Podcasts about Cinematic

This week on Kayfabe Podcast we break down ALL the action from Monday Night Raw, NXT, and SmackDown PLUS we book Liv Morgan's ENTIRE 2026 reign and it's CINEMATIC!

Cinematic dramatic YouTube thumbnail, gritty outlaw biker style, dark moody lighting with strong red warning tones, high contrast, film grain. Center: Black Dragon (use uploaded picture) with serious, authoritative expression, wearing his vest, looking directly at viewer. Background: Split dramatic scene — Left side shows a crowded biker annual party with people, bikes, and subtle guns. Right side shows a "No Guns" symbol / metal detector at entrance with red "X" over firearms. Large bold text: Top: "DISARM EVERYONE" in cracked aggressive red font Center: "AT YOUR ANNUAL" in massive white and gold outlaw font Bottom: "Plus: Why Out Bad is Meaningless Today" "Black Dragon Biker TV" at the very bottom Ultra-realistic face on Black Dragon, powerful and controversial mood, high detail, eye-catching, perfect vertical 9:16 ratioBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-dragon-s-lair-motorcycle-chaos--3267493/support.Sponsor the channel by signing up for our channel memberships. You can also support us by signing up for our podcast channel membership for $9.99 per month, where 100% of the membership price goes directly to us at https://www.spreaker.com/podcast/the-.... Follow us on:Instagram: BlackDragonBikerTV TikTok: BlackDragonBikertv Twitter: jbunchiiFacebook: BlackDragonBikerBuy Black Dragon Merchandise, Mugs, Hats, T-Shirts Books: https://blackdragonsgear.comDonate to our cause:Cashapp: $BikerPrezPayPal: jbunchii Zelle: jbunchii@aol.com Patreon: https://www.patreon.com/BlackDragonNPSubscribe to our new discord server https://discord.gg/dshaTSTSubscribe to our online news magazine www.bikerliberty.comGet 20% off Gothic biker rings by using my special discount code: blackdragon go to http://gthic.com?aff=147Join my News Letter to get the latest in MC protocol, biker club content, and my best picks for every day carry. https://johns-newsletter-43af29.beehi... Get my Audio Book Prospect's Bible an Audible: https://adbl.co/3OBsfl5Help us get to 30,000 subscribers on www.instagram.com/BlackDragonBikerTV on Instagram. Thank you!We at Black Dragon Biker TV are dedicated to bringing you the latest news, updates, and analysis from the world of bikers and motorcycle clubs. Our content is created for news reporting, commentary, and discussion purposes. Under Section 107 of the Copyright

Latest courses at AHRC: https://www.acidhorizonpodcast.com/ahrc-coursesIf you could go back in time, would you change the past, even if it meant changing who you are? Is existing in time itself traumatic? Is power over time a cinematic endeavour, and what makes a good director an even better time traveller? This week on Acid Horizon we're joined by Kwasu D. Tembo to talk about his latest book Trauma in 21st-Century Time Travel Cinema, discussing the philosophy of time travel in films such as Primer, Timecrimes, and Predestination; as well as how the experience of time transcendentally conditions the structure of the psyche.Buy Kwasu's book, Trauma in 21st-Century Time Travel CinemaBeing (a)Part: https://www.bloomsbury.com/uk/trauma-in-21stcentury-time-travel-cinema-9781978768734/Phasmid Press: https://phasmidpress.org/Public arts and philosophy events in Lancashire: https://j-e-w-e-l-l-e-r-s.netFollow Kwasu on Substack: https://mapscrollanddagger.substack.com/Kwasu's music: https://on.soundcloud.com/PjET6oqqQluhhGt3zwhttps://on.soundcloud.com/gsh6ZRpYOwUizDOV8qhttps://on.soundcloud.com/oNgo5GOz2xWetzYJrgSupport the showSupport the podcast:AHRCCurrent classes at Acid Horizon Research Commons (AHRC): acidhorizonresearchcommons.comAHRC Course Archive: https://www.acidhorizonpodcast.com/ahrc-course-archivesSubmit your course proposal: acidhorizonresearchcommons@gmail.comMore LinksWebsite: https://www.acidhorizonpodcast.com/Linktree: https://linktr.ee/acidhorizonAcid Horizon on Patreon: https://www.patreon.com/acidhorizonpodcastBoycott Watkins Media: https://xenogothic.com/2025/03/17/boycott-watkins-statement/Subscribe to us on your favorite podcast: https://pod.link/1512615438Merch: http://www.crit-drip.comSubscribe to us on your favorite podcast platform: https://pod.link/1512615438LEPHT HAND: https://www.patreon.com/LEPHTHANDHappy Hour at Hippel's (Adam's blog): https://happyhourathippels.wordpress.com​Split Infinities (Craig's Substack): https://splitinfinities.substack.com/​Music: https://sereptie.bandcamp.com/ and https://thecominginsurrection.bandcamp.com/

ThisWeekInGeek's Loose Cannon is our all around movies podcast covering the weird, wild, or sometimes nostalgic world of films. This time, Mike, Ken, David and Adam are going into their backlogs. We each pulled movies that are considered must-watches for cinefiles that we just never have gotten around to. Some of our picks will surprise you and some even surprised us.It's time to resolve a cinematic missing link on TWIG Loose Cannon. Please Be Kind and Don't Forget to Rewind before returning your videos to the shelves.Show Notes:Your Geekmasters:Mike "The Birdman" - https://bsky.app/profile/birdmanguelph.bsky.socialAlex "The Producer" - https://bsky.app/profile/dethphasetwig.bsky.socialKen Reels - https://bsky.app/profile/kenreels.comAaron PollyeaFeedback for the show?:Email: feedback@thisweekingeek.netTwitter: https://twitter.com/thisweekingeekBluesky: https://bsky.app/profile/thisweekingeek.netSubscribe to our feed: https://www.spreaker.com/show/3571037/episodes/feediTunes: https://podcasts.apple.com/us/podcast/this-week-in-geek/id215643675Spotify: https://open.spotify.com/show/3Lit2bzebJXMTIv7j7fkqqCastbox: https://castbox.fm/channel/id2162049Website: https://www.thisweekingeek.netJune 5, 2026

Which one for your table?Call in to our Speak pipe account - ⁠⁠https://www.speakpipe.com/monstersandtreasure⁠⁠

Part 2 of Mark Kermode and Jack Howard talking about Christopher Nolan's films at The Sun Pub on Drury Lane.Films and books mentioned in this episode:TenetThe PrestigeInterstellarThe OdysseyInceptionOppenheimerInsomniaBatman TrilogyRay Harryhausen's Sinbad MoviesThe DevilsMetropolisTrainspottingThe Passion of ChristThe Death of StalinTroyMinionsBooks:A Hard Day's Night by Samira AhmedMark Kermode's Surround Sound: The Stories of Movie Music by Mark Kermode and Jenny NelsonKermode on Film is an HLA Agency productionProduced by Hedda Lornie Archbold and Nicki Glossop© HLA Agency Hosted on Acast. See acast.com/privacy for more information.

Today we're chatting with Lexis Zenobia , a full-time artist and vintage dealer, the owner of Ladies of the Loon — which is doing something really unique – this is a vintage brand that has taken a truly singular path in the resale world, one paved entirely in vintage mohair. A little background, Lexis grew up in Wisconsin, and came of age in Milwaukee's vintage scene. She launched a fashion photography business at 18, and spent several years on the road in an RV, selling vintage out of the back and collecting pieces across the American West.  But it wasn't until she became the steward of a one-of-a-kind vintage mohair collection that everything changed for Lexis. Today, you're going to hear the story of a find beyond her wildest dreams: thousands of vintage and hand-knit mohair pieces, spanning from the 1920s onward, capes, gowns, skirts, sweaters — including a collection of nearly 200 hand-knit Italian cardigans from the 1950s and 60s. This is a collection so significant, it should be shown in a gallery. On today's episode, we get into all of it: how a sleepless night and a full moon set this whole thing in motion, why Lexi made the bold decision to sell off her entire existing inventory and go all in on mohair, what makes this textile so special to photograph and to wear, and the pieces — that sold in minutes which she still thinks about. All that and more! Let's dive right in! DISCUSSED IN THE EPISODE: [5:16] Early memories of Lexis vintage shopping with her mom, including an antique store in a rural barn. [7:50] Her career in vintage actually started with fashion photography. [11:04] She originally became a vintage dealer because she needed to do a big closet cleanout, and it accidentally launched a decade-long career.  [14:31] How COVID reshaped the business  [18:16] How she became the steward of a one-of-a-kind vintage mohair collection, spanning from the 1920s onward. [26:35] Why vintage mohair is a special textile, nicknamed "the diamond fiber" [29:39] The Italian handknit mohair cardigans  [31:08] On the decision to wholesale her existing collection and focus singularly on vintage mohair.  [37:44] Her dream to show the mohair collection in a gallery  [41:05] How to care for vintage mohair  [47:18] The two mohair pieces that sold in minutes and that she still thinks about  [52:46] On her personal style and memorable pieces EPISODE MENTIONS:  Ladies of the Loon Midwest Vintage Flea SUDESTADA Gallery "Wool Skirts," an exhibition of one woman's 40-year thrift-store collection, reveals a rich tapestry of clothing manufacturing and feminist history. – The New York Times The Black Web dress Bleu Boy Vintage Thank You Vintage   LET'S CONNECT: 

Hailing from Guadalajara, Mexico, Andy Martin summons his ancestor's voices through minutely crafted blends of future-facing electronics that keep on questioning the boundaries between continuity and rupture, between pragmatic physicality and spiritual escapism. Using his platform Diaspora Echoes as the launchpad to sustained sonic innovation release after release, Martin has been shaping up a body of work defined by precision and eclecticism, tapping into Mexico's rich cultural background and history to build his own cutting-edge musical grammar. Cinematic and deep, his mixes and productions carry that psychoactive, cross-dimensional essence which makes every listen a trip of its own. 

In this episode of And Now For Something Completely Machinima, hosts Phil Rice, Damien Valentine, and Tracy Harwood dive into a stunning fan-made cinematic created inside Star Wars Battlefront II (2017 video game).We explore how machinima creators are pushing the limits of game engines, modding tools, and cinematic language to produce high-quality storytelling—despite technical limitations like no built-in camera controls. From Cloud City aesthetics to editing techniques and Star Wars authenticity, this episode unpacks what makes this project so impressive (and occasionally hilarious).Whether you're into machinima, virtual production, or the Star Wars universe, there's plenty here to inspire.⏱️ Timestamps00:00 – Intro & classic Completely Machinima opening 01:09 – Welcome + episode setup 01:36 – Damien introduces Battlefront 2 machinima scene 02:30 – Why this film stood out (engine use & in-game rendering) 04:22 – Tracy's first impressions: cinematic language & storytelling 06:00 – Cloud City, mood-building & Star Wars “grammar” 08:30 – Editing, pacing & shot composition analysis 11:13 – The challenge: no camera tools → modding solutions 11:34 – Phil on cinematic storytelling vs dialogue limitations 12:44 – Voice acting, authenticity & sound design 13:03 – Unexpected comedy moments (yes, really

Ever questioned whether the big screen still holds the magic or if streaming has taken over? Join us as we dive into this week's cinematic adventures, from blockbuster Marvels to hidden gems, and debate if the theatre experience is still worth the price. Plus, get the scoop on upcoming TV adaptations and streaming sensations!In this episode:The cinematic review of The Mandalorian and the disappointment of the newly released filmThe intriguing Irish drama Small Things Like These and its subtle storytellingThe quirky and clever animated mystery The Sheep Detectives, a delightful family filmThe finale of The Boys Season 5 and its brutal superhero satireThe British period drama The Other Bennett Sister, a fresh take on Jane Austen's universeA discussion on whether to see Obsession in cinemas or stream it at homeExtra insights into upcoming projects like the Warriors musical and the She-Ra reboot(00:01) Welcome & personal cinema adventures(01:02) Recent cinema visits & reviews: Obsession, The Mandalorian film(03:09) Streaming updates: Widows Bay, Small Things Like These(04:18) Netflix's The Sheep Detectives review(05:33) Family films & Buffy nostalgia(06:17) Cinematic conclusions: The Mandalorian flaws & ratings(08:03) Obsession deep dive & critique of its twists(12:00) The Mandalorian series critique & character analysis(15:33) The Boys Season 5 finale thoughts & characters(46:45) The Sheep Detectives: a mystery with talking sheep(52:39) The Other Bennett Sister: Jane Austen-inspired period drama(61:53) Closing thoughts: Netflix or Theatre – who wins?(62:15) Feedback spotlight: Joseph Fallon's comment on Power Ballad(63:14) A nostalgic look at Violent SaturdayFeeling inspired or confused? Drop your thoughts and movie picks in our comments or social media. Remember, whether it's the glow of the big screen or the comfort of your sofa, it's all about the experience and stories we love. Until next week, keep watching!

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Director Ricardo de Montreuil joins Michael for a cinematic conversation about Mistura, the Peruvian film that blends food, memory, identity, and virtual production to bring 1960s Lima back to life. Together, they explore the emotional and cultural heartbeat of the story — from Afro‑Peruvian heritage to the flavors that shape who we are, individually and collectively.As Ricardo reflects on the personal journey of resurrecting a city that once flourished, the conversation opens into something larger: a meditation on belonging, reinvention, and the stories we inherit. This episode is a warm, thoughtful reminder that honoring our past and imagining our future are both acts of courage — and that cinema has the power to bridge cultures, spark understanding, and reconnect us to the places that made us.A rich, unhurried dialogue about identity, artistry, and the worlds we rebuild when memory becomes a map.Takeaways:The film 'Mistura' serves as a poignant love letter to Peru, intertwining its rich culinary heritage with themes of identity and memory.Ricardo de Montreuil emphasizes the significance of diversity in Peruvian culture, showcasing how various influences have shaped its gastronomy.The personal journey of the director reflects a broader narrative about belonging and the emotional connections to one's roots and history.Through 'Mistura', viewers are invited to explore the transformative power of storytelling, particularly in relation to cultural reinvention and acceptance.The film highlights the importance of embracing one's authentic self while navigating societal expectations and prejudices, which is a universal theme.Cinematic techniques, such as virtual production, were employed to recreate the vibrant essence of 1960s Lima, enhancing the film's nostalgic atmosphere.Find us on Apple, Spotify or your favorite listening platform; visit us on our YouTube channel Find everything "One More Thing" here: https://taplink.cc/beforeyougopodcastWant to be a guest on One More Thing Before You Go? Send Michael Herst a message on PodMatch, here: PODMATCH Proud member of the Podmatch Network of Top Rated- PodcastsThis podcast uses the following third-party services for analysis: Podcorn - https://podcorn.com/privacy

Show Notes Award-winning director Minkie Spiro joins Filmmaking Conversations with Damien Swaby for a deeply personal and insightful conversation about creativity, storytelling, and the emotional responsibility of directing. Minkie reflects on her unconventional journey into film and television, revealing how growing up in a highly academic household — where television was rarely allowed — unexpectedly shaped her artistic instincts. She discusses studying graphic design at Central Saint Martins and how visual communication, photography, and composition became the foundation of her directing style.The conversation takes a powerful turn as Minkie opens up about her early years as a reportage photographer, documenting war zones including Bosnia during the conflict. She shares the emotional impact of photographing child landmine victims and explains how those formative experiences changed the way she observes humanity, emotion, and truth on screen.Damien and Minkie also explore:How photography trained her eye for cinematic storytellingThe transition from still images to directing actors and movementThe emotional intelligence required to direct performanceWhy vulnerability and trust matter on setThe evolution of television into a cinematic art formWorking across British and American productionsDirecting acclaimed series including Dead to Me, Pieces of Her and All Her FaultCollaborating with actors including Sarah SnookBuilding tension, atmosphere, and emotional realism on screenThe difference between “coverage” and true visual storytellingWhy directing is as much about listening as it is leadingMinkie also discusses balancing instinct with preparation, finding authenticity in performances, and how her life experiences continue to shape the kinds of stories she wants to tell. This episode is an honest and fascinating look inside the mind of a filmmaker whose work consistently blends emotional depth with cinematic scale. If you're passionate about directing, storytelling, cinematography, performance, or the creative process behind prestige television, this conversation is packed with insight and inspiration.W: https://www.minkiespiro.com/Use Promo Code "FILMMAKINGSWABY" for all my deals or just click the link:25% Off More Labshttps://www.morelabs.com/discount/FILMMAKINGSWABY20% Off Strong Coffee Companyhttps://strongcoffeecompany.com/discount/FILMMAKINGSWABY15% Off Tusslehttps://www.tusslegear.com/discount/FILMMAKINGSWABY20% Off Eric Javitshttps://ericjavits.com/discount/FILMMAKINGSWABY25% Off Quantum Energy Squarehttps://quantumsquares.com/discount/FILMMAKINGSWABY20% Off Long Tablehttps://longtablepancakes.com/discount/FILMMAKINGSWABY20% Off HyperNaturalhttps://hypernaturalstyle.com/discount/FILMMAKINGSWABY20% Off wearplaygroundhttps://wearplayground.com/discount/FILMMAKINGSWABY15% Off STAND+https://www.standshoes.com/discount/FILMMAKINGSWABY10% Off Molly Bzhttps://mollybz.com/discount/FILMMAKINGSWABY41% Off Cozy Earthhttps://cozyearth.com/discount/FILMMAKINGSWABYX (Twitter): @DamienSwaby https://x.com/DamienSwaby/status/1864468655582437405Instagram: @filmmaker__damien_swaby. https://www.instagram.com/filmmaker__damien_swaby/?hl=en Also, you can check out my documentary The People of Brixton, on Kwelitv here: https://www.kweli.tv/creator/damien-swaby

A unique cinematic experience blending Greek mythology, dark humour and science fiction is coming to the big screen through the new film Yesterday Island by Greek-Australian director Sam Voutas. As the filmmaker explains, the idea was inspired by childhood memories and his fascination with the gods of Ancient Greece. - Μία ιδιαίτερη κινηματογραφική εμπειρία που συνδυάζει ελληνική μυθολογία, μαύρο χιούμορ και επιστημονική φαντασία φέρνει στη μεγάλη οθόνη ο Ελληνοαυστραλός σκηνοθέτης Σαμ Βούτας (Sam Voutas) μέσα από τη νέα του ταινία «Yesterday Island». Όπως εξηγεί ο ίδιος, η ιδέα γεννήθηκε από τις παιδικές του αναμνήσεις και τη γοητεία που του ασκούσαν οι θεοί της ελληνικής μυθολογίας.

Independent films and film festivals are thriving in Louisiana, and on this episode of Discover Lafayette, we welcome three passionate advocates helping shape the future of filmmaking across the state: Southern Screen Festival Founder and Executive Director Julie Bordelon; filmmaker and Director of Public Relations for the Baton Rouge Underground Film Festival, Jenika Kolacz; and Lafayette native Kelly Swift, Film Programming Director for Manship Theatre and Events Director for the Baton Rouge Underground Film Festival. The conversation explores Louisiana's growing independent film ecosystem, the importance of film festivals in building creative communities, and the realities filmmakers face trying to sustain careers in the state. Julie Bordelon, founder of Southern Screen Festival, reflects on how she entered the industry without formal film school training, learning production hands-on while working in Lafayette during the height of Louisiana's film production boom. “I had no clue what I was doing,” she says of her early days in production. “By the middle of the first film, I was a department head.” Bordelon later served as an entertainment liaison for the City of Lafayette, helping support Louisiana's tax incentive initiatives for film, music, and digital media before launching Southern Screen Festival nearly sixteen years ago. Southern Screen Festival was born out of a desire to create opportunities for local artists and filmmakers in Acadiana. “I pulled them all on to the board and started the Southern Screen Festival without knowing at all what I was doing,” Bordelon recalls. “Just trying to make a scene for us and for other artists and creatives.” In its 16th year, the festival will be held November 19-22, 2026. Learn more at Southern Screen. Today, Southern Screen Festival has evolved into a year-round, multidisciplinary arts organization that extends far beyond its annual November festival. The organization now presents film screenings, workshops, networking mixers, writing programs, pop-up events, live podcasts, and music showcases designed to strengthen Louisiana's creative economy and connect local artists with national industry professionals. Southern Screen Festival has become one of Louisiana's most respected independent arts festivals, attracting filmmakers, musicians, producers, writers, editors, and storytellers from around the world to downtown Lafayette every November. The four-day festival features international screenings, panels, workshops, live performances, parties, and filmmaker networking events designed to create what Bordelon calls “a festival for filmmakers and for artists.” The festival remains intentionally non-competitive, allowing filmmakers at every level to feel equally supported and accessible to one another. Over the years, Southern Screen Festival has welcomed an impressive lineup of industry guests, including Tom Kenny, editor Javier Marcheselli of “Blade Runner 2049” and “Dune,” “Family Guy” writer and actor Alex Borstein, and producer Monty Ross of “Malcolm X.” Bordelon explains that Southern Screen Festival intentionally creates opportunities for festival attendees to interact directly with accomplished industry professionals in workshops and conversations without barriers or gatekeepers. One of the festival's newest expansions is particularly exciting for Acadiana's growing animation community. Southern Screen Festival recently announced plans to partner with UL-Lafayette on a brand-new animation festival launching in April 2027. The event will feature curated animation screenings, educational panels, artist talks, and hands-on learning opportunities aimed at students, emerging creators, and animation fans of all ages. During the interview, Bordelon explains that the idea grew directly out of audience demand for more animation programming at Southern Screen Festival. Southern Screen's commitment to education also includes its expanding student film initiatives. The organization hosts student workshops and showcases for Acadiana students in grades six through twelve, encouraging young creatives to experiment with filmmaking while gaining exposure to professional industry environments. Bordelon also discussed her work through Create Louisiana, which provides grants, mentorship, and creative support to Louisiana filmmakers and artists statewide. The episode also shines a spotlight on the rapid rise of the Baton Rouge Underground Film Festival, known as BRUFF. Launched in 2025 at Manship Theatre in downtown Baton Rouge, the festival sold out its inaugural year and immediately established itself as a major gathering point for Louisiana's independent film community. The festival celebrates indie and genre-focused filmmaking while creating opportunities for networking, collaboration, and hands-on education. Kelly Swift describes BRUFF as “a film festival for filmmakers by filmmakers,” with programming that intentionally supports student filmmakers, first-time directors, emerging artists, and seasoned professionals equally. Last year's inaugural festival featured more than 50 independent films, educational panels, networking opportunities, workshops, and afterparties throughout downtown Baton Rouge. Organizers say one of the most rewarding aspects was watching filmmakers from Louisiana connect organically with artists visiting from Florida, Texas, Georgia, New York, California, and beyond. This year, the Baton Rouge Underground Film Festival will be held from August 27 – 30, 2026. Festival passes start at $30, with full access available for $75. Visit BRUFF for more information. Jenika Kolacz notes that BRUFF's mission goes beyond screenings. “We really want to celebrate independent filmmaking as a whole,” she explains, emphasizing the importance of creating spaces where filmmakers can collaborate, share resources, and build careers together. The festival's organizers also experimented this year with a free FilmFreeway submission day to eliminate financial barriers for filmmakers who might otherwise be unable to afford festival fees. The guests also discuss the broader challenges facing Louisiana's film industry, including fluctuating production levels, workforce sustainability, and the need to better support local filmmakers, not just outside productions utilizing Louisiana tax credits. “Those local filmmakers, those are the people we need to be supporting,” Bordelon says. Despite the challenges, the episode is ultimately an optimistic look at Louisiana's creative future. Whether through Southern Screen Festival's expansion into animation and year-round programming, or BRUFF's fast-growing grassroots momentum in Baton Rouge, all three guests emphasize the same goal: creating spaces where Louisiana filmmakers can collaborate, learn, experiment, and build sustainable creative careers right here at home. Learn more about Southern Screen, Baton Rouge Underground Film Festival, Manship Theatre, and Create Louisiana.

We gathered to listen through one of the most singular debut albums ever made. Here's the recording of the chat. Niall is joined at our live listening event Listen Closely in the Big Romance by Cian Galvin aka Irish hip-hop producer and crate digger The Expert to discuss... DJ Shadow - Endtroducing (1996) A towering achievement in sample-based plunderphonics, music arrangements and turntablist-lead production techniques, DJ Shadow's 1996's debut album Endtroducing remains one of the most evocative and singular classic albums of recent times. Entirely built of obscure crate-dug samples using an Akai MPC60 sampler, Endtroducing's cinematic soundscapes finds a transportive space where emotionally resonant electronica and hip-hop meet - the middle ground between light and shadow. It is considered one of the best albums of all-time, and is certainly one of mine. * Support Nialler9 on Patreon, get event discounts, playlists, ad-free episodes and join our Discord community Listen on Apple | Android  | Patreon | Pocketcasts | CastBox | Stitcher | Spotify | RSS Feed | Pod.Link The third instalment of our loosely titled Plunderphonics series for the Nialler9 Listening Party brought us to a record that, thirty years on, still doesn't quite sound like anything else. DJ Shadow's Endtroducing, released September 16th 1996 on Mo' Wax, is a record built entirely from other records - and yet it sounds like nothing any of those records ever sounded like. If you missed the night, the podcast recording is above. What follows is a bit of context and some of what we got into. The trilogy so far We've now done The Avalanches' Since I Left You and J Dilla's Donuts as part of this loose series. All three are sample-based records. All three feel like complete worlds unto themselves. There's something about the constraint of working entirely within found sound that produces a particular kind of magic - you're hearing music that was already forgotten being given an entirely new life, filtered through the taste and instincts of one person with a singular obsession. Endtroducing is the most melancholic of the three. It's not a party record or a rap record in any conventional sense. It's a cinematic, introspective piece of work - breakbeats, jazz, psychedelia, hip-hop, all of it dissolved into something that feels like its own atmosphere. The kid from Davis, California Josh Davis grew up in Davis, California, then San Jose - both outside the main cultural centres, which is something he and Mo' Wax founder James Lavelle bonded over immediately when they first spoke by phone. Lavelle had grown up in Oxford. Both felt like outsiders to the scenes they were drawn to. Shadow was experimenting with a four-track recorder in high school and DJing on the campus radio station KDVS at UC Davis before he'd made a single release. By 1993 he was part of the Solesides underground hip-hop collective alongside Blackalicious, Lateef, and Lyrics Born. Lavelle found him through a B-side remix on a forgotten hip-hop promo, tracked him down through a friend at Tommy Boy Records, and told him: "Don't worry about choruses and verses, just push your sound further." That's more or less what he did. The equipment The entire album was made on an Akai MPC60 II, a pair of turntables, and an Alesis ADAT tape recorder that belonged to Dan the Automator. Shadow was 23 years old. The MPC could sample 2.5 seconds of stereo and store 13 seconds total. Everything on the record - the beats, the melodies, the percussion - had to be constructed within those limits. Self-imposed limitation producing something that infinite digital possibilities probably couldn't. There's a reason we don't really get records like this anymore, and it's partly because the tools have become too open-ended. The seams and the constraints are part of what gives Endtroducing its particular texture. The crates Shadow spent his days in the basement of Rare Records in Sacramento, a shop with records piled to the ceiling. He found a mummified bat down there once. The cover photograph, taken by B+, shows producer Chief Xcel and Lyrics Born (in a wig) in that same basement. It's as good a visual summary of the album's ethos as you'll find anywhere. He made it a rule to avoid sampling obvious or well-known material. The samples he pulled were largely from forgotten funk, soul, jazz, experimental, and sound library records - music that had no audience left and no commercial future. He rescued them. The liner notes credit everything, including the big clearance cases: Metallica, Björk, and the David Axelrod piano loop that anchors 'Midnight in a Perfect World'. Lavelle handled the clearances. "The samples were pretty easy to clear," he said. "It's different when you're sampling some Swedish drum break from 1970 than sampling James Brown." The album itself Endtroducing feels like a place. Not a collection of tracks but a world you enter at the start and leave at the end, slightly altered. The drums on 'Building Steam with a Grain of Salt', the disorienting loop of 'Changeling', the controlled chaos of the second half of 'Scatter Brain', the three-part sweep of 'Stem/Long Stem', the ache of 'Midnight in a Perfect World'. It's not a happy record. Shadow said himself that feelings of self-doubt and depression came through in the music during production. You can hear it. The Wire's first ever review called it "a debut of melancholic mediocrity." Melody Maker said "you need this record. You are incomplete without it." The bigger question There's a clip of Shadow in the Rare Records basement that gets used a lot in discussions about Endtroducing. He gestures around at the records and says: "Almost none of these artists still have a career. Ten years down the line, you'll be in here." It's a bleak thought, but also the central one. Sampling asks us to reckon with music's ephemerality - but it also offers a counter-argument. These records survived because Shadow found them. Their sounds are in the album. They're still being heard.

Twelve-year-old Nils Olsen lives in the coastal town of Svendborg in Denmark with his sensible but unremarkable parents. His life is orderly and predictable, and excitement is in short supply—until his eccentric and largely withdrawn grandfather, who lives in the family's garden shed, gives Nils an unexpected birthday present. The gift is a ship. Well, not a ship exactly, but the materials to build one: weathered planks, timber, and an idea that borders on the impossible. Reluctantly, Nils's parents agree to let him and his grandfather work on the project in the garden, certain it will be short-lived. They assume the scale of the task will overwhelm him and that the ship will never be finished. They are wrong. As the vessel takes shape, Nils discovers a determination he didn't know he possessed, and what begins as an unlikely construction project becomes the first step toward a life-changing adventure. The full score of the Captain Skimp series grew out of more than fifteen years of live, improvised storytelling with children aged 4–12. Through his part time work—first in kindergarten and later as a schoolteacher—Jonas Præst Nielsen recorded over 300 sessions, letting characters, worlds, and stories emerge naturally through play and interaction with the children. This improvisational process became the creative backbone of the series. As Nielsen says, “I didn't write the story—the characters did.” Jonas Præst Nielsen is a Danish composer and musician who later expanded into writing and storytelling. His musical background shapes the series' distinctive music, rhythms and cinematic sound universe. For his Cinematic Audiobooks, he has received several grants from the Danish Arts Foundation, AUTOR, and KODA, supporting productions that combine artistic authenticity with a high, technical quality of sound design. Website: www.cinematicaudiobooks.com Binge on all of our audio shows at atlantafringe.org/fringe-audio or wherever you enjoy podcasts.  

5-19-26 Spurs steal Game 1 of the Western Conference Finals against the Thunder, in cinematic fashion

Buried on one of Bob Dylan's lesser 80s albums, "Brownsville Girl" is consistently cited as one of his greatest and most ambitious songs. Co-written by playwright/screenwriter/director/actor Sam Shepard, the song originally came to life as "New Danville Girl”. It was recorded, put aside, and then ultimately rewritten and overdubbed before finally seeing the light of day.Laura and Rebecca talk about creative collaboration, the alchemy of the songwriting process, and what we love about "Brownsville Girl"Find the video of this conversation over on YouTubeRead Bill Lattanzi's essay that we're referring to over at the Dylan Review.Find out more about Mason Moreno's research into the Dylan/Shepard Tapes over on the Infinity Goes Up on Trialpodcast.Read Sam Shepard's play True Dylan over on Esquire.Watch Gregory Peck's entire speech introducing Bob Dylan here.If you have a question for us, send us a voice memo to bobdylanhotline@gmail.com.For anything else get in touch at itsdefinitelydylan@gmail.comGet your Definitely Dylan baseball cap here.You can support Definitely Dylan on Patreon or with a one-off donation at buymeacoffee.com/definitelydylan.

In this episode of A Lost Plot, Andrew and Maverick delve into the classic film 'Indiana Jones: Raiders of the Lost Ark.' They discuss the film's impact on the adventure genre, analyze the characters of Indiana Jones and his rival René Belloc, and explore the dynamics of supporting characters like Marion and Sala. The conversation highlights the film's nostalgic elements, character development, and cultural context, providing a comprehensive review of this iconic movie. In this conversation, Andrew and Maverick delve into the intricacies of the film, discussing character dynamics, the role of villains, thematic elements, and the cultural impact of the Indiana Jones franchise. They explore how the film's structure reflects serial storytelling, the competency of Indiana Jones, and the moral complexities presented by the character of Belloc. The discussion also touches on the spiritual undertones of the narrative and the film's legacy in shaping future cinematic adventures.----------Highlights:0:00 ‘Raiders of the Lost Ark' Introduction5:24 Opening Scene10:08 Indiana Jones21:35 Marion & Sallah34:15 Raising the Stakes38:46 The Villains46:52 The Climax50:20 Themes & Messages58:24 Lasting Impact#indianajones #raidersofthelostark #alostplot #filmreview #jungleadventure 

Tony, Emmy and five-time GRAMMY-Award nominated singer, songwriter and actor Josh Groban shares tracks from his new album called CINEMATIC, and discusses his upcoming tour. Album cover courtesy of Reprise Records Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Hello Beautiful, I'm so grateful you're here with me.

Cinematic smoky soul rock singer-songwriter Alexandra Wright shares about her debut album release titled, “Bartering with the Mirror.” Follow along with Alexandra on Instagram.Check out her award winning video for Colorado on her website.Share your thoughts on this episode in the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Write Songs You Love Facebook Community⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ group.To join the Write Songs You Love Member calls, visit ⁠⁠⁠https://writesongsyoulove.substack.com/⁠⁠⁠ to expand and nurture your creativity!

We take a deep dive into indie cinema's biggest success story: production company A24. Plus, we discuss its latest hit, the non-rom-com The Drama.ReferencesThat needle drop in The Drama we mentioned: "Inside Out" by Jesse Rae

In a long-awaited catch-up, singer, songwriter and actor Josh Groban stops by the Q studio to talk about his upcoming album Cinematic. The record is a tribute to the iconic soundtracks of some of his favourite films, from The Lion King to James Bond. He tells Tom about his touching collaboration with his father on the record, what it was like to play Sweeney Todd on Broadway given his lifelong love of Stephen Sondheim, and his spontaneous cameo at this year's Oscars.

durée : 00:31:51 - par : Elodie Suigo - Tous les jours, une personnalité s'invite dans le monde d'Élodie Suigo. Vendredi 8 mai 2026, l'auteur, compositeur et interprète américain, Josh Groban. Son nouvel album, "Cinematic" sort aujourd'hui. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Josh Groban joins the Billboard Pop Shop Podcast to chat about his new album "Cinematic," where the chart-topper pays tribute to music from the silver screen, including "Can You Feel the Love Tonight," "Moon River" and "As Time Goes By." Plus, hosts Katie and Keith discuss chart news from Noah Kahan and Ella Langley. Learn more about your ad choices. Visit megaphone.fm/adchoices

"Flume investigates the acoustic behaviour of a regulated river segment through a post-cinematic compositional approach. The piece originates from a field recording made inside the concrete tube of a fish pass, where water striking the walls produces a narrow resonance between A and B♭. This unstable microtonal field becomes the structural centre of the work. Granular and spectral processes, sine tones, and slowly drifting accordion drones performed on two slightly detuned instruments reorganise the recording into an evolving acoustic space. Rather than depicting the site, the composition amplifies its latent resonances, pressure, and spatial constraints. Section of the river Lech reimagined by Anja Kreysing. -------Flow is a creative exploration telling the story of a river through the power of sound. The project is a collaboration between the University of Padova and the University of Würzburg, with support from Cities and Memory. Explore the full project at https://citiesandmemory.com/flow.

Recorded live on location at RENDR 2026 in Banana Block Belfast, we caught up with acclaimed filmmaker Fede Álvarez, the director, writer and producer behind genre-defining features including Evil Dead, Don't Breathe and Alien: Romulus.In this in-depth conversation, he discusses breaking into Hollywood from Uruguay, working with iconic horror franchises and the key moment he reassessed his career. Fede has collaborated with some of the industry's biggest names, including Ridley Scott, and reflects on the success of Alien: Romulus, the evolution of genre filmmaking, and the cinematic worlds he enjoys building.If you want to watch the video recording of this talk, check out the episode page here.We are delighted to present this very special speaker series in partnership with RENDR Festival and supported by the National Talent Academy for VFX, recorded in The Spinners Mill Studio. Fede ÁlvarezDirector, writer & producer Federico Javier Álvarez Mattos is a Uruguayan filmmaker whose directorial debut was the 2013 remake of Evil Dead, which he also wrote. The film starred Jane Levy, Shiloh Fernandez and Lou Taylor Pucci, and opened at number one at the box office. Following the success of his first film, Alvarez wrote, directed and produced the hit genre film Don't Breathe. The film premiered to rave reviews, grossed over $157 million globally.Alvarez also directed and wrote the action-crime film The Girl in the Spider's Web, starring Claire Foy and LaKeith Stanfield, based on the characters from the bestselling Stieg Larsson series, The Girl with the Dragon Tattoo. He also produced and wrote Don't Breathe 2 and later produced and wrote the 2022 film Texas Chainsaw Massacre, which premiered at number one on Netflix's Top 10 list. On the TV side, Alvarez created, directed and wrote the Apple TV+ series Calls, an English adaptation of the French series of the same name.Most recently, Alvarez's film Alien: Romulus, which he wrote, directed and executive produced, was released in the summer of 2024, starring Cailee Spaeny, David Jonsson, Isabela Merced, Archie Renaux, Spike Fearn and Aileen Wu. The film is a standalone instalment in the Alien franchise and follows a group of young people on a distant world who find themselves in a confrontation with the most terrifying lifeform in the universe. The film grossed over $350 million worldwide and received positive critical acclaim. It won Best Horror Film at the Saturn Awards, received a Golden Globe nomination for Cinematic and Box Office Achievement, and an Oscar nomination for Best Visual Effects.RENDR FestivalThis is a unique event celebrating creative craft and artistry in a fully immersive two-day festival exploring the space between Creativity and Technology. Ignite your imagination with inspiring speakers from the worlds of Film, Gaming, Animation, Immersive, and more! Learn from the best, with 30+ creatives from the likes of Netflix, Pixar, Walt Disney Studios and Epic Games among others.National Talent Academy for Visual EffectsAs the newest of the Academies, the National Talent Academy for VFX provides support and opportunities for anyone interested in a career in VFX. Launched in 2024, the National Talent Academy for VFX is an initiative of Fis Eireann/Screen Ireland, managed by Cultural & Creative Industries Skillnet. Their mission is to transform aspiring VFX artists into industry-ready professionals while providing ongoing upskilling opportunities for current talent.Through comprehensive courses and programmess, we introduce participants to best practices both locally and globally, creating clear pathways and solidifying Ireland's reputation as a premier destination for VFX. The National Talent Academy for VFX is dedicated to attracting individuals from diverse backgrounds and disciplines, fostering greater awareness of VFX as a viable and exciting career choice. Learn more about the work they do here. Over the years, the podcast has featured acclaimed guests such as Phyllida Lloyd, Lenny Abrahamson, M. Night Shyamalan, John Boorman, Saoirse Ronan, Colin Farrell, Aisha Tyler, Colm Meaney, Paul Reiser, Niamh Algar, David Freyne, Ciarán Donnelly, Joshua Oppenheimer, John Crowley, Niamh Algar, Gene Stupnitsky, and Terence Davies, alongside many of the most influential voices working in film and television today.So make sure to subscribe and listen back! Hosted on Acast. See acast.com/privacy for more information.

Episode 133 - Pack your bags, and get ready to possibly leave Japan if you can survive the journey through the dark bamboo forest. This week we wrap up our month in Japan by watching and discussing Kuroneko (1968). Directed by Kaneto Shindo, Kuroneko is a classic Japanese supernatural story set during a time of civil war in Japan. After two women are murdered by a gang of samurai, the samurai go mysteriously missing one by one at the hands of a couple of local ghosts. Does a local cat have anything to do with it? Tune in to find out what QQ thinks.And tune in next week as Pete brings us the theme of Top Dog, and for the first week we are watching Firebrand (2023)email us at mracfilmclub@gmail.com

Billie Eilish llega a la pantalla grande con Hit Me Hard and Soft en 3D, y la conversación va mucho más allá del concierto.En este episodio platicamos con Ana Pau Hall, creadora de contenido musical y oficialmente nuestra Billie Eilish mexicana, sobre Hit Me Hard and Soft, lo que significa ver un concierto en cine y por qué Billie se ha vuelto una de esas artistas que no solo se escuchan: se viven.También hablamos de meet & greets, fandoms intensos, artistas que brincan de la música al cine, James Cameron dirigiendo conciertos en 3D y de esa pregunta que nos quedó dando vueltas: ¿cuándo una película concierto deja de ser solo un concierto grabado y se vuelve una experiencia de cine?Si eres fan de Billie, este episodio es para ti.Y si no, capaz sales entendiendo por qué tanta gente sí lo es.

Big week for the Diamond Hogs! They went 3-1 and capped it off with a huge series win over Ole Miss, thanks to a truly cinematic finish that had fans on the edge of their seats. Momentum is definitely building!"

Greetings strangers, queer and pleasant. Come hear another episode of our podcast. Starring Laura Kate Magnet-Dale & Jane Aerith Magnet-Dale. A couple of queer, trans ladies who enjoy being very very silly. In this episode: Vampire Crawlers Exit 8 007 First Light Hitpig and more. You can get early access to episodes of Q&PS over on patreon.com/stonedmonkeyradio Q&PS t-shirts available here: www.redbubble.com/shop/ap/79965780 www.redbubble.com/shop/ap/79965063 Also, if you'd like to pick up our book - based on the awful nonsense of Supremacy Software, it will be available again soon and an audiobook is currently being recorded.

¡Ni los infantes a 29.94fps podrán detenernos!¡Porque es lunes y SpreadShotNews Podcast ya llegó! En este episodio: Nico continua a paso firme por Fire Emblem: Awakening. Maxi por su parte tiene un Addendum de Ace Combat 5: The Unsung War y despues nos cuenta sobre Legendary Pilots y arranca propiamente dicho el The Legend of Heroes: Trails of Cold Steel II. En el Rapid-Fire, tenemos noticias sobre el flamante sindicato anunciado en el desarrollador de Magic: The Gathering Arena, Project Helix potencialmente siendo afectado por el RAMpocalypse (como todo el mundo), PlayStation hace una movida muy confusa al respecto de las licencias digitales de juegos, Denuvo y 2K Games vs los piratas (y una decision pesima) y la IP de Wuchang: Fallen Feathers tiene nuevo dueño. Para el Hot Coffee, utilizamos un articulo de Aftermath como disparador para hablar de la situacion aparentemente precaria en la que se encuentran las finanzas del Fondo Publico de Inversion de Arabia Saudita y sus aledaños y como eso puede llegar a impactar los multiples sectores de la industria de videojuegos. Para finalizar, en el Special Move, Maxi nos recomienda el ultimo episodio de Ask Hank Anything con Simone Giertz , y Nico nos recomienda un canal de youtube llamado LT Gaming . Por último, recuerden que nos pueden escribir preguntas directamente a través de google forms en el siguiente link: spreadshotnews.com/preguntas

Ep. 391: Michael Lee Nirenberg on Cinematic Immunity, his new oral history about New York filmmaking crews Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. This week I go behind the scenes with filmmaker and author Michael Lee Nirenberg, whose new book Cinematic Immunity is an oral history of New York filmmaking of a different sort. Rather than directors or screenwriters, Nirenberg interviewed crew members across departments—and decades—to recount the making of movies like The French Connection and Do the Right Thing, shows like Pee-Wee's Playhouse and The Sopranos, and generally the ethos of working with Sidney Lumet or Spike Lee. As our conversation demonstrates, we were able to delve into stories and anecdotes that offer different perspectives and angles on film culture and the esprit de corps of studio filmmaking. “Cinematic Immunity: An Oral History of New York Filmmaking As Told by the Crews That Got the Shot” is available for purchase online and in bookstores. Also, the Frank Perry film that's mentioned, Last Summer (1969), is screening on May 3 at the Paris Theater. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

After a couple of “LONG Stories,” we explore the oxytocin-inducing storytelling of the late great Rob Reiner

This week, we discuss Kurosawa's "Yojimbo," a film that blends Western grit with Japanese flair, redefining genre boundaries with sharp humor and raw action. This episode explores the film's Western influences, Kurosawa's skillful use of visuals, and Toshiro Mifune's magnetic presence. Discover how clever audio and visual signals guide viewers through suspenseful twists, while we discuss the film's lasting impact on cinema.

Episode 132 - Pack your bags, and make sure you pack lightly because you might have to walk 200 miles across Burma. This week we are watching and discussing The Burmese Harp (1956), a story of a Japanese soldier in WW2 Burma. After the war ends, the solder, Mizushima, goes through a spiritual transformation and adopts the lifestyle of a buddhist monk. A classic Marco choice, join us as we go through our own spiritual quest and break this one down.And tune in next week as we wrap up Critical Japanese History month with Kuroneko (1968)email us at mracfilmclub@gmail.com

The unbelievable insider stories of how they “got the shot,” Cinematic Immunity tells the story of New York City's movie industry from the crew members who created the sets, lit the scenes, and shot the film. Focused on the golden age (1950-1990) of New York filmmaking, Cinematic Immunity covers On the Waterfront through The Sopranos. The East Coast film industry, thousands of miles from the Los Angeles executives, existed by its own rules and with little oversight. It was a close-knit and freewheeling community of movie technicians that took on the most outrageous challenges to get every shot perfect. Behind-the-scenes documentaries and books feature “above the line” talent—actors, producers, directors, and writers. For the first time, readers will hear the unvarnished truth of the New York movie industry—tales about union politics, labor strikes, movie families, dangerous locations, difficult shots, volatile directors, anecdotes about actors, pranks, friendships, rivalries, generational shifts, substance use and abuse, technical feats, and more. Readers will hear never heard before stories about classic (and not so classic) films and television shows including: Midnight Cowboy, The Warriors, The French Connection, The Exorcist, The Godfather, The Wiz, The Taking of Pelham 123, Annie Hall, Cruising, Do The Right Thing, When Harry Met Sally, Home Alone 2, The Sopranos, and Law and Order. Expect to discover secrets about how your favorite scenes were shot and the outrageous characters with outsized talents whose personalities sometimes dwarfed actors and directors. Tales of their exploits, what they saw (and did) on these sets was previously only passed among themselves as showbiz lore but now, readers learn of Marlon Brando's pranks on the set of The Godfather, how crews kept William Friedkin from killing them, the actors, and himself, and how consummate New Yorker Sidney Lumet was the angel to Friedkin's demons. Michael Lee Nirenberg has worked as a scenic artist in New York since 2006, and in many cases, alongside many of the people featured in the book. This book is a labor of love comprised of over 150 interviews and hundreds of hours of recordings. Cinematic Immunity includes hundreds of behind-the-scenes images from studio archives and from the technicians who were there. Daniel Moran's writing about literature and film can be found on Pages and Frames. He earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing and co-hosts the long-running podcast Fifteen-Minute Film Fanatics, found here on the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The unbelievable insider stories of how they “got the shot,” Cinematic Immunity tells the story of New York City's movie industry from the crew members who created the sets, lit the scenes, and shot the film. Focused on the golden age (1950-1990) of New York filmmaking, Cinematic Immunity covers On the Waterfront through The Sopranos. The East Coast film industry, thousands of miles from the Los Angeles executives, existed by its own rules and with little oversight. It was a close-knit and freewheeling community of movie technicians that took on the most outrageous challenges to get every shot perfect. Behind-the-scenes documentaries and books feature “above the line” talent—actors, producers, directors, and writers. For the first time, readers will hear the unvarnished truth of the New York movie industry—tales about union politics, labor strikes, movie families, dangerous locations, difficult shots, volatile directors, anecdotes about actors, pranks, friendships, rivalries, generational shifts, substance use and abuse, technical feats, and more. Readers will hear never heard before stories about classic (and not so classic) films and television shows including: Midnight Cowboy, The Warriors, The French Connection, The Exorcist, The Godfather, The Wiz, The Taking of Pelham 123, Annie Hall, Cruising, Do The Right Thing, When Harry Met Sally, Home Alone 2, The Sopranos, and Law and Order. Expect to discover secrets about how your favorite scenes were shot and the outrageous characters with outsized talents whose personalities sometimes dwarfed actors and directors. Tales of their exploits, what they saw (and did) on these sets was previously only passed among themselves as showbiz lore but now, readers learn of Marlon Brando's pranks on the set of The Godfather, how crews kept William Friedkin from killing them, the actors, and himself, and how consummate New Yorker Sidney Lumet was the angel to Friedkin's demons. Michael Lee Nirenberg has worked as a scenic artist in New York since 2006, and in many cases, alongside many of the people featured in the book. This book is a labor of love comprised of over 150 interviews and hundreds of hours of recordings. Cinematic Immunity includes hundreds of behind-the-scenes images from studio archives and from the technicians who were there. Daniel Moran's writing about literature and film can be found on Pages and Frames. He earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing and co-hosts the long-running podcast Fifteen-Minute Film Fanatics, found here on the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

The unbelievable insider stories of how they “got the shot,” Cinematic Immunity tells the story of New York City's movie industry from the crew members who created the sets, lit the scenes, and shot the film. Focused on the golden age (1950-1990) of New York filmmaking, Cinematic Immunity covers On the Waterfront through The Sopranos. The East Coast film industry, thousands of miles from the Los Angeles executives, existed by its own rules and with little oversight. It was a close-knit and freewheeling community of movie technicians that took on the most outrageous challenges to get every shot perfect. Behind-the-scenes documentaries and books feature “above the line” talent—actors, producers, directors, and writers. For the first time, readers will hear the unvarnished truth of the New York movie industry—tales about union politics, labor strikes, movie families, dangerous locations, difficult shots, volatile directors, anecdotes about actors, pranks, friendships, rivalries, generational shifts, substance use and abuse, technical feats, and more. Readers will hear never heard before stories about classic (and not so classic) films and television shows including: Midnight Cowboy, The Warriors, The French Connection, The Exorcist, The Godfather, The Wiz, The Taking of Pelham 123, Annie Hall, Cruising, Do The Right Thing, When Harry Met Sally, Home Alone 2, The Sopranos, and Law and Order. Expect to discover secrets about how your favorite scenes were shot and the outrageous characters with outsized talents whose personalities sometimes dwarfed actors and directors. Tales of their exploits, what they saw (and did) on these sets was previously only passed among themselves as showbiz lore but now, readers learn of Marlon Brando's pranks on the set of The Godfather, how crews kept William Friedkin from killing them, the actors, and himself, and how consummate New Yorker Sidney Lumet was the angel to Friedkin's demons. Michael Lee Nirenberg has worked as a scenic artist in New York since 2006, and in many cases, alongside many of the people featured in the book. This book is a labor of love comprised of over 150 interviews and hundreds of hours of recordings. Cinematic Immunity includes hundreds of behind-the-scenes images from studio archives and from the technicians who were there. Daniel Moran's writing about literature and film can be found on Pages and Frames. He earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing and co-hosts the long-running podcast Fifteen-Minute Film Fanatics, found here on the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Support Night Clerk Radio on Patreon Okay, the accelerated release schedule continues for another month! Time to cram 'em in! In this episode, we're checking out a 2025 article covering “Cinematic Doom Jazz.” This curation effort from Philippe Blache for Igloo Magazine highlights and categorizes dozens of doom and dark jazz bands and ensembles from the past 20+ years. It features everything from early 2000s trip hop inspired tracks to more recent releases from Cryo Chamber. The article is linked below. Please give it a read and check out the artists featured. Music Sampled Dead city centres from Perdition city by Ulver Main Article The cinematic impulse of doom jazz ambient music, neo-noir psychological thrillers, and haunting music Credits Music by: 2MelloArtwork by: Patsy McDowellNight Clerk Radio on Bluesky

In this ScreenFish 1on1 Interview, co-directors Mark Linfield and Vanessa Berlowitz discuss ORANGUTAN, exploring the film's unique approach to wildlife storytelling and the role of Josh Gad as host. They examine the myth of orangutans as solitary animals and what sets DisneyNature films apart from other docuseries, including relatable storytelling that reflects human traits. The conversation also delves into the challenges of cinematography in difficult environments and how it captures the emotional and behavioral nuances of these incredible primates.ORANGUTAN streams on Disney+ on Wednesday, April 22nd, 2026 in Canada.

Episode 131 - Your bags are packed, but hopefully you packed a proper sword, because this week we dive into a couple of classic samurai films with Harakiri (1962) and the required supplemental Samurai Rebellion (1967). You won't want to miss this episode since one of these films joins the elite MRAC Honors society which has been given to only two other films that we all unanimously rated it a minimum of 10/10. Which one is it? Tune in to find out. Also tune in to hear a very special guest and fellow Japan enthusiast, Ettore San, coming at us live from Japan. If you enjoy hearing Marco nerd out on Japanese history then you are in luck because he has a partner in crime for this one.And tune in next week for Sansho the Bailiff (1954)email us at mracfilmclub@gmail.com

Cosplayer/Femme Fatales Kat Godsey & Kristin Breaux join me for a discussion of our favorite Femme Fatales from the movies, starting in the 1930s and ending in present day. It's a great panel with lots of deadly ladies.

Welcome to Decorating the Set: From Hollywood to Your Home with Beth Kushnick!  This week on Decorating the Set, Beth and Caroline sit down with Michael Nirenberg, author of the new bestseller, Cinematic Immunity: An Oral History of New York Filmmaking As Told by the Crews that Got the Shot.  This is a MUST LISTEN TO episode for anyone that loves behind the scenes stories. Cinematic Immunity has amazing stories collected from the storied history of NY filmmaking! A big thank you to Michael for his time and sharing his work with us, he was a wonderful guest! Amazon Link to Book (https://www.amazon.com/Cinematic-Immunity-History-Filmmaking-Crews/dp/1627311718) Publisher Link to Book (https://feralhouse.com/cinematic-immunity/) The Interview with Michael begins at Time Code: 3:11 Join the Decorating the Set Community by subscribing to our Official Facebook Group (https://www.facebook.com/groups/decoratingthesetpodcast)! Interact with Beth, Caroline, Producer Mike, and all of the DTS listeners! GUEST BIO: MICHAEL NIRENBERG  Michael Lee Nirenberg is a filmmaker and writer. He has directed several music videos and the award-winning documentary Back Issues: The Hustler Magazine Story, about the history of the magazine, where his father served as creative director in the seventies and eighties. Mr. Nirenberg has also written for several well-known magazines and websites. Since 2006, he has worked as a freelance scenic artist on countless mainstream movies and television shows you've seen. His blog about the environment and climate change can be found at againstnature.org, which he plans to get back to when this book is done. His first book Earth A.D.: The Poisoning of the American Landscape and the Communities That Fought Back was released in July 2020. He has directed music videos and the award-winning documentary Back Issues: The Hustler Magazine Story. Mr. Nirenberg has contributed to national magazines and websites. Since 2006, he has worked as a scenic artist in IATSE local 829. Follow Michael on Instagram: @nirenberg.v2 ABOUT CINEMATIC IMMUNITY: Cinematic Immunity tells the story of New York City's movie industry from the crew members who created the sets, lit the scenes, and shot the film. Focused on the golden age (1950-1990) of New York filmmaking, Cinematic Immunity covers On the Waterfront through The Sopranos. The East Coast film industry, thousands of miles from the Los Angeles executives, existed by its own rules and with little oversight. It was a close-knit and freewheeling community of movie technicians that took on the most outrageous challenges to get the shot.  Readers will hear the unvarnished truth of the New York movie industry—tales about union politics, studio bullshit, movie families, dangerous locations, complex shots, volatile directors, plus anecdotes about actors, pranks, friendships, rivalries, generational shifts, substance use and abuse, technical feats, and more. Includes stories about classic (and not so classic) films and television shows including: Midnight Cowboy, The Warriors, The French Connection, The Exorcist, The Godfather, The Wiz, The Taking of Pelham 123, Annie Hall, Cruising, Do The Right Thing, When Harry Met Sally, Home Alone 2, The Sopranos, and Law and Order. ### For over 35 years, Beth Kushnick has created character-driven settings for countless award-winning television series and feature films. As a Set Decorator, she’s composed visuals that both capture and enhance any story. Now, she wants to help you capture and enhance YOUR story. Join Beth and her co-host, Caroline Daley, each week as they go behind the scenes of Hollywood's magic, and give you approachable, yet sophisticated tips to realize the space that best expresses who you are. ### Follow Beth Kushnick on Social Media:  Instagram: @bethkushnick Twitter: @bethkushnick Website: BethKushnick.com Beth is the Decorator By Your Side and now, you can shop her Amazon Store! CLICK HERE! Follow Caroline Daley on Social Media: Twitter: @Tweet2Caroline Website: PodClubhouse.com ### Credits: “Giraffes” by Harrison Amer, licensed by Pod Clubhouse. This is an original production of Pod Clubhouse Productions, LLC. Produced, engineered and edited at Pod Clubhouse Studios. For more information, visit our Website.

RJ Decker isn't just another TV drama — it's the kind of character‑driven storytelling that reminds us why we fall in love with television in the first place. In this Over the Teacup Sunday episode, Michael and Diane dive deep into the world of RJ Decker: the grounded lead, the emotional weight he carries, the supporting cast that elevates every scene, and the finale that quietly sets the stage for something bigger.Then, around the 2/3 mark, they pour a fresh cup and shift into a lively round‑up of this week's season finales — including the Scrubs reboot, High Potential, The Pitt, and a few others that had them yelling at the TV (in the best way).In this episode, you'll learn:What makes RJ Decker one of the most compelling shows of the yearHow character‑first storytelling is making a comebackWhy finales in 2026 feel more intentional, emotional, and boldWhat the Scrubs reboot is getting surprisingly rightHow High Potential delivered a twist that actually landedWhy The Pitt is building toward a cliffhanger worth talking aboutPerfect for listeners who love: Cinematic storytelling • TV analysis • Warm, intentional conversation • Sunday rituals • Culture, connection, and character‑driven showsThis podcast uses the following third-party services for analysis: Podcorn - https://podcorn.com/privacy

This week, we're stepping into The Others, a gothic ghost story that proves you don't need jump scares to create unforgettable horror. We explore the film's eerie atmosphere, its masterful use of silence and shadow, and the slow-building tension that keeps you constantly on edge. Anchored by a chilling performance from Queen of Movies Nicole Kidman, The Others is a lesson in restraint, mood, and storytelling. Join us as we discuss what makes this film such a timeless haunted house classic — and why sometimes the scariest thing is what you can't see.   We are joined by Mel of Cinematic Doctrine! Check out more of Mel here: https://cinematicdoctrine.com/ https://open.spotify.com/show/724zyb5pPvy3tcckemkRRO?si=c31d005713a145f4 https://www.youtube.com/@CineDoctrine https://www.instagram.com/cinematicdoctrine/     Follow Us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠: @horrorhourwiththehannas   Music by Aries Beats - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/watch?v=DPpnxLYrzVA⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  

It's a special week at Seaweed Brain! This week we welcome JASON ENSLER, our first ever DIRECTOR onto the pod! We learned so much about Jason, from how to create character arc through the photography of the shot and the physics of framing, to the importance of embracing versatility, curiosity, and an endless beginner's mind in your creative work. NOT TO MENTION, very serious discussion on what yall know was our Most Important Shot of the season... Kronos Sarcophagus 45 degree tilt. We hope you enjoy this conversation as much as we did! Be sure to follow Jason @JasonEnsler1 on Instagram and Threads!Like this content? Support our podcast on Patreon! There you'll find exclusive episodes, access to our exclusive Patron Discord server, episode outlines, live watch parties, and more!! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/seaweedbrain⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Don't wanna subscribe? You can always buy us a coffee: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://ko-fi.com/seaweedbrainpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow our show:Instagram ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@SeaweedBrainPodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@SeaweedBrainPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@EricaSeaweedBrain⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@SeaweedBrainPodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/Seaweedbrainpod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Check out our merch shop! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.teepublic.com/stores/seaweed-brain-podcast?ref_id=21682⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠