Podcasts about Macbeth

In her sermon, Shari uses the metaphor of the Camino de Santiago—a long spiritual pilgrimage—to illustrate the Christian journey of moving continually toward peace and away from chaos. She reflects on her own experience walking the Camino, emphasizing that the daily, intentional choices made on the trail mirror the spiritual decisions we make in life. Life, like the Camino, is not static. Everything is always in motion—physically, emotionally, and spiritually. Shari ties this constant movement to the second law of thermodynamics, highlighting humanity's natural tendency toward disorder unless we intentionally choose otherwise. Spiritually, we're always moving toward either peace (shalom: wholeness, well-being, safety) or chaos (slavery, disorder, retaliation). Shari contrasts biblical peace with today's culture of “my truth” and ethical relativism, which echo the times of the Judges when "everyone did what was right in their own eyes." She argues that freedom in Christ means intentionally choosing the path that leads to peace, even when it is counterintuitive or difficult. The lie from the Garden of Eden—that we are the exception to the rule—still misleads us today. We often believe we can harbor resentment, avoid forgiveness, or justify sin without consequences. Shari emphasizes that choosing chaos—like revenge, bitterness, and pride—leads us back into spiritual slavery. Through examples from both Scripture (Gideon, the Exodus, Judges) and literature (Nietzsche's philosophy, Crime and Punishment, Macbeth, Hamlet, East of Eden), she shows how refusing to forgive, holding onto bitterness, or believing ourselves exempt from consequences always results in suffering. Forgiveness, though often seen as illogical or undeserved, is the path to freedom. She tells real-life stories—like her friend Bob who justifies meanness because “they started it”—to show how childish and harmful these justifications are. True peace begins with us, not with others. We often claim we want peace but refuse to let go of pride, pain, or perceived justice to get it. Shari closes by urging the congregation to choose the fruit of the Spirit—love, joy, peace, patience, kindness, goodness, faithfulness, gentleness, and self-control—as the “good fruit” in contrast to Adam and Eve's wrong choice. Like the biblical figures and literary characters she referenced, we too stand at a crossroads daily: toward peace and freedom in Christ, or chaos and slavery in sin. The Gospel gives us the power through the Holy Spirit to undo our wrong choices and walk “The Way” that leads to true peace. Discussion Questions Shari says we often believe “we are the exception to the rule.” How have you seen that idea play out in your own life or culture? What does the word “shalom” (biblical peace) mean to you? How is it different from simply not fighting or being calm? Are there any areas in your life where you are choosing chaos (bitterness, revenge, pride) instead of peace? What would it look like to choose differently? Who is someone in your life that you feel “started it”? What would it take for you to forgive them anyway? Which of the fruits of the Spirit do you most need to grow in right now to walk in peace? What's one practical way you could pursue it this week?

Send us a textWe have a look through the not-quite-official Coen Brother films, from SUBURBICON and BRIDGE OF SPIES to DRIVE-AWAY DOLLS and THE TRAGEDY OF MACBETH.

Called “the finest actor of his generation,” Sir Simon Russell Beale has played just about everyone in Shakespeare's canon—Hamlet, Lear, Macbeth, Falstaff, Malvolio, Iago—and most recently, Titus Andronicus, for the Royal Shakespeare Company. In this episode, Beale reflects on the Shakespearean roles that have shaped his career and how his approach to them has evolved over time. He shares what drew him to Titus, and how he found surprising tenderness in Shakespeare's brutal tragedy. The actor revisits past performances, exploring grief in Hamlet, aging and dementia in King Lear, and how time has deepened his connection to the plays and the characters. Beale's memoir, A Piece of Work: Playing Shakespeare & Other Stories, is a moving and often humorous reflection on acting, Shakespeare, and the power of performance to reveal something essential about being human. Sir Simon Russell Beale studied at Cambridge before joining the RSC. Described by the Daily Telegraph as “the finest actor of his generation,” he has been lauded for both his stage and TV work, winning many awards including the Olivier Award for Best Supporting Actor, the Evening Standard Best Actor Award, and the BAFTA Best Actor Award. From the Shakespeare Unlimited podcast. Published June 17, 2025. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the executive producer. It was edited by Gail Kern Paster. We had help with web production from Paola García Acuña. Leonor Fernandez edits our transcripts. Final mixing services are provided by Clean Cuts at Three Seas, Inc.

Acclaimed Canadian theatre maker Robert Lepage is back at the Stratford Festival with a new take on Shakespeare's “Macbeth.” This new production tells the same classic story of greed, betrayal and murder, but it's set during the brutal Quebec biker wars of the ‘90s. Robert joins Tom Power to talk about putting a new spin on this Shakespearean tragedy, his unique approach to theatre and his incredible decades-long career. If you're looking for more conversations about Canadian theatre, check out Tom's chat with esteemed stage actor Tom Rooney on what it takes to play a dog.

Dub3K - Al Green (feat. Karma) - Prod. by Kurlee Daddee Producitons CD's and Digitial Album - AVAILABLE NOW!!! https://kurleedaddeeproductions.bandcamp.com/album/dub3k-the-foundation O.G. Hip-Hop Group Dub3K featuring G. Macbeth, Shoebox P., Fly and Karma, bless these buttery beats by Kurlee Daddee Productions, to form The Foundation. A Bay Area Christian Hip-Hop EP full of positivity and knowledge.

In this episode we talk all about All's Well, a novel that is in part a retelling, in part an homage to theater, and a completely wild ride of a book. We discuss the way perception plays into the story, and how repetition functions to serve the narrative - and of course, we explore All's Well That Ends Well and MacBeth, the two plays at the heart of this novel.Shelf Discovery:Bunny by Mona AwadWoo Woo by Ella BaxterHunchback by Saou IchikawaThe Rehearsal by Eleanor CattonMy Death by Lisa TuttleIf you would like to get additional behind-the-scenes content related to this and all of our episodes, subscribe to our free newsletter.We love to hear from listeners about the books we discuss - you can connect with us on Instagram or by emailing us at thenovelteapod@gmail.com.This episode description contains links to Bookshop.org, a website that supports independent bookstores. If you use these links we may earn a small commission at no additional cost to you. Hosted on Acast. See acast.com/privacy for more information.

Passing of the Beach Boys’ Brian Wilson; Trump’s alleged plans to deploy troops to more cities; Jeff Stein makes his weekly visit; Macbeth curse strikes again; Luther Seminary campus closure; BWCA mining provision stripped from federal budget bill; government still has no idea on how to execute tariffs; digging into the bills passed at the…

Check out Cam's latest novel / audio drama here! In a twist that might be even more shocking than this terrifying film, this latest Faust Fable discussion is actually built around one of Maggie's theories — not Cam's — as she deep dives into that perennial horror question: why don't they just run away from the scary monsters? The answer is a wild journey of muffled fragments and out-of-focus breadcrumbs through this found footage Faustian masterpiece! Cam sprinkles in some Macbeth for good measure. All hail found footage! LINKS: Patreon, YouTube, Spotify, Instagram Feedback & Theories: secondbreakfastpod@gmail.com

On today's episode of Highkey Obsessed: Toil and Trouble, Cassie and Thomas are joined by Dr. Kristin Bezio to talk about the relationship between the Witch Trials of Early Modern Europe and the Reformation! Their conversation covers such illuminating topics as... Why was England so witch hunt light? What exactly was the impact of the Reformation on witch panics? How did people react to MacBeth back in the day? All that and much, much more on another episode of the greatest podcast in the multiverse!If you dig what you're hearing be sure to drop those 5 star ratings and reviews, and to follow the show on:Learn more about Dr. Bezio here: https://jepson.richmond.edu/faculty/bios/kbezio/ Instagram: @HighkeyObsessedPodcast and @sharkbatesbookshelfYouTube: @HighkeyObsessedPodcastWebsite: www.highkeyobsessed.comEmail: highkeyobsessedpodcast@gmail.com Hosted on Acast. See acast.com/privacy for more information.

Illusionernas Abccedarium heter Scenkonstmuseeéts hyllning i två plan till landets kostymörer, de som kan trolla fram de mesta att bära på en scen. Lyssna på alla avsnitt i Sveriges Radio Play. Jenny Teleman, kritiker på P1:s kulturredaktion, och Maria Edström, teaterkritiker på Expressen, vandrade runt bland svävande rokokoklänningar, små-barn-nattlinnen med kaniner och köttyxor, empatiska varmkorvar i leopardtyg och Ingmar Bergmans gyttja på Ofelias kjol.Teatrar landet runt har donerat kostymerna till utställningen. Och frågorna hopar sig: Är fatsuit okej? När blir blod på tyg svart? Tar vodka bort svetten ur Jarl Kulles kavaj? Och vart har alla magra karlar på scen tagit vägen?Utställningen pågår till och med den 24 maj 2026.

In questo episodio, Gianluca Gatta presenta “Macbeth” di William Shakespeare, un dramma teatrale che racconta l'ascesa al potere e la caduta vertiginosa del protagonista, re di Scozia, logorato dall'ambizione, dalla paura, dalla sfiducia e intrappolato in una tensione tra libertà e destino che lo porta all'autodistruzione. Un testo che da oltre quattro secoli continua a stimolarci sulla natura del potere e a raccontarci la fragilità della condizione umana.

Dub3K - The Foundation - TITLE TRACK AND FIRST SINGLE OFF NEW EP Karma, G. Macbeth, SHOEBOX P, FLY, Kurlee Daddee Productions LIinks to album: https://music.apple.com/us/album/the-foundation-feat-karma-single/1815625920 https://open.spotify.com/album/1weMbpQ6eyPLFdLbQ1JkCm?si=TWDiZ0SbTUWnoqJFFxdyqg https://youtu.be/ptRhtfDvFX8

It's an episode of many a ramble and many a topic!Jack and Rob catch up this week and have a good old natter from across the continent. Rob, currently in Rome after a wedding, talks us through his incredible weekend and tells us about his production of MacBeth getting a standing ovation. Jack, stuck inside his homestead in Birmingham, talks being ill and gives his thoughts of standing O's at shows. There's favourite shows talk, there's crying talk, there's audience etiquette talk!@StageDoorAthletic#JackLoxton #RobShawCameron #StageDoorAthletic #Rome #Wedding #Linekar #StandingOvation #BriefEncounter #CythniaErivo #Wembley #England #WBA #Leeds #Hungover #Sport #Theatre #Podcast #SportsPodcast #TheatrePodcast Hosts: Jack Loxton & Rob Shaw CameronProducer: James CourtEdited by: Rob Shaw Cameron@jackloxton1 @robshawcameron@thecourtofjames Stage Door Athletic is a [NON]FICTION PEOPLE Podcast© [NON]FICTION PEOPLE LtdPRS Licence Reference: LE-0036019Take a Bow - Rihanna ℗ 2016 Def Jam Recordings, a division of UMG Recordings, Inc.The Good Life - Tony Bennett ℗ Originally released 1963. All rights reserved by Columbia Records, a division of Sony Music Entertainment Hosted on Acast. See acast.com/privacy for more information.

Send us a textLisa & Amy continue to explore The Mystery of the Queen's Necklace. The BWGs travel to Stratford-on-Avon to explore Shakespeare's hometown. Trixie calls an emergency meeting of the BWGs to discuss Miss Trask's involvement with a dashing Scottish man. The group also takes in a performance of Macbeth and makes friends with several of the locals who show them around town.Please rate and review on Apple Podcasts. It really helps us get the word out about the podcast! You can still listen on your regular platform. Follow this link and click the “listen on Apple podcast” button. Then click on the rate and review tab to reach the correct page. https://podcasts.apple.com/us/podcast/books-from-the-basement/id1544343334Please email us at booksfromthebasementpc@gmail.comVisit our FB Page:  https://www.facebook.com/booksfromthebasement Join our FB Group: www.facebook.com/groups/booksfromthebasementpcIf you want to help us keep our podcast ad-free, please go to www.buymeacoffee.com/booksbasement, where you can donate by buying us a "book" instead of a coffee!     

IPS DEPROGRAM 6/1/25 News Bending PsyopsThe episode began with the host announcing the launch of a new AI agent called the IPS stenographer in the Discord server. This bot is designed to automatically summarize the latest comments and create infographics every four hours, posting them in a dedicated summary room. Users can also get a synopsis on demand using a specific command. The host mentioned previously doing this manually and used ChatGPT and Grok to help automate the process. They noted that Grok can elaborate on prompts and assisted in activating the bot on Discord.A core theme of the discussion is the analysis of current events and media through the lens of predictive programming and a concept called the "meta script," which is described as the big story that becomes history. The host views media, including movie trailers and news, as different forms of propaganda – entertainment propaganda parallel to information propaganda – that are interconnected and reveal a larger narrative. By looking at these things holistically, they aim to arrive at subtexts and bigger pictures.The conversation delved into numerous examples and recurring symbols observed in media and events:Movie trailers discussed included Sinners, Mickey 17, Captain America: Brave New World, Fantastic Four, Final Destination: Bloodlines, The Home, and Welcome to Derry.Recurring symbols and themes highlighted were the Space Needle (linked to EMP, the Electronic Music Project, movie plots, and the sinking of the West), EMP events, the eye/iris and needle into the eye (appearing in movie posters and montages), three pillars/masts (seen in the International Hotel, Space Needle, and a Mexican Navy ship), space interpreted as inner space or mind control, the sinking of America or the West (symbolized by the Titanic, the boat hitting the bridge, the Space Needle, and One World Trade Tower), and various numbers and dates (such as 6-11, 11-6, 84, 216, and 33).Specific events analyzed through this lens included the Trump shooting in Butler (linked to the Riddler, Ave Maria, and specific numbers), a Mexican Navy ship hitting the Brooklyn Bridge (noting the three masts and the death of a cadet named America), the East Palestine train derailment (compared to the Netflix movie White Noise and recent lawsuits against BlackRock and Vanguard), the JFK assassination (connected to Trump symbolism, dates, Macbeth, and a home movie allegedly showing his "death"), and the Reagan shooting (noting the 33-year delay in James Brady's death being ruled a homicide).The host discussed the concept of the "auto-hoaxer" and observed media attempts to frame it negatively. They also touched on "Psychic Driving", the "political horseshoe theory" as a deliberately implemented model, and interpreting world events through the lens of WWE kayfabe.The host mentioned the upcoming release of PSYOP trading cards.

The episode began with the host announcing the launch of a new AI agent called the IPS stenographer in the Discord server. This bot is designed to automatically summarize the latest comments and create infographics every four hours, posting them in a dedicated summary room. Users can also get a synopsis on demand using a specific command. The host mentioned previously doing this manually and used ChatGPT and Grok to help automate the process. They noted that Grok can elaborate on prompts and assisted in activating the bot on Discord.A core theme of the discussion is the analysis of current events and media through the lens of predictive programming and a concept called the "meta script," which is described as the big story that becomes history. The host views media, including movie trailers and news, as different forms of propaganda – entertainment propaganda parallel to information propaganda – that are interconnected and reveal a larger narrative. By looking at these things holistically, they aim to arrive at subtexts and bigger pictures.The conversation delved into numerous examples and recurring symbols observed in media and events:Movie trailers discussed included Sinners, Mickey 17, Captain America: Brave New World, Fantastic Four, Final Destination: Bloodlines, The Home, and Welcome to Derry.Recurring symbols and themes highlighted were the Space Needle (linked to EMP, the Electronic Music Project, movie plots, and the sinking of the West), EMP events, the eye/iris and needle into the eye (appearing in movie posters and montages), three pillars/masts (seen in the International Hotel, Space Needle, and a Mexican Navy ship), space interpreted as inner space or mind control, the sinking of America or the West (symbolized by the Titanic, the boat hitting the bridge, the Space Needle, and One World Trade Tower), and various numbers and dates (such as 6-11, 11-6, 84, 216, and 33).Specific events analyzed through this lens included the Trump shooting in Butler (linked to the Riddler, Ave Maria, and specific numbers), a Mexican Navy ship hitting the Brooklyn Bridge (noting the three masts and the death of a cadet named America), the East Palestine train derailment (compared to the Netflix movie White Noise and recent lawsuits against BlackRock and Vanguard), the JFK assassination (connected to Trump symbolism, dates, Macbeth, and a home movie allegedly showing his "death"), and the Reagan shooting (noting the 33-year delay in James Brady's death being ruled a homicide).The host discussed the concept of the "auto-hoaxer" and observed media attempts to frame it negatively. They also touched on "Psychic Driving", the "political horseshoe theory" as a deliberately implemented model, and interpreting world events through the lens of WWE kayfabe.The host mentioned the upcoming release of PSYOP trading cards.

G Macbeth - Large Fries - Prod by Kurlee Daddee Productions Single off the EP The Value Meal Produced by Kurlee Daddee Productions Find it also here: https://open.spotify.com/album/1sjMwN1fgERl8TVFfdkWxL?si=2KzlAaoiSBeviQyBAAsAWw https://www.deezer.com/us/album/710575151 https://distrokid.com/hyperfollow/gmacbeth/the-value-meal?utm_campaign=website&utm_medium=Email+&utm_source=SendGrid https://www.iheart.com/artist/g-macbeth-45702677/albums/the-value-meal-312966888

Double, double, toil and trouble… the Scottish play… out, damned spot! William Shakespeare's take on Macbeth has well and truly embedded itself in our culture. The play, written in the early 17th century, charts how an ambitious Macbeth turns to violence in order to realise a prophetic vision of becoming King of Scotland. But what of the real Macbeth, who really did sit upon the Scottish throne? What is known of this 11th century monarch? And how much of his life can be compared to the fictitious monarch of Shakespeare's play? To enjoy more episodes of Love Scotland, please follow or subscribe wherever you get your podcasts. For more information on Iona, click here.

Welcome to Dev Game Club, where this week we start a new series of explorations on the walking simulator, beginning with Gone Home. We set the game in its time, talk about possible real world experiences, and dive into its restraint and storytelling. Dev Game Club looks at classic video games and plays through them over several episodes, providing commentary. Sections played: All of Gone Home Issues covered: walking simulator coverage, the wave of indies and another wave, career changes, Fullbright's early history, leaving the big industry, the value of focus, location-based entertainments and shows, focusing on one thing, having constraints vs not, setting your own constraints, the spooky atmosphere but having restraint, imposing expectations from video games, visiting a previously unknown house, the Ouija board, a literal red hair-ing, stripping out all the video game-isms for interactivity, few mechanics, simple systems and using their few mechanics and verbs, experience-forward, Brett quizzes Tim, narrative richness, the ordering of collectible reading, leveraging non-linear storytelling, using period-appropriate communication, games that make Tim cry, the 90s of it all, letters vs email, waste paper baskets, a visual language and the use of consistency.  Games, people, and influences mentioned or discussed: Death Stranding, Dear Esther, Firewatch, BioShock Infinite, Batman: Arkham Origins, GTA V, Tomb Raider (2013), Dead Rising 3, Dead Space 3, LoZ: A Link Between Worlds, The Last of Us, Beyond: Two Souls, AC IV: Black Flag, Rayman Legends, Splinter Cell: Blacklist, Battlefield IV, Payday 2, Outlast, Antichamber, The Stanley Parable, Papers Please, Brothers: A Tale of Two Sons, Starbreeze, Josef Fares, Hazelight Studios, It Takes Two, LucasArts, Clair Obscure: Expedition 33, Blue Prince, Animal Well, Balatro, 343 Studios, BioStats, Calamity Nolan, Tacoma, Indie Game: The Movie, Minerva's Den, Bioshock, Kate Craig, Carl Lumbly, 2K Marin, Hangar 13, Fallout: New Vegas, Morrowind, Sleep No More, Macbeth, Antenna Theater, Meow Wolf, George RR Martin, Control, Imagineering, Disney, Fez, X-Files, Resident Evil, Amnesia, Life Is Strange, Leaves of Grass, Hollow Knight, Pulp Fiction, Final Fantasy IX, Shadow of the Colossus, The Last of Us 2, Alien, Kirk Hamilton, Aaron Evers, Mark Garcia.  Next time: Dear Esther (2012) Links: Why Is Gone Home A Game? Twitch: timlongojr https://twitch.tv/timlongojr Discord https://t.co/h7jnG9J9lz DevGameClub@gmail.com mailto://devgameclub@gmail.com

Charlie is a native Pittsburgher and a proud graduate of Carnegie Mellon University, where he studied Acting. As an actor, select stage credits include the NY Public Theatre's “Shakespeare in the Park” (All's Well That Ends Well, Measure for Measure), the Pearl Theatre Company (Richard II), the Hudson Valley Shakespeare Festival (King Lear, The Three Musketeers, Romeo and Juliet, Love's Labour's Lost), The Shakespeare Theatre of DC (Richard II, Henry V, As You Like It, Mrs. Warren's Profession), Middlebury Actor's Workshop (Cat on a Hot Tin Roof), The Arts Center of Coastal Carolina (The Unexpected Guest), and Chautauqua Theatre Company (Much Ado About Nothing, Vaidehi, Ah, Wilderness!).  In 2015, Charlie co-founded Esperance Theater Company — a company that produced classical-based work here in NYC. With Esperance, Charlie produced and performed in 12th Night, Macbeth, Romeo and Juliet, and Breitwisch Farm. As a teacher, Charlie has been working with MTCA (Musical Theater College Auditions) for over 20 years, where he is now a Director of the company alongside Leo Ash Evens. Charlie has also taught for Texas State University, PACE University, The Performing Arts Project (TPAP), Broadway Dreams, the City University of New York, Carnegie Mellon's Pre-College program, and the Hudson Valley Shakespeare Festival. As a Teacher and Director, he is able to do two of his favorite things in life: help students to find their authentic selves as artists, and help them find their best fit in their collegiate journey. Charlie also hosts the “Mapping The College Audition” podcast, where he continues that work, and helps demystify this daunting audition process for listeners around the world. Charlie is also the proud father to a precocious toddler, partner to an amazing Tony-nominated + Grammy-winning Actress, and a humble Broadway Show League Softball MVP. Want to try our Broadway fitness program for free? ⁠⁠⁠www.builtforthestage.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Charlie is a native Pittsburgher and a proud graduate of Carnegie Mellon University, where he studied Acting. As an actor, select stage credits include the NY Public Theatre's “Shakespeare in the Park” (All's Well That Ends Well, Measure for Measure), the Pearl Theatre Company (Richard II), the Hudson Valley Shakespeare Festival (King Lear, The Three Musketeers, Romeo and Juliet, Love's Labour's Lost), The Shakespeare Theatre of DC (Richard II, Henry V, As You Like It, Mrs. Warren's Profession), Middlebury Actor's Workshop (Cat on a Hot Tin Roof), The Arts Center of Coastal Carolina (The Unexpected Guest), and Chautauqua Theatre Company (Much Ado About Nothing, Vaidehi, Ah, Wilderness!).  In 2015, Charlie co-founded Esperance Theater Company — a company that produced classical-based work here in NYC. With Esperance, Charlie produced and performed in 12th Night, Macbeth, Romeo and Juliet, and Breitwisch Farm. As a teacher, Charlie has been working with MTCA (Musical Theater College Auditions) for over 20 years, where he is now a Director of the company alongside Leo Ash Evens. Charlie has also taught for Texas State University, PACE University, The Performing Arts Project (TPAP), Broadway Dreams, the City University of New York, Carnegie Mellon's Pre-College program, and the Hudson Valley Shakespeare Festival. As a Teacher and Director, he is able to do two of his favorite things in life: help students to find their authentic selves as artists, and help them find their best fit in their collegiate journey. Charlie also hosts the “Mapping The College Audition” podcast, where he continues that work, and helps demystify this daunting audition process for listeners around the world. Charlie is also the proud father to a precocious toddler, partner to an amazing Tony-nominated + Grammy-winning Actress, and a humble Broadway Show League Softball MVP. Want to try our Broadway fitness program for free? ⁠⁠⁠www.builtforthestage.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textClaudia Mayer discusses designing for Shakespeare plays, including Macbeth, The Tempest, and The Merchant of Venice.For a complete episode transcript, click http://www.womenandshakespeare.comClaudia Mayer's co-production company: https://jvproductions.co.uk/Interviewer: Varsha PanjwaniGuest: Claudia MayerResearcher: Iris Kobrock Producer: Caroline LehmanTranscript: Benjamin PooreArtwork: Wenqi WanSuggested Citation:  Mayer, Claudia in conversation with Panjwani, Varsha (2025). Claudia Mayer on Designing for Shakespeare Plays [Podcast], Series 5, Ep.5. http://womenandshakespeare.com/Twitter: @earlymoderndocInsta: earlymoderndocEmail: earlymoderndoc@gmail.comTwitter: @earlymoderndocInsta: earlymoderndocEmail: earlymoderndoc@gmail.comTwitter: @earlymoderndoc Insta: earlymoderndocEmail: earlymoderndoc@gmail.com

From 2008- Adam Sexton talks about his graphic novel rendition of Shakespeare's MacBeth. (We're replaying this in honor of the University of Wisconsin-Parkside's production of MacBeth which closed on May 11th.)

G. Macbeth - Big Mac Single off the EP The Value Meal Produced by Kurlee Daddee Productions Find it also here: https://open.spotify.com/album/1sjMwN1fgERl8TVFfdkWxL?si=2KzlAaoiSBeviQyBAAsAWw https://www.deezer.com/us/album/710575151 https://distrokid.com/hyperfollow/gmacbeth/the-value-meal?utm_campaign=website&utm_medium=Email+&utm_source=SendGrid https://www.iheart.com/artist/g-macbeth-45702677/albums/the-value-meal-312966888

Dennis Woodyard joins us again as he and Greg Weisman discuss bringing King Arthur into the Gargoyles Universe. Teaming Arthur up with Griff. Macbeth's motivations for pursuing Excalibur. Checking in on Manhattan while the World Tour continues. And we also discuss would could have been (and what may still be) with the “Pendragon” spinoff. And more! We also discuss how the animation industry, as well as the television industry, has changed over the years. Why we still prefer physical media. And Greg Weisman regales us with his vacation and visit to Tintagel: the birthplace of King Arthur. Dennis also talks... Continue reading

What does it mean to be a South Asian Muslim actor in the heart of Hollywood? In today's episode of your favorite podcast @jins_podcast, I sat down with the incredible Faran Tahir — Pakistani-American actor known for roles in Iron Man, Star Trek, Elysium, Scandal, and MacBeth — to explore the challenges and victories of navigating an industry still struggling with diversity and nuance. From growing up in a legendary artistic family to performing Shakespeare at Harvard and dodging the traps of typecasting, Faran opens up about the fight for authentic representation, the complexity of villainy, and how to create textured characters beyond clichés. Together, we unpack decades of representation, misrepresentation, and the dream of telling our stories on our terms.✨ Don't miss the “Mythe/Mytho” segment where Faran brilliantly responds to the claim that casting Omar Sharif in Doctor Zhivago is the same as whitewashing. Spoiler: It's not.

Are you ready to hear more Alles is Drama on air?! Well tune in on Wednesday, 14th May for Alles is Drama on G-no-Line, with Student Radio Maastricht!! This time we talk about what it's like to direct, act and be behind the scenes of a production at Alles is Drama. We also get insight on what it is like to act professionally in London.

Finnish actor Santeri Karl-Henrik Kinnunen, the son of 2 actor-parents, found early immersion spending time on a farm as a Helsinki city child. There he became utterly fascinated by horses, learning to ride & go somewhere else with his thoughts & dreams, immersed in the countryside. Kinnunen is a veteran of the Helsinki City Theatre & has acted in the KOM Theater as well as the Finnish National Theatre. He is also a veteran of many Finnish film & television productions. His second immersion was losing himself to rediscover himself in his acting roles in stage productions such as MacBeth & in films such as A Charming Mass Suicide, Matti: Hell Is for Heroes, & Hellsinki. But his strangest pleasure as a professional actor is as a voice actor for which he supplies the Finnish voice of Buzz Lightyear in the Toy Story series & Captain John Smith in Pocahontas. He finds it fascinating that he can find immersion using his voice even if they're only the disembodied voices of animated 2-dimensional characters…

THE TOM CRUISE AIRPLANE STUNT!!! Mission: Impossible - Rogue Nation Full Reaction Watch Along:   / thereelrejects   With Tom Cruise & the gang returning for Mission: Impossibe - The Final Reckoning this summer, Tara & Aaron return for their Mission: Impossible – Rogue Nation Reaction, Recap, Commentary, Analysis, & Spoiler Review!! Visit https://www.liquidiv.com & use Promo Code: REJECTS to get 20% off your first order. Download the PrizePicks today at https://prizepicks.onelink.me/LME0/RE... & use code REJECTS to get $50 instantly when you play $5! Join Tara Erickson & Aaron Alexander as they dive into Christopher McQuarrie's adrenaline-fueled 2015 installment, Mission: Impossible – Rogue Nation. When the IMF is shut down by a covert syndicate known only as “The Syndicate,” Ethan Hunt (Tom Cruise, Top Gun: Maverick, Jack Reacher) goes off-book to stop a global conspiracy that threatens world order. Hunt is joined by the enigmatic double-agent Ilsa Faust (Rebecca Ferguson, The Girl on the Train, The White Queen), whose loyalties keep you guessing at every turn. Backing him up (and providing much-needed tech support) is Benji Dunn (Simon Pegg, Shaun of the Dead, Star Trek), while William Brandt (Jeremy Renner, The Hurt Locker, The Avengers) brings battlefield savvy to the team. The sinister mastermind Solomon Lane (Sean Harris, Prometheus, Macbeth) orchestrates chaos from the shadows, opposed by steadfast ally Luther Stickell (Ving Rhames, Pulp Fiction, The Transporter). Rounding out the ensemble are Atlee (Simon McBurney, Tinker Tailor Soldier Spy), the Syndicate's cold-hearted handler, and CIA Director Alan Hunley (Alec Baldwin, 30 Rock, The Departed), whose orders drive Hunt to desperate measures. Tara & Aaron break down every iconic sequence—from the opera-house break-in under the Vienna chandelier and the daring underwater vault heist, to the high-speed motorcycle chase through the narrow streets of Morocco and the gravity-defying cargo-plane finale. Don't miss their take on the film's jaw-dropping stunts, intricate espionage, and the moral tightrope Ethan walks between duty and trust. Follow Aaron On Instagram: https://www.instagram.com/therealaaronalexander/?hl=en Follow Tara Erickson: Youtube: https://www.youtube.com/@TaraErickson Instagram:  https://www.instagram.com/taraerickson/ Twitter:  https://twitter.com/thetaraerickson Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's episode of the I Hate Critics Movie Review Podcast, Sean and Jeff celebrate one of the most dynamic actresses working today—Florence Pugh. From indie dramas to superhero blockbusters, she's proven her versatility again and again. We take a deep dive into her incredible career, discussing highlights like Fighting with My Family, Macbeth, The Falling, A Good Person, Little Women, Oppenheimer, and, of course, Midsommar. New Releases: The Surfer Directed by Lorcan Finnegan Starring Nicolas Cage A man returns to his childhood beach to surf with his son, only to be humiliated by territorial locals. What starts as a quiet trip turns into a psychological and physical war of wills. The Shrouds Directed by David Cronenberg Starring Vincent Cassel, Diane Kruger, and Guy Pearce In classic Cronenberg fashion, this eerie sci-fi tale follows a grieving tech entrepreneur who invents a machine to communicate with the dead—blurring the line between life, death, and obsession. Another Simple Favor Directed by Paul Feig Starring Blake Lively and Anna Kendrick The stylish thriller returns as Stephanie heads to Italy to support her enigmatic friend Emily—only to find herself wrapped up in another web of secrets, lies, and possibly revenge. Thunderbolts Directed by Jake Schreier Starring Florence Pugh, David Harbour, Sebastian Stan, and Lewis Pullman Marvel's team of misfits and antiheroes—including Yelena Belova—are thrown together for a dangerous mission where survival means confronting their most painful pasts. Spotlight: The Career of Florence Pugh We break down the rise of Florence Pugh—how she's become one of our favorite performers and why she continues to command the screen no matter the genre. Follow Us: Website: I Hate Critics Facebook: Everyone is a Critic Podcast Twitter/X: @criticspod Instagram: @criticspod Patreon: Support Us Merch: TeePublic Store YouTube: Watch Us

William Shakespeare, often called the Bard of Avon, is the greatest playwright in the English language. Born in 1564 in Stratford-upon-Avon, he married Anne Hathaway at 18 and had three children. He moved to London in the late 1580s to pursue a career in theatre. Over the next two decades, he wrote 39 plays, 154 sonnets, and two long narrative poems. His works explore timeless themes of love, power, jealousy, betrayal, and ambition. Shakespeare's most famous plays include Hamlet, Macbeth, Othello, Romeo and Juliet, and King Lear. He co-owned the Globe Theatre, where many of his plays were performed. His mastery of language enriched English with hundreds of new words and phrases. Shakespeare blended history, tragedy, and comedy in ways that remain unmatched. Despite his fame, much of his personal life remains a mystery. He retired to Stratford around 1613 and died in 1616 at the age of 52. Shakespeare's legacy lives on through endless adaptations on stage and screen. His characters and stories still resonate across cultures and generations. He was as much a keen observer of human nature as a creator of unforgettable drama. This talk show explores the life, love, and literary genius of the immortal William Shakespeare.

(Spoiler Section Length - 6min 41sec)The reputation of Disney sequels is generally not great, but among them the Lion King sequel and... interquel(?) tend to be favored. They're pretty wildly different in tone, with Simba's Pride maintaining a similar tone to the first movie, going for a Romeo and Juliet thing rather than Macbeth. Lion King 1½, meanwhile, is a purposeful farce, with a MST3K style 4th-wall-breaking setup and a story that takes place in the margins of the original film. Are these two films really the best that the direct-to-DVD era of Disney sequels has to offer, and more than that, are they still worth watching today? Listen to find out!

Check out Cam's latest novel / audio drama here! Revenge of the Sith is not just the most climactic and sweeping and melodramatic Star Wars film, it's also perhaps the most tragic entry — and that's where we come in. We analyze the film by tracing it's roots through three giants in the field, starting with Lord of the Rings and an avalanche of Gollum / Anakin parallels, moving on to Macbeth and the realization that the Jedi masters are the three witches, and finishing with a Doctor Faustus framing that almost redeems Anakin as a lone Faustus in an endless sea of Mephistopheles. LINKS: Patreon, YouTube, Spotify, Instagram Feedback & Theories: secondbreakfastpod@gmail.com

G. Macbeth - Sip on This Single off the EP The Value Meal Produced by Kurlee Daddee Productions Find it also here: https://open.spotify.com/album/1sjMwN1fgERl8TVFfdkWxL?si=2KzlAaoiSBeviQyBAAsAWw https://www.deezer.com/us/album/710575151 https://distrokid.com/hyperfollow/gmacbeth/the-value-meal?utm_campaign=website&utm_medium=Email+&utm_source=SendGrid https://www.iheart.com/artist/g-macbeth-45702677/albums/the-value-meal-312966888

Puntata a cura di Untimoteo.Nella primavera 2025 l'attesa dei fan di Daredevil, eroe Marvel interpretato da Charlie Cox, è stata finalmente premiata con l'uscita di Daredevil Born Again: 9 episodi su Disney +, per proseguire la storia di Marvel's Daredevil, uno dei prodotti di maggior successo di Netflix dello scorso decennio. Fortunatamente Daredevil Born Again si dimostra all'altezza delle precedenti, mettendo in scena interessanti riflessioni sull'America di oggi. Più che una serie sui supereroi è un thriller, un'opera di fantasia intrisa di riferimenti agli Stati Uniti di questa porzione di secolo."5 minuti 1 serie" è il format del podcast di Mondoserie che racconta appunto una serie in poco più di cinque minuti (o meno di dieci!). Senza fronzoli, dritti al punto.Vai al podcast sull'originale Daredevil:  https://www.mondoserie.it/daredevil-podcast/ Parte del progetto: https://www.mondoserie.it/  Iscriviti al podcast sulla tua piattaforma preferita o su: https://www.spreaker.com/show/mondoserie-podcast  Collegati a MONDOSERIE sui social:https://www.facebook.com/mondoserie https://www.instagram.com/mondoserie.it/   https://www.youtube.com/channel/UCwXpMjWOcPbFwdit0QJNnXQ  https://www.linkedin.com/in/mondoserie/ 

In this bonus episode, we look into the mysterious lore behind Shakespeare's 'Weyward Sisters" from Macbeth. Did you know those three women, the weird sisters, the three witches who prophesied Macbeth’s ascendance… did you know those women really existed? • Follow Diversion Audio on Instagram • Explore more: diversionaudio.com This series is hosted by Mary Kay McBrayer. Check out more of her work at www.marykaymcbrayer.com.This episode was written by Mary Kay McBrayerDeveloped by Scott Waxman, Emma DeMuth, and Jacob Bronstein Associate Producer is Leo CulpProduced by Antonio EnriquezTheme Music by Tyler CashExecutive Produced by Scott Waxman and Emma DeMuth Special thanks to:Carter, Stephen L.. Invisible. Henry Holt and Co.. Kindle Edition. Pre-order Mary Kay's forthcoming true crime book 'Madame Queen: The The Life and Crimes of Harlem’s Underground Racketeer, Stephanie St. Clair' here Check out 'Sleeping With the Enemy' by William Phillips hereSee omnystudio.com/listener for privacy information.

Brian Gill joins us from the theater faculty at the University of Wisconsin-Parkside to talk about their production of Shakespeare's MacBeth, which is performed for the next two weekends on the main stage of The Rita. MacBeth is the shortest of Shakespeare's tragedies and a truly remarkable play around which a great deal of mystique has developed over the years.

King Duncan did indeed get killed, in 1040, and Macbeth was around, and maybe even was near him at the time, but Duncan wasn't old, he wasn't asleep in bed, and there was no crime, because Macbeth's forces slaughtered Duncan's forces in battle, and Duncan was one of the slaughtered. In this episode, Anne explains all of the history that can be explained -- it's a slippery bunch of facts, but there was a King Duncan, he did die, and Macbeth was king after him. Michelle explains the historical sources, and mentions the novels, but really what she wanted to know was where the hell that theatre superstition about not ever saying the title of the Scottish Play in the theater, at pain of being made to do whatever silly things are in fashion at the time -- well, where the hell that came from. And we want to know, too.

Jeho nejnovější rolí je android Emil v seriálu Parťák na baterky. „Co jiného by si mohl dnes herec přát, než si zahrát umělého člověka. Byl to můj sen,“ ujišťuje. Je v seriálu poznat, že vyšetřovatel není člověk, ale robot? Jaký je jeho názor na umělou inteligenci? Připustil si někdy, že by hrál v Dejvickém divadle? Baví ho dodnes tanec a folklór? Má kroj? Všechny díly podcastu Blízká setkání můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

Since the revival of Othello with Denzel Washington and Jake Gyllenhall is tearing it up on Broadway and the Los Angeles Rennaisannce Faire in full swingit seems an opportune time to replay our Shakespearean episode with Lisa Ann Goldsmith and Owen Thompson of the award winning podcast "The Bardcast: It's Shakespeare You DicK"  Podcasts collide this week as Mark and Nicole welcome actor/directors/scholars Lisa Ann Goldsmith and Owen Thompson of the award winning podcast "The Bardcast - It's Shakespeare You Dick!" to the lighter side of the dark side. Lisa Ann and Owen discussed the amount of dick jokes and sex in Shakespeare's work, how technology is proving he wrote his plays and also that he likely was a stoner and a bit of a thug. They break down the good and the bad in the new Tragedy of Macbeth and other Shakespearean films. Lisa Ann talks about starring in the show "Chicks with Dicks" (the dick is not where you would think) and Russell Crowe being a bit of a diva until you stand up to him. Owen talked about directing immersive theater, what it was like to cast legendary author Quentin Crisp in drag and how their podcast got its provocative name from bikers at a Renaissance Fair and more... This podcast is sponsored by Eddie by Giddy FDA Class II medical device built to treat erectile dysfunction and performance unpredictability. Eddie is specifically engineered to promote firmer and longer-lasting erections by working with the body's physiology. Get rock hard erections the natural way again. Using promo code DARKMARK20, you can save 20% on your Eddie purchase, and you and your partner will be chanting incantations of ecstasy together faster than you can say “REDRUM.” Go to buyeddie.com/DarkMark for 20% off your purchase using code DARKMARK20 today. Raze Energy Drinks Go to https://bit.ly/2VMoqkk and put in the coupon code DMS for 15% off the best energy drinks. Zero calories. Zero carbs. Zero crash Renagade CBD Go to renagadecbd.com for all of your CBD needs Tactical Soap Smell Great with Pheromone infused products and drive women wild with desire! Go to https://grondyke-soap-company.myshopify.com/?rfsn=7187911.8cecdba

durée : 00:04:33 - Le Zoom de France Inter - Après la consécration l'année dernière en raflant deux Molière, la compagnie du Munstrum théâtre, qui assoit depuis une dizaine d'année son esthétique inquiétante et déjantée, propose un Macbeth de Shakespeare post-apocalyptique.

Actor Sir Simon Russell Beale is widely acclaimed as one of the greatest actors of his generation. He has played many leading roles at National Theatre and RSC, including Hamlet, Macbeth and King Lear. He is currently starring in Titus Andronicus at the RSC. His awards include three Olivier Awards, two BAFTAs, and a Tony Award in 2022 for his leading role in The Lehman Trilogy, which had transferred from London. Simon Russell Beale was knighted in 2019 for services to drama. Simon tells John Wilson about his childhood and his visits to his family in the boarding school holidays at their home in Penang and Singapore. Trained as a chorister from an early age, he reveals how J.S. Bach's St Matthew Passion evokes the thrill of singing at his choir school. Simon very nearly embarked on a career in music before switching to drama and tells John about the significance of the Macbeth soliloquy that began a lifetime love of Shakespeare. He also reveals the central role that pubs play in the learning of his lines.Producer: Edwina Pitman

In this episode I talk to my parents about the topic of William Shakespeare. We discuss the enduring appeal and significance of William Shakespeare's work, biographical details of his life, the key themes in Shakespeare's plays, and the impact of his language on modern English. We try to explain the qualities that make Shakespeare great, using examples from plays like Hamlet, Twelfth Night, and Macbeth. We also consider the challenges of understanding Shakespeare and suggest ways for newcomers to engage with his plays, such as watching film adaptations.Enjoy a conversation about this important figure in English language and culture, with two other important figures - my mum and dad!PDF available with transcript, vocabulary list and vocabulary quiz. Premium listeners - watch out for a language review of this episode coming soon, in P68 "Learn English with Shakespeare" parts 1 & 2.

A new show at the Brooklyn Academy of Music explores what it means to be a powerful woman through the lens of Shakespeare's "Macbeth." Writer and performer Whitney White discusses her show "Macbeth in Stride," running now at BAM through April 27. Plus, White discusses directing the Broadway musical "The Last Five Years."

Welcome back Snobbies. Today we have a great little flick for I FEEL PRETTY. Caleb chose a film that he thought looked pretty and created a very beautiful scene to look at. From director Justin Kurzel, “Macbeth.” This film is a tough watch if you have ever tried to watch Shakespeare adaptations before. This one was unique and we talked through how this film made us feel and Jared shares his thoughts on just how much he hates the Shakespearean language. ENJOY!Film Discussed: Macbeth (2015)Letterboxd: Eric Peterson:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/EricLPeterson/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Jared Klopfenstein:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/kidchimp/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Ethan Jasso:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/e_unit7/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Caleb Zehr:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/cjzehr/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Ricky Wickham:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/octopuswizard/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Cody Martin: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/codytmartin/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Here is a COMPLETE LIST of every film that we have done an episode for. Enjoy!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://letterboxd.com/ericlpeterson/list/a-complete-list-of-every-the-film-snobs-episode/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Five star reviews left on the pod get read out loud!

Melvyn Bragg and guests discuss one of the most energetic, varied and innovative playwrights of his time. Thomas Middleton (1580-1627) worked across the London stages both alone and with others from Dekker and Rowley to Shakespeare and more. Middleton's range included raucous city comedies such as A Chaste Maid in Cheapside and chilling revenge tragedies like The Changeling and The Revenger's Tragedy, some with the main adult companies and some with child actors playing the scheming adults. Middleton seemed to be everywhere on the Jacobean stage, mixing warmth and cruelty amid laughter and horror, and even Macbeth's witches may be substantially his work.WithEmma Smith Professor of Shakespeare Studies at Hertford College, University of OxfordLucy Munro Professor of Shakespeare and Early Modern Literature at Kings College LondonAnd Michelle O'Callaghan Professor of Early Modern Literature at the University of ReadingProducer: Simon TillotsonReading list:Swapan Chakravorty, Society and Politics in the Plays of Thomas Middleton (Clarendon Press, 1996)Suzanne Gossett (ed.), Thomas Middleton in Context (Cambridge University Press, 2011)R.V. Holdsworth (ed.), Three Jacobean Revenge Tragedies: A Selection of Critical Essays (Macmillan, 1990), especially ‘Calvinist Psychology in Middleton's Tragedies' by John StachniewskiMark Hutchings and A. A. Bromham, Middleton and His Collaborators (Northcote House, 2007)Gordon McMullan and Kelly Stage (eds.), The Changeling: The State of Play (The Arden Shakespeare, 2022)Lucy Munro, Shakespeare in the Theatre: The King's Men (The Arden Shakespeare, 2020)David Nicol, Middleton & Rowley: Forms of Collaboration in the Jacobean Playhouse (University of Toronto Press, 2012)Michelle O'Callaghan, Thomas Middleton: Renaissance Dramatist (Edinburgh University Press, 2009)Gary Taylor and Trish Thomas Henley (eds.), The Oxford Handbook of Thomas Middleton (Oxford University Press, 2012)In Our Time is a BBC Studios Audio Production

Clint Lanier and Dave McArthur discuss the bard's bloody masterpiece. Look out for new episodes on The Alchemist, David Lynch's Dune, and our first Broadway show, Smash, coming soon.

Your boys are back with some poetic cinema this week! First up, Sean discusses some live pro wrestling he witnessed and Parker discusses the old TV shows he's finally watching. Then, the guys watch a vicious Japanese death match and do a live commentary for it. Will either one throw up from intense gore? Then, it's more Japanese blood as the guys review Akira Kurosawa's "Throne of Blood," which is based on Shakespeare's "Macbeth." A samurai (Toshiro Mifune) meets a witch that tells him he will become powerful, leading him to seek power. Does he go too far? Direct Donloyd Here After this episode, be sure to go to patreon.com/junkfooddinner and sign up to listen to literally hundreds of hours of bonus episodes!

It's episode 216 and we are lurching back to the north east, to Zululand. The heat is building up, and the conflicted relationship between King Mpande kaSenzanghakhona and his son, Cetshwayo kaMpande, is growing more complex by the minute. But this being Zululand, that wasn't the only competition in town. There was an older son of Mpande, called Hamu, who was his first-born son by Nozibhuku, who in turn was the daughter of the much respected chief Sothondose of the Nxumalo people. If we turn our thoughts to the succession process of the AmaZulu which has always been a tricky trail, this episode will serve to illuminate the razor-sharp line royal heirs must walk. Sothondose you see was Mbuyazi's brother. And if you recall, Mbuyazi was the man who had been killed along with seven of his brothers and half brothers at the Battle of Nondokasuka by Cetshwayo. King Mpande had publicly referred to Mbuyazi as his heir apparent, and Cetshwayo thought he was a better candidate. The plot thickens. It more than thickens, it congeals like thick red blood, spattered many times this episode. There is a Shakespearian correlation between his epic tales and those of the AmaZulu, where both are interlaced with human truths. This week's tale is a mist-mash of Macbeth, Richard the third, Henry the Sixth Part three. Perhaps you could include others, but let's leave it at that for now. IN Zululand, Mpande was king and he was apt to change his mind about his heir apparent. Cetshwayo had worked himself into the position by dint of killing Mbuyazi, and had begun to refer to Mpande as ixegwana, little-old man. Or Oomie which is why calling some middle-aged men Oomie can get you into trouble. Hamu kaMpande was an insidious man, a persevering leader who wriggled about, an indulgent man according to oral tradition as well as the written descriptions we have of him. Flabby, with the immense thighs of the house of Senzangakhona. Hamu led the Ngenetsheni clan, and had supported Cetshwayo during the recent Civil War, where Mbuyazi had been defeated. That was the case even though his grandfather, Sothondose, was Mbuyazi's brother. In other words Hamu fought against his Great Uncle. Blood, it seems, isn't thicker than water—unless it's pooling in a cauldron of treachery and Macbethian dread. Hamu also resented his bad luck, descended from Nzibe who ranked behind Mpande's other sons. He liked to show off his bling so to speak, and gathered a massive isigodlo of women, 300 in all, and bragged about being quasi-independent of Mpande. Cetshwayo kept a beady eye on these two, and there were confrontations with them, one took place in 1857. But nothing was resolved. Initially, Mbuyazi's remaining brothers turned out to be more of a threat than Hamu and Maphitha, and this is where the Shakespearian blood letting began in earnest. Cetshwayo wanted to kill Mbuyazi's thirteen year old brother Mkhungo. Someone tipped off the teen that the death squad was on its way and he fled to safety in Natal across the Thukela River. Other members of his direct family were already seeling refuge there, his mom Monase and Sikhotha his half-brother. shake

When Emily Nussbaum introduced Alan Cumming at the New Yorker Festival, she said, “Plenty of actors light up a room, but Alan Cumming is more of a disco ball—reflecting every possible angle of show business.” Cumming appears in mainstream dramas such as “The Good Wife,” and also more indie projects like his one-man version of “Macbeth”; his performances in musicals such as “Cabaret” are legendary. He also owns a nightclub; his memoir “Not My Father's Son” was a bestseller, and so on. And Cumming plays the host on the Emmy-winning reality show “The Traitors.” He combines “a dandy Scottish laird—sort of James Bond villain, sort of eccentric, old-fashioned nut who has this big castle.” Spoiler alert: “It's supposed to be my castle. It's not.” Nussbaum asks about his perspective on reality TV before he started on “Traitors.” “Zero, really,” Cumming confesses. “I was a bit judgy. … The thing I don't like about a lot of those shows is that they laud and therefore encourage bad behavior and lack of kindness.” Before “The Traitors,” Cumming's first brush with reality television was on “Who Do You Think You Are?,” a BBC genealogy program that confronted him with shocking secrets about his own family. “It made a good memoir, I suppose,” he jokes. “Just how awful that was. It was awful. But no, I don't regret it.”