Podcasts about Cinematic

This week, Scotty is joined by the always amazing Meka G., from the Cinematic Nightmares Podcast. Together, they explore the themes of divorce, adultery, and tentacled creatures as they discuss "Possession". And as always, stay tuned until the end of show to find out what's coming up next on Fun With Horror."Possession" was directed by Andrzej Żuławski and stars Isabelle Adjani and Sam Neill as Anna and Mark, a couple going through a brutal divorce. Things take a weird and dark turn as Mark increasingly suspects Anna of infidelity.Where you can find our guest - https://linktr.ee/cinematicnightmarespodcastFeel free to send us a message! What did you think of this movie? Of this episode? Support us on Patreon! - https://www.patreon.com/FunWithHorrorPodcastFollow us on social media:Facebook - https://www.facebook.com/groups/396586601815924Twitter - https://twitter.com/funwhorrorInstagram - https://www.instagram.com/fun_with_horror_podcast/FWH + Fangoria collab:For 20% off at the Fango Shop, just enter FUN_WITH_HORROR_PODCAST at checkout!

I gave a lecture about "Blending the Elements of Experiential Design" on Saturday, June 6, 2026 at Seattle XR in Seattle, Washington. (PDF of Slides]. At the end, I run through some examples of the types of interdisciplinary fusion that I see within the context of immersive storytelling and immersive art. This lecture also digs into the process-relational philosophical foundations, as well as how I'm gaining additional inspiration from Empedocles, Aristotle, and the Classical Quadrivium (Four Arts) of Math, Music, Geometry, and Astronomy. For my 30+ hours of coverage of Venice Immersive, then I apply this archetypal framework to help describe the context, quality, character, and story of each of these projects. You can see an overview of how I've been using this framework in this PDF on "Venice Immersive 2025 Archetypal Categorizations" https://www.youtube.com/watch?v=01M5NcOYzx0 One of goals of this talk was to further define the archetypal nature of the elements, and how I'm conceiving of them as a possibility space of design tradeoffs (C.S. Peirce's "Firstness"), but also as the concrete decisions that an experiential designer makes ("Secondness"), and then finally how these decisions are experienced more from a phenomenological experience as the audience as we feel, sense, act, and make sense of these experiences, and what they might mean ("Thirdness"). I do not actually dive into Peirce's concepts of Firstness, Secondness, or Thirdness in this specific talk, but I wanted to elaborate on these concepts in this write-up as these have been crucial concepts to help translate the overall abstract Firstness quality of my talk, and ground it into the Secondness of something that is a bit more practical and pragmatic. For Peirce, his semiology is grounded into a triune theory of actualization that goes from a non-Boolean possibility space as Firstness, and then grounds into a Boolean actualization of secondness, and then an interpretant mediates from the concreteness of the Secondness object back to the Firstness of the fundamental archetypal qualities or meaning. I find speculative philosopher James Bradley's summary of the Peirce's triune semiology to be the most easy to digest in his essay titled, "Beyond Hermeneutics: Peirce's Semiology as a Trinitarian Metaphysics of Communication." I can also recommend this article on "Peirce's Theory of Signs" from the The Stanford Encyclopedia of Philosophy for a comprehensive recap, and there's also this excellent YouTube series primer by Philosign's Markus Raninen titled The Basics of Semiotics. But here's Bradley's description of Firstness, Secondness, and Thirdness, which I find myself coming back to again and again. "Within the fundamental speculative triunity of activity, difference and order, or firstness, secondness and thirdness, semiology is an analysis of order or thirdness… Thirdness is analyzed as idea or sign, as the exchange of information between individual entities, and as interpretation; in other words, thirdness is itself a threefold of sign, object and interpretant. Here, sign occupies the position of firstness because it is the potentiality for interpretation; object occupies that of secondness because it is determinate; and the interpretant occupies that of thirdness because the interpretant has the sign-interpreting or sign-ordering role, and so has the status of a third. [24] Thus for Peirce semiology is the analysis of the triune relation of sign, object and interpretant." It's still a bit obtuse, and one way that I like to think about it is through the experience of communication. You have a possibility space of meaning you want to convey (Firstness of the sign/potential), then you choose specific words that convey that meaning (Secondness of the object), then someone listens to those words and phrases, and then connects those words back to a meaning space (Thirdness of the interpretant mediating between the two). For Peirce, each of the Firstness, Secondness, and Thirdness can also refer to themselves, like you can have a Firstness of Thirdness or Secondness of Firstness. It gets a little bit confusing, but I found the following graphic from Collected Essays in Speculative Philosophy (2021) by James Bradley and edited by Sean McGrath to be very useful. Within the context of immersive storytelling, then it's a semiotic process of communication of meaning where you're able to use all sorts of affordances from game design, literature, social dynamics and relations, music, film, lighting, architecture, dance, theme park design, sensory design, and embodiment. My Elemental Theory of Presence attempts to simplify this into the following: Fire Element of Active Presence: Interactivity, Agency, Game Design Air Element of Mental & Social Presence: Meaning, Semiotics, Language, Possibility, Form, Relationality Water Element of Emotional Presence: Experiential Processes, Story, Film, Music, Cycles, Time Earth Element of Environmental & Embodied Presence: Sensory, Immersive, Worldbuilding, Space I elaborate on the various philosophical frameworks that I'm leaning up within this talk that I gave on June 6, 2026, but since then I've been diving more into Peirce and his Triune Metaphysics and Semiology of Firstness, Secondness, and Thirdness, which has been a helpful framework as I've been applying the elements to my Venice Immersive Coverage and categorizing the elemental center of gravity for each of the nearly 40 projects that I covered. Again see this framework in this PDF on "Venice Immersive 2025 Archetypal Categorizations" to see how I have been thinking about each of these projects. I used this approach in the introductions for each of my podcast episodes from Venice (see the links down below). Firstness of Fire: Creativity, Novelty, Intention, Purpose, Goals, & Aristotle's Final Cause Secondness of Fire: Interactivity & Core Gameplay Loops Thirdness of Fire: Agency & Will For Active Presence Examples of Fire: Game Design, Locomotion Options: No Movement, Automatic movement, Teleportation, or free roaming. The LIVENESS of the Live, To what degree does the experience encourage the expression of will and agency? And to what degree does that alter how the narrative unfolds (narrative agency vs participatory interactive moments that customize and flavor the experience)? Adventure, Exploration, Creativity, Novelty, Freedom, Will, and Collective Action. System Dynamics, & iterative feedback loops Firstness of Air: Peirce's "Sign," Intended Meaning, Pattern & Form, Archetypal Possibility Spaces, Relationality, & Aristotle's Formal Cause Secondness of Air: Peirce's "Object" Within A Triadic Semiotic Process (i.e. a specific action, word, harmonic, or action that points to a larger meaning.) Thirdness of Air: Peirce's "Interpretant," Sensemaking Thoughts, Expectations, & Social Dynamics For Mental & Social Presence Examples of Air: Literature, Language, Semiotics, Communication, Symbols, Abstractions. Single Player vs Multi-Player, Suspension of Disbelief and Plausibility, Social Dynamics, Anticipation of the Future, Possibility Spaces, Types of Choices. Realms of Speculative Imagination, How is meaning communicated? Dialogue amongst characters, voice-over narration, environmental storytelling, non-verbal associative dream logic. Mental friction from puzzles. Rules & Mechanics. Use of certain types of AI and Conversational Interfaces with Virtual Beings Firstness of Water: Time, Cycles, Harmonics, Value, & Aristotle's "Material Cause" (in Whitehead's event ontology, then base reality is processes, relationships, and possibilities of value & not Substance) Secondness of Water: Experiential Processes That Provide Contrasts Thirdness of Water: Feelings for Emotional Presence Examples of Water: Cinematic Film Tradition, Music, Harmonics, Rhythm, Pacing, Editing, Contrasts, Emotion, Memory, Dreams, Images, Soul, Psyche, Symbols, Lighting, Mood, Collective Unconscious Firstness of Earth: Space, World, Context, & Aristotle's Efficient Cause Secondness of Earth: Environment & Worldbuilding With Situated Perspectives in that Context Thirdness of Earth: Sensory Perception & Sense of Place for Embodied & Environmental Presence Examples of Earth: Worldbuilding of a spatial context & culture. Architecture, Theater, Theme Park Design, Dance, Are you a ghost or an embodied character? Sensory Experience: Touch/Haptics, Hearing/Spatial Sound, Smells, Vision. Relation of Immersive Tech to Environment as either VR, MR, or AR. Virtual CGI vs Cinematic 180/360 Video, Again, check out this PDF on "Venice Immersive 2025 Archetypal Categorizations" to see how I've ranked nearly 40 projects from Venice Immersive 2025 on the relative elemental center of gravity. Some projects feel more like a cinematic immersive film, which would be a bit more biased towards the Water Element. Some projects are more focused on the experience of a world that was build, and more focused on the Earth Element. Some projects are asking you to Read a book together with other people, which is more focused on the Air Element. And then other more game-like experiences are focused on using interactions as their primary mode of engagement, and so they're more focused on the fire element. There are 64 total combinations of the elements in terms of the first, second, third, or four centers of gravity, and you can see the comprehensive visualization here: Technically, all four elements are always happening all at once all at the same time. However, in experiential design, then creators can emphasize and blend elements together. So I find that ranking the elements can be helpful in determining an overall center of gravity, and that looking at the first two centers of gravity can achieve a sufficient job of creating some ad hoc, immersive and "elemental genres....

[REBROADCAST FROM May 15, 2026 ] Tony, Emmy and five-time GRAMMY-Award nominated singer, songwriter and actor Josh Groban shares tracks from his new album called CINEMATIC, and discusses his upcoming tour.   Photo courtesy of the artist Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

On this week's show, Peter will be asking why the foreign office is still going after Graham Phillips, and Sarah will be grabbing the popcorn and headed to the cheap seats to talk film/book adaptations, some good, some not so good.And we'll be opening up our mailbag to discuss Sarah's best nightie (she favours pyjamas), why MPs should live a full life before entering into politics, the correct us of ‘hopefully' (let's hope we get that right) and where to go and what to see when you're visiting Berlin (according to Peter).On our reading, listening and watch list this week: •Drowned World - JG Ballard•The Last Of The Wine – Mary Renault•The Kraken Awakes – John Wyndham•American Gods – Neil Gaiman•Almansor - Heinrich HeinePlease do get in touch, email: Alas@dailymail.co.uk you can leave a comment on Spotify or even send us a voice note on Whatsapp – on 07796 657512, start your message with the word ‘alas'.Presenters: Sarah Vine & Peter HitchensProducer: Philip WildingEditor: Chelsey MooreProduction Manager: Vittoria CecchiniExecutive Producer: Jamie EastA Daily Mail production. Seriously PopularTo get in touch email alas@mailonline.co.uk, you can leave a comment on Spotify or even send us a voice note on WhatsApp - on 07796 657512 start your message with the word 'alas'Presenters: Sarah Vine & Peter HitchensProducer: Phillip WildingEditor: Chelsey MooreProduction Manager: Vittoria CecchiniExecutive Producer: Jamie EastA Daily Mail production. Seriously Popular Hosted on Acast. See acast.com/privacy for more information.

I interviewed Craig Quintero & Phoebe Greenberg about Blur on Friday, August 29, 2025 at Venice Immersive in Venice, Italy. Here is the story synopsis for Blur: "Blur presents a new myth for the modern age, where science has changed how we think about life and death. With cloning and advances in resurrection biology, we have obscured the boundaries between the living and the dead — the natural and the artificial. This extended reality theatrical production unfolds as a dreamscape, shifting between real and virtual, taking participants on a journey of reflection on grief and eternality." Here are the contextual domains that are explored: Some fundamental questions around LIFE [1] and DEATH [8]. Blur born out of a "desire to explore the emotional and ethical terrain where science, loss and imagination collide." Philosophical and ethical implications [9] of the science human cloning [9] as explored through the main story of a mother [4] who's child [5] has died [8]. Explores a speculative and imaginal space of scienced-based possibilities [9] with imagery reflecting these moral and ethical dilemmas [9] around these hybrid entities [Combination of [1] Self with [7] ]. Also the implications of taking extinct animals [8] like the Wooley Mammoth or Dire Wolf, and resurrecting them through science [9], and bringing them back to life [1]. Here is the Elemental Center of Gravity: 1st Center of Gravity of Earth Element / Environmental and Embodied Presence: Blend of Immersive VR, CGI, Cinematic 360 video, 180 video, Mixed Reality. With specific architectural modulations, live performance, and integrations of your embodiment. Some Generative AI around your representations of embodied identity. There's also a LOT of invisible spatial choreography that is happening behind the scenes in order to move a number of human bodies through a physical space without colliding into each other, whilst also creating a seamless virtually-mediate spatial journey that is also A LOT MORE VAST than the constraints of the physical space. So it really feels like being taken on an expansive journey through space and time within this piece.2nd Center of Gravity of Air Element / Mental and Social Presence: Constant perversion of expectations and experience of having the "rug pulled out from underneath you." Symbolic Dream Logic, and Theatre of the Absurd. There's a lot of abstract and semiotic associative linking that Quintero describes as a "Rauschenberg-like collage" blending and blurring together lots of various archetypal forms to communicate their message. There's definitely a narrative to be parsed, but you have to sort of piece it together as there's a lot of symbolic communication, as well as expectation-perversion that either creates a deep sense of awe and wonder, or it can also be confusion for some where the overall plausibilty throughline and suspension of disbelief results more in a break in presence from a "I don't get it" experience rather than a deepening of awe from an unbounded possibility space. Overall feels a bit like waking from a dream, and then trying to parse it. There is also a moment of a theatre-for-one encounter, and then later more of a collective experience.3rd Center of Gravity of Fire Element / Active Presence: LIVE PERFORMANCE of theatrical actors. There's some constructed locomotive agency within bounds to replicate wandering. Some more interactive parts near the end. No real agency to change the flow of the narrative4th Center of Gravity of Water Element / Emotional Presence: Cinematic VR, but also a specific cadence and pacing of the narrative. Archetypal Themes and Character Explored: Blur explores "fundamental questions of identity and selfhood, and what makes 'me' me?" The strurctures of our society and science mashed up against the dissolving and dissolution of the boundaries between the science and humanity bringing questions around the archetypal qualities that make us uniquely human. The idealized image of the human form from evolution, then gets dissolved through hybrid combinations, that is also amplified by the actual blending and blurring of communication media from MR to VR to Invidual and Collective Theatrical Performances to Architecture with bit of magic thrown in. It's a seamless use of the forms of immersive and experiential to amplify the overall themes of the piece. What is Imaginal / Virtual / Synthetic / Artificial / Eternal? vs What is Real and Mortal? Life vs Death in the context of Scientific Truths and Technological Advance. "With cloning and advances in resurrection biology, we have obscured the boundaries between the living and the dead — the natural and the artificial." Artist Statement: "Blur was born from a shared desire to explore the emotional and ethical terrain where science, loss and imagination collide.Meeting in Venice, we recognised a deep alignment in poetic storytelling and a fascination with questions raised by cloning, bioengineering and de-extinction. The work examines the human urge to transcend death and the consequences of reshaping life. Combining immersive theatre, motion capture, passthrough, VR and AR, we invite audiences into a sensorial and surreal journey — where AI, myth and grief intersect. Blur is both a cautionary tale and a meditation on fragile humanity: a boundary-pushing experience that challenges perception while grounded in universal emotions." https://www.youtube.com/watch?v=SFXTon0-tQ0 This is a listener-supported podcast through the Voices of VR Patreon. Music: Fatality

The Deep Cut team reaches a major milestone as Ben and Eli interview Deep Cut canon director Kiyoshi Kurosawa! The Japanese auteur generously answers questions about his latest film, The Samurai and the Prisoner: how does Chiyoho in this film link to Akiko in Cloud? Are the comedic moments intentional? And Eli finally gets to ask his most burning Kurosawa question: WHY ALL THE PLASTIC SHEETS?Special thank you to Ryanne Gordon, Benkei Golden, and Amaka Nwokocha from Divergent PR and translator, filmmaker, and artist Monika Uchiyama for making this episode possible.Get trapped in our FREE patreon, discord server, and our socials @ www.deepcutpod.com Timestamps:00:00 Intro03:18 Interview begins04:13 Social structures and Murashige05:47 Chiyoho in a man's world07:33 Plastic sheet09:41 Long takes and blocking12:47 Cinematic influences15:18 Comedic aspects17:02 Closing thoughts

Chapter 741 - "The Freedom To Do All Of It" ...as read by Marco Heubaum of Xandria Today we welcome Xandria guitarist and founder Marco Heubaum to the podcast! Xandria will release Eclipse this Friday, August 7th, on Napalm Records! Marco talks about the struggle to form bands in a small town, the band's early musical influences, keeping a band going through many line-up changes and having to be reinvigorated to keep creating, becoming more outspoken about political and social issues as a lyricist, and more.https://www.xandria.dehttps://napalmrecords.us/collections/xandriaDiscordPatreonSubstack Email: asthestorygrows@gmail.com Chapter 741 Music: Xandria - "The Shannon's Home" Xandria - "Kill The Sun" Xandria - "Universal" Xandria - "Colours"

Season Seven.Let that sink in for a second.Season Seven of Livi's Corner.Long before there was a podcast, there were years spent studying the box office, tracking film, television, music, audience trends, and the way stories move through culture. Then, in 2020, sitting in my little courtyard apartment in Hollywood, California, during one of the most uncertain moments any of us had ever experienced, I decided to stop dreaming about it and start doing it.I made a podcast.Seven seasons later, that little idea has grown beyond anything I could have imagined. We've expanded into new series, charted internationally—including our latest placement on the Apple Podcasts charts in Uzbekistan—surpassed one million listens this summer, and built a community of listeners from around the world. Every stream, every review, every message, every conversation... thank you. None of this happens without you.Today, we kick off Season Seven of Act Two: Women in Cinematic Transition with the 1974 classic Claudine.More than a love story, Claudine is a portrait of perseverance. It follows a Black mother navigating work, family, government assistance, and a society that continually places barriers in front of her, all while creating a home where her children can dream beyond those barriers. It's a film about ambition, survival, dignity, and the quiet determination required to build a better future.It's the perfect place to begin The Ambition Era.

◇ Wes in Indianapolis asks about things being “cinematic”, Eric from New Jersey talks alcohol at the game table, and from the archive 2021: Scott asks about compels in FATE | Hosts: Jason, Kodi, Jay & Riley ◇ 00:33◇ Welcome & Episode Summary 02:17◇ Announcements – Game Daze will be happening August 08! Sign up to run or play games for this free, fun, safe online game event at happyjacks.org/discord ◇ We will be at LFG Con! August 13–16, 2026 in Burbank California! lfg-con.com ◇ 04:00◇ Indie Designer of the Month: Matthew Nevers (he/him) of Coffee All Night Games at https://coffeeallnight.itch.io/ or https://coffeeallnight.com 04:51◇ Mailbag 1 – Wes in Indianapolis asks about things being “cinematic” 38:12◇ Mailbag 2 – Eric from New Jersey talks alcohol at the game table 52:31◇ Mailbag 3 – From the archive 2021: Scott asks about compels in FATE 71:04◇ Episode Closing 77:45◇ Music ◇ Email happyjacksrpg@gmail.com or post in our Discord server to send in your own topic or question for the show! ◇ Find us on Youtube ◇Twitch ◇Bluesky ◇Instagram ◇Facebook ◇Discord or find all our podcast feeds on your favorite Podcast platform! happyjacksrpg.carrd.co ◇ Subscribe to our Actual Play Feed! We have a backlog of campaigns in over 20 RPG systems and new games running all the time. ◇ Become a Patreon! All the money goes into maintaining and improving the quality of our shows. patreon.com/happyjacksrpg Ⓒ2026 Happy Jacks RPG Network www.happyjacks.org

Cinematographer James Laxton joins the Filmmaker Mixer Podcast to discuss the visual storytelling behind Netflix's Beef. From shaping character through composition to creating a cinematic language for emotional conflict, James breaks down the craft behind the series' acclaimed look.Filmmakers will learn how creative collaboration, camera choices, lighting, and visual intention come together to serve a story. A must-watch conversation for cinematographers, directors, film students, and creators.

What happens when a comic book artist becomes a visual effects supervisor at the forefront of filmmaking technology? In this episode, Marc Rienzo shares his journey from drawing comic book panels to creating cinematic worlds through visual effects. Along the way, we explore how the VFX industry has evolved, what AI means for the future of filmmaking, and why great storytelling will always matter more than the tools we use.

Cinematic continues to binge every project in the Marvel Cinematic Universe to prepare for Doomsday! On this episode - Chris breaks down the Disney+ series, She-Hulk: Attorney at Law, along with revealing a new level of the delicious Popcorn Rating Scale.- "Don't make me angry. You wouldn't like it when I'm angry."

Fluent Fiction - French: Parisian Rain Sparks Cinematic Romance Amidst Art Find the full episode transcript, vocabulary words, and more:fluentfiction.com/fr/episode/2026-07-24-07-38-19-fr Story Transcript:Fr: Au cœur de Paris, au Parc de la Villette, un festival de cinéma d'été attire une foule colorée.En: In the heart of Paris, at Parc de la Villette, a summer film festival attracts a colorful crowd.Fr: Le soleil commence son déclin, embrasant le ciel de teintes dorées.En: The sun begins its descent, setting the sky ablaze with golden hues.Fr: L'amphithéâtre est vivant, rempli de rires et d'une douce odeur de popcorn.En: The amphitheater is alive, filled with laughter and a sweet smell of popcorn.Fr: Parmi cette foule se trouve Émilien, un critique de cinéma timide mais passionné.En: Among this crowd is Émilien, a shy but passionate film critic.Fr: Il regarde les gens, ses yeux brillants de curiosité.En: He watches the people, his eyes shining with curiosity.Fr: Tout à coup, le ciel s'assombrit et une pluie soudaine surprend les spectateurs.En: Suddenly, the sky darkens and a sudden rain surprises the spectators.Fr: Émilien court vers un grand arbre pour se protéger.En: Émilien runs towards a large tree for shelter.Fr: C'est là qu'il rencontre Sabine, une artiste pleine d'énergie et de vie, cherchant elle aussi un abri.En: It's there that he meets Sabine, an artist full of energy and life, also seeking cover.Fr: Ils échangent un sourire complice, brisant la glace fragile entre eux.En: They exchange a knowing smile, breaking the fragile ice between them.Fr: "Tu aimes les films ?En: "Do you like movies?"Fr: ," demande Sabine avec un sourire lumineux.En: asks Sabine with a bright smile.Fr: "Oui, beaucoup," répond Émilien, un peu hésitant mais enchanté.En: "Yes, a lot," replies Émilien, a little hesitant but delighted.Fr: Ils commencent à discuter, partageant leur amour pour le cinéma.En: They start discussing, sharing their love for cinema.Fr: Sabine parle avec passion de son art et de ses recherches d'inspiration.En: Sabine speaks passionately about her art and her search for inspiration.Fr: Émilien, encouragé par sa sincérité, commence à partager ses pensées sur les films et ses rêves de nouvelles rencontres.En: Émilien, encouraged by her sincerity, begins to share his thoughts on films and his dreams of new encounters.Fr: Mais malgré leur complicité évidente, une gêne persiste en Émilien.En: But despite their obvious rapport, a shyness persists in Émilien.Fr: Il pense aux blessures du passé et aux rejets qu'il a connus.En: He thinks of past hurts and the rejections he's faced.Fr: Mathieu, son meilleur ami, lui a toujours conseillé de prendre plus de risques.En: Mathieu, his best friend, has always advised him to take more risks.Fr: Peut-être que c'est le moment.En: Perhaps now is the time.Fr: "Veux-tu venir à une projection privée ?En: "Would you like to come to a private screening?Fr: Je l'ai organisée pour quelques amis," propose Émilien, son cœur battant fort.En: I've organized it for some friends," proposes Émilien, his heart beating fast.Fr: Sabine hésite.En: Sabine hesitates.Fr: Elle a des projets à finir, des délais à respecter.En: She has projects to finish, deadlines to meet.Fr: Mais elle est touchée par l'invitation.En: But she is touched by the invitation.Fr: Sa curiosité l'emporte.En: Her curiosity wins out.Fr: "D'accord, pourquoi pas," répond-elle finalement avec un sourire.En: "Okay, why not," she finally replies with a smile.Fr: Quelques jours plus tard, à la petite salle de projection, Émilien se tient nerveux.En: A few days later, in the small screening room, Émilien stands nervously.Fr: Sabine entre, découverte du lieu avec des yeux émerveillés.En: Sabine enters, discovering the place with wonder in her eyes.Fr: Pendant le film, Émilien tout doucement exprime son admiration pour le monde artistique de Sabine.En: During the film, Émilien slowly expresses his admiration for Sabine's artistic world.Fr: Ses mots simples mais sincères touchent profondément Sabine.En: His simple but sincere words profoundly touch Sabine.Fr: Elle ressent quelque chose qu'elle ne peut ignorer.En: She feels something she cannot ignore.Fr: Après la projection, Sabine s'approche d'Émilien.En: After the screening, Sabine approaches Émilien.Fr: "Il y a une exposition d'art ce week-end.En: "There's an art exhibition this weekend.Fr: Ça te dirait de m'accompagner ?En: Would you like to come with me?"Fr: "Cette invitation résonne comme une douce promesse.En: This invitation resonates like a sweet promise.Fr: Émilien accepte, sentant une confiance nouvelle en lui.En: Émilien accepts, feeling a newfound confidence within him.Fr: Pour la première fois, il entrevoit un équilibre entre son amour pour le cinéma et le début d'une relation significative.En: For the first time, he glimpses a balance between his love for cinema and the beginning of a meaningful relationship.Fr: Sabine, pour sa part, réalise qu'elle peut concilier sa passion pour l'art avec des connexions humaines sincères.En: Sabine, for her part, realizes that she can reconcile her passion for art with genuine human connections.Fr: Leur aventure commence dans ce parc, sous un ciel encore capricieux mais éclatant de possibilités.En: Their adventure begins in this park, under a sky still capricious but brimming with possibilities.Fr: Ensemble, ils s'engagent sur un chemin où l'art et le cinéma se rencontrent, où deux cœurs curieux trouvent un rythme commun.En: Together, they embark on a path where art and cinema meet, where two curious hearts find a common rhythm.Fr: Ainsi, entre rires et découvertes, un nouveau chapitre se dessine à l'horizon.En: Thus, between laughter and discoveries, a new chapter unfolds on the horizon. Vocabulary Words:the heart: le cœurthe descent: le déclinthe amphitheater: l'amphithéâtrethe shelter: l'abrithe laughter: les riresthe critic: le critiquethe popcorn: le popcornthe eyes: les yeuxthe sky: le cielthe rain: la pluiethe screen: l'écranthe life: la viethe ice: la glacethe smile: le sourirethe thought: la penséethe dream: le rêvethe wounds: les blessuresthe rejection: le rejetthe risk: le risquethe invitation: l'invitationthe deadline: le délaithe exhibition: l'expositionthe promise: la promessethe confidence: la confiancethe balance: l'équilibrethe connection: la connexionthe path: le cheminthe rhythm: le rythmethe discovery: la découvertethe horizon: l'horizon

Peter Huessy. Peter Huessy and John Batchelor review classic films like Godzilla, On the Beach, and Dr. Strangelove to discuss cultural fears of nuclear war. They contrast cinematic depictions of accidental launches with modern safeguards, emphasizing the importance of maintaining a credible nuclear deterrent in a complex geopolitical landscape. (15)1940

Send us Fan MailIs the outrage over casting choices in films valid or invalid? Also, are we done with live action remakes? Thanks for listening! Follow us on Instagram (@3HokagesPodcast) & Youtube  (@3Hokages).

This week, Phil & David revisit one of their most uplifting and entertaining episodes ever. They welcome Josh Groban -- who David will be interviewing at the Grammy Museum in Los Angeles on July 20th about his latest album "Cinematic" and his upcoming "Stage, Screen & Symphony" tour -- for this funny and fascinating 2025  "Lunch" with the multi-platinum singer, songwriter, actor and arts advocate. Josh joined them at Phil's house in 2025 to tell amazing stories about how he got his first big break singing with Celine Dion at a Grammy rehearsal and about his strong comedic chops that many first discovered when he sang Kanye West's tweets for Jimmy Kimmel. Josh, Phil and David all also discuss their shared love for Stephen Sondheim. To learn more about Josh, his remarkable career and passion for supporting arts education, go to https://www.joshgroban.com. To learn more about building community through food and "Somebody Feed the People," visit the Philanthropy page at philrosenthalworld.com. And you can watch this whole "Lunch" -- and many more --  on YouTube on the Phil Rosenthal World channel. Learn more about your ad choices. Visit megaphone.fm/adchoices

Caleb Masters reviews Christopher Nolan's ambitious adaptation of the classic Homer epic, The Odyssey. The post ‘The Odyssey' Is an Epic Cinematic Masterclass appeared first on The Cinematropolis.

After a year away I wanted to come back with a podcast episode with a super unique guy I recently met. Chris has been documenting the Marymont Mansion in Murfeesboro, Tennessee for almost two decades, after a bout of insomnia that followed a heart attack inspired him to dive into the history of this property. -Read my urbex blog: http://notracers.comPick up my book: http://notracers.com/shopWatch the POV photography video I made at this house: https://youtu.be/kAqneFhmsJMWatch the Cinematic video I filmed here: https://youtu.be/RNqYEC1M1XUInterested in buying the property? Hit up Shawn Wright at Century 21: https://www.century21.com/agent/detail/tn/murfreesboro/agents/shawn-wright/aid-P00200000FDdtPR0TrSl0aVW3S6Z8ktP8UBupXFxCheck out Chris' photography business: https://www.facebook.com/marshall.chatham.photographyDon't forget to subscribe to No Tracers for more stories from the world of urban exploration and to stay updated on our future episodes. Let's keep exploring and remember to leave no trace.-Want to be a guest on the podcast? Email me at contact@notracers.com-Pick up a WANDRD bag here: https://shareasale.com/r.cfm?b=1183579&u=3481091&m=79898&urllink=&afftrack=Join the AAA24 membership: https://aaa24.a24films.com/?referral=K0E209FAD0-Follow me on socials:http://instagram.com/no.tracershttp://youtube.com/notracersurbexTiktok: https://www.tiktok.com/@notracers?lang=enEverything else:http://beacons.ai/notracers-- URBEX GEAR RECOMMENDATIONS -Wandrd Sling 9L Bag: https://amzn.to/4hTfrWYTactical Gloves: https://amzn.to/2SreZFiDSLR Camera: https://amzn.to/2YwbVLIGopro: https://amzn.to/48Y7ZG7Chest strap: https://amzn.to/2VT5HnyWide Angle Lens: https://amzn.to/3ZddqO0DJI Mini 3 Pro Drone: https://amzn.to/3YYuiqe3 legged tripod: https://amzn.to/322EGhKINIU Portable Charger: https://amzn.to/3YVhxgfSSD Drive Storage: https://amzn.to/3Ogd6rxRode video mic: https://amzn.to/2zl2zonFilm Camera: https://amzn.to/4fyTVoH

Showcasing a sophisticated blend of contemporary jazz, broken beat, spiritual jazz, global grooves, and electronic soul. Aja & ClaireFour Tet - Sing (Floating Points Remix)Dj Sun - Dubai (Genre Jazz Remix)Clear Path Ensemble - Best LightTenderlonious - GreensleevesEYM Trio -  CasablancaScrimshire - Asleep, A DreamSkyjack - Let The Sky Open Under Your Feet.?Biomania - DangerDavid Versace - Year of The HorseRichard Spaven - Let Me Say It For You.Kennedy John Charles - Find Me (LeLanga Remix)Jimetta Rose - Somebody Else's IdeaSpiritual Concept - Let's Take It All (Original Mix)Amy Gadiaga - All Black Everything Ella Thompson - Dandelion [Mr Bongo]Jill Peacock - Up In the Air.Josef Leimberg - As I Think Of YouAmana Melomé -Lock & Key Mark de Clive-Lowe (Remix).Black Zone Ensemble Ft  Valentina Grande  - Na Hora CertaLucas Arruda - Sambadi (Album Version)Zy the Way - Ten Acres  (Mark de Clive-Lowe RemixThe Disclosure Project -Down TimeHUG [Gyan Riley, Devendra Banhart & Noah Georgeson] - Cow With Half Moon Parasol

In this episode of Brave New Bookshelf, hosts Steph Pajonas and Danica Favorite are joined by Anat Dayagi, the founder of Midsummerr, to discuss the revolutionary frontier of AI-driven cinematic audiobooks. Anat shares her personal journey with ADD and how it inspired her to create Midsummerr, a cutting-edge platform that democratizes premium, multi-cast dramatized audio productions complete with sound effects, musical leitmotifs, and an AI-driven "agentic director." Listeners will discover how indie authors can now easily produce high-end, immersive listening experiences once reserved for major publishing houses, explore the power of audio personalization through stems, and learn how to leverage AI tools to scale their creative workflows. Visit our website https://bravenewbookshelf.com to view the full episode notes, links and apps mentioned in the episode, and the full transcript.

Doomscrolling vertical videos is just brain rot, right?

REBROADCAST OF EPISODE 222We examine the movie Barbie from the standpoint of social interactions and libertarian principles. We can conclude that Barbie is a wonderful satire with multiple nuances for consideration. The libertarian principle of personal freedom, and the relationship to the freedom of others, is the most important take away.Watch our video: The Movie "Barbie" and Libertarian Principles (ep 222)Barbie is a 2023 fantasy comedy film directed by Greta Gerwig from a screenplay she wrote with Noah Baumbach. Based on the eponymous fashion dolls by Mattel, it is the first live-action Barbie film after numerous animated films and specials. Starring Margot Robbie as the title character and Ryan Gosling as Ken, the film follows them on a journey of self-discovery through Barbieland and the real world following an existential crisis. It is also a commentary regarding patriarchy and the effects of feminism. The supporting cast includes America Ferrera, Michael Cera, Kate McKinnon, Issa Rae, Rhea Perlman, and Will Ferrell.A live-action Barbie film was announced in September 2009 by Universal Pictures with Laurence Mark producing. Development began in April 2014, when Sony Pictures acquired the film rights. Following multiple writer and director changes and the casting of Amy Schumer and later Anne Hathaway as Barbie, the rights were transferred to Warner Bros. Pictures in October 2018. Robbie was cast in 2019, after Gal Gadot turned down the role due to scheduling conflicts, and Gerwig was announced as director and co-writer with Baumbach in 2020. The rest of the cast was announced in early 2022. Principal photography occurred primarily at Warner Bros. Studios, Leavesden, England, and at the Venice Beach Skatepark in Los Angeles from March to July 2022.Barbie premiered at the Shrine Auditorium in Los Angeles on July 9, 2023, and was released in the United States on July 21. Its concurrent release with Universal Pictures' Oppenheimer was the catalyst of the "Barbenheimer" phenomenon, encouraging audiences to see both films as a double feature.The film grossed $1.446 billion and achieved several milestones, including the highest-grossing film of 2023 and the 14th highest-grossing film of all time. Named one of the top 10 films of 2023 by the National Board of Review and the American Film Institute, it received widespread critical acclaim and other accolades, including eight Academy Award nominations (among them Best Picture), winning Best Original Song for "What Was I Made For?"; the song also won Golden Globe Award for Best Original Song while Barbie was awarded Golden Globe Award for Cinematic and Box Office Achievement.Watch the Barbie | Main Trailer Barbie | Main Trailer#barbie #coffee #consideration #freedom #interactions #julie #libertarian #libertarians #mike #movie #nuances #personal #principles #psychology #social #standpoint #talkFollow Us:YouTubeXFacebookBlueskyAll audio & videos edited by: Jay Prescott Videography

What do you do when your boss is an absolute insect? We watch The Wasp Woman to find out.Host segments: Devori has her priorities straight this week; we once again talk about how Joe ate that (almost) deadly burrito; it's hard to be the boss (wasp); what about Operation Paper Clip?; add the stinger, blow some minds; like an English student padding out a paper; every movie should end with a gauzy nightgown fight; we're still talking about the bedside baby oil.

Tropicália Italiana bridges the gap between Rio's rhythmic heat and Rome's cinematic grandeur. It is a curated collision of samba soul, MPB, and Italian lounge, engineered to evoke a lost era of analog warmth and retro-futurism. The sequence functions as a late-night arc. It moves from the lush, orchestral arrangements of Arthur Verocai and Piero Umiliani into the driving, bass-heavy grooves of Pino D'Angiò and Fernanda Abreu. The collection balances the heavy melancholy of Chico Buarque and Luiz Melodia against the swinging, playful textures of Fred Buscaglione and Giovanna. As the night deepens, the grit of Tony Renis and Milva gives way to an ecstatic percussive peak driven by Trio Ternura and Rogê, eventually dissolving into the jazz-infused ambient textures of Azimuth. This is a soundtrack for specific atmospheres: golden-hour drives, high-concept cocktail hours, or deep listening sessions. It is a sonic daydream where the borders between Brazil and Italy vanish. Press play. Turn up the warmth. Edu Lobo – Zum-Zum Piero Umiliani – Lui E Lei Tony Renis – Non Sei Mariù Stasera Alan Sorrenti – Donna Luna Djavan – Nereci Chico Buarque – Essa Moça Tá Diferente Pino D'Angiò – Lezione d'amore Tania Maria – Come With Me Trio Ternura – Last Tango In Paris Tony Renis – Perché Perché Rogê – Existe Uma Voz No Lounge – Anema e Core Luiz Melodia – Mistério da Raça Trio Ternura – A Gira Juca Chaves – Take Me Back To Piauí Quinteto Ternura – Leão De Bronze Giovanna – Un Baffo Diabolico Fernanda Abreu – Speed Racer Ronie Mesquita – Remelexo Arthur Verocai – Na Boca do Sol Matia Bazar – Solo Tu Fred Buscaglione – Juke Box Milva – Metti Una Sera a Cena Azymuth – Linha do Horizonte

In this episode, we discuss one of the most beloved Sci-FiHorror movie, not only Adam's favorite movie year of 1982, but also perhaps of all time, John Carpenter's The Thing. We are joined by fellow cinephile and horrorhound, Andy Lalino. Proprietor of The Tampa Bay Screams Horror Convention. Led by Adam, this very special episode goes into detail about the John Carpenter classic. From box office flop to Cinematic masterpiece.

Only a few Westerns contain explicitly Jewish stories or themes, and very rarely do Old West tales involve identifiably Jewish characters. Yet Jewish contributors have shaped the Western—once Hollywood's most popular genre—ever since the silent era, both onscreen and offscreen, and some filmmakers have sought to infuse the genre with a distinctly Jewish sensibility. In Chai Noon: Jews and the Cinematic Wild West (University of Wisconsin Press, 2025), Friedmann engages with larger themes of Jewish identity in popular film, including depictions of race, ethnicity, and foreignness. He also identifies similar concerns within the invention and creation of the imaginary West writ large in American culture. The juxtapositions prove to be both unexpected and intuitively understandable. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Only a few Westerns contain explicitly Jewish stories or themes, and very rarely do Old West tales involve identifiably Jewish characters. Yet Jewish contributors have shaped the Western—once Hollywood's most popular genre—ever since the silent era, both onscreen and offscreen, and some filmmakers have sought to infuse the genre with a distinctly Jewish sensibility. In Chai Noon: Jews and the Cinematic Wild West (University of Wisconsin Press, 2025), Friedmann engages with larger themes of Jewish identity in popular film, including depictions of race, ethnicity, and foreignness. He also identifies similar concerns within the invention and creation of the imaginary West writ large in American culture. The juxtapositions prove to be both unexpected and intuitively understandable. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

Only a few Westerns contain explicitly Jewish stories or themes, and very rarely do Old West tales involve identifiably Jewish characters. Yet Jewish contributors have shaped the Western—once Hollywood's most popular genre—ever since the silent era, both onscreen and offscreen, and some filmmakers have sought to infuse the genre with a distinctly Jewish sensibility. In Chai Noon: Jews and the Cinematic Wild West (University of Wisconsin Press, 2025), Friedmann engages with larger themes of Jewish identity in popular film, including depictions of race, ethnicity, and foreignness. He also identifies similar concerns within the invention and creation of the imaginary West writ large in American culture. The juxtapositions prove to be both unexpected and intuitively understandable. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Only a few Westerns contain explicitly Jewish stories or themes, and very rarely do Old West tales involve identifiably Jewish characters. Yet Jewish contributors have shaped the Western—once Hollywood's most popular genre—ever since the silent era, both onscreen and offscreen, and some filmmakers have sought to infuse the genre with a distinctly Jewish sensibility. In Chai Noon: Jews and the Cinematic Wild West (University of Wisconsin Press, 2025), Friedmann engages with larger themes of Jewish identity in popular film, including depictions of race, ethnicity, and foreignness. He also identifies similar concerns within the invention and creation of the imaginary West writ large in American culture. The juxtapositions prove to be both unexpected and intuitively understandable. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Only a few Westerns contain explicitly Jewish stories or themes, and very rarely do Old West tales involve identifiably Jewish characters. Yet Jewish contributors have shaped the Western—once Hollywood's most popular genre—ever since the silent era, both onscreen and offscreen, and some filmmakers have sought to infuse the genre with a distinctly Jewish sensibility. In Chai Noon: Jews and the Cinematic Wild West (University of Wisconsin Press, 2025), Friedmann engages with larger themes of Jewish identity in popular film, including depictions of race, ethnicity, and foreignness. He also identifies similar concerns within the invention and creation of the imaginary West writ large in American culture. The juxtapositions prove to be both unexpected and intuitively understandable. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-west

In this sixtieth installment of fictional horror written and narrated by Dan Cummins, we return to Peterson's Grocery in St. Jerome, where the mystery of what is happening to the local homeless population is deepening. A mystery Maggie Sambor is now finding impossible to ignore.  For Merch and everything else Bad Magic related, head to: https://www.badmagicproductions.com Subscribe to SiriusXM Podcasts+ to listen to new episodes of Scared to Death ad-free and a whole week early. Start a free trial now on Apple Podcasts or by visiting siriusxm.com/podcastsplus. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Cinematic chaos, viral videos, and hilarious antics: A wild ride through the latest in film and pop culture.In this lively episode, we're diving headfirst into recent cinema visits, animated craziness, viral internet trends, and the legendary Jackass farewell tour. Whether you're a superhero fan, a lover of outrageous stunts, or just here for the laughs, this episode is packed with passionate insights and hilarious banter.In this episode:A heartfelt dedication to the late, great Max, unofficial podcast mascot and furry friendReview of Supergirl (2026): Space heroine or space mess? We unpack the CGI chaos and storytelling inconsistenciesDiscussion of Strung: A rare blend of Blumhouse horror and Tyler Perry melodrama, with a talented cast and a bizarre twistThe absurdity of Spicy City: An animated 90s oddity with adult themes, drawn naked women, and nostalgia for Bakshi's styleThe final Jackass film: A nostalgic farewell to the daredevils making us laugh (or cringe), with age-worn antics and heartwarming camaraderieViral social media madness: From Marvel's Guardians rip-offs to random Cartoon Network references, exploring why we're obsessed with these momentsFootball updates: England scores and the chaotic emotions during the World Cup, with plenty of banter and anticipationsThe impact of parody and parody-like films on humor and cultural reflection: Is Scary Movie enough to make you cringe or crack a smile? Our cousin Tosy weighs inA sneak peek into Heavy Metal and Fritz the Cat inspired animations: Edgy, adult, and totally 90s, but are they still relevant today?Supergirl (2023)Spicy CityHeavy Metal (1981)Fritz the Cat (1972)Jackass ForeverGuardian of the Galaxy Vol. 3Tyler Perry's ProductionsBlumhouse ProductionsMountain of Fire ChurchTosin on TwitterShauny on TwitterHolly NesslingSharon BollenRest in peace, Max—a beloved part of our lives and our podcast. Your tail wagged right into our hearts.Thanks to the audience for bearing with our distracted voices—cinema waits for no one, especially during the World Cup!Get on board with the chaos, laugh loud, and enjoy the madness!Timestamps:00:00 - Intro: Cinemas, sofa or big screen—what's your pick?01:24 - Holly's Supergirl: Space hero or CGI catastrophe?13:00 - Review: The inconsistencies and the cast of Supergirl21:55 - Holly's Strong: A Blumhouse and Tyler Perry mashup27:00 - Spicy City: The adult animated show from the 90s34:30 - Farewell Jackass: The oldest daredevils' final stunt44:01 - Viral moments: Guardians, Cartman, and internet rip-offs48:11 - Football fun: England in the World Cup49:23 - HBO's Spicy City: Nostalgia, adult themes, and Bakshi's touch55:22 - Scary movie feedback: Disappointment, parody, and cultural commentary55:57 - Max's memorial: Celebrating a furry legend58:11 - Wrap-up and goodbyes: Until next time!Resources & Links:Connect with the hosts:Special shoutouts:Until next time—keep your snacks close and your remote closer.

Last year, Milwaukee Film held its inaugural season of “Cinematic Sisterhood,” a series of films that brings well-deserved (and often overdue) attention to the work of women in the industry. Now in the midst of its second go-around, the series will bring Wildwood, NJ to the Oriental Theatre on July 11, which made this episode the perfect time to welcome the perfect guest to the podcast.Tracey Thomas is the co-founder of online service provider Exec-PC and was in the midst of her retirement when she embarked on a project titled My First and Last Film. Released in 2019, the documentary notably featured an all-female crew as Thomas tangled with questions about aging, with Milwaukee Film playing what she called a “very instrumental” role in making the project a reality.Thomas was in the audience for the first year of “Cinematic Sisterhood” and took it upon herself to get more involved this time around. In fact, she's presenting the entire series, which started in June with a screening of Billie Jean King documentary Give Me the Ball!This episode keeps its focus on the documentary yet to come, which has become a classic since its initial 1994 release. Wildwood, NJ has a dream-like quality, courtesy of its heavy use of Super-8 film as it tells the story of “the last great American carnival town.” Like Thomas's project, this is another one created by an all-female team, led by co-director Ruth Leitman, who will be at the Oriental Theatre for a Q&A when the movie screens July 11.#####Cinebuds is sponsored by Joe Wilde Garage Doors.

My guest today is scenic artist, filmmaker, and writer Michael Lee Nirenberg, who wrote the book Cinematic Immunity, an oral history told from the perspective of New York film crews, from the 50s to the 2000s. When I came across this book I knew I had to get it right away, it's exciting to learn film history from a completely different perspective! We spoke about how Michael got into the film crew business, the wild days of New York filmmaking, what crews had to say about the likes of Sidney Lumet and William Friedkin, and a whole lot more!Show Notes:CinematicImmunity: An Oral History of New York Filmmaking As Told by the Crews That Got the Shot / Michael Lee NirenbergMicheal Lee Nirenberg's instagramMichael Lee Nirenberg's IMDBFrankenhooker (1990)Back Issues: The Hustler Mag Story (2014)Richard KoszarskiOn the Waterfront (1954)Boris KaufmanThe Out of Towners (1970)The Incident (1967)The Taking of Pelham One Two Three (1974)Michael Lee Nirenberg's book Earth A.D.The Godfather (1972)The Exorcist (1973)Do the Right Thing (1989)Max's Kansas CityAfter Hours (1985)Midnight Cowboy (1969)Amos PoeSidney LumetWilliam FriedkinNetwork (1976)Dog Day Afternoon (1975)12 Angry Men (1957)Spike LeeRandy JurgensenThree Days of the Condor (1975)The French Connection (1971)Maniac Cop (1988)Law & OrderTrading Places (1983)John Landis Twilight Zone: The Movie (1983)Twilight Zone AccidentPaul ReubensMalcolm X (1992)All That Jazz (1979)Bob Fosse Mariska HargitayIce-TMy Mom Jayne (2025)I Love Boosters (2026)Backrooms (2026)The Sopranos (1999-2007)We Need to Talk About Kevin (2011)The Wrestler (2008)The Knick (2014-2015)Boardwalk Empire (2010-2014)Girls (2012-2017)Please Give (2010)The Seven-Ups (1973)Mad Men (2007-2015)Too Much (2025)Taxi Driver (1976)Death Wish 3 (1985)John WatersDesperate Living (1977)Vincent PeranioFollow Somebody's Watching here:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: @somebodyswatchingpod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Email: somebodywatchingpod@gmail.com

去过四十多个国家，我最爱的，永远是冰岛。这一切，从一部电影开始。一句“我一定要去冰岛”，带着我在那座岛屿住了超过一百个夜晚，谈了恋爱，学会放手，也一次次重新认识自己。《Fly with Lily: Iceland》是一个关于旅行、爱、疗愈与成长的系列故事——不是攻略，而是那些让我更喜欢自己的时刻。跟着我，一起走进冰岛。单词列表（Top 5 Vocabulary）1. Wanderlust /ˈwɒndəlʌst/ ／ 旅行的渴望I've had a deep wanderlust ever since I saw that movie.自从看了那部电影，我就有了强烈的旅行渴望。2. Cinematic /ˌsɪnɪˈmætɪk/ ／ 电影般震撼的The landscape in Iceland feels almost cinematic.冰岛的风景几乎像电影场景一样震撼。3. Burnout /ˈbɜːnaʊt/ ／ 身心具疲、职业倦怠I was dealing with burnout and needed a real escape.当时我正在经历职业倦怠，迫切需要一次真正的逃离。4. Volunteer exchange (名词片语) ／ 打工换宿I joined a volunteer exchange program and lived like a local.我参加了打工换宿计划，像当地人一样生活。5. Calling /ˈkɔːlɪŋ/ ／ 召唤、呼唤Even after I left, I kept feeling Iceland's calling.即使离开之后，我仍然感受到冰岛在召唤我。加入我的《学英语环游世界社群》7. 15 开启你学英语环游世界的旅程flywithlily.com，加入我的电子邮件列表写信给我：boss@flywithlily.com

Travis W. Keyes makes images and films that live in the spaces most people miss. Cinematic, story-driven work that celebrates connection, character, and the beauty of being seen.From film sets to nightclubs, studios to streets, Travis has always chased moments with energy, intention, and story at their core. Based in New York City, he is a cinematic portrait photographer, filmmaker, and content creator whose work now lives under one roof: Travis W Keyes Creative, a creative house spanning photography, film and motion, live events, content creation, and brand partnerships. A proud alumnus of NYU's Tisch School of the Arts (BFA, Photography), Travis's path began in film and television production before weaving through entrepreneurial ventures in hospitality across New York, Connecticut, and Miami. His collaborations with Sony, Adobe, NBC, AMC Networks, and Bravo reflect a reputation for imagery that balances polish with honesty and presence with restraint.In 2024, that storytelling instinct moved into motion: Travis produced his first feature film, Bulls, released through Vertical Entertainment, and is currently in preproduction on his second, Happy Hour. He documents the honest, unfiltered road of independent filmmaking on his podcast, Just Make the F*#%ing Movie. No fake polish, no gatekeeping, just the real process.Beyond his own work, Travis is deeply invested in the creative community. He served as New York Chair and later National President of American Photographic Artists through January 2026, advocating for photographers at every stage of their careers. He is an Adobe Ambassador, an AMD Ambassador, a Sony Alpha Camera Advocate, a Harlowe Ambassador of Light, and a member of the NAB Content Creator Council, and previously served on Adobe's Lightroom Advisory Board.

Philippa opens with a genuinely unbelievable true story — how a friend trapped in a locked Barcelona hotel toilet used her Kindle to prise the door open and escape. Reading saves lives, people.Then it's three book reviews and a brilliant listener Q&A with crime fiction favourite M.W. Craven, talking about book eight in the Washington Poe series, The Killer's Mark, out 13th August.

A melancholy, introspective, provocative journey of ups and downs. Dj mixed live and always freestyle by Maximium Available anywhere you listen to podcasts! linktr.ee/maximium #Dj #DjMix #DjMixes #Maximium #Mix #Maximiummix #Jay #Freitag #Bassmusic #Housemusic #Techno #Trap #Breaks #DeepDub #DrumandBass #Halftime #Clubmusic #Underground #EDM #Workoutmusic #PioneerDJ #Remix #Production #Zerooneevents #Minneapolis #Minnesota

Singer-songwriter Josh Groban feels downright giddy about being Conan O'Brien's friend.   Josh sits down with Conan to discuss his breakout moment at 16 singing with Céline Dion at the Grammys, finding ways to exercise his comedic inclinations, and asking his dad to play trumpet on his latest album Cinematic. Plus, Conan comes face to face with his character's real-life toy from the upcoming Toy Story 5.   For Conan videos, tour dates and more visit TeamCoco.com. Got a question for Conan? Call our voicemail: (669) 587-2847. Get access to all the podcasts you love, music channels and radio shows with the SiriusXM App! Get 3 months free using this show link: https://siriusxm.com/conan. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This week on Kayfabe Podcast we break down ALL the action from Monday Night Raw, NXT, and SmackDown PLUS we book Liv Morgan's ENTIRE 2026 reign and it's CINEMATIC!

Cinematic dramatic YouTube thumbnail, gritty outlaw biker style, dark moody lighting with strong red warning tones, high contrast, film grain. Center: Black Dragon (use uploaded picture) with serious, authoritative expression, wearing his vest, looking directly at viewer. Background: Split dramatic scene — Left side shows a crowded biker annual party with people, bikes, and subtle guns. Right side shows a "No Guns" symbol / metal detector at entrance with red "X" over firearms. Large bold text: Top: "DISARM EVERYONE" in cracked aggressive red font Center: "AT YOUR ANNUAL" in massive white and gold outlaw font Bottom: "Plus: Why Out Bad is Meaningless Today" "Black Dragon Biker TV" at the very bottom Ultra-realistic face on Black Dragon, powerful and controversial mood, high detail, eye-catching, perfect vertical 9:16 ratioBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-dragon-s-lair-motorcycle-chaos--3267493/support.Sponsor the channel by signing up for our channel memberships. You can also support us by signing up for our podcast channel membership for $9.99 per month, where 100% of the membership price goes directly to us at https://www.spreaker.com/podcast/the-.... Follow us on:Instagram: BlackDragonBikerTV TikTok: BlackDragonBikertv Twitter: jbunchiiFacebook: BlackDragonBikerBuy Black Dragon Merchandise, Mugs, Hats, T-Shirts Books: https://blackdragonsgear.comDonate to our cause:Cashapp: $BikerPrezPayPal: jbunchii Zelle: jbunchii@aol.com Patreon: https://www.patreon.com/BlackDragonNPSubscribe to our new discord server https://discord.gg/dshaTSTSubscribe to our online news magazine www.bikerliberty.comGet 20% off Gothic biker rings by using my special discount code: blackdragon go to http://gthic.com?aff=147Join my News Letter to get the latest in MC protocol, biker club content, and my best picks for every day carry. https://johns-newsletter-43af29.beehi... Get my Audio Book Prospect's Bible an Audible: https://adbl.co/3OBsfl5Help us get to 30,000 subscribers on www.instagram.com/BlackDragonBikerTV on Instagram. Thank you!We at Black Dragon Biker TV are dedicated to bringing you the latest news, updates, and analysis from the world of bikers and motorcycle clubs. Our content is created for news reporting, commentary, and discussion purposes. Under Section 107 of the Copyright

Latest courses at AHRC: https://www.acidhorizonpodcast.com/ahrc-coursesIf you could go back in time, would you change the past, even if it meant changing who you are? Is existing in time itself traumatic? Is power over time a cinematic endeavour, and what makes a good director an even better time traveller? This week on Acid Horizon we're joined by Kwasu D. Tembo to talk about his latest book Trauma in 21st-Century Time Travel Cinema, discussing the philosophy of time travel in films such as Primer, Timecrimes, and Predestination; as well as how the experience of time transcendentally conditions the structure of the psyche.Buy Kwasu's book, Trauma in 21st-Century Time Travel CinemaBeing (a)Part: https://www.bloomsbury.com/uk/trauma-in-21stcentury-time-travel-cinema-9781978768734/Phasmid Press: https://phasmidpress.org/Public arts and philosophy events in Lancashire: https://j-e-w-e-l-l-e-r-s.netFollow Kwasu on Substack: https://mapscrollanddagger.substack.com/Kwasu's music: https://on.soundcloud.com/PjET6oqqQluhhGt3zwhttps://on.soundcloud.com/gsh6ZRpYOwUizDOV8qhttps://on.soundcloud.com/oNgo5GOz2xWetzYJrgSupport the showSupport the podcast:AHRCCurrent classes at Acid Horizon Research Commons (AHRC): acidhorizonresearchcommons.comAHRC Course Archive: https://www.acidhorizonpodcast.com/ahrc-course-archivesSubmit your course proposal: acidhorizonresearchcommons@gmail.comMore LinksWebsite: https://www.acidhorizonpodcast.com/Linktree: https://linktr.ee/acidhorizonAcid Horizon on Patreon: https://www.patreon.com/acidhorizonpodcastBoycott Watkins Media: https://xenogothic.com/2025/03/17/boycott-watkins-statement/Subscribe to us on your favorite podcast: https://pod.link/1512615438Merch: http://www.crit-drip.comSubscribe to us on your favorite podcast platform: https://pod.link/1512615438LEPHT HAND: https://www.patreon.com/LEPHTHANDHappy Hour at Hippel's (Adam's blog): https://happyhourathippels.wordpress.com​Split Infinities (Craig's Substack): https://splitinfinities.substack.com/​Music: https://sereptie.bandcamp.com/ and https://thecominginsurrection.bandcamp.com/

Which one for your table?Call in to our Speak pipe account - ⁠⁠https://www.speakpipe.com/monstersandtreasure⁠⁠

Part 2 of Mark Kermode and Jack Howard talking about Christopher Nolan's films at The Sun Pub on Drury Lane.Films and books mentioned in this episode:TenetThe PrestigeInterstellarThe OdysseyInceptionOppenheimerInsomniaBatman TrilogyRay Harryhausen's Sinbad MoviesThe DevilsMetropolisTrainspottingThe Passion of ChristThe Death of StalinTroyMinionsBooks:A Hard Day's Night by Samira AhmedMark Kermode's Surround Sound: The Stories of Movie Music by Mark Kermode and Jenny NelsonKermode on Film is an HLA Agency productionProduced by Hedda Lornie Archbold and Nicki Glossop© HLA Agency Hosted on Acast. See acast.com/privacy for more information.

Today we're chatting with Lexis Zenobia , a full-time artist and vintage dealer, the owner of Ladies of the Loon — which is doing something really unique – this is a vintage brand that has taken a truly singular path in the resale world, one paved entirely in vintage mohair. A little background, Lexis grew up in Wisconsin, and came of age in Milwaukee's vintage scene. She launched a fashion photography business at 18, and spent several years on the road in an RV, selling vintage out of the back and collecting pieces across the American West.  But it wasn't until she became the steward of a one-of-a-kind vintage mohair collection that everything changed for Lexis. Today, you're going to hear the story of a find beyond her wildest dreams: thousands of vintage and hand-knit mohair pieces, spanning from the 1920s onward, capes, gowns, skirts, sweaters — including a collection of nearly 200 hand-knit Italian cardigans from the 1950s and 60s. This is a collection so significant, it should be shown in a gallery. On today's episode, we get into all of it: how a sleepless night and a full moon set this whole thing in motion, why Lexi made the bold decision to sell off her entire existing inventory and go all in on mohair, what makes this textile so special to photograph and to wear, and the pieces — that sold in minutes which she still thinks about. All that and more! Let's dive right in! DISCUSSED IN THE EPISODE: [5:16] Early memories of Lexis vintage shopping with her mom, including an antique store in a rural barn. [7:50] Her career in vintage actually started with fashion photography. [11:04] She originally became a vintage dealer because she needed to do a big closet cleanout, and it accidentally launched a decade-long career.  [14:31] How COVID reshaped the business  [18:16] How she became the steward of a one-of-a-kind vintage mohair collection, spanning from the 1920s onward. [26:35] Why vintage mohair is a special textile, nicknamed "the diamond fiber" [29:39] The Italian handknit mohair cardigans  [31:08] On the decision to wholesale her existing collection and focus singularly on vintage mohair.  [37:44] Her dream to show the mohair collection in a gallery  [41:05] How to care for vintage mohair  [47:18] The two mohair pieces that sold in minutes and that she still thinks about  [52:46] On her personal style and memorable pieces EPISODE MENTIONS:  Ladies of the Loon Midwest Vintage Flea SUDESTADA Gallery "Wool Skirts," an exhibition of one woman's 40-year thrift-store collection, reveals a rich tapestry of clothing manufacturing and feminist history. – The New York Times The Black Web dress Bleu Boy Vintage Thank You Vintage   LET'S CONNECT: