Podcasts about Asian Americans

A new episode in our special limited series featuring owners/staff of LGBTQ bookstores drops next week on April 29th! In our off weeks, we air a recent episode of The Gaily Show which John hosts for AM950 Radio. The Gaily Show is one of the only daily LGBTQ news and talk shows in the country.Joining us today: Emmy winner Ross Mathews and Dr. Wellithon Garcia-Mathews' new book Tio and Tio: The Ring Bearers came out April 15! Inspired by their wedding and their nephews' role in the wedding, it's a sweet story about love, family, responsibilities, and culture. Order it here: https://bookshop.org/a/82376/9780593752586Plus, Audie and Earphone award-winning narrator Natalie Naudus' debut novel Gay the Pray Away comes out May 20, 2025. Natalie shares with us the gripping queer YA romance of an Asian American teen who longs to break free of the conservative cult she was raised in. Pre-order it here: https://bookshop.org/a/82376/9781683695110. Watch on YouTubeWe're in video too! You can watch this episode at youtube.com/@thegailyshowCreditsHost/Founder: John Parker (learn more about my name change)Executive Producer: Jim PoundsProduction and Distribution Support: Brett Johnson, AM950Marketing/Advertising Support: Chad Larson, Laura Hedlund, Jennifer Ogren, AM950Accounting and Creative Support: Gordy EricksonJoin us in helping Lambda Literary raise $20k for The Writers Retreat for Emerging LGBTQ Voices to ensure all writers can attend. Donate here: http://bit.ly/3RjW51aSupport the show

What is unique about mental, emotional, and relational health in an AAPI (Asian American Pacific Islander) context? Our guests who are uniquely positioned to respond because of their identities as Christians, as Asian Americans, and as mental health providers are here for our first ever panel conversation with three guests. Gary Quan, LMFT is a return guest on the Soul Grit Podcast. Gary spearheaded the project to create Asian American Chronicles - Tales of Mental Health and Hope, a new book sharing perspectives on several aspects of the Asian American experience of family, church, and culture. Contributing authors Ari X and James Chen, AMFT also join the podcast. Follow @soulgritresources on FB and IG and email your questions and comments to info@soulgritresources.com. Sign up at www.soulgritresources.com to be the first to know about new blogs, episodes, and more.

L.A. Coroner is a gripping true crime biography of Dr. Thomas Noguchi, the controversial “Coroner to the Stars,” who performed the autopsies of Marilyn Monroe, Robert F. Kennedy, Sharon Tate, Natalie Wood, and hundreds of other notable personalities. Choi, an award-winning historian and professor, deftly blends Los Angeles history, death investigation and forensic science, and Asian American history in a feat of exquisite storytelling. Anne Soon Choi discusses the incredible role Nogucci played in these famous death investigations and historic murder trials.L.A. Coroner is the first-ever biography of Dr. Thomas Noguchi, the Chief Medical Examiner–Coroner of Los Angeles County from 1967 to 1982. Throughout his illustrious career, Dr. Noguchi conducted the official autopsies of some of the most high-profile figures of his time. His elaborate press conferences, which often generated more controversy than they did answers, catapulted him into the public eye.Noguchi was also the inspiration for the popular 1970s–80s television drama Quincy, M.E., starring Jack Klugman. Featuring never-before-published details about Noguchi's most controversial cases, L.A. Coroner is a meticulously researched biography of a complex man, set against the backdrop of the social and racial politics of the 1960s and 1970s and Hollywood celebrity culture. Joining me to discuss L.A. Coroner: Thomas Noguchi and Death in Hollywood—Anne Soon Choi Follow and comment on Facebook-TRUE MURDER: The Most Shocking Killers in True Crime History https://www.facebook.com/profile.php?id=100064697978510Check out TRUE MURDER PODCAST @ truemurderpodcast.com

In this episode of the F*ck Saving Face podcast, host Judy Tsuei engages in a heartfelt conversation with Angela Cheng-Cimini, a seasoned HR professional, about the complexities of mental health, relationships, and personal growth, particularly within the context of Asian American culture. They explore the importance of self-advocacy, the evolution of workplace humanity, and the significance of nurturing long-term relationships. Angela shares her journey of navigating her marriage, parenting, and career while emphasizing the need for intentional living and redefining success. The discussion highlights the shared human experience and the importance of embracing vulnerability and authenticity in all aspects of life.Resources & Next Steps:Want to break free from perfectionism and self-doubt? Explore guided audios in Judy's shop: https://www.judytsuei.com/shopStay connected for more real, raw conversations:

In this episode of The Counseling Psychologist podcast series, Dr. Minsun Lee talks about the article recently published in TCP titled, "A Narrative Inquiry of Relational Conflict Navigation for East Asian American Women."

“They want your immigrant voice — they don't want to hear about me just growing up, even though that's the truth, right? And then I realized I could clearly make a living just performing for my people.” Keith Pedro is a renowned Canadian comedian who has garnered worldwide acclaim through his captivating live performances. In 2022, he was honored with a Juno Award nomination for his Comedy Album, "TRILLIPINO," in the category of Comedy Album of the Year. He has made a name for himself as one of the standout performers on "Roast Battle Canada," earning a Canadian Screen Award nomination for his work on the show. Keith has been recognized by Complex as one of the top Canadian comedians in the industry. His stand-up comedy has been showcased on Kevin Hart's LOL Network, and has made numerous appearances on television, including MTV, CBC, FuseTV, and more. Keith is a regular performer at the Just For Laughs Montreal Comedy Festival and the CBC Halifax and Winnipeg Comedy Festivals. He has also made notable appearances on the hit TV show "Degrassi the Next Generation." Keith's dynamic and versatile comedy style ranges from crowd work to relatable written material, and his live performances are not to be missed. LEARN MORE keithpedro.com/ instagram.com/keithpedro youtube.com/user/keithpedrocomedy tiktok.com/@keith.pedro open.spotify.com/artist/6nDuqILZ3e43OB3Q1sGul9 This conversation was hosted by FrieMMd of the Pod Lisa Angulo Reid —sharing conversations with Filipino and Asian American changemakers. Lisa also happens to be the Co-Founder & CEO of Dear Flor - the first infused gummy with classic Filipino flavors. Learn more @ DearFlor.com Learn more about your ad choices. Visit megaphone.fm/adchoices

It's a Marvin solo episode for our mid-month check in for April 2025. Listen in as he highlights some of the latest publishing announcements for novels written by Asian American authors!Upcoming books mentioned in our publishing news:THE MIDNIGHT TAXI By Yosha GunasekeraA TEASPOON OF MAGIC By Jackie LauMIGRATORY CREATURES By Jennifer YehENVOY By Yume KitaseiDRAGONFLY By Catherine ChoTASTES LIKE SEEING GOD By Nina Michiko TamSPACE BAR By Eugene LimFOLLOWERS By Audrey Cleo YapBooks & Boba is a podcast dedicated to reading and featuring books by Asian and Asian American authorsSupport the Books & Boba Podcast by:Joining our Patreon to receive exclusive perksPurchasing books at our bookshopRocking our Books & Boba merchFollow our hosts:Reera Yoo (@reeraboo)Marvin Yueh (@marvinyueh)Follow us:InstagramTwitterGoodreadsFacebookThe Books & Boba April 2025 pick is The Cartographers by Peng ShepardThis podcast is part of Potluck: An Asian American Podcast Collective

One of the profound realities of the gospel is that we will receive new, glorified resurrection bodies. We will not inhabit eternity as floating spirits, but we will have real flesh and blood and bones. Part of that physical reality means that we will retain our ethnic identities. How should the resurrection shape our understanding of what it means to be Asian American?

May is Asian American, Native Hawaiian, and Pacific Islander Heritage Month, dedicated to celebrating the achievements and contributions of Asians, Native Hawaiians, and Pacific Islanders of the United States. Originating after U.S. Congress action in 1997, this commemoration serves to highlight the vastness of the Asian, Native Hawaiian, and Pacific Islander communities, which spans more than 30 countries where over 100 different languages are spoken, and where the experiences are equally as varied. During the month of May and integrated into the curriculum throughout the school year, we celebrate our AANHPI community intentionally and honor their gifts, cultures, diverse histories, and continued contributions to the Hillsboro School District and our nation. In our schools and classrooms, we take time to explore the rich history and culture of people who are AANHPI. We continue to teach, learn and unlearn, reflect on and even condemn the violence and hatred that has been directed at the AANHPI community. We work to rebuild our classroom communities as we elevate the stories, contributions, and experiences of the AANHPI communities with love, empathy, and inclusivity. Thank you to our Asian American, Native Hawaiian, and Pacific Islander Hillsboro School District students, staff, families, and community members who continue to join us in the efforts to build and sustain a culture of belonging. We admire you and we're incredibly thankful for your talents, advocacy, and brilliance. Our featured students are members of Hilhi's first-ever Rocket League Esports Club! Rocket League is an online sport-based video game in which teams compete against others all across the U.S. for points and prizes. On Saturday, April 12, they competed in the Bruin Rocket League Invitational hosted at George Fox University. The tournament featured four top teams: Ridgefield, North Eugene, Wilsonville, and our very own Spartans. With Wilsonville and Hilhi widely regarded as the two best teams in the state, the stage was set for an intense showdown. The competition began with a group stage (best-of-three format), where the Spartans earned the #2 seed heading into bracket play, dropping only one match in a close 1-2 loss to Wilsonville. In bracket play, the Spartans came out strong, cruising through the semifinals to earn a highly anticipated rematch with Wilsonville in the finals. This time, Hilhi came prepared. The Spartans set the tone early, winning the first match—and they never looked back. With dominant teamwork, sharp communication, and clutch plays, Hilhi swept Wilsonville 4-0 in a best-of-seven series to claim the championship title. This win solidifies that the Hillsboro Spartans are officially the #1 High School Rocket League team in the state. Congratulations and way to go, Spartan Esports team! You make us Proud to be HSD!Hot News is produced and emailed to HSD families and staff each week school is in session. Please add the address to your “safe sender” list to make sure you always receive the latest issue. Please also bookmark our district website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠hsd.k12.or.us⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to stay informed about what's happening in our district and schools.

This week on The Leftovers, never-before-heard audio from Danielle Chang, host of Lucky Chow on PBS. And Rachel Belle takes a very special field trip to Seattle’s Mixed Pantry, a beautifully curated specialty foods shop that exclusively sells Asian and Asian American-made products. On last week’s episode of Your Last Meal, Danielle told Rachel she never goes anywhere without a little vial of high-quality soy sauce in her purse. So Rachel popped into Mixed Pantry for a soy sauce tasting, a fun activity open to anyone who visits. The shop sells soy sauces from several countries, but the tasting centers around the five standard types of Japanese shoyu, owner Tak Kunimune’s specialty. You’ll learn the difference between mainstream commercial soy sauces and traditional barrel-aged ones; how Kikkoman came to be America’s go-to soy sauce; and Tak’s tips on what to cook with each one. Then, a lightning round with Danielle Chang! She shares her favorite Chinatown snack (she's a big fan of the neighborhoods around the world), the Asian dessert she always wants for her birthday and so much more. Season Seven of Lucky Chow premieres May 1 on PBS! Watch Rachel’s Cascade PBS TV show The Nosh with Rachel Belle! Season 2 out now! Sign up for Rachel's new (free!) Cascade PBS newsletter for more food musings! Follow along on Instagram! Order Rachel’s cookbook Open Sesame.Support the show: http://rachelbelle.substack.com/See omnystudio.com/listener for privacy information.

Unholy is going live in London!Join Yonit Levi and Jonathan Freedland for a special night of news and surprises—live on stage, June 8th 2025. If you've ever wanted to see the podcast come to life, now's your chance. Reserve your seat now via the link—space is limited, and we'd love to see you there! https://bit.ly/UnholyLondonLive Whether or not you found the Afikoman this year, consider this our Unholy offering for Pesach: a carefully curated collection of six standout moments from the past year's conversations. A kind of audio Seder plate—without the Maror. Yonit and Jonathan revisit conversations with Rachel Maddow, Van Jones, Nas Daily, Aviva Seigel, Alex Edelman and Rabbi Angela Buchdahl. From politics to identity, comedy to community, these voices offer the perspective needed for this moment of reflection and renewal. Rachel MaddowRachel Maddow is the host of The Rachel Maddow Show on MSNBC, known for her in-depth political analysis. She is also the author of several books, including Prequel: An American Fight Against Fascism.Van JonesVan Jones is a political commentator on CNN and served as a special advisor to President Barack Obama. He is also the co-founder of multiple non-profit organisations focused on criminal justice reform and environmental advocacy.Nas Daily (Nuseir Yassin)Nuseir Yassin, known as Nas Daily, is a content creator who rose to prominence through one-minute daily videos showcasing global stories. He is the founder of Nas Company, a platform for digital education and storytelling.Aviva SeigelViva Seigel is an Israeli who was abducted from her home on October 7th and was held in captivity by Hamas in Gaza for 51 days. Her husband, Keith, was abduted as well and was released after 484 days in Gaza. Alex EdelmanAlex Edelman is a stand-up comedian and writer known for his acclaimed solo show Just For Us, which tackles themes of Jewish identity and white nationalism. He has performed on international stages and written for television.Rabbi Angela BuchdahlRabbi Angela Buchdahl is the Senior Rabbi of Central Synagogue in New York City and the first Asian-American ordained as both rabbi and cantor. She is a leading voice in American Judaism and interfaith dialogue. Unholy is going live in London!Join Yonit Levi and Jonathan Freedland for a special night of news and surprises—live on stage, June 8th 2025. If you've ever wanted to see the podcast come to life, now's your chance. Reserve your seat now via the link—space is limited, and we'd love to see you there! https://bit.ly/UnholyLondonLive

In this episode of Wake Up, Look Up, Pastor Zach reflects on the difficulty some people experience when confronted with the extraordinary success of others, using the example of Johnny Kim, a highly accomplished Asian American man. Pastor Zach suggests that this discomfort often stems from comparison and insecurity, and he emphasizes the biblical perspective that individual worth is rooted in being created in God's image, not in achievements. Ultimately, the episode encourages listeners to find contentment in their unique callings and to celebrate the successes of others as a reflection of God's gifts.Have an article you'd like Pastor Zach to discuss? Email us at wakeup@ccchapel.com!

From MPR News, Art Hounds are members of the Minnesota arts community who look beyond their own work to highlight what's exciting in local art. Their recommendations are lightly edited from the audio heard in the player above. Want to be an Art Hound? Submit here.Time-traveling puppets and Cherokee futurismOogie Push is a Minneapolis-based actor and playwright. She wants people to know about Z Puppets Rosenschnoz's upcoming performances of “Tales of ᏓᎦᏏ Dagsi Turtle & ᏥᏍᏚ Jisdu Wabbit,” a time-traveling, Cherokee-language-learning puppetry adventure for ages 5 and up. Shows are Saturday, April 19 at 10:30 a.m. and 1:30 p.m. at Open Eye Theatre in Minneapolis. There are also upcoming performances at two libraries: April 26 at 10:30 a.m. at East Side Freedom Library in St. Paul and April 29 at 5:30 p.m. at Hosmer Library in Minneapolis. The show runs 45 minutes.Oogie Push described the show: It's a musical adventure that goes into Cherokee futurism, and it's just a really fun sort of sci-fi adventure. Dagsi Turtle and Jisdu Wabbit are racing through time and space to save Grandmother Turtle. So they hop aboard their Turtle Ship and travel across space and time. I find it amazing that they find a way to get to historical, important events in Cherokee history. So you visit Sequoyah and Ayoka when they are coming up with the Cherokee syllabary, for example.Chris Griffith, who is Cherokee and part of Z puppets Rosenshnoz, was an adult language learner of the Cherokee language, and so the language came to him in the form of song. And so he thought, How can I incorporate this into a puppet theater? And so he just started envisioning futurism, sci-fi, fantasy and just sort of like this hero's journey.— Oogie PushLaughter, identity and healing at the OrdwayTerri Thao of St. Paul loves the Funny Asian Women Kollective (FAWK), and she booked her tickets early to see The FAWK Hmong (+ Friends) Super Show this Saturday at the Ordway Center for the Performing Arts in St. Paul. The show starts at 7:30 p.m. Thao remembers when FAWK was packing the house at Indigenous Roots Studio in East St. Paul, and she's looking forward to a night of laughter as a mix of familiar FAWK members, stars and some local newbies bring their comedy to the Ordway stage. Thao said: When they came together, I just thought this, this is a great idea. You know, Asian American women can be funny! My understanding about comedy is a lot of people talk about real life, right? They're making observations about things happening.And I think so many times in communities, you know, refugee communities, there's been a lot of strife but at the same time, we've used humor to cope with so much. I just think they're able to just offer a lens into that experience with some humor. Seeing people on stage who look like you matters.— Terri ThaoHonoring Minnesota's poetic legacyJoshua Preston grew up in Montevideo, Minn., and he's proud of western Minnesota's poetry heritage, including the work of Minnesota's first poet laureate, Robert Bly (1926-2021). Preston's looking forward to the launch of Mark Gustafson's new book “Sowing Seeds: The Minnesota Literary Renaissance & Robert Bly, 1958-1980.” The book explores how Minnesota became the literary hub it is today. Mark Gustafson will discuss his new book with poets Jim Lenfestey and Nor Hall at the Loft Literary Center in Minneapolis this Saturday, April 19 at 6 p.m. People are encouraged to pre-register here. Preston says people who arrive early can see a slide show of The Loft through the years. Preston shared why this history matters to him: I believe Robert Bly is one of the most consequential poets of the 20th century. And I'm not just saying that as a Minnesotan from western Minnesota who's very proud of our literary tradition, but I'm saying this as someone who has had the immense fortune of being able to grow up in a state that takes its arts and culture seriously. How do you get to a point in a state's culture to where that is seen as a civic good? It begins with poets. It begins with our creatives. And “Sowing Seeds'” is about the influence of one individual, by no means the only, famous writer from Minnesota, but from someone who is very intentional of wanting to go out and set a new course for American poetry.— Joshua Preston

Arthur Dong is an award-winning filmmaker out of San Francisco's Chinatown. One of his first films, Sewing Woman, was nominated for an Oscar. We caught up with Arthur and chatted about his youth in Chinatown and his over 50 years of filmmaking! Get the Arthur Dong Collection on Blu-Ray discs from Kino Lorber. Arthur's care for his subject matter will move you, and I promise that you will learn so much! Get it here: https://kinolorber.com/product/arthur-dong-collection. It's a history you won't find in textbooks! Follow Arthur @arthurdongfilm on socila media or over at https://www.deepfocusproductions.com/ As I always mention, you can write to us at: ⁠infatuasianpodcast@gmail.com⁠, and please follow us on Instagram and Facebook @infatuasianpodcast  Our Theme: “Super Happy J-Pop Fun-Time” by Prismic Studios was arranged and performed by All Arms Around  Cover Art and Logo designed by Justin Chuan @w.a.h.w (We Are Half the World) #asianfilmmaker #asianpodcast #asian #asianamerican #infatuasian #infatuasianpodcast #aapi #veryasian  #asianamericanpodcaster #representationmatters

This week, we have host Stephanie Tam in conversation with Anne Anlin Cheng about her book, Ordinary Disasters: How I Stopped Being a Model Minority, which debuted in September 2024 and was published by Pantheon.In this episode, Anne discusses her journey from academic scholarship to a personal, deeply vulnerable "new kind of writing." After decades of teaching as one of the foremost scholars of race, literature, and aesthetics at Princeton University, a series of personal and political crises led Anne to grapple with what it means to live firsthand as an Asian American woman in our world. Stephanie and Anne talk about the challenges of "finding your voice" in the first person, the double bind of the model minority myth, and the problem with how Americans think about who deserves social justice — "as though attention to nonwhite groups, their histories and conditions, is only as pressing as the injuries that they have suffered." Anne also shares her personal experiences of grieving her father, a tragic series of student suicides, and the complexities of interracial marriage. Finally, Stephanie and Anne explore what it takes to find and sustain an "ordinary faith" in the midst of all these "ordinary disasters."

Author Kevin Nguyen chats about his new book. Then, the gang go on a very dark, pretty funny camping trip.C O ME S E E H A C K C I T Y C O M E D Y TicketsF O L L O W U Shttps://www.instagram.com/asiannotasianpodhttps://www.instagram.com/nicepantsbrohttps://www.instagram.com/jennyarimoto/P A T R E O Nhttps://www.patreon.com/asiannotasianpod P A R T N E R S -Check out friend of the pod John's cabin on Airbnb! https://www.airbnb.com/slink/penXRFgl - Helix Sleep Mattress: visit helixsleep.com/asian - Nutrafol: www.nutrafol.com (Promo code: Asian)See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Trevor joins Jess and Teen to follow up on the discussion of Jewish American culture and its under-appreciated impact on American culture overall (see ep. 586). This time with a focus on the films 'Annie Hall' and 'Quiz Show' and how the Asian American experience echoes these earlier works, but in ways that don't often get expressed in Asian American culture. Pt 1 of 2 To get access to pt 2 and bonus episodes: patreon.com/planamag

On this episode of the California Now Podcast, host Soterios Johnson explores the wonderful world of sports across the Golden State with three notable experts. First, Johnson speaks with Natalie Nakase, head coach of the Golden State Valkyries, the WNBA's newest team making its debut in San Francisco. Nakase, the first Asian American coach in the league's history,  shares her vision for the team and reflects on the rising momentum behind women's basketball. She also describes how she hopes to create a dynamic game-day environment at Chase Stadium. "I hope that they come in and they have a great time and it feels like a party that they can't wait to watch, but also not leave," she says. Plus, Nakase shares how she enjoys spending time when she's not courtside in San Francisco. Next, Johnson catches up with Benjamin Hill of MLB.com to discuss California's fun-filled and easily accessible minor league baseball scene. “It's just such a smaller, friendlier world where you can get up close to the field, you can get up close to the players,” says Hill. He then dives into ballpark adventures he's had across the Golden State, from meeting churro-inspired mascots in San Jose to biting into asparagus-topped hot dogs in Stockton. Hill also highlights recent changes in California's minor league, including the departure of the Modesto Nuts and the addition of a new team in Ontario. Finally, Johnson heads to the Palm Springs Surf Club with professional surfer and operations manager Nate Acker. Acker explains how the state-of-the-art facility is bringing wave riding to the desert and giving people of all skill levels a chance to experience the joy of surfing. "We get groups that come in that have never surfed before," he says. "I love that the most because it's so fun to get people in the water and riding waves that have never done it." Acker also details the wide array of sun-soaked activities available to non-surfers at the club.

Asian Americans are reshaping the arts and cultural landscape from Cambodian Angkor Dance Troupe to cross cultural learning in South Korea. Plus the art of Korean self care and wellness; Cooking club trends with friends, and Ann Tremet glazed cakes that are edible works of arts.

Have you ever been the only one at the table? Maybe the only woman, or the only person of color, or simply the only one with a different perspective in the room? It can feel isolating, but it doesn't have to hold you back. In fact, it can actually be your superpower.  In this week's episode of Hello Monday, Jessi Hempel sits down with Angela Chee to unpack how to embrace being an “only” and turn it into a powerful asset. Angela is media and communications coach and author of The Power of the Only. She speaks from her many years of experience as a TV news anchor, where she was often the only Asian American and the only woman in the room.  Angela and Jessi discuss: • How to identify external and internal barriers, and how to break through the internal ones • The importance of personal development in owning your voice • Why some environments aren't worth your time, and when to walk away • How to thrive when you're the only one at the table Continue the conversation with us at Hello Monday Office Hours! Join Jessi and Senior Producer Sarah Storm live on the LinkedIn News Page this Wednesday at 3 PM EST.

In this episode of the F*ck Saving Face podcast, Judy shares personal experiences and insights on mental and emotional health, particularly for Asian Americans and voices of color. The conversation explores themes of empowerment, healing, and the importance of embracing imperfection. The host reflects on transformative life experiences, including travels and personal growth, while encouraging listeners to live authentically and free from societal pressures.Resources & Next Steps:Want to break free from perfectionism and self-doubt? Explore guided audios in Judy's shop: https://www.judytsuei.com/shopStay connected for more real, raw conversations:

NBC News anchor and correspondent Vicky Nguyen has a story to tell of her family's daring escape from communist Vietnam and her unlikely journey from refugee to reporter—a story told with laughter and fierce love. Starting in 1975, Vietnam's “boat people”—desperate families seeking freedom—fled the Communist government and violence in their country any way they could, usually by boat across the South China Sea. Vicky Nguyen and her family were among them. Attacked at sea by pirates before reaching a refugee camp in Malaysia, the Nguyen family survived on rations and waited months until they were sponsored to go to America. But deciding to leave and start a new life in a new country is half the story; figuring out how to be American is the other. Join us as Nguyen recounts the story from her memoir Boat Baby of growing up in America with unconventional Vietnamese parents who didn't always know how to bridge the cultural gaps. It's a childhood filled with misadventures and misunderstandings, from almost stabbing the neighborhood racist with a butter knife to getting caught stealing Cosmo in the hope of learning "Do You Really Think You Know Everything About Sex?" In the face of prejudice, Nguyen parents taught her to be gritty and resilient, skills Vicky used as she combatted stereotyping throughout her career, fending off the question “Aren't you Connie Chung?” to become a leading Asian American journalist on television. Funny, nostalgic, and poignant, her story is a testament to the messy glue that bonds a family, and is an optimistic story full of heart that illuminates the promise of what America can be. Nguyen grew up in Eugene, Reno, San Jose, and Santa Rosa. She attended the University of San Francisco and spent over a decade at NBC Bay Area. Learn more about your ad choices. Visit megaphone.fm/adchoices

For years now, members of Seattle's political establishment have been trying to fix one particular street corner: 12th and Jackson, in Little Saigon. This corner is an example of what city leaders call "hot spots" — tiny sections of the city that are home to disproportionate amounts of crime and disorder. A report by the city last year found there were more than a hundred crimes targeting people and overdoses - mainly from fentanyl - at or around 12th and Jackson over a one-year period. And it's been this way for years. Leaving residents and business owners in this historically Asian-American community begging for help from the city. KUOW's Will James wanted to know: What's driving the crisis on display at 12th and Jackson? Why has it persisted for so long? And is there a solution to these problems that seem so intractable? Will spent months visiting this corner and getting to know some of the people who congregate there, trying to answer these questions. Read the full story: Fentanyl fuels a persistent ‘hot spot’ at Seattle’s 12th and Jackson. What will it take to fix it?See omnystudio.com/listener for privacy information.

In this rewind episode, we dip back into the archives and revisit Phil and Jeff's 2024 conversation with friend, journalist and fellow podcaster Ada Tseng about her Los Angeles Times piece which asked and answered a very important question: Which are the "most Asian" Costcos in Southern California? They discuss why the wholesale chain holds a particular appeal for Asian American shoppers, the specialty items you can only find at the Most Asian Costcos, and the spiritual journey of purchasing Kirkland clothing. Also: The Good, The Bad, and The WTF of Costco.

GDP Script/ Top Stories for April 10th Publish Date: April 10th From the BG AD Group Studio Welcome to the Gwinnett Daily Post Podcast. Today is Thursday, April 10th and Happy birthday to John Madden ***04.10.25 - BIRTHDAY – JOHN MADDEN*** I’m Peyton Spurlock and here are your top stories presented by KIA Mall of Georgia. After years of delays, The Lawrence is finally rising in downtown Lawrenceville Bill restoring law enforcement's ability to request federal help heading to governor Northeast Georgia Medical Center Braselton Celebrates 10th Anniversary Plus, Leah McGrath from Ingles Markets on sugar free cakes All of this and more is coming up on the Gwinnett Daily Post podcast, and if you are looking for community news, we encourage you to listen daily and subscribe! Break 1: 07.14.22 KIA MOG STORY 1: After years of delays, The Lawrence is finally rising in downtown Lawrenceville Construction on the Hilton Tapestry-branded hotel in downtown Lawrenceville has resumed after delays caused by the COVID-19 pandemic. Managed by the Lawrenceville Downtown Development Authority, the project is on track for a mid-2026 opening. Once completed, "The Lawrence" will feature 120 beds, a full-service restaurant, and 5,000 square feet of conference space, making it the only hotel in downtown Lawrenceville. City officials view the hotel as a vital addition to support events, theater shows, and college activities, marking a key milestone in the area’s redevelopment. STORY 2: Bill restoring law enforcement's ability to request federal help heading to governor The Georgia General Assembly has passed Senate Bill 99, the Law Enforcement Partners Act, to restore state and local law enforcement's authority to collaborate with federal agencies, an authority unintentionally removed in 2020. Authored by Sen. Randy Robertson and carried by Rep. Matt Reeves, the bill allows law enforcement to request federal assistance for disaster management and joint task forces addressing issues like human trafficking, gang activity, and drug dealing. Georgia and Nebraska were the only states lacking such a law. The bill now awaits Governor Brian Kemp's decision to sign or veto it. STORY 3: Northeast Georgia Medical Center Braselton Celebrates 10th Anniversary The Northeast Georgia Medical Center (NGMC) Braselton celebrated its 10th anniversary, highlighting milestones like over 10,000 deliveries, 500,000 emergency visits, and 81,000 inpatient stays. Since opening in 2015, the hospital has grown from 100 to 188 beds, with expansions underway, including a larger ER by 2026. The campus features medical offices, a cancer center, and urgent care, while NGHS has invested over $1 billion in regional growth. With nearly 2,000 staff, strong community support, and 800 volunteers donating 138,000 hours, NGMC Braselton continues to drive healthcare access and local development. We have opportunities for sponsors to get great engagement on these shows. Call 770.874.3200 for more info. We’ll be right back Break 2: MONSTER JAM STORY 4: An incredible resource' — Georgia Gwinnett College's Career Services Center Helps Prepare Students For Post-Grad World Georgia Gwinnett College’s Career Services is a vital resource for students like Ashley Vega, Class of ’26, offering career counseling, coaching, workshops, and tools to prepare for life after graduation. Services include resume reviews, mock interviews, graduate school prep, and access to The Merri M. Brantley Professional Attire Closet for business attire. Students can also get professional headshots and attend career fairs. Director Dr. Roslyn Brown emphasizes starting early and highlights the importance of soft skills like communication and leadership. Alumni also benefit from job databases, ensuring long-term career support. Vega credits Career Services for guiding her toward her career goals. STORY 5: Asian American Resource Foundation Center Appoints New CEO The Asian American Resource Center (AARC) in Duluth has named Joshua Choi as its new CEO and COO, succeeding Dr. Connie Jee. Choi, a seasoned pastor and nonprofit leader, aims to revitalize the decades-old charity, which offers services like English classes, voter registration, and rent assistance. Choi emphasized his commitment to refocusing AARC’s mission after challenges from the COVID-19 pandemic. Dr. Jee praised Choi’s faith and dedication to serving the broader community, not just Asian Americans. The AARC continues its mission to support the neediest in metro Atlanta. Break 3: Ingles Markets 2 And now here is Leah McGrath from Ingles Markets on sugar free cakes *** INGLES ASK LEAH (SUGAR FREE CAKES)*** We’ll have closing comments after this Break 4: MONSTER JAM Signoff – Thanks again for hanging out with us on today’s Gwinnett Daily Post Podcast. If you enjoy these shows, we encourage you to check out our other offerings, like the Cherokee Tribune Ledger Podcast, the Marietta Daily Journal, or the Community Podcast for Rockdale Newton and Morgan Counties. Read more about all our stories and get other great content at www.gwinnettdailypost.com Did you know over 50% of Americans listen to podcasts weekly? Giving you important news about our community and telling great stories are what we do. Make sure you join us for our next episode and be sure to share this podcast on social media with your friends and family. Add us to your Alexa Flash Briefing or your Google Home Briefing and be sure to like, follow, and subscribe wherever you get your podcasts. Produced by the BG Podcast Network Show Sponsors: www.ingles-markets.com www.kiamallofga.com www.monsterjam.com/en-us/ #NewsPodcast #CurrentEvents #TopHeadlines #BreakingNews #PodcastDiscussion #PodcastNews #InDepthAnalysis #NewsAnalysis #PodcastTrending #WorldNews #LocalNews #GlobalNews #PodcastInsights #NewsBrief #PodcastUpdate #NewsRoundup #WeeklyNews #DailyNews #PodcastInterviews #HotTopics #PodcastOpinions #InvestigativeJournalism #BehindTheHeadlines #PodcastMedia #NewsStories #PodcastReports #JournalismMatters #PodcastPerspectives #NewsCommentary #PodcastListeners #NewsPodcastCommunity #NewsSource #PodcastCuration #WorldAffairs #PodcastUpdates #AudioNews #PodcastJournalism #EmergingStories #NewsFlash #PodcastConversations See omnystudio.com/listener for privacy information.

Kellyn Acosta was a key member of the US Men's National Team that qualified for and then played in the 2022 FIFA Men's World Cup in Qatar. His journey to that tournament, and significance of his participation, is unique to the story of soccer in America. Acosta was born in Dallas, Texas and joined he FC Dallas youth system in 2009. He worked his way through the Development Academy, then onto the senior team in 2013. He emerged as a regular on the FC Dallas team and became recognized as a rising star in the US Soccer ecosystem. He finally broke through  with the US Men's National Team in 2016, at a time of transition. The team was unsuccessful in its efforts to qualify for the World Cup; then a legendary group of veterans was transitioning out of the program and a young group introduced rapidly into the first team. Kellyn was part of that group and experienced the ebbs and flows of the transition before ultimately being a key contributor in the Qualifying cycle.  He is the son of a Japanese father and an African American Mother. When he earned a roster spot for the 2022 World Cup, Kellyn became the first Asian American man to appear for the United States in a World Cup. He has played 11 seasons in the MLS and is an MLS Cup winner with LAFC. Kellyn currently is a member of Chicago Fire FC. He talks about his story on the show Founding Futbol is a year-long exploration of the critical moments that have led to soccer's emerging popularity in America.Visit our website for more information: ⁠FoundingFutbol.com. Email us at kent@foundingfutbol.comSubscribe to Founding Futbol on your platform of choice.Host: Kent MalmrosGuest: Kellyn Acosta (MLS and USMNT Player)

Today our friends Brian & Jonathan join us to talk about the gray area of our social network - people we kind of know, kind of don't! We dive into the nuances of interacting with people in this category and how we handle the potential awkward situations that can arise. We also explore experiences of converting mutual friends/semi strangers into friends!Support the showFollow us on social media @eatyourcrustpod

Episode Summary: In this week's episode of your favorite Korean Adoptee podcast, the Janchi Boys sit down with Sara Docan-Morgan and talk about the burden of magical thinking while adopted, being in reunion with your birth family and how casual familial interactions can reduce the spotlight that is so often placed on adoptees when they meet their birth families.Meet Sara Docan-Morgan!Instagram: @in.reunionCheck out her book, In Reunion!---// Support the Show!Online at janchishow.com / @janchishowSupport the show at janchishow.com/supportJoin our Facebook Group! janchishow.com/afterpartyWatch our Youtube VideosLeave a voicemail! 972-677-8867Write us a note: janchishow@gmail.comThe Janchi Show Quick BioThe Janchi Show focuses on exploring intersectional identities and current events through the lens of adoption, race, lived experience and more. Sometimes we have guests, and sometimes it's just the three of us. Either way, it's always a janchi!// Meet the Janchi Boys!Nathan NowackNathan (he/him) is a transracial Korean American adoptee who was born in Seoul in the 1970s. He was adopted at the age of 5 months old and raised in a small town in Oklahoma along with a non-biological Korean adopted sister.  After going to college in Colorado he later moved to Los Angeles to pursue a digital media career and eventually started 2 photography companies.  He loves spending time with his wife and 3 kids, playing golf, and collecting Lego. He is in reunion with his biological family as the youngest of 7 and has been in contact since 2015.  He currently serves on the Advisory Council for KAAN and helps with the planning of their annual adoptee conference.  In 2021, Nathan and his family moved back to Colorado to be closer to family and start a new chapter in their lives.  Connect with Nathan!Website: http://www.coverve.comInstagram: http://instagram.com/nnowackPatrick ArmstrongPatrick Armstrong (he/him) is a transracial Korean American adoptee, podcaster, speaker, and community facilitator. He is one of the hosts of the Janchi Show, a podcast that explores and celebrates the experiences and stories of Korean adoptees everywhere. He also is host of Conversation Piece with Patrick Armstrong, a podcast where he discusses the missing pieces of the conversations we're already having. He is a cofounder of the Asian Adoptees of Indiana, a group dedicated to creating a safe, engaging community for all Asian adoptees who need it. He is currently based in Indianapolis with his wife and cat. Connect with Patrick!Website: http://patrickintheworld.meLinkedIn: http://linkedin/in/patrickintheworldInstagram: http://instagram.com/patrickintheworldK.J. Roelke (@kjroelke)KJ (he/him) was adopted from Daegu and raised in Dallas, Texas with his two biological, older siblings and his younger sister, adopted from Russia. After spending a decade in the Midwest for college and career, he and his wife are back in Dallas and living large! He has been on his journey of discovery since 2015 and spends his days as a web developer for the Choctaw Nation of Oklahoma.Connect with K.J.!Website: https://kjroelke.online/LinkedIn: https://linkedin/in/kjroelkeInstagram: https://instagram.com/kjroelke// Listen to/Watch The Janchi Show on all major platforms:Apple: http://janchishow.com/appleSpotify: http://janchishow.com/spotifyYoutube: http://janchishow.com/youtubeGratitude & CreditsMichelle Nam for our logo and brandingJerry Won for bring us togetherThis show is created and produced by Patrick, Nathan and KJ and is the sole property of the Janchi Show, LLC.

Warning: this episode contains some foul language. If you are sensitive to this or are listening around young children please use your own discretion before you tune in.James here :) I was able to sit down with Gabrielle Widjaja, who works under the name Gentle Oriental, and asked her about how she navigates the highs and lows of her creative practice. Gabby began her career as a graphic designer and over the years went through many hurdles to be able to tattoo full-time today. She shared her journey with me, and the two of us compared our different, but connected Asian American lineages.Gabby would like to shout out a Gentle Pokes, Studio Bumi and Ricky Wang! Check ‘em out! —We're really excited to be sharing this episode with the GSG family. Thank you always for the support. If you appreciate this platform for creativity and care, please consider becoming a paid subscriber. We're planning many things for the GSG community, so stay tuned. We R Here 4 U. Get full access to Graphic Support Group Podcast at graphicsupportgroup.substack.com/subscribe

“ I certainly learned about how media works — our faces and our stories weren't included. That was my bat signal to make that change.” Nicole Ponseca is a pioneering voice in the culinary world and one of the most respected thought leaders in the Hospitality and Filipino community. Nicole has proven herself on the NYC scene with critically acclaimed restaurants, Maharlika and Jeepney. She revolutionized perceptions of Filipino food in the United States, turning bold and authentic flavors into a movement that resonated with diners, critics, and food enthusiasts alike. Her debut cookbook, I Am a Filipino, is a James Beard Award finalist and hailed as a definitive work on Filipino cuisine, celebrated as a cookbook of the year and top lists from The New Yorker, NY Times, LA Times, Saveur, Food and Wine, Chicago Tribune and more. Nicole's unconventional career journey began in advertising, but but found her true calling in food and culture. By night, she spent a decade in every restaurant role imaginable—hostess, server, bartender, manager—learning the ins and outs of the industry to fulfill her mission. Namely, the creation of Maharlika and Jeepney, two groundbreaking establishments that introduced Filipino dishes like Kamayan feasts to the mainstream and became cultural hubs for the Filipino community and a signal that Filipino food was claiming its seat at the culinary table. You'll enjoy this conversation blending storytelling, food, and culture This conversation was hosted by FrieMMd of the Pod Lisa Angulo Reid —sharing conversations with Filipino and Asian American changemakers. Lisa also happens to be the Co-Founder & CEO of Dear Flor - the first infused gummy with classic Filipino flavors. Learn more @ DearFlor.com Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode of the AACC Podcast, Raymond Chang speaks with Walter Kim on the relationship between Asian Americans and Evangelicalism. Should Asian Americans Christians use the term “evangelical”? Where do AAPI fit in the changing demographics of evangelicalism? And how can Asian Americans lead faithfully in evangelical contexts?    Linked Resources: https://www.nae.org/ Hosts: Raymond Chang   Guest: Walter Kim   Engineer: Elliot Koo   Producer: Josh Huver   Manager: Gracie Hulse   Follow us on IG: @aachristcollab   To find out more about AACC's work, donate, or learn more visit asianamericanchristiancollaborative.com.

This episode originally aired in September of 2024.Comedian and actor Chris Grace has starred in NBC's Superstore, PEN15, and Broad City. Now he takes to the stage as one of the world's most famous actresses in his new comedy special on Dropout, Chris Grace as Scarlett Johansson. Chris graces our mics to talk about the special AND how he felt seen in the 1993 ensemble-driven drama, THE JOY LUCK CLUB. We get into a heartfelt conversation on Asian-American representation in cinema, the incomparable talent of Rosalind Chao,  and Chris answers the question: Am I a good person?Then Jordan has one quick thing about Ryan Coogler's forthcoming vampiric horror film Sinners. Michael B. Jordan, Michael B. Jordan again, and the gritty Hailee Steinfeld. ***With Jordan Crucchiola and Chris Grace. Feeling Seen is hosted by Jordan Crucchiola and is a production Maximum Fun.Need more Feeling Seen? Keep up with the show on Instagram and Bluesky.

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Tonight on APEX Express join host Miko Lee as she talks with Asian American theatre artists with works coming up soon. Miko talks with Sunhui Chang and Joan Osato about their world premiere at the Magic Theatre. She speaks with Ethnotech's Nancy Wang and Robert Kikuchi-Yngojo and finally we hear from playwright Jiehae Park on the world premiere of the Aves at Berkeley Rep. Though we may be immersed in a complicated, challenging and very disturbing world, as Grace Lee Boggs said, “A people exercising their creativity in the face of devastation is one of the greatest contributions to humankind.”     Our Guests discussed: April 2-20, 2025 Magic Theatre The Boiling, a tale of american nihilism tickets, wheelchair accessible Joan Osato SFFILM Cedar Road Iyagi Grant Applications:  sffilm.org/artist-development Ethnohtec May 22 Ethnohtec https://sfpl.org/events/2025/05/22/panel-strong-bamboo-3-part-1 Strong Like Bamboo SF Library Koret Auditorium Free https://sfpl.org/events/2025/05/25/performance-strong-bamboo-3-part-2   Coming Up Next Transcript   Opening: [00:00:00] Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express.   Ayame Keane-Lee: [00:00:34] Tonight on APEX Express join host Miko Lee as she talks with Asian American theatre artists with works coming up soon. Miko talks with Sunhui Chang and Joan Osato about their world premiere of the boiling at the Magic Theatre. She speaks with Eth-Noh-Tec's Nancy Wang and Robert Kikuchi-Yngojo and finally we hear from playwright Jiehae Park on the world premiere of the aves at Berkeley Rep. Though we may be immersed in a complicated, challenging and very disturbing world, as Grace Lee Boggs said, “A people exercising their creativity in the face of devastation is one of the greatest contributions to humankind.” So join us on APEX Express as we join some creative conversations.   Miko Lee: [00:01:17] Tonight on Apex Express, we have the collaborators behind Magic Theater and Campo Santo's, world Premier of the boiling: a tale of American nihilism. Welcome playwright Sunhui Chang and video artist Joan Osato.    Joan Osato: [00:01:30] Thank you for having us on, Miko.    Miko Lee: [00:01:33] Yes. First I'm gonna start for each of you with a personal question, which is an adaptation from the amazing Chinaka Hodges. And my question for each of you, and let's start with Joan first, is who are your people and what legacy do you carry with you?    Joan Osato: [00:01:49] I consider myself a child of immigrants in this country. My lineage Japanese, Japanese American by way of Hawai'i a lot of my lineage is carried by that diaspora, but also by my history at Youth Speaks for a couple of decades. And so I consider that my family also and Camp Santo.    Miko Lee: [00:02:12] Yay. Love that. And then Joan, what legacy do you carry with you?   Joan Osato: [00:02:17] A legacy of resilience and I know how to farm. I like to think of myself as a gardener and a great farmer. so that's the legacy I carry with me.    Miko Lee: [00:02:29] Thank you so much, Joan. Sunhui, what about you? Who are your people and what legacy do you carry with you?    Sunhui Chang: [00:02:36] Well, I'm part of the diaspora, the Korean American diaspora that happened in the seventies. My family immigrated to the island of Guam in 1976, as part of developing the island of Guam. As, you know, the Korean diaspora at that time in the seventies, we were kind of shipped around the world a little bit, for our labor. There's a huge Korean population of workers that also went to West Germany and other places, Guam is not as well known, but it was definitely part of that. So in 76, our family landed on the island of Guam.    Miko Lee: [00:03:11] Wow, that's so interesting. And then what about what legacy you carry with you?    Sunhui Chang: [00:03:16] I think my legacy I have to say is that definitely of the immigrant working class, you know, as with a Korean diaspora, there's some things of, like the East Coast Koreans, as you may know, have a different history of being much more educated whereas kind of the west coast and the Korean diaspora during the seventies towards islands like Guam, we were much more working class. So that is my legacy. I have working class roots that, I never seem to be able to get away from and I don't want to.   Joan Osato: [00:03:47] Shoot. That's the same for me too, my working class roots.   Miko Lee: [00:03:51] So it sounds like you two have some commonalities there and that seem to have flowed over into the creation of this play. Sunhui can you talk about an overview of this brand New World premier, the boiling.    Sunhui Chang: [00:04:05] Simply put, it's a story of a tracker and a tracer, a government team that was formed to track and trace down carriers of the virus called the Boiling. and it actually. starts out as a chase, but what we really dig into is more about, identity, home, what it means to be, what is home and what it means to be, at home, and also, about redemption, you know, through our lives, you know? So it's multi-layered, so it's hard to kind of explain in a log line. but it's a chase story that kind of delves into the characters.    Miko Lee: [00:04:40] And I understand this was inspired by a real news story. Can you tell us about that real news story?    Sunhui Chang: [00:04:46] Oh, yeah. the genesis of this we have to kind of go back to the beginning of the pandemic back to December, 2019. I had just finished a gallery installation in San Francisco and then at the end of that I flew back to Seattle. Now at that period of time, there was this talk that there's this virus that's in China. That might affect us, we're not quite certain, but it could be something that could lead to a global pandemic, but we didn't quite know at that time. But then when I landed in Seattle, March 17th, 2020 was the date that Governor j Insley shut down the state of Washington. So that is a big take 'cause, As you know, we all hunkered down at that point. And then in one of the hunkering down is of course, I was watching the news and one of the news story, happened to come across where they were talking about a Econo Lodge motel that the state of Washington had purchased to turn into a quarantine motel, a voluntary quarantine motel where people who, felt that they were infected could check themselves in, to be evaluated. So the story goes that two people had actually checked into this motel totally voluntarily, but one of them the morning after. And this is captured, with a surveillance video. We actually see this one person walking out of their room at the motel. We see them walk across the street to a gas station with a market. Now the surveillance actually then switches over to the gas station surveillance, which shows him walking to the gas mart, walking inside, making a purchase, and then actually walking out. And then we see another footage of the surveillance that's going from the outside surveillance of the store. We actually see him, walk towards the bus stop, get on a bus. And then just the bus leaves and that is it. And the news story ends with that. They had no idea where this person drifted off to. and for me it just, it had this weird, eerie fascination that just grabbed me. and remember at that time, Seattle was such a hotbed for Covid. It was where the nursing home happened, where so many of the elderly had passed on, and we didn't even wanna secondhand touch a surface, so there was a real heightened sense of alarm that was happening. So seeing this story of this potential infected person just drifting off. And then what made it eerie was that I wanted to see what followed up. So for days after I kept watching the news, what is the follow up? What happened? It was never brought on again. Never. Another mention I. and for me that actually made it even more eerie. So it really sat with me, to the point where I had to actually just write down the first words of my, the first line of my story, the boiling. And the first line was, “Carrier X stepped out of the tightness of his room and breathed deeply the soft drizzle of the Pacific Northwest to cool his body from the growing fever.” So those were the first words that I wrote. and then it was just kind of off to the races 'cause the way I write Miko is that I'm very much organic. I kind of set a story and then I become a vessel of the story. I don't come to the story with agendas or anything of that nature. After the first sentence, it just kind of took a life of its own. So that's it.    Miko Lee: [00:08:18] That is amazing. I did not hear that story. and the real news story. That is wild. That would've sat with me too. Joan, had you heard of that story before being brought onto this project?    Joan Osato: [00:08:29] Well, when we did a reading during the pandemic. I did hear parts of that story, but I think it's also a story that a lot of us can relate to, because like here in the Bay Area, of course, we also experienced severe lockdown. Whereas in other parts of the country, I think that the type of lockdown, although being, you know, trying to be really safe for people also induces this sense of isolation and paranoia. And so wanting to get information about who's getting affected and like, where's it happening? I think that was all like kind of a mini obsession of like. Everyone who experienced the pandemic, you know what I mean?    Miko Lee: [00:09:10] How do you think that pandemic has had an impact on theater and on audiences?    Joan Osato: [00:09:16] Well on the most basic levels, you know, like what theaters are grappling with, just in terms of coming out of and recovering from pandemic, I think everybody understands that, you know, theater in general is struggling because of the changes that happened in terms of, Perhaps what people place importance on the isolation that we went through, the kind of, paranoia about being in groups of people and in space and in community together. And so, that affects, you know, theaters and you can, you can see that since the pandemic some have closed. But I also think that, the effects are also that, groups like The Magic or Campo Santo during the Pandemic, we never stopped working and we just figured out innovative ways to, you know, support artists, do radio plays, do, amalgamations of like filming. And so a lot of us became like very, very adept at different types of media that are theatrically based, like Sunhui's play, but that we had to carry out, like online or, you know, through other types of media.    Sunhui Chang: [00:10:30] I just wanted to add on that is that, the pandemic, you know, there there was definitely things that really affected us as humans in such a negative way, but what I also found admiring was, with Joan and Camp Santo and the artists and trying to find creative ways of, still letting, having an outlet. it really was that the story of the boiling would not have taken place if artists such as Joan and Camp Santo. If they didn't, if they weren't able to pivot and make these kind of online transitions at the moment, such as doing readings and such, cause that's how the story was first brought about. So, in many ways it was hard. But also I do appreciate these artists who have been able to kind of keep going and didn't shut down and kept letting the creative creativity somehow flow. I so appreciated that.    Joan Osato: [00:11:20] Yeah, it was definitely a beautiful thing. And then, you know, Miko, throughout the pandemic, you know, we would have like online viewings of our archives or we would sit with audience members, who were joining us and basically hang out for like three, four hours online. So trying to create the space not only to kind of generate support for artists who are. Completely outta work, but also to, just connect us even though we were. You know, obviously under these conditions where we couldn't see each other in person and it wouldn't have been advisable for us to even try to gather, you know, because, I consider us, you know, in-inside of our community extremely vulnerable. So, you know, just grappling with that tension, was really hard.    Miko Lee: [00:12:09] Yeah. And I kind of hear both of you saying that in those really tough times, there was this push to get more creative, to find more ways of reaching people and, and to look at ways that we can, um, innovate given that, and I'm wondering, given our current political climate where things are changing every hour now. I mean, the first Trump administration, it was kind of every week and now it feels like every hour a new kind of devastating thing is happening. I'm wondering how you both think theater can be used as a tool for social change.    Sunhui Chang: [00:12:41] For me Theater and, and really the arts, what I do love about it, is this really, and I kind of touch upon it with the story and such, and it really hit me during, COVID, during the pandemic, is that it's really for me, what it does is listening.  I know as artists, we love telling our story. We love telling what we see, our interpretations and things like that. but I think what I have really come about with the arts is the fact that I like the other side of it is the listening part, for me with my collaborators, that I have to listen. You know, it's not about just me talking, but just listening. So for me, the theater aspect of it and the art aspect of it is that I hope that, as we go through these tough times, what it really has us doing is listening to each other more. One of the things that I really feel in that way and appreciative of listening is the fact that without listeners, there's no storytelling. Listening is really the foundation of our humanity. You know, I mean, just talking really gets us nowhere. What really makes us move forward collectively is listening.   Joan Osato: [00:13:50] Mm, Sunhui heard that. Yes, I heard that. [laughs] As far as theater and kind of responding to the moment. I think, you know, the type of theater that we embody is always speaking to politics is always speaking to, you know, the culture of the moment and especially it's speaking, because a lot of Campo and the Magic's work is like based inside of, theater companies that live, work, breathe, are about by and for the communities, like in the Bay Area right. So there's just no way of separating the kind of politics from what happens like inside of these plays. For the boiling in particular though, I think there's a lot of stuff that, that people can think about and here inside the play that will resonate with them. One, we're, we're talking about a hypothetical, but it's not really a hypothetical situation about a pandemic, a very, harmful, very urgent, current conditions. You know, when there's no CDC to have, get your information from when there's no public health that's functioning in this country, we can, we can see what happened during the last pandemic and just make that comparison and draw those comparisons, you know, what would happen in the next one. Right. also that, you know, to me and Sunhui, you can totally. speak to this, but to me, Carrier X, the person that represents is this kind of violence and nihilism that exists inside of the, you know, the current, you know, psyche or administration right at this moment. this real like. It's definitely violent to the point of not caring whether people live or die and so I, you know, I think that's very striking about the play and it happening right now as premiering it right now, because I think people can draw a lot of parallels between. Like this personality, this complete disorder that seems to be going on, like not only in American politic, but amongst the large population in America itself. You know what I mean? That kind of disregard.    Miko Lee: [00:16:18] Joan, that is so interesting. I wonder if you both can talk a little bit more about Patient X as this kind of figure of narcissism and selfishness that we're seeing that's happening in our broader politics right now.   Sunhui Chang: [00:16:31] Yeah, Carrier X, he does, you know, he does kind of represent this nihilism of American nihilism, which to me it's really historical and cultural. we could go all the way back to the nihilism of manifest destiny, feeling like we have something to do that it was even, maybe. God's order, you know, a higher order that was given to us. And we have to take on this task and finish the task at no matter what cost, right? By any means necessary in a way. and that nihilism for me, I. historical, but when I see it currently that happens now, is that I see nihilism in the fact that people want to cut off Medicaid, Medicare, these social programs that are not just help people actually are crucial and it's really, it's a survival. So for me, when I see that kind of disregard, yes, it's not this overt violent nihilism, but I do find it to be so nihilistic in the damage that it does to all of us, you know? And I do find That this nihilistic violence, there's two flip side to it. The people who are directly affected, and harmed by it, but also the people who carry it are out, who carry out these acts of nihilism they do get damaged as well. So for me, so yeah, the nihilism, it's taken on a different life, but. It's a part of America and it seems to continuously carry forward through our days.    Miko Lee: [00:18:00] And Sunhui with the intentional characters, the lead being Korean American adoptee, and, the detective being a black woman, and then carrier X being white. Share with me a little bit about the racial element and your intention behind making those characters of those, ethnic backgrounds.    Sunhui Chang: [00:18:20] You know, there was no intention, as I said, I just write very organically. So there was never this thought of, oh, here's the three characters. One's gonna be a Korean adoptee, one's gonna be a black homicide detective, and another's gonna be a white carrier. It was never that I. It's hard for me to explain the process, but those were the characters that just kind of naturally came out. for me, it just felt fitting to it. So, I don't have agendas as I write, as I said, so there was none of that. It was just for me, as a vessel of the story, as a story was coming out, it was just. Oh yeah, this character is this, this character is that, and this one is this. so no intention. But, once those things came alive, then the story kind of, evolves around what's, organically happening. So yeah, there wasn't intent, but at the end of it all, of course, I go, oh, I see what has come about and how the story is so, In hindsight now going, oh yeah, I did this. for me, it feels right in the, in the fact that for me, this is America Miko. To me, I, I don't write with an Asian American kind of pen, or, or a brown person pen for me, I actually first and foremost say I'm an American. There's no way around it. and it's simply put too, is that. I am an American. so for me, these characters are just. Natural. And when I know about me being American and knowing about American history, these characters just naturally fit in, you know?    Miko Lee: [00:19:50] Yep. Thank you so much. I've read that you talk about new Americana theater. Mm-hmm. And also Joan, you were talking about how during the pandemic, you know, everybody's learning new techniques, new ways of storytelling, just because everybody was forced to with the lockdown. Sunhui, can you talk more about what you believe New America Theater is all about?    Sunhui Chang: [00:20:12] For me, the reason why I kind of see it as new Americana theater, first off, 'cause it's, it's American, the stories that come out of me is very American. you know, and I recognize it. And for me, I, it is, this is part of the American fabric, so that's why it's called Americana. And for me, I say it's new. 'cause what's new is the perspective that it's coming out from. perspective, which brings on different characters, a different storyline, you know, different message. So yeah, that's, that's it for me when I refer to it as New America in the theater. It's just that, that it's, it's an American tale that now we've been able to incorporate new voices into.   Miko Lee: [00:20:54] I noticed there's a really large list of collaborators. Of course the two of you, but then there's a lot of other people as well. Can you talk about that creative process, how you all were able to work together, how you made decisions about, oh, this is the part we're gonna use film, this is the part we're gonna use, movement.   Sunhui Chang: [00:21:11] Like I said, it's very much organic. Our third major collaborator is Ellen Sebastian Chang. she is the director of the show, and when me, Joan and her, we first started delving into it, we did. It was just sitting down and talking a lot. Going through the scripts, the different skill sets that we bring in. And really it was through the dialogue miko and of us talking with each other, but also listening to each other. and that was a big part is that as we started listening to ourselves, we came out with this direction.    Miko Lee: [00:21:47] And what would you both like the audience to walk away with after seeing the boiling?   Joan Osato: [00:21:52] I think, you know, as Sunhui talked about this, ritual of deep listening and so, the play doesn't guide anyone towards some natural conclusion that they should have about, you know, it's, it's not saying you, you must believe this, it's really leaving it up to the viewer, the listener, to draw their own conclusions. And, I think that, that people who come to this will be incredibly moved. I think that they will see a lot of parallels with what we're going through now and what we've gone through. And examine there is a kind of shameful history that we all need to grapple with, whether we own it or not. You know, Sunhui had talked about manifest destiny and that being like one of the founding, you know, kind kinds of principles that this country is founded upon. And there are many, many others That I think the play touches on which give pause and, and give the people who are engaging with this, room to think and reexamine their own actions in the world and how they approach it.   Sunhui Chang: [00:23:02] I'll just mention as an aside, you know, some of the things that we're looking at is. Our disconnect from the natural world and how that has impacted the natural world. Right.  I think Joan is spot on in, in that about, yeah, first and foremost, I do find this so important once again to say about listening. I do. I, that is the big thing that I would love is that for us to, if we really wanna truly have dialogues, and especially with people who we disagree with, and there is a lot of disagreement in this world right now. and for me, yeah, to, Get us back to a place where we could really listen to each other and not be in such a place where all we wanted to do is kind of say what we have to say. It's almost this thing of, oh, you know, the other has to listen, the other has to listen. And I really would like it that it becomes kind of more inward that we all say, Hey, it is time for me to listen. And then of course just the fact that when, as we listen to each other, what I do find and what I hope that others find as well, is that we're much more connected and we have so many things that tie us together than separate.   Miko Lee: [00:24:19] Well, thank both of you so much for joining us on Apex Express. Is there anything else you wanna add?   Sunhui Chang: [00:24:24] Just one thing, Miko, one of the elements of this play, is this natural world with birding and I would love to just, one of the big inspiration is that it's just a quote from Emily Dickinson and the quote is, “hope is the thing with feathers.” For me, I would love for people to kind of sit with that and think about that and what that means for us as human beings in relationship to the natural world, you know, and the importance of that.   Miko Lee: [00:24:52] Oh, that's such a beautiful visual image. Thank you so much for sharing that. I appreciate both of you for sharing your time with me.    Joan Osato: [00:24:59] Thank you, Miko.    Sunhui Chang: [00:25:00] Thank you Miko    Miko Lee: [00:25:01] The Boiling is a brand new play, and it's a story of a Korean American adoptee Brian, who's a virologist from the Midwest, and a former homicide Detective v, a black woman who lives in the Pacific Northwest, and they're partnered to do this trace and track from north to south. They're following David, a white nihilistic carrier of a feverish virus called the Boiling. This world Premier Show opens to the magic theater and runs from April 2nd through April 20th. You can get more information about this show, including links to buy tickets at our show notes on kpfa.org/programs/apexexpress.   Ayame Keane-Lee: [00:25:42] Next we'll listen to an excerpt from The Camp, the first opera on the Japanese American Concentration camps during World War II. The camp premiered from February 22nd to March 2nd, 2025 at the JACCC Aratani Theater in Los Angeles. Composed by Daniel Kessner, who combines modern classical with Japanese instruments, A libretto by Lionelle Hamanaka, directed by Diana Wyenn, with Associate Director John Miyasaki, 11 singers and a 22 piece orchestra conducted by Steve Hofer. The incidents in The Camp Opera were drawn from different camps where over 126,000 Japanese Americans were imprisoned to see the many Japanese American groups that supported this project, including JANM, DENSHO and Raf Shimpo see the camp opera.com and if you know a place where The Camp can be performed near you, please contact the campopera.com/support.    MUSIC   Miko Lee: [00:27:53] Welcome to Apex Express. I'm so glad to have Eth-Noh-Tec once again, we get Robert Kikuchi-Yngojo and Nancy Wang.   Nancy Wang: [00:28:03] Yay. Yes. Hi. Hello. So glad to be here with you Miko.   Miko Lee: [00:28:07] We have been friends and colleagues for, it feels like a hundred billion years. The times that we're in are so complicated right now. But I just wanna first start with the question I often ask people, which is for each of you to tell me who are your people and what legacy do you carry with you?   Nancy Wang: [00:28:27] Well, I am Chinese American, and I am fifth generation on my mother's side. And. So we go all the way back to 1850 when our family first came on a junk boat and started the fishing industry in the Monterey Bay area.    Robert Kikuchi-Yngojo: [00:28:45] And I am, half Japanese, half Filipino, born in San Francisco, raised in Concord, California, and living in the Bay Area for all my life.   Miko Lee: [00:28:50] And what legacy do you carry with you?    Robert Kikuchi-Yngojo: [00:28:58] Well, I guess the identity I have as an Asian American, Japanese, and Filipino, um, I embrace all of that. The legacy is, as an artist, a performer. I've dedicated my life to creating works that reflect an Asian American consciousness, social, political, cultural. Both traditional works as well as new modern stories and music as well.    Nancy Wang: [00:29:25] And I was also a psychotherapist, so my work in the arts, whether it's dance, which I started out being a dancer and then a playwright, and then storytelling. I always weave in the healing aspect of what we all need to do in our communities. And so I use my art to also bring solace and bring celebration and bring, Depth and and the breadth of who we are as Asian Americans, as human beings, as part of this world, this country, then this city, so that we can celebrate who we are together.   Miko Lee: [00:30:04] Thank you for that. I hear you talking about activism, Asian American history, who we are and healing. I'm wondering if you could give me an update about what you're working on right now.   Nancy Wang: [00:30:14] Well, we have several things in the pipeline. I, for one, just finished writing and has now published Red Altar, which is the story of my ancestors. Three generations are followed in this book, about how they established the fishing industry in the Monterey Bay area. All the ways they had to reinvent themselves as laws were passed against them. The people try to get rid of them. And it's really a story of courage and determination and persistence, ingenuity and obviously success. Because I'm here. So I'm gonna be doing some more readings and that can be found on our webpage. Right. And Robert,    Robert Kikuchi-Yngojo: [00:30:55] I am focusing on archiving our work and after working with Nancy and creating Eth-Noh-Tec for the last 43 plus years, we have developed over 200 stories, and we put them on stage. We've written them, some of them are now being written as a compendium of stories. These are Neo-traditional folk tales and myths from Asia. And, people don't know much of this, but I am also an artist, so I'm creating illustrations that depict these stories. That's one project.   Nancy Wang: [00:31:23] Yeah, that's our next book. but what we're really excited about is our second Strong Like Bamboo, stories of resilience in the era of Asian American hate, but it's really broadened beyond Asian American because this year on May 22nd, will be a gathering of Latino and Asian artists and musicians, storytellers, and activists to just sit around and really share our stories, share our music, share our concerns, and to build bridges with each other because it, we will need to increase, our coalitions during this era. It's gotten worse, so we really need to come together.   Robert Kikuchi-Yngojo: [00:32:08] and we titled it strong like bamboo because of the Asian anecdote about, you know, one bamboo can snap, but together binding many bamboo together we're much stronger. So it's a call out to the community to bring all of our constituents and broaden that so that we are strong, as people of color.    Nancy Wang: [00:32:25] And of course we're gonna have food, which always brings us all together. But also bamboo can bend. Without breaking, so that's on a Thursday, May 22nd. But on May 25th, I have curated four other storytellers to tell their stories of their racist experiences and how they came through it to a healing place.    Robert Kikuchi-Yngojo: [00:32:48] There's a gathering of Asian American storytellers, both from the Chicago area and also from the west coast.    Nancy Wang: [00:32:53] And there'll be a panel so they can ask questions and we can have discussions. But after that, the people in the audience will have the opportunity to break up into small groups of three in which they get to share their own stories, their own concerns, and that's really the whole thing is about inspiring people to come through what they're going through and coming out, on the other side with some hope and healing. Because when we share our stories, we lift that particular burden of, say our story about our racist experience. We lifted off our own shoulders and we get to share it. With someone who's listening with compassion and we don't feel alone anymore. It's really a powerful, powerful way to find community connection, relation, and strength.   Robert Kikuchi-Yngojo: [00:33:45] And we'll have also in both of those events, resources in earlier years, I was an Asian American songwriter and did a lot of songs of not just identity, but of unity. I'm also gonna be singing a theme song called Bamboo, which is part of the title and also, a work by Chris Jim, famous of the Chris and Joe Asian American Duet from years ago. the one song we're still here, though it was written 30, 40 years ago. It's still pertinent to what's going on now, especially declaring that America is a multiracial, multiethnic, texture of society.   Nancy Wang: [00:34:20] and, in 2026 we're gonna bring on, African-American and Euro-American, storytellers also, so that we really have a multicultural representation of all who we are and how we still will need to come together. I hope things will be better by 2026, but who knows?    Miko Lee: [00:34:39] Thank you so much for sharing about how storytelling can really be a tool for social change. Is there anything else you wanna share with our audience?   Nancy Wang: [00:34:47] Yeah. please come to our strong like Bamboo on May 22nd and 25th is gonna be at the San Francisco Public Library Main Library, both are free to the public May 22nd the Thursday at May 22nd, it's gonna be in Hispanic room,    Robert Kikuchi-Yngojo: [00:35:05] and what time?   Nancy Wang: [00:35:06] Six to seven-thirty. And on Sunday it'll be in the presentations, the performances in the panel will be in the Koret auditorium, and then small groups will convene in the Hispanic room, which is right next door, and it's got elevators. So no problem, in getting there. Plus Bart and the bus is, it's easy to get there. And so that's what we wanted so that people could feel welcome.    Robert Kikuchi-Yngojo: [00:35:35] And that second show on Sunday Strong like Bamboo will feature our guest artist storytellers, professional storytellers. One of them being a local Eleanor Clement Glass who's half African American and Filipino, talking about her experiences. And then also, two guest artists from Chicago, one of them being Lillian Ji, who is a Japanese American hapa. Then third is, Archie Jun, who is a Thai American gay comedian storyteller who is a total riot. we are really wanting to blend many of our communities together to hear this talent Yes. And to deal with the topics.    Nancy Wang: [00:36:10] So we would love for the LGBTQ plus community to come out as well and support him and feel proud because all of the stories will, will really showcase our strength and our ability to deal with these things and come out the other side. So we are hoping that in the process of telling our pain, but coming out, on the other side, that it will be an inspiration for everyone to keep going during this difficult, very difficult time.    Miko Lee: [00:36:41] Thank you so much for joining me today.    Nancy Wang: [00:36:44] You're welcome. Thank you   Ayame Keane-Lee: [00:36:46] You are listening to 94.1 KPFA and 89.3 KPFB in Berkeley, 88.1 KFCF in Fresno, and online worldwide at kpfa.org.   Miko Lee: [00:37:05] Welcome Jiehae Park to Apex Express. I am so excited to talk to you about the world premier of the aves opening at Berkeley Repertory Theater, May 2nd through June 8th. Welcome to Apex Express.    Jiehae Park: [00:37:19] Hi, Miko. It's so nice to be here. Thanks for having me.    Miko Lee: [00:37:22] I wanna just first start with a personal question, which is, who are your people and what legacy do you carry with you?   Jiehae Park: [00:37:31] Hmm. I love the phrasing of that question. I was born in Korea and I came to the states when I was three years old with my parents who came to go to graduate school. And my father's family fled the north during the war. And my mother's family had always been in the south. And I definitely think that who they are and where they came from is a big part of who I am and the questions that I think of. And in a lot of ways, not just, racially and culturally, but also in terms of their interests. They're both scientists. This play deals, I hope thoughtfully with questions of identity and consciousness, that I've always been interested in.    Miko Lee: [00:38:18] And what legacy do you feel like you carry with you from them?   Jiehae Park: [00:38:22] Hmm. I mean, I write a lot about immigrants. This play isn't specifically about that, but in a lot of my previous work, I, I have. have written a lot about immigrants and I feel like my parents, you know, they came to this country when they were in their twenties. They didn't speak the language. They came from a generation of folks and at that time in the country where they were really, they had to be a certain way to survive. And I think that, intensity of work ethic, and the things that you also have to give up in order to get to where you think you wanna be, that question is, is part of their legacy to me. It's a, it's a gift and also something that, like a lot of other immigrants, I think I'm always sort of turning over in my mind and, and trying to look at from other angles.    Miko Lee: [00:39:12] Thank you for sharing. I'm wondering if you can talk to us about, first this title of your, world Premier, the aves. Where did this title come from? What is it about?    Jiehae Park: [00:39:23] So the title is the Latin word for Birds. And, the play there's a mystery that sort of unspools early on. So without, without giving too much away we see this old couple on a bench, on a park bench, and they have clearly been together for a long time and they are having a conversation that seems like a very ordinary conversation. And over the course of the first scene, we soon learn that they are discussing, doing something that will have ramifications throughout the rest of the play. And the aves is a word that I loved because of the association with birds. There, there are birds that make an appearance in this play, in both pedestrian and unexpected ways, in mysterious ways, and hopefully humorous ways. and then the connotation also of Ave Maria and this, this feeling of the sacred, which also infuses the play, which has a lot of humor, but also when I was writing it, I was thinking a lot about nature and the passage of time and this feeling of awe that I get when engage with nature. And I think that word also has those connotations for me.    Miko Lee: [00:40:46] And that sounds like a mystery that people need to come to find out more about. Can you tell us what inspired this work?    Jiehae Park: [00:40:54] I used to live on the northside of Central Park in Harlem, and I had this tiny, tiny little window that looked out, onto the north side of the park. And every day I would sit down to write and through my tiny window, I would see the same man sitting on this bench every day. And as the seasons changed and the leaves changed and the light changed, but still every morning there was the consistency of seeing the same person. And I think I I was thinking a lot about the passage of time and of nature shifting And I think subconsciously I was thinking about getting older myself. This was a time before I had children, but I was starting to become aware of my parents aging and generationally My peers, also our parents were aging and, and starting to have, you know, the complications and the beautiful things that can come with that. So I think all of that was a big soup in my subconscious. and I sat down and I wrote the first scene very quickly and then. I didn't know exactly what the rest of the play was gonna be, but I knew structurally that the first scene would be this old couple and that the second scene would be, a slightly different configuration of, of bodies. But that was hard to be so mysterious, um, and that the nex scene would be a different specific configuration of body. So I was thinking about the age of the bodies that you're watching and the story evolved from that. And I guess I should say that the play is set in a moment sort of best after now. So it's not the present, but it's not the distant future. It's certainly not like hard sci-fi by any means, but I think it uses some tools of speculative fiction. To ask questions that hopefully are illuminating about ourselves now.    Miko Lee: [00:42:59] Interesting. Did you ever talk with the man in the park that inspired this piece?   Jiehae Park: [00:43:05] You know, it's so funny. After the first couple of weeks of watching him, I realized he lived in my building and I hadn't noticed him before.    Miko Lee: [00:43:18] Wow. That's amazing.    Jiehae Park: [00:43:20] And I think that that's also something that. I had been thinking a lot about at the time this question of presence and attention, especially in New York, which is a city that is so loud. I mean, I love, I love New York and there's so many things that I love about New York, but it is such a loud city and it is hard to hear yourself think and, and the quality of attention in any. I was gonna say in any city, but in like any moment in our extremely chaotic world, I mean, especially now, that sort of quiet present quality of attention that I think is so beautiful and so rare, and I associate with, I'm not religious, but, but when I was a kid, I was, and this, this quality of, of sacred space, I think I was, I was really curious about that. And at the time, I think I had also that year gone on a silent meditation retreat. so trying to bring that quality of attention to my ordinary life as a urban citizen, I think was also part of the experience of writing the play. But yeah, he lived in my building and I hadn't noticed him before. And so this question of what do we notice and what do we need to shift in ourselves to notice what's in front of us and has been in front of us.    Miko Lee: [00:44:44] I am hearing you talk about a sense of presence and, and time passing. I'm wondering if that is what you want the audience to walk away with or are there other things that you're interested in provoking with this piece?    Jiehae Park: [00:44:57] As an audience member, when I go to any play, I always hope to leave a little bit different than how I entered and. That shift can be really subtle. In fact, for me as an audience member, sometimes it feels more profound when it is subtle. So on, on like at like a really baseline level. We've been having a lot of conversations with the design team about how to create this. Quality of space that feels different from the mundane so that when we enter the space of the theater, so for our body chemistry changes and that we are being asked by the play to lean in and pay attention perhaps in a way that we're not asked to pay attention, in, in the world outside of that room. And to be able to request that of an audience and share that with an audience. Together, I think is such a beautiful thing. And, and one of my favorite things about any collective experience when, when it all feels like we're breathing together. And my hope is that that's something that we can create, at a, like a biochemical level in our bodies, on a sort of more. Intellectual, emotional, philosophical level. I think there are questions that the play is asking about, what makes us, us and memory and the ability of a person and a relationship to change over a long period of time. And over the course of events that. May require forgiveness. those were certainly things that I was thinking about while I was writing it. So there's also that, that more character relational level of questioning that, that I think, will resonate with people, in different ways depending on where they are in their lives. And then I think especially because, you know, there's a lot of conversation about sandwich generation now, like folks, I. Who have dealt with aging themselves or aging parents and, the complexities and possibilities that can create. I think that there's another layer of the play that stirs up some of those questions as well.   Miko Lee: [00:47:04] Speaking of complexities and possibilities, I understand that you studied music and that you're also an actor and then you also write for Marvel's Runaways. Can you share a little bit about how these different elements impact you as a writer, as a creator?    Jiehae Park: [00:47:20] Yeah, so I started as an actor, which I think a lot of people do, mostly because it's the most accessible thing. Like you can audition for a play. You can't sort of audition to write a play. you can just write a play. But that, I think, came later for me. I don't really perform a ton anymore, although I did love it. and then the shift to television happened eight or so years ago. There's a big movement of playwrights moving into television, during peak tv. And they're very different. there is some shared similarity in storytelling instincts and craft. but the mediums are just really different, so I feel like I get very different things from, from all of them. I feel like I learned being a performer for a long time. As an artist, it's just getting to bump up against people who you think are fascinating and learn from them what you like and what you don't like, and who you wanna be and who you don't wanna be. and from tv I think I learned, To not be so precious. It takes a really long time for me to write a play. and I used to think, oh, I have to go into the woods and like be silent for a month and then like a play will emerge. And like sometimes it happens and it, that feels like a blessing when it does. But in TV, because there's so much money at stake and so much time pressure that you know, when something's due, it's just due and you turn it in. And if it's not perfect, you just deal with it and you make it as good as you can. And I think that there's a certain amount of shedding of perfectionism, which has been really healthy for me. but I do. Love the theater for the ability to spend a long period of time contemplating something and, and making it with a group of people who feel inspiring and we're all moving towards the same thing. and I think there's a little bit more space or a lot more space in the theater for things that may feel. mysterious or more open. whereas in television especially these days with the sort of decline of peak TV, there's an expectation of propulsion. Like overt propulsion, if that makes sense. That is not a criticism like, you know, I also love TV. but it is, it's like the pace of it is different and the ask of it is different than the ask of a play and and the baseline thing of just, you're not in the same room with the people experiencing it that is so special in theatre.    Miko Lee: [00:49:45] How do you go about shifting that mindset for that kind of speed of TV that you're describing versus the kind of longer meditative state of creating theater?    Jiehae Park: [00:49:55] Yeah, I mean, I think there's hopefully a two-way exchange. Because I also think that bringing some of those qualities of thoughtfulness and deliberation to the world of TV within the container, within the boundaries of it, can be incredibly useful. And ultimately a lot of the things that delight people, delight people regardless of the format. So that, like, that feeling of inevitable but surprising, like that's something that is of tremendous value in all mediums, right? I think for me personally, when I write a play. I try to make a space in my life that is a little more still. and I have a toddler now, so that's challenging. But in a way, working in television has been really helpful for that because, you know, I don't have five hours in the middle of the day to, you know, be with myself and listen to the trees. I maybe have like 30 minutes, but to try to drop into that as. quickly and without angst, without like working myself up about it. 'cause that's a waste of time. That's been a useful lesson to learn. Whereas working in television can feel a lot less lonely also than playwriting because in a writer's room, most shows in the states are written in the writer's room, there are few exceptions, and you're with a group of people. And so there's a sort of energetic exchange happening there that in a play only happens much, much later when you're in rehearsal and ideally in production. there's a sort of joyful energy and exchange that can happen in a writer's room, both when you're breaking the story and then ultimately when you're in production. And there's like many, many more people involved. And there's the crew and the cast and you know, all of the technical departments and producers. I feel like you mentioned, Code switching earlier. And, humans are so adaptable and I think we automatically sort of shift our brain chemistry and our body chemistry in response to the environment around us. sometimes very consciously, sometimes unconsciously, sometimes both. so I think a certain amount of that is just, okay, these are the given circumstances. And then, you become who you need to be in that space.   Miko Lee: [00:51:54] Thank you for sharing. Okay. I have one last TV question, which is that given that everybody's in this writing room together and you're, there's kind of a speed that's attached to it, do you feel like things get thrown out more quickly and with less kind of emotion attached to it than in theater?    Jiehae Park: [00:52:10] It's possible. I think it depends on the person. So I just worked on season four of the morning show last year. And there is a real need on that show because it deals with the news to be absorbing what's happening in the world and shifting the story based on that. And so that there has to be a sort of lightness around that. So in that kind of environment, absolutely. but I've also been in other rooms where someone got really attached to an idea, and maybe it was clear that that idea wasn't gonna work out, but there was, there was still like something, in it that wanted to be held onto and, and it may be hung on for a long time. And that process. Also could have happened, like that exact parallel process could have happened in a play. And actually in neither of the situation, is that necessarily a bad thing? Like is there something about that idea that maybe is not the idea itself, like the emotional core underneath it or the deep, deep idea underneath it that is useful? That even if the manifestation of the thing doesn't continue, if the manifestation gets thrown out, but like the real thing that was underneath it was important gets folded in in some unexpected way. I don't think it's a bad thing either way. It just is the peculiarities of any particular process.   Miko Lee: [00:53:22] And it sounds like it's about the people too, right?    Jiehae Park: [00:53:25] Yes, definitely. Absolutely. Yeah, yeah. Yeah. And I've certainly been in that book where I'm like, oh, I really think it's like this. It's gotta be this, it's gotta be this. And then, you know, two years later, I look at the draft, I'm like, oh, no, no, no. It, it is definitely not that. Like let me take that entire thing out. and it just was in that particular moment, I wasn't ready for whatever reason to let go of that idea. And that's okay. I am now, and then it moves on.    Miko Lee: [00:53:48] We're circling back to the beginning of the conversation about the aves, which is about presence and being in that moment. And where you are in that moment might be, no, this isn't right. And then years later you say, oh yeah, that wasn't right. Or that was right.   Jiehae Park: [00:54:03] Yeah, exactly, exactly. To listen to yourself is a, you know, I, I am, I've been doing this for a long time now and, that is still something that I feel like I always have to learn, that I think just is a human.   Miko Lee: [00:54:15] Yes. The perennial lesson of Yes, intuition. I'm wondering if you could tell our audience why they should go see the aves.    Jiehae Park: [00:54:24] My hope is that if you are curious about a certain kind of experience and attention in the theater, that you'll accept our invitation to this play, which is an unusual play. I don't think that everyone should see this play, just like, I don't think everyone should see any particular work of art, but if the things that we've been discussing, if the sort of vibe that you're getting from this conversation resonates with you, then the experience of seeing this play with a group of people who are also curious about that kind of experience may be something. That is enjoyable for you and would probably therefore also be enjoyable for that audience to be together with you and for the play to be together with you in that space.    Miko Lee: [00:55:17] Thank you so much for spending time chatting with us. Folks can see the aves at Berkeley rep May 2nd through June 8th. Thank you so much, Jiehae.   Ayame Keane-Lee: [00:55:26] For you Asian American film makers out there: SFFILM announced a new annual filmmaking grant in partnership with Cedar Road. The SFFILM Cedar Road Iyagi Grant is dedicated to fostering bold, original feature film projects that amplify Asian and Asian American perspectives on screen. In Korean, iyagi means “story”—a word that embodies the heart of this grant's mission: to champion storytelling as a powerful bridge connecting people across cultures and perspectives. A link to the grant application will be available in our show notes.    Miko Lee: [00:55:58] Please check out our website, kpfa.org to find out more about our show tonight. We think all of you listeners out there. Keep resisting, keep organizing, keep creating and sharing your visions with the world because your voices are important.    APEX Express is created by Miko Lee, Jalena Keane-Lee, Preeti Mangala Shekar, Anuj Vaidya, Swati Rayasam, Aisa Villarosa, Estella Owoimaha-Church, Gabriel Tangloao, Cheryl Truong and Ayame Keane-Lee.  The post APEX Express – 4. 3.25 – Coming Up Next appeared first on KPFA.

Listen to today's podcast... I had no idea. There will be nearly 9,000 new cases of Testicular Cancer diagnosed during this year and more than 300 young men will die from the disease because they didn't catch it in time. That is more deaths than women in this age group who will die of breast cancer.) Testicular Cancer is the most common cancer in men ages 15-40, that time when we don't want to admit the possibility of illness.  However, if detected early, it is among the easiest to cure. Take One Action Today To Build Your #Resiliency!      So Here are today's Tips For Building Resiliency and Celebrating Testicular Cancer Awareness Week: You are never too young or too old to do a self-exam.  Teach young boys just like we do teen girls to do a self-exam.  It should not be embarrassing, and it does save lives. Know the risk factors: Age: Most testicular cancers occur between the ages of 15 and 40. The main risk factor for testicular cancer are undescended testicle(s). A family history of testicular cancer increases the risk. Race and ethnicity: The risk of testicular cancer among white American men is about five times that of African-American men and more than double that of Asian-American men. Talk about it. Private parts are private, but knowing how to detect an illness early is just as essential as the ‘birds and the bees'. Discover how to take small steps towards a healthier, happier, less-stressed you by visiting my website at worksmartlivesmart.com #mentalhealth #hr

Jeremy and close friend Eric Wei, Co-CEO of Karat dive into the intersection of confidence, identity, and Asian-American cultural pressures, dissecting how growing up with expectations around academic success, prestigious careers, and family honor shapes self-worth.Eric highlights the delicate balance between launching early versions for feedback and striving for perfection, along with the privilege he has to step out of comfort zones built by cultural expectations. Go to https://www.shopify.com/wt9 for your $1 per month trial!Follow Eric and check out The Karat Podcast!Send us your questions at the WT9HOTLINE@GMAIL.COMFollow Wild Til 9: https://wildtil9.co/InstagramDon't forget to subscribe to the podcast for free wherever you're listening or by using this link: https://bit.ly/WildTil9Watch Wild Til 9 on YouTube: https://wildtil9.co/ytSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Mic drives over to Jenny's house. The Asian Friends reminisce and talk about the TV Show "Younger."C O ME S E E H A C K C I T Y C O M E D Y TicketsF O L L O W U Shttps://www.instagram.com/asiannotasianpodhttps://www.instagram.com/nicepantsbrohttps://www.instagram.com/jennyarimoto/P A T R E O Nhttps://www.patreon.com/asiannotasianpod P A R T N E R S -Check out friend of the pod John's cabin on Airbnb! https://www.airbnb.com/slink/penXRFgl - Helix Sleep Mattress: visit helixsleep.com/asian - Nutrafol: www.nutrafol.com (Promo code: Asian)See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

“Food is our love language. It's those types of food memories that are straight from the motherland — these are the things we carry with us.” Did you know April was Filipino Food Month? While we've all got a Filipino friend (or three), can you name more than one Filipino food besides those amazing tiny spring rolls (Lumpia FTW)? Either way, we've got something special for you. Co-host Lisa Angulo Reid (DearFlor.com) put up the Halo-halo Signal and got some amazing Filipino favorite food and restaurant recos from around the country, and unpacks the really really for the rest of us. FILIPINO FOOD MENTIONS Filipino Food & Terms to Know: Lumpia – Thin, crispy spring rolls filled with meat and veggies. Pancit – Stir-fried noodles with julienned carrots, celery, cabbage, and your choice of pork, shrimp, or chicken. Sinigang – A tangy, comforting tamarind-based soup with tomato, onion, and often pork, shrimp, or fish. Caldereta – Hearty beef stew with tomato sauce, liver paste, black pepper, and olives. Pinakbet – A vegetable stew made with eggplant, bitter melon, tomatoes, green beans, and squash, flavored with shrimp paste. Often topped with crispy pork belly (bagnet). Lechon Liempo – Roasted pork belly stuffed with lemongrass, garlic, and onions, slow-cooked until the skin is perfectly crispy. Halo-Halo – A colorful shaved ice dessert with sweet beans, jackfruit, coconut, and palm fruit, topped with ube (purple yam) ice cream and leche flan. Kare-Kare – A rich peanut-based stew featuring oxtail or fried pork belly, served with shrimp paste (bagoong). Dinuguan – Known as "chocolate meat," this savory stew is made of pork and offal simmered in pork blood, vinegar, and garlic. Carinderia (Turo-Turo) – Casual eateries with dishes displayed in steam tables—just point at what you want! FILIPINO FOOD VOICES & THEIR PICKS Lydia Querian (@ellekarayan) – Broke Da Mouth (HI) – Oxtail Adobo (brokedamouthgrindz.co) Brian Velasquez Reid (@breid40ohz) – Naks NYC – Lechon Liempo (naks.nyc) Nicole Ponseca (@nicoleponseca) – Orient Valley (CA) – NYT Best-selling cookbook (amzn.to/4iTosiQ) Geraldine Mae Cueva (@ohhhmygeeg) – Lasita (LA) – Mushroom Sisig: A sizzling dish traditionally made with pork jowl and ears, replaced here with mushrooms. (lasita-la.com) Patricia Dingalasan (@patriciadinglasancomedy) – Kabisera (NYC) – Lumpia Shanghai: Mini crispy spring rolls with seasoned pork. Susie Quesada (@ramarfoods) – Alda's Kitchen (CA) – Silog Breakfast Plates: A combo of garlic fried rice, egg, and meats like tocino (sweet cured pork) or longganisa (Filipino sausage). (aldaskitchenandbakery.com) Aebbey (@chicagotestkitchen) – Ruby's Fast Food (Chicago) – Sisig & Pancit Palabok: A noodle dish with a bright orange annatto-based sauce, topped with shrimp, pork, crispy chicharrón, and boiled egg. (rubysfastfoodchicago.com) Ron Dizon (@teofilocoffeecompany) – Teofilo Coffee (Long Beach) – Filipino-imported coffee (teofilocoffeecompany.com) This conversation was co-hosted by FrieMMd of the Pod Lisa Angulo Reid —sharing conversations with Filipino and Asian American changemakers. Lisa also happens to be the Co-Founder & CEO of Dear Flor - the first infused gummy with classic Filipino flavors. Learn more @ DearFlor.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to Season 5, Episode 13! Have you heard of Walter Tin Kit Achiu? He was the first Native Hawaiian and first Asian American to play in the National Football League. Although his career was groundbreaking, he's largely been forgotten over time.  In this episode, we talk about his life, his football career, and what he did after he finished playing with the NFL's Dayton Triangles (yes… that was really the name of the American football team he was part of). Nicknamed “Sneeze”, he was a high level athlete all his life and broke barriers on the football field and in the wrestling ring.  We begin the episode by talking about some current events (the sad passing of K.W. Lee and the happy green-lighting of the Crazy Rich Asians show on Max). And we end the episode with the recurring segment of What are We Listening To? This time, we talk about the new album Blood on the Silver Screen by singer Sasami as well as the audiobook Homicide and Halo-Halo written by Mia P. Manasala and voice acted by Danice Cabanela.  If you like what we do, please share, follow, and like us in your podcast directory of choice or on Instagram @AAHistory101. For previous episodes and resources, please visit our site at https://asianamericanhistory101.libsyn.com or our links at http://castpie.com/AAHistory101. If you have any questions, comments or suggestions, email us at info@aahistory101.com. Segments 00:25 Intro and Current Events: K.W. Lee Passes Away and Crazy Rich Asians is Back! 05:54 The History and Career of Walter Tin Kit Achiu 14:32 What Are We Listening To? Sasami as well as Homicide and Halo Halo by Mia P. Manansala

“As someone who grew up in a time when girls were pitted against each other and seen as competition, I love that we're in this era where, just being in each other's corners is celebrated!”This is the GIVE HER FLOWERS episode! We talk about the women who inspire us, the women who have moved us to action, and the young women we are raising. In light of Women's History Month (March) and in recognition of International Women's Day (March 8th), we want to specifically thank every female here for all the ways you show up in your spheres of influence, everyday. We know that you do so while juggling the needs of those who depend on you and while navigating the various biases and stereotypes that others places upon you; and yet you continue to show up, day after day, with strength, courage, grace, and wisdom.We see you, and we celebrate you!As always, we are so grateful that all of you are here in this space, in the sport, and in this world! #Keepshowingup and keep making strides in being the change we wish to see!Special thanks to our Audio Engineer, ⁠⁠Mark Kalagayan⁠⁠, from the non-profit, ⁠⁠SPARC Worldwide⁠⁠.The Making Strides Podcast is about building representation and about changing the ways we expect ourselves and others to show up in the running world. If you enjoy this convo please share about us with your friends! And of course, we would appreciate you subscribing and leaving a rating and review.#MakingStridesPod#letsFlippindothis#diversewerunShow Notes:00:45 - Happy International Women's Day! What does Women's History Month mean to you?02:50 - flowers for everyone06:15 - Joy and Jo Banner, sisters who are reclaiming American history through the Descendants Project13:40 - the legacy of Connie Chung, who broke barriers for women and Asian Americans in journalism and news broadcasting 17:20 - the advocacy and representation led by NCAA runner, Ali Upshaw, of Northern Arizona University27:35 - the realities of safety that we still deal with in running42:15 - looking to build up the next generation of young womenLinks:The Descendants Project (IG) Connie: A Memoir, by Connie ChungAli Upshaw (IG)Raising Worry-Free Girls, by Sissy GoffLiz Rock (IG), co-founder of the TrailBlazHersAshley Mitchell (IG), founder of The Courage CampaignFind Stef ⁠⁠⁠here⁠⁠⁠Find Carolyn ⁠⁠⁠here⁠⁠⁠ and ⁠⁠⁠here⁠⁠⁠

#215 Today's guest is Kelly Uchima—a passionate Asian American mental health advocate and wellness content creator, named Health and Wellness Influencer of the Year by the Influence Agency in 2023. As a sought-after speaker at events hosted by Meta, Samsung, VidCon, and Reese Witherspoon's Hello Sunshine, Kelly is dedicated to breaking down mental health stigmas through her honest and vulnerable storytelling. In this episode, we discuss:+ what it's like to struggle with an ED at a young age+ feeling powerless as a kid facing mental health challenges + working through childhood wounds as you grow older+ stopping unhealthy coping mechanisms & addictive behaviors+ narcissistic & codependent relationships + opening up to your parents about mental health + trying to make changes in your family dynamic as an adult+ finding healthier relationships + friendships in your 20s + dealing with gut health issues + how that's connected to mental health+ how to have a better relationship with your body + the power of choosing yourself Kelly's Instagram: https://www.instagram.com/kellyu/MENTIONED + Kelly's TikTok+ Kelly's Youtube+ Therapy TuesdaySHOP GUEST RECOMMENDATIONS: https://amzn.to/3A69GOCSTARBUCKS GIFTCARD GIVEAWAY: Want coffee on me?! Each month I'll be randomly choosing a winner to receive a Starbucks giftcard! To enter this giveaway, all you have to do is leave a review of the podcast on Spotify and/or Apple Podcasts and DM me on a screenshot of your review on Instagram. Win bonus entries by tagging the podcast on your Instagram story or TikTok! Good luck!LET'S CONNECT+ Instagram (@shepersistedpodcast)+ Website (shepersistedpodcast.com)+ YouTube (Sadie Sutton: She Persisted Podcast)+ Twitter (@persistpodcast)+ Facebook (@shepersistedpodcast)+ TikTok (@shepersistedpodcast)+ inquiries@shepersistedpodcast.com© 2020 She Persisted LLC. This podcast is copyrighted subject matter owned by She Persisted LLC and She Persisted LLC reserves all rights in and to the podcast. Any use without She Persisted LLC's express...

[REBROADCAST FROM March 18, 2025] In 2016, DJ and producer TOKiMONSTA underwent two brain surgeries for Moyamoya disease, after which she had to relearn how to speak and hear music. In 2019, she became the first Asian-American woman nominated for Best Dance / Electronic Album at the Grammy Awards. Her new album is called Eternal Reverie. She joins us for another installment of "Equalizers: Women in Music Production."

Send us a textWelcome back to SXSW 2025! Today's episode celebrates two beautifully shot short films with different messages about family and community.Grandma's Four Color Cards follows a 101 year-old woman in Saigon as she runs nightly card games with her friends, and is supported by the people in her community. Director Sally Tran joined us to discuss how everyone in the film was cast to play themselves (including her own grandmother!), the excitement and confusion that came with working with people from a small village who have probably never watched a film, and the hilarious thing her grandmother did when she felt a crew member's beard for the first time.Ben's Sister shows what happens when Ben, a high school Senior fuckboy, finds out that his sister, a Freshman, becomes a pawn in his friend's scheme to win a Senior Scavenger Hunt. Director/writer Emma Weinswig and her brother/star of the film Ben Weinswig join us to share how the story was based on their real life experience going to high school in Mill Valley, CA, the connection between rich kids and cultural appropriation, and their working relationship as brother and sister.Follow director Sally Tran on IGFollow director Emma Weinswig on IGFollow actor Ben Weinswig on IGThis episode is co-hosted by John Wildman of Films Gone WildAudio produced by Jeff Hunt of Storied: SFSupport the showThanks for listening and for your support! We couldn't have reached 11 years, recorded 800+ episodes, and won Best of the Bay Best Podcast in 2022 , 2023 , and 2024 without your help! -- Fight fascism. Shop small. Use cash. -- Subscribe to our channel on YouTube for behind the scenes footage! Rate and review us wherever you listen to podcasts! Visit our website! www.bitchtalkpodcast.com Follow us on Instagram & Facebook Listen every Tuesday at 9 - 10 am on BFF.FM

In this episode HAF Managing Director Raj Rao speaks with Texas State Representative Gene Wu. They discuss the rise in anti-Asian and anti-Indian sentiment in recent months and years, the history of anti-Asian law and policy in the United States, the commonalities the Chinese and Indian communities share in the US, and how to organize against bigotry. Hosted on Acast. See acast.com/privacy for more information.

Today we discuss one of our favorite activities ever - rotting (aka, a very deep relaxing session)! We talk about qualities a proper rot session must have for us personally, and explore whether we are able to fully ‘rot' with other people. We describe how many rot sessions we need a month to feel fully rested.Support the showFollow us on social media @eatyourcrustpod

A community hospital in Madera reopens two years after its closure. Also, remembering legendary Asian American journalist K.W. Lee. Finally, “In a Nutshell” storytelling at the Sofia. Madera Hospital Reopens

Host Jason Blitman talks to Sameer Pandya (Our Beautiful Boys) about his affinity for textiles and half-sleeve shirts, the surprising phase Sameer went through in school, and the best time in a party to play Butt Darts. Jason is then joined by Guest Gay Reader, prolific author Emma Donoghue who shares what she's been reading and talks about her new book, The Paris Express.Our Beautiful Boys and The Paris Express are both on sale now. Sameer Pandya is the author of the novel Members Only, a finalist for the California Book Award and an NPR “Books We Love” of 2020, and the story collection The Blind Writer, longlisted for the PEN/Open Book Award. His cultural criticism has appeared in a range of publications, including the Los Angeles Review of Books, The Atlantic, Salon, and Sports Illustrated. A recipient of the PEN/Civitella Fellowship, he is currently an associate professor of Asian American studies at the University of California, Santa Barbara.Emma Donoghue is the author of sixteen novels, including the award-winning national bestseller Room, the basis for the acclaimed film of the same name. Her latest novel is The Paris Express. She has also written the screenplays for Room and The Wonder and nine stage plays. Her next film (adapted with Philippa Lowthorpe from Helen Macdonald's memoir) is H Is for Hawk. Born in Dublin, she lives in Ontario with her family. Find out more at EmmaDonoghue.com.BOOK CLUB!Use code GAYSREADING at checkout to get first book for only $4 + free shipping! Restrictions apply.http://aardvarkbookclub.com SUBSTACK!https://gaysreading.substack.com/ WATCH!https://youtube.com/@gaysreading FOLLOW!Instagram: @gaysreading | @jasonblitmanBluesky: @gaysreading | @jasonblitmanCONTACT!hello@gaysreading.com

Ariel Loh is a locally based producer and mixing/mastering engineer. At the beginning of 2025, she became the first openly trans Asian-American woman to win a Grammy for her work on the track "Deliver" She joins us for another installment of our Women's History Month series, Equalizers: Women in Music Production.*This segment is guest hosted by David Furst.

Welcome to Season 5, Episode 12! Today's conversation is with the amazing storyteller, activist, performer, and co-founder of the multicultural storytelling theater group Eth-No-Tec. Along with her real-life partner Robert Kikuchi-Yngojo, Nancy co-founded Eth-No-Tec with a commitment to the preservation, revival, and performance of Asian and Asian American stories.  Nancy's latest work is the novel Red Altar, a story based on her ancestor's real-life challenges and triumphs in forming a new life in America. Red Altar began as a multimedia storytelling and stage production, and it's an emotional re-telling of how her ancestors helped develop the fishing industry along the coast of California near the Monterey Bay despite facing racist people and policies.  In this conversation, we talk to Nancy about the development of the Red Altar performance, the challenges with adapting it to the book format, the relevance of the story in our challenging times in the U.S., other projects that Eth-No-Tec is working on, and so much more.  Red Altar is a great book, and it tells a part of Chinese American and Asian American history that isn't well-known… and we hope you buy it. But DON'T buy it from Amazon. Purchase it from the Eth-No-Tec website so that they get the benefits. If you want to support Eth-No-Tec's work, you can follow them on Instagram, make a donation to them, or go to one of their upcoming events.  If you like what we do, please share, follow, and like us in your podcast directory of choice or on Instagram @AAHistory101. For previous episodes and resources, please visit our site at https://asianamericanhistory101.libsyn.com or our links at http://castpie.com/AAHistory101. If you have any questions, comments or suggestions, email us at info@aahistory101.com.

Send us a textOn the nostalgic grounds of their shared alma mater, Wharton, Simi speaks with Dilawar Syed, the Deputy Administrator of the U.S. Small Business Administration (SBA). A role he was nominated into by President Biden, Administrator Syed was the highest-ranking Muslim official in the U.S. Government at the time of this recording. WATCH IT ON YOUTUBE.Syed came to the SBA from the State Department where he served as Special Representative for Commercial & Business Affairs. As the State Department's top commercial diplomat, Deputy Administrator Syed advocated for U.S. companies to compete and win abroad and helped ensure U.S. competitiveness in markets across the globe. Before joining the Biden Administration, Syed held the roles of CEO at Lumiata, an AI healthcare company, and President at software company, Freshworks.  Earlier in his career, Syed oversaw business operations for Yahoo!'s platforms and infrastructure and was a product manager at Siebel Systems and SAP. His transition to public service is marked by civic efforts at the federal, state, and local levels. He was the founding Chair of the California Entrepreneurship Task Force with the Governor's Office, served on President Obama's White House Commission on Asian Americans and Pacific Islanders (AAPIs), and chaired the White House Initiative on AAPIs' Economic Growth Committee. In that role, Syed led the administration's engagement with small businesses across the U.S. after the passage of the American Recovery and Reinvestment Act of 2009. In 2020, Syed was tapped by San Jose Mayor Sam Liccardo to help lead Silicon Valley's pandemic recovery as a member of the Silicon Valley Recovery Roundtable. Syed holds an M.B.A. from Wharton and earned a B.A. in Economics and Computer Science from The University of Texas at Austin.South Asian Trailblazers is an award-winning media platform, community, and agency dedicated to elevating leading South Asians. Join our community at SouthAsianTrailblazers.com. Subscribe to our newsletter to get new episodes and updates on our latest events in your inbox. Follow us @southasiantrailblazers on Instagram, LinkedIn, Facebook, Youtube, and all major podcast platforms, including Apple and Spotify.

Comedian and business Asian Jasper Wang stops by the pod to share a break-up story. The [REDACTED] Friends trade tips on finding and keeping friends.C O ME S E E H A C K C I T Y C O M E D Y https://www.eventbrite.com/e/hack-city-comedy-with-mic-nguyen-and-jenny-arimoto-tickets-1149524692299F O L L O W U Shttps://www.instagram.com/asiannotasianpodhttps://www.instagram.com/nicepantsbrohttps://www.instagram.com/jennyarimoto/P A T R E O Nhttps://www.patreon.com/asiannotasianpod P A R T N E R S -Check out friend of the pod John's cabin on Airbnb! https://www.airbnb.com/slink/penXRFgl- Thanks to the U.S Department of Health and Human Services for making this episode happen visit vaccines.gov- EXPRESS VPN: 3 Months free at expressvpn.com/asian - Helix Sleep Mattress: visit helixsleep.com/asian - Hawthorne.co is offering 10% off of your first purchase! Visit hawthorne.co and use PROMO CODE “NOTASIAN” - TUSHY Bidets: Go to hellotushy.com/ANA for 10% off!- THE SCRIPPS RESEARCH INSTITUTE: www.joinallofus.org/asiannotasian- HBO MAX: http://hbom.ax/ana2- FUNDRISE: Fundrise.com/asian- SANZO: DrinkSanzo.com and use promo code “ASIANNOTASIAN”- TruBill: Truebill.com/Asian- Quip: GetQuip.com/Asian- Athletic Greens: Athleticgreens.com/asiannotasian - Shopify: Shopify.com/asian - Manscaped: Get 20% Off and Free Shipping with the code ASIAN- Big Brother Big Sister: https://bit.ly/30zQZan- Nutrafol: www.nutrafol.com (Promo code: Asian)- Sesanood: www.sesanood.com (Promo code: AsianNotAsian)See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.