Podcasts about Macbeth

Finalist #9 in the Review Contest [This is one of the finalists in the 2025 review contest, written by an ACX reader who will remain anonymous until after voting is done. I'll be posting about one of these a week for several months. When you've read them all, I'll ask you to vote for a favorite, so remember which ones you liked] Ollantay is a three-act play written in Quechua, an indigenous language of the South American Andes. It was first performed in Peru around 1775. Since the mid-1800s it's been performed more often, and nowadays it's pretty easy to find some company in Peru doing it. If nothing else, it's popular in Peruvian high schools as a way to get students to connect with Quechua history. It's not a particularly long play; a full performance of Ollantay takes around an hour.1 Also, nobody knows where Ollantay was written, when it was written, or who wrote it. And its first documented performance led directly to upwards of a hundred thousand deaths. Macbeth has killed at most fifty people,2 and yet it routinely tops listicles of “deadliest plays”. I'm here to propose that Ollantay take its place. https://www.astralcodexten.com/p/your-review-ollantay

Kim and Alice discuss the intense, spooky and downright wonderful Macbeth adaptation; Throne of Blood. Enjoy this Kurasawa classic with us and remember, as you're warming up your sake in a baby bottle warmer, that we're all just skeletons waiting for our dust mound.Sound Engineer: Keith NagleEditor: Keith NagleProducer: Helen HamiltonIf you enjoy this podcast, come with us on a romp through the Regency era with our sister podcast, Austen After Dark. Listen to the trailer now. Hosted on Acast. See acast.com/privacy for more information.

In this episode of The Menopause and Cancer Podcast, I'm joined once again by the incredible Dr Alison Macbeth – a top menopause specialist supporting breast cancer patients, and one of the key medical contributors to my book Navigating Menopause After Cancer.This time, we're diving deep into the topic of vaginal oestrogen after breast cancer — and what you'll hear is the most up-to-date and comprehensive guidance out there.We explore what's happening across the world when it comes to access, safety, and prescribing practices — and zoom in on the current situation in the UK. We talk about the real barriers that cancer survivors face when trying to get treatment for vaginal dryness and genitourinary symptoms, and we unpack the science behind the risks and benefits.If you've been told you can't have vaginal oestrogen, this episode is especially for you. The landscape is shifting — and I want you to feel informed, empowered, and ready to explore your options.This conversation and Dr Macbeth's work, are a true gift to our community. I can't wait for you to listen.Episode Highlights:00:00 Intro08:06 Menopausal Urinary and Vaginal Issues11:30 Breast Cancer's Impact on Women's Health16:09 Vaginal Care: Tips and Products17:29 Lubricant vs Moisturiser in Healthcare24:40 Menopause Hormone Guidance Update27:56 Aromatase Inhibitors and Vaginal Oestrogen35:16 Vaginal Oestrogen and Cancer Risk37:29 Medication Non-Compliance in Medical Studies42:26 Menopause Care and GP OptionsGet your copy of Navigating Menopause After Cancer here: https://www.amazon.co.uk/Navigating-Menopause-After-Cancer-comprehensive/dp/1068499907Find out more about Dr Macbeth here: https://healthinmenopause.co.uk/meet-the-team/Connect with us:For more information and resources visit our website: www.menopauseandcancer.org Or follow us on Instagram @menopause_and_cancerJoin our Facebook group: www.facebook.com/groups/menopauseandcancerchathub

From Lucifer's rebellion to Adam and Eve's expulsion, from Lancelot's betrayal to Macbeth's downfall, stories of greatness undone have gripped audiences for centuries. For America's Revolutionaries, the cautionary examples of Julius Caesar and Oliver Cromwell warned of leaders who turned against the people.No figure embodies this tragic arc in American history more than General Benedict Arnold. Once a brilliant and passionate commander whose daring made him one of the Revolution's most effective leaders, Arnold's defection to the Crown became a devastating blow to the patriot cause—and forever branded him the nation's most infamous traitor.Historian Joyce Lee Malcolm joins us to explore Arnold's rise, fall, covered in her acclaimed book  The Tragedy of Benedict Arnold: An American Life.Tell us what you think! Send us a text message!

Today on What's My Frame I'm joined by Casting Professional and Actor, Andrew Dahreddine. Andrew is based between Los Angeles and New York. He is currently casting Lauren Minnerath's debut feature film, CLARE (which has been supported by Sundance, Tribeca, and SXSW); Stacey Maltin and Jay DeYonker's feature film, C-SIDE (working title); and Rebecca Louisell's film, THE TRIP, which is one segment of the upcoming anthology feature film, THROUGH THE BLINDS. Andrew previously worked with Barden/Schnee Casting on television shows for Apple TV+ (the breakout series, PALM ROYALE), Paramount+ (SCHOOL SPIRITS), and ABC (ALASKA DAILY), as well as many films including the upcoming feature, CODE 3 (Rainn Wilson, Lil Rel Howery, and Aimee Carrero); and EZRA (Robert De Niro, Bobby Cannavale, Rose Byrne).Additional selected casting credits include: the FX limited series, THE PATIENT (starring Steve Carell & Domhnall Gleeson); Aaron Sorkin's Oscar-nominated Netflix feature film, THE TRIAL OF THE CHICAGO 7; and the first season of the Emmy-nominated Hulu series, RAMY. Andrew has also been the casting director for many short films that have competed at festivals including SXSW, BFI, SIFF, Palm Springs ShortFest, HollyShorts, Vienna Shorts, and many others.As an actor, Andrew was a series regular on the comedy series, 86'd, for BRIC TV. He also has appeared in many national commercials, and was the lead role in the second season premiere of Homicide City on Investigation Discovery.A BFA graduate of NYU's Tisch School of the Arts and the Stella Adler Studio of Acting, Andrew has performed in many stage productions, as well. Selected credits include: Kenneth Branagh and Rob Ashford's epic Macbeth at the Park Avenue Armory; the Lincoln Center Festival's Russian-language adaptation of Miss Julie (dir. Thomas Ostermeier) at NY City Center. He also appeared in several productions with The Drilling Company, and received praise in the New York Times for his performance in their version of As You Like It. Regionally, he spent a season with the Alabama Shakespeare Festival, as well as one summer at Boston's Commonwealth Shakespeare Company, in their production of Coriolanus. Andrew is a fierce union advocate, and a proud member of SAG-AFTRA; the Hollywood Teamsters Local 399 - Casting Shop; and Actors Equity Association. #UnionStrongFor more follow Andrew on Instagram @Dramaddine or visit www.andrewdahreddine.com -What's My Frame, hosted by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Laura Linda Bradley⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join the WMF creative community now!Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@whatsmyframe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IMDb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? official site⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

On the latest episode of The OnStage Blog Theatre Podcast, Rachel and Jacklyn recap the festival, including the Shakespeare shows they saw (Macbeth, As You Like It, Antony, and Cleopatra). They also discuss Shakespeare's most popular plays, why he remains relevant in 2025, and more. Subscribe on your favorite podcast platform or YouTube for all the latest episodes!onstageblog.comfacebook.com/onstageblogtwitter.com/onstagebloginstagram.com/onstagebloghttps://www.youtube.com/@onstageblog8213

Immortalised by Shakespeare, Scottish king Macbeth was killed in battle near Lumphanan, Aberdeenshire on 15th August 1057; a demise that brought significant changes to Scotland's monarchy. But the real Macbeth, contrary to his portrayal in the play, ruled for 17 relatively peaceful years and displayed generosity toward the church. That said, his relationship with the real Lady Macbeth - Gruogh, widow of Gilear, the previous king - was, let's agree, rather complicated.  In this episode, Arion, Rebecca and Olly explain why witches were included in the script to satisfy King James I; offer a pragmatic explanation for the superstition that actors must never speak the name "Macbeth" in a theatre; and reveal the, er, creative way the Danish minister for finance once escaped responsibility for a nasty shipwreck… Further Reading: • ‘The Real Macbeth: King of Scots, 1040-1054' (History Today, 1957): https://www.historytoday.com/archive/real-macbeth-king-scots-1040-1054 • ‘Macbeth (r. 1040-1057)' (The Royal Family): https://www.royal.uk/macbeth-r-1040-1057 • ‘Who Was The Real King MacBeth?' (Timeline, 2018): https://www.youtube.com/watch?v=xq75Cl_osxk This episode first aired in 2023 Love the show? Support us!  Join 

On this episode of Currently Reading, Meredith and Kaytee are discussing: Bookish Moments: devoting unexpected extra time on morning reading + journaling and embracing chaotic reading with reader roulette Current Reads: all the great, interesting, and/or terrible stuff we've been reading lately Deep Dive: we circle back to the summer reads we assigned to each other  The Fountain: we visit our perfect fountain to make wishes about our reading lives Show notes are time-stamped below for your convenience. Read the transcript of the episode (this link only works on the main site) .  .  .  .  01:28 - Our Bookish Moments Of The Week 10:18 - Our Current Reads 10:34 - Hide and Seek by Andrea Mara [Amazon link] (Meredith) 15:57 - I'm Traveling Alone by Samuel Bjørk 16:05 - You Could Make This Place Beautiful by Maggie Smith (Kaytee) 20:09 - A Little Daylight Left by Sarah Kay (Meredith) 24:30 - The Unbecoming of Margaret Wolf by Isa Arsén (Kaytee) 24:38 - Shoot the Moon by Isa Arsén 27:01 - Tom Lake by Ann Patchett 27:03 - Macbeth by William Shakespeare 29:18 - Razorblade Tears by S. A. Cosby (Meredith) 31:35 - All the Sinners Bleed by S. A. Cosby  34:46 - Fourth Wing by Rebecca Yarros (Kaytee) 39:12 - Throne of Glass by Sarah J. Maas 39:15 - A Court of Thorns and Roses by Sarah J. Maas 44:22 - Deep Dive: Our Assigned Summer Reading Experiences 45:16 - The Song of Achilles by Madeline Miller 45:27 - Chain-Gang All-Stars by Nana Kwame Adjei-Brenyah 55:07 - Meet Us At The Fountain 55:11 - I wish we would all consider having a little bookish pet project (Meredith) 57:18 - I wish I could create a bookish focus chamber (Kaytee)  Support Us: Become a Bookish Friend | Grab Some Merch Shop Bookshop dot org | Shop Amazon Bookish Friends Receive: The Indie Press List with a curated list of five books hand sold by the indie of the month. August's IPL comes to us from our founding Indie Press List store: Fabled Bookshop in Waco, TX! Love and Chili Peppers with Kaytee and Rebekah - romance lovers get their due with this special episode focused entirely on the best selling genre fiction in the business.  All Things Murderful with Meredith and Elizabeth - special content for the scary-lovers, brought to you with the behind-the-scenes insights of an independent bookseller From the Editor's Desk with Kaytee and Bunmi Ishola - a quarterly peek behind the curtain at the publishing industry The Bookish Friends Facebook Group - where you can build community with bookish friends from around the globe as well as our hosts Connect With Us: The Show: Instagram | Website | Email | Threads The Hosts and Regulars: Meredith | Kaytee | Mary | Roxanna Production and Editing: Megan Phouthavong Evans Affiliate Disclosure: All affiliate links go to Bookshop unless otherwise noted. Shopping here helps keep the lights on and benefits indie bookstores. Thanks for your support!

Ursula Magnes berichtet von der Wiederaufnahme der Erfolgsproduktion aus dem Jahr 2023.

A version of this essay has been published by firstpost.com at https://www.firstpost.com/opinion/shadow-warrior-from-crisis-to-advantage-how-india-can-outplay-the-trump-tariff-gambit-13923031.htmlA simple summary of the recent brouhaha about President Trump's imposition of 25% tariffs on India as well as his comment on India's ‘dead economy' is the following from Shakespeare's Macbeth: “full of sound and fury, signifying nothing”. Trump further imposed punitive tariffs totalling 50% on August 6th allegedly for India funding Russia's war machine via buying oil.As any negotiator knows, a good opening gambit is intended to set the stage for further parleys, so that you could arrive at a negotiated settlement that is acceptable to both parties. The opening gambit could well be a maximalist statement, or one's ‘dream outcome', the opposite of which is ‘the walkway point' beyond which you are simply not willing to make concessions. The usual outcome is somewhere in between these two positions or postures.Trump is both a tough negotiator, and prone to making broad statements from which he has no problem retreating later. It's down-and-dirty boardroom tactics that he's bringing to international trade. Therefore I think Indians don't need to get rattled. It's not the end of the world, and there will be climbdowns and adjustments. Think hard about the long term.I was on a panel discussion on this topic on TV just hours after Trump made his initial 25% announcement, and I mentioned an interplay between geo-politics and geo-economics. Trump is annoyed that his Ukraine-Russia play is not making much headway, and also that BRICS is making progress towards de-dollarization. India is caught in this crossfire (‘collateral damage') but the geo-economic facts on the ground are not favorable to Trump.I am in general agreement with Trump on his objectives of bringing manufacturing and investment back to the US, but I am not sure that he will succeed, and anyway his strong-arm tactics may backfire. I consider below what India should be prepared to do to turn adversity into opportunity.The anti-Thucydides Trap and the baleful influence of Whitehall on Deep StateWhat is remarkable, though, is that Trump 2.0 seems to be indistinguishable from the Deep State: I wondered last month if the Deep State had ‘turned' Trump. The main reason many people supported Trump in the first place was the damage the Deep State was wreaking on the US under the Obama-Biden regime. But it appears that the resourceful Deep State has now co-opted Trump for its agenda, and I can only speculate how.The net result is that there is the anti-Thucydides Trap: here is the incumbent power, the US, actively supporting the insurgent power, China, instead of suppressing it, as Graham Allison suggested as the historical pattern. It, in all fairness, did not start with Trump, but with Nixon in China in 1971. In 1985, the US trade deficit with China was $6 million. In 1986, $1.78 billion. In 1995, $35 billion.But it ballooned after China entered the WTO in 2001. $202 billion in 2005; $386 billion in 2022.In 2025, after threatening China with 150% tariffs, Trump retreated by postponing them; besides he has caved in to Chinese demands for Nvidia chips and for exemptions from Iran oil sanctions if I am not mistaken.All this can be explained by one word: leverage. China lured the US with the siren-song of the cost-leader ‘China price', tempting CEOs and Wall Street, who sleepwalked into surrender to the heft of the Chinese supply chain.Now China has cornered Trump via its monopoly over various things, the most obvious of which is rare earths. Trump really has no option but to give in to Chinese blackmail. That must make him furious: in addition to his inability to get Putin to listen to him, Xi is also ignoring him. Therefore, he will take out his frustrations on others, such as India, the EU, Japan, etc. Never mind that he's burning bridges with them.There's a Malayalam proverb that's relevant here: “angadiyil thottathinu ammayodu”. Meaning, you were humiliated in the marketplace, so you come home and take it out on your mother. This is quite likely what Trump is doing, because he believes India et al will not retaliate. In fact Japan and the EU did not retaliate, but gave in, also promising to invest large sums in the US. India could consider a different path: not active conflict, but not giving in either, because its equations with the US are different from those of the EU or Japan.Even the normally docile Japanese are beginning to notice.Beyond that, I suggested a couple of years ago that Deep State has a plan to enter into a condominium agreement with China, so that China gets Asia, and the US gets the Americas and the Pacific/Atlantic. This is exactly like the Vatican-brokered medieval division of the world between Spain and Portugal, and it probably will be equally bad for everyone else. And incidentally it makes the Quad infructuous, and deepens distrust of American motives.The Chinese are sure that they have achieved the condominium, or rather forced the Americans into it. Here is a headline from the Financial Express about their reaction to the tariffs: they are delighted that the principal obstacle in their quest for hegemony, a US-India military and economic alliance, is being blown up by Trump, and they lose no opportunity to deride India as not quite up to the mark, whereas they and the US have achieved a G2 detente.Two birds with one stone: gloat about the breakdown in the US-India relationship, and exhibit their racist disdain for India yet again.They laugh, but I bet India can do an end-run around them. As noted above, the G2 is a lot like the division of the world into Spanish and Portuguese spheres of influence in 1494. Well, that didn't end too well for either of them. They had their empires, which they looted for gold and slaves, but it made them fat, dumb and happy. The Dutch, English, and French capitalized on more dynamic economies, flexible colonial systems, and aggressive competition, overtaking the Iberian powers in global influence by the 17th century. This is a salutary historical parallel.I have long suspected that the US Deep State is being led by the nose by the malign Whitehall (the British Deep State): I call it the ‘master-blaster' syndrome. On August 6th, there was indirect confirmation of this in ex-British PM Boris Johnson's tweet about India. Let us remember he single-handedly ruined the chances of a peaceful resolution of the Ukraine War in 2022. Whitehall's mischief and meddling all over, if you read between the lines.Did I mention the British Special Force's views? Ah, Whitehall is getting a bit sloppy in its propaganda.Wait, so is India important (according to Whitehall) or unimportant (according to Trump)?Since I am very pro-American, I have a word of warning to Trump: you trust perfidious Albion at your peril. Their country is ruined, and they will not rest until they ruin yours too.I also wonder if there are British paw-prints in a recent and sudden spate of racist attacks on Indians in Ireland. A 6-year old girl was assaulted and kicked in the private parts. A nurse was gang-raped by a bunch of teenagers. Ireland has never been so racist against Indians (yes, I do remember the sad case of Savita Halappanavar, but that was religious bigotry more than racism). And I remember sudden spikes in anti-Indian attacks in Australia and Canada, both British vassals.There is no point in Indians whining about how the EU and America itself are buying more oil, palladium, rare earths, uranium etc. from Russia than India is. I am sorry to say this, but Western nations are known for hypocrisy. For example, exactly 80 years ago they dropped atomic bombs on Hiroshima and Nagasaki in Japan, but not on Germany or Italy. Why? The answer is uncomfortable. Lovely post-facto rationalization, isn't it?Remember the late lamented British East India Company that raped and pillaged India?Applying the three winning strategies to geo-economicsAs a professor of business strategy and innovation, I emphasize to my students that there are three broad ways of gaining an advantage over others: 1. Be the cost leader, 2. Be the most customer-intimate player, 3. Innovate. The US as a nation is patently not playing the cost leader; it does have some customer intimacy, but it is shrinking; its strength is in innovation.If you look at comparative advantage, the US at one time had strengths in all three of the above. Because it had the scale of a large market (and its most obvious competitors in Europe were decimated by world wars) America did enjoy an ability to be cost-competitive, especially as the dollar is the global default reserve currency. It demonstrated this by pushing through the Plaza Accords, forcing the Japanese yen to appreciate, destroying their cost advantage.In terms of customer intimacy, the US is losing its edge. Take cars for example: Americans practically invented them, and dominated the business, but they are in headlong retreat now because they simply don't make cars that people want outside the US: Japanese, Koreans, Germans and now Chinese do. Why were Ford and GM forced to leave the India market? Their “world cars” are no good in value-conscious India and other emerging markets.Innovation, yes, has been an American strength. Iconic Americans like Thomas Edison, Henry Ford, and Steve Jobs led the way in product and process innovation. US universities have produced idea after idea, and startups have ignited Silicon Valley. In fact Big Tech and aerospace/armaments are the biggest areas where the US leads these days.The armaments and aerospace tradeThat is pertinent because of two reasons: one is Trump's peevishness at India's purchase of weapons from Russia (even though that has come down from 70+% of imports to 36% according to SIPRI); two is the fact that there are significant services and intangible imports by India from the US, of for instance Big Tech services, even some routed through third countries like Ireland.Armaments and aerospace purchases from the US by India have gone up a lot: for example the Apache helicopters that arrived recently, the GE 404 engines ordered for India's indigenous fighter aircraft, Predator drones and P8-i Poseidon maritime surveillance aircraft. I suspect Trump is intent on pushing India to buy F-35s, the $110-million dollar 5th generation fighters.Unfortunately, the F-35 has a spotty track record. There were two crashes recently, one in Albuquerque in May, and the other on July 31 in Fresno, and that's $220 million dollars gone. Besides, the spectacle of a hapless British-owned F-35B sitting, forlorn, in the rain, in Trivandrum airport for weeks, lent itself to trolls, who made it the butt of jokes. I suspect India has firmly rebuffed Trump on this front, which has led to his focus on Russian arms.There might be other pushbacks too. Personally, I think India does need more P-8i submarine hunter-killer aircraft to patrol the Bay of Bengal, but India is exerting its buyer power. There are rumors of pauses in orders for Javelin and Stryker missiles as well.On the civilian aerospace front, I am astonished that all the media stories about Air India 171 and the suspicion that Boeing and/or General Electric are at fault have disappeared without a trace. Why? There had been the big narrative push to blame the poor pilots, and now that there is more than reasonable doubt that these US MNCs are to blame, there is a media blackout?Allegations about poor manufacturing practices by Boeing in North Charleston, South Carolina by whistleblowers have been damaging for the company's brand: this is where the 787 Dreamliners are put together. It would not be surprising if there is a slew of cancellations of orders for Boeing aircraft, with customers moving to Airbus. Let us note Air India and Indigo have placed some very large, multi-billion dollar orders with Boeing that may be in jeopardy.India as a consuming economy, and the services trade is hugely in the US' favorMany observers have pointed out the obvious fact that India is not an export-oriented economy, unlike, say, Japan or China. It is more of a consuming economy with a large, growing and increasingly less frugal population, and therefore it is a target for exporters rather than a competitor for exporting countries. As such, the impact of these US tariffs on India will be somewhat muted, and there are alternative destinations for India's exports, if need be.While Trump has focused on merchandise trade and India's modest surplus there, it is likely that there is a massive services trade, which is in the US' favor. All those Big Tech firms, such as Microsoft, Meta, Google and so on run a surplus in the US' favor, which may not be immediately evident because they route their sales through third countries, e.g. Ireland.These are the figures from the US Trade Representative, and quite frankly I don't believe them: there are a lot of invisible services being sold to India, and the value of Indian data is ignored.In addition to the financial implications, there are national security concerns. Take the case of Microsoft's cloud offering, Azure, which arbitrarily turned off services to Indian oil retailer Nayara on the flimsy grounds that the latter had substantial investment from Russia's Rosneft. This is an example of jurisdictional over-reach by US companies, which has dire consequences. India has been lax about controlling Big Tech, and this has to change.India is Meta's largest customer base. Whatsapp is used for practically everything. Which means that Meta has access to enormous amounts of Indian customer data, for which India is not even enforcing local storage. This is true of all other Big Tech (see OpenAI's Sam Altman below): they are playing fast and loose with Indian data, which is not in India's interest at all.Data is the new oil, says The Economist magazine. So how much should Meta, OpenAI et al be paying for Indian data? Meta is worth trillions of dollars, OpenAI half a trillion. How much of that can be attributed to Indian data?There is at least one example of how India too can play the digital game: UPI. Despite ham-handed efforts to now handicap UPI with a fee (thank you, brilliant government bureaucrats, yes, go ahead and kill the goose that lays the golden eggs), it has become a contender in a field that has long been dominated by the American duopoly of Visa and Mastercard. In other words, India can scale up and compete.It is unfortunate that India has not built up its own Big Tech behind a firewall as has been done behind the Great Firewall of China. But it is not too late. Is it possible for India-based cloud service providers to replace US Big Tech like Amazon Web Services and Microsoft Azure? Yes, there is at least one player in that market: Zoho.Second, what are the tariffs on Big Tech exports to India these days? What if India were to decide to impose a 50% tax on revenue generated in India through advertisement or through sales of services, mirroring the US's punitive taxes on Indian goods exports? Let me hasten to add that I am not suggesting this, it is merely a hypothetical argument.There could also be non-tariff barriers as China has implemented, but not India: data locality laws, forced use of local partners, data privacy laws like the EU's GDPR, anti-monopoly laws like the EU's Digital Markets Act, strict application of IPR laws like 3(k) that absolutely prohibits the patenting of software, and so on. India too can play legalistic games. This is a reason US agri-products do not pass muster: genetically modified seeds, and milk from cows fed with cattle feed from blood, offal and ground-up body parts.Similarly, in the ‘information' industry, India is likely to become the largest English-reading country in the world. I keep getting come-hither emails from the New York Times offering me $1 a month deals on their product: they want Indian customers. There are all these American media companies present in India, untrammelled by content controls or taxes. What if India were to give a choice to Bloomberg, Reuters, NYTimes, WaPo, NPR et al: 50% tax, or exit?This attack on peddlers of fake information and manufacturing consent I do suggest, and I have been suggesting for years. It would make no difference whatsoever to India if these media outlets were ejected, and they surely could cover India (well, basically what they do is to demean India) just as well from abroad. Out with them: good riddance to bad rubbish.What India needs to doI believe India needs to play the long game. It has to use its shatrubodha to realize that the US is not its enemy: in Chanakyan terms, the US is the Far Emperor. The enemy is China, or more precisely the Chinese Empire. Han China is just a rump on their south-eastern coast, but it is their conquered (and restive) colonies such as Tibet, Xinjiang, Manchuria and Inner Mongolia, that give them their current heft.But the historical trends are against China. It has in the past had stable governments for long periods, based on strong (and brutal) imperial power. Then comes the inevitable collapse, when the center falls apart, and there is absolute chaos. It is quite possible, given various trends, including demographic changes, that this may happen to China by 2050.On the other hand, (mostly thanks, I acknowledge, to China's manufacturing growth), the center of gravity of the world economy has been steadily shifting towards Asia. The momentum might swing towards India if China stumbles, but in any case the era of Atlantic dominance is probably gone for good. That was, of course, only a historical anomaly. Asia has always dominated: see Angus Maddison's magisterial history of the world economy, referred to below as well.I am reminded of the old story of the king berating his court poet for calling him “the new moon” and the emperor “the full moon”. The poet escaped being punished by pointing out that the new moon is waxing and the full moon is waning.This is the long game India has to keep in mind. Things are coming together for India to a great extent: in particular the demographic dividend, improved infrastructure, fiscal prudence, and the increasing centrality of the Indian Ocean as the locus of trade and commerce.India can attempt to gain competitive advantage in all three ways outlined above:* Cost-leadership. With a large market (assuming companies are willing to invest at scale), a low-cost labor force, and with a proven track-record of frugal innovation, India could well aim to be a cost-leader in selected areas of manufacturing. But this requires government intervention in loosening monetary policy and in reducing barriers to ease of doing business* Customer-intimacy. What works in highly value-conscious India could well work in other developing countries. For instance, the economic environment in ASEAN is largely similar to India's, and so Indian products should appeal to their residents; similarly with East Africa. Thus the Indian Ocean Rim with its huge (and in Africa's case, rapidly growing) population should be a natural fit for Indian products* Innovation. This is the hardest part, and it requires a new mindset in education and industry, to take risks and work at the bleeding edge of technology. In general, Indians have been content to replicate others' innovations at lower cost or do jugaad (which cannot scale up). To do real, disruptive innovation, first of all the services mindset should transition to a product mindset (sorry, Raghuram Rajan). Second, the quality of human capital must be improved. Third, there should be patient risk capital. Fourth, there should be entrepreneurs willing to try risky things. All of these are difficult, but doable.And what is the end point of this game? Leverage. The ability to compel others to buy from you.China has demonstrated this through its skill at being a cost-leader in industry after industry, often hollowing out entire nations through means both fair and foul. These means include far-sighted industrial policy including the acquisition of skills, technology, and raw materials, as well as hidden subsidies that support massive scaling, which ends up driving competing firms elsewhere out of business. India can learn a few lessons from them. One possible lesson is building capabilities, as David Teece of UC Berkeley suggested in 1997, that can span multiple products, sectors and even industries: the classic example is that of Nikon, whose optics strength helps it span industries such as photography, printing, and photolithography for chip manufacturing. Here is an interesting snapshot of China's capabilities today.2025 is, in a sense, a point of inflection for India just as the crisis in 1991 was. India had been content to plod along at the Nehruvian Rate of Growth of 2-3%, believing this was all it could achieve, as a ‘wounded civilization'. From that to a 6-7% growth rate is a leap, but it is not enough, nor is it testing the boundaries of what India can accomplish.1991 was the crisis that turned into an opportunity by accident. 2025 is a crisis that can be carefully and thoughtfully turned into an opportunity.The Idi Amin syndrome and the 1000 Talents program with AIThere is a key area where an American error may well be a windfall for India. This is based on the currently fashionable H1-B bashing which is really a race-bashing of Indians, and which has been taken up with gusto by certain MAGA folks. Once again, I suspect the baleful influence of Whitehall behind it, but whatever the reason, it looks like Indians are going to have a hard time settling down in the US.There are over a million Indians on H1-Bs, a large number of them software engineers, let us assume for convenience there are 250,000 of them. Given country caps of exactly 9800 a year, they have no realistic chance of getting a Green Card in the near future, and given the increasingly fraught nature of life there for brown people, they may leave the US, and possibly return to India..I call this the Idi Amin syndrome. In 1972, the dictator of Uganda went on a rampage against Indian-origin people in his country, and forcibly expelled 80,000 of them, because they were dominating the economy. There were unintended consequences: those who were ejected mostly went to the US and UK, and they have in many cases done well. But Uganda's economy virtually collapsed.That's a salutary experience. I am by no means saying that the US economy would collapse, but am pointing to the resilience of the Indians who were expelled. If, similarly, Trump forces a large number of Indians to return to India, that might well be a case of short-term pain and long-term gain: urvashi-shapam upakaram, as in the Malayalam phrase.Their return would be akin to what happened in China and Taiwan with their successful effort to attract their diaspora back. The Chinese program was called 1000 Talents, and they scoured the globe for academics and researchers of Chinese origin, and brought them back with attractive incentives and large budgets. They had a major role in energizing the Chinese economy.Similarly, Taiwan with Hsinchu University attracted high-quality talent, among which was the founder of TSMC, the globally dominant chip giant.And here is Trump offering to India on a platter at least 100,000 software engineers, especially at a time when generativeAI is decimating low-end jobs everywhere. They can work on some very compelling projects that could revolutionize Indian education, up-skilling and so on, and I am not at liberty to discuss them. Suffice to say that these could turbo-charge the Indian software industry and get it away from mundane, routine body-shopping type jobs.ConclusionThe Trump tariff tantrum is definitely a short-term problem for India, but it can be turned around, and turned into an opportunity, if only the country plays its cards right and focuses on building long-term comparative advantages and accepting the gift of a mis-step by Trump in geo-economics.In geo-politics, India and the US need each other to contain China, and so that part, being so obvious, will be taken care of more or less by default.Thus, overall, the old SWOT analysis: strengths, weaknesses, opportunities and threats. On balance, I am of the opinion that the threats contain in them the germs of opportunities. It is up to Indians to figure out how to take advantage of them. This is your game to win or lose, India!4150 words, 9 Aug 2025 This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit rajeevsrinivasan.substack.com/subscribe

Send us a textWelcome to Celebrate Creativity - Episode 427 - Hear the Hungry LionWhen we left the previous episode I was working with Gemini to make my Master thesis about interpreting Shakespeare's place for the deaf more understandable.  And Gemini said -Okay, here's the next section, revised for a seventh-grade reading level. I've broken down the longer paragraphs and used simpler language to explain the concepts of ASL grammar and the different styles of interpreting.      And then Gemini continued withASL Grammar: A Different Way to TalkASL has a unique sentence structure that is sometimes called "topic/comment." This means you often say the main idea first, then add more details. By the way that is a very good way, of stating a rather complicated concept. For example, instead of "Is this a dagger I see before me?" from Shakespeare's Macbeth, a translation in ASL might be "dagger, do I see?"Thank you for experiencing Celebrate Creativity.

In Episode 148, we dissect the media's role in gaslighting, rewriting, or ignoring the Russia collusion narrative, once touted as fact but now unraveling. Former CIA Director John Ratcliffe reveals more disclosures are imminent from the CIA and FBI, exposing the narrative's cracks. We then explore Shakespeare's timeless insights into human emotions and ambitions, mirrored in today's news: Othello reflects Russiagate's deceit, The Tempest echoes Project Mockingbird's control, Julius Caesar exposes media manipulation of public sentiment, and Macbeth warns of ambition justifying unethical means. The episode concludes with the fiery Texas redistricting showdown, where political lines fuel debate, CNN's Abby Phillip clashing over a debunked NYTimes photo hoax, and Senator Elizabeth Warren's support for Mamdani's socialist agenda. Join us for a deep dive into how media, literature, and politics intertwine, revealing truths about power and deception in today's world. Tune in for Episode 148! Please take a moment to rate and review the show and then share the episode on social media. You can find me on Facebook, X, Instagram, GETTR,  TRUTH Social and YouTube by searching for The Alan Sanders Show. And, consider becoming a sponsor of the show by visiting my Patreon page!!

Join host Elisa as we dive into the chilling case of Erin Patterson, centered around a tragic family lunch involving toxic mushrooms and Beef Wellington.'Discover the chilling crimes of Erin Patterson as we dive into the deadly mushroom meal that led to a tragic family lunch. In this episode, we explore her complex case and the Supreme Court's recent decisions that have barred her from profiting from her Leongatha home, which has become the focal point of multiple court cases related to the compensation claims stemming from her alleged actions. Join the podcast as we draw psychological parallels between Erin and other infamous killers, examining her online personas and the betrayal that unfolded within her true crime community. This episode of The Mushroom Murder Trial Podcast delves deep into the devastating consequences of a meal that took three lives, revealing insights about court trials that will keep you engaged from start to finish.• Channel 7 news featured Lisa discussing the case outside Erin's house, which friends reportedly covered in black plastic• Supreme Court restraining order issued July 23 prevents Erin from selling or leveraging her property• Drawing psychological parallels between Erin Patterson and other killers who approach murder as an intellectual exercise• Comparing Erin's actions to Shakespearean tragedies like Macbeth and King Lear, examining betrayal and consequences• Exploring the uncomfortable reality when someone from a true crime community becomes a perpetrator• Erin's carefully crafted online personas hid her real nature from fellow group membersSign up for the free newsletter at mushroommurdertrial.com and if you haven't yet, please subscribe to this podcast and review it on your preferred platform so you never miss an episode.Support our WorkSupport the showInstagram @Erin_PodcastTwitter @lisapodcastsMushroom Murder Trial Website

Today I'm joined by the brilliant Dr Alison Macbeth, one of the most incredible menopause doctors of our generation, who supports our cancer community. Alison has been instrumental in shaping some of the most important chapters in my new book, Navigating Menopause After Cancer — especially those on vaginal oestrogen and the many non-hormonal treatment options available to cancer survivors.But during the process of helping me with the book, Alison herself was diagnosed with breast cancer.We talk about what it's like to cross over — from being the doctor, to becoming the patient. We explore how her diagnosis shifted her perspective and what it's taught her.We also talk about the importance of friendship, support systems, and what really matters when you're on the receiving end of care.It's an honour to share this conversation with you — and I hope it reminds you, like it reminded me, that none of us are alone in this.Thank you for listening — and as always, please share this episode with someone who needs it.Episode Highlights:00:00 Intro04:34 Breast Cancer Screening Anxiety10:53 Women's Support Crucial in Struggles15:13 Emotional Struggles and Recovery Journey26:41 "Informed Consent Lacking for Women"28:47 Choosing Endocrine Treatment Wisely30:37 "Mental Struggles in Treatment"34:28 "Understanding Personal Impact Varieties"Order the book: https://www.amazon.co.uk/Navigating-Menopause-After-Cancer-comprehensive/dp/1068499907 Dr Alison Macbeth's Instagram: https://www.instagram.com/dr_alison_macbeth/?hl=enJoin Alison for the Kilt Walk 14th Sept: https://fundraiseformenopauseandcancer.raiselysite.com/edinburghkiltwalkConnect with us:For more information and resources visit our website: www.menopauseandcancer.org Or follow us on Instagram @menopause_and_cancerJoin our Facebook group: www.facebook.com/groups/menopauseandcancerchathub

Aaron Bartz brings a grounded, thoughtful energy to the role of Draco Malfoy in Harry Potter and the Cursed Child, and in this conversation, he shares just how much life and imagination go into keeping the magic alive night after night. From flying and fire to illusions and high-stakes contingencies, Aaron walks us through what it's like to debut on Broadway in one of the most technically demanding plays out there—and why so many actors in the production come from classical Shakespeare backgrounds. We also explore Aaron's journey from Great Falls, Montana to the Lyric Theatre in NYC, including a pivotal classroom moment that set him on the path to acting, and how a love of storytelling (and a little persistence) helped him land gigs that ultimately led to an MFA from Yale. Now a father of two, Aaron reflects on how playing Draco as a parent has shifted his own understanding of growth, vulnerability, and legacy. Aaron Bartz is an actor and writer currently starring as Draco Malfoy in Harry Potter and the Cursed Child on Broadway. He earned his MFA from the Yale School of Drama and began his career with regional Shakespeare productions across the country. He toured nationally with the Montana Repertory Theatre in To Kill a Mockingbird, and his previous work includes Loves Labour's Lost, Macbeth, and other classical works. This episode is brought to you by WelcomeToTimesSquare.com, the billboard where you can be a star for a day. Connect with Aaron: Instagram: @aaronbartz Connect with The Theatre Podcast: Support the podcast on Patreon and watch video versions of the episodes: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon.com/TheTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Twitter & Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@theatre_podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook.com/OfficialTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheTheatrePodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Alan's personal Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@alanseales⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

O coletivo mineiro de teatro Trupe Qualquer desembarca em Brasília com o espetáculo infantil Café com Leite. A jornalista Nita Queiroz traz os detalhes. 

Vanguardistas have more fun—so if you don't already subscribe to the podcast, join the Vanguard today via Apple Podcasts or extratakes.com for non-fruit-related devices. In return you'll get a whole extra Take 2 alongside Take 1 every week, with bonus reviews, more viewing recommendations from the Good Doctors and whole bonus episodes just for you. And if you're already a Vanguardista, we salute you.  Could we have found the film of the year already? ‘Bring Her Back' looks like it's got a fighting chance. Mark reviews this brilliantly unsettling new horror from The Philippou brothers, who last freaked us all out with ‘Talk To Me' in 2022. We've got the Good Doctor's verdict on ‘Fantastic Four: First Steps' too—plus the box office top 10 and all your top-quality correspondence.   Our guest this week is the fascinating Justin Kurzel. You know him as director of 2015's ‘Macbeth' with Michael Fassbender, 2021's ‘Nitram', and last year's Nazi-hunting thriller ‘The Order'--and now of his first TV project, ‘The Narrow Road To The Deep North', which hits British screens this week. He chats to Mark and Simon all about the visceral new series, which follows a group of Australian prisoners of war working on the Burma railway in the 1940s, and stars Jacob Elordi and Ciarán Hinds. Plus there's a bit of chat about Nina Simone's chewing gum, and a little teaser for his next project with the guardian of this strange and sticky piece of music ephemera, Warren Ellis.    Timecodes (for Vanguardistas listening ad-free):  Bring Her Back Review: 08:36  BO10: 15:50  Justin Kurzel Interview: 21:55  The Narrow Road to the Deep North Review: 38:20  The Fantastic Four: First Steps Review: 51:16    You can contact the show by emailing correspondence@kermodeandmayo.com or you can find us on social media, @KermodeandMayo  Please take our survey and help shape the future of our show: https://www.kermodeandmayo.com/survey   EXCLUSIVE NordVPN Deal ➼ https://nordvpn.com/take Try it risk-free now with a 30-day money-back guarantee!  A Sony Music Entertainment production.      Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts and follow us @sonypodcasts    To advertise on this show contact: podcastadsales@sonymusic.com  Learn more about your ad choices. Visit podcastchoices.com/adchoices

Commento e analisi di Macbeth, tragedia shakespeariana incentrata sui temi dell'ambizione e della sete di potere e le conseguenze. Trama e personaggi.

We're back with the short sketch series from Dream Realm Enterprises. Sketches written by Jonithan Patrick Russell and this week it's "Forgetful Macbeth"! Learn more about your ad choices. Visit megaphone.fm/adchoices

Dub3K - Under God (feat. Karma) - prod by Kurlee Daddee Productions CD's and Digitial Album - AVAILABLE NOW!!! https://kurleedaddeeproductions.bandcamp.com/album/dub3k-the-foundation O.G. Hip-Hop Group Dub3K featuring G. Macbeth, Shoebox P., Fly and Karma, bless these buttery beats by Kurlee Daddee Productions, to form The Foundation. A Bay Area Christian Hip-Hop EP full of positivity and knowledge.

Hope Hopkinson talks to director Athina Rachel Tsangari and actor Herry Melling about their new film, Harvest. The latest feature from celebrated filmmaker Athina Rachel Tsangari (Chevalier, Attenberg), HARVEST is a spellbinding and thrillingly distinctive period piece like no other. Telling a story steeped in folk horror, and featuring another strikingly memorable performance from Caleb Landry Jones (Nitram), Tsangari presents a study of superstition, the trauma of modernity, and the looming threat of the outsider.  Set over seven hallucinatory days in an undefined era, an idyllic rural Scottish village with no name faces a period of great uncertainty when the community's traditional way of life is suddenly disrupted by seismic economic turmoil. Townsman-turned-farmer Walter Thirsk (Landry Jones) and local landowner Master Kent (Harry Melling, The Tragedy of Macbeth) are childhood friends who lay witness to a series of unexpected invaders from the outside world, whose arrival brings about irrevocable – and potentially damaging – change.   Adapted from Jim Crace's Booker Prize-nominated novel and co-starring Rosy McEwen, Arinzé Kene, Thalissa Teixeira, and Frank Dillane, HARVEST is an eerie, atmospheric and deeply immersive cinematic experience, blending beautifully textured storytelling with an exploration of what happens when people decide what a society should be.  If you'd like to send us a voice memo for use in a future episode, please email podcast@picturehouses.co.uk. Subscribe on Apple Podcasts. Follow us on Spotify. Find us on Twitter, Facebook and Instagram with @picturehouses. Find our latest cinema listings at picturehouses.com.  Produced by Stripped Media. Thank you for listening. If you enjoy the show, please subscribe, rate, review and share with your friends. Vive le Cinema.

This week I welcomed actor, musician, writer and producer Brian O'Sullivan to Up Next Studios to chat about his creative life and the incredible career he's carved out to date! Discovering his innate talent and passion for theatre at a young age, treading the boards of London's West End aged 9 in Oliver!, he has gone on to work on countless productions including most recently Macbeth alongside David Tennant, alongside continuing to write and produce his own work too. Creating his comedy characters Janice the GP receptionist and her husband Frank, in addition to a whole host of others, Brian has gathered an enormous following online from his sketches and this year sees him take his production UH HUH The Janice and Frank Story to the Fringe! When not on stage, travelling the world playing the accordion or writing sell out shows, Brian is hosting and producing his incredible podcast Putting it Together featuring creatives from Scotland's theatre world. Follow Brian on Instagram and TikTok https://www.instagram.com/bridohingwy?igsh=NHVjczBucjBlOWl5 Putting it Together podcast https://podcasts.apple.com/gb/podcast/putting-it-together/id1305192983 https://www.tiktok.com/@bridohingwy?_t=ZN-8y2hRYeR5Dq&_r=1 Follow The Braw and The Brave Website: https://www.thebrawandthebrave.com/ YouTube: https://www.youtube.com/@TheBrawandTheBrave TikTok: https://www.tiktok.com/@thebrawandthebrave Instagram: https://www.instagram.com/thebrawandthebravepodcast/ Facebook: https://www.facebook.com/TheBrawandTheBrave

ACOFAE Podcast Presents: A Far Better Thing: “2025 - it was the worst of times, it was the worst of times” When was the last time you picked up a one of the "classic" books for fun? Has it been a while? Was it required reading that you were tested on at the end? Keep those answers in mind as you join Laura Marie and Jessica Marie in discussing A Far Better Thing by H.G. Parry. A reimagining of A Tale of Two Cities, this story sees the reader encountering now only the classic characters like Sydney and Lucie but also fairies, goblins, and kings. Meeting your Changeling is something that is not done, but when Sydney meets not only his Changeling but his childhood loves as well, plots are revealed and past crimes must be paid for with blood. ACOFAE also touches on accessibility, required reading, retellings, and movies that borrow from the classics. "I don't know this man." TW / CW: none to our awareness For additional TW/CW information for your future reads, head to this site for more: https://triggerwarningdatabase.com/ Spoilers: A Far Better Thing by H.G. Parry, A Tale of Two Cities by Charles Dickens, (loose spoilers) The Infernal Devices by Cassandra "Cassie" Clare Mentions: Shadowhunters, Romeo and Juliet, The Lion King, Hamlet, MacBeth, Cinderella is Dead, Shadowhunters, Loney Tunes, The Lunar Chronicles, The Scandelous Confessions of Lydia Bennett Witch, 10 Things I Hate About You *Thank you for listening to us! Please subscribe and leave a 5-star review and follow us on Instagram (https://www.instagram.com/acofaepodcast/) at @ACOFAEpodcast and on our TikToks! TikTok: ACOFAELaura : Laura Marie (https://www.tiktok.com/@acofaelaura?) ( https://www.tiktok.com/@acofaelaura) ACOFAEJessica : Jessica Marie (https://www.tiktok.com/@acofaejessica?) (https://www.tiktok.com/@acofaejessica) Instagram: @ACOFAEpodcast (https://www.instagram.com/acofaepodcast/) https://www.instagram.com/acofaepodcast/ @ACOFAELaura (https://www.instagram.com/acofaelaura/) https://www.instagram.com/acofaelaura/

Tara welcomes Alma Sarai, a Canadian artist, actor, musician, and arts advocate, to promote Tottering Biped Theatre's summer production of "The Complete Works of Shakespeare (abridged)" at Dundurn Castle Park in Hamilton, ON in August 2025.  Alma graduated from the Theatre and Drama Studies program at the University of Toronto Mississauga, a joint program with Sheridan College. She has been deeply involved with Tottering Biped Theatre (TBT) since 2016, serving as Associate Artistic Director and Associate Producer. Alma has performed in every "Shakespeare by Nature" production since its inception, portraying roles such as Hermia in A Midsummer Night's Dream, Lady Macbeth in Macbeth, among many other roles in numerous plays. Since 2020, she has also been the producing Director of TBT's Summer Shakespeare Project, an annual festival held at Dundurn Castle in Hamilton, co-led with Trevor Copp. Books mentioned: Ruff by Rod Carley Inkheart by Cornelia Funke How to Make Love in a Canoe: Sex in Canada by Jeff Pearce Shakespeare: The Man Who Pays the Rent by Judi Dench, Brendan O'Hea The Great White Bard: How to Love Shakespeare While Talking About Race by Farah Karim-Cooper Whenever You're Ready: Nora Polley on Life as a Stratford Festival Stage Manager by Shawn Desouza-Coelho Event details: The Complete Works of Shakespeare (abridged) August 12-30, 2025 @ 7:00 pm (Tues-Sat)   The Carnival of Animals (live music and mime) August 17, 24, 31, 2025 @ 7:00 pm (Sun)   Dundurn Castle Park , 610 York Blvd, Hamilton, ON https://www.totteringbiped.ca/      

The Fates of Classical Antiquity not only survived in the form of related fairy-tale figures but also as the object of superstitions and rituals associated with newborns. In South Slavic and Balkan regions particularly, these customs represent a surprisingly long-lived and genuine case of pagan survival. We begin our episode examining the fairy godmothers of "Sleeping Beauty" as embodiments of the Fates.  Mrs. Karswell reads a few key passages from the definitive version of the story included in Charles Perrault's 1697 collection, Histoires ou contes du temps passé ("stories of times gone by.") We learn how the fairies fulfill the historical role of godparents at the newborn's christening. We also note the peculiar emphasis on the quality of what's set before the fairies at the christening banquet, observing how a failure there leads the wicked fairy to curse the Sleeping Beauty. 1874 illustration by František Doucha for a Czech edition of Sleeping Beauty We then explore antecedents to Perrault's tale, beginning with the 14th-century French chivalric romance, Perceforest.  A peripheral story in this 8-volume work is that of Troylus and Zeelandine, in which the role of Sleeping Beauty's fairy godmothers are played by Greek and Roman deities, with Venus as supporter of Princess Zeelandine (and her suitor Troylus) and Themis cursing Zeelandine to sleep in a manner similar to Perrault's princess.  A failure to correctly lay out Themis' required items at the christening banquet is again again responsible for the curse, though the awakening of Zeelandine by Troylus awakens is surprisingly different and a notorious example of medieval bawdiness. Preceding Perceforest, there was the late 13th-century French historical romance Huon of Bordeaux, in which we hear of the newborn fairy king Oberon being both cursed and blessed by fairies attending his birth.  From around the same time, French poet and composer Adam de la Halle's Play of the Bower describes a banquet at which fairy guests pronounce a curses and blessings on those in attendance prompted again by their pleasure or displeasure at what's set before them at a banquet. We also  hear of the Danish King King Fridlevus (Fridlef II) bringing his newborn son to a temple of "three maidens" to ascertain the  destiny pf the child in Gesta Danorum ("Deeds of the Danes").written around 1200 by Saxo Grammaticus. And lest listeners think such appeals to the Fates were strictly a literary motif, we hear Burchard of Worms, in his early-11th-century Decretum, condemning the not uncommon among the Germans of his region of setting up offering tables for the Fates.  By this point, the connection between how fairy godmother types are served at a banquet and offerings made to the Fates to ensure a cild's fortune should be clear. We then turn back to the Greek Fates, the Moirai (Clotho, Lachesis, and Atropos) and the Roman Parcae (Nona, Decuma, and Morta). Particularly in the case of the Parcae, we hear examples of their connection to the newborn's destiny in the celebration nine or ten days after the birth of the dies lustricus, during which offerings were made to the Fates. The Three Fates by Bernardo Strozzi, late 17th c We make a brief side-trip to discuss the Norns (Urðr, Verðandi and Skuld), the Germanic equivalent of the Fates.  These are more distant cousins, not strongly associated with the newborn and his destiny, though we do hear a passage from the Poetic Edda, in which the Norns are  present birth of the hero Helgi. We also hear a gruesome passage from the 13th-century Njáls Saga, in which the Valkyries weave out the fate of those who will die in the Battle of Clontarf. The Anglo-Saxon equivalent of the Fates, the Wyrds, are also discussed, and we hear how the  witches in Macbeth partook in this identity as the "Weird Sisters," an association Shakespeare inherited from his source material, the 1587 history of Great Britain, known as Holinshed's Chronicles.

William Shakespeare (1564 - 1616)Translated by José López Tomás (1869 - 1939)Macbeth cuenta una historia de crimen y castigo entreverada de brujería y elementos sobrenaturales. Amparado en las engañosas profecías de las Hermanas Fatídicas, brujas o diosas del destino, Macbeth decide asesinar a su rey y tomar la corona. Consciente del horror al que se entrega, forja su terrible destino y se deja poseer por el mal que nace del ansia de poder, creyéndose invencible y eterno. Esta obra tenebrosa e inquietante, de acción vertiginosa, es también profundamente introspectiva. A través de un lenguaje metafórico y sensorial, la obra indaga en lo prohibido, explora la transgresión y ofrece la oportunidad única de compartir la vida interior de un asesino, con su horror y su misterio. 

Up now on Patreon (3hr20h)3 months in the making, we get into a century of Dropping Out, DIY, and the conditions of self-preservation featuring mathematician Alexander Groethendieck, artist Lee Lozano, Cormac McCarthy, Shelly Duvall, and Sarah Records. As public life become further cauterized some will declout, some join the Santa Fe institute, and some refuse to speak to other woman for 27 years. Time to find out why Groethendieck's reasons for leaving the mathematics community, abstract financial systems and their influence on human creativity, ‘healthy disillusionment', the hollowing out of Pax Americana, Applied Quantum Mechanics, Cindy Lee album, reason's obscure other, ‘comparing yourself to old stories', Kazemir Malevich: Suprematism, from Shakespeare's Othello, King Leer, Macbeth, Industry Plant Aktion, refusing the art-world, semiotic superficially, ‘High-Energy Scattering', Dictator to Oneself, Wim Wender's “Perfect Days”, the infamous Shelly Duvall Dr. Phil episode, Alex Bienstock, what people learn from Wittgenstein, Bristol's Sarah Records and the politics of C86 jangle pop, micro-science and more.

UNLOCK FULL EPISODE (and HUNDREDS of other BONUS shows): Patreon.com/IlluminatiWatcherOn today's episode of the Occult Symbolism and Pop Culture with Isaac Weishaupt podcast BONUS episode for supporters- we continue our journey into James Shelby Downard's King Kill 33! We'll talk about Set 4: Kennedy, Beale and Bouvier: the Scarlet Woman Miss Chudleigh, Marilyn Monroe's Shriner husband Bob Slatzer, divine and sacred names connecting JFK to Baal, Jackie Onassis' Bouvier bloodline and Radzvil royals. In Set 5 we talk Mystical Toponomy with the 32nd degree of latitude connecting through Tres Hermanas, Macbeth and the Great Whore. Set 6 The Lone Pentagram State looks at symbolism of the color red, Houston's history, Shakespeare's Macbeth, Texas' masonic control system, Kabbalah principles, psycho-sexual rituals and the alchemical detonation of primordial matter!NOW UP AD-FREE ON SUPPORTER FEEDS! Free feed gets a preview!Links:SUPPORTER FEEDS: Go ad-free with HUNDREDS of bonus episodes, early access and books!Patreon.com/IlluminatiWatcher,VIP Section (*with comparsion of Apple vs Patreon vs VIP): https://wp.me/P2ijVF-aRLApple Podcasts Premium! You can now go ad-free with ALL the bonus episodes on the Apple app- just open up the podcast and subscribe!More from Isaac- links and special offers:*BREAKING SOCIAL NORMS podcast, Index of EVERY episode (back to 2014), Signed paperbacks, shirts, & other merch, Substack, YouTube links, appearances & more: https://allmylinks.com/isaacw*STATEMENT: This show is full of Isaac's useless opinions and presented for entertainment purposes. Audio clips used in Fair Use and taken from YouTube videos.

UNLOCK FULL 3-PART SERIES AND GO AD-FREE! (Video version on Tier 2): Patreon.com/IlluminatiWatcherOn today's episode of the Occult Symbolism and Pop Culture with Isaac Weishaupt podcast we have a PREVIEW of a BONUS episode where we'll start a deep dive "Conspiracy Classics" series for the supporter feeds! In Part 1 we'll look at who James Shelby Downard was and what this King Kill 33 is all about! We'll then start exploring the essay: secret governments, the Freemason Grand Architect god and Americans not having the truth! In Set 1 The Hellfire Club we'll start with where it all began- satanic sexy time parties with Ben Franklin! In Set II Sexual Geometry we'll talk about how mathematics and Egyptian history, Set III Macbeth and Scotland connects Carl Jung into the Crossroads of sex magick, cross-dressing rituals, LBJ's bloodlines, Shakespeare's Macbeth at the White House, The Black Watch and the Holy House of Heredom symbolism! Find out the REAL conspiracy behind JFK's assassination!NOW UP AD-FREE ON SUPPORTER FEEDS! Free feed gets a preview!Links:SUPPORTER FEEDS: Go ad-free with HUNDREDS of bonus episodes, early access and books!Patreon.com/IlluminatiWatcher,VIP Section (*with comparsion of Apple vs Patreon vs VIP): https://wp.me/P2ijVF-aRLApple Podcasts Premium! You can now go ad-free with ALL the bonus episodes on the Apple app- just open up the podcast and subscribe!

In her sermon, Shari uses the metaphor of the Camino de Santiago—a long spiritual pilgrimage—to illustrate the Christian journey of moving continually toward peace and away from chaos. She reflects on her own experience walking the Camino, emphasizing that the daily, intentional choices made on the trail mirror the spiritual decisions we make in life. Life, like the Camino, is not static. Everything is always in motion—physically, emotionally, and spiritually. Shari ties this constant movement to the second law of thermodynamics, highlighting humanity's natural tendency toward disorder unless we intentionally choose otherwise. Spiritually, we're always moving toward either peace (shalom: wholeness, well-being, safety) or chaos (slavery, disorder, retaliation). Shari contrasts biblical peace with today's culture of “my truth” and ethical relativism, which echo the times of the Judges when "everyone did what was right in their own eyes." She argues that freedom in Christ means intentionally choosing the path that leads to peace, even when it is counterintuitive or difficult. The lie from the Garden of Eden—that we are the exception to the rule—still misleads us today. We often believe we can harbor resentment, avoid forgiveness, or justify sin without consequences. Shari emphasizes that choosing chaos—like revenge, bitterness, and pride—leads us back into spiritual slavery. Through examples from both Scripture (Gideon, the Exodus, Judges) and literature (Nietzsche's philosophy, Crime and Punishment, Macbeth, Hamlet, East of Eden), she shows how refusing to forgive, holding onto bitterness, or believing ourselves exempt from consequences always results in suffering. Forgiveness, though often seen as illogical or undeserved, is the path to freedom. She tells real-life stories—like her friend Bob who justifies meanness because “they started it”—to show how childish and harmful these justifications are. True peace begins with us, not with others. We often claim we want peace but refuse to let go of pride, pain, or perceived justice to get it. Shari closes by urging the congregation to choose the fruit of the Spirit—love, joy, peace, patience, kindness, goodness, faithfulness, gentleness, and self-control—as the “good fruit” in contrast to Adam and Eve's wrong choice. Like the biblical figures and literary characters she referenced, we too stand at a crossroads daily: toward peace and freedom in Christ, or chaos and slavery in sin. The Gospel gives us the power through the Holy Spirit to undo our wrong choices and walk “The Way” that leads to true peace. Discussion Questions Shari says we often believe “we are the exception to the rule.” How have you seen that idea play out in your own life or culture? What does the word “shalom” (biblical peace) mean to you? How is it different from simply not fighting or being calm? Are there any areas in your life where you are choosing chaos (bitterness, revenge, pride) instead of peace? What would it look like to choose differently? Who is someone in your life that you feel “started it”? What would it take for you to forgive them anyway? Which of the fruits of the Spirit do you most need to grow in right now to walk in peace? What's one practical way you could pursue it this week?

Send us a textWe have a look through the not-quite-official Coen Brother films, from SUBURBICON and BRIDGE OF SPIES to DRIVE-AWAY DOLLS and THE TRAGEDY OF MACBETH.

Called “the finest actor of his generation,” Sir Simon Russell Beale has played just about everyone in Shakespeare's canon—Hamlet, Lear, Macbeth, Falstaff, Malvolio, Iago—and most recently, Titus Andronicus, for the Royal Shakespeare Company. In this episode, Beale reflects on the Shakespearean roles that have shaped his career and how his approach to them has evolved over time. He shares what drew him to Titus, and how he found surprising tenderness in Shakespeare's brutal tragedy. The actor revisits past performances, exploring grief in Hamlet, aging and dementia in King Lear, and how time has deepened his connection to the plays and the characters. Beale's memoir, A Piece of Work: Playing Shakespeare & Other Stories, is a moving and often humorous reflection on acting, Shakespeare, and the power of performance to reveal something essential about being human. Sir Simon Russell Beale studied at Cambridge before joining the RSC. Described by the Daily Telegraph as “the finest actor of his generation,” he has been lauded for both his stage and TV work, winning many awards including the Olivier Award for Best Supporting Actor, the Evening Standard Best Actor Award, and the BAFTA Best Actor Award. From the Shakespeare Unlimited podcast. Published June 17, 2025. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the executive producer. It was edited by Gail Kern Paster. We had help with web production from Paola García Acuña. Leonor Fernandez edits our transcripts. Final mixing services are provided by Clean Cuts at Three Seas, Inc.

Acclaimed Canadian theatre maker Robert Lepage is back at the Stratford Festival with a new take on Shakespeare's “Macbeth.” This new production tells the same classic story of greed, betrayal and murder, but it's set during the brutal Quebec biker wars of the ‘90s. Robert joins Tom Power to talk about putting a new spin on this Shakespearean tragedy, his unique approach to theatre and his incredible decades-long career. If you're looking for more conversations about Canadian theatre, check out Tom's chat with esteemed stage actor Tom Rooney on what it takes to play a dog.

Dub3K - Al Green (feat. Karma) - Prod. by Kurlee Daddee Producitons CD's and Digitial Album - AVAILABLE NOW!!! https://kurleedaddeeproductions.bandcamp.com/album/dub3k-the-foundation O.G. Hip-Hop Group Dub3K featuring G. Macbeth, Shoebox P., Fly and Karma, bless these buttery beats by Kurlee Daddee Productions, to form The Foundation. A Bay Area Christian Hip-Hop EP full of positivity and knowledge.

In this episode we talk all about All's Well, a novel that is in part a retelling, in part an homage to theater, and a completely wild ride of a book. We discuss the way perception plays into the story, and how repetition functions to serve the narrative - and of course, we explore All's Well That Ends Well and MacBeth, the two plays at the heart of this novel.Shelf Discovery:Bunny by Mona AwadWoo Woo by Ella BaxterHunchback by Saou IchikawaThe Rehearsal by Eleanor CattonMy Death by Lisa TuttleIf you would like to get additional behind-the-scenes content related to this and all of our episodes, subscribe to our free newsletter.We love to hear from listeners about the books we discuss - you can connect with us on Instagram or by emailing us at thenovelteapod@gmail.com.This episode description contains links to Bookshop.org, a website that supports independent bookstores. If you use these links we may earn a small commission at no additional cost to you. Hosted on Acast. See acast.com/privacy for more information.

Passing of the Beach Boys’ Brian Wilson; Trump’s alleged plans to deploy troops to more cities; Jeff Stein makes his weekly visit; Macbeth curse strikes again; Luther Seminary campus closure; BWCA mining provision stripped from federal budget bill; government still has no idea on how to execute tariffs; digging into the bills passed at the…

Check out Cam's latest novel / audio drama here! In a twist that might be even more shocking than this terrifying film, this latest Faust Fable discussion is actually built around one of Maggie's theories — not Cam's — as she deep dives into that perennial horror question: why don't they just run away from the scary monsters? The answer is a wild journey of muffled fragments and out-of-focus breadcrumbs through this found footage Faustian masterpiece! Cam sprinkles in some Macbeth for good measure. All hail found footage! LINKS: Patreon, YouTube, Spotify, Instagram Feedback & Theories: secondbreakfastpod@gmail.com

On today's episode of Highkey Obsessed: Toil and Trouble, Cassie and Thomas are joined by Dr. Kristin Bezio to talk about the relationship between the Witch Trials of Early Modern Europe and the Reformation! Their conversation covers such illuminating topics as... Why was England so witch hunt light? What exactly was the impact of the Reformation on witch panics? How did people react to MacBeth back in the day? All that and much, much more on another episode of the greatest podcast in the multiverse!If you dig what you're hearing be sure to drop those 5 star ratings and reviews, and to follow the show on:Learn more about Dr. Bezio here: https://jepson.richmond.edu/faculty/bios/kbezio/ Instagram: @HighkeyObsessedPodcast and @sharkbatesbookshelfYouTube: @HighkeyObsessedPodcastWebsite: www.highkeyobsessed.comEmail: highkeyobsessedpodcast@gmail.com Hosted on Acast. See acast.com/privacy for more information.

Dub3K - The Foundation - TITLE TRACK AND FIRST SINGLE OFF NEW EP Karma, G. Macbeth, SHOEBOX P, FLY, Kurlee Daddee Productions LIinks to album: https://music.apple.com/us/album/the-foundation-feat-karma-single/1815625920 https://open.spotify.com/album/1weMbpQ6eyPLFdLbQ1JkCm?si=TWDiZ0SbTUWnoqJFFxdyqg https://youtu.be/ptRhtfDvFX8

Send us a textLisa & Amy continue to explore The Mystery of the Queen's Necklace. The BWGs travel to Stratford-on-Avon to explore Shakespeare's hometown. Trixie calls an emergency meeting of the BWGs to discuss Miss Trask's involvement with a dashing Scottish man. The group also takes in a performance of Macbeth and makes friends with several of the locals who show them around town.Please rate and review on Apple Podcasts. It really helps us get the word out about the podcast! You can still listen on your regular platform. Follow this link and click the “listen on Apple podcast” button. Then click on the rate and review tab to reach the correct page. https://podcasts.apple.com/us/podcast/books-from-the-basement/id1544343334Please email us at booksfromthebasementpc@gmail.comVisit our FB Page:  https://www.facebook.com/booksfromthebasement Join our FB Group: www.facebook.com/groups/booksfromthebasementpcIf you want to help us keep our podcast ad-free, please go to www.buymeacoffee.com/booksbasement, where you can donate by buying us a "book" instead of a coffee!     

IPS DEPROGRAM 6/1/25 News Bending PsyopsThe episode began with the host announcing the launch of a new AI agent called the IPS stenographer in the Discord server. This bot is designed to automatically summarize the latest comments and create infographics every four hours, posting them in a dedicated summary room. Users can also get a synopsis on demand using a specific command. The host mentioned previously doing this manually and used ChatGPT and Grok to help automate the process. They noted that Grok can elaborate on prompts and assisted in activating the bot on Discord.A core theme of the discussion is the analysis of current events and media through the lens of predictive programming and a concept called the "meta script," which is described as the big story that becomes history. The host views media, including movie trailers and news, as different forms of propaganda – entertainment propaganda parallel to information propaganda – that are interconnected and reveal a larger narrative. By looking at these things holistically, they aim to arrive at subtexts and bigger pictures.The conversation delved into numerous examples and recurring symbols observed in media and events:Movie trailers discussed included Sinners, Mickey 17, Captain America: Brave New World, Fantastic Four, Final Destination: Bloodlines, The Home, and Welcome to Derry.Recurring symbols and themes highlighted were the Space Needle (linked to EMP, the Electronic Music Project, movie plots, and the sinking of the West), EMP events, the eye/iris and needle into the eye (appearing in movie posters and montages), three pillars/masts (seen in the International Hotel, Space Needle, and a Mexican Navy ship), space interpreted as inner space or mind control, the sinking of America or the West (symbolized by the Titanic, the boat hitting the bridge, the Space Needle, and One World Trade Tower), and various numbers and dates (such as 6-11, 11-6, 84, 216, and 33).Specific events analyzed through this lens included the Trump shooting in Butler (linked to the Riddler, Ave Maria, and specific numbers), a Mexican Navy ship hitting the Brooklyn Bridge (noting the three masts and the death of a cadet named America), the East Palestine train derailment (compared to the Netflix movie White Noise and recent lawsuits against BlackRock and Vanguard), the JFK assassination (connected to Trump symbolism, dates, Macbeth, and a home movie allegedly showing his "death"), and the Reagan shooting (noting the 33-year delay in James Brady's death being ruled a homicide).The host discussed the concept of the "auto-hoaxer" and observed media attempts to frame it negatively. They also touched on "Psychic Driving", the "political horseshoe theory" as a deliberately implemented model, and interpreting world events through the lens of WWE kayfabe.The host mentioned the upcoming release of PSYOP trading cards.

The episode began with the host announcing the launch of a new AI agent called the IPS stenographer in the Discord server. This bot is designed to automatically summarize the latest comments and create infographics every four hours, posting them in a dedicated summary room. Users can also get a synopsis on demand using a specific command. The host mentioned previously doing this manually and used ChatGPT and Grok to help automate the process. They noted that Grok can elaborate on prompts and assisted in activating the bot on Discord.A core theme of the discussion is the analysis of current events and media through the lens of predictive programming and a concept called the "meta script," which is described as the big story that becomes history. The host views media, including movie trailers and news, as different forms of propaganda – entertainment propaganda parallel to information propaganda – that are interconnected and reveal a larger narrative. By looking at these things holistically, they aim to arrive at subtexts and bigger pictures.The conversation delved into numerous examples and recurring symbols observed in media and events:Movie trailers discussed included Sinners, Mickey 17, Captain America: Brave New World, Fantastic Four, Final Destination: Bloodlines, The Home, and Welcome to Derry.Recurring symbols and themes highlighted were the Space Needle (linked to EMP, the Electronic Music Project, movie plots, and the sinking of the West), EMP events, the eye/iris and needle into the eye (appearing in movie posters and montages), three pillars/masts (seen in the International Hotel, Space Needle, and a Mexican Navy ship), space interpreted as inner space or mind control, the sinking of America or the West (symbolized by the Titanic, the boat hitting the bridge, the Space Needle, and One World Trade Tower), and various numbers and dates (such as 6-11, 11-6, 84, 216, and 33).Specific events analyzed through this lens included the Trump shooting in Butler (linked to the Riddler, Ave Maria, and specific numbers), a Mexican Navy ship hitting the Brooklyn Bridge (noting the three masts and the death of a cadet named America), the East Palestine train derailment (compared to the Netflix movie White Noise and recent lawsuits against BlackRock and Vanguard), the JFK assassination (connected to Trump symbolism, dates, Macbeth, and a home movie allegedly showing his "death"), and the Reagan shooting (noting the 33-year delay in James Brady's death being ruled a homicide).The host discussed the concept of the "auto-hoaxer" and observed media attempts to frame it negatively. They also touched on "Psychic Driving", the "political horseshoe theory" as a deliberately implemented model, and interpreting world events through the lens of WWE kayfabe.The host mentioned the upcoming release of PSYOP trading cards.

G Macbeth - Large Fries - Prod by Kurlee Daddee Productions Single off the EP The Value Meal Produced by Kurlee Daddee Productions Find it also here: https://open.spotify.com/album/1sjMwN1fgERl8TVFfdkWxL?si=2KzlAaoiSBeviQyBAAsAWw https://www.deezer.com/us/album/710575151 https://distrokid.com/hyperfollow/gmacbeth/the-value-meal?utm_campaign=website&utm_medium=Email+&utm_source=SendGrid https://www.iheart.com/artist/g-macbeth-45702677/albums/the-value-meal-312966888

Double, double, toil and trouble… the Scottish play… out, damned spot! William Shakespeare's take on Macbeth has well and truly embedded itself in our culture. The play, written in the early 17th century, charts how an ambitious Macbeth turns to violence in order to realise a prophetic vision of becoming King of Scotland. But what of the real Macbeth, who really did sit upon the Scottish throne? What is known of this 11th century monarch? And how much of his life can be compared to the fictitious monarch of Shakespeare's play? To enjoy more episodes of Love Scotland, please follow or subscribe wherever you get your podcasts. For more information on Iona, click here.

Welcome to Dev Game Club, where this week we start a new series of explorations on the walking simulator, beginning with Gone Home. We set the game in its time, talk about possible real world experiences, and dive into its restraint and storytelling. Dev Game Club looks at classic video games and plays through them over several episodes, providing commentary. Sections played: All of Gone Home Issues covered: walking simulator coverage, the wave of indies and another wave, career changes, Fullbright's early history, leaving the big industry, the value of focus, location-based entertainments and shows, focusing on one thing, having constraints vs not, setting your own constraints, the spooky atmosphere but having restraint, imposing expectations from video games, visiting a previously unknown house, the Ouija board, a literal red hair-ing, stripping out all the video game-isms for interactivity, few mechanics, simple systems and using their few mechanics and verbs, experience-forward, Brett quizzes Tim, narrative richness, the ordering of collectible reading, leveraging non-linear storytelling, using period-appropriate communication, games that make Tim cry, the 90s of it all, letters vs email, waste paper baskets, a visual language and the use of consistency.  Games, people, and influences mentioned or discussed: Death Stranding, Dear Esther, Firewatch, BioShock Infinite, Batman: Arkham Origins, GTA V, Tomb Raider (2013), Dead Rising 3, Dead Space 3, LoZ: A Link Between Worlds, The Last of Us, Beyond: Two Souls, AC IV: Black Flag, Rayman Legends, Splinter Cell: Blacklist, Battlefield IV, Payday 2, Outlast, Antichamber, The Stanley Parable, Papers Please, Brothers: A Tale of Two Sons, Starbreeze, Josef Fares, Hazelight Studios, It Takes Two, LucasArts, Clair Obscure: Expedition 33, Blue Prince, Animal Well, Balatro, 343 Studios, BioStats, Calamity Nolan, Tacoma, Indie Game: The Movie, Minerva's Den, Bioshock, Kate Craig, Carl Lumbly, 2K Marin, Hangar 13, Fallout: New Vegas, Morrowind, Sleep No More, Macbeth, Antenna Theater, Meow Wolf, George RR Martin, Control, Imagineering, Disney, Fez, X-Files, Resident Evil, Amnesia, Life Is Strange, Leaves of Grass, Hollow Knight, Pulp Fiction, Final Fantasy IX, Shadow of the Colossus, The Last of Us 2, Alien, Kirk Hamilton, Aaron Evers, Mark Garcia.  Next time: Dear Esther (2012) Links: Why Is Gone Home A Game? Twitch: timlongojr https://twitch.tv/timlongojr Discord https://t.co/h7jnG9J9lz DevGameClub@gmail.com mailto://devgameclub@gmail.com

Charlie is a native Pittsburgher and a proud graduate of Carnegie Mellon University, where he studied Acting. As an actor, select stage credits include the NY Public Theatre's “Shakespeare in the Park” (All's Well That Ends Well, Measure for Measure), the Pearl Theatre Company (Richard II), the Hudson Valley Shakespeare Festival (King Lear, The Three Musketeers, Romeo and Juliet, Love's Labour's Lost), The Shakespeare Theatre of DC (Richard II, Henry V, As You Like It, Mrs. Warren's Profession), Middlebury Actor's Workshop (Cat on a Hot Tin Roof), The Arts Center of Coastal Carolina (The Unexpected Guest), and Chautauqua Theatre Company (Much Ado About Nothing, Vaidehi, Ah, Wilderness!).  In 2015, Charlie co-founded Esperance Theater Company — a company that produced classical-based work here in NYC. With Esperance, Charlie produced and performed in 12th Night, Macbeth, Romeo and Juliet, and Breitwisch Farm. As a teacher, Charlie has been working with MTCA (Musical Theater College Auditions) for over 20 years, where he is now a Director of the company alongside Leo Ash Evens. Charlie has also taught for Texas State University, PACE University, The Performing Arts Project (TPAP), Broadway Dreams, the City University of New York, Carnegie Mellon's Pre-College program, and the Hudson Valley Shakespeare Festival. As a Teacher and Director, he is able to do two of his favorite things in life: help students to find their authentic selves as artists, and help them find their best fit in their collegiate journey. Charlie also hosts the “Mapping The College Audition” podcast, where he continues that work, and helps demystify this daunting audition process for listeners around the world. Charlie is also the proud father to a precocious toddler, partner to an amazing Tony-nominated + Grammy-winning Actress, and a humble Broadway Show League Softball MVP. Want to try our Broadway fitness program for free? ⁠⁠⁠www.builtforthestage.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Dennis Woodyard joins us again as he and Greg Weisman discuss bringing King Arthur into the Gargoyles Universe. Teaming Arthur up with Griff. Macbeth's motivations for pursuing Excalibur. Checking in on Manhattan while the World Tour continues. And we also discuss would could have been (and what may still be) with the “Pendragon” spinoff. And more! We also discuss how the animation industry, as well as the television industry, has changed over the years. Why we still prefer physical media. And Greg Weisman regales us with his vacation and visit to Tintagel: the birthplace of King Arthur. Dennis also talks... Continue reading

William Shakespeare, often called the Bard of Avon, is the greatest playwright in the English language. Born in 1564 in Stratford-upon-Avon, he married Anne Hathaway at 18 and had three children. He moved to London in the late 1580s to pursue a career in theatre. Over the next two decades, he wrote 39 plays, 154 sonnets, and two long narrative poems. His works explore timeless themes of love, power, jealousy, betrayal, and ambition. Shakespeare's most famous plays include Hamlet, Macbeth, Othello, Romeo and Juliet, and King Lear. He co-owned the Globe Theatre, where many of his plays were performed. His mastery of language enriched English with hundreds of new words and phrases. Shakespeare blended history, tragedy, and comedy in ways that remain unmatched. Despite his fame, much of his personal life remains a mystery. He retired to Stratford around 1613 and died in 1616 at the age of 52. Shakespeare's legacy lives on through endless adaptations on stage and screen. His characters and stories still resonate across cultures and generations. He was as much a keen observer of human nature as a creator of unforgettable drama. This talk show explores the life, love, and literary genius of the immortal William Shakespeare.

In this episode I talk to my parents about the topic of William Shakespeare. We discuss the enduring appeal and significance of William Shakespeare's work, biographical details of his life, the key themes in Shakespeare's plays, and the impact of his language on modern English. We try to explain the qualities that make Shakespeare great, using examples from plays like Hamlet, Twelfth Night, and Macbeth. We also consider the challenges of understanding Shakespeare and suggest ways for newcomers to engage with his plays, such as watching film adaptations.Enjoy a conversation about this important figure in English language and culture, with two other important figures - my mum and dad!PDF available with transcript, vocabulary list and vocabulary quiz. Premium listeners - watch out for a language review of this episode coming soon, in P68 "Learn English with Shakespeare" parts 1 & 2.

Melvyn Bragg and guests discuss one of the most energetic, varied and innovative playwrights of his time. Thomas Middleton (1580-1627) worked across the London stages both alone and with others from Dekker and Rowley to Shakespeare and more. Middleton's range included raucous city comedies such as A Chaste Maid in Cheapside and chilling revenge tragedies like The Changeling and The Revenger's Tragedy, some with the main adult companies and some with child actors playing the scheming adults. Middleton seemed to be everywhere on the Jacobean stage, mixing warmth and cruelty amid laughter and horror, and even Macbeth's witches may be substantially his work.WithEmma Smith Professor of Shakespeare Studies at Hertford College, University of OxfordLucy Munro Professor of Shakespeare and Early Modern Literature at Kings College LondonAnd Michelle O'Callaghan Professor of Early Modern Literature at the University of ReadingProducer: Simon TillotsonReading list:Swapan Chakravorty, Society and Politics in the Plays of Thomas Middleton (Clarendon Press, 1996)Suzanne Gossett (ed.), Thomas Middleton in Context (Cambridge University Press, 2011)R.V. Holdsworth (ed.), Three Jacobean Revenge Tragedies: A Selection of Critical Essays (Macmillan, 1990), especially ‘Calvinist Psychology in Middleton's Tragedies' by John StachniewskiMark Hutchings and A. A. Bromham, Middleton and His Collaborators (Northcote House, 2007)Gordon McMullan and Kelly Stage (eds.), The Changeling: The State of Play (The Arden Shakespeare, 2022)Lucy Munro, Shakespeare in the Theatre: The King's Men (The Arden Shakespeare, 2020)David Nicol, Middleton & Rowley: Forms of Collaboration in the Jacobean Playhouse (University of Toronto Press, 2012)Michelle O'Callaghan, Thomas Middleton: Renaissance Dramatist (Edinburgh University Press, 2009)Gary Taylor and Trish Thomas Henley (eds.), The Oxford Handbook of Thomas Middleton (Oxford University Press, 2012)In Our Time is a BBC Studios Audio Production