Podcasts about Arts centre

We weren't big on dining out when I was growing up. Truth is, we couldn't really afford to. With four kids, a mortgage, and decent cooking skills themselves, my parents didn't really buy food. They bought groceries and the odd few rounds of fish and chips on the beach, but apart from that almost everything we ate was prepared in the kitchen at home. That being said, every now and then there'd be a special occasion. Every now and then we'd make our way into the city and Christchurch's historic Arts Centre, where each of us would line up for a lunchtime treat. Back then, Dimitris served souvlakis from a little caravan, tucked into a little corner next to the old gothic revival buildings. Whenever you'd pass by, there would be a little group of people milling about and waiting for their order to be prepared. On a really busy day, the owner, Dimitris Merentitis, would have someone else working with him as he made his way through the orders. You could choose between single, double, or triple meat. Lamb, chicken, or falafel. The Tames always had the same thing: lamb souvlakis with a token bit of salad, and a hearty drenching of beautiful, garlicky, tzatziki sauce. As you stood there waiting, you'd try and size up the people around you to work out how many orders would have to be completed and checked off before yours would be up. I remember being frustrated when someone would appear from a shop or a stall nearby, having ducked away for a few minutes while their order was prepared. Dammit, I'd think, surely, I'm next. I don't know about you, call me a heathen, but as far as I'm concerned there are few gastronomical combinations quite so glorious as hot meat in hot bread. It's about as simple as it gets, pulled straight off the sizzling grill, wrapped in newsprint and passed into your hungry hands. The bread at Dimitris' souvlakis was always so pillowy and soft. You'd navigate the first few bites with relative dignity, but by the time you got down to the last fistful of souvlaki, there was no room for quaint niceties like plastic cutlery. Everything would be soaking with meat juice and sauce. Heaven is a place on Earth. It's funny how people will always find and celebrate good food. Looking back, I recall the point when we crossed the threshold, in our family. Even though as teenagers our friends were always asking their parents to go to McDonalds or KFC, when each of us had a birthday roll around, we'd ask to go to Dimitris. And it turns out we weren't the only ones. We might have thought it was a family secret, but it was a family secret that was apparently shared by half the people in Canterbury. After years and years and years of serving up how every many million souvlakis, Dimitris has built his operation into a gastronomic institution. From the little stand in the Arts Centre to his Greek restaurant and prominent spot in Riverside Market today, Dimitris is a dining destination that I'd argue now ranks among New Zealand's best-loved spots: Queenstown has Fergburger. Wellington has Fidel's. Christchurch has Dimitris. This weekend, Dimitris celebrates forty years of operations in the Garden City. Forty years. So much of the city has changed in that time. The CBD looks completely different. Entire neighbourhoods have gone. But some things have never changed. Lamb. Bread. Lashings of tzatziki. Dimitris' success is sizzling, mouthwatering proof you can't improve on perfection. See omnystudio.com/listener for privacy information.

The launch of the Triskel Arts Centre 3-Year plan is an ambitious statement for the centre, and Conor Tallon spoke to Director Tony Sheehan to find out more! Hosted on Acast. See acast.com/privacy for more information.

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What does a Film Programmer do? I talk to James McEvoy to find out what programming the Warwick Arts Centre cinema, a three screens-cinema, based on a university campus but also serving a local and regional audience, involves. Who is the audience and how to build new ones is part of the conversation. We touch on Flatpack, the MAC, the Mockingbird, Square-Eye TV, Lock Studios, Steven Knight, the Forward Film Festival. James tells me about licenses and knowing who holds the rights to a film, which is sometimes confusing while underlining he is uninterested in gate-keeping, actively seeking collaborations and stressing the importance of getting the word out We spend a considerable time discussing the exciting new programme: there will be live opera and theatre projections; BFI funded seasons; the opportunity of seeing films financed by Netflix on a big screen. Programmes to look out for are the Silent Cinema screenings with live accompaniment, the melodrama season, Richard Dyer speaking on Brief Encounter, and more. Each year there's an over-arching theme across the whole of the Arts Centre. This year the focus is on care. The film programme component is called is ‘Handle with Car,' with a substrand on Cozy Classics, which will involve screening a classic film once a month. There will be tea and biscuits – feel free to BYOB (Blanket not Booze) -- an opportunity for people to get together and see things on a big screen. The Arts Centre will also be bringing its 35mm projector back into action for November screening of Cinema Paradiso. Part of another strand of the Care programme is ‘Care Behind the Scenes,' co-programmed with Dr. Alice Pember and Dr. Julie Lobalzo-Wright, which will also have workshops as well as screenings (e.g. intimacy co-ordination'). The Programme will include Accessible and Inclusive screenings as well as Audio-Description (for first time at the Art Centre) and there will be some workshops attached to this strand as well. James stresses that the programming also takes on board an exploration of the local and the national with focus on independent and locally made cinema and with filmmakers holding Q&A's when possible. It all looks very exciting. Check out the programme here: https://www.warwickartscentre.co.uk/whats-on/cinema/ José Arroyo

Antonette Zema from the Mildura Arts Centre with What's On and coming to the MAC. www.milduraartscentre.com.au See omnystudio.com/listener for privacy information.

===== MDJ Script/ Top Stories for September 26th Publish Date:  September 26th    Commercial: From the BG AD Group Studio, Welcome to the Marietta Daily Journal Podcast.    Today is Friday, September 26th and Happy Birthday to Tommy Lasorda I’m Keith Ippolito and here are the stories Cobb is talking about, presented by Times Journal Potential name changes on the horizon for Cobb Galleria, Performing Arts Centre Kennesaw to increase sanitation rates Health officials warn of measles in Georgia Plus, Leah McGrath from Ingles Markets on sodas All of this and more is coming up on the Marietta Daily Journal Podcast, and if you are looking for community news, we encourage you to listen and subscribe!  BREAK: Ingles Markets 4 STORY 1: Potential name changes on the horizon for Cobb Galleria, Performing Arts Centre Big changes are coming to the Cobb Galleria Centre—and not just the $190 million renovation. A new name might be on the way, too. Charlie Beirne, the Galleria’s general manager, floated the idea of renaming it the “Cobb Convention Center” during a meeting Wednesday. “It’s simple, clear, and gives us national recognition,” he said. The authority’s board agreed, though Chair Jerry Nix admitted, “It’s not just a name change—there’s a lot of headache involved.” Meanwhile, the $145 million Cobb Energy Performing Arts Centre is also eyeing a rebrand, with naming rights expiring in 2027. A new sponsor could bring fresh funds to keep the venue cutting-edge. Renovations for both facilities are well underway, with the Galleria’s upgrades—including a grand entrance, expanded meeting spaces, and a sleek new look—set to wrap by early 2027. It’s the end of an era for the Galleria Specialty Shops, but Beirne says the revamped space will better serve the community and attract larger events. As for the Performing Arts Centre, a marketing firm has been hired to find a new name sponsor. Both projects signal a fresh chapter for these iconic Cobb landmarks. STORY 2: Kennesaw to increase sanitation rates Starting Nov. 1, Kennesaw residents will see a 6% bump in their sanitation rates. That means the standard monthly service—one trash can, one recycle cart—goes from $32.50 to $34.50. Got an extra trash can? That’ll now run you $19.50 a month, and additional recycle carts are $6. The increase hits December bills, but if you’ve prepaid for the year, you’re safe until your service period ends. Auto-pay users? Better update your payment info to dodge late fees. The city says it’s been eating rising costs for four years—18% higher, to be exact. “This adjustment was overdue,” Councilman Antonio Jones said, noting it was finalized with the 2026 budget. Republic Services, the city’s contractor, will continue handling trash, recycling, and yard waste. STORY 3: Health officials warn of measles in Georgia  Georgia health officials are keeping a close eye on seven people who may have been exposed to measles after contact with infected individuals. On Tuesday, the state Department of Public Health confirmed three new cases, including one on Sept. 11. Two of the patients are unvaccinated, and the third? Their vaccination status is unclear. All three are isolating at home. So far, 268 close contacts have been identified, but only seven are under “active” monitoring. Officials stress vaccination is the best defense—kids should get their first dose between 12-15 months and a second by age 6. This year, Georgia has seen 10 measles cases, up from six last year. Nationwide, cases have been climbing since the pandemic disrupted routine vaccinations. Meanwhile, a CDC advisory panel recently stirred controversy by recommending standalone chickenpox vaccines for toddlers instead of the combined MMRV shot. The American Academy of Pediatrics pushed back, calling the move “misguided” and warning it could erode trust in vaccines. Georgia parents are urged to talk to their doctors about the best options for their kids. We have opportunities for sponsors to get great engagement on these shows. Call 770.799.6810 for more info.  We’ll be right back. Break: Ingles Markets 4 STORY 4: New art exhibits in Marietta blend the personal, political and the abstract Two new exhibits are turning heads at the Marietta Cobb Museum of Art, running through Dec. 14: Craig Drennen’s “T is for Timon” and Ahmad Hassan Taylor’s “History Lessons.” Drennen, a Guggenheim fellow and Georgia State professor, spent 17 years crafting his Shakespeare-inspired collection. “Timon of Athens,” a play Shakespeare himself never staged, serves as his muse. “It’s a bad play by a great playwright,” Drennen quipped. “I use bad things to make good things.” His bold, abstract works—painted to mimic collages—are designed to last centuries. Taylor, known as the “Atlanta Illustrator,” makes his debut with striking cityscapes and politically charged pieces. One standout, “All In Favor (Of Hate),” features a white horse surrounded by biting commentary on perception and truth. Both artists will host free talks—Drennen on Nov. 1, Taylor on Dec. 14. Admission is free on Oct. 5, Nov. 2, and Dec. 7. STORY 5: Cobb extends student housing moratorium Cobb County’s moratorium on student housing applications just got another six-month extension, as officials wait for Kennesaw State University to wrap up its housing study. The Board of Commissioners voted unanimously Tuesday—no debate, just a quick vote—to keep the pause in place until spring 2026. This is the second extension since the ban started in October 2024. Community Development Director Jessica Guinn said it’ll likely be the last. The issue? It’s messy. Commissioner Keli Gambrill isn’t a fan of purpose-built student housing, saying KSU should handle its own housing needs. Chair Lisa Cupid, on the other hand, has pointed out that many students can’t find affordable housing because of county rules limiting unrelated people from living together. Meanwhile, not everyone’s on board with the moratorium. During public comment, Donald Barth didn’t hold back. “Have y’all bumped your heads?” he asked. “We need student housing. It brings growth, tax dollars, and no problems—at least not where I live.” The county plans to revisit the issue once KSU’s study is done, with potential updates to the student housing code included in the new Unified Development Code. And now here is Leah McGrath from Ingles Markets on sodas We’ll have closing comments after this. Break: Ingles Markets 4 Signoff-   Thanks again for hanging out with us on today’s Marietta Daily Journal Podcast. If you enjoy these shows, we encourage you to check out our other offerings, like the Cherokee Tribune Ledger Podcast, the Marietta Daily Journal, or the Community Podcast for Rockdale Newton and Morgan Counties. Read more about all our stories and get other great content at mdjonline.com Did you know over 50% of Americans listen to podcasts weekly? Giving you important news about our community and telling great stories are what we do. Make sure you join us for our next episode and be sure to share this podcast on social media with your friends and family. Add us to your Alexa Flash Briefing or your Google Home Briefing and be sure to like, follow, and subscribe wherever you get your podcasts. 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Antonette Zema from the Mildura Arts Centre with What's On and coming to the MAC. www.milduraartscentre.com.au See omnystudio.com/listener for privacy information.

Anneka interviews Zara the creative producer of the Harrow Jubilee festival 

The music industry is a fickle one.Try as an artist may to strike that elusive winning formula, more often than not, it is timing, or luck, or a combination of both which will ultimately decide the course your musical journey takes. Bands can try unsuccessfully for years to crack the market, churning out quality material time and time again with little or no return.But then that one moment of magic can change it all. That chance encounter. The right planets aligning at exactly the right time. Which is precisely what happened for Melbourne-based punk/pop band KTV last year, when a simple acceptance to an offer made about putting one of their old singles on a compilation album paid immediate dividends.After originally forming in the late 1990s, KTV released two EPs, played a tonne of gigs and won music industry competitions at the time. They played shows with high-profile artists including Killing Heidi, Magic Dirt, Deborah Conway, Vika and Linda, and Kisschasy, amongst others. After numerous line-up changes, the band ran out of steam in 2001. Singer/songwriter/guitarist, Kat O went on to form Kathematics, who had a song featured in an American TV show, as well as many other bands.Fast-forward to 2025, and KTV are back in action with original member Philip Yarra on bass/vocals, who recently toured with UK Ska legends, Bad Manners and the drumming prowess of John Hastings. Armed with a back catalogue of original 90s-inspired pop/punk classics, as well as Kat's new tunes, KTV are currently making a dent on the local live scene and are keen to get back in the studio to record. HEAVY caught up with Kat late last week to find out more.One of the things we spoke about was the early days of the band."It was around the time when Killing Heidi had their Reflector album out and was number one, they were the number one band in Australia," Kat recalled. "Back when bands were actually number one in Australia (laughs). Those were great days, because that unfortunately doesn't happen anymore. Anyway, we got to support them at the Prince of Wales, and that was a really huge show for us, plus we did gigs with Deborah Conway and Vika and Linda in front of thousands of people at the Arts Centre. There were some really, really big shows, and we played with some of our heroes as well. The scene was amazing back then."In the full interview, Kat reflects on the KTV's past successes, including supporting major acts and winning competitions. She expressed the excitement and nerves surrounding their recent first show back, highlighting the strong chemistry amongst the members.We discussed how a compilation CD featuring their demo track reignited interest in the band and addressed the challenges of reforming after a long break, including busy schedules and changes in the music industry. Kat discussed their plans for new music, which will blend nineties-inspired indie punk and grunge elements, while also revisiting older songs. KTV also announced upcoming gigs and encouraged fans to follow them on social media for updates, plus more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Elizabeth Whyte, CEO and Executive Director of Wexford Arts Centre, joins us with a preview of what's on at the Centre this August. She also discusses the National Campaign for the Arts and the ongoing call to secure and expand the Basic Income scheme for artists, highlighting why sustained support for the arts sector matters now more than ever.

Antonette Zema from the Mildura Arts Centre with What's On and coming to the MAC. www.milduraartscentre.com.au See omnystudio.com/listener for privacy information.

Yet again the team behind Mallow Arts Festival has put together a super programme, and the anticipation of plans progressing for a new Arts Centre in the town, which will serve North Cork, has added to the excitement and motivation for everyone! Hosted on Acast. See acast.com/privacy for more information.

Welcome back to the True Hauntings Podcast — where the shadows speak, the walls remember, and the spirits never rest.In this episode we take you deep into the dark heart of one of Western Australia's most haunted and historic buildings — the Fremantle Arts Centre. But before it was a hub of creativity and culture… it was something far more sinister.Originally built in the 1860s as the Fremantle Lunatic Asylum, this imposing Gothic limestone structure holds a past soaked in sorrow, tragedy, and — many say — the paranormal. Over the decades, it has served as a mental hospital, a women's home, a naval base, and now an arts venue. But some believe the spirits of those who suffered here never left…Visitors and staff alike have reported disembodied screams, phantom footsteps echoing through empty halls, and sudden icy chills even on the hottest summer days. One of the most frequently seen apparitions is that of a woman in white, believed to be a former patient who died in anguish. Others claim to have seen the figure of a sad-eyed man staring from the upper windows — long after the building should be empty.So what secrets are still locked behind those towering stone walls? Is it residual energy from a tortured past... or are the ghosts of the Fremantle Arts Centre still trying to make their presence known?Let's explore the evidence, the eyewitness accounts, and the haunted history of this chilling location.Is the Fremantle Arts Centre truly haunted — or is it just the building's dark legacy playing tricks on our minds?Stay with us… if you dare.

EOFY? BYO? AC/DC ✓ No mid year slump here and that is not the only thing missing from this show. Like the SCG, a visit from the Grass God would not hurt. What you will hear is sport for all corners of the world and the alphabet - AFL, NRL, F1, NBA and DARTS. Even the music act looks like a Scrabble rack or a Wordle puzzle. It is AC/DC getting the RnR musical autopsy. Our resident social butterfly Ken Francis has been out and about hitting the bright lights of Frankston and reviews the latest production from its Arts Centre. Before you say 'But wait, there's more' - There isn't. Kevin Hillier, Mark Fine, Stephen J Peak, Ken Francis Follow us on Facebook...https://bit.ly/2OOe7ag Post-production by Steve Visscher | Southern Skies Media for Howdy Partners Media | www.howdypartnersmedia.com.au/podcasts © 2025See omnystudio.com/listener for privacy information.

Antonette Zema from the Mildura Arts Centre with What's On and coming to the MAC. www.milduraartscentre.com.auSee omnystudio.com/listener for privacy information.

A charismatic, egocentric strongman politician with contempt for the population he leads, rides roughshod over the conventions of democracy to drive through decisions he makes, having little regard for opinions other than his own.Sound familiar?If it does, then I am slightly surprised, since this play has not been performed in Australia for thirty years!The Bell Shakespeare production of Coriolanus has just opened at the Neilson Nutshell in Sydney, tranferring to Melbourne's Arts Centre in late July.Two of the cast members take on this week's quiz - Gareth Reeves and Marco Chiappi.Get tickets to Coriolanus here:https://www.bellshakespeare.com.au/coriolanusSupport this show http://supporter.acast.com/the-saturday-quiz. Hosted on Acast. See acast.com/privacy for more information.

Elmarie Mawe headed to Uilinn West Cork Arts Centre in Skibereen to meet Ann Davoren and celebrate the Centre's 40th Birthday! Hosted on Acast. See acast.com/privacy for more information.

The audio recording of the extraordinary Trojans: Why Am I In Your Country? production, at Hounslow Arts Centre, which we produced in April 2025, with a cast of Syrian, Palestinian, Ukrainian, Afghan, Iranian, Saudi and other refugees. It was the result of a year long psycho-social support drama and oral heritage project, backed by the National Lottery Heritage Fund. We ran around 40 workshops, over 11 months for a total of 120 refugees and asylum seekers, most of whom were Iranians. The Iranians were a mixture of political refugees from the Women! Life! Freedom! movement and a large number of Christians who had converted INSIDE in Iran, where Christianity is punishable by death: it turns out there seems to be a grassroots wave of Evangelical Christianity sweeping Iran. But if the Religious Police catch you, the punishments are brutal, including death. We then built this new version of the play, with those workshop participants who wanted to go on stage. The play was directed by Luna Laurenti and William Stirling, and adapted from Euripides' Trojan Women by Charlotte Eagar, Luna Laurenti, William Stirling, Amanda Waggot, Olha Shvets, Alina Vinnachuk, Arwa Omaren and the cast, who worked their own stories of exile and loss into the play. Featuring the poetry of Olha Shvets. Produced by Trojan Women Project. copyright 2025/ Hosted on Acast. See acast.com/privacy for more information.

The audio recording of the extraordinary Trojans: Why Am I In Your Country? production, at Hounslow Arts Centre, which we produced in April 2025, with a cast of Syrian, Palestinian, Ukrainian, Afghan, Iranian, Saudi and other refugees. It was the result of a year long psycho-social support drama and oral heritage project, backed by the National Lottery Heritage Fund. We ran around 40 workshops, over 11 months for a total of 120 refugees and asylum seekers, most of whom were Iranians. The Iranians were a mixture of political refugees from the Women! Life! Freedome! movement and a large number of Christians who had converted INSIDE in Iran, where Christianity is punishable by death: it turns out there seems to be a grassroots wave of Evangelical Christianity sweeping Iran. But if the Religious Police catch you, the punishments are brutal, including death. We then built this new version of the play, with those workshop participants who wanted to go on stage. The play was directed by Luna Laurenti and William Stirling, and adapted from Euripides' Trojan Women by Charlotte Eagar, Luna Laurenti, William Stirling, Amanda Waggot, Olha Shvets, Alina Vinnachuk, Arwa Omaren and the cast, who worked their own stories of exile and loss into the play. Featuring the poetry of Olha Shvets. Produced by Trojan Women Project. copyright 2025/ Hosted on Acast. See acast.com/privacy for more information.

There's a big weekend in store for Christchurch where the curtain is being raised on the new Court Theatre. The new $56 million playhouse is the theatre's first permanent home since the 2011 earthquake destroyed its Arts Centre venue. 

The Court Theatre returning to the central city in Christchurch this week, fourteen years on from the devastating quakes that drove it out of the Arts Centre. 

I join Ahmed Ali for a second day in the run up to our screening of the Oscar nominated film Sugarcane at the Cinema Arts Centre in Huntington NY. Hoping to fill the house and looking forward to the conversation after the film.

The development of the Trico Communities Accessible Arts Centre in Calgary is finally becoming a reality!The National accessArts Centre has been seeking approvals for the past five years to revitalize the old Scouts Hall building where their Visual Arts programs and administrative offices are situated.Host Grant Hardy learns more about the facility from Jung-Suk Ryu, the president and CEO of the National accessArts Centre. Check out the Pulse on YouTube!About AMIAMI is a media company that entertains, informs and empowers Canadians with disabilities through three broadcast services — AMI-tv and AMI-audio in English and AMI-télé in French — and streaming platform AMI+. Our vision is to establish AMI as a leader in the offering of accessible content, providing a voice for Canadians with disabilities through authentic storytelling, representation and positive portrayal. To learn more visit AMI.ca and AMItele.ca.Find more great AMI Original Content on AMI+Learn more at AMI.caConnect with Accessible Media Inc. online:X /Twitter @AccessibleMediaInstagram @AccessibleMediaInc / @AMI-audioFacebook at @AccessibleMediaIncTikTok @AccessibleMediaIncEmail feedback@ami.ca

Elizabeth Whyte from Wexford Arts Centre joins me to preview the exciting events coming up this April. From exhibitions to performances, there's plenty to look forward to.

Seán was joined by Dee Reddy, Deirdre Molumby and Leslie Williams live in the Triskel Arts Centre in Cork with thanks to Marks & Spencer!This week's booze:M&S Gecko Rock Chenin Pinot GrigioColle Del Principe Pinot Grigio BlushM&S Gecko Rock Malbec Shiraz

CEO/Executive Director of Wexford Arts Centre, Elizabeth Whyte updates us on what is coming up in The Arts Centre this March!

Over 60% of respondents to a Radio Kerry poll say they are optimistic for the year ahead in the county. However, more than eight out of ten who took part believe the cost of living will increase in 2025. These are some of the findings of the Kerry Thinks online survey which asked people a range of questions on subjects including infrastructure, housing, health, and crime. Jerry’s panel at St John’s Theatre and Arts Centre, Listowel were Cllr Jimmy Moloney, Fianna Fáil - Cathaoirleach Listowel Municipal District, Jackie Landers, CEO of Listowel Family Resource Centre, Sean McGillicuddy, Listowel Business and Community Alliance - member of the alliance's retail team, Olesia Moroz originally from Ukraine, and Máire Logue, artistic director, St John's Theatre and Arts Centre. https://www.radiokerry.ie/kerrythinks2025 https://www.radiokerry.ie/news/over-60-optimistic-for-year-ahead-according-to-kerry-thinks-poll-420358

Roger's Revue Epic Broadway Benefit Concert will feature Broadway classics and raise funds for the Idaho Falls Youth Arts Centre's scholarship program.

Alan Buckley in conversation with David Eastaugh https://www.youtube.com/watch?v=HyCcKAa35PE https://www.youtube.com/watch?v=Ayh-vWqDzBU https://www.youtube.com/watch?v=e2ioIhmzGEI https://www.youtube.com/watch?v=tVfK1tbeGwk&list=PLcDwkXhr5uEwekhN-p-OKHqcY_cLxvWjR Mid 80s proto-janglers Here Comes Everybody inspired Andy Bell (Ride/Oasis) to buy his first guitar, then, mission accomplished, broke up in 1986. Singer/ guitarist Richard and drummer Pete were introduced to bassist Alan by some HCE fans at St Paul's Arts Centre later that year, and The Anyways' core trio was born. Their goal was to wear black and sound like The Velvet Underground, but luckily they got it slightly wrong and ended up sounding like themselves (while still wearing black). Jennie used to read the newspaper onstage and on one occasion shorted out the keyboard by pouring fizzy pop into it. Trudy, a volunteer mental health worker, brought a big following from the Mill Drop-In Centre, to liven up the usual anoraked indie audience. Sounds reviewed the band's second gig, The Television Personalities offered support slots at the 100 Club in Oxford St, and Notown Records put out the first single, Confession, in 1987. Overcome by the excitement of being played on John Peel (once), Jennie left, and Ali took her place. The Anyways became regular performers at the Camden Falcon, where Bobby Gillespie told them they needed more guitar solos. Two tracks (no solos) were featured on The Jericho Collection in 1988 alongside Notown label-mates Shake Appeal (lots of solos). A video of rousing revolutionary anthem Levitate the Pentagon was shown on satellite TV at 2.00am. The Anyways played in Oxford, London, and Bristol with Talulah Gosh, Razorcuts, The Mission and Ride... and on their own at a Hindu wedding in Hendon (kicking off the evening with that cheery toe-tapper, Love Gone Bad). Band mantra Welcome to Psychedelic Country became even more appropriate when Hamish and Karen joined in 1990. An album (Love Lies) was recorded by Rich Haines at Dungeon Studios, but sadly not released. A swirling cover of George Harrison's If I needed someone graced a charity album called Revolution No. 9. Despite their sterling work on the swirling, Hamish and Karen decided to go more Country than Psychedelic, and left to form Lucky and The Losers in 1991. The final incarnation of The Anyways was completed by guitar maestro Mark, who had previously acted as friend and multi-tasking facilitator to the band for some time - in celebration, chilled Frascati was served to the new line-up onstage at the Zodiac in front of hundreds of delighted Heavenly fans. The Sunshine Down EP came out on Marineville Records in 1993, by which time Richard had received stage-fright counselling from Jonathan Richman and the band had supported Bad Manners at a college ball. Wider (not inspired by Buster Bloodvessel) was featured on the Days Spent Dreaming compilation. By now people wanted to spread their musical wings, so The Anyways' Grand Finale gig was held in 1994 at the Jericho Tavern (the band's spiritual home for many years). 

Gary and Carys are joined by Bell Ribeiro-Addy, the Labour MP for Clapham and Brixton Hill, to discuss the need for reconciliation within the Labour Party, the importance of representation in politics and why Diane Abbott gets a better office.Bell Ribeiro-Addy was born and raised in Brixton Hill. She has been an MP continually since 12 December 2019 and is the Labour MP for Clapham and Brixton Hill. Prior to the boundary changes that took effect at the last election, she served much of the same area as the MP for Streatham.Our partner for this episode, Movement brings all your digital campaigning tools into one place. You can inspire change by interacting with members via SMS, email, WhatsApp and phones on their platform. They work with campaigns great and small, having helped the likes of Hope Not Hate, Unison and Labour in the General Election. They're free up to the first 10,000 users, so If you're running a campaign for progressive causes then get in touch with Movement at https://www.movement.industries/over-under-promotion to see how they can help you succeed.This podcast was recorded live at the Bernie Grant Arts Centre.Support us on PATREON - to get bonus episodes, a weekly newsletter and become a part of our members-only WhatsApp community, plus many other extra features.Email us at info@overunderpod.comProduced & Edited by Sarah MylesExecutive Producer - Bernard P AchampongVisuals by J10XJJ Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

EP05 with Dr Lana Lopesi.Dr Lopesi is an Assistant Professor in the department of Indigenous Race and Ethnic Studies, University of Oregon where she teaches Pacific Islander studies, Indigenous feminisms and contemporary art.Stoked to have her on the podcast to share her knowledge & experience with us

Christchurch's Business Association is calling out the food truck plans of the city's Arts Centre. The centre's applied for licences for 33 trucks to operate 12 hours a day, seven days a week. But the Christchurch Business Association believes this is unfair, with chair Annabel Turley saying city businesses are subsidising the Arts Centre. She told Heather du Plessis-Allan that the centre is getting $5.5 million over the next decade, and the rate differential for commercial compared to residential is a lot higher. Turley says food trucks would also cheapen the site. LISTEN ABOVE See omnystudio.com/listener for privacy information.

Olana Janfa is an Ethiopian-Norwegian, Naarm-based artist. We interviewed Olana at The Walker Street Gallery and Arts Centre in Dandenong where his exhibition Too Much Drama is showing till September 2024. We chat about:  How Olana began creating The works in his current exhibit Too Much Drama Olana's iconic font and art style What home means to him Being black in Australia and Norway What's next for his art career Hosted by: Maria Birch-Morunga and Kate Robinson Guest: Olana Janfa Special thanks to: The City of Greater Dandenong & The Walker Street Gallery and Arts Centre Music by: the Green Twins Edited by: Maria Birch-Morunga This podcast was recorded live on the lands of the Boon Wurrung people of the eastern Kulin Nations.You can find us on Instagram @beingbiracialpodcast or send us an email at beingbiracialpodcast@gmail.com

Nóra Relihan from Listowel was a creative powerhouse. An actor, producer and broadcaster, she also helped establish Listowel Writers’ Week and St John’s Theatre and Arts Centre. She was also a member of the cast that acted in the first production of Sive in 1959; the play that established John B Keane’s reputation. Listowel actor Batt O’Keeffe pays tribute to Nóra. There’s also an excerpt from an interview that Nóra did last year with Kaya Flynn on Radio Kerry’s Travels Through A Kingdom.

The Morning Mix Live at the Metropolis Performing Arts Centre with singer-songwriter Charlotte Cardin on May 15, 2024!Listen to The Morning Mix weekdays from 5:30am - 10:00am on 101.9fm The Mix in Chicago or with the free Mix App available in the Apple App Store and Google Play. Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Morning Mix Live at the Metropolis Performing Arts Centre with singer-songwriter Charlotte Cardin on May 15, 2024! Listen to The Morning Mix weekdays from 5:30am - 10:00am on 101.9fm The Mix in Chicago or with the free Mix App available in the Apple App Store and Google Play. Learn more about your ad choices. Visit megaphone.fm/adchoices

The funding and future of the Arts Centre is one of the biggest stories to emerge from the City Council's Long Term Plan. The Mosque inquest resumes on Monday and Jean has the latest on nitrate levels in Canterbury water.

RNZ's reporter in Christchurch Tim Brown discusses the latest revelations about Gloriavale, the controversy around SailGP and Hector's dolphins, and the intersection of the economy and environment; and the financial struggles of the Arts Centre.

The final year of former Christchurch City Council Chief Executive Dawn Baxendale's turbulent reign has come at a cost.