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Matt Doyle has built an impressive career on stage, from originating roles on Broadway to stepping into legendary ones. He reflects on his journey, from his early breakout in Spring Awakening to his Tony-winning turn as Jamie in Company. Along the way, he shares lessons learned from unexpected career pivots, the realities of show business, and how he navigates the highs and lows of performing eight shows a week. His recent role as Frank Sinatra in Sinatra: The Musical marked a thrilling West End debut, and he's now captivating audiences off-Broadway in Conversations with Mother, a deeply personal and heartfelt play. Matt opens up about the moment he realized he needed a perspective shift early in his career, the intense experience of performing "Getting Married Today" the night Stephen Sondheim passed, and how his struggles with anxiety have shaped his performances. He also shares how his upbringing and personal relationships inform his work, especially in roles that explore complex family dynamics. From personal anecdotes to industry insights, this conversation is packed with wisdom, humor, and a candid look at the life of a working actor. Matt Doyle is a Tony, Drama Desk, and Outer Critics Circle Award-winning actor best known for his performance as Jamie in the Broadway revival of Company. His Broadway credits include Spring Awakening, The Book of Mormon, War Horse, and Bye Bye Birdie, while his Off-Broadway work features Little Shop of Horrors, Sweeney Todd, and Brooklynite. He made his West End debut as Frank Sinatra in Sinatra: The Musical and currently stars opposite Caroline Aaron in Conversations with Mother Off-Broadway. A frequent concert performer, he has headlined sold-out solo shows in New York and beyond, and has appeared with symphonies across the country. Connect with Matt:
Today we are recapping Season 1, Episode 3 of Younger: "IRL." Join us as we discuss Kelsey meeting Bjornberg, Diana's new Leiber bag, Liza's anxiety and so much more!
“I'm sort of a Kandy Muse-ian figure. I've lived 30,000 lives.” On this episode, your hosts Martyr (@dragthemartyr) and Cate (@ctepper) sit down with everyone's imaginary friend, Nostalgia! They discuss Nostalgia's life growing up as a native Brooklynite, their love for Lady Gaga, being crowned by Bianca del Rio and “liminal spaces.” Later, we hear more about evolving drag identities, “Sissyfest,” “Let's Watch A Movie,” and their love for hosting shows and watching movies. + Get tickets for “Let's Watch A Movie”: https://nitehawkcinema.com/williamsburg/film-series/lets-watch-a-movie/ + Follow them: @nostalgiarama on Instagram and other social media platforms ~ tinyurl.com/wiggingoutpodcast This episode is proudly sponsored by MOTTO- the new queer dating app! Tired of the endless scrolling? With Motto, Motto sends you daily matches of people who match your interests and kinks. There are no fees, no ads, and no nonsense. Use invite code: ZVOGS when signing up. ~ Follow the pod on Instagram and Facebook @wiggingoutpodcast and on twitter @wiggingoutpod Thots, comments, and dick pics? Please send to dragthemartyr@gmail.com Cover art: Madeline De Michele - www.madelinedemichele.com Music: “Club” by Andrew Huang (www.youtube.com/channel/UCdcemy56JtVTrsFIOoqvV8g) under Creative Commons. Edits by C.Tepper
With some New Yorkers away for the holidays, WNYC's Janae Pierre and Ryan Kailath discuss things to do as the city clears out. Plus, a Brooklynite shares her family's coquito recipe.
New York Governor Kathy Hochul is taking her pitch for congestion pricing directly to the suburbs. Plus, former U.S. Rep. Anthony Weiner is eyeing a political comeback. Also, WNYC's Michael Hill and Arun Venugopal discuss the parallels between the man accused of killing United Healthcare CEO Brian Thompson and the man acquitted in the chokehold death of Jordan Neely. And finally, a community champion helps unemployed Brooklynites.
When it comes to mental health problems, there aren't really "cures," but in this week's episode, both of our storytellers share how they figured out what worked for them. Part 1: Deandra Anjahlee decides to study psychology to try to understand what is happening with her mind. Part 2: After all other treatments fail to treat Nick Caruso's 25-year long depression, he gives transcranial magnetic stimulation a shot. Deandra Anjahlee is a community centered educator, leader, and fresh storyteller. She is a proud Brooklynite with Caribbean roots. Themes of identity and equity ground her work on and off stage. She is passionate about creating safe spaces for intergenerational learning, growth and joy. Her storytelling evokes laughter, nostalgia, and encourages introspection. When she's not on stage, you can find her sneaking explicit music in at your kid's prom, or catching the last bits of sunlight in Prospect Park. Nick Caruso is a proud Michigan native living in Brooklyn bliss with his amazing partner and a bunch of plants. He's a lifelong lover of comedy and cinema, an entertainer at heart, and a career writer/editorial director/multimedia presenter. Nick is passionate about the intersection of storytelling and education and is always on the hunt for professional (or not) opportunities to craft and communicate new, additive narratives. He's also an ordained minister, amateur mechanic, and aspiring 'Wait, Wait, Don't Tell Me' panelist. Learn more about your ad choices. Visit megaphone.fm/adchoices
Episode 2 continues our sit down with acclaimed TV Director Mike Spiller - a fellow Brooklynite who has won an #Emmy and DGA award for his work on hit shows like Modern Family, Scrubs, New Girl and The Mindy Project. We delve into more of a Hollywood geniuses' career. Mike is such a down to earth humble man who is passionate about filmmaking. Don't miss this opportunity to be mentored by one of the industry's Top directors, straight from his roots in #brooklyn to the bright lights of #Hollywood. Stay updated with our podcast schedule at: www.filmconvopodcast.com Connect with us on https://www.instagram.com/vonti_pictures/ Reach out to our host, Vonti McRae, on LinkedIn: www.linkedin.com/in/vonti-mcrae-3b71281 or email us: info@vontipictures.com for episode inquiries. #filmindustry #behindthescenes #cinematicjourney #production #keygrip #cameralighting #sony #podcastguest #filmindustry #filmmakingpodcast #warnerbros #film #television #vontitalks #minorityownedbusiness #hollywoodinsights ##studiojobs #grip #entertainment #entertainmentcareers #filmindustryinsider #education #inspiration #entertainmentnews #media #TVandFilmCreator #podcasts #TVDirector #EmmyWinner #ModernFamily #MindyProject #BrooklynCreatives #scrubs
This is a free preview of a paid episode. To hear more, visit lyz.substack.comThis season, we brought back my friend and the wildly talented author Morgan Jerkins to talk about sex, dating, love, and heartbreak all while reading your emails.Morgan Jerkins is the New York Times bestselling author of This Will Be My Undoing, Wandering in Strange Lands, and Caul Baby. A newly minted Brooklynite, Jerkins has taught at Columbia Univer…
We are back! Season 2 is finally here. Join us as we sit down with acclaimed TV director Mike Spiller - a fellow Brooklynite who has won an Emmy and DGA award for his work on hit shows like Modern Family, Scrubs, New Girl and The Mindy Project. In this episode, Mike takes us into his world of bringing some of television's most beloved comedies to life. We'll discuss his early career as a cinematographer, his transition to directing, and the keys to crafting the perfect comedic tone and performance. Plus, Mike shares insights on working with talented ensembles, collaborating with showrunners, and developing new projects - all while balancing the role of a loving husband and father. Don't miss this opportunity to hear from one of the industry's top directors, straight from his roots in Brooklyn to the bright lights of Hollywood.#TVDirector #EmmyWinner #ModernFamily #MindyProject #BrooklynCreatives
This is the 4pm All Local for Wednesday October 2nd, 2024.
Support Breaking Walls at https://www.patreon.com/thewallbreakers The woman you just heard is Gene Tierney. She was born on November 19th, 1920 in Brooklyn, New York. Raised in Connecticut, she excelled in poetry, took up student acting, and eventually spent two years attending school in Switzerland, where she learned to speak French. On a family trip to the West Coast, she visited Warner Bros. studios, where her cousin Gordon Hollingshead worked as a producer. Director Anatole Litvak, taken by her beauty, convinced Gene to take a screen test. Warner Brothers wanted to sign her, but her father convinced her to stay home, enter society, and become a theater actress. She studied acting in Greenwich Village and soon found herself getting increasing roles on Broadway along with reviews about her acting prowess and natural beauty. Eventually Gene's father set up a company to fund her acting interests. She met Howard Hughes, who became a lifelong friend. In 1940 she starred as Patricia Stanley on Broadway in The Male Animal. Features in Life, Harper's Bazaar, and Vogue soon followed. Darryl Zanuck, head of 20th Century Fox, saw her both acting and later dancing at The Stork Club, and signed her to a contract. She debuted later that year in a supporting role, opposite Henry Fonda, in Fritz Lang's western, The Return of Frank James. By 1944 she'd made eleven films. That Autumn she wrapped up filming of Laura opposite Dana Andrews, Clifton Webb, and Vincent Price. Before its premiere in November she guest-starred on Duffy's Tavern on Friday, September 22nd. The brainchild of star Ed Gardner, Duffy's Tavern debuted as part of CBS's Forecast pilot series in 1940. It was hailed by critics as the most-original comedy of 1941. The fictitious bar was allegedly located in Manhattan on 3rd avenue and 23rd street. It was the “eyesore of the East side” where the “elite meet to eat.” Duffy never made an appearance, but his frequent phone calls were a constant source of anxiety. Gardner's heavily New York-accented Archie has inspired several characters in the years since, like Moe in The Simpsons. Eddie Green was Eddie, Marvin Miller announced, Sandra Gould was Miss Duffy, and Charlie Cantor was Finnegan. In September 1944 the show moved to NBC. This was the season's second episode. It pulled a rating of 11.3. Roughly nine million people tuned in.
Support Breaking Walls at https://www.patreon.com/thewallbreakers John Herbert “Jackie” Gleason was born on February 26th, 1916, on Chauncey Street in Bedford–Stuyvesant, Brooklyn. The younger of two children, his brother Clement died from meningitis at fourteen in 1919. Six years later his father left the family. Gleason's mother Mae got a job as a subway attendant for the Brooklyn–Manhattan Transit Corporation. Jackie spent his youth hustling pool and performing in class plays. He quit high school and took a job to perform at local theaters, putting on acts with friends, and then emceed at the Folly Theater. When Jackie was nineteen in 1935 his mother died from complications of sepsis. He worked his way up to a job at Manhattan's Club 18. Jack Warner saw him, signing Gleason to a contract for two-hundred-fifty dollars per-week. Jackie married dancer Genevieve Halford on September 20th, 1936. The couple had two children: Geraldine, born in 1940, and Linda, born in 1942. Classified as 4-F and rejected for military service, by the summer of 1944 a twenty-eight year-old Gleason had appeared in films opposite Ann Sheridan, Humphrey Bogart, Edward G. Robinson, and Betty Grable. He also became known for hosting all-night parties in his hotel suite. His hotel soundproofed his apartment out of consideration for its other guests. NBC, seeing something in the brash, outspoken Brooklynite, added him to Double Feature, co-starring Les Tremayne and Alfred Drake, Sunday nights at 10:30PM. Rebranded The Les Tremayne-Jackie Gleason Show, he debuted this episode on August 13th, 1944. Edgar Bergen was the special guest. This is that debut. The show would air until October 22nd.
About this episode: Open Air Care Connections is a pilot project between Prospect Park Alliance, various community organizations, and the New York City Health Department. Born from the COVID-19 pandemic and built with basic public health principles like equity, access, and dignity, the program connects Brooklynites with much-needed services like mental health care, housing, and food access—all through casual conversations in Brooklyn's largest public park. Guests: Jared Grant is a community health worker and program assistant with NHS Brooklyn. Morgan Monaco is the president of Prospect Park Alliance. Jonathan Timal is a community health worker and program assistant with NHS Brooklyn. Dr. Ashwin Vasan is the Commissioner of the New York City Department of Health and Mental Hygiene. Host: Lindsay Smith Rogers, MA, is the producer of the Public Health On Call podcast, an editor for Expert Insights, and the director of content strategy for the Johns Hopkins Bloomberg School of Public Health. Show links and related content: An Open-Air Approach to Mental Health Treatment—New York Times Alliance Launchs Open Air Care Connections—Prospect Park Alliance Contact us: Have a question about something you heard? Looking for a transcript? Want to suggest a topic or guest? Contact us via email or visit our website. Follow us: @PublicHealthPod on X @JohnsHopkinsSPH on Instagram @JohnsHopkinsSPH on Facebook @PublicHealthOnCall on YouTube Here's our RSS feed Interested in learning more about the Bloomberg American Health Initiative Fellowship mentioned in this episode's promo? Click here to learn more.
Meet the Black Brooklynites who defined New York City's most populous borough through their search for social justice. Before it was a borough, Brooklyn was our nation's third largest city. Its free Black community attracted people from all walks of life--businesswomen, church leaders, laborers, and writers--who sought to grow their city in a radical anti-slavery vision. The residents of neighborhoods like DUMBO, Fort Greene, and Williamsburg organized and agitated for social justice. They did so even as their own freedom was threatened by systemic and structural racism, risking their safety for the sake of their city. Brooklynites: The Remarkable Story of the Free Black Communities that Shaped a Borough (NYU Press, 2024) recovers the lives of these remarkable citizens and considers their lasting impact on New York City's most populous borough. This cultural and social history is told through four ordinary families from Brooklyn's nineteenth-century free Black community: the Crogers, the Hodges, the Wilsons, and the Gloucesters. The book illustrates the depth and scope of their activism, cementing Brooklyn's place in the history of social justice movements. Their lives offer valuable lessons on freedom, democracy, and family--both the ones we're born with and the ones we choose. Their powerful stories continue to resonate today, as borough residents fill the streets in search of a more just city. This is a story of land, home, labor, of New Yorkers past, and the legacy they left us. This is the story of Brooklyn. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
Meet the Black Brooklynites who defined New York City's most populous borough through their search for social justice. Before it was a borough, Brooklyn was our nation's third largest city. Its free Black community attracted people from all walks of life--businesswomen, church leaders, laborers, and writers--who sought to grow their city in a radical anti-slavery vision. The residents of neighborhoods like DUMBO, Fort Greene, and Williamsburg organized and agitated for social justice. They did so even as their own freedom was threatened by systemic and structural racism, risking their safety for the sake of their city. Brooklynites: The Remarkable Story of the Free Black Communities that Shaped a Borough (NYU Press, 2024) recovers the lives of these remarkable citizens and considers their lasting impact on New York City's most populous borough. This cultural and social history is told through four ordinary families from Brooklyn's nineteenth-century free Black community: the Crogers, the Hodges, the Wilsons, and the Gloucesters. The book illustrates the depth and scope of their activism, cementing Brooklyn's place in the history of social justice movements. Their lives offer valuable lessons on freedom, democracy, and family--both the ones we're born with and the ones we choose. Their powerful stories continue to resonate today, as borough residents fill the streets in search of a more just city. This is a story of land, home, labor, of New Yorkers past, and the legacy they left us. This is the story of Brooklyn. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Meet the Black Brooklynites who defined New York City's most populous borough through their search for social justice. Before it was a borough, Brooklyn was our nation's third largest city. Its free Black community attracted people from all walks of life--businesswomen, church leaders, laborers, and writers--who sought to grow their city in a radical anti-slavery vision. The residents of neighborhoods like DUMBO, Fort Greene, and Williamsburg organized and agitated for social justice. They did so even as their own freedom was threatened by systemic and structural racism, risking their safety for the sake of their city. Brooklynites: The Remarkable Story of the Free Black Communities that Shaped a Borough (NYU Press, 2024) recovers the lives of these remarkable citizens and considers their lasting impact on New York City's most populous borough. This cultural and social history is told through four ordinary families from Brooklyn's nineteenth-century free Black community: the Crogers, the Hodges, the Wilsons, and the Gloucesters. The book illustrates the depth and scope of their activism, cementing Brooklyn's place in the history of social justice movements. Their lives offer valuable lessons on freedom, democracy, and family--both the ones we're born with and the ones we choose. Their powerful stories continue to resonate today, as borough residents fill the streets in search of a more just city. This is a story of land, home, labor, of New Yorkers past, and the legacy they left us. This is the story of Brooklyn. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
Meet the Black Brooklynites who defined New York City's most populous borough through their search for social justice. Before it was a borough, Brooklyn was our nation's third largest city. Its free Black community attracted people from all walks of life--businesswomen, church leaders, laborers, and writers--who sought to grow their city in a radical anti-slavery vision. The residents of neighborhoods like DUMBO, Fort Greene, and Williamsburg organized and agitated for social justice. They did so even as their own freedom was threatened by systemic and structural racism, risking their safety for the sake of their city. Brooklynites: The Remarkable Story of the Free Black Communities that Shaped a Borough (NYU Press, 2024) recovers the lives of these remarkable citizens and considers their lasting impact on New York City's most populous borough. This cultural and social history is told through four ordinary families from Brooklyn's nineteenth-century free Black community: the Crogers, the Hodges, the Wilsons, and the Gloucesters. The book illustrates the depth and scope of their activism, cementing Brooklyn's place in the history of social justice movements. Their lives offer valuable lessons on freedom, democracy, and family--both the ones we're born with and the ones we choose. Their powerful stories continue to resonate today, as borough residents fill the streets in search of a more just city. This is a story of land, home, labor, of New Yorkers past, and the legacy they left us. This is the story of Brooklyn. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
Meet the Black Brooklynites who defined New York City's most populous borough through their search for social justice. Before it was a borough, Brooklyn was our nation's third largest city. Its free Black community attracted people from all walks of life--businesswomen, church leaders, laborers, and writers--who sought to grow their city in a radical anti-slavery vision. The residents of neighborhoods like DUMBO, Fort Greene, and Williamsburg organized and agitated for social justice. They did so even as their own freedom was threatened by systemic and structural racism, risking their safety for the sake of their city. Brooklynites: The Remarkable Story of the Free Black Communities that Shaped a Borough (NYU Press, 2024) recovers the lives of these remarkable citizens and considers their lasting impact on New York City's most populous borough. This cultural and social history is told through four ordinary families from Brooklyn's nineteenth-century free Black community: the Crogers, the Hodges, the Wilsons, and the Gloucesters. The book illustrates the depth and scope of their activism, cementing Brooklyn's place in the history of social justice movements. Their lives offer valuable lessons on freedom, democracy, and family--both the ones we're born with and the ones we choose. Their powerful stories continue to resonate today, as borough residents fill the streets in search of a more just city. This is a story of land, home, labor, of New Yorkers past, and the legacy they left us. This is the story of Brooklyn. Learn more about your ad choices. Visit megaphone.fm/adchoices
Well, well, well! We're back after a long hiatus in the middle of a pretty short book due to vacations of various sorts. For example, Jackie took a vacation to Italy (listen for an amazing story of being a dumb American), AND a vacation from being healthy by immediately getting Covid upon her return! But now we're all healthy and thriving, and Mrs. Dalloway's FTC arc is complete. Like life itself, this episode in turns both gross and beautiful! Tune in to find out if the second half of the book sucks. NOTE: This episode discusses suicide. See chapters below if you wanna skip that part!Bekah reveals a very specific requirement she has for storytellers. Rachel murders God. Jackie shares a tidbit of Williamsburg wisdom that no one likes.Topics include: special vinegar in a special dish, the ultimate state of Zen, a diet of nothing but milk and ice cream, spending years in bed for money, a divisive blue envelope, Petrarch, a snowboarding pickle, how to hide a zit like a pro, Oscar Pistorius, William Faulkner, Hemingway and Fitzgerald's Ye Olde Dick-Measuring Event, IcinGUH, Ada Palmer's recommendations, Walshheads, speaking English like an Italian, Shrek, Butt Stuff, the now-straight Tower of Pisa, Nebuchadnezzar, and Nebuchadlizard. ★ Support this podcast on Patreon ★
Karen Gillan joins the show to talk about her new comedy film Late Bloomers, in theaters June 7 — as well as spooky Scottish stories, and the 10th anniversary of her film Oculus, directed by Mike Flanagan. Gillan went from Doctor Who fame to franchise movie star with roles in Guardians of the Galaxy, Jumanji, and Gunpowder Milkshake — as well as indie dramas All Creatures Here Below, and The Party's Just Beginning (which she wrote and directed). Now, with Late Bloomers, Gillan plays Louise, a 28-year-old Brooklynite adrift in life, who finds herself suddenly single and grappling with her identity as a musician. While she struggles with her underlying depression, a reckless drunken stumble lands her with a broken hip and leads to a stint in a physical therapy ward with patients twice her age. Here, she crosses paths with Antonina (played by Margaret Sophie Stein), a cantankerous elderly Polish woman who speaks no English. Reluctantly, Louise takes on the role of Antonina's caregiver, a situation neither of them welcomes. As they navigate their begrudging relationship, they confront the realities of aging, forcing Louise to consider her own journey into adulthood. _______________________________________________________________ Talking Strange Paranormal Podcast with Aaron Sagers is a weekly paranormal pop culture show featuring celebrity and author interviews, as well as learned experts in all things strange and unexplained. Sagers is a paranormal journalist and researcher who appears as host of 28 Days Haunted on Netflix, and on Paranormal Caught On Camera on Travel Channel/Discovery+, and Talking Strange is part of the Den of Geek Network. If you like Talking Strange, please subscribe, leave a nice review, and share with your friends. The Talking Strange Paranormal Podcast is available on Apple Podcasts, Spotify, YouTube, and wherever you check out spooky content. For more paranormal pop culture, head to Den of Geek, and follow @TalkStrangePod on Twitter. Email us with episode ideas, and guest suggestions, or for a chance to have your letter read on a future episode: TalkingStrange@DenOfGeek.com Follow Host Aaron Sagers: Twitter.com/aaronsagers Instagram.com/aaronsagers Facebook.com/AaronSagersPage tiktok.com/@aaronsagers Patreon.com/aaronsagers (For Q&As, livestreams, cocktail classes, and movie watches) Until Next Time: Be Kind. Stay Spooky. Keep It Weird. Learn more about your ad choices. Visit megaphone.fm/adchoices
A new book, called “Brooklynites: The Remarkable Story of the Free Black Communities that Shaped a Borough,” out in September, tells the story of Brooklyn's free Black population between 1790 and 1870, 80 years of unfathomable change in the borough and the country at large. The book, by Prithi Kanakamedala, is a cultural and social history, told through four extraordinary families from Brooklyn's 19th-century free Black community. Theirs are stories of activism, support, struggle, community, education and entrepreneurship. And their stories continue to resonate today, some 200 years later. This week we discuss the book, what it meant to be a free Black Brooklynite and how Kanakamedala uncovered their stories. Brooklyn news and views you can use: bkmag.com Email: hello@bkmag.com Follow along on Facebook: Brooklyn Magazine Twitter: @brooklynmag Instagram: @brooklynmagazine Follow Brian Braiker on Twitter: @slarkpope
Can a couple of longtime Brooklynites survive the peace and quiet of a 17 acre property in Upstate New York's Hudson Valley? It took a little time for Lisa Preudhomme and Servulus Billy, who moved from Brooklyn to Holmes, New York, but they eventually fell in love with the beauty and serenity of country living. The couple aren't always alone on their property - their estate contains three homes, two of which are rented out as Airbnbs. For more about this relocation to greener pastures, check out Episode 185 of Retire There with Gil & Gene.Lisa and Servulus' estate is known as Westerhall Gardens and the two Airbnbs are The Dahlia Villa and Hibiscus House.I Hate TalkingA podcast about talking, etymology, frustrating topics, current events, and more.Listen on: Apple Podcasts Spotify
Outside of Brooklyn, Arthur Miller's name has largely faded from memory. On this episode, we tell the story of the Black community leader who was killed by NYPD chokehold in 1978, the movement pushed forward as a result of his death, and the ways that Brooklyn Public Library's Center for Brooklyn History helps to keep the story alive.Further resources:Listen to the "Voices of Crown Heights Oral History Collection" or visit the Center for Brooklyn History in person. Check out our list of books created specifically for this episode.Watch a recording of the June 2023 public program "Say His Name, Arthur Miller: A Death By Police Chokehold 45 Years Ago."Listen to the 2018 episode about Arthur Miller on Flatbush + Main,the podcast from the former Brooklyn Historical Society.Visit CBH's online exhibit, "Brooklyn Resists," to learn more about Brooklynites responding to systemic racial injustice over the years, and see photos of the 2020 protests in Brooklyn, contributed by community members.Help us keep our libraries open by fighting for city funding. Write to your city leaders! Or, send a letter on behalf of Queens Public Library or New York Public Library.
USA! USA! Enlist this week for soft bois turned strong bois, crushable compasses, and buff Brooklynites. The person most confused by the film this week was: Bucky Barnes when rescued by his suddenly-much-taller boyfriend.See omnystudio.com/listener for privacy information.
ANN HARADA originated the role of Christmas Eve in Avenue Q on Broadway and in the West End. Other Broadway: Cinderella, Into the Woods, 9 to 5, M Butterfly, Seussical, Les Miserables. Selected Off-Broadway: Dear World, Fairycakes, Emojiland, Dropping Gumballs on Luke Wilson, Pacific Overtures, Brooklynite and Love, Loss, and What I Wore. Regionally: Babbitt (LaJolla Playhouse), The Closet (Williamstown), Matilda, Beauty and the Beast, & Mamma Mia (MUNY). Recent film: Jerry and Marge Go Large and Disenchanted. Add'l film: Sisters, Admission, and Hope Springs. She is one of the stars of the musical series Schmigadoon! (Apple TV+) Add'l TV: Gotham, Blue Bloods (recurring), Younger, Jim Gaffigan Show, The Good Wife, 30 Rock, House of Cards, Master of None, and Smash. Insta/Threads: @iamannharada, X:@annharada Learn more about your ad choices. Visit podcastchoices.com/adchoices
In the final installment of The Soul of Masquerade host Nikki Buchanan speaks with her good friend - native Brooklynite, Orisha devotee, carnival enthusiast, and flight attendant, N'ima Alston. N'ima shares her connection to carnival culture, how it's transformed her personhood, and how she incorporates the culture into her life. To follow N'ima's adventures in the sky and on the ground follow her on Instagram at @nimasco. For more show notes, resources and clips from this episode follow the podcast on Instagram at @howtobemagicalpodcast, on Twitter on @howtobemagical and bookmark the website soulthingsbotanica.com
Welcome to another exciting episode of Ask a Matchmaker! This week, Maria sits down with two remarkable individuals who bring humor, culture, and a whole lot of heart to the table. Joining her are Gus Constantellis and Christina Mavronas, the dynamic duo behind the @welcometotheneighborhoodpod. Gus, a Greek-American comedian known for his viral immigrant culture observations, and Christina, a Brooklynite with Greek roots and a knack for blending humor with the human experience, bring their unique perspectives to the table. From Gus's rise from Brooklyn to national headlining tours to Christina's journey through dance to filmmaking, their stories are as captivating as they are hilarious. Tune in for a dose of culture, dating insights, and plenty of laughs! Follow Gus and Christina: @constantlygus @christinamavronas https://www.youtube.com/@welcometotheneighborhoodpod And read this incredible tribute about Gus and his mom: https://www.today.com/parents/greek-mom-tiktok-death-rcna137728 *************** Was traveling to Greece on your bucket list this year? Let's make it happen! Travel to Greece with Maria! http://agapeescapes.com This episode is brought to you by Agape Match and the Agape Intensive program. Ready for a complete dating mindset shift? Enroll in an upcoming Agape Intensive! Enroll in virtual: https://agapematch.com/agape-group-coaching-intensive/ Enroll in person: https://www.wetravel.com/trips/agape-intensive-in-real-life-nyc-2024-agape-escapes-llc-new-york-62720558 You can also join Maria's database or become a matchmaking client! Visit https://agapematch.com Follow @MatchmakerMaria and @askamatchmaker on IG so you can ask a question on the next live! Make sure to subscribe and sign up for notifications for fantastic dating and relationship advice brought to you by Maria Avgitidis!
In honor of Black History Month, we revisit Greg Frigoletto's conversation with Glynis Johns, the Founder of the Black Scranton Project. Growing up in Scranton, Pennsylvania, Glynis Johns dreamed of one day moving to New York City to explore the arts, fashion and to further her education. While attending St. John's University and establishing herself as a Brooklynite, Glynis found her calling and her passion. In this episode, Glynis speaks with Greg Frigoletto about her fascinating journey from dreaming to doing, becoming the founder and CEO of the Black Scranton Project, a 501(c)3 non-profit organization, local heritage initiative, and public history venture dedicated to archiving and celebrating the Black history of Scranton and Northeastern Pennsylvania.See omnystudio.com/listener for privacy information.
DJ Spider kicks off 2024 by interviewing renowned DJ/producer J.PERIOD. Hailed as a "music guru" by Rolling Stone, the Brooklynite is a prime example of someone who pushes the boundaries of being a DJ. His resume includes producing some of hip-hop's most creative mixtapes, serving as the music supervisor for the Brooklyn Nets, contributing to the Billboard No. 1 album "The Hamilton Mixtape," touring with Black Thought, and most recently, producing the "GRAMMY Salute to 50 Years of Hip-Hop" concert. The list goes on and on. In the interview, J.PERIOD reflects on his accomplishments and shares valuable insights into building a successful DJ career. Hosted on Acast. See acast.com/privacy for more information.
f there's a qualification list to be a modern day renaissance woman, Marla Mase checks all the boxes - writer, actor, musician, raconteur and, above all, magnetic performer. Although she's been immersed in all manner of the arts for almost three decades, she didn't emerge from her musical cocoon until the early 2000s. Since then, she's performed to rapturous audiences from the Bowery to Beijing, collaborated with iconic producer/bassist Bill Laswell, received a Messenger of Peace award from The Friends of the UN, launched True Groove Records with songwriter/guitarist/producer Tomás Doncker, and holds the unique distinction of having all of her albums transformed into full theatrical productions. Her most recent EP, The Fine Art Of Pissing In The Bushes Vol 1. is available worldwide. Volume 2 is due to be released at the end of January 2024. A native Brooklynite, Marla is a whirlwind creative force unto herself. Her gritty poetic vision regardless of the medium is singularly MASE - both fearless and fearful, comical and devastating, resilient and vulnerable.
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Growing up in Scranton, Pennsylvania, Glynis Johns dreamed of one day moving to New York City to explore the arts, fashion and to further her education. While attending St. John's University and establishing herself as a Brooklynite, Glynis found her calling and her passion. In this episode, Glynis speaks with Greg Frigoletto about her fascinating journey from dreaming to doing, becoming the founder and CEO of the Black Scranton Project, a 501(c)3 non-profit organization, local heritage initiative, and public history venture dedicated to archiving and celebrating the Black history of Scranton and Northeastern Pennsylvania.See omnystudio.com/listener for privacy information.
If you want the truth about money from a fast talking NYC Babez while she prays over you-- Angelica Prather is for you! Join us as chat about overcoming the BIGGEST struggle in life, failures and how to just keep going. Don't miss this episode OR Angelica's super affordable membership offer! WANT MORE ANGELICA? Check Out Her Website HERE Be A Charge Your Worth Member HERE Love this episode? SUBSCRIBE to never miss an episode on Spotify or Apple! DON'T FORGET! Tell us your favorite parts of this episode and leave your rating! Follow on Facebook Follow on Instagram Never miss an announcement! Be a VIP HERE!
This united and strong couple, reflect on their wedding journey, highlighting the significance of their union in the context of same-sex and interracial marriage only being legal in the U.S. since 2015 and 1967, respectively. Emphasizing their commitment to what was important to them, they share how they navigated the complexities of family dynamics while maintaining clear boundaries. Their positive outlook and resilience shone through as they tackled wedding day snags with professionalism and grace. Melissa speaks passionately about how their queer love is both radical and revolutionary, underlining the historic and personal importance of their marriage. Click HERE to become a premium subscriber and unlock all of the amazingness: Ad-free, full episodes TBWPP Wedding Planning Resource Center Monthly Wedding Planning Happy Hours via Zoom with Michelle Bonus Episodes Extra tools and gifts get sprinkled in every so often! Topics We Covered Strategies for Curating the Guest List The Role of Community Commitment in Shaping Their Wedding Crafting Personalized Wedding Vows Avoiding the Pitfall of Over-Focusing on Minor Details Managing Family Pressure for Unwanted Wedding Elements Maintaining Focus Throughout the Wedding Planning Process Key Components to Incorporate into a Ceremony Script Handling Technical Issues During the Event About Our Guests Karissa Sullivan is an Assistant Principal at Ramapo High School with two Masters degrees and currently pursuing her doctorate in educational leadership from Columbia University. She's been in the education field since her early career, starting as a teacher before earning her advanced degrees Melissa Sullivan is a proud Brooklynite with over two decades of experience championing youth development, racial justice, LGBTQ+ advocacy, social justice and nonprofit leadership. Currently she's the Executive Director at PFLAG NYC, where she's all about making NYC more LGBTQ+ friendly. When she's not changing the world, you'll find her assisting start-up nonprofits, volunteering, reading a lot, and embarking on the journey of expanding her family with her wife and two adorable pups in Nyack, NY. She's a proud sister, adoptive mom of an adult daughter, Godmom to four super cool kids, and an aunt. Links We Referenced Ceremony Script: https://docs.google.com/document/d/1pJxFCq3Tqe2PSraGjdv69oZs_YOAX-DQHq1k73GWFpo/edit?usp=sharing Wedding Coordination and Florals: @luxuryeventcollective Photography/videography/photobooth/lighting: @stateoftheartvisuals and @societyofthearts DJ: @djcoolee Hair and Makeup: @thekeylookllc @humblehands314 Wedding Cake: @bakerman1727 Rehearsal Dinner Event Space and Bartending: @xhousenyack Rehearsal Dinner catering: @cravinjamaicancuisine Wedding Officiant: Reverend Tabatha Holley @revfemmeblaqity Dog day care: @papawsdoghouse Wedding Dress: @bridesbyyoung Wedding Suit: @bindleandkeep NY Times Article: https://www.nytimes.com/2023/08/11/style/melissa-dandrea-karissa-sullivan-we The Big Wedding Planning Podcast is... Hosted and produced by Michelle Martinez Music by Steph Altman of Mophonics On Instagram @thebigweddingplanningpodcast and be sure to use #planthatwedding when posting, so you can get our attention! Inviting you to become part of our Facebook Group! Join us and our amazing members. Just search for The Big Wedding Planning Podcast Community on Facebook. Easy to get in touch with. Email us at hello@thebigweddingplanningpodcast.com or Call and leave a message at 415-723-1625 and you might hear your voice on an episode Learn more about your ad choices. Visit megaphone.fm/adchoices
On Episode 356 of The No Limits Selling Podcast, we have Louis Belisario, Jan Crowley, and Jon Goodell. Lou is a licensed Associate Real Estate Broker. Throughout his over 12 years in the business, Lou Belisario has stood atop the real estate ranks thanks to equal parts hard work and innate skill. Coming from a real estate family, Lou knew early on the profession was his destiny. He pursued his license while still in college and earned his Associate Broker designation just three years later. He was named 'Rookie of the Year' and has remained a top producer ever since. More than a broker, Lou excels in sales management and has overseen and mentored dozens of agents. He has personally closed hundreds of transactions totaling a quarter-billion dollars, and he's assisted with hundreds more. A dedicated leader, clients rave about Lou's responsiveness, transparency, and fierce negotiation skills. Born and raised in Marine Park, he's a proud Brooklynite through and through. He's honored to be part of Brooklyn's evolution, and he's a home in every single neighborhood in the borough. Lou holds a bachelor's degree in communications from St. Francis College. Today, he resides in Belle Harbor with his wife and their pit bull Luca. In their free time, the couple loves the beach, sports, great food, and enjoying the life they've built together. Jan Crowley is a solo agent, located just outside of DC. She's technically in Maryland. She has been selling for 10 years. She mostly does veterans and buyers, but she coaches agents as well. Then we have Jon Goodell. The leader and builder of companies. Background in behavioral science with a focus on learning and motivation. He specializes in Performance Improvement and Leadership Development habits that create long-term success. He has a strong aptitude for logistical and organizational effectiveness as well as communication and interpersonal skills. Jon possesses years of experience in sales marketing and management. Find Louis Belisario: Website Find Jan Crowley: Website, LinkedIn Find Jon Goodell: Website, LinkedIn [EDITOR'S NOTE: This podcast is sponsored by No Limits Selling. It is a fun, fast-paced podcast that delivers hard-fought business advice that you can implement today to improve your sales and performance] Interested In Our Real Estate Coaching Services? Explore Our Website: Link Feeling Not Well Today? You Can Use Our Mindset Boosters App To amp Up Your Mood: Link Find us on Social Media: LinkedIn | Facebook community | Instagram Like what do you listen to? Subscribe to our podcast! Ready to become fearless? We can help you become fearless in 60 days so you accomplish more in your career Schedule A 15 min Call with Umar
It is our pleasure to have Bex Rose, Poet and Mental Health Professional, as a guest on the Poetic Resurrection Podcast. She shared her poem called A Subconscious Mind, which talks about depression from her book Mental Health via Poetry. We had a fascinating conversation about the poem and her personal story of growing up in Brooklyn, New York writing poetry with Tourette's, then transitioning to become a mental health clinician. Tune into this touching and entertaining interview to learn more about Bex's inspiring journey. A Subconscious Mind What are these thoughts The if, and, why, What is this feeling I get As if I'm ripping apart from inside Why has my internal drive Become so weak Why am I too depressed to even open my eyes To even sit up and think Can't even make it to my own kitchen sink Not even thirsty for a drink It's lawless The pressure to be human Eat, think, sleep like a person, it's arduous It is not involving the effects of any one single event I wish my time could be better spent Society's pages depend on a therapy book So quick to not even take a real look So quick to hand us the bottle than to ask us how to spell out the name I'm not so easy to belittle with labels Each diagnosis on paper Can become quite easily a fable Remedied with quick-think drugs bought from any store and self-help label Not knowing there's also drugs on the corners underneath the table Waiting For us to crave more Why do we have to think and be challenged to want to search for more When we're left un-adored In majority, for the very same reason you referred us to get help in the first place I am not a charity case I will not just fall in line I will make use of this time As I tiptoe between the tattered line Between each tear-stained work of mine I speak For others whose medication has rendered them mute and subconscious How dare you try to band-aid depression as if it's a rouse I think rather that it's abuse To be this overlooked Well I stand here let-loose I will tell you with my rhymes The enforced societal standard behind each bind Left on the "mentally unequipped" Considered Drones of the unkind These vastly purged minds It's exhausting Left unchecked it could be an easy departing Why should I let that be the case too I am as much a human being as are you If I had a presumed fully capable mind and funds I guess I would sue But you'd stay there thoughtless Wondering how this mess started to involve you Feeling targeted you alone Truth oftentimes is that You don't even bother unless it happens to one of your own Biography Bex Rose is a born and raised Brooklynite and native New Yorker who is both openly gay and active in the social work community. As a Licensed Mental Health Professional (LMHC), Bex is a Program Director for a NYC based non-for-profit. She has a background in family focused evidence-based practices as well as upper leadership administrative management. Additionally, her work extends beyond community-based services and extends into her private practice – Candor's Call for leadership development, coaching and consultation. Despite a dysfunctional childhood and diagnosis of OCD and Tourette's she has been able to cultivate success in her field and through many social media platforms. Her most recent book “Mental Health via Poetry” speaks to the duality of a role as a clinician and experience living with Tourette's. Bex hopes to utilize social media platforms to continue promoting healthy conversations, collaborations and content around mental health, creativity and positive representation. Get her book: Mental Health via Poetry https://linktr.ee/Bexrose https://www.candorscall.com/
I Don't Wanna Hear It Podcast242 – Deep Dives For Dummies: Carnivore and Type O Negative (Part 1)It's October and thus, the perfect time to return to our favorite topic: the sexy and the scary. It is time to speak of those gloomy, doomy Brooklynites, those New York vampiahs, the Drab Four, the Green Man and the Goonish Goths... Type O Negative. This week we cover everything prior to the band's commercial success, including, of course, those off-color, post-apocalyptic, thermonuclear warriors known as Carnivore. Shane was very uncomfortable throughout every second of this.Check out more of our stuff at I Don't Wanna Hear It and join the Patreon, jabroni. I mean, if you want. Don't be weird about it. Oh, and we publish books now at WND Press because we want to be bankrupted by a dying medium.We now have a Big Cartel where you can buy shirts, pins, mugs, and coffee.Also, you should listen to our 2021 Christmas special: A Black Metal Christmas Carol, our 2022 Halloween special: Ghoulie Ghoulie Ghoul, Where Are You?, our 2022 Christmas Special: How the Stench Stole Christmas, as well as Mikey's true crime podcast, Wasteland and Shane's psychology podcast, Why We Do What We Do.Aaannnddd... our good buddy and frequent third host Matt Moment is in a great hardcore band called Contact. Check 'em out! You can preorder their upcoming record, Before and Through and Beyond All Time right here from Patient Zero Records.Episode Links:Nuclear Archie Bunker: A Carnivore PlaylistCarnivore by CarnivoreRetaliation by CarnivoreSlow, Deep, and Hard by Type O NegativeThe Origin of the Feces by Type O NegativeSome of our old bands are on Spotify:Absent FriendsWe're Not DeadYears From NowMusical Attribution:Licensed through NEOSounds. License information available upon request.“5 O'Clock Shadow,” “America On the Move,” “Baby You Miss Me,” “Big Fat Gypsy,” “Bubble Up,” “C'est Chaud,” “East River Blues,” “The Gold Rush,” “Gypsy Fiddle Jazz,” “Here Comes That Jazz,” “I Wish I Could Charleston,” “I Told You,” “It Feels Like Love To Me,” “Little Tramp,” “Mornington Crescent,” “No Takeaways.”
Episode 349: Ariel Azoff is the Executive Director of Tourism and Brand Partnerships at Atlas Obscura, a media and experiences company dedicated to sharing the world's hidden wonders. Ariel's work has spanned media, tourism, social enterprise, sustainable fashion, government, and international development. She joined Atlas Obscura in 2017 to head up the company's DMO campaigns, bringing her professional media experience and personal passion for travel and sustainability to the role. An assimilated Brooklynite, Ariel is also a certified NYC Sightseeing Guide and, in her spare time, designs and leads women's history tours of the city. On this episode of Destination on the Left, I talk with Ariel Azoff about how off-the-beaten-track destinations have fueled the growth of Atlas Obscura into a global digital media company. We talk about identifying destinations that spark curiosity and wonder, and Ariel shares more about some of the out-of-the-ordinary collaborations with destinations they are enjoying right now. What You Will Learn in this Episode: How Ariel's diverse background in media, tourism, and sustainable fashion influenced her work at Atlas Obscura Why people are seeking out unique and off-the-beaten-path experiences right now and how COVID-19 has impacted this trend The collaboration between Atlas Obscura and Brand USA for the TV show “Small Town Big Story” How Atlas Obscura works with DMOs to create engaging and informative content about destinations How Atlas Obscura has evolved from a blog to a global digital media company providing not only experiences but online courses and print projects Creative Partnerships One example of Atlas Obscura's creative and collaborative partnerships is their collaboration with Missouri Tourism to write a feature article about the haunted Missouri State Penitentiary. This partnership perfectly shows off the adventurous spirit and unique storytelling approach of Atlas Obscura. By working closely with Missouri Tourism, Atlas Obscura was able to tap into the local expertise and deep knowledge of the destination, ensuring an authentic and compelling narrative. Together, they crafted an article that delves into the chilling history and paranormal legends surrounding the destination, providing readers with a glimpse into the eerie and mysterious side of the state. This collaboration not only highlights the significance of Atlas Obscura's dedication to showcasing offbeat destinations but also emphasizes their commitment to working hand-in-hand with destination experts to bring these hidden gems to light. By merging their expertise and resources, Atlas Obscura and Missouri Tourism were able to create a compelling feature that entices travelers to explore the haunted corridors of this historic penitentiary and experience the spine-tingling allure of Missouri's darker side. Evolving and Expanding the Offering Ariel shares how as Atlas Obscura's popularity grew, so did their ambition to expand their offerings. They recognized the need to provide more immersive and interactive experiences for their community of curious travelers and explorers. This led to the creation of unique experiences, such as visiting the iconic Times Square ball or having a firsthand encounter with wolves at a bar. These experiences allowed travelers to engage with their surroundings in unexpected and memorable ways, further capturing the spirit of discovery that Atlas Obscura is known for. Edu-tainment Integrating destination marketing into mainstream entertainment has numerous benefits for both destinations and the entertainment industry. By weaving travel experiences and unique destinations into television shows, movies, podcasts, or even fictional narratives, audiences are transported to these unusual locations and it not only sparks curiosity in viewers, but also offers destinations the opportunity to showcase their hidden gems to a wider audience. In turn, the entertainment industry gains access to a fresh and unique angle for their content. Resources: Website: https://www.atlasobscura.com/ LinkedIn Personal: https://www.linkedin.com/in/arielazoff/ LinkedIn Business: https://www.linkedin.com/company/atlas-obscura/ Facebook: https://www.facebook.com/atlasobscura/ Twitter: https://twitter.com/atlasobscura Instagram: https://www.instagram.com/atlasobscura/ Youtube: https://www.youtube.com/user/atlasobscura I am so excited to announce that my first book, Stronger Together: Building World-Changing Collaborations that Succeed, has been released! Help me celebrate this milestone and expand your knowledge about collaboration. Find out more information here: nicolemahoney.com We value your thoughts and feedback and would love to hear from you. Leave us a review on your favorite streaming platform to let us know what you want to hear more of. Here is a quick tutorial on how to leave us a rating and review on iTunes!: https://breaktheicemedia.com/rating-review/
Over 14,000 patrons have signed up for their first library card since Jay-Z's exhibit came to Central Library in mid-July. We talk to Brooklynites traveling around the borough to collect all 13 Jay-Z library cards, and ask what The Book of HOV means to them. Learn more about the exhibit and our signature library cards: https://www.bklynlibrary.org/podcasts/jay-z-library
State Senator Zellnor Myrie is the first generation American son of Costa Rican immigrants and a native Brooklynite who represents the district that includes Prospect Lefferts Gardens — where he grew up and currently lives. Today he joins the podcast to talk about life in Flatbush, possible solutions to the city's housing crunch, illegal guns, the concerns of his constituents, the state budget mess and why it matters, and on a personal note, the effect of being pepper sprayed by NYPD during the 2020 Black Lives Matter protests. Naturally, we also talk about Jay-Z. Brooklyn news and views you can use: bkmag.com Email: hello@bkmag.com Follow along on Facebook: Brooklyn Magazine Twitter: @brooklynmag Instagram: @brooklynmagazine Follow Brian Braiker on Twitter: @slarkpope
Happy Wednesday wherever you're listening from! Ecstatic about these next two episodes, the first of which being my older sister Candace. Being the oldest out of all of us, she constantly dealt with being the litmus test for how the rest of us would be treated. A Brooklynite in the 90s and early 2000's, she moved to charlotte at the age of 14. She details the stark differences between the two, from the actual places to her specific living situations. Candace also cites a high school trip to Australia as her introduction to sustainable development. This led her to Appalachian state and eventually, heavily influenced her approach to cooking. The pandemic was painstakingly difficult for Mollison as it was for countless others, but she used the time to cook nearly everyday. She even began incorporating ingredients grown in her own garden. As some of her dishes began gaining traction on social media, Candace's confidence grew and rightfully so. She is currently entered in the Favorite chef amateur chef competition, run by Carla Hall! All voters can contribute one daily free vote, and more if they do feel. Polls close in a few days, so if you're a fan of anything Candace has ever made, make sure to vote! Recorded 7.18.23
East Forest is a multidisciplinary artist, known by some for his 5-hour album "Music for Mushrooms," designed to accompany a psychedelic journey. Other folks may know him from his album "Ram Dass," where he created beautiful soundscapes to accompany interviews he did with Ram Dass, in fact the last known interviews ever done with Ram Dass before he passed into the next realm. Some people know him from his podcast, Ten Laws with East Forest, an extraordinary interview podcast where he talks with the likes of Duncan Trussell, Aurbrey Marcus, Danica Patrick. He has found a unique way to combine music, meditation, technology, and the experience of deep listening as a doorway, as a pathway towards acknowledging our own human essence. Its fair to say his creations are not just musical compositions; they are gateways to spiritual encounters, designed to inspire introspection. In this episode, we dive deep into his thoughts around the creative process, and get into his early days as a musician, when he was an up and coming Brooklynite around the time of Occupy Wall Street. We speak about his success, and about how success can actually make the creative process much more difficult. We talk a little bit about generative AI and how it's coming for musicians, the ambient musicians in particular, and what can be done about it. We of course chat about his collaboration with Ram Das and how the track "Sit Around the Fire," a collaboration with Jon Hopkins, was created. I just love this dude and his commitment to simple honesty, to discipline, to ritual, to reverence, to creativity. He's good people and a great artist. One of my most enjoyable conversations in recent memory. Check out his recent single, The Cosmic Dance: https://www.youtube.com/watch?v=G0CsBuoR-_U He's here at Esalen June 30th - July 3rd: Journey Space: Music, Movement & Ceremony - East Forest and Marisa Radha Weppner https://www.esalen.org/workshops/journey-space-music-movement-ceremony-063023
Benjamin Lapidus is a Grammy-nominated musician who has performed and recorded throughout the world as a bandleader and supporting musician playing guitar, Cuban tres, Puerto Rican cuatro, touch style/tapping instruments (Warr guitar and Chapman Stick), as well as organ. As a scholar, he has published widely on Latin music, and he is a professor at John Jay College of Criminal Justice, CUNY, and The Graduate Center. Since the 1990s, Lapidus has performed and/or recorded Cuban tres, Puerto Rican cuatro, guitar, voice, and other instruments on film soundtracks, video games, television commercials, and albums with some of the most notable musicians in Latin music and jazz. Some of these collaborations include performances and/or recordings with Andy and Jerry González, Ibrahim Ferrer (Buena Vista Social Club), Pío Leyva (Buena Vista Social Club), Manuel “Puntillita” Alicea (Buena Vista Social Club), Bobby Carcassés, Orlando “Cachaíto” López, Juan Pablo Torres, NEA Jazz Master Cándido Camero, Larry Harlow, Ruben Blades, Típica 73, John “Dandy” Rodríguez, David Oquendo, Xiomara Laugart, Nicky Marrero, Nelson González, Carlos Abadie, Los Hacheros, Pedrito Martínez, Roman Díaz, Paul Carlon, Adonis Puentes, Pablo Menéndez, Bobby Sanabria, Ralph Irizarry, Charlie Sepulveda, Luis Marín, Humberto Ramírez, Harvie S., Hiram “El Pavo” Remón, Gene Jefferson, Frank Anderson, Enid Lowe, Jared Gold, Greg Glassman, Bobby Harden, Brian Lynch, Mark Weinstein, Jeff “Tain” Watts, Larry Goldings, Chico Álvarez, Alfredo “Chocolate” Armenteros, Emilio Barretto, Eddie Zervigón, José Fajardo, Rudy Calzado, Los Afortunados, Jose Conde, Kaori and Yuko Fujii, Roberto Rodríguez, Maurice El Medioni, Michael Torsone, and many others. As the leader of the Latin jazz group, Sonido Isleño (founded in 1996), he has performed throughout North and South America, Europe, and the Caribbean while releasing five internationally acclaimed albums of his original compositions. In 2007, Lapidus served as musical director and arranger for Garota de Ipanema(JVC/Victor Japan) with Kaori Fujii and toured Japan twice. In 2008, he recorded Herencia Judía and in 2014, he released his eighth album as a leader, Ochósi Blues. Blues for Ochún (2023) is his ninth album as a leader. As a composer, Lapidus' music has been recorded by groups in Cuba and Japan and has been featured in documentaries and television. In 2015, Latin Jazz USA awarded Lapidus a lifetime achievement award for his contributions to Afro-Latin music. In 2015, he wrote the liner notes, contributed an original composition, sang, and played electric guitar and Cuban tres on Andy González's Grammy™-nominated album, Entre Colegas. As profiled on the 2023 television show, Shades of Us (https://youtu.be/I_xMYUtgAhA), Benjamin Lapidus was born in Hershey, PA in 1972 to first-generation Brooklynites and the family moved almost 15 times before returning to New York City when Lapidus was 14. Trained in piano from a young age, he moved through a variety of instruments including trumpet and bass before concentrating on the guitar. Lapidus was exposed to music by his grandmother and his father, who played in Latin and jazz bands in the Catskills in the 1950s. Through his father's record collection and stories of his father's visits with his Latin American relatives, the seeds of Latin music were planted. Yet it wasn't until the 1980s that the youngest Lapidus became immersed in Latin music when he moved to a predominantly Latin neighborhood in New York City, where numerous important musicians also resided. Living a block away from Mikel's jazz club, Lapidus still has vivid memories of practicing in Mario Rivera's house or seeing Mario Bauzá walk down the street. Deciding he needed a complete musical education, Lapidus earned two degrees from Oberlin Conservatory and Oberlin College, becoming one of the program's first jazz guitar graduates. In 1994, Lapidus started to play the Puerto Rican cuatro and Cuban tres. After leading his own quartet at festivals and clubs throughout Europe and winning a grant to study briefly with Steve Lacy in Paris, he returned to the U.S. and worked with Joe McPhee, Joe Giardullo, Tani Tabal, Thomas Workman, and other creative improvisers. At the same time, Lapidus began performing with Larry Harlow, Alex Torres, and other Latin music luminaries in New York and Puerto Rico. Lapidus earned a Ph.D. in Ethnomusicology at the CUNY Graduate Center in 2002. His travels to Cuba acquainted him with distant relatives and grounded him in the music of Eastern Cuba. He has taught guitar and Cuban tres at the New School and popular music of the Caribbean, Latin music in New York, and world music at Queens College and John Jay College of Criminal Justice, CUNY. Today, Lapidus is a professor in the Department of art and Music at John Jay College of Criminal Justice and on the Doctoral Faculty of the Graduate Center, CUNY. In addition, he has served as scholar-in-residence with the New York Center for Jungian Studies and the Jewish Museum during several humanitarian missions to the Jewish communities of Cuba between 2004-2016. In 2008, Lapidus published the first-ever book on the Eastern Cuban musical genre changüí called Origins of Cuban Music and Dance: Changüí (Scarecrow Press). He has published numerous peer-reviewed articles and book chapters, translations, and presented papers at international conferences on Cuban music, Puerto Rican music, Latin jazz, and improvisation. He has also written liner notes for a number of recordings. In 2013, Lapidus won a prestigious National Endowment for the Humanities (NEH) fellowship for his critically acclaimed book New York and the International Sound of Latin Music, 1940-1990 (University Press of Mississippi, 2021). With endorsements from Rubén Blades, Ilán Stavins, and other prominent academics around the world, this ground-breaking book has been featured on BBC 3 Music Matters, NPR's Afropop, and Alt. Latino shows as well as the Miami International Book Fair and countless news outlets. The book maintains its bestseller ranking in Amazon's top 20 salsa books since its release. In this episode, Benjamin shares his background, education, and musical journey. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com
Kate and Mohanad welcome back returning guest Michael Hollingsworth, lifelong Brooklynite, tenant organizer, and dedicated fighter for housing justice. Find Michael on Twitter: twitter.com/mike4brooklyn Check out his website: https://www.m4bk.com/ Kate and Mohanad can be found on Twitter at @KateWillett and @MohanadElshieky Subscribe to the Patreon here: www.patreon.com/replyguys Hosts: Kate Willett and Mohanad Elshieky Producer: Genevieve Gearity Theme Song: Emily Frembgen and Kate Willett Artwork: Adrienne Lobl
Audio Transcript: This media has been made available by Mosaic BostonChurch. If you'd like to check out more resources, learn about Mosaic Boston ordonate to this ministry, please visit mosaicboston.com. Heavenly Father, we thank you for your grace. And in many ways, Lord, your grace is unfathomable. We can't understand it. And in many ways, your grace is scandalous. You're going to save those people after they did that? In many ways, your grace is outrageous. I pray, Lord, that you give us the grace today to humble ourselves before you recognize no one deserves grace. Grace is unmerited favor. You can't deserve it. We have it only because of the work of Jesus Christ, his life, his death, his burial, and his resurrection. Jesus, we gather here today, redeemed as your children, children of God, the Father, thanks to your sacrifice on the cross for us. Holy Spirit, come in to the space if there's anyone who is not yet reconciled with God, is not a worshiper of Yahweh, has not been saved from their sins, does not have eternal life, I pray, today, save them and show them that life is short and we are not guaranteed tomorrow and that eternity is forever. Lord, bless our time in Jonah chapter four as we look at him. And let us not stand over him in condemnation but let us learn from him. As from an older brother, he was not perfect. We are not perfect. He didn't fulfill his mission perfectly. We haven't fulfilled ours perfectly. You gave him grace, Lord, and give us much grace. We pray this in Christ's name, Amen. So, today, we're continuing our sermon series through Jonah. We're finishing it next week. We're starting a new series, our summer series through the end of Genesis 37 through 50. We're entitling it Graduate-Level Grace Study in the Life of Joseph. And we're calling it that because we're saved by grace through faith. Salvation is by grace. But growing in usefulness to the Lord, growing in usefulness and fulfilling our calling, well, that also takes grace, and that also takes faith, and that also takes a lot of work. So, we're excited for that series. Join us starting next week. Today, we're in Jonah 4. The title of the sermon is Outrageous Grace. And hopefully, you've enjoyed this little book. It's strange. It's surprising. It's convicting. It starts with Jonah. God comes to and says, "Go preach to Nineveh." Jonah flees from the presence of the Lord. It takes an unexpected detour on a boat. And God sends a storm, Jonah's thrown overboard by the repentant sailors, and then he spends three days, three nights in the belly of a great fish. Finally, and this was last week, Jonah goes. He fulfills his calling. It's incredible. He preaches unwillingly. He's the most reluctant preacher in the history of reluctant preachers. He does not want to do it. He didn't even plan the sermon. There's no points to the sermon. Just five words. Just judgments coming. And the crazy part is people got saved. The king got saved. They prayed. They fasted. And I know they're truly penitent because their priorities are in order because the king said, "We're all fasting including the cattle. Including the animals. Lord, save our souls but also save our meat. Please, Lord." They got everything in order. And Jonah 3:10 tells us when God saw what they did, how they turned from their evil way, God relented of the disaster that he had said he would do to them, and he did not do it. The Ninevites were ripe for the picking. The harvest was plentiful, although the worker was only one. And this should have been the end of the story. And what a perfect story. It would've been so beautiful moving from crisis to resolution, moving from Jonah's rebellion all the way to his obedience, from Nineveh's impending destruction all the way to immediate deliverance. It's the perfect narrative arc. Amen. Boom. End of chapter three. We're done. That's how it should have ended. Here's God's saving Nineveh through the witness of even the most reluctant evangelist. That's me. That's you. There's hope for him. There's hope for us. Isn't that encouraging? But that's not how it ends at all. I was thinking about this. It ends like a Russian novel. Like the Tolstoy, Dostoyev. You made me read a thousand pages to get to this ending, man. Super disappointing. That's kind of how it ends. But there's many a lesson here for us. So, today we're in Jonah 4:1-11. Would you look at the text? "But it displeased Jonah exceedingly, and he was angry. And he prayed to the Lord and said, "Oh, Lord, is not this what I said when I was yet in my country. That is why I made haste to flee to Tarshish, for I knew that you are a gracious God and merciful, slow to anger and abounding in steadfast love, and relenting from disaster. Therefore now, oh Lord, please take my life from me, for it's better for me to die than to live." And the Lord said, "Do you do well to be angry?" Jonah went out of the city and sat to the east of the city and made a booth for himself there. He sat under it in the shade, until he should see what would become of the city. Now, the Lord God appointed a plant and made it come up over Jonah, that it might be a shade over his head to save him from his discomfort. So, Jonah was exceedingly glad because of the plant. But when dawn came up the next day, God appointed a worm that attacked the plant so that it withered. When the sun rose, God appointed a scorching east wind, and the sun beat down on the head of Jonah so that he was faint. And he asked that he might die and said, "It is better for me to die than to live." But God said to Jonah, "Do you do well to be angry for the plant?" He said, "Yes, I do well to be angry, angry enough to die." And the Lord said, "You pity the plant for which you did not labor, nor did you make it grow, which came up, came into being in a night and perished in a night. And should not I pity Nineveh, that great city in which there are more than 120,000 persons who do not know their right hand from their left, and also much cattle?" Amen. This is the reading of God's holy, inherent, infallible, authoritative word. May he write these eternal truths upon our heart. The last word of the story is cattle. That's how the book ends in the Hebrew. It's much cattle. What a disappointment this is. Jonah here is left in a worse situation, spiritually speaking, than he was when he ran from God. He's still locked in the old patterns of xenophobia and ethnic and religious superiority. He had a besetting sin that he seemed to have repented of in the belly of the fish, though that wasn't a true repentance, and here, it was subdued for the time he was preaching in Nineveh. But now, it flares up and it flares up suddenly. What kind of ending is this one? Well, it's a realistic ending. It's a realistic ending in that we need grace to be saved from our sins, from the condemnation that our sins deserve. But we also need grace to grow in our relationship with the Lord. Jonah doesn't come out being the hero of this. The book's only disappointing if you thought Jonah was the point. Jonah wasn't the point and he wasn't even the main character. God is the main character. The chapter here is composed in three great moments, beginning and then ending with an interview between God and Jonah. And between those two bookends is an enacted parable, a little object lesson about a little vine and a worm and a wind. What's going on there? While this text reveals three contradictions in Jonah's heart, and these are the points. First, contradiction is he understands grace confessed, he confesses. Grace confessed, but misunderstood. Second, providence enjoyed, but ignored. And third, love felt, but disordered. So, point one, grace confessed but misunderstood. Jonah 4:1, it, what was the it? But it. The great revival of Nineveh, you're talking about a million people, maybe 120,000 commentators say, "That's probably children. They don't know the right hand from their left." So, if there's 120,000 children, might be upwards of 600,000 to a million people. There's a lot of people. They get saved. Jonah, not only is he not exceedingly glad about it, he's exceedingly displeased. He's actually angry. What pleased God only made Jonah mad? It's strange to the point that it's inexplicable. You would think that Yahweh's chosen prophet would be thrilled to see people come to faith. Yes, pride is a sin, but there is a certain allowable sense of satisfaction about witnessing people come to faith. I can tell you just from my experience in the Christian walk, the greatest thrill is the moment you get saved. There is no greater thrill in that. When you recognize that you have been transferring from the domain of darkness, from the kingdom of light, you were a child of Satan, now you're a child of God. That right there, the greatest thrill. Right up there, I am telling you, friends, is seeing people get saved. Seeing people who are far from the Lord, pagans who want nothing to do with God, living for themselves, selfish, thinking that the world revolves around them, entitled, proud, self-righteous, everything that you and I were, are, were. And then they get saved. They see Jesus Christ and they're like, "Ah, I need grace." And they're praying. There's nothing greater than that. Jonah should have been pumped. He should have been in the city. They should have had a parade. He should have said, "Okay, the cattle. Stop fasting the cattle. We're going to have a barbecue. We're all going to enjoy the fact that there's a revive." He doesn't do any of that. What happened? Why is he back to where he started, angry at God and angry at the people of Nineveh? And in the Hebrew, it says that the repentance of Nineveh was actually evil to Jonah. It was a great evil to him. The same word here that God said, "Nineveh, there's evil there. Your evil has risen up." That same word is used to describe Jonah. Jonah's feelings are evil. Why? Because Jonah's a loyal Israelite. He's a Jew. He's a prophet of Yahweh and loyal to the northern kingdom. And the northern kingdom was long at war with Syria and Assyria to the north. And we know from the books of the Kings, that Yahweh used Assyrian aggression to weaken Syria. And so, now, Assyria is growing in strength. Nineveh is the capital of Assyria. Jonah knows if these people gets it and they get the power of God, who knows what'll happen with Israel because Israel is under judgment of God. Partially, what's happening here is God wants Israel to be jealous in that the Ninevites got saved. Maybe we should get saved. Maybe we should stop being idolatrous. But they don't. So, Jonah, he looks at these people and he is like, "They don't look like me. They don't smell like me. They don't talk like me. They're not me. These are not my people. These are my enemies. God, do you not know how bad these people are? They are degenerate to the core. They are unredeemable. God, why would you save Assyrians and then use them to bring judgment upon Israel? How can that be?" And what he doesn't understand is that God is not a territorial God. God is not just a God of one group of people or one nationality, one ethnicity. No. God has elect from all of the nations. And God's purpose is to save his elect, which includes both Jews and Gentiles and even Ninevites. Now, sadly, in Jonah's reaction, we may see our own sinful prejudices that God may choose to save some people whom we do not think he ought to save. And his grace may extend to places where we do not think he ought to extend it. And Jonah should have known better. He knew the Psalter. Psalms 145:9 says, "The Lord is good to all and his mercy is over all that he has made." So, Jonah turns what should have been a time of great celebration into a little pity party about his Jewish nationalism. His politics win out over his faith. Those people, their politics, diametrically opposed to mine, I don't want them in the people of God. I don't want them in my church. I don't want them in my community group. I don't want them in my friend group, et cetera. That's what's going on. And you see his self-justify, accusatory tone in verse two. "And he prayed to the Lord and he said, "Oh, Lord, is not this what I said when I was yet in my country? That is why I made haste to flee at Tarshish, for I knew that you were a gracious God and merciful, slow to anger and abounding in steadfast love, and relenting from disaster. Therefore now, oh Lord, please take my life from me, for it's better for me to die than to live." What's he saying? He's saying, "God, I told you this is what... God, you should have listened to me. God, you never listened to me. I told you this is what you were going to do. I knew you were going to forgive him." That's what he's become, so self-absorbed, he's wagging his finger at God. Because of this self-pity consumed with himself, he's forgotten who he's speaking to. And yet, by the way, this confession is tremendous. It's all true. Everything he says, it's all gloriously true. But it's conflicted, his little confession. It is true. But here it comes as a complaint and he is quoting scripture Exodus 34:6-7. This is how God revealed himself to Moses. "The Lord passed before him and proclaimed, "The Lord, the Lord, a God, merciful and gracious, slow to anger, and abounding in steadfast love and faithfulness, keeping steadfast love for thousands, forgiving iniquity and transgression and sin, but who will by no means clear the guilty, visiting the iniquity of the fathers on the children and the children's children, to the third and fourth generation." This confession we see all throughout the Old Testament scriptures, the Book of Numbers, second Chronicles. And we see this in Nehemiah. We see this in the Psalter. This is who God is. God is a God who is gracious. He wants to forgive people and Jonah is not happy with that. He loves the idea of a loving God, loving toward him and his people. It's a precious concept when it's directed toward him. But the moment grace is turned to Israel's enemies, Nineveh. Well, now, God's grace is a problem. Now, it's a source of frustration, not a source of joy. Jonah confesses the doctrine of grace, "God, you're gracious. I knew you were. I knew you were going to be gracious." But he can't accept the reality of it. He confesses the religious part. He can't accept the reality. Confesses the theology of grace, but there's no room for the working out of the grace. In his reality, he's happy with grace as long as it's within the boundaries of his comfort levels. And friends, here, you just got to pause it in. This is a reminder. You're in Boston. Once in a while, you need a reminder. You got to get out of your heads. In your head, theology, it's all tremendous. That it doesn't make a difference in the world when you have all the perfect theology pristine in your head. It does have to take root in your heart and you can't let orthodox theology mask an unloving, unchanged heart. Jonah, man, you should have known better. You know how gracious God is. Bro, you ran from him. You wanted to die in the ocean. God says, "No." He sends the grace of a fish. It didn't feel good for three days and three nights, gastric juices, and all but whatever. You didn't die. He didn't die. He is living proof of God's grace, but he can't stand the idea of that grace being given to others. If gospel truth is something you really take pride in knowing, if you're like, "Yes, as a believer, I know the truth." But you never share it. You're not much better than Jonah. Jonah shared it only because he was forced to. He didn't have a choice. God has given us the truth and we are to take pride in knowing the truth, but it's only by grace. But if you keep it to yourself, then we're just as much as sinners as Jonah. Although Jonah is angry, he does the right thing and complains to God in prayer. So, as much as we want to knock Jonah. First of all, when he's really angry, who does he go to? He prayed. He's like, "Lord, I don't get it." He doesn't complain about God to his readers. He could have done that. And he does not curse God. He doesn't take even Yahweh's name in vain. He pours out his heart to God even when nothing made sense. A lesson in there for us. Jonah verse three of chapter four, "Therefore now, oh Lord, please take my life from me, for it is better for me to die than to live." And the Lord said, "Do you do well to be angry?" Now, Jonah's complaint crosses the line from asking the God grant him understanding to just, "God kill me." Moses pled to die in Numbers 11, the prophet Elijah pled to die in 1 Kings 19. And I don't even want to ask, but many of us have been there. "God, I see the test before me. I see the circumstances I'm in. Kill me." And that's the easy way out, just FYI. How much easier to seek to escape life's difficulties than face the fact that God does transform us and he does sanctify us by taking us through trials, tribulations like this. What's fascinating is that God doesn't rebuke Jonah. He could have right here rebuked Jonah. He could have killed him right there. He could have rebuked him. Like, "What are you doing?" No. God asks him a question. And in this, we see God's grace, his mercy, his love, his patience, his willingness to relent his love, even for Jonah. "Jonah, is it good for you to burn with anger, to kindle the fire already within you? Look within yourself. Examine your heart. See if your anger is justified," that's what he is saying. "Art thou very much grieves," the King James version says. Jonah doesn't respond to this first question. He's still stuck in his patriotism that prevents him from loving his neighbors. Here, we need to pause and say, "Look, there's much to be learned here." Jonah has no right to be angry with God merely because of God's purposes in saving someone other than Jonah. And neither should we be angry with God when God extends his grace to those in different socioeconomic groups, cultures, ethnicities, political parties. Let's have a moment of honesty before God, shall we? What class or group of people in our society do you find it most difficult to trust, to relate to however you define that group? Maybe it's ethnically different, or economic, or educational, or professional, or political, or maybe it's more personal in that. A person that looks like that abused you or hurt you, sinned against you. So, the thought of grace for abusers, that's beyond you. Which group of people do you find at hardest to trust, to be around, to talk to, to want to know? Be honest. What if next Sunday, you are late to serve? You come in at 9:16, like 90% of service one. At 9:16 you mosey in, and that person is sitting in your assigned seat. They don't know it's your assigned seat but they should have. And they're on time because new people always are. How do you react? What happens in your heart? What if our church begins to fill up with people like that? What happens? Is there room in your heart for them? Is there room in your gospel for them? Is there room in your life for them? Would you talk to them? Would you do the hard work of building a relationship? Or is grace just for you and only of those whom you approve? That was Jonah's problem. He confessed grace. He misunderstood grace. So, God continues to teach him. This is point two, providence enjoyed, but ignored. And this is verse four of Jonah 4. "And the Lord said, "Do you do well to be angry?" See, he didn't answer. "Jonah went out of the city and sat in the east of the city and made a booth for himself there. He sat under it in the shade until he should see what would become of the city. So, here is the finger of God pressing into the festering wound of Jonah's sin. And God does ask him, "Do you do well to be angry?" It's the first of three questions, "Jonah, do you actually think it's justified? Do you think your anger is justified? Do you really think that your anger is without sin?" Instead of wrestling with God's question, Jonah ignores it and goes camping. And what's he doing? He camps outside the city to the east to sit and wait." What's he waiting for? He's waiting to see if God will relent from his relenting. God said, "I'm going to punish Nineveh, condemnation, unless they repent." They repent. He relent. Jonah wants God to relent of his relenting. He wants to see the fireworks. Like Sodom and Gomorrah, like fire from heaven, brimstone. That's what he wants to see. Jonah 4:6, "Now, the Lord God," so, he's waiting, "Lord God appointed a plant and made it come up over Jonah that it might be a shade over his head, to save him from his discomfort." So, Jonah was exceedingly glad because of the plant. Three times, we see this phrase in the book, in this chapter, in verse six, seven, and eight, that God appointed as the same verb that that's used in chapter one, verse 17 when God appoints a great fish. And what it's doing is it's pointing out the absolute sovereignty of God over all of his creation. What's the vine all about? What's this plant all about? Is it an ivy? Is it a gourd? Is it a castor-oil plant? I don't know. It's pretty big and it grew rapidly and it provided shade. Why the vine? Symbolically, I don't know if it really means anything, but it shows us that it completely changed Jonah's mood. Jonah, in the beginning of the chapter, was exceedingly mad, exceedingly angry, and now he's exceedingly glad. Why? What's changed? Well, what's changed is his comfort. And so, he is sitting very comfortably. So, he's sitting. He wants to see fireworks, condemnation. He wants to see the people of Nineveh in great discomfort. That's what he wants to see. And then God sends him a little vine, a plant to comfort him. And what we see here is incredible irony that the personal comfort that Jonah receives is the absolute opposite of what he wants for Nineveh. He wants all of Nineveh to burn. He's got ringside seats and popcorn as he waits for fire and brimstone. And as he's waiting for fire and brimstone, God sends him a plant to comfort him. Now, what is God doing here? I can't wait to find out when we get to heaven. But I think what God is doing here is he's teaching him. Jonah is too blind to realize what God is doing through providence. So, verse seven. "But when dawn came up the next day, God appointed a worm that attacked the plant so that it withered. And when the sun rose, God appointed a scorching east wind, and the sun beat down on the head of Jonah so that he was faint. And he asked that he might die and said, "It's better for me to die then to live." For the fourth time in the book, Yahweh directly intervenes, this time, by sending a worm, completely withers the plant that Yahweh had just raised up the day before, leaving Jonah completely exposed to the sun. And then God, on top of that insult to injury, sends him a wind, a sirocco wind, which it rises quickly and raises the temperature and drops the humidity. It's unbearable. And by the way, if you take that Jonah was still alive in the fish, gastro juices, his skin was definitely damaged. This guy is in pain right now. So, he cries out, "It's better for me to die than to live. Just kill me already, God. If you're going to spare Nineveh, just kill me." So, verse nine, "And God said to Jonah, "Do you do well to be angry for the plant?" And he said, "Yes, I do well to be angry, angry enough to die." And again, instead of rebuking Jonah, God teaches him. Asking him a version of the same question, "Jonah, are you glad I judged the plant? Are you glad I killed the plant?" And this time, Jonah actually responds to God's question. Jonah said, "Yes, I do well to be angry. Angry enough to die." Jonah's come to the end. He still expects that Yahweh will relent of his relenting, but he just can't deal with the misery of what's happening here. He's losing all perspective. We don't know the state of mind that he's in, but he just can't believe that God would extend mercy to people unworthy of it. And here we see the lesson of providence. Did Jonah know that the plant was from the Lord? Did Jonah know that there was a worm from the Lord? Did Jonah know that there was a wind from the Lord? I think he knew. I think he knew. But there were times when it's like, "I don't want to know." He enjoyed the comforts of providence. The vine goes up, he's comfortable. But he's unwilling to listen to the lessons providence is teaching. God sometimes teaches us through supernatural revelation. That's primary where we learn from holy scripture. But God does, through providence in our lives, teach us. And if we are wise, we will pay attention to the events of our lives and see what God is teaching us. Often when something bad happens, no, no, no. God has nothing to do with this. No, no, no, God's hand is sovereign. He's absolutely over everything. Often, we're too quick to run to Romans 8:28 that, "All things work together for the good of those who love him and are called to be his." Something bad happens in your life and you're. But all things will work together. Good. We are to go there and we'll learn much of that from Joseph. But we are to go to Hebrews 12 as well. And sometimes, the difficulties in our life are actually a result of God's discipline. And we are to endure hardship as discipline because God is treating us as sons and daughters, if we are wise to learn the lessons of that providence. And I say that because in Hebrews 12:11, it says, "For the moment, all discipline seems painful rather than pleasant, but later it yields the peaceful fruit of righteousness to those who have been trained by it." Meaning that you can go through discipline which is unpleasant and you never reap the harvest of righteousness because you refuse to learn the lessons. Don't be an unwise. Don't be a foolish child. The wise child, you speak to the wise child. The wise child learns. The foolish child, words are not enough. We are to be trained up by its possible. Hebrews is saying to endure the providential discipline of the Lord and not bear fruit because we weren't listening, we weren't paying attention like Jonah here. He should have stopped and said, "God, why did you send me that vine? Would it not be to expose the hypocrisy in my heart that I care about my comfort, my comfort, my body's temperature, I care about more than someone else's soul?" By the way, I can get this because my body temperature runs high and when I'm sweating, I can't think. Maybe Jonah is here, I don't know. But he is idolizing, prioritizing his comfort over everything else. And here's the lesson God is teaching us in the hard blows of frowning providence. He's teaching us that through providence, he is training us to become more effective instruments in his hands. So, Jonah didn't learn the lessons of providence. And point three, he has a love. He feels a love. Love felt, but it's disordered. So, verse 10, and the Lord said, "You pity the plant for which you did not labor, nor did you make it grow, which came into being in a night and perished in a night. And should not I pity Nineveh, that great city in which there are more than 120,000 persons who do not know their right hand from their left, and all so much cattle." The truth is, Jonah had no right to the plant, did he? It was all a gift of undeserved grace. It was nothing but a misguided sense of self entitlement that made Jonah resentful that he lost something that was not even his. And what the Lord here is teaching through this question is teaching the same lesson that we see in Matthew 20. In Matthew 20, Jesus Christ tells a parable. And then the parable, so, this guy owns a vineyard, he needs day laborers. And he goes to the market, he takes some laborers, he says, "Okay, I'll pay you this amount." And he comes back three hours later, comes back three hours later, comes back. What happens is not everybody worked the same amount of time. Some of the workers worked all day, some of the workers worked just a few hours and they all got paid the same. And the guys that worked all day come up to the owner of the vineyard, they say, "That's not fair." That's not fair. They worked an hour, we worked all day in the sweat of our brow, in the heat of the day. And the owner responds by saying, "Am I not allowed to do what I choose with what belongs to me? Or do you begrudge my generosity?" And this is exactly what's happening with Jonah. Jonah is like those workers, "I have served you all of my life. My whole family, we have served you. And God, you're going to welcome these people in and give them the same blessings you've given us?" And what God says here to Jonah is, "Jonah, I made them. I'm their God. I'm their Lord. They are mine. They depend on me. Do I not have the right to do what I want with them?" And Deuteronomy 7:6-8, "God does remind the people of Israel that he did not choose them because of anything great in them. Verse six, for you are a people holy to the Lord your God. The Lord your God has chosen you to be a people for his treasured possession, out of all the peoples who are on the face of the earth. It was not because you were much more in number than any other people that the Lord set his love on you and chose you, for you were the fewest of all peoples, but it is because the Lord loves you and is keeping the oath that he swore to your fathers that the Lord has brought you out with a mighty hand and redeemed you from the house of slavery, from the hand of Pharaoh king of Egypt." It wasn't because you were greater than any of the other people, that it wasn't because you were more noble, more mighty. It wasn't because you were worthy. It was because, "I'm loving," that's what God is saying, "I don't love you because you're lovely. I love you because I'm loving." And in Christ, this is exactly what the Lord teaches us, that we do not deserve any. Christ died for us when we were yet sinners. We all deserve condemnation. We all deserve wrath. Jesus Christ died for us when we did not deserve the grace. And this understanding of grace, this is what begins to change us. I didn't deserve it. And this second, I'm receiving grace. I don't deserve this grace either. Every moment, every second, the gospel extends grace to us. And we're not doing everything we're doing for the Lord because we are trying to earn grace. No, it's all from him. It's all free. And what grace does is it reorders our loves. And this is crucial. Because a lot of people, they follow the Lord and they go to church. What you don't understand is that God doesn't want to just transform your mind with truth, he wants to transform your heart by reordering how much and what you love by reprioritizing. So, we're not wrong to love fervently our people. We're not wrong to love our comforts. We're not wrong to be patriots. But we are wrong when we put any of those things above God and above what God loves. So, what this is what God is doing with Jonah. God is saying, "Jonah, look into my heart. You love a vine more than you love people." These are image bearers of God with eternal souls. God is saying, "I love them. I love the lost. I love the nations. I love Nineveh, that great city." It's a love just glimpsed here in Jonah, we see just a glimpse of God is gracious, God relents when we repent, he does forgive. But we see the fullness of the supreme expression of the love of God on the cross of Jesus Christ. Here is God incarnate. Here is God who is gracious and merciful. Here is God on the cross, who is slow to anger and abounding in steadfast love. Here's a God who relents from disaster. And here he is, that same God nailed to a tree. How did you get there, God? Jesus Christ, God and, how did you get on a tree? How did you get nailed to a tree by the people that you came to save? How did that happen? Well, Jesus Christ is answering the questions, the contradictions that are within the heart of Jonah. Jonah is saying, "God, you're too just to forgive those people. No. You can't be that loving so that your love actually satisfies your justice." How does that work? He can't make sense of it. And then Jesus Christ makes all the sense of it in the world, that the way, the only reason that God can forgive us is because someone paid for our sins. The only way that God retains his justice, retains the fact that he is just. And he gets to justify, is the only way that happens is the cross of Jesus Christ. On the cross, Jesus became our sin. On the cross, Jesus absorbed the wrath of God that we deserve. Jonah wanted to see that. He wanted to see the wrath pour down on the Ninevites. He didn't get to see it. But in the sign of Jonah, that's what Jesus says, and it says the sign of Jonah. In the sign of Jonah, we do see the wrath of God poured out on Christ. Jesus died so that the Ninevites can get saved, but also the Brooklynites and the Bostonians, so that all of us can find a home in the family of God. And the measure of the love of God for the nations is ultimately in the cross of Jesus Christ. In Romans 15:8-12, "For I tell you that Christ became a servant to the circumcised to show God's truthfulness, in order to confirm the promises given to the patriarchs, and in order that the Gentiles may glorify God for his mercy. As it is written, "Therefore, I will praise you among the Gentiles, and sing to your name." And again, it said, "Rejoice, O Gentiles, with his people." And again, "Praise the Lord, all you gentiles, and let all the peoples extol him." And again, Isaiah says, "The root of Jesse will come, even he who arises to rule the Gentiles, in him will the Gentiles hope." That's what the cross was all about, to bring into his kingdom men, women, boys, and girls, from every tribe, every language, every nation under heaven to be saved by grace through faith. And when we see people where we want to say something like, "Ah, they don't deserve grace." You got to be a reminded, of course, they don't deserve grace. No one deserves grace. That's what makes grace, grace. It's undeserved. It's for the unworthy. It's unmerited favor. What do you love more than your neighbor, that you'd put before the great need of their souls for Jesus? I think, in Boston, it's reputation. That's what I think. I think we love our reputation more than we love the souls of our neighbors. I think that's true. I've seen, I've been watching this for a while. "What are they going to think of me?" That question doesn't matter. Well, because that question's the same thing as Jonah crying out about the vine. "My comfort. I'm discomfort. I'm uncomfortable. They don't like me. I'm uncomfortable." It's the same thing. You like being liked more than you love the souls of people. And if that were not true, we'd be sharing the gospel all the time with absolutely everybody. God calls Jonah to give up his misplaced pity for himself and learn to pity the nations. He calls him to give up his misplaced love for himself, for his comforts to love like God loves, like Christ loves. This is the call to cruciform love, a love that gives and goes and serves and sacrifices for the sake of the lost. Did Jonah learn his lesson? I want Jonah chapter five. Where's chapter five? I want to know, did he learn his lesson? That he repent? That doesn't matter. That's not the real question. The real question is, will you learn the lessons that God has for us from this book? Will you give up being satisfied with knowing truth but never sharing it? Will you learn to love this great city in which we live, in which there are more than hundreds of thousands of souls, many of whom don't know Jesus Christ? These are questions that Jonah presses into us. Will we go where God is already? And where is God already? He's on mission. Our God is a missional God. Our God is a missionary God. God had one son and his son became a missionary. Someone said, "Jesus Christ came as a missionary to seek and to save that which is lost." Christopher Wright, in his book entitled The Mission of God, makes this statement, he says, "Mission was not made for the church. The church was made for mission, God's mission." Well, that's true that God has given us some missions, a great commission to go and make disciples of all nations, God's already on mission, that God is on mission, that you and I have this great privilege of joining him in that. That's part of the grace we get. And the more you know this missional God, the more you care about mission, about people through your life, through your words, through your actions coming closer to meeting Jesus Christ. Jonah, as an example to us of a very flawed man, being chosen by God and being used by God. He's sinful, he repents, and then he sins again. He's flawed in every way. And yet Jonah is the one who's preaching, converts an entire city. Is the power in the man or is the power in the message? Well, what is the book of Jonah teaches? What is the Romans teaches? Romans teaches, the gospel is the power of God unto salvation. And you should take comfort in that. If you've never shared the gospel, a lot of people don't share the gospel because they feel unworthy of it, of sharing it. If I tell people that I'm a Christian, what are they going to think about Christianity? Well, first of all, you should probably rethink a few areas of life. Second of all, man, what are we giving people? When we share the gospel, what are we giving people? Are we giving people our own righteousness? Did you die in the cross for someone's sins? Or is your righteousness going to be imputed to someone? No. Obviously, we need to live lives of integrity. But also, obviously, you're never worthy enough. The power is not in you. The power is in the Holy Spirit, as the Holy Spirit takes the gospel of Jesus Christ. As you take these words and you proclaim, "Yeah, I'm a sinner." You are a sinner. I'm a sinner. We're all sinner. We've all sinned. We've all transgressed the commandments of God. And God is holy and we all deserve condemnation for all of eternity. That's how holy he is. But God is also loving and because he's loving, he's provided a way for all of your sins to be forgiven. All you have to do, you repent of your sin, you trust in Jesus Christ as Lord and Savior, you turn from sin, you turn to him, and then you devote your life to worshiping him. And when you do, man, I'm telling you, when the power of God takes that, takes the opportunity, takes that scenario, takes your words, and people, the lights start coming on, you get addicted to it. You get so addicted to seeing people come to faith. I want everyone addicted to it. I want this whole church addicted to people coming in faith. Share the gospel. The power is not in you. The power is in the Holy Spirit and the power is in the word. Romans 9:14-16, "What shall we say then? Is there injustice on God's part? By no means, for He says to Moses, "I will have mercy on whom I have mercy, and I will have compassion on whom I have compassion." So, then it depends, not on human will or exertion, but on God who has mercy. So, huge, huge breath of, sigh of relief. You can't mess up someone else's salvation. You can't say the wrong thing and then they're like, "Oh, you said the wrong thing. So, now, I'm not going to get..." God does the saving. You can't even get in the way. But what I'm saying is there's a huge blessing in sharing the gospel and being used by God. Under the new covenant wherein God extends his saving mercy beyond Israel to the ends of the earth, the principle that God saves whom he will becomes even more clear. And he does it. The power resides in the message. Revelation 7:9-17 of vision, "After this I looked, and behold, a great multitude that no one could number, from every nation, from all tribes and peoples and languages, standing before the throne and before the Lamb, clothed in white robes, with palm branches in their hands, and crying out with a loud voice, "Salvation belongs to our God who sits on the throne and to the Lamb." And all the angels were standing around the throne, around the elders and the four living creatures, and they fell on their faces before the throne and worshipped God saying, "Amen. Blessing glory and wisdom and thanksgiving and honor and power and might be to our God forever and ever. Amen." "Should I not pity Nineveh, that great city?" Oh, my God. Lord, would you pity Boston, this great city? "Should I not pity Boston, that great city?" Lord, pity this city. And don't just pity the city in general, a lot of the city in general, Lord, there's people in my life that are far from you. Lord, you've poured out your pity on me. Lord, show your pity to them. If you're not a Christian, if you're not sure of where you're going when you die, if you're not sure of your relationship with the Lord, if you are not a worshiper of God, of Jesus Christ, well, turn to God today. A couple passages from Isaiah, Isaiah 45:22-23, "Turn to me," the words of the Lord, "And be saved, all the ends of the earth. For I am God, and there is no other. By myself I have sworn, from my mouth has gone out in righteousness, a word that shall not return. To me, every knee shall bow, every tongue shall swear allegiance." And Isaiah 55:6-7, "Seek the Lord while he may be found, call upon him while he is near, let the wicked forsake his way, and the unrighteous man his thoughts, let him return to the Lord, that he may have compassion on him, and to our God for he will abundantly pardon." Amen. Let us pray. Lord, we thank you for this great message from the book of Jonah that points to a greater Jonah. Jesus Christ, Jesus, we thank you in the same way that Jonah was in the belly of the fish three days and three nights. You were the heart of the earth and yet you rose from the dead, and we thank you for that. And Lord, Jesus, we pray, continue to strengthen our souls, and give us the power of the Holy Spirit and continue to build up your church. And Lord, we do pray for a revival upon this great city. Draw many to yourself and use us in the process. We pray this in Christ's name. Amen.
Hudson, a third-generation Brooklynite from Prospect Heights who represents her own neighborhood plus Fort Greene, Clinton Hill, Crown Heights and part of Bed-Stuy, is one of first openly gay Black women on the city council. She joins us to speak about her first year in office, her accomplishments, goals and challenges. We discuss her vision for a revamped Atlantic Avenue corridor, her role in the council's streamlined progressive caucus, her views on Mayor Eric Adams, the displacement of legacy Black residents from her district and more. Plus, because we keep our elected representatives accountable, there is a pop quiz. Brooklyn news and views you can use: bkmag.com Email: hello@bkmag.com Follow along on Facebook: Brooklyn Magazine Twitter: @brooklynmag Instagram: @brooklynmagazine Follow Brian Braiker on Twitter: @slarkpope
Hari Kondabolu is a very funny stand-up comic, an astute observer on race and racial politics, a writer and filmmaker, a Brooklynite and, most recently a dad. His latest special is out this week on YouTube. Filmed right here in Gowanus at the Bell House, “Vacation Baby” is some of his more personal work to date. In it, he discusses the surreal nature of having a baby in the middle of a global pandemic. Filmed days after Roe v Wade was overturned, though, he leaves nothing on the table in terms of his biting political wit. Brooklyn news and views you can use: bkmag.com Email: hello@bkmag.com Follow along on Facebook: Brooklyn Magazine Twitter: @brooklynmag Instagram: @brooklynmagazine Follow Brian Braiker on Twitter: @slarkpope
We had the pleasure of interviewing Moon Boots over Zoom video!Talented keyboardist, DJ, and producer Moon Boots (Peter Dougherty) has revealed his third studio album ‘Ride Away'. The ten-track LP will land on March 17th on Anjunadeep.Written and produced over a nearly two-year period beginning in early 2021, ‘Ride Away' contains themes of love, companionship, and personal exploration. Hauling in a crate's worth of musical influences, Moon Boots has imbued ‘Ride Away' with his characteristic blend of soul, disco, and house music, whilst also introducing the sounds of synthpop, breakbeats, and psychedelica. Marrying these eclectic styles is part and parcel of Moon Boots' idiosyncratic sensibility, honed through years of living and DJing in Chicago, the birthplace of house music, and in the musical melting pot of Brooklyn.‘Ride Away' follows in the footsteps of Moon Boots's debut ‘First Landing' (2017) and sophomore album ‘Bimini Road' (2019). With an impressive catalogue atypical of the dance world, Dougherty's third album represents both his tenacity and evolution as a producer and songwriter. The writing process was met with many difficult but rewarding experiences; creative bursts were balanced with instances of anxiety and self-doubt, yet Dougherty found the music writing process invigorating and cites his wife's continual support and incoming firstborn daughter as encouraging him to move forward. Of course, more time in the studio allowed Dougherty to experiment with new creative processes (and mind-altering methods) over the course of the album's formation.Featuring a swathe of colourful vocalists including the likes of Cherry Glazerr, Dope Earth Alien, and Nic Hanson, ‘Ride Away' celebrates Dougherty's longstanding affinity for collaboration, fun effervescent songwriting, and dance-focused production. Other international artists on the album include French singer Praa and Norwegian band Ora The Molecule, whilst longtime collaborators Ross Clark (St. Lucia) and Steven Klavier feature as writers and instrumentalists on the record, rounding out a global ensemble of incredible talent.Having accrued well over 100 million streams on Spotify alone, and having been championed by the likes of Annie Mac, Diplo, Danny Howard, and The Blessed Madonna, Moon Boots has established himself as a trailblazer of R&B-infused dance music. Having released on legendary French house label French Express, and remixed the likes of Dua Lipa, Robyn, and Nile Rodgers.Following the release of his new single “Ride Away” featuring Steven Klavier, Moon Boots has announced a new run of live tour dates supporting his upcoming album Ride Away. These live shows represent the first tour since his 2019 Bimini Road international tour, which was regarded as unforgettable by fans of the Brooklynite musician. Though best known as a DJ and producer, Moon Boots is also a formidably talented keyboardist. Acting as music director and bandleader, Moon Boots rearranges and recontextualizes his catalog for an explosive live experience. These shows will be can't-miss events for fans and lovers of live electronic music. The shows will feature performances from Moon Boots along with band members Ross Clark and Dustin Kaufman (St. Lucia) and a number of guest vocalists from his eclectic crew of collaborators. Ride Away is due for release via Anjunadeep on March 17th, pre-order it here.5/10/2023 - Meow Wolf Denver - Denver, CO5/12/2023 - Lincoln Hall - Chicago, IL5/13/2023 - Racket - New York, New York5/19/2023 - Great American Music Hall - San Francisco, CA5/20/2023 - The Roxy Theatre - West Hollywood, CAWe want to hear from you! Please email Hello@BringinitBackwards.com. www.BringinitBackwards.com#podcast #interview #bringinbackpod #MoonBoots #RideAway #NewMusic #Zoom #NewMusicListen & Subscribe to BiB https://www.bringinitbackwards.com/follow/ Follow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpod
No, it's not the The Invitation that came out this year; we're taking it back to 2016, when Karyn Kusama's thoughtful thriller The Invitation was released in theaters. Drea's away on set, but we've got three (sometimes four) Angelenos and a Brooklynite sharing their movie thoughts, as well as their tips for when and how to leave a sketchy party. Oh, and Karyn Kusama was born in Brooklyn!Later, Margo and Alonso imagine their dream casts for dinner party movies, and it's the first Christmas Movie Minute of the season!.What's Good:Alonso - Herr's Old Bay Potato Chips Margo - Reboot on HuluDave - Fuckwolf, “My Life”Ify - Taping his episode of Grand Crew! H-Mart Snack SupremacyITIDIC:Kevin Feige Is Happy For James Gunn, ReallyKenan Thompson Says a Goodburger sequel is closer than everCate Blanchett Did Hot Ones and the Criterion Closet, Probably on the Same DayStaff Picks:Alonso - The Anniversary PartyMargo - The Hot RockDave - Sicily! and the films of Daniele Huillet and Jean-Marie StraubIfy - PrometheusMargo's Book is Filmed in Brooklyn; follow her on Instagram, Twitter, TikTokBuy Alonso's book - I'll Be Home for Christmas Movies With:Ify NwadiweAlonso DuraldeMargo DonohueDave WhiteProduced by Marissa FlaxbartSr. Producer Laura Swisher