Podcasts about Bad Bunny

You're listening to American Ground Radio with Louis R. Avallone and Stephen Parr. This is the full show for November 19, 2025. 0:30 We walk through one of Donald Trump’s most brilliant strategic maneuvers—one the media will never credit him for and Democrats will swear was pure coincidence. Trump didn’t demand the release of the Epstein files, didn’t beat the drum, didn’t turn it into a rally chant. He hesitated just enough to send Democrats into full Trump-Derangement overdrive, convincing themselves they were “standing up” to him. And in that frenzy, Democrats in the House voted unanimously to release documents that could expose their own donors, their own Hollywood friends, and, as newly revealed, even their own party leader, Hakeem Jeffries. 9:30 Plus we cover the Top 3 Things You Need to Know. Billionaire Democrat Tom Steyer has announced he's running for Governor of California next year. The Department of Homeland Security has issued a Civil Emergency for Broadview, Illinois where pro-illegal alien activists have been rioting outside of an ICE facility. Federal Judge Orlando L. Garcia is ordering teachers in Texas to remove posters displaying the 10 Commandments from classrooms across the state. 12:30 Get Performlyte from Victory Nutrition International for 20% off. Go to vni.life/agr and use the promo code AGR20. 13:00 Even in Congress there are still supposed to be some basic standards of conduct, especially when you’re representing the United States abroad. Speaker Mike Johnson is trying to restore that sense of honor. After an alcohol-related incident during an official trip to Mexico Rep. Dan Crenshaw from Texas, has been banned from international travel for three months. 16:00 The American Mamas tackle a difficult listener question: When a couple divorces, should they tell the kids if infidelity was involved? Teri Netterville and Kimberly Burleson explore different perspectives on honesty, timing, protecting children, and how to handle complicated situations when emotions are high. The conversation highlights how every family’s circumstances are different — and why compassion and careful communication matter. If you'd like to ask our American Mamas a question, go to our website, AmericanGroundRadio.com/mamas and click on the Ask the Mamas button. 22:30 We dive into the surprising public reunion between Elon Musk and former President Trump, reacting to their renewed friendliness and the buzz surrounding it. 25:00 We Dig Deep into President Trump’s push to dismantle the Department of Education—and how Education Secretary Linda McMahon is quietly making it happen piece by piece. Instead of just flipping off the lights and walking away, McMahon is moving programs into agencies where they actually make sense. We're walking you through why the Department of Education never lived up to its mission, how test scores have slid since its creation in 1979, and why so many states and parents want control returned to the local level. 32:00 Get Prodovite Plus from Victory Nutrition International for 20% off. Go to vni.life/agr and use the promo code AGR20. 32:30 We dive into the growing national uproar over the NFL’s choice of Bad Bunny as the next Super Bowl halftime performer—months before the game even kicks off. We break down comments from Gracie Hunt, daughter of Kansas City Chiefs owner Clark Hunt, and we debate whether Bad Bunny is even on the same level as past performers. 35:30 Plus, Warren Buffet's annual Berkshire Hathaway letter is a real Bright Spot. At 95, Buffett shares lessons that go beyond money. He reminds us to forgive ourselves for past mistakes, choose the best role models, and to live a life that you can be proud of. Work harder on yourself than on your job, because greatness isn’t about money, fame, or power—it’s about helping others. And the kicker? Kindness is costless—but priceless. Greatness comes from the way you treat people, not how much you earn or the headlines you make. Buffett’s advice is simple, timeless, and actionable. 40:00 We break down Congresswoman Jasmine Crockett’s recent comments about President Trump and his supporters, calling them “a cult” and questioning why anyone would back him. She seems to completely misunderstand what they stand for, and that's okay. Confidence and conviction matter, and you can’t let critics or mockery shake you from standing firm in your beliefs. But if anybody votes for Jasmine Crockett, we're saying, "whoa." 41:30 And we finish off with one of the most famous speeches in American history, the Gettysburg Address. See omnystudio.com/listener for privacy information.

INTRO (00:24): Kathleen opens the show drinking a Buddy Sprinkles Saves The Day IPA from Kent Falls Brewing Company, and reviews her weekend in Upstate New York.   TOUR NEWS: See Kathleen live on her “Day Drinking Tour.”   COURT NEWS (15:11): Kathleen shares news announcing that Cher will be the musical guest on Saturday Night Live Dec 20th, Jelly Roll leaves Australia, and Post Malone will headline the Halftime show at the Dallas Cowboy's Thanksgiving Day game.    TASTING MENU (4:55): Kathleen samples O'Donnell's Hot Honey Fusion Chips, Mi Nina Jalapeno Agave Chips, and Parlor City Jalapeno Apple Hot Sauce.    UPDATES (21:51): Kathleen shares updates on Cowboys co-owner Charlotte Jones supporting Bad Bunny as the Super Bowl Halftime performer, Sarah Ferguson suffers a new blow, and the Chernobyl Blue Dogs mystery is solved.   HOLY SHIT THEY FOUND IT (29:14): Kathleen reveals that an endangered New Sea Angler bird has been spotted off the Sonoma coast.    FRONT PAGE PUB NEWS (30:40): Kathleen shares articles on the “6 7” Gen Alpha slang, Jack White is headlining the halftime show at the Detroit Lions Thanksgiving Day game, Country Music has its first AI generated hit, Target's new 10-4 employee policy rolls out, the last-ever penny was minted in Philadelphia, Pope Leo shares his 4 favorite movies, Starbucks announces more holiday merch, there's been a credible Bigfoot sighting in Pennsylvania, and the quietest room on earth is revealed.    SAINT OF THE WEEK (1:16:22): Kathleen reads about St. Padre Pio, patron saint of adolescents, stress relief, and civil defense volunteers.   WHAT ARE WE WATCHING (18:46): Kathleen recommends watching “It's All Her Fault” on Peacock.    FEEL GOOD STORY (1:12:15): Kathleen shares a story about France becoming the first country to force supermarkets to give unsold food to the needy.   

The annual Latin Grammy awards are always full of glamour and glitz. But they're also an ideal time to take the pulse of the industry - which is exactly what Anamaria Sayre did this year, perusing the red carpet to talk with the most exciting names in Latin music. In this episode, Ana brings Felix her report from Las Vegas, where Bad Bunny won Album of the Year, the independent Brazilian music scene made a splash, and the whole industry seemed to be saying: "Show us where you're from."This podcast episode was produced by Noah Caldwell. The executive producer of NPR Music is Suraya Mohamed.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

The annual Latin Grammy awards are always full of glamour and glitz. But they're also an ideal time to take the pulse of the industry - which is exactly what Anamaria Sayre did this year, perusing the red carpet to talk with the most exciting names in Latin music. In this episode, Ana brings Felix her report from Las Vegas, where Bad Bunny won Album of the Year, the independent Brazilian music scene made a splash, and the whole industry seemed to be saying: "Show us where you're from."This podcast episode was produced by Noah Caldwell. The executive producer of NPR Music is Suraya Mohamed.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Armon, Will Foster, and Miss2Bees are back after some time apart. Miss2Bees debuts her new segment What's Buzzing on These Streets, calling out Tory Lanez's own appeal filings as an effective admission in the Megan Thee Stallion case and unpacking how legal journalism and misinformation are failing the culture (3:40), before the team revisits Omarion vs. Mario, live vocals, and early-2000s R&B egos (9:40). They then dive into “Rory-Gate,” resurfaced tweets, Twitter Spaces damage control, and what the saga reveals about anti-Blackness and how Black women are routinely targeted (16:38). Next, a deep breakdown of the 2026 GRAMMY nominations across Hip-Hop, R&B, Album and Song of the Year, touching Bad Bunny's run, K-Pop Demon Hunters, Cardi B and Gunna snubs, Mariah the Scientist discourse, and how kids shape the charts (31:58). From there, the gang reviews new music—Cardi B, Latto & Jeezy's “Everytime” remix and whether it should've been on the original album (55:19), Meek Mill's Indie Pack Vol. 1 and his “Fourth of July” visual, hood PTSD, and AI chains (57:40), Summer Walker's Finally Over It trilogy finale and where it ranks next to Over It and Still Over It (1:06:45), plus Wale's everything is a lot., his immigrant-parent text thread, catalog, and longevity (1:13:28). In this week's Board Meeting, Armon opens up about being laid off in the VIBE/Rolling Stone merger and uses that to examine media consolidation, Black writers and label staff being cut, DEI rollbacks, lazy A&R, AI artists, the death of discovery, and what a return to Black-run boutique systems could look like (1:22:25). Will then introduces his new discovery segment, spotlighting rising Southern-rooted artist Gabriel Jacoby and why his warm, live-instrument, Sunday-clean-the-house soul feels like the kind of music listeners can really connect to right now (1:50:16). As always, the episode closes with the SLIDE DECK, which going forward will only be available on Patreon - patreon.com/staybusypod Stay Busy with Armon Sadler⁠ https://www.instagram.com/staybusypod/⁠⁠ https://twitter.com/staybusypod⁠⁠ https://www.tiktok.com/@staybusypod⁠ Armon⁠ https://www.instagram.com/armonsadler/⁠⁠ https://x.com/armonsadler Will Foster https://www.instagram.com/wxllxxm/ https://x.com/WxLLxxM Miss2Bees https://www.instagram.com/miss2bees/ https://x.com/miss2bees Learn more about your ad choices. Visit megaphone.fm/adchoices

Kansas City Chiefs heiress SLAMS NFL Bad Bunny choice! Supports TPUSA Super Bowl Halftime Show!

Una nueva controversia sacude al concurso de Miss Universo luego de la renuncia de tres jueces que aseguran que hay "poca transparencia en el concurso".Además en El Gordo y La Flaca: Christian Nodal salió victorioso de la audiencia en la que lo acusaban de falsificación de firma. A la salida del juzgado el cantante habló con la prensa.Tekashi 6ix 9ine sigue generando controversia pues habría violado varios términos de su libertad supervisada y podría pasar navidad en prisión.Ella es Gracie Bon, estrella de redes sociales y una de las favoritas en 'La Casa de Alofoke'.Cruz Martínez fue vinculado a uno de los tres cargos que tenía por violencia familiar, física, psicológica y patrimonial.

This week on Lone Lobos, we welcome award-winning filmmaker, writer, and actor Pasqual Gutierrez III. Pasqual is best known for directing music videos for artists such as Bad Bunny, Rosalía, J Balvin, and The Weeknd. He joins us to promote his first feature film, Serious People, which premiered at Sundance. A successful music video director and expectant father pushes hiswork/life balance to the extreme when he can't pass up the job of a lifetime and hires a doppelgänger to work in his stead. Serious People is a fresh and authentic comedy that explores what it means to be a"director" and a parent—and the replaceability of people in clout-heavy Los Angeles.  Pasqual talks with Xolo Maridueña and Jacob Bertrand about moving from directing music videos to a full-length feature, the early stages of fatherhood, filming in the Los Angeles area, and his co-stars. Lobitos can enjoy a longer conversation with Pasqual, available only on Supercast. Serious People is available on VOD and in select theaters now. Free Discord Access: https://discord.gg/KnDhbnBMCjJoin Supercast Today for the full episode: https://lonelobos.supercast.com/Follow Lone Lobos on Instagram: https://www.instagram.com/lonelobosFollow Xolo Maridueña on Instagram: https://www.instagram.com/xolo_mariduenaFollow Jacob Bertrand on Instagram: https://www.instagram.com/thejacobbertrandFollow Pasqual Gutierrez III on Instagram: https://www.instagram.com/pasqualgutierrezFollow Jordan on Instagram: https://www.instagram.com/jmkm808Follow Monica on Instagram: https://www.instagram.com/officialmonicat_We want your feedback! Fill out survey to help us improve our podcast https://tinyurl.com/LLPodcastFeedbackhttp://www.heyxolo.com/Jacobs Channel:  @ThreeFloating  

Bad Bunny may love his home and heritage, but he spends more time describing his habit for sex and mistreating women. Read the full review. If you've enjoyed listening to Plugged In Reviews, please give us your feedback.

Why the rates of mental health challenges are so high among physicians. A UW professor collaborated with Bad Bunny on his award-winning album. A local artist who paints signs you'll recognize from around Milwaukee.

"Tenemos una comida pendiente" ¿#MarcoAntonioSolís, #ElBuki, se ENOJÓ con #BadBunny tras NO invitarlo a su concierto? ¿Prepararán una colaboración?See omnystudio.com/listener for privacy information.

Stories we're following this morning at Progress Texas:Donald Trump's call for Republicans to stop resisting the full release of the Epstein files comes just after Ted Cruz, John Cornyn and Chip Roy all voted to keep them secret: https://www.sacurrent.com/news/texas-news/u-s-senators-ted-cruz-and-john-cornyn-of-texas-voted-against-releasing-epstein-files/Houston Mayor John Whitmire is struggling to control the narrative as criticism mounts that the Houston Police Department has been cooperating with ICE: https://cw39.com/news/local/mayor-whitmire-continues-to-defend-hpds-policy-with-ice/...No help for Whitmire that former Harris County DA and Democratic turncoat Kim Ogg has applauded Whitmire for working with ICE: https://www.houstonchronicle.com/politics/houston/article/ogg-whitmire-ice-collaboration-21164719.php...Lots of voting ahead, and a fair amount of confusion as well, for voters in Houston's CD-18: https://www.votebeat.org/texas/2025/11/14/18th-congressional-district-houston-runoff-election/Charlotte Jones, chief brand officer for the Dallas Cowboys and daughter of owner Jerry Jones, eluded a leading question by a right wing podcaster on Bad Bunny's booking at the Super Bowl, calling it "amazing" and a celebration of America's "mixed culture": https://www.dallasobserver.com/news/maga-podcaster-katie-millers-bad-bunny-trap-question-backfires-40616710/We're excited to see YOU at one (or both!) of our 2025 Holiday Parties this December in Austin and Dallas - for the first time, featuring live podcast tapings! Tickets and sponsorship opportunities are available now: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://act.progresstexas.org/a/progress-texas-holiday-parties-2025⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Check out our web store, including our newly-expanded Humans Against Greg Abbott collection: ⁠⁠⁠⁠⁠⁠⁠https://store.progresstexas.org/⁠⁠⁠⁠⁠⁠⁠Thanks for listening! Our monthly donors form the backbone of our funding, and if you're a regular, we'd like to invite you to join the team! Find our web store and other ways to support our important work at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://progresstexas.org⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.

“Put a damn pastie on!” On this episode, your hosts Martyr (@dragthemartyr) and Cate (@ctepper) sit down with “A Sizzling Freakin Rican blend of Miss & Daddy” - Mizzaddy! First they discuss their Puerto Rican heritage, the art of burlesque, Showgirl aesthetics, Bad Bunny, and winning a Golden Pastie Award. Later, we hear more about traveling around the country and performing, producing shows and festivals, burlesque in media, the Glam Awards, and creating looks that last. + Follow our guest: @mizzaddyburlesque and @muevansenyc on Instagram ~ Follow the pod on Instagram and Facebook @wiggingoutpodcast and on twitter @wiggingoutpod Thots, comments, and dick pics? Please send to dragthemartyr@gmail.com Cover art: Madeline De Michele - www.madelinedemichele.com Music: “Club” by Andrew Huang (www.youtube.com/channel/UCdcemy56JtVTrsFIOoqvV8g) under Creative Commons. Edits by C.Tepper

By Walt HickeyWelcome to the Numlock Sunday edition.This week, I spoke to Chris Dalla Riva, author of the new book Uncharted Territory: What Numbers Tell Us about the Biggest Hit Songs and Ourselves. Chris is a fixture here at Numlock, we're big fans of his newsletter Can't Get Much Higher and have been eagerly waiting for this book, which tracks the history of music by coasting along the top of the Billboard Hot 100. The book can be found at Amazon and wherever books are sold, grab a copy!This interview has been condensed and edited. Chris Dalla Riva, it is great to have you back on. Especially great this week, because you are finally out with a book that I know you've been working on for a very long time, Uncharted Territory. Thanks for coming back on.Yeah, thrilled to be back, but also thrilled to have the book come out. The book publishing world is one of the only worlds left in the world that moves slow enough where you're waiting for so long for something to happen.You have guest-written for Numlock before; you have been a staple of the Sunday editions in the past. You are definitely familiar to the audience at this point because you are doing some of the best music data journalism out there. You've been working on this thing for, I feel like, as long as I've known you, and it is just great to have it come out finally, man.Yeah, actually, I met you because I was working on this project. I was trying to track down some data that you'd used at FiveThirtyEight, and you responded to my email with your phone number. You were like, “This is easier to explain over the phone.”Yeah, I remember I had scraped the radio for months at FiveThirtyEight just to see where it went, and you hit me up with that. I think that you focused some of your energies on the newsletter, and that's been so fun to follow, but this is truly what you've been working at. It is great to get you on finally to talk all about it.What would you describe this book as? How would you describe it, either to folks who might be familiar with your newsletter or unfamiliar with your newsletter, about what you're setting out to do with this particular project?The subtitle, I think, is helpful. It's What Numbers Tell Us About the Biggest Hit Songs and Ourselves. My typical pitch is that it's a data-driven history of popular music that I wrote as I spent years listening to every number one hit song in history. You get a balance of music history, data analysis, just random music chart shenanigans. I wrote it over such a very long period of time that you get a little bit of how my life was intersecting with this book over the years as I tried to get it published.I love the angle on the No.1s being a place to go with, because it gives you a pulse on what's popular at the time and not necessarily what's the most influential at the time. You can see there's a lot of stuff that hit number one at one point or another that have no musical legacy whatsoever, but nevertheless are still interesting. It's dipping your toe in the stream, right? You can see that a lot of things that we assume about how the music industry works weren't always the case.You wrote a little bit about the early transition from big bands to singers as the front-facing people in their operation. That was informed in no small part by what was performing on the charts, but also, I think, labor action, right?An under-discussed part of music history in the last 100 years is that when thinking of any band now or any musical artist, you almost certainly think of the front person being the singer. But if you go look back at big bands of the 1930s and 1940s, anyone whose name was attached to the band was often not a singer. Some that come to mind are Glenn Miller, the Glenn Miller band. Glenn Miller was a trombone player. Artie Shaw was a clarinet player. If none of these names are familiar to you, that's okay. But you can ask your grandparents.Why does this transition happen: suddenly, the lead singer is always getting top billing in a band? There are a bunch of things that contributed to this. One thing I talk about pretty extensively is just the advent of better microphones. If a voice cannot be heard over the roar of an orchestra or a big band, you need a choir of people to sing. It makes the singer less identifiable. As we get better amplification, better microphones, you can get a wider range of vocal styles. Those vocalists can now compete with the sound of a ton of instruments.At the same time, something you mentioned that I think is a fun bit of history is how music used to be much better organized. They had better labor organization, the same way that Hollywood has much better labor organization than music these days. There still exists a group called the American Federation of Musicians. For two years, they had a strike for a work stoppage, when no new music was being recorded. This was during World War II. You weren't allowed to strike during World War II.They were frowned upon very much, it seems, yes.Yes, even if you were a musician. People were like, “Come on, why are the musicians striking?” There's a lot of interesting history there. One of the weird loopholes was that singers could not join the American Federation of Musicians. Because of that, some labels would get around the strike by just recording acapella songs or songs with instruments that were not eligible to be membership because they weren't “serious” enough, like the harmonica. There were weird harmonica songs that were popular at this time. By the time the strike ended, by the time World War II ended, suddenly, singers had a much more prominent role because they were the only ones allowed to perform.There is tons of weird stuff about this strike. Like, labels backlogged tons of recordings because they knew the strike was coming. “White Christmas,” maybe the best-selling record of all time, was one of those backlogged recordings — recorded in July of 1942 and put out however many months later.That's fun. That's basically why Tom Cruise is in a union but Bad Bunny isn't?I guess so. Music and labor have a history that I'm not an expert on. For some reason, musicians have had a much more difficult time organizing. It seemed to be a little bit easier back when there were these big bands that needed to be rolled out to perform in movie theaters or local clubs. You needed a tuba player and a trombone player and a sax player. I guess it was easier for those musicians to organize. Whereas now, things are so scattered and productions can be super small, and you could record something in your bedroom. They never got that level of organization. I think it's actually hurt artists to some degree because they don't have the protections that the film industry does.Because you're able to just coast along at the top of the charts throughout basically the century, you're able to get lots of different interweaving stories of labor and also legal disputes/legal outcomes, as well as this technological evolution. What are some of the ways that technology has informed how the music that we listen to changes or evolves over time? Or even some of the litigation that we have seen over the course of the century of musical creation. It just seems like it's a really fun way to track some of these bigger trends that we don't even know are really trends.Yeah, totally. I think one of the key themes of the book is that musical evolution is often downstream from technological innovation, which has a nice little ring to it. But in general, there's this idea that creativity is being struck by the muse, and you create something. Whereas in reality, there are usually physical constraints or technological constraints that shape the art that we make. One of the most basic examples is the length of songs. From the '40s up till the early, mid-60s, the pop song sits around 2.5 to three minutes. The reason for this is that vinyl singles could literally not hold more sound without degrading, which is completely backwards from the idea that there was an artist who chose to write a 2.5-minute song.I was like, “Well, you had to work within the constraint.” Then technology gets better, singles start to get longer. During the disco era, they actually made bigger discs to put out these long dance mixes. The single sat around like 3.5 to 4.5 minutes for decades until about 10 years ago, when it started to shorten again. People typically point to music streaming for this reason, because artists are paid if a song is listened to for more than 30 seconds, so it's really just a volume game. If you have a 14 minute song that someone listens to one time, they get paid once. But if I listen to a two-minute song seven times (which is again, the same amount of time spent listening), I will be paid out seven times. There is this financial incentive to shorten songs.I don't think artists are sitting in the studio thinking about this constantly. But what I see, what I saw again and again, is that artists were rational beings to some degree and would work within the constraints that they were given. They would usually push against those constraints. That's where a lot of great art comes out of.Even new mediums are offering new opportunities. You wrote a little bit about MTV and how that really changed a lot of what was able to be successful at the time. You had new types of acts that were able to really start competing there, and other acts that just weren't. Do you wanna speak a little bit about like what video did?Yeah, video certainly changed the game. There were artists who had visual presences earlier. The Beatles had a very visual presence. I think part of their success is tied to the fact that television was becoming a thing, and mass media was really becoming a thing. However, we associate musicians with visuals so much these days. That really emerged in the 1980s, where you needed your visual concepts to be as strong, if not stronger than, your musical concepts. I think because of that, you start seeing some artists break through who I don't think are considered great musicians.I always sadly point to the song, “Hey Mickey” by Tony Basil. If it's your favorite song, sorry. I don't think it's a masterful musical creation, but it had this fun music video where she's dressed up as a cheerleader. A lot of that song's success was just the fact that MTV was willing to put that in heavy rotation because it was a fun video to watch. We live in the shadow of that era where visuals matter just as much as anything else.When you think about the most popular artists, outside of maybe a handful, you think of their visual concepts. You think of what Beyoncé looks like, what her videos are like, same with Taylor Swift, as much as you think about their music. That really reshaped our relationship with popular music. We expect to know what artists look like. It's odd to think about that; it really wasn't a thing decades before. You could be a fan of an artist and not really know what they look like. How would you know? Maybe you saw them in a magazine. Maybe you caught them on one television show. The idea that we have access to what everyone looks like is a pretty new phenomenon.That's fun. It's just so interesting to see how a simple change, whether it's today an algorithm or then a medium of distribution, can just have material impacts on the popularity of British synth music in America.Yeah, that's the perfect example. There's a great book called I Want My MTV, and it's an oral history of MTV. They talked to one of the founders. Early MTV would play, as you're saying, all these British new wave acts. Think A Flock of Seagulls, Duran Duran or even someone like U2. They asked the founder, “Why were you playing so many British artists on early MTV?” He was like, “For some reason, British artists happened to make music videos. And there were about 200 music videos in existence. We had to fill 24 hours of programming.” A Flock of Seagulls was gonna get played a bunch of times just because they happened to make music videos.It is a weird thing. Why would anyone make a music video if there was nowhere to really play them? I don't know why specifically the British had more videos, but there were occasional times where television shows might show a video.They do love that over there, like Top of the Pops. I can see why.Music and television have always been connected. You even think Saturday Night Live still has musical acts. Back then, say your label didn't wanna send you out to Britain to go on Top of the Pops. Maybe they would send a video of you instead. There were videos that would float around on these variety shows, and some early videos were just concert footage. It was like, it was a chicken or the egg thing. Once some people had success on MTV, everyone started producing videos. MTV somehow pulled off the miracle of convincing labels that they needed to make videos and that they needed to front the cost for that. Then they had to give MTV the video for free. I don't know how MTV managed to do that.Well, all of Gen X can't be wrong. If you do wanna get it out there, you do have to get it out there. One really fun recurring thing in the book — which again, like I really enjoyed. I think it's a phenomenal work. I think it's a great history. I'm telling stories that I learned in your book to everybody. It is a really fun read in that regard, I wanna say.I do love how you occasionally clock a genre that really only exists briefly. There's one that always goes around for like the strangest things to hit number one, like the Ballad of the Green Berets. I think like there's a Star Wars disco track that I definitely have on vinyl at home about that. You wrote a lot about like teen tragedy songs. What are some of the fascinating like brief trends that only made a small splash and that all of us have forgotten ever existed, but nevertheless achieve some measure of immortality?Yeah, the teen tragedy song is a good one. That actually inspired the writing of this whole book because I got 50 No. 1s, and I was like, “Why are there so many number ones about teenagers dying? That's a little weird.” And then I did a little digging and tried to piece together why that was. The teenage tragedy song, late '50s, early '60s, there are all of these songs about two teenagers in love, usually high schoolers. One tragically dies often in a car crash, and the other is very sad and maybe says that they'll reunite again one day in the afterlife. Some of the big ones are “Leader of the Pack” by the Shangri-Las and “Teen Angel” by Mark Dinning.It's a very weird blip in popular music history. I won't say it has cast a long shadow, but there are some occasional people who pull from that tradition. The craziest teen tragedy song ever was “Bat Outta Hell” by Meatloaf, in which Jim Steinman tried to write a nine-minute motorcycle crash song. I think that's a really interesting one.Disco: bizarre in the amount of people that made disco songs. I really came to like disco and the best disco music, I'm like, “These are the greatest sounds that have ever been recorded.” But it got so big and so popular that everyone felt the need to record disco songs.Not everything is “I Feel Love,” right?No, most things are not. It strikes me that this happened with disco, but has not happened with other genres. Frank Sinatra recorded disco songs. Basically, every television theme song got a disco remix. I Love Lucy had a disco remix. The Rocky theme song had a disco remix.What? I'm sorry, Frank Sinatra did a disco song? Is it good?It's not good. It's “Night and Day” over a disco beat. And it's not clear to me if they just remixed it or if he actually recut the vocal because I just cannot imagine him doing that. In the mid-60s, there was a nun who topped the charts, The Singing Nun with a song called “Dominique.” Of course, during the disco era, it was remixed as a disco song. There are examples of this where people went sort of disco. The Rolling Stones record “Miss You” and it has the disco beat, or Pink Floyd does “Another Brick in the Wall” or Queen does “Another One Bites the Dust.”Everyone was gonna give it a try. There was so much money being made in the disco world at the time. You can always find some artists you would never think would do a disco song probably tried. They probably gave it their best.That's great. It's just fun because the things that hit number one for a week don't necessarily have to be good. They just have to be popular for like a week. Even the construction of the Top 40 chart, which you get into in the book, isn't exactly science. A lot of times, it's a little bit of intuition. It's a lot of what's selling and what's selling where specifically. It is a little bit woo woo, right?Yeah, definitely. The goal of this chart is “What's the most popular song in America in a given week?” Back in the day, that meant what were people buying? What were people listening to on the radio? What were people spinning in jukeboxes? Today, most music is done on streaming. It's consumption-based, rather than sales-based. So the chart's the same in name only, but it's really measuring very different things. The equivalent would be if we knew after you purchased your copy of “I Feel Love,” how many times did you actually play it at home? You could have purchased it, went home and never played it again. Something like that would not register on the charts these days.I respect the people at Billboard because they have an impossible task. It's like “We're gonna take all the information and we're going to boil it down into choosing or measuring what the most popular song is.” It's an impossible task to some degree.I have watched the evolution of the chart, and I go back and forth on whether they have given up on actually trying to rank stuff or if they are just ranking things in a different way. I think that the apples-to-apples between the era stuff is just so hard to do.One thing I really enjoyed about your book, in particular, is that it's not a story of why these songs are the best. It's a story of why these songs were popular at the time, just dipping the toe into the river of human sound. One thing that I'll ask as you wrap: as you were going through these eras, who did you hear a lot more of than you thought? Who did you hear a lot less than you expected?I joked with some people that if you just looked at the top of the charts, the greatest rock band of the 1970s is either Grand Funk Railroad or Three Dog Night because they both had three number one hits, and many other bands in the classic rock canon have none. Led Zeppelin does not really exist on the pop chart, the singles chart. Led Zeppelin really only put out albums. The Eagles were also big during the '70s on the music charts. But Three Dog Night, they're the legends.There are tons of people that I didn't realize how much I would see of them. Someone like Lionel Richie and Phil Collins, of course, they're tremendously popular, but they were so popular. Phil Collins was popular at the height of the bald pop star era, which I think is a thing of the past. You had multiple bald men who were regularly topping the charts in the mid-80s. You see a ton of Phil Collins, more than I was expecting, even though I know he's very popular.Who don't you see a ton of? Sometimes you don't see people until a bit later in their careers. This is actually an interesting phenomenon. Artists do not score a number one hit during their most critically acclaimed period, and then a decade later, they do. For example, Cheap Trick. They have a number one hit, but it's at the end of the '80s song called “The Flame.” Whereas if you hear Cheap Trick on the radio, it's probably their live album from the 1970s. This is a phenomenon you see again and again. Some old timer will get their number one much later in their career. Tina Turner gets her number one when she's probably in her 40s. It's always interesting to see that.There are also some artists where I feel like there's a divergence between what their most popular songs are these days and what was topping the charts. Elton John is a good example there. “Benny and the Jets” was a number one hit, still a tremendously popular song. But he's got a lot of weird No. 1s that I don't think have as much street cred these days. He has a song called “Island Girl.” Did not age like fine wine. I don't even think he plays it live anymore because it's considered somewhat racially insensitive. But it was a No. 1 hit at the time. “Philadelphia Freedom” is another one by Elton John. I feel like when people think of the Elton John catalog, it's probably not the first song that comes to mind. But it was a No. 1 hit, huge smash. His cover of “Lucy in the Sky with Diamonds” was a No. 1. Elton John has been very popular throughout the decades, but I feel like the reasons he's been popular have changed.People have just gravitated towards different songs as time has gone on. You get distortions at the top of the charts. But I think, as you mentioned, it provides a good sample of what was actually popular. You have the good, the bad, and the ugly. Whereas if you look at some other sources, people are just gonna be like, “Oh, listen to these records. These are the best records.” In reality, the bad records are important, too.Yeah, bad records are great. They're at least interesting. I imagine also some of this process must have been missing out on a lot of interesting music because one song was just dominating the charts. Were there any songs in particular that come to mind that wooled the roost for potentially a little bit too long?Yeah, the quintessential example is the “Macarena” in the ‘90s.Oh, no!I think it was No. 1 for 13 weeks.Christ!There's a great clip of people at the Democratic National Convention and '96 dancing the “Macarena.” It's so bad. Yeah, so a very popular song. There are tons of stuff that gets stuck behind it. There's a great No.1 hit in the '90s called “I Love You Always Forever.” It's a very nice song by Donna Lewis. It's stuck at No. 2 because it just happened to be popular during the “Macarena's” very long run. YYour life's work, your greatest accomplishment, being stymied by the “Macarena” feels like a level of creative hell that I have never envisioned before.Yeah, there are other artists who got unlucky. Bruce Springsteen never performed a No. 1 hit. He wrote a No.1 hit for another artist. His closest was “Dancing in the Dark” got to No. 2, but that was also when Prince released “When Doves Cry,” so it's a tough, tough week. Bob Dylan, similar thing. He wrote a No. 1 hit, but he only ever got to No. 2. I think he got to No. 2 twice. Once, he got stuck behind “Help” by the Beatles, and another time he got stuck behind “Monday Monday” by the Mamas and the Papas.This is another thing when I talk about the charts. There could be many fewer units sold in a given week, or there could be many more units sold. There's a lot of luck involved if you're gonna go all the way to No. 1. You could be Bruce Springsteen: you release the biggest record of your life, and Prince also releases the biggest record of his life at the exact same time.Incredible. So again, I have read the book. I really, really like it. People are doubtlessly familiar with the newsletter at this point, but I am also a big fan and booster of that. But I guess I'll just throw it to you. Where can folks find the book, and where can folks find you?Yeah, you can find me, Chris Dalla Riva, basically on every social media platform under cdallarivamusic. I'm most active on TikTok and Instagram. The book, Uncharted Territory: What Numbers Tell Us About the Biggest Hit Songs and Ourselves, should be available from every major retailer online. Amazon, Barnes & Noble, Walmart, Booklist, all that good stuff. Not available physically in stores, so definitely order it online.Like I said, I spent years listening to every No. 1 hit in history, built a giant data set about all those songs and used that to write a data-driven history of popular music from 1958 to basically 2025. So go pick up a copy, buy one for your mother for Christmas. Or your father, I don't discriminate. Yeah, check it out. I'm hoping people enjoy it, and I'm really excited to finally get it out in the world. It's been a long, circuitous journey to get it published.It's a really fun read, and I wish it nothing but the best. And yeah, congrats, thanks for coming on.Yeah, thanks for having me.Edited by Crystal WangIf you have anything you'd like to see in this Sunday special, shoot me an email. Comment below! Thanks for reading, and thanks so much for supporting Numlock.Thank you so much for becoming a paid subscriber! Send links to me on Twitter at @WaltHickey or email me with numbers, tips or feedback at walt@numlock.news. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.numlock.com/subscribe

Bad Bunny, the global music superstar known as Benito Antonio Martínez Ocasio, has just set the music world abuzz with a wave of fresh news and high-profile achievements. In the biggest headlines of the week, Bad Bunny announced his highly anticipated sixth studio album, “Debí Tirar Más Fotos,” which translates to “I Should Have Taken More Photos.” NME and The Lagos Review reveal it's scheduled for release on January 5, 2025, and signals a shift to a more introspective, deeply personal direction for the Puerto Rican icon. The announcement came via a cinematic video teaser featuring revered Puerto Rican filmmaker Jacobo Morales. In the teaser, Morales shares a poignant exchange with an animated character named Concho about cherishing life's fleeting moments and capturing those memories—a theme that's expected to resonate throughout the upcoming album.Listeners already have a taste of what's to come: Bad Bunny dropped a surprise holiday single, “Pitorro de Coco,” inspired by a beloved Puerto Rican rum drink. This track channels the raw emotion of heartbreak during the holiday season and is being hailed as another example of his gift for storytelling and emotional depth. Critics and fans alike note how Bad Bunny continues to reinvent himself creatively, moving from the bold sounds of his last record, “Nadie Sabe Lo Que Va a Pasar Mañana,” to an even more vulnerable and reflective musical style.Beyond his musical projects, Bad Bunny has been shining bright on the live circuit. His “Most Wanted Tour” recently ranked seventh among the world's highest-grossing tours in 2024, pulling in over $210 million and confirming his status as one of the most in-demand performers on the planet. Social media is still buzzing with clips and reactions from his latest concerts, with listeners praising the spectacular production and heartfelt performances.In pop culture news, Bad Bunny made a surprising cameo in the trailer for Adam Sandler's “Happy Gilmore 2,” demonstrating his growing influence and crossover appeal in the entertainment world. This appearance sparked a flurry of memes and social posts, adding to a week in which Bad Bunny's public profile climbed yet another level.Perhaps the crowning moment of the week came at the 2026 Latin Grammy Awards. As reported by WPLG Local 10, Bad Bunny absolutely dominated the ceremony, taking home the coveted Album of the Year award as well as both Urban Music Album and Song Awards. He also delivered a crowd-thrilling performance, cementing his artistic legacy and solidifying his place as one of the most influential Latin artists of his generation. The ceremony marked a night of celebration and major milestones, not just for Bad Bunny, but for the broader Latin music community, with Karol G and Alejandro Sanz also among the night's big winners.Listeners are flocking to social media platforms to celebrate Bad Bunny's victories and eagerly speculate about his next creative moves. The online energy is palpable, with fans dissecting his latest releases, teasing potential collaborations, and creating viral moments around his every announcement. While details about the full album track list and possible tour updates remain tightly under wraps, anticipation is building to a fever pitch as January draws nearer.Thank you for tuning in to this update on all things Bad Bunny. Don't forget to come back next week for another roundup of the latest music news. This has been a Quiet Please production, and for more, check out QuietPlease Dot A I.Some great Deals https://amzn.to/49SJ3QsFor more check out http://www.quietplease.aiThis content was created in partnership and with the help of Artificial Intelligence AI

Bad Bunny has just had one of the most eventful and triumphant weeks of his career. On Thursday night in Las Vegas, he headlined the 2025 Latin Grammy Awards and won the top honor, Album of the Year, for his deeply personal and genre-defying release “Debí Tirar Más Fotos.” Throughout the show, Bad Bunny's presence was impossible to ignore. Not only did he take home Album of the Year, but he also walked away with multiple wins in urban and reggaeton categories. In his acceptance speech, he dedicated the award to the young people of Puerto Rico and Latin America, reminding everyone to never forget their roots and to always keep dreaming. He told the audience, “There are many ways to show patriotism and defend our land—we choose music.” The Los Angeles Times describes the competition as fierce, but Bad Bunny's performance and message made him the undeniable highlight of the night. The ceremony was filled with electric performances, with Bad Bunny returning to the stage more than once, including an acclaimed collaboration with Chuwi.This week also brought news of Bad Bunny's next chapter. In a surprise move, he released a holiday single called “Pitorro de Coco,” which draws on themes of heartbreak and nostalgia—referencing a traditional Puerto Rican rum drink and weaving his signature storytelling through the new track. According to the Lagos Review, this release sets the stage for his upcoming sixth studio album “Debí Tirar Más Fotos,” due out January 5, 2025. The album was announced via an artistic video teaser featuring acclaimed Puerto Rican filmmaker Jacobo Morales, who reflected on the fleeting nature of life and the importance of capturing memories. Many fans and critics see this as Bad Bunny's most introspective project yet, with the album's themes promising a new and more personal direction.Bad Bunny's recent impact goes far beyond music. Al Jazeera reports that his recent month-long residency in San Juan brought more than $200 million to Puerto Rico's economy. Notably, tickets for the first nine shows were reserved for locals with Puerto Rican ID only, reflecting his commitment to his homeland. Across San Juan, restaurants and businesses have built small shrines to the musician, who remains a deeply loved figure locally even as he dominates the world stage. He's currently one of Puerto Rico's most recognizable exports, boosting both local pride and tourism in an extraordinary way.Despite his immense Spanish-language success, Bad Bunny has not switched to English to chase a broader audience, as others have before him. He is firmly keeping his artistic identity rooted in Puerto Rico. Still, his influence is global: according to Al Jazeera, he was Spotify's most-streamed artist for three years running, and his tour was one of the highest-grossing in 2024.Looking forward, all eyes are on his appearance at the Super Bowl halftime show in February, which will mark his only scheduled performance in the mainland U.S. There's some controversy brewing, as some conservative voices are questioning whether a Spanish-language performance is suitable for the Super Bowl, but Bad Bunny's unwavering confidence and massive fanbase seem ready for the global spotlight.Bad Bunny's week has been nothing short of historic: major award wins, new music, a highly anticipated album, and cementing his status as both a global superstar and a deeply committed Puerto Rican icon. Thank you for tuning in and be sure to come back next week for more. This has been a Quiet Please production. For more, check out QuietPlease dot A I.Some great Deals https://amzn.to/49SJ3QsFor more check out http://www.quietplease.aiThis content was created in partnership and with the help of Artificial Intelligence AI

Dan Loges delivers the latest entertainment news on:- Pope Leo XIV discusses his favorite films.- Bad Bunny receives Latin Grammy for Album of the Year.- Man arrested for charging Ariana Grande at Red Carpet event.

Why LA County's winding down its free laptop loan program. For Food Friday we'll dig into a rare mushroom being served in LA's Koreatown. And Bad Bunny takes home the biggest prize at the Latin Grammys. Support The L.A. Report by donating at LAist.com/join and by visiting https://laist.com Visit www.preppi.com/LAist to receive a FREE Preppi Emergency Kit (with any purchase over $100) and be prepared for the next wildfire, earthquake or emergency!Support the show: https://laist.com

Juan Chiavassa is an Argentinian born drummer, producer, and composer. His work spans a number of genres, including jazz, Latin, R&B, soul, hip-hop, rock and world music. As a performer, he has collaborated with Mike Stern, Paquito D'Rivera, Esperanza Spalding, John Patitucci and Jimmy Haslip among others. He performed on The Tonight Show with Bad Bunny. One of the albums he produced was nominated for a Latin Grammy, and he leads the Neverpony projectMy featured song is “The Rich Ones All Stars”, my recent single that is also a track on my latest album What's Up. Spotify link.—-----------------------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH JUAN:www.juanchiavassaondrums.com—----------------------------------------ROBERT'S LATEST SINGLE:“MI CACHIMBER” is Robert's latest single. It's Robert's tribute to his father who played the trumpet and loved Latin music.. Featuring world class guest artists Benny Benack III and Dave Smith on flugelhornCLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—--------------------------------------ROBERT'S LATEST ALBUM:“WHAT'S UP!” is Robert's latest compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com  

#OasisdeLibertad. Sergio Ramos entrega un Latin Grammy a Bad Bunny. Auger-Aliassime será el rival de Alcaraz en semifinales de las ATP Finals.

CBC Marketplace analysis shows daily rush hour commutes in Canada are getting longer. Ontario's ban on speed cameras comes into effect. Russia unleashes a massive overnight attack on Ukraine. China demands Japanese PM retract Taiwan warning or ‘bear all consequences'. BHP liable for 2015 Brazil dam collapse, UK court rules in mammoth lawsuit. Indigenous protesters block entrance to COP30 climate summit in Brazil. A closer look at the hydroelectric project Prime Minister Mark Carney is recommending to reduce Iqaluit's dependence on fossil fuels. Karol G wins Song of the Year, Bad Bunny wins Album of the Year as rapper dominates 2025 Latin Grammys.

Las Migas guanyen el Grammy Llat

COPE informa que entra en vigor el confinamiento de todas las granjas avícolas de España. El ministro de Transportes, Óscar Puente, se resiste a la obligación del Congreso de que Renfe vuelva a cumplir los compromisos de puntualidad pre-2024. El IPC definitivo de octubre marca una inflación del 3.1%, con subidas en energía, frutas y huevos. La borrasca Claudia recorre la península, dejando lluvias y desbordamientos. Estados Unidos lanza la "Operación Lanza del Sol" contra el narcotráfico. El abogado general del Tribunal de Justicia de la UE emite un dictamen favorable a la Ley de Amnistía, pero un letrado de Sociedad Civil Catalana subraya que no respeta la tutela judicial efectiva. Una víctima de violencia machista denuncia fallos en el sistema de pulseras telemáticas y la falta de empatía de la Ministra de Igualdad. En el ámbito musical, Bad Bunny y el dúo argentino Catriel y Paco Amoroso triunfan en los Latin Grammys. La nueva aplicación de COPE ya está disponible para dispositivos ...

Bad Bunny triunfa en los Latin Grammy 2025 con premios también a Alejandro Sanz y Aitana, además George R.R. Martin pide a ChatGPT que escriba una sección de Juego de Tronos y le demanda. Nacho García y Lalachún comentan la actualidad del viernes 14 de noviembre de 2025.

Dean Richards, entertainment reporter for WGN, joins Bob Sirott to provide the latest news in entertainment. Bob and Dean share details about the man who grabbed Ariana Grande on the red carpet, Bad Bunny’s Latin Grammy awards, and the “Dawson’s Creek” star that needs cancer treatment. They also talk about things to do this weekend, […]

Bad Bunny, one of the world's most influential Latin artists, is dominating headlines and conversations this week with both musical releases and major news about his upcoming projects. According to Al Jazeera English, Bad Bunny has taken on the role of Puerto Rico's ambassador to the world, leveraging his global fame to bring unprecedented cultural and economic attention to the island. San Juan just finished celebrating a month-long Bad Bunny residency that injected an estimated $200 million into the local economy. Residents enjoyed exclusive access, with tickets for the first nine shows reserved only for those holding a Puerto Rican ID—solidifying his commitment to his homeland and his identity. In stark contrast to pop stars who angle for wider appeal by singing in English, Bad Bunny remains committed to releasing hits in Spanish, grounding his art in his roots while turning the eyes and ears of the world toward Puerto Rico.What's next: Bad Bunny has officially been announced as the headliner for the 2025 Super Bowl Halftime Show, with this mainland U.S. performance being hyped as his only one for the year. The choice has sparked both major excitement and some conservative backlash in the States, mainly due to his insistence on performing in Spanish—a move that has only cemented his icon status at home even further. Bad Bunny hasn't shied away from taking a stand on social issues either, letting it be known that one reason for avoiding a mainland tour was his concern over U.S. federal immigration enforcement, a rare reveal for a pop superstar.On the music front, things are moving at a furious pace. Music media like the Lagos Review and Billboard are buzzing about Bad Bunny's sixth studio album, Debí Tirar Más Fotos, which translates to “I Should Have Taken More Photos.” This album, set for release on January 5, 2025, is already generating massive anticipation. The announcement featured a cinematic teaser video, starring renowned Puerto Rican filmmaker Jacobo Morales and an animated character, Concho, exploring themes of memory, nostalgia, and truly living in the moment. This more reflective and deeply personal direction promises something unique even for longtime listeners.Bad Bunny has started teasing fans with new singles from the album. El Clúb, which blends EDM and plena—a signature Puerto Rican rhythm—became an early December hit, while the surprise holiday single Pitorro de Coco, released over New Year's, taps into the festive season with sounds rooted in Puerto Rican jíbara tradition. In the video for Pitorro de Coco, Bad Bunny not only directed but also starred, dressed in a baby blue suit and surrounded by the sights and sounds of a Puerto Rican holiday celebration. The track was coproduced by MAG, Tainy, and La Paciencia, and its lyrics dwell on the bittersweet taste of holiday loneliness, heartbreak, and drink—a testament to Bad Bunny's storytelling range.Finally, beyond music, Bad Bunny's cultural relevance continues to expand. Fans are flocking to his recently opened coffee shops and restaurants in Puerto Rico, some of which have become full-blown Bad Bunny pilgrimages for locals and tourists alike. He even made a cameo in the upcoming Adam Sandler movie Happy Gilmore 2, proving his star power transcends genres and industries.Thanks for tuning in to this week's update on all things Bad Bunny. Don't forget to check back next week for the latest buzz. This has been a Quiet Please production, and for more from me, visit QuietPlease Dot A I.Some great Deals https://amzn.to/49SJ3QsFor more check out http://www.quietplease.aiThis content was created in partnership and with the help of Artificial Intelligence AI

Bad Bunny, known offstage as Benito Antonio Martínez Ocasio, has dominated headlines and social media this past week with a string of major milestones and new releases. Most notably, Bad Bunny took home five awards at the 2025 Latin Grammys, including his first-ever Album of the Year for his latest project debí tirar más fotos, which translates to ‘I Should Have Taken More Photos.' The ceremony, held in Las Vegas at the MGM Grand Garden Arena, saw Bad Bunny not only claim Album of the Year but also win in categories like música urbana album, música urbana song for “DTmF,” reggaeton performance for “Voy A Llevarte Pa Pr,” and more. In his heartfelt acceptance speech, Bad Bunny thanked his family, collaborators, and closed with a passionate message: “Puerto Rico, I love you, thank you,” underlining the strong ties to his homeland and the album's deeply personal themes, which listeners and critics alike have praised as a love letter to his island according to coverage at Sentinel Colorado and NPR.This new album, debí tirar más fotos, is set for a global release on January 5, 2025, but selected tracks have already dropped and are making waves online. The emotionally charged single “Pitorro de Coco,” released during the holiday season and named for a traditional Puerto Rican rum, has resonated with fans for its story of heartbreak and nostalgia. Similarly, “El Clúb,” released earlier this month, blends EDM with plena—a traditional Afro-Caribbean rhythm—showcasing Bad Bunny's ongoing fusion of genres and his ability to reflect on past relationships in a relatable, down-to-earth way. These releases have been widely discussed across social media platforms, with listeners praising the introspective direction of his new music, as noted by NME and The Lagos Review.The album announcement was accompanied by a poignant video teaser starring legendary Puerto Rican filmmaker Jacobo Morales, who discusses the importance of capturing and living in the moment. The written and visual themes of nostalgia and embracing one's memories are at the forefront of this new project, offering listeners a more contemplative and personal side of Bad Bunny than ever before.Bad Bunny's influence hasn't stopped at music releases; his appearance in the trailer for Adam Sandler's Happy Gilmore 2 has generated excitement among fans, spreading rapidly through Instagram and TikTok. Meanwhile, the numbers from his “Most Wanted Tour” continue to impress, ranking seventh among 2024's highest-grossing tours with a total revenue of $210.9 million, affirming his status as one of the most commercially successful Latin artists in the world.The buzz around Bad Bunny this week has been electric, with news outlets universally highlighting his sweeping Latin Grammy wins, his bold creative choices, and his ability to pack meaning and emotion into every track and public appearance. Whether it's his music, his awards, or his crossover into film, Bad Bunny's ongoing evolution is captivating listeners around the globe.Thanks for tuning in. Don't forget to come back next week for more on music, culture, and everything happening with your favorite artists. This has been a Quiet Please production. For more, check out QuietPlease Dot A I.Some great Deals https://amzn.to/49SJ3QsFor more check out http://www.quietplease.aiThis content was created in partnership and with the help of Artificial Intelligence AI

Una nueva gala de los Latin Grammy en una noche mágica llena de artistas, premios, emociones, sorpresas y mucha música. Te contamos todo lo que sucedió.Gelena Solano nos cuenta qué pasó en la alfombra, quiénes quisieron hablar y quiénes le huyeron a la prensa.Oscar Petit estuvo en el backstage y no solo habló con varios de los artistas, sino que nos cuenta todo lo que ocurre detrás de bambalinas. 

1. En aumento y con escenas que parecen de película de terror narco siguen empeorando los asaltos en restaurantes, farmacias y supermercados. 2. Buscan los $2,000… son buenos…Pero como quiera, la gobernadora insiste en que Puerto Rico se beneficia de múltiples asignaciones tras fin del cierre federal en EE.UU.3. Ricky Martin reaviva el debate sobre violencia y retrocesos LGBTQ+4. Traición al pueblo y la Constitución: Cámara de Representantes aprueba por descargue el P del S 63 que limita el acceso a la información publica5. Senado aprueba medida que crea Deslinde Nacional, radicada por Eliezer Molina 6. Bad Bunny obtuvo cinco premios Latin Grammy: “No dejen de soñar, no importa de dónde vengas”. La estrella global puertorriqueña le dedicó el galardón de “Álbum del Año” a los niños de Puerto Rico y de Latinoamérica7. No culpable el cineasta Tito Román Rivera de la acusación de daño agravado a la propiedad pública en la manifestación artística y de protesta que hizo el año pasado cuando se pintaron con pintura removible las estatuas de presidentes de los Estados Unidos que ubican en el sur del Capitolio.8. Recesa audiencia por corrupción a exministro de Hacienda en RD y empresario dueño de Autogermana en PR, Donald Guerrero9. Residentes del Viejo San Juan convocan manifestación para exigir cumplimiento de leyes y ordenanzas10. Cámara de Representantes aprueba legislación para establecer moratoria de 24 meses en aumentos tarifarios de LUMA Energy. La resolución legislativa, de la autoría de Ángel Fourquet y Víctor Parés, fue aprobada de manera unánime11. 'Debí tirar más fotos' se lleva el primer Latin Grammy para una canción de plena boricua12. “Latinoamérica” de Calle 13 es nombrada la canción más grande del siglo XXI por Rolling Stone13. EEUU anunció la “Operación Lanza del Sur”: “Vamos a expulsar a los narcoterroristas del hemisferio”.14. 10 tendencias claves que marcarán el 2026Este es un programa independiente y sindicalizado. Esto significa que este programa se produce de manera independiente, pero se transmite de manera sindicalizada, o sea, por las emisoras y cadenas de radio que son más fuertes en sus respectivas regiones. También se transmite por sus plataformas digitales, aplicaciones para dispositivos móviles y redes sociales. Estas emisoras de radio son:1. Cadena WIAC - WYAC 930 AM Cabo Rojo- Mayagüez2. Cadena WIAC – WISA 1390 AM Isabela3. Cadena WIAC – WIAC 740 AM Área norte y zona metropolitana4. WLRP 1460 AM Radio Raíces La voz del Pepino en San Sebastián5. X61 – 610 AM en Patillas6. X61 – 94.3 FM Patillas y todo el sureste7. WPAB 550 AM - Ponce8. ECO 93.1 FM – En todo Puerto Rico9. WOQI 1020 AM – Radio Casa Pueblo desde Adjuntas 10. Mundo Latino PR.com, la emisora web de música tropical y comentarioUna vez sale del aire, el programa queda grabado y está disponible en las plataformas de podcasts tales como Spotify, Soundcloud, Apple Podcasts, Google Podcasts y otras plataformas https://anchor.fm/sandrarodriguezcottoTambién nos pueden seguir en:REDES SOCIALES: Facebook, X (Twitter), Instagram, Threads, LinkedIn, Tumblr, TikTokBLOG: En Blanco y Negro con Sandra http://enblancoynegromedia.blogspot.comSUSCRIPCIÓN: Substack, plataforma de suscripción de prensa independientehttps://substack.com/@sandrarodriguezcottoOTROS MEDIOS DIGITALES: ¡Ey! Boricua, Revista Seguros. Revista Crónicas y otrosEstas son algunas de las noticias que tenemos hoy En Blanco y Negro con Sandra.

In this week's crash-out, Antoinette celebrates Mamdani's win, while Shanti prepares for Bad Bunny in December. For the episode, Antoinette goes to Atlanta. She shares a story about stuffing pants and what happened while attending Clark Atlanta Homecoming. We discuss the importance of being objectified by your man and stalking Shanti's daughter. Join us...Contact Us:Hotline: (215) 948-2780Email: aroundthewaycurls@gmail.comPatreon: www.patreon.com/aroundthewaycurls for exclusive videos & bonus episodesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The world reacts to Rosalía's new album and Annie and Nick debate whether there's room for Berghain in the night club. Plus, the Grammy nominations have been announced, and rap music has fallen off the US charts prompting the question; do genres ever die? Elsewhere, the Rock & Roll Hall of Fame inducts new legends, Nick hears a song that inspires him to film a roundabout, and we discover the unlikely record that got Annie into DJing. Plus, is Charlie XCX's new track suitable for early morning? Get in touch with Annie and Nick! If you're over 16, WhatsApp on 07970082700 or email sidetracked@bbc.co.uk SONGS Samantha Fu – Discotheque De La Soul – Buhloone Mindstate Blood Orange – Mind Loaded Joey Negro – Risky Biznizz Rosalía - Magnolia, Mio Cristo and La Perla Leon Thomas – Mutt Charlie XCX and John Cale – This House Handel – Messiah ALBUMS Rosalía - Lux Blood Orange – Essex Honey

The Pennies die RIP, We talk Grammy Nominations, Rosalia burns Rauw Alejandro, we talk Hilary Duff new song and Charlie learns a alledged beef between Hilary and her sister Hayley Duff. Follow/like/share/subscribe Theinn3rcirclepodcast follow on IG/Tik Tok Theinn3rcirclepodcast

Never talk about politics? Fuck that. Margaret Cho joins the pod for a feisty chat. From roasting politicians, bigots boycotting Bad Bunny at the Super Bowl, and the fucked up state of world... we get a glimpse of #TheCholigarchy. Margaret and I bond over cosmetic procedures, what to do, what to avoid, and delve into her latest album: #LuckyGift. Margaret also takes us behind the scenes of her latest acting projects including filming Disney+'s Percy Jackson & The Olympians with Sandra Bernhard and Kristen Schaal and I Want Your Sex with Olivia Wilde & Charli XCX.

Spanish pop star Rosalía is back with her new album, Lux. Over eighteen tracks, she trades in the dembow beats that filled her last record Motomami for maximalist orchestral sounds more in line with Björk than Bad Bunny.  The album is dense: there's four movements, thirteen languages, arrangements by Caroline Shaw, and a wide breadth of influences – from Benedictine saints to Patti Smith. But despite (or because) all of this, Rosalía has gone on record referring to Lux as, ultimately, a pop album.  That's where we come in. On this episode of Switched On Pop, Nate and Reanna put on their tour guide hats to talk all things Lux: its sonic genre-bending, Rosalía's poetic lyricism, and her hyper-local flamenco influence.  Songs discussed: Rosalía – Berghain Rosalía – Bizcochito Rosalía – De Madrugá Rosalía – Mio Cristo Rosalía – La Yugular Björk – Joga Caroline Shaw, Roomful of Teeth – Partita for 8 Voices Rosalía – Sexo, Violencia y Llantas Rosalía – Divinize Rosalía – Porcelana Rosalía – Dios Es Un Stalker The Police – Every Breath You Take Rosalía – La Perla Johann Strauss II – The Blue Danube Drake – Push Ups Rosalía – Sauvignon Blanc Lady Gaga – Grigio Girls Adele – I Drink Wine Rosalía – Focu ‘Ranni Rosalía – Novia Robot Rosalía – La Rumba del Perdón Learn more about your ad choices. Visit podcastchoices.com/adchoices

¿Existen realmente los Illuminati que eligen qué música y a qué artistas escuchamos?En este episodio #PARANORMAL junto a Barbie Muriel revelamos los secretos de la elite en la música urbana.Acompáñame a descubrir cómo funciona el sistema que exprime a los artistas, el porqué de sus repentinos cambios de imagen y cómo los conciertos masivos no son solo entretenimiento, sino rituales que consumen tu energía.Analizaremos la simbología oculta en los videos de Raw Alejandro, el significado de su álbum Saturno, el caso de los The Beatles en su Proyecto Liverpool, las extrañas coincidencias en los conciertos de Taylor Swift, Kanye West, Travis Scott y la elite secreta detrás de Shakira y Bad Bunny.¿Cómo proteger tu energía de estas entidades y artistas en conciertos? Aquí te lo comentamos. 

Join me as I sit down with Pasqual Gutierrez and Ben Mullinkosson, the creative minds behind the Sundance 2025 feature film Serious People. From directing music videos for Bad Bunny, Rosalía, J Balvin, Madonna, Travis Scott, and The Weeknd, to exploring parenthood, clout, and indie filmmaking in Los Angeles, this conversation dives deep into the world of modern filmmaking. We dive into: Pasqual's journey from directing award-winning music videos for Bad Bunny, Rosalía, J Balvin, Madonna, Travis Scott, and The Weeknd to his first feature film The inspiration and making of Serious People, a story about parenthood, clout, and the replaceability of people in LA Behind-the-scenes stories and the indie film world Tips, insights, and lessons for aspiring filmmakers and creatives Whether you're a film lover, aspiring director, or just curious about what it takes to make a feature film in today's industry, this episode is packed with insider knowledge and inspiration. Follow the filmmakers: Pasqual Gutierrez: IG @PasqualGutierrez Ben Mullinkosson: IG @BenMullinkosson Stay connected with me:  https://www.instagram.com/SHESALLOVERTHEPLACEPODCAST

Se anuncia el encarecimiento de la docena de huevos en España, superando los 3 euros por el impacto de la gripe aviar. En Estados Unidos, finaliza el cierre de Gobierno más largo de su historia. Sarkozy cumple el inicio de su condena por corrupción en su domicilio. A partir de enero, la baliza V16 será obligatoria en los coches en España. Se presentan las canciones "Me has invitado a bailar" de Dani Fernández y "Born This Way" de Lady Gaga. Se celebra a Bad Bunny por sus 15 Grammys y a Orbea Bailén por su aceite. Mar Mateo comparte su experiencia acudiendo a clase de inglés en festivo y oyentes relatan anécdotas sobre evitar tareas o clases. Se informa sobre la destrucción accidental de una obra de arte contemporáneo en un museo de Taiwán por un voluntario. Se escucha "Yo pienso en aquella tarde" de Pito Pérez, "Mami Blue" de Skate Ryan y "Next Summer" de Damiano David. La nueva música de Rosalía genera gran expectación. Se cierra el programa con Fitoy Fitipaldis y "This Love" de ...

'Buenos días, Javi y Mar' en CADENA 100 informa sobre la situación de Trump y el aumento del precio de los huevos en España, por encima de los 3 euros la docena, debido a la gripe aviar. Sarkozy está en libertad condicional. Se anuncia el fallecimiento de Clive Farrendell, conocido como "El calvo de la lotería". Suena Adele con "Set Fire to the Rain" y Miles Smith con "Nice to Meet You". Se comenta el nuevo disco "Lux" de Rosalía. Se debate sobre cómo cotillear reduce el estrés. Un jardinero de Torrevieja pide teletrabajar, causando sorpresa. José Real presenta noticias y se comenta el aumento del seguro del coche. Suena Justin Bieber con "Love Yourself" y Cardy B con su versión de "WhatsApp". Se mencionan Antonio Orozco y Bad Bunny.

Auspiciado por Vital Full of Life. Coopera con Glenda Maldonado en este enlace. Antes que nos invadan las hordas comunistas, seguimos cubriendo los papelones de cada semana para que tengas algo que escuchar mientras esperas tu vuelo atrasado hacia la nueva república soviética musulmán de Nueva York con el nuevo alcalde favorito de los histéricos. Rodríguez Veve se despide del partido que no quiere fornicadores ni abortistas, pero podría tener trabajo pronto con la nueva administración de Metro, o quizás conduciendo el programa de Alexandra Fuentes mientras se recupera del intento de retirarla permanentemente de Victorino, que podría ser el próximo juez de Objetivo Fama luego que Byron se fuera para tratar de cantar junto a Bad Bunny en el medio tiempo, ya que Daddy Yankee dijo que su sesión con Bizarrap fue suficiente. Patrones PYMES: Erik Bakery Casolá Nuestras redes sociales: Tío Macetaminofen Sol Guzabra El George El Come Siempre es Lunes

Breaking down the story lines to watch from the new slate of nominees going into February's big show. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

Linktree: ⁠https://linktr.ee/Analytic⁠Join The Normandy For Additional Bonus Audio And Visual Content For All Things Nme+! Join Here: ⁠https://ow.ly/msoH50WCu0K⁠Dive deep into the 68th Grammy Awards (2026) with Analytic Dreamz on Notorious Mass Effect. This segment breaks down the February 1, 2026 ceremony at Crypto.com Arena, Los Angeles, covering the Aug 31, 2024–Aug 30, 2025 eligibility window. Kendrick Lamar dominates with 9 nominations, including Record, Song, and Album of the Year—GNX marks his historic 5th consecutive Album of the Year nod. Lady Gaga earns 7, her first triple-major category sweep for Mayhem. Jack Antonoff and Cirkut tie at 7; Bad Bunny secures 6, becoming the first Spanish-language artist nominated across Song, Record, and Album of the Year. Sabrina Carpenter, Leon Thomas, and Serban Ghenea each grab 6. Taylor Swift scores 0 due to The Life of a Showgirl releasing Oct 3, 2025—outside the window—with no qualifying 2024–2025 content. New categories include Best Traditional Country Album (spotlighting Willie Nelson, Margo Price) and Best Album Cover; Best Country Album renamed Best Contemporary Country Album. Insights highlight rap, rock, Latin, and Tiny Desk alumni like Clipse (5 noms) and Leon Thomas' “Mutt.” Broadcast on CBS/Paramount+ with 95 categories. Analytic Dreamz delivers nominee stats, cultural trends, and Swift's 14-win legacy.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Buenos días, Javi y Mar' arranca con David Guetta y OneRepublic, presentando a Eva y Amaral, y la canción 'Como Hablar'. Se escucha música animada y de Kelly Clarkson con 'Stronger'. CADENA 100 destaca a Bad Bunny con seis nominaciones a los Grammy, junto a Lady Gaga, Kendrick Lamar y Jack Antonoff, quien sorprende con siete nominaciones. Se promociona el champú 'NUGELA & ANSULÉ', el herbolario Aguado Natural, vuelos de 'TAAP Portugal' a Estados Unidos y Canadá, la feria de otoño de 'OCASION PLUS', el aniversario de 'El Corte Inglés', el 'Sorteo 11 del 11 de la 11' de la ONCE, las mandarinas de Aldi y 'Movistar' para el Black Friday. Vanesa Martín presenta su nueva canción 'Objetos Perdidos', invitando a una fiesta en sus conciertos. Se menciona 'PROCTOLOG', 'HSN', 'TENERIFE' como destino turístico y 'Cofidis'. CADENA 100 Music Link' conecta con la actualidad. Se escucha 'NADA FUE UN ERROR' y Antoñito Molina y Abel Pintos con 'ME SUBO POR LAS PAREDES'. CADENA 100 invita a bailar con ...

Linktree: ⁠https://linktr.ee/Analytic⁠Join The Normandy For Additional Bonus Audio And Visual Content For All Things Nme+! Join Here: ⁠https://ow.ly/msoH50WCu0K⁠Dive into the latest entertainment chaos with Analytic Dreamz on THE NOTORIOUS MASS EFFECT EPISODE 154! Breaking down Taylor Swift's new album Life Of A Showgirl, Drake's Iceman project amid his UMG lawsuit fallout, NBA YoungBoy's MASA Tour smashing $70M+ in revenue, and Bad Bunny's controversial Super Bowl halftime headliner spot drawing petitions and backlash.Industry bombshells: Diddy sentenced to four years for Mann Act violations; Xbox hikes Game Pass prices by 50% to $30/month Ultimate tier while conceding the console war by porting Halo and more to PlayStation; EA goes private in a massive $55B deal backed by Jared Kushner's Affinity Partners and Saudi PIF.Gaming deep dive: Silent Hill f's Japanese horror triumph with 1M+ sales day one; Ghost of Yōtei's stunning 1600s Japan sequel; EA FC 26's overhauled dribbling and archetypes; Little Nightmares III's co-op Spiral terrors; Pokémon Legends: Z-A's Lumiose Mega Evolution action; Last War mobile's zombie survival dominance; Battlefield 6's Kinesthetic Combat chaos.Drama alert: Emiru calls out Twitch's failed security after TwitchCon assault; Drake vs. Kendrick lingers with Stake rumors; NLE Choppa escalates vs. NBA YoungBoy with "KO" diss and decapitation pics.Bonus: Analytic Dreamz's shortened NYCC vlog—full version exclusive on NME+!MusicTaylor Swift Life Of A ShowgirlDrake Iceman & LawsuitNBA Youngboy Tour revenueBad Bunny Super Bowl Halftime ShowIndustry NewsDiddy Sentenced To four years over mann act violationsXbox Raising Prices game pass and concedes console warEA SOLD FOR $55 BILLION TO JARED KUSHNER & SAUDI INVESTORSGamingSilent Hill FGhost Of YoteiEA FC 26Little Nightmares IIIPokemon Z-ALast War Mobile GameBattlefield 6DramaEmiru Vs Twitch over handling of assault at twitchconDrake Vs Kendrick + Drake & StakeNLE Choppa Vs NBA YoungboyBonus: NYCC Shortened VLOG (Full VLOG On NME+)Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Linktree: ⁠https://linktr.ee/Analytic⁠Join The Normandy For Additional Bonus Audio And Visual Content For All Things Nme+! Join Here: ⁠https://ow.ly/msoH50WCu0K⁠Dive into the latest entertainment chaos with Analytic Dreamz on THE NOTORIOUS MASS EFFECT EPISODE 154! Breaking down Taylor Swift's new album Life Of A Showgirl, Drake's Iceman project amid his UMG lawsuit fallout, NBA YoungBoy's MASA Tour smashing $70M+ in revenue, and Bad Bunny's controversial Super Bowl halftime headliner spot drawing petitions and backlash.Industry bombshells: Diddy sentenced to four years for Mann Act violations; Xbox hikes Game Pass prices by 50% to $30/month Ultimate tier while conceding the console war by porting Halo and more to PlayStation; EA goes private in a massive $55B deal backed by Jared Kushner's Affinity Partners and Saudi PIF.Gaming deep dive: Silent Hill f's Japanese horror triumph with 1M+ sales day one; Ghost of Yōtei's stunning 1600s Japan sequel; EA FC 26's overhauled dribbling and archetypes; Little Nightmares III's co-op Spiral terrors; Pokémon Legends: Z-A's Lumiose Mega Evolution action; Last War mobile's zombie survival dominance; Battlefield 6's Kinesthetic Combat chaos.Drama alert: Emiru calls out Twitch's failed security after TwitchCon assault; Drake vs. Kendrick lingers with Stake rumors; NLE Choppa escalates vs. NBA YoungBoy with "KO" diss and decapitation pics.Bonus: Analytic Dreamz's shortened NYCC vlog—full version exclusive on NME+!MusicTaylor Swift Life Of A ShowgirlDrake Iceman & LawsuitNBA Youngboy Tour revenueBad Bunny Super Bowl Halftime ShowIndustry NewsDiddy Sentenced To four years over mann act violationsXbox Raising Prices game pass and concedes console warEA SOLD FOR $55 BILLION TO JARED KUSHNER & SAUDI INVESTORSGamingSilent Hill FGhost Of YoteiEA FC 26Little Nightmares IIIPokemon Z-ALast War Mobile GameBattlefield 6DramaEmiru Vs Twitch over handling of assault at twitchconDrake Vs Kendrick + Drake & StakeNLE Choppa Vs NBA YoungboyBonus: NYCC Shortened VLOG (Full VLOG On NME+)Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Welcome back to another wild episode of NNFA Podcast with the Casey Jones of NNFA, Simeon Goodson! He's back fresh off a casino run with Hannibal Buress, still lit from Dave & Buster's, and ready to drop gems (and chaos). Dave and Simeon dive into everything from Ozempic and Bad Bunny fandoms to Atlantic City pastors and hood dogs. It's raw, hilarious, and splendiferous! LIKE, SHARE & SUBSCRIBE to NNFA https://www.youtube.com/channel/UCLAUp-4rTF4q4XLujbJ51YQ NO NEED FOR APOLOGIES TOUR DATES https://www.linktr.ee/nnfaNNFA MERCH https://nnfa.creator-spring.com/ BONUS EPISODES https://www.patreon.com/c/ImDaveTemple?utm_medium=clipboard_copy&utm_source=copyLink -----------------Follow host Derek GainesIG https://www.instagram.com/thegreatboy/ Follow host Dave TempleIG https://www.instagram.com/imdavetemple/ YouTube https://www.youtube.com/@DAT46Follow Simeon GoodsonIG - https://www.instagram.com/simdelacreme/ Follow No Need for ApologiesInstagram https://www.instagram.com/nnfapodcast/ TikTok https://www.tiktok.com/@noneedforapologies Facebook https://www.facebook.com/noneedforapologies/Produced by Teona SashaIG https://www.instagram.com/teonasasha/TikTok https://www.tiktok.com/@teonasasha -----------------To advertise your product on our podcasts please email jimmy@gasdigitalmarketing.com with a brief description about your product and any shows you may be interested in advertising on.SEND US MAIL:GaS Digital StudiosAttn: NNFA151 1st Ave # 311New York, NY 10003"No Need for Apologies" - NEW Episodes every Saturday at 3PM/ET on YouTube-----------------See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.