Podcasts about Sydney Opera House

214 | Navigating Chronic Illness & Vocal Injury with Hannah May {fullvoicemusic.com} ⭐ Find links mentioned in this episode here: https://www.fullvoicemusic.com/podcast/214/ ⭐ Illness and vocal health challenges touch every voice professional, in our own lives or in the lives of our students. Tasmanian-born singer, songwriter, and voice teacher Hannah May shares her journey through chronic illness and recovery from vocal injury and how that experience transformed the way she holds space for her students and sets clear, compassionate boundaries in her studio. In Episode 214, we explore a story of resilience, perspective, and a powerful redefinition of sustainable singing.

The Trinyvale Triplets gather around the potato buffet heater to answer your burning questions about Trinyvale x Strahd! Thanks to everyone who submitted.Sound Mixing and Editing by Trevor LyonGet tickets to our Radio City and Sydney Opera House shows HERE!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Sign up to our culture newsletter here! There’s been a huge shift in the way sex and sexual identity are represented on screen over the past decade. In the wake of Hollywood’s ‘Me Too’ reckoning, intimacy coordinators have become an increasing presence on film and television sets. But what does an intimacy coordinator actually do? If you want to hear more from Aleks Trkulja, you can catch her at the Sydney Opera House for All About Women on 8 March. Details here. Hosts: Emma Gillespie and Billi FitzSimonsGuest: Aleks TrkuljaProducer: Orla Maher Want to support The Daily Aus? That's so kind! The best way to do that is to click ‘follow’ on Spotify or Apple and to leave us a five-star review. We would be so grateful. The Daily Aus is a media company focused on delivering accessible and digestible news to young people. We are completely independent. Want more from TDA?Subscribe to The Daily Aus newsletterSubscribe to The Daily Aus’ YouTube Channel Have feedback for us?We’re always looking for new ways to improve what we do. If you’ve got feedback, we’re all ears. Tell us here.See omnystudio.com/listener for privacy information.

You can only get certain photo angles of the Sydney Opera House from the variety of ferries that are constantly entering and exiting Circular Quay. Decorate Your Home and Office with this Print

You can only get certain photo angles of the Sydney Opera House from the variety of ferries that are constantly entering and exiting Circular Quay. This is the beginning of a series showing those views.

You can only get certain photo angles of the Sydney Opera House from the variety of ferries that are constantly entering and exiting Circular Quay. This is the beginning of a series showing those views.

CAMPAIGN FINALE! The Triplets meet with the Manager of Barovia and prepare to lodge the ultimate complaint. Jens gets defensive, Nyack shows his glass, and Onyx unleashes shell as the Trinyvale X Strahd crossover CONCLUDES! Thanks so much for listening and supporting the show!Get tickets to our Radio City and Sydney Opera House shows HERE!CREDITSEditing by Brian Murphy & Caldwell TannerProduction and Sound Design by Daniel Ramos (@Schubirds on IG)Logo Design by Chelsea LeCompteMUSIC INCLUDES:"Trinyvale Opening Theme" by Emily Axford"The Gate" by Emily Axford“Strahd” by Emily Axford“Moonsick” by Emily Axford“Oh Melora” by Emily Axford“Lights Out” by Emily Axford“Barovian Tango” by Emily Axford“Half Brothers” by Emily Axford”“A Memorable Feast” by Emily Axford“TechGnomek” by Emily Axford“Obsidian” by Emily Axford"The Night Lotus" by Emily Axford"The Shard" by Emily Axford“The Journey of the Three” by Jens Christian Tvilum"Trinyvale Closing Theme" by Emily AxfordSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

You can only get certain photo angles of the Sydney Opera House from the variety of ferries that are constantly entering and exiting Circular Quay. This is the beignning of a series showing those views.

Twee jaar geleden kwam de droom van de Belgische pianist Daniel Verstappen uit met zijn eerste optreden in het Sydney Opera House. Volgende week begint hij aan een tour door Nieuw-Zeeland met aansluitend twee optredens in Sydney. Daniel kwam naar de studio om te vertellen over zijn eerdere ervaring Down Under en hoe de omgeving hem inspiratie geeft voor het componeren van nieuwe muziek.

In 2008, Wes Carr had the things most artists dream of - national fame, chart-topping success, and millions of eyes watching him perform on the iconic Sydney Opera House steps. What followed was a whirlwind of promotion, performing and recording sessions that strayed from Wes' authenticity as an artist. In this raw and reflective conversation, Wes opens up about success, identity, burnout, and the quiet cost of ambition. He talks about nuturing his passion for music growing up, the spiritual reckoning that followed his Australian Idol win, and why reinvention sometimes feels like survival. From changing his name and starting again in America, to returning home to Australia with his family and a new understanding of who he is without the noise, Wes is candid about where he's been and where he's going. LINKS Catch Wes playing live at the Birdsville Big Red Bash & Mundi Mundi Bash Follow Wes on Instagram: @wescarrmusic Sign up to the Better Than Yesterday newsletter Watch episodes of Better Than Yesterday on YouTube Watch full stories recorded live at Story Club on YouTube Get tickets for our next Story Club show Get Osher's latest book "So What? Now What?" here Send a pic of what you're looking at to sendosheremail@gmail.com See omnystudio.com/listener for privacy information.

Emma Donovan is an acclaimed Indigenous Australian singer and songwriter best known for her work with soul bands, The Putbacks and The Black Arm Band project. She is one of Australia's most celebrated voices, with a career spanning over two decades. The proud Gumbaynggirr and Yamatji artist has carved a singular path that fuses gospel, country and soul with the storytelling traditions of her culture. First emerging as a teenager with Stiff Gins, Emma went on to front The Putbacks, whose albums Dawn (2014), Crossover (2020) and Under These Streets (2021) earned her critical acclaim and cemented her as a vital force in Australian music. Having performed on iconic stages including WOMADelaide, Bluesfest Byron Bay and the Sydney Opera House, Emma has become a guiding voice for the next generation of First Nations artists, and in 2021 was inducted into the National Indigenous Music Awards Hall of Fame alongside her family band The Donovans. Emma's previous album Til My Song Is Done was nominated for an ARIA and won an AIR Award last year.  She has also toured and recorded with Archie Roach and Ruby Hunter, Spinifex Gum, Christine Anu, Yothu Yindi, Jimmy Little and Paul Kelly among others. On her mother's side, Emma is part of the famed Donovan family of singers Emma Donovan dips into soulful waters with a sumptuous cover of Al Green's 1974 hit Take Me To The River (links below). The new track arrives alongside a deeply personal music video. A song that brings Emma's journey full circle, connecting her past to her present and luminous future, and celebrating her lifelong love of soul. We chat about leaving legendary bands and going solo, being on Play School, nerves, community, improving & getting better with age, collaboration, loss and grief, the Donovan musical family, confidence, burnout, musical influences, take me to the river cover + plenty more! Just as a heads up, we do briefly cover mental health and heavier topics only for a short period but the conversation as a whole is light and empowering! Check Emma out on: Instagram: https://www.instagram.com/emmadonovan_music Website/ tour: https://www.emmadonovan.com/ Facebook: https://www.facebook.com/emmadonovansmusic/ Youtube: https://www.youtube.com/channel/UCpZAsSa8xK8DjtwrpFClRKA Take Me To The River cover: https://www.youtube.com/watch?v=olqLymHA-Og ------------------------------------------- Follow @Funny in Failure on Instagram and Facebook https://www.instagram.com/funnyinfailure/ https://www.facebook.com/funnyinfailure/

Sydney at 6 covered Chris Minns' extra Anzac Day public holiday annoying businesses, Jacob Elordi getting lost in the Sydney Opera House and leaving Margot Robbie waiting on stage, and over 286,000 people across Sydney venues in one weekend. Kim K's kids apparently love Lewis Hamilton, Cardi B fell off her chair mid-show and blamed the government, and Ricki-Leaks delivered a caller whose neighbourhood does wife swaps most nights. Northern Beaches Council banned bikinis on the free Hop, Skip and Jump bus between Manly and Balgowlah, and Guy Sebastian stopped by the studio to reveal his favourite song of all time... and it's a Ricki-Lee track.See omnystudio.com/listener for privacy information.

The Triplets continue their exploration of Castle Ravenloft and unearth a treasure trove of shocking secrets! Jens becomes a Big Dog, Nyack feels competitive, Onyx gets shell shock as the Trinyvale X Strahd crossover nears its conclusion! Stayed tuned next week for the Finale! Get tickets to our Radio City and Sydney Opera House shows HERE!CREDITSEditing by Brian MurphyProduction and Sound Design by Daniel Ramos (@Schubirds on IG)Logo Design by Chelsea LeCompteMUSIC INCLUDES:"Trinyvale Opening Theme" by Emily Axford"Where is the Manager??" by Emily Axford“Selfless” by Emily Axford"The Gate" by Emily Axford“Barovian Tango by Emily Axford"The Shard" by Emily Axford“Obsidian” by Emily Axford“The Little Moon” By Emily Axford"The Tarroka Suite" by Emily Axford"The Night Lotus" by Emily Axford“Strahd” by Emily Axford"LIghts Out" by Emily Axford"Trinyvale Closing Theme" by Emily AxfordSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Squashbox is a poetic short documentary by award-winning South African filmmaker SJ van Breda that tells the story of SAMA-winning Maskandi duo Qadasi & Maqhinga, filmed entirely on mobile devices across KZN and Ireland, and which premiered at the Sydney Opera House in January 2026 where it won five major awards at the prestigious SF3 Smartphone Film Festival. Radio Life & Style on Facebook · The Morning Show Sponsor: Excellerate Security

An actor, writer, director and artistic director who is now a major force in Sydney's theatrical scene, Mitchell Butel has come a long way from bursting onto the stage for his Sydney Theare Company debut in Six Degrees of Separation 35 years ago. Now the STC's artistic director, he is presenting his first full season, coming to the role after a five-year stint as artistic director of the State Theatre Company of South Australia.As an actor, he's received Helpmann awards for his turns in Avenue Q, The Mikado, Mr Burns and The Venetian Twins. He returns to the stage to star in The Normal Heart, a role he has already performed in Adelaide. Mitchell discusses how this play about the AIDS crisis in New York from the mid-80s still has resonance today, and goes on to reveal some other highlights of the 2026 season which is shaped by themes of difference, dialogue, and social change, balancing drama with humour and emotional storytelling. We hear about his unconventional path into theatre, from growing up in Maroubra and studying arts/law to then embracing a professional acting career. He speaks of the responsibilities of leading a major arts organisation, including nurturing artists, selecting productions, and balancing creative ambition with financial sustainability, including the development of new Australian works such as upcoming productions of new musicals My Brilliant Career and Whispering Jack. Throughout, Mitchell conveys both the challenges and deep rewards of shaping the future of Australian theatre while maintaining his enduring passion for performance. Mitchell Butel stars in The Normal Heart at the Drama Theatre of the Sydney Opera House until March 14.

How long would it take to cycle your way through A Thousand Places to See Before You Die?This week I am introducing you to Brian Sampson, who has been doing exactly that since 2018. Brian shares an update from his journey so far, and across the year he will be checking in with audio updates as his adventure unfolds.Follow Brian's adventure via his instagram -@brian.sampson4  and check out his blog - https://justfeltlikebiking.blogspot.com/Also this week:Fergal Guihen (Rossi to Aussie) finishing ride: I attended Fergal's arrival at the steps of the Sydney Opera House, marking the close of his almost two-year bike journey!Bikepacking Roots gear library hub: A community-led initiative, supported by podcast sponsor Old Man Mountain, bringing together bikepacking gear libraries with a simple map showing where shared gear hubs exist. Canberra Bikepacking Gear Library: A local gear library helping people in the Canberra region access bikepacking equipment and build skills through shared community resources.  EXCLUSIVE NordVPN Deal ➼ https://nordvpn.com/STR Try it risk-free now with a 30-day money-back guarantee  Old Man Mountain Big thanks to Old Man Mountain for supporting this episode of Seek Travel Ride. Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the showBuy me a coffee! I'm an affiliate for a few brands I genuinely use and recommend including:

Decorate Your Home and Office With Prints of This Photo

UK writer Zadie Smith became a world-wide sensation with the publication of her first novel White Teeth when she was 24. Now aged 50, she's bringing her trademark intelligence and wit to the subject of midlife.Her latest work is Dead and Alive, a new book of essays, where she writes about black British history, paintings, politics, our online lives and getting older.She also talks about up growing in North West London and where she's returned to live with her own family.Zadie will be in Australia next month as part of the All About Women festival at the Sydney Opera House on March 8th and at The Wheeler Centre in Melbourne on March 10th.Further InformationAll About Women at Sydney Opera HouseZadie Smith at The Wheeler CentreThis episode explores growing up in North West London, immigrants, black British history, the internet, smart phones, social media, the technology of the book, mid life, being 50, free university, Cambridge, diversity, academia, tap dancing, painting, politics, being a writer, non-fiction, young novelists, find success at young age.To binge even more great episodes of the Conversations podcast with Richard Fidler and Sarah Kanowski go the ABC listen app (Australia) or wherever you get your podcasts. There you'll find hundreds of the best thought-provoking interviews with authors, writers, artists, politicians, psychologists, musicians, and celebrities.

Keltie is joined by freelance writer and author of the book, Fed Up: Emotional Labor, Women, and the Way Forward, Gemma Hartley. Their discussion explores... What terms like emotional labor, mental load, and invisible labor actually mean. The interplay of these things within partnerships, and in particular, the decision to have kids. Why having children exacerbates existing imbalances in relationships. The impact of societal expectations on women, and how social conditoning causes women to shoulder more emotional labor. Gemma's personal parenthood journey, and how she and her partner have navigated emotional labor while working to build a more equitable partnership. As mentioned in the show: Gemma can be found in Instagram at instagram.com/gemmalhartley/ Read her Substack, Angry Woman, here: https://gemmahartley.substack.com/ Order Gemma's forthcoming book, No One Loves An Angry Woman, here: https://bit.ly/3Z57qWU About Gemma: Gemma Hartley is a longtime freelance writer, writing coach, yoga instructor and most notably author of Fed Up: Emotional Labor, Women, and the Way Forward. She has spoken on the topic of the mental load and emotional labor around the world, from corporate conferences to festivals at the Sydney Opera House. Her hope is to create work that encourages a more equitable world in which invisible labor is valued and supported by both personal partners and public policy alike. __ Check out our free resources — including our Kids or Childfree Book Guide — here, or at kidsorchildfree.com/free-resources And don't forget to subscribe, rate, and review The Kids or Childfree Podcast if you love what you're hearing! You can leave a rating and review on Apple Podcasts, or a rating on Spotify. Find us online at www.kidsorchildfree.com. Instagram: www.instagram.com/kidsorchildfree TikTok: www.tiktok.com/@kidsorchildfree

Live Nation are bringing iconic Canadian band The Tea Party back to Australia next month (February), bringing a unique live experience to our shores with the Elements Tour, celebrating the 35th anniversary of the band.Performing five shows in Australia, The Tea Party explore a new live musical theme around Elements, with Symphony shows in Melbourne and Sydney aligned to wind, and rock shows in Thirroul, Brisbane and Adelaide aligned to fire. In both formats, The Tea Party will be playing a set that features their greatest hits.The Fire shows will feature the three-piece tour de force fans are very familiar with, while the Wind show will bring a new dynamic to the live shows with The Tea Party accompanied by a fifty-piece Orchestra. Conducted by Sarah-Grace Williams, Hamer Hall in Melbourne will play host to The Tea Party with Orchestra Victoria, while the iconic Opera House in Sydney will feature a performance with The Metropolitan Orchestra and mark the rock outfit's first performance at the famed Opera House.HEAVY sat down with frontman Jeff Martin to discuss the intricacies of the tour, starting with a breakdown on the two differing shows."Well, the fire part is basically…" he measured. "There's going to be three standalone rock shows where it's just the three of us on stage doing what we do best. If you've ever seen the Tea Party live, it's a very, very powerful experience. It's very emotional because the roller coaster that we take the audience on. It can be some of the heaviest music and then some of the most romantic, gentle moments as well.So it really travels the whole kaleidoscope of the emotional spectrum. But then there's the wind elements of the tour as well. We are going to be playing one of the seven wonders of the world, the Sydney Opera House, with the symphony. And we're also doing the home of classical music here in Australia at Hamer Hall in Melbourne with the Melbourne Symphony Orchestra. We've done symphonies before, and it's always been a great success, but it's an honour to play one of the most iconic iconic buildings in the world."In the full interview, Jeff talks more about the opposing musical forces of nature with the Wind and Fire elements of the tour, taking us deeper into the mechanics of playing with an orchestra and the level of commitment required to make it work and how different the set lists will be between elements.He highlighted the different emotions he gets from playing a full rock show as opposed to an orchestral performance, 35 years of The Tea Party and his personal journey, future plans and more.Tickets for all shows: https://www.livenation.com.au/Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

The director of Shir Violinist, the Jewish musical group that performed at the Sydney Opera House during yesterday's Australia Day celebrations, has recalled the upsetting moment he came across the hateful scenes at the Sydney Opera House on October 9, 2023.See omnystudio.com/listener for privacy information.

Aubrey Logan has been called “the Queen of Sass,” but her artistry goes far deeper than charm. A world-class jazz vocalist and trombonist, she fuses powerhouse vocals with dazzling musicianship and an engaging stage presence that makes every performance unforgettable. From her earliest days—winning the Jury and Audience Awards at the prestigious Shure Montreux Jazz Festival Voice Competition—Aubrey has been charting her own course through the worlds of jazz, pop, soul, and funk. Now, with her newest release, Aubrey Logan and Her Bigger Than Average Band, she's turning up the spotlight on the qualities that have always set her apart. Backed by a vibrant, hard-swinging ensemble, Aubrey delivers jazz vocalsbrimming with personality, performances that balance technical brilliance with sheer joy, and arrangements that breathe new life into the art form. Each track showcases her rare ability to be both musically adventurous and emotionally direct, making the album as accessible to newcomers as it is thrilling for seasoned jazz lovers. Her collaborative spirit is as bold as her sound. Aubrey has shared the stage with artists across the musical spectrum, from Alabama Shakesand The Commodoresto Meghan Trainor, Gerald Albright, Rick Braun, and Kenny Lattimore. She's also been featured in two nationally televised PBS Specials, toured internationally with Dave Kozand with Postmodern Jukebox, and brought her music to legendary stages including Radio City Music Hall, the Sydney Opera House, and the Hollywood Bowl. Along the way, she has landed multiple Top 10 Billboard Jazz albums, further cementing her reputation as one of the most dynamic and versatile performers in contemporary jazz. In an era when jazz continues to evolve, Aubrey Logan stands out as an artist who honors the tradition while fearlessly pushing it forward. With Aubrey Logan and Her Bigger Than Average Band, she offers a sound that is bigger, bolder, and more unforgettable than ever. Learn more about your ad choices. Visit megaphone.fm/adchoices

Magician, inventor, and master of robo-fueled slapstick, Mario the Maker Magician pops into the Fun Kids studio during his London run – and we’re seriously starstruck. Fresh from his performances at venues like the Sydney Opera House and Broadway, Mario brings us into a world of handmade robots, modern slapstick comedy, and magic that’s for everyone – whether you’re three or 103. George sits down with Mario to explore why every show should be for every person, and how Mario creates magic for YOU.Join Fun Kids Podcasts+: https://funkidslive.com/plusSee omnystudio.com/listener for privacy information.

After receiving his first guitar at age 10, a determined Michael became self-taught with the help of his bedroom radio, spending days on end playing along with Jimi Hendrix, Wes Montgomery and B.B. King records. After studying jazz guitar in high school, an impromptu backstage audition for George Clinton in 1974 earned 17-year-old Michael a seat on the Parliament mothership alongside the immortal Eddie Hazel, under the name “Kidd Funkadelic”. Hampton has spent the past half-century playing nearly 400 shows with the band, in 25 countries across 6 continents. Highlights include multiple appearances at world-renowned festivals like Montreux Jazz, Glastonbury, Reading, Woodstock '99, Coachella, Bonnaroo, Roskilde, Lollapalooza, Fuji Rock, and Isle of Wight, and venues like the Apollo Theater, The Fillmore, Royal Albert Hall, Madison Square Garden, The Troubadour, Red Rocks, The Beacon, and Sydney Opera House. Among Hampton's Funkadelic writing credits are group staples like “Who Says a Funk Band Can't Play Rock?!” and “Funk Gets Stronger”, both released during the group's late- '70s/early-'80s hit run. His lead guitar is also embedded in the DNA of 90s hip-hop's G- Funk movement—Dr. Dre's “Let Me Ride” samples Parliament's “Mothership Connection”, Ice Cube's “Bop Gun” borrows elements of Funkadelic's “One Nation Under a Groove”, while De La Soul's “Me Myself and I”, Digital Underground's “Kiss You Back”, and Snoop Dogg's “What's My Name?” all draw from Funkadelic's “(Not Just) Knee Deep”. Michael's colleagues include George Clinton, Bootsy Collins, Bernie Worrell, Maceo Parker, Charlie Wilson, Dewayne “Blackbyrd” McKnight, Fred Wesley & The JB's, Chuck Treece, Dean Ween, Primal Scream, Digital Underground, Too $hort, and Deee-Lite. Michael's contributions to the Parliament Funkadelic catalog have also influenced famed artists like Prince, Red Hot Chili Peppers, Outkast, D'Angelo and Janelle Monáe, among many others. As of 2025, Michael has appeared on over 30 separate major label releases. Though best known for his role in the funk guitar pantheon, Hampton is also an accomplished multi-instrumentalist, with drums, keys, and synth programming credits across the Parliament discography. Michael Hampton's info Instagram https://www.instagram.com/michaelwhampton/ Spotify https://open.spotify.com/artist/5rhBe5DqUbACYzqerQa9R0 TikTok https://www.tiktok.com/@ma_wa_ha Facebook https://www.facebook.com/p/Michael-Hampton-100040199001670/ YouTube https://www.youtube.com/@MaWaHa  

What happens when two bike adventurers meet outside a supermarket in Turkey, buy a kebab, and end up riding more than half the world together?I sat down with Jamie Hargreaves and Malachi Francis just days after they rolled into the Sydney Opera House, for an in person interviewWe talk about how fast friendships form on the road, the reality behind the hardest days, and why some of the most miserable moments become the most meaningful in hindsight. Jamie reflects on following in his dad Phill's tyre tracks decades later, Malachi opens up about dealing with setbacks on the road and  together they talk about what it really means to share a journey this big.From cycling through Turkey, Nepal, and Central Asia to sleeping in toilets, carrying bikes to base camp, and rolling into the Sydney Opera House together this episode is honest, reflective, and sure to make you laugh.Listen to the previous episodes with both Jamie and Malachi here:Malachi Francis - Ep 102Jamie Hargreaves - Ep 107Jamie and Malachi - Ep 126 - Himalayan ChallengePhill Hargreaves Part 1 and Part 2Follow them on Instagram - @J.A.hargreaves @Malachi_Cycles Check out Old Man Mountain for the perfect way to carry gear on your bike. Support the showBuy me a coffee! I'm an affiliate for a few brands I genuinely use and recommend including:

Let me start with a disclaimer—this isn't a political editorial. It's a conversation about ideas. Lessons from business, design, culture, and philosophy that might help us grow—individually and collectively. And if you disagree, email me at ConvoByDesign@Outlook.com. I welcome the debate. As this year closes, I'm feeling a mix of frustration and optimism. This moment feels chaotic—as does most of life lately—which is why I often end the show with, “rise above the chaos.” We can't eliminate it, but we can manage what's within our control. The Stoics told us that long ago: focus on what you can control, release what you can't, act with virtue, and let obstacles sharpen resilience. This essay is about taking back even a small amount of control through the work we do and the spaces we shape. The Problem with Trend-Driven Design This year, phrases and hashtags flew faster than ever—Quiet Luxury, Brat Green, Fridgescaping, Millennial Grey. Much like the “big, beautiful bill” language we've all heard tossed around in political discourse, design's buzzwords can distract from what actually matters. They generate attention, not meaning. They look good on social media, not necessarily in the lived experience of a home, workplace, or public square. So instead of centering our design conversations around fleeting edits, let's pivot toward the global innovations that are transforming the built world in ways that truly matter. Designer Resources Pacific Sales Kitchen and Home. Where excellence meets expertise. Design Hardware – A stunning and vast collection of jewelry for the home! TimberTech – Real wood beauty without the upkeep Real Innovation Worth Talking About Across the globe, designers, architects, and researchers are developing ideas that transcend buzz. These are the concepts with longevity—the ones shaping smart, resilient, human-centered spaces: Biophilic Design, rooted in the work of Edward O. Wilson, Erich Fromm, and Japanese shinrin-yoku, continues to reframe our relationship with nature. Net-Zero Architecture, pioneered in Canada, Germany, and Australia, redefines building performance through projects like Seattle's Bullitt Center and Colorado's RMI Innovation Center. Smart Homes and Invisible Tech, building on early Asian innovation, hiding circuitry and functionality behind seamless design powered by Apple, Google, and Amazon ecosystems. Prefab and Modular Construction, originally exemplified by structures like the Crystal Palace and the Sydney Opera House, now reimagined by firms such as Plant Prefab. Passive House Design, born in Germany but rapidly shaping U.S. projects in California, New York, and the Pacific Northwest. And the list goes on: Self-Healing Concrete by Hendrik Marius Jonkers Guggenheim Abu Dhabi by Frank Gehry Bët-bi Museum in Senegal by Mariam Issoufou Powerhouse Parramatta in Australia Pujiang Viewing Platform in China by MVRDV Landscape and biophilic approaches—Wabi-Sabi gardening, edimental gardens, climate-adaptive landscapes, and indoor biophilia—are redefining how we engage with natural systems in daily life. Even infrastructure has become a site of innovation: CopenHill/Amager Bakke, Denmark's waste-to-energy plant with a ski slope Urban Sequoias by SOM—skyscrapers designed as carbon sinks 3D-printed timber in Germany, Finland, and France This is the work that deserves our attention—not the color of the week on TikTok. Rethinking the Shelter Space For years I described architecture as a language, design as a dialect, and landscape as the narrative. Mies van der Rohe famously introduced the concept of architecture as language. It caught on, and then the bandwagon effect took over. But today, the metaphor feels insufficient—especially for the shelter space, where people spend their lives, raise families, work, heal, and age. The shelter space isn't like a retail store or restaurant, where design is often intended for those who pass through briefly while the people who labor there navigate the leftover space. The shelter space must serve those who inhabit it deeply and continuously. And that shifts the conversation. Design begins with the usual questions—purpose, function, users, goals, budget. But these questions don't define design. They only outline it. There is no universal purpose of architecture or design, no single philosophy, no singular “right” answer. The shelter space varies as widely as the people living within it. So instead of treating architecture and design as technical processes, we should approach them philosophically. A Philosophical Framework for Design Stoicism offers clarity: Accept that budget overruns and changes will occur. Respect the expertise of the designer you hired. Invest in authenticity rather than dupes. Create environments that support health—clean air, clean water, noise reduction, resilience. Utilitarianism reminds us that choices have consequences. If the design decisions you make are based on influencer content instead of expertise, the result is no surprise. And now, a new framework is emerging that could transform our shared spaces entirely. Sensorial Urbanism: Designing the City We Actually Feel One of the most compelling movements emerging globally is Sensorial Urbanism—a shift from focusing on how the city looks to how it feels. It's neuroscience, phenomenology, and inclusive design rolled into a multi-sensory toolkit. Five Key Sensory Principles Soundscaping Water features masking traffic. Acoustic pavilions. Designed sound gardens. Paris' Le Cylindre Sonore. Soundscape parks in Barcelona and Berlin. Smellscaping Native flowers, herbs, and aromatic trees restoring identity—especially critical after disasters like wildfires. Kate McLean's smellwalks map a city's olfactory signature. Tactile Design Materials that invite touch and respond to temperature—stone, wood, water—connecting inhabitants to place. Visual Quietness Reducing signage and visual clutter, as seen in Drachten, Netherlands, creates calmer, more intuitive environments. Multisensory Inclusivity Design that accommodates neurodiversity, PTSD, aging, and accessibility through tactile paving, sound buffers, and scent markers. Why It Matters Because cities didn't always feel this overwhelming. Because design wasn't always rushed. Because quality of life shouldn't be compromised for aesthetics. Sensorial Urbanism reconnects us with spaces that are restorative, intuitive, and emotionally resonant. A city is not just a picture—it is an experience. The Takeaway for 2026 Rising Above the Chaos: Lessons from 2025 for a Smarter 2026 HED (3-sentence summary): As 2025 closes, the design and architecture world has experienced unprecedented chaos and rapid trend cycles. In this episode, Soundman reflects on lessons from business, culture, and global innovation, emphasizing resilience, purposeful design, and human-centered spaces. From Stoic philosophy to sensorial urbanism, this conversation offers guidance for navigating the next year with clarity and intentionality. DEK (Expanded description): Twenty twenty-five tested the design industry's patience, creativity, and adaptability. In this reflective episode, we explore the pitfalls of trend-driven design, the enduring value of service, and the innovations shaping architecture globally — from net-zero buildings to multisensory urbanism. With examples ranging from TimberTech decking to Pacific Sales' trade programs, we examine how designers can reclaim control, prioritize meaningful work, and create spaces that heal, inspire, and endure. A philosophical lens, practical insights, and actionable guidance make this a must-listen for professionals and enthusiasts alike. Outline of Show Topics: Introduction & Context Reflection on the chaotic year of 2025 in design and architecture. Disclaimer: this is a philosophical conversation, not a political editorial. Invitation for audience engagement via email. Trends vs. Meaningful Design Critique of buzzwords like “quiet luxury” and “millennial gray bookshelf wealth.” Emphasis on global innovation over social media-driven trends. The gap between American design influence and international innovation. Global Innovations in Architecture & Design Biophilic design and its philosophical roots. Net-zero buildings: Bullitt Center (Seattle), RMI Innovation Center (Colorado). Smart homes, modular construction, and passive house adoption in the U.S. vs. abroad. Focus on Service & Professional Support Pacific Sales Kitchen & Home: Pro Rewards program and exceptional service. TimberTech: innovation in sustainable synthetic decking. Importance of performance, durability, and client-focused solutions. Philosophical Approach to Design Architecture as experience, not just a visual language. Stoicism, utilitarianism, and mindfulness applied to design. Sensorial urbanism: engaging all five senses in public and private spaces. Emerging Global Examples of Innovation Self-healing concrete (Henrik Marius Junkers), Copenhill (Denmark). 3D printed timber in Germany, Finland, France. Climate-adaptive landscapes, Wabi-sabi gardening, inclusive urban design. Moving Beyond Social Media Trends Rejecting influencer-driven design priorities. Returning to performance, resilience, and quality of life. Practical guidance for designers in all regions, including overlooked U.S. markets. Closing Reflections & New Year Outlook Encouragement to rise above chaos and focus on what can be controlled. Goals for 2026: intentional, human-centered, and innovative design. Call to action: share, subscribe, and engage with Convo by Design. Sponsor Mentions & Callouts Pacific Sales Kitchen & Home TimberTech Design Hardware If you enjoyed this long-form essay, share it with a friend. Subscribe to Convo By Design, follow @convoxdesign on Instagram, and send your thoughts to ConvoByDesign@Outlook.com. Thank you to TimberTech, The AZEK Company, Pacific Sales, Best Buy, and Design Hardware for supporting over 650 episodes and making Convo By Design the longest running podcast of it's kind!

About Michael Hampton  After studying jazz guitar in high school, an impromptu backstage audition for George Clinton in 1974 earned 17-year-old Michael a seat on the Parliament mothership alongside the immortal Eddie Hazel, under the name "Kidd Funkadelic". Hampton has spent the past half-century playing nearly 400 shows with the band, in 25 countries across 6 continents. Highlights include multiple appearances at world-renowned festivals like Montreux Jazz, Glastonbury, Reading, Woodstock '99, Coachella, Bonnaroo, Roskilde, Lollapalooza, Fuji Rock, and Isle of Wight, and venues like the Apollo Theater, The Fillmore, Royal Albert Hall, Madison Square Garden, The Troubadour, Red Rocks, The Beacon, and Sydney Opera House. Among Hampton's Funkadelic writing credits are group staples like "Who Says a Funk Band Can't Play Rock?!" and "Funk Gets Stronger", both released during the group's late-'70s/early-80s hit run. His lead guitar is also embedded in the DNA of 90s hip-hop's G-Funk movement-Dr. Dre's "Let Me Ride" samples Parliament's "Mothership Connection", Ice Cube's "Bop Gun" borrows elements of Funkadelic's "One Nation Under a Groove" Michael's latest album "Into the Public Domain" is available now on all streaming outlets.  Social Media: www.Instagram.com/michaelwhampton www.youtube.com/@MaWaHa Spotify: https://open.spotify.com/album/2Je4BDRuE01NHCoWlw5hG9?si=pECMNHHxT6-tUONc9pbi-g  About Music Matters with Darrell Craig Harris The Music Matters Podcast is hosted by Darrell Craig Harris, a globally published music journalist, professional musician, and Getty Images photographer. Music Matters is now available on Spotify, iTunes, Podbean, and more. Each week, Darrell interviews renowned artists, musicians, music journalists, and insiders from the music industry. Visit us at: www.MusicMattersPodcast.comFollow us on Twitter: www.Twitter.com/musicmattersdh For inquiries, contact: musicmatterspodcastshow@gmail.com Support our mission via PayPal: www.paypal.me/payDarrell  voice over intro by Nigel J. Farmer        

Xmas Special: Software Industry Transformation - Why Software Development Must Mature Welcome to the 2025 Xmas special - a five-episode deep dive into how software as an industry needs to transform. In this opening episode, we explore the fundamental disconnect between how we manage software and what software actually is. From small businesses to global infrastructure, software has become the backbone of modern society, yet we continue to manage it with tools designed for building ships in the 1800s. This episode sets the stage for understanding why software development must evolve into a mature discipline. Software Runs Everything Now "Without any single piece, I couldn't operate - and I'm tiny. Scale this reality up: software isn't just in tech companies anymore." Even the smallest businesses today run entirely on software infrastructure. A small consulting and media business depends on WordPress for websites, Kajabi for courses, Stripe for payments, Quaderno for accounting, plus email, calendar, CRM systems, and AI assistants for content creation. The challenge? We're managing this critical infrastructure with tools designed for building physical structures with fixed requirements - an approach that fundamentally misunderstands what software is and how it evolves. This disconnect has to change. The Oscillation Between Technology and Process "AI amplifies our ability to create software, but doesn't solve the fundamental process problems of maintaining, evolving, and enhancing that software over its lifetime." Software improvement follows a predictable pattern: technology leaps forward, then processes must adapt to manage the new complexity. In the 1960s-70s, we moved from machine code to COBOL and Fortran, which was revolutionary but led to the "software crisis" when we couldn't manage the resulting complexity. This eventually drove us toward structured programming and object-oriented programming as process responses, which, in turn, resulted in technology changes! Today, AI tools like GitHub Copilot, ChatGPT, and Claude make writing code absurdly easy - but writing code was never the hard part. Robert Glass documents in "Facts and Fallacies of Software Engineering" that maintenance typically consumes between 40 and 80 percent of software costs, making "maintenance" probably the most important life cycle phase. We're overdue for a process evolution that addresses the real challenge: maintaining, evolving, and enhancing software over its lifetime. Software Creates An Expanding Possibility Space "If they'd treated it like a construction project ('ship v1.0 and we're done'), it would never have reached that value." Traditional project management assumes fixed scope, known solutions, and a definable "done" state. The Sydney Opera House exemplifies this: designed in 1957, completed in 1973, ten times over budget, with the architect resigning - but once built, it stands with "minimal" (compared to initial cost) maintenance. Software operates fundamentally differently. Slack started as an internal tool for a failed gaming company called Glitch in 2013. When the game failed, they noticed their communication tool was special and pivoted entirely. After launching in 2014, Slack continuously evolved based on user feedback: adding threads in 2017, calls in 2016, workflow builder in 2019, and Canvas in 2023. Each addition changed what was possible in organizational communication. In 2021, Salesforce acquired Slack for $27.7 billion precisely because it kept evolving with user needs. The key difference is that software creates possibility space that didn't exist before, and that space keeps expanding through continuous evolution. Software Is Societal Infrastructure "This wasn't a cyber attack - it was a software update gone wrong." Software has become essential societal infrastructure, not optional and not just for tech companies. In July 2024, a faulty software update from cybersecurity firm CrowdStrike crashed 8.5 million Windows computers globally. Airlines grounded flights, hospitals canceled surgeries, banks couldn't process transactions, and 911 services went down. The global cost exceeded $10 billion. This wasn't an attack - it was a routine update that failed catastrophically. AWS outages in 2021 and 2023 took down major portions of the internet, stopping Netflix, Disney+, Robinhood, and Ring doorbells from working. CloudFlare outages similarly cascaded across daily-use services. When software fails, society fails. We cannot keep managing something this critical with tools designed for building physical things with fixed requirements. Project management was brilliant for its era, but that era isn't this one. The Path Ahead: Four Critical Challenges "The software industry doesn't just need better tools - it needs to become a mature discipline." This five-episode series will address how we mature as an industry by facing four critical challenges: Episode 2: The Project Management Trap - Why we think in terms of projects, dates, scope, and "done" when software is never done, and how this mindset prevents us from treating software as a living capability Episode 3: What's Already Working - The better approaches we've already discovered, including iterative delivery, feedback loops, and continuous improvement, with real examples of companies doing this well Episode 4: The Organizational Immune System - Why better approaches aren't universal, how organizations unconsciously resist what would help them, and the hidden forces preventing adoption Episode 5: Software-Native Organizations - What it means to truly be a software-native organization, transforming how the business thinks, not just using agile on teams Software is too important to our society to keep getting it wrong. We have much of the knowledge we need - the challenge is adoption and evolution. Over the next four episodes, we'll build this case together, starting with understanding why we keep falling into the same trap. References For Further Reading Glass, Robert L. "Facts and Fallacies of Software Engineering" - Fact 41, page 115  CrowdStrike incident: https://en.wikipedia.org/wiki/2024_CrowdStrike_incident  AWS outages: 2021 (Dec 7), 2023 (June 13),  and November 2025 incidents  CloudFlare outages: 2022 (June 21), and November 2025 major incident  Slack history and Salesforce acquisition: https://en.wikipedia.org/wiki/Slack_(software)  Sydney Opera House: https://en.wikipedia.org/wiki/Sydney_Opera_House About Vasco Duarte Vasco Duarte is a thought leader in the Agile space, co-founder of Agile Finland, and host of the Scrum Master Toolbox Podcast, which has over 10 million downloads. Author of NoEstimates: How To Measure Project Progress Without Estimating, Vasco is a sought-after speaker and consultant helping organizations embrace Agile practices to achieve business success. You can link with Vasco Duarte on LinkedIn.

It's not a Kiwi summer without Six60, and the county's highest selling live band is rolling on. They've dropped their latest single, ‘We Made It', coming in the wake of their bestselling Australian performance at the Sydney Opera House. They'll also have the honour of being the first live act to perform at the new One NZ Stadium in Christchurch and are curating a new country and roots music festival, taking place this summer in Matakana. Lead singer Matiu Walters told Heather du Plessis-Allan it's just a one-day festival at the moment, but they have plans to grow. “It's definitely a tough time for the arts, music, and for everyone really, to be fair,” he said. “We didn't, we never want to kind of just, to like, rest on our laurels.” Over the years they've been performing, Six60 has smashed records, being labelled as the country's first-ever Chart Icon at the 2025 Aotearoa Music Awards, and Walters says their drive stems from their desire to do “cool stuff”. “Our goal was, was always just to write and perform music, and my purpose is to sing and play guitar, and all these things that kind of happened around us,” he told du Plessis-Allan. “We're aspirational dudes.” LISTEN ABOVE See omnystudio.com/listener for privacy information.

Former federal Liberal treasurer Josh Frydenberg seems like a man destined to return to politics as he unleashes a furious tirade against Anthony Albanese, accusing the government of standing by while anti-Semitic hatred and radicalisation gripped Australia.See omnystudio.com/listener for privacy information.

Patrick opens with the aftermath of a brutal terror attack at a Sydney Hanukkah party, recounting piercing eyewitness accounts and confronting the painful reality of anti-Semitic violence. Voices from callers and commentators collide, forcing difficult questions about ideology, Western society, and faith, while Muslim perspectives challenge the boundaries of silence and condemnation. The episode veers between prayer, outrage, and searching for answers in a world shaken by relentless extremism. Audio: Bondi Beach Hanukkah Attack Kills 15 (01:00) https://x.com/TheocharousH/status/2000218949938545077?s=20 Audio: Douglas Murray "Something is going to happen, and Americans need to GET READY." (02:39)https://x.com/ImtiazMadmood/status/2000249424291787154?s=20 Audio: Muslim murders - They were father and son, reportedly from Pakistan https://x.com/libsoftiktok/status/2000309636675846266?s=46&t=m_l2itwnFvka2DG8_72nHQ (05:08) Audio: Eyewitness of Australia terror attack says the terrorist was firing for 20 minutes while cops were frozen in place (07:53) https://x.com/libsoftiktok/status/2000234562694103089?s=20 Francis - The clip you just played is right on the money. I am concerned that this will happen in America. (11:55) Timeline of Muslim terror attacks over the years (15:34) AUDIO: Australian Muslim: “Jihad is definitely part of our religion. Allah prefers and rewards Muslims who directly fight our infidel enemies more than those who do nothing.” (22:45) https://x.com/realmaalouf/status/2000300836635967534?s=46&t=m_l2itwnFvka2DG8_72nHQ Audio: Muslim Emirati commentator AQ Almenhali discuss the motivations behind Islamic attack on Jews in Australia (24:46) https://x.com/MarinaMedvin/status/2000219724223807806?s=20 Audio: Eight years ago, the UAE’s Foreign Minister HH Sheikh Abdullah bin Zayed issued a warning to the West (27:44) https://x.com/visegrad24/status/2000209485793484889?s=20 Sam - I want to add to your list. I am a Christian from Iraq and left when I was 14. Ottomans killed Christians who wouldn't convert 100 years ago and forced Bishops to watch. We need to wake up. (28:53) Audio: Just hours after the October 7th Massacre, a large crowd of migrants gathered in front of the Sydney Opera House to celebrate and chant: “Gas the Jews” (36:27) https://x.com/visegrad24/status/2000229487888507018?s=20 Audio: Lauren Southern in 2015 - Islam is dominating. Lauren Southern is a Canadian commentator and author known for her commentary on immigration, feminism, and Islam. (37:34) https://x.com/AntonioTweets2/status/2000228194666840420?s=20 Richard - Banning a religion by name is prohibited by 1st Amendment but we can limit Muslim immigration. We could do this immediately. US has been fighting Muslims since the beginning. I hope the Church would step forward to convert Muslims. (41:16) Here is the list Patrick read about Muslim terrorist attacks: 1979 The Iranian Embassy Takeover = Muslims1983 The Beirut Embassy bombers = Muslims1983 The Beirut Marine bombers = Muslims1985 The Achille Lauro Hijackers = Muslims1988 The Pan-Am #103 Bombers = Muslims1993 The First WTC bombers = Muslims1994 The Air France Hijackers = Muslims1994 The Buenos Aires bombers = Muslims1996 The Khobar Towers Bombers = Muslims1998 The Kenyan U.S Embassy = Muslims2000 The U.S.S. Cole Bombers = Muslims2001 The Shoe Bomber = Muslim2001 The 9/11 hijackers = Muslims2002 The 2002 Bali Nightclub = Muslims2002 The Moscow Theatre Attackers = Muslims2002 The Beheading of Daniel Pearl = Muslims2002 The Beltway Snipers = Muslims2004 The Madrid Train Bombers = Muslims2004 The Besian School Attackers = Muslims2005 The 7/7 bombers = Muslims2005 The 2005 Bali Bombings = Muslims2008 The Bombay Attackers = Muslims2009 The Fort Hood Shooter = Muslim2009 The Underwear Bomber = Muslim2012 The Libyan U.S. Embassy Attack = Muslims2013 The murder of Lee Rigby = Muslims2013 The Boston Marathon Bombers = Muslims2014 The Yazidi Massacre of 2014 = Muslims2015 The Charlie Hebdo Attacks = Muslims2015 The San Bernardino Attacks = Muslims2016 The Ankara Airport Attack = Muslims2016 The Beheading of French priest = Muslims2016 The Minnesota Mall stabbings = Muslim2016 The Nice Attack = Muslim2016 The Orlando attack = Muslim2017 The Westminster Attack = Muslim2017 The Manchester Arena bombing = Muslim2017 The London Bridge Attack = Muslims2018 The Surabaya bombings = Muslims

AJC Director of Campus Affairs Moshe Lencer was on his first visit to Australia when the unimaginable happened. Hours after he enjoyed the sun at Sydney's Bondi Beach, it became the site of an antisemitic terrorist attack, leaving 15 people, including a child and a Holocaust survivor, dead. Moshe recounts attending a student leadership shabbaton, in partnership with Australia's Union for Jewish Students (AUJS), and the immediate aftermath on the ground—a mix of helplessness and resolve—and the powerful scene at Bondi Beach the following day, as Jews and non-Jews gathered to mourn and show solidarity. Reflecting on the rise of antisemitism in Australia, Moshe—speaking as an outsider to the community—underscores the guiding principle of Australian Jews at this moment: "If we stop celebrating Jewish identity, it means they won."  Read Full Transcript: https://www.ajc.org/news/podcast/ajcs-asia-pacific-institute-on-how-australias-government-ignored-the-warning-signs-before Resources: -What To Know About the Antisemitic Terror Attack in Sydney -Take action: Urgent: Confirm U.S. Special Envoy to Monitor and Combat Antisemitism Listen – AJC Podcasts: -Architects of Peace -The Forgotten Exodus -People of the Pod Follow People of the Pod on your favorite podcast app, and learn more at AJC.org/PeopleofthePod You can reach us at: peopleofthepod@ajc.org If you've appreciated this episode, please be sure to tell your friends, and rate and review us on Apple Podcasts or Spotify. Transcript of the Interview: Manya Brachear Pashman:     As the sun began to set in Australia on Sunday, more than 1000 gathered on Bondi Beach in Sydney to celebrate the first night of Hanukkah by the Sea, but at about 6p m, terrorists fired into the crowd, killing at least 15 and wounding dozens more. Students with the Australasian union of Jewish students had just wrapped up a Shaba tone before they headed to Bondi Beach and our own AJC, Director of Campus affairs, Moshe Lencer, whom we affectionately call Moosh, was there with him shortly before the attack, and he's with us now. Moosh, welcome to people of the pod. Moshe Lencer:     Thank you for having me.  Manya Brachear Pashman:     Well, I wish it were under very different circumstances. How are you doing and how are the students doing that you are spending time with there? Moshe Lencer:     It's a wonderful question, and the more I think about it, the less I have a clear answer. It's a combination of helplessness, and in the same time, desire towards hope and trying to figure how to move through this very dark time. The last 24 hours, a little bit more than that have been very interesting is this has been my first time ever in Australia. I landed here Friday morning. Right now, for context, it's Monday night, and until about 6pm on Sunday, it was a very pleasant, positive experience, filled with moments of Jewish pride and joy. The reason I'm in Australia, even in this moment, is time, is AJC has a partnership with the Austra Asian union of Jewish students known as AJUS. Which is the student organization that focuses on Leadership for Jewish students in Australia and New Zealand.  And I was invited to take part in a shabaton that was held just outside of Sydney with student leaders from both Australia and New Zealand. The weekend was filled with laughter and joy and happiness, and we were making edible chanukias before the holiday, we were talking about ways to advocate for what students needs and for what they need. We even finished the day with kayaking, and there was a lot of happiness and a lot of desire, because, as I learned recently, and I should have understood before by being in the southern hemisphere. This is the beginning of summer. This is the first few weeks when people finish the school year and they're enjoying it. They're celebrating. And that's why the dates were chosen.  So it's like beautiful and it's sunny, and we were expelled and everything. And as we were about to start celebrating a holiday that's all about our community and resilience, our resilience was tested again, and now as just over a day into it, we're still trying to see what we can do and how to move forward and support the community right now as it's hurting. Manya Brachear Pashman:     You were actually at Bondi Beach shortly before the attack. Can you kind of describe the environment and why you were there in the first place? Moshe Lencer:     Yeah, of course, as mentioned, we were doing the shabbaton, and the programming ended around 3pm and it's summer. It's the first few days of summer. If you Google, what can you do, or what should you do and see in Sydney, the first few things people will see will be the Opera House, which is, I think, the most iconic place in the city. And then the second thing is go. It says, Go to Bondi Beach. It's such a big piece of the community here and where people go. It's also super close to where most of the Jewish community lives. So we were saying, okay, the shabbaton is done. A lot of the people are now local. What can we do in between? Before people hop on trains and flights and everything? Let's go to Bondi Beach. We all met up at the frozen yogurt location that's very iconic there very that chain itself was very connected to Sydney, and the participants just went there as an unofficial thing. I got there a little bit after just exploring. I said, my first time in Australia, like, Okay, what do I do? I go to Bondai beach. I walked around there. I was seeing this. It's the first week of summer school. Just ended. The beach was packed. It was sunny, beautiful, everything. I don't think there was a person in Sydney that wasn't at the beach yesterday, and I left the beach at around 510, ish, heading towards dinner with the student leaders at the Opera House. Because if I'm already there, I need, I should see everything else. Manya Brachear Pashman:     And so why having, having walked that beach, why was there a Hanukkah celebration there? Can you tell our listeners who may not be familiar with who organized it, and why was the first night celebration? Operation scheduled for that, but that Hanukkah by the sea? Moshe Lencer:     Yeah, of course, Hanukkah by the Sea was one of several events that were held yesterday by the Jewish community. Here. It had over 2000 people, but and it wasn't the only one. There were many events that were designed to celebrate, to have joy. Hanukkah is a holiday of lights, the community here, the geography here is that for a lot of us, Hanukkah, as a holiday, happens in the cold, in the winter, and this is the beginning of summer. You know, it's summer we go to the beach. I was joking with them that their Christian friends do Christmas in July, just so they can have snow or cold associated with the holiday. And just to think about it, right? So going to the beach, going to the where that's part of their culture, the culture here. So there were other events not even far from it. It was the best way to celebrate it. And Chabad of Bondi is a community that's growing, and it's community. It's beautiful, and it's using different aspects of of the tapestry that is the Jewish community of Sydney. So it's more of like, why not do it here? Why not have it there? It's, you know, it's the most connected to what's going on. It's, would have been surprising if they weren't doing something here. Manya Brachear Pashman:     Was there in a giant menorah on the sands of the shore? Or how did they have it set up there? Moshe Lencer:     I will be honest that I missed the preparation. But from what I've seen, though, you know, it's Chabad. They bring giant menorahs wherever they go. I even today they brought a giant menorah to light right there, because this is the core of what Chabad is, is to bring the light, to bring the essence of Judaism, where everyone might go. I walked also today by another location that wasn't far, which had another Hanukkah event yesterday with rides and everything. And they still had the hanukkiah there. That also was a huge Hanukkah. It was, there wasn't hiding of what is going on. You know, the people saw the flyer for what was going on. It was very public. There wasn't a feeling that this holiday should be celebrated in closed doors and hidden from the public. Manya Brachear Pashman:     So you had mentioned earlier offline that you went back to Bondai Beach with the students that you were there to observe the Shabbaton with. Can you tell me what the scene is the day after? Moshe Lencer:     I arrived there today with, with the senior leadership of AJAS who, for context, these are college age students that have tremendous amount of responsibility and leadership and ability. They oversee Jewish students across the whole continent and New Zealand, just to explain. And these are people there in their early 20s, and today, it was very important for them to make sure that we stop by and pay their respects. We have flowers and we want to go and stop at the site. And we weren't the only people with this idea. And what, from everything in my understanding, was a combination of very structured and a very spontaneous situation. People showed up with flowers and stones to mark they were there, and candles and stuffed animals and ways to make sure that the location is not going to be seen as something that isn't important and isn't marked what the horrible scenes was there.  We got there, and I would say, there were, let's say about 100-120 sets of flowers. And then we stood there for another hour and a half, and I think it quadrupled, if not more, in that hour and a half. And it was just lines and lines of people. And what was very also noticeable, these were not just Jewish people, not Jewish and just Jewish individuals. I saw people of faith from different religions. I saw people walking with groceries and putting on flowers and heading back. I said, Children, I don't think there's someone in this whole area, and could have been even outside of Sydney that didn't want to stop and pay their respects because of how horrible that's the situation last night was, and how much it hurt the community, the Jewish community, of course, as being a part of the victims, not just the Jewish community that goes to Bondi, but also the community of Sydney. Many dignitaries have visited the sites in the last 24 hours, and. Um, there were several moments of spontaneous singing. There were, it was Hebrew singing, and it was started by different groups in different moments. It was just ways to those standing there to kind of find some silence in it. It was an attempt. And I'm saying an attempt, because I don't think anything can really help but an attempt to try to start processing, and I'm not going to be worried, and I cannot speak to the community itself as because I'm an outsider, I am fortunate enough to be connected to the members here and to those that are really trying to do what they can to continue and to move forward, but it is an outsider seeing something like this actually, there's some beauty and community and very, very dark times, and to know that it's not just the Jewish community helping each other, but It's the whole community here that they're showing up, just shows there might be some, some hope. Manya Brachear Pashman:     Was this out of the blue? I mean, in your conversations with people there on the ground, was this shocking? Or have they sensed a slow motion journey to this point? Moshe Lencer:     Antisemitism in Australia has been on the rise for a while now. Since October 7, a lot of events have happened, if it's been synagogues that were set on fire, and if it was individuals that would threaten children right outside of their kindergarten, if it was swastikas being spray painted, as I mentioned, the shabbaton started Friday. I landed at 9am on Friday, and I needed to be at our meeting place that was a main synagogue in Sydney at 11am meaning that my time I went through customs, got all my stuff, I just Uber directly there with my luggage. When I got to the synagogue, I was greeted by a security guard who looked at me and he was very confused of why a person he doesn't know stands outside of his synagogue with luggage. The first thing he told me is like, you're not allowed to walk in with luggage into a synagogue in Australia, and I understood exactly why he was saying this. They don't know me. They don't know what's in my luggage. Don't what can come out of my luggage. All of this story to say is that there, there is this tension. And I said it to him, and I said it when I walked in it I really was appreciative that would everything the security guard, no matter what, no matter what I was saying that was like, You're gonna open your luggage, I'm gonna go through everything you have to make sure that you're no matter we're gonna tell me, I'm making sure that there's nothing here that can harm this community. So the people are taking their job seriously with that being said, Australia as a whole has been lucky to never have events like this, not just on the antisemitism. They have never had this large of a terrorist attack and its soil.  So it's one of those they're preparing to for what they know, not what they thought would ever be gun laws on like the US are a lot more stricter there. It's very uncommon to even have weapons so easily. I'm not going to say that people saw it specifically coming. They felt like there is a slow simmer of events. Something's going to happen. No one thought this scale of horrible event can happen, because there was never a scale of this horrible event to a point where it's not a culture like the Jewish community in the US that checks its media and the updates every five minutes that three four hours after event yesterday in downtown Sydney, people were not even aware what was going on in other places, because what they didn't have to check the news. The Jewish community, of course, did. We were told to shelter in places. Everything happened. But if you were someone that is not connected Jewish community in Sydney, and you were in downtown Sydney, and which is in a different part by the Opera House, there's a huge chance you had no it was going on because you didn't need to, because you didn't think that you didn't think that you need to think that something's going to happen. And then moving forward to today, the whole feeling shifted. I got into an Uber that took me to the area, and his first reaction was, I really hope nobody's going to try to shoot you without even knowing I'm Jewish or not, he just like all he knows it was that there was a horrible attack last night in that geographical area. Manya Brachear Pashman:     So it's kind of shocking that you landed at 9am and by 11am you were already introduced to the precautions. That they took and the severity with which they with which they took them, and then not even 48 hours later, the worst. What can we do here in the United States or anywhere in the world where people might be listening to this podcast? What can we do to bring comfort, to bring solace, to show support that really will make a difference. Moshe Lencer:     Everything I've noticed, I'll say that out of what I've been noticing. And then AJUS has actually just launched about 45 minutes ago, a new initiative that they're asking the community, and when I say in community, I mean the Jewish community at large around the world, to share how they're spreading light right now and this holiday, send videos and pictures of lighting the menorah. It's already the second night of Hanukkah. Here it's right now, 10:34pm on Monday, while the day is only starting in the US. So they're, you know, they're far ahead at 16 hour difference. They want to see, they want to feel that the community and the Jewish pride and joy is still going through this. They're the community as it's hurting and it's trying to recover from this, is also trying to show that there is still a vibrant Jewish community, because at the core of this event is to have us hide and is to have us stop being who we are, and to have an if we stop celebrating Jewish identity means they won. They mean that they got exactly what they wanted by actively attacking us and killing us. They're also stopping us from continuing to be the community that we want to be. So that's one thing.  The other thing we're that I am seeing again, I don't want to speak for the community itself. I'm just saying from my experiences with it is to make sure that if you have any interaction with decision makers, if it's in Australia, or diplomats that represent Australia around the world, or even in your own country, that can make any type of public comments. As I said, it was simmering for a while, this didn't show up out of nothing. They didn't expect this horrible thing because, like I said, there was no precedent. But it didn't mean they weren't saying something's going to happen. Australia understood something's going on. But I think right now, what we need to do is putting some pressure to make sure that they're taking a lot more seriously here in Australia, they're taking it a lot more seriously around the world that after two years, when we were saying, this is not just about what they are using, the word of Israel is the fault. We're not against the Jews. It is. It is against the Jews. The lighting of a Hanukkah and Sydney, well, there's a cease fire. Has nothing to do with Israel has all to do with Jewish identity and community, and that's what we need right now to make sure that, you know, we're speaking out. We're making sure that elected officials, those that can make difference, are making a difference. Manya Brachear Pashman:     You talked about the past two years that there has been a rise of antisemitism since October Seventh. And just a few days after October 7, you also mentioned the Opera House. The Sydney Opera House was illuminated in blue and white, the colors of the Israeli flag to show solidarity after the terror attack, and yet, there were protesters outside yelling and some yelling antisemitism, and I'm curious if there has been any indication or expression of similar sentiments in the days after this terror attack. Moshe Lencer:     From my conversation so far with the community and from everything I saw, at least today at Bondi, it seems like the larger community is right now hurting for the Sydney, its own geographical syndicate community, for the Jewish community within its community, said I saw people Fate of different faiths there, very visibly from others right now, and I don't want to, want to knock on wood, I haven't heard or seen anything with that being said. Sorry, let me track this. I do know this morning, as people were putting down flowers, there were some videos of people wearing kefirs, they were actively trying to explain the connection between the shooting in their beliefs, and were trying to intimidate and interrupt as people were trying to mourn and the site. But it was very anecdotal. I believe was one or two people at most, and that does not represent a much larger thing. Just in comparison, as you mentioned that on October 9 that the bridge area in Sydney saw a protest that had hundreds of people. So it's a very different thing. With that being said, we're only 24 hours into this. Our community knows that sometimes we get a short grace period and then it flips. So I'm hoping that by the time this airs what I am saying won't change. Manya Brachear Pashman:     You and me both. Well, you reminded me of the 16 hour time difference. It reminded me that on New Year's Eve, I always tune in to watch the fireworks in Australia, because they're always the first to ring in the new year. And it, to me, is kind of a early first sign of hope for great things to come in the new year, and then I don't want to wait. In other words, I always tune into Australia for that sign of hope and of newness. So I hope that this is I hope that a page turns in Australia for the better, not for the worst. So moosh, thank you very much for joining Moshe Lencer:     Thank you for having me.    

Once considered a haven for Jews, Australia is reeling after a deadly Hanukkah terror attack at Bondi Beach left 15 dead—the tragic outcome of skyrocketing hate. AJC Asia Pacific Institute Associate Director Hana Rudolph joins the podcast to unpack the crisis, revealing that despite over 2,000 antisemitic incidents in the year following October 7, the government dropped the ball. Hana details how political inaction and a fear that "supporting Jews is not politically popular" have allowed extremism to fester. She criticizes the delay in implementing the recommendations set forth by Australia's Special Envoy to Combat Antisemitism, noting the government's failure to move beyond basic security measures. Listen as she explains why global pressure is now urgent to ensure Australia takes this massive gap seriously before more lives are lost. Read the Full Transcript: https://www.ajc.org/news/podcast/ajcs-asia-pacific-institute-on-how-australias-government-ignored-the-warning-signs-before Resources: -What To Know About the Antisemitic Terror Attack in Sydney -Take action: Urgent: Confirm U.S. Special Envoy to Monitor and Combat Antisemitism Listen – AJC Podcasts: -Architects of Peace -The Forgotten Exodus -People of the Pod Follow People of the Pod on your favorite podcast app, and learn more at AJC.org/PeopleofthePod You can reach us at: peopleofthepod@ajc.org If you've appreciated this episode, please be sure to tell your friends, and rate and review us on Apple Podcasts or Spotify. Transcript of the Interview: Manya Brachear Pashman:    For more than 30 years, American Jewish Committee's Asia Pacific Institute has found Australia to be a nation that has stood shoulder to shoulder with the Jewish people and Israel. But that sense of steadfast support has started to fray as antisemitism has risen exponentially. The massacre at Bondi Beach on the first night of Hanukkah was only the latest and deadliest in a string of antisemitic incidents over the past two years. Here to discuss how we got here is Hana Rudolph, associate director of AJC's Asia Pacific Institute. Hana, welcome to People of the Pod.  Hana Rudolph: Thank you so much for having me.  Manya Brachear Pashman:   Well, I want to ask you first, can you kind of introduce our listeners to the Australian Jewish community? How many people are we talking about? What is their history in Australia? Hana Rudolph: The Australian Jewish community is one of the most historic, long standing communities in the Asia Pacific. It dates back to 1788. So we're talking 18th century over 100,000 Jews. They're a diverse community. They reside primarily in the cities of Melbourne and Sydney, but they range in terms of practice, in terms of political views, similar to as we see in Europe or the US. There's some level of debate in terms of what, what percentage of the population it comprises, but somewhere between .5- 1% of the population. Manya Brachear Pashman:   And has Australia been a friendly country for the Jewish community for all of that time, and at least until recently?  Hana Rudolph: Yeah, absolutely. It has been a deep, close friend of Israel. Israeli diplomats have described Australia as an even closer partner to Israel at the UN and in other global forums than even the US. Jews have been living there for centuries, and have oftentimes described Australia as being like a haven. No matter the antisemitism that increases in Europe or in the US, Australia has been safe. It is the one place besides Israel, where they feel they can live in security. So the surge in antisemitism we've seen, especially since October 7, has just been so much more alarming and frightening and shocking for the community, because they just haven't seen incidents at this level anytime prior.  Manya Brachear Pashman:   What is it about Australia's community? I mean, I know that there's been a lot of emphasis on a kind of, give everyone a fair go, right? There's a lot of emphasis on equality. Is that what guides this kind of welcoming atmosphere? Or why are they such good friends with Israel? Is there something about the culture?  Hana Rudolph: Yeah, Australia takes a lot of pride in its multiculturalism, the harmony and diversity, social cohesion, so they've placed a lot of emphasis on that in terms of, like, the national culture, and I think that's part of what's led to such a safe, thriving space for the Jewish community for so long until now. Manya Brachear Pashman:   So what changed? Hana Rudolph: Million dollar question, right? October 7. It's really important to note that, you know, there have been threads of antisemitism from well before October 7, right? Things don't just happen overnight. And in the Hamas attack took place on October 7, before Israel had even begun its defensive war to recover the hostages and to complete its aims, on October 9, there was a massive protest in front of the Sydney Opera House, and people were yelling, were holding signs, yelling slogans of, where is the Jews, F the Jews. Some accounts of them saying, gas the Jews.  I mean, we're talking about, there's no linkage here of like, Israel's counter defensive war. It's simply about terrorists attacked Israel. Now is a good time for us to talk about like, go find and hunt down the Jews. So October 7 was the trigger. But in the years since, there has been what the Australian Jewish community has really pointed to, a failure of the Australian Government to take the concerns of antiSemitism seriously. So in the year following October 7, there were over 2000 incidents of antiSemitism, which, if you if you break it down by day like it's horrific, especially when you think about the fact that the Jewish community primarily resides in two cities. So we're talking about 2000 incidents over two cities, primarily.  And then in this last year, it was over 1600 incidents. And the Australian government has sought to be responsive. In many ways. They've done $30 million grants for security. They have committed to restoring synagogues that were fire bombed and all of that. But in a lot of ways that matter, kind of going beyond just simply police protection, but more about how do you fundamentally change the way that a society thinks about its Jewish community? They've really dropped the ball and we're seeing the impact of that now.  Manya Brachear Pashman:   What efforts have been made on the part of the Jewish community to change that? In other words, what advocacy have we seen from Australian Jews and their partners?  Hana Rudolph: They've done everything we can, right, like in this they the Australian Jewish community is well established. They operate very similarly to European Jewish communities or American Jewish communities. So they have both umbrella organizations, and they also have advocacy organizations that run the gamut in terms of political viewpoints. AJC's partner organization, AJAC, the Australia Israel Jewish Affairs Council, has been very active in this space. And they have sought to work with leaders in both Maine political parties to call for various reforms. There has been a special envoy that was appointed by the government, which we laud in July 2024 in July 2025 she released a report containing about 50 recommendations for whole of society action, so some highest levels of government going all the way down to society, museums, media, schools, other institutes and just nothing has been done with the report.  The government has not considered it. It has not acted on the recommendations, and we're talking about five months since that report was released. The Jewish community has really sought to emphasize that this is not simply a reaction to understandable public concerns about Israel's foreign policy, but rather, there is a deeper issue of antisemitism going on that the government needs to take seriously, and that's really where we're seeing just inaction. Manya Brachear Pashman:  We talk a lot here at AJC about the sources of antiSemitism from the right, from the left, from Islamist sources. Where is it coming from? Primarily in Australia?  Hana Rudolph: Yeah, it's a really interesting question, especially in Melbourne. My understanding is that the protests that were taking place weekly until the cease fire, and even now it's continued on, but it's morphed a little bit. But those weekly protests were drawing in, similar to what we see in the US, both the far left, people wearing keffiyehs, people calling for Palestinian rights. The same as we see in the US, and then also people on the far right. So it does draw an interesting mix of political views, united in their hatred of Jews and Israel. Manya Brachear Pashman:   And what about Islamist sources? Is that separate? Hana Rudolph: Yeah, so especially cities like Melbourne, that is part of the challenge. Melbourne has a high Muslim population. In all of Australia there, the Muslim population is something like 3% but it's one of the largest growing demographics. And in places like Melbourne, I don't know the number offhand, but it has a significantly larger impact on in terms of demographics, in terms of like, how politicians think about their voting, and so that's why you see Australian Jewish leaders pointing to like Alex rivchin from The Executive Council of Australian Jewry, has talked publicly about supporting Jews is not politically popular. Politicians aren't willing to risk that support because of the political costs they see, I think, primarily from Muslim voters. So Melbourne, especially where the protests have been particularly violent. Obviously, this took place in Sydney, so the violence is happening there too. But in Melbourne, where we've seen protests that turned violent previously, too, there's been real concern about the Muslim population. They're kind of feeding that. The Executive Council of Australian Jewry recently won a lawsuit. Within the last year, won the lawsuit against a Muslim clergy member who was in November 2023 so we're talking one month after the Hamas terrorist attacks. So one month later, he was doing a series of lectures describing Jews as pigs, as treacherous, like all these kinds of horrific caricatures. And so thankfully, this lawsuit, the Jewish community won. But this is the kind of situation, and that's one example, and maybe a more extreme example, but these are the kinds of situations that the community is running up against.  Also in February 2024 there was a viral video of two Muslim nurses talking about how they would kill any Jews who were their patient, or Israeli or Israelis who were there. I'm sorry, I don't actually know what I just said. There was a video. There was a video that went viral of two Muslim nurses talking about how they would kill any Jewish or Israeli patients that they had and that they had already, was the insinuation as well. And so the lawsuit is ongoing for them, but they have faced criminal charges. They have had their licenses revoked, but there was also significant Muslim community pushback to the consequences that they face, which is also really alarming and disturbing. Manya Brachear Pashman:   Of the 49 recommendations that were mentioned in the special envoy's report, Which ones do you think should be the priority going forward? You can't implement them all at once. Hana Rudolph: There's a lot of overlap between what the antisemitism envoy Jillian Siegel has recommended in her report, and what has been recommended through things like the Global Guidelines for Countering Antisemitism, which AJC supports. So I would say things like the enforcement of hate crime that's a huge priority. There are various ways in which the special envoys plan notes how Australia's law enforcement can deepen their efforts. And I think there is, there is some positive there is some positive movement to that end. Now, following this attack, there was an announcement following the recent cabinet meeting of the Australian Prime Minister and his cabinet talking about a hate crime database and so forth. So these are positive things we're also highlighting from the Special Envoys report, things like engaging social media, countering the disturbing narratives that we see there, and establishing better standards. And then also education, and I think that's a really core point. So how do you promote Holocaust education, antisemitism education and so forth and that we need the government's help, but also it can be done through other institutions as well. Manya Brachear Pashman:   Can you kind of share, kind of what AJC's advocacy, what you've learned, and what is AJC hearing and doing for Australia? Hana Rudolph:  I mean, I think the number one takeaway that Ted [Deutch] and Shira [Lowenberg] had after visiting Australia, and they visited Melbourne, Canberra and Sydney. Canberra being the capital. Was just the the other shock at how much the community has been shaken by this massive spike in incidents. I think the last year's total of over 2000 incidents was something like three times higher than the previous year. So we're really talking about a spike. So just the shock that the Jewish community is facing and reeling from. And the sense from government and law enforcement that the only reaction needs to be about keeping them safe. So in terms of like, the protests that were happening weekly in Melbourne, the government's response was to encourage the Jewish community to stay at home, to not go into the city center where the protests were taking place for their own safety, as opposed to how, like, how do you protect free speech, of course, but also you don't allow it to reach A level where you're concerned about a Jewish person's safety if they come close to the protest.  And similarly, just all of these measures that the Australian government has taken has really focused on security, you know, putting money towards law enforcement and and so forth, which is good, but nowhere near enough in terms of changing the slurs, the vandalism, the the arson attacks that has that have been on the rise over the past couple of years. So I think that was the first and primary takeaway that you know this, this massive gap between where the community is and how the government is responding.  And in terms of AJC's advocacy, we're really trying to amplify the Australian Jewish community's message here, which is exactly that, that there is not enough being done. The problem is immense, and the government needs to take this seriously. This is not so easy as just putting some money towards security, but we need to go much further. And why is this report from the antiSemitism envoy appointed by the government sitting there for five months without any recommendations being considered or implemented. So things like this, we're we're amplifying that message, not just to Australian diplomats and leaders that we have connections with, but also in the US, because the US Australia relationship is so important, and we know that the US administration cares about antisemitism, and they care about antisemitism abroad, so we're working in close coordination with the White House, with state, to make sure that Canberra also hears this message from the US. Manya Brachear Pashman:   Hana, thank you so much for joining us.  Hana Rudolph:  Thank you, Manya. It's a pleasure to join you.

In a powerful interview with Jewish advocate Alan Skorski, Australian broadcaster Erin Molan renewed her call for the global release of unedited Hamas body-cam and GoPro footage from the October 7, 2023, massacre, saying the world must be forced to witness the “celebratory joy” terrorists displayed while committing rape, murder, and mutilation. Molan, former Sky News Australia anchor and current host of The Erin Molan Show, visited the sites of the Nova music festival slaughter and ravaged kibbutzim last year. She told Skorski that what disturbed her most was not only the brutality itself, but the “reveling” and “celebration” captured on video by the Hamas terrorists as they burned babies alive, decapitated elderly residents, and paraded mutilated bodies. “These weren't just acts of murder,” Molan said. “They were laughing. They were proud. They were filming it like it was the greatest day of their lives.” The Australian broadcaster has emerged as one of the most outspoken non-Jewish voices against antisemitism and pro-Hamas apologism in the West. A year ago, she released a widely viewed video condemning the “moral decline” of Western feminists who remained silent—or worse, marched in solidarity with Hamas—after verified reports of systematic sexual violence against Israeli women and girls. Molan singled out conservative commentators Candace Owens and Tucker Carlson, accusing them of “Israel-bashing for clicks” and abandoning moral clarity in favor of contrarian outrage. She also excoriated her fellow Australians who stayed silent when pro-Hamas demonstrators gathered outside the Sydney Opera House days after the massacre chanting “Gas the Jews” and “Death to the Jews.” When Skorski asked whether Israel made a public-relations mistake by withholding the most graphic October 7 footage out of respect for victims' families, Molan said the majority of bereaved families she met personally told her they would have supported releasing the material if it could wake up the world. “Most of the families I spoke with said, ‘Show it. Let the world see what they did to our children, our parents, our babies,'” Molan recounted. The broadcaster, whose father served in Iraq against the Taliban, ISIS, and Al-Qaeda, drew direct parallels between the Islamist groups her father fought and the Hamas terrorists who proudly documented their own war crimes. Molan now travels internationally speaking primarily to non-Jewish audiences who she believes are vulnerable to Muslim Brotherhood-linked propaganda dominating social media and campuses. She asks listeners to imagine themselves in the place of Shiri Bibas, the young mother dragged away at gunpoint with her two red-headed sons—Ariel, 4, and 9-month-old Kfir—still held hostage in Gaza more than two years later. “What if that was you on the back of that motorcycle with your babies?” she challenges audiences. Warning that the Muslim Brotherhood's strategy is not tanks but indoctrination, Molan said Western nations—particularly France and Great Britain—have “opened their doors” to jihadist ideology while offering lavish welfare and political concessions. “Europe is losing its identity because it refuses to see the enemy within,” she said. “And until the world is forced to look at what happened on October 7—what Hamas is proud of—we will keep sleepwalking toward the same fate.” -VIN News Subscribe to Alan Skorski Reports Youtube at: https://www.youtube.com/@AlanSkorskiReports Alan Skorski Reports 10DEC2025 - PODCAST

Today we dive into the greatest live shows we've ever witnessed, from Lady Gaga blowing the roof off Melbourne to Michael Jackson arriving at the MCG in a rocket ship. From Ben Folds turning the Sydney Opera House into a one man symphony to the time Christian nearly talked Elton John into playing at an RSL.See omnystudio.com/listener for privacy information.

Come on a journey with us. A story of true love, as we watch Star Trek: The Next Generation's "Data's Day", one of the great romances of all time.  We speak, of course, of the relationship between Admiral Mendak and Subcommander Selok.  Also Miles and Keiko get married.  This is the third episode in our wedding series, and the first marriage between two enthusiastically consenting adults But is it? Is it really? Keiko is a controversial character for a lot of reasons, many of which boil down to sexism and racism, but ALSO her introduction here does her no favours Much like Deanna and Wyatt in "Haven", Miles and Keiko's relationship is written as if they are adolescents AND IT'S WEIRD We are obsessed with all the background details: Age Gap Couple! The USS Zhukov! 17 feline supplements! Helm Ken! Patricia Tallman!  Data considers Worf a kindred spirit, and we have to ask: does Worf feel the same way? One oblique hint at a time, we WILL make Beverly Crusher a three-dimensional character! LOVE the costumes in this ep, mostly, but we cannot endorse Keiko's hair chopsticks Not many people know this, but T'Pel's shark fin hat and Winn's Sydney Opera House hat are friends

Bienvenido al podcast Productividad Máxima. Hoy exploramos el Reloj Hofstadter: la idea de que todo proyecto tiende a prolongarse más de lo previsto, incluso si ya lo anticipamos. Para neutralizarlo, el método propone tres piezas simples: estimación al doble con colchón, recorte de alcance y cierre visible al final de cada bloque. Todo ello se ilustra con la historia del Sydney Opera House, cuyo calendario y presupuesto se desbordaron, recordándonos que la complejidad e imprevistos no son fallos sino parte del diseño; y que este fenómeno no es exclusivo de los gobiernos, también se aplica a tu lanzamiento, tu web y tu próxima campaña.En 60 minutos, el Reloj Hofstadter se aplica en tres bloques: define el final de forma medible, aplica la regla 2x con colchón para dejar margen ante lo inesperado y recorta el alcance a lo que “debe” hacerse. Añade dos prácticas simples: checkpoints cada 20 minutos y un cierre real al terminar cada bloque. Paula, copywriter, lo puso a prueba y logró publicar en tres bloques en dos días: una página de ventas en marcha, primeras ventas y datos para iterar. La idea clave: vender con una versión uno enseña más en una tarde que esperar la versión perfecta durante semanas. ¿Qué tarea crítica vas a convertir en tu versión uno hoy?Conviértete en un seguidor de este podcast: https://www.spreaker.com/podcast/productividad-maxima--5279700/support.Newsletter Marketing Radical: https://marketingradical.substack.com/welcomeNewsletter Negocios con IA: https://negociosconia.substack.com/welcomeMis Libros: https://borjagiron.com/librosSysteme Gratis: https://borjagiron.com/systemeSysteme 30% dto: https://borjagiron.com/systeme30Manychat Gratis: https://borjagiron.com/manychatMetricool 30 días Gratis Plan Premium (Usa cupón BORJA30): https://borjagiron.com/metricoolNoticias Redes Sociales: https://redessocialeshoy.comNoticias IA: https://inteligenciaartificialhoy.comClub: https://triunfers.com

Ask us anything! Horoscopes. Hot take it away. Darkest Days in M&A History. PLANK CALLS. LINKS If you've got something to add to the show, slide into our DMs @matt.and.alex CREDITSHosts: Matt Okine and Alex Dyson Producer: Bronwyn Dojcsak Sound Design: Linc Kelly Find more great podcasts like this at www.listnr.com See omnystudio.com/listener for privacy information.

Hon blev världsberömd självhjälpsguru med boken Eat, Pray, Love. Men en destruktiv relation och ett beroende fick henne att bara se en utväg döden. Lyssna på alla avsnitt i Sveriges Radios app. I det här avsnittet möter P3 ID författaren Elizabeth Gilbert som, hösten 2025, är aktuell med boken ”All the way to the river”. Det är en självutlämnande berättelse om att bli kär i sin cancersjuka bästa vän, för att sedan falla ner i ett mörkt hål av droger och förtvivlan. En historia som var nära att sluta i ett mord.P3 ID om Elizabeth Gilbert handlar om att falla offer - och sedan kapitulera - för ett missbruk. Om självhjälpskulturen, destruktiva relationer och droger. Och om att bekänna allt på det mest nakna vis.I avsnittet hörs också författaren Tone Schunnesson och Malena Ivarsson, klinisk sexolog och terapeut.Ljudklippen kommer från Oprah's Book Club, New York Times Modern Love, New York Public Library, Sydney Opera House, ABC, Border's Media, Ted Talk och filmerna Coyote Ugly samt Eat, Pray, Love.Avsnittet gjordes av Vendela Lundberg.Producent: Sally HenrikssonLjudmix: Fredrik NilssonProgrammet släpptes under hösten 2025 och gjordes av produktionsbolaget DIST för Sveriges Radio.

The Shiralee is a 1955 novel by D'Arcy Niland, telling the story of a wandering swagman on a journey through the Australian outback, accompanied by his 10-year-old daughter. It was made into a 1957 film by Ealing Studios, starring Peter Finch, and now it is being brought to the stage of the Sydney Opera House by the Sydney Theatre Company. Mark Burman talks to the show's cast and crew, including playwright Kate Mulvany, about this Australian classic's journey to the stage. This episode contains a reference to suicide. If you are suffering distress or despair and need support, you could speak to a health professional, or an organisation that offers support. Details of help available in many countries can be found at Befrienders Worldwide: befrienders.org.

Adam does a nested loop hypnosis session that has 6 levels of dissociation based on random places in the world like; The Sydney Opera House, Empire State Building, Medieval England, a Helicopter and even Wonderland. To access a subscriber-only version with no intro, outro, explanation, or ad breaks with just the hypnosis and nothing else, click subscribe. To access all hypnosis-only versions and exclusive subscriber sessions and have invitations to live hypnosis sessions over Zoom, tap 'Subscribe' nearby or click the following link.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://creators.spotify.com/pod/profile/adam-cox858/subscribe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Kathy talks about surviving Trump, the Groundlings, Stand-up, her parents who loved show biz, Sia, Joan Rivers, relationships, dating younger guys, saving every dime, and why she made Jay pay for their date. Bio: Two-time Emmy and Grammy award-winning comedian Kathy Griffin is a towering figure on television, on tour and in publishing. In 2013, Kathy was inducted into the Guinness Book of World Records for writing and starring in an unprecedented 20 televised stand-up specials - more than any comedian in history. In 2014, Kathy made history again with her 6th consecutive Grammy nomination and first win for Best Comedy Album (Kathy Griffin: Calm Down Gurrl), joining Whoopi Goldberg and Lily Tomlin as the only other female comedians to ever win Grammy awards for Best Comedy Album. Her hit Bravo series, Kathy Griffin: My Life on the D-List aired for 6 years and won 2 Emmys. It was nominated every single year of its run. The series also earned her a GLAAD Media Award for Best Reality Program.Kathy starred on NBC's Suddenly Susan and guest starred on multiple legendary TV series including Seinfeld, Law & Order: SVU, Glee, You, and Curb Your Enthusiasm. Additionally, she has lent her unique voice to animated characters in Shrek Forever After, The Simpsons, American Dad, Futurama and Dilbert. Kathy's unrivaled style of humor and prolific comedy pedigree has made her one of television's go-to hosts for premier live events. Kathy drew huge worldwide audiences to CNN's New Year's Eve special, which she co-produced and co-hosted with Anderson Cooper for 10 years. Kathy co-hosted The Billboard Music AwardsLIVE three years in a row, the 41st annual Daytime Emmy Awards LIVE and AARP's Movies for Grownups Gala. Her sure-fire hosting success led to her own LIVE late night talk show, Kathy.Also an accomplished author, Kathy's memoir, Official Book Club Selection: A Memoir According to Kathy Griffin, debuted at #1 on the New York Times Bestseller List. Her much-anticipated second book, Kathy Griffin's Celebrity Run-Ins: My A-Z Index, was also a New York Times Best Seller. On the stage, Kathy has performed standup for hundreds of thousands around the globe. Buoyed by her fiercely dedicated fans, Kathy's live performances are legendary and in a class of their own. The fiery redhead has sold out shows to rave reviews throughout North America, Europe, Australia and Asia at such iconic venues as The Sydney Opera House, The Mark Taper Forum, Madison Square Garden, Carnegie Hall and The Kennedy Center. Kathy has also performed for active military servicemen and women in such war zones as Iraq, Afghanistan, Kuwait, and Uzbekistan. She has graced the covers of The Hollywood Reporter, Adweek, and The Advocate, and has had in-depth profiles in New York Magazine and Forbes.In addition to performing, writing and producing, Kathy is a renowned speaker and has taken her empowering messages of equality through activism and humor all over the country. Kathy's passionate advocacy for women, the LGBT community, and other disenfranchised groups have been displayed through numerous candid and intimate conversations with award-winning journalists and moderators from The Los Angeles Times, The New York Times, The Hudson Union Society, 92Y, as well as tech giants Google and AOL. She has been honored in this area with multiple awards including The Human Rights Campaign's Ally for Equality, GLAAD's Vanguard Award, The Trevor Life Award from the Trevor Project, Iraq and Afghanistan Veterans of America's Leadership in Entertainment honor, the Harvard College Distinguished Service Partner Award, Veterans Tickets Foundation Distinguished Donor Award, the Lambda Legal Liberty Award, a two-time Ladies' Home Journal “Funny Ladies We Love” Recipient, and a Gracie Award for Outstanding Female Lead. Learn more about your ad choices. Visit megaphone.fm/adchoices

Kathy talks about surviving Trump, the Groundlings, Stand-up, her parents who loved show biz, Sia, Joan Rivers, relationships, dating younger guys, saving every dime, and why she made Jay pay for their date. Bio: Two-time Emmy and Grammy award-winning comedian Kathy Griffin is a towering figure on television, on tour and in publishing. In 2013, Kathy was inducted into the Guinness Book of World Records for writing and starring in an unprecedented 20 televised stand-up specials - more than any comedian in history. In 2014, Kathy made history again with her 6th consecutive Grammy nomination and first win for Best Comedy Album (Kathy Griffin: Calm Down Gurrl), joining Whoopi Goldberg and Lily Tomlin as the only other female comedians to ever win Grammy awards for Best Comedy Album. Her hit Bravo series, Kathy Griffin: My Life on the D-List aired for 6 years and won 2 Emmys. It was nominated every single year of its run. The series also earned her a GLAAD Media Award for Best Reality Program.Kathy starred on NBC's Suddenly Susan and guest starred on multiple legendary TV series including Seinfeld, Law & Order: SVU, Glee, You, and Curb Your Enthusiasm. Additionally, she has lent her unique voice to animated characters in Shrek Forever After, The Simpsons, American Dad, Futurama and Dilbert. Kathy's unrivaled style of humor and prolific comedy pedigree has made her one of television's go-to hosts for premier live events. Kathy drew huge worldwide audiences to CNN's New Year's Eve special, which she co-produced and co-hosted with Anderson Cooper for 10 years. Kathy co-hosted The Billboard Music AwardsLIVE three years in a row, the 41st annual Daytime Emmy Awards LIVE and AARP's Movies for Grownups Gala. Her sure-fire hosting success led to her own LIVE late night talk show, Kathy.Also an accomplished author, Kathy's memoir, Official Book Club Selection: A Memoir According to Kathy Griffin, debuted at #1 on the New York Times Bestseller List. Her much-anticipated second book, Kathy Griffin's Celebrity Run-Ins: My A-Z Index, was also a New York Times Best Seller. On the stage, Kathy has performed standup for hundreds of thousands around the globe. Buoyed by her fiercely dedicated fans, Kathy's live performances are legendary and in a class of their own. The fiery redhead has sold out shows to rave reviews throughout North America, Europe, Australia and Asia at such iconic venues as The Sydney Opera House, The Mark Taper Forum, Madison Square Garden, Carnegie Hall and The Kennedy Center. Kathy has also performed for active military servicemen and women in such war zones as Iraq, Afghanistan, Kuwait, and Uzbekistan. She has graced the covers of The Hollywood Reporter, Adweek, and The Advocate, and has had in-depth profiles in New York Magazine and Forbes.In addition to performing, writing and producing, Kathy is a renowned speaker and has taken her empowering messages of equality through activism and humor all over the country. Kathy's passionate advocacy for women, the LGBT community, and other disenfranchised groups have been displayed through numerous candid and intimate conversations with award-winning journalists and moderators from The Los Angeles Times, The New York Times, The Hudson Union Society, 92Y, as well as tech giants Google and AOL. She has been honored in this area with multiple awards including The Human Rights Campaign's Ally for Equality, GLAAD's Vanguard Award, The Trevor Life Award from the Trevor Project, Iraq and Afghanistan Veterans of America's Leadership in Entertainment honor, the Harvard College Distinguished Service Partner Award, Veterans Tickets Foundation Distinguished Donor Award, the Lambda Legal Liberty Award, a two-time Ladies' Home Journal “Funny Ladies We Love” Recipient, and a Gracie Award for Outstanding Female Lead.

Connor Burns is one of the fastest-rising stars in UK comedy. Career highlights include supporting Daniel Sloss on three continents, closing the Sydney Comedy Festival Gala at the Sydney Opera House, he completed an off-Broadway run at the New York Comedy Festival and he's won the Fringe Encore Series twice, in 2024 & 2025. Hailing from Scotland, he's sold out shows at the Edinburgh Fringe Festival and across the UK with acclaimed tours. He's also become a hit online with millions of views on TikTok and over 110,000 followers on Instagram. He's also made his mark on broadcast media — regularly appearing on BBC Radio Scotland's panel show Breaking the News and making his UK television debut on Edinburgh Unlocked in 2022. He's currently on a national tour with his new show GALLUS.Connor Burns is our guest in episode 542 of My Time Capsule and chats to Michael Fenton Stevens about the five things he'd like to put in a time capsule; four he'd like to preserve and one he'd like to bury and never have to think about again .Connor's tour tickets and dates are available here - https://www.connor-burns.com/shows .Follow Connor Burns on Instagram: @connorburnscomedy .Follow My Time Capsule on Instagram: @mytimecapsulepodcast & Twitter/X & Facebook: @MyTCpod .Follow Michael Fenton Stevens on Twitter/X: @fentonstevens & Instagram @mikefentonstevens .Produced and edited by John Fenton-Stevens for Cast Off Productions .Music by Pass The Peas Music .Artwork by matthewboxall.com .This podcast is proud to be associated with the charity Viva! Providing theatrical opportunities for hundreds of young people .To support this podcast, get all episodes ad-free and a bonus episode every Wednesday of "My Time Capsule The Debrief', please sign up here - https://mytimecapsule.supercast.com. All money goes straight into the making of the podcast. Hosted on Acast. See acast.com/privacy for more information.

The Sydney Opera House is one of the most famous buildings in the world and a symbol of Australia. Located on the harbor in Sydney, it looks like a group of giant white sails floating on the water. Designed by Danish architect Jørn Utzon, it opened in 1973 and became a center for music, theater, and dance. This video explores how the Opera House was built, what makes its design so unique, and why it's loved by people around the world. It's not just a building—it's a masterpiece of creativity and culture.

October 20, 1973. After 15 years of construction, the Sydney Opera House is dedicated by Queen Elizabeth II. This episode originally aired in 2023.Support the show! Join Into History for ad-free listening and more.History Daily is a co-production of Airship and Noiser.Go to HistoryDaily.com for more history, daily.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Construction began in March 1959 but the project, located on Bennelong Point overlooking Sydney Harbour, soon ran into difficulties before finally opening on 20 October ...

Magician Gabriella Lester Melts The Brothers' Minds! | Ep 138There's no escaping Da Pod! The talented up and coming magician/escape artist, Gabriella Lester, stopped by the studio to chat about the life of a traveling magician! How do you escape a straitjacket? Does “Magic Matt” have what it takes? Why is Andy obsessed with handcuffs? And just how many quarters does Joe have behind his ears?Gabriella has also been cast in the live production of “Now You See Me” now playing at the Sydney Opera House! Very Cool! You can check out her work in the link below!https://www.gabriellalester.ca/ Support our pod with our official merch!https://bropodmerch.bigcartel.com

This year is the 50th anniversary of A Chorus Line and Chicago and the 10th anniversary of Hamilton. Meanwhile, new Broadway shows are struggling to make their money back. This hour, we take stock of stage musicals today, learn how they’re developed, and ask about their status in our culture. GUESTS: Alexander Gemignani: Actor, music director, orchestrator, conductor, composer/lyricist, educator, and artistic director of The National Music Theater Conference at the Eugene O'Neill Theater Center Elysa Gardner: Theater critic for The New York Sun and a contributor to The New York Times. She is also author of Magic To Do: Pippin's Fantastic, Fraught Journey to Broadway and Beyond Paul Hodge: Award-winning writer-composer from Brisbane, Australia. His work has been produced Off-Broadway, in London, Edinburgh and Australia, including at the Sydney Opera House. His new musical, The Great Emu War, is currently at the Goodspeed Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.