Podcasts about isabelia herrera

Ryan Dombal, Isabelia Herrera, and Julianne Escobedo Shepherd talk about Bad Bunny's remarkable rise to superstardom and how his latest record, nadie sabe lo que va a pasar mañana, doesn't quite live up to his own high bar. Also, we highlight a few new queer femme artists from Puerto Rico who are taking the island's music to exciting new places. Read Isabelia's review here, and her feature story here. Learn more about your ad choices. Visit podcastchoices.com/adchoices

De la exoneración de dos condenados por la muerte de Malcolm X hablamos con Erick Langer de la Universidad de Georgetown. De la ley en Portugal, con Lucas Font de la Cadena SER. Y de los Grammy, con Isabelia Herrera de "The New York Times"

A conversation about bringing musicals to the big screen, Lin-Manuel Miranda's artistic choices and the critical blowback to the film's casting. Guests: Sandra Garcia, Isabelia Herrera and Lena Wilson.

Hello and welcome to the 29th episode of Diversity Hire. Today's guest was Isabelia Herrera (Pitchfork, Remezcla, MoMA PS1 Warm Up). We talked about explaining facets of one’s culture to a dumb Anglo-American audience, toxic media workplaces, why Latinx and POC are similarly toothless terms, and Kevin’s attempt to DJ at the next edition of Warm Up. Arjun and Kevin also talk about the pay transparency discourse and living in New York when you make NO MONEY. Thanks for listening!Arjun & Kevin talk about starting salaries (0:00)Isabelia calls in from Santo Domingo, Dominican Republic (9:04)Isabelia leads us through her career timeline (10:29)We talk about Isabelia’s experience at Remezcla, an outlet that came under fire last year for having a toxic work environment (re: “'He Broke Me': Inside the Toxic Workplace at Groundbreaking Latinx Culture Site Remezcla”, Emily Alford, Jezebel, 2020) (13:48)What does Isabelia make of terms like Latinx and Latinidad (19:44)Why do white people hire people of color to explain to them why they’re racist? (“How Much of the New American Songbook Will Be Sung in Spanish?,” Slate, 2018) (29:56)How are perspectives changing with regard to colorism in criticism? (re: “An Introduction to Urbano in 50 Songs,” Pitchfork, 2020) (37:47)What’s it like to be one of Forbes’ 30 under 30? (41:57)What’s it like to help curate MoMA PS1 Warm Up? (45:24)Arjun’s Feelings Don’t Care About Facts Corner (50:00)The Diversity Tribunal (53:43) Get on the email list at diversityhire.substack.com

To close out the last LATINXTRANSFER of 2019, we have the honor of hearing from the Latinx hive mind: music journalists, critics and colleagues whose work I admire and respect. Thank you to Julyssa Lopez, Isabelia Herrera, Ecleen Luzmila Caraballo, Frances Solá Santiago, Verónica Bayetti Flores, Jenny Mota, Jhoni Jackson, Richard Villegas, and Amanda Alcántara for sending audio voice notes with their thoughts and reflections on the best Latinx music of 2019 and who to look out for in 2020. Follow them on social media and read their work in outlets like Rolling Stone, Remezcla, Playboy, Vice, Vibe, Latino USA, Emperifollá, Radio Menea, Songmess, Paper and more. Support diverse Latinx music and voices in the new year...and may San Benito continue to lead the way! Track list: Girl Ultra feat Ximena Sariñana - fuckhim Jesse Baez - Teléfono Kaina feat Sen Morimoto - Could be a curse Ambar Lucid - A letter to my younger self Myke Towers - Piensan Tokischa - Empatillada Joyce Santana - Vicki Tatiana Hazel - Mi Amor Combo Chimbita - Ahomale Melii - Nena Andre Veloz - El año que viene

His was the defining voice of 2018. What’s next for this Puerto Rican new-pop superstar? Guests: Remezcla's Eduardo Cepeda and Isabelia Herrera; and Rolling Stone's Suzy Exposito.

Though Drake doesn’t have any Dominican roots, he has experimented with Dominican culture. From the all-white linen ensemble in the “Pop That” video to flashing the DR flag in “Started from the Bottom,” Drizzy clearly has an appreciation. Remezcla writer Isabelia Herrera joins the podcast to discuss Dominican Drake. See acast.com/privacy for privacy and opt-out information.

Get ready for the real perreo y’all, because on this very special episode we have Remezcla’s own Lana del Reyggaeton in the building! OK, terrible puns aside, the incomparable Isabelia Herrera is a writer and music editor at Remezcla, one of the largest Latinx culture and lifestyle publications in the US. Originally from Chicago, Isabelia has carved a hard earned spot for herself in New York media by curating Remezcla’s exquisitely balanced music content, a mix of mainstream and emerging artists with diasporic appeal and international reach. In addition, her role in brokering ties between Remezcla and organizations like NPR and Apple Music with a goal of increasing Latinx visibility in mainstream media landed her in Forbes' 30 under 30 list for 2017. In today’s conversation, Rich and Bev pick Isabelia’s brain on her love of reggaeton in all its permutations, her thoughts on the evolution of the genre, the musical trends she is currently observing and excited for, and of course, keys to success within music journalism. So sit tight and enjoy as Rich and Bev interview their boss… Featured Artists: Las Sucias, MNTJY, Ozuna, La Favi + Deltatron, Ms. Nina, Kamixlo, and Balún. Please share, subscribe and find us on iTunes, Facebook, Twitter and Instagram or contact us at songmessmusic@gmail.com.

For our second-ever country-specific episode, we decided to bring in the big guns. Isabelia Herrera - boss Dominicana and Music Editor over at Remezcla - joins us to chat about shredding on the accordion, freak out about Rita Indiana's glorious return to music, and give us lessons on Tigueraje. No te lo pierdas! Featuring songs by El Alfa, Anthony Santos, Mula, Fefita La Grande, Rita Indiana, and Twin Shadow. Show notes: https://www.radiomenea.com/blog/2017/04/21/episode-27-latinos-who-lunch