available to a colonized population, early press contributors experimented with the form and function of the newspaper itself. They advanced anticolonial goals through clipping and reprinting articles from a variety of sources; drawing on local ways of speaking; and manipulating photography, comics, and advertising. Such unruly content, James shows, served as a strategic assertion of autonomy against colonial bureaucracy. Yet in the 1950s, this landscape changed as press professionalism became a proxy for a colony's capacity to govern itself. Analyzing a key moment in the history of Black Atlantic political thought, The Moving Word: How the West African and Caribbean Press Shaped Black Political Thought, 1935-1960 (Harvard UP, 2025) highlights the boundless, shapeshifting power of experimental media. During the era of decolonization, as independence loomed on the horizon, West African and Caribbean newspapers creatively engineered and reinvented debates about imperialism, racial capitalism, and Black freedom dreams and realities. Leslie James is Reader and Sinor Lecturer in Global History at Queen Mary University of London and the author of George Padmore and Decolonization from Below: Pan-Africanism, the Cold War, and the End of Empire, 1939–1959. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies

In the 1930s and 1940s, amid intensifying anticolonial activism across the British Empire, dozens of new West African and Caribbean newspapers printed their first issues. With small staffs and shoestring budgets, these newspapers nonetheless became powerful vehicles for the expression of Black political thought. Drawing on papers from Trinidad, Jamaica, Ghana, and Nigeria, Leslie James shows how the press on both sides of the Atlantic nourished anticolonial and antiracist movements. Editors with varying levels of education, men and women journalists, worker and peasant correspondents, and anonymous contributors voiced incisive critiques of empire and experimented with visions of Black freedom. But as independence loomed, the press transformed to better demonstrate the respectability expected of a self-governing people. Seeing themselves as “the Fourth and Only Estate,” the sole democratic institution available to a colonized population, early press contributors experimented with the form and function of the newspaper itself. They advanced anticolonial goals through clipping and reprinting articles from a variety of sources; drawing on local ways of speaking; and manipulating photography, comics, and advertising. Such unruly content, James shows, served as a strategic assertion of autonomy against colonial bureaucracy. Yet in the 1950s, this landscape changed as press professionalism became a proxy for a colony's capacity to govern itself. Analyzing a key moment in the history of Black Atlantic political thought, The Moving Word: How the West African and Caribbean Press Shaped Black Political Thought, 1935-1960 (Harvard UP, 2025) highlights the boundless, shapeshifting power of experimental media. During the era of decolonization, as independence loomed on the horizon, West African and Caribbean newspapers creatively engineered and reinvented debates about imperialism, racial capitalism, and Black freedom dreams and realities. Leslie James is Reader and Sinor Lecturer in Global History at Queen Mary University of London and the author of George Padmore and Decolonization from Below: Pan-Africanism, the Cold War, and the End of Empire, 1939–1959. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

In the 1930s and 1940s, amid intensifying anticolonial activism across the British Empire, dozens of new West African and Caribbean newspapers printed their first issues. With small staffs and shoestring budgets, these newspapers nonetheless became powerful vehicles for the expression of Black political thought. Drawing on papers from Trinidad, Jamaica, Ghana, and Nigeria, Leslie James shows how the press on both sides of the Atlantic nourished anticolonial and antiracist movements. Editors with varying levels of education, men and women journalists, worker and peasant correspondents, and anonymous contributors voiced incisive critiques of empire and experimented with visions of Black freedom. But as independence loomed, the press transformed to better demonstrate the respectability expected of a self-governing people. Seeing themselves as “the Fourth and Only Estate,” the sole democratic institution available to a colonized population, early press contributors experimented with the form and function of the newspaper itself. They advanced anticolonial goals through clipping and reprinting articles from a variety of sources; drawing on local ways of speaking; and manipulating photography, comics, and advertising. Such unruly content, James shows, served as a strategic assertion of autonomy against colonial bureaucracy. Yet in the 1950s, this landscape changed as press professionalism became a proxy for a colony's capacity to govern itself. Analyzing a key moment in the history of Black Atlantic political thought, The Moving Word: How the West African and Caribbean Press Shaped Black Political Thought, 1935-1960 (Harvard UP, 2025) highlights the boundless, shapeshifting power of experimental media. During the era of decolonization, as independence loomed on the horizon, West African and Caribbean newspapers creatively engineered and reinvented debates about imperialism, racial capitalism, and Black freedom dreams and realities. Leslie James is Reader and Sinor Lecturer in Global History at Queen Mary University of London and the author of George Padmore and Decolonization from Below: Pan-Africanism, the Cold War, and the End of Empire, 1939–1959. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

In this live conversation, I'm joined by Aki of MINKA Mystery School to talk about C.O.R.E. (Consciousness of Radical Equity) a 15-month leadership training weaving equity, spirituality, and embodiment.We explore what leadership asks of us right now, why decolonial practice is inseparable from spiritual integrity, and how we can build lives and businesses that feel like sanctuaries, not performances.Inside this video:✨ What “apocalypse” really means (hint: revelation)✨ Why discomfort isn't the point, liberation is✨ Practicing accountability without shame✨ Money, reciprocity, and abundance beyond extractive capitalism✨ Building community strong enough to hold real transformationIf you're a healer, coach, facilitator, organizer, or simply someone who feels the call to help create a more just and loving world, this conversation is for you. If you're a healer, coach, facilitator, organizer, or simply someone who feels the call to help create a more just and loving world, this conversation is for you: https://www.minkamysteryschool.com/consciousness-of-radical-equity-leadership-trainingLearn more about all of my programs and offerings at melaniemonaco.comConnect on IG @melanierosemonaco00:00 Introduction and Welcoming Aki01:49 Discussing Leadership and Its Importance04:51 Introduction to Consciousness of Radical Equity (CORE)06:08 Evolution and Impact of Minka09:32 Challenges and Realizations in Social Justice Work11:23 Details of the CORE Program20:59 The Importance of Reciprocity in Abundance27:04 The Power of Money in Shifting Power Dynamics27:57 The Role of Money in Collective Liberation29:31 Overcoming Imposter Syndrome in Business30:48 Spirituality in Business: A Personal Journey33:23 Creating a Sanctuary Through Business35:43 The Importance of Anti-Racism Work44:41 Interconnectedness and Spirituality in Equity Work45:29 Opportunities for Deeper Spiritual and Professional Growth46:52 Final Thoughts and Reflections

The conversation covers the historical emergence of Algeria as a political and territorial unit, starting in the Ottoman period in the 16th century. Key pivotal moments in Algerian history are highlighted, including French colonialism beginning in 1830, which led to a settler colonial project, the rise of the modern mass nationalist movement in the interwar period, the War of National Liberation (1954–1962), and the decade of violence in the 1990s. The latter half of the conversation focuses on the "Worlds of Islam," emphasizing a polycentric history with no single center. A historian, professor at the University of Oxford, and author of books "A History of Algeria" and "The Worlds of Islam: A Global History", James McDougall details the diverse "technologies" of Islam's spread, including its compelling initial mission, the appeal of social mobility for non-Arabs, trade networks, and the influence of Sufism. He also discusses the historical roots of Islamophobia, which is traced to the 19th-century colonial moment. He discusses why he was drawn to studying Algeria, a country he notes is often ignored in Middle East studies and is known as "the land of a million martyrs" for its iconic history of resistance to colonialism.  0:00 Introduction2:08 Intellectual Curiosity and Addressing Poor Understanding of the Region7:37 When Did Algeria Begin to Exist? Debunking the Colonial Narrative12:38 Pivotal Moments in Algerian History13:48 The Ottoman Period (16th–19th Century) and Connection to the Levant16:29 Settler Colonialism Under the French (1830 Onwards)19:46 The War of National Liberation (1954–1962)20:41 The Violence of the 1990s21:35 Is the War of Independence Connected to the 1990s Civil Strife?23:34 The Legacy of French Colonial Misunderstanding and Racism31:27 Algeria as an Anti-Colonial Symbol Across the Arab World32:18 Leadership of the Algerian Revolution38:37 The Worlds of Islam: A Polycentric Global History46:05 Technologies of Islam's Spread49:18 Muslims as a Minority in the Middle East After the Early Conquests53:15 Why Islam Did Not Spread Everywhere Earlier55:20 The Historical Development of IslamophobiaReadings on Global history and Islamic history:Josephine Quinn, How the World Made the West: A 4000 Year History (2024)Cemil Aydin, The Idea of the Muslim World: A Global Intellectual History (2017) Readings on Algeria:Natalya Vince, The Algerian War, the Algerian Revolution (2020)Malika Rahal, Algérie 1962, une histoire populaire (2022)Jeffrey James Byrne, Mecca of Revolution: Algeria, Decolonization, and the Third World Order (2016)Thomas Serres, The Suspended Disaster: Governing by Crisis in Bouteflika's Algeria (2023)Muriam Haleh Davis, Markets of Civilization: Islam and Racial Capitalism in Algeria (2022)Christopher Silver, Recording History: Jews, Muslims and Music across 20th century North Africa (2022)Sara Rahnema, The Future is Feminist: Women and Social Change in Interwar Algeria (2023) Arthur Asseraf, Electric News in Colonial Algeria (2019) James Robert McDougall is a British historian and Professor of Modern and Contemporary History at the University of Oxford and Laithwaite Fellow in History at Trinity College, Oxford. His research mainly addresses the modern and contemporary Mediterranean; Middle Eastern, African and Islamic history, especially Algeria, Tunisia, and Morocco, but also the history of European imperialism in the Arab world, modern Arab intellectual and political history, and the global history of Islam since c.1700; the French colonial empire in Africa; the Sahara; nationalism and revolutionary movements in Asia and Africa; comparative imperial history; historiography and critical theory.  Hosted by: Mikey Muhanna

Jason Kills Pretty Enemy joins Oly, Ron and MoHugs as they discuss Decolonization, Attitude On Life, Humility and Affiliation.

In today's episode, we are joined by the author of a new book published by Princeton University Press. The book offers a bold reimagining of global justice, drawing on anticolonial thought to confront the unfinished work of decolonization. Rather than defending decolonization as a nationalist project, it advances a powerful vision of global social equality.Our guest is Dr. Shuk Ying Chan, Assistant Professor of Political Theory at UCL Political Science. Regular listeners will recall her previous appearances on the podcast, including episodes on resisting colonialism and the trouble with exporting Hollywood films.In Postcolonial Global Justice, Shuk Ying Chan proposes a new account of global justice centered on the value of social equality. Drawing on the ideas of Aimé Césaire, Frantz Fanon, Kwame Nkrumah, and Jawaharlal Nehru, Chan argues that a core commitment of anticolonial thought is the rejection of hierarchy and the embrace of equality. These insights from decolonization, she suggests, give us critical tools for challenging contemporary global hierarchies and for rejecting forms of postcolonial nationalism that are more focused on policing citizens than promoting their freedom and equality. UCL's Department of Political Science and School of Public Policy offers a uniquely stimulating environment for the study of all fields of politics, including international relations, political theory, human rights, public policy-making and administration. The Department is recognised for its world-class research and policy impact, ranking among the top departments in the UK on both the 2021 Research Excellence Framework and the latest Guardian rankings.

What is political independence? As a political act, what was it sanctioned to accomplish? Is formal colonialism over, or a condition in the present, albeit mutated and evolved? In Critique of Political Decolonization (Oxford UP, 2023), Bernard Forjwuor challenges what, in normative scholarship, has become a persistent conflation of two different concepts: political decolonization and political independence. This scholarly volume is an antinormative and critical refutation of the decolonial accomplishment of political independence or self-determination in Ghana. He argues that political independence is insufficiently a decolonial claim because it is framed within the context of a country, where a permanent colonial settlement was never deemed necessary for the consolidation of future colonial political obligations. So, while territorial dissolution was politically engineered by Ghanaians, the colonial merely reconstitutes itself in different legal and ideological forms. Forjwuor offers new methodological, theoretical, and conceptual approaches to engaging the questions of colonialism, political independence, political decolonization, justice, and freedom, and constructs multiple conceptual bridges between traditional disciplinary fields of inquiry including politics, history, law, African studies, economic history, critical theory, and philosophy and political theory. Using the Ghanaian experience as a rich case study, Forjwuor rethinks what colonialism and decolonization mean, and asserts that decolonization is primarily a question of justice. Bernard Forjwuor is an Assistant Professor of Africana Studies at the University of Notre Dame. He is a scholar of black political thought, and his research focuses on the philosophical, critical, and theoretical claims advanced by global black political thinkers. His recent work challenges the ways the colonial and the racial are routinely affirmed as extinguished in the liberal democratic affirmation of sovereignty. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

What is political independence? As a political act, what was it sanctioned to accomplish? Is formal colonialism over, or a condition in the present, albeit mutated and evolved? In Critique of Political Decolonization (Oxford UP, 2023), Bernard Forjwuor challenges what, in normative scholarship, has become a persistent conflation of two different concepts: political decolonization and political independence. This scholarly volume is an antinormative and critical refutation of the decolonial accomplishment of political independence or self-determination in Ghana. He argues that political independence is insufficiently a decolonial claim because it is framed within the context of a country, where a permanent colonial settlement was never deemed necessary for the consolidation of future colonial political obligations. So, while territorial dissolution was politically engineered by Ghanaians, the colonial merely reconstitutes itself in different legal and ideological forms. Forjwuor offers new methodological, theoretical, and conceptual approaches to engaging the questions of colonialism, political independence, political decolonization, justice, and freedom, and constructs multiple conceptual bridges between traditional disciplinary fields of inquiry including politics, history, law, African studies, economic history, critical theory, and philosophy and political theory. Using the Ghanaian experience as a rich case study, Forjwuor rethinks what colonialism and decolonization mean, and asserts that decolonization is primarily a question of justice. Bernard Forjwuor is an Assistant Professor of Africana Studies at the University of Notre Dame. He is a scholar of black political thought, and his research focuses on the philosophical, critical, and theoretical claims advanced by global black political thinkers. His recent work challenges the ways the colonial and the racial are routinely affirmed as extinguished in the liberal democratic affirmation of sovereignty. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

What is political independence? As a political act, what was it sanctioned to accomplish? Is formal colonialism over, or a condition in the present, albeit mutated and evolved? In Critique of Political Decolonization (Oxford UP, 2023), Bernard Forjwuor challenges what, in normative scholarship, has become a persistent conflation of two different concepts: political decolonization and political independence. This scholarly volume is an antinormative and critical refutation of the decolonial accomplishment of political independence or self-determination in Ghana. He argues that political independence is insufficiently a decolonial claim because it is framed within the context of a country, where a permanent colonial settlement was never deemed necessary for the consolidation of future colonial political obligations. So, while territorial dissolution was politically engineered by Ghanaians, the colonial merely reconstitutes itself in different legal and ideological forms. Forjwuor offers new methodological, theoretical, and conceptual approaches to engaging the questions of colonialism, political independence, political decolonization, justice, and freedom, and constructs multiple conceptual bridges between traditional disciplinary fields of inquiry including politics, history, law, African studies, economic history, critical theory, and philosophy and political theory. Using the Ghanaian experience as a rich case study, Forjwuor rethinks what colonialism and decolonization mean, and asserts that decolonization is primarily a question of justice. Bernard Forjwuor is an Assistant Professor of Africana Studies at the University of Notre Dame. He is a scholar of black political thought, and his research focuses on the philosophical, critical, and theoretical claims advanced by global black political thinkers. His recent work challenges the ways the colonial and the racial are routinely affirmed as extinguished in the liberal democratic affirmation of sovereignty. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

What is political independence? As a political act, what was it sanctioned to accomplish? Is formal colonialism over, or a condition in the present, albeit mutated and evolved? In Critique of Political Decolonization (Oxford UP, 2023), Bernard Forjwuor challenges what, in normative scholarship, has become a persistent conflation of two different concepts: political decolonization and political independence. This scholarly volume is an antinormative and critical refutation of the decolonial accomplishment of political independence or self-determination in Ghana. He argues that political independence is insufficiently a decolonial claim because it is framed within the context of a country, where a permanent colonial settlement was never deemed necessary for the consolidation of future colonial political obligations. So, while territorial dissolution was politically engineered by Ghanaians, the colonial merely reconstitutes itself in different legal and ideological forms. Forjwuor offers new methodological, theoretical, and conceptual approaches to engaging the questions of colonialism, political independence, political decolonization, justice, and freedom, and constructs multiple conceptual bridges between traditional disciplinary fields of inquiry including politics, history, law, African studies, economic history, critical theory, and philosophy and political theory. Using the Ghanaian experience as a rich case study, Forjwuor rethinks what colonialism and decolonization mean, and asserts that decolonization is primarily a question of justice. Bernard Forjwuor is an Assistant Professor of Africana Studies at the University of Notre Dame. He is a scholar of black political thought, and his research focuses on the philosophical, critical, and theoretical claims advanced by global black political thinkers. His recent work challenges the ways the colonial and the racial are routinely affirmed as extinguished in the liberal democratic affirmation of sovereignty. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

Relationship Anarchy rejects rules and expectations in how we relate to each other. It's mentioned more and more in the media, but what is it exactly? In this lively conversation, therapist Nicole Thompson explains that while RA can turn our relationships on their heads, it can also bring freedom. Don't miss our next live show: Valentine's Kick-Off – Sunday, Feb. 8, 2026, 6-7:30pm at Lincoln Lodge ChicagoOur sexperts will chat about “Living Out Your Fantasies–solo or partnered.” Burlesque and more. Biggest polycule of the night gets a prize!Use Code: IRL3 for $3 off till Jan 10 GET TIXIn this episode:Therapist and podcaster Nicole Thompson Host, sex educator, and energy worker Karen Yates Relationship Anarchy ManifestoRelationship Smorgasbord Get Say It Better in Bed, Karen's free guide to upping your intimacy pleasure. Download here!Show your love for Wild & Sublime: Leave a tip!The Afterglow, our Patreon membership group, brings you regular bonus content, early alerts, and discounts to live shows! Be Wild & Sublime out in the world!  Check out our new tees and accessories for maximum visibility. Peep our Limited Collection and let your inner relationship anarchist run free… Prefer to read the convo? Full episode transcripts are available on our website.Support the showSupport the showFollow Wild & Sublime on Instagram and Facebook!

Headlines for December 11, 2025; Is War Next? U.S. Seizes Venezuelan Oil Tanker as Anti-Maduro Campaign Escalates; “Slow Poison”: Scholar Mahmood Mamdani on New Book About Uganda, Decolonization & More; “My Advice to Parents Is Learn from Your Kids”: Mahmood Mamdani on Raising Zohran, NYC’s Next Mayor; “Slower Form of Death”: Despite Ceasefire, Israel Keeps Killing in Gaza as Winter Storm Floods Tents

Headlines for December 11, 2025; Is War Next? U.S. Seizes Venezuelan Oil Tanker as Anti-Maduro Campaign Escalates; “Slow Poison”: Scholar Mahmood Mamdani on New Book About Uganda, Decolonization & More; “My Advice to Parents Is Learn from Your Kids”: Mahmood Mamdani on Raising Zohran, NYC’s Next Mayor; “Slower Form of Death”: Despite Ceasefire, Israel Keeps Killing in Gaza as Winter Storm Floods Tents

Jake discusses the significance of Israel in the context of U.S. security and military investment. He argues for Israel's right to exist based on legal, historical, and moral grounds, emphasizing its role as a stabilizing force in the Middle East. - 00:00 The Importance of Israel in U.S. Security 01:47 Legal Foundations for Israel's Existence 03:49 Indigeneity and Historical Claims 04:47 Decolonization and Transformation of the Land 07:38 Rights of Conquest and Historical Context - Taken from Episode 428 of Something For Everybody  Episode 428: https://everybodyspod.com/libels/ - Shop For Everybody  Use code SFE10 for 10% OFF

In this installment of our African Revolutions and Decolonization series, we host a critically important deep dive into Fanon's life and work with Professor Lou Turner!  With 2025 being the 100th anniversary of Fanon's birth, there is no better time for this discussion than now.  We really found the conversation a rich one, and are sure you will learn a lot from it.  Help us out by sharing it! Lou Turner is Clinical Professor in Urban and Regional Planning at University of Illinois Urbana-Champaign. Find and read Lou's work!  One place you can find some of it is Researchgate. Help support the show by signing up to our patreon, where you also will get bonus content: https://www.patreon.com/guerrillahistory 

On this episode of Hella Black we talk about the changing political conditions inside the belly of the beast! We back baby! With that heat! Tap in!

In this continuation of our African Revolutions and Decolonization series, we bring you another fascinating episode focused on precolonial Nigeria - the people's there, their history, the political systems, political economy, international relations, and more.  We are fortunate to be joined by the person who wrote the book on this topic, Max Siollun, whose The Forgotten Era: Nigeria Before British Rule served as the major resource in creating this episode.  We highly recommend checking out his book, from Pluto Press, and stay tuned for a future discussion with Max on post-colonial Nigeria! Max Siollun is a historian. He has written several acclaimed books on Nigeria's history, including What Britain Did to Nigeria: A Short History of Conquest and Rule, which was shortlisted in BBC History Magazine's 2021 Books of the Year, and the focus of today's episode: The Forgotten Era: Nigeria Before British Rule.  Follow him on twitter @maxsiollun. Help support the show by signing up to our patreon, where you also will get bonus content: https://www.patreon.com/guerrillahistory 

"I see humans as these radio stations. And depending on the frequency you're vibrating like a radio, you're going to perceive different information. So the whole point of these spiritual practices is to purify the filter through which we perceive information, right? So that we can tap into higher frequencies… Ayahuasca is really, for me, the ultimate cleansing, purifying medicine." - Fred of Taozen For the first time in the history of the podcast, Ayesha is honoured to welcome two very special guests, Carla and Fred of Taozen. Join for an enlightening discussion on the wonders of plant medicine and the importance of decolonization in our spiritual & healing practices. For show notes and transcripts, visit The Oath Oracle Podcast blog To learn more about Taozen and their medicine, visit their website HERE. Tune in to the Ayahuasca journey HERE with [Personal Storytime] My rock bottom & first Ayahuasca journey  

Nigerian modern art is having a moment. In London, the Tate has opened a critically acclaimed exhibition, called “Nigerian Modernism,” featuring more than 50 artists who experimented with vibrant new styles in the mid 20th century in the giant and influential West African nation. More generally, the artists of this era have become more recognized outside of their home country in recent decades, from early figures who laid the groundwork like Aina Onabolu to a towering figure of the 1950s like Ben Enwonwu to younger innovators of the 1950s and 1960s such as Uche Okeke and Demas Nwoko, with many more important names to know and bodies of work to discover. This was an earth-shaking time in Nigerian history, when a near-century of British colonial domination was shed and the many problems of a fragile new independent nation had to be faced. These artists were part of figuring out how to express that new sense of identity in images. But their art was not always so celebrated, sometimes dismissed as derivative of European art. The scholar and curator Chika Okeke-Agulu has been important to the recent re-estimation of Nigeria's art history. He teaches at Princeton, and is the author of, among many other things, of Postcolonial Modernism: Art and Decolonization in Twentieth-Century Nigeria, a book that personally excited me very much when I first found it. With the Tate show drawing a fresh wave of interest, art critic Ben Davis thought Okeke-Agulu would be an excellent guide to what this art was, what it meant, and why it still demands attention today.

Simon Dixon joins the show to expose the financial power structures controlling governments, wars, and the illusion of democracy. He unpacks how the “Proof of Weapons Network” operates behind the scenes through central banks, debt, and corporate influence — tracing the origins of global control from gold movements to modern technocracy. They discuss BlackRock's growing dominance, the weaponization of fiat, and how Bitcoin serves as a peaceful counterforce against this system. Simon Dixon is a Bitcoin pioneer, investor, and author of Bank to the Future, known for his work uncovering the intersection of money, war, and state power. // GUEST // Website: https://simondixon.com/ X: https://x.com/SimonDixonTwitt YouTube: https://www.youtube.com/@UC_wNYJCyycXXPmWni2JNZhQ // SPONSORS // Cowbolt: https://cowbolt.com/ Heart and Soil Supplements (use discount code BREEDLOVE): https://heartandsoil.co/ Blockware Solutions: https://mining.blockwaresolutions.com Onramp: https://onrampbitcoin.com/?grsf=breedlove Mindlab Pro: https://www.mindlabpro.com/breedlove Coinbits: https://coinbits.app/breedlove The Farm at Okefenokee: https://okefarm.com/ Orange Pill App: https://www.orangepillapp.com/ // PRODUCTS I ENDORSE // Protect your mobile phone from SIM swap attacks: https://www.efani.com/breedlove Lineage Provisions (use discount code BREEDLOVE): https://lineageprovisions.com/?ref=breedlove Colorado Craft Beef (use discount code BREEDLOVE): https://coloradocraftbeef.com/ Salt of the Earth Electrolytes: http://drinksote.com/breedlove Jawzrsize (code RobertBreedlove for 20% off): https://jawzrsize.com // UNLOCK THE WISDOM OF THE WORLD'S BEST NON-FICTION BOOKS // https://course.breedlove.io/ // SUBSCRIBE TO THE CLIPS CHANNEL // /@robertbreedloveclips2996 // TIMESTAMPS // 0:00 - WiM Episode Trailer 1:23 - The Illusion of Democracy and Control 2:50 - The Shift to a Multipolar World 6:13 - Understanding the Proof of Weapons Network 9:03 - The Debt-Based Ponzi Scheme 12:05 - Central Banks and War 14:52 - Weaponization of Money and Civil Unrest 17:57 - Bitcoin as a Counterforce 21:04 - Future of Currency and Technocracy 24:01 - Power Dynamics and the Federal Reserve 26:57 - Gold and Geopolitical Power 39:24 - Deep State and Corporate Control 42:46 - The Illusion of Democracy 48:36 - Boycotting the Financial System 51:45 - The Role of Money in Society 57:52 - Evolution of Economic Theories 1:01:42 - Rise of Multipolarity 1:07:50 - Future of Global Power Dynamics 1:20:50 - Rise of BRICS and Regional Power 1:21:20 - Decolonization and Africa's Future 1:22:21 - China's Global Strategy 1:23:44 - Shift from Western Hegemony 1:25:41 - Technology and Future Society 1:29:13 - Avoiding Global Conflict 1:31:24 - Economics of War and Reconstruction 1:34:42 - Centralization vs Decentralization in Bitcoin 1:43:09 - Spiritual Warfare and Personal Responsibility 1:51:16 - Conclusion and Call to Action // PODCAST // Podcast Website: https://whatismoneypodcast.com/ Apple Podcast: https://podcasts.apple.com/us/podcast… Spotify: https://open.spotify.com/show/25LPvm8… RSS Feed: https://feeds.simplecast.com/MLdpYXYI // SUPPORT THIS CHANNEL // Bitcoin: 3D1gfxKZKMtfWaD1bkwiR6JsDzu6e9bZQ7 Sats via Strike: https://strike.me/breedlove22 Dollars via Paypal: https://www.paypal.com/paypalme/RBreedlove Dollars via Venmo: https://account.venmo.com/u/Robert-Br… // SOCIAL // Breedlove X: https://x.com/Breedlove22 WiM? X: https://x.com/WhatisMoneyShow Linkedin: /breedlove22 Instagram: /breedlove_22 TikTok: /robert_breedlove Substack: https://breedlove22.substack.com/ All My Current Work: https://linktr.ee/robertbreedlove #bitcoin #whatismoney #WiM #fiat #geopolitics

With this episode of Guerrilla History, we bring you another fascinating episode in our series African Revolutions and Decolonization.  This time, a big episode on mining in Congo - extraction, exploitation, environmental and economic impacts, as well as the history, regional variations, and the difference between industrial mining and artisanal mining in Congo.  For this, we are lucky to be joined by Ben Radley as a guest host, and two excellent guests from the Congo -   Josaphat Musamba and Germain Ngoie Tshibambe.  Given their academic work on this, plus Josaphat's actual experience as a miner himself, we could not ask for a better group to unpack this!  Share widely to help others understand this remarkably pivotal industry.  Also be sure to check out our two previous episodes from the series on the Congo (The First, and The Second).  Lastly, check out the Centre of Expertise on Mining Governance.   Josaphat Musamba is a Congolese researcher, and is a Ph.D. student at Ghent University. Check out Josaphat's twitter @MusambaJosaphat and his ResearchGate profile.   Germain Ngoie Tshibambe is a full professor at the University of Lubumbashi in the Democratic Republic of Congo, where he teaches international relations and is the Head Advisor of the Rector's Cabinet. Check out his Academia page and ResearchGate profile.   Ben Radley is is a Lecturer in International Development at the University of Bath, is author of Disrupted Development in the Congo: The Fragile Foundations of the African Mining Consensus, and is an editor of the Review of African Political Economy (ROAPE). Follow him on twitter @RadleyBen and check out his website. Help support the show by signing up to our patreon, where you also will get bonus content: https://www.patreon.com/guerrillahistory 

A sacred plant, a living coastline, and a cello that sings in two voices—Sweetgrass brings them together with uncommon clarity. The Cello Sherpa Podcast Host, Joel Dallow, sits down with composer Dawn Avery and cellist Wilhelmina Smith to share how a pandemic idea turned into an immersive album where Mohawk language, indigenous song forms, and contemporary classical textures breathe the same air. Dawn traces her journey from conservatory training to a compositional practice grounded in Mohawk heritage, storytelling, and soundscapes that fold in blues, meditative space, and rock energy. Wilhelmina reflects on early breakthroughs at Curtis, a life-shaping stint in George Crumb's experimental lab, and the chamber instincts that make her a natural collaborator. Together they unpack the title track's symbolism—sweetgrass as strength and tenderness—and the craft behind multitracking cello lines that anticipate each other's rubato, merging voice and instrument into a single, human pulse. We go inside key works, including We Enter Together and Decolonization, a gripping solo journey that threads a healing song, a women's stomp dance, blues gestures, and a Hendrix-tinted national anthem to reframe what “American music” can hold. The conversation widens into a practical guide for making records today: funding with grants and community programs, choosing the right hall and producer, navigating label partnerships, owning your masters, and prioritizing digital releases when physical CDs gather dust. At heart, this is about why artists still record: to plant repertoire for younger players, to carry culture forward with respect, and to keep curiosity at the center of the craft. If you care about new music, indigenous voices, recording workflows, or the evolving music industry, this story offers both inspiration and a roadmap. Subscribe, share with a friend who loves the cello, and leave a review with the track that stayed with you.For more information on Wilhelmina Smith: https://www.wilhelminasmith.com/bio.htmlFor more information on Dawn Avery: https://www.dawnavery.com/You can also find Wilhelmina and Dawn on Instagram and Facebook: @dawnaveryartist @wscelloIf you are looking for in person/virtual cello lessons, or orchestral repertoire audition coachings, check out www.theCelloSherpa.comFollow us on Facebook, Instagram, Threads & YouTube: @theCelloSherpaFor more information on our sponsor: www.CLEAResources.com