Podcast appearances and mentions of julia keblinska

Welcome to the latest episode of New Books in Chinese Studies! I am your host, Julia Keblinska, and today I will be talking today to Jie Li, about her new book, Cinematic Guerrillas: Propaganda, Projectionists, and Audiences in Socialist China (Columbia UP, 2023). The book describes the Chinese media revolution, namely the enormous media project undertaken by the communist state to “solder” a dispersed and heterogenous populace into the revolutionary masses. Li shows how in the face of postwar material constraints and technological shortages, cultural workers (and audiences) became human components of audiovisual media networks that connected and built the new nation. Through a careful reading of archival sources and oral interviews, Li excavates two historically grounded terms, the guerrilla and the spirit medium, to develop a theoretical framework that explains how cinema and propaganda functioned in the socialist state. Her chapters explore the top-down visions of the cinematic image economy (the directives laid down by Mao and Jiang Qing), the grassroots labor of mobile projectionists, and the memories of film workers and audiences who, respectively, struggled to contain and enjoyed the polysemy inherent in socialist film experience. I'm very eager to hear Jie Li tell us more about this fascinating text! NOTE: I apologize for sound issues in the recording and hope you can enjoy our conversation despite them! Julia Keblinska is a postdoc at the East Asian Studies Center at the Ohio State University specializing in Chinese media history and comparative socialisms.

Welcome to the latest episode of New Books in Chinese Studies! I am your host, Julia Keblinska, and today I will be talking today to Jie Li, about her new book, Cinematic Guerrillas: Propaganda, Projectionists, and Audiences in Socialist China (Columbia UP, 2023). The book describes the Chinese media revolution, namely the enormous media project undertaken by the communist state to “solder” a dispersed and heterogenous populace into the revolutionary masses. Li shows how in the face of postwar material constraints and technological shortages, cultural workers (and audiences) became human components of audiovisual media networks that connected and built the new nation. Through a careful reading of archival sources and oral interviews, Li excavates two historically grounded terms, the guerrilla and the spirit medium, to develop a theoretical framework that explains how cinema and propaganda functioned in the socialist state. Her chapters explore the top-down visions of the cinematic image economy (the directives laid down by Mao and Jiang Qing), the grassroots labor of mobile projectionists, and the memories of film workers and audiences who, respectively, struggled to contain and enjoyed the polysemy inherent in socialist film experience. I'm very eager to hear Jie Li tell us more about this fascinating text! NOTE: I apologize for sound issues in the recording and hope you can enjoy our conversation despite them! Julia Keblinska is a postdoc at the East Asian Studies Center at the Ohio State University specializing in Chinese media history and comparative socialisms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Welcome to the latest episode of New Books in Chinese Studies! I am your host, Julia Keblinska, and today I will be talking today to Jie Li, about her new book, Cinematic Guerrillas: Propaganda, Projectionists, and Audiences in Socialist China (Columbia UP, 2023). The book describes the Chinese media revolution, namely the enormous media project undertaken by the communist state to “solder” a dispersed and heterogenous populace into the revolutionary masses. Li shows how in the face of postwar material constraints and technological shortages, cultural workers (and audiences) became human components of audiovisual media networks that connected and built the new nation. Through a careful reading of archival sources and oral interviews, Li excavates two historically grounded terms, the guerrilla and the spirit medium, to develop a theoretical framework that explains how cinema and propaganda functioned in the socialist state. Her chapters explore the top-down visions of the cinematic image economy (the directives laid down by Mao and Jiang Qing), the grassroots labor of mobile projectionists, and the memories of film workers and audiences who, respectively, struggled to contain and enjoyed the polysemy inherent in socialist film experience. I'm very eager to hear Jie Li tell us more about this fascinating text! NOTE: I apologize for sound issues in the recording and hope you can enjoy our conversation despite them! Julia Keblinska is a postdoc at the East Asian Studies Center at the Ohio State University specializing in Chinese media history and comparative socialisms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

Welcome to the latest episode of New Books in Chinese Studies! I am your host, Julia Keblinska, and today I will be talking today to Jie Li, about her new book, Cinematic Guerrillas: Propaganda, Projectionists, and Audiences in Socialist China (Columbia UP, 2023). The book describes the Chinese media revolution, namely the enormous media project undertaken by the communist state to “solder” a dispersed and heterogenous populace into the revolutionary masses. Li shows how in the face of postwar material constraints and technological shortages, cultural workers (and audiences) became human components of audiovisual media networks that connected and built the new nation. Through a careful reading of archival sources and oral interviews, Li excavates two historically grounded terms, the guerrilla and the spirit medium, to develop a theoretical framework that explains how cinema and propaganda functioned in the socialist state. Her chapters explore the top-down visions of the cinematic image economy (the directives laid down by Mao and Jiang Qing), the grassroots labor of mobile projectionists, and the memories of film workers and audiences who, respectively, struggled to contain and enjoyed the polysemy inherent in socialist film experience. I'm very eager to hear Jie Li tell us more about this fascinating text! NOTE: I apologize for sound issues in the recording and hope you can enjoy our conversation despite them! Julia Keblinska is a postdoc at the East Asian Studies Center at the Ohio State University specializing in Chinese media history and comparative socialisms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Welcome to the latest episode of New Books in Chinese Studies! I am your host, Julia Keblinska, and today I will be talking today to Jie Li, about her new book, Cinematic Guerrillas: Propaganda, Projectionists, and Audiences in Socialist China (Columbia UP, 2023). The book describes the Chinese media revolution, namely the enormous media project undertaken by the communist state to “solder” a dispersed and heterogenous populace into the revolutionary masses. Li shows how in the face of postwar material constraints and technological shortages, cultural workers (and audiences) became human components of audiovisual media networks that connected and built the new nation. Through a careful reading of archival sources and oral interviews, Li excavates two historically grounded terms, the guerrilla and the spirit medium, to develop a theoretical framework that explains how cinema and propaganda functioned in the socialist state. Her chapters explore the top-down visions of the cinematic image economy (the directives laid down by Mao and Jiang Qing), the grassroots labor of mobile projectionists, and the memories of film workers and audiences who, respectively, struggled to contain and enjoyed the polysemy inherent in socialist film experience. I'm very eager to hear Jie Li tell us more about this fascinating text! NOTE: I apologize for sound issues in the recording and hope you can enjoy our conversation despite them! Julia Keblinska is a postdoc at the East Asian Studies Center at the Ohio State University specializing in Chinese media history and comparative socialisms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Welcome to the latest episode of New Books in Chinese Studies! I am your host, Julia Keblinska, and today I will be talking today to Jie Li, about her new book, Cinematic Guerrillas: Propaganda, Projectionists, and Audiences in Socialist China (Columbia UP, 2023). The book describes the Chinese media revolution, namely the enormous media project undertaken by the communist state to “solder” a dispersed and heterogenous populace into the revolutionary masses. Li shows how in the face of postwar material constraints and technological shortages, cultural workers (and audiences) became human components of audiovisual media networks that connected and built the new nation. Through a careful reading of archival sources and oral interviews, Li excavates two historically grounded terms, the guerrilla and the spirit medium, to develop a theoretical framework that explains how cinema and propaganda functioned in the socialist state. Her chapters explore the top-down visions of the cinematic image economy (the directives laid down by Mao and Jiang Qing), the grassroots labor of mobile projectionists, and the memories of film workers and audiences who, respectively, struggled to contain and enjoyed the polysemy inherent in socialist film experience. I'm very eager to hear Jie Li tell us more about this fascinating text! NOTE: I apologize for sound issues in the recording and hope you can enjoy our conversation despite them! Julia Keblinska is a postdoc at the East Asian Studies Center at the Ohio State University specializing in Chinese media history and comparative socialisms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Welcome to the latest episode of New Books in Chinese Studies! I am your host, Julia Keblinska, and today I will be talking today to Jie Li, about her new book, Cinematic Guerrillas: Propaganda, Projectionists, and Audiences in Socialist China (Columbia UP, 2023). The book describes the Chinese media revolution, namely the enormous media project undertaken by the communist state to “solder” a dispersed and heterogenous populace into the revolutionary masses. Li shows how in the face of postwar material constraints and technological shortages, cultural workers (and audiences) became human components of audiovisual media networks that connected and built the new nation. Through a careful reading of archival sources and oral interviews, Li excavates two historically grounded terms, the guerrilla and the spirit medium, to develop a theoretical framework that explains how cinema and propaganda functioned in the socialist state. Her chapters explore the top-down visions of the cinematic image economy (the directives laid down by Mao and Jiang Qing), the grassroots labor of mobile projectionists, and the memories of film workers and audiences who, respectively, struggled to contain and enjoyed the polysemy inherent in socialist film experience. I'm very eager to hear Jie Li tell us more about this fascinating text! NOTE: I apologize for sound issues in the recording and hope you can enjoy our conversation despite them! Julia Keblinska is a postdoc at the East Asian Studies Center at the Ohio State University specializing in Chinese media history and comparative socialisms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Welcome to another episode of New Books in Chinese Studies. I am your host, Julia Keblinska, and I am speaking today to Prof. Tristan Brown about his book, Laws of the Land: Fengshui and the State in Qing Dynasty China (Princeton UP, 2023). Brown's book considers fengshui, that is, the knowledge of orienting structures, such as graves and houses, in accordance with well-established cosmological principles, as an administrative technology and language of power that was intrinsic to governance through the Qing legal code. Fengshui has long been dismissed as a “superstition” whose historical significance is limited to its obstruction of (narrowly) infrastructural development and (broadly) modernization. Laws of the Land instead pushes us to understand fengshui as a form of knowledge production that allowed the state to govern in an era of increasing resource scarcity and crisis.  The book covers cases related to land use (and misuse) in relation to graves, examination success, and mining concerns. It introduces readers to a cast of claimants, defendants, and legal “experts,” including clerks who meticulously mapped conflicted landscapes and geomancers who gave evidence in court. In his analysis of fengshui and Qing dynastic collapse, Brown builds upon the work of other scholars who reject narratives of Chinese “reaction” to Western influence and incursion; he posits instead the legal system's entanglement with fengshui shows a vibrant interaction of various epistemological systems. I am very much looking forward to my conversation with Prof. Brown about the “life and death of Qing landscape.”

Welcome to another episode of New Books in Chinese Studies. I am your host, Julia Keblinska, and I am speaking today to Prof. Tristan Brown about his book, Laws of the Land: Fengshui and the State in Qing Dynasty China (Princeton UP, 2023). Brown's book considers fengshui, that is, the knowledge of orienting structures, such as graves and houses, in accordance with well-established cosmological principles, as an administrative technology and language of power that was intrinsic to governance through the Qing legal code. Fengshui has long been dismissed as a “superstition” whose historical significance is limited to its obstruction of (narrowly) infrastructural development and (broadly) modernization. Laws of the Land instead pushes us to understand fengshui as a form of knowledge production that allowed the state to govern in an era of increasing resource scarcity and crisis.  The book covers cases related to land use (and misuse) in relation to graves, examination success, and mining concerns. It introduces readers to a cast of claimants, defendants, and legal “experts,” including clerks who meticulously mapped conflicted landscapes and geomancers who gave evidence in court. In his analysis of fengshui and Qing dynastic collapse, Brown builds upon the work of other scholars who reject narratives of Chinese “reaction” to Western influence and incursion; he posits instead the legal system's entanglement with fengshui shows a vibrant interaction of various epistemological systems. I am very much looking forward to my conversation with Prof. Brown about the “life and death of Qing landscape.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/geography

Welcome to another episode of New Books in Chinese Studies. I am your host, Julia Keblinska, and I am speaking today to Prof. Tristan Brown about his book, Laws of the Land: Fengshui and the State in Qing Dynasty China (Princeton UP, 2023). Brown's book considers fengshui, that is, the knowledge of orienting structures, such as graves and houses, in accordance with well-established cosmological principles, as an administrative technology and language of power that was intrinsic to governance through the Qing legal code. Fengshui has long been dismissed as a “superstition” whose historical significance is limited to its obstruction of (narrowly) infrastructural development and (broadly) modernization. Laws of the Land instead pushes us to understand fengshui as a form of knowledge production that allowed the state to govern in an era of increasing resource scarcity and crisis.  The book covers cases related to land use (and misuse) in relation to graves, examination success, and mining concerns. It introduces readers to a cast of claimants, defendants, and legal “experts,” including clerks who meticulously mapped conflicted landscapes and geomancers who gave evidence in court. In his analysis of fengshui and Qing dynastic collapse, Brown builds upon the work of other scholars who reject narratives of Chinese “reaction” to Western influence and incursion; he posits instead the legal system's entanglement with fengshui shows a vibrant interaction of various epistemological systems. I am very much looking forward to my conversation with Prof. Brown about the “life and death of Qing landscape.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/law

Welcome to another episode of New Books in Chinese Studies. I am your host, Julia Keblinska, and I am speaking today to Prof. Tristan Brown about his book, Laws of the Land: Fengshui and the State in Qing Dynasty China (Princeton UP, 2023). Brown's book considers fengshui, that is, the knowledge of orienting structures, such as graves and houses, in accordance with well-established cosmological principles, as an administrative technology and language of power that was intrinsic to governance through the Qing legal code. Fengshui has long been dismissed as a “superstition” whose historical significance is limited to its obstruction of (narrowly) infrastructural development and (broadly) modernization. Laws of the Land instead pushes us to understand fengshui as a form of knowledge production that allowed the state to govern in an era of increasing resource scarcity and crisis.  The book covers cases related to land use (and misuse) in relation to graves, examination success, and mining concerns. It introduces readers to a cast of claimants, defendants, and legal “experts,” including clerks who meticulously mapped conflicted landscapes and geomancers who gave evidence in court. In his analysis of fengshui and Qing dynastic collapse, Brown builds upon the work of other scholars who reject narratives of Chinese “reaction” to Western influence and incursion; he posits instead the legal system's entanglement with fengshui shows a vibrant interaction of various epistemological systems. I am very much looking forward to my conversation with Prof. Brown about the “life and death of Qing landscape.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Welcome to another episode of New Books in Chinese Studies. I am your host, Julia Keblinska, and I am speaking today to Prof. Tristan Brown about his book, Laws of the Land: Fengshui and the State in Qing Dynasty China (Princeton UP, 2023). Brown's book considers fengshui, that is, the knowledge of orienting structures, such as graves and houses, in accordance with well-established cosmological principles, as an administrative technology and language of power that was intrinsic to governance through the Qing legal code. Fengshui has long been dismissed as a “superstition” whose historical significance is limited to its obstruction of (narrowly) infrastructural development and (broadly) modernization. Laws of the Land instead pushes us to understand fengshui as a form of knowledge production that allowed the state to govern in an era of increasing resource scarcity and crisis.  The book covers cases related to land use (and misuse) in relation to graves, examination success, and mining concerns. It introduces readers to a cast of claimants, defendants, and legal “experts,” including clerks who meticulously mapped conflicted landscapes and geomancers who gave evidence in court. In his analysis of fengshui and Qing dynastic collapse, Brown builds upon the work of other scholars who reject narratives of Chinese “reaction” to Western influence and incursion; he posits instead the legal system's entanglement with fengshui shows a vibrant interaction of various epistemological systems. I am very much looking forward to my conversation with Prof. Brown about the “life and death of Qing landscape.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

Welcome to another episode of New Books in Chinese Studies. I am your host, Julia Keblinska, and I am speaking today to Prof. Tristan Brown about his book, Laws of the Land: Fengshui and the State in Qing Dynasty China (Princeton UP, 2023). Brown's book considers fengshui, that is, the knowledge of orienting structures, such as graves and houses, in accordance with well-established cosmological principles, as an administrative technology and language of power that was intrinsic to governance through the Qing legal code. Fengshui has long been dismissed as a “superstition” whose historical significance is limited to its obstruction of (narrowly) infrastructural development and (broadly) modernization. Laws of the Land instead pushes us to understand fengshui as a form of knowledge production that allowed the state to govern in an era of increasing resource scarcity and crisis.  The book covers cases related to land use (and misuse) in relation to graves, examination success, and mining concerns. It introduces readers to a cast of claimants, defendants, and legal “experts,” including clerks who meticulously mapped conflicted landscapes and geomancers who gave evidence in court. In his analysis of fengshui and Qing dynastic collapse, Brown builds upon the work of other scholars who reject narratives of Chinese “reaction” to Western influence and incursion; he posits instead the legal system's entanglement with fengshui shows a vibrant interaction of various epistemological systems. I am very much looking forward to my conversation with Prof. Brown about the “life and death of Qing landscape.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

Welcome to another episode of New Books in Chinese Studies. I am your host, Julia Keblinska, and I am speaking today to Prof. Tristan Brown about his book, Laws of the Land: Fengshui and the State in Qing Dynasty China (Princeton UP, 2023). Brown's book considers fengshui, that is, the knowledge of orienting structures, such as graves and houses, in accordance with well-established cosmological principles, as an administrative technology and language of power that was intrinsic to governance through the Qing legal code. Fengshui has long been dismissed as a “superstition” whose historical significance is limited to its obstruction of (narrowly) infrastructural development and (broadly) modernization. Laws of the Land instead pushes us to understand fengshui as a form of knowledge production that allowed the state to govern in an era of increasing resource scarcity and crisis.  The book covers cases related to land use (and misuse) in relation to graves, examination success, and mining concerns. It introduces readers to a cast of claimants, defendants, and legal “experts,” including clerks who meticulously mapped conflicted landscapes and geomancers who gave evidence in court. In his analysis of fengshui and Qing dynastic collapse, Brown builds upon the work of other scholars who reject narratives of Chinese “reaction” to Western influence and incursion; he posits instead the legal system's entanglement with fengshui shows a vibrant interaction of various epistemological systems. I am very much looking forward to my conversation with Prof. Brown about the “life and death of Qing landscape.” Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to another episode of New Books in Chinese Studies. I am your host, Julia Keblinska, and I am speaking today to Prof. Tristan Brown about his book, Laws of the Land: Fengshui and the State in Qing Dynasty China (Princeton UP, 2023). Brown's book considers fengshui, that is, the knowledge of orienting structures, such as graves and houses, in accordance with well-established cosmological principles, as an administrative technology and language of power that was intrinsic to governance through the Qing legal code. Fengshui has long been dismissed as a “superstition” whose historical significance is limited to its obstruction of (narrowly) infrastructural development and (broadly) modernization. Laws of the Land instead pushes us to understand fengshui as a form of knowledge production that allowed the state to govern in an era of increasing resource scarcity and crisis.  The book covers cases related to land use (and misuse) in relation to graves, examination success, and mining concerns. It introduces readers to a cast of claimants, defendants, and legal “experts,” including clerks who meticulously mapped conflicted landscapes and geomancers who gave evidence in court. In his analysis of fengshui and Qing dynastic collapse, Brown builds upon the work of other scholars who reject narratives of Chinese “reaction” to Western influence and incursion; he posits instead the legal system's entanglement with fengshui shows a vibrant interaction of various epistemological systems. I am very much looking forward to my conversation with Prof. Brown about the “life and death of Qing landscape.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Welcome to another episode of New Books in Chinese Studies. I am your host, Julia Keblinska, and I am speaking today to Prof. Tristan Brown about his book, Laws of the Land: Fengshui and the State in Qing Dynasty China (Princeton UP, 2023). Brown's book considers fengshui, that is, the knowledge of orienting structures, such as graves and houses, in accordance with well-established cosmological principles, as an administrative technology and language of power that was intrinsic to governance through the Qing legal code. Fengshui has long been dismissed as a “superstition” whose historical significance is limited to its obstruction of (narrowly) infrastructural development and (broadly) modernization. Laws of the Land instead pushes us to understand fengshui as a form of knowledge production that allowed the state to govern in an era of increasing resource scarcity and crisis.  The book covers cases related to land use (and misuse) in relation to graves, examination success, and mining concerns. It introduces readers to a cast of claimants, defendants, and legal “experts,” including clerks who meticulously mapped conflicted landscapes and geomancers who gave evidence in court. In his analysis of fengshui and Qing dynastic collapse, Brown builds upon the work of other scholars who reject narratives of Chinese “reaction” to Western influence and incursion; he posits instead the legal system's entanglement with fengshui shows a vibrant interaction of various epistemological systems. I am very much looking forward to my conversation with Prof. Brown about the “life and death of Qing landscape.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Welcome to another episode of New Books in Chinese Studies. I am your host, Julia Keblinska, and I am speaking today to Prof. Tristan Brown about his book, Laws of the Land: Fengshui and the State in Qing Dynasty China (Princeton UP, 2023). Brown's book considers fengshui, that is, the knowledge of orienting structures, such as graves and houses, in accordance with well-established cosmological principles, as an administrative technology and language of power that was intrinsic to governance through the Qing legal code. Fengshui has long been dismissed as a “superstition” whose historical significance is limited to its obstruction of (narrowly) infrastructural development and (broadly) modernization. Laws of the Land instead pushes us to understand fengshui as a form of knowledge production that allowed the state to govern in an era of increasing resource scarcity and crisis.  The book covers cases related to land use (and misuse) in relation to graves, examination success, and mining concerns. It introduces readers to a cast of claimants, defendants, and legal “experts,” including clerks who meticulously mapped conflicted landscapes and geomancers who gave evidence in court. In his analysis of fengshui and Qing dynastic collapse, Brown builds upon the work of other scholars who reject narratives of Chinese “reaction” to Western influence and incursion; he posits instead the legal system's entanglement with fengshui shows a vibrant interaction of various epistemological systems. I am very much looking forward to my conversation with Prof. Brown about the “life and death of Qing landscape.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

I am talking today to Mingwei Song about his new book, Fear of Seeing: A Poetics of Chinese Science Fiction (Columbia UP, 2023). The book is a sweeping account of contemporary Chinese science fiction that begins by asking, has “anything new arrived with the new century that redefined contemporaneousness?” As listeners might guess, in Song's account, the aesthetics of science fiction are the new and invigorating arrival on the scene of Chinese literature. Whether it be the technological sublime of Liu Cixin or the bodily horrors of Han Song, new wave Chinese science fiction engages with the problem of representing China with what Song identifies as the poetics of the invisible. Song shows how the invisible functions in chapters dedicated to both the major contemporary figures mentioned above, as well canonical writers like Lu Xun, and the newest and edgiest science fiction writers that have recently emerged onto the literary scene in China. Fear of Seeing shows how science fiction given “a country deprived of liberal imagination” a “multitude of new dreams.” At the same time, he suggests, the utopian (as well as quite dystopian) possibilities, political and aesthetic, opened up by new wave Chinese science fiction exist in an ambivalent relationship to state power. We will discuss these points as well as many others in detail in the following interview. Julia Keblinska is a postdoc at the East Asian Studies Center at the Ohio State University specializing in Chinese media history and comparative socialisms. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-fiction

I am talking today to Mingwei Song about his new book, Fear of Seeing: A Poetics of Chinese Science Fiction (Columbia UP, 2023). The book is a sweeping account of contemporary Chinese science fiction that begins by asking, has “anything new arrived with the new century that redefined contemporaneousness?” As listeners might guess, in Song's account, the aesthetics of science fiction are the new and invigorating arrival on the scene of Chinese literature. Whether it be the technological sublime of Liu Cixin or the bodily horrors of Han Song, new wave Chinese science fiction engages with the problem of representing China with what Song identifies as the poetics of the invisible. Song shows how the invisible functions in chapters dedicated to both the major contemporary figures mentioned above, as well canonical writers like Lu Xun, and the newest and edgiest science fiction writers that have recently emerged onto the literary scene in China. Fear of Seeing shows how science fiction given “a country deprived of liberal imagination” a “multitude of new dreams.” At the same time, he suggests, the utopian (as well as quite dystopian) possibilities, political and aesthetic, opened up by new wave Chinese science fiction exist in an ambivalent relationship to state power. We will discuss these points as well as many others in detail in the following interview. Julia Keblinska is a postdoc at the East Asian Studies Center at the Ohio State University specializing in Chinese media history and comparative socialisms.

I am talking today to Mingwei Song about his new book, Fear of Seeing: A Poetics of Chinese Science Fiction (Columbia UP, 2023). The book is a sweeping account of contemporary Chinese science fiction that begins by asking, has “anything new arrived with the new century that redefined contemporaneousness?” As listeners might guess, in Song's account, the aesthetics of science fiction are the new and invigorating arrival on the scene of Chinese literature. Whether it be the technological sublime of Liu Cixin or the bodily horrors of Han Song, new wave Chinese science fiction engages with the problem of representing China with what Song identifies as the poetics of the invisible. Song shows how the invisible functions in chapters dedicated to both the major contemporary figures mentioned above, as well canonical writers like Lu Xun, and the newest and edgiest science fiction writers that have recently emerged onto the literary scene in China. Fear of Seeing shows how science fiction given “a country deprived of liberal imagination” a “multitude of new dreams.” At the same time, he suggests, the utopian (as well as quite dystopian) possibilities, political and aesthetic, opened up by new wave Chinese science fiction exist in an ambivalent relationship to state power. We will discuss these points as well as many others in detail in the following interview. Julia Keblinska is a postdoc at the East Asian Studies Center at the Ohio State University specializing in Chinese media history and comparative socialisms. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

I am talking today to Mingwei Song about his new book, Fear of Seeing: A Poetics of Chinese Science Fiction (Columbia UP, 2023). The book is a sweeping account of contemporary Chinese science fiction that begins by asking, has “anything new arrived with the new century that redefined contemporaneousness?” As listeners might guess, in Song's account, the aesthetics of science fiction are the new and invigorating arrival on the scene of Chinese literature. Whether it be the technological sublime of Liu Cixin or the bodily horrors of Han Song, new wave Chinese science fiction engages with the problem of representing China with what Song identifies as the poetics of the invisible. Song shows how the invisible functions in chapters dedicated to both the major contemporary figures mentioned above, as well canonical writers like Lu Xun, and the newest and edgiest science fiction writers that have recently emerged onto the literary scene in China. Fear of Seeing shows how science fiction given “a country deprived of liberal imagination” a “multitude of new dreams.” At the same time, he suggests, the utopian (as well as quite dystopian) possibilities, political and aesthetic, opened up by new wave Chinese science fiction exist in an ambivalent relationship to state power. We will discuss these points as well as many others in detail in the following interview. Julia Keblinska is a postdoc at the East Asian Studies Center at the Ohio State University specializing in Chinese media history and comparative socialisms. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

I am talking today to Mingwei Song about his new book, Fear of Seeing: A Poetics of Chinese Science Fiction (Columbia UP, 2023). The book is a sweeping account of contemporary Chinese science fiction that begins by asking, has “anything new arrived with the new century that redefined contemporaneousness?” As listeners might guess, in Song's account, the aesthetics of science fiction are the new and invigorating arrival on the scene of Chinese literature. Whether it be the technological sublime of Liu Cixin or the bodily horrors of Han Song, new wave Chinese science fiction engages with the problem of representing China with what Song identifies as the poetics of the invisible. Song shows how the invisible functions in chapters dedicated to both the major contemporary figures mentioned above, as well canonical writers like Lu Xun, and the newest and edgiest science fiction writers that have recently emerged onto the literary scene in China. Fear of Seeing shows how science fiction given “a country deprived of liberal imagination” a “multitude of new dreams.” At the same time, he suggests, the utopian (as well as quite dystopian) possibilities, political and aesthetic, opened up by new wave Chinese science fiction exist in an ambivalent relationship to state power. We will discuss these points as well as many others in detail in the following interview. Julia Keblinska is a postdoc at the East Asian Studies Center at the Ohio State University specializing in Chinese media history and comparative socialisms. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

I am talking today to Mingwei Song about his new book, Fear of Seeing: A Poetics of Chinese Science Fiction (Columbia UP, 2023). The book is a sweeping account of contemporary Chinese science fiction that begins by asking, has “anything new arrived with the new century that redefined contemporaneousness?” As listeners might guess, in Song's account, the aesthetics of science fiction are the new and invigorating arrival on the scene of Chinese literature. Whether it be the technological sublime of Liu Cixin or the bodily horrors of Han Song, new wave Chinese science fiction engages with the problem of representing China with what Song identifies as the poetics of the invisible. Song shows how the invisible functions in chapters dedicated to both the major contemporary figures mentioned above, as well canonical writers like Lu Xun, and the newest and edgiest science fiction writers that have recently emerged onto the literary scene in China. Fear of Seeing shows how science fiction given “a country deprived of liberal imagination” a “multitude of new dreams.” At the same time, he suggests, the utopian (as well as quite dystopian) possibilities, political and aesthetic, opened up by new wave Chinese science fiction exist in an ambivalent relationship to state power. We will discuss these points as well as many others in detail in the following interview. Julia Keblinska is a postdoc at the East Asian Studies Center at the Ohio State University specializing in Chinese media history and comparative socialisms. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Margaret Hillenbrand's On the Edge: Feeling Precarious in China (Columbia UP, 2023) examines the negative cultural forms that have emerged in response to China's exclusionary contemporary socioeconomic system. Hillenbrand considers the social strain exerted on members of the “underclass,” the 300 million migrant workers whose toil has underwritten China's economic rise since the passing of the command economy. She describes the socio-legal condition of disenfranchisement, an internal displacement or “civic-half life” experienced by marginalized workers, as “zombie citizenship,” a purposefully inflammatory definition that evokes both the workers' experience of civic suspension and their class others' fears of falling into similar abjection. In this compelling narrative, contemporary Chinese social, legal, and cultural life is wrapped in an ambient mood of jeopardy.  Through close readings of diverse texts, performances, and films that both amplify and diffuse the violent conflicts of dispossession and dislocation, she makes the case for culture's capacity to “intervene palpably in social experience.” The cultural forms Hillenbrand introduces and analyzes themselves teeter on the edge, on one hand, the edge of exploitation and aesthetic empowerment. The ugly feelings these works evoke affectively concretize the “ever-impending dissolution of that apparent boundary” between those already on the cliff's edge and those who may yet come to share this precarious space. I look forward to probing the complexities of this freighted and violent cultural work with our guest. Julia Keblinska is a postdoc at the East Asian Studies Center at the Ohio State University specializing in Chinese media history and comparative socialisms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

Margaret Hillenbrand's On the Edge: Feeling Precarious in China (Columbia UP, 2023) examines the negative cultural forms that have emerged in response to China's exclusionary contemporary socioeconomic system. Hillenbrand considers the social strain exerted on members of the “underclass,” the 300 million migrant workers whose toil has underwritten China's economic rise since the passing of the command economy. She describes the socio-legal condition of disenfranchisement, an internal displacement or “civic-half life” experienced by marginalized workers, as “zombie citizenship,” a purposefully inflammatory definition that evokes both the workers' experience of civic suspension and their class others' fears of falling into similar abjection. In this compelling narrative, contemporary Chinese social, legal, and cultural life is wrapped in an ambient mood of jeopardy.  Through close readings of diverse texts, performances, and films that both amplify and diffuse the violent conflicts of dispossession and dislocation, she makes the case for culture's capacity to “intervene palpably in social experience.” The cultural forms Hillenbrand introduces and analyzes themselves teeter on the edge, on one hand, the edge of exploitation and aesthetic empowerment. The ugly feelings these works evoke affectively concretize the “ever-impending dissolution of that apparent boundary” between those already on the cliff's edge and those who may yet come to share this precarious space. I look forward to probing the complexities of this freighted and violent cultural work with our guest. Julia Keblinska is a postdoc at the East Asian Studies Center at the Ohio State University specializing in Chinese media history and comparative socialisms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Margaret Hillenbrand's On the Edge: Feeling Precarious in China (Columbia UP, 2023) examines the negative cultural forms that have emerged in response to China's exclusionary contemporary socioeconomic system. Hillenbrand considers the social strain exerted on members of the “underclass,” the 300 million migrant workers whose toil has underwritten China's economic rise since the passing of the command economy. She describes the socio-legal condition of disenfranchisement, an internal displacement or “civic-half life” experienced by marginalized workers, as “zombie citizenship,” a purposefully inflammatory definition that evokes both the workers' experience of civic suspension and their class others' fears of falling into similar abjection. In this compelling narrative, contemporary Chinese social, legal, and cultural life is wrapped in an ambient mood of jeopardy.  Through close readings of diverse texts, performances, and films that both amplify and diffuse the violent conflicts of dispossession and dislocation, she makes the case for culture's capacity to “intervene palpably in social experience.” The cultural forms Hillenbrand introduces and analyzes themselves teeter on the edge, on one hand, the edge of exploitation and aesthetic empowerment. The ugly feelings these works evoke affectively concretize the “ever-impending dissolution of that apparent boundary” between those already on the cliff's edge and those who may yet come to share this precarious space. I look forward to probing the complexities of this freighted and violent cultural work with our guest. Julia Keblinska is a postdoc at the East Asian Studies Center at the Ohio State University specializing in Chinese media history and comparative socialisms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

Margaret Hillenbrand's On the Edge: Feeling Precarious in China (Columbia UP, 2023) examines the negative cultural forms that have emerged in response to China's exclusionary contemporary socioeconomic system. Hillenbrand considers the social strain exerted on members of the “underclass,” the 300 million migrant workers whose toil has underwritten China's economic rise since the passing of the command economy. She describes the socio-legal condition of disenfranchisement, an internal displacement or “civic-half life” experienced by marginalized workers, as “zombie citizenship,” a purposefully inflammatory definition that evokes both the workers' experience of civic suspension and their class others' fears of falling into similar abjection. In this compelling narrative, contemporary Chinese social, legal, and cultural life is wrapped in an ambient mood of jeopardy.  Through close readings of diverse texts, performances, and films that both amplify and diffuse the violent conflicts of dispossession and dislocation, she makes the case for culture's capacity to “intervene palpably in social experience.” The cultural forms Hillenbrand introduces and analyzes themselves teeter on the edge, on one hand, the edge of exploitation and aesthetic empowerment. The ugly feelings these works evoke affectively concretize the “ever-impending dissolution of that apparent boundary” between those already on the cliff's edge and those who may yet come to share this precarious space. I look forward to probing the complexities of this freighted and violent cultural work with our guest. Julia Keblinska is a postdoc at the East Asian Studies Center at the Ohio State University specializing in Chinese media history and comparative socialisms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Margaret Hillenbrand's On the Edge: Feeling Precarious in China (Columbia UP, 2023) examines the negative cultural forms that have emerged in response to China's exclusionary contemporary socioeconomic system. Hillenbrand considers the social strain exerted on members of the “underclass,” the 300 million migrant workers whose toil has underwritten China's economic rise since the passing of the command economy. She describes the socio-legal condition of disenfranchisement, an internal displacement or “civic-half life” experienced by marginalized workers, as “zombie citizenship,” a purposefully inflammatory definition that evokes both the workers' experience of civic suspension and their class others' fears of falling into similar abjection. In this compelling narrative, contemporary Chinese social, legal, and cultural life is wrapped in an ambient mood of jeopardy.  Through close readings of diverse texts, performances, and films that both amplify and diffuse the violent conflicts of dispossession and dislocation, she makes the case for culture's capacity to “intervene palpably in social experience.” The cultural forms Hillenbrand introduces and analyzes themselves teeter on the edge, on one hand, the edge of exploitation and aesthetic empowerment. The ugly feelings these works evoke affectively concretize the “ever-impending dissolution of that apparent boundary” between those already on the cliff's edge and those who may yet come to share this precarious space. I look forward to probing the complexities of this freighted and violent cultural work with our guest. Julia Keblinska is a postdoc at the East Asian Studies Center at the Ohio State University specializing in Chinese media history and comparative socialisms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/public-policy

Margaret Hillenbrand's On the Edge: Feeling Precarious in China (Columbia UP, 2023) examines the negative cultural forms that have emerged in response to China's exclusionary contemporary socioeconomic system. Hillenbrand considers the social strain exerted on members of the “underclass,” the 300 million migrant workers whose toil has underwritten China's economic rise since the passing of the command economy. She describes the socio-legal condition of disenfranchisement, an internal displacement or “civic-half life” experienced by marginalized workers, as “zombie citizenship,” a purposefully inflammatory definition that evokes both the workers' experience of civic suspension and their class others' fears of falling into similar abjection. In this compelling narrative, contemporary Chinese social, legal, and cultural life is wrapped in an ambient mood of jeopardy.  Through close readings of diverse texts, performances, and films that both amplify and diffuse the violent conflicts of dispossession and dislocation, she makes the case for culture's capacity to “intervene palpably in social experience.” The cultural forms Hillenbrand introduces and analyzes themselves teeter on the edge, on one hand, the edge of exploitation and aesthetic empowerment. The ugly feelings these works evoke affectively concretize the “ever-impending dissolution of that apparent boundary” between those already on the cliff's edge and those who may yet come to share this precarious space. I look forward to probing the complexities of this freighted and violent cultural work with our guest. Julia Keblinska is a postdoc at the East Asian Studies Center at the Ohio State University specializing in Chinese media history and comparative socialisms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

Margaret Hillenbrand's On the Edge: Feeling Precarious in China (Columbia UP, 2023) examines the negative cultural forms that have emerged in response to China's exclusionary contemporary socioeconomic system. Hillenbrand considers the social strain exerted on members of the “underclass,” the 300 million migrant workers whose toil has underwritten China's economic rise since the passing of the command economy. She describes the socio-legal condition of disenfranchisement, an internal displacement or “civic-half life” experienced by marginalized workers, as “zombie citizenship,” a purposefully inflammatory definition that evokes both the workers' experience of civic suspension and their class others' fears of falling into similar abjection. In this compelling narrative, contemporary Chinese social, legal, and cultural life is wrapped in an ambient mood of jeopardy.  Through close readings of diverse texts, performances, and films that both amplify and diffuse the violent conflicts of dispossession and dislocation, she makes the case for culture's capacity to “intervene palpably in social experience.” The cultural forms Hillenbrand introduces and analyzes themselves teeter on the edge, on one hand, the edge of exploitation and aesthetic empowerment. The ugly feelings these works evoke affectively concretize the “ever-impending dissolution of that apparent boundary” between those already on the cliff's edge and those who may yet come to share this precarious space. I look forward to probing the complexities of this freighted and violent cultural work with our guest. Julia Keblinska is a postdoc at the East Asian Studies Center at the Ohio State University specializing in Chinese media history and comparative socialisms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Margaret Hillenbrand's On the Edge: Feeling Precarious in China (Columbia UP, 2023) examines the negative cultural forms that have emerged in response to China's exclusionary contemporary socioeconomic system. Hillenbrand considers the social strain exerted on members of the “underclass,” the 300 million migrant workers whose toil has underwritten China's economic rise since the passing of the command economy. She describes the socio-legal condition of disenfranchisement, an internal displacement or “civic-half life” experienced by marginalized workers, as “zombie citizenship,” a purposefully inflammatory definition that evokes both the workers' experience of civic suspension and their class others' fears of falling into similar abjection. In this compelling narrative, contemporary Chinese social, legal, and cultural life is wrapped in an ambient mood of jeopardy.  Through close readings of diverse texts, performances, and films that both amplify and diffuse the violent conflicts of dispossession and dislocation, she makes the case for culture's capacity to “intervene palpably in social experience.” The cultural forms Hillenbrand introduces and analyzes themselves teeter on the edge, on one hand, the edge of exploitation and aesthetic empowerment. The ugly feelings these works evoke affectively concretize the “ever-impending dissolution of that apparent boundary” between those already on the cliff's edge and those who may yet come to share this precarious space. I look forward to probing the complexities of this freighted and violent cultural work with our guest. Julia Keblinska is a postdoc at the East Asian Studies Center at the Ohio State University specializing in Chinese media history and comparative socialisms.

Margaret Hillenbrand's On the Edge: Feeling Precarious in China (Columbia UP, 2023) examines the negative cultural forms that have emerged in response to China's exclusionary contemporary socioeconomic system. Hillenbrand considers the social strain exerted on members of the “underclass,” the 300 million migrant workers whose toil has underwritten China's economic rise since the passing of the command economy. She describes the socio-legal condition of disenfranchisement, an internal displacement or “civic-half life” experienced by marginalized workers, as “zombie citizenship,” a purposefully inflammatory definition that evokes both the workers' experience of civic suspension and their class others' fears of falling into similar abjection. In this compelling narrative, contemporary Chinese social, legal, and cultural life is wrapped in an ambient mood of jeopardy.  Through close readings of diverse texts, performances, and films that both amplify and diffuse the violent conflicts of dispossession and dislocation, she makes the case for culture's capacity to “intervene palpably in social experience.” The cultural forms Hillenbrand introduces and analyzes themselves teeter on the edge, on one hand, the edge of exploitation and aesthetic empowerment. The ugly feelings these works evoke affectively concretize the “ever-impending dissolution of that apparent boundary” between those already on the cliff's edge and those who may yet come to share this precarious space. I look forward to probing the complexities of this freighted and violent cultural work with our guest. Julia Keblinska is a postdoc at the East Asian Studies Center at the Ohio State University specializing in Chinese media history and comparative socialisms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Julia Schneider's Nation & Ethnicity: Chinese Discourses on History, Historiography, and Nationalism (1900s-1920s), published with Brill in 2017, is an erudite study of early twentieth century theories of Chinese nationalism. In the book, Schneider considers the writings of Qing reformers Liang Qichao, complicates received narratives about anti-Manchu revolutionaries Zhang Taiyan and Liu Shipei, and traces the afterlives of their earlier writings in Republican era (1911-1949) theories of nation and assimilation that informed historiography and textbook writing in this period. Reconciling the idea of a “Chinese” nation with “China,” a variously construed geographic entity occupied and ruled in large part by non-Han ethnicities, becomes a key problem in these thinkers' writings. Liang Qichao's assimilation thesis, a theory that assumed non-Han groups become culturally subsumed by China as they rule over it, gained critical currency, as Schneider shows in her thorough analysis of turn of the century sources.  Nation & Ethnicity is a long volume that will delight serious scholars in its meticulously detail and attention to language in translation. The ethical stakes raised by Schneider's project, however, should interest a broad audience working in Chinese studies. In the podcast, we will lay out Schneider's arguments, theories of nationalism that inform her work, and the historical context against which her protagonists wrote. While new to the podcast, the book has been out for several years, so in addition to learning about this monograph, we will also get to hear about some new publications—Prof. Schneider's related recent article on Chinese nationalism. Julia Keblinska is a member of the Global Arts and Humanities Society of Fellows at the Ohio State University specializing in Chinese media history and comparative socialisms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Julia Schneider's Nation & Ethnicity: Chinese Discourses on History, Historiography, and Nationalism (1900s-1920s), published with Brill in 2017, is an erudite study of early twentieth century theories of Chinese nationalism. In the book, Schneider considers the writings of Qing reformers Liang Qichao, complicates received narratives about anti-Manchu revolutionaries Zhang Taiyan and Liu Shipei, and traces the afterlives of their earlier writings in Republican era (1911-1949) theories of nation and assimilation that informed historiography and textbook writing in this period. Reconciling the idea of a “Chinese” nation with “China,” a variously construed geographic entity occupied and ruled in large part by non-Han ethnicities, becomes a key problem in these thinkers' writings. Liang Qichao's assimilation thesis, a theory that assumed non-Han groups become culturally subsumed by China as they rule over it, gained critical currency, as Schneider shows in her thorough analysis of turn of the century sources.  Nation & Ethnicity is a long volume that will delight serious scholars in its meticulously detail and attention to language in translation. The ethical stakes raised by Schneider's project, however, should interest a broad audience working in Chinese studies. In the podcast, we will lay out Schneider's arguments, theories of nationalism that inform her work, and the historical context against which her protagonists wrote. While new to the podcast, the book has been out for several years, so in addition to learning about this monograph, we will also get to hear about some new publications—Prof. Schneider's related recent article on Chinese nationalism. Julia Keblinska is a member of the Global Arts and Humanities Society of Fellows at the Ohio State University specializing in Chinese media history and comparative socialisms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Julia Schneider's Nation & Ethnicity: Chinese Discourses on History, Historiography, and Nationalism (1900s-1920s), published with Brill in 2017, is an erudite study of early twentieth century theories of Chinese nationalism. In the book, Schneider considers the writings of Qing reformers Liang Qichao, complicates received narratives about anti-Manchu revolutionaries Zhang Taiyan and Liu Shipei, and traces the afterlives of their earlier writings in Republican era (1911-1949) theories of nation and assimilation that informed historiography and textbook writing in this period. Reconciling the idea of a “Chinese” nation with “China,” a variously construed geographic entity occupied and ruled in large part by non-Han ethnicities, becomes a key problem in these thinkers' writings. Liang Qichao's assimilation thesis, a theory that assumed non-Han groups become culturally subsumed by China as they rule over it, gained critical currency, as Schneider shows in her thorough analysis of turn of the century sources.  Nation & Ethnicity is a long volume that will delight serious scholars in its meticulously detail and attention to language in translation. The ethical stakes raised by Schneider's project, however, should interest a broad audience working in Chinese studies. In the podcast, we will lay out Schneider's arguments, theories of nationalism that inform her work, and the historical context against which her protagonists wrote. While new to the podcast, the book has been out for several years, so in addition to learning about this monograph, we will also get to hear about some new publications—Prof. Schneider's related recent article on Chinese nationalism. Julia Keblinska is a member of the Global Arts and Humanities Society of Fellows at the Ohio State University specializing in Chinese media history and comparative socialisms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Julia Schneider's Nation & Ethnicity: Chinese Discourses on History, Historiography, and Nationalism (1900s-1920s), published with Brill in 2017, is an erudite study of early twentieth century theories of Chinese nationalism. In the book, Schneider considers the writings of Qing reformers Liang Qichao, complicates received narratives about anti-Manchu revolutionaries Zhang Taiyan and Liu Shipei, and traces the afterlives of their earlier writings in Republican era (1911-1949) theories of nation and assimilation that informed historiography and textbook writing in this period. Reconciling the idea of a “Chinese” nation with “China,” a variously construed geographic entity occupied and ruled in large part by non-Han ethnicities, becomes a key problem in these thinkers' writings. Liang Qichao's assimilation thesis, a theory that assumed non-Han groups become culturally subsumed by China as they rule over it, gained critical currency, as Schneider shows in her thorough analysis of turn of the century sources.  Nation & Ethnicity is a long volume that will delight serious scholars in its meticulously detail and attention to language in translation. The ethical stakes raised by Schneider's project, however, should interest a broad audience working in Chinese studies. In the podcast, we will lay out Schneider's arguments, theories of nationalism that inform her work, and the historical context against which her protagonists wrote. While new to the podcast, the book has been out for several years, so in addition to learning about this monograph, we will also get to hear about some new publications—Prof. Schneider's related recent article on Chinese nationalism. Julia Keblinska is a member of the Global Arts and Humanities Society of Fellows at the Ohio State University specializing in Chinese media history and comparative socialisms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Julia Schneider's Nation & Ethnicity: Chinese Discourses on History, Historiography, and Nationalism (1900s-1920s), published with Brill in 2017, is an erudite study of early twentieth century theories of Chinese nationalism. In the book, Schneider considers the writings of Qing reformers Liang Qichao, complicates received narratives about anti-Manchu revolutionaries Zhang Taiyan and Liu Shipei, and traces the afterlives of their earlier writings in Republican era (1911-1949) theories of nation and assimilation that informed historiography and textbook writing in this period. Reconciling the idea of a “Chinese” nation with “China,” a variously construed geographic entity occupied and ruled in large part by non-Han ethnicities, becomes a key problem in these thinkers' writings. Liang Qichao's assimilation thesis, a theory that assumed non-Han groups become culturally subsumed by China as they rule over it, gained critical currency, as Schneider shows in her thorough analysis of turn of the century sources.  Nation & Ethnicity is a long volume that will delight serious scholars in its meticulously detail and attention to language in translation. The ethical stakes raised by Schneider's project, however, should interest a broad audience working in Chinese studies. In the podcast, we will lay out Schneider's arguments, theories of nationalism that inform her work, and the historical context against which her protagonists wrote. While new to the podcast, the book has been out for several years, so in addition to learning about this monograph, we will also get to hear about some new publications—Prof. Schneider's related recent article on Chinese nationalism. Julia Keblinska is a member of the Global Arts and Humanities Society of Fellows at the Ohio State University specializing in Chinese media history and comparative socialisms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

Lena Henningsen's Cultural Revolution Manuscripts: Unofficial Entertainment Fiction from 1970s China (Palgrave Macmillan, 2021) is a study of shouchaoben, or hand-written fiction, that entertained Chinese readers throughout the “long 1970s,” a period spanning the Cultural Revolution and its immediate aftermath in the late 70s and early 1980s. These manuscripts, copies of otherwise unavailable, often foreign, fiction and poetry, as well as original novels and poems, were “texts in motion.” They circulated throughout China together with their copiers and readers, youth sent-down during the Cultural Revolution, and often followed characters who were likewise moving, spies and scientists traveling within and beyond China.  Moreover, the text itself was just as unstable as its readers and characters were mobile: frequent copying resulted in the proliferation of multiple versions of any given narrative, thus troubling the clear-cut distinction between readers and authors. Henningsen's careful survey of shouchaoben and related book forms, including “internal publications,” sketches out a lively and cosmopolitan reading culture. In the book, she shows that despite assumptions of cultural insularity and uniformity, paying attention to “reading acts” during the Cultural Revolution period shows that the “long 1970s” are not an abrupt, anomalous rupture in Chinese literary history, but a period that can be more fruitfully described in terms of continuities.  Please join me for a conversation with Lena Henningsen in exploring the rich archive of shouchaoben. Make sure to also visit ReadChina, to learn more about Henningsen's European Research Council grant funded research on Reading Acts in China and discover the resources her team has compiled here. Julia Keblinska is a member of the Global Arts and Humanities Society of Fellows at the Ohio State University specializing in Chinese media history and comparative socialisms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Lena Henningsen's Cultural Revolution Manuscripts: Unofficial Entertainment Fiction from 1970s China (Palgrave Macmillan, 2021) is a study of shouchaoben, or hand-written fiction, that entertained Chinese readers throughout the “long 1970s,” a period spanning the Cultural Revolution and its immediate aftermath in the late 70s and early 1980s. These manuscripts, copies of otherwise unavailable, often foreign, fiction and poetry, as well as original novels and poems, were “texts in motion.” They circulated throughout China together with their copiers and readers, youth sent-down during the Cultural Revolution, and often followed characters who were likewise moving, spies and scientists traveling within and beyond China.  Moreover, the text itself was just as unstable as its readers and characters were mobile: frequent copying resulted in the proliferation of multiple versions of any given narrative, thus troubling the clear-cut distinction between readers and authors. Henningsen's careful survey of shouchaoben and related book forms, including “internal publications,” sketches out a lively and cosmopolitan reading culture. In the book, she shows that despite assumptions of cultural insularity and uniformity, paying attention to “reading acts” during the Cultural Revolution period shows that the “long 1970s” are not an abrupt, anomalous rupture in Chinese literary history, but a period that can be more fruitfully described in terms of continuities.  Please join me for a conversation with Lena Henningsen in exploring the rich archive of shouchaoben. Make sure to also visit ReadChina, to learn more about Henningsen's European Research Council grant funded research on Reading Acts in China and discover the resources her team has compiled here. Julia Keblinska is a member of the Global Arts and Humanities Society of Fellows at the Ohio State University specializing in Chinese media history and comparative socialisms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

Lena Henningsen's Cultural Revolution Manuscripts: Unofficial Entertainment Fiction from 1970s China (Palgrave Macmillan, 2021) is a study of shouchaoben, or hand-written fiction, that entertained Chinese readers throughout the “long 1970s,” a period spanning the Cultural Revolution and its immediate aftermath in the late 70s and early 1980s. These manuscripts, copies of otherwise unavailable, often foreign, fiction and poetry, as well as original novels and poems, were “texts in motion.” They circulated throughout China together with their copiers and readers, youth sent-down during the Cultural Revolution, and often followed characters who were likewise moving, spies and scientists traveling within and beyond China.  Moreover, the text itself was just as unstable as its readers and characters were mobile: frequent copying resulted in the proliferation of multiple versions of any given narrative, thus troubling the clear-cut distinction between readers and authors. Henningsen's careful survey of shouchaoben and related book forms, including “internal publications,” sketches out a lively and cosmopolitan reading culture. In the book, she shows that despite assumptions of cultural insularity and uniformity, paying attention to “reading acts” during the Cultural Revolution period shows that the “long 1970s” are not an abrupt, anomalous rupture in Chinese literary history, but a period that can be more fruitfully described in terms of continuities.  Please join me for a conversation with Lena Henningsen in exploring the rich archive of shouchaoben. Make sure to also visit ReadChina, to learn more about Henningsen's European Research Council grant funded research on Reading Acts in China and discover the resources her team has compiled here. Julia Keblinska is a member of the Global Arts and Humanities Society of Fellows at the Ohio State University specializing in Chinese media history and comparative socialisms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Lena Henningsen's Cultural Revolution Manuscripts: Unofficial Entertainment Fiction from 1970s China (Palgrave Macmillan, 2021) is a study of shouchaoben, or hand-written fiction, that entertained Chinese readers throughout the “long 1970s,” a period spanning the Cultural Revolution and its immediate aftermath in the late 70s and early 1980s. These manuscripts, copies of otherwise unavailable, often foreign, fiction and poetry, as well as original novels and poems, were “texts in motion.” They circulated throughout China together with their copiers and readers, youth sent-down during the Cultural Revolution, and often followed characters who were likewise moving, spies and scientists traveling within and beyond China.  Moreover, the text itself was just as unstable as its readers and characters were mobile: frequent copying resulted in the proliferation of multiple versions of any given narrative, thus troubling the clear-cut distinction between readers and authors. Henningsen's careful survey of shouchaoben and related book forms, including “internal publications,” sketches out a lively and cosmopolitan reading culture. In the book, she shows that despite assumptions of cultural insularity and uniformity, paying attention to “reading acts” during the Cultural Revolution period shows that the “long 1970s” are not an abrupt, anomalous rupture in Chinese literary history, but a period that can be more fruitfully described in terms of continuities.  Please join me for a conversation with Lena Henningsen in exploring the rich archive of shouchaoben. Make sure to also visit ReadChina, to learn more about Henningsen's European Research Council grant funded research on Reading Acts in China and discover the resources her team has compiled here. Julia Keblinska is a member of the Global Arts and Humanities Society of Fellows at the Ohio State University specializing in Chinese media history and comparative socialisms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Lena Henningsen's Cultural Revolution Manuscripts: Unofficial Entertainment Fiction from 1970s China (Palgrave Macmillan, 2021) is a study of shouchaoben, or hand-written fiction, that entertained Chinese readers throughout the “long 1970s,” a period spanning the Cultural Revolution and its immediate aftermath in the late 70s and early 1980s. These manuscripts, copies of otherwise unavailable, often foreign, fiction and poetry, as well as original novels and poems, were “texts in motion.” They circulated throughout China together with their copiers and readers, youth sent-down during the Cultural Revolution, and often followed characters who were likewise moving, spies and scientists traveling within and beyond China.  Moreover, the text itself was just as unstable as its readers and characters were mobile: frequent copying resulted in the proliferation of multiple versions of any given narrative, thus troubling the clear-cut distinction between readers and authors. Henningsen's careful survey of shouchaoben and related book forms, including “internal publications,” sketches out a lively and cosmopolitan reading culture. In the book, she shows that despite assumptions of cultural insularity and uniformity, paying attention to “reading acts” during the Cultural Revolution period shows that the “long 1970s” are not an abrupt, anomalous rupture in Chinese literary history, but a period that can be more fruitfully described in terms of continuities.  Please join me for a conversation with Lena Henningsen in exploring the rich archive of shouchaoben. Make sure to also visit ReadChina, to learn more about Henningsen's European Research Council grant funded research on Reading Acts in China and discover the resources her team has compiled here. Julia Keblinska is a member of the Global Arts and Humanities Society of Fellows at the Ohio State University specializing in Chinese media history and comparative socialisms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

I'm joined today by Profs. Jennifer Altehenger and Denise Ho to talk about their new edited volume, Material Contradictions in Mao's China, published in December 2022 by the University of Washington Press. Our editors have brought together ten chapters or “case studies” by scholars in various disciplines, as well as a theoretical and methodological reflection on materiality, contradiction, and "the socialist uncanny" (by Jonathan Bach) that ends the book.  The book moves through various types of materials and attendant tensions that characterized everyday life in Mao's China. In addition to exploring the role of materiality in producing social life and thus redeeming the complexity of socialist material life, the authors in this volume employ the methodological tools of not only their own disciplines, but of dialectical materialism. They seek to better understand Mao's China precisely through the material practices and contradictions that the Chairman himself understood as crucial tools of social practice. We're here today, in other words, to talk about another new book in Chinese studies that asks us to take socialism seriously. It's really an incredibly generative text for anyone who is thinking about materiality, temporality, and the way that social life was constructed and experienced in socialist China. In addition to the Material Contradictions volume, we will also discuss The Mao Era in Objects, a related material culture project on which our two editors have also collaborated. Julia Keblinska is a member of the Global Arts and Humanities Society of Fellows at the Ohio State University specializing in Chinese media history and comparative socialisms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

I'm joined today by Profs. Jennifer Altehenger and Denise Ho to talk about their new edited volume, Material Contradictions in Mao's China, published in December 2022 by the University of Washington Press. Our editors have brought together ten chapters or “case studies” by scholars in various disciplines, as well as a theoretical and methodological reflection on materiality, contradiction, and "the socialist uncanny" (by Jonathan Bach) that ends the book.  The book moves through various types of materials and attendant tensions that characterized everyday life in Mao's China. In addition to exploring the role of materiality in producing social life and thus redeeming the complexity of socialist material life, the authors in this volume employ the methodological tools of not only their own disciplines, but of dialectical materialism. They seek to better understand Mao's China precisely through the material practices and contradictions that the Chairman himself understood as crucial tools of social practice. We're here today, in other words, to talk about another new book in Chinese studies that asks us to take socialism seriously. It's really an incredibly generative text for anyone who is thinking about materiality, temporality, and the way that social life was constructed and experienced in socialist China. In addition to the Material Contradictions volume, we will also discuss The Mao Era in Objects, a related material culture project on which our two editors have also collaborated. Julia Keblinska is a member of the Global Arts and Humanities Society of Fellows at the Ohio State University specializing in Chinese media history and comparative socialisms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

I'm joined today by Profs. Jennifer Altehenger and Denise Ho to talk about their new edited volume, Material Contradictions in Mao's China, published in December 2022 by the University of Washington Press. Our editors have brought together ten chapters or “case studies” by scholars in various disciplines, as well as a theoretical and methodological reflection on materiality, contradiction, and "the socialist uncanny" (by Jonathan Bach) that ends the book.  The book moves through various types of materials and attendant tensions that characterized everyday life in Mao's China. In addition to exploring the role of materiality in producing social life and thus redeeming the complexity of socialist material life, the authors in this volume employ the methodological tools of not only their own disciplines, but of dialectical materialism. They seek to better understand Mao's China precisely through the material practices and contradictions that the Chairman himself understood as crucial tools of social practice. We're here today, in other words, to talk about another new book in Chinese studies that asks us to take socialism seriously. It's really an incredibly generative text for anyone who is thinking about materiality, temporality, and the way that social life was constructed and experienced in socialist China. In addition to the Material Contradictions volume, we will also discuss The Mao Era in Objects, a related material culture project on which our two editors have also collaborated. Julia Keblinska is a member of the Global Arts and Humanities Society of Fellows at the Ohio State University specializing in Chinese media history and comparative socialisms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In The Chinese Atlantic: Seascapes and the Theatricality of Globalization (Indiana University Press, 2020), Sean Metzger proposes a new analytical frame through which to understand discourses of globalization: the so-called Chinese Atlantic. Elaborating on and complicating various Atlantic discourses (among them Paul Gilroy's “Black Atlantic”), Metzger follows the flows of Chinese labor and capital throughout the Atlantic world, examining various media and aesthetic practices, among them documentary film, public art, and tai chi. As the title implies, Metzger's book combines multiple disciplinary approaches, including, of course art history and performance studies, to chart the theatricality of seascapes across multiple Atlantic locales. To borrow one of Metzger's own conceptual metaphors, the book “incorporates” histories and aesthetic genealogies from the Caribbean to the coasts of England and South Africa to propose new modes of apprehending globalization as it constituted through the movement of Chinese people and imaginaries across the ocean. Metzger's book has been awarded both the 2022 Association for Asian American Studies Book Award for Humanities & Cultural Studies: Interdisciplinary/Media Studies and the 2021 John W. Frick Award from the American Theatre and Drama Society for best book on theater and performance of/in the Americas. Join us for our conversation about the place of the Chinese Atlantic in Asian and Asian American studies. Julia Keblinska is a member of the Global Arts and Humanities Society of Fellows at the Ohio State University specializing in Chinese media history and comparative socialisms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In The Chinese Atlantic: Seascapes and the Theatricality of Globalization (Indiana University Press, 2020), Sean Metzger proposes a new analytical frame through which to understand discourses of globalization: the so-called Chinese Atlantic. Elaborating on and complicating various Atlantic discourses (among them Paul Gilroy's “Black Atlantic”), Metzger follows the flows of Chinese labor and capital throughout the Atlantic world, examining various media and aesthetic practices, among them documentary film, public art, and tai chi. As the title implies, Metzger's book combines multiple disciplinary approaches, including, of course art history and performance studies, to chart the theatricality of seascapes across multiple Atlantic locales. To borrow one of Metzger's own conceptual metaphors, the book “incorporates” histories and aesthetic genealogies from the Caribbean to the coasts of England and South Africa to propose new modes of apprehending globalization as it constituted through the movement of Chinese people and imaginaries across the ocean. Metzger's book has been awarded both the 2022 Association for Asian American Studies Book Award for Humanities & Cultural Studies: Interdisciplinary/Media Studies and the 2021 John W. Frick Award from the American Theatre and Drama Society for best book on theater and performance of/in the Americas. Join us for our conversation about the place of the Chinese Atlantic in Asian and Asian American studies. Julia Keblinska is a member of the Global Arts and Humanities Society of Fellows at the Ohio State University specializing in Chinese media history and comparative socialisms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In The Chinese Atlantic: Seascapes and the Theatricality of Globalization (Indiana University Press, 2020), Sean Metzger proposes a new analytical frame through which to understand discourses of globalization: the so-called Chinese Atlantic. Elaborating on and complicating various Atlantic discourses (among them Paul Gilroy's “Black Atlantic”), Metzger follows the flows of Chinese labor and capital throughout the Atlantic world, examining various media and aesthetic practices, among them documentary film, public art, and tai chi. As the title implies, Metzger's book combines multiple disciplinary approaches, including, of course art history and performance studies, to chart the theatricality of seascapes across multiple Atlantic locales. To borrow one of Metzger's own conceptual metaphors, the book “incorporates” histories and aesthetic genealogies from the Caribbean to the coasts of England and South Africa to propose new modes of apprehending globalization as it constituted through the movement of Chinese people and imaginaries across the ocean. Metzger's book has been awarded both the 2022 Association for Asian American Studies Book Award for Humanities & Cultural Studies: Interdisciplinary/Media Studies and the 2021 John W. Frick Award from the American Theatre and Drama Society for best book on theater and performance of/in the Americas. Join us for our conversation about the place of the Chinese Atlantic in Asian and Asian American studies. Julia Keblinska is a member of the Global Arts and Humanities Society of Fellows at the Ohio State University specializing in Chinese media history and comparative socialisms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Ying-chen Peng's Artful Subversion: Empress Dowager Cixi's Image Making is a beautiful new volume on late Qing imperial art practice from Yale University Press (forthcoming in 2023). Peng's book, rigorously researched and richly illustrated, presents a revisionist biography of the Empress Dowager through an analysis of her patronage and participation in making art. Each chapter follows Cixi's her “artfully subversive” command of various media forms, from photography and portraiture, to architecture, porcelain, painting, and calligraphy. Considering Cixi as a patron and artist in her own right, Peng frames the regent as a canny political and aesthetic strategist who worked within and against conventions that circumscribed female power to craft an assertive role as the face of the Great Qing Empire at a moment of immense historical changes. Join us for a fascinating discussion of the artistic universe crafted by Cixi. Julia Keblinska is a member of the Global Arts and Humanities Society of Fellows at the Ohio State University specializing in Chinese media history and comparative socialisms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Ying-chen Peng's Artful Subversion: Empress Dowager Cixi's Image Making is a beautiful new volume on late Qing imperial art practice from Yale University Press (forthcoming in 2023). Peng's book, rigorously researched and richly illustrated, presents a revisionist biography of the Empress Dowager through an analysis of her patronage and participation in making art. Each chapter follows Cixi's her “artfully subversive” command of various media forms, from photography and portraiture, to architecture, porcelain, painting, and calligraphy. Considering Cixi as a patron and artist in her own right, Peng frames the regent as a canny political and aesthetic strategist who worked within and against conventions that circumscribed female power to craft an assertive role as the face of the Great Qing Empire at a moment of immense historical changes. Join us for a fascinating discussion of the artistic universe crafted by Cixi. Julia Keblinska is a member of the Global Arts and Humanities Society of Fellows at the Ohio State University specializing in Chinese media history and comparative socialisms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies