Podcasts about Seascapes

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Steve and Nick's guest this week is Francesco Gola, a fine art landscape photographer, who shares his journey into photography, his love for long exposure seascapes, and the emotional connection he feels with the sea. Francesco  shares his insights on landscape photography, emphasizing the importance of planning, adapting to nature, and capturing emotions through weather. He discusses the tools and techniques he uses for location scouting, the significance of color consistency in post-processing, and how the experience of being in nature can enhance the photographic journey. Nick has been crashing drones since the last show, and Steve shares his thoughts on his new monitor, the 5K BenQ SW2730S, designed for Mac. Francesco Gola is a band ambassador for Zeiss, BenQ, Calibrite, Nisi others. His website : https://www.francescogola.net/Nick Church and Steve Vaughan are professional wedding photographers based in the UK. They both use Sony Alpha cameras and lenses. Nick's website : https://www.nickchurchphotography.co.uk/Nick's Instagram : https://www.instagram.com/nickchurchphotography/Steve's website : https://www.samandstevephotography.com/Steve's Wedding Instagram : https://www.instagram.com/samandstevephotography/Steve's personal Instagram: https://www.instagram.com/stevevaughanphotographyAny technical information given by the presenters is based on their understanding and opinion at the time of recording

Matters Microbial #85: The Microbiomes of Hawai'ian Seascapes April 3, 2025 Today, Dr. Rosie 'Anolani Alegado of the University of Hawai'i at Mānoa  joins the #QualityQuorum to discuss how weather, climate, and human intervention impact the microbiota to be found in human related seascapes around Hawai'i. Host: Mark O. Martin Guest: Rosie 'Anolani Alegado Subscribe: Apple Podcasts, Spotify Become a patron of Matters Microbial! Links for this episode An overview of how Hawai'i was settled from Polynesia. An essay describing indigenous Hawai'ian culture and its collaborative relationship to the land and sea. A must read book “Coral Reefs in a Microbial Sea,” by the late Merry Youle, Forest Rohwer, and Derek Vosten. Here are several links related to the work of Dr. Isabella Abbott, including this one from Pacific Science.  Again, well worth your reading. An overview of the field of ethnobotany, championed by Dr. Abbott. Dr. Alegado's previous research was with the fascinating choanoflagellates, which can tell us about the evolution of complex life.  Here is a video about these ancient relatives of us all.  Here is a article from Dr. Alegado describing a bacterial role in the development of this fascinating organism. An overview of the “One Health” concept linking human interactions, animals, plants, the land, and the ocean. A focus of Dr. Alegado's group research involving the indigenous Hawai'ian  fishponds. An overview of community restoration of these ancient structures. The role of taro in ethnobotany. A fine description of indigenous Hawai'ian mariculture. The concept of dysbiosis. Tropical storm Wali, which impacted the Hawai'ian Islands. An overview of alpha diversity and beta diversity in microbiome studies. A fine book about Dr. Barbara McClintock, “A Feeling for the Organism.” Here is a wonderful video in which Dr. Alegado describes the work of her research group and her interests in the fishponds of Hawai'i. Dr. Alegado's faculty website. Dr. Alegado's very interesting research group website. Intro music is by Reber Clark Send your questions and comments to mattersmicrobial@gmail.com

Biological evolution via natural selection is a simple idea that becomes enormously complicated in its realization. Populations of organisms are driven toward increased "fitness," a measure of how successfully we reproduce our genetic information. But fitness is a subtle concept, changing with time and environment and interactions with other organisms around us. We talk with biologist Brandon Ogbunu about the best mathematical and conceptual tools for thinking about the messy complexities of evolution, and how modern technology is changing our way of thinking about it.Support Mindscape on Patreon.Blog post with transcript: https://www.preposterousuniverse.com/podcast/2024/11/18/296-brandon-ogbunu-on-fitness-seascapes-and-the-course-of-evolution/Brandon Ogbunu received his Ph.D. in Genetics and Microbiology from Yale University. He is currently Assistant Professor of Ecology and Evolutionary Biology at Yale, and External Faculty at the Santa Fe Institute. He has been awarded a Fullbright Fellowship and was the Martin Luther King Jr. Visiting Professor at MIT. He has contributed to a number of publications, including Wired, Undark, and Quanta.Lab web siteYale web pageGoogle Scholar publicationsWikipediaPublic talk: What is Lyfe? Towards a Biology of Context & ComplexitySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

National treasure artist Paul Brent was back on VERONICA LIVE to discuss the upcoming Art Walk to be held here in the Panhandle. We also discussed everything art! Always a joy to discuss Art with Paul!

Listen to a podcast that uncovers the different layers of the Estonian coastline from a human geography perspective. Estonian seascapes range from beaches to waterfalls and have historically supported people in a range of industries from tourism to fishing to the production of cosmetics. Seascapes also ignite energy debates about oil shale and wind farms against the backdrop of being Russia's neighbour today.Anu Printsmann from Tallinn University talks to editor of nordics.info, Nicola Witcombe. Follow us on Instagram, Facebook and LinkedIn.

Sarah interviews Iva about her solo exhibition Seascapes, Snowscapes, Kukeri for the closing reception at Night Gallery in Los Angeles. Recorded on August 24, 2024. About Iva GueorguievaBorn in 1974 in Sofia, Bulgaria, Iva Gueorguieva is an artist living and working in Los Angeles California. Notable solo exhibitions include at Night Gallery, Los Angeles (2024) GAVLAK Gallery, Palm Beach, FL (2022) Frederic Snitzer, Miami, FL (2016, 2018); Ameringer/McEnery/Yohe, New York, NY (2011, 2012, 2014, 2016); ACME, Los Angeles, CA (2013, 2015); Samson Projects, Boston, MA (2014); Galerie Stefan Roepke, Cologne, Germany (2013); Luther W. Brady Art Gallery, Washington, D.C. (2013); Susanne Vielmetter Los Angeles Projects, Los Angeles, CA (2012); Bravin Lee Programs, New York, NY (2011); Stitching Outline, Amsterdam, Netherlands (2008); and Pomona Museum of Art, Claremont, CA (2007).

An insightful podcast with Dr. Rachael Squire and Prof. Kim Peters from Royal Holloway University, London addressing people's relationships with the ocean. They explore our historic connections, how this can change, and the role aquariums have as a means to help us become more in tune with marine environments.

While he may technically practice as a photographer, artist, and architect, Hiroshi Sugimoto could also be considered, from a wider-lens perspective, a chronicler of time. With a body of work now spanning nearly five decades, Sugimoto began making pictures in earnest in 1976 with his ongoing “Diorama” series. In 1980, he started what may be his most widely recognized series, “Seascapes,” composed of Rothko-esque abstractions of the ocean that he has taken at roughly 250 locations around the world. In more recent years, Sugimoto has also built a flourishing architectural practice, designing everything from a café in Tokyo to the currently-under-construction Hirshhorn Sculpture Garden in Washington, D.C. As with his subtly profound work, Sugimoto bears tremendous wisdom and is regarded by many as one of the most deeply perceptive minds and practitioners at the intersection of time and art-making.On the episode, he discusses his pictures as fossilizations of time; seascapes as the least spoiled places on Earth; and why, for him, the “target of completion” for a building is 5,000 years from now.Special thanks to our Season 9 presenting sponsor, L'École, School of Jewelry Arts.Show notes:Hiroshi Sugimoto[5:10] Pre-Photography Time-Recording Devices[39:05] “Theaters”[15:06] “Seascapes”[32:31] “Diorama”[17:16] Caspar David Friedrich[25:14] Odawara[28:52] “Aujourd'hui le monde est mort [Lost Human Genetic Archive]”[44:19] “Abandoned Theaters”[44:19] “Opera Houses”[44:19] “Drive-In Theaters”[49:52] “Architecture”[51:12] Le Corbusier[51:12] Mies van der Rohe[55:30] New Material Research Laboratory[55:30] Tomoyuki Sakakida[59:23] Enoura Observatory[59:23] Hirshhorn Sculpture Garden[1:00:48] Katsura Imperial Villa[1:01:05] Bruno Taut[1:02:14] Donald Judd[1:02:14] “Hiroshi Sugimoto: Five Elements in Optical Glass”[1:06:47] Mingei[1:06:47] Isamu Noguchi[1:06:47] Dan Flavin[1:09:15] Sugimoto Bunraku Sonezaki Shinju: The Love Suicides at Sonezaki[1:09:15] At the Hawk's Well[1:09:15] W.B. Yeats

Spanish Point will be the location for what is being described as a “series of special immersive, sensory & bilingual experiences by the sea” this coming weekend. Soundscapes and Seascapes, which takes place from Friday to Sunday, will allow participants to connect to our sense of place through our connection to the landscape and weaving in the Irish language. To find out more about what will be happening, Alan Morrissey was joined by the organiser, Sionnáin Michelle Shannon, on Tuesday's Morning Focus.

Immerse yourself in the tranquil world of seascapes as we embark on a visual journey with the exceptional fine art landscape photographer, Francesco Gola.

Andrew catches up with Emily Cunnigham, who has been involved in various marine conservation projects. They discuss the changes that have occurred since their previous podcast appearances, including starting a consultancy. Emily shares their experiences and accomplishments in the field of ocean conservation, highlighting their non-traditional career path and personal motivation. Tune in to learn more about the guest's journey and their expertise in ocean conservation. Motion for the Ocean info  - Call a Motion for the Ocean - Ocean Conservation Trust   News coverage of Nottingham (inland) declaration - Motion for the Ocean: Nottingham City Council Votes to Back Campain Protecting Waterways - Leftlion - Nottingham Culture    Open Letter as signed by local residents, showing diversity of support - Nottingham City Council: Declare a Motion for the Ocean (openletter.earth)    Emily's Website: www.emilycunningham.co.uk    Socials: Twitter/X: @EG_Cunningham            Instagram:  @marinebiologylife           Facebook: Marine Biology Life   LinkedIn: https://www.linkedin.com/in/emilygcunningham/   Hashtag: #Motion4theOcean    Follow a career in conservation: https://www.conservation-careers.com/online-training/ Use the code SUFB to get 33% off courses and the careers program.   Facebook Group: https://bit.ly/3NmYvsI Connect with Speak Up For Blue: Website: https://bit.ly/3fOF3Wf Instagram: https://bit.ly/3rIaJSG TikTok: https://www.tiktok.com/@speakupforblue Twitter: https://bit.ly/3rHZxpc    Emily Cunningham specializes in inclusive conservation, which involves promoting inclusivity in projects, practices, policies, and governance. Throughout their career, they have noticed a lack of inclusivity in the field of conservation and are passionate about addressing this issue. One of their notable projects is Seascapes, which aimed to engage deprived communities in England in ocean conservation. Through this work, they have gained a deep understanding of the complex reasons why certain groups are not involved in marine conservation efforts. They firmly believe that by making conservation more inclusive, diverse perspectives, energy, ideas, and passion can be tapped into, leading to greater success in conservation programs. They have also actively participated in organizations that prioritize equity, diversity, and inclusion, working to drive change within these organizations. They emphasize the importance of having an external perspective to identify areas where diversity, inclusivity, and equity may be lacking. Overall, their niche revolves around promoting inclusivity in conservation efforts and recognizing the value of diverse perspectives and experiences. In the episode, it is mentioned that science communication has experienced significant growth in recent years, providing new opportunities for those interested in sharing scientific knowledge. The speaker notes that a decade ago, science communication was not as prominent unless one was on television. However, new areas and opportunities in science communication have emerged since then. The speaker's own interest in science communication was sparked by listening to the stories of different scientists and wanting to share those stories with others. This suggests a growing recognition of the importance of storytelling and sharing scientific knowledge with the public. Additionally, the speaker discusses the use of social media, podcasting, and videos as platforms for science communication, indicating that there are now more avenues available for reaching a wider audience. Overall, the episode suggests that the field of science communication has expanded and evolved, offering new possibilities for individuals to engage in sharing scientific knowledge. The episode delves into the challenges of working independently and highlights three main obstacles: financial pitching, visibility and self-promotion, and achieving a comfortable work-life balance. One challenge mentioned is financial pitching. The transcript emphasizes the importance of finding the right level to pitch oneself financially, particularly in terms of determining the appropriate daily rate to charge. It is noted that many individuals, especially women, tend to undervalue their services. The speaker stresses the significance of transparency in rates to avoid undercutting oneself and to assist others who are starting their independent work journey. Another challenge discussed is visibility and self-promotion. The transcript reveals that the speaker initially had reservations about putting themselves out there and promoting their availability and services. However, they recognized the importance of being visible to attract opportunities and clients. The speaker mentions strategies such as actively sharing their work, creating a website, and utilizing social media to increase visibility and promote their services. The third challenge highlighted is achieving a comfortable work-life balance. The transcript acknowledges that one of the reasons people choose to work independently is for flexibility, but it can be easy to lose that flexibility as work demands increase. The speaker shares their experience of initially filling up their schedule with work but realizing that it was impacting their desired flexibility. They emphasize the importance of balancing short-term, short-notice work with maintaining the desired flexibility in one's life. Overall, the episode underscores the challenges that come with working independently, including financial pitching, visibility and self-promotion, and achieving a comfortable work-life balance.

Ireland's voice of the sea – Tom MacSweeney – on the crew member who made the ultimate sacrifice on Christmas Eve  It was a false alarm with tragic consequences. Tom MacSweeney – maritime journalist and former presenter of RTE's radio show, Seascapes – tells the story of what happened when RNLI Kilmore Quay volunteers left their loved ones on Christmas Eve 1977 to respond to a call out in their lifeboat, Lady Murphy. 200 Voices is produced by Adventurous Audio for the RNLI    Interview by the RNLI's Darren Crew Soundtrack composed and performed by Jon Nicholls    The RNLI is a charity celebrating 200 years of saving lives at sea - find out more at RNLI.org/200   

This week on Whale Hunting, Tom Wright is joined by Simon Willis, journalist and host of new podcast, The Professor. The series unravels the story of William Veres, an art dealer charged with running an art trafficking ring linked to the Sicilian Mafia. With a 20-year prison sentence looming, Veres has a daring plan to win the favor of prosecutors – he'll solve the coldest case in the history of art crime: the theft of Caravaggio's Nativity. In this episode of Whale Hunting, Simon and Tom discuss the hidden world of art trafficking and organized crime that is exposed in The Professor, and its shadowy connections with the Italian establishment. Plus, Simon explains what it was like to navigate the still-treacherous world of Mafiosi while reporting this story. If you'd like to listen to the show, search for The Professor in your favorite podcast app, or visit www.brazen.fm/the-professor.  For more information and to subscribe to the Whale Hunting, visit whalehunting.projectbrazen.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Antonia Matthew reads "Seascapes," "The evening Ark," and "Hearing aid."

Originally from London, Jo Payne has spent the last ten years living on the North Devon Coast, by way of Surrey and Kent. A self-taught artist, Jo creates atmospheric and elemental sea and sky paintings that are riveting in their scope and emotional impact. Driven and inspired by her coastal surroundings, Jo's paintings explore the endless changing flow of the natural elements present in her daily life. With her intuitive, free style of painting, Jo often has several works on the go at once, and approaches each one as the feeling draws her.  https://www.seapainterstudio.com https://www.instagram.com/seapainter_jo Do you have a question for the Ask Us Anything segment? Any topic is fine, we love to hear from all our listeners. Email us here and we will do our best to answer your question in one of the episodes. thecreativitycafe21@gmail.com Paige Baldwin Ando https://www.wholeselfcreative.com https://instagram.com/wholeselfcreative Jordana Matsuda https://instagram.com/jordanaillustration --- Send in a voice message: https://podcasters.spotify.com/pod/show/thecreativitycafe/message

Gina has just finished two very quiet Open Studios weekends and has now learned that her summer schools won't run this year, leaving her uncertain about the future. Izzy feels a bit flat and uninspired, As usual, she has lots of ideas for things she could do, but not quite enough motivation to pursue any of them! She needs to move forward soon but in which direction? So how do we both decide what to do next? What do we want to do? Mentioned: Jane Brocket Yarnstorm https://yarnstorm.substack.com/ Gina's Substack http://ginaferrariart.substack.com Izzy's new favourite shoes: https://www.johnlewis.com/john-lewis-lloret-high-wedge-espadrille-sandals-blush/blush/p109780871 Izzy's quote of the week: “You don't have to like it, you just have to do it.” About us: Welcome to our podcast for all stitchers, embroiderers, textile artists and creative souls, where we have friendly informal conversations about what it actually means to be an artist working in textiles. Isobel and Gina are both practicing artists and tutors specialising in machine embroidery, but we're still figuring it all out! We chat about combining the creative process with running a business and hope that you will find inspiration and support for your own creative journeys. You can find us at: Gina Ferrari https://www.ginaferrari-art.co.uk/ Izzy Moore https://isobelmoore.co.uk/ Izzy's Seascapes course is still open - just - until the end of Friday 28 July: https://isobelmoore.podia.com/celtic-seascapes The music is Dear Autumn by Ikson and you can find it at https://soundcloud.com/ikson --- Send in a voice message: https://podcasters.spotify.com/pod/show/izzyandginainstitches/message

Gary Handler, owner of the Curate 30A Gallery in Rosemary Beach on 30A and artist Simon Kenevan joined VERONICA LIVE in studio to discuss everything art. Gary shared how he got into the art business, how he chooses artists for his three galleries and the relationships he forms with his clients. Simon who is from the United Kingdom, shared his path from designing greeting cards to becoming an artist of some of the most beautiful seascapes you will ever see. Simon is also multitalented and is a professional harmonica player. He gave us a lovely impromptu performance. Curate 30A Gallery is hosting “Walking on Sunshine” a summer series featuring several artists painting original paintings live in the gallery. Such a fun interview with art lovers.

President & CEO Mark Wilson of the Florida Chamber of Commerce joined VERONICA LIVE to discuss his work securing Florida's future. He discussed the Florida 2030 Blueprint Plan as Florida prepares to be the 3rd most populous state in the Union. Mark also talked about tourism, lawsuit abuse and so much more. Hear what this Florida leader is doing on behalf of Floridians. Former Florida Supreme Court Justice Alan Lawson joined VERONICA LIVE to discuss his path to becoming a Supreme Court Justice. He recently retired and has joined the new law firm Lawson Huck Gonzales. This week Justice Lawson now on the other side of the bench, won his first case in 22 years on behalf of the Department of Education fighting to keep pornography out of the classroom. Check out what this Florida legal eagle had to say. Asheesh Agarwal of the American Edge Project joined VERONICA LIVE to discuss the important work this nonprofit is working to ensure America wins the tech race against China. Asheesh discussed how we can safeguard America's technological edge, Artificial Intelligence, how China is setting up shop in Cuba and why the internet needs to remain free. Super interesting interview. Gary Handler, owner of the Curate 30A Gallery in Rosemary Beach on 30A and artist Simon Kenevan joined VERONICA LIVE in studio to discuss everything art. Gary shared how he got into the art business, how he chooses artists for his three galleries and the relationships he forms with his clients. Simon who is from the United Kingdom, shared his path from designing greeting cards to becoming an artist of some of the most beautiful seascapes you will ever see. Simon is also multitalented and is a professional harmonica player. He gave us a lovely impromptu performance. Curate 30A Gallery is hosting “Walking on Sunshine” a summer series featuring several artists painting original paintings live in the gallery. Such a fun interview with art lovers. Special thanks to my Co-Host Attorney Jason Gonzalez.

Do you find that creativity ebbs and flows? In this episode we discuss how we face the challenge of not feeling very creative whilst recognising there will be other times when we have more ideas than we can put into practice. Welcome to our podcast for all stitchers, embroiderers, textile artists and creative souls, where we have friendly informal conversations about what it actually means to be an artist working in textiles. Isobel and Gina are both practicing artists and tutors specialising in machine embroidery, but we're still figuring it all out! We chat about combining the creative process with running a business and hope that you will find inspiration and support for your own creative journeys. Mentioned in this episode: Susan McCreevy https://www.susanmccreevy.com/ How to make clear gesso: Mix 1 part cornstarch with 2 parts cool water and mix in 4 parts PVA glue Izzy's Seascapes course: https://isobelmoore.podia.com/celtic-seascapes Gina's courses: https://ginaferrari.podia.com/ You can find us at: Gina Ferrari https://www.ginaferrari-art.co.uk/ Izzy Moore https://isobelmoore.co.uk/ The music is Dear Autumn by Ikson and you can find it at https://soundcloud.com/ikson --- Send in a voice message: https://podcasters.spotify.com/pod/show/izzyandginainstitches/message

 Today's topic is creativity.   The 5 R's of Creativity ! 1. Rules  •  Learn them •  Break them •  Make your own   We take a classic “rule” - the Rule of Thirds. Initially learn the rule inside out so you don't have to think about it - it's internalised. Then you can move onto the next stage where you purposefully break the rule. In this case placing objects of interest say in the centre or dividing the frame into quarters. Then the final stage is where your own rule is incorporated into your style. Think Hiroshi Sugimoto and his work entitled Seascapes. Where the horizon line is in the centre and he has done this over and over again.   2. Research   Though I take my lead from academia, research does not need to be “dry” ie dull and tedious. Though good research is not done via the internet! Far better to go took bookshops and go to the art department. The vast majority of established artists and photographers work is not available via the internet it is found in galleries and books. Books are a more immersive experience - the touch, the smell, the weigh etc give a deeper learning experience. We discuss the classic book Robert Frank- Les Americains (1959) Galleries are great places because you get to see the print up close and you can see the subtleties of the tones. When studying these greats think of not HOW yet have taken the photographs but WHY- a far more interesting question! We go on to discuss movies as they can be a great source of inspiration - Wenders, Hitchcock and Kubrick as well as good quality documentaries. 3 Reflection Give yourself time to really look at your work -what works well what doesn't. Be critical (in a positive) Print your work out and that will help.   4 Repeat Don't be seduced into thinking you need to go to exotic locations to improve your photography. You will make greater improvements by going back to the same place over and over again. In this way you can build on your skills in a creative way.    5 Rest This is different to reflection. It is about giving yourself time just to think and let the creative juices flow. Sometimes the best ideas come when you least expect   Links https://www.sugimotohiroshi.com/seascapes-1 https://www.lensculture.com/articles/robert-frank-the-americans   The Genius of Photography - well worth a look,if you can find it!

Pierre Bonnard was a key artist in a movement that came after Impressionism: Les Nabis. Influenced by the flat colour and decorative elements of Japanese wood prints and Gauguin's pure colours, Bonnard forged a style that was both radical and beautiful. Curator of the NGV's winter blockbuster, Ted Gott and Musee d'Orsay's Isabelle Cahn, discuss Bonnard's life and long relationship with his wife and muse Marthe de Meligny.Enter the studio of Michaye Boulter, a nipaluna/Hobart-based painter whose seascapes are unmistakably of southern Tasmania… but painted from her imagination, not from life. When art student Marikit Santiago saw a self-portrait in the Archibald prize of a white Australian man surrounded by Filipino iconography, she felt a pang of guilt. In her own paintings, she'd never explored her own culture. Marikit is now a prized painter whose work has won the Sulman Prize and been shortlisted for the Archibald. Her rich figurative paintings delve into dual identities, migration, motherhood, and religion. 

Pierre Bonnard was a key artist in a movement that came after Impressionism: Les Nabis. Influenced by the flat colour and decorative elements of Japanese wood prints and Gauguin's pure colours, Bonnard forged a style that was both radical and beautiful. Curator of the NGV's winter blockbuster, Ted Gott and Musee d'Orsay's Isabelle Cahn, discuss Bonnard's life and long relationship with his wife and muse Marthe de Meligny. Enter the studio of Michaye Boulter, a nipaluna/Hobart-based painter whose seascapes are unmistakably of southern Tasmania… but painted from her imagination, not from life.  When art student Marikit Santiago saw a self-portrait in the Archibald prize of a white Australian man surrounded by Filipino iconography, she felt a pang of guilt. In her own paintings, she'd never explored her own culture. Marikit is now a prized painter whose work has won the Sulman Prize and been shortlisted for the Archibald. Her rich figurative paintings delve into dual identities, migration, motherhood, and religion. 

Be inspired by good news stories from WWF-Australia. This episode is about Grey Fantails and how people are working together as part of bird conservation.Darren Grover is the Head of Healthy Land and Seascapes at WWF-Australia. He is an ecologist by trade and has nearly 20 years' experience in species conservation, environmental impact assessment, land management, and policy development. Darren and his team work with universities, government, other organisations, community and First Nations people to improve the conservation status of animals like the Carnaby's Black Cockatoo, Gouldian Finch and Shy Albatatross. Darren is most at home in the bush and he's an avid birdwatcher and bushwalker.Links:* Episode transcript - weekendbirder.com/episodes/42-good-news-stories-with-darren* Darren on Twitter - @DarrenGroverWWF* WWF-Australia - website - wwf.org.au* WWF-Australia - Artificial Nests Aim to Increase Shy Albatross Breeding Success - wwf.org.au/news/2017/artificial-nests-aim-to-increase-shy-albatross-breeding-success/* WWF-Australia - Gouldian Finch - https://wwf.org.au/what-we-do/species/gouldian-finch/* WWF-Australia - Hope for the Glossy Black Cockatoo - wwf.org.au/blogs/hope-for-the-glossy-black-cockatoo/Weekend Birder online:* Website - weekendbirder.com* Instagram - @weekend.birder* Facebook - @weekend.birder* Threads - @weekend.birder* Twitter/X - @birderpod Hosted on Acast. See acast.com/privacy for more information.

Fergal Keane visits the Coastguard station in Valentia Island in County Kerry. Valentia is one of the main marine search and rescue centres in the county and plays a major role in rescue efforts right along the south west coast.We also hear from Owen Brislin about how the station operated.

Seascapes this week comes from the Ireland on the Water Expo. We hear from Olympic gold medal rower, Fintan McCarthy, ambassador for the event. We hear from Bloom Field House Boats. Madeline Kelly tells us about women in angling. We hear about the solar powered boat Grid Buster, Atlantic Costal Cruises and CH Marine on paddle boards.

Lorna Siggins reports from the recent Skipper Expo in Limerick and also meets the Minister for Agriculture, Food and the Marine, Charlie McConalogue. Fergal Keane hears about a new pier in Howth which has just been opened for large trawlers. Chief Engineer at the Department of Agriculture and Marine, Noel Clancy, speaks about the new pier.

Author Jon Gower chats about his new book, The Turning Tide, A Biography of the Irish Sea. It is a facinating mix of travelogue, nature and history of the stretch of water which separates us from Wales. Also, Joanna McNicholas reports on the worrying increase in the numbers of Loggerhead Turtles which are being washed up on the Irish Coast.

In The Chinese Atlantic: Seascapes and the Theatricality of Globalization (Indiana University Press, 2020), Sean Metzger proposes a new analytical frame through which to understand discourses of globalization: the so-called Chinese Atlantic. Elaborating on and complicating various Atlantic discourses (among them Paul Gilroy's “Black Atlantic”), Metzger follows the flows of Chinese labor and capital throughout the Atlantic world, examining various media and aesthetic practices, among them documentary film, public art, and tai chi. As the title implies, Metzger's book combines multiple disciplinary approaches, including, of course art history and performance studies, to chart the theatricality of seascapes across multiple Atlantic locales. To borrow one of Metzger's own conceptual metaphors, the book “incorporates” histories and aesthetic genealogies from the Caribbean to the coasts of England and South Africa to propose new modes of apprehending globalization as it constituted through the movement of Chinese people and imaginaries across the ocean. Metzger's book has been awarded both the 2022 Association for Asian American Studies Book Award for Humanities & Cultural Studies: Interdisciplinary/Media Studies and the 2021 John W. Frick Award from the American Theatre and Drama Society for best book on theater and performance of/in the Americas. Join us for our conversation about the place of the Chinese Atlantic in Asian and Asian American studies. Julia Keblinska is a member of the Global Arts and Humanities Society of Fellows at the Ohio State University specializing in Chinese media history and comparative socialisms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In The Chinese Atlantic: Seascapes and the Theatricality of Globalization (Indiana University Press, 2020), Sean Metzger proposes a new analytical frame through which to understand discourses of globalization: the so-called Chinese Atlantic. Elaborating on and complicating various Atlantic discourses (among them Paul Gilroy's “Black Atlantic”), Metzger follows the flows of Chinese labor and capital throughout the Atlantic world, examining various media and aesthetic practices, among them documentary film, public art, and tai chi. As the title implies, Metzger's book combines multiple disciplinary approaches, including, of course art history and performance studies, to chart the theatricality of seascapes across multiple Atlantic locales. To borrow one of Metzger's own conceptual metaphors, the book “incorporates” histories and aesthetic genealogies from the Caribbean to the coasts of England and South Africa to propose new modes of apprehending globalization as it constituted through the movement of Chinese people and imaginaries across the ocean. Metzger's book has been awarded both the 2022 Association for Asian American Studies Book Award for Humanities & Cultural Studies: Interdisciplinary/Media Studies and the 2021 John W. Frick Award from the American Theatre and Drama Society for best book on theater and performance of/in the Americas. Join us for our conversation about the place of the Chinese Atlantic in Asian and Asian American studies. Julia Keblinska is a member of the Global Arts and Humanities Society of Fellows at the Ohio State University specializing in Chinese media history and comparative socialisms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In The Chinese Atlantic: Seascapes and the Theatricality of Globalization (Indiana University Press, 2020), Sean Metzger proposes a new analytical frame through which to understand discourses of globalization: the so-called Chinese Atlantic. Elaborating on and complicating various Atlantic discourses (among them Paul Gilroy's “Black Atlantic”), Metzger follows the flows of Chinese labor and capital throughout the Atlantic world, examining various media and aesthetic practices, among them documentary film, public art, and tai chi. As the title implies, Metzger's book combines multiple disciplinary approaches, including, of course art history and performance studies, to chart the theatricality of seascapes across multiple Atlantic locales. To borrow one of Metzger's own conceptual metaphors, the book “incorporates” histories and aesthetic genealogies from the Caribbean to the coasts of England and South Africa to propose new modes of apprehending globalization as it constituted through the movement of Chinese people and imaginaries across the ocean. Metzger's book has been awarded both the 2022 Association for Asian American Studies Book Award for Humanities & Cultural Studies: Interdisciplinary/Media Studies and the 2021 John W. Frick Award from the American Theatre and Drama Society for best book on theater and performance of/in the Americas. Join us for our conversation about the place of the Chinese Atlantic in Asian and Asian American studies. Julia Keblinska is a member of the Global Arts and Humanities Society of Fellows at the Ohio State University specializing in Chinese media history and comparative socialisms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In The Chinese Atlantic: Seascapes and the Theatricality of Globalization (Indiana University Press, 2020), Sean Metzger proposes a new analytical frame through which to understand discourses of globalization: the so-called Chinese Atlantic. Elaborating on and complicating various Atlantic discourses (among them Paul Gilroy's “Black Atlantic”), Metzger follows the flows of Chinese labor and capital throughout the Atlantic world, examining various media and aesthetic practices, among them documentary film, public art, and tai chi. As the title implies, Metzger's book combines multiple disciplinary approaches, including, of course art history and performance studies, to chart the theatricality of seascapes across multiple Atlantic locales. To borrow one of Metzger's own conceptual metaphors, the book “incorporates” histories and aesthetic genealogies from the Caribbean to the coasts of England and South Africa to propose new modes of apprehending globalization as it constituted through the movement of Chinese people and imaginaries across the ocean. Metzger's book has been awarded both the 2022 Association for Asian American Studies Book Award for Humanities & Cultural Studies: Interdisciplinary/Media Studies and the 2021 John W. Frick Award from the American Theatre and Drama Society for best book on theater and performance of/in the Americas. Join us for our conversation about the place of the Chinese Atlantic in Asian and Asian American studies. Julia Keblinska is a member of the Global Arts and Humanities Society of Fellows at the Ohio State University specializing in Chinese media history and comparative socialisms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies

In The Chinese Atlantic: Seascapes and the Theatricality of Globalization (Indiana University Press, 2020), Sean Metzger proposes a new analytical frame through which to understand discourses of globalization: the so-called Chinese Atlantic. Elaborating on and complicating various Atlantic discourses (among them Paul Gilroy's “Black Atlantic”), Metzger follows the flows of Chinese labor and capital throughout the Atlantic world, examining various media and aesthetic practices, among them documentary film, public art, and tai chi. As the title implies, Metzger's book combines multiple disciplinary approaches, including, of course art history and performance studies, to chart the theatricality of seascapes across multiple Atlantic locales. To borrow one of Metzger's own conceptual metaphors, the book “incorporates” histories and aesthetic genealogies from the Caribbean to the coasts of England and South Africa to propose new modes of apprehending globalization as it constituted through the movement of Chinese people and imaginaries across the ocean. Metzger's book has been awarded both the 2022 Association for Asian American Studies Book Award for Humanities & Cultural Studies: Interdisciplinary/Media Studies and the 2021 John W. Frick Award from the American Theatre and Drama Society for best book on theater and performance of/in the Americas. Join us for our conversation about the place of the Chinese Atlantic in Asian and Asian American studies. Julia Keblinska is a member of the Global Arts and Humanities Society of Fellows at the Ohio State University specializing in Chinese media history and comparative socialisms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies

In The Chinese Atlantic: Seascapes and the Theatricality of Globalization (Indiana University Press, 2020), Sean Metzger proposes a new analytical frame through which to understand discourses of globalization: the so-called Chinese Atlantic. Elaborating on and complicating various Atlantic discourses (among them Paul Gilroy's “Black Atlantic”), Metzger follows the flows of Chinese labor and capital throughout the Atlantic world, examining various media and aesthetic practices, among them documentary film, public art, and tai chi. As the title implies, Metzger's book combines multiple disciplinary approaches, including, of course art history and performance studies, to chart the theatricality of seascapes across multiple Atlantic locales. To borrow one of Metzger's own conceptual metaphors, the book “incorporates” histories and aesthetic genealogies from the Caribbean to the coasts of England and South Africa to propose new modes of apprehending globalization as it constituted through the movement of Chinese people and imaginaries across the ocean. Metzger's book has been awarded both the 2022 Association for Asian American Studies Book Award for Humanities & Cultural Studies: Interdisciplinary/Media Studies and the 2021 John W. Frick Award from the American Theatre and Drama Society for best book on theater and performance of/in the Americas. Join us for our conversation about the place of the Chinese Atlantic in Asian and Asian American studies. Julia Keblinska is a member of the Global Arts and Humanities Society of Fellows at the Ohio State University specializing in Chinese media history and comparative socialisms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

In The Chinese Atlantic: Seascapes and the Theatricality of Globalization (Indiana University Press, 2020), Sean Metzger proposes a new analytical frame through which to understand discourses of globalization: the so-called Chinese Atlantic. Elaborating on and complicating various Atlantic discourses (among them Paul Gilroy's “Black Atlantic”), Metzger follows the flows of Chinese labor and capital throughout the Atlantic world, examining various media and aesthetic practices, among them documentary film, public art, and tai chi. As the title implies, Metzger's book combines multiple disciplinary approaches, including, of course art history and performance studies, to chart the theatricality of seascapes across multiple Atlantic locales. To borrow one of Metzger's own conceptual metaphors, the book “incorporates” histories and aesthetic genealogies from the Caribbean to the coasts of England and South Africa to propose new modes of apprehending globalization as it constituted through the movement of Chinese people and imaginaries across the ocean. Metzger's book has been awarded both the 2022 Association for Asian American Studies Book Award for Humanities & Cultural Studies: Interdisciplinary/Media Studies and the 2021 John W. Frick Award from the American Theatre and Drama Society for best book on theater and performance of/in the Americas. Join us for our conversation about the place of the Chinese Atlantic in Asian and Asian American studies. Julia Keblinska is a member of the Global Arts and Humanities Society of Fellows at the Ohio State University specializing in Chinese media history and comparative socialisms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

In The Chinese Atlantic: Seascapes and the Theatricality of Globalization (Indiana University Press, 2020), Sean Metzger proposes a new analytical frame through which to understand discourses of globalization: the so-called Chinese Atlantic. Elaborating on and complicating various Atlantic discourses (among them Paul Gilroy's “Black Atlantic”), Metzger follows the flows of Chinese labor and capital throughout the Atlantic world, examining various media and aesthetic practices, among them documentary film, public art, and tai chi. As the title implies, Metzger's book combines multiple disciplinary approaches, including, of course art history and performance studies, to chart the theatricality of seascapes across multiple Atlantic locales. To borrow one of Metzger's own conceptual metaphors, the book “incorporates” histories and aesthetic genealogies from the Caribbean to the coasts of England and South Africa to propose new modes of apprehending globalization as it constituted through the movement of Chinese people and imaginaries across the ocean. Metzger's book has been awarded both the 2022 Association for Asian American Studies Book Award for Humanities & Cultural Studies: Interdisciplinary/Media Studies and the 2021 John W. Frick Award from the American Theatre and Drama Society for best book on theater and performance of/in the Americas. Join us for our conversation about the place of the Chinese Atlantic in Asian and Asian American studies. Julia Keblinska is a member of the Global Arts and Humanities Society of Fellows at the Ohio State University specializing in Chinese media history and comparative socialisms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

In The Chinese Atlantic: Seascapes and the Theatricality of Globalization (Indiana University Press, 2020), Sean Metzger proposes a new analytical frame through which to understand discourses of globalization: the so-called Chinese Atlantic. Elaborating on and complicating various Atlantic discourses (among them Paul Gilroy's “Black Atlantic”), Metzger follows the flows of Chinese labor and capital throughout the Atlantic world, examining various media and aesthetic practices, among them documentary film, public art, and tai chi. As the title implies, Metzger's book combines multiple disciplinary approaches, including, of course art history and performance studies, to chart the theatricality of seascapes across multiple Atlantic locales. To borrow one of Metzger's own conceptual metaphors, the book “incorporates” histories and aesthetic genealogies from the Caribbean to the coasts of England and South Africa to propose new modes of apprehending globalization as it constituted through the movement of Chinese people and imaginaries across the ocean. Metzger's book has been awarded both the 2022 Association for Asian American Studies Book Award for Humanities & Cultural Studies: Interdisciplinary/Media Studies and the 2021 John W. Frick Award from the American Theatre and Drama Society for best book on theater and performance of/in the Americas. Join us for our conversation about the place of the Chinese Atlantic in Asian and Asian American studies. Julia Keblinska is a member of the Global Arts and Humanities Society of Fellows at the Ohio State University specializing in Chinese media history and comparative socialisms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In The Chinese Atlantic: Seascapes and the Theatricality of Globalization (Indiana University Press, 2020), Sean Metzger proposes a new analytical frame through which to understand discourses of globalization: the so-called Chinese Atlantic. Elaborating on and complicating various Atlantic discourses (among them Paul Gilroy's “Black Atlantic”), Metzger follows the flows of Chinese labor and capital throughout the Atlantic world, examining various media and aesthetic practices, among them documentary film, public art, and tai chi. As the title implies, Metzger's book combines multiple disciplinary approaches, including, of course art history and performance studies, to chart the theatricality of seascapes across multiple Atlantic locales. To borrow one of Metzger's own conceptual metaphors, the book “incorporates” histories and aesthetic genealogies from the Caribbean to the coasts of England and South Africa to propose new modes of apprehending globalization as it constituted through the movement of Chinese people and imaginaries across the ocean. Metzger's book has been awarded both the 2022 Association for Asian American Studies Book Award for Humanities & Cultural Studies: Interdisciplinary/Media Studies and the 2021 John W. Frick Award from the American Theatre and Drama Society for best book on theater and performance of/in the Americas. Join us for our conversation about the place of the Chinese Atlantic in Asian and Asian American studies. Julia Keblinska is a member of the Global Arts and Humanities Society of Fellows at the Ohio State University specializing in Chinese media history and comparative socialisms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

In The Chinese Atlantic: Seascapes and the Theatricality of Globalization (Indiana University Press, 2020), Sean Metzger proposes a new analytical frame through which to understand discourses of globalization: the so-called Chinese Atlantic. Elaborating on and complicating various Atlantic discourses (among them Paul Gilroy's “Black Atlantic”), Metzger follows the flows of Chinese labor and capital throughout the Atlantic world, examining various media and aesthetic practices, among them documentary film, public art, and tai chi. As the title implies, Metzger's book combines multiple disciplinary approaches, including, of course art history and performance studies, to chart the theatricality of seascapes across multiple Atlantic locales. To borrow one of Metzger's own conceptual metaphors, the book “incorporates” histories and aesthetic genealogies from the Caribbean to the coasts of England and South Africa to propose new modes of apprehending globalization as it constituted through the movement of Chinese people and imaginaries across the ocean. Metzger's book has been awarded both the 2022 Association for Asian American Studies Book Award for Humanities & Cultural Studies: Interdisciplinary/Media Studies and the 2021 John W. Frick Award from the American Theatre and Drama Society for best book on theater and performance of/in the Americas. Join us for our conversation about the place of the Chinese Atlantic in Asian and Asian American studies. Julia Keblinska is a member of the Global Arts and Humanities Society of Fellows at the Ohio State University specializing in Chinese media history and comparative socialisms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

In The Chinese Atlantic: Seascapes and the Theatricality of Globalization (Indiana University Press, 2020), Sean Metzger proposes a new analytical frame through which to understand discourses of globalization: the so-called Chinese Atlantic. Elaborating on and complicating various Atlantic discourses (among them Paul Gilroy's “Black Atlantic”), Metzger follows the flows of Chinese labor and capital throughout the Atlantic world, examining various media and aesthetic practices, among them documentary film, public art, and tai chi. As the title implies, Metzger's book combines multiple disciplinary approaches, including, of course art history and performance studies, to chart the theatricality of seascapes across multiple Atlantic locales. To borrow one of Metzger's own conceptual metaphors, the book “incorporates” histories and aesthetic genealogies from the Caribbean to the coasts of England and South Africa to propose new modes of apprehending globalization as it constituted through the movement of Chinese people and imaginaries across the ocean. Metzger's book has been awarded both the 2022 Association for Asian American Studies Book Award for Humanities & Cultural Studies: Interdisciplinary/Media Studies and the 2021 John W. Frick Award from the American Theatre and Drama Society for best book on theater and performance of/in the Americas. Join us for our conversation about the place of the Chinese Atlantic in Asian and Asian American studies. Julia Keblinska is a member of the Global Arts and Humanities Society of Fellows at the Ohio State University specializing in Chinese media history and comparative socialisms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

What is a resplendent quetzal? And how can magnificent creatures like this enlighten and inspire us… and give us the courage to protect the world's most wondrous ecosystems? In this episode, T. A. welcomes onto the show his friend and hiking companion, Carter Roberts, the President and CEO of the World Wildlife Fund in the USA. Carter shares with us his first magical experience in nature. He tells us how he finds time to get out in nature while leading one of the largest conservation organizations on the planet. He also explains what WWF is doing to protect our home planet, our fellow creatures, and ourselves. T. A. and Carter discuss why we depend upon nature. We talk about climate change and the loss of nature, and how the two are intertwined. And finally, we hear about Carter's favorite animal, the resplendent quetzal. Learn more about World Wildlife Fund. Magic & Mountains is hosted by T. A. Barron, beloved author of more than 30 books. Carolyn Hunter is co-host. Magic & Mountains Theme Song by Julian Peterson

Tonight Seascapes comes from Aberdeen, where Irish Fishing representatives were inspecting offshore, floating wind farms this week. There were mixed opinions in the group about how the fishing industry and wind farms can co-exist.

We hear from Irish solo sailor Pat Lawless. Pat leaves Les Sables-d'Olonne in France on Sunday on a journey which could take him up to nine months. We also hear from Gregor McGuckin, who was the Irish entry in the 2018 Golden Globe and from the Race Director, Don McIntyre.

Tonight, we are on board Ireland's new sail training ship, the Grace O'Malley. We hear from former TD, Catherine Noon, of the Atlantic Trust. International sailor Tom Dolan speaks from France as he is about to set out on his fifth Figaro race. And Norman Freeman recalls how he got involved in generating fake news on board a ship.

A new episode of 4Nature featuring Laure Katz, Vice President of Blue Nature & Co-Lead Implementation Blue Nature Alliance at Conservation International, is now available on all streaming platforms. In discussion with 4Nature Co-host David Meyers, Laure describes how her early love of marine life has powered her career of protecting the ocean. They discuss her work with Indigenous Papuan communities to protect the global epicenter of marine diversity, the Bird's Head Peninsula (BHP), and how integral it was in the first phase of the project to listen to the needs of the communities with strong ancestral and practical relationships with the Marine Protected Areas. Laure expands on the visionary Blue Nature Alliance and their mission to protect 5% of the global ocean by 2025; practically doubling the marine conservation efforts around the world. Listen for insights into Laure's crucial work to help design and fund community-driven, community-led marine protected areas at the scale of a seascape. 

We're kicking off season two by talking with Elin T. Sørensen and Eli Rinde and asking: Can Architecture Fix: Dying Seascapes?If you would like to learn more about Elin and Eli's work, you can find information online at the following links:www.fjordskole.nowww.urbanthav.nowww.niva.nohttps://www.researchcatalogue.net/view/848167/848168https://www.researchcatalogue.net/view/848167/848207

What do we do when we're in a funk with our art?! Last time we talked about how our art can drop down our list of priorities. By the time we get to our art, we can be tired and grumpy! So how do we break out of our funk, and get ourselves into the studio? Welcome to our podcast for all stitchers, embroiderers, textile artists and creative souls, where we have friendly informal conversations about what it actually means to be an artist working in textiles. Isobel and Gina are both practicing artists and tutors specialising in machine embroidery, but we're still figuring it all out! We chat about combining the creative process with running a business and hope that you will find inspiration and support for your own creative journeys. Mentioned in this episode: The 100 day project https://www.the100dayproject.org/ My Family and Other Animals by Gerald Durrell https://en.wikipedia.org/wiki/My_Family_and_Other_Animals The Joy of Small Things by Hannah Jane Parkinson https://www.goodreads.com/en/book/show/57123678 Beautiful: The Carole King Musical https://beautifulmusical.co.uk/ David Hockney at the Fitzwilliam https://fitzmuseum.cam.ac.uk/visit-us/exhibitions/hockneys-eye-the-art-and-technology-of-depiction Isobel's Seascapes course: https://isobelmoore.podia.com/celtic-seascapes Sign up to Izzy's newsletter and course updates for her early bird offer. https://view.flodesk.com/pages/62719226ec93244248595c40 You can find us at: Gina Ferrari https://www.ginaferrari-art.co.uk/ Izzy Moore https://isobelmoore.co.uk/ The music is Dear Autumn by Ikson and you can find it at https://soundcloud.com/ikson --- Send in a voice message: https://anchor.fm/izzyandginainstitches/message

In this month's Abaton Academy podcast we dive deep with marine biologist Dimitris Poursanides who is going to tell us about the pristine seascapes surrounding Abaton Island resort and spa on the lovely island of Crete.

Painting with a piece of paper  The best way to experience this method is either by enrolling in the independent course on Seascapes or you can always join the interactive course later. Interactive courses run in sessions.   How to handle painting in dry enviornments Humidifier:  TAOTRONIS model:  TT-AH043  Tao Tronics Ultrasonic Cool Mist Humidifier  from Amazon  about  $60.00

Denver-based landscape photographer Joseph Roybal, who Rick met at the recent Out of Oregon conference, is our guest! Joseph talks about how he makes stunning landscape and seascape photographs – and how you can make them, too. Specifically, this young and talented photographer shares, among other things, techniques for drawing people into the scene, how to create a you-are-there effect, and how to make (in camera and with post-processing) stunning nighttime images, which includes getting your composition right in daylight hours. We know you'll love this show and Joe! Visit with Joseph on his web site: www.JosephRoybal.com