Podcasts about latino usa

President Donald Trump's immigration crackdown has led to a series of legal skirmishes with major constitutional implications. To unpack it all, Kara speaks to three experts:  Caitlin Dickerson is a Pulitzer Prize-winning staff writer for The Atlantic who covers immigration. She is currently writing a book on the impact of deportation on American society. Maria Hinojosa is the host and executive producer of the Peabody Award-winning Latino USA and the founder of Futuro Media Group, which just released the second season of their Pulitzer Prize-winning podcast, Suave. She has won over a dozen awards in journalism, including four Emmys and the Edward R. Murrow Lifetime Achievement Award Deborah Pearlstein is the director of the Princeton Program in Law and Public Policy at the Center for the Study of Democratic Politics. She is an expert in constitutional law and her book, Losing the Law, will be published next year.  This episode was recorded on Thursday, April 19th. While we were recording, the Supreme Court announced it will hear a case related to President Trump's executive order to undo birthright citizenship. And on Saturday, April 20th, the Supreme Court ordered the Trump administration to temporarily halt the removal of Venezuelan migrants from the country.    Questions? Comments? Email us at on@voxmedia.com or find us on Instagram, TikTok and Bluesky @onwithkaraswisher. Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week, Latino USA shares episode 1 of Suave: Season 2. Years have passed since Season One, and Suave is thriving. He's got a great job. He's on the news for his work on prison reform. He's even got a new nickname on the block: Mr. Pulitzer. Suave is doing what he always dreamed of – and he's making a real difference. It almost seems like “happily ever after.” Or is it? Want to support our independent journalism? Join Futuro+ for exclusive episodes, sneak peeks and behind-the-scenes chisme on Latino USA and all our podcasts.Follow us on TikTok and YouTube. Subscribe to our newsletter. 

Alejandro Heredia's debut novel “Loca” has been praised as “quintessentially American”. It takes place in both the Dominican Republic and the Bronx, New York, where Alejandro was shaped into the person he is today.In this episode, Latino USA producer Reynaldo Leaños Jr. speaks with the Afro-Dominican author about his —and his family's— migration journey to the United States, his queer awakening, and being a writer during this moment in history. They also reflect on family, grief, joy—and what it means to reclaim your story on your own terms.Want to support our independent journalism? Join Futuro+ for exclusive episodes, sneak peeks and behind-the-scenes chisme on Latino USA and all our podcasts.Follow us on TikTok and YouTube. Subscribe to our newsletter. 

Synopsis (note: copy this episode synopsis and share to your socials to help spread the word):  How are the media doing in covering the Trump administration's actions so far in policing bodies, ideas, and institutions? On this month's “Meet the BIPOC Press,” award-winning journalists Maria Hinojosa & Chenjerai Kumanyika lay out the constitutional crisis before us and ask what the media's role is in this moment.This show is made possible by you! To become a sustaining member go to https://LauraFlanders.org/donate Thank you for your continued support!Description:  In the US today, immigrants, students, visitors and even U.S. residents — are facing exclusion, militarization, detention, rendition, and elimination of basic due process rights. Are our media doing enough to sound the alarm? In recent weeks, the government has detained students like Mahmoud Khalil, Rümeysa Öztürk and Mohsen Mahdawi, apparently over their support for Palestine. Kilmar Abrego Garcia, a Maryland man who was wrongfully exported to El Salvador, is being held at the notorious CECOT mega prison. We've also seen widespread ICE operations, random visas revoked and ideologically-driven attacks on the funding and functioning of our institutions of higher education. Our guests on this month's Meet the BIPOC Press live and work at the intersection of these issues: Maria Hinojosa is the co-anchor and Executive Producer of Latino USA, and producer of the Pulitzer-prize winning podcast, Suave — which is just out with a second season. She is a Distinguished Journalist-in-Residence at Barnard College. Chenjerai Kumanyika is a Peabody Award-winner, creator and co-host of Uncivil, and creator and host of the podcast series Empire City: The Untold Origin Story of the NYPD. He is also an Assistant Professor of Journalism at New York University. As the Republican regime moves towards authoritarianism, will the media stand for democracy before it's too late?Guests:•  Maria Hinojosa: Pulitzer-Prize Winning Journalist & Founder, Futuro Media; Distinguished Journalist-in-Residence, Barnard College.•  Chenjerai Kumanyika: Peabody-Prize Winning Audio Journalist, Uncivil & Empire City: The Untold Origin Story of the NYPD; Assistant Professor Journalism, NYU Watch the special report released on YouTube April 18th 5pm ET; PBS World Channel April 20th, and on over 300 public stations across the country (check your listings) and airing on community radio & available as a podcast April 23rd.Full Conversation Release: While our weekly shows are edited to time for broadcast on Public TV and community radio, we offer to our members and podcast subscribers the full uncut conversation. These audio exclusives are made possible thanks to our member supporters. RESOURCES:Watch the broadcast episode cut for time at our YouTube channel and airing on PBS stations across the country Full Episode Notes are located HERE.*Recommended book:“Once I Was You” by Maria Hinojosa  *Get the Book(*Bookshop is an online bookstore with a mission to financially support local, independent bookstores. The LF Show is an affiliate of bookshop.org and will receive a small commission if you click through and make a purchase.)Related Laura Flanders Show Episodes:BIPOC Press for the People: Bursting the Corporate Media Bubble: Watch / Podcasts-Listen: Episode •  Crime & Migration: An Abolitionist Plan for Immigration Justice: Watch / Listen: Episode•  Not Wanted at Harvard? BIPOC Media on Claudine Gay, Anti-Zionism & Diversity in Education:  Watch / Podcast-Listen: Episode and Full Uncut Conversation   Related Articles and Resources:• Universities are scared of Trump.  Princeton spoke out - and others should join us. By the Daily Princetonian Editorial Board, March 19, 2025, Daily Princetonian•  Ice director wants to run deportations like ‘Amazon Prime for human beings', by Marina Dunbar, April 9, 2025, The Guardian•  AP wins access to White House events after judge rules government can't bar its journalists, by David Bauder, Associated Press, PBS News•  The Conservative Activist Pushing Trump to Attack U.S. Colleges, by The Daily podcast of the New York Times Laura Flanders and Friends Crew: Laura Flanders, along with Sabrina Artel, Jeremiah Cothren, Veronica Delgado, Janet Hernandez, Jeannie Hopper, Sarah Miller, Nat Needham, David Neuman, and Rory O'Conner. FOLLOW Laura Flanders and FriendsInstagram: https://www.instagram.com/lauraflandersandfriends/Blueky: https://bsky.app/profile/lfandfriends.bsky.socialFacebook: https://www.facebook.com/LauraFlandersAndFriends/Tiktok: https://www.tiktok.com/@lauraflandersandfriendsYouTube: https://www.youtube.com/channel/UCFLRxVeYcB1H7DbuYZQG-lgLinkedin: https://www.linkedin.com/company/lauraflandersandfriendsPatreon: https://www.patreon.com/lauraflandersandfriendsACCESSIBILITY - The broadcast edition of this episode is available with closed captioned by clicking here for our YouTube Channel

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. This week, Emily features an interview with curator Ciara Ennis, director of the De Saisset Museum at Santa Clara University. Ciara discusses her evolution from painter to curator, her efforts to challenge traditional museum practices, and her initiatives aimed at fostering inclusivity and dialogue within the art community. Key programs highlighted include the Flat Files of Curiosity Initiative and the Project Room for South Bay artists. She shares insights into her curatorial philosophy, influenced by her studies and experiences, including her impactful first exhibition in London and admiration for artist Joseph Beuys. The episode underscores Ciara's commitment to making museums more accessible and dynamic spaces for diverse audiences.About Curator Ciara Ennis:As Director Professor of Practice in the Department of Art and Art History, Dr. Ennis is responsible for developing the vision, artistic direction, and strategic leadership for the museum including exhibitions, programming, permanent collection, academic integration, and public profile. Ennis oversees museum operations, staffing, finances, and fundraising, and serves as the primary liaison between the museum and Santa Clara University.Prior to directing the de Saisset Museum, Ennis served as Director and Curator of Pitzer College Art Galleries, transforming it into a significant center for contemporary art and discourse through intellectually provocative initiatives focused on diverse communities of artists exploring issues that define our times. A Museum Studies scholar, Ennis' research explores the appropriation of Wunderkammer strategies as a means for rethinking contemporary curatorial practice. Ennis has been a panelist and guest speaker for the College Arts Association, American Studies Association, the International Sculpture Conference, the Association of Academic Museums and Galleries, the California Community Foundation, the Rijksakademie Amsterdam, and the Victoria and Albert Museum. Ennis is a member of Prospect Art's Advisory Board and X-TRA Contemporary Art Quarterly's Advisory Council. She has an MA (RCA) in Contemporary Curatorial Practice from the Royal College of Art, and a PhD in Cultural Studies/Museum Studies from Claremont Graduate University.For more on the exhibit, Maya Gurantz: The Plague Archives CLICK HERE. Follow Ciara on Instagram:  @CiaraEnnis5--About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

On March 17, Honduran recording artist Aurelio Martínez died in a tragic plane crash. Aurelio was the voice of the Garifuna people and a fierce defender of their music in culture. Almost two decades ago producer Marlon Bishop became friends with Aurelio, living and traveling with him for several months. He shares the story of their time together.Want to support our independent journalism? Join Futuro+ for exclusive episodes, sneak peeks and behind-the-scenes chisme on Latino USA and all our podcasts.Follow us on TikTok and YouTube. Subscribe to our newsletter. 

What does it mean to be Latino/Latina/Latinx in 2025?Is Latinidad a fiction?Should Latino be considered a race?On this episode of Latino USA, Maria Hinojosa asks those questions in a conversation with Jean Guerrero, journalist and columnist, and Julissa Arce Raya, author and activist.They also speak about colorism, recent headlines, and how simply existing as a Latino today can make you a target.Want to support our independent journalism? Join Futuro + for exclusive episodes, sneak peeks and behind-the-scenes chisme on Latino USA and all our podcasts.Follow us on TikTok and YouTube. Subscribe to our newsletter. 

This week Latino USA shares episode 1 of the podcast Don't Cross Kat.Kat Torres shows an Instagram-perfect life to her large following. She's a Brazilian supermodel turned life coach who seems harmless but is hiding a secret. And when one of her followers goes missing in the U.S., one woman sets out to bring back her best friend. Paty won't stop until she gets her friend out from under Kat's spell. Listen to this special episode from a new series from Futuro Studios and Wondery and hear from the creator of “Don't Cross Kat.”You can listen to more episodes of Don't Cross Kat here. 

In 2018, Producer Jeanne Montalvo reported on the choices her parents made when raising her in a bilingual household. Five years later, Jeanne's two children both command the Spanish language. But the oldest, Martin, was 2.5 years old at the start of the pandemic and never learned English. This came with a series of challenges as he entered the school system in New York. One daycare even suggested Martin was on the spectrum. In this follow up episode, Latino USA takes a deep dive into bilingual education history as Jeanne looks for solidarity in the ghosts of New York City's past.Follow us on TikTok and YouTube. Subscribe to our newsletter by going to the top of our homepage. This episode originally aired in 2023.

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. In this episode Emily interviews artist and singer Mary Graham about her journey from drawing as a child, to painting in high school and eventually moving to the Bay Area to study at the California College of the Arts. Mary discusses her recent residencies in Maine and Colorado, and exhibitions at the Berkeley Art Center and Jonathan Carver Moore Gallery. She delves into her impactful 'brown paper bag' series, which explores themes of colorism inspired by her father's stories and broader research. Mary also reflects on influential works by artists like David Hammonds and Betty Saar, and shares her inspiration drawn from the streets of San Francisco. The episode highlights Mary's creative process, community experiences, and the significant role of the emerging artists program at the Museum of the African Diaspora in her career.About Artist Mary Graham :Mary W.D. Graham an interdisciplinary artist working in painting, sculpture, and vocal performance. Utilizing art-making methods rooted in traditional techniques, she studies the notion of “the ancestors” as a conceptual medium through which historical, interpersonal, and introspective insight might be gained.Her conceptual development originates from the veneration of her own lineage, an off-shoot of the African American spiritual tradition of ancestor worship. The work expands to encompass themes of generational love, collective human origin, our relationship to history, and our relationship to the future (the unknown). Working primarily in figuration and portraiture, she utilizes a level of precision in her representation. Her compositions are minimal; the subtlety of the substrate, or the intentional application of color intend for focus to be drawn to the subject. The subtlety of this approach is meant to provide a contemplative environment in which significance might be derived. These aesthetic philosophies of simplicity, stillness, and precision are applied to her performance work as well, which is rooted in her training as a classical vocalist. Here, the human voice is utilized as a kind of clarion. The haunting melodies are structured to slowly fill space and time, drawing viewers in so that they might share in what manifests from the collective experience of song.Mary was born in 2000 and grew up in Philadelphia, Pennsylvania amongst a family of artists. She attended California College of the Arts where she received her BFA in Individualized Studies in 2022. Her travels for arts and cultural exchange have taken her around the globe to Mexico, Japan, Kenya, South Africa, Peru, Morocco, Indonesia, and India.Graham has been exhibiting, collaborating and performing nationally since 2006. She was a commissioned artist for projects at Burning Man from 2019 through 2023, performed at the Institute of Contemporary Art + San Francisco in 2022, and in 2024, opened her first solo exhibition at Museum of the African Diaspora as part of their Emerging Artist's Program. Graham's work has been covered by CBS News, 48hills and the MoAD Journal. She has been awarded residencies with Black [Space] Residency in San Francisco, California; Haystack Mountain School of Craft in Deer Isle, Maine; and Anderson Ranch in Snowmass, Colorado.Visit Mary's Website:  MaryDGraham.comFollow  on Instagram:  @Mary.Graham.ArtTo learn more about the Beatiful Scars Exhibit at Jonathan Carver Moore CLICK HERE.For more on Archives Yet To Come at the Berkeley Art Center, CLICK HERE. --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

Human smugglers are oftentimes hired by migrants to help them through inhospitable and dangerous routes on their way to the United States. But how do human smugglers, also known as coyotes or polleros, get into the business in the first place? Are they more hurtful than helpful? What is fueling their industry?Renowned anthropologist and author Jason De León tries to answer these questions in his latest book “Soldiers and Kings: Survival and Hope on the World of Human Smuggling.”Jason sits down with Maria Hinojosa on this episode of Latino USA to discuss the links between the booming business of human smuggling and U.S. immigration policies and much more.Follow us on TikTok and YouTube. Subscribe to our newsletter by going to the top of our homepage. 

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. This week on 'Art is Awesome,' host Emily Wilson chats with Stephanie Robison, a sculptor living in Oakland and the chair of City College of San Francisco's Art Department. The episode delves into Stephanie's background, from growing up in Oregon and being encouraged by a high school counselor to attend college, to falling in love with sculpture, particularly stone. Stephanie discusses her creative process, the resistance she enjoys from materials like marble, and how her grandmother inspired her love for making things. She also shares her experiences with exhibitions and her thoughts on teaching. About Artist Stephanie Robison:Originally from Oregon, Stephanie currently resides in California teaching sculpture and serving as Art Department Chair at the City College of San Francisco. Robison holds a Bachelor of Fine Arts from Marylhurst University and a Master of Fine Arts in Sculpture from the University of Oregon. Her work has been exhibited at Marrow Gallery, Marin Museum of Contemporary Art and Orange County Center for Contemporary Art in California, Robischon Gallery in Denver, Colorado, Houston Center for Contemporary Craft, Joseph A Cain Memorial Art Gallery and Greater Denton Arts Council in Texas, Yeiser Art Center in Kentucky, Site:Brooklyn Gallery in New York, Foster/White Gallery, Whatcom Museum and Tacoma Art Museum in Washington, and Peter Robertson Gallery in Alberta Canada.Stephanie is represented by Marrow Gallery in San Francisco, California and Foster/White Gallery in Seattle, Washington. Her work can also be found at Robischon Gallery in Denver, Colorado.The sculptures of Stephanie Robison plays with multiple oppositional relationships. Working with industrial fabrics and wood, she creates large-scale installations that examine relationships between culture, nature and the built environment. Her latest series of work combines traditional stone carving and the process of needle felting wool. By merging incongruous materials such as wool and marble, she works to synthesize and fuse: organic and geometric, natural and architectural, handmade and the uniform industrial. Focusing on materiality and color with this new work, Robison creates charming, often humorous or awkward forms referencing aspects of the body, relationships and the environment. Visit Stephanie's Website:  StephanieRobison.comFollow Stephanie on Instagram:  @SquishyStoneFor more about Stephanie's Exhibit, "Incantations for the Average Person" CLICK HERE. --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

Is who we are shaped more by nature or nurture? It's a question science has grappled with for years. In this week's episode, both of our storytellers dive into their family histories to explore how the people and experiences that came before them continue to shape who they are today. Part 1: As a teenager, Mark Pagan worries that having an old dad is affecting his social development. Part 2: Curious about his DNA, Christopher Rivas takes his father on a journey to the Dominican Republic to learn about his family history. Mark Pagán is an award-winning producer, writer, and editor for non-fiction podcasts and film. He is the creator and host of the critically acclaimed show Other Men Need Help. His work has been featured on Latino USA, Radiotopia, On the Media, 99 Percent Invisible, Code Switch, among others. His films and performances have been shown at dozens of festivals and shows worldwide including Slamdance Film Festival, Maryland Film Festival, RISK!, The Moth, and Story Collider. Mark's work has been nominated for a Peabody, has made The Atlantic, The New York Times, The New Yorker annual “best of” lists, and has been recognized by Vulture, TIME Magazine, CBC, Los Angeles Review of Books, and The Financial Times. Before working in digital media, Mark was a teacher, social worker, comedian, part-time mascot, and bboy. He currently lives in NYC with his wife and an emo pit bull named Soca. Christopher Rivas is quickly becoming one of the most sought after multi-hyphenates as an actor, author, podcaster, and storyteller. His book Brown Enough, explores what it means to be Brown in a Black/white world. The book is part memoir and part social commentary. He also hosts two podcast series with SiriusXM's Stitcher: Brown Enough, which explores the parallel themes of this book through interview-style episodes; and Rubirosa, a 10-episode documentary-style investigation of Porfirio Rubirosa, a Dominican diplomat, race car driver, soldier and polo player who is believed to be the inspiration for the famous character ‘James Bond'. On screen, Rivas is known for his work on the Fox series, Call Me Kat, opposite Mayim Bialik, Leslie Jordan, Kyla Pratt and Cheyenne Jackson. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. In this episode, Emily features Daisy Nam, the director and chief curator at the Wattis Institute of Contemporary Arts. Daisy discusses her journey from growing up in Los Angeles to her roles at prestigious institutions like NYU, Columbia, Harvard, and Marfa Ballroom. She shares insights on the significance of art spaces in cities, her love for art books, and memorable exhibitions, particularly the current 'Steady' sculpture show involving artists Esther Partegas and Michelle Lopez. Daisy highlights the unique aspects and challenges of working in the contemporary art world, emphasizing the importance of maintaining art spaces and building partnerships within the art community. Daisy also shares her personal experiences and perspectives on art and nature in Northern California.About Curator Daisy Nam:Daisy Nam is the director and curator of CCA Wattis Institute of Contemporary Art in San Francisco, which opens their new galleries on the expanded campus in Fall of 2024. Previously, she was at Ballroom Marfa, a contemporary art space dedicated to supporting artists through residencies, commissions, and exhibitions, first as the curator in 2020 and then the director and curator in 2022. From 2015–19, she was the assistant director at the Carpenter Center for the Visual Arts, Harvard University, managing the administration  and organizing programs, exhibitions, and publications. From 2008–2015, she produced seven seasons of talks, screenings, performances, and workshops as the assistant director of public programs at the School of the Arts, Columbia University.Curatorial residencies and fellowships include: Marcia Tucker Senior Research Fellow at the New Museum, New York (2020); Bellas Artes, Bataan, Philippines (2020); Surf Point in York, Maine (2019); Gwangju Biennale Foundation, Korea (2018). She holds a master's degree in Curatorial and Critical Studies from Columbia University and a bachelor's degree in Art History and Cinema Studies from New York University. She has taught at RISD, and lectured at Lesley University, Northeastern, SMFA/Tufts, SVA as a visiting critic. She co-edited a publication, Best! Letters from Asian Americans in the arts withPaper Monument in 2021.CLICK HERE to learn more about Daisy. CLICK HERE to connect to The Wattis InstituteCLICK HERE to get more info about the Wattis exhibition 'STEADY' --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

This interview includes Jeffrey Herlihy-Mera, Professor of Humanities, Universidad de Puerto Rico-Mayagüez (UPR-M); Annette Martínez-Iñesta, Instructor of Italian, UPR-M; and Baruch Vergara, Artist and Professor of Plastic Arts, UPR-M. This episode has been sponsored by the Mellon Foundation, the Department of Humanities at the UPR-M, and the Instituto Nuevos Horizontes.  This is the second podcast with Ilan Stavans about Latino USA; the first, in Spanish, is available on the New Books Network en español. About the book: In Latino USA, Latin American and Latino scholar Ilan Stavans captures the joys, nuances, and multiple dimensions of Latino culture within the context of the English language. Combining the solemnity of so-called serious literature and history with the inherently theatrical and humorous form of comics, this cartoon history of Latinos includes Columbus, the Alamo, Desi Arnaz, West Side Story, Castro, Guevara, the Bay of Pigs, Neruda, the Mariel boatlift, Selena, Sonia Sotomayor, and much more. To embrace the sweep of Hispanic civilization and its riot of types, archetypes, and stereotypes, Stavans deploys a series of "cliché figurines" as narrators, including a toucan (displayed regularly in books by García Márquez, Allende, and others), the beloved Latino comedian Cantinflas, a masked wrestler, and Captain America. Their multiple, at times contradictory voices provide unique perspectives on Latino history, together creating a carnivalesque epic, democratic and impartial. Updated to bring the book up to the present moment, this twenty-fifth anniversary edition includes thirty new pages of Latino history, from Hamilton to George Santos. Latino USA, like the history it so entertainingly relates, is a treasure trove of irreverence, wit, subversion, anarchy, politics, humanism, and celebration. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latino-studies

This interview includes Jeffrey Herlihy-Mera, Professor of Humanities, Universidad de Puerto Rico-Mayagüez (UPR-M); Annette Martínez-Iñesta, Instructor of Italian, UPR-M; and Baruch Vergara, Artist and Professor of Plastic Arts, UPR-M. This episode has been sponsored by the Mellon Foundation, the Department of Humanities at the UPR-M, and the Instituto Nuevos Horizontes.  This is the second podcast with Ilan Stavans about Latino USA; the first, in Spanish, is available on the New Books Network en español. About the book: In Latino USA, Latin American and Latino scholar Ilan Stavans captures the joys, nuances, and multiple dimensions of Latino culture within the context of the English language. Combining the solemnity of so-called serious literature and history with the inherently theatrical and humorous form of comics, this cartoon history of Latinos includes Columbus, the Alamo, Desi Arnaz, West Side Story, Castro, Guevara, the Bay of Pigs, Neruda, the Mariel boatlift, Selena, Sonia Sotomayor, and much more. To embrace the sweep of Hispanic civilization and its riot of types, archetypes, and stereotypes, Stavans deploys a series of "cliché figurines" as narrators, including a toucan (displayed regularly in books by García Márquez, Allende, and others), the beloved Latino comedian Cantinflas, a masked wrestler, and Captain America. Their multiple, at times contradictory voices provide unique perspectives on Latino history, together creating a carnivalesque epic, democratic and impartial. Updated to bring the book up to the present moment, this twenty-fifth anniversary edition includes thirty new pages of Latino history, from Hamilton to George Santos. Latino USA, like the history it so entertainingly relates, is a treasure trove of irreverence, wit, subversion, anarchy, politics, humanism, and celebration. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

This interview includes Jeffrey Herlihy-Mera, Professor of Humanities, Universidad de Puerto Rico-Mayagüez (UPR-M); Annette Martínez-Iñesta, Instructor of Italian, UPR-M; and Baruch Vergara, Artist and Professor of Plastic Arts, UPR-M. This episode has been sponsored by the Mellon Foundation, the Department of Humanities at the UPR-M, and the Instituto Nuevos Horizontes.  This is the second podcast with Ilan Stavans about Latino USA; the first, in Spanish, is available on the New Books Network en español. About the book: In Latino USA, Latin American and Latino scholar Ilan Stavans captures the joys, nuances, and multiple dimensions of Latino culture within the context of the English language. Combining the solemnity of so-called serious literature and history with the inherently theatrical and humorous form of comics, this cartoon history of Latinos includes Columbus, the Alamo, Desi Arnaz, West Side Story, Castro, Guevara, the Bay of Pigs, Neruda, the Mariel boatlift, Selena, Sonia Sotomayor, and much more. To embrace the sweep of Hispanic civilization and its riot of types, archetypes, and stereotypes, Stavans deploys a series of "cliché figurines" as narrators, including a toucan (displayed regularly in books by García Márquez, Allende, and others), the beloved Latino comedian Cantinflas, a masked wrestler, and Captain America. Their multiple, at times contradictory voices provide unique perspectives on Latino history, together creating a carnivalesque epic, democratic and impartial. Updated to bring the book up to the present moment, this twenty-fifth anniversary edition includes thirty new pages of Latino history, from Hamilton to George Santos. Latino USA, like the history it so entertainingly relates, is a treasure trove of irreverence, wit, subversion, anarchy, politics, humanism, and celebration. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

This interview includes Jeffrey Herlihy-Mera, Professor of Humanities, Universidad de Puerto Rico-Mayagüez (UPR-M); Annette Martínez-Iñesta, Instructor of Italian, UPR-M; and Baruch Vergara, Artist and Professor of Plastic Arts, UPR-M. This episode has been sponsored by the Mellon Foundation, the Department of Humanities at the UPR-M, and the Instituto Nuevos Horizontes.  This is the second podcast with Ilan Stavans about Latino USA; the first, in Spanish, is available on the New Books Network en español. About the book: In Latino USA, Latin American and Latino scholar Ilan Stavans captures the joys, nuances, and multiple dimensions of Latino culture within the context of the English language. Combining the solemnity of so-called serious literature and history with the inherently theatrical and humorous form of comics, this cartoon history of Latinos includes Columbus, the Alamo, Desi Arnaz, West Side Story, Castro, Guevara, the Bay of Pigs, Neruda, the Mariel boatlift, Selena, Sonia Sotomayor, and much more. To embrace the sweep of Hispanic civilization and its riot of types, archetypes, and stereotypes, Stavans deploys a series of "cliché figurines" as narrators, including a toucan (displayed regularly in books by García Márquez, Allende, and others), the beloved Latino comedian Cantinflas, a masked wrestler, and Captain America. Their multiple, at times contradictory voices provide unique perspectives on Latino history, together creating a carnivalesque epic, democratic and impartial. Updated to bring the book up to the present moment, this twenty-fifth anniversary edition includes thirty new pages of Latino history, from Hamilton to George Santos. Latino USA, like the history it so entertainingly relates, is a treasure trove of irreverence, wit, subversion, anarchy, politics, humanism, and celebration. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. Today, Emily chats with Ranu Mukherjee, a painter, textile, and film installation artist, who was recently appointed as Dean of the Film and Video School at CalArts in Los Angeles. Ranu discusses her background, her collaborative work with choreographers, and her latest project designing a curtain for the San Francisco Ballet's 'Cool Britannia'. She shares insights into her inspirations, including forests and their literary forms, and her early experiences that led her to become an artist. The episode concludes with Emily's regular segment, 'Three Questions', discussing influential works and inspiring places.About Artist Ranu Mukherjee:Ranu Mukherjee's work has been the subject of solo exhibitions at the 18th Street Arts Center, Los Angeles (2022-2023) de Young Museum, San Francisco (2018-2019); the Pennsylvania College of Art and Design (2017);  the Asian Art Museum, San Francisco (2016); the Tarble Art Center, Charleston, IL (2016) and the San Jose Museum of Art, CA (2012), among others. Her most recent immersive video installations have been was presented in Natasha, Singapore Biennale 2022-2023, the 2019 Karachi Biennale (2019) and Los Angeles County Museum of Art (2016) as well as in numerous international group exhibitions. Mukherjee has been awarded a 2023 Artadia Award,a Pollock Krasner Grant (2020); a Lucas Visual Arts Fellowship at Montalvo Arts Center, Saratoga, CA (2019-2024); an 18th Street Arts Center Residency, Los Angeles (2022); Facebook Artist in Residence (2020);  de Young Museum Artist Studio Program (2017); the Space 118 Residency, Mumbai (2014); and a Kala Fellowship Award and Residency, Berkeley (2009). Her work is in the permanent collection of the Asian Art Museum, San Francisco; de Young Museum, San Francisco; the Escallete Collection at Chapman University; the JP Morgan Chase Collection, New York; the Kadist Foundation, San Francisco and Paris; the Oakland Museum of California; the San Jose Museum of Art; and the San Francisco International Airport, among others. In 2021 Gallery Wendi Norris released Shadowtime, a major monograph on Mukherjee's work over the past decade featuring a conversation with author and climate activist Amitav Ghosh, and an essay by Jodi Throckmorton, curator of Mukherjee's first solo museum exhibition at the San Jose Museum of Art. Mukherjee co-created Orphan Drift, a London-based cyber-feminist collective and avatar making combined media works since 1994. They have participated in numerous exhibitions and screenings internationally including in London, Oslo, Berlin, Oberhausen, Glasgow, Istanbul, Vancouver, Santiago, Capetown, and the Bay Area.Mukherjee received her B.F.A. in Painting, from the Massachusetts College of Art, Boston, MA in 1988, and her MFA in Painting at the Royal College of Art, London, UK in 1993.  She serves on the Board of Trustees at the San Jose Museum of Art, and the Board of Directors at Bridge Live Arts. She is a Professor and Chair of Film at California College of the Arts, San Francisco. Visit Ranu's Website:  RanuMukherjee.comFollow  on Instagram:  @RanuMukherjeeFor more on 'Cool Britannia' at the San Francisco Ballet - CLICK HERE.For more on Ranu's book, 'Shadowtime' - CLICK HERE--About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

When you enter the Caribbean Social Club, or Toñita's, it feels like you could be in your grandmother's living room. And that's exactly what its owner, Maria Antonia Cay, —better known as Toñita— was aiming for when she opened the club in the 1970s as a gathering place for the local baseball team. 50 years later, Toñita's is still standing in Los Sures, the south side of Williamsburg—the most gentrified neighborhood in New York City. Yet over the years, Toñita has faced ever greater challenges to keep her club open. In this episode of Latino USA, we follow Toñita through her latest hurdle, a court battle, and we learn about how the Puerto Rican community in Los Sures has kept culture alive.Follow us on TikTok and YouTube. Subscribe to our newsletter by going to the top of our homepage. This episode originally aired in 2024.

This week on Latino USA, we're sharing an episode from Code Switch. We bring you a different kind of immigration coverage. We're telling a New York story: one that celebrates the beautiful, everyday life of the immigrant. Code Switch producer, Xavier Lopez, and NPR immigration reporter, Jasmine Garsd, spend a day at Flushing Meadows Corona Park.You can subscribe to Code Switch here. Follow us on TikTok and YouTube. Subscribe to our newsletter by going to the top of our homepage. 

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. Today, Emily chats with painter Kirstine Rainer Hansen, as they discusses her transition from design and illustration to becoming a self-taught artist specializing in 'Disrupted Realism.' Born in Denmark, Kirstine has lived across various countries, ultimately settling in Carmel, California. Her path to art was unconventional; due to financial and societal pressures, she initially studied design but shifted to painting after struggling to find work during a recession. Kirstine's work, influenced by artists like Rembrandt, Francis Bacon, and Lucian Freud, is currently on display at the Jack Fisher Gallery at the Minnesota Street Project in San Francisco. She talks about how moving to San Francisco shaped her artistic style, transitioning from classical realism to a more fragmented, collage-based approach. Kirstine also dives into "Three Questions" talking about her artistic identity, influential works, and inspiring locations in the Bay Area.About Artist Kirstine Reiner Hansen:Kirstine Reiner Hansen is an artist based on the Central Coast of California, US. Born in Odense, Denmark, she received a BA in Design and Illustration at Kolding School of Design. Her work has been exhibited in numerous galleries, most recently she had 2-person exhibition at Jack Fischer Gallery, San Francisco. In 2012 she received the Lillian Orlowsky and William Freed Foundation Grant and was twice a semi-finalist for the Outwin Boochever Portrait Competition. She has been featured in Juxtapoz Magazine, BloPop Magazine and the Asian Curator as well as in the book ‘Distrupted Realism' by John Seed, 2019. Her work is featured in the movie ‘Meaning of a Ritual' by Berlin director Natalie MacMahon, 2023.Visit Kirstine's Website:  ReinerHansen.comFollow  on Instagram:  @ReinerHansenArtFor more about her current exhibit "Atmospheric Disruptions" at the Jack Fischer Gallery, CLICK HERE. --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

This week, on a special In The Thick and Latino USA collaboration, we hear directly from individuals most affected by President Trump's first actions in office. Host Maria Hinojosa is also joined by author and professor of African American studies Dr. Eddie Glaude and senior political reporter at Vox, Nicole Narea. The three discuss where we go from here and what we can expect in the coming months of Trump's return to the White House. Follow us on TikTok and Instagram.  Subscribe to our newsletter by going to the top of our homepage. 

Latino scholar Ilan Stavans collaborated with political comic strip artist Lalo Alcaraz on the book, now reissued for its 25th anniversary edition.

Welcome back, Moneda Moves community. Following an eventful start to this week in news, we have another amazing journalist on the podcast, Cora Cervantes, who spoke with Latinos all last year leading up to the election which landed Trump in office. She's here to share what she heard on the ground from Latinos, many of who are business owners, and their biggest concerns they want to see addressed – inclusive of economic issues.  And before we dive in, we would be remiss to not acknowledge the way our Latino communities (plural) will be disproportionately targeted ahead of mass deportations set to start this week. As a platform that stands behind first builders, rewriting our narratives that exemplify our collective force, and tools for empowerment – we acknowledge how damaging the combination of rhetoric and actions on behalf of the new administration can and will be. During this time, we will be leaning into our personal community on the ground. We've also found Eliza Orlins, New York City public defender, and her explainers particularly helpful as of late. As you know, this season we're focusing on 2025 economic trends, how they affect our entrepreneurial community, and how our community will move the American economy. We have a memorable lineup for you and can't wait to share the information and resources we're producing this season. As many of us know, 2024 was a tough year for small businesses. Average revenue was up, but so were expenses, according to Biz2Credit. Breaking down the numbers and net-net, profits were down: average monthly earnings for small businesses in the first 11 months of 2024 was about $86,000 - more than $60,000 lower than in 2023. Some entrepreneurs found themselves in the red in some cases, as this week's guest independent journalist Cora reported. When interviewing working-class Latinos about their businesses in 2024, she found that people were struggling to keep up with the current economic climate, let alone improve their economic standing. It can also explain why Latinos voted with the economy among their top concerns. This week's guest, Cora, is an independent journalist based in Los Angeles. She covers politics, immigration, climate change, and race and culture with an equity lens. She has a network television and cable news production background at NBC News and MSNBC. She has produced digital stories for multimedia outlets, including NBC News, Al-Jazeera, Latino USA, palabra, High Country News, and Narratively. Cora is a graduate of Columbia University and holds a Master's degree from New York University's Arthur L. Carter Journalism Institute. She currently serves as a board member of NAHJ's Los Angeles Chapter. Cora spent much of 2024 speaking with working-class Latinos about their businesses and how they perceive the economic environment in the United States. Small business owners are holding out hope that the economy will improve. But with the rising cost of goods eating away at their profits, they're eager for change. As a result, in the 2024 election, several sources she spoke with voted with the hope that the new president would improve the economy and protect their businesses. In this week's episode, we sit down with Cora to talk about what she learned while covering Latino business owners and their votes, as well as the coverage we can expect to see more of within the Latino community in 2025. We're discussing everything from why some Latinos voted the way they did to how stricter immigration policies could affect our day-to-day lives. The Latino community is incredibly diverse, and our reasons for what we do and who we vote for are layered. By having boots on the ground via journalists who speak with working-class business owners, we gain a better understanding of what they're experiencing and why. No te lo quieres perder. Follow Cora on Instagram: @cora_cervantes Follow Moneda Moves on Instagram: @MonedaMoves Follow your host Lyanne Alfaro on Instagram: @LyanneAlfaro Main podcast theme song from Premium Beat. Our music is from Epidemic Sound. Podcast production for this episode was provided by Sarah Tulloch and her podcast production company, CCST.

This week on Latino USA, listen to those directly impacted by the devastating wildfires across Los Angeles County, where at least 25 people have died, thousands were displaced, and communities completely destroyed. Guest host Fernanda Echavarri is joined by Antonia Cereijido, host and reporter at LAist, to talk about the situation on the ground and the community solidarity that has sprung from this disaster.Follow us on TikTok and YouTube. Subscribe to our newsletter by going to the top of our homepage. 

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. In this episode  Emily chats with multimedia artist Tricia Rainwater. Tricia delves into her artistic journey, focusing on self-portrait photography and installations. Her work, seen in exhibitions like 'Allegedly the Worst is Behind Us' at San Jose's Institute for Contemporary Art, addresses themes of political innateness, erasure, and the importance of creating personal archives. She also shares her experiences from childhood photography to her impactful pieces that highlight missing Indigenous women and girls. Their conversation touches on the emotional power and societal responsibilities of art.About Artist Tricia Rainwater:Tricia Rainwater (she/her) is a mixed Choctaw Indigiqueer multimedia artist based on Ramaytush Ohlone land. Tricia's work ranges from self portraiture to large sculptural installations. Her work has been featured nationally and internationally through group shows and artist features. In her work, Tricia, focuses on creating pathways to a resilient and hopeful future by centering the process of grieving and healing. She is a recent recipient of the SF Artists Grant through the SF Arts Commission.Visit Tricia's  Website:  TriciaRainwater.comFollow Tricia  on Instagram:  @TriciaRainwaterArtLearn more about the exhibit, 'Allegedly The Worst Is Behind Us', currently at the ICA San Jose - CLICK HERE. --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. In this week's Episode, Emily features artist Carrie Ann Plank. Originally inclined towards a medical career, Carrie Ann found her true calling in printmaking. Her work, which combines science and art, is showcased in multiple renowned collections, including the Fine Arts Museums of San Francisco and the Library of Congress. Her latest exhibition, 'Cacophony' at Jonathan Carver Moore, visualizes sound through layered prints. Carrie Ann discusses her process, inspiration from scientific data, and collaboration with scientists. About Artist Carrie Ann Plank:Carrie Ann Plank is a San Francisco based artist working in installation, printmaking, and painting. Focusing on layers of sophisticated geometry, Plank examines the space of intersecting patterns to describe new structures. The work utilizes mathematical equations to create multiple overlapping impressions that reveal additional distinct pattern formations. The resulting forms are space in between, the intercession, of concrete data.Carrie Ann's work is included in multiple collections including the Fine Art Archives of the Library of Congress, Fine Art Museums of San Francisco, Achenbach Foundation for Graphic Arts, the Guanlan Print Art Museum in China, Museum Meermanno in The Hague, Netherlands and Museo Nacional de Bellas Artes, Havana, Cuba. Residencies include Black Church Print in Dublin Ireland, KALA in Berkeley, CA, Konstnärernas Kollektiva Grafikverkstad in Malmö, Sweden, Local Language, Oakland, CA, Taller Experimental de Gráfica de La Habana in Havana, Cuba, the Íslensk Grafík in Reykjavik, Iceland, Edition/Basel in Basel, Switzerland, Mullowney Printing in San Francisco, CA, Haystack Mountain School of Craft in Deer Isle, ME, and Bullseye Glass in Emeryville, CA. Additionally, Plank has had a 20 year teaching career before devoting herself solely to her artist practice in 2018. Plank is active in the Bay Area arts community serving on boards and committees such as Root Division, California Society of Printmakers, and Art for AIDS. She is also a 2024 SECA nominee.Visit Carrie Ann's  Website:  CarrieAnnPlank.comFollow Carrie Ann on Instagram:  @CarrieAnnPlankLearn more about Carrie Ann's exhibit "Cacophony" at Jonathan Carver Moore - CLICK HERE. --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

On May 3, 2017, a young woman was found dead on the campus of a prestigious university in Mexico City. Soon after the Mexico City Attorney General's office sent out a series of tweets—that would be picked up by the Mexican media—that characterized the 22-year-old as a dropout and alcoholic. The response online was immediate: many women saw these tweets and media reports as an attempt to discredit the woman as a victim and in response, thousands of women started to tweet with the hashtag #SiMeMatan or “if they kill me.” It was short for: “If they kill me, what will they say to blame me for my own death?” Latin America has some of the highest rates of femicide in the world—and Latino USA dives into a case that demonstrates the deep challenges that remain for women in Mexico.This episode originally aired in 2019.Follow us on TikTok and YouTube. Subscribe to our newsletter by going to the top of our homepage. 

We're sharing an episode from our friends at Latino USA! In this episode, producer Reynaldo Leaños Jr. travels to southern Arizona where one of the first major concentrations of surveillance towers on the southern border were built, and he looks at what these towers mean today, and for the future of those crossing, and living, there.   The “virtual wall” across the U.S.-Mexico border is made up of things like drones, sensors, cameras and… surveillance towers. Both Democrats and Republicans have supported border technology through the years, but advocates and researchers argue that a virtual wall can be as controversial, and deadly, as a physical wall.     Let's connect! Follow Future Hindsight on Instagram:  https://www.instagram.com/futurehindsightpod/   Discover new ways to #BetheSpark:  https://www.futurehindsight.com/spark    Follow Mila on X:  https://x.com/milaatmos    Listen to Latino USA:  https://www.latinousa.org/    Sponsors:  Thank you to Shopify! Sign up for a $1/month trial at shopify.com/hopeful.   Thanks to SelectQuote for supporting Future Hindsight! Go to SelectQuote.com/hopeful now!   Need a gift idea? Head over to Masterclass.com/HOPEFUL for the current offer. Thanks to MasterClass for supporting Future Hindsight!   Early episodes for Patreon supporters: https://patreon.com/futurehindsight  Credits:  Featuring: Latino USA Podcast Host: Mila Atmos Executive Producer: Mila Atmos Producer: Zack Travis

The Yakama Indian Reservation in Eastern Washington is home to 11,000 Native Americans and almost three times as many Latinos. Over recent decades, the reservation has attracted Mexican farmworkers and their families who made the valley their home. Despite shared indigenous roots, living side by side hasn't been easy, and tensions between the two groups are high. On this collaboration with Northwest Public Radio, Latino USA dives into the dynamics of the reservation, exploring how two communities living side by side try to learn to get along.This episode originally aired in November 2015.Follow us on TikTok and YouTube. Subscribe to our newsletter by going to the top of our homepage. 

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. This week, we are replaying a conversation from December 2023, as our final drop of the year. It features Emily chatting with artist Rupi C. Tut, whose work focuses on capturing the stories of women like herself and her family. Rupy shares her journey from moving to the U.S. from India, studying pre-med at UCLA, to deciding to pursue art and successfully exhibiting her work in renowned museums, such as the De Young Open and the Institute of Contemporary Art in San Francisco. Rupy discusses her dedication to portraying everyday heroism, belonging, and cultural identity through her art, emphasizing the importance of representation and the significant influence of her background in her creative process. The episode also highlights her training in Pahati painting and her latest show, 'Out of Place,' reflecting on the broader impact of her work on diverse audiences.Rupy is a recent 2024 SECA Art Award recipient, and her work is currently being featured at the SFMOMA with other SECA Award winners. Art is Awesome will return on January 1st with brand new Episodes, featuring artists Carrie Ann Plank and Tricia Rainwater.About Artist Rupy C. Tut:Rupy C. Tut is a painter dissecting historical and contemporary displacement narratives around identity, belonging, and gender. As a descendant of refugees and a first generation immigrant, Rupy's family narrative of movement, loss, and resilience is foundational to her creative inquiries. Tut's artistic practice expands, innovates, and reframes the traditions of Indian miniature painting. She mixes her own pigments and turns to hemp paper and linen to contend and make visible one's place in the world. ​Rupy C. Tut lives and works in Oakland, California. Her work has been presented through exhibitions and talks at the de Young Museum, San Francisco; Asian Art Museum, San Francisco; London City Hall; Stanford University; The Peel Art Gallery and Museum Archives, Toronto; a solo exhibition Rupy C. Tut: A Recipe for Brown Skin at the Triton Museum of Art, Santa Clara; and a solo exhibition Rupy C. Tut: Search and Rescue at Jessica Silverman, San Francisco. Rupy C. Tut is represented by Jessica Silverman.Visit Rupy's Website: RupyCTut.comFollow Rupy on Social Media: @RupyCTutFor more on Rupy's SECA Art Award Exhibit at SFMOMA, CLICK HERE. --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

This week Latino USA brings you an episode of the In The Thick podcast.ITT hosts Maria Hinojosa and Paola Ramos are joined by NBC News correspondent Jacob Soboroff for a deep dive into the devastating consequences of Donald Trump's first term immigration policy. They discuss the upcoming film “Separated,” based on Soboroff's 2020 book by the same name, Trump's child separation policy, and what a repeat of one of the darkest chapters in U.S. immigration history could look like.Follow us on TikTok and YouTube. Subscribe to our newsletter by going to the top of our homepage. 

This week Latino USA brings you an episode of the The Burden: Avengers podcast.Miriam Lewin is one of Argentina's leading journalists today. At age 19, she was kidnapped for her political activism and thrown into a concentration camp. Thousands of her fellow inmates were executed, tossed alive from cargo planes into the ocean. Miriam survived. Then as a journalist, she waged a campaign to bring her tormentors to justice.Avenger is a podcast series produced by Orbit Media that tells the story of one woman's triumphant battle against unbelievable odds to survive torture, claim justice for the crimes done against her and others like her, and change the future of her country.Follow us on TikTok and YouTube. Subscribe to our newsletter by going to the top of our homepage. 

With DACA and the Dreamers poised to be back in the center of the national conversation, Latino USA revisits this episode about what it means to be young and undocumented in the United States today. In 2013, a group of young undocumented activists known as the Dream 9 staged one of the riskiest protests in the history of the immigration rights movement. They willingly left the U.S. to Mexico, and then demanded to be let back into the country despite lacking legal status. Their efforts landed them in detention—and in the national spotlight.This episode originally aired in October 2015.Follow us on TikTok and YouTube. Subscribe to our newsletter by going to the top of our homepage. 

This week Latino USA brings you an episode of Future Hindsight.Host Mila Atmos is joined by Aaron Reichlin-Melnick, the Policy Director at the American Immigration Council, a non-profit organization that strives to strengthen the United States by shaping immigration policies and practices. They discuss how out-of-date immigration laws are and why the only cure is comprehensive immigration reform from Congress.U.S. immigration laws have not changed since the 1990s. The current border enforcement and asylum system dates back to 1996, and in fact, one of the reasons that asylum seekers are living in shelters is because Congress decided in 1996 to make it illegal for them to get a work permit until six months after they apply for asylum. The asylum system is severely underfunded and is a major reason for processing delays.  In addition, there are more than 4 million people who have already been approved for visas but the wait time to get the legal status is decades long.Follow us on TikTok and YouTube. Subscribe to our newsletter by going to the top of our homepage. 

This week, Latino USA brings you the first episode of The Tenant Association, produced by Los Angeles Public Press. The series follows a group of tenants who came together and fought back against their landlord. It's a story about neighbors—elderly, young, immigrant, working class renters. Many of them are Latine and Asian and had lived for decades in an apartment complex in LA's Chinatown. Until they got a rent increase that was basically an eviction notice… and decided to fight to stay in their homes. They've become a political force to be reckoned with, and changed what we think is possible for renters in Los Angeles. The tenants of Hillside Villa have been fighting for six years, and they're not done.You can follow and subscribe to the series here.

To cap off our 2024 election coverage, The Latino Factor: How We Vote, Latino USA teamed up with Futuro Media's political podcast In The Thick to bring you a special episode. In the election that many Americans said was “the most important of their lifetimes,” Maria Hinojosa spends the day speaking to voters, students, journalists and movement leaders across the country. Later Maria is joined by journalists Paola Ramos, Jean Guerrero and Jamil Smith to unpack why Trump won the elections—including the popular vote—with increased support from Latinos.This story is part of our special election coverage: The Latino Factor: How We Vote.Follow us on TikTok and YouTube. Subscribe to our newsletter by going to the top of our homepage. 

In The Thick teamed up with Futuro Media's Latino USA to bring you a special episode, as part of its ongoing 2024 election coverage “The Latino Factor: How We Vote” series. In the election that many Americans said was “the most important of their lifetimes,” Maria Hinojosa spends the day speaking to voters, students, journalists and movement leaders across the country. Later Maria is joined by journalists Paola Ramos, Jean Guerrero and Jamil Smith to unpack key updates and trends in the election. Later Maria is joined by journalists Paola Ramos, Jean Guerrero and Jamil Smith to unpack why Trump won the elections—including the popular vote—with increased support from Latinos.Follow us on TikTok and Instagram.  Subscribe to our newsletter by going to the top of our homepage. 

Maria Hinojosa, founder of Futuro Media, anchor and executive producer of Latino USA, and Benjy Sarlin, Washington bureau chief at Semafor, talk about Donald Trump's win for the presidency, including how different demographic groups voted.

The day after the end of the 2024 election season has left us with a president elect, and a lot of questions about how we got here. On Today's Show:Maria Hinojosa, president and founder of Futuro Media, anchor and executive producer of Latino USA, and co-host of the podcast In the Thick, and Benjy Sarlin,Washington bureau chief at Semafor, react to the news that Donald Trump has decisively won the election.Note:  This podcast was recorded at 10 AM on 11/6/24. Some information, including the 'pending' status  of Congressional races, may be out of date by the time of publication. 

In The Thick hosts Maria Hinojosa and Paola Ramos are joined by LaTosha Brown, co-founder of Black Voters Matter, and Frankie Miranda, president and CEO of the Hispanic Federation to discuss voter suppression in Black and Latino communities. They break down the legal, social and political methods being used by the far-right and reveal how these misunderstood voting blocs could decide the outcome of the 2024 election.Follow us on TikTok and YouTube. Subscribe to our newsletter by going to the top of our homepage. 

This week In The Thick shares an episode of Latino USA.The 2024 presidential election has seen a rise in Spanish-language misinformation and in the content creators making a living by pushing out false content. For months, Futuro Investigates in collaboration with Latino USA, tracked how lies and conspiracies about the election and the candidates that originated in English soon found their way to Spanish-speaking audiences, amid the expanded monetization of tech platforms and the rise of technologies like AI. We meet face to face with social media influencers pushing out misinformation in Spanish, and with the experts combating it.This story is part of our ongoing election coverage “The Latino Factor: How We Vote.”Follow us on TikTok and Instagram.  Subscribe to our newsletter by going to the top of our homepage. 

The 2024 presidential election has seen a rise in Spanish-language misinformation and in the content creators making a living by pushing out false content. For months, Futuro Investigates in collaboration with Latino USA, tracked how lies and conspiracies about the election and the candidates that originated in English soon found their way to Spanish-speaking audiences, amid the expanded monetization of tech platforms and the rise of technologies like AI. We meet face to face with social media influencers pushing out misinformation in Spanish, and with the experts combating it.Follow us on TikTok and YouTube. Subscribe to our newsletter by going to the top of our homepage. 

This week Latino USA shares an episode of The In Thick podcast.Maria is joined by co-host Paola Ramos, author of “Defectors: The Rise of the Latino Far Right and What It Means for America,” to examine the growing support for extremism in America and why Latinos can be especially susceptible to far-right ideologies.Follow us on TikTok and YouTube. Subscribe to our newsletter by going to the top of our homepage. 

This week, Latino USA shares the conclusion of Futuro Investigates podcast series USA v. García Luna. The day finally arrived. Genaro García Luna, one of Mexico's former most powerful government officials, has been sentenced to serve more than 38 years in prison by a court in New York. In the last episode of our series, Maria Hinojosa and Peniley Ramírez tell us what happened inside the courthouse and also reveal to us that this isn't the end of the judicial problems for García Luna in the United States, as he faces other cases in the country.

Argentinian composer and guitarist Jacinta Clusellas didn't expect that she would end up writing musicals when she moved to the United States to study music. Jacinta is part of the all-female creative team behind “Azul,” a bilingual musical in which the characters sing both in English and Spanish.In this episode of Latino USA, Jacinta tells us about the creative process and the inspiration behind this musical, and her personal connection to it.Follow us on TikTok and YouTube. Subscribe to our newsletter by going to the top of our homepage. 

In the U.S., Columbus Day is a federal holiday in honor of the Italian navigator Christopher Columbus—and it's a day of Italian-American celebration. But not everyone is on board with celebrating Columbus. His colonization led to the bloodshed of Indigenous people and while he did arrive to the Americas, he never set foot in North America. Over the past few decades, there has been a growing movement to officially replace the holiday with a day of recognition for Indigenous people. Latino USA explores the movement to change the holiday, and pays a visit to one of the latest states to make Indigenous Peoples' Day official: Maine.Follow us on TikTok and YouTube. Subscribe to our newsletter by going to the top of our homepage. This episode originally aired in 2019.

Being a new parent comes with a series of challenges—one being the decision whether or not to teach your child a second language. Latino USA explores the world of bilingual parenting through the story of two Dominican-American siblings growing up in the South, one who was drawn to Spanish and the other who never wanted to speak it. Both of the siblings are now parents and faced with the question: to teach your kids Spanish or not to teach your kids Spanish?Follow us on TikTok and YouTube. Subscribe to our newsletter by going to the top of our homepage. This episode originally aired in 2018.

Rubén Blades is a singer, songwriter, actor, lawyer, and politician, born in Panama and a New Yorker since 1974. After four decades in the public eye, 17 Grammy Awards, and some of the best-selling records in salsa history, his unique storytelling across music styles has kept him relevant to this day. He's worked with a wide range of musicians including Héctor Lavoe, Willie Colón, Bob Dylan, Lou Reed, Sting, Michael Jackson, and Calle 13. He has also kept a presence back home - he ran for president in Panama in 1994 and was appointed as minister of tourism in 2004. Latino USA sits down with the author of the song Pedro Navaja to discuss highlights of his monumental career.This story originally aired in October of 2018.Follow us on TikTok and YouTube. Subscribe to our newsletter by going to the top of our homepage.