Podcasts about adalya

ShishCast Ep. 19 Dieses Format enthält Werbung Hier könnt ihr uns noch finden: https://www.instagram.com/directlyshishagermany/ https://www.instagram.com/marvindutine/ https://www.youtube.com/shishawg Begrüßung, Setups Blaze Tasting in der Blubberbar Reallife ShishaUnion Aeon besuch Gatsby Charity Stream Recap Bouldern Mario Kart Bloggermeet teaser decke renoviert Alex wieder student facereveal Köln trip zum Adalya Black Tasting Neues Objektiv und Licht Swissi zu Besuch und essen mit Moe 4Bro Restock Specials: Aeon Universe News: Doosha Valkyrie Vyro evoke Vyro globe Lounge Mini Neo Candy Frozen Division nano 2.0 incl sleeves darkside nuts Hyphen 2.0 Aladin Epox 360 Moze Abtropfmatten Fibdis Liminty Wookah

Editor, Michael Mohammed Ahmad and contributor, Kaya Ortiz Lattimore, discuss After Australia, a new essay anthology that features twelve Indigenous writers and writers of colour exploring the world we are handing down to the next generation; and newly appointed Voiceworks editor Adalya Nash Hussein chats about the latest issue, ‘Butter’, and the unusual Covid style cooking-show literary-event digital hybrid launch that accompanied it’s publication. With presenter Mel Cranenburgh. Website: https://www.rrr.org.au/explore/programs/backstory

What is arts writing beyond the idea of conventional critique? How can writers respond to artistic experiences in ways that expand and extend the value and impact of the artistic work? Meet Piriye Altraide, Jini Maxwell and Adalya Nash Hussein, three outstanding and diverse emerging female writers taking part in Melbourne Recital Centre’s 2018 Writers-in-Residence program at Melbourne Recital Centre. Through their experimental modes of criticism poetry including hybrid non-fiction, cross-platform multimedia and illustrated hypertext, these three impressive creative writers share their responses and interpretations to a range of music experiences at the Centre across the year. Piriye, Jini and Adalya are joined by acclaimed Australian author, journalist and 2017 Writer-in-Residence at Melbourne Recital Centre, Chloe Hooper to discuss their approaches to and influences for arts writing and criticism. If you’re interested in traditional arts writing and the art of critique, listen in and get a fresh perspective on how writers can blur, bend and break the rules of critical writing in the arts.

Adalya, Daniel and Christian from Queeries chat to Gavin Roach about his Melbourne International Comedy Festival Show, All The Songs I Can't Sing. Click here to listen to Hamish's review. Photo by Julyan StephensSee omnystudio.com/listener for privacy information.

Adalya, Daniel and Jim interview director Miki Oikawa, Tenor Hew Wagner and Dancer/Actor Arisa Yura about Lyric Opera’s Australian premier production of The Japanese Princess.See omnystudio.com/listener for privacy information.

Daniel, Adalya and Jim chat to Tara Jade Samaya, the “Dance Captain” of Chunky Move’s ANTI GRAVITY, on at the Malthouse Theatre from March 17-26 as part of the Dance Massive Festival.See omnystudio.com/listener for privacy information.

Adalya and Daniel chat to Jessica Wilson about her new theatre show Passenger, which takes place on us a bus tour, departing from Footscray Community Arts Centre Thursday-Saturday and from the Arts Centre on Sunday. The show runs from March 23-26 as part of the Women of the World Festival Melbourne.See omnystudio.com/listener for privacy information.

Adalya and Daniel chat to Miranda Picton-Warlow, manager of the VCE Season of Excellence and Sia Smyth, the curator of Top Designs 2017, which will be on display at Melbourne Museum from 18 March – 16 July 2017. Click here to listen to our interview with Cameron Moorhouse, one of the artists from Top Arts 2017.See omnystudio.com/listener for privacy information.

Christian and Adalya are joined in the studio with Linda Shevlin, curator of Radical Action exhibition, by artist Seamus Nolan. This year is the 100 year anniversary of the 1916 Easter Rising in Ireland, and Radical Action focuses on "how events in recent and distant history, attitudes to rebellion, revolution and agitation have formed societies and national identities, question[s] the role of the artist in imagining future states and explore[s] the impact this revolutionary period has had on Irish citizens."See omnystudio.com/listener for privacy information.

Christian and Adalya are joined in the studio with Linda Shevlin, curator of Radical Action exhibition, by artist Seamus Nolan. This year is the 100 year anniversary of the 1916 Easter Rising in Ireland, and Radical Action focuses on "how events in recent and distant history, attitudes to rebellion, revolution and agitation have formed societies and national identities, question[s] the role of the artist in imagining future states and explore[s] the impact this revolutionary period has had on Irish citizens."

Hi, it's Adalya with my second review from this years Man Booker Prize shortlist. This week I'm looking at Deborah Levy's Hot Milk. Hot Milk follows Sofia and her mother Rose as they travel from England to clinic of questionable merit in Spain, seeking answers to Rose's litany of mysterious ailments. Set in the searing heat of Southern Spain, Sofia undergoes a twisted iteration of the classic beach sexual awakening narrative while Rose undergoes Dr Gomez's treatment. As the reliability of the mother who so shapes Sofia's life and identity becomes shaky, the importance of her relationship to her father and his Greek heritage becomes a new fixation. Levy's writing is lucid and evocative. Images recur, morph and intermingle in unexpected ways. Her exploration of what it means to form an identity around illness and what it means to form an identity in inverse to somebody else is arresting and important. We are drawn immediately into Sofia's inner world, a stilted filter on reality. Even the dialogue felt unnatural, characters voices indistinguishable from Sofia's own. At times this claustrophobia was transfixing, but at times it felt like there were links we were missing. Perhaps it was the many strengths of Levy's work that left me feeling so ambivalent towards the end product. Despite its compelling subjects and beautiful prose, Hot Milk lacked any real sense of cohesiveness. Ideas and narrative were not coherently woven together and the result was just a sense of loss at what could have been. The scenes in Greece, for example, could have occurred at almost any place in the book, so separate they were from any other element. Hot Milk is by no mean's Levy's first work, so I think these failures felt greater than they would have had it been a debut. To be honest I am surprised and a little disappointed that Hot Milk made the shortlist. I haven't read the full longlist, but for me, The North Water and My Name is Lucy Barton at least were both stronger works than Hot Milk. All that said, I know there are lots of people who have loved and will love this book. I think perhaps a difficulty in reviewing book and especially books nominated for a prize is that the craft of the work is placed on equal footing to that craft's effect, whereas I think when we read a book without this consideration the effect is our primary interest. Hot Milk did not come together for me, but perhaps it would have if I had not had reviewing it in the back of my mind as I read it. With last years Booker for example, lots of writers I saw felt that, although they had been profoundly emotionally involved in Hanya Yanigihara's A Little Life, that the strings used to emotionally effect us were too present for Yanigihara to deserve the win. I think this is a reasonable and even important consideration to make, but I guess it does beg the question why or even whether it is worth paying attention to these awards at all if their priorities are so different to that of the average reader. I guess the very fact that I've undertaken this project means that I must think they are, but I think it is important to act in dialogue with the institutions you give power to. Please stick around next week as I continue to discuss the rest of the Man Booker shortlist and question the very premise of this project!See omnystudio.com/listener for privacy information.

Hi, it's Adalya with my second review from this years Man Booker Prize shortlist. This week I'm looking at Deborah Levy's Hot Milk. Hot Milk follows Sofia and her mother Rose as they travel from England to clinic of questionable merit in Spain, seeking answers to Rose's litany of mysterious ailments. Set in the searing heat of Southern Spain, Sofia undergoes a twisted iteration of the classic beach sexual awakening narrative while Rose undergoes Dr Gomez's treatment. As the reliability of the mother who so shapes Sofia's life and identity becomes shaky, the importance of her relationship to her father and his Greek heritage becomes a new fixation. Levy's writing is lucid and evocative. Images recur, morph and intermingle in unexpected ways. Her exploration of what it means to form an identity around illness and what it means to form an identity in inverse to somebody else is arresting and important. We are drawn immediately into Sofia's inner world, a stilted filter on reality. Even the dialogue felt unnatural, characters voices indistinguishable from Sofia's own. At times this claustrophobia was transfixing, but at times it felt like there were links we were missing. Perhaps it was the many strengths of Levy's work that left me feeling so ambivalent towards the end product. Despite its compelling subjects and beautiful prose, Hot Milk lacked any real sense of cohesiveness. Ideas and narrative were not coherently woven together and the result was just a sense of loss at what could have been. The scenes in Greece, for example, could have occurred at almost any place in the book, so separate they were from any other element. Hot Milk is by no mean's Levy's first work, so I think these failures felt greater than they would have had it been a debut. To be honest I am surprised and a little disappointed that Hot Milk made the shortlist. I haven't read the full longlist, but for me, The North Water and My Name is Lucy Barton at least were both stronger works than Hot Milk. All that said, I know there are lots of people who have loved and will love this book. I think perhaps a difficulty in reviewing book and especially books nominated for a prize is that the craft of the work is placed on equal footing to that craft's effect, whereas I think when we read a book without this consideration the effect is our primary interest. Hot Milk did not come together for me, but perhaps it would have if I had not had reviewing it in the back of my mind as I read it. With last years Booker for example, lots of writers I saw felt that, although they had been profoundly emotionally involved in Hanya Yanigihara's A Little Life, that the strings used to emotionally effect us were too present for Yanigihara to deserve the win. I think this is a reasonable and even important consideration to make, but I guess it does beg the question why or even whether it is worth paying attention to these awards at all if their priorities are so different to that of the average reader. I guess the very fact that I've undertaken this project means that I must think they are, but I think it is important to act in dialogue with the institutions you give power to. Please stick around next week as I continue to discuss the rest of the Man Booker shortlist and question the very premise of this project!

Hosts Christian and Adalya interview Matthew Lutton about the Malthouse Theatre's 2017 Program.See omnystudio.com/listener for privacy information.

Hosts Christian and Adalya interview Matthew Lutton about the Malthouse Theatre's 2017 Program.

Hosts, Thierry and Adalya, speak to actor Peter Houghton about Eddie Perfect's new play, The Beast. It's running until September 10th at the Comedy Theatre, 240 Exhibition St, Melbourne. Tickets are available here.See omnystudio.com/listener for privacy information.

Hosts, Adalya and Thierry, interview actor Belinda Campbell about her role as Macbeth in Wit Incorporated's production of Shakespeare's Macbeth.See omnystudio.com/listener for privacy information.

Hosts, Thierry and Adalya, are joined by Alex De La Rambelje, one of the magicians in Gentlemen of Deceit. They talk about his performance on Australia's Got Talent and their upcoming shows at the Sydney Opera House on October 15th and 16th. Tickets available here.See omnystudio.com/listener for privacy information.

Hosts, Thierry and Adalya, speak to actor Peter Houghton about Eddie Perfect's new play, The Beast. It's running until September 10th at the Comedy Theatre, 240 Exhibition St, Melbourne. Tickets are available here.

Hosts, Thierry and Adalya, are joined by Alex De La Rambelje, one of the magicians in Gentlemen of Deceit. They talk about his performance on Australia's Got Talent and their upcoming shows at the Sydney Opera House on October 15th and 16th. Tickets available here.

Hosts, Adalya and Thierry, interview actor Belinda Campbell about her role as Macbeth in Wit Incorporated's production of Shakespeare's Macbeth.

Hosts Beth and Adalya are joined in the studio by Rory Kelly, actor in Red Stitch Theatre's production of Trevor. 

Hosts Beth and Adalya are joined in the studio by Rory Kelly, actor in Red Stitch Theatre's production of Trevor. See omnystudio.com/listener for privacy information.

Adalya reviews The Wheeler Centre’s author talk event with Hanya Yanagihara in conversation with Jason Steger.See omnystudio.com/listener for privacy information.

Adalya reviews The Wheeler Centre’s author talk event with Hanya Yanagihara in conversation with Jason Steger.

Adalya joins Lauren in the studio to share her thoughts about the Tinnalley String Quartet & Lior concert she attended earlier this month.

Adalya joins Lauren in the studio to share her thoughts about the Tinnalley String Quartet & Lior concert she attended earlier this month.See omnystudio.com/listener for privacy information.