Podcasts about Pitchfork

Send us a textWhat happens when you discover your family tree has branches on both sides of America's racial divide? Dr. Spenser Simrill Jr.'s journey began with simple curiosity about his family name and evolved into a profound story of reconciliation that's now the subject of a CNN documentary.In this episode Bishop Wright has a conversation with Dr. Spenser Simrill Jr. and his discovery while teaching family history at the University of Georgia. Spenser found an alternate spelling of his surname that unlocked an unexpected connection – in 1871, a Black woman named Harriet Simrill testified against the Ku Klux Klan in a federal Reconstruction trial. Given the distinctive nature of his family name, Spenser realized there must be a connection through enslavement. This suspicion was confirmed when he found a Facebook suggestion for a Black man his age from his father's hometown with the original spelling of their shared surname.Eleven years later, the two families reunite annually, have produced an Audible podcast called "Once Removed: An American Family Reunion," and are featured in CNN's "A Family in Black and White." Their story challenges the notion that denial is the only way to handle difficult historical truths. Instead, Spenser demonstrates how confronting these realities leads to healing and wholeness. Spenser's work reminds us that we are one human family despite our painful history. By choosing to be storytellers who look unflinchingly at reality, we become "peace warriors" committed to recognizing our fundamental interconnectedness. Listen in for the full conversation. Dr. Spenser Simrill Jr, is the creator of the Once Removed podcast and a TEDx speaker on racial healing. His research has informed reconciliation efforts in Northern Ireland, Liberia, and across the American South—culminating in the first historical marker in South Carolina to mention the Ku Klux Klan.His work has appeared on CNN's The Whole Story with Anderson Cooper, Audible Originals, The New York Times, Pitchfork, Rolling Stone, and TEDx Asheville.His students have won multiple international competitions, including two wins and an honorable mention in The New York Times Best Student Podcast Contest. Spenser lives with his family in Arden, North Carolina, and teaches at Christ School.Support the show Follow us on IG and FB at Bishop Rob Wright.

Merriam-Webster's Word of the Day for September 14, 2025 is: perpetuity • per-puh-TOO-uh-tee • noun Perpetuity refers to a state of continuing forever or for a very long time. // The property will be passed on from generation to generation in perpetuity.   See the entry > Examples: “This isn't new territory for the band—beginning with 2018's Modern Meta Physic, Peel Dream Magazine have taken cues from bands like Stereolab and Pram, exploring the ways that rigid, droning repetition can make time feel rubbery. As they snap back into the present, Black sings, ‘Millions of light years, all of them ours.' The past and future fold into themselves, braided together in perpetuity.” — Dash Lewis, Pitchfork, 4 Sept. 2024 Did you know? Perpetuity is a “forever” word—not in the sense that it relates to a lifelong relationship (as in “forever home”), but because it concerns the concept of, well, forever. Not only can perpetuity refer to infinite time, aka eternity, but it also has specific legal and financial uses, as for certain arrangements in wills and for annuities that are payable forever, or at least for the foreseeable future. The word ultimately comes from the Latin adjective perpetuus, meaning “continual” or “uninterrupted.” Perpetuus is the ancestor of several additional “forever” words, including the verb perpetuate (“to cause to last indefinitely”) and the adjective perpetual (“continuing forever,” “occurring continually”). A lesser known descendent, perpetuana, is now mostly encountered in historical works, as it refers to a type of durable wool or worsted fabric made in England only from the late 16th through the 18th centuries. Alas, nothing is truly forever.

Merriam-Webster's Word of the Day for September 10, 2025 is: griot • GREE-oh • noun The term griot refers to any of a class of musician-entertainers of western Africa whose performances include tribal histories and genealogies. The term is also used broadly to refer to a storyteller. // Tracing her family lineage back to West African griots inspired the singer to focus on storytelling through her music. See the entry > Examples: “Music is both the subject and mechanism of Sinners, which opens with a voiceover history of how some musicians, dating back to the West African griots, have been seen as conduits between this world and the one beyond.” — Paul A. Thompson, Pitchfork, 22 Apr. 2025 Did you know? In many West African countries, the role of cultural guardian is maintained, as it has been for centuries, by griots. Griot—a borrowing from French—refers to an oral historian, musician, storyteller, and sometimes praise singer. (Griots are called by other names as well: jeli or jali in Mande and gewel in Wolof, for example). Griots preserve the genealogies, historical narratives, and oral traditions of their tribes. Among the instruments traditionally played by griots are two lutes: the long-necked, 21-string kora, and the khalam, thought by some to be the ancestor of the banjo.

Welcome back to Once, Every Two Weeks, the podcast where long-time friends Mark and Thom subject themselves (and anyone still listening) to even more 90s nostalgia, deep cuts, and questionable life choices. This time, they dust off Placebo's “Without You I'm Nothing”—the album that taught awkward teens it's okay to be a little messy and a lot loud. Join us as we unpack Placebo's sound, their accidental run-ins with David Bowie, and why this record deserves more than one spin on the Discman. From Panda Express mishaps to bitter rants about American radio, we'll hit every high, low, and crunchy snare in-between. And, as always, we'll argue about which tracks still slap and which ones are just...well, very Placebo.Show Notes00:00:50 – Thom's Panda Express story; Mark meets Nada Surf (again, without Thom)00:05:42 – Placebo's name origin, awkward Europe-to-London backstories, and the “right place, right time” magic00:12:30 – Why Placebo's androgynous image confused and delighted absolutely everyone00:16:15 – The parade of Svens, Stephens, and Steves; producer Steve Osborne and that weird Real World studio00:21:40 – Did the band even like their own album? Mark recaps cryptic interviews and British press drama00:26:20 – Pitchfork bashing and why American critics “just didn't get it”00:29:10 – The Placebo sound: unpretentious, moody, always one snare away from a tantrum00:32:30 – “Pure Morning” (how Placebo made insomnia sound cool)00:36:00 – “Brick Shithouse” (and why production tricks can sometimes just be...really annoying)00:39:40 – “You Don't Care About Us” and the many faces of Mark's 1998 alt-rock playlist00:43:00 – “Ask for Answers” and the art of mopey Radiohead vibes00:45:30 – Title track “Without You I'm Nothing”, David Bowie's surprise phone call, and why the Bowie version divides the pod00:48:40 – “Allergic to Thoughts of Mother Earth”: a rock song that's secretly a hippie manifesto00:51:20 – “The Crawl”: why Placebo slow songs aren't just filler (they're...something else)00:53:00 – “Every You, Every Me”—the twisted joy of hearing their most infectious song in Cruel Intentions00:57:00 – A short sidebar on why American radio, Clear Channel, and Britney Spears ruined our collective Placebo education01:02:00 – Mark and Thom's top picks from “Without You I'm Nothing”01:05:00 – Wrapping up: proselytizing for Placebo and final thoughts on their “never quite mainstream” legacy Hosted on Acast. See acast.com/privacy for more information.

This week on edit radio! Ben Marwood talks about the missing moon and soothes the UK angst with songs, loud and quiet. This is the hour of letting pain go. Artist “Track” [Album] [edit] radio podcast 788 – Right Click and Save As to Download **https://www.whathifi.com/hi-fi/cd-players/i-tried-lordes-transparent-cd-in-9-different-disc-players-but-did-it-play-on-any-of-them The post Podcast 788 | Featuring Sorry, Weakened Friends & The Dirty Nil appeared first on .

This week on edit radio, Jenessa Williams and Kev Lawson talk about Hayley Williams’ love life, surrealist pop, share some hot new K-pop debuts and some of the best new music tracks from across the globe. Artist “Track” [Album] [edit] radio podcast 787 – Right Click and Save As to Download The post Podcast 787 | Featuring Hayley Williams, CORTIS & es.cher appeared first on .

On August 3, 1907, a peaceful summer morning in Blooming Grove turned to horror with the accidental discovery of 75-year-old John Newman's body partially hidden behind a stone wall. Though no blood was found on his clothes, it was clear that he had not died of natural causes when a gaping wound was discovered beneath his shirt. So killed the elderly Pike County farmer, and why?

Chris DeVille is here to discuss his excellent new book, Such Great Heights – The Complete Cultural History of the Indie Rock Explosion, his history as a music fan, musician, and music journalist at Stereogum, the impact that mass media once had on him as a source for music and music news, why his book has a particular focus on the outsized influence that Pitchfork has had on 21st century pop culture, indie rock, mainstream pop, and poptimism, what is and isn't covered in his book and a Substack that fills some gaps, upcoming book tour dates, other future plans, and much more.EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. This one is fine, but if you haven't already, please subscribe now on Patreon so you never miss full episodes. Thanks!Thanks to the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.Related episodes/links:Kreative ExKlusive #5: Sufjan Stevens (2009)Ep. #884: Tim KinsellaEp. #880: Guided By VoicesEp. #875: Ann PowersEp. #811: Joseph ShabasonEp. #806: The BreedersEp. #793: Ray PadgettEp. #325: Is rock music dead? Long Night with Carl Wilson, Shad, and Weaves' Jasmyn BurkeEp. #222: Peter GuralnickEp. #: 188: Chad VanGaalen on doing Stupid Human Tricks on David LettermanEp. #27: Greil MarcusSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

Welcome to You Had to Be There, the podcast where we deep dive into the behind-the-scenes of the music industry. I'm your host, Julia Gomberg. This week, I was lucky enough to get to sit down with Abby Jones, staff editor and writer for Stereogum. Her writing has also been featured in Pitchfork, Billboard, Consequence, NPR Music, SPIN, and more. We got to discuss the impressive trajectory of her career, trusting the process, and what it was like when she saw a photo of Linkin Park vocalist Mike Shinoda wearing an excerpt from her article on his t-shirt, circulating on Twitter. Truly a “you had to be there” kind of moment. Be sure to check out Abby's curated playlist and socials, which you can find below. Appreciate you listening, and I'll catch you next time!Abby's PlaylistAbby's IG Abby's TwitterFollow You Had to Be There

This week Dylan was assigned the year 2004 and he selected the third album by Hot Snakes, Audit in Progress. Hot Snakes were the band formed by John Reis and Rick Froberg following the break up of Drive Like Jehu. We also listen to a voicemail from Brian in Wisconsin. Call our voicemail line 202-688-PUNK or send us a voice note at punklottopod@gmail.com to get it played on the showJoin our new $5 Patreon Producer Tier to get your name said on the show every week. You also get access to a Producer exclusive monthly bonus episode discussing a different EP, written content, outtakes, producer exclusive polls, and moreYou can also join our $1 tier to get access to all of our weekly bonus audio. We also have a $10 tier where you get to choose the album we discuss on an episode - patreon.com/punklottopodMajor Awards EP - majorawards.bandcamp.comMerch Shop  - redbubble.com/people/punk-lotto-pod/shopPodcast platforms and social media links at linktr.ee/punklottopodLeave us a review and rating on Apple Podcasts and Spotify.Song clips featured on this episode:Hot Snakes - BraintrustHot Snakes - RetrofitHot Snakes - Audit in Progress

How I'd describe my tastes in music would be such that, I don't care too much about what emotion is conveyed, I just care that there IS an emotion being shared to begin with. Whether it be portrayals of depression, bliss, and everything in between, I want my music to make me feel something. On top of that, I'm partial to more intense displays of emotion, because I'm a dramatic emotional guy, what can I say? That's why the music of today's guests, Sunmundi and Sasco, really speaks to me, because what they created on their latest album is a wondrous achievement in putting true heartfelt passion on to wax. The young and talented New York-based duo joined the show to discuss how their relationship formed, their natural creative chemistry, and the artistic approach behind their incredible new collaborative album, Contacting. I was pleased to co-host this conversation with friend of the show, an accomplished journalist with pieces in Pitchfork, The Guardian, Bandcamp, and more. So listen on to hear about how one of 2025's essential records was created, and why you need to have Sunmundi and Sasco firmly on your listening radar from here on out. The Plug (0:38). The Interview (2:30). Reactions to the strong positive response to Contacting (4:20). How Sunmundi and Sasco connected (7:49). How Contacting came to be (9:31). The musical direction for Contacting (13:18). Sunmundi & Sasco's shared intuition that conceptualized Contacting (17:46). Sunmundi's hyper-expressive rap style (21:27). Creating music as ‘a vessel' (28:49). Future music from Sunmundi & Sasco (33:00). The post-production work for Contacting (35:54). The core statement Contacting is communicating (38:33). Buy/stream Contacting here: https://sasco.bandcamp.com/album/contacting  Follow Sunmundi on Twitter here: https://x.com/sunmundi  Follow Sasco on Twitter here: https://x.com/sascomusic  Follow Sunmundi on Instagram here: https://www.instagram.com/sunmundimusic/  Follow Sasco on Instagram here: https://www.instagram.com/sascomusic/  Intro/Outro beat by: BLOODBLIXING Photo credit used in episode artwork by @suchi__mane on Instagram -- Fiending for some more quality rap content? Visit the RMPP website: https://rmpp.squarespace.com/ Want to support and help us grow? Become a RMPP Patron, and gain access to exclusive content: https://www.patreon.com/therapmusicplugpodcast  Looking to connect? DM me @rapmusicplugpod on Twitter and Instagram, or shoot me an email at qlctv.podcast@gmail.com

On this week’s podcast, Barry Dolan rocks up with more than an hour’s worth of brand new music from the louder areas of [edit] radio’s Venn diagram. Artist “Track” [Album] [edit] radio podcast 786 – Right Click and Save As to Download The post Podcast 786 | Featuring street grease, Shiner & The Gorge appeared first on .

This week's Memoir Nation is the last of our summer best-of round-up episodes. We chose to pair Victoria Chang and Carvell Wallace because these were two of our most heartfelt guests who delved deeply and honestly into some of memoir's deepest emotions: shame; love; anger; happiness; and more. These interviews were a couple that most touched us for Chang and Wallace's articulation of process, making connections, and staying with the emotions that move you. We hope you enjoy and Memoir Nation will be back next week with a new season and a new episode. We can't wait! Carvell Wallace is a writer and podcaster who has contributed to The New Yorker, GQ, New York Times Magazine, Pitchfork, MTV News, and Al Jazeera. His debut memoir, Another Word For Love, explores his life, identity, and love through stories of family, friendship, and culture and was a 2024 Kirkus Finalist in Nonfiction.  Victoria Chang's most recent book of poems is With My Back to the World, published in 2024. It received the Forward Prize in Poetry for Best Collection. Some of her other books include The Trees Witness Everything, OBIT, and Dear Memory: Letters on Writing, Silence, and Grief. She has written several children's books as well. She has received multiple fellowships and prizes and is the Bourne Chair in Poetry at Georgia Tech and Director of Poetry@Tech. Learn more about your ad choices. Visit megaphone.fm/adchoices

Remember the old days of the internet when you went to a website from your bookmarks, read an article or review or essay or story, and then made your way down to the comments, where a rational and considerate discussion was happening? Then, one day, people started trying to have the FIRST comment in the comment section by commenting "First!" And from there, maybe literally everything about the internet and society started going to... heck... Join us as we talk about "First" or "First Post," and wax philosophical about what the internet used to be, and what it has done to us all. Plus, there's a MouthGarf Report and I See What You Did There!Please give us a 5 star rating on Apple Podcasts! Want to ask us a question? Talk to us! Email debutbuddies@gmail.comListen to the archives of Kelly and Chelsea's awesome horror movie podcast, Never Show the Monster.Get some sci-fi from Spaceboy Books.Get down with Michael J. O'Connor's music!Next time: First Comedy Central Presents

Devin Jane Febbroriello is a North American screenwriter/director + producer that specializes in the creation of thought-provoking stories centered on lovable dysfunctional families, surreal multi-genre plots, women, and dark humor. Evocative characters blaze bold paths through thematically rich circumstances to cultivate her emotive works. Devin's practice is informed by a fierce love of cinematic storytelling mixed with her deep-seated interest in films unique capacity to poetically investigate the human condition and connect us in both the beauty and the challenges of life.  ​Devin was named one of the Top 25 screenwriters to watch in 2025 by the International Screenwriters Association and invited onto their 2025 Development Slate. She has written/directed + produced award-winning music videos and short films that have screened at SXSW, Dances With Films, Pitchfork, Cinequest, Filmfort, BUFF Malmo, Nashville Film Festival, Venice VR Expanded, Portland Film Festival, Bend Film Festival, Stereogum, Rolling Stone, and more. Her pilot script for the episodic series "Blood is Thicker" was a finalist in the Screencraft TV Pilot Script Competition, and her feature script "Kathleen's Sound Bath" was an Austin Film Festival 2024 Second Rounder, a Script Lab Semi-Finalist, and is ranked in the top 5% of scripts on Coverfly in the drama category.  She received her Bachelor of Art in film from Emerson College, attended specialized cinema studies at FAMU (Czech Republic), and holds a Master of Fine Arts degree in Screenwriting through the David Lynch School of Cinematic Arts at Maharishi University.  Devin is currently a co-owner and Head of Production at Desert Island Studios where she leads commercial client productions.

Delivered a little later than planned this week due to some scheduling conflicts, this week’s episode is another wonderful hour’s worth of nattering and new music hand-picked by Tom Crook, Ben Smith, and Paul Whitty. Artist – Track [Album] [edit] radio podcast 785 – Right Click and Save As to Download The post Podcast 785 | Featuring Gwenno, Everything Else & Antony Smierik appeared first on .

In this episode, the tables are turned again as Brynn is the one being interviewed by a journalist from Cali Weekly for an article that just came out, entitled "Job Hunting in 2025," featuring Brynn and her court reporting expertise! Want to dive into the world of court reporting? Brynn takes us on a journey from her indecisive college days to discovering a career that perfectly combined her quick typing skills and passion for flexibility.Brynn also emphasizes the importance of life balance and delegation - "I think the most important thing for court reporters is to accept that they have to become a CEO and run their business in order to also be able to live their lives..." Working Reporters interested in the VTM Program: email Brynn@courtreporterpodcast.com or skip that step and just schedule a meeting here !Sixteen Ramos is a France-based freelance writer and content strategist whose storytelling expertise has helped brands generate over $10 million in revenue. Her work covers topics ranging from entrepreneurship and AI to culture and wellness, and has appeared in outlets like USA Today, VentureBeat, and Pitchfork. When she's not writing, she indulges her love of rare books, castles, and jazz. Brynn candidly shares the challenges and rewards of the profession, including the surprising correlation between musical abilities and court reporting proficiency. Highlighting the high earning potential and work life balance that the career offers, Brynn emphasizes the importance of delegation and a business mindset to manage stress and avoid burnout. Brynn also discusses her proactive efforts to raise awareness about this under the radar profession among Gen Z, paving the way for a new generation of court reporters. To top it all off, Brynn reveals her exciting new initiative, 'The Court Reporter CEO Mindset Program,' aimed at empowering aspiring court reporters to achieve success. Tune in to be inspired by Brynn's story and gain valuable insights into a career that promises both financial stability and personal fulfilment.00:00 Introduction and Greetings00:14 Getting to Know the Guest00:45 Journey into Court Reporting04:12 Challenges and Realities of Court Reporting06:38 Career Path and Earning Potential12:46 Work-Life Balance and Burnout15:58 Innovations and Mindset Shifts17:54 Conclusion and Final Thoughts

Dust off the external hard drive and find some hidden gems. Nothing new new, but maybe lots of new to you... featuring RESONANCE, LOW THREAT PROFILE, MEMORIAL, CREATURES, MAD MEN, PITCHFORK and more.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Matt LeMay spent 13 years as a music critic at Pitchfork before becoming one of product management's most influential voices. He's consulted with companies from startups to Fortune 500s and authored two essential PM books, including Impact-First Product Teams. After watching countless product teams get laid off despite “doing everything right,” he discovered a harsh truth: most PMs are optimizing for the wrong things.In this conversation, you'll learn:1. The one question that predicts if your team will survive the next layoffs (and why most teams can't answer it)2. Why following product “best practices” perfectly can actually accelerate your path to unemployment3. The “low-impact PM death spiral”—how teams accidentally make themselves irrelevant4. How to push back on executives without saying “no” (the options, plus a recommendation framework)5. The counterintuitive reason why the happiest PMs are also the most commercially minded6. The Liz Phair review that made Matt an internet villain for 22 years—and what it taught him about product management—Brought to you by:Enterpret—Transform customer feedback into product growth: https://enterpret.com/lennyPragmatic Institute—Industry‑recognized product, marketing, and AI training & certifications: https://pragmaticinstitute.com/lennyClaude.ai—The AI for problem solvers and enterprise: http://claude.ai/—Transcript: https://www.lennysnewsletter.com/p/the-one-question-that-saves-product-careers-matt-lemay—My biggest takeaways (for paid newsletter subscribers): https://www.lennysnewsletter.com/i/168109376/my-biggest-takeaways-from-this-conversation—Where to find Matt LeMay:• Instagram: https://www.instagram.com/mttlmy• LinkedIn: https://www.linkedin.com/in/mattlemay/• Website: https://mattlemay.com/—Where to find Lenny:• Newsletter: https://www.lennysnewsletter.com• X: https://twitter.com/lennysan• LinkedIn: https://www.linkedin.com/in/lennyrachitsky/—In this episode, we cover:(00:00) Introduction to Matt LeMay(04:23) Matt's background and transition to product management(06:47) The goal of Matt's new book(12:00) How to stress test your thinking as a PM(15:32) Thinking like the CEO(17:33) The role of a product manager(23:36) The low-impact PM death spiral(27:47) Case study: Mailchimp's transition to a platform company(32:53) Radical acceptance(41:24) Embracing constraints in product management(44:23) Steps to become an impact-first product team(49:38) Setting effective goals(01:02:15) Prioritization and impact estimation(01:07:58) Navigating stakeholder management(01:12:35) Summarizing the 3 steps(01:16:36) Lightning round and final thoughts—Referenced:• Pitchfork: https://pitchfork.com/• Daniel Ek's memo: https://newsroom.spotify.com/2023-12-04/an-update-on-december-2023-organizational-changes/• How to create a winning product strategy | Melissa Perri: https://www.lennysnewsletter.com/p/how-to-create-a-winning-product-strategy• Everything you've ever wanted to know about SAFe and the product owner role | Melissa Perri (author, founder of Product Institute): https://www.lennysnewsletter.com/p/product-owners-melissa-perri• Mailchimp: https://mailchimp.com/• Intuit: https://www.intuit.com/• Natalia Williams on LinkedIn: https://www.linkedin.com/in/nataliatwilliams/• The ultimate guide to OKRs | Christina Wodtke (Stanford): https://www.lennysnewsletter.com/p/the-ultimate-guide-to-okrs-christina• Miro: https://miro.com/• Prioritizing: https://www.lennysnewsletter.com/p/prioritizing• Temptation Island on Netflix: https://www.netflix.com/title/81744518• Mark L. Walberg's website: https://markwalbergtv.com/about• Antiques Roadshow on PBS: https://www.pbs.org/wgbh/roadshow/• Milkman amp: https://milkmansound.com/collections/amplifiers/products/the-amp• Matt's review of Liz Phair's self-titled album: https://pitchfork.com/reviews/albums/6255-liz-phair/• Pitchfork Critic Apologizes for Bashing Liz Phair Album; Singer Graciously Accepts: https://variety.com/2019/music/news/pitchfork-critic-apologizes-liz-phair-album-review-zero-score-1203326897/• RedMonk: https://redmonk.com/—Recommended books:• Product Management in Practice: A Practical, Tactical Guide for Your First Day and Every Day After: https://www.amazon.com/Product-Management-Practice-Practical-Tactical/dp/1098119738/r• Impact-First Product Teams: Define Success. Do Work That Matters. Be Indispensable.: https://www.amazon.com/Impact-first-Product-Teams-Success-Indispensable/dp/B0DVH4R3QJ• Escaping the Build Trap: How Effective Product Management Creates Real Value: https://www.amazon.com/Escaping-Build-Trap-Effective-Management/dp/B08B46C8R1/• Radical Focus: Achieving Your Most Important Goals with Objectives and Key Results: https://www.amazon.com/Radical-Focus-Achieving-Important-Objectives/dp/0996006028• The Wisdom of Insecurity: A Message for an Age of Anxiety: https://www.amazon.com/Wisdom-Insecurity-Message-Age-Anxiety/dp/0307741206/—Production and marketing by https://penname.co/. For inquiries about sponsoring the podcast, email podcast@lennyrachitsky.com.Lenny may be an investor in the companies discussed. To hear more, visit www.lennysnewsletter.com

This week! A very thorough and scientific study decides whether avocados are great or not great; there’s more amazing music than you can shake a stick at, and Ben tries to not accidentally get himself imprisoned for fourteen years. Artist “Track” [Album] [edit] radio podcast 784 – Right Click and Save As to Download The post Podcast 784 | Featuring Screaming Females, Waxahatchee & Tom Vek appeared first on .

On this episode of the Mile High Podcast, you'll hear a heartfelt and energizing conversation with Dr. Jen Santos—a second-generation chiropractor, educator, and passionate advocate for pregnancy and pediatric care. Dr. Jen is the founder of Acorn Chiropractic Club with three locations in Northern California, a Life West faculty member, and an ICPA instructor holding DACCP, CACCP, and Webster certifications. She's also an IBCLC, Spinning Babies Aware Practitioner, and teacher of Dynamic Body Balancing. She has trained thousands in prenatal adjusting and perinatal care, and this September, she'll take the Mile High 13 Main Stage for a CE presentation you won't want to miss.

On this week’s show, Kev Lawson and Jenessa Williams are back! Bringing with them a handful of chatter about their favourite handpicked new music tracks for your consideration. Artist “Track” [Album] [edit] radio podcast 783 – Right Click and Save As to Download The post Podcast 783 | Featuring Wolf Alice, Jim Legxacy & Alex G appeared first on .

We're doing things a bit differently as we welcome our very first guest for a very special episode, where we'll attempt to scratch the surface of Tori's complicated relationship with the media over the past three decades. We'll explore not only how she's been represented (and misrepresented) by an often unforgiving and unflattering press, but also the ways in which Tori's intuition and perceptiveness allowed her to have the upper hand, talking circles around and discomfiting her inquisitors, and making clear that she wouldn't back down from her ideals or be silenced by patriarchal standards -  way before it was cool or safe or, let's be frank, not potentially career-ending to do so. Helping us to tackle this red-hot topic is a written and literal voice many of our listeners will be familiar with, both from the at once provocative and positively silly podcast Pot Psychology and his writing in The New York Times, Pitchfork, The Washington Post, Spin, Jezebel, and Gawker, among other publications. He also co-authors Slate's sex advice column How to Do It. A true raconteur and renaissance man - Rich Juzwiak! Rich's latter day playlist made with love by Joey, Kristen, and MattRecent Pitchfork reassessment of Boys for Pele (2025)Q Magazine “Hips. Lips. Tits. Power." (1994)Rolling Stone review of Boys for Pele (1996)Rolling Stone cover story (1998)Tori on Roseanne's talk show (1998)Tori on Rosie O'Donnell (1999)Tori on the Daily Show (1999)Tori on The View (1999)Rolling Stone Beekeeper review (2004)Stylus reviewTHR Full Oscar Songwriters Roundtable featuring Tori Amos, Justin Timberlake, John Legend, Alicia Keys, Sting (2016) Rick Beato interview (2024)

(00:00) Hardy has Fred and Wallach guess Pitchfork's top 10 albums of the 90s. (21:19) Mark Daniels, who covers the Patriots for Mass Live, joins the show to talk about how the Pats are performing at training camp. (34:15) Podcasting is on the rise as Fred shares he doesn't think anyone should interview politicians for a podcast. (PLEASE be aware timecodes may shift up to a few minutes due to inserted ads) CONNECT WITH TOUCHER & HARDY: linktr.ee/ToucherandHardy This episode of Toucher & Hardy is brought to you in part by Profluent and then have that linked to https://go.happinessexperiment.com/begin-aff-o2?am_id=podcast2025&utm_source=podcast&utm_medium=podcast&utm_campaign=michael

Part three of RA.999: a celebration of soulful footwork and the timeless influence of DJ Rashad. As we gear up to celebrate the 1,000th episode, RA.999 lands with five mixes across five days. First up was 1morning and Regal86, then Prosumer and Peach. Today, we turn our eyes to Chicago, with two of footwork staples, DJ Spinn and Manny, taking the reins of the third installment of RA.999 (both make their RA Podcast debut). Ten years ago, Teklife Records was founded, following the untimely death of DJ Rashad in 2014. His collaborators started the label to honor the Chicago-born producer's musical genius and continue his legacy of soulful footwork. Its first release would be Afterlife, a compilation of unreleased Rashad material that, in the words of Pitchfork, "captured the spirit of familial connection and experimentation integral to the Teklife crew." Listening to RA.999, it doesn't take long for any footwork fan to realise that this is an hour-long homage to Rashad's phenomenal discography. The first lyric we hear is "Throw your L's up for Rashad!" on "L's UP FOR RASHAD," and a string of Rashad classics follow, many of which Spinn and Manny collaborated on. It's a that reminder you of not just how staggeringly talented Rashad was, but how central collaboration was, and still is, to the Teklife project Although many of these songs are more than a decade old, not one song sounds out of place in 2025. This is an emotional, riveting listen documenting the work of the best to do it in footwork. Back then, Rashad was the future, and he still is. @deejay-manny-2 @dj-spinn-1 @teklife57 Find the tracklist at ra.co/podcast/1007

After a week’s summer holiday hiatus, Barry Dolan returns to edit radio with a handpicked selection of tracks that make this week’s show (probably) the riffiest podcast in the world. Artist “Track” [Album] [edit] radio podcast 782 – Right Click and Save As to Download The post Podcast 782 | Featuring Water From Your Eyes, Kerosene 454 & Small Brown Bike appeared first on .

If you'd like to see full video of this and other episodes, join the Reel Notes Patreon at the Homie ($5/month) tier or higher. Each episode is also available to buy individually for $5 (Buy it through a web browser and not the Patreon app. You'll get charged extra if you purchase through the app.) You also get early access to episodes, an invite to our Discord server, access to the Reel Talk archives, and more!My guest this week is Virginia rapper and co-founder of Divine Council, $ilkmoney. We spoke on his 29th birthday about our mutual love for Black sitcoms like The Wayans Bros., The Parkers, and Living Single, the legacy of Bernie Mac, Cam'ron's roles in Paid In Full and Killa Season, not feeling pressure from Andre 3000 and Tyler, The Creator cosigns, and the creative process behind his latest album Who Waters The Wilting Giving Tree Once The Leaves Dry Up And Fruits No Longer Bear?, out now via Lex Records. Come fuck with us.Who Waters The Wilting Giving Tree is out now wherever music is sold, streamed, or stolen. Consider copping directly from $ilk's Bandcamp. Follow $ilkmoney on Instagram (@silkbooty), Twitter (@CUUMMONEY), and TikTok (@silkmunyun). Read my Best New Music review of $ilk's last album, I Don't Give A Fuck About This Rap Shit, Imma Just Drop Until I Don't Feel Like It Anymore, on Pitchfork.Reel Notes stands in solidarity with American immigrants against ICE and the oppressed peoples of Palestine, Congo, Sudan, Tigray, and Haiti. Please consider donating to the Coalition for Humane Immigrant Rights, the Palestine Children's Relief Fund,  The Palestinian Youth Movement, The Zakat Foundation, HealAfrica, FreeTigray, and/or Hope For Haiti.  For information about contacting your representatives to demand a ceasefire, finding protests, and other tools, check out CeasefireToday!Follow me on Instagram (@cinemasai), Twitter (@CineMasai_), Bluesky (@cinemasai.bsky.social), TikTok (@cinemasai), Letterboxd (@CineMasai), and subscribe to my weekly Nu Musique Friday newsletter to stay tapped into all things Dylan Green.          Support the show

Alex Robert Ross is a writer and editor based in Toronto. He wrote the Pitchfork review for SABLE, fABLE and for many years served as Editorial Director of The FADER. We talk about how most Bon Iver articles start in the cabin, reviewing the new record, Pitchfork and Bon Iver over the years, “the best album Genesis never made,” releasing the Sable EP last fall, S P E Y S I D E, playing with expectations, “January ain't the whole world,” pressing the bruise, climbing up a tree, Danielle Haim, a Bright Eyes and Bon Iver comparison, authenticity, pedal steel, funk, is this record an end point?, “There's a Rhythm,” I'll go put the Paaaaathfinder on waltz, memorable moments on Bon Iver songs, Mk.gee/Dijon, screen time, soccer, baseball, and Sorry—his new magazine about Toronto. INTERVIEW WITH JIM-E STACK: patreon.com/afterthedeluge--Alex: @alexrobertross⁠https://www.alexrobertross.com/⁠⁠https://nocommentary.substack.com/⁠⁠https://pitchfork.com/reviews/albums/bon-iver-sable-fable/Justin: @routinelayup delugepodcast.com delugepodcast@gmail.com

DATELINE: THIS WEEK/TONIGHT-- We get our elven freak folk on (in a non-Ys way) with Jessica Pratt's Own Your Own Love Again. Elves must be punk rock (suck it gorons) because this week's pick was chosen by return guest (and punk aficionado)) Evan Minkser. Do not ask me how many times I tried to spell aficionado. It should start with an O!Also up for discussion: Chris relates a twice told tale of toiling at the film factory (Cars 4), He-He can be a grandpa's name if Gaar is taken, and quite a few actual discoveries are made because Evan knows how to find music unlike yr hosts.The Guest: Evan Minsker of see-saw. After a twelve-year run at Pitchfork, Evan started his own punk rock publication where you can find in-depth pieces, interviews, lists, you know all the stuff. He also co-hosts Punk This Week with our friend Nina Corcoran where they discuss snacks and six cool new punk records every week. He's got a boppin' Discord channel and a bunch of cool projects and events in the pipeline.Evan's on Bluesky and Instagram and probably other places too but that's what his website is for.PS here's Welcome to Gungan City Hosted on Acast. See acast.com/privacy for more information.

Listen to an interview with the experimental Indiana hip-hop group 81355. Also hear music from their new album Bad Dogs. 81355 was formed in 2021 as a trio, featuring Oreo Jones, Sirius Black and David Moose Adamson. Each member brought a rich and varied history to the project, leading some to label the band an Indianapolis super-group. Their debut album This Time I'll Be of Use was issued that same year on 37d03d, a label founded by Justin Vernon of Bon Iver, and Aaron and Bryce Dessner of The National. The album received national attention, earning praise from Pitchfork, Consequence and Flood. Bad Dogs is the group's second album and it finds the trio expanding into a full band, with Sharlene Birdsong on bass, Dimitri Morris on guitar, and Pat Okerson on drums.

If you'd like to see full video of this and other episodes, join the Reel Notes Patreon at the Homie ($5/month) tier or higher. Each episode is also available to buy individually for $5 (Buy it through a web browser and not the Patreon app. You'll get charged extra if you purchase through the app.) You also get early access to episodes, an invite to our Discord server, access to the Reel Talk archives, and more!My guest this week is California rapper, producer, one-third of Dilated Peoples, and head of Bigger Picture Recordings, Evidence. We spoke about the phenomenon of watching whatever's on TV at the moment, The Godfather Part II, White Chicks, the romantic sports coming-of-age movie Lucas, movie theaters as cultural hubs, growing up before and during the rise of hip-hop, his love for producing and photography, moving on from the Weatherman character, and the creative process behind his upcoming album Unlearning Vol. 2, out August 15 on Rhymesayers. Come fuck with us. Unlearning Vol. 2 is out August 15 on Rhymesayers. Pre-order now on Bandcamp and the Rhymesayers site. Follow Evidence on Instagram and Twitter: @EvidenceRead my review of Domo Genesis and Evidence's album, Intros, Outros, & Interludes, on Pitchfork.  My first book, Reel Notes: Culture Writing on the Margins of Music and Movies, is available now, via 4 PM Publishing. Order a digital copy on Amazon.Reel Notes stands in solidarity with American immigrants against ICE and the oppressed peoples of Palestine, Congo, Sudan, Tigray, and Haiti. Please consider donating to the Coalition for Humane Immigrant Rights, the Palestine Children's Relief Fund,  The Palestinian Youth Movement, The Zakat Foundation, HealAfrica, FreeTigray, and/or Hope For Haiti.  For information about contacting your representatives to demand a ceasefire, finding protests, and other tools, check out CeasefireToday!Follow me on Instagram (@cinemasai), Twitter (@CineMasai_), Bluesky (@cinemasai.bsky.social), TikTok (@cinemasai), Letterboxd (@CineMasai), and subscribe to my weekly Nu Musique Friday newsletter to stay tapped into all things Dylan Green.       Support the show

This week on Edit Radio, hosts Tom Crook, Paul Whitty, and Ben Smith discuss why they love the new music tracks they’ve shared. Artist – Song [Album] [edit] radio podcast 781 – Right Click and Save As to Download The post Podcast 781 | Featuring Barry Can’t Swim, The Jeremiahs & Bit Cloudy appeared first on .

This is a special edition when The Bureau meets Jason Woodbury of Aquarium Drunkard for a joint transmission.     Los Angeles-based online music magazine Aquarium Drunkard is a one-of-a-kind map to the sprawling and often overwhelming landscape of independent music.  Founded in 2005 and piloted for over twenty years by Justin Gage, it has served as a curator, a passionate advocate, and a community for those seeking sounds beyond the mainstream. The Aquarium Drunkard podcast - Transmissions - hosted by Jason Woodbury, has become a massive resource for deep dives into music and culture via conversations and with an amazing range of musicians and cultural figures including Jeff Bridges, Jim Jarmusch, John Lurie, Sonic Youth's Thurston Moore, Devendra Banhart, Lee Ranaldo, Bonnie "Prince" Billy,  Shirley Collins, Gina Birch of the Raincoats and many, many more. Jason and I decided to make a joint transmission to talk about Aquarium Drunkard and Bureau of Lost Culture, and why we do it.   As well as writing for AQ, Jason writes for Pitchfork and Stereogum, is the creative director of WASTOIDS audio network, makes radiophonic sound collage, and he is a musician himself, so, of course, one of the first questions I ask him his how he gets it all done - especially as he has two dogs at his home in the Sonoran desert.     There is a bit of mutual back scratching, but we soon get onto the much more important topics of: the best time for creative work, not eating in your twenties, smoking, dreaming, the collective unconscious, David Lynch who really owns The Beatles song Yesterday, AI, consciousness, the most emotional moments from shows, the power of conversation and storytelling, who we'd really like to interview and what's next..          

J Edward Keyes is a journalist with bylines in Pitchfork, Rolling Stone, SPIN, Entertainment Weekly, Village Voice, and who is now the Editorial Director at bandcamp. As an online record store, and music magazine (bandcamp daily), bandcamp is a central hub to the independent music industry (they pay out 82% of their revenue, versus less than 70% at Spotify, et al). We talk with J Edward about sustain, advocating, and growing a vibrant independent music industry and the unique lane bandcamp has carved, "record store" trends, the role of journalism and music advocates, we as the question - do artist's even need a publicist?? And a whole lot more.Get more access and support this show by subscribing to our Patreon, right here.Links:BandcampBandcamp DailyBerlin R&B SceneExperimental Italian Pop SceneWord Bookstore (Brooklyn)WXPN“The Song Machine - Inside the Hit Factory”Ace of BaseClick here to watch this conversation on YouTube.Social Media:The Other 22 Hours InstagramThe Other 22 Hours TikTokMichaela Anne InstagramAaron Shafer-Haiss InstagramAll music written, performed, and produced by Aaron Shafer-Haiss. Become a subscribing member on our Patreon to gain more inside access including exclusive content, workshops, the chance to have your questions answered by our upcoming guests, and more.

For the 20th anniversary of the debut Clap Your Hands Say Yeah album, we take a detailed look at how it was made. After Alec Ounsworth began recording demos of the songs he was writing, he connected with musicians he met while attending Connecticut College. The band was officially formed in 2004 and included Ounsworth, Lee Sargent, Tyler Sargent, Sean Greenhalgh and Robbie Guertin. As the rest of the band relocated to New York, Ounsworth remained in his hometown of Philadelphia and commuted for rehearsals and shows. They started recording an EP that they were intending to shop around to labels. While continuing to work on new songs, the EP evolved into a full-length album that they recorded in spurts when they could get studio time. Clap Your Hands Say Yeah (Self-Titled) was eventually self-released in 2005. In this episode, Ounsworth describes his songwriting process for the album and how his demos grew into the full band arrangements. He lays out his vision for the album and how he was hyper focused on adding overdubs, interludes and song segues to create a more impactful listening experience. By releasing and distributing the album themselves, he describes the value he put on being independent at that time. In addition, he talks about the discomfort he felt when the band started gaining a lot of attention, partially due to a Pitchfork review of the album. From being labeled “blog rock,” to developing his unconventional vocal style, to writing about romantic relationships and the prospect of success, to taking inspiration from artists like Brian Eno, Tom Waits, Wire, The Magnetic Fields and David Bowie, to the value of doing it yourself and remaining independent, we'll hear the stories of how the record came together.

A lot of people seem to seriously, seriously think so. In this episode, I go into a biigggg discussion on why people feel that way, her newest song and album cover, and whether or not there's ANY credence to this claim whatsoever. PLUS : we get into Pitchfork's MISERABLY negative review of Benson Boone's newest album American Heart, and discuss a little bit of Addison Rae and a little bit of Jensen McRae. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit thelizardreview.substack.com/subscribe

During our live interview with Skye Edwards and Ross Godfrey of Morcheeba, I found myself at one stage scrolling through my notes to find a description of the band's sound I'd queried using Chat GPT. I couldn't find it at the time but here is what it said:“Morcheeba's signature rich, mellow music became the soundtrack of the suburban homes and chillout rooms of the late 90s and early 00s”.That's a composite of much that has been written about the band over some 30 years, and it doesn't really flatter does it? “The devil's own lounge band” is the quip that Skye Edwards recalled from an early review. The music press loves to characterise bands, but in Morcheeba's case, it comes across somewhat dumbed down. Contained within Morcheeba's mellow sounds are multiple layers of influence that reveal hidden depths with every listen. The interview with the band for this launch episode for The Art of Longevity (Season 12!) manages to scratch just beneath the surface at least. That said, Morcheeba know their place in making music that can be the perfect backdrop, to quote Ross Godfrey:“We've always made relaxing music. You can get home from work on a Friday night, have a glass of wine or smoke a spliff or whatever and play our music”. On the other hand, the sheer depth of their musical influences and references can be breathtaking. Within the mix are Bacharach, Barry and Moriconi of course, but also Brazilian late 60s Tropicalia, and somewhat less obviously (but most certainly in terms of always impressive guitar work) classic rock from Ross Godfrey's childhood favourites Neil Young and Jimi Hendrix. Meanwhile, Skye's lyrics and styles include 70s country music, along with ska and dub reggae. All of this is somehow weaved into the seamless Morcheeba sound on the new outstanding album Escape The Chaos. Launched in the mid-90s and quickly swept along on the British ‘trip-hop' wave, Morcheeba outlasted most of their contemporaries including Portishead (who refused to heed to the repeated calls to re-form). Morcheeba is one of those bands you might easily have forgotten about. And yet the band has (give or take a short hiatus and shuffling of personnel sometime between 2003 and 2009) steadily worked their way to 11 albums over 30 years, most of it under the radar of music industry gatekeepers and without much love from the music press. “They hated us” was Skye Edward's response when I brought up the subject of early press reviews. And yet, Pitchfork gave their debut album Who Can You Trust (1996) an 8.3/10, but then stopped loving them as the band's popularity took off. Recent single We Live & Die references “in the old days of NME” which had me going on to Wayback Machine to dig out an NME review from 1998 of the breakthrough album Big Calm. It was the now legendary music critic Syvia Patterson, who wrote:“Morcheeba you see, sounds nothing like Portishead. They sound like they like life”.That has certainly proved a lasting observation. And Morcheeba has proved a lasting British trip hop institution. One of the few 90s bands that just seem to keep on getting better and better. This live episode launches a new partnership between The Art of Longevity and Bang & Olufsen. Find more details on the Song Sommelier web pages.Support the showGet more related content at: https://www.songsommelier.com/

The Beach Boys' Brian Wilson died on June 11. He was 82, but as writer Sam Sodomsky wrote in a remembrance for Pitchfork, “‘immortal' is still the word that comes to mind.” Wilson's forward-thinking musical compositions helped redefine pop music in the 1960s — as well as what anyone thought was possible at the time. Tributes have poured in, including from local musicians. Submarine School of Music co-founder Ben Morey labeled Wilson “a guiding light to me for most of my life,” while psych-pop tinkerer Alex Northrup called for more Wilson-influenced sunshine “in a world that seems to be growing increasingly darker.” Both join musician and CITY magazine art director Jacob Walsh and guest host and CITY Magazine arts reporter Patrick Hosken to talk about Wilson's influence on their lives as music makers. Our guests: Ben Morey, musician and co-founder of the Submarine School of Music Alex Northrup, songwriter, producer, and engineer Jacob Walsh, musician in Big Nobody and art director for CITY Magazine

SPONSORS: 1) Brunt: Get $10 Off at BRUNT with code JULIAN at https://www.bruntworkwear.com/JULIAN #Bruntpod 2) Huel: Get Huel today with this exclusive offer for New Customers of 15% OFF + a FREE Gift with code JULIAN at https://huel.com/JULIAN (Minimum $75 purchase). PATREON: https://www.patreon.com/JulianDorey (***TIMESTAMPS in Description Below) ~ Mike Benz is a former official with the U.S. Department of State and current Executive Director of the Foundation For Freedom Online, is a free speech watchdog organization dedicated to restoring the promise of a free and open Internet. MIKE's LINKS: X: https://x.com/MikeBenzCyber WEBSITE: https://foundationforfreedomonline.com/ FOLLOW JULIAN DOREY INSTAGRAM (Podcast): https://www.instagram.com/juliandoreypodcast/ INSTAGRAM (Personal): https://www.instagram.com/julianddorey/ X: https://twitter.com/julianddorey LISTEN to Julian Dorey Podcast Spotify ▶ https://open.spotify.com/show/5skaSpDzq94Kh16so3c0uz Apple ▶ https://podcasts.apple.com/us/podcast/trendifier-with-julian-dorey/id1531416289 JULIAN YT CHANNELS - SUBSCRIBE to Julian Dorey Clips YT: https://www.youtube.com/@juliandoreyclips - SUBSCRIBE to Julian Dorey Daily YT: https://www.youtube.com/@JulianDoreyDaily - SUBSCRIBE to Best of JDP: https://www.youtube.com/@bestofJDP ****TIMESTAMPS**** 00:00 – Censorship, AI Wack-a-Mole, Deep Blue, DARPA Docs 12:34 – Weapons of Mass Deletion, NetzDG, Election Control, Russiagate, USAID, Trump Hold-Ups 23:29 – USAID Origins, Sopranos Agencies, Shadow Networks, EU DSA, CIA Outsourcing 32:40 – USAID Scandals, Identity Dominance, Cuba HIV Hoax, ZunZuneo 44:32 – Social Media Control, CIA & Rap, Media Machine, Vatican–CIA–Mafia 57:12 – George Kennan, Political Warfare, Plausible Deniability, CIA in Italy 1:07:32 – USAID = Plausible Deniability, Tom Donilon 1:22:55 – Mike Donilon, Shadow Cabinet, BlackRock, Pentagon Black Hole, Congressional Favors 1:34:17 – Gorbachev Pizza Ad, Systemic Corruption, Pepsi–Allende Coup 1:42:31 – The Blob, Friedman's Free Market Lie, Empire Blindspot 1:53:15 – USAID = Bribes, Mike Benz Dual Role, Dirty Roots 1:57:40 – MAGA Blindspot, Empire Preservation 2:09:02 – USAID–Supreme Court, Norm Eisen, Bread & Corruption 2:18:19 – Opium Wars, Institute of Peace, Syrian Democratic Forces, George Foote 2:35:13 – Peace Institute Overthrows, Drug-Funded Empire, Pitchfork & Scalpel 2:44:14 – State Dept vs CIA, 1961 Reorg, Visas for Terror 3:00:57 – Elon & DOGE, ROI, Reloading Strategy 3:12:25 – Tesla vs Unions, Unions as Ops Tools OTHER JDP EPISODES MENTIONED IN THIS EPISODE: - Episode 307 - Roya Hakakian: https://youtu.be/NQeoCeSk_Zc - Episode 303 - Martin Dugard: https://youtu.be/rcoiIUfz_N4 - Episode 97 - Andrew Bustamante: https://youtu.be/2PUs7l2jW9c - Episode 107 - Andrew Bustamante: https://youtu.be/7jNz3-WPV5I - Episode 150 - Andrew Bustamante: https://youtu.be/dUlc2d6fDzg - Episode 224 - Andrew Bustamante: https://youtu.be/Gv-YWfNWwkM - Episode 249 - John Kiriakou: https://youtu.be/5_FDZozJ9zE - Episode 250 - John Kiriakou: https://youtu.be/5HuyORiWoDM - Episode 278 - John Kiriakou: https://youtu.be/_CFWmuIgQIE - Episode 279 - John Kiriakou: https://youtu.be/scrGRKVa-Q4 CREDITS: - Host, Editor & Producer: Julian Dorey - COO, Producer & Editor: Alessi Allaman - https://www.youtube.com/@UCyLKzv5fKxGmVQg3cMJJzyQ - In-Studio Producer: Joey Deef - https://www.instagram.com/joeydeef/ Julian Dorey Podcast Episode 309 - Mike Benz Music by Artlist.io Learn more about your ad choices. Visit podcastchoices.com/adchoices

Bandcamp offers a sustainable path for independent musicians to thrive. Episode 644: J. Edward Keyes, the editorial director of https://bandcamp.com/, one of the most artist-friendly platforms in the industry. With over 20 years of experience writing for outlets like Rolling Stone, SPIN, Pitchfork, Entertainment Weekly, and The Village Voice, J. Edward has a deep understanding […]

Merriam-Webster's Word of the Day for June 7, 2025 is: abstruse • ub-STROOSS • adjective Abstruse is a formal word used to describe something that is hard to understand. // I avoided taking this class in past semesters because the subject matter is so abstruse, but the professor does a good job explaining the concepts as clearly as possible. See the entry > Examples: “The EP's lyrics are suitably abstruse. The title ‘Marry Me Maia' sounds forthright in its intentions, but the song instead offers cryptic references and obfuscation. The result is like peeping in on a private conversation: fascinating and impassioned but fundamentally obscure.” — Ben Cardew, Pitchfork, 31 Mar. 2025 Did you know? Look closely at the following Latin verbs, all of which come from the verb trūdere (“to push, thrust”): extrudere, intrudere, obtrudere, protrudere. Remove the last two letters of each of these and you get an English descendant whose meaning involves pushing or thrusting. Another trūdere offspring, abstrūdere, meaning “to conceal,” gave English abstrude, meaning “to thrust away,” but that 17th-century borrowing has fallen out of use. An abstrūdere descendant that has survived is abstruse, an adjective that recalls the meaning of its Latin parent abstrūsus, meaning “concealed.” Like the similar-sounding obtuse, abstruse describes something difficult to understand—that is, something that has a “concealed” meaning.

On today's episode, I talk to Merrill Garbus and Nate Brenner of the band Tune-Yards. Started by Merrill in the mid-aughts, Tune-Yards first official release Bird-Brains came out in 2009 on 4AD. Almost immediately, the band began to garner acclaim from Pitchfork, the Village Voice and many other publications. After the release of Bird-Brains, Merrill moved to Oakland where Nate lived, and since then, the two have recorded five more albums, a number of singles, as well as the score to the Boots Riley film Sorry to Bother You. Their latest, Better Dreaming, just came out a few weeks ago on 4AD, and it's wonderful! This is the website for Beginnings, subscribe on Apple Podcasts, follow me on Twitter. Check out my free philosophy Substack where I write essays every couple months here and my old casiopop band's lost album here! And the comedy podcast I do with my wife Naomi Couples Therapy can be found here! Theme song by the fantastic Savoir Adore! Second theme by the brilliant Mike Pace! Closing theme by the delightful Gregory Brothers! Podcast art by the inimitable Beano Gee!  

William Tyler is an American guitarist and composer known for his unique blend of fingerstyle guitar, ambient, and post-rock influences. Hailing from Nashville, Tyler's music weaves intricate, melodic soundscapes that are often both introspective and expansive. Critics have praised Tyler for his ability to evoke deep emotion through his instrumental work. Pitchfork described Goes West as "a stunning meditation on the American landscape, both real and imagined. “ Through his work, Tyler has carved a distinctive niche within the instrumental music world, drawing comparisons to guitar greats like John Fahey and Leo Kottke. His newest record, Time Indefinite, was released by Psychic Hotline in spring of 2025. In this episode, recorded live at the Big Ears Festival in March of 2025, he talks about how songs by Scott Joplin, The Troggs, and Popol Vuh were formative for him.See omnystudio.com/listener for privacy information.

MUSIC311 will release an EP of vintage live recordings, ‘90s Throwback EP: Volume 2, on June 27th. Various sets from the Washington, D.C. stop of the Warped Tour on June 14th and 15th will stream on Prime Video and Amazon Music's Twitch channel. All Time Low, Sublime and MGK will all be part of the livestream. Collective Soul are the latest band to get their own feature-length documentary: Give Me a Word: The Collective Soul Story will be out July 8th on Blu-ray and DVD. It'll also be available on demand that day, and will be released to streaming services later in the year. The 'Bon Jovi: Forever' anthology book, authored and narrated by frontman Jon Bon Jovi, will arrive in hardback on September 23rd. It's concert season, and Pitchfork.com put together a list of the 35 most anticipated tours of the summer. Here are 10 highlights: 1. Beyoncé: The Cowboy Carter Tour – NO STL DATE2. Billy Corgan and the Machines of God: The Return to Zero Tour – NO STL DATE3. Cyndi Lauper: The Girls Just Wanna Have Fun Farewell Tour – NO STL DATE4. The Flaming Lips and Modest Mouse: The Good Times are Killing Me Tour – NO STL DATE5. Haim: The I Quit Tour – NO STL DATE6. Kendrick Lamar and SZA: The Grand National Tour – TONIGHT @ THE DOME7. Lady Gaga: The Mayhem Ball Tour – NO STL DATE8. Lorde: The Ultrasound World Tour – OCTOBER 9TH @ CHAIFETZ ARENA9. Nine Inch Nails: The Peel it Back Tour – NO STL DATE10. The Weeknd: The After Hours Til Dawn Tour – NO STL DATE TV Kylie Jenner is being hailed as a "girl's girl" for divulging the exact details of her bob job. Haley Joel Osment‘s was arrested at a ski resort in California for public intoxication back in April, and he has since been charged with multiple misdemeanors, including drug possession. Jeopardy! and Wheel of Fortune fans will now be able to watch the latest episodes on streaming platforms! MOVING ON INTO MOVIE NEWS: John Krasinski gives his mother 10% of his earnings, because she encouraged him not to quit when the acting thing wasn't working out.· 40 years after actor Michael J. Fox became a legend playing it while jamming "Johnny B. Goode" with Chuck Berry during the "Enchantment Under The Sea" high school dance scene, guitar maker Gibson is on a search for the cherry red Gibson ES-345 guitar from the 1985 movie 'Back To The Future'. Would every movie be better with Mrs. Doubtfire in it? According to this video, the answer is yes. The Bell Brothers, who create mindblowing mashups, quite hilariously and seamlessly inserted a happily vacuuming Mrs. Doubtfire (Robin Williams) cleaning up around highly recognizable scenes from other movies and TV shows, while occasionally checking back into her own movie MISCMrBeast has an estimated net worth of $1 billion, but he claims that he has “very little money” available to use right now. AND FINALLYUltimateClassicRock.com ranked the 50 Greatest Power Ballads in Rock History. Spoiler alert: Most of them are from the '80s!Here are the Top 10: AND THAT IS YOUR CRAP ON CELEBRITIES!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The UK outfit Sleep Token has done what we once thought impossible: Found commercial success playing heavy metal music in 2025 AD. Their fourth studio album, Even in Arcadia, went to number one on the Billboard 200 upon its release, with all ten of its tracks charting on the Hot 100—this despite the fact that the band has been entirely masked and anonymous through their nine year existence. Sleep Token's willingness to inject their brand of heavy metal with autotuned pop vocals, reggaeton beats, and hop hop inflected rhythms has widened their audience, but in the process had galvanized scathing criticism. Pitchfork gave the album a withering review calling Even in Arcadia "schmaltzy and dull," while Anthony Fantano dubbed the band "metal music for Disney adults." We get to know Sleep Token—the music and the controversy—by listening deeply to the ways they toy with the genre conventions of metal, and ask whether they are changing the sound of pop in the process. AUDIENCE SURVEY 2025: https://switchedonpop.typeform.com/survey2025 Songs Discussed Sleep Token - Thread the Needle, Emergence, Caramel, Damocles Ghost - Satanized Metallica - Hero of the Day Nickelback - How You Remind Me Learn more about your ad choices. Visit podcastchoices.com/adchoices

New York Times bestselling author Hanif Abdurraqib spoke to me about taking a leap of faith, the tentpoles of his writing practice, and his recent NBCC award-winning THERE'S ALWAYS THIS YEAR: On Basketball and Ascension. Hanif Abdurraqib is a lauded New York Times bestselling author, recent Winner of the NBCC Award for criticism, and a finalist for the National Book Award for A Little Devil in America. He is also a poet, essayist, cultural critic, contributor for The New Yorker, and a recipient of the MacArthur Foundation “Genius” grant. His latest book, There's Always This Year: On Basketball and Ascension, was described by Publishers Weekly, in a Starred Review, as "A triumphant meditation on basketball and belonging…" and named a Best Book of the Year by The New York Times Book Review, Time, The Washington Post, NPR, The Boston Globe, Publishers Weekly, Kirkus Reviews, Book Riot, Electric Lit and many others. Steve James, director of Hoop Dreams, called it, “Mesmerizing  ... not only the most original sports book I've ever read but one of the most moving books I've ever read, period.” Hanif's first collection of essays, They Can't Kill Us Until They Kill Us, was named a book of the year by NPR, Esquire, BuzzFeed, O: The Oprah Magazine, Pitchfork, and the Chicago Tribune, among others. [Discover The Writer Files Extra: Get 'The Writer Files' Podcast Delivered Straight to Your Inbox at writerfiles.fm] [If you're a fan of The Writer Files, please click FOLLOW to automatically see new interviews. And drop us a rating or a review wherever you listen] In this file Hanif Abdurraqib and I discussed: What it's like to be on a book tour for close to a year His superpower as a highly prolific writer Quitting his 9-5 job after squirreling away money from freelancing Building his own poetry curriculum Why his writing routine hasn't changed much over the years Hot takes on the 2025 NBA Playoffs And a lot more! Show Notes: abdurraqib.com  There's Always This Year: On Basketball and Ascension by Hanif Abdurraqib (Amazon) Hanif Abdurraqib on Facebook Hanif Abdurraqib on Instagram Kelton Reid on Twitter Learn more about your ad choices. Visit megaphone.fm/adchoices

Kristin Hersh of THROWING MUSES joins Rain Phoenix on LaunchLeft for a raw, unfiltered conversation about artistic integrity and the music industry's dark underbelly. Kristin reflects on her journey in the music industry, discussing her experiences with major labels and her commitment to making music that feels true to her. She shares insights into her creative process, including her approach to songwriting and production. The conversation touches on themes of authenticity, the spiritual aspects of music, and the challenges of maintaining artistic vision in a commercial industry. Kristin Hersh then launches Wallace False, who offers his unique perspective on creating original music and art. The episode provides a fascinating look into two generations of musicians who prioritize creative expression over commercial success, offering listeners a glimpse into the world of independent and experimental music-making. IN THIS EPISODE:  (00:00) Intro: Kristin Hersh joins LaunchLeft podcast (05:58) The music industry's focus on image over art (13:18) Spirituality and channeling in music creation (19:39) Exploring unconventional sounds and instruments (25:49) Leaving major labels to pursue artistic vision (32:28) Kristin on producing her own music and incorporating nature sounds (38:32) Streaming's impact on musical exploration (48:50) Wallace False is launched (53:54) Creating original sounds from basic waveforms (59:18) Finding inspiration beyond audience expectations (60:00) Wallace False's new industrial soundscape album: Signal KEY TAKEAWAYS:  Kristin has always prioritized authenticity in her music, choosing to leave major labels to maintain artistic integrity and her creative process. She believes that music is about capturing a visceral truth, not conforming to industry standards of prettiness or marketability. It's about nurturing the energetic essence of a song and letting it resonate with listeners who appreciate its rawness. Kristin strives for originality and control through her creative process. By manipulating raw sounds to craft unique compositions and avoiding conventional influences, she aims to create something entirely its own. It's important not to become complacent in any artistic lane, but to explore and experiment, allowing inspiration to guide the way. Music has a spiritual component that goes beyond just sound. It's about being a vessel for inspiration, channeling something greater than oneself. Kristin and Wyatt create music that resonates with truth, rejecting superficial standards and focusing on the deeper connection it can foster with those who truly listen. RESOURCE LINKS:  LaunchLeft Podcast Smart Link KRISTIN HERSH LINKS: https://www.kristinhersh.com/ WALLACE FALSE LINKS: https://dondekko.bandcamp.com/album/signal https://medium.com/@wyatt.true.oconnell/the-fortune-letters-bc68e47777ea BIOGRAPHIES:  KRISTIN HERSH: "One of indie rock's most fascinating figures" - The Guardian The inimitable Kristin Hersh is a musician's musician, a songwriter's songwriter, and an innovator's innovator. The Queen of Grunge's first band, Throwing Muses, began recording and playing out when they were just 14 years old and they're still going. 2020's critically acclaimed Sun Racket was hailed as a "perfect record." Hersh's refusal to participate in a corporate industry saw her leave a Warner Brothers recording contract at the top of her success in order to become listener-supported. "Music is humanist and so are we," as she puts it. Wildly prolific, she has released more than 20 albums - solo, with Throwing Muses, and her noise rock band 50 Foot Wave ("A group that runs laps around most rock bands" said Pitchfork, on 2022's Black Pearl). She's also a celebrated author: Rolling Stone named her first book, Rat Girl (Penguin) one of the ten best rock memoirs of all time. NPR said of her second book, Don't Suck, Don't Die, "Not only one of the best books of the year, but one of the most beautiful rock memoirs ever written." Her third book, the game-changing Seeing Sideways, pushes the envelope of creative non-fiction while telling the story of raising her 4 sons on a tour bus. Hersh lives in New Orleans and New England. WALLACE FALSE: Wyatt True, sometimes known as Wallace False, is a writer, animator, and musician. True was born in Rhode Island and raised just about everywhere else. He now resides in the Deep South. The common thread in True's work is a grotesque dismantling of any and all familiar structures. Guitars twang sour, sorrowful sonatas, protagonists are lost amongst melting walls and rooms that time forgot. He is mostly docile and will only bite if cornered.   LaunchLeft, Music, Live Music, Music Inspiration, Musician Stories, Kristin Hersh, THROWING MUSES, Wallace False, music industry critique, artistic integrity, independent music, creative process, songwriting, music production, alternative rock, female musicians, Warner Brothers, music marketing, artistic authenticity, music streaming, musical literacy, studio recording techniques, sound experimentation, music collaboration, music touring, European music scene, music inspiration, music and spirituality, artistic personality, experimental music, DIY music production, music ownership

One-on-one pod today, Chris is in Atlanta, and Jason is home in Glendale. We chat about TJ's time at the Just Like Heaven festival, credential distribution, Slayer roadcases, melting electronics, Cento Raw Bar, Crunch Master crackers, Kanye's HH, fake Pitchfork scores, Keith McNally's memoir, a rainy walk of shame for Chris, intersexual marriage, and TJ has yet another way to save the crumbling film industry. twitter.com/donetodeath twitter.com/themjeans howlonggone.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Despite TikTok defining this decade's music landscape, the app hasn't spawned a bonafide pop superstar – yet. 24-year-old Addison Rae is trying to be the first. She's already had cosigns from Arca, Charli XCX, and Benny Blanco; critical acclaim from outlets like Pitchfork, Rolling Stone, and Elle; and is cultivating a fervent fanbase with a slew of breathy, ethereal, and inspiration-laden singles. But how does one translate TikTok celebrity into pop success? On this episode of Switched On Pop, Reanna, Nate, and Charlie put their "Headphones On" to understand how one of the biggest Gen-Z celebrities is trying to parlay her allure into pop princess-dom. Songs discussed: Addison Rae – Diet Pepsi Addison Rae – Aquamarine Addison Rae – High Fashion Addison Rae – Headphones On Addison Rae – Obsessed Charlie Puth – The Way I Am Michael Jackson – Smooth Criminal Addison Rae – I got it bad Addison Rae – Nothing On (But The Radio) Addison Rae – it could've been u Addison Rae – 2 die 4 (feat. Charli XCX) Charli XCX, Addison Rae, A. G. Cook – Von dutch a. g. remix Lana Del Rey – Blue Jeans Lana Del Rey – Cherry Lana Del Rey – Diet Mountain Dew Lana Del Rey – Bartender Lana Del Rey – Cola Madonna – Nothing Really Matters Selena Gomez, A$AP Rocky – Good For You Edie Brickell & New Bohemians – What I Am Learn more about your ad choices. Visit podcastchoices.com/adchoices

Jake Lenderman plays and records under the name MJ Lenderman. He put out his first album in 2019. In addition to his solo work, he's been a member of the band Wednesday, and he's also featured on the Waxahatchee hit song “Right Back to It." In September 2024, the fourth MJ Lenderman album came out. It's called Manning Fireworks. The New Yorker named it the best album of the year, and Stereogum, Rolling Stone and Pitchfork all put it in their top ten. For this episode, I talked to Jake about one of the songs from that album, called “You Don't Know the Shape I'm In.” The song itself took shape in a few different ways. Coming up, you'll hear the way the song started as a demo, and then how that got fleshed out, and then how it got rebuilt, and then how Jake completely reimagined the whole thing.For more info, visit songexploder.net/mj-lenderman.