Podcasts about Cinematic

Peter Huessy. Peter Huessy and John Batchelor review classic films like Godzilla, On the Beach, and Dr. Strangelove to discuss cultural fears of nuclear war. They contrast cinematic depictions of accidental launches with modern safeguards, emphasizing the importance of maintaining a credible nuclear deterrent in a complex geopolitical landscape. (15)1940

This week, Phil & David revisit one of their most uplifting and entertaining episodes ever. They welcome Josh Groban -- who David will be interviewing at the Grammy Museum in Los Angeles on July 20th about his latest album "Cinematic" and his upcoming "Stage, Screen & Symphony" tour -- for this funny and fascinating 2025  "Lunch" with the multi-platinum singer, songwriter, actor and arts advocate. Josh joined them at Phil's house in 2025 to tell amazing stories about how he got his first big break singing with Celine Dion at a Grammy rehearsal and about his strong comedic chops that many first discovered when he sang Kanye West's tweets for Jimmy Kimmel. Josh, Phil and David all also discuss their shared love for Stephen Sondheim. To learn more about Josh, his remarkable career and passion for supporting arts education, go to https://www.joshgroban.com. To learn more about building community through food and "Somebody Feed the People," visit the Philanthropy page at philrosenthalworld.com. And you can watch this whole "Lunch" -- and many more --  on YouTube on the Phil Rosenthal World channel. Learn more about your ad choices. Visit megaphone.fm/adchoices

Caleb Masters reviews Christopher Nolan's ambitious adaptation of the classic Homer epic, The Odyssey. The post ‘The Odyssey' Is an Epic Cinematic Masterclass appeared first on The Cinematropolis.

After a year away I wanted to come back with a podcast episode with a super unique guy I recently met. Chris has been documenting the Marymont Mansion in Murfeesboro, Tennessee for almost two decades, after a bout of insomnia that followed a heart attack inspired him to dive into the history of this property. -Read my urbex blog: http://notracers.comPick up my book: http://notracers.com/shopWatch the POV photography video I made at this house: https://youtu.be/kAqneFhmsJMWatch the Cinematic video I filmed here: https://youtu.be/RNqYEC1M1XUInterested in buying the property? Hit up Shawn Wright at Century 21: https://www.century21.com/agent/detail/tn/murfreesboro/agents/shawn-wright/aid-P00200000FDdtPR0TrSl0aVW3S6Z8ktP8UBupXFxCheck out Chris' photography business: https://www.facebook.com/marshall.chatham.photographyDon't forget to subscribe to No Tracers for more stories from the world of urban exploration and to stay updated on our future episodes. Let's keep exploring and remember to leave no trace.-Want to be a guest on the podcast? Email me at contact@notracers.com-Pick up a WANDRD bag here: https://shareasale.com/r.cfm?b=1183579&u=3481091&m=79898&urllink=&afftrack=Join the AAA24 membership: https://aaa24.a24films.com/?referral=K0E209FAD0-Follow me on socials:http://instagram.com/no.tracershttp://youtube.com/notracersurbexTiktok: https://www.tiktok.com/@notracers?lang=enEverything else:http://beacons.ai/notracers-- URBEX GEAR RECOMMENDATIONS -Wandrd Sling 9L Bag: https://amzn.to/4hTfrWYTactical Gloves: https://amzn.to/2SreZFiDSLR Camera: https://amzn.to/2YwbVLIGopro: https://amzn.to/48Y7ZG7Chest strap: https://amzn.to/2VT5HnyWide Angle Lens: https://amzn.to/3ZddqO0DJI Mini 3 Pro Drone: https://amzn.to/3YYuiqe3 legged tripod: https://amzn.to/322EGhKINIU Portable Charger: https://amzn.to/3YVhxgfSSD Drive Storage: https://amzn.to/3Ogd6rxRode video mic: https://amzn.to/2zl2zonFilm Camera: https://amzn.to/4fyTVoH

Showcasing a sophisticated blend of contemporary jazz, broken beat, spiritual jazz, global grooves, and electronic soul. Aja & ClaireFour Tet - Sing (Floating Points Remix)Dj Sun - Dubai (Genre Jazz Remix)Clear Path Ensemble - Best LightTenderlonious - GreensleevesEYM Trio -  CasablancaScrimshire - Asleep, A DreamSkyjack - Let The Sky Open Under Your Feet.?Biomania - DangerDavid Versace - Year of The HorseRichard Spaven - Let Me Say It For You.Kennedy John Charles - Find Me (LeLanga Remix)Jimetta Rose - Somebody Else's IdeaSpiritual Concept - Let's Take It All (Original Mix)Amy Gadiaga - All Black Everything Ella Thompson - Dandelion [Mr Bongo]Jill Peacock - Up In the Air.Josef Leimberg - As I Think Of YouAmana Melomé -Lock & Key Mark de Clive-Lowe (Remix).Black Zone Ensemble Ft  Valentina Grande  - Na Hora CertaLucas Arruda - Sambadi (Album Version)Zy the Way - Ten Acres  (Mark de Clive-Lowe RemixThe Disclosure Project -Down TimeHUG [Gyan Riley, Devendra Banhart & Noah Georgeson] - Cow With Half Moon Parasol

In this episode of Brave New Bookshelf, hosts Steph Pajonas and Danica Favorite are joined by Anat Dayagi, the founder of Midsummerr, to discuss the revolutionary frontier of AI-driven cinematic audiobooks. Anat shares her personal journey with ADD and how it inspired her to create Midsummerr, a cutting-edge platform that democratizes premium, multi-cast dramatized audio productions complete with sound effects, musical leitmotifs, and an AI-driven "agentic director." Listeners will discover how indie authors can now easily produce high-end, immersive listening experiences once reserved for major publishing houses, explore the power of audio personalization through stems, and learn how to leverage AI tools to scale their creative workflows. Visit our website https://bravenewbookshelf.com to view the full episode notes, links and apps mentioned in the episode, and the full transcript.

Doomscrolling vertical videos is just brain rot, right?

REBROADCAST OF EPISODE 222We examine the movie Barbie from the standpoint of social interactions and libertarian principles. We can conclude that Barbie is a wonderful satire with multiple nuances for consideration. The libertarian principle of personal freedom, and the relationship to the freedom of others, is the most important take away.Watch our video: The Movie "Barbie" and Libertarian Principles (ep 222)Barbie is a 2023 fantasy comedy film directed by Greta Gerwig from a screenplay she wrote with Noah Baumbach. Based on the eponymous fashion dolls by Mattel, it is the first live-action Barbie film after numerous animated films and specials. Starring Margot Robbie as the title character and Ryan Gosling as Ken, the film follows them on a journey of self-discovery through Barbieland and the real world following an existential crisis. It is also a commentary regarding patriarchy and the effects of feminism. The supporting cast includes America Ferrera, Michael Cera, Kate McKinnon, Issa Rae, Rhea Perlman, and Will Ferrell.A live-action Barbie film was announced in September 2009 by Universal Pictures with Laurence Mark producing. Development began in April 2014, when Sony Pictures acquired the film rights. Following multiple writer and director changes and the casting of Amy Schumer and later Anne Hathaway as Barbie, the rights were transferred to Warner Bros. Pictures in October 2018. Robbie was cast in 2019, after Gal Gadot turned down the role due to scheduling conflicts, and Gerwig was announced as director and co-writer with Baumbach in 2020. The rest of the cast was announced in early 2022. Principal photography occurred primarily at Warner Bros. Studios, Leavesden, England, and at the Venice Beach Skatepark in Los Angeles from March to July 2022.Barbie premiered at the Shrine Auditorium in Los Angeles on July 9, 2023, and was released in the United States on July 21. Its concurrent release with Universal Pictures' Oppenheimer was the catalyst of the "Barbenheimer" phenomenon, encouraging audiences to see both films as a double feature.The film grossed $1.446 billion and achieved several milestones, including the highest-grossing film of 2023 and the 14th highest-grossing film of all time. Named one of the top 10 films of 2023 by the National Board of Review and the American Film Institute, it received widespread critical acclaim and other accolades, including eight Academy Award nominations (among them Best Picture), winning Best Original Song for "What Was I Made For?"; the song also won Golden Globe Award for Best Original Song while Barbie was awarded Golden Globe Award for Cinematic and Box Office Achievement.Watch the Barbie | Main Trailer Barbie | Main Trailer#barbie #coffee #consideration #freedom #interactions #julie #libertarian #libertarians #mike #movie #nuances #personal #principles #psychology #social #standpoint #talkFollow Us:YouTubeXFacebookBlueskyAll audio & videos edited by: Jay Prescott Videography

Tropicália Italiana bridges the gap between Rio's rhythmic heat and Rome's cinematic grandeur. It is a curated collision of samba soul, MPB, and Italian lounge, engineered to evoke a lost era of analog warmth and retro-futurism. The sequence functions as a late-night arc. It moves from the lush, orchestral arrangements of Arthur Verocai and Piero Umiliani into the driving, bass-heavy grooves of Pino D'Angiò and Fernanda Abreu. The collection balances the heavy melancholy of Chico Buarque and Luiz Melodia against the swinging, playful textures of Fred Buscaglione and Giovanna. As the night deepens, the grit of Tony Renis and Milva gives way to an ecstatic percussive peak driven by Trio Ternura and Rogê, eventually dissolving into the jazz-infused ambient textures of Azimuth. This is a soundtrack for specific atmospheres: golden-hour drives, high-concept cocktail hours, or deep listening sessions. It is a sonic daydream where the borders between Brazil and Italy vanish. Press play. Turn up the warmth. Edu Lobo – Zum-Zum Piero Umiliani – Lui E Lei Tony Renis – Non Sei Mariù Stasera Alan Sorrenti – Donna Luna Djavan – Nereci Chico Buarque – Essa Moça Tá Diferente Pino D'Angiò – Lezione d'amore Tania Maria – Come With Me Trio Ternura – Last Tango In Paris Tony Renis – Perché Perché Rogê – Existe Uma Voz No Lounge – Anema e Core Luiz Melodia – Mistério da Raça Trio Ternura – A Gira Juca Chaves – Take Me Back To Piauí Quinteto Ternura – Leão De Bronze Giovanna – Un Baffo Diabolico Fernanda Abreu – Speed Racer Ronie Mesquita – Remelexo Arthur Verocai – Na Boca do Sol Matia Bazar – Solo Tu Fred Buscaglione – Juke Box Milva – Metti Una Sera a Cena Azymuth – Linha do Horizonte

Only a few Westerns contain explicitly Jewish stories or themes, and very rarely do Old West tales involve identifiably Jewish characters. Yet Jewish contributors have shaped the Western—once Hollywood's most popular genre—ever since the silent era, both onscreen and offscreen, and some filmmakers have sought to infuse the genre with a distinctly Jewish sensibility. In Chai Noon: Jews and the Cinematic Wild West (University of Wisconsin Press, 2025), Friedmann engages with larger themes of Jewish identity in popular film, including depictions of race, ethnicity, and foreignness. He also identifies similar concerns within the invention and creation of the imaginary West writ large in American culture. The juxtapositions prove to be both unexpected and intuitively understandable. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Only a few Westerns contain explicitly Jewish stories or themes, and very rarely do Old West tales involve identifiably Jewish characters. Yet Jewish contributors have shaped the Western—once Hollywood's most popular genre—ever since the silent era, both onscreen and offscreen, and some filmmakers have sought to infuse the genre with a distinctly Jewish sensibility. In Chai Noon: Jews and the Cinematic Wild West (University of Wisconsin Press, 2025), Friedmann engages with larger themes of Jewish identity in popular film, including depictions of race, ethnicity, and foreignness. He also identifies similar concerns within the invention and creation of the imaginary West writ large in American culture. The juxtapositions prove to be both unexpected and intuitively understandable. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

Only a few Westerns contain explicitly Jewish stories or themes, and very rarely do Old West tales involve identifiably Jewish characters. Yet Jewish contributors have shaped the Western—once Hollywood's most popular genre—ever since the silent era, both onscreen and offscreen, and some filmmakers have sought to infuse the genre with a distinctly Jewish sensibility. In Chai Noon: Jews and the Cinematic Wild West (University of Wisconsin Press, 2025), Friedmann engages with larger themes of Jewish identity in popular film, including depictions of race, ethnicity, and foreignness. He also identifies similar concerns within the invention and creation of the imaginary West writ large in American culture. The juxtapositions prove to be both unexpected and intuitively understandable. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In this sixtieth installment of fictional horror written and narrated by Dan Cummins, we return to Peterson's Grocery in St. Jerome, where the mystery of what is happening to the local homeless population is deepening. A mystery Maggie Sambor is now finding impossible to ignore.  For Merch and everything else Bad Magic related, head to: https://www.badmagicproductions.com Subscribe to SiriusXM Podcasts+ to listen to new episodes of Scared to Death ad-free and a whole week early. Start a free trial now on Apple Podcasts or by visiting siriusxm.com/podcastsplus. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Cinematic chaos, viral videos, and hilarious antics: A wild ride through the latest in film and pop culture.In this lively episode, we're diving headfirst into recent cinema visits, animated craziness, viral internet trends, and the legendary Jackass farewell tour. Whether you're a superhero fan, a lover of outrageous stunts, or just here for the laughs, this episode is packed with passionate insights and hilarious banter.In this episode:A heartfelt dedication to the late, great Max, unofficial podcast mascot and furry friendReview of Supergirl (2026): Space heroine or space mess? We unpack the CGI chaos and storytelling inconsistenciesDiscussion of Strung: A rare blend of Blumhouse horror and Tyler Perry melodrama, with a talented cast and a bizarre twistThe absurdity of Spicy City: An animated 90s oddity with adult themes, drawn naked women, and nostalgia for Bakshi's styleThe final Jackass film: A nostalgic farewell to the daredevils making us laugh (or cringe), with age-worn antics and heartwarming camaraderieViral social media madness: From Marvel's Guardians rip-offs to random Cartoon Network references, exploring why we're obsessed with these momentsFootball updates: England scores and the chaotic emotions during the World Cup, with plenty of banter and anticipationsThe impact of parody and parody-like films on humor and cultural reflection: Is Scary Movie enough to make you cringe or crack a smile? Our cousin Tosy weighs inA sneak peek into Heavy Metal and Fritz the Cat inspired animations: Edgy, adult, and totally 90s, but are they still relevant today?Supergirl (2023)Spicy CityHeavy Metal (1981)Fritz the Cat (1972)Jackass ForeverGuardian of the Galaxy Vol. 3Tyler Perry's ProductionsBlumhouse ProductionsMountain of Fire ChurchTosin on TwitterShauny on TwitterHolly NesslingSharon BollenRest in peace, Max—a beloved part of our lives and our podcast. Your tail wagged right into our hearts.Thanks to the audience for bearing with our distracted voices—cinema waits for no one, especially during the World Cup!Get on board with the chaos, laugh loud, and enjoy the madness!Timestamps:00:00 - Intro: Cinemas, sofa or big screen—what's your pick?01:24 - Holly's Supergirl: Space hero or CGI catastrophe?13:00 - Review: The inconsistencies and the cast of Supergirl21:55 - Holly's Strong: A Blumhouse and Tyler Perry mashup27:00 - Spicy City: The adult animated show from the 90s34:30 - Farewell Jackass: The oldest daredevils' final stunt44:01 - Viral moments: Guardians, Cartman, and internet rip-offs48:11 - Football fun: England in the World Cup49:23 - HBO's Spicy City: Nostalgia, adult themes, and Bakshi's touch55:22 - Scary movie feedback: Disappointment, parody, and cultural commentary55:57 - Max's memorial: Celebrating a furry legend58:11 - Wrap-up and goodbyes: Until next time!Resources & Links:Connect with the hosts:Special shoutouts:Until next time—keep your snacks close and your remote closer.

Last year, Milwaukee Film held its inaugural season of “Cinematic Sisterhood,” a series of films that brings well-deserved (and often overdue) attention to the work of women in the industry. Now in the midst of its second go-around, the series will bring Wildwood, NJ to the Oriental Theatre on July 11, which made this episode the perfect time to welcome the perfect guest to the podcast.Tracey Thomas is the co-founder of online service provider Exec-PC and was in the midst of her retirement when she embarked on a project titled My First and Last Film. Released in 2019, the documentary notably featured an all-female crew as Thomas tangled with questions about aging, with Milwaukee Film playing what she called a “very instrumental” role in making the project a reality.Thomas was in the audience for the first year of “Cinematic Sisterhood” and took it upon herself to get more involved this time around. In fact, she's presenting the entire series, which started in June with a screening of Billie Jean King documentary Give Me the Ball!This episode keeps its focus on the documentary yet to come, which has become a classic since its initial 1994 release. Wildwood, NJ has a dream-like quality, courtesy of its heavy use of Super-8 film as it tells the story of “the last great American carnival town.” Like Thomas's project, this is another one created by an all-female team, led by co-director Ruth Leitman, who will be at the Oriental Theatre for a Q&A when the movie screens July 11.#####Cinebuds is sponsored by Joe Wilde Garage Doors.

去过四十多个国家，我最爱的，永远是冰岛。这一切，从一部电影开始。一句“我一定要去冰岛”，带着我在那座岛屿住了超过一百个夜晚，谈了恋爱，学会放手，也一次次重新认识自己。《Fly with Lily: Iceland》是一个关于旅行、爱、疗愈与成长的系列故事——不是攻略，而是那些让我更喜欢自己的时刻。跟着我，一起走进冰岛。单词列表（Top 5 Vocabulary）1. Wanderlust /ˈwɒndəlʌst/ ／ 旅行的渴望I've had a deep wanderlust ever since I saw that movie.自从看了那部电影，我就有了强烈的旅行渴望。2. Cinematic /ˌsɪnɪˈmætɪk/ ／ 电影般震撼的The landscape in Iceland feels almost cinematic.冰岛的风景几乎像电影场景一样震撼。3. Burnout /ˈbɜːnaʊt/ ／ 身心具疲、职业倦怠I was dealing with burnout and needed a real escape.当时我正在经历职业倦怠，迫切需要一次真正的逃离。4. Volunteer exchange (名词片语) ／ 打工换宿I joined a volunteer exchange program and lived like a local.我参加了打工换宿计划，像当地人一样生活。5. Calling /ˈkɔːlɪŋ/ ／ 召唤、呼唤Even after I left, I kept feeling Iceland's calling.即使离开之后，我仍然感受到冰岛在召唤我。加入我的《学英语环游世界社群》7. 15 开启你学英语环游世界的旅程flywithlily.com，加入我的电子邮件列表写信给我：boss@flywithlily.com

Travis W. Keyes makes images and films that live in the spaces most people miss. Cinematic, story-driven work that celebrates connection, character, and the beauty of being seen.From film sets to nightclubs, studios to streets, Travis has always chased moments with energy, intention, and story at their core. Based in New York City, he is a cinematic portrait photographer, filmmaker, and content creator whose work now lives under one roof: Travis W Keyes Creative, a creative house spanning photography, film and motion, live events, content creation, and brand partnerships. A proud alumnus of NYU's Tisch School of the Arts (BFA, Photography), Travis's path began in film and television production before weaving through entrepreneurial ventures in hospitality across New York, Connecticut, and Miami. His collaborations with Sony, Adobe, NBC, AMC Networks, and Bravo reflect a reputation for imagery that balances polish with honesty and presence with restraint.In 2024, that storytelling instinct moved into motion: Travis produced his first feature film, Bulls, released through Vertical Entertainment, and is currently in preproduction on his second, Happy Hour. He documents the honest, unfiltered road of independent filmmaking on his podcast, Just Make the F*#%ing Movie. No fake polish, no gatekeeping, just the real process.Beyond his own work, Travis is deeply invested in the creative community. He served as New York Chair and later National President of American Photographic Artists through January 2026, advocating for photographers at every stage of their careers. He is an Adobe Ambassador, an AMD Ambassador, a Sony Alpha Camera Advocate, a Harlowe Ambassador of Light, and a member of the NAB Content Creator Council, and previously served on Adobe's Lightroom Advisory Board.

Philippa opens with a genuinely unbelievable true story — how a friend trapped in a locked Barcelona hotel toilet used her Kindle to prise the door open and escape. Reading saves lives, people.Then it's three book reviews and a brilliant listener Q&A with crime fiction favourite M.W. Craven, talking about book eight in the Washington Poe series, The Killer's Mark, out 13th August.

In this week's episode I am joined by Bobby Palmer to talk about his brilliant new novel, Main Characters which is out today (link below). I've read almost 50 books so far this year and Main Characters is one of my favourites. It is so clever and fresh and just a brilliant read. Do make sure you grab a copy.In this episode you will find a lot of books, I feel your TBRs might be about to grow because Bobby has plenty of recommendations.Bobby's Book Choices:Beyond the Deepwoods by Chris Riddell and Paul StewartWuthering Heights by Emily BrontëMrs Dalloway by Virginia WoolfLess by Andrew Sean GreerThe High Mountains of Portugal by Yann MartelBooks by Bobby PalmerMain CharactersSmall HoursIsaac and the EggOther books mentionedJacob's Room by Virginia WoolfCall Me By Your Name by Andre AcimenThe Making of Another Major Motion Picture Masterpiece by Tom HanksOne Day by David NichollsNormal People by Sally RooneySay Her Name by Francisco GoldmanLife of Pi by Yann Martel The Brothers Karamazov by Fyodor DostoevskyThe Sound and the Fury by William FaulknerThe Overstory by Richard PowersThe End of the Affair by Graham GreeneIf you loved listening to this episode, please take a moment to subscribe, rate, and review Best Book Forward on your favourite podcast app, and don't forget to tell your book-loving friends. It really helps new listeners discover our cozy reading community and helps us growSee you next Tuesday for our next teaser episode which will be followed with the main episode on Thursday.

A melancholy, introspective, provocative journey of ups and downs. Dj mixed live and always freestyle by Maximium Available anywhere you listen to podcasts! linktr.ee/maximium #Dj #DjMix #DjMixes #Maximium #Mix #Maximiummix #Jay #Freitag #Bassmusic #Housemusic #Techno #Trap #Breaks #DeepDub #DrumandBass #Halftime #Clubmusic #Underground #EDM #Workoutmusic #PioneerDJ #Remix #Production #Zerooneevents #Minneapolis #Minnesota

Singer-songwriter Josh Groban feels downright giddy about being Conan O'Brien's friend.   Josh sits down with Conan to discuss his breakout moment at 16 singing with Céline Dion at the Grammys, finding ways to exercise his comedic inclinations, and asking his dad to play trumpet on his latest album Cinematic. Plus, Conan comes face to face with his character's real-life toy from the upcoming Toy Story 5.   For Conan videos, tour dates and more visit TeamCoco.com. Got a question for Conan? Call our voicemail: (669) 587-2847. Get access to all the podcasts you love, music channels and radio shows with the SiriusXM App! Get 3 months free using this show link: https://siriusxm.com/conan. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This week on Kayfabe Podcast we break down ALL the action from Monday Night Raw, NXT, and SmackDown PLUS we book Liv Morgan's ENTIRE 2026 reign and it's CINEMATIC!

I love this poem because it condenses the thoughts which partners who separate from each other might have of the other.   It's subtle, often the first flush of love, often the first separation. When you know the highs of love, but have not known how the valleys are to be navigated: and you think the first bump, the first infraction, a fight, a being-away-from-one's-sight could actually be enough cause for anything-to-happen.   We are in a tumult of love and have not reached its calm yet. And every ripple on its surface makes us question its depth.   That's why it often takes years of togetherness and a multitude of experiences for people to figure out the truth of their relationships. I will never forget the film where a happy family is holidaying in the Alps, and then there is an avalanche, the man runs away rapidly without thought of his wife or kids. I think even more then the wife it was the husband who surprised himself with his action. Because the truth is - as always - when things happen, it reveals more about us as individuals than of the state of our union.   If it always has been a facade, a relationship is bound to collapse under its weight. If it's a mutual revelation, it's time for reflection (of course), but also reexamination, recalibration, redemption or / and repentance.   It's ironical that a couple which is together for eternity often finds is bonds brittle enough to not even withstand the most basic onslaught on its foundation.   What ensues - whatever form it might take - is not a tragedy but a realization. Depths then are discovered as profundity or merely as depthless crevasses.   If you liked this poem, consider listening to these other poems on the progression of love -  Love's Night of the Long Knives  Love (after the stories are told) I Love You Subscribe to my newsletter 'The Uncuts' Follow me on Instagram at @sunilgivesup. Get in touch with me on uncutpoetrynow@gmail.com   The details of the music used in this episode are as follows - Cinematic Angelical Upbeat Ambient by Musiclfiles Link: https://filmmusic.io/en/song/Cinematic-angelical-upbeat-ambient Licence:  https://filmmusic.io/standard-license

Cinematic dramatic YouTube thumbnail, gritty outlaw biker style, dark moody lighting with strong red warning tones, high contrast, film grain. Center: Black Dragon (use uploaded picture) with serious, authoritative expression, wearing his vest, looking directly at viewer. Background: Split dramatic scene — Left side shows a crowded biker annual party with people, bikes, and subtle guns. Right side shows a "No Guns" symbol / metal detector at entrance with red "X" over firearms. Large bold text: Top: "DISARM EVERYONE" in cracked aggressive red font Center: "AT YOUR ANNUAL" in massive white and gold outlaw font Bottom: "Plus: Why Out Bad is Meaningless Today" "Black Dragon Biker TV" at the very bottom Ultra-realistic face on Black Dragon, powerful and controversial mood, high detail, eye-catching, perfect vertical 9:16 ratioBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-dragon-s-lair-motorcycle-chaos--3267493/support.Sponsor the channel by signing up for our channel memberships. You can also support us by signing up for our podcast channel membership for $9.99 per month, where 100% of the membership price goes directly to us at https://www.spreaker.com/podcast/the-.... Follow us on:Instagram: BlackDragonBikerTV TikTok: BlackDragonBikertv Twitter: jbunchiiFacebook: BlackDragonBikerBuy Black Dragon Merchandise, Mugs, Hats, T-Shirts Books: https://blackdragonsgear.comDonate to our cause:Cashapp: $BikerPrezPayPal: jbunchii Zelle: jbunchii@aol.com Patreon: https://www.patreon.com/BlackDragonNPSubscribe to our new discord server https://discord.gg/dshaTSTSubscribe to our online news magazine www.bikerliberty.comGet 20% off Gothic biker rings by using my special discount code: blackdragon go to http://gthic.com?aff=147Join my News Letter to get the latest in MC protocol, biker club content, and my best picks for every day carry. https://johns-newsletter-43af29.beehi... Get my Audio Book Prospect's Bible an Audible: https://adbl.co/3OBsfl5Help us get to 30,000 subscribers on www.instagram.com/BlackDragonBikerTV on Instagram. Thank you!We at Black Dragon Biker TV are dedicated to bringing you the latest news, updates, and analysis from the world of bikers and motorcycle clubs. Our content is created for news reporting, commentary, and discussion purposes. Under Section 107 of the Copyright

Latest courses at AHRC: https://www.acidhorizonpodcast.com/ahrc-coursesIf you could go back in time, would you change the past, even if it meant changing who you are? Is existing in time itself traumatic? Is power over time a cinematic endeavour, and what makes a good director an even better time traveller? This week on Acid Horizon we're joined by Kwasu D. Tembo to talk about his latest book Trauma in 21st-Century Time Travel Cinema, discussing the philosophy of time travel in films such as Primer, Timecrimes, and Predestination; as well as how the experience of time transcendentally conditions the structure of the psyche.Buy Kwasu's book, Trauma in 21st-Century Time Travel CinemaBeing (a)Part: https://www.bloomsbury.com/uk/trauma-in-21stcentury-time-travel-cinema-9781978768734/Phasmid Press: https://phasmidpress.org/Public arts and philosophy events in Lancashire: https://j-e-w-e-l-l-e-r-s.netFollow Kwasu on Substack: https://mapscrollanddagger.substack.com/Kwasu's music: https://on.soundcloud.com/PjET6oqqQluhhGt3zwhttps://on.soundcloud.com/gsh6ZRpYOwUizDOV8qhttps://on.soundcloud.com/oNgo5GOz2xWetzYJrgSupport the showSupport the podcast:AHRCCurrent classes at Acid Horizon Research Commons (AHRC): acidhorizonresearchcommons.comAHRC Course Archive: https://www.acidhorizonpodcast.com/ahrc-course-archivesSubmit your course proposal: acidhorizonresearchcommons@gmail.comMore LinksWebsite: https://www.acidhorizonpodcast.com/Linktree: https://linktr.ee/acidhorizonAcid Horizon on Patreon: https://www.patreon.com/acidhorizonpodcastBoycott Watkins Media: https://xenogothic.com/2025/03/17/boycott-watkins-statement/Subscribe to us on your favorite podcast: https://pod.link/1512615438Merch: http://www.crit-drip.comSubscribe to us on your favorite podcast platform: https://pod.link/1512615438LEPHT HAND: https://www.patreon.com/LEPHTHANDHappy Hour at Hippel's (Adam's blog): https://happyhourathippels.wordpress.com​Split Infinities (Craig's Substack): https://splitinfinities.substack.com/​Music: https://sereptie.bandcamp.com/ and https://thecominginsurrection.bandcamp.com/

ThisWeekInGeek's Loose Cannon is our all around movies podcast covering the weird, wild, or sometimes nostalgic world of films. This time, Mike, Ken, David and Adam are going into their backlogs. We each pulled movies that are considered must-watches for cinefiles that we just never have gotten around to. Some of our picks will surprise you and some even surprised us.It's time to resolve a cinematic missing link on TWIG Loose Cannon. Please Be Kind and Don't Forget to Rewind before returning your videos to the shelves.Show Notes:Your Geekmasters:Mike "The Birdman" - https://bsky.app/profile/birdmanguelph.bsky.socialAlex "The Producer" - https://bsky.app/profile/dethphasetwig.bsky.socialKen Reels - https://bsky.app/profile/kenreels.comAaron PollyeaFeedback for the show?:Email: feedback@thisweekingeek.netTwitter: https://twitter.com/thisweekingeekBluesky: https://bsky.app/profile/thisweekingeek.netSubscribe to our feed: https://www.spreaker.com/show/3571037/episodes/feediTunes: https://podcasts.apple.com/us/podcast/this-week-in-geek/id215643675Spotify: https://open.spotify.com/show/3Lit2bzebJXMTIv7j7fkqqCastbox: https://castbox.fm/channel/id2162049Website: https://www.thisweekingeek.netJune 5, 2026

Which one for your table?Call in to our Speak pipe account - ⁠⁠https://www.speakpipe.com/monstersandtreasure⁠⁠

Part 2 of Mark Kermode and Jack Howard talking about Christopher Nolan's films at The Sun Pub on Drury Lane.Films and books mentioned in this episode:TenetThe PrestigeInterstellarThe OdysseyInceptionOppenheimerInsomniaBatman TrilogyRay Harryhausen's Sinbad MoviesThe DevilsMetropolisTrainspottingThe Passion of ChristThe Death of StalinTroyMinionsBooks:A Hard Day's Night by Samira AhmedMark Kermode's Surround Sound: The Stories of Movie Music by Mark Kermode and Jenny NelsonKermode on Film is an HLA Agency productionProduced by Hedda Lornie Archbold and Nicki Glossop© HLA Agency Hosted on Acast. See acast.com/privacy for more information.

Today we're chatting with Lexis Zenobia , a full-time artist and vintage dealer, the owner of Ladies of the Loon — which is doing something really unique – this is a vintage brand that has taken a truly singular path in the resale world, one paved entirely in vintage mohair. A little background, Lexis grew up in Wisconsin, and came of age in Milwaukee's vintage scene. She launched a fashion photography business at 18, and spent several years on the road in an RV, selling vintage out of the back and collecting pieces across the American West.  But it wasn't until she became the steward of a one-of-a-kind vintage mohair collection that everything changed for Lexis. Today, you're going to hear the story of a find beyond her wildest dreams: thousands of vintage and hand-knit mohair pieces, spanning from the 1920s onward, capes, gowns, skirts, sweaters — including a collection of nearly 200 hand-knit Italian cardigans from the 1950s and 60s. This is a collection so significant, it should be shown in a gallery. On today's episode, we get into all of it: how a sleepless night and a full moon set this whole thing in motion, why Lexi made the bold decision to sell off her entire existing inventory and go all in on mohair, what makes this textile so special to photograph and to wear, and the pieces — that sold in minutes which she still thinks about. All that and more! Let's dive right in! DISCUSSED IN THE EPISODE: [5:16] Early memories of Lexis vintage shopping with her mom, including an antique store in a rural barn. [7:50] Her career in vintage actually started with fashion photography. [11:04] She originally became a vintage dealer because she needed to do a big closet cleanout, and it accidentally launched a decade-long career.  [14:31] How COVID reshaped the business  [18:16] How she became the steward of a one-of-a-kind vintage mohair collection, spanning from the 1920s onward. [26:35] Why vintage mohair is a special textile, nicknamed "the diamond fiber" [29:39] The Italian handknit mohair cardigans  [31:08] On the decision to wholesale her existing collection and focus singularly on vintage mohair.  [37:44] Her dream to show the mohair collection in a gallery  [41:05] How to care for vintage mohair  [47:18] The two mohair pieces that sold in minutes and that she still thinks about  [52:46] On her personal style and memorable pieces EPISODE MENTIONS:  Ladies of the Loon Midwest Vintage Flea SUDESTADA Gallery "Wool Skirts," an exhibition of one woman's 40-year thrift-store collection, reveals a rich tapestry of clothing manufacturing and feminist history. – The New York Times The Black Web dress Bleu Boy Vintage Thank You Vintage   LET'S CONNECT: 

Hailing from Guadalajara, Mexico, Andy Martin summons his ancestor's voices through minutely crafted blends of future-facing electronics that keep on questioning the boundaries between continuity and rupture, between pragmatic physicality and spiritual escapism. Using his platform Diaspora Echoes as the launchpad to sustained sonic innovation release after release, Martin has been shaping up a body of work defined by precision and eclecticism, tapping into Mexico's rich cultural background and history to build his own cutting-edge musical grammar. Cinematic and deep, his mixes and productions carry that psychoactive, cross-dimensional essence which makes every listen a trip of its own. 

In this episode of And Now For Something Completely Machinima, hosts Phil Rice, Damien Valentine, and Tracy Harwood dive into a stunning fan-made cinematic created inside Star Wars Battlefront II (2017 video game).We explore how machinima creators are pushing the limits of game engines, modding tools, and cinematic language to produce high-quality storytelling—despite technical limitations like no built-in camera controls. From Cloud City aesthetics to editing techniques and Star Wars authenticity, this episode unpacks what makes this project so impressive (and occasionally hilarious).Whether you're into machinima, virtual production, or the Star Wars universe, there's plenty here to inspire.⏱️ Timestamps00:00 – Intro & classic Completely Machinima opening 01:09 – Welcome + episode setup 01:36 – Damien introduces Battlefront 2 machinima scene 02:30 – Why this film stood out (engine use & in-game rendering) 04:22 – Tracy's first impressions: cinematic language & storytelling 06:00 – Cloud City, mood-building & Star Wars “grammar” 08:30 – Editing, pacing & shot composition analysis 11:13 – The challenge: no camera tools → modding solutions 11:34 – Phil on cinematic storytelling vs dialogue limitations 12:44 – Voice acting, authenticity & sound design 13:03 – Unexpected comedy moments (yes, really

Ever questioned whether the big screen still holds the magic or if streaming has taken over? Join us as we dive into this week's cinematic adventures, from blockbuster Marvels to hidden gems, and debate if the theatre experience is still worth the price. Plus, get the scoop on upcoming TV adaptations and streaming sensations!In this episode:The cinematic review of The Mandalorian and the disappointment of the newly released filmThe intriguing Irish drama Small Things Like These and its subtle storytellingThe quirky and clever animated mystery The Sheep Detectives, a delightful family filmThe finale of The Boys Season 5 and its brutal superhero satireThe British period drama The Other Bennett Sister, a fresh take on Jane Austen's universeA discussion on whether to see Obsession in cinemas or stream it at homeExtra insights into upcoming projects like the Warriors musical and the She-Ra reboot(00:01) Welcome & personal cinema adventures(01:02) Recent cinema visits & reviews: Obsession, The Mandalorian film(03:09) Streaming updates: Widows Bay, Small Things Like These(04:18) Netflix's The Sheep Detectives review(05:33) Family films & Buffy nostalgia(06:17) Cinematic conclusions: The Mandalorian flaws & ratings(08:03) Obsession deep dive & critique of its twists(12:00) The Mandalorian series critique & character analysis(15:33) The Boys Season 5 finale thoughts & characters(46:45) The Sheep Detectives: a mystery with talking sheep(52:39) The Other Bennett Sister: Jane Austen-inspired period drama(61:53) Closing thoughts: Netflix or Theatre – who wins?(62:15) Feedback spotlight: Joseph Fallon's comment on Power Ballad(63:14) A nostalgic look at Violent SaturdayFeeling inspired or confused? Drop your thoughts and movie picks in our comments or social media. Remember, whether it's the glow of the big screen or the comfort of your sofa, it's all about the experience and stories we love. Until next week, keep watching!

Director Ricardo de Montreuil joins Michael for a cinematic conversation about Mistura, the Peruvian film that blends food, memory, identity, and virtual production to bring 1960s Lima back to life. Together, they explore the emotional and cultural heartbeat of the story — from Afro‑Peruvian heritage to the flavors that shape who we are, individually and collectively.As Ricardo reflects on the personal journey of resurrecting a city that once flourished, the conversation opens into something larger: a meditation on belonging, reinvention, and the stories we inherit. This episode is a warm, thoughtful reminder that honoring our past and imagining our future are both acts of courage — and that cinema has the power to bridge cultures, spark understanding, and reconnect us to the places that made us.A rich, unhurried dialogue about identity, artistry, and the worlds we rebuild when memory becomes a map.Takeaways:The film 'Mistura' serves as a poignant love letter to Peru, intertwining its rich culinary heritage with themes of identity and memory.Ricardo de Montreuil emphasizes the significance of diversity in Peruvian culture, showcasing how various influences have shaped its gastronomy.The personal journey of the director reflects a broader narrative about belonging and the emotional connections to one's roots and history.Through 'Mistura', viewers are invited to explore the transformative power of storytelling, particularly in relation to cultural reinvention and acceptance.The film highlights the importance of embracing one's authentic self while navigating societal expectations and prejudices, which is a universal theme.Cinematic techniques, such as virtual production, were employed to recreate the vibrant essence of 1960s Lima, enhancing the film's nostalgic atmosphere.Find us on Apple, Spotify or your favorite listening platform; visit us on our YouTube channel Find everything "One More Thing" here: https://taplink.cc/beforeyougopodcastWant to be a guest on One More Thing Before You Go? Send Michael Herst a message on PodMatch, here: PODMATCH Proud member of the Podmatch Network of Top Rated- PodcastsThis podcast uses the following third-party services for analysis: Podcorn - https://podcorn.com/privacy

A unique cinematic experience blending Greek mythology, dark humour and science fiction is coming to the big screen through the new film Yesterday Island by Greek-Australian director Sam Voutas. As the filmmaker explains, the idea was inspired by childhood memories and his fascination with the gods of Ancient Greece. - Μία ιδιαίτερη κινηματογραφική εμπειρία που συνδυάζει ελληνική μυθολογία, μαύρο χιούμορ και επιστημονική φαντασία φέρνει στη μεγάλη οθόνη ο Ελληνοαυστραλός σκηνοθέτης Σαμ Βούτας (Sam Voutas) μέσα από τη νέα του ταινία «Yesterday Island». Όπως εξηγεί ο ίδιος, η ιδέα γεννήθηκε από τις παιδικές του αναμνήσεις και τη γοητεία που του ασκούσαν οι θεοί της ελληνικής μυθολογίας.

Independent films and film festivals are thriving in Louisiana, and on this episode of Discover Lafayette, we welcome three passionate advocates helping shape the future of filmmaking across the state: Southern Screen Festival Founder and Executive Director Julie Bordelon; filmmaker and Director of Public Relations for the Baton Rouge Underground Film Festival, Jenika Kolacz; and Lafayette native Kelly Swift, Film Programming Director for Manship Theatre and Events Director for the Baton Rouge Underground Film Festival. The conversation explores Louisiana's growing independent film ecosystem, the importance of film festivals in building creative communities, and the realities filmmakers face trying to sustain careers in the state. Julie Bordelon, founder of Southern Screen Festival, reflects on how she entered the industry without formal film school training, learning production hands-on while working in Lafayette during the height of Louisiana's film production boom. “I had no clue what I was doing,” she says of her early days in production. “By the middle of the first film, I was a department head.” Bordelon later served as an entertainment liaison for the City of Lafayette, helping support Louisiana's tax incentive initiatives for film, music, and digital media before launching Southern Screen Festival nearly sixteen years ago. Southern Screen Festival was born out of a desire to create opportunities for local artists and filmmakers in Acadiana. “I pulled them all on to the board and started the Southern Screen Festival without knowing at all what I was doing,” Bordelon recalls. “Just trying to make a scene for us and for other artists and creatives.” In its 16th year, the festival will be held November 19-22, 2026. Learn more at Southern Screen. Today, Southern Screen Festival has evolved into a year-round, multidisciplinary arts organization that extends far beyond its annual November festival. The organization now presents film screenings, workshops, networking mixers, writing programs, pop-up events, live podcasts, and music showcases designed to strengthen Louisiana's creative economy and connect local artists with national industry professionals. Southern Screen Festival has become one of Louisiana's most respected independent arts festivals, attracting filmmakers, musicians, producers, writers, editors, and storytellers from around the world to downtown Lafayette every November. The four-day festival features international screenings, panels, workshops, live performances, parties, and filmmaker networking events designed to create what Bordelon calls “a festival for filmmakers and for artists.” The festival remains intentionally non-competitive, allowing filmmakers at every level to feel equally supported and accessible to one another. Over the years, Southern Screen Festival has welcomed an impressive lineup of industry guests, including Tom Kenny, editor Javier Marcheselli of “Blade Runner 2049” and “Dune,” “Family Guy” writer and actor Alex Borstein, and producer Monty Ross of “Malcolm X.” Bordelon explains that Southern Screen Festival intentionally creates opportunities for festival attendees to interact directly with accomplished industry professionals in workshops and conversations without barriers or gatekeepers. One of the festival's newest expansions is particularly exciting for Acadiana's growing animation community. Southern Screen Festival recently announced plans to partner with UL-Lafayette on a brand-new animation festival launching in April 2027. The event will feature curated animation screenings, educational panels, artist talks, and hands-on learning opportunities aimed at students, emerging creators, and animation fans of all ages. During the interview, Bordelon explains that the idea grew directly out of audience demand for more animation programming at Southern Screen Festival. Southern Screen's commitment to education also includes its expanding student film initiatives. The organization hosts student workshops and showcases for Acadiana students in grades six through twelve, encouraging young creatives to experiment with filmmaking while gaining exposure to professional industry environments. Bordelon also discussed her work through Create Louisiana, which provides grants, mentorship, and creative support to Louisiana filmmakers and artists statewide. The episode also shines a spotlight on the rapid rise of the Baton Rouge Underground Film Festival, known as BRUFF. Launched in 2025 at Manship Theatre in downtown Baton Rouge, the festival sold out its inaugural year and immediately established itself as a major gathering point for Louisiana's independent film community. The festival celebrates indie and genre-focused filmmaking while creating opportunities for networking, collaboration, and hands-on education. Kelly Swift describes BRUFF as “a film festival for filmmakers by filmmakers,” with programming that intentionally supports student filmmakers, first-time directors, emerging artists, and seasoned professionals equally. Last year's inaugural festival featured more than 50 independent films, educational panels, networking opportunities, workshops, and afterparties throughout downtown Baton Rouge. Organizers say one of the most rewarding aspects was watching filmmakers from Louisiana connect organically with artists visiting from Florida, Texas, Georgia, New York, California, and beyond. This year, the Baton Rouge Underground Film Festival will be held from August 27 – 30, 2026. Festival passes start at $30, with full access available for $75. Visit BRUFF for more information. Jenika Kolacz notes that BRUFF's mission goes beyond screenings. “We really want to celebrate independent filmmaking as a whole,” she explains, emphasizing the importance of creating spaces where filmmakers can collaborate, share resources, and build careers together. The festival's organizers also experimented this year with a free FilmFreeway submission day to eliminate financial barriers for filmmakers who might otherwise be unable to afford festival fees. The guests also discuss the broader challenges facing Louisiana's film industry, including fluctuating production levels, workforce sustainability, and the need to better support local filmmakers, not just outside productions utilizing Louisiana tax credits. “Those local filmmakers, those are the people we need to be supporting,” Bordelon says. Despite the challenges, the episode is ultimately an optimistic look at Louisiana's creative future. Whether through Southern Screen Festival's expansion into animation and year-round programming, or BRUFF's fast-growing grassroots momentum in Baton Rouge, all three guests emphasize the same goal: creating spaces where Louisiana filmmakers can collaborate, learn, experiment, and build sustainable creative careers right here at home. Learn more about Southern Screen, Baton Rouge Underground Film Festival, Manship Theatre, and Create Louisiana.

We gathered to listen through one of the most singular debut albums ever made. Here's the recording of the chat. Niall is joined at our live listening event Listen Closely in the Big Romance by Cian Galvin aka Irish hip-hop producer and crate digger The Expert to discuss... DJ Shadow - Endtroducing (1996) A towering achievement in sample-based plunderphonics, music arrangements and turntablist-lead production techniques, DJ Shadow's 1996's debut album Endtroducing remains one of the most evocative and singular classic albums of recent times. Entirely built of obscure crate-dug samples using an Akai MPC60 sampler, Endtroducing's cinematic soundscapes finds a transportive space where emotionally resonant electronica and hip-hop meet - the middle ground between light and shadow. It is considered one of the best albums of all-time, and is certainly one of mine. * Support Nialler9 on Patreon, get event discounts, playlists, ad-free episodes and join our Discord community Listen on Apple | Android  | Patreon | Pocketcasts | CastBox | Stitcher | Spotify | RSS Feed | Pod.Link The third instalment of our loosely titled Plunderphonics series for the Nialler9 Listening Party brought us to a record that, thirty years on, still doesn't quite sound like anything else. DJ Shadow's Endtroducing, released September 16th 1996 on Mo' Wax, is a record built entirely from other records - and yet it sounds like nothing any of those records ever sounded like. If you missed the night, the podcast recording is above. What follows is a bit of context and some of what we got into. The trilogy so far We've now done The Avalanches' Since I Left You and J Dilla's Donuts as part of this loose series. All three are sample-based records. All three feel like complete worlds unto themselves. There's something about the constraint of working entirely within found sound that produces a particular kind of magic - you're hearing music that was already forgotten being given an entirely new life, filtered through the taste and instincts of one person with a singular obsession. Endtroducing is the most melancholic of the three. It's not a party record or a rap record in any conventional sense. It's a cinematic, introspective piece of work - breakbeats, jazz, psychedelia, hip-hop, all of it dissolved into something that feels like its own atmosphere. The kid from Davis, California Josh Davis grew up in Davis, California, then San Jose - both outside the main cultural centres, which is something he and Mo' Wax founder James Lavelle bonded over immediately when they first spoke by phone. Lavelle had grown up in Oxford. Both felt like outsiders to the scenes they were drawn to. Shadow was experimenting with a four-track recorder in high school and DJing on the campus radio station KDVS at UC Davis before he'd made a single release. By 1993 he was part of the Solesides underground hip-hop collective alongside Blackalicious, Lateef, and Lyrics Born. Lavelle found him through a B-side remix on a forgotten hip-hop promo, tracked him down through a friend at Tommy Boy Records, and told him: "Don't worry about choruses and verses, just push your sound further." That's more or less what he did. The equipment The entire album was made on an Akai MPC60 II, a pair of turntables, and an Alesis ADAT tape recorder that belonged to Dan the Automator. Shadow was 23 years old. The MPC could sample 2.5 seconds of stereo and store 13 seconds total. Everything on the record - the beats, the melodies, the percussion - had to be constructed within those limits. Self-imposed limitation producing something that infinite digital possibilities probably couldn't. There's a reason we don't really get records like this anymore, and it's partly because the tools have become too open-ended. The seams and the constraints are part of what gives Endtroducing its particular texture. The crates Shadow spent his days in the basement of Rare Records in Sacramento, a shop with records piled to the ceiling. He found a mummified bat down there once. The cover photograph, taken by B+, shows producer Chief Xcel and Lyrics Born (in a wig) in that same basement. It's as good a visual summary of the album's ethos as you'll find anywhere. He made it a rule to avoid sampling obvious or well-known material. The samples he pulled were largely from forgotten funk, soul, jazz, experimental, and sound library records - music that had no audience left and no commercial future. He rescued them. The liner notes credit everything, including the big clearance cases: Metallica, Björk, and the David Axelrod piano loop that anchors 'Midnight in a Perfect World'. Lavelle handled the clearances. "The samples were pretty easy to clear," he said. "It's different when you're sampling some Swedish drum break from 1970 than sampling James Brown." The album itself Endtroducing feels like a place. Not a collection of tracks but a world you enter at the start and leave at the end, slightly altered. The drums on 'Building Steam with a Grain of Salt', the disorienting loop of 'Changeling', the controlled chaos of the second half of 'Scatter Brain', the three-part sweep of 'Stem/Long Stem', the ache of 'Midnight in a Perfect World'. It's not a happy record. Shadow said himself that feelings of self-doubt and depression came through in the music during production. You can hear it. The Wire's first ever review called it "a debut of melancholic mediocrity." Melody Maker said "you need this record. You are incomplete without it." The bigger question There's a clip of Shadow in the Rare Records basement that gets used a lot in discussions about Endtroducing. He gestures around at the records and says: "Almost none of these artists still have a career. Ten years down the line, you'll be in here." It's a bleak thought, but also the central one. Sampling asks us to reckon with music's ephemerality - but it also offers a counter-argument. These records survived because Shadow found them. Their sounds are in the album. They're still being heard.

Twelve-year-old Nils Olsen lives in the coastal town of Svendborg in Denmark with his sensible but unremarkable parents. His life is orderly and predictable, and excitement is in short supply—until his eccentric and largely withdrawn grandfather, who lives in the family's garden shed, gives Nils an unexpected birthday present. The gift is a ship. Well, not a ship exactly, but the materials to build one: weathered planks, timber, and an idea that borders on the impossible. Reluctantly, Nils's parents agree to let him and his grandfather work on the project in the garden, certain it will be short-lived. They assume the scale of the task will overwhelm him and that the ship will never be finished. They are wrong. As the vessel takes shape, Nils discovers a determination he didn't know he possessed, and what begins as an unlikely construction project becomes the first step toward a life-changing adventure. The full score of the Captain Skimp series grew out of more than fifteen years of live, improvised storytelling with children aged 4–12. Through his part time work—first in kindergarten and later as a schoolteacher—Jonas Præst Nielsen recorded over 300 sessions, letting characters, worlds, and stories emerge naturally through play and interaction with the children. This improvisational process became the creative backbone of the series. As Nielsen says, “I didn't write the story—the characters did.” Jonas Præst Nielsen is a Danish composer and musician who later expanded into writing and storytelling. His musical background shapes the series' distinctive music, rhythms and cinematic sound universe. For his Cinematic Audiobooks, he has received several grants from the Danish Arts Foundation, AUTOR, and KODA, supporting productions that combine artistic authenticity with a high, technical quality of sound design. Website: www.cinematicaudiobooks.com Binge on all of our audio shows at atlantafringe.org/fringe-audio or wherever you enjoy podcasts.  

Buried on one of Bob Dylan's lesser 80s albums, "Brownsville Girl" is consistently cited as one of his greatest and most ambitious songs. Co-written by playwright/screenwriter/director/actor Sam Shepard, the song originally came to life as "New Danville Girl”. It was recorded, put aside, and then ultimately rewritten and overdubbed before finally seeing the light of day.Laura and Rebecca talk about creative collaboration, the alchemy of the songwriting process, and what we love about "Brownsville Girl"Find the video of this conversation over on YouTubeRead Bill Lattanzi's essay that we're referring to over at the Dylan Review.Find out more about Mason Moreno's research into the Dylan/Shepard Tapes over on the Infinity Goes Up on Trialpodcast.Read Sam Shepard's play True Dylan over on Esquire.Watch Gregory Peck's entire speech introducing Bob Dylan here.If you have a question for us, send us a voice memo to bobdylanhotline@gmail.com.For anything else get in touch at itsdefinitelydylan@gmail.comGet your Definitely Dylan baseball cap here.You can support Definitely Dylan on Patreon or with a one-off donation at buymeacoffee.com/definitelydylan.

In this episode of A Lost Plot, Andrew and Maverick delve into the classic film 'Indiana Jones: Raiders of the Lost Ark.' They discuss the film's impact on the adventure genre, analyze the characters of Indiana Jones and his rival René Belloc, and explore the dynamics of supporting characters like Marion and Sala. The conversation highlights the film's nostalgic elements, character development, and cultural context, providing a comprehensive review of this iconic movie. In this conversation, Andrew and Maverick delve into the intricacies of the film, discussing character dynamics, the role of villains, thematic elements, and the cultural impact of the Indiana Jones franchise. They explore how the film's structure reflects serial storytelling, the competency of Indiana Jones, and the moral complexities presented by the character of Belloc. The discussion also touches on the spiritual undertones of the narrative and the film's legacy in shaping future cinematic adventures.----------Highlights:0:00 ‘Raiders of the Lost Ark' Introduction5:24 Opening Scene10:08 Indiana Jones21:35 Marion & Sallah34:15 Raising the Stakes38:46 The Villains46:52 The Climax50:20 Themes & Messages58:24 Lasting Impact#indianajones #raidersofthelostark #alostplot #filmreview #jungleadventure 

Tony, Emmy and five-time GRAMMY-Award nominated singer, songwriter and actor Josh Groban shares tracks from his new album called CINEMATIC, and discusses his upcoming tour. Album cover courtesy of Reprise Records Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Hello Beautiful, I'm so grateful you're here with me.

Cinematic smoky soul rock singer-songwriter Alexandra Wright shares about her debut album release titled, “Bartering with the Mirror.” Follow along with Alexandra on Instagram.Check out her award winning video for Colorado on her website.Share your thoughts on this episode in the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Write Songs You Love Facebook Community⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ group.To join the Write Songs You Love Member calls, visit ⁠⁠⁠https://writesongsyoulove.substack.com/⁠⁠⁠ to expand and nurture your creativity!

In a long-awaited catch-up, singer, songwriter and actor Josh Groban stops by the Q studio to talk about his upcoming album Cinematic. The record is a tribute to the iconic soundtracks of some of his favourite films, from The Lion King to James Bond. He tells Tom about his touching collaboration with his father on the record, what it was like to play Sweeney Todd on Broadway given his lifelong love of Stephen Sondheim, and his spontaneous cameo at this year's Oscars.

Josh Groban joins the Billboard Pop Shop Podcast to chat about his new album "Cinematic," where the chart-topper pays tribute to music from the silver screen, including "Can You Feel the Love Tonight," "Moon River" and "As Time Goes By." Plus, hosts Katie and Keith discuss chart news from Noah Kahan and Ella Langley. Learn more about your ad choices. Visit megaphone.fm/adchoices

Greetings strangers, queer and pleasant. Come hear another episode of our podcast. Starring Laura Kate Magnet-Dale & Jane Aerith Magnet-Dale. A couple of queer, trans ladies who enjoy being very very silly. In this episode: Vampire Crawlers Exit 8 007 First Light Hitpig and more. You can get early access to episodes of Q&PS over on patreon.com/stonedmonkeyradio Q&PS t-shirts available here: www.redbubble.com/shop/ap/79965780 www.redbubble.com/shop/ap/79965063 Also, if you'd like to pick up our book - based on the awful nonsense of Supremacy Software, it will be available again soon and an audiobook is currently being recorded.

Ep. 391: Michael Lee Nirenberg on Cinematic Immunity, his new oral history about New York filmmaking crews Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. This week I go behind the scenes with filmmaker and author Michael Lee Nirenberg, whose new book Cinematic Immunity is an oral history of New York filmmaking of a different sort. Rather than directors or screenwriters, Nirenberg interviewed crew members across departments—and decades—to recount the making of movies like The French Connection and Do the Right Thing, shows like Pee-Wee's Playhouse and The Sopranos, and generally the ethos of working with Sidney Lumet or Spike Lee. As our conversation demonstrates, we were able to delve into stories and anecdotes that offer different perspectives and angles on film culture and the esprit de corps of studio filmmaking. “Cinematic Immunity: An Oral History of New York Filmmaking As Told by the Crews That Got the Shot” is available for purchase online and in bookstores. Also, the Frank Perry film that's mentioned, Last Summer (1969), is screening on May 3 at the Paris Theater. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

After a couple of “LONG Stories,” we explore the oxytocin-inducing storytelling of the late great Rob Reiner

The unbelievable insider stories of how they “got the shot,” Cinematic Immunity tells the story of New York City's movie industry from the crew members who created the sets, lit the scenes, and shot the film. Focused on the golden age (1950-1990) of New York filmmaking, Cinematic Immunity covers On the Waterfront through The Sopranos. The East Coast film industry, thousands of miles from the Los Angeles executives, existed by its own rules and with little oversight. It was a close-knit and freewheeling community of movie technicians that took on the most outrageous challenges to get every shot perfect. Behind-the-scenes documentaries and books feature “above the line” talent—actors, producers, directors, and writers. For the first time, readers will hear the unvarnished truth of the New York movie industry—tales about union politics, labor strikes, movie families, dangerous locations, difficult shots, volatile directors, anecdotes about actors, pranks, friendships, rivalries, generational shifts, substance use and abuse, technical feats, and more. Readers will hear never heard before stories about classic (and not so classic) films and television shows including: Midnight Cowboy, The Warriors, The French Connection, The Exorcist, The Godfather, The Wiz, The Taking of Pelham 123, Annie Hall, Cruising, Do The Right Thing, When Harry Met Sally, Home Alone 2, The Sopranos, and Law and Order. Expect to discover secrets about how your favorite scenes were shot and the outrageous characters with outsized talents whose personalities sometimes dwarfed actors and directors. Tales of their exploits, what they saw (and did) on these sets was previously only passed among themselves as showbiz lore but now, readers learn of Marlon Brando's pranks on the set of The Godfather, how crews kept William Friedkin from killing them, the actors, and himself, and how consummate New Yorker Sidney Lumet was the angel to Friedkin's demons. Michael Lee Nirenberg has worked as a scenic artist in New York since 2006, and in many cases, alongside many of the people featured in the book. This book is a labor of love comprised of over 150 interviews and hundreds of hours of recordings. Cinematic Immunity includes hundreds of behind-the-scenes images from studio archives and from the technicians who were there. Daniel Moran's writing about literature and film can be found on Pages and Frames. He earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing and co-hosts the long-running podcast Fifteen-Minute Film Fanatics, found here on the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network