Podcasts about sukta

Asato Ma Sad Gamaya ist ein kraftvolles Friedens-Mantra, das uns zur Befreiung von unserer eigenen Unwissenheit führt. “Führe mich…” erinnert uns daran, dass es eine höhere Energie gibt, die uns auf unserem Weg führt. Die Essenz dieses Mantras ist die Transformation von Asat (Unwahrheit) zu Sat (Wahrheit). Die drei einzelnen Strophen sind wie eine Affirmation oder ein Gebet, die uns helfen, das Höchste zu erfahren. Das Ziel im Yoga ist moksa, Befreiung, Eintauchen in das Licht – und genau darum bitten wir in diesem Mantra. Es ist ein beruhigendes Mantra, das uns Hoffnung gibt. Es erinnert uns daran, dass es Der Beitrag Asato Ma Sad Gamaya mit der Yoga Vidya Kirtan Family erschien zuerst auf Yoga Vidya Blog - Yoga, Meditation und Ayurveda.

purusa sukta

Purusha suktam is hymn 10.90 of the Rigveda, dedicated to the Purusha, the "Cosmic Being" or “The Supreme God”. It describes the spiritual oneness of the universe. It depicts the nature of Purusha as both immanent and transcendent in the manifested world. The sukta incorporates the principles of meditation (upasana), knowledge (jnana), devotion (bhakti), and rituals and duties (dharma and karma). Topic: Indian mythology | Hindu mythology | Creation or Origin myths | Hinduism | Vedas Links Ko-fi: http://ko-fi.com/namaskarindia Instagram: https://www.instagram.com/aduppala/ Facebook: https://www.facebook.com/namaskarindialive Twitter: https://twitter.com/AradhanaDuppala Youtube: https://www.youtube.com/c/NamaskarIndia --- Support this podcast: https://anchor.fm/namaskar-india/support

The Rigveda used the epithet Viswakarma to refer to a supreme god. In the Rigvedic hymns 10.81 & 10.82 Vishwakarma Sukta, he is described as all-seeing, with eyes, faces, arms, and feet on all four sides, as well as wings. He represented ultimate reality as well as the enigmatic creative force shared by all gods, living things, and inanimate objects in the universe. Since the beginning of time, he has served as the universe's architect and divine engineer. Topic: Indian mythology | Hindu mythology | Creation or Origin myths | Hinduism | Vedas Links Ko-fi: http://ko-fi.com/namaskarindia Instagram: https://www.instagram.com/aduppala/ Facebook: https://www.facebook.com/namaskarindialive Twitter: https://twitter.com/AradhanaDuppala Youtube: https://www.youtube.com/c/NamaskarIndia --- Support this podcast: https://anchor.fm/namaskar-india/support

Hiranyagarbha, the source of all that is manifest and unmanifest; said to be the god of gods and that which connects all things, creates all things and where all things return. It is mentioned in Hiranyagarbha Sukta, a set of ten Shlokas in the 121st Hymn of the Rig Veda's 10th Mandala, suggesting a single creator deity, identified in the hymn as Prajāpati. Topic: Indian mythology | Hindu mythology | Creation or Origin myths | Hinduism | Vedas Links Ko-fi: http://ko-fi.com/namaskarindia Instagram: https://www.instagram.com/aduppala/ Facebook: https://www.facebook.com/namaskarindialive Twitter: https://twitter.com/AradhanaDuppala Youtube: https://www.youtube.com/c/NamaskarIndia --- Support this podcast: https://anchor.fm/namaskar-india/support

The Nāsadīya Sūkta after the incipit ná ásat, or "not the non-existent", is known as the Hymn of Creation. It is a collection of 7 Shlokas from the 129th Hymn of the Rig Veda's 10th Mandala. It begins and ends with questions about creation. It does not say that God created the universe, the stars, the sun, the moon, the earth, the plants, the animals, and humans, but rather asks how anyone could know how and when creation occurred, because everything and all beings, including the Devas or Gods, would have appeared only after the universe existed! Topic: Indian mythology | Hindu mythology | Creation or Origin myths | Hinduism | Vedas Links Ko-fi: http://ko-fi.com/namaskarindia Instagram: https://www.instagram.com/aduppala/ Facebook: https://www.facebook.com/namaskarindialive Twitter: https://twitter.com/AradhanaDuppala Youtube: https://www.youtube.com/c/NamaskarIndia --- Support this podcast: https://anchor.fm/namaskar-india/support

Vis dažniau girdime įmonių pažadus pasiekti nulines emisijas iki 2050-ųjų, tačiau kaip jie šį pažadą įgyvendins?Vienas populiariausių būdų – anglies kompensavimas (carbon offset), kuris, tarsi savotiška tvarumo indulgencija, leidžia įmonėms susimokėti už savo padarytą taršą ir gyventi ramia sąžine.Vis dažniau pasigirsta kritiškų vertinimų apie šį verslo modelį. Vieni jį vadina absoliučia būtinybe, kiti – sukta ir nepatikima teršėjų afera.Šiandien neriame gilyn į offsetinimo vandenis ir bandome išsiaiškinti – ar įmanoma pinigais išpirkti savo sukeltą taršą?___Šią Išpakuotos seriją pristato AUGA, kurios misija yra tiekti maistą be kainos gamtai. ___Kaip visada, didelis ačiū už darbą laidos iliustratorei Renatai Krasovskajai ir garso režisieriui Pranciškui Brazdžiūnui.Support the show

Bhumi Sukta of Atharva Veda | Dr Gauri Mahulikar | #SangamTalks SrijanTalks

Secret of the Veda describes the secret thought of the Veda. The recordings were made at Sri Aurobindo Ashram in 1973. Introductory comments from Sri Aurobindo's The Secret of the Veda, Chapter VIII. This chapter focuses on the first 3 movements of Mandala I, Sukta 3, focusing on the Ashwins, Indra, the Vishwadevas, Saraswati and the focus on the Soma. Sanskrit recitation by Sri Vinayak. English commentary of Sri Aurobindo and translation of the hymn recited by Santosh Krinsky

Varuna and Mitra are two of the Godheads that invoke psychological powers within the seeker to bring about the transformation of consciousness. Sri Aurobindo provides an extensive description of these powers, and thereby also shows us the obvious psychological sense of the Rig Veda. The recordings were made at Sri Aurobindo Ashram in 1973. Introductory comments from Sri Aurobindo's The Secret of the Veda, Chapter VII. Sanskrit Mandala I, Sukta 2 recited by Sri Vinayak. English translation by Sri Aurobindo (Mandala I, Sukta 2, Riks 7-9) recited by Santosh Krinsky. (Secret of the Veda, pp. 65-74). Sanskrit Mandala V, Sukta 66 recited by Sri Vinayak. English translation by Sri Aurobindo recited by Santosh Krinsky. (Secret of the Veda, pp. 477-478

"The Veda speaks constantly of the waters or the rivers, especially of the divine waters ... and occasionally of the waters which carry in them the light of the luminous soloar world or the light of the Sun ... . The passage of the waters effected by the gods or by man with the aid of the gods is a constant symbol. ... What can these rivers be whose wave is full of Soma-wine, full of the ghrta, full of urj, the energy? What are these waters that flow to the goal of the god's movement, that establish for man the supreme good? Not the rivers of the Punjab; no wildest assumption of barbarous confusion or insane incoherence in the mentality of the Vedic Rishis can induce us to put such a construction upon such expressions. Obviously these are the waters of the Truth and the Bliss that flow from the supreme ocean." The recordings were made at Sri Aurobindo Ashram in 1973. Sanskrit recited by Sri Vinayak. English translation by Sri Aurobindo (Riks 1-4) recited by Santosh Krinsky. (Secret of the Veda, pp. 104-117)

The recordings were made at Sri Aurobindo Ashram in 1973. Sanskrit recited by Sri Vinayak. English translation by Sri Aurobindo (Riks 1-4) recited by Santosh Krinsky. (Secret of the Veda, pp. 104-117)

The Dawn of the Rig Veda is clearly a symbolic representation of the opening of the consciousness to the higher Light of the Divine. Sri Aurobindo writes in The Secret of the Veda: "The Rishi prays for the full epiphany of the Dawn of the light of Truth in all its lavish splendour, with all the bountiful companies of its gods and seers, the shining herds of its thought, the rushing steeds of its force, the luminous impulsions with which it comes -- companioned, as they are, by the burning rays of the Sun of gnosis. Let the Dawn arrive and the work will no longer be long and tardy." The recordings were made at Sri Aurobindo Ashram in 1973. Sanskrit recited by Sri Vinayak. English translation and any excerpts from Sri Aurobindo's commentary recited by Santosh Krinsky. (Secret of the Veda, pp. 524-526)

Sri Aurobindo describes Agni as "the most important, the most universal of the Vedic gods." (The Secret of the Veda, pg. 265). Agni is the divine will, the mystic fire, the flame of aspiration, and the "knower of all things born". Sri Aurobindo focuses considerable attention on Agni in both The Secret of the Veda and in his translation of the hymns to Agni in the volume titled Hymns to the Mystic Fire. He devotes an entire chapter in The Secret of the Veda to Agni. It is this chapter covered here with extracts from Sri Aurobindo's commentary and the first hymn of the Rig Veda, Mandala I, Sukta 1, recited in the Sanskrit to illustrate that commentary. (The Secret of the Veda, Chapter VI, Agni and the Truth, pp. 54-64). The English translation of this hymn is from Hymns to the Mystic Fire, pp. 39-40 The Rig Veda sets forth in symbolic language the spiritual aspirations and teachings of the Vedic sages. The outer sense and symbolism often breaks down as the true, inner, psychological meaning breaks forth to reveal the profound meaning of the Veda. The Secret of the Veda provides an expansive review of the psychological method of interpretation that Sri Aurobindo employed, along with numerous illustrations of the method. Hymns to the Mystic Fire provides translation of the large number of hymns of the Rig Veda devoted to Agni. The recordings were made at Sri Aurobindo Ashram in 1973. Sanskrit recited by Sri Vinayak. English translation and any excerpts from Sri Aurobindo's commentary recited by Santosh Krinsky

Sri Aurobindo describes Agni as "the most important, the most universal of the Vedic gods." (The Secret of the Veda, pg. 265). Agni is the divine will, the mystic fire, the flame of aspiration, and the "knower of all things born". Sri Aurobindo focuses considerable attention on Agni in both The Secret of the Veda and in his translation of the hymns to Agni in the volume titled Hymns to the Mystic Fire. The translation of this hymn appears in Hymns to the Mystic Fire, pages 337-339. The Rig Veda sets forth in symbolic language the spiritual aspirations and teachings of the Vedic sages. The outer sense and symbolism often breaks down as the true, inner, psychological meaning breaks forth to reveal the profound meaning of the Veda. The Secret of the Veda provides an expansive review of the psychological method of interpretation that Sri Aurobindo employed, along with numerous illustrations of the method. Hymns to the Mystic Fire provides translation of the large number of hymns of the Rig Veda devoted to Agni. The recordings were made at Sri Aurobindo Ashram in 1973. Sanskrit recited by Sri Vinayak. English translation and any excerpts from Sri Aurobindo's commentary recited by Santosh Krinsky

Sri Aurobindo describes Agni as "the most important, the most universal of the Vedic gods." (The Secret of the Veda, pg. 265). Agni is the divine will, the mystic fire, the flame of aspiration, and the "knower of all things born". Sri Aurobindo focuses considerable attention on Agni in both The Secret of the Veda and in his translation of the hymns to Agni in the volume titled Hymns to the Mystic Fire. The translation of this hymn along with Sri Aurobindo's introductory comments, appears in The Secret of the Veda, pages 378-380, The Sanskrit text along with an alternative translation appears in Hymns to the Mystic Fire, pages 213-215. The Rig Veda sets forth in symbolic language the spiritual aspirations and teachings of the Vedic sages. The outer sense and symbolism often breaks down as the true, inner, psychological meaning breaks forth to reveal the profound meaning of the Veda. The Secret of the Veda provides an expansive review of the psychological method of interpretation that Sri Aurobindo employed, along with numerous illustrations of the method. Hymns to the Mystic Fire provides translation of the large number of hymns of the Rig Veda devoted to Agni. The recordings were made at Sri Aurobindo Ashram in 1973. Sanskrit recited by Sri Vinayak. English translation and any excerpts from Sri Aurobindo's commentary recited by Santosh Krinsky

Sri Aurobindo describes Agni as "the most important, the most universal of the Vedic gods." (The Secret of the Veda, pg. 265). Agni is the divine will, the mystic fire, the flame of aspiration, and the "knower of all things born". Sri Aurobindo focuses considerable attention on Agni in both The Secret of the Veda and in his translation of the hymns to Agni in the volume titled Hymns to the Mystic Fire. The translation of this hymn appears in Hymns to the Mystic Fire, pages 259-260. The Rig Veda sets forth in symbolic language the spiritual aspirations and teachings of the Vedic sages. The outer sense and symbolism often breaks down as the true, inner, psychological meaning breaks forth to reveal the profound meaning of the Veda. The Secret of the Veda provides an expansive review of the psychological method of interpretation that Sri Aurobindo employed, along with numerous illustrations of the method. Hymns to the Mystic Fire provides translation of the large number of hymns of the Rig Veda devoted to Agni. The recordings were made at Sri Aurobindo Ashram in 1973. Sanskrit recited by Sri Vinayak. English translation and any excerpts from Sri Aurobindo's commentary recited by Santosh Krinsky

Sri Aurobindo describes Agni as "the most important, the most universal of the Vedic gods." (The Secret of the Veda, pg. 265). Agni is the divine will, the mystic fire, the flame of aspiration, and the "knower of all things born". Sri Aurobindo focuses considerable attention on Agni in both The Secret of the Veda and in his translation of the hymns to Agni in the volume titled Hymns to the Mystic Fire. The translation of this hymn appears in Hymns to the Mystic Fire, pages 81-84. The Rig Veda sets forth in symbolic language the spiritual aspirations and teachings of the Vedic sages. The outer sense and symbolism often breaks down as the true, inner, psychological meaning breaks forth to reveal the profound meaning of the Veda. The Secret of the Veda provides an expansive review of the psychological method of interpretation that Sri Aurobindo employed, along with numerous illustrations of the method. Hymns to the Mystic Fire provides translation of the large number of hymns of the Rig Veda devoted to Agni. The recordings were made at Sri Aurobindo Ashram in 1973. Sanskrit recited by Sri Vinayak. English translation and any excerpts from Sri Aurobindo's commentary recited by Santosh Krinsky

Sri Aurobindo describes Agni as "the most important, the most universal of the Vedic gods." (The Secret of the Veda, pg. 265). Agni is the divine will, the mystic fire, the flame of aspiration, and the "knower of all things born". Sri Aurobindo focuses considerable attention on Agni in both The Secret of the Veda and in his translation of the hymns to Agni in the volume titled Hymns to the Mystic Fire. The translation of this hymn appears in Hymns to the Mystic Fire, pages 66-69. The Rig Veda sets forth in symbolic language the spiritual aspirations and teachings of the Vedic sages. The outer sense and symbolism often breaks down as the true, inner, psychological meaning breaks forth to reveal the profound meaning of the Veda. The Secret of the Veda provides an expansive review of the psychological method of interpretation that Sri Aurobindo employed, along with numerous illustrations of the method. Hymns to the Mystic Fire provides translation of the large number of hymns of the Rig Veda devoted to Agni. The recordings were made at Sri Aurobindo Ashram in 1973. Sanskrit recited by Sri Vinayak. English translation and any excerpts from Sri Aurobindo's commentary recited by Santosh Krinsky

Sri Aurobindo describes Agni as "the most important, the most universal of the Vedic gods." (The Secret of the Veda, pg. 265). Agni is the divine will, the mystic fire, the flame of aspiration, and the "knower of all things born". Sri Aurobindo focuses considerable attention on Agni in both The Secret of the Veda and in his translation of the hymns to Agni in the volume titled Hymns to the Mystic Fire. The translation of this hymn appears in Hymns to the Mystic Fire, pages 42-43 (Verses 1-5). The Rig Veda sets forth in symbolic language the spiritual aspirations and teachings of the Vedic sages. The outer sense and symbolism often breaks down as the true, inner, psychological meaning breaks forth to reveal the profound meaning of the Veda. The Secret of the Veda provides an expansive review of the psychological method of interpretation that Sri Aurobindo employed, along with numerous illustrations of the method. Hymns to the Mystic Fire provides translation of the large number of hymns of the Rig Veda devoted to Agni. The recordings were made at Sri Aurobindo Ashram in 1973. Sanskrit recited by Sri Vinayak. English translation and any excerpts from Sri Aurobindo's commentary recited by Santosh Krinsky

Sri Aurobindo describes Agni as "the most important, the most universal of the Vedic gods." (The Secret of the Veda, pg. 265). Agni is the divine will, the mystic fire, the flame of aspiration, and the "knower of all things born". Sri Aurobindo focuses considerable attention on Agni in both The Secret of the Veda and in his translation of the hymns to Agni in the volume titled Hymns to the Mystic Fire. The translation of this hymn appears in Hymns to the Mystic Fire, pages 40-42. The Rig Veda sets forth in symbolic language the spiritual aspirations and teachings of the Vedic sages. The outer sense and symbolism often breaks down as the true, inner, psychological meaning breaks forth to reveal the profound meaning of the Veda. The Secret of the Veda provides an expansive review of the psychological method of interpretation that Sri Aurobindo employed, along with numerous illustrations of the method. Hymns to the Mystic Fire provides translation of the large number of hymns of the Rig Veda devoted to Agni. The recordings were made at Sri Aurobindo Ashram in 1973. Sanskrit recited by Sri Vinayak. English translation and any excerpts from Sri Aurobindo's commentary recited by Santosh Krinsky

In The Secret of the Veda, Sri Aurobindo showed that there is a deep, esoteric sense to the Vedic hymns that is the real sense of the hymns. As part of his review, Sri Aurobindo translated and commented on a number of Hymns to Indra. While there is a chapter devoted to Indra and the Ashwins (Chapter 8, pp. 75-85), and 3 of the Selected Hymns deal wholly or in part with Indra, there is an entire section devoted to Hymns to Indra. Sri Aurobindo also directly translates this hymn again later in the text, Hymn to Ashwins, Indra, Vishwadevas and Saraswati. (The Secret of the Veda, US edition, pp. 517-519) The English translation was provided by Sri Aurobindo, and extracted from Chapter 8 of the Secret of the Veda. For an alternate translation by Sri Aurobindo refer to the latter reference pages. The recordings were made at Sri Aurobindo Ashram in 1973. Sanskrit recited by Sri Vinayak. English translation and excerpts from Sri Aurobindo's commentary recited by Santosh Krinsky

In The Secret of the Veda, Sri Aurobindo showed that there is a deep, esoteric sense to the Vedic hymns that is the real sense of the hymns. As part of his review, Sri Aurobindo translated and commented on a number of Hymns to Indra. While there is a chapter devoted to Indra and the Ashwins, and 3 of the Selected Hymns deal wholly or in part with Indra, there is an entire section devoted to Hymns to Indra. The final one in this section is Mandala X, Sukta 54, Hymn to Indra. (The Secret of the Veda, US edition, pp. 515-516) The English translation was provided by Sri Aurobindo. The recordings were made at Sri Aurobindo Ashram in 1973. Sanskrit recited by Sri Vinayak. English translation and excerpts from Sri Aurobindo's commentary recited by Santosh Krinsky

In The Secret of the Veda, Sri Aurobindo showed that there is a deep, esoteric sense to the Vedic hymns that is the real sense of the hymns. As part of his review, Sri Aurobindo translated and commented on a number of Hymns to Indra. While there is a chapter devoted to Indra and the Ashwins, and 3 of the Selected Hymns deal wholly or in part with Indra, there is an entire section devoted to Hymns to Indra. The seventh of these is Mandala VIII, Sukta 54, Hymn to Indra and the Vishwadevas. (The Secret of the Veda, US edition, pp. 513-514) The English translation was provided by Sri Aurobindo. The recordings were made at Sri Aurobindo Ashram in 1973. Sanskrit recited by Sri Vinayak. English translation and excerpts from Sri Aurobindo's commentary recited by Santosh Krinsky

In The Secret of the Veda, Sri Aurobindo showed that there is a deep, esoteric sense to the Vedic hymns that is the real sense of the hymns. As part of his review, Sri Aurobindo translated and commented on a number of Hymns to Indra. While there is a chapter devoted to Indra and the Ashwins, and 3 of the Selected Hymns deal wholly or in part with Indra, there is an entire section devoted to Hymns to Indra. The sixth of these is Mandala I, Sukta 11. (The Secret of the Veda, US edition, pp. 511-512) The English translation was provided by Sri Aurobindo. The recordings were made at Sri Aurobindo Ashram in 1973. Sanskrit recited by Sri Vinayak. English translation and excerpts from Sri Aurobindo's commentary recited by Santosh Krinsky

In The Secret of the Veda, Sri Aurobindo showed that there is a deep, esoteric sense to the Vedic hymns that is the real sense of the hymns. As part of his review, Sri Aurobindo translated and commented on a number of Hymns to Indra. While there is a chapter devoted to Indra and the Ashwins, and 3 of the Selected Hymns deal wholly or in part with Indra, there is an entire section devoted to Hymns to Indra. The third of these is Mandala I, Sukta 10. (The Secret of the Veda, US edition, pp. 508-510) The English translation was provided by Sri Aurobindo. The recordings were made at Sri Aurobindo Ashram in 1973. Sanskrit recited by Sri Vinayak. English translation and excerpts from Sri Aurobindo's commentary recited by Santosh Krinsky

In The Secret of the Veda, Sri Aurobindo showed that there is a deep, esoteric sense to the Vedic hymns that is the real sense of the hymns. As part of his review, Sri Aurobindo translated and commented on a number of Hymns to Indra. While there is a chapter devoted to Indra and the Ashwins, and 3 of the Selected Hymns deal wholly or in part with Indra, there is an entire section devoted to Hymns to Indra. The next one in the series is Mandala I, Sukta 9. (The Secret of the Veda, US edition, pp. 506-507) The English translation was provided by Sri Aurobindo. The recordings were made at Sri Aurobindo Ashram in 1973. Sanskrit recited by Sri Vinayak. English translation and excerpts from Sri Aurobindo's commentary recited by Santosh Krinsky

In The Secret of the Veda, Sri Aurobindo showed that there is a deep, esoteric sense to the Vedic hymns that is the real sense of the hymns. As part of his review, Sri Aurobindo translated and commented on a number of Hymns to Indra. While there is a chapter devoted to Indra and the Ashwins, and 3 of the Selected Hymns deal wholly or in part with Indra, there is an entire section devoted to Hymns to Indra. The third of these is Mandala I, Sukta 8. (The Secret of the Veda, US edition, pp. 504-505) The English translation was provided by Sri Aurobindo. The recordings were made at Sri Aurobindo Ashram in 1973. Sanskrit recited by Sri Vinayak. English translation and excerpts from Sri Aurobindo's commentary recited by Santosh Krinsky

In The Secret of the Veda, Sri Aurobindo showed that there is a deep, esoteric sense to the Vedic hymns that is the real sense of the hymns. As part of his review, Sri Aurobindo translated and commented on a number of Hymns to Indra. While there is a chapter devoted to Indra and the Ashwins, and 3 of the Selected Hymns deal wholly or in part with Indra, there is an entire section devoted to Hymns to Indra. The second of these is Mandala I, Sukta 7. (The Secret of the Veda, US edition, pp. 502-503) The English translation was provided by Sri Aurobindo. The recordings were made at Sri Aurobindo Ashram in 1973. Sanskrit recited by Sri Vinayak. English translation and excerpts from Sri Aurobindo's commentary recited by Santosh Krinsky

In The Secret of the Veda, Sri Aurobindo showed that there is a deep, esoteric sense to the Vedic hymns that is the real sense of the hymns. As part of his review, Sri Aurobindo translated and commented on a number of Hymns to Indra. While there is a chapter devoted to Indra and the Ashwins, and 3 of the Selected Hymns deal wholly or in part with Indra, there is an entire section devoted to Hymns to Indra. The first of these is Mandala I, Sukta 5. (The Secret of the Veda, US edition, pp. 491-501) The English translation was provided by Sri Aurobindo. The recordings were made at Sri Aurobindo Ashram in 1973. Sanskrit recited by Sri Vinayak. English translation and excerpts from Sri Aurobindo's commentary recited by Santosh Krinsky

In The Secret of the Veda, Sri Aurobindo showed that there is a deep, esoteric sense to the Vedic hymns that is the real sense of the hymns. To illustrate the method of interpretation, Sri Aurobindo chose 13 hymns and provided translation and commentary under the heading 'Selected Hymns'. This is the thirteenth of these selected hymns, the Hymn to Soma, Lord of Delight and Immortality. There is also a brief conclusion to the series of Selected Hymns. (The Secret of the Veda, US edition, pp. 339-348) The English translation was provided by Sri Aurobindo. The recordings were made at Sri Aurobindo Ashram in 1973. Sanskrit recited by Sri Vinayak. English translation and excerpts from Sri Aurobindo's commentary recited by Santosh Krinsky

In The Secret of the Veda, Sri Aurobindo showed that there is a deep, esoteric sense to the Vedic hymns that is the real sense of the hymns. To illustrate the method of interpretation, Sri Aurobindo chose 13 hymns and provided translation and commentary under the heading 'Selected Hymns'. This is the twelfth of these selected hymns, the Hymn to Vishnu, the All-Pervading Godhead. (The Secret of the Veda, US edition, pp. 331-338) The English translation was provided by Sri Aurobindo. The recordings were made at Sri Aurobindo Ashram in 1973. Sanskrit recited by Sri Vinayak. English translation and excerpts from Sri Aurobindo's commentary recited by Santosh Krinsky

In The Secret of the Veda, Sri Aurobindo showed that there is a deep, esoteric sense to the Vedic hymns that is the real sense of the hymns. To illustrate the method of interpretation, Sri Aurobindo chose 13 hymns and provided translation and commentary under the heading 'Selected Hymns'. This is the eleventh of these selected hymns, the Hymn to the Ribhus, Artisans of Immortality. (The Secret of the Veda, US edition, pp. 324-330) The English translation was provided by Sri Aurobindo. The recordings were made at Sri Aurobindo Ashram in 1973. Sanskrit recited by Sri Vinayak. English translation and excerpts from Sri Aurobindo's commentary recited by Santosh Krinsky

In The Secret of the Veda, Sri Aurobindo showed that there is a deep, esoteric sense to the Vedic hymns that is the real sense of the hymns. To illustrate the method of interpretation, Sri Aurobindo chose 13 hymns and provided translation and commentary under the heading 'Selected Hymns'. This is the tenth of these selected hymns, the Hymn to the Ashwins, Lords of Bliss. (The Secret of the Veda, US edition, pp. 314-323) The English translation was provided by Sri Aurobindo. The recordings were made at Sri Aurobindo Ashram in 1973. Sanskrit recited by Sri Vinayak. English translation and excerpts from Sri Aurobindo's commentary recited by Santosh Krinsky

In The Secret of the Veda, Sri Aurobindo showed that there is a deep, esoteric sense to the Vedic hymns that is the real sense of the hymns. To illustrate the method of interpretation, Sri Aurobindo chose 13 hymns and provided translation and commentary under the heading 'Selected Hymns'. This is the nineth of these selected hymns, the Hymn to Brihaspati, Power of the Soul. (The Secret of the Veda, US edition, pp. 303-313) The English translation was provided by Sri Aurobindo. The recordings were made at Sri Aurobindo Ashram in 1973. Sanskrit recited by Sri Vinayak. English translation and excerpts from Sri Aurobindo's commentary recited by Santosh Krinsky

In The Secret of the Veda, Sri Aurobindo showed that there is a deep, esoteric sense to the Vedic hymns that is the real sense of the hymns. To illustrate the method of interpretation, Sri Aurobindo chose 13 hymns and provided translation and commentary under the heading 'Selected Hymns'. This is the eighth of these selected hymns, the Hymn to Vayu, Master of the Life Energies. (The Secret of the Veda, US edition, pp. 294-302) The English translation was provided by Sri Aurobindo. The recordings were made at Sri Aurobindo Ashram in 1973. Sanskrit recited by Sri Vinayak. English translation and excerpts from Sri Aurobindo's commentary recited by Santosh Krinsky

In The Secret of the Veda, Sri Aurobindo showed that there is a deep, esoteric sense to the Vedic hymns that is the real sense of the hymns. To illustrate the method of interpretation, Sri Aurobindo chose 13 hymns and provided translation and commentary under the heading 'Selected Hymns'. This is the seventh of these selected hymns, the Hymn to Bhaga Savitri, the Enjoyer. (The Secret of the Veda, US edition, pp. 287-293) The English translation was provided by Sri Aurobindo. The recordings were made at Sri Aurobindo Ashram in 1973. Sanskrit recited by Sri Vinayak. English translation and excerpts from Sri Aurobindo's commentary recited by Santosh Krinsky

In The Secret of the Veda, Sri Aurobindo showed that there is a deep, esoteric sense to the Vedic hymns that is the real sense of the hymns. To illustrate the method of interpretation, Sri Aurobindo chose 13 hymns and provided translation and commentary under the heading 'Selected Hymns'. This is the sixth of these selected hymns, the Hymn to The Divine Dawn. (The Secret of the Veda, US edition, pp. 281-286) The English translation was provided by Sri Aurobindo. The recordings were made at Sri Aurobindo Ashram in 1973. Sanskrit recited by Sri Vinayak. English translation and excerpts from Sri Aurobindo's commentary recited by Santosh Krinsky

n The Secret of the Veda, Sri Aurobindo showed that there is a deep, esoteric sense to the Vedic hymns that is the real sense of the hymns. To illustrate the method of interpretation, Sri Aurobindo chose 13 hymns and provided translation and commentary under the heading 'Selected Hymns'. This is the fifth of these selected hymns, the Hymn to Surya Savitri. (The Secret of the Veda, US edition, pp. 272-280) The English translation was provided by Sri Aurobindo. The recordings were made at Sri Aurobindo Ashram in 1973. Sanskrit recited by Sri Vinayak. English translation and excerpts from Sri Aurobindo's commentary recited by Santosh Krinsky

In The Secret of the Veda, Sri Aurobindo showed that there is a deep, esoteric sense to the Vedic hymns that is the real sense of the hymns. To illustrate the method of interpretation, Sri Aurobindo chose 13 hymns and provided translation and commentary under the heading 'Selected Hymns'. This is the fourth of these selected hymns, the Hymn to Agni. (The Secret of the Veda, US edition, pp. 263-271) The English translation was provided by Sri Aurobindo. The recordings were made at Sri Aurobindo Ashram in 1973. Sanskrit recited by Sri Vinayak. English translation and excerpts from Sri Aurobindo's commentary recited by Santosh Krinsky

In The Secret of the Veda, Sri Aurobindo showed that there is a deep, esoteric sense to the Vedic hymns that is the real sense of the hymns. To illustrate the method of interpretation, Sri Aurobindo chose 13 hymns and provided translation and commentary under the heading 'Selected Hymns'. This is the third of these selected hymns, the Hymn to Indra and the Thought-Forces. (The Secret of the Veda, US edition, pp. 254-262) The English translation was provided by Sri Aurobindo. The recordings were made at Sri Aurobindo Ashram in 1973. Sanskrit recited by Sri Vinayak. English translation and excerpts from Sri Aurobindo's commentary recited by Santosh Krinsky

In The Secret of the Veda, Sri Aurobindo showed that there is a deep, esoteric sense to the Vedic hymns that is the real sense of the hymns. To illustrate the method of interpretation, Sri Aurobindo chose 13 hymns and provided translation and commentary under the heading 'Selected Hymns'. This is the second of these selected hymns, the Hymn to Indra. (The Secret of the Veda, US edition, pp. 245-253) The English translation was provided by Sri Aurobindo. The recordings were made at Sri Aurobindo Ashram in 1973. Sanskrit recited by Sri Vinayak. English translation and excerpts from Sri Aurobindo's commentary recited by Santosh Krinsky

In The Secret of the Veda, Sri Aurobindo showed that there is a deep, esoteric sense to the Vedic hymns that is the real sense of the hymns. To illustrate the method of interpretation, Sri Aurobindo chose 13 hymns and provided translation and commentary under the heading 'Selected Hymns'. This is the first of these selected hymns, the Colloquy of Indra and Agastya. (The Secret of the Veda, US edition, pp. 241-244) The English translation was provided by Sri Aurobindo. The recordings were made at Sri Aurobindo Ashram in 1973. Sanskrit recited by Sri Vinayak. English translation and excerpts from Sri Aurobindo's commentary recited by Santosh Krinsky

In The Secret of the Veda, Sri Aurobindo showed that there is a deep, esoteric sense to the Vedic hymns that is the real sense of the hymns. This Hymn to Surya and Mitra-Varuna describes the sun of Truth and the consciousness that supports and develops it. The English translation was provided by Sri Aurobindo, The Secret of the Veda, pp. 536-537. The recordings were made at Sri Aurobindo Ashram in 1973. Sanskrit recited by Sri Vinayak. English translation recited by Santosh Krinsky

In The Secret of the Veda, Sri Aurobindo showed that there is a deep, esoteric sense to the Vedic hymns that is the real sense of the hymns. This Hymn to Agni and the Gods describes the relationship of the aspiration and will to the powers of the creation. The English translation was provided by Sri Aurobindo in Hymns to the Mystic Fire, pp. 405-407. The recordings were made at Sri Aurobindo Ashram in 1973. Sanskrit recited by Sri Vinayak. English translation recited by Santosh Krinsky

In The Secret of the Veda, Sri Aurobindo showed that there is a deep, esoteric sense to the Vedic hymns that is the real sense of the hymns. This Hymn to Agni is the very last hymn of the Rig Veda. The English translation was provided by Sri Aurobindo in Hymns to the Mystic Fire, pp. 435-436. The recordings were made at Sri Aurobindo Ashram in 1973. Sanskrit recited by Sri Vinayak. English translation recited by Santosh Krinsky

In The Secret of the Veda, Sri Aurobindo showed that there is a deep, esoteric sense to the Vedic hymns that is the real sense of the hymns. This Hymn to Hiranyagarbha, the Golden Child in the Womb, explores the web of the universal creation and manifestation. The English translation was provided by Nolini Kanta Gupta. The recordings were made at Sri Aurobindo Ashram in 1973. Sanskrit recited by Sri Vinayak. English translation recited by Santosh Krinsky

In The Secret of the Veda, Sri Aurobindo showed that there is a deep, esoteric sense to the Vedic hymns that is the real sense of the hymns. This Hymn the Ratri Sukta, explores the relation of the Night to the Dawn, the "sister" who brings the light. The English translation was provided by Nolini Kanta Gupta. The recordings were made at Sri Aurobindo Ashram in 1973. Sanskrit recited by Sri Vinayak. English translation recited by Santosh Krinsky

In The Secret of the Veda, Sri Aurobindo showed that there is a deep, esoteric sense to the Vedic hymns that is the real sense of the hymns. This Hymn to the Dawn relates to the power of awakening of consciousness as the sun of the Truth approaches the horizon to illuminate the consciousness of the seeker. The English translation was provided by Nolini Kanta Gupta. The recordings were made at Sri Aurobindo Ashram in 1973. Sanskrit recited by Sri Vinayak. English translation recited by Santosh Krinsky

In The Secret of the Veda, Sri Aurobindo showed that there is a deep, esoteric sense to the Vedic hymns that is the real sense of the hymns. This Hymn the Devi Sukta, relates to the supreme Goddess, the executive power of the creation of all that exists. The English translation was provided by Nolini Kanta Gupta. The recordings were made at Sri Aurobindo Ashram in 1973. Sanskrit recited by Sri Vinayak. English translation recited by Santosh Krinsky