Podcasts about Pitchfork

Blamison are back with a regular episode about a movie that know one fucking knows! We dig into the first of three feature films by Mark Romanek who is most known for doing the multi-million dollar budget music video for Michael Jackson's "Scream." The name of the movie is Static from 1985. We talk about the weird tonal shift in the final act of the film, hanging out with slackers, and grief of all things. Join us on this angelic adventure!Also talked about: Blake's post-punk journey, Blake's hatred of Pitchfork and why The Edge is not a cool nickname.Clip: Al Gore talking about creating the internet with Wolf Blitzer.

On this week’s new music podcast, host Ben Marwood brings you dance bangers, post-hardcore, Eurovision and a Beatles cover from the 1960s. How’s that for a slice of fried gold? Artist “Track” [Album] [edit] radio podcast 776 – Right Click and Save As to Download The post Podcast 776 | Dance Yourself Clean, La Dispute & Billy Woods appeared first on .

SPONSORS: 1) Brunt: Get $10 Off at BRUNT with code JULIAN at https://www.bruntworkwear.com/JULIAN #Bruntpod 2) Huel: Get Huel today with this exclusive offer for New Customers of 15% OFF + a FREE Gift with code JULIAN at https://huel.com/JULIAN (Minimum $75 purchase). PATREON: https://www.patreon.com/JulianDorey (***TIMESTAMPS in Description Below) ~ Mike Benz is a former official with the U.S. Department of State and current Executive Director of the Foundation For Freedom Online, is a free speech watchdog organization dedicated to restoring the promise of a free and open Internet. MIKE's LINKS: X: https://x.com/MikeBenzCyber WEBSITE: https://foundationforfreedomonline.com/ FOLLOW JULIAN DOREY INSTAGRAM (Podcast): https://www.instagram.com/juliandoreypodcast/ INSTAGRAM (Personal): https://www.instagram.com/julianddorey/ X: https://twitter.com/julianddorey LISTEN to Julian Dorey Podcast Spotify ▶ https://open.spotify.com/show/5skaSpDzq94Kh16so3c0uz Apple ▶ https://podcasts.apple.com/us/podcast/trendifier-with-julian-dorey/id1531416289 JULIAN YT CHANNELS - SUBSCRIBE to Julian Dorey Clips YT: https://www.youtube.com/@juliandoreyclips - SUBSCRIBE to Julian Dorey Daily YT: https://www.youtube.com/@JulianDoreyDaily - SUBSCRIBE to Best of JDP: https://www.youtube.com/@bestofJDP ****TIMESTAMPS**** 00:00 – Censorship, AI Wack-a-Mole, Deep Blue, DARPA Docs 12:34 – Weapons of Mass Deletion, NetzDG, Election Control, Russiagate, USAID, Trump Hold-Ups 23:29 – USAID Origins, Sopranos Agencies, Shadow Networks, EU DSA, CIA Outsourcing 32:40 – USAID Scandals, Identity Dominance, Cuba HIV Hoax, ZunZuneo 44:32 – Social Media Control, CIA & Rap, Media Machine, Vatican–CIA–Mafia 57:12 – George Kennan, Political Warfare, Plausible Deniability, CIA in Italy 1:07:32 – USAID = Plausible Deniability, Tom Donilon 1:22:55 – Mike Donilon, Shadow Cabinet, BlackRock, Pentagon Black Hole, Congressional Favors 1:34:17 – Gorbachev Pizza Ad, Systemic Corruption, Pepsi–Allende Coup 1:42:31 – The Blob, Friedman's Free Market Lie, Empire Blindspot 1:53:15 – USAID = Bribes, Mike Benz Dual Role, Dirty Roots 1:57:40 – MAGA Blindspot, Empire Preservation 2:09:02 – USAID–Supreme Court, Norm Eisen, Bread & Corruption 2:18:19 – Opium Wars, Institute of Peace, Syrian Democratic Forces, George Foote 2:35:13 – Peace Institute Overthrows, Drug-Funded Empire, Pitchfork & Scalpel 2:44:14 – State Dept vs CIA, 1961 Reorg, Visas for Terror 3:00:57 – Elon & DOGE, ROI, Reloading Strategy 3:12:25 – Tesla vs Unions, Unions as Ops Tools OTHER JDP EPISODES MENTIONED IN THIS EPISODE: - Episode 307 - Roya Hakakian: https://youtu.be/NQeoCeSk_Zc - Episode 303 - Martin Dugard: https://youtu.be/rcoiIUfz_N4 - Episode 97 - Andrew Bustamante: https://youtu.be/2PUs7l2jW9c - Episode 107 - Andrew Bustamante: https://youtu.be/7jNz3-WPV5I - Episode 150 - Andrew Bustamante: https://youtu.be/dUlc2d6fDzg - Episode 224 - Andrew Bustamante: https://youtu.be/Gv-YWfNWwkM - Episode 249 - John Kiriakou: https://youtu.be/5_FDZozJ9zE - Episode 250 - John Kiriakou: https://youtu.be/5HuyORiWoDM - Episode 278 - John Kiriakou: https://youtu.be/_CFWmuIgQIE - Episode 279 - John Kiriakou: https://youtu.be/scrGRKVa-Q4 CREDITS: - Host, Editor & Producer: Julian Dorey - COO, Producer & Editor: Alessi Allaman - https://www.youtube.com/@UCyLKzv5fKxGmVQg3cMJJzyQ - In-Studio Producer: Joey Deef - https://www.instagram.com/joeydeef/ Julian Dorey Podcast Episode 309 - Mike Benz Music by Artlist.io Learn more about your ad choices. Visit podcastchoices.com/adchoices

Bandcamp offers a sustainable path for independent musicians to thrive. Episode 644: J. Edward Keyes, the editorial director of https://bandcamp.com/, one of the most artist-friendly platforms in the industry. With over 20 years of experience writing for outlets like Rolling Stone, SPIN, Pitchfork, Entertainment Weekly, and The Village Voice, J. Edward has a deep understanding […]

Merriam-Webster's Word of the Day for June 7, 2025 is: abstruse • ub-STROOSS • adjective Abstruse is a formal word used to describe something that is hard to understand. // I avoided taking this class in past semesters because the subject matter is so abstruse, but the professor does a good job explaining the concepts as clearly as possible. See the entry > Examples: “The EP's lyrics are suitably abstruse. The title ‘Marry Me Maia' sounds forthright in its intentions, but the song instead offers cryptic references and obfuscation. The result is like peeping in on a private conversation: fascinating and impassioned but fundamentally obscure.” — Ben Cardew, Pitchfork, 31 Mar. 2025 Did you know? Look closely at the following Latin verbs, all of which come from the verb trūdere (“to push, thrust”): extrudere, intrudere, obtrudere, protrudere. Remove the last two letters of each of these and you get an English descendant whose meaning involves pushing or thrusting. Another trūdere offspring, abstrūdere, meaning “to conceal,” gave English abstrude, meaning “to thrust away,” but that 17th-century borrowing has fallen out of use. An abstrūdere descendant that has survived is abstruse, an adjective that recalls the meaning of its Latin parent abstrūsus, meaning “concealed.” Like the similar-sounding obtuse, abstruse describes something difficult to understand—that is, something that has a “concealed” meaning.

On today's episode, I talk to Merrill Garbus and Nate Brenner of the band Tune-Yards. Started by Merrill in the mid-aughts, Tune-Yards first official release Bird-Brains came out in 2009 on 4AD. Almost immediately, the band began to garner acclaim from Pitchfork, the Village Voice and many other publications. After the release of Bird-Brains, Merrill moved to Oakland where Nate lived, and since then, the two have recorded five more albums, a number of singles, as well as the score to the Boots Riley film Sorry to Bother You. Their latest, Better Dreaming, just came out a few weeks ago on 4AD, and it's wonderful! This is the website for Beginnings, subscribe on Apple Podcasts, follow me on Twitter. Check out my free philosophy Substack where I write essays every couple months here and my old casiopop band's lost album here! And the comedy podcast I do with my wife Naomi Couples Therapy can be found here! Theme song by the fantastic Savoir Adore! Second theme by the brilliant Mike Pace! Closing theme by the delightful Gregory Brothers! Podcast art by the inimitable Beano Gee!  

William Tyler is an American guitarist and composer known for his unique blend of fingerstyle guitar, ambient, and post-rock influences. Hailing from Nashville, Tyler's music weaves intricate, melodic soundscapes that are often both introspective and expansive. Critics have praised Tyler for his ability to evoke deep emotion through his instrumental work. Pitchfork described Goes West as "a stunning meditation on the American landscape, both real and imagined. “ Through his work, Tyler has carved a distinctive niche within the instrumental music world, drawing comparisons to guitar greats like John Fahey and Leo Kottke. His newest record, Time Indefinite, was released by Psychic Hotline in spring of 2025. In this episode, recorded live at the Big Ears Festival in March of 2025, he talks about how songs by Scott Joplin, The Troggs, and Popol Vuh were formative for him.See omnystudio.com/listener for privacy information.

MUSIC311 will release an EP of vintage live recordings, ‘90s Throwback EP: Volume 2, on June 27th. Various sets from the Washington, D.C. stop of the Warped Tour on June 14th and 15th will stream on Prime Video and Amazon Music's Twitch channel. All Time Low, Sublime and MGK will all be part of the livestream. Collective Soul are the latest band to get their own feature-length documentary: Give Me a Word: The Collective Soul Story will be out July 8th on Blu-ray and DVD. It'll also be available on demand that day, and will be released to streaming services later in the year. The 'Bon Jovi: Forever' anthology book, authored and narrated by frontman Jon Bon Jovi, will arrive in hardback on September 23rd. It's concert season, and Pitchfork.com put together a list of the 35 most anticipated tours of the summer. Here are 10 highlights: 1. Beyoncé: The Cowboy Carter Tour – NO STL DATE2. Billy Corgan and the Machines of God: The Return to Zero Tour – NO STL DATE3. Cyndi Lauper: The Girls Just Wanna Have Fun Farewell Tour – NO STL DATE4. The Flaming Lips and Modest Mouse: The Good Times are Killing Me Tour – NO STL DATE5. Haim: The I Quit Tour – NO STL DATE6. Kendrick Lamar and SZA: The Grand National Tour – TONIGHT @ THE DOME7. Lady Gaga: The Mayhem Ball Tour – NO STL DATE8. Lorde: The Ultrasound World Tour – OCTOBER 9TH @ CHAIFETZ ARENA9. Nine Inch Nails: The Peel it Back Tour – NO STL DATE10. The Weeknd: The After Hours Til Dawn Tour – NO STL DATE TV Kylie Jenner is being hailed as a "girl's girl" for divulging the exact details of her bob job. Haley Joel Osment‘s was arrested at a ski resort in California for public intoxication back in April, and he has since been charged with multiple misdemeanors, including drug possession. Jeopardy! and Wheel of Fortune fans will now be able to watch the latest episodes on streaming platforms! MOVING ON INTO MOVIE NEWS: John Krasinski gives his mother 10% of his earnings, because she encouraged him not to quit when the acting thing wasn't working out.· 40 years after actor Michael J. Fox became a legend playing it while jamming "Johnny B. Goode" with Chuck Berry during the "Enchantment Under The Sea" high school dance scene, guitar maker Gibson is on a search for the cherry red Gibson ES-345 guitar from the 1985 movie 'Back To The Future'. Would every movie be better with Mrs. Doubtfire in it? According to this video, the answer is yes. The Bell Brothers, who create mindblowing mashups, quite hilariously and seamlessly inserted a happily vacuuming Mrs. Doubtfire (Robin Williams) cleaning up around highly recognizable scenes from other movies and TV shows, while occasionally checking back into her own movie MISCMrBeast has an estimated net worth of $1 billion, but he claims that he has “very little money” available to use right now. AND FINALLYUltimateClassicRock.com ranked the 50 Greatest Power Ballads in Rock History. Spoiler alert: Most of them are from the '80s!Here are the Top 10: AND THAT IS YOUR CRAP ON CELEBRITIES!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week on [edit] radio, Kev Lawson records solo while Jenessa Williams has a cold ???? Bringing with him 15 carefully curated new music tracks featuring songs that you’ve not heard of with more than a million streams on YouTube, a fierce defence of KPop’s place in the industry & much more. Artist “Track” [Album]... The post Podcast 775 | Featuring For Those I Love, Getdown Services & Wolf Alice appeared first on .

Rick wasn't feeling so hot, so Dave was flying solo today, and tackled yet another story about an exotic animal that got loose! There's some interesting murder news, involving an actor and an infamous killer, herself, who just got out on parole after 55 years. Arnold Schwarzenegger is aghast at something his son did on film. Pitchfork ranked the top summer concert tours to look forward to, people are apparently slathering beef tallow on themselves in lieu of sunscreen, and Dave hit the phones to hear not the best beer brands, but the best time... to drink one! See omnystudio.com/listener for privacy information.

The UK outfit Sleep Token has done what we once thought impossible: Found commercial success playing heavy metal music in 2025 AD. Their fourth studio album, Even in Arcadia, went to number one on the Billboard 200 upon its release, with all ten of its tracks charting on the Hot 100—this despite the fact that the band has been entirely masked and anonymous through their nine year existence. Sleep Token's willingness to inject their brand of heavy metal with autotuned pop vocals, reggaeton beats, and hop hop inflected rhythms has widened their audience, but in the process had galvanized scathing criticism. Pitchfork gave the album a withering review calling Even in Arcadia "schmaltzy and dull," while Anthony Fantano dubbed the band "metal music for Disney adults." We get to know Sleep Token—the music and the controversy—by listening deeply to the ways they toy with the genre conventions of metal, and ask whether they are changing the sound of pop in the process. AUDIENCE SURVEY 2025: https://switchedonpop.typeform.com/survey2025 Songs Discussed Sleep Token - Thread the Needle, Emergence, Caramel, Damocles Ghost - Satanized Metallica - Hero of the Day Nickelback - How You Remind Me Learn more about your ad choices. Visit podcastchoices.com/adchoices

It’s probably cliché to say that sport imitates life, but Hanif Abdurraqib traces the intimate details of basketball legends and faded school-yard stars in an unforgettable book about sport, life, and the places we call home. Abdurraqib is a poet, essayist, and author of the new book, "There's Always This Year: On Basketball and Ascension,” is the selection for this year's Reading Across Rhode Island Statewide Read, sponsored by the Rhode Island Center for the Book. His first full length poetry collection, “The Crown Ain't Worth Much,” was released in June 2016 and named a finalist for the Eric Hoffer Book Prize, and was nominated for a Hurston-Wright Legacy Award. His first collection of essays, “They Can't Kill Us Until They Kill Us,” was released in winter 2017 by Two Dollar Radio and was named a book of the year by Buzzfeed, Esquire, NPR, Oprah Magazine, Paste, CBC, The Los Angeles Review, Pitchfork, and The Chicago Tribune, among others. His book, “Go Ahead In The Rain: Notes To A Tribe Called Quest” became a New York Times Bestseller, was a finalist for the Kirkus Prize, and was longlisted for the National Book Award. His 2021 book, “A Little Devil In America,” was a finalist for the National Book Award, the National Book Critics Circle Award, and the The PEN/Diamonstein-Spielvogel Award for the Art of the Essay. The book won the 2022 Andrew Carnegie Medal for Excellence in Nonfiction and the Gordon Burn Prize.See omnystudio.com/listener for privacy information.

New York Times bestselling author Hanif Abdurraqib spoke to me about taking a leap of faith, the tentpoles of his writing practice, and his recent NBCC award-winning THERE'S ALWAYS THIS YEAR: On Basketball and Ascension. Hanif Abdurraqib is a lauded New York Times bestselling author, recent Winner of the NBCC Award for criticism, and a finalist for the National Book Award for A Little Devil in America. He is also a poet, essayist, cultural critic, contributor for The New Yorker, and a recipient of the MacArthur Foundation “Genius” grant. His latest book, There's Always This Year: On Basketball and Ascension, was described by Publishers Weekly, in a Starred Review, as "A triumphant meditation on basketball and belonging…" and named a Best Book of the Year by The New York Times Book Review, Time, The Washington Post, NPR, The Boston Globe, Publishers Weekly, Kirkus Reviews, Book Riot, Electric Lit and many others. Steve James, director of Hoop Dreams, called it, “Mesmerizing  ... not only the most original sports book I've ever read but one of the most moving books I've ever read, period.” Hanif's first collection of essays, They Can't Kill Us Until They Kill Us, was named a book of the year by NPR, Esquire, BuzzFeed, O: The Oprah Magazine, Pitchfork, and the Chicago Tribune, among others. [Discover The Writer Files Extra: Get 'The Writer Files' Podcast Delivered Straight to Your Inbox at writerfiles.fm] [If you're a fan of The Writer Files, please click FOLLOW to automatically see new interviews. And drop us a rating or a review wherever you listen] In this file Hanif Abdurraqib and I discussed: What it's like to be on a book tour for close to a year His superpower as a highly prolific writer Quitting his 9-5 job after squirreling away money from freelancing Building his own poetry curriculum Why his writing routine hasn't changed much over the years Hot takes on the 2025 NBA Playoffs And a lot more! Show Notes: abdurraqib.com  There's Always This Year: On Basketball and Ascension by Hanif Abdurraqib (Amazon) Hanif Abdurraqib on Facebook Hanif Abdurraqib on Instagram Kelton Reid on Twitter Learn more about your ad choices. Visit megaphone.fm/adchoices

Greg brings a unique situation to the show this week. Pitchfork recently reviewed the album “Face Down in the Garden” by Tennis. Tennis, in turn, released a review of the review (sound familiar?) that went viral (nevermind). This week, we're reviewing a Review the Review!Song: Turnstile - “Lookout for Me”Jay caught an amazing show at Merriweather Post Pavilion last week, it's Tales from the Concert. Sturgill Simpson has been getting some serious cred from the jam band community and Jay explains why. Starting at precisely 8pm, Simpson, and his incredibly talented band, went on to play 3 straight hours without stopping between songs. The performance, according to Jay, was impeccable and the stamina of the band was an impressive feat in its own right. If you get a chance to see him on his next tour, definitely do so.Song: Sturgill Simpson - “A Good Look (Live at Merriweather)”Finally, what do you know about Eurovision? Nick knew next to absolutely nothing before seeing it in the headlines and reading up on it. Armed with about 30min of knowledge, he decided to quiz the guys on their familiarity with the 69 year old event via Viral or Eyeroll.Song: Goose - “Thatch”

Listen to an interview with the acclaimed Gary, Indiana composer and electronic music producer Jlin. Her music has been praised by Pitchfork, NPR, Vogue, Rolling Stone and The New York Times, and she's collaborated with artists including Björk and Philip Glass.  Born Jerrilynn Patton in 1987, Jlin's bold, genre-defying work has reshaped the landscape of experimental electronic music. Her rhythmically dense and emotionally intense style emerged from footwork, a high-speed dance music rooted in the underground music culture of Chicago. But Jlin's sound evolved over time, becoming an unmistakably original voice that transcends categorization.  Jlin rose to prominence with her 2015 debut Dark Energy. The album was immediately hailed as a landmark in contemporary electronic music. Both The Quietus and The Wire named it Album of the Year, and Pitchfork included Dark Energy in its Top 20 Albums of 2015. Her follow-up album, Black Origami further solidified her status as a leading avant-garde composer. The album received almost universal acclaim, with The New York Times, Rolling Stone, NPR, and The Guardian including Black Origami in their the Best Albums of 2017 lists. Jlin's latest, album Akoma has also garnered widespread critical acclaim.  Beyond her solo releases, Jlin's influence has expanded into the worlds of dance, classical music, and performance art. She has composed for the renowned Kronos Quartet and her music has been used by choreographers including Wayne McGregor and Kyle Abraham. Despite her international recognition, Jlin has remained firmly rooted in her hometown Gary, Indiana.

Kristin Hersh of THROWING MUSES joins Rain Phoenix on LaunchLeft for a raw, unfiltered conversation about artistic integrity and the music industry's dark underbelly. Kristin reflects on her journey in the music industry, discussing her experiences with major labels and her commitment to making music that feels true to her. She shares insights into her creative process, including her approach to songwriting and production. The conversation touches on themes of authenticity, the spiritual aspects of music, and the challenges of maintaining artistic vision in a commercial industry. Kristin Hersh then launches Wallace False, who offers his unique perspective on creating original music and art. The episode provides a fascinating look into two generations of musicians who prioritize creative expression over commercial success, offering listeners a glimpse into the world of independent and experimental music-making. IN THIS EPISODE:  (00:00) Intro: Kristin Hersh joins LaunchLeft podcast (05:58) The music industry's focus on image over art (13:18) Spirituality and channeling in music creation (19:39) Exploring unconventional sounds and instruments (25:49) Leaving major labels to pursue artistic vision (32:28) Kristin on producing her own music and incorporating nature sounds (38:32) Streaming's impact on musical exploration (48:50) Wallace False is launched (53:54) Creating original sounds from basic waveforms (59:18) Finding inspiration beyond audience expectations (60:00) Wallace False's new industrial soundscape album: Signal KEY TAKEAWAYS:  Kristin has always prioritized authenticity in her music, choosing to leave major labels to maintain artistic integrity and her creative process. She believes that music is about capturing a visceral truth, not conforming to industry standards of prettiness or marketability. It's about nurturing the energetic essence of a song and letting it resonate with listeners who appreciate its rawness. Kristin strives for originality and control through her creative process. By manipulating raw sounds to craft unique compositions and avoiding conventional influences, she aims to create something entirely its own. It's important not to become complacent in any artistic lane, but to explore and experiment, allowing inspiration to guide the way. Music has a spiritual component that goes beyond just sound. It's about being a vessel for inspiration, channeling something greater than oneself. Kristin and Wyatt create music that resonates with truth, rejecting superficial standards and focusing on the deeper connection it can foster with those who truly listen. RESOURCE LINKS:  LaunchLeft Podcast Smart Link KRISTIN HERSH LINKS: https://www.kristinhersh.com/ WALLACE FALSE LINKS: https://dondekko.bandcamp.com/album/signal https://medium.com/@wyatt.true.oconnell/the-fortune-letters-bc68e47777ea BIOGRAPHIES:  KRISTIN HERSH: "One of indie rock's most fascinating figures" - The Guardian The inimitable Kristin Hersh is a musician's musician, a songwriter's songwriter, and an innovator's innovator. The Queen of Grunge's first band, Throwing Muses, began recording and playing out when they were just 14 years old and they're still going. 2020's critically acclaimed Sun Racket was hailed as a "perfect record." Hersh's refusal to participate in a corporate industry saw her leave a Warner Brothers recording contract at the top of her success in order to become listener-supported. "Music is humanist and so are we," as she puts it. Wildly prolific, she has released more than 20 albums - solo, with Throwing Muses, and her noise rock band 50 Foot Wave ("A group that runs laps around most rock bands" said Pitchfork, on 2022's Black Pearl). She's also a celebrated author: Rolling Stone named her first book, Rat Girl (Penguin) one of the ten best rock memoirs of all time. NPR said of her second book, Don't Suck, Don't Die, "Not only one of the best books of the year, but one of the most beautiful rock memoirs ever written." Her third book, the game-changing Seeing Sideways, pushes the envelope of creative non-fiction while telling the story of raising her 4 sons on a tour bus. Hersh lives in New Orleans and New England. WALLACE FALSE: Wyatt True, sometimes known as Wallace False, is a writer, animator, and musician. True was born in Rhode Island and raised just about everywhere else. He now resides in the Deep South. The common thread in True's work is a grotesque dismantling of any and all familiar structures. Guitars twang sour, sorrowful sonatas, protagonists are lost amongst melting walls and rooms that time forgot. He is mostly docile and will only bite if cornered.   LaunchLeft, Music, Live Music, Music Inspiration, Musician Stories, Kristin Hersh, THROWING MUSES, Wallace False, music industry critique, artistic integrity, independent music, creative process, songwriting, music production, alternative rock, female musicians, Warner Brothers, music marketing, artistic authenticity, music streaming, musical literacy, studio recording techniques, sound experimentation, music collaboration, music touring, European music scene, music inspiration, music and spirituality, artistic personality, experimental music, DIY music production, music ownership

Avery Adams is a producer, musician, and chef, and Kevin W. Smith is a writer and radio host. We talk about Bon Iver's fourth album, I,i (Jagjaguar), released on August 9, 2019, an 8.8 Best New Music on Pitchfork. Also: Music writing circa 2007, For Emma vinyl sales, album “branding,” Vernon's non-falsetto register, Naeem drums, sliding on cardboard, no click, Texas, Hornsby, Beck, this album's got moments, “Hey, Ma,” bass lines, Aaron Rogers and Justin Vernon interview circa 2019, The Bee Gees, where this album stands against the discography, Radiohead, Animal Collective, Of Montreal, and indulging creative impulses. FULL EPISODE W/ PRODUCER CHRIS MESSINA ON PATREONAVERY matiakitchen.com instagram.com/rarebirdcommittee/instagram.com/realfreaque/https://www.instagram.com/nautilusenclave/KEVINhttps://kmre.org/island-time/https://keviniswriting.com/

On this week’s podcast, Barry Dolan shares his favourite new music tracks from the louder end of the amorphous blob of new musical genres we cover. Artist “Track” [Album] [edit] radio podcast 774 – Right Click and Save As to Download The post Podcast 774 | Featuring Turbo Panda, Lung, and Rocket appeared first on .

Want to request a song? Tell us your rating? Send us a Text Message right now! Scandal'us – Me, Myself & I (2001) ⭐️⭐️⭐️⭐️⭐️ (Pitchfork, 10.0)In an era bloated with faux-indie self-seriousness and turn-of-the-millennium testosterone-pop, Me, Myself & I arrived like a rhinestoned meteor, obliterating subtlety and redefining post-reality-TV sonic maximalism. What begins as a breakup anthem quickly transcends genre, gender, and good taste, ascending into something close to pop transcendence. The chorus, a rallying cry of self-sufficiency, lands with the force of a glitter bomb in a therapist's office—half defiance, half denial, all iconic. It's not just a song; it's a syllabus in empowerment, delivered with the emotional range of a confetti cannon and the production sheen of a freshly laminated soul. In a just world, this would play every time someone leaves a toxic relationship and when they finally delete Facebook. Scandal'us weren't just Popstars winners—they were oracles. And Me, Myself & I is their shimmering, immaculate prophecy.DUBBY DUBBY is declaring WAR on big Energy! Use the promo code "1001songs" at checkout for 10% off! Buzzsprout - Let's get your podcast launched!Start for FREEBlessington Support the podcast when you buy a Blessington watch! Use the promo code “1001songs” at checkout. DUBBYDUBBY is declaring WAR on big Energy! Use the promo code "1001songs" at checkout for 10% off! Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the showFollow us on Instagram: https://www.instagram.com/1001songsthatmakeyouwanttodie/Follow us on TikTok: @the1001crew

Nick catches us up on the news of the week. Zak Starkey is re-fired by The Who, BandCamp adjusts their terms and conditions, and Trump orders Springsteen investigated after The Boss criticized his administration on stage.Song: Psychedelic Porn Crumpets - “Qwik Maff”Greg first caught wind of Sleep Token back in 2022 and he had a feeling they were going places. Their latest album, Even in Arcadia, is now the number 1 album on Billboard 200 and that caught the attention of our good old friends at Pitchfork. This week, we're back with a good old fashioned “Review the Review.”Songs:Sleep Token - “Emergence”Sleep Token - “Past Self”Jay was pondering Theseus's Paradox on a recent drive (not really, but go with me on this) which is the thought experiment that questions the identity of an object over time when all of its parts are replaced. There are some touring bands that one could apply this question to, such as Lynyrd Skynyrd, Kansas, REO Speedwagon, Heart, and others. What do you think, is a band whose original members have all been replaced still the same band?

Recorded on a 16-year-old laptop, on this week’s episode of [edit] radio, Tom Crook, Paul Whitty and Ben Smith are back to share another little vignette into their favourite new music tracks and Oxfordshire lives. Artist – Track [Album] [edit] radio podcast 773 – Right Click and Save As to Download The post Podcast 773 | Featuring Poppy Ackroyd, Nels Cline & Outfit appeared first on .

Ronnie Radke claims Tommy Lee's wife Brittany Furlan was catfished by a fake Snapchat account pretending to be him and she may have fallen for it. We break down the wild DMs, Ronnie's receipts, Brittany's 7-minute response video, and what Tommy Lee had to say.Plus:

This week on [edit] radio, Ben Marwood hosts another helping of perfectly curated new music for you to fall in love with. Artist “Track” [Album] [edit] radio podcast 772 – Right Click and Save As to Download The post Podcast 772 | Featuring Aesop Rock, Piebald & Laura Jane Grace appeared first on .

One-on-one pod today, Chris is in Atlanta, and Jason is home in Glendale. We chat about TJ's time at the Just Like Heaven festival, credential distribution, Slayer roadcases, melting electronics, Cento Raw Bar, Crunch Master crackers, Kanye's HH, fake Pitchfork scores, Keith McNally's memoir, a rainy walk of shame for Chris, intersexual marriage, and TJ has yet another way to save the crumbling film industry. twitter.com/donetodeath twitter.com/themjeans howlonggone.com Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week’s episode of [edit] radio, Kev Lawson and Jenessa Williams talk about recording artists who know when to stay in their lane, pop stars that deserve the benefit of the doubt before their new song is criticised, spending time in New Orleans and more. Artist “Track” [Album] [edit] radio podcast 771 – Right... The post Podcast 771 | Featuring Career Women, Lorde & Nyah Grace appeared first on .

Ian Grant is the host of the Jokermen podcast. We discuss Bon Iver's 2016 record 22, a Million (Jagjaguar). After dipping into the 9.0 Pitchfork review, we talk about a For Emma sunrise show at the Hollywood Forever Cemetery, having his mind blown by this record in impact (and me ignoring it) in 2016, that year's prez election, the OP-1 synth, “It might be over soon,” Kanye briefly, Stevie Nicks singing “Wild Heart," listening Radiohead and Bon Iver while flying, “Staying at the Ace Hotel,” don't trust Spot*fy lyrics, “the days have no numbers,” saying these song titles out loud, Taylor in C0vid, and Jokermen's Beach Boys journey.THIS SHOW ON PATREONMe:⁠x.com/routinelayup⁠bsky.app/profile/routinelayup.bsky.social⁠Ian:https://bsky.app/profile/ianjgrant.comx.com/JokermenPodcastinstagram.com/jokermenpodcast

Valerie June is a Grammy-nominated singer/songwriter whose music has been praised by Pitchfork, Rolling Stone, The New Yorker, NPR, and Bob Dylan himself (who is a self-proclaimed fan). She has performed with John Prine, Norah Jones, Booker T. Jones, Robert Plant, Meshell Ndegeocello, Dave Matthews, Angelique Kidjo, Willie Nelson, Brandi Carlile, and Elvis Costello, written books of poetry and on art, and is a certified yoga and mindfulness instructor. We talk to Valerie about intention setting and the law of attraction, learning to live with chronic illness, testing different approaches and your creative limits, manifesting, rituals and routines to get ready to be present for people, and a whole lot more.Get more access and support this show by subscribing to our Patreon, right here.Links:Valerie JuneEp 39 - Joe HenryEp 17 - Elizabeth Cook'The Artist's Way' Elizabeth CottonMississippi John HurtSkip JamesCarla ThomasClick here to watch this conversation on YouTube.Social Media:The Other 22 Hours InstagramThe Other 22 Hours TikTokMichaela Anne InstagramAaron Shafer-Haiss InstagramAll music written, performed, and produced by Aaron Shafer-Haiss. Become a subscribing member on our Patreon to gain more inside access including exclusive content, workshops, the chance to have your questions answered by our upcoming guests, and more.

It’s the fifth podcast of the month here at [edit] radio, and that means our founder, Kev Lawson, gets a whole show to himself to share a hand-curated set of new songs and artists for you to enjoy. Artist “Track” [Album] [edit] radio podcast 770 – Right Click and Save As to Download The post Podcast 770 | Featuring Greet Death, Freckle & feeble little horse appeared first on .

Despite TikTok defining this decade's music landscape, the app hasn't spawned a bonafide pop superstar – yet. 24-year-old Addison Rae is trying to be the first. She's already had cosigns from Arca, Charli XCX, and Benny Blanco; critical acclaim from outlets like Pitchfork, Rolling Stone, and Elle; and is cultivating a fervent fanbase with a slew of breathy, ethereal, and inspiration-laden singles. But how does one translate TikTok celebrity into pop success? On this episode of Switched On Pop, Reanna, Nate, and Charlie put their "Headphones On" to understand how one of the biggest Gen-Z celebrities is trying to parlay her allure into pop princess-dom. Songs discussed: Addison Rae – Diet Pepsi Addison Rae – Aquamarine Addison Rae – High Fashion Addison Rae – Headphones On Addison Rae – Obsessed Charlie Puth – The Way I Am Michael Jackson – Smooth Criminal Addison Rae – I got it bad Addison Rae – Nothing On (But The Radio) Addison Rae – it could've been u Addison Rae – 2 die 4 (feat. Charli XCX) Charli XCX, Addison Rae, A. G. Cook – Von dutch a. g. remix Lana Del Rey – Blue Jeans Lana Del Rey – Cherry Lana Del Rey – Diet Mountain Dew Lana Del Rey – Bartender Lana Del Rey – Cola Madonna – Nothing Really Matters Selena Gomez, A$AP Rocky – Good For You Edie Brickell & New Bohemians – What I Am Learn more about your ad choices. Visit podcastchoices.com/adchoices

Ned Raggett joins us to close out our coverage of the second semi-final for Eurovision 2025. This week, we approach the entries from Australia, Serbia, Denmark, Austria, Israel, and Georgia. Ned Raggett Ned Raggett writes a lot, is a denizen of social media (https://bsky.app/profile/nedraggett.bsky.social), and more things besides. He has written for Pitchfork, the Guardian, The Quietus, Rolling Stone, The Wire, Shfl, Bandcamp Daily, Freaky Trigger, OC Weekly, Nashville Scene, Seattle Weekly, SF Weekly, SF Chronicle, KQED Arts, Vice, Careless Talk Costs Lives, Plan B, Loose Lips Sink Ships, FACT, Red Bull Music Academy, Fake Jazz and probably more than a few things that keep slipping his mind. Mélange Summary Australia - Go-Jo - "Milkshake Man" (1:34) Serbia - Princ - "Mila" (11:01) Denmark - Sissal - "Hallucination" (17:43) Austria - JJ - "Wasted Love" (26:10) Israel - Yuval Raphael - "New Day Will Rise" (39:44) Georgia - Mariam Shengelia - "Freedom" (42:06) Final Thoughts (50:24) Subscribe The EuroWhat? Podcast is available wherever you get your podcasts. Find your podcast app to subscribe here (https://www.eurowhat.com/subscribe). Comments, questions, and episode topic suggestions are always welcome. You can shoot us an email (mailto:eurowhatpodcast@gmail.com) or reach out on Bluesky @eurowhat.bsky.social (https://bsky.app/profile/eurowhat.bsky.social). Basel 2025 Keep up with Eurovision selection season on our Basel 2025 page (https://www.eurowhat.com/2025-basel)! We have a calendar with links to livestreams, details about entries as their selected, plus our Spotify playlists with every song we can find that is trying to get the Eurovision stage. Join the EuroWhat AV Club! If you would like to help financially support the show, we are hosting the EuroWhat AV Club over on Patreon! We have a slew of bonus episodes with deep dives on Eurovision-adjacent topics. Special Guest: Ned Raggett.

Merriam-Webster's Word of the Day for April 24, 2025 is: ostensible • ah-STEN-suh-bul • adjective Ostensible is used to describe something that seems or is said to be true or real, but is possibly not true or real. In other words, it is plausible rather than demonstrably true or real. // The ostensible purpose of a filibuster is to extend debate, but in reality it is used to delay or prevent action. See the entry > Examples: “No drums, no bass, no conventional song structures: Hosianna Mantra was a 40-minute contemplation of the cosmos and cosmic love, couched in words and sounds that explicitly linked it to humanity's grandest and most consistent way of considering meaning, religion. The ostensible polytheism conveyed by the name and the concept were only ways to realize how little we actually know, and how much we wager through mere survival.” — Grayson Haver Currin, Pitchfork, 19 Jan. 2025 Did you know? British philosopher and economist Jeremy Bentham once wrote to Indian religious leader Ram Mohan Roy asking him to “send me two letters—one confidential, another ostensible.” By ostensible he meant that, unlike the confidential letter, the latter was intended to be shown to people other than Bentham himself. This sense of ostensible shows clearly the influence of the word's Latin ancestor, the verb ostendere, meaning “to hold out for inspection,” “to show,” “to make clear by one's actions,” and “to demonstrate.” Ostensible is still used today as it is in Bentham's letter, but it is much more likely to suggest a discrepancy between a declared or implied aim or reason (i.e., the aim or reason that someone displays or “shows” to others) and the true one. For example, someone might give “seeing an old friend” as their ostensible reason for planning a trip when in reality they are planning on spending most of their time relaxing on the beach.

Mark Richardson is former Editor in Chief at Pitchfork and current Rock and Pop Critic at the Wall Street Journal. We talk about the 2011 album Bon Iver, Bon Iver, for which Mark wrote the Pitchfork review (9.5). We talk about the anticipation around this record, fusing adult-contemporary and the avant-garde, Animal Collective, Bonnie Raitt, 80s R&B, sincerity vs. irony, is this “sad” music?, a careful use of arrangement and dynamics, Heath Ledger, Shakespearian verse, “Holocene,” the albums' sequencing, the midwestern-ness of it all, Kanye West, commas in the album titles, Rubber Soul/Revolver, we bow down to “Beth/Rest,” a bit of SABLE, fABLE, and Mark tells a story about how this record could have gotten a 10. Me:⁠x.com/routinelayup⁠bsky.app/profile/routinelayup.bsky.social⁠Mark:x.com/MarkRichardsonbsky.app/profile/markrichardson.bsky.socialhttps://markrichardson.org/

Our favorite group of boss babes returned from space this week, and the internet had thoughts! Jodi and Nora start with some rapid-fire micro-obsessions, including pop culture anniversaries, a fun week in sports (shout-out to the WNBA draft and the Masters), and the shocking reveal that Nurse Jesse from 'The Pitt' used to drum for Rooney (1:40). Then, Jodi and Nora touch on the unhinged Pitchfork reviews coming out of Coachella's first weekend (27:16). Then, the ladies go full galaxy brain over our cringe space girls—why did Gayle King look so miserable? Like Katy Perry theorized, did this space mission, in fact, save the Earth? (37:10) Finally, Jodi and Nora preview a messy and dramatic summer TV slate—from 'And Just Like That ...' to 'The Gilded Age' to 'The Valley' to 'The Rehearsal' to 'The Morning Show'—before sharing their personal obsessions for the week. (1:05:55)  Email us with your latest obsessions at wereobsessedpod@gmail.com! Hosts: Jodi Walker and Nora Princiotti Producers: Devon Baroldi, Sasha Ashall, and Belle Roman Learn more about your ad choices. Visit podcastchoices.com/adchoices

Amy is joined by author Kathy Iandoli to discuss her book, God Save the Queens: The Essential History of Women in Hip-Hop, exploring the incredible history of female pioneers in hip-hop history from old school crews like The Mercedes Ladies to contemporary superstars like Lil' Kim.Donate to Breaking Down PatriarchyKathy Iandoli is a critically acclaimed journalist, author, podcaster, media coach, and documentarian. She has nearly 25 years experience working in the music industry—from media, to publicity, radio, and artist management. Her first book, God Save The Queens: The Essential History of Women In Hip-Hop was named an NPR Best Book Of the Year. She is the author of the biography Baby Girl: Better Known As Aaliyah, as well as the co-author of rapper, Lil' Kim's memoir, The Queen Bee. Kathy has written about music and gender for two decades, with bylines in VIBE, The Source, XXL, Village Voice, Rolling Stone, Billboard, Pitchfork, BUST, Teen Vogue, PAPER, Playboy, i-D, Cosmopolitan, Maxim, The Guardian, VICE, and many others. Kathy was a professor-in-residence of Music Business at NYU for 7 years as well as an alum of Steinhardt's Music Business Graduate Program and has served as a pundit (television, radio, and panels) for discussions on hip-hop and gender.

Linktree: https://linktr.ee/AnalyticJoin Analytic Dreamz in this Notorious Mass Effect segment diving into Bon Iver's evolution and latest release. Founded in 2006 by Justin Vernon, Bon Iver blends indie folk with experimental and ambient sounds. From the raw emotion of For Emma, Forever Ago to the Grammy-winning Bon Iver, their journey continues with the 2024 SABLE, EP. Explore “There's a Rhythm,” a haunting track with sparse acoustics and introspective lyrics, earning praise from Pitchfork and Rolling Stone. Analytic Dreamz unpacks its chart performance, streaming stats, and cultural resonance, including 1.9M Spotify streams and a No. 1 spot on Billboard's Top Alternative Albums.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

On today's episode, I talk to cartoonist Anders Nilsen. Growing up between Minneapolis and the mountains of Northern New Hampshire, Anders is the artist and author of ten books including Big Questions, The End, and Poetry is Useless. His work has been featured in the New York Times, Poetry Magazine, Kramer's Ergot, Pitchfork, The New Yorker and elsewhere. His comics have been translated widely overseas and his painting and drawing have been exhibited internationally. Anders' work has received three Ignatz awards as well as the Lynd Ward Prize for the Graphic Novel and Big Questions was listed as a New York Times Notable Book in 2011. His most recent work Tongues vol. 1 was just published by Pantheon and like everything else he does, it is wonderful! This is the website for Beginnings, subscribe on Apple Podcasts, follow me on Twitter. Check out my free philosophy Substack where I write essays every couple months here and my old casiopop band's lost album here! And the comedy podcast I do with my wife Naomi Couples Therapy can be found here! Theme song by the fantastic Savoir Adore! Second theme by the brilliant Mike Pace! Closing theme by the delightful Gregory Brothers! Podcast art by the inimitable Beano Gee!  

Join me and special guest billy woods for the eighth iteration of Reel Talk, a Reel Notes movie night, on Saturday, May 10 at LoudmouthBK. We'll be screening the 1997 psychological horror film Cure and talking about his latest album, Golliwog. Tickets and more info here.  If you'd like to see full video of this and other episodes, join the Reel Notes Patreon at the Homie ($5/month) tier or higher. You also get early access to episodes, an invite to our Discord server, access to the Reel Talk archives, and more!My guest this week is Detroit rapper, producer, engineer, and Bruiser Brigade member J.U.S. We spoke about The Electric State, the use of AI in music and film, Friday, Batman: The Animated Series, coming up in the Detroit rap scene, meeting Danny Brown and joining the Bruiser Brigade, and the creative process behind his last two projects—3rd Shift, produced entirely by Squadda B, and Lord of the Streams part 2: Curse of the Castle. Come fuck with us.3rd Shift and Lord of the Streams part 2 are available wherever music is sold, streamed, or stolen. Consider copping Lord of the Streams part 2 directly via Bandcamp. Follow J.U.S. on Instagram (@j_u_s_) and Twitter (@i_am_J_U_S).Read Alphonse Pierre's profile of J.U.S., which is one-third of a larger piece on the current Michigan rap landscape, at Pitchfork. My first book, Reel Notes: Culture Writing on the Margins of Music and Movies, is available now, via 4 PM Publishing. Order a digital copy on Amazon.Reel Notes stands in solidarity with the oppressed peoples of Palestine, Congo, Sudan, Tigray, and Haiti. Please consider donating to the Palestine Children's Relief Fund,  The Palestinian Youth Movement, The Zakat Foundation, HealAfrica, FreeTigray, and/or Hope For Haiti.  For information about contacting your representatives to demand a ceasefire, finding protests, and other tools, check out CeasefireToday!Follow me on Instagram (@cinemasai), Twitter (@CineMasai_), Bluesky (@cinemasai.bsky.social), TikTok (@cinemasai), Letterboxd (@CineMasai), and subscribe to my weekly Nu Musique Friday newsletter to stay tapped into all things Dylan Green.    Support the show

Jake Lenderman plays and records under the name MJ Lenderman. He put out his first album in 2019. In addition to his solo work, he's been a member of the band Wednesday, and he's also featured on the Waxahatchee hit song “Right Back to It." In September 2024, the fourth MJ Lenderman album came out. It's called Manning Fireworks. The New Yorker named it the best album of the year, and Stereogum, Rolling Stone and Pitchfork all put it in their top ten. For this episode, I talked to Jake about one of the songs from that album, called “You Don't Know the Shape I'm In.” The song itself took shape in a few different ways. Coming up, you'll hear the way the song started as a demo, and then how that got fleshed out, and then how it got rebuilt, and then how Jake completely reimagined the whole thing.For more info, visit songexploder.net/mj-lenderman.

“Eternal Sunshine,” Ariana Grande's seventh studio album, released on March 8, 2024, via Republic Records, marks a triumphant return for the pop icon after a three-year hiatus following 2020's “Positions.” This 13-track, 35-minute project, titled after the 2004 film “Eternal Sunshine of the Spotless Mind,” is a loosely conceptual exploration of love, loss, and self-discovery, blending vulnerability with theatrical flair. Crafted with collaborators like Max Martin, Ilya Salmanzadeh, and Oscar Görres, the album fuses pop and R&B with dance, synth-pop, and house influences, characterized by mid-tempo beats, subtle guitar riffs, and lush string arrangements. Grande has called it her most personal work, inspired by her divorce from Dalton Gomez and her romance with “Wicked” co-star Ethan Slater, yet it sidesteps tabloid fodder for a broader emotional narrative.The album opens with “Intro (End of the World),” a delicate query about love's endurance, setting a reflective tone. Lead single “Yes, And?”—a #1 Billboard Hot 100 hit—channels Madonna's “Vogue” with defiant house beats, addressing public scrutiny with a cheeky shrug. “We Can't Be Friends (Wait for Your Love),” another chart-topper, pairs a Robyn-esque dance-pop pulse with Grande's aching vocals, its video nodding to the film's memory-erasing premise. “The Boy Is Mine,” reimagining Brandy and Monica's classic, became a TikTok sensation, later earning a remix with the duo. Tracks like “Don't Wanna Break Up Again” and “True Story” weave R&B melancholy with sly humor, while “Supernatural” and “Imperfect for You” showcase her vocal restraint and harmonic finesse. The interlude “Saturn Returns,” sampling astrologer Diana Garland, ties the album to Grande's late-20s reckoning, fading into the title track's wistful acceptance of past pain.Critics praised “Eternal Sunshine” for its emotional depth and sonic cohesion, with Pitchfork noting its “restrained yet generous” spirit and Rolling Stone calling it a “victory lap with scars.” It debuted at #1 on the Billboard 200, her sixth chart-topper, and snagged three Grammy nods, including Best Pop Vocal Album. Expanded editions followed: a “Slightly Deluxe” version on March 10, 2024, added remixes, while “Eternal Sunshine Deluxe: Brighter Days Ahead,” released March 28, 2025, with a short film, introduced six new tracks like “Twilight Zone,” deepening the breakup saga. Filmed during the 2023 SAG strike, the album reflects Grande's “Wicked” downtime, balancing her Glinda role with raw artistry. Closing with “Ordinary Things,” featuring her grandmother Nonna's sage advice, it's a tender cap to a journey of heartbreak and hope.

“More Deep Thoughts,” the eighth studio album by Chicago rapper Lil Durk, born Durk Derrick Banks, arrived on March 21, 2025, through Alamo Records and Only The Family (OTF), cementing his reign as a drill music titan. Spanning 22 tracks and 63 minutes, this follow-up to 2022's “7220” and its 2023 deluxe, “Almost Healed,” dives deeper into Durk's duality—street-hardened grit meets vulnerable reflection—while showcasing his evolution as a melodic storyteller. Released amid a banner year for the 32-year-old, who saw his Smurkchella festival sell out Chicago's United Center in February 2025, the album reflects both personal triumph and lingering pain, underscored by his ongoing legal battles and the loss of peers like King Von.The album opens with “Turn Up a Notch,” a menacing banger produced by Brizzy on Da Beat and Noc, where Durk's Auto-Tuned flow snarls over eerie keys and thumping 808s, signaling his intent to dominate. Lead single “Monitoring Me,” dropped in October 2024, blends haunting piano with boasts of resilience, peaking at #12 on the Billboard Hot 100 and setting the tone for a project heavy on introspection. Collaborations shine bright: Drake trades verses on the syrupy “Discontinuing Wockhardt,” 21 Savage snarls through “Internet Trolls,” and Future's woozy croon elevates “Late Checkout.” Rising stars like GloRilla and Lil Baby add fire to “Oprah's Bank Account” and “Went Hollywood for a Year,” respectively, while a posthumous King Von feature on “Same Me” delivers a gut punch of nostalgia.Production, helmed by Durk's go-to crew—Touch of Trent, Chopsquad DJ, and Noc—leans into drill's signature sound but softens it with melodic flourishes, a nod to his crossover appeal. Tracks like “Newsroom” and “Stomach Growling” tackle betrayal and hunger, both literal and figurative, with Durk lamenting lost friends and fake love. X posts from @LilDurkDaily praised its emotional heft, with one fan noting, “Durk really poured his soul into this, you can hear the growth.” The album's centerpiece, “Old Days,” a February 2025 loosie turned fan favorite, mourns his pre-fame simplicity over a soulful sample, earning comparisons to “What Happened to Virgil” for its raw honesty.“More Deep Thoughts” isn't without flaws—its 22-track length drags at times, and some cuts like “Bad Guy” feel formulaic. Yet, its highs are undeniable. Thematically, it wrestles with Durk's O Block roots, his role as a father of seven, and the weight of surviving a war-torn scene, all while dodging a 2024 murder-for-hire charge tied to a 2022 L.A. shooting. Rolling Stone gave it 4 stars, calling it “a victory lap with scars,” while Pitchfork lauded its “cinematic scope.” Debuting at #1 on the Billboard 200 with 185,000 units, it's his third chart-topper, proving his commercial clout.As of March 27, 2025, with Durk free on bond and teasing a deluxe via X, “More Deep Thoughts” stands as a testament to his staying power—a bruised, defiant diary of a drill king still fighting to heal.

Sophie Kemp is a writer from New York. Her buzzing debut novel, Padadise Logic, is out today. We chat about sunburn treatments, Chris got to wear a nametag around Michael Bloomberg, guys playing Spike Ball at the beach, Russian propaganda, the cover of her book could be considered misleading, the ins and outs of Brooklyn co-ops, she found The Row trousers for $50 at Beacons, showing her Nympho Sex Memoir to her dad, stand up comedy vs. poetry slams at Burger King, its hot when a guy smokes crack, a breaking inside scoop about Michelle Obama's alleged new trade, we wager if her cat has a usual name or not, she is also a teacher at Columbia, her past career reviewing 30 records for Pitchfork a year, and at school she was bullied by the other kids who got bullied. instagram.com/sophiefkemp twitter.com/donetodeath twitter.com/themjeans howlonggone.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Critically-acclaimed composer and saxophonist Darius Jones’s playing has been described using adjectives such as “fearless,” “riveting” and “breath-taking” from publications ranging from Pitchfork, to The Wire, to the New York Times, and has received superlatives from many other publications, as well. Currently an Assistant Professor of Music at Wesleyan University, Jones has previously been awarded the Van Lier Fellowship, Jerome Foundation Artist-in-Residence and commission, Western Front residency and commission, French-American Jazz Exchange Award, Robert D. Bielecki Foundation Award, and Fromm Music Foundation commission from Harvard University. Hear how music by Kim Burrell, Max Roach, and MF Doom helped form his artistic viewpoint. His newest album–Legend of e’Boi (The Hypervigilant Eye)--was released in December of 2024.See omnystudio.com/listener for privacy information.

Grab your full moon pair and beat the robot in an all new LIVE! This week the Boiz are throwing controversial opinions around and they're ready for the pitchforks to come for them. Pat is a soda whore. Matt is talking politics. Elephants are going homeless. Plus, is Gatorland too expensive? Can the couch belt be saved? Why does Pat think Matt should have a sex change? All that and a smoking hot batman take and it all happens LIVE!

“More Deep Thoughts,” the eighth studio album by Chicago rapper Lil Durk, born Durk Derrick Banks, arrived on March 21, 2025, through Alamo Records and Only The Family (OTF), cementing his reign as a drill music titan. Spanning 22 tracks and 63 minutes, this follow-up to 2022's “7220” and its 2023 deluxe, “Almost Healed,” dives deeper into Durk's duality—street-hardened grit meets vulnerable reflection—while showcasing his evolution as a melodic storyteller. Released amid a banner year for the 32-year-old, who saw his Smurkchella festival sell out Chicago's United Center in February 2025, the album reflects both personal triumph and lingering pain, underscored by his ongoing legal battles and the loss of peers like King Von.The album opens with “Turn Up a Notch,” a menacing banger produced by Brizzy on Da Beat and Noc, where Durk's Auto-Tuned flow snarls over eerie keys and thumping 808s, signaling his intent to dominate. Lead single “Monitoring Me,” dropped in October 2024, blends haunting piano with boasts of resilience, peaking at #12 on the Billboard Hot 100 and setting the tone for a project heavy on introspection. Collaborations shine bright: Drake trades verses on the syrupy “Discontinuing Wockhardt,” 21 Savage snarls through “Internet Trolls,” and Future's woozy croon elevates “Late Checkout.” Rising stars like GloRilla and Lil Baby add fire to “Oprah's Bank Account” and “Went Hollywood for a Year,” respectively, while a posthumous King Von feature on “Same Me” delivers a gut punch of nostalgia.Production, helmed by Durk's go-to crew—Touch of Trent, Chopsquad DJ, and Noc—leans into drill's signature sound but softens it with melodic flourishes, a nod to his crossover appeal. Tracks like “Newsroom” and “Stomach Growling” tackle betrayal and hunger, both literal and figurative, with Durk lamenting lost friends and fake love. X posts from @LilDurkDaily praised its emotional heft, with one fan noting, “Durk really poured his soul into this, you can hear the growth.” The album's centerpiece, “Old Days,” a February 2025 loosie turned fan favorite, mourns his pre-fame simplicity over a soulful sample, earning comparisons to “What Happened to Virgil” for its raw honesty.“More Deep Thoughts” isn't without flaws—its 22-track length drags at times, and some cuts like “Bad Guy” feel formulaic. Yet, its highs are undeniable. Thematically, it wrestles with Durk's O Block roots, his role as a father of seven, and the weight of surviving a war-torn scene, all while dodging a 2024 murder-for-hire charge tied to a 2022 L.A. shooting. Rolling Stone gave it 4 stars, calling it “a victory lap with scars,” while Pitchfork lauded its “cinematic scope.” Debuting at #1 on the Billboard 200 with 185,000 units, it's his third chart-topper, proving his commercial clout.As of March 27, 2025, with Durk free on bond and teasing a deluxe via X, “More Deep Thoughts” stands as a testament to his staying power—a bruised, defiant diary of a drill king still fighting to heal.

“I Am Music,” the third studio album by American rapper Playboi Carti, dropped on March 14, 2025, through AWGE and Interscope Records, marking his first full-length release in over four years since the groundbreaking “Whole Lotta Red” in 2020. This 30-track opus, originally teased under the title “Narcissist” before evolving into “Music” and finally “I Am Music,” arrives after a torturous gestation period that tested the patience of Carti's fervent fanbase. Spanning 77 minutes, the album is a sprawling testament to his enigmatic persona, blending trap, punk, and experimental rap into a chaotic yet captivating sonic tapestry. Featuring an all-star lineup of collaborators—Travis Scott, Kendrick Lamar, The Weeknd, Future, Lil Uzi Vert, Skepta, Jhené Aiko, Ty Dolla Sign, and Young Thug—“I Am Music” showcases Carti's ability to command a cultural moment, even amidst a rollout plagued by delays, leaks, and unfulfilled promises.The album's production, helmed primarily by Ojivolta, Cardo, and F1lthy, with contributions from heavyweights like Kanye West, Metro Boomin, and Mike Dean, oscillates between glitchy synths, booming trap drums, and atmospheric flourishes. Tracks like “Evil J0rdan” and “HBA” (formerly “H00dByAir”), released as standalone singles in 2024, anchor the project with their hypnotic beats and Carti's signature vocal contortions—ranging from guttural growls to high-pitched shrieks. The inclusion of DJ Swamp Izzo's bombastic interludes ties the album to Atlanta's mixtape heritage, lending a gritty, street-level authenticity to its futuristic sound. Standouts like “Mojo Jojo,” with Kendrick Lamar's playful ad-libs, and “Rather Lie,” elevated by The Weeknd's silky croon, highlight the album's versatility, while “Like Weezy” nods to Lil Wayne—whose phrase “I Am Music” Carti borrows—with a Rich Kidz sample that bridges past and present.“I Am Music” is as much a vibe as it is a statement, reflecting Carti's evolution from SoundCloud darling to a generational pacesetter. Its rollout began in earnest with cryptic Instagram posts in December 2023, including the tagline “I am music” and Pharrell's co-sign, “Prepare.” What followed was a barrage of YouTube and Instagram exclusives—“2024,” “Backr00ms,” “All Red”—that fueled anticipation while frustrating fans with their streaming absence. Recorded in eclectic locales, including a Paris cave studio for three months, as Carti revealed in a 2023 Numéro Berlin interview, the album channels themes of love, sex, drugs, and personal turmoil, with hints of bipolar struggles and rehab musings teased in his 2022 XXL interview. Yet, lyrically, it leans more into braggadocio and hedonism than introspection, a choice that critics argue limits its depth.Reception has been polarized but largely positive, with Pitchfork calling it a “dizzying, vibes-driven flood,” and The Guardian praising Carti's “mystical vocal range.” Its 30-track length—bloated to some, a feast to others—mirrors the excess of his persona, though tracks like “OPM Babi” and “Twin Trim” (a Uzi solo cut) feel like filler. The album debuted at #1 on the Billboard 200, moving 298,000 units, cementing Carti's commercial clout. Still, its messy release—delayed from midnight to dawn on March 14 amid sample clearance woes—mirrors its unpolished edges, with some accusing Carti of coasting on aura over substance. Regardless, “I Am Music” reaffirms his dominance in the rage-rap lineage he pioneered, a chaotic masterpiece that thrives on its contradictions.

Music has become increasingly playlisted, personalized, and autoplayed. But how did we get here, and what does it mean for artists, listeners, and the music industry as a whole? In today's episode, journalist Liz Pelly unpacks the origins of Spotify, its meteoric rise, and its transformative impact on the way we create and experience music. Whilst researching for her new book, Mood Machine: The Rise of Spotify and the Costs of the Perfect Playlist, Pelly conducted over one hundred interviews with industry insiders, former Spotify employees, and musicians. Liz Pelly is a music journalist and author living in New York. Her essays and reporting have appeared in the Baffler, where she is a contributing editor, as well as in the Guardian, NPR, Rolling Stone and Pitchfork. She's joined by Timandra Harkness, writer, presenter and author of Technology is Not the Problem, for a conversation on the ethics of streaming, the economics of playlists, and the hidden costs of the “perfect” listening experience. If you'd like to become a Member and get access to all our full conversations, plus all of our Members-only content, just visit intelligencesquared.com/membership to find out more. For £4.99 per month you'll also receive: - Full-length and ad-free Intelligence Squared episodes, wherever you get your podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series - 15% discount on livestreams and in-person tickets for all Intelligence Squared events  ...  Or Subscribe on Apple for £4.99: - Full-length and ad-free Intelligence Squared podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series … Already a subscriber? Thank you for supporting our mission to foster honest debate and compelling conversations! Visit intelligencesquared.com to explore all your benefits including ad-free podcasts, exclusive bonus content and early access. … Subscribe to our newsletter here to hear about our latest events, discounts and much more. https://www.intelligencesquared.com/newsletter-signup/ Learn more about your ad choices. Visit podcastchoices.com/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week the boys* decidedly did not Stay Home!! (they are in Tokyo) so we're airing a pre-recorded episode** about punk music. It is hard to say more from Tokyo each time I type something good it gets caught in the intercontinental wires, an excuse that I'm sure is true. Fortunately our guest Evan is much better at explaining things so I will leave him to it.*Chris did Stay Home!!**We recorded it two days earlier than normalAlso up for discussion: A Reno reminiscence (Renominiscence for short), Brazilian shoegaze is unearthed, Egg punk drama(?), and an oral history of what it's like to work at Pitchfork and piss off Flying Lotus.The Guest: Evan Minsker of see-saw. After a twelve-year run at Pitchfork, Evan started his own punk rock publication where you can find in-depth pieces, interviews, lists, you know all the stuff. He also co-hosts Punk This Week with our friend Nina Corcoran where they discuss snacks and six cool new punk records every week. He's got a boppin' Discord channel and a bunch of cool projects and events in the pipeline. Evan's on Bluesky and Instagram and probably other places too but that's what his website is for.The Album: Hank Wood and the Hammerheads - Stay Home!! (2014)You can find Evan's oral history of the album hereNew Discoveries: Cult Crime - Self-Titled, terraplana - naturalShowtime: Yuasa-ExideCall the Hot Hotline at 360-559-2371Find Chris on Bluesky, Instagram, and I think other places@ChrisFavata Hosted on Acast. See acast.com/privacy for more information.

Chris DeVille is Managing Editor at Stereogum and author of the book Such Great Heights, available for preorder now. We talk about the 2007 Bon Iver debut album, For Emma, Forever Ago. Also going cabin-mode in the Wisconsin winter, this album's lore, the indie landscape in '08, Pitchfork kingmaking, The OC, Garden State, Popt*mism, gentrifying indie music, hearing "Skinny Love" at my bad recession-era office job, "Flume" as a thesis, stacking falsetto harmonies, the lyrics, staring out windows at crows, Sable, bass-fishing boats, "Re: Stacks" and final tracks, cooking with minimal ingredients, Blood Bank EP, the pursuit of hipness and the evolution of indie rock. Order Chris's book.Blood Bank EP episode is live now on Patreon: patreon.com/afterthedeluge--Justin: x.com/routinelayup / routinelayup.bsky.socialChris: x.com/chrisdeville / chrisdeville.bsky.social/

Rich loves Lady Gaga's Mayhem, and the little monsters love his body. We revisit the heartwarming story of the rescue of Baby Jessica. Plus, Six Flags Great Adventure's Kingda Ka rollercoaster was imploded, to the dismay of at least two in the Philadelphia area.You can read Rich's Mayhem review at Pitchfork.You can find the Women Supporting Women (Anna Nicole and Courtney Love embracing) sweatshirt, plus Pot Psych merch and smoking accessories at Pipe Dreams.Call us for shout outs and dedications. 347 450 4239Video episodes, bonus episodes and our premium series WAWU—we're currently recapping Hey Paula—on Patreon.Check out potential drama and our Diamond Girls on our Instagram. ★ Support this podcast on Patreon ★

Merriam-Webster's Word of the Day for February 25, 2025 is: superfluous • soo-PER-floo-us • adjective Superfluous is a formal word used to describe things that exceed what is necessary or sufficient, or that are simply not needed. // Further discussion seems superfluous, given the thorough conversation we just had. See the entry > Examples: “On the final single from his album Manning Fireworks, MJ Lenderman sketches a character study of a man so preoccupied with superfluous status symbols that he finds himself totally isolated from the world.” — Arielle Gordon, Pitchfork, 2 Dec. 2024 Did you know? If, say, you were to go chasing waterfalls in addition to the rivers and the lakes that you're used to, such a pursuit would be superfluous. In other words, you would be exceeding what is necessary to satisfy your need for water-based enjoyment and recreation. “You've already got rivers and lakes,” your friends might advise with a bit of TLC, “just stick to them!” “Extra water” is also key to understanding the history of the word superfluous, which entered Middle English from the Latin adjective superfluus, meaning literally “running over.” Superfluus, in turn, comes from the verb superfluere (“to overflow”), which combines the prefix super- (meaning “over”) and fluere, “to flow.” In addition to influencing superfluous, fluere also flowed into the English words affluent, influence, and fluid, among others.