Podcasts about steal the stars

Ballet, dinosaurs on a trampoline, and funny, terrifying psychopaths.This podcast uses the following third-party services for analysis: Chartable - https://chartable.com/privacy

Today we're swapping feeds with Give Me Away. A new science fiction thriller from the kings of fiction podcast science fiction thrillers, Gideon Media.  Description: They call the spaceship that crashed in the Nevada desert “The Ghosthouse” because it screams—the screams of thousands of extraterrestrial political prisoners uploaded into its horrific mainframe. The only way to free them... is to transfer them into the bodies of humans willing to share their minds with an alien second consciousness. But who would volunteer for that? Graham Shapiro, divorced and adrift at age 50, is one of the first to raise his hand. Give Me Away follows Graham's journey into a world of radical hospitality, one which will touch everything—and everyone—in his life. Give Me Away is written by Mac Rogers, the writer of the smash-hit sci-fi podcast thrillers The Message, LifeAfter, and Steal The Stars. The first season is 9 episodes long and tells a complete story, but one with room to grow in unexpected directions in future seasons.  For credits, transcripts, and more info, visit Gideon-Media.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Today we're swapping feeds with Give Me Away. A new science fiction thriller from the kings of fiction podcast science fiction thrillers, Gideon Media.  Description: They call the spaceship that crashed in the Nevada desert “The Ghosthouse” because it screams—the screams of thousands of extraterrestrial political prisoners uploaded into its horrific mainframe. The only way to free them... is to transfer them into the bodies of humans willing to share their minds with an alien second consciousness. But who would volunteer for that? Graham Shapiro, divorced and adrift at age 50, is one of the first to raise his hand. Give Me Away follows Graham's journey into a world of radical hospitality, one which will touch everything—and everyone—in his life. Give Me Away is written by Mac Rogers, the writer of the smash-hit sci-fi podcast thrillers The Message, LifeAfter, and Steal The Stars. The first season is 9 episodes long and tells a complete story, but one with room to grow in unexpected directions in future seasons.  For credits, transcripts, and more info, visit Gideon-Media.com Learn more about your ad choices. Visit megaphone.fm/adchoices

If you like SDITE, I think you'll like Give Me Away. This audio drama imagines: what if there was such a thing as consensual body snatchers, aliens that cohabit in the minds of willing humans. What does sharing a body look like? It incorporates the clammy shared-body fascination of Venom with the gentle comedy of All Of Me against the backdrop of a relatable contemporary social and political setting. I adore the concept of this show, and it's made by the team behind Steal The Stars, another fantastic sci-fi podcast! You can listen to Give Me Away anywhere you listen to podcasts, and find transcripts at gideon-media.com. This is episode one: Is That Thing Screaming? The screaming spaceship lands just as Graham Shapiro's life is falling apart. The world reels, and Graham makes some big decisions. Featuring Hanna Cheek, Sean Williams, Kevin R. Free, Nat Cassidy, Diana Oh, Dani Martineck, Rebecca Comtois, Alba Ponce de León, Jorge Cordova, Lori Elizabeth Parquet, and Stephanie Willing. Written by Mac Rogers, directed by Jordana Williams, sound designed by Bart Fasbender, music composed by Adam Blau, assistant directed by Marty McGuire, and produced by Cara Ehlenfeldt. Learn more about your ad choices. Visit megaphone.fm/adchoices

A special bonus episode: Give Me Away, episode 1, from our friends at Gideon Media! Episode transcript and show info are available on their website: https://www.gideon-media.com/transcripts Intro transcript: Hi folks - we're taking the chance between weeks of MTO to introduce you to another show we think you might be into. Today, we're introducing Give Me Away, a new sci-fi story by Mac Rogers and the team behind his hit audio drama, Steal The Stars. Give Me Away is based on a pretty spectacular original concept - what if there were consensual body snatchers, aliens that co-exist in the minds of humans who accept them. Sharing relationships, adventures, discoveries - it's like, what if Venom were the buddy comedy that TikTok made it out to be? What would happen when two utterly different lives share the same body? Give Me Away is an ensemble show exploring the why, and how, and what would happen from that choice - all within the frame of a sci-fi thriller that will definitely keep your attention.  So give this episode a listen - and if it grabs you, look for the next eight episodes in your favourite podcast app. And you can find credits, transcripts, and more info at Gideon dash Media dot com. Enjoy! Learn more about your ad choices. Visit megaphone.fm/adchoices

It's our pleasure to introduce Give Me Away, another fabulous series from the Fable & Folly Network. Give Me Away is a thrilling and thoughtful sci-fi drama, that imagines: what if there was such a thing as consensual body snatchers, aliens that cohabit in the minds of willing humans. What does sharing a body look like? They call the spaceship that crashed in the Nevada desert “The Ghosthouse” because it screams—the screams of thousands of extraterrestrial political prisoners uploaded into its horrific mainframe. The only way to free them... is to transfer them into the bodies of humans willing to share their minds with an alien second consciousness. But who would volunteer for that? Graham Shapiro, divorced and adrift at age 50, is one of the first to raise his hand. Give Me Away is written by Mac Rogers, the creator of smash hit shows Steal The Stars, LifeAfter and The Message, which between them have been downloaded 10 million, so there's some series audio drama pedigree here. And that really shows in Give Me Away. As you'll hopefully have come to expect with all the podcasts that we share with you, Give Me Away is deftly written, with stunning sound design to put you right in the action, and a wonderful cast of actors. And now it's our pleasure to share with you, Episode 1: Is That Thing Screaming Learn more about your ad choices. Visit megaphone.fm/adchoices

Are you looking for your next science-fiction binge-listen before the next season of Stories From Among The Stars? You need to check out Give Me Away, a new fiction podcast that comes from the same writer, director, and producers of Steal The Stars, the first season on this feed. If you loved season one of Stories From Among The Stars, you'll adore Give Me Away. An alien spaceship crashes in the Nevada desert. Inside? A mainframe filled with thousands of extraterrestrial political prisoners... and they're all screaming. The only way to free them from this horrific fate is to transfer their consciousness to a human host, willing to share their body with a second alien mind. But who would volunteer for that? Find out on Give Me Away! We're sharing the first episode here, but if you want to listen to the rest, find it on Apple Podcasts, Spotify, or search for Give Me Away in your favorite podcast app. Learn more about your ad choices. Visit megaphone.fm/adchoices

Dakota Prentiss runs security at the secretive Quill Marine compound, run by private defense conglomerate Sierra. Today she's breaking in a new security staffer, Matt Salem. Which means Matt has to pass a crucial test: how he reacts to the secret at the heart of Quill Marine.  Listen at Apple Podcasts - https://podcasts.apple.com/us/podcast/stories-from-among-the-stars/id1259505930 Spotify - https://open.spotify.com/show/1q9aL6N8xK2rV0QeHKdRC3 and on anywhere you find podcasts, by searching for "Stories From Among The Stars"

Hello- Jeffrey here! Over here in Chicago, we've just kicked off recording for Season Five of unwell- it is so wonderful to be back in the studio with these actors, and I am SO excited for you to hear what we're working on. In the meantime- we're thrilled to bring you the first episode of Gideon Media's “Give Me Away.” It's a sci-fi thriller from Mac Rogers, who wrote some of my very favorite pieces of audio in the genre- including  The Message, LifeAfter, and Steal The Stars.  You can hear the rest of the series, and find credits, transcripts, and more at gideon-media. org. === The screaming spaceship lands just as Graham Shapiro's life is falling apart. The world reels, and Graham makes some big decisions. Featuring Hanna Cheek, Sean Williams, Kevin R. Free, Nat Cassidy, Diana Oh, Dani Martineck, Rebecca Comtois, Alba Ponce de León, Jorge Cordova, Lori Elizabeth Parquet, and Stephanie Willing. Written by Mac Rogers, directed by Jordana Williams, sound designed by Bart Fasbender, music composed by Adam Blau, assistant directed by Marty McGuire, and produced by Cara Ehlenfeldt. Transcripts are available at www.gideon-media.com/transcripts. Gideon Media crafts gripping productions that explore human grace and darkness through popular genre forms. Learn more at www.gideon-media.com and follow us on Twitter @mediagideon, Instagram @gideonaudio, and Facebook @gideonaudio. Learn more about your ad choices. Visit megaphone.fm/adchoices

In today's episode Matt is joined by actor, friend and all-around badass, Ashlie Atkinson. Together, they chat about Ashlie's work on the sci-fi podcast Steal The Stars, her time working on Netflix's Jessica Jones, and her experience inhabiting the role of Connie Kendrickson in Spike Lee's BlacKkKlansman. They also chat about her start as an actor, battling imposter syndrome and how working in media affects how it's viewed. Next Episode: Sam Haft and Mike Arkin

What do writers and pilots have in common? Every time they go to work, they have to ask, "How do I land this thing now?" Join Sarah and Lindsay as they fly off in search of the tools to make the perfect ending or cliffhanger, and how to avoid crashing miserably. WARNING: Spoilers and/or promo for Terms, Steal The Stars, Hadron Gospel Hour, Wooden Overcoats and The Amelia Project, season 1, as well as the movie Brazil.  Subscribe or Follow us, so you can be sure to hear all the episodes. For more information, visit our website at adwit.org. Tell us what you think on Twitter, at @adwitpodcast. Like what you heard? Write a review, at Podchaser, or Apple Podcasts. Or, write to us, at writersadwit@gmail.com. Sound design, music, and additional voices by Vincent Friel. Want more audio fiction in your life? Subscribe to The Fiction Podcast Weekly. Special thanks to Philip Thorne, Oystein Braga, Alan Burgon and Julia C Thorne of the Amelia Project. Avanti! Thank you for listening, thank you to Ella Watts, and thank you to my next-door neighbor. To hear the horror piece that Lindsay, Sarah, and Ella worked on together, listen to https://tinyurl.com/Breathless-on-Podchaser. Season 2 of ADWIT is coming soon. Music for the dynamic content is Five Card Shuffle by Kevin McLeod. Visit his website at incompetech.com.

Plans and strategies for unpacking the courts from the SCOTUS down to the Circuits are discussed with James Comtois; playwright, co-founder of Nosedive Productions and a Brooklynite with two cats. And Rebecca Comtois from science fiction podcast Steal The Stars who is a political junkie in her spare time that used to drive most of her friends crazy back when cocktail parties were a thing.

A Note From Writer Mac RogersI can’t remember now where I read it, but some years ago my eye was caught by a reference somewhere to the Aztec god Tezcatlipoca – the god of night winds, discord, and obsidian – who entrapped a great crocodile called Cipacti and distorted her body to make the land he walked on. I was not only taken by the phrase “the god of obsidian,” but also by the resonance of the image. There are always people who are ready and willing to build their lives upon the energy and captivity of others. God Of Obsidian is a three-part podcast drama based on a play I wrote that my theater company produced in 2017. The entire creative team from that play – director Jordana Williams, producer Sean Williams, my co-performer Rebecca Comtois – have returned alongside our sound designer Bart Fasbender and co-producer Nat Cassidy to bring the story from stage to podcast.It was the first script I wrote after the 2016 election (Steal The Stars was the second), my first fully thought-out reaction to that calamity. I spent a lot of those months grappling the idea that a person with little or no conscience can lie over and over until the sheer force of repetition and confidence give the lie an ugly facsimile of reality in the minds of the people who hear it. I wanted to write about it, but I needed to smart small, at a level I could wrap my mind around. I needed to start with just two people.  What happened next was interesting: while God Of Obsidian started off as a political allegory, by a short ways into the writing process I had largely put that out of my mind. The more I wrote Alice and Nathan, the less I wanted them to function as symbols, and the more I wanted their relationship to feel real in its emotional dynamics, even as it was surrounded by a background feeling of sinister magic. In reading real life personal accounts of many people who had escaped emotionally manipulative relationships, I noticed one common element that many of the escapees emphasized: You will never get restitution or catharsis, you will never your gaslighting partner to admit they did wrong.  All you can do is leave.  I chose to wrap this character drama in a fairy tale because the extraordinary force of gaslighting often reminds me of a kind of enchantment – an enchantment one can never defeat, only escape.It doesn’t feel at all strange to bring this 2017 play into audio in the year 2020. The helpless fury that originally sparked it never fully abated, and has, for obvious reasons, recently blazed back into full conflagration. It’s the angriest I’ve ever been writing a script, but I hope there’s some compassion and hope in there as well. I hope it’s also a story about how you can always hold onto a part of yourself, how even all alone and buckling under lies, you can still make fire.  

A Note From Writer Mac RogersI can’t remember now where I read it, but some years ago my eye was caught by a reference somewhere to the Aztec god Tezcatlipoca – the god of night winds, discord, and obsidian – who entrapped a great crocodile called Cipacti and distorted her body to make the land he walked on. I was not only taken by the phrase “the god of obsidian,” but also by the resonance of the image. There are always people who are ready and willing to build their lives upon the energy and captivity of others. God Of Obsidian is a three-part podcast drama based on a play I wrote that my theater company produced in 2017. The entire creative team from that play – director Jordana Williams, producer Sean Williams, my co-performer Rebecca Comtois – have returned alongside our sound designer Bart Fasbender and co-producer Nat Cassidy to bring the story from stage to podcast.It was the first script I wrote after the 2016 election (Steal The Stars was the second), my first fully thought-out reaction to that calamity. I spent a lot of those months grappling the idea that a person with little or no conscience can lie over and over until the sheer force of repetition and confidence give the lie an ugly facsimile of reality in the minds of the people who hear it. I wanted to write about it, but I needed to smart small, at a level I could wrap my mind around. I needed to start with just two people.  What happened next was interesting: while God Of Obsidian started off as a political allegory, by a short ways into the writing process I had largely put that out of my mind. The more I wrote Alice and Nathan, the less I wanted them to function as symbols, and the more I wanted their relationship to feel real in its emotional dynamics, even as it was surrounded by a background feeling of sinister magic. In reading real life personal accounts of many people who had escaped emotionally manipulative relationships, I noticed one common element that many of the escapees emphasized: You will never get restitution or catharsis, you will never your gaslighting partner to admit they did wrong.  All you can do is leave.  I chose to wrap this character drama in a fairy tale because the extraordinary force of gaslighting often reminds me of a kind of enchantment – an enchantment one can never defeat, only escape.It doesn’t feel at all strange to bring this 2017 play into audio in the year 2020. The helpless fury that originally sparked it never fully abated, and has, for obvious reasons, recently blazed back into full conflagration. It’s the angriest I’ve ever been writing a script, but I hope there’s some compassion and hope in there as well. I hope it’s also a story about how you can always hold onto a part of yourself, how even all alone and buckling under lies, you can still make fire.  

A Note From Writer Mac RogersI can’t remember now where I read it, but some years ago my eye was caught by a reference somewhere to the Aztec god Tezcatlipoca – the god of night winds, discord, and obsidian – who entrapped a great crocodile called Cipacti and distorted her body to make the land he walked on. I was not only taken by the phrase “the god of obsidian,” but also by the resonance of the image. There are always people who are ready and willing to build their lives upon the energy and captivity of others. God Of Obsidian is a three-part podcast drama based on a play I wrote that my theater company produced in 2017. The entire creative team from that play – director Jordana Williams, producer Sean Williams, my co-performer Rebecca Comtois – have returned alongside our sound designer Bart Fasbender and co-producer Nat Cassidy to bring the story from stage to podcast.It was the first script I wrote after the 2016 election (Steal The Stars was the second), my first fully thought-out reaction to that calamity. I spent a lot of those months grappling the idea that a person with little or no conscience can lie over and over until the sheer force of repetition and confidence give the lie an ugly facsimile of reality in the minds of the people who hear it. I wanted to write about it, but I needed to smart small, at a level I could wrap my mind around. I needed to start with just two people.  What happened next was interesting: while God Of Obsidian started off as a political allegory, by a short ways into the writing process I had largely put that out of my mind. The more I wrote Alice and Nathan, the less I wanted them to function as symbols, and the more I wanted their relationship to feel real in its emotional dynamics, even as it was surrounded by a background feeling of sinister magic. In reading real life personal accounts of many people who had escaped emotionally manipulative relationships, I noticed one common element that many of the escapees emphasized: You will never get restitution or catharsis, you will never your gaslighting partner to admit they did wrong.  All you can do is leave.  I chose to wrap this character drama in a fairy tale because the extraordinary force of gaslighting often reminds me of a kind of enchantment – an enchantment one can never defeat, only escape.It doesn’t feel at all strange to bring this 2017 play into audio in the year 2020. The helpless fury that originally sparked it never fully abated, and has, for obvious reasons, recently blazed back into full conflagration. It’s the angriest I’ve ever been writing a script, but I hope there’s some compassion and hope in there as well. I hope it’s also a story about how you can always hold onto a part of yourself, how even all alone and buckling under lies, you can still make fire.  

Writing dialogue can be daunting because you can’t rely own your own narrative voice— the characters have to speak for themselves. Joseph and Jeffrey deconstruct the popular advice that every line of dialogue has to move the plot forward, to talk instead about how the best dialogue is the kind that serves your story. Consume: Listen to Episode 1 of Steal The Stars, a podcast by Mac Rogers. Pay close attention to each line of dialogue and what it does for the story. Create: Write a 200-word, two-character dialogue. If you’re writing for audio, the recorded piece should come out to about 2 minutes. The first line of your piece must be, “Put the milk on the table” and the last line must be,  “We are really only at the beginning.” Keep the purpose of the dialogue in mind as you write. If you’re feeling ambitious, try it again with a different reason for the dialogue. Join the SWT Membership community to see what other listeners are making: https://www.patreon.com/startwiththis Help spread the word about the show by wearing our logo on your torso: https://topatoco.com/collections/startwiththis Follow us on Facebook and Twitter. Credits: Jeffrey Cranor (host) & Joseph Fink (host), Julia Melfi (producer), Grant Stewart (editor), Vincent Cacchione (mixer). Rob Wilson (logo). Produced by Night Vale Presents. http://www.startwiththispodcast.com http://www.nightvalepresents.com

Read the review at http://audiodramareviews.com/audio-drama/steal-the-stars-a-romantic-alien-heist Next Time Searching for Salai Links Radio Public (iOS and Android) Twitter Facebook YouTube Sound Cloud Patreon iTunes Newsletter --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/audio-drama-reviews/message

Hey there movie fans! This week chat with the charming and talented Nat Cassidy! Nat is an actor, writer, playwrite and horror enthusiast. We chat about the process for creating the incredible novel and podcast series "Steal The Stars" as well as what inspires both his writing and his acting. We also talk about his love of horror and how that has influence all of the art he makes and works on. 

This week's beloved novel is STEAL THE STARS by Nat Cassidy! Also featured: grandma kidnapping, deleted memories, writing advice, and much more!Click to view: show page on Awesound

Forbidden love, a crashed UFO, an alien body, and an impossible heist unlike any ever attempted--listen to Episode 1 of Steal the Stars, the gripping noir sci-fi thriller scripted by Mac Rogers, award-winning playwright and writer of the multi-million download The Message and Lifeafter.Subscribe now and binge the whole 14-part series: http://bit.ly/StealtheStars

Nat Cassidy is back! In this episode, Lisa chats with Nat about his recent successes, including his recently published novelization of the sci-fi noir thriller, "Steal the Stars." (It's SO GOOD!) They also get into his newly published play, "Tenants Or, When the Hornet Arrives," a cutting-edge, horrific tale about love, lust, and psychopaths.  Links to Nat's work can be found here: http://www.natcassidy.com/. ​  

In this bonus episode, Lisa reviews Steal the Stars, a podcast written by Mac Rogers and directed by Jordanna Williams. Starring Ashlie Atkinson as Dak and Neimah Djourabchi at Matt, the show also features Nat Cassidy as Lloyd (see episode 08 for more on Nat!).   

Part 3 of today's Showcase brings you Steal the Stars: an ongoing production. This production is rated R. – The Audio Verse Awards Team Subscribe to our Nominee Showcase Podcast! Via RSS: Link Via iTunes: Link Via Google Play: Link

New York playwright and audio dramatist Mac Rogers joins me for a discussion about craft, aliens, and influences as we excerpt some of his new thriller, Steal The Stars, a co-production between Tor Books and his own production company, Gideon Media.Steal the Stars is the story of Dakota "Dak" Prentiss, the security chief at Quill Marine, a secretive private military contractor. Quill Marine is built around the biggest secret of all time, and new recruits have to be taken down to see the secret—to see if they can handle it. But a new recruit, Matt Salem, turns out to be more than Dak herself can handle. In the sexy love-type way, I mean.This is a story of forbidden love, aliens, and a big old friggin' heist, baby.#SPOOPTOBER continues!

An interview with author Mac Rogers and director Jordana Williams on their new radio play Steal the Stars. To listen to Steal the Stars click here. Subscribe to Maxamoo’s Theater and Performance Podcast for free on iTunes, Google Play, or Stitcher. Comments? Feedback? Find us on Facebook and Twitter. We have merch! Buy it here, all proceeds go to improving the[...]

Steal the Stars is the story of Dakota Prentiss and Matt Salem, two government employees guarding the biggest secret in the world: a crashed UFO. Episode 1 goes live on August 2, 2017. Learn more about your ad choices. Visit megaphone.fm/adchoices