Podcasts about Cinematic

The World of Warcraft news cycle has begun with the approach of their Midnight expansion Cinematic. WoW plans to get rid of Addons, going the FFXIV route and freeing themselves of their ever escalating arms race. WoW has also claimed massive success with their recent One Button rotation option. Final Fantasy XIV has sales down by 23%, but what does that even mean? We watched Kpop Demon Hunters, Dandadan and more.

4pm Hour: Jason hosts another exciting edition of his game show - Card DeSharks! Then Charlie Oakes joins him to review the new film "Weapons" and talk about what's on tap for the rest of the summer.

Jason talks with his Gen Z film critic Charlie Oakes about the new movie "Weapons". Plus it's been a huge summer for film - what's coming next? (Photo by Mike Coppola/Getty Images for Warner Bros. Pictures)

The relationship between the city and cinema is formidable. The images and sounds of the city found in movies are perhaps the only experience that many people will have of cities they may never visit. Films influence the way we construct images of the world, and accordingly, in many instances, how we operate within it. Cinematic Cairo: Egyptian Urban Modernity from Reel to Real offers a history of Cairo's urban modernity using film as the primary source of exploration, and cinematic space as both an analytical tool and a medium of critique. Cairo has provided rich subject material for Egypt's film industry since the inception of the art form at the end of the nineteenth century. The “reel” city—imagined, perceived, and experienced—provides the spatial domain that mirrors change and allows for an interrogation of the “real” city as it encountered modernity over the course of a century.Bringing together chapters by architects and art and literary historians, this volume explores this parallel and convergent relationship through two sections. The first uses films from the 1930s to the end of the twentieth century to illustrate the development of a modern Cairo and its modern subjects. The second section is focused on tracing the transformation of the cinematic city under conditions of neoliberalism, religious fundamentalism, and gender tensions. The result is a comprehensive narrative of the urban modernity of one of the most important cities in the Arab world and Global South. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

The relationship between the city and cinema is formidable. The images and sounds of the city found in movies are perhaps the only experience that many people will have of cities they may never visit. Films influence the way we construct images of the world, and accordingly, in many instances, how we operate within it. Cinematic Cairo: Egyptian Urban Modernity from Reel to Real offers a history of Cairo's urban modernity using film as the primary source of exploration, and cinematic space as both an analytical tool and a medium of critique. Cairo has provided rich subject material for Egypt's film industry since the inception of the art form at the end of the nineteenth century. The “reel” city—imagined, perceived, and experienced—provides the spatial domain that mirrors change and allows for an interrogation of the “real” city as it encountered modernity over the course of a century.Bringing together chapters by architects and art and literary historians, this volume explores this parallel and convergent relationship through two sections. The first uses films from the 1930s to the end of the twentieth century to illustrate the development of a modern Cairo and its modern subjects. The second section is focused on tracing the transformation of the cinematic city under conditions of neoliberalism, religious fundamentalism, and gender tensions. The result is a comprehensive narrative of the urban modernity of one of the most important cities in the Arab world and Global South. Learn more about your ad choices. Visit megaphone.fm/adchoices

The relationship between the city and cinema is formidable. The images and sounds of the city found in movies are perhaps the only experience that many people will have of cities they may never visit. Films influence the way we construct images of the world, and accordingly, in many instances, how we operate within it. Cinematic Cairo: Egyptian Urban Modernity from Reel to Real offers a history of Cairo's urban modernity using film as the primary source of exploration, and cinematic space as both an analytical tool and a medium of critique. Cairo has provided rich subject material for Egypt's film industry since the inception of the art form at the end of the nineteenth century. The “reel” city—imagined, perceived, and experienced—provides the spatial domain that mirrors change and allows for an interrogation of the “real” city as it encountered modernity over the course of a century.Bringing together chapters by architects and art and literary historians, this volume explores this parallel and convergent relationship through two sections. The first uses films from the 1930s to the end of the twentieth century to illustrate the development of a modern Cairo and its modern subjects. The second section is focused on tracing the transformation of the cinematic city under conditions of neoliberalism, religious fundamentalism, and gender tensions. The result is a comprehensive narrative of the urban modernity of one of the most important cities in the Arab world and Global South. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The relationship between the city and cinema is formidable. The images and sounds of the city found in movies are perhaps the only experience that many people will have of cities they may never visit. Films influence the way we construct images of the world, and accordingly, in many instances, how we operate within it. Cinematic Cairo: Egyptian Urban Modernity from Reel to Real offers a history of Cairo's urban modernity using film as the primary source of exploration, and cinematic space as both an analytical tool and a medium of critique. Cairo has provided rich subject material for Egypt's film industry since the inception of the art form at the end of the nineteenth century. The “reel” city—imagined, perceived, and experienced—provides the spatial domain that mirrors change and allows for an interrogation of the “real” city as it encountered modernity over the course of a century.Bringing together chapters by architects and art and literary historians, this volume explores this parallel and convergent relationship through two sections. The first uses films from the 1930s to the end of the twentieth century to illustrate the development of a modern Cairo and its modern subjects. The second section is focused on tracing the transformation of the cinematic city under conditions of neoliberalism, religious fundamentalism, and gender tensions. The result is a comprehensive narrative of the urban modernity of one of the most important cities in the Arab world and Global South. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

The relationship between the city and cinema is formidable. The images and sounds of the city found in movies are perhaps the only experience that many people will have of cities they may never visit. Films influence the way we construct images of the world, and accordingly, in many instances, how we operate within it. Cinematic Cairo: Egyptian Urban Modernity from Reel to Real offers a history of Cairo's urban modernity using film as the primary source of exploration, and cinematic space as both an analytical tool and a medium of critique. Cairo has provided rich subject material for Egypt's film industry since the inception of the art form at the end of the nineteenth century. The “reel” city—imagined, perceived, and experienced—provides the spatial domain that mirrors change and allows for an interrogation of the “real” city as it encountered modernity over the course of a century.Bringing together chapters by architects and art and literary historians, this volume explores this parallel and convergent relationship through two sections. The first uses films from the 1930s to the end of the twentieth century to illustrate the development of a modern Cairo and its modern subjects. The second section is focused on tracing the transformation of the cinematic city under conditions of neoliberalism, religious fundamentalism, and gender tensions. The result is a comprehensive narrative of the urban modernity of one of the most important cities in the Arab world and Global South. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

The relationship between the city and cinema is formidable. The images and sounds of the city found in movies are perhaps the only experience that many people will have of cities they may never visit. Films influence the way we construct images of the world, and accordingly, in many instances, how we operate within it. Cinematic Cairo: Egyptian Urban Modernity from Reel to Real offers a history of Cairo's urban modernity using film as the primary source of exploration, and cinematic space as both an analytical tool and a medium of critique. Cairo has provided rich subject material for Egypt's film industry since the inception of the art form at the end of the nineteenth century. The “reel” city—imagined, perceived, and experienced—provides the spatial domain that mirrors change and allows for an interrogation of the “real” city as it encountered modernity over the course of a century.Bringing together chapters by architects and art and literary historians, this volume explores this parallel and convergent relationship through two sections. The first uses films from the 1930s to the end of the twentieth century to illustrate the development of a modern Cairo and its modern subjects. The second section is focused on tracing the transformation of the cinematic city under conditions of neoliberalism, religious fundamentalism, and gender tensions. The result is a comprehensive narrative of the urban modernity of one of the most important cities in the Arab world and Global South. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

Greg and Dan talk with Jenny Parkhurst from the Peoria Riverfront Museum about the upcoming event, “Silent Films from MoMA: Lady Windermere’s Fan,” taking place on Friday, August 16. The evening begins with a reception at 5:30 PM, followed by the screening at 6:30 PM. This special presentation, in partnership with the Museum of Modern Art (MoMA), showcases the timeless art of silent cinema. Lady Windermere’s Fan tells its story entirely through expressive body language, facial expressions, and the emotive power of music. The film will be accompanied by a live performance from the Peoria Symphony Orchestra, creating an immersive and acoustically enriched experience that brings the classic film to life in a modern setting. For tickets and more information, visit www.peoriariverfrontmuseum.org.See omnystudio.com/listener for privacy information.

Brian's an out-of-work actor. He's not very good. He once played a tree in Emmerdale. But one day, while cleaning out his loft, he falls, bangs his head, and wakes up… in the body of Tom Cruise. Only thing is — Tom's just died on the set of Mission: Impossible 8 after trying to do a stunt involving a flaming jet ski, a nun, and the moon.#karlpilkington#tomcruise

In the second chapter of the D&D Actual Play Adventure Dice Company: The Ungovernables 2... The Ungovernables have been framed for a crime they didn't commit...

Explore the most incredible movies that debuted in 1980, a remarkable year for film. Highlights include classics like The Shining, The Empire Strikes Back, and The Blues Brothers, among other cinematic gems. #1980 #movies #TheShining #TheEmpireStrikesBack #TheBluesBrothers #cinema #filmhistory #iconicfilms See show notes: https://inlet.fm/weird-history/episodes/688fa3f079592218f51c6c56 Learn more about your ad choices. Visit podcastchoices.com/adchoices

The exciting collaboration between Alamo Drafthouse and Sony Interactive Entertainment as they launch "The Way of the Samurai" film series.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

We're joined by award-winning Actor/Producer Blair Underwood and Director/Producer/Author Joe McClean to talk about their new novel, Sins of Survivors, written by Joe and presented by Blair. The book brings Black Bottom back to beautiful and sweeping life through the story of The Carter family. Fictional brothers Jasper and Ben whose heart wrenching journey brings them north to Detroit during the Great Migration. The Carters take root, raise families and bloom into neighborhood kingpins in a once vibrant, but redlined area that was bulldozed in the 1950s to put in a freeway.Joe unpacks how his deep research and a love of overlooked history shaped the Carter dynasty story in which two very different but fiercely loyal brothers face a shifting landscape and the rippling impact of their shared trauma on the next generation. Black Bottom, once a hub of Black resilience and ingenuity under strict and brutal segregation  becomes the perfect backdrop for a sweeping saga of survival and criminal enterprise.Blair shares how he chooses which projects to champion, he reflects on his own remarkable career (L.A. Law, Gattaca, Deep Impact, Sex and the City), and shares  his Obama related history! Joe ponders his personal approach when writing screenplays vs. novels and shares a powerful story connecting the haunting legacy of “Strange Fruit” to our current political moment.We also explore the hidden history of Detroit's underworld, from its prohibition-era bootlegging routes to the layered decades of Black Bottom's rise and fall under so-called “urban renewal.”Crime, family bonds and cultural touchstones coalesce in this tightly written work of fiction that reflects the real struggles of black experiences, painting a vivid portrait of a unique time and place in our shared American history.In recommendations--Weezy: Stick, Apple TV+ SeriesFritz: Movie, Sunday Best on NetflixPath Points of Interest:Sins of Survivors by Joe McClean and Blair UnderwoodSins of Survivors Audiobook PreviewJoe McClean on WikipediaJoe McClean on InstagramBlair Underwood on WikipediaBlair Underwood on IMDBBlair Underwood on InstagramStickSunday Best - NetflixMedia Path Podcast

On this episode we wanted to see a depiciton of people resisting fascim, so we're looking at an Robert Kramer's Ice (1970). It's our first American film in this series and the resistance we're seeing comes from a cell of New York Urban guerillas. They are fighting a dystopian version of the Nixon administration and its illegal war of imperialism in Mexico. Kramer's film is less a straightforward dystopia thriller than a raw document of the fractured leftist movements trying to organize within the belly of U.S. empire in the late 1960's. Kramer's handheld, on-location shooting style and use of non-actors offers a time capsule not just of American radicalism in 1970, but of filmmaking that rejects Hollywood polish for a Cassavetes style immediacy. Ice is uniquely embedded in the struggles it portrays; Kramer and his peers were activists themselves, not just chroniclers. The result is a film that forgoes easy allegory or procedural clarity and instead immerses viewers in the skepticism, paranoia, and possibility of revolutionary change at a time when history felt radically contingent. Follow us at: Patreon / Instagram / Letterboxd / Facebook 

Want Sam's Guide to Create Irresistible Content? Get it here: https://clickhubspot.com/skv Episode 730: Sam Parr ( https://x.com/theSamParr ) and Shaan Puri ( https://x.com/ShaanVP ) talk about the trend of cinematic content creators on TikTok and YouTube. — Show Notes: (0:00) Creator Camp (7:41) Wesley Wang's Viral Short Film (17:00) The Iron Snail (20:08) Michael MacKelvie (24:52) Ryan Trahan's Candy Commercial Masterpiece (27:20) Different Is Better Than Better — Links: • Creator Camp - http://creatorcamp.co/ • nothing, except everything. - https://www.youtube.com/watch?v=hif5eI5pBxo • Batmalle - https://www.instagram.com/reel/DK1n403ok0k/ • The Iron Snail - https://www.youtube.com/@TheIronSnail • Michael Mackelvie - https://www.youtube.com/@MichaelMacKelvie • “We Need To Talk” - https://www.youtube.com/watch?v=ImQ1nY0y9HA • Joyride - https://www.joyride.com • STICKS - https://www.youtube.com/@STICKS — Check Out Shaan's Stuff: • Shaan's weekly email - https://www.shaanpuri.com • Visit https://www.somewhere.com/mfm to hire worldwide talent like Shaan and get $500 off for being an MFM listener. Hire developers, assistants, marketing pros, sales teams and more for 80% less than US equivalents. • Mercury - Need a bank for your company? Go check out Mercury (mercury.com). Shaan uses it for all of his companies! Mercury is a financial technology company, not an FDIC-insured bank. Banking services provided by Choice Financial Group, Column, N.A., and Evolve Bank & Trust, Members FDIC — Check Out Sam's Stuff: • Hampton - https://www.joinhampton.com/ • Ideation Bootcamp - https://www.ideationbootcamp.co/ • Copy That - https://copythat.com • Hampton Wealth Survey - https://joinhampton.com/wealth • Sam's List - http://samslist.co/ My First Million is a HubSpot Original Podcast // Brought to you by HubSpot Media // Production by Arie Desormeaux // Editing by Ezra Bakker Trupiano

Immersed – A Cinematic Immersive Album by Justin Gray, 60min,. Canada Directed by Justin Gray, Michael Fisher Justin Gray's Immersed is a groundbreaking cinematic album that transforms how audiences experience music. Composed, recorded, and produced as an immersive audio experience, the album features 38 artists from Toronto and around the globe, placing listeners at the center of a three-dimensional global orchestra. https://www.instagram.com/justingraysound/ Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

The director of the critically acclaimed “No Sleep Till” discusses the inspiration behind her locally shot and set film.

It's all things Fantastic Four this week, we're bringing you in-depth box office analysis and pre-sales performance comparisons, and a deep dive on the audience, before we look ahead at The Naked Gun, seeing how comedy in cinemas shapes up in the modern market, along with comparative analysis and marketing recommendations to make the most of it this week on Behind the Screens.Topics and times:Box office year-to-date analysis - 0:16Fantastic Four box office overview - 1:30Fantastic Four pre-sales comparisons with debut - 3:25Fantastic Four critical and audience reception - 4:30Fantastic Four audience analysis - 5:50Bad Guys 2 and The Naked Gun pre-sales tracking - 10:13The important of comedies in cinemas - 12:34The Naked Gun comp title analysis and marketing recommendations - 13:30Next week - 17:30Find us at https://www.linkedin.com/company/vista-group-limited/, and follow lifeatvistagroup on Instagram

In the first chapter of the D&D Actual Play Adventure Dice Company: The Ungovernables 2... The Ungovernables get a high-profile mission from Rosalind, but mysterious eyes are watching them...

We all know movies where "it's like the city is another character," and we understand what that means when a location has a big personality like New York, Tokyo, or Paris... but what about the more unknown cities out there? Elliott helps us brainstorm some filmic personalities for less-heralded locationsTickets for Flop TV Season 3 are ON SALE STARTING TODAY! Watch our once a month (Sept-Feb) video livestream show where we discuss a movie, do an "informative" presentation, answer questions from the chat, and toss in a few pre-produced video surprises! It's like a TV version of our show, but more so! This year the theme is FLOPSTERPIECE THEATER, and we'll be discussing one significant bad movie per decade from the 2000s back to the 1950s! Dip your toe in with a single-show ticket, or get a discount with a full season pass!Subscribe to our NEWSLETTER, “Flop Secrets!

For our final episode in this summer's Drive-In series, we review the film, "Hook," a cinematic endeavor released in 1991, which features the esteemed talents of Robin Williams and Dustin Hoffman. We engage in a critical discourse regarding the film's unjust placement on the list of poorly rated movies, as evidenced by its subpar score on Rotten Tomatoes. Our examination delves into the narrative elements, character arcs, and thematic undercurrents that contribute to the film's enduring appeal, particularly in relation to the themes of nostalgia, familial bonds, and the importance of childlike wonder. As we explore our personal connections to the film, we articulate our perspectives on its merits and shortcomings, striving to ascertain whether its critical reception aligns with our own sentiments. Ultimately, we invite listeners to reflect on their interpretations of "Hook," as we navigate the complexities of nostalgia and cinematic critique in our discussion.The dialogue centers around the cinematic exploration of 'Hook,' a film that presents a reimagined narrative of Peter Pan, now portrayed as an adult grappling with the responsibilities of life. The hosts express their disbelief at the film's low Rotten Tomatoes rating, which they categorize as a profound injustice against a film that resonates deeply with themes of nostalgia and the complexities of adulthood. Their discussion unveils the intricate layers of the plot, which follows Peter's journey from a work-obsessed lawyer back to the world of Neverland, where he confronts the infamous Captain Hook, a character brought to life by the talented Dustin Hoffman.Throughout the podcast, the hosts engage in a reflective analysis of the film's thematic elements, particularly the dichotomy between childhood innocence and adult responsibilities. They underscore the importance of imagination and the loss of one's youthful spirit, positing that these concepts are pivotal to the film's narrative. The hosts also critique certain aspects of the film, such as its pacing and length, suggesting that a more concise structure could enhance its overall impact, yet they remain steadfast in their admiration for its emotional depth.In wrapping up their discourse, the hosts invite listeners to reassess 'Hook' not merely through the lens of critical reviews but as a profound exploration of the human experience. They emphasize the film's ability to evoke powerful emotions and provoke thought, ultimately urging audiences to embrace its messages about family, adventure, and the enduring power of imagination.Takeaways: The film 'Hook' explores the theme of rediscovering one's childhood and the importance of imagination, as Peter Pan learns to reconnect with his inner child. Critics have often dismissed 'Hook' as a failure, yet the film resonates deeply with audiences who appreciate its nostalgic value and emotional depth. The portrayal of Captain Hook in 'Hook' adds complexity to the character, showcasing his desire for revenge and reclamation of honor, rather than presenting him as a one-dimensional villain. Despite its low Rotten Tomatoes score, 'Hook' features strong performances, particularly by Robin Williams and Dustin Hoffman, contributing to its enduring appeal and cultural significance. .We discuss all this and more in this one! Join in the conversation with us on Discord now!.Support our show on Captivate or Patreon, or by purchasing a comfy T-Shirt in our

For our Musicians-Turned-Actor cycle "Two Shot", Madeline, Emilio and Julian are swinging for the fences with an unexpected pair of films - Penny Marshall's 1992 baseball classic 'A League of Their Own' and Olivia Wilde's 2022 release 'Don't Worry Darling', featuring acting performances by Madonna and Harry Styles, respectively.  The cohosts are joined by Emilio's pop culture literate sister Maria-Elena to make some connections between these two films, one a unanimous home run, the other... perhaps a base hit.  They discuss the ways each film uses and considers their respective celebrity musician's star power, how both films theme of women's empowerment is conveyed to viewers, the small moments characters have that are meant to convey more, and the moments and details that both delight and leave us with more questions than answers.  Doris and Mae are a couple, right?  And who between these two films appears to be a "gaslighting gatekeeping girl boss" in waiting?Listeners: AS A CHILD, WHAT MOVIE LIVED IN YOUR VCR (OR DVD PLAYER) FOR WEEKS AT A TIME?  Respond here to this question (or with any other feedback too!), and we'll compile your responses and share our own thoughts in an upcoming episode!https://docs.google.com/forms/d/e/1FAIpQLSfjZUC7GOu2-tOXhnbvtfboNBeSZ9LqLBxkIIUo-keD1eqKew/viewform?usp=dialogIf you enjoy our podcast, please rate and review us on your podcast platform of choice. This really helps us find new listeners and grow!Follow us on IG and TikTok: @sleeplesscinematicpodSend us an email at sleeplesscinematicpod@gmail.comOn Letterboxd? Follow Julian at julian_barthold and Madeline at patronessofcats

The politics of the James Bond franchise serve as a focal point for this episode, wherein Christian Ashley engages in a profound discussion with Brandon Knight about the intricate interplay of espionage and international relations depicted across the series. They delve into how the narratives reflect historical sentiments, particularly post-World War II, and how the portrayal of villains, often emblematic of contemporary political fears, has evolved over time. The conversation touches upon the characterization of Bond himself, exploring his role as a British agent navigating the moral complexities of his assignments while engaging with adversaries that symbolize broader ideological conflicts. We further examine the evolution of female characters within the franchise, considering both their historical representation and the attempts to foster more nuanced roles in recent installments. This episode not only illuminates the political undercurrents inherent in the franchise but also invites listeners to reflect critically on the implications of these portrayals in the context of modern geopolitics.The podcast episode presents a meticulous examination of the James Bond franchise through a political lens, inviting listeners to reflect on the nuanced relationship between popular culture and international relations. Hosted by Christian Ashley, featuring returning guest & former host, Brandon Knight, the discussion navigates the complexities of Bond's character as a representation of British values and the ideological battles that have defined global politics since World War II. The hosts delve into the origins of the franchise, exploring how the narrative of a suave British secret agent emerged in a post-war context, often serving as a response to the perceived threats posed by communism and other global adversaries.The conversation also scrutinizes the portrayal of villains within the Bond universe, analyzing how these characters embody the fears and anxieties of their respective historical moments. From the Cold War to the present day, the hosts discuss how the franchise has adapted to reflect contemporary geopolitical concerns, including the rise of terrorism and the complexities of modern warfare. Ashley and Knight encourage listeners to critically engage with these narratives, questioning the ethical implications of espionage and the glorification of violence that permeates the franchise.Furthermore, the episode addresses the evolution of gender representation within the Bond series, acknowledging the criticisms leveled against its treatment of female characters while recognizing strides made in recent films. Through this multifaceted discussion, the hosts invite audiences to contemplate the broader social and political messages embedded within the James Bond narrative, urging a deeper understanding of the interplay between entertainment and the realities of global politics.Takeaways: The James Bond franchise reflects the geopolitical landscape of its time, particularly during the Cold War. Ian Fleming's experiences as a World War II spy significantly influenced his portrayal of espionage and political themes. The evolution of female characters in the Bond films indicates a gradual shift towards more nuanced representations of women. The portrayal of villains in the Bond series has transitioned from clear-cut enemies to more complex adversaries over time. The discussion highlights the balance between entertainment and the portrayal of serious political issues in spy narratives. The franchise's ability to adapt to changing societal norms and expectations is crucial for its continued relevance. .We discuss all this and more in this one! Join in the conversation with us on Discord now!.Support our show on

In this week's Interview Classic episode from five years ago (7-16-2020), PWTorch editor Wade Keller interviewed former WWE Creative Team member Matt McCarthy, a former member of the WWE Creative Team (and professional stand-up comedian who has appeared on “Conan” and many commercials) to discuss the WWE Swamp Match and in general the trend to do pre-taped heavily-produced “Cinematic” style wrestling matches. Then he provided his insights into WWE's booking approach for each of the scheduled matches on Sunday including Drew McIntyre vs. Dolph Ziggler, the Eye for an Eye match with Rey Mysterio and Seth Rollins, Apollo Crews vs. MVP, Asuka vs. Sasha Banks for the Raw Title, and Bayley vs. Nikki Cross for the Smackdown Title.Become a supporter of this podcast: https://www.spreaker.com/podcast/wade-keller-pro-wrestling-podcast--3076978/support.

In this milestone episode of Tales From Hollywoodland, the crew sits down with legendary screenwriter Carl Gottlieb to celebrate the 50th anniversary of Jaws—the groundbreaking film that redefined the modern blockbuster. Gottlieb shares behind-the-scenes stories, insights into writing the Jaws screenplay, and what it was like working with Steven Spielberg during the making of the […] The post Carl Gottlieb on Writing Jaws — 50 Years of a Cinematic Classic | Tales From Hollywoodland appeared first on The ESO Network.

In this milestone episode of Tales From Hollywoodland, the crew sits down with legendary screenwriter Carl Gottlieb to celebrate the 50th anniversary of Jaws—the groundbreaking film that redefined the modern blockbuster. Gottlieb shares behind-the-scenes stories, insights into writing the Jaws screenplay, and what it was like working with Steven Spielberg during the making of the iconic 1975 thriller. Dive deep into the legacy, impact, and continued relevance of Jaws—a film that forever changed Hollywood filmmaking and summer cinema. We want to hear from you! Feedback is always welcome. Please write to us at  talesfromhollywoodland@gmail.com and why not subscribe and rate the show on Apple Podcasts, Spotify, iHeartRadio, PlayerFM, Pandora, Amazon Music, Audible, and wherever fine podcasts are found.  #CarlGottlieb #Jaws50 #JawsMovie #JawsAnniversary #StevenSpielberg #HollywoodHistory #Screenwriting #ClassicCinema #BehindTheScenes #MoviePodcast #TalesFromHollywoodland #BlockbusterMovies #1975Cinema #MakingOfJaws

In an all AEW pod, Dangerous Duke and Stevie Jobber talk about fallout from AEW All In Texas! From Start to finish, the downs of Adam Cole to the ups of Adam Page, with a few chair shots in between!Follow us on TiktTok, Instagram, Youtube and even check out our website using the link below.⁠⁠https://linktr.ee/dangerousjobberspodcast

❤️ In the Seventy-ninth Chapter of the D&D Actual Play Adventure Dice Company: Small Embers... A decision is made on Shale's Air Fleet and the future of the Rebellion...

In this episode Ceri is joined by the incomparable John Smith—artist-filmmaker, mischievous narrator, cinematic magician. Over the past five decades, John has created more than 60 award-winning films, videos and installations that have screened in cinemas and museums around the world, from MoMA in New York to Tate Modern, and earned him honours including the Jarman Award and a Paul Hamlyn Foundation Award for Artists. Often funny, always astute, his work reshapes how we see and hear the world. In this conversation, John shares how growing up in East London in the 50s and 60s fuelled his anti-authoritarian streak, how he stumbled into art school via psychedelic paintings and audacity, and how humour became his Trojan horse for smuggling serious ideas into unsuspecting minds. KEY TAKEAWAYS Being rebellious is fuel for creativity. Humour is a great way to break down barriers, including artistic ones. When you connect with your audience your confidence and creativity grows. Art is about communication. Your old work can resonate with new audiences, so use it. Working through illness, if you can physically do it, is hard but rewarding. Be true to yourself in your work. Integrity beats commercialism. At times you will work within limitations, embrace those situations. You will learn a lot. BEST MOMENTS “The power of language and storytelling is so strong that when we are told something we can't help but half believe it.” “That film was made in the context of people making work, which was anti illusionistic, was which had its intention to undermine the illusion of cinema and make us realise that that that cinema is manipulating us.” “Humour absolutely is a survival mechanism.” “The market is a fickle beast…so, you have to make work you love, regardless.” EPISODE RESOURCES https://johnsmithfilms.com https://www.instagram.com/theotherjohnsmith PODCAST HOST BIO With over 30 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals. **** The Artist Mastermind Circle: Ready to stop second-guessing and start building momentum in your art career? Applications are now open for the next Artist Mastermind Circle—a six-month coaching programme for mid-career artists who are serious about growing their confidence, income, and opportunities. Apply by 21 July at https://cerihand.com/artist-mastermind-circle/ and take the next bold step. Ceri Hand Coaching Membership: Group coaching, live art surgeries, exclusive masterclasses, portfolio reviews, weekly challenges. Access our library of content and resource hub anytime and enjoy special discounts within a vibrant community of peers and professionals. Ready to transform your art career? Join today! https://cerihand.com/membership/ **** Build Relationships The Easy Way Our self-study video course, "Unlock Your Artworld Network," offers a straightforward 5-step framework to help you build valuable relationships effortlessly. Gain the tools and confidence you need to create new opportunities and thrive in the art world today. https://cerihand.com/courses/unlock_your_artworld_network/ **** Book a Discovery Call Today To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com **** Discover Your Extraordinary Creativity Visit www.cerihand.com to learn how we can help you become an extraordinary creative. This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

FECK. DEADMAU5 powers down mid set. Aw, fuck. Oh, man. Did you forget to plug in the Deadmau5. I forgot to plug in the Deadmau5. Quick, create a diversion. Make it look like part of the show! STAFFERSON opens the charging port on JOEL's neck and plugs him in. He's not going to make it through the full set on charge mode, bro. I know. So what are we supposed to do. We're just going to have to play with him… MAU5 glitches uncontrollably at extremely reduced capacity throughout the remainder of the set. The 32B commences. LATER. DEADMAU5 charges in SLEEP MODE in THE DUNGEON. Do you think anyone noticed? Probably not. SAUFERSON! Did you forget to charge the Deadmau5 again?! THE BOSS enters THE DUNGEON lividly. No… You DID! Sorry. It's not entirely {Enter The Multiverse} Young Joel Zimmerman is eight years old. He will one day become one of the world's most renowned dance music producers. This is somewhat evident in his personality even at such a young age. JOEL grimaces uncomfortably. He seems somewhat different from his classmates— maybe even years beyond his age. About… 250 years beyond his age, to be precise. The adults watch in the distance with peaking curiosity. Oh. I need you to help me with something. What. This should do it. Hmm. Wait here. Why. Because. L E G E N D S Book One: Secrets Chapter One “The Wonder” Cinematic visions had been sweeping through my mind in vivid and dynamic glitches, something like a rolling wave of intercepted streams and shattered scenes— sleeping through the vile and sharp pains was not an option, but the visions were fluid as they always were, and the spirit stayed remarkably warm and close. I couldn't understand the constant knowing of it all, and so I weathered the storm, to which only somewhat delightfully, seemed to brew inside of Genie's eyes as he looked into mine. All I could know from beforehand was that he was praying, head bowed and very adamantly, his hands tied together as if the religiousness of the entire world rests in between his two clenching palms, the flat fingers of a whispered saint, but none at all— unholy man and righteous and indignant he, there was nothing so little as time that could put between us the doing and undoings. The things I pretended not to know. On this grueling occasion, there was this, the honorable and beloved Genie, sitting heavily on my consious. It hadn't been long enough since we'd last met that I ever thought to welcome his arrival, and yet for days, he had been encroaching his authority over me, something like a loon approaches moonlight. Somewhat dignified in a slight comparison to his last appearance, visionary or otherwise, he meant well. Gene DeLaney was a subtle old fool when he wanted to be— and a clever young one at most other and all times. A man of stature and status, however, he was poorly groomed in the nature of procuring revelations as such from an especially distant medium such as I— and even with his ties to the mark and surface of the full embodiment of the source, his alignments were of no use; I was sworn to secrecy. Destitute, though I had heeded his warnings about dear Louis, our fellow brother, with the markings of such wounds to see it that I had been betrayed, he appealed with a simple aching plea with the protective fury and exhalation of an older brother, which— to that he was—but also with the weathered and fearful of the unknown which made me keep my ways in the old world and not with the new. Despite what Gene could know, which could be everything or nothing, with the expectation that much like the little girl I nearly was in considerate comparison, I would appeal to this protectiveness, and truthworthiness, and it might as well have been a test of such myself; would I lie to him, even if he knew the truth? And furthermore, would I continue to conspire to protect Louis even if the whole of the truth was known in the wake of such a betrayal, and still— why? The why was really two parts of a greater whole, the first being that it was a matter of simple trust and loyalty on the one side in that were I Louis, I'd expect my keeping's to remain, and in the same stone's throw were I Genie, I'd expect his wants to be that I should do the same for him in all and any of his many hours of need. Still so, they were men, and they were brothers— and one to have the upper hand over another was a considerable part of the dynamic, however, and in many more ways than one, Genie outranked Louis in every matter of the sort, but besides this factor, the second part of the greater whole of my withholding, was this— Louis Greenworth was a very, very powerful man— beyond by some comprehension to most of us, if not and especially our kind, and I had already been hurt. Severely wounded, even, and with the knowing that this latest event might as well have been fatal— and probably was, with any recollection of the matter or the reorientation in the aftermath of such, I might have been approached as myself by Gene entirely new. As to say, to no avail such ties to death is the immortal, death being, most misunderstood by many, almost any kind of thing taking the concious mind or the spirit into any other world, or space, or time. With this love and care considerably so, Genie might have had his own personal motivations for prying into the light; his kind eyes and his handsome face, however, were trained in the art of my undoing, and having already been undone, and done over, I remained entirely in the safety of withholding, also knowing that Genie more likely than not what Louis had carried out. In all my thousands of years, perhaps even in the billions of such before time and world, and words, and glory, though I should have nothing to fear—I feared and admired the both of them deeply, one moreso than the other in matters of fear. I withheld feverously, coping with the loss of the satisfaction it might give Genie to have told. Instead, neither satisfied nor dissatisfied, he simply dissappeared, his kind eyes gone and turned away into the fog of the murky night haze. The relief was, however, that this was in understanding, and neither anger or the severity of severance. I loved them all too deeply for the bond to ever have been truly broken, and in return I had been loved throughout all time with all the colors of the world. Victoria Shriver-DuPont Gene DeLaney Louis Greenworth Faye Reginald Harper Chapter Two “Slip” Faye had warned me early on no matter what I did or what I knew of Louis and his keepings, to always let him win—at anything. To Louis, everything was a game, or rather, a competition, and it was important not to challenge his self riteousness and dutiful outlook. “Alright.” I almost always certainly trusted Faye, and certainly always at the very least understood her procurements. She was a worthy keeper and just as well unearthed truths, even well beyond just the earthly plane. I took it as such that we had become beyond surface matters, very distinctly and immidiately. The times were changing, but the ties no less the same— there were vows taken and oaths, mantras and fields of trust— the inner ties and the outer forests of what we could reproach as unknown— the truth was, it was almost as if there were doses of those kinds of tonics I could take, and others I could not. The lengths at which Faye Reginald Harper Downings went on behalf of her mark were a cunning sting on my inner knowings, still, I yielded to her bargains. She knew Louis better than I did, and either way, the more you knew about a man like Louis Greenpoint, the less you actually wanted. In such a case, we were all astounded to have become each other's jobs— hence the title, Keeper. My mark had no true title, as I just, rather was. A true immortal, I had been prone to dying for quite some time, and with each passing mark the outer world became more haunting and bizzare. Was I the ghost, or not? In this time and now, it was the others. Genie had warned me to run in the opposite direction of Louis, and by then it had already gone to far— and besides that, Ms. Downings had arrived sheer months ahead of time, seeming to have moved mountains to have come upon the dawn to report— the dawn, being, my awakening. I had lived and lived again and to this alone I was a ghost, but had been tied to my dear keepers and brethren as an admirer— and also, perhaps, to be admired, which was just enough reflected in my dear heart's eyes as it was the cold truth of the seers and the keepers— and the darker the under becomes, the more glistening the surface, and truly, in the caverns of the harsh light of the dawning, I could only amask that it had been not days and night since my last parting, as sometimes, generations— another marker for what was all to come, the knowing that I would be sheathed in truth. What Louis had taken Faye might have very well taken with it, but I was undauntingly and hideously unchanged from my oath. These things, even betrayal, were to remain, as I undone, as secrets. In truth, the Seeker's oath is not yet in the unkept truth, but in the disguise of the awakening it brings. Genie was belonged to by a power couple—Louis in this sense was also belonged to, but in a wary way to that these ties had been severed, and crossed, and cut, and broken; In my arrival, entire times had been shattered and worlds set to move in a backwards fashion, the sun as shining as to rise in the west, and set east, or to raise to the north with no southward bound to travel. There, in the time of my arrival, things had been ruined, and though coming as any does with the bearing of a name, Victoria Shriver-DuPont, to be called— I was nonesuch to any title at all. In this lies the betrayal, and in the dawn of my awakening there beconed the call of this man, dear brother Louis as not either his name or his title any, but of his calling. There, the truth had also been shattered and met with the time to call all of our brothers, as keepers and wishers, seers and seekers, knowers and keepers, to guide the light which calls. Chapter Three: “Gene Hope” As Televamgelests go, Gene DeLaney was not your average showman, either religiously nor by any given standards. His chosen stage name, or rather, bestowed harrowed the scene's Prince of Megatropolis, a gesture that all things reachable could be heard and felt by his voice and might. But more to know about Gene Hope—actually by law, Gene DeLaney were his highly publicized personal effects and efforts—appearances, connections, and politics. Well groomed in the art of culture and confirm, Gene had hoped to portray an otherwise arbitrary anyman, and yet was still in his way, a remarkable celebrity. There were wordless forms of nonconformity and rebellious ambition in his sheer collusion and pace. His walk, the elegance of a loyal court man, and the actual reverence of a madman, made him the go-to guy for all things knowing. The cruelty of it, being, that not particularly tied to that of the believes and mantras of a religious man, and in that the duty of nature being the times that we cross paths. The knowing but not all that is known, and thus, the keeping. I want to fold myself over in half I'm so in music with you I want to say words that make you laugh I'm so in music with you I don't know I don't know I don't know I don't know I don't know wholesome no more I don't know I don't know I don't know I don't know If I should open the door I'm lost to your world; But I don't want to go. I'm stuck in your notebook So wrong for you code But this is no (Recommended) friendship This is no means to an end I want the beginning of never ending But this? I just want it to end I'm as scared and as sorry As bad as I was I'm up in my bedroom, which hasn't a door I'm up in my head, and I haven't a code I wanted to get on the boat But the ocean was gorgeous And all the world kept me afloat You know I got no reason to act out It's tragic how magic just happened to pan out We're still drifting as Pangea, I wanted you to leave Just so that I could be there. You wanted potion for control You got it? I'm stuck in your notebook, So open the door You're right, She's adorable, all for you So goes the snow one and so As you throw the door, or the bone I called it a home for the force that was locking it all away I don't want nothing but wanting and wanting And I don't ant love I just wanted a sub direction This is just glimpses of perfect And glimpses of persons And glimpses of lessons This is just getting in heads, and more headaches And bed frames And glitches Santa Barbara, Ann Arbor— All the days and all the days and all thof ways Were still drifting away like Pangea (Only to do whatever you say) I was your heachache This wasn't monotony If it's all autonomy wel then someday, Maybe you'll make me For now I'm just an artificial Figment of this existence Joel wants a girl But Ive never been loved like a girl (I don't know how to be) And if whoever wants a woman When a man gives me the whole of it And only whatsoever then shall I amount to anything And anything at all, if love Is in the eyes and hands In either daughter or a son I've ‘M nothing at all If not a mother And I'm no mother at all, so Everything becomes impossible as one [The Festival Project™ ] {Enter The Multiverse} L E G E N D S: ICONS Tales of A Superstar DJ The Secret Life of Sunnï Blū Ascension Deathwish -Ū. Copyright The Festival Project, Inc. ™ & The Complex Collective © 2015-2025 All Rights Reserved

In this week's Interview Classic episode from five years ago (7-7-2020), PWTorch editor Wade Keller is part of two distinct segments.First is a new discussion that week with former pro wrestling radio show host and convention promoter John Arezzi who talks about his new tell-all books, his new website wrestling history project, his return to pro wrestling with new podcasts, and reflections on his history of podcasting. Then Arezzi and Keller talk about the Pandemic Era of pro wrestling, Cinematic Wrestling in the context of wrestling history, the Undertaker documentary series, whether Major League Baseball can learn from pro wrestling in terms of operating safely or are the two situations just too different, and more.Then in the second half of the show, we present a September 19, 1992 episode of Arezzi's radio show with Wade Keller and Dave Meltzer as guest analysts discussing controversies including Bill Watts butting heads with top stars in WCW.Become a supporter of this podcast: https://www.spreaker.com/podcast/wade-keller-pro-wrestling-podcast--3076978/support.

What does cinematic mean to you? Carlyn Hudson https://www.carlynhudson.com/ joins Matt and Oren fresh off completing her latest short, "Waffle".Is cinematic just a slick look? Is it about lighting? Or is it whatever Midjourney gives you when you ask for a cinematic style? It's always a party when these three are together, with lively discussion, interesting perspectives, and free thrown punches. And our partners in banter spar over all the different layers that make cinematic more than any one thing. And how it's different, arguably different, for different people!It all opens into a side discussion about this summer's movies: Jurassic Park, F1, and of course Danny Boyle's "28 Years Later". What do you think about its "Trainspotting" look, jaw-dropping $75 million (no kidding) budget, and how Instagram is shaping believability. You won't want to miss this fun and thoughtful episode!---Matt's Endorsement: Pocket Dispo Lens https://pocketdispo.com/ for your DSLR or mirrorless camera.Oren's Endorsement: The Nintendo Switch 2, because it's fun without the addiction. Especially "Mario Odyssey". Toiletry bags with 2 zippers that double as your shower caddy. Carlyn's Endorsement: Support the Kerr County (Texas) Flood Relief Fund https://cftexashillcountry.fcsuite.com/erp/donate/create/fund?funit_id=4201 Hosted on Acast. See acast.com/privacy for more information.

Send us a text In this episode, we dive headfirst into the lush, cinematic dreamscape of Eldorado, Electric Light Orchestra's breakthrough concept album from 1974. Jeff Lynne leads us on a fantastical journey through escapism, orchestral rock, and storytelling at its finest. From the haunting elegance of “Boy Blue” to the sweeping grandeur of “Eldorado Finale,” this episode dissects why Eldorado marked a turning point for the band—and for symphonic rock as a whole. Buckle up for a ride through a dream world powered by strings, synthesizers, and unfiltered ambition. Support the showBrowse the 33/24 Archives: Check out the backroom! Follow us: Instagram Facebook Watch us on YouTube!

Ever dreamed of marketing your Multifamily communities with the flair of a Hollywood trailer?You're not alone.In this episode of the Multifamily Collective, I unpack a powerful vision that's no longer just a dream. Artificial Intelligence is now capable of producing cinematic-quality videos—on the fly—of your apartments, common areas, and neighborhoods. And it gets better...Imagine this: the moment a resident submits their notice to vacate, your system springs into action. AI identifies a prospective renter, creates a stunning, emotionally compelling video of the available unit, and delivers it directly to that prospect—all without human hands touching a thing.This isn't science fiction. It's happening now.And if your marketing or IT department has the muscle, you don't need to outsource it. You can build it in-house. Fully choreographed. Fully automated. Fully cinematic.Emotion sells. AI delivers. Let's put the two together.

Listen Now to 120 Future Now Podcast Being the editor of the podcast, this week’s show is quite timely and  humorous, if I don’t say so myself..I do! Ido!  On the top of the news - Another interstellar object from who knows where, made of and containing who knows what? All we know is that it was forged in another star system, alien to ours. And then there is the massively intense flooding in Texas and the Midwest.  We present you with the findings of the comprehensive generalist and scientist Stefan Burns, and all the factors to consider in creating such disasterous weather..We, of course, share a few personal stories of relevance.. And then there is the Honda rocketship, a test by the company to see if they could do it. (looking good!). Dr. Future has some fun explaining how the cinematic language is key to communicating with the AI’s, and we end with a report on a strain of tomatoes that can revert thousands of generations with the twist of a gene! Why, why?? Enjoy!! Forbidden Fruit?

What it means to be a Democratic Socialist. Ko-Thi Dance Company's efforts to raise money after losing federal funding. A new series called Cinematic Sisterhood expands the influence of women in film.

This week, Andrew and Scotty are joined by their friend Meka G. from the Cinematic Nightmares podcast to discuss the movie of the moment, "Sinners". And since it's Meka's first time on the show, she gets to answer some horror questions before they get into a deep discussion on what makes "Sinners" such a talked-about movie! And of course, stay tuned until the end of the episode to hear what Scotty has chosen for their next movie!"Sinners" was directed by Ryan Coogler and stars Michael B. Jordan as Smoke and Stack, twin brothers who buy an old mill to open up a juke joint in 1930s Mississippi. But there are also some vampires in this town who decide to pay the juke joint a visit...Feel free to send us a message! What did you think of this movie? Of this episode? Support us on Patreon! - https://www.patreon.com/FunWithHorrorPodcastFollow us on social media:Facebook - https://www.facebook.com/groups/396586601815924Twitter - https://twitter.com/funwhorrorInstagram - https://www.instagram.com/fun_with_horror_podcast/FWH + Fangoria collab:For 20% off at the Fango Shop, just enter FUN_WITH_HORROR_PODCAST at checkout!

❤️ In the Seventy-eighth Chapter of the D&D Actual Play Adventure Dice Company: Small Embers... Tock receives a message from an old friend and Vander prepares for his meeting with Morticia...

Hey friends! We are back with a month of new to our feed episodes and are kicking off with a feed drop from our pals over at Cinematic Doctrine.Earlier this year, Philip was invited on to discuss what might be the quintessential American horror film The Texas Chain Saw Massacre and it was a wonderful time. Discussion topics include:How community and traditions shape usThe cost of industrializationCare for the disabledMan's brutality to one anotherand more!If you're watching along with us and logging films on Letterboxd be sure to tag your reviews "substantive cinema" so that we can read them on future shows!Tune in next week for a new episode with poet David Gate as we discuss his soon to be released book A Rebellion of Care!Follow Us:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Philip's Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠BlueSky⁠Share Your Questions/Suggestions/Feedback With Us:Email: thesubstancepod@gmail.comDM on InstagramSupport Us: Support the show with an individual donation on CashApp to $TheSubstancePod or become a monthly Patreon supporter at patreon.com/TheSubstancePod

Bear McCreary explores the magical role that movie scores have played in his life.

Is there a civics lesson in the 1996 film Independence Day? We think so. Join the Civics 101 team for a conversation about the film, its politics, and what it says about the United States and its place in the world. There's even a fire-jumping dog! WIN A NEW CAR OR 25K IN CASH DURING NHPR'S SUMMER RAFFLE! GET YOUR TICKETS HERE.CLICK HERE: Visit our website to see all of our episodes, donate to the podcast, sign up for our newsletter, get free educational materials, and more!To see Civics 101 in book form, check out A User's Guide to Democracy: How America Works by Hannah McCarthy and Nick Capodice, featuring illustrations by Tom Toro.Check out our other weekly NHPR podcast, Outside/In - we think you'll love it!

Nintendo warns Canada about a price increase, Xbox is probably bracing for layoffs, Buck Bumble is in the news, reading world chat in horny games, the point of VR, the nightmare we've found ourselves in as systems stack on top of systems which stack on top of pity systems, and more. Learn more about your ad choices. Visit podcastchoices.com/adchoices

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Filmmaking Insights, Academy Screenings, and Creative Struggles | Get Reelisms Podcast Episode 158 In Episode 158 of the Get Reelisms Podcast, hosts Adam Chase Rani and Christine Chen, both filmmakers, share advice, stories, and behind-the-scenes insights into their creative processes. Christine discusses her recent excursions to Academy screenings and encounters with industry legends like Jim Plannette, gaffer for 'ET', and Jonathan Goldstein, director of 'Dungeons and Dragons'. The duo also talks about the challenges of screenwriting, the importance of avoiding distractions, and the inspirations they draw from mundane activities like walking or driving. Additionally, Christine reflects on the impact of biased reviews on independent films, emphasizing the value of forming personal opinions about movies. The episode concludes with a reminder to support the podcast and its mission to democratize filmmaking knowledge.  Hosts: Adam Rani (@adamthechase)   & Christine Chen (@cchenmtf)  For more information about Christine Chen: christinewchen.comFor more information go to getreelisms.com For more information on ERZULIE go to: erzuliefilm.com  WEBISODE version of the Podcastgetreelisms.com 00:00 Introduction and Podcast Overview 01:12 Christine's Writing Retreat 02:16 The Creative Process and Overcoming Writer's Block 05:30 Engaging with the Audience 08:52 Christine's New Projects and Challenges 12:27 Networking and Industry Insights 18:25 Connecting with a Filmmaker 19:10 Mel Brooks' Influence on Comedy 19:50 Catching Up on Classic Films 20:40 Reviewing Recent Film Screenings 21:16 Challenges in Filmmaking 22:39 Meeting Industry Professionals 24:44 The Subjectivity of Film Criticism 26:58 The Impact of Negative Reviews 31:26 Attending Academy Screenings 36:15 Podcast Sign-Off and Encouragement Official Get Reelisms PageGet Reelisms Amazon StoreInstagram

Emilia Wickstead is a New Zealand–born, London-based fashion designer known for her refined yet playful approach to feminine dressing. Since launching in 2008, she's evolved her namesake brand from a made-to-measure model to producing seasonal ready-to-wear collections, shown at London Fashion Week for the past 13 years, and expanded into bridalwear. In this episode, Wickstead joins Senior Fashion Editor Anna LaPlaca to discuss her early design influences, the trademarks of an Emilia Wickstead piece, and how she selects artistic muses for her cinematic collections. Wickstead also shares which pieces to shop from her pre-fall collection and details on her upcoming collaborations with the Palm Heights Hotel and Paperless Post.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

No Agenda Episode 1766 - "Cinematic Ambush" "Cinematic Ambush" Executive Producers: Sandeep Chohan andrew gibbon Paul Eicken Sir Jan J-Low Associate Executive Producers: Daryce Morris Sir Pliny the Hodler Eli the Coffee Guy Sir Cumcision Linda Lu, Duchess of jobs & writer of resumes Joseph Doerfel Become a member of the 1767 Club, support the show here Boost us with with Podcasting 2.0 Certified apps: Podverse - Podfriend - Breez - Sphinx - Podstation - Curiocaster - Fountain Knights & Dames ryan nadeau > Sir Pliny the Hodler Art By: Darren ONeill End of Show Mixes: Hugh Allisson - James Bosworth - David Keckta Engineering, Stream Management & Wizardry Mark van Dijk - Systems Master Ryan Bemrose - Program Director Back Office Jae Dvorak Chapters: Dreb Scott Clip Custodian: Neal Jones Clip Collectors: Steve Jones & Dave Ackerman NEW: and soon on Netflix: Animated No Agenda Sign Up for the newsletter No Agenda Peerage ShowNotes Archive of links and Assets (clips etc) 1766.noagendanotes.com Directory Archive of Shownotes (includes all audio and video assets used) archive.noagendanotes.com RSS Podcast Feed Full Summaries in PDF No Agenda Lite in opus format Last Modified 05/22/2025 16:45:58This page created with the FreedomController Last Modified 05/22/2025 16:45:58 by Freedom Controller