Podcasts about Asian Americans

Jeff and Phil ring in the Lunar New Year and welcome journalist Kimmy Yam to talk about trial runs, fresh starts, and the Year of the Horse. They discuss the unfortunate and untimely shutdown of NBC Asian America -- and the loss of representation, trust, and cultural power; the incredible depth of reporting and coverage of the Asian American community that Kimmy was able accomplish during her tenure at NBC; and what the future looks like now for authentic and sustained news coverage of marginalized communities. Also: The Good, The Bad, and The WTF of the new year. This episode is sponsored by Chinese Republicans, a new play from Roundabout Theatre Company.

Hey Elon are you listening? And King Charles and former Prince Andrew, what about you? We want actions, not words. Order isn't gonna magically appear, powerful people need to help bring it about. This episode has tips for how the most powerful could use their wealth and power to try to Order the Disorder.  As the implications of the Epstein scandal grows ever larger and the whole affair presents terrifying perspectives from which to view our geopolitics over of the last two decades, we here at Disorder, would like to spend real time focusing on survivors, rather than just paying them lip service. Hence, we have two shows this week focusing on their stories. In today's episode, Mark Lobel talks to Asian-American artist Rina Oh about how she was groomed and drawn into Epstein's network - and how he used grooming tactics to manipulate countless young women. She is writing a book in which she will soon ‘reveal all' about the man she describes as a “raging paedophile”. Rina is incredibly brave to be speaking out and we applaud her and are honoured to be platforming her. To finish the episode, as Mark and Rina Order the Disorder, Rina talks about what must happen next for justice to be done for hundreds of victims – specifically she describes how law enforcement should go after what's left of his network.  Donate to the fund for Carolyn Andriano's memorial: https://www.gofundme.com/f/carolyn-andriano-memorial  To immediately get part two of this series with Lisa Bloom – an attorney who represents several Epstein victims, join the Mega Orderers Club now: https://disorder.supportingcast.fm/  Producer: George McDonagh Subscribe to our Substack - https://natoandtheged.substack.com/ Subscribe to Disorder on YouTube - https://www.youtube.com/@DisorderShow Show Notes Links: For more on Rina and her work visit: http://rinaohepsteinfiles.com For more on the US Virgin Island Mental Health Fund, read: https://www.usvimentalhealthfund.com/ Read: Bondi's Incompetence Is the Latest Insult for Epstein's Victims: https://www.nytimes.com/2026/02/14/opinion/bondi-epstein-justice.html Read: Musk Offers To Pay Defense Fees Of Anyone Who ‘Speaks The Truth' About Epstein And Is Sued: https://www.forbes.com/sites/siladityaray/2026/02/09/musk-offers-to-pay-defense-fees-of-anyone-who-speaks-the-truth-about-epstein-and-is-sued/ If you value this kind of content and want early release episodes, pls join the Mega Orderers Club: https://disorder.supportingcast.fm/  You can get in touch with Mark, to host or speak at your event here: https://www.mark-lobel.com/getintouch  Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to Season 6, Episode 7! Our guest today is Lydia Kang, a professor, medical doctor, and acclaimed author, Her latest book is K-Jane, and it's the story of Jane Choi, a typical Nebraskan teen who loves Husker football and is a total banana. That all changes when her parents find out they're expecting a baby, and Jane goes on a mission to become an expert… or at least more knowledgeable about her Korean heritage and pop-culture. From K-pop to K-dramas, through Korean Food and Language, and pretty much K-everything, Jane immerses herself in it. Released on October 21, 2025, K-Jame was received a Starred Kirk's Review and was selected as a Kirkus Best Young Adult Book of 2025. Lydia writes young adult fiction, adult fiction, non-fiction, and poetry. The practicing physician and associate professor of Internal Medicine has also gained a reputation for helping fellow writers with their medical accuracy in their writing.  Her previous work includes Opium and Absinthe, Star Wars: Cataclysm, The November Girl, and Quackery: A Brief History of the Worst Ways to Cure Everything (one of your favorite nonfiction books). In our conversation, Lydia shares her journey to authorship, how she writes authentic awkward teen moments, what it means to be Asian American, and so much more.  To learn more about Lydia, you can visit her website lydiakang.com, follow her instagram @lydiakang, read her poetry and essays, and of course buy any of her books. If you like what we do, please share, follow, and like us in your podcast directory of choice or on Instagram @AAHistory101. For previous episodes and resources, please visit our site at https://asianamericanhistory101.libsyn.com or our links at http://castpie.com/AAHistory101. If you have any questions, comments or suggestions, email us at info@aahistory101.com.

Today on the Evangelism Podcast I interview Pastor Thir Koirala, a Nepali pastor who is doing incredible work reaching the Asian diaspora in the United States.  Pastor Koirala shares how he is training local church leaders to be "peace ambassadors" and establish peace centers in their communities.  He also discusses the unique challenges facing the younger generation of Asian Americans who struggle to connect with their parents' native language and culture.

This podcast has been chugging away for six years, which is a lifetime in the world of podcasting. First as "The May Lee Show" when Covid-19 was raging and Anti-Asian hate was exploding. Then the show evolved into "Shoes Off Inside" with May Lee, Kelly Hu and Tamlyn Tomita. The trio of bold, outspoken and entertaining Asian American women did what they do best...speak openly and honestly about anything and everything. In this unusual episode, May is solo and speaks from the heart about the past six years and if, perhaps, this may be a time to pivot. What better time to contemplate big decisions than the Year of the Fire Horse, which calls for courage, clarity and forward motion. Please subscribe, rate and review us!And follow us on IG @shoesoffinsidemkt

Reppin: James Roh on The Rose Documentary, Far East Movement's Historic Breakthrough & The Rose's Rise What does it take to break barriers, top the charts, and still stay rooted in community? In this episode of Reppin, I sit down with James Roh — artist, manager, and founder — to unpack the making of the The Rose Documentary and the remarkable rise of The Rose, a band that has built a fiercely loyal global fanbase through raw honesty, independence, and a commitment to authenticity. We trace the spark that led to the film — from a studio moment inspired by Michelle Yeoh to a key connection with Janet Yang — and why their story resonated so strongly when I saw it premiere at Tribeca Festival. The documentary captures a band navigating military service, label transitions, and creative rebirth while holding tight to friendship and mental health. James also dives deep into Far East Movement's groundbreaking legacy as the first Asian American group to hit No. 1 on the Billboard Hot 100 with Like a G6. We talk about their decade-long grind, global touring, major collaborations, and the cultural impact of breaking into a space where Asian American artists were rarely seen — along with the backlash and pressure that came with that visibility. Their later album Identity marked a creative turning point, reconnecting the group to culture and community across Asia. You'll hear how James channels those hard-earned lessons into active community building — using his experience to help boost The Rose and create sustainable paths for other artists. Through Transparent Arts, and collaborations with Wong Fu Productions and Gold House, he's focused on building an ecosystem where Asian and Asian American creatives can thrive long term — and why that mission fuels everything he does. This episode is about chart-topping milestones, creative resilience, and the power of lifting others as you rise. If you care about music, identity, and building something bigger than yourself, this conversation is for you. In This Episode: The story behind The Rose documentary and the band's global rise Far East Movement's historic No. 1 hit and cultural impact The realities of visibility, backlash, and redefining success How James uses his journey to strengthen community and boost The Rose Building a lasting Asian American creative ecosystem LEARN MORE ABOUT THE DOCUMENTARY: The Rose: Come Back To Me https://www.therosedoc.com/

This episode features a conversation with the founding members of the Feminist Critical Hindu Studies Collective, also known as the Auntylectuals. We began with each of them reflecting on their pathway into Hindu Studies and how the questions of caste and gender shaped their approaches to this field. We then discussed their motivations for starting the collective and what interventions they hoped to make through it. This took us deeper into some thorny topics: caste as a form of embodied knowledge that is often accompanied by the denial of its continued social power; the politics of Hinduism in North America where Hindus are both predominantly upper caste and a racial minority; the relationship between Hinduism and Hindutva, or Hindu nationalism; the traffic in language and tactics between Hindutva and Zionism; and the efforts to push back against the movement to make caste a protected category in U.S. anti-discrimination law. Guests: Shreena Gandhi: Professor of Religious Studies, Michigan State University Harshita Kamath: Professor of Telugu Culture, Literature, and History, Emory University Sailaja Krishnamurti: Professor of Gender Studies, Queen's University Shana Sippy, Professor of Religion, Centre College Mentioned in the episode: Rajiv Malhotra: an ideologue of the Hindu nationalist movement in the U.S. and founder of Infinity Foundation Harshita Kamath, Impersonations: The Artifice of Brahmin Masculinity in South Indian Dance Amar Chitra Katha: an Indian comic book publisher whose comics are hugely popular and widely available in India and the Indian diaspora. Sailaja Krishnamurti, “Learning about Hindu Religion through Comics and Popular Culture,” David Yoo and Khyati Y Joshi eds. Envisioning Religion, Race and Asian Americans, Honolulu: University of Hawai'i Press, 207-226, 2020. Babri Masjid: a 16th century mosque that became the target of Hindu nationalist mobilization and was destroyed by vigilante mobs in December 1992. Marko Geslani, “A Model Minority Religion: The Race of Hindu Studies,” American Religion, forthcoming. Thenmozhi Soundarajan, The Trauma of Caste Sarah Ahmed, Queer Phenomenology: Orientations, Objects, Others Feminist Critical Hindu Studies Collective, “Feminist Critical Hindu Studies in formation” Feminist Critical Hindu Studies Collective, “Hindu fragility and the politics of mimicry in North America” Feminist Critical Hindu Studies Collective, “Hinduphobia is a smokescreen for Hindu nationalists” Shana Sippy and Sailaja Krishnamurti, “Not all Hinduism is Hindutva, but Hindutva is in fact Hinduism” Shana Sippy, “Strange and Storied Alliances: Hindus and Jews, India and Israel,” manuscript in progress Shana Sippy, "Victimization, Supremacism, Solidarity, and the Affective and Emulative Politics of American Hindus" Tomako Masuzawa, The Invention of World Religions, Or How European Universalism Was Preserved in the Language of Pluralism Shreena Gandhi, “Framing Islam as American Religion Despite White Supremacy” Equality Labs is a South Asian Dalit civil rights organization. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

This episode features a conversation with the founding members of the Feminist Critical Hindu Studies Collective, also known as the Auntylectuals. We began with each of them reflecting on their pathway into Hindu Studies and how the questions of caste and gender shaped their approaches to this field. We then discussed their motivations for starting the collective and what interventions they hoped to make through it. This took us deeper into some thorny topics: caste as a form of embodied knowledge that is often accompanied by the denial of its continued social power; the politics of Hinduism in North America where Hindus are both predominantly upper caste and a racial minority; the relationship between Hinduism and Hindutva, or Hindu nationalism; the traffic in language and tactics between Hindutva and Zionism; and the efforts to push back against the movement to make caste a protected category in U.S. anti-discrimination law. Guests: Shreena Gandhi: Professor of Religious Studies, Michigan State University Harshita Kamath: Professor of Telugu Culture, Literature, and History, Emory University Sailaja Krishnamurti: Professor of Gender Studies, Queen's University Shana Sippy, Professor of Religion, Centre College Mentioned in the episode: Rajiv Malhotra: an ideologue of the Hindu nationalist movement in the U.S. and founder of Infinity Foundation Harshita Kamath, Impersonations: The Artifice of Brahmin Masculinity in South Indian Dance Amar Chitra Katha: an Indian comic book publisher whose comics are hugely popular and widely available in India and the Indian diaspora. Sailaja Krishnamurti, “Learning about Hindu Religion through Comics and Popular Culture,” David Yoo and Khyati Y Joshi eds. Envisioning Religion, Race and Asian Americans, Honolulu: University of Hawai'i Press, 207-226, 2020. Babri Masjid: a 16th century mosque that became the target of Hindu nationalist mobilization and was destroyed by vigilante mobs in December 1992. Marko Geslani, “A Model Minority Religion: The Race of Hindu Studies,” American Religion, forthcoming. Thenmozhi Soundarajan, The Trauma of Caste Sarah Ahmed, Queer Phenomenology: Orientations, Objects, Others Feminist Critical Hindu Studies Collective, “Feminist Critical Hindu Studies in formation” Feminist Critical Hindu Studies Collective, “Hindu fragility and the politics of mimicry in North America” Feminist Critical Hindu Studies Collective, “Hinduphobia is a smokescreen for Hindu nationalists” Shana Sippy and Sailaja Krishnamurti, “Not all Hinduism is Hindutva, but Hindutva is in fact Hinduism” Shana Sippy, “Strange and Storied Alliances: Hindus and Jews, India and Israel,” manuscript in progress Shana Sippy, "Victimization, Supremacism, Solidarity, and the Affective and Emulative Politics of American Hindus" Tomako Masuzawa, The Invention of World Religions, Or How European Universalism Was Preserved in the Language of Pluralism Shreena Gandhi, “Framing Islam as American Religion Despite White Supremacy” Equality Labs is a South Asian Dalit civil rights organization. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

This episode features a conversation with the founding members of the Feminist Critical Hindu Studies Collective, also known as the Auntylectuals. We began with each of them reflecting on their pathway into Hindu Studies and how the questions of caste and gender shaped their approaches to this field. We then discussed their motivations for starting the collective and what interventions they hoped to make through it. This took us deeper into some thorny topics: caste as a form of embodied knowledge that is often accompanied by the denial of its continued social power; the politics of Hinduism in North America where Hindus are both predominantly upper caste and a racial minority; the relationship between Hinduism and Hindutva, or Hindu nationalism; the traffic in language and tactics between Hindutva and Zionism; and the efforts to push back against the movement to make caste a protected category in U.S. anti-discrimination law. Guests: Shreena Gandhi: Professor of Religious Studies, Michigan State University Harshita Kamath: Professor of Telugu Culture, Literature, and History, Emory University Sailaja Krishnamurti: Professor of Gender Studies, Queen's University Shana Sippy, Professor of Religion, Centre College Mentioned in the episode: Rajiv Malhotra: an ideologue of the Hindu nationalist movement in the U.S. and founder of Infinity Foundation Harshita Kamath, Impersonations: The Artifice of Brahmin Masculinity in South Indian Dance Amar Chitra Katha: an Indian comic book publisher whose comics are hugely popular and widely available in India and the Indian diaspora. Sailaja Krishnamurti, “Learning about Hindu Religion through Comics and Popular Culture,” David Yoo and Khyati Y Joshi eds. Envisioning Religion, Race and Asian Americans, Honolulu: University of Hawai'i Press, 207-226, 2020. Babri Masjid: a 16th century mosque that became the target of Hindu nationalist mobilization and was destroyed by vigilante mobs in December 1992. Marko Geslani, “A Model Minority Religion: The Race of Hindu Studies,” American Religion, forthcoming. Thenmozhi Soundarajan, The Trauma of Caste Sarah Ahmed, Queer Phenomenology: Orientations, Objects, Others Feminist Critical Hindu Studies Collective, “Feminist Critical Hindu Studies in formation” Feminist Critical Hindu Studies Collective, “Hindu fragility and the politics of mimicry in North America” Feminist Critical Hindu Studies Collective, “Hinduphobia is a smokescreen for Hindu nationalists” Shana Sippy and Sailaja Krishnamurti, “Not all Hinduism is Hindutva, but Hindutva is in fact Hinduism” Shana Sippy, “Strange and Storied Alliances: Hindus and Jews, India and Israel,” manuscript in progress Shana Sippy, "Victimization, Supremacism, Solidarity, and the Affective and Emulative Politics of American Hindus" Tomako Masuzawa, The Invention of World Religions, Or How European Universalism Was Preserved in the Language of Pluralism Shreena Gandhi, “Framing Islam as American Religion Despite White Supremacy” Equality Labs is a South Asian Dalit civil rights organization. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

This episode features a conversation with the founding members of the Feminist Critical Hindu Studies Collective, also known as the Auntylectuals. We began with each of them reflecting on their pathway into Hindu Studies and how the questions of caste and gender shaped their approaches to this field. We then discussed their motivations for starting the collective and what interventions they hoped to make through it. This took us deeper into some thorny topics: caste as a form of embodied knowledge that is often accompanied by the denial of its continued social power; the politics of Hinduism in North America where Hindus are both predominantly upper caste and a racial minority; the relationship between Hinduism and Hindutva, or Hindu nationalism; the traffic in language and tactics between Hindutva and Zionism; and the efforts to push back against the movement to make caste a protected category in U.S. anti-discrimination law. Guests: Shreena Gandhi: Professor of Religious Studies, Michigan State University Harshita Kamath: Professor of Telugu Culture, Literature, and History, Emory University Sailaja Krishnamurti: Professor of Gender Studies, Queen's University Shana Sippy, Professor of Religion, Centre College Mentioned in the episode: Rajiv Malhotra: an ideologue of the Hindu nationalist movement in the U.S. and founder of Infinity Foundation Harshita Kamath, Impersonations: The Artifice of Brahmin Masculinity in South Indian Dance Amar Chitra Katha: an Indian comic book publisher whose comics are hugely popular and widely available in India and the Indian diaspora. Sailaja Krishnamurti, “Learning about Hindu Religion through Comics and Popular Culture,” David Yoo and Khyati Y Joshi eds. Envisioning Religion, Race and Asian Americans, Honolulu: University of Hawai'i Press, 207-226, 2020. Babri Masjid: a 16th century mosque that became the target of Hindu nationalist mobilization and was destroyed by vigilante mobs in December 1992. Marko Geslani, “A Model Minority Religion: The Race of Hindu Studies,” American Religion, forthcoming. Thenmozhi Soundarajan, The Trauma of Caste Sarah Ahmed, Queer Phenomenology: Orientations, Objects, Others Feminist Critical Hindu Studies Collective, “Feminist Critical Hindu Studies in formation” Feminist Critical Hindu Studies Collective, “Hindu fragility and the politics of mimicry in North America” Feminist Critical Hindu Studies Collective, “Hinduphobia is a smokescreen for Hindu nationalists” Shana Sippy and Sailaja Krishnamurti, “Not all Hinduism is Hindutva, but Hindutva is in fact Hinduism” Shana Sippy, “Strange and Storied Alliances: Hindus and Jews, India and Israel,” manuscript in progress Shana Sippy, "Victimization, Supremacism, Solidarity, and the Affective and Emulative Politics of American Hindus" Tomako Masuzawa, The Invention of World Religions, Or How European Universalism Was Preserved in the Language of Pluralism Shreena Gandhi, “Framing Islam as American Religion Despite White Supremacy” Equality Labs is a South Asian Dalit civil rights organization. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

This episode features a conversation with the founding members of the Feminist Critical Hindu Studies Collective, also known as the Auntylectuals. We began with each of them reflecting on their pathway into Hindu Studies and how the questions of caste and gender shaped their approaches to this field. We then discussed their motivations for starting the collective and what interventions they hoped to make through it. This took us deeper into some thorny topics: caste as a form of embodied knowledge that is often accompanied by the denial of its continued social power; the politics of Hinduism in North America where Hindus are both predominantly upper caste and a racial minority; the relationship between Hinduism and Hindutva, or Hindu nationalism; the traffic in language and tactics between Hindutva and Zionism; and the efforts to push back against the movement to make caste a protected category in U.S. anti-discrimination law. Guests: Shreena Gandhi: Professor of Religious Studies, Michigan State University Harshita Kamath: Professor of Telugu Culture, Literature, and History, Emory University Sailaja Krishnamurti: Professor of Gender Studies, Queen's University Shana Sippy, Professor of Religion, Centre College Mentioned in the episode: Rajiv Malhotra: an ideologue of the Hindu nationalist movement in the U.S. and founder of Infinity Foundation Harshita Kamath, Impersonations: The Artifice of Brahmin Masculinity in South Indian Dance Amar Chitra Katha: an Indian comic book publisher whose comics are hugely popular and widely available in India and the Indian diaspora. Sailaja Krishnamurti, “Learning about Hindu Religion through Comics and Popular Culture,” David Yoo and Khyati Y Joshi eds. Envisioning Religion, Race and Asian Americans, Honolulu: University of Hawai'i Press, 207-226, 2020. Babri Masjid: a 16th century mosque that became the target of Hindu nationalist mobilization and was destroyed by vigilante mobs in December 1992. Marko Geslani, “A Model Minority Religion: The Race of Hindu Studies,” American Religion, forthcoming. Thenmozhi Soundarajan, The Trauma of Caste Sarah Ahmed, Queer Phenomenology: Orientations, Objects, Others Feminist Critical Hindu Studies Collective, “Feminist Critical Hindu Studies in formation” Feminist Critical Hindu Studies Collective, “Hindu fragility and the politics of mimicry in North America” Feminist Critical Hindu Studies Collective, “Hinduphobia is a smokescreen for Hindu nationalists” Shana Sippy and Sailaja Krishnamurti, “Not all Hinduism is Hindutva, but Hindutva is in fact Hinduism” Shana Sippy, “Strange and Storied Alliances: Hindus and Jews, India and Israel,” manuscript in progress Shana Sippy, "Victimization, Supremacism, Solidarity, and the Affective and Emulative Politics of American Hindus" Tomako Masuzawa, The Invention of World Religions, Or How European Universalism Was Preserved in the Language of Pluralism Shreena Gandhi, “Framing Islam as American Religion Despite White Supremacy” Equality Labs is a South Asian Dalit civil rights organization. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

This episode features a conversation with the founding members of the Feminist Critical Hindu Studies Collective, also known as the Auntylectuals. We began with each of them reflecting on their pathway into Hindu Studies and how the questions of caste and gender shaped their approaches to this field. We then discussed their motivations for starting the collective and what interventions they hoped to make through it. This took us deeper into some thorny topics: caste as a form of embodied knowledge that is often accompanied by the denial of its continued social power; the politics of Hinduism in North America where Hindus are both predominantly upper caste and a racial minority; the relationship between Hinduism and Hindutva, or Hindu nationalism; the traffic in language and tactics between Hindutva and Zionism; and the efforts to push back against the movement to make caste a protected category in U.S. anti-discrimination law. Guests: Shreena Gandhi: Professor of Religious Studies, Michigan State University Harshita Kamath: Professor of Telugu Culture, Literature, and History, Emory University Sailaja Krishnamurti: Professor of Gender Studies, Queen's University Shana Sippy, Professor of Religion, Centre College Mentioned in the episode: Rajiv Malhotra: an ideologue of the Hindu nationalist movement in the U.S. and founder of Infinity Foundation Harshita Kamath, Impersonations: The Artifice of Brahmin Masculinity in South Indian Dance Amar Chitra Katha: an Indian comic book publisher whose comics are hugely popular and widely available in India and the Indian diaspora. Sailaja Krishnamurti, “Learning about Hindu Religion through Comics and Popular Culture,” David Yoo and Khyati Y Joshi eds. Envisioning Religion, Race and Asian Americans, Honolulu: University of Hawai'i Press, 207-226, 2020. Babri Masjid: a 16th century mosque that became the target of Hindu nationalist mobilization and was destroyed by vigilante mobs in December 1992. Marko Geslani, “A Model Minority Religion: The Race of Hindu Studies,” American Religion, forthcoming. Thenmozhi Soundarajan, The Trauma of Caste Sarah Ahmed, Queer Phenomenology: Orientations, Objects, Others Feminist Critical Hindu Studies Collective, “Feminist Critical Hindu Studies in formation” Feminist Critical Hindu Studies Collective, “Hindu fragility and the politics of mimicry in North America” Feminist Critical Hindu Studies Collective, “Hinduphobia is a smokescreen for Hindu nationalists” Shana Sippy and Sailaja Krishnamurti, “Not all Hinduism is Hindutva, but Hindutva is in fact Hinduism” Shana Sippy, “Strange and Storied Alliances: Hindus and Jews, India and Israel,” manuscript in progress Shana Sippy, "Victimization, Supremacism, Solidarity, and the Affective and Emulative Politics of American Hindus" Tomako Masuzawa, The Invention of World Religions, Or How European Universalism Was Preserved in the Language of Pluralism Shreena Gandhi, “Framing Islam as American Religion Despite White Supremacy” Equality Labs is a South Asian Dalit civil rights organization. Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode features a conversation with the founding members of the Feminist Critical Hindu Studies Collective, also known as the Auntylectuals. We began with each of them reflecting on their pathway into Hindu Studies and how the questions of caste and gender shaped their approaches to this field. We then discussed their motivations for starting the collective and what interventions they hoped to make through it. This took us deeper into some thorny topics: caste as a form of embodied knowledge that is often accompanied by the denial of its continued social power; the politics of Hinduism in North America where Hindus are both predominantly upper caste and a racial minority; the relationship between Hinduism and Hindutva, or Hindu nationalism; the traffic in language and tactics between Hindutva and Zionism; and the efforts to push back against the movement to make caste a protected category in U.S. anti-discrimination law. Guests: Shreena Gandhi: Professor of Religious Studies, Michigan State University Harshita Kamath: Professor of Telugu Culture, Literature, and History, Emory University Sailaja Krishnamurti: Professor of Gender Studies, Queen's University Shana Sippy, Professor of Religion, Centre College Mentioned in the episode: Rajiv Malhotra: an ideologue of the Hindu nationalist movement in the U.S. and founder of Infinity Foundation Harshita Kamath, Impersonations: The Artifice of Brahmin Masculinity in South Indian Dance Amar Chitra Katha: an Indian comic book publisher whose comics are hugely popular and widely available in India and the Indian diaspora. Sailaja Krishnamurti, “Learning about Hindu Religion through Comics and Popular Culture,” David Yoo and Khyati Y Joshi eds. Envisioning Religion, Race and Asian Americans, Honolulu: University of Hawai'i Press, 207-226, 2020. Babri Masjid: a 16th century mosque that became the target of Hindu nationalist mobilization and was destroyed by vigilante mobs in December 1992. Marko Geslani, “A Model Minority Religion: The Race of Hindu Studies,” American Religion, forthcoming. Thenmozhi Soundarajan, The Trauma of Caste Sarah Ahmed, Queer Phenomenology: Orientations, Objects, Others Feminist Critical Hindu Studies Collective, “Feminist Critical Hindu Studies in formation” Feminist Critical Hindu Studies Collective, “Hindu fragility and the politics of mimicry in North America” Feminist Critical Hindu Studies Collective, “Hinduphobia is a smokescreen for Hindu nationalists” Shana Sippy and Sailaja Krishnamurti, “Not all Hinduism is Hindutva, but Hindutva is in fact Hinduism” Shana Sippy, “Strange and Storied Alliances: Hindus and Jews, India and Israel,” manuscript in progress Shana Sippy, "Victimization, Supremacism, Solidarity, and the Affective and Emulative Politics of American Hindus" Tomako Masuzawa, The Invention of World Religions, Or How European Universalism Was Preserved in the Language of Pluralism Shreena Gandhi, “Framing Islam as American Religion Despite White Supremacy” Equality Labs is a South Asian Dalit civil rights organization. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/indian-religions

**Special note to our listeners** Love the show? Help us keep the conversation going!Become a paid subscriber through our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Substack.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Your contributions help us continue to make contenton issues related to the Asian-American, immigrant, modern parent experience.THANK YOU to our super awesome listeners who have already signed up!---------------------------------------We welcome Daniel Tam-Claiborne back for a second recording because as Susan would say, there was just too much juice to squeeze in just one episode :) While we talked about his experience growing up as a Chinese-Jewish biracial kid in New York City in the last recording, we fast forward in this one to his experience of becoming a dad. Daniel experienced significant symptoms of postpartum depression after his daughter arrived and he talks us through that often hidden experience that many dads go through after they become parents. He started speaking to his quarter- Chinese daughter in Mandarin as he was coming out of the worst of his postpartum depression and we discuss how he and his wife arrived at the decision to commit to a bilingual upbringing for their child who doesn't easily "read" as Chinese or Chinese American.If you'd like to learn more about Daniel Tam-Claiborne and his work, check out:- His debut novel ⁠Transplants⁠ which was a 2023 PEN America Literary Award Finalist- Website at ⁠www.travelbreedscontent.com

Feb. 13, 2026- Coalition for Asian American Children and Families Director of Policy & Government Relations Felicia Singh makes the case for the unique needs of the Asian-American community and outlines a $54 million "equity" agenda.

Send a textYou don't need the “right” background to make real change.Today's episode is a powerful reminder that leadership doesn't come from perfect resumes or polished pathways. It comes from lived experience, values, and the courage to step forward when something isn't right.We're joined by Representative Emily Weber, who represents Jackson County District 24 in the Missouri House of Representatives. Emily shares her journey from growing up as an adopted kid in rural Kansas and earning an art degree, to becoming the first Asian American woman elected to Missouri's General Assembly.Emily opens up about what pushed her into politics, how imposter syndrome almost stopped her from running, and why representation truly matters. We talk about money, power, confidence, and what happens when women stop waiting to be “qualified enough” and start showing up anyway.This conversation is honest, grounding, and motivating. Especially if you've ever thought, “Who am I to do this?”If you've been feeling stuck, frustrated, or unsure where your power actually lives, this episode will meet you right there.Join us for next week's Money Talks, we'll talk about “His, Hers, Ours: Setting Up Shared vs. Separate Accounts” Click here to register for FREE and bring your questions!  Want to take this conversation one step further? Join us for our next Money Talks, a free 30 minute live session where we'll dig into a question we hear all the time from women business owners: Budgeting for Businesses to Offer Benefits. Click here to register for FREE and bring your questions! Follow & connect with us! Website Facebook Page Facebook group Instagram TikTok LinkedIn YouTube Reddit Resources Have questions? Click this to check out our expert Q&A for tips from industry experts, tailored to help women address their most common financial concerns. Subscribe to our newsletter to receive financial tips delivered weekly here! ...

APEX Express is a weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. On this episode, the Stop AAPI Hate Pacific Islander Advisory Council discuss a new report on anti–Pacific Islander hate. They examine the documented impacts of hate, structural barriers Pacific Islander communities face in reporting and accessing support, and the long-standing traditions of resistance and community care within PI communities.   Important Links: Stop AAPI Hate Stop AAPI Hate Anti-Pacific Islander Hate Report If you have questions related to the report, please feel free to contact Stop AAPI Hate Research Manager Connie Tan at ctan@stopaapihate.org Community Calendar: Upcoming Lunar New Year Events Saturday, February 14 – Sunday, February 15 – Chinatown Flower Market Fair, Grant Avenue (fresh flowers, arts activities, cultural performances) Tuesday, February 24 – Drumbeats, Heartbeats: Community as One, San Francisco Public Library (Lunar New Year and Black History Month celebration) Saturday, February 28 – Oakland Lunar New Year Parade, Jackson Street Saturday, March 7 – Year of the Horse Parade, San Francisco Throughout the season – Additional Lunar New Year events, including parades, night markets, and museum programs across the Bay Area and beyond. Transcript: [00:00:00]  Miata Tan: Hello and welcome. You are tuning in to Apex Express, a weekly radio show uplifting the voices and stories of Asian Americans and Pacific Islanders. I'm your host, Miata Tan and tonight we're examining community realities that often go under reported. The term A API, meaning Asian Americans and Pacific Islanders is an [00:01:00] acronym we like to use a lot, but Pacific Islander peoples, their histories and their challenges are sometimes mischaracterized or not spoken about at all. Stop A API Hate is a national coalition that tracks and responds to the hate experience by A API communities through reporting, research and advocacy. They've released a new report showing that nearly half of Pacific Islander adults experienced an act of hate in 2024 because of their race, ethnicity, or nationality. Tonight we'll share conversations from a recent virtual community briefing about the report and dive into its findings and the legacy of discrimination experienced by Pacific Islanders. Isa Kelawili Whalen: I think it doesn't really help that our history of violence between Pacific Islander Land and Sea and the United States, it already leaves a sour taste in your mouth. When we Pacifica. Think [00:02:00] about participating in American society and then to top it off, there's little to no representation of Pacific Islanders. Miata Tan: That was the voice of Isa Kelawili Whalen, Executive Director at API Advocates and a member of Stop, A API hates Pacific Islander Advisory Council. You'll hear more from Isa and the other members of the advisory council soon. But first up is Cynthia Choi, the co-founder of Stop, A API, Hate and co-Executive Director of Chinese for affirmative action. Cynthia will help to ground us in the history of the organization and their hopes for this new report about Pacific Islander communities. Cynthia Choi: As many of you know, Stop API Hate was launched nearly six years ago in response to anti-Asian hate during COVID-19 pandemic. And since then we've operated as the [00:03:00] nation's largest reporting center tracking anti A. PI Hate Acts while working to advance justice and equity for our communities. In addition to policy advocacy, community care and narrative work, research has really been Central to our mission because data, when grounded in community experience helps tell a fuller and more honest story about the harms our communities face. Over the years, through listening sessions and necessary and hard conversations with our PI community members and leaders, we've heard a consistent. An important message. Pacific Islander experiences are often rendered invisible when grouped under the broader A API umbrella and the forms of hate they experience are shaped by distinct histories, ongoing injustice, and unique cultural and political [00:04:00] context. This report is in response to this truth and to the trust Pacific Islander communities have placed in sharing their experience. Conducted in partnership with NORC at the University of Chicago, along with stories from our reporting center. we believe these findings shed light on the prevalence of hate, the multifaceted impact of hate and how often harm goes unreported. Our hope is that this report sparks deeper dialogue and more meaningful actions to address anti pi hate. We are especially grateful to the Pacific Islander leaders who have guided this work from the beginning. Earlier this year, uh, Stop API hate convened Pacific Islander Advisory Council made up of four incredible leaders, Dr. Jamaica Osorio Tu‘ulau‘ulu Estella Owoimaha Church, Michelle Pedro, and Isa Whalen. Their leadership, wisdom [00:05:00] and care have been essential in shaping both our research and narrative work. Our shared goal is to build trust with Pacific Islander communities and to ensure that our work is authentic, inclusive, and truly reflective of lived experiences. These insights were critical in helping us interpret these findings with the depth and context they deserve.  Miata Tan: That was Cynthia Choi, the co-founder of Stop, A API, hate and co-Executive Director of Chinese for affirmative action. As Cynthia mentioned to collect data for this report, Stop A API Hate worked with NORC, a non-partisan research organization at the University of Chicago. In January, 2025, Stop A API. Hate and norc conducted a national survey that included 504 Pacific Islander respondents. The survey [00:06:00] examined the scope of anti Pacific Islander hate in 2024, the challenges of reporting and accessing support and participation in resistance and ongoing organizing efforts. We'll be sharing a link to the full report in our show notes at kpfa.org/program/apex-express. We also just heard Cynthia give thanks to the efforts of the Stop A API hate Pacific Islander Advisory Council. this council is a team of four Pacific Islander folks with a range of professional and community expertise who helped Stop A API hate to unpack and contextualize their new report. Tonight we'll hear from all four members of the PI Council. First up is Dr. Jamaica Osorio, a Kanaka Maoli wahine artist activist, and an Associate Professor of Indigenous and native Hawaiian politics [00:07:00] at the University of Hawaiʻi at Mānoa . Here's Dr. Jamaica, reflecting on her initial reaction to the report and what she sees going on in her community. Dr. Jamaica Heolimeleikalani Osorio: Aloha kākou. Thank you for having us today. I think the biggest thing that stood out to me in the data and the reporting that I haven't really been able to shake from my head, and I think it's related to something we're seeing a lot in our own community, was the high levels of stress and anxiety that folks in our community were experiencing and how those high levels were almost, they didn't really change based on whether or not people had experienced hate. Our communities are living, um, at a threshold, a high threshold of stress and anxiety, um, and struggling with a number of mental health, issues because of that. And I think this is an important reminder in relationship to the broader work we might be doing, to be thinking about Stopping hate acts against folks in our community and in other communities, but really to think about what are the [00:08:00] conditions that people are living under that make it nearly unlivable for our communities to survive in this place. Uh, the, the other thing that popped out to me that I wanna highlight is the data around folks feeling less welcome. How hate acts made certain folks in our community feel less welcome where they're living. And I kind of wanna. Us to think more about the tension between being unwelcomed in the so-called United States, and the tension of the inability for many of our people to return home, uh, if they would've preferred to actually be in our ancestral homes. And what are. How are those conditions created by American Empire and militarism and nuclearization, kind of the stuff that we talked about as a panel early on but also as we move away from today's conversation thinking about like what is. The place of PIs in the so-called United States. Uh, what does it mean to be able to live in your ancestral homeland like myself, where America has come to us, and chosen to stay? What does it mean for our other PI family members who have [00:09:00] come to the United States? Because our homes have been devastated by us militarism and imperialism. That's what's sitting with me that I think may not. Immediately jump out of the reporting, but we need to continue to highlight, uh, in how we interpret. Miata Tan: That was Dr. Jamaica Osorio, an Associate Professor of Indigenous and native Hawaiian politics at the University of Hawaiʻi at Māno a.  Now let's turn to Isa Kelawili Whalen. Isa is the Executive Director of API Advocates and another member of the Stop A API hate Pacific Islander Advisory Council. Here Isa builds on what Dr. Jamaica was saying about feelings of stress and anxiety within the Pacific Islander communities. Okay. She also speaks from her experience as an Indigenous CHamoru and Filipino woman. Here's Isa. Isa Kelawili Whalen: [00:10:00] American society and culture is drastically different from Pacifica Island and our culture, our roots, traditions, and so forth, as are many ethnicities and identities out there. But for us who are trying to figure out how to constantly navigate between the two, it's a little polarizing. Trying to fit in into. American society, structure that was not made for us and definitely does not coincide from where we come from either. So it's hard to navigate and we're constantly felt, we feel like we're excluded, um, that there is no space for us. There's all these boxes, but we don't really fit into one. And to be honest, none of these boxes are really made for anyone to fit into one single box the unspoken truth. And so. A lot of the times we're too Indigenous or I'm too Pacifica, or I'm too American, even to our own families being called a coconut. A racial comment alluding to being one ethnicity on the inside versus the outside, and to that causes a lot of mental health harm, um, within ourselves, our [00:11:00] friends, our family, community, and understanding for one another. in addition to that. I think it doesn't really help that our history of violence between Pacific Islander Land and Sea and the United States, it already leaves a sour taste in your mouth. When we Pacifica. Think about participating in American society and then to top it off, there's little to no representation of Pacific Islanders, um, across. The largest platforms in the United States of America. It goes beyond just representation with civic engagement, um, and elected officials. This goes to like stem leadership positions in business to social media and entertainment. And when we are represented, it's something of the past. We're always connotated to something that's dead, dying or old news. And. we're also completely romanticized. This could look like Moana or even the movie Avatar. So I think the feeling of disconnected or unaccepted by American society at large is something that stood out to me in the [00:12:00] report and something I heavily resonate with as well. Miata Tan: That was Isa Kelawili Whalen, Executive Director at API Advocates and a member of the Stop A API hate Pacific Islander Advisory Council. As we heard from both Dr. Jamaica and Isa, the histories and impacts of hate against. Pacific Islander communities are complex and deeply rooted from ongoing US militarization to a lack of representation in popular culture. Before we hear from the two other members of the PI Advisory Council, let's get on the same page. What are we talking about when we talk about hate? Connie Tan is a research manager at Stop, A API hate and a lead contributor to their recent report on anti Pacific Islander hate. Here she is defining Stop A API hate's research framework for this project. [00:13:00]  Connie Tan: Our definition of hate is largely guided by how our communities define it through the reporting. So people have reported a wide range of hate acts that they perceive to be motivated by racial bias or prejudice. The vast majority of hate acts that our communities experience are not considered hate crimes. So there's a real need to find solutions outside of policing in order to address the full range of hate Asian Americans and Pacific Islander experience. We use the term hate act as an umbrella term to encompass the various types of bias motivated events people experience, including hate crimes and hate incidents. And from the survey findings, we found that anti PI hate was prevalent. Nearly half or 47% of PI adults reported experiencing a hate act due to their race, ethnicity, or nationality in 2024. And harassment such as being called a racial slur was the most common type of hate. Another [00:14:00] 27% of PI adults reported institutional discrimination such as unfair treatment by an employer or at a business. Miata Tan: That was Connie Tan from Stop. A API hate providing context on how hate affects Pacific Islander communities. Now let's return to the Pacific Islander Advisory Council who helped Stop A API hate to better understand their reporting on PI communities. The remaining two members of the council are Tu‘ulau‘ulu Estella Owoimaha- Church, a first generation Afro Pacifican educator, speaker and consultant. And we also have Michelle Pedro, who is a California born Marshallese American advocate, and the policy and communications director at Arkansas's Coalition of the Marshallese. You'll also hear the voice of Stephanie Chan, the Director of Data and [00:15:00] Research at Stop A API Hate who led this conversation with the PI Council. Alrighty. Here's Esella reflecting on her key takeaways from the report and how she sees her community being impacted. Tu‘ulau‘ulu Estella Owoimaha-Church: A piece of data that stood out to me is the six out of 10 PIs who have experienced hate, noted that it was an intersectional experience, that there are multiple facets of their identities that impacted the ways they experienced hate. And in my experience as Afro Pacifican. Nigerian Samoan, born and raised in South Central Los Angeles on Tonga land. That's very much been my experience, both in predominantly white spaces and predominantly API spaces as well. As an educator a piece of data that, that really stood out to me was around the rate at which. Pacific Islanders have to exit education. 20 years as a high school educator, public high school educator and college counselor. And that was [00:16:00] absolutely my experience when I made the choice to become an educator. And I moved back home from grad school, went back to my neighborhood and went to the school where I had assumed, because when I was little, this is where. My people were, were when I was growing up, I assumed that I would be able to, to put my degrees to use to serve other black PI kids. And it wasn't the case. Students were not there. Whole populations of our folks were missing from the community. And as I continued to dig and figure out, or try to figure out why, it was very clear that at my school site in particular, Samoan, Tongan, and Fijian students who were there. We're not being met where they are. Their parents weren't being met where they are. They didn't feel welcome. Coming into our schools, coming into our districts to receive services or ask for support it was very common that the only students who received support were our students who chose to play sports. Whereas as a theater and literature educator, I, I spent most of my time advocating for [00:17:00] block schedule. So that my students who I knew had, you know, church commitments after school, family commitments after school I needed to find ways to accommodate them. and I was alone in that fight, right? The entire district, the school the profession was not showing up for our students in the ways that they needed. Stephanie Chan: Thank you, Estella. Yeah, definitely common themes of, you know, what does belonging mean in our institutions, but also when the US comes to you, as Jamaica pointed out as well. Michelle, I'll turn it over to you next.  Michelle Pedro: Lakwe and greetings everyone. , A few things that pointed out to me or stood out to me. Was, um, the mental health aspect mental health is such a, a big thing in our community we don't like to talk about, especially in the Marshallese community. it's just in recent years that our youth is talking about it more. And people from my generation are learning about mental health and what it is in this society versus back home. It is so different. [00:18:00] When people move from Marshall Islands to the United States, the whole entire system is different. The system was not built for people like us, for Marshallese, for Pacific Islanders. It really wasn't. And so the entire structure needs to do more. I feel like it needs to do more. And the lack of education like Estella said. Back home. We have a lot of our folks move here who don't graduate from past like third grade. So the literacy, rate here in Arkansas my friends that our teachers, they say it's very low and I can only imagine what it is in the Marshallese community here. And. I hear stories from elders who have lived here for a while that in Arkansas it was a little bit scary living here because they did not feel welcome. They didn't feel like it was a place that they could express themselves. A lot of my folks say that they're tired of their race card,  but we [00:19:00] need to talk about race. We don't know what internal racism is, or systemic racism is in my community. We need to be explaining it to our folks where they understand it and they see it and they recognize it to talk about it more. Miata Tan: That was Michelle Pedro, Policy and Communications Director at Arkansas Coalition of the Marshallese, and a member of the Stop, A API hate Pacific Islander Advisory Council. Michelle shared with us that hate against Pacific Islander communities affects educational outcomes leading to lower rates of literacy, school attendance, and graduation. As Esella noted, considering intersectionality can help us to see the full scope of these impacts. Here's Connie Tan, a research manager at Stop, A API hate with some data on how PI communities are being targeted the toll this takes on their mental and physical [00:20:00] wellbeing. Connie Tan: And we saw that hate was intersectional. In addition to their race and ethnicity, over six, in 10 or 66% of PI adults said that other aspects of their identity were targeted. The top three identities targeted were for their age, class, and gender. And experiences with hate have a detrimental impact on the wellbeing of PI Individuals with more than half or about 58% of PI adults reporting negative effects on their mental or physical health. It also impacted their sense of safety and altered their behavior. So for example, it is evidenced through the disproportionate recruitment of PI people into the military. And athletic programs as a result, many are susceptible to traumatic brain injuries, chronic pain, and even post-traumatic stress disorder. Miata Tan: That was Connie Tan with Stop. A API Hate. You are tuned [00:21:00] into Apex Express, a weekly radio show, uplifting the voices and stories of Asian Americans and Pacific Islanders. You'll hear more about Connie's research and the analysis from the Stop. A API hate Pacific Islander Advisory Council. In a moment. Stay with us. [00:22:00] [00:23:00] [00:24:00] [00:25:00]  Miata Tan: That was us by Ruby Ibarra featuring Rocky Rivera, Klassy and Faith Santilla. You are tuned into Apex Express on 94.1 KPFA, A weekly radio show [00:26:00] uplifting the voices and stories of Asian Americans and Pacific Islanders. I'm your host Miata Tan. Tonight we're focused on our Pacific Islander communities and taking a closer look at a new report on anti Pacific Islander hate from the National Coalition, Stop A API hate. Before the break the Stop, A API, Pacific Islander Advisory Council shared how mental health challenges, experiences of hate and the effects of US militarization are all deeply interconnected in PI communities. Connie Tan, a research manager at Stop. A API Hate reflects on how a broader historical context helps to explain why Pacific Islanders experience such high rates of hate. Here's Connie. Connie Tan: We conducted sensemaking sessions with our PI advisory council members, and what we learned is that anti PI hate must be understood [00:27:00] within a broader historical context rooted in colonialism. Militarization nuclear testing and forced displacement, and that these structural violence continue to shape PI people's daily lives. And so some key examples include the US overthrow and occupation of Hawaii in the 18 hundreds that led to the loss of Hawaiian sovereignty and cultural suppression. In the 1940s, the US conducted almost 70 nuclear tests across the Marshall Islands that decimated the environment and subjected residents to long-term health problems and forced relocation to gain military dominance. The US established a compacts of free association in the 1980s that created a complex and inequitable framework of immigration status that left many PI communities with limited access to federal benefits. The COVID-19 pandemic exposed a disproportionate health impacts in PI communities due to the historical lack of disaggregated data, unequal access to health benefits, [00:28:00] and a lack of culturally responsive care. And most recently, there are proposed or already enacted US travel bans targeting different Pacific Island nations, continuing a legacy of exclusion. So when we speak of violence harm. Injustice related to anti P hate. It must be understood within this larger context. Miata Tan: That was Connie Tan at Stop. A API hate. Now let's get back to the Pacific Islander Advisory Council who are helping us to better understand the findings from the recent report from Stop. A API hate focused on hate acts against the Pacific Islander communities. I will pass the reins over to Stephanie Chan. Stephanie's the director of Data and Research at Stop A API Hate who led this recent conversation with the PI Advisory Council. Here's Stephanie. [00:29:00]  Stephanie Chan: The big mental health challenges as well as the issues of acceptance and belonging and like what that all means. I, I think a lot of you spoke to this but let's get deeper. What are some of the historical or cultural factors that shape how PI communities experience racism or hate today? Let's start with Estella. Tu‘ulau‘ulu Estella Owoimaha-Church: Thank you for the question, Stephanie. A piece of data that, stood out to me, it was around the six outta 10 won't report to formal authority agencies. And earlier it was mentioned that there's a need For strategies outside policing. I think that, to everything that, Jamaica's already stated and, and what's been presented in the, the data why would we report, when the state itself has been harmful to us collectively. The other thing I can speak to in my experience is again, I'll, I'll say that an approach of intersectionality is, is a must because says this too in the report, more than [00:30:00] 57% of our communities identify as multiracial, multi-ethnic. And so in addition to. Who we are as Pacific Islander, right? Like many of us are also half Indigenous, half black, half Mexican, et cetera. List goes on. And there's, there needs to be enough space for all of us, for the whole of us to be present in our communities and to, to do the work, whatever the work may be, whatever sector you're in, whether health or education. Policy or in data. And intersectional approach is absolutely necessary to capture who we are as a whole. And the other, something else that was mentioned in the report was around misinformation and that being something that needs to be combated in particular today. Um, and I see this across several communities. The, AI videos are, are a bit outta control. Sort of silly, but still kind of serious. Example comes to mind, recent a very extensive conversation. I didn't feel like having, uh, with, [00:31:00] with my uncles around whether or not Tupac is alive because AI videos Are doing a whole lot that they shouldn't be doing. And it's, it's a goofy example, but an example nonetheless, many of our elders are using social media or on different platforms and the misinformation and disinformation is so loud, it's difficult to continue to do our work. And educate, or in some cases reeducate. And make sure that, the needs of our community that is highlighted in this report are being adjusted. Stephanie Chan: Thank you. Yeah. And a whole new set of challenges with the technology we have today. Uh, Michelle, do you wanna speak to the historical and cultural factors that have shaped how PI communities experience racism today?  Michelle Pedro: Our experience is, it's inseparable to the US nuclear legacy and just everything that Estella was saying, a standard outside of policing. Like why is the only solution incarceration or most of the solutions involve [00:32:00] incarceration. You know, if there's other means of taking care of somebody we really need to get to the root causes, right? Instead of incarceration. And I feel like a lot of people use us, but not protect us. And the experiences that my people feel they're going through now is, it's just as similar than when we were going through it during COVID. I. Here in Arkansas. More than half of people that, uh, the death rates were Marshallese. And most of those people were my relatives. And so going to these funerals, I was just like, okay, how do I, how do I go to each funeral without, you know, if I get in contact to COVID with COVID without spreading that? And, you know, I think we've been conditioned for so long to feel ashamed, to feel less than. I feel like a lot of our, our folks are coming out of that and feeling like they can breathe again. But with the [00:33:00] recent administration and ice, it's like, okay, now we have to step back into our shell. And we're outsiders again, thankfully here in, uh, Northwest Arkansas, I think there's a lot of people who. have empathy towards the Marshallese community and Pacific Islanders here. And they feel like we can, we feel like we can rely on our neighbors. Somebody's death and, or a group of people's deaths shouldn't, be a reason why we, we come together. It should be a reason for, wanting to just be kind to each other. And like Estella said, we need to educate but also move past talks and actually going forward with policy changes and stuff like that. Stephanie Chan: Thank you Michelle. And yes, we'll get to the policy changes in a second. I would love to hear. What all of our panelists think about what steps we need to take. Uh, Isa I'm gonna turn it over to you to talk about historical or cultural factors that shape how PI communities experience racism today.  Isa Kelawili Whalen: [00:34:00] Many, if not all, Pacific Islander families or communities that I know of or I'm a part of, we don't wanna get in trouble. And what does that really mean? We don't wanna be incarcerated by racially biased jurisdictions. Um, we don't wanna be deported. We don't want to be revoked of our citizenship for our rights or evicted or fired. All things that we deem at risk at all times. It's always on the table whenever we engage with the American government. Even down to something as simple as filling out a census form. And so I think it's important to know also that at the core of many of our Pacifica cultures, strengthening future generations is at the center. Every single time. I mean, with everything that our elders have carried, have fought for, have sacrificed for, to bring us to where we are today. It's almost like if someone calls you a name or they give you a dirty look, or maybe even if they get physical with you on a sidewalk. Those are things we just swallow. ‘ cause you have to, there's so much on the table so much at risk that we cannot afford to lose. [00:35:00] And unfortunately, majority of the times it's at the cost of yourself. It is. That mistrust with everything that's at risk with keeping ourselves, our families, and future generations. To continue being a part of this American society, it makes it really, really hard for us to navigate racism and hate in comparison to, I would say, other ethnic groups. Stephanie Chan: Definitely. And the mistrust in the government is not gonna get better in this context. It's only gonna get worse. Jamaica, do you wanna speak to the question of the historical and cultural factors that shape how PI communities experience racism? Dr. Jamaica Heolimeleikalani Osorio: Absolutely. You know, without risking sounding like a broken record, I think one of the most meaningful things that many of us share across the Pacific is the violence of us. Uh, not just us, but in imperial militarization and nuclear testing. and I think it's easy for folks. Outside of the Pacific to forget that that's actually ongoing, right? That there are military occupations ongoing in Hawaii, in [00:36:00] Guam, in Okinawa, uh, that our people are being extracted out of their communities to serve in the US military in particular, out of Samoa, the highest per capita rate of folks being enlisted into the US on forces, which is insane. Um, so I don't want that to go unnamed as something that is both historical. And ongoing and related to the kind of global US imperial violence that is taking place today that the Pacific is is this. Point of departure for so much of that ongoing imperial violence, which implicates us, our lands, our waters, and our peoples, and that as well. And that's something that we have to reckon with within the overall context of, experiencing hate in and around the so-called United States. But I also wanna touch on, The issue of intersectionality around, um, experiencing hate in the PI community and, and in particular thinking about anti-blackness, both the PI community and towards the PI community. Uh, [00:37:00] and I Understanding the history of the way white supremacy has both been inflicted upon our people and in many cases internalized within our people. And how anti-blackness in particular has been used as a weapon from within our communities to each other while also experiencing it from the outside. Is something that is deeply, deeply impacting our people. I'm thinking both the, the personal, immediate experience of folks experiencing or practicing anti-blackness in our community. But I'm also thinking about the fact that we have many examples of our own organizations and institutions Reinforcing anti-blackness, uh, being unwilling to look at the way that anti-blackness has been reinterpreted through our own cultural practices to seem natural. I'll speak for myself. I've, I've seen this on a personal level coming out of our communities and coming into our communities. I've seen this on a structural level. you know, we saw the stat in the report that there's a high percentage of PIs who believe that cross racial solidarity is [00:38:00] important, and there's a high percentage of PIs who are saying that they want to be involved and are being involved in trying to make a difference, uh, against racial injustice in this godforsaken. Country,  Um, that work will never be effective if we cannot as a community really take on this issue of anti-blackness and how intimately it has seeped into some of our most basic assumptions about what it means to be Hawaiian, about what it means to be Polynesian, about what it means to be, any of these other, uh, discreet identities. We hold as a part of the Pacific. Miata Tan: That was Dr. Jamaica Osorio, an Associate Professor of Indigenous and Native Hawaiian politics and a member of the Stop A API hate Pacific Islander Advisory Council. Dr. Jamaica was reflecting on the new report from Stop. A API Hate that focuses on instances of hate against Pacific Islander [00:39:00] communities. We'll hear more from the PI Advisory Council in a moment. Stay with us. ​ [00:40:00] [00:41:00] [00:42:00] [00:43:00] That was Tonda by Diskarte Namin . You are tuned into Apex Express on 94.1 KPFA, a weekly radio show uplifting the voices and stories of Asian Americans and Pacific Islanders. I am your host Miata Tan, and tonight we're centering our Pacific Islander communities. Stop. A API Hate is a national coalition that tracks and responds to anti-Asian American and Pacific Islander hate. Their latest report found that nearly half of Pacific Islander [00:44:00] adults experienced an act of hate in 2024 because of their race, ethnicity, or nationality. Connie Tan is a research manager at Stop, A API Hate who led the charge on this new report. Here she is sharing some community recommendations on how we can all help to reduce instances of harm and hate against Pacific Islander communities. Connie Tan: So to support those impacted by hate, we've outlined a set of community recommendations for what community members can do if they experience hate, and to take collective action against anti P. Hate first. Speak up and report hate acts. Reporting is one of the most powerful tools we have to ensure harms against PI. Communities are addressed and taken seriously. You can take action by reporting to trusted platforms like our Stop API Hate Reporting Center, which is available in 21 languages, including Tongan, Samoan, and Marshall. [00:45:00] Second, prioritize your mental health and take care of your wellbeing. We encourage community members to raise awareness by having open conversations with loved ones, family members, and elders about self-care and mental wellness, and to seek services in culturally aligned and trusted spaces. Third, combat misinformation in the fight against. It is important to share accurate and credible information and to combat anti PI rhetoric. You can view our media literacy page to learn more. Fourth, know your rights and stay informed During this challenging climate, it is important to stay up to date and know your rights. There are various organizations offering Know your rights materials, including in Pacific Islander languages, and finally participate in civic engagement and advocacy. Civic engagement is one of the most effective ways to combat hate, whether it is participating in voting or amplifying advocacy efforts. Miata Tan: That [00:46:00] was Connie Tan, a research manager at Stop. A API Hate. As Connie shared, there's a lot that can be done to support Pacific Islander communities from taking collective action against hate through reporting and combating misinformation to participating in civic engagement and advocacy. I'll pass the reins back over to Stephanie Chen, the director of Data and Research at Stop A API Hate. Stephanie is speaking with the Stop, A API hate Pacific Islander Advisory Council, zeroing in on where we can go from here in addressing hate against Pacific Islander communities. Stephanie Chan: We've heard a lot, a lot about the pain of anti PI hate, we've heard a lot about the pain of just, ongoing militarization displacement government distrust problems with education. Anti-blackness. what three things would you name as things that [00:47:00] we need to do? What changes actions or policies we need to do to move forward, on these issues? And I'm gonna start with Isa.  Isa Kelawili Whalen: Thank you Stephanie. Um, I'll try and go quickly here, but three policy areas. I'd love to get everyone engaged. One, data disaggregation. Pacific Islanders were constantly told that we don't have the data, so how could we possibly know what you guys are experiencing or need, and then. When we do have the data, it's always, oh, but you don't have enough numbers to meet this threshold, to get those benefits. Data informs policy, policy informs data. Again, thank you. Stop. I hate for having us here to talk about that also, but definitely continue fighting for data disaggregation. Second thing I would say. Climate resiliency, uh, supporting it and saying no to deep sea mining in our Pacifica waters. History of violence again with our land and sea. There's been a number in the, in the chat and one to name the nuclear warfare and bikini at toll, where after wiping out the people, the culture, the island itself, the United States promised reparations and to never harm again in that [00:48:00] way, but. Here we are. And then third language access, quite literally access, just access, um, to all things that the average English speaking person or learner has. So I'd say those three.  Stephanie Chan: Thank you. Well, we'll move on to Jamaica. Uh, what do you think are the actions or policies that we need?  Dr. Jamaica Heolimeleikalani Osorio: Uh, we need to demilitarize the Pacific. We need to shut down military bases. We need to not renew military leases. We need to not allow the US government to condemn lands, to expand their military footprint in the Pacific. I think one of the points that came up time and time again around not reporting is again, not feeling like anything's gonna happen, but two, who are we reporting to and we're reporting to states and systems that have contained us, that have violated us and that have hurt us. So yeah, demilitarization, abolition in the broadest sense, both thinking about Discreet carceral institutions, but then also the entire US governing system. And three I'll just make it a little smaller, like fuck ice, and tear that shit [00:49:00] down. Like right now, there are policy change issues related to ICE and carceral institutions, but I'm really thinking about kind of. Incredible mobilization that's taking place in particular in, in Minneapolis and the way people are showing up for their neighbors across racial, gender, and political spectrums. And so outside of this discrete policy changes that we need to fight for, we need more people in the streets showing up to protect each other. and in doing so, building the systems and the, the communities and the institutions that we will need to arrive in a new world. Stephanie Chan: Great word, Michelle.  Michelle Pedro: I'm just gonna add on to what, Isa said about language, access justice, equity, also protection of access to healthcare. in terms of what Ika said yes. Three West, Papua New Guinea, yeah, thank you for having me here. Stephanie Chan: Thank you. And Ella, you wanna bring us home on the policy question?  Tu‘ulau‘ulu Estella Owoimaha-Church: I'm from South Central LA Ice melts around here. yes to everything that has been said, in [00:50:00] particular, I think the greatest policy issue. Impact in our folks is demil, demilitarization. And that also goes to the active genocide that is happening in the Pacific and has been ongoing. And as a broader API community, it's a conversation we don't ever have and have not had uh, regularly. So yes to all that. And risk, it sounded like a broken record too. I think, uh, education is a huge. Part of the issue here, I think access to real liberated ethnic studies for all of our folks is absolutely crucial to continuing generation after generation, being able to continue the demil fight to continue. To show up for our folks for our islands in diaspora and back home on our islands. You know, the, the report said that, uh, we are 1.6 million strong here in the United States and that our populations continue to grow, fortunately, unfortunately here in the us. And that [00:51:00] we are a multi-ethnic, um, group of folks and that, That demands, it's an imperative that our approach to education, to political education, to how we show up for community, how we organize across faith-based communities has to be intersectional. It has to be it has to be pro-black. It has to be pro Indigenous because that is who we are as a people. We are black. And Indigenous populations all wrapped up into one. And any way we approach policy change has to come from a pro-black, pro Indigenous stance.  Stephanie Chan: Thank you, Estella. We did have a question about education and how we actually make. PI studies happen. do you have anything you wanna elaborate on, how do we get school districts and state governments to prioritize PI history, especially K through 12?  Tu‘ulau‘ulu Estella Owoimaha-Church: I'm gonna say with the caveat of under this current regime. Any regular tactics I'm used to employing may not be viable at this current [00:52:00] moment. But my regular go-to will always be to tell parents you have the most power in school districts to show up at your local school board meetings and demand that there is liberated ethnic studies and be conscious and cognizant about the, the big ed tech companies that districts are hiring to bring. Some fake, uh, ethnic studies. It's not real ethnic studies. And there are also quite a few ethnic studies or programs that are out there parading as ethnic studies that are 100% coming from the alt-right. 100% coming from Zionist based organizations That are not, doing ethnic studies actually doing a disservice to ethnic studies. And the other thing I'll say for API organizations that are doing the work around ethnic studies and, and pushing for Asian American studies legislation state by state. We're also doing a disservice because in many situations or many cases where legislation has passed for Asian American studies, it's been at the [00:53:00] detriment of black, brown, queer, and Indigenous communities. And that's not the spirit of ethnic studies. And so first I'd say for parents. Exercise your right as a parent in your local district and be as loud as you possibly can be, and organize parent pods that are gonna do the fight for you, and then reach out to folks. My number one recommendation is always liberated ethnic studies model consortium curriculum, for a group of badass educators who were, who are gonna show up for community whenever called. Miata Tan: That was Tu‘ulau‘ulu Estella Owoimaha- Church discussing how we can help to encourage school districts and state governments to prioritize Pacific Islander education. A big thank you to the Stop, A API Hate team and their Pacific Islander Advisory Council. Your work is vital and we appreciate you all. Thank you for speaking with us [00:54:00] today.  Miata Tan: [00:55:00] That final track was a little snippet from the fantastic Zhou Tian check out Hidden Grace. It's a truly fabulous song. This is Apex Express on 94.1 KPFA, A weekly radio show uplifting the voices and stories of Asian Americans and Pacific Islanders. Apex Express Airs every Thursday evening at 7:00 PM And with that, we're unfortunately nearing the end of our time here tonight. thank you so much for tuning into the show. And another big thank you to the Stop, A API Hate Team and their Pacific Islander Advisory Council. We appreciate your work so much. One final note, if you are listening to this live, then it's February 12th, meaning Lunar New Year is [00:56:00] just around the corner. For listeners who might not be familiar, Lunar New Year is a major celebration for many in the Asian diaspora, a fresh start marked by family, food, and festivities. This year we are welcoming in the Year of the Horse, and you can join the celebrations too. On Saturday, March 7th, San Francisco will come alive with the year of the horse parade, and this weekend you can check out the Chinatown Flower Market Fair Head to Grant Avenue for fresh flowers, arts activities, and cultural performances. On Tuesday, February 24th, the San Francisco Public Library will Drumbeats, Heartbeats: Community as One . this event will honor Lunar New Year and Black History Month with Lion Dancers, poetry, and more. Across the bay, Oakland celebrates their Lunar New Year parade on Saturday, February 28th. From more [00:57:00] parades to night markets and museum events, celebrations will be happening all over the Bay Area and beyond. We hope you enjoy this opportunity to gather, reflect, and welcome in the new year with joy. For show notes, please visit our website. That's kpfa.org/program/apex-express. On the webpage for this episode, we've added links to the Stop, A API Hate Report on Anti Pacific Islander, hate from data on how hate is impacting PI communities to information on what you can do to help. This report is well worth the read. Apex Express is produced by Ayame Keane-Lee, Anuj Vaidya, Cheryl Truong, Isabel Li, Jalena Keane-Lee, Miko Lee, Miata Tan, Preeti Mangala Shekar and Swati Rayasam. Tonight's show was produced by me , Miata Tan. Get some rest y'all. .  The post APEX Express – 2.12.26 – Anti-Pacific Islander Hate Amid Ongoing Injustice appeared first on KPFA.

Today we sit down and try to figure out what our ‘type' is, for romantic relationships, personal friendships, and work connections! We try to describe each others' types because sometimes…it's easier for a third party to clock the pattern ;-) We also try to dissect our personal values and needs based on the common factors we see in our close connections!Support the showFollow us on social media @eatyourcrustpod

Episode Summary: In this week's episode of your favorite Korean Adoptee podcast, the Janchi Boys chat about dealing with online spaces you thought were safe, making neighborhood friends, and getting real about our feelings with regards to ICE in our communities and country.Later we try Haitai's Espresso Ace Cracker…can we get this dipped in chocolate?---// Support the Show!Online at janchishow.com / @janchishowSupport the show at janchishow.com/supportJoin our Facebook Group! janchishow.com/afterpartyWatch our Youtube VideosLeave a voicemail! 972-677-8867Write us a note: janchishow@gmail.comThe Janchi Show Quick BioThe Janchi Show focuses on exploring intersectional identities and current events through the lens of adoption, race, lived experience and more. Sometimes we have guests, and sometimes it's just the three of us. Either way, it's always a janchi!// Meet the Janchi Boys!Nathan NowackNathan (he/him) is a transracial Korean American adoptee who was born in Seoul in the 1970s. He was adopted at the age of 5 months old and raised in a small town in Oklahoma along with a non-biological Korean adopted sister.  After going to college in Colorado he later moved to Los Angeles to pursue a digital media career and eventually started 2 photography companies.  He loves spending time with his wife and 3 kids, playing golf, and collecting Lego. He is in reunion with his biological family as the youngest of 7 and has been in contact since 2015.  He currently serves on the Advisory Council for KAAN and helps with the planning of their annual adoptee conference.  In 2021, Nathan and his family moved back to Colorado to be closer to family and start a new chapter in their lives.  Connect with Nathan!Website: http://www.coverve.comInstagram: http://instagram.com/nnowackPatrick ArmstrongPatrick Armstrong (he/him) is a transracial Korean American adoptee, podcaster, speaker, and community facilitator. He is one of the hosts of the Janchi Show, a podcast that explores and celebrates the experiences and stories of Korean adoptees everywhere. He also is host of Conversation Piece with Patrick Armstrong, a podcast where he discusses the missing pieces of the conversations we're already having. He is a cofounder of the Asian Adoptees of Indiana, a group dedicated to creating a safe, engaging community for all Asian adoptees who need it. He is currently based in Indianapolis with his wife and cat. Connect with Patrick!Website: http://patrickintheworld.meLinkedIn: http://linkedin/in/patrickintheworldInstagram: http://instagram.com/patrickintheworldK.J. Roelke (@kjroelke)KJ (he/him) was adopted from Daegu and raised in Dallas, Texas with his two biological, older siblings and his younger sister, adopted from Russia. After spending a decade in the Midwest for college and career, he and his wife are back in Dallas and living large! He has been on his journey of discovery since 2015 and spends his days as a web developer for the Choctaw Nation of Oklahoma.Connect with K.J.!Website: https://kjroelke.online/LinkedIn: https://linkedin/in/kjroelkeInstagram: https://instagram.com/kjroelke// Listen to/Watch The Janchi Show on all major platforms:Apple: http://janchishow.com/appleSpotify: http://janchishow.com/spotifyYoutube: http://janchishow.com/youtubeGratitude & CreditsMichelle Nam for our logo and brandingJerry Won for bring us togetherThis show is created and produced by Patrick, Nathan and KJ and is the sole property of the Janchi Show, LLC.

I need to start a series called: Legends. Margaret Cho is someone who was literally one of "us" growing up in San Francisco. She went on to be one of the most recognizable and iconic Asian American celebrities. Besides hundreds of stand-up comedy shows, Margaret starred in her own sitcom, been in dozens of movies and TV shows, has been nominated for 5 Grammys, has written 2 books, and has recorded her own podcast. She was named funniest female comedian in 1994, won the ACLU's 1st Ammedment Award, won GLAAD's Golden Gate Award, LA Pride's Lifetime Achievement Award, and many, many more awards and accolades. She's truly a 1 of 1, and a true living legend! Margaret is on tour with her show Choligarchy, and will be in San Francisco for a May 29th date. Let's go together! Find out more at Margaretcho.com, or her Instagram @margaret_cho or TikTok @themargaretcho Listen to our chat on Spotify, Apple Podcasts, YouTube, or wherever you get podcasts! You can write to us at: ⁠infatuasianpodcast@gmail.com⁠, and please follow us on Instagram and Facebook @infatuasianpodcast  Our Theme: “Super Happy J-Pop Fun-Time” by Prismic Studios was arranged and performed by All Arms Around  Cover Art and Logo designed by Justin Chuan @w.a.h.w (We Are Half the World) #asiancomic #margaretcho #asianpodcast #asian #asianamerican #infatuasian #infatuasianpodcast #aapi #veryasian  #asianamericanpodcaster #representationmatters

The Asian American jazz movement has roots in 1970s San Francisco. It was a dynamic time. The term “Asian American” was first being used, as people were building political coalitions among and across racial lines. Art reflected all of that.Many Asian American artists and activists found inspiration in Black musicians who used jazz as a tool for social change. Today, the work continues. The next generation of local Asian American jazz musicians are asking what it means to make music that honors history, and speaks to the moment. KALW's Cara Nguyen has the story. 

The Asian American and Pacific Islander (AAPI) community is made up of various ethnicities, languages, and translation needs, requiring different and individualized advocacy and policy discussions-- particularly when that policy relates to sexual and reproductive health, rights, and justice. Christina Baal-Owens, Executive Director of the National Asian Pacific American Women's Forum (NAPAWF) sits down to talk with us about recent research performed by NAPAWF showing the most pervasive barriers to abortion access for the AAPI community and AAPI immigrants in the U.S. Stigma, cultural differences, language and translation, and healthcare deserts prevent AAPI immigrants from accessing necessary services, such as abortion. Additional clinics and health centers, improved language accessibility, and expanded access to health insurance (regardless of immigration status) are all options for lowering barriers to this care. It is important to remember that ICE activity impacts AAPI communities, too. ICE's presence negatively affects the realization of reproductive justice; many might be fearful to access services outside their homes, many might worry about their naturalization process, or others may be stymied by criminalization and stigma.For more information, check out Future Hindsight: https://www.futurehindsight.com/Support the showFollow Us on Social: Twitter: @rePROsFightBack Instagram: @reprosfbFacebook: rePROs Fight Back Bluesky: @reprosfightback.bsky.social Buy rePROs Merch: Bonfire store Email us: jennie@reprosfightback.comRate and Review on Apple PodcastThanks for listening & keep fighting back!

Peace and Forgiveness…For God's Glory In the final episode of the season, Yulee and Daniel share personal reflections on their healing journeys and emphasize the necessity of having support systems, practicing discernment, and engaging in healthy spiritual leadership that aligns with the gospel of grace. They also touch upon the 'whisper network,' the importance of fruit of the spirit, and practical ways to foster accountability and challenge toxic behaviors in ministry. 00:00 Introduction to Toxic Ministry 00:47 Personal Reflections and Listener Feedback 05:22 The Importance of Embracing Humanity 06:47 Evaluating Leadership and Power Dynamics 12:22 The Halo Effect and Leadership Pitfalls 20:19 DARVO and Toxic Leadership Responses 28:35 Receiving Feedback as a Leader 29:36 The Importance of Margins and Self-Care 30:10 Participating in Change and Addressing Toxicity 31:50 The Role of Integrity and Responsibility 33:34 Challenges of Speaking Up Against Toxic Leaders 42:46 The Whisper Network: Pros and Cons 48:16 The Importance of Community and Support 51:36 Concluding Thoughts and Reflections If you appreciate the work we do at the Asian American Center at Fuller Seminary, please consider supporting us! Your monetary support sustains our vital work and expands Asian American research, leadership development, and pastoral formation for the Church in the year ahead. Donate here: fuller.edu/giveaac

Some quick announcements and a preview of the Patreon-only limited podcast LUNCHTIME with Mic NguyenCome see our shows!REAL-ASIAN-SHIPS: A Dating Show for Asian Americanshttps://littlefieldnyc.com/event/?wfea_eb_id=1979880849919&mc_cid=4cb92f36c5&mc_eid=UNIQIDHACK CITY COMEDYhttps://www.eventbrite.com/e/hack-city-comedy-with-mic-nguyen-and-jenny-arimoto-tickets-1979097843927?aff=odcleoeventsincollection&mc_cid=4cb92f36c5&mc_eid=UNIQIDSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

EPISODE 672 - Karin K Jensen - The Strength of Water - An Asian American Coming of Age MemoirThe Sibylline Press edition of The Strength of Water, An Asian American Coming of Age Memoir, is scheduled for release on November 7, 2025! It is available for review on NetGalley and Booksprout. Pre-order on Amazon, Barnes and Noble, and wherever books are sold.In 1920s Detroit, King Ying stands on a box to iron clothes in her parents' laundry business, endures taunts of Ching-Ching Chinaman on the playground, and tries to reconcile what passes for normal in Jazz-Age America with her father's vastly different cultural values.She dreams of a home, the elegance of her Jane Arden paper dolls, and winning her stern father's affection. But when Ba incurs steep debts during the Great Depression, he sends her far from hope to his ancestral village.In remote Tai Ting Pong, in the Guangdong Province of China, she feels as foreign in the land of her heritage as in the country of her birth. She must survive hunger, dangerous superstitions, and Japanese invasion as the Sino-Japanese War begins.When guardian angels help her return to the U.S., it's a chance to seize her American dream.In this inspiring and heartfelt memoir, Karin K. Jensen records her mother's transpacific quest for identity, survival, and new world dreams. The Strength of Water received a coveted starred Kirkus review and was included on Kirkus's annual list of Top 100 Indie Books.Book club discussion questions are included at the end of the book. Invite the author to your book club discussion!From the AuthorThe Strength of Water is my mother's memoir, as told to me, starting in the 1920s and spanning nearly a century. It offers exquisite period details of immigrant life in the U.S. and village life in China.One woman's epic odyssey, one family's story of striving in a foreign country, one generation's unique memory. An amazing memoir where the “strength of water,” the power of resilience and adapting to any circumstance, is the common thread that flows through the whole family, connecting everyone's lives. Touching, inspiring, and brilliantly written.Shen Yang, Author of More Than One ChildThroughout my childhood, my mother told stories of growing up in her father's Detroit laundry business during the infancy of the automobile industry and later in a Cantonese village on the eve of the Sino-Japanese war. She also spoke of what it was like to survive as a live-in domestic worker and teen waitress in mid-century California.The Strength of Water is a daughter's careful excavation of her mother's story; it is a mother's disclosure of history, of trauma, of realities that mark not only her life but the legacy of her daughters'. This is a book written with tremendous love and authenticity. It is an important document of the Asian American experience.Kao Kalia Yang, Award winning author of The Song Poet and The LatehomecomerThese stories felt like mythology, far removed from my experiences growing up in the San Francisco Bay Area, yet vital to preserve as history. When I decided to set them down, I could hear my mother's voice so clearly that I wrote in the first person. Thank you for taking a look.A classic, vividly written immigrant saga - Kirkus ReviewshtSupport the show___https://livingthenextchapter.com/podcast produced by: https://truemediasolutions.ca/Coffee Refills are always appreciated, refill Dave's cup here, and thanks!https://buymeacoffee.com/truemediaca

Trung Nguyen teaches Asian American and ethnic studies at San Jose State. His presentation at the last American Studies Association conference covered how the interests of US empire, Airbnb.org, and refugee landlords market property ownership as a humanitarian act. Trung's site https://tpqn.org/ Iyko Day: The Yellow Plague and Romantic Anticapitalism (Monthly Review) https://monthlyreview.org/articles/the-yellow-plague-and-romantic-anticapitalism/ Eric Tang: Unsettled: Cambodian Refugees in the New York City Hyperghetto https://sfpl.bibliocommons.com/v2/record/S93C3280280 BDS Movement's BDS Guide https://bdsmovement.net/Guide-to-BDS-Boycott Toshio's 2-minute explainer on Balaji Srinivasan's Network State https://www.tiktok.com/t/ZP8fRrpxF/ Related episodes: Urban Alchemy with Brooke Lober and Norma Azucar https://www.patreon.com/posts/urban-alchemys-f-109662919 Silicon Valley Imperialism with Erin McElroy https://www.patreon.com/posts/silicon-valley-f-103189183

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Envisioning Hopeful Futures Host Miko Lee speaks with two Bay Area artists, activists, and social change makers: Tara Dorabji and Cece Carpio. Both of these powerful people have been kicking it up in the bay for a minute. They worked in arts administration as community organizers and as artist activists.   LINKS TO OUR GUESTS WORK Tara Dorabji Author's website New book Call Her Freedom Find more information about what is happening in Kashmir Stand With Kashmir Cece Carpio  Tabi Tabi Po running at Somarts   SHOW Transcript Opening Music: Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express. Miko Lee: Good evening. I'm your host Miko Lee, and tonight I have the pleasure of speaking with two Bay Area local artists, activists, and social change makers, Tara Dorabji and Cece Carpio. Both of these powerful people have been kicking it up in the bay for a minute. They worked in arts administration as community organizers and as artist activists. I so love aligning with these multi hyphenated women whose works you can catch right now. First up, I talk with my longtime colleague, Tara Dorabji Tara is an award-winning writer whose first book Call Her Freedom just came out in paperback. And I just wanna give a little background that over a decade ago I met Tara at a workshop with the Great Marshall Gantz, and we were both asked to share our stories with the crowd. During a break, Tara came up to me and said, Hey, are you interested in joining our radio show, Apex Express? And that began my time with Apex and the broader Asian Americans for Civil Rights and Equality community. So if you hear a tinge of familiarity and warmth in the interview, that's because it's real and the book is so great. Please check it out and go to a local bookstore and listen next to my chat with Tara. Welcome Tara Dorabji to Apex Express.  Tara Dorabji: Thank you so much for having me. It's wonderful to be with you, Miko. Miko Lee: And you're actually the person who pulled me into Apex Express many a moon ago, and so now times have changed and I'm here interviewing you about your book Call Her Freedom, which just was released in paperback, right? Tara Dorabji: Yep. It's the one year book-anniversary. Miko Lee: Happy book anniversary. Let's go back and start with a little bit for our audience. They may have heard you, if they've been a long time Apex listener, but you as an artist, as a creator, as a change maker tell me who are your people and what legacy do you carry with you? Tara Dorabji: Who are my people? My people I would say are those who really align with truth. Truth in the heart. That's like at the very core of it. And I'm from the Bay Area. I've been organizing in the Bay a long time. I started out organizing around contaminated sites from nuclear weapons. I've moved into organizing with young people and supporting storytelling. So arts and culture has been a huge part of it. Of course, KPFA has been a big part of my journey, amplifying stories that have been silenced, and I think in terms of legacy, I've been thinking about this more and more. I think it goes into two categories for me. One are the relationships and who remembers you and and those deep heart connections. So that's one part. And then for my artistry, it's the artists that come and can create. On the work that I've done and from that create things that I couldn't even imagine. And so I really think that's the deepest gift is not the art that you're able to make, but what you create so that others can continue to create. Miko Lee: Thank you so much for sharing the deep kind of legacy and sense of collaboration that you've had with all these different artists that you've worked with and it's, your work is very powerful. I read it a year ago when it first came out, and I love that it's out in paper back now. Can you tell our audience what inspired Call her Freedom. Tara Dorabji: Call Her Freedom is very much inspired by the independence movement in Indian occupied Kashmir. And for me it was during the summer uprisings when, and this was way back in, In 2010-2009, after the Arab Spring and for the entire summer, Kashmir would be striking. It would shut down from mothers, grandmothers, women, children in the street. This huge nonviolent uprising, and I was really drawn to how it's both one of the most militarized zones on earth. And how there was this huge nonviolent uprising happening and questions about what it could look like, even like liberation beyond the nation state. And so I was really drawn to that. My dad's from Bombay, from Mumbai, that's the occupying side of it, and ethnically we're Parsi. So from Persia a thousand years ago. And so I think for me, at a personal level, there's this question of, okay, my people have been welcomed and assimilated for generations, and yet you have indigenous folks to the region that are under a complete seizure and occupation as part of the post-colonial legacy. And so I went and when I went to Kashmir for the first time was in 2011, and I was there. Right when the state was verifying mass graves and was able to meet with human rights workers and defenders, and there was a woman whose husband had disappeared and she talked to me about going to the graves and she told me, she said I wanted to crawl in and hug those bones. Those are the lost and stolen brothers, sons, uncles, those are our people. And another woman I spoke to talked about how it gave her hope for the stories to carry beyond the region and for other people to hear them. And so that became a real core part of my work and really what call her freedom is born from. Miko Lee: Thank you for sharing and I know that you did a film series and I wonder if you could about Kashmir and about what's going on, and I think that's great because so many times we in American media don't really hear what's going on in these occupied lands. Can you talk a little bit about how the interconnectedness of your film series and the book and was that part of your research? Was it woven together? How did you utilize those two art forms?  Tara Dorabji: I think we're both accidental filmmakers. That might be another way that our cross, our paths cross. In terms of medium. So for me, I was actually working with Youth Speaks the Brave New Voices Network at that time and doing a lot of short form. So video content, three minutes, 10 minutes, six minutes. And it was playing really well and what I was seeing coming outta kir by local filmmakers was beautiful, gorgeous, highly repressed work generally, longer form, and not always immediately accessible to an audience that didn't have context, that hadn't been, didn't understand. And my thinking was this was a gap I could fill. I had experience, not as a filmmaker, but like overseeing film teams doing the work, right? And then here are some of the most silent stories of our time. So when I went back to do book research in 2018, I was like, Hey, why don't I make some short form films now? I didn't even know what I was getting into. And also I think. When you go in as a novelist, you're absorbing your hearing and it takes time. There's no clock. It was, it's been the hardest project to get from start to finish. And I couldn't be like, okay, Miko, like I've done it once. Now this is how you do it. And when people trust you with their story, there's an urgency. So throughout the whole project, I was always seeking form. So my first trip went straight to KPFA radio. Took the stories, project sensor, took the stories, and so I wanted to build on that. And so the documentary films provided a more some are, I'm still working on, but there was some immediacy that I could release, at least the first film and the second film, and also I could talk about how can this work dovetail with campaigns happening on the ground and how can my work accelerate what human rights defenders are doing? So the first film here still was released with the first comprehensive report on torture from the region. And so it gave that report a whole different dimension in terms of conversation and accessibility. It was a difficult film but necessary, and because I had to spend so much time with. It was a difficult film but necessary, and because I had to spend so much time with transcribing, watching the footage over and over again, it really did inform my research from the B-roll to sitting and hearing the content and also for what people were willing to share. I think people shared in a different way during video interviews than when I was there for novel research. So it worked really well. And what I am, I think most proud of is that the work was able to serve what people were doing in a really good way, even though it's really difficult work.  Miko Lee: It built on the communication strategies of those issues like the torture report and others that you're working on.  Tara Dorabji: Exactly. And in that way I wasn't just coming and taking stories, I was applying storytelling to the legal advocacy strategies that were underway. And, you make mistakes, so it's not like there weren't difficulties in the production and all of that. And then also being able to work with creatives on the ground and at times it just. You, it became increasingly difficult, like any type of money going out was too heavily scrutinized. But for a time you could work with creatives as part of the projects in the region and then that's also super exciting.    [00:11:18] Miko Lee: Yeah. Can you talk a little bit more, I heard you say something about how the, when people are telling your story for the novel versus telling the story for the video that the cadence changes. Can you share a little bit more about what you mean by that?    Tara Dorabji: Yeah, I think when I'm doing novel research, it's very expansive, so I'm dealing with these really big questions like, what is freedom? How do you live in it? How do you, how do you choose freedom when your rights are being eroded? And so that conversation, you could take me in so many different directions, but if I am focused on a very specific, okay, I'm doing a short documentary film around torture, we're gonna go into those narratives. Or if I'm coming with a film medium, like people just see it differently and they'll speak and tell their stories differently than with a novel. It's gonna be fictionalized. Some of it might get in there or not. And also with a novel, I don't ever, I don't take people and apply them to fiction. I have characters that like, I guess come to me and then they're threaded through with reality. So one character may hold anecdotes from like dozens of different people and are threaded through. And so in that way you're just taking like bits and pieces become part of it, but. You don't get to see yourself in the same way that you do with the film. So in some ways. It can be safer when the security environment is as extreme as is as it is right now. But there's also this real important part of documentary film where it's people are expressing themselves in their own words, and I'm just curating the container.  Miko Lee: Was there an issue like getting film out during the time that you were doing the documentary work? Because I've heard from other folks that were in Kashmir that were talking about smuggling film, trying to upload it and finding different, did you have to deal with any of that, or was that before the hardest crackdown? Tara Dorabji: I mean there were, there's been series, so 2019 was abrogation where there was a six month media blockade. And so just your ability to upload and download. And so that was after I had been there. The environment was there was challenges to the environment. I was there for a short time and you just come and you go. You just do what you're gonna do and you be discreet. Miko Lee: And what is going on in Kashmir now?  Tara Dorabji: The situation is really difficult. One of the lead leads of the report on torture and coordinator from the human rights group that put, that helped put out that report has been incarcerated for four years Koran Perve. Miko Lee: Based on what?  Tara Dorabji: His human rights work. So they've just been detaining him and the United Nations keeps calling for his release.  Miko Lee: And what do they give a reason even?  Tara Dorabji: They, it's yeah, they give all kinds of trumped up charges about the state and terrorism and this and that. And also. One of the journalists and storyteller and artists in the first film that I released, Iran Raj, he's been incarcerated for two years. He was taken shortly after he was married, the press, the media has been dismantled. So there was, prolific local press. Now it's very few and it's all Indian State sponsored narrative propaganda coming through. ] Miko Lee: How are concerned folks here in the US able to get any news about what's happening in Kashmere, what's really going down?  ara Dorabji: It's really hard. Stand with cashmere is a really good source. That's one. There's cashmere awareness. There's a few different outlets that cover what happens, but it's very difficult to be getting the information and there's a huge amount of repression. So I definitely think the more instagram orgs, like the organizations that go straight to the ground and then are having reels and short information and stories on Instagram is some of the most accurate information because the longer form journalism. It is just not happening right now. In that way people are being locked up and the press is being dismantled and people running, the papers are being charged. It's just horrendous. Entire archives are being pulled and destroyed. So hard. Really hard. So those, Stand With Kashmir is my go-to source, and then I see where else they're looking.  Miko Lee: So your book Call Her Freedom is a fictionalized version, but it's based around the real situation of what's been going on in Kashmir. Can you share a little bit more about your book, about what people should expect and about what you want them to walk away with understanding.  Tara Dorabji: It's a mother daughter story. It's a love story. It's about love and loss and families, how you find home when it's taken. And the mom is no Johan. She's a healer. She's a midwife. She has a complex relationship with her daughter and she haunts the book. So the story told from multiple points of view, we never get and ignore the mom's head, but. She comes back as she has a lot to say. And I think it's interesting too because in this village that's largely run by men, you have these two women living by themselves and really determining their own fate. And a lot of it has to do with both nors ability to look at ancient healing practices, but also a commitment that her daughter gets educated. And so she really like positions her daughter in between the worlds and all the while you have increasing militarization. And Aisha starts as a young girl just starting school. And then at the end of the story, she's a grandmother. We get to see her relationships evolve, her relationship with love evolve, and a lot of the imperfections in it. And one of the things in writing this is when you're dealing. Living in occupation, there's still the day-to-day challenges that so many of us endure. And you have these other layers that are horrific.  Miko Lee: Yeah. And I'm wondering how much of yourself as a mother you embedded into the book as a mother, as an activist, as a mother of daughters, how much of yourself do you feel like you put into the book?  Tara Dorabji: A ton. It's my heart and spirit in there. And there were some really, there's this scene where the mom does die, and I actually wrote that before my mom passed away. And I do remember like after my mom died, going through and editing that part. And it was just like. It was really, it was super intense and yeah, I mean it definitely made me cry and it was also like the emotion was already there, which was interesting for me to have written it before but then have it come back and a full circle, I think.  Miko Lee: So did you change it after you experienced your own mom dying?  Tara Dorabji: It was soft edits. In my second novel, there's a scene and it, that one completely changed 'cause I didn't hit the emotion. Emotional tenor, right? It's funny, but in this one it was pretty good. I was like, I did pretty good on that one. But yeah, so it was just like tinkering with it a little. I think also my daughters were about four when I started.  Miko Lee: Oh, wow.  Tara Dorabji: And it came out as, when they're 18. So the other part was I was able to use their age references constantly throughout it because. I could just map to what it's like being a mom of a kid that age. So I did ob yeah, definitely used my own. So it's an amalgam and also it's fictionalized. So in the book, it's not Kashmir, it's Poshkarbal there's right a village. And so trying to take people out of something that they can identify as reality, but then at the same time, you can see the threads of reality and create a new experience. Miko Lee: So since you brought that up, tell us about the next book that you're working on right now.  Tara Dorabji: Yes, it's still very much in a draft form, but takes place here in the Bay Area. Similar themes around militarization, family secret love, lineage loss, and part of it's in Livermore Home to one of the world's nuclear weapons lab. Mm-hmm. Part of it's in San Francisco, so exploring into the future tech, AI, and. There's an underpinning around humans' relationship to technology, and I think at this point. We know that technology isn't gonna solve the crisis of technology. And so also looking at our relationship to land and culture and lineage. So there's, it's about, now I'm looking at about a hundred year span in it.  Miko Lee: Wow. Really?  Tara Dorabji: Yeah. Contained with the geography of the Bay Area  Miko Lee: Toward the future. Toward the past? Tara Dorabji: both past and future Miko Lee: Whoa. Interesting.  Tara Dorabji: Yeah.  Miko Lee: I'm reading Empire of AI right now. I don't know if you're familiar with that, but, oh, the AI stuff is so deeply disturbing about humanity. You're really thinking about where we're going, so I'm curious to find out your fictionalized versions of the impact.  Tara Dorabji: It's a major change we're going through. Yeah, and you and I grew up in a time when we didn't have cell phones and we used maps, and Yeah. If I was gonna meet you, I had to be there and we'd have to make a plan in advance and yeah. It's just shifting so rapidly. So we went  Miko Lee: through that. Even how to read a, how to read a clock like my girls, I had to show them as adults how to read a clock. Wow, I didn't realize these things. Our world is so digitized that even the most basic, that concepts ha how are shifting and even fine motor skills. Like most young people do not have good, fine motor skills.  Tara Dorabji: Yeah.  Miko Lee: Because they're just used to being on their phone all the time.  Tara Dorabji: Yes, and the, and I would give it is during the rain over the holidays, there is just always a family out with a small child in their yellow rain boots. And the kid like reaching into the tree, grabbing, smelling it dad or mom holding them. And so there are these anchors.  Miko Lee: Yeah.  Tara Dorabji: And even though humanity is accelerating in this one way, that's very scary and digitize. It's like the anchor of the earth in our community and our relationships still is holding us. Some of, you know, there's still that pull. And so I think that how people form their communities in the future and the way that. The choices that are gonna be made are just gonna become increasingly difficult. We faced it in our generation, parenting around cell phones, social media. We're seeing that impact of the suicidality, all of those things coming up. And that's gonna accelerate. So I do think it's, definitely a major change in transition some dark times, but also some really beautiful possibilities still rooting in our communities and in the world.  Miko Lee: And because we both work in movement spaces, I'm really curious I heard you talk a lot about connection and land and I'm just curious in your book. I got this vibe and I know a lot of the work that we do in the community. I'm wondering if you could speak a little bit on the land back movement internationally. In so many of those spaces, women are at the forefront of that. I wonder if you could talk a little bit about that.  Tara Dorabji: That's one of the most exciting things happening right now is the land back movement. In my younger days when I was studying what determines a woman's quality of life internationally at a scale, it's, it was really came down to land ownership. So in societies where land ownership went to women, they were able, and it was like. Outpaced by far, education and those other things is like that access to the land and the resource in that way. And land back is an acceleration of that, and I think particularly when we're looking at a lot of questions around philanthropy, spun downs, how it's done. When you transition an asset back into the community as land and land stewardship, right? Because then there's like the ownership for the stewardship and yeah, the different ways that it's done. But that is a lasting impact for that community. And so often when you're investing in women. Then it goes not just in terms of their quality of life, but the children, right? And the whole community tends to benefit from that. And I think even looking at Kir in the, one of the things that always has fascinated me is Kashmir during, it was independence was a carve up by the British, so that's a post-colonial strategy to keep people fighting. That has been very successful in the subcontinent. Kashmir had  Miko Lee: all over the world.  Tara Dorabji: Exactly. And Kashmir had a semi-autonomous status. That's what was really stripped in 2019, was that article from the Constitution. And so in the very early days when their autonomy was stronger, they started some pretty revolutionary land reforms. And so there was actually clauses where the people that were working the land could have it. And people Kashmiris were transferring land. To two other cashmeres. And so it was this radical re resource redistribution and you have a really strong legacy of feminism and women protesting and leading in Kashmir and I think that part from my perspective is that was a threat. This fear of redistribution of resources, land distribution other areas started to follow suit and the nation state didn't want that to happen. They wanted a certain type of concentration of wealth. And so I think that was one of the factors that. There were many, but I do think that was one that contributed to it. So I do think this idea of land backed land reform is extraordinarily important, and particularly looking at our own relationship with it. How do we steward it? How do we stop stripping the land? Of its resources and start realigning our relationship to it where humans are supposed to be the caretakers. Not the ones taking from.  Miko Lee: Thank you for sharing. I was thinking so much about your book, but also about the movement that we live in and the more positive visions of the future. Because right now it's devastating all the things that are happening in our communities. So I'm trying to be a bit hopeful and honestly just to keep through it make sure that we get through each day. Given so many of our brothers and sisters are at risk right now I'm wondering what gives you hope these days?  Tara Dorabji: Yeah, a lot of things do, I think like when I do try to take the breaths for the grief and the devastation because that loss of life is deep and it's heavy and it's real and it's mounting. So one, not to shy away from feeling it. Obviously not, it's hard. You don't want to 24 7, but when it comes in to let it come in and move through. And for me it's also this idea of not. It's just like living in hope. How do you live each moment and hope? And so a big part of it for me is natural beauty, like just noticing the beauty around me and filling myself up in it because that can never be taken away. And I think also in some of the most violent acts that are being committed right now, the way people are meeting them with a pure heart.  Miko Lee: Yeah.  Tara Dorabji: It's like you can't stop, like that's unstoppable is like that beauty and that purity and that love. And so to try to live in love, to try to ground in hope and to try to really take in the beauty. And then also like how do we treat each other day to day, and really take the time to be kind to one another. To slow it down and connect. So there are, these are tremendously difficult times. I think that reality of instability, political violence, assassination, disappearances, paramilitary have come visibly. They've been in the country, but at a, in the US at a more quiet pace, and now it's so visible and visceral  Miko Lee: And blatant. Yeah. It's just out there. There's no, they're not hiding about it. They're just out there saying out there, roaming the streets of Minnesota right now and other states to come. It's pretty wild.  Tara Dorabji: Yeah. And I think that the practice is not to move in fear. The grief is there, the rage and outrage can be there. But the love and the beauty exists in our communities and and in the young people. Miko Lee: Yeah.  Tara Dorabji: And our elders too. There's so much wisdom in our, in the elders. So really soaking up those lessons as much as possible.  Miko Lee: Thank you so much for chatting with me and I hope everybody that checks out your book call Her Freedom, which has gotten some acclaim, won some awards, been out there, people can have access to it in Paper Book. We'll put a link in our show notes so people can have access to buy it from an independent bookstore.  Tara Dorabji: Thank you so much. Wonderful to catch up and thank you for all your work on Apex as well.  Miko Lee: Thank you. Next up, take a listen to “Live It Up” by Bay Area's Power Struggle.    MUSIC “Live It Up” by Bay Area's Power Struggle.  Next up I chat with Visual artist, cultural strategist and Dream Weaver, Cece Carpio about her solo exhibition that is up and running right now at SOMArts through March. Welcome, Cece Carpio to Apex Express.   [00:33:37] Cece Carpio: Thank you for having me here.   [00:33:39] Miko Lee: I am so excited to talk with you, and I wanna start with my very first question that I ask all of my guests, which is, who are your people and what legacy do you carry with you? [00:33:52] Cece Carpio: That's a packed question and something I love. just in terms of where I come from, I was born and raised in the Philippines, small little farming village town, and migrated as my first so ground in the United States here in San Francisco. So my peoples consists of many different beings in all track of. The world whom I met, who I've loved and fought with, and, relate with and connect with and vision the world with. So that includes my family, both blood and extended, and the people who are here claiming the streets and claiming. Claiming our nation and claiming our world to make sure that we live in the world, that we wanna envision, that we are visioning, that we are creating. I track along indigenous immigrant folks in diaspora. black, indigenous people of color, community, queer folks, and those are folks that resonate in, identify and relate, and live, and pray and play and create art with.  [00:35:11] Miko Lee: Thank you so much. And do you wanna talk, chat a little bit about the legacy that you carry with you? [00:35:16] Cece Carpio: I carry a legacy of. Lovers and fighters, who are moving and shaking things, who are creating things, who are the healers, the teachers, the artists and it's a lot of load to carry in some extent, but something I'm very proud of, and those are the folks I'm also rocking with right now. I think we're still continuing and we're still making that legacy. And those are the people that are constantly breathing on my neck to make sure that I'm doing and walking the path. And it's a responsibility I don't take lightly, but it's also a responsibility I take proudly. [00:35:58] Miko Lee: Thank you for sharing. We are talking today because you have an exhibit that's at SOMArts Space, your first solo exhibit, and it's running all the way through March 29th, and it's called Tabi Tabi Po: Come Out With the Spirits! You Are Welcome Here First, tell me about the title and what that evokes for you. [00:36:18] Cece Carpio: Yes, so Tabi Tabi Po is a saying from the Philippines that essentially. Acknowledge, like it's most often used when you walk in the forest. And I think collectively acknowledge that there are other beings and spirits there beyond ourselves. So it's asking for permission. It's almost kind of like, excuse me, we're walking your territory right now. And, acknowledging that they're there and acknowledging that we're here or present and that, we're about to. Coexist in that space for that moment. So can we please come through? I think this is also not just like my open idea and choosing this title is not that we're only just coming through, but we're actually coming out to hang out for a little while and see what's happening here and kick it. Opening up space and welcoming folks who wants to come out and play with us and who wants to come and share the space.  [00:37:15] Miko Lee: Ooh. I really love that. I feel that when I walk in the forest to this ancestors that are with us. That's beautiful. This is your first solo exhibit, so I'm wondering what that feels like. You have been a cultural bearer for a really long time, and also an arts administrator. So what does it feel like to have your first solo exhibit and see so much of all of your work all around?  [00:37:36] Cece Carpio: Well, I'm a public artist. Most of the stuff that I've been doing the last decade has been out in public, creating murals and installations and activations, in different public spaces, and went somewhere. Specifically Carolina, who is the curator at SOMA have asked me to do this. To be honest, I was a little bit hesitant because I'm like, oh, it's a big space. I don't know. 'cause I've done group exhibitions in different parts of the years, but most of the stuff I do are affordable housing to like public activations to support the movement. Then I kind of retracted back and it's like, maybe this is the next step that I wanna explore. And it was a beautiful and amazing decision to work alongside so Mars and Carolina to make this happen 'cause I don't think it would've happened the way we did it in any other space, and it was amazing. Stressful that moments because I was still doing other projects and as I tried to conceive of a 2000 square footage gallery and so my district in San Francisco. But it was also the perfect opportunity. 'cause my community, my folks are here and. We are saying that it's a solo exhibition, but it really did take the village to make it all happen, and, which was one of my favorite part because I've been tracking this stem for so long and he is like folks on my back and I wanted to tell both my stories and our stories together. It was very opening, very humbling. Very vulnerable and exciting. All at the same time, I was able to talk or explore other mediums within the show. I've never really put out my writing out into public and is a big part and component of the exhibition as well as creating installations in the space. Alongside, what I do, which is painting mostly. But to be honest, the painting part is probably just half of the show. So it was beautiful to play and explore those different parts of me that was also playing with the notion of private and public, like sharing some of my own stories is something as I'm still trying to find ease and comfort in. Because as a public artist, I'm mostly translating our collective stories out, to be a visual language for folks to see. So this time around I was challenged a little bit to be like, what is it that you wanna share? What is it that you wanna tell? And that part was both scary and exciting. And, and he was, it was wonderful. It was great. I thought he was received well. And also, it was actually very relieving to share parts and pieces of me out with my community who have known for a long time. There were still different parts of that there were just now still learning. [00:40:39] Miko Lee: What did you discover about yourself as you're kind of grappling with this public versus private presentation? [00:40:45] Cece Carpio: What I learned about myself through this process is I can actually pretty shy. I mean, I might be, you know, um, contrary to like popular belief, but it was definitely, I'm like, Ooh, I don't know. I don't know. My folks who had been standing close with me, just like, this is dope. And also just in the whole notion that, the more personal it is, the more universal it becomes and learning that, being able to share those part of me in a way of just for the pure sake of sharing, actually allows more people to resonate and relate, and connect, which at this moment in time is I thing very necessary for all of us to know who our peoples are when this tyranny, trying to go and divide us and trying to go and separate us and trying to go and erase us. So I think there's something really beautiful in being able to find those connections with folks and spaces and places that otherwise wouldn't have opened up if you weren't sharing parts and pieces of each other.   [00:42:00] Miko Lee: That's so interesting. The more personal, kind of vulnerable you make yourself, the more it resonates with folks around the world. I think that's such a powerful sentiment because the, even just having a gallery, any piece of artwork is like a piece of yourself. So opening up a huge space like Somar, it's, that's like, come on in people. Thank you for sharing with us. To your point about the shocking, horrible, challenging, awful times that we live in. As we talk right now, which is Saturday, January 31st, there protests going on all around the country. I'm wondering if you can talk a little bit about what it means to be a visual artist, a cultural bearer in a time of fascism and in a time of struggle. [00:42:43] Cece Carpio: Well, if you go and see the exhibition, that's actually very much intertwined. My practice has always been intertwined with, creating a vision in solidarity with our communities who are believing and fighting for another world that's possible. My practice of this work has been embedded and rooted with the movement and with organizations and people who have the same goals and dreams to, bring in presence and existence of just us regular, everyday people who are still fighting to just be here to exist. So just to your question of, but what it means to do this work at this time. I think it is the imagination. It is the creativity that allow us to imagine something different. It is the imagination, it is the dreams that allow us to create that. Other world that we wanna envision when, everything else around us is telling us another way that's not really the best for ourselves and for our peoples and for the future generations that's gonna be carrying this load for us. And with this. In so many ways, a lot of my. my creating process, my making process has always carried that, and even myself, immigrating to this place that was once foreign is figuring out where I can belong. My art practice has not only been a way in which I express myself, but it has been the way in which I navigate the world. That's how I relate to people. That's how I am able to be part of different groups and community. And it's also how I communicate. , And that's always been, and still is a very big portion of my own practice.   [00:44:37] Miko Lee: Can you share a little bit more about your arts practice, especially when we're living in times where, people are trying to get a paycheck and then go to the rally, and then maybe phone banking and organizing and there's so many outside pressures for us to just continue to move on and be in community and be in movement work. I'm wondering how do you do it? Do you carve out times? Is it in your dreams? Where and how do you put yourself in your arts practice. [00:45:04] Cece Carpio: I don't think there is a wrong or right way of doing this. I think being an artist, it is not only about being creative on what, a paint on the walls, it is about being creative on how you live your life. I don't know if there's a formula and it's also been something that, to be honest, it's a real conversation. I mean, most of us artists. We're asking each other that, you know, like You do it. How do you figure out, like how do you add hours in your day? How do you continue doing what it is that you love and still fall in love with it when we're under capitalism trying to survive, all these different things. Everyone has a different answer and everyone has different ways of doing it. I'm just kind of figuring it out as I go, you know? I'm an independent artist. It is the center of the work that I do, both as a livelihood and as a creative practice, as a spiritual practice, as a connective practice. This is what I do. For me it is just like finding my peoples who wants to come and trek along. Finding folks who wants to support and make it happen. Beyond painting on walls, I'm also an educator. I've taught and pretty much most of the different levels of, what this nation's education system is like and still do that in practice, in both workshops, , sometimes classrooms, community group workshops and folks who wants to learn stern, both technical and also like conceptual skills. I consider myself also a cultural strategist, within a lot of my public activation and how I can support the movement is not just, creating banners or like little cards, but actually how to strategize how we utilize art. To speak of those things unspoken. But to gather folks together in order to create gateways for, other everyday folks who might not be as involved with, doesn't have time or availability or access to be involved to make our revolution irresistible. Many different cultural strategist comes together and we produce public art activations to make it both irresistible, but also to provide access, to folks who otherwise probably would just walk by and have to go to their everyday grind to just make it on this work. As long as I see it aligned within kind of divisions that we have together to consistently rise up and get our stories known and become. Both a visual translator but also a visual communicator in spaces and places sometimes, you know, unexpected, like for example, within the protest when protest is over, like what are left behind within those spaces where we can create memories. And not just like a moment in time, but actually how do we mark. The space and places we share and that we learn from and that we do actions with. We can make a mark and let it be seen.   [00:48:05] Miko Lee: Thank you for that. I'm wondering, as you're talking about your profound work, and how you move through the world, I'm wondering who are some of the artists that inspire you right now?  [00:48:17] Cece Carpio: So many, so many folks. Artists at this moment have been becoming vital because of the intensity of our political climate that's happening. There's so many artists right now who are. doing a lot of amazing, amazing things. I definitely always have to give shout out to my mama, Esra, which is one Alicia, who's just consistently and prolifically still creating things. And she, I've been doing and collaborating with her for many, many years. What I think I really love and enjoy is that she's continuously doing it and like it gives us more hunger to like, all right, we gotta catch up. it's amazing and  [00:48:58] Miko Lee: beautiful. Amazing work.  [00:49:00] Cece Carpio: Yes, and I've been very fortunate and been very lucky to be part of an artist Has been such an inspiration , and a collaborator and in the many process of the different works that we do. So some of the crew members definitely shout out to my brother Miguel to, folks like Frankie and Sean Sacramento. Then we have span over in New York, like we've, we're now spreading like Voltron. ‘ve been very lucky to have some amazing people around me that love doing the same things who are my family. We're continuing to do that. So many more. It's really countless. I feel like I definitely have learned my craft and this trait by. Both being out there and making happen and then meeting folks along the way who actually are in the same path. And it's such a beautiful meeting and connection when that happens. Not only just in path of creating work, but, and path of we down to do something together. There's so many, there's so many. It's so nameless.  [00:50:05] Miko Lee: Thank you for sharing some of them, some of the artists that helped to feed you, and I'm sure you feed them. You just have finished up an artist in residence with the Ohlone people. I'm wondering if you could talk a little bit about what that experience was like being an artist in residence there. [00:50:21] Cece Carpio: It has been an amazing, and the relationship continues. Karina actually gave the spirit plate on the opening, which is such a big honor because I consider her, both a mentor and a comrade and, and  [00:50:34] Miko Lee: Karina Gold, the Chair of the Ohlone tribe.  [00:50:38] Cece Carpio: Yes. And who I have such admiration for, because if. Both integrity and also the knowledge that she carries and the work that she's doing and how she opens it up for different folks. How she walks is such a big part of how that collaboration started in the first place. As an indigenous immigrant that's been consistent. Like what does even mean to be indigenous in the land that's not yours, you know? Just the notion of what is our responsibility as stewards of this land to live on stolen land? I had this specific skill that I wanted to share, and they were more than willing, and open to dream together of what that could look like and was able to do. Many different projects and different sites , of land that's been returned to indigenous hands. It was such an honor to be part of that. Creating visual markers and visual acknowledgement in spaces that, you know, kind of telling the autobiographical stories of those spaces and how it was returned, what our divisions, and to work alongside the young people, the various different communities she believes and wanted to take part of the movement. I learned as much or if not more. I share my knowledge of like how to paint a mural or all the different skills. So it was very much a reciprocal relationship and it's still a continuous relationship that we're building. It's gonna be an ongoing fight, an ongoing resistance, but an ongoing victory. They've already have shared and won and have shown and shared with us the experiences of that. It's been very rejuvenating, regenerating, revitalizing, and in all those different ways, being able to bear witness to that, but taking small part in pieces, and certain projects to uplift and support that and also just to learn from the many different folks, and people from both Sego and the communities that they've able to like. Create and build through the time, I mean through the young time actually that they've been here, but definitely still growing.  [00:52:46] Miko Lee: Thank you. Your show is up until the end of March. What do you want folks to feel after they go see Tabi Tabi Po  [00:52:55] Cece Carpio: Mostly are gonna feel whatever they wanna feel. I'm kind of curious to know actually, what is it that people are feeling and thinking, but I think Enchantment, I wanna recapture that feeling of Enchantment in a time and moment where. It can be very frustrating. It can be very, depressing. Seeing the series of event in this nation and just uncaring, and like the pickable violence that's imposed to our peoples. I wanna be able to give folks a little bit of glimpse of like, why we are fighting and why we were doing this for and even see the magic in the fight. I think that's a big part of the story that's being told and that the, knowing that we're still writing a story as we go. Within this exhibition, there's a lot of spaces of me sharing parts of my story, but a big part of that is also spaces for folks to share theirs. That exchange of magic is something that we can use as ammunitions, we can use as tools to keep us going in times that is very, very trying.  [00:53:59] Miko Lee: The magical exchange to make the revolution irresistible.  [00:54:03] Cece Carpio: Let's do it. Let's go.  [00:54:05] Miko Lee: Sounds great. We're gonna put links to the show at SoMarts we'll put them on our Apex Express, um, page, and I'm wondering what's next for you? [00:54:14] Cece Carpio: We will also have programs that coincides alongside the various stories that we're telling with this exhibition to welcome for other community members, other artists, other cultural bearers, other fighters to come and join us, and be part of it and tell stories, heal time. Imagine a magical future to celebrate the victories and wins as big and small as they come. So that is gonna be happening. What's nice for me is, actually it's going simultaneously is I'm still painting. I'm going to be in support of painting a new space opening for a Palestinian owned bakery. They're opening up a new space back in their hometown right here in Oakland. And Reem is a close friend, but also a very frontline fighter. 'cause you know, genocide is still happening right now. I wanna be able to support that and also support her. Another public art installation is actually gonna be unveiling within next month over at soma. In the district of Soma Filipino with the Jean Friend Recreation Center. I'm actually trying to carve out more time to write. I'm still exploring, definitely like in the infants stages of exploring it, but falling in love with it. At some point in time within this show, . Wanna be able to actually get it published, in a written form where both the images can accompany some of the written work , and wanna see like its duration last beyond the exhibition show. There's always the streets to come and protest to happen and contributing to that work that we do to reclaim what is ours, the world that is ours.  [00:55:53] Miko Lee: Thank you so much. You're doing so many things so powerfully, so beautifully, so articulately and I guess the best way for folks to follow up is on your Instagram. [00:56:04] Cece Carpio: Yeah, I'm still actually operating in myself.  [00:56:06] Miko Lee: Okay. Okay. Well thank you so much for your work, everything that you do in the community, so powerful, and thanks so much for speaking with us today. Thank you. Thanks so much for listening to our show tonight. Please go check out Cece's exhibition Tabi Tabi Po at SoMarts and go to a local bookstore to get the paperback version of Tara's Call Her Freedom. Support artists who are paving the way towards a vision for a new future. They are working to make the revolution irresistible. Join us. [00:56:41] Closing Music: Please check out our website, kpfa.org/program/apex Express to find out more about our show and our guests tonight. We thank all of you listeners out there. Keep resisting, keep organizing, keep creating, and sharing your visions with the world because your voices are important. Apex Express is produced by Ayame Keane-Lee, Anuj Vaidya, Cheryl Truong, Isabel Li, Jalena Keane-Lee, Miko Lee, Miata Tan, Preeti Mangala Shekar and Swati Rayasam. Tonight's show was produced by me Miko Lee, and edited by Ayame Keane- Lee. Have a great night.     The post APEX Express – 2.5.26-Envisioning Hopeful Futures appeared first on KPFA.

This month on Opening Dharma Access, we continue to shift from our regular schedule to focus on the ongoing ICE agency violence. Rev. Dana Takagi speaks about the many ways to respond to fascism from a Dharma perspective, whether that be peaceful protest or staying educated on which systems can be used as shields for the vulnerable. Dana recommends some reading, watching and podcasts, to understand in detail how the current presidential administration is consistently acting as a fascist regime by disregarding legal and communal structures to create an atmosphere of terror. Stay tuned for a second episode from Dana on the third Tuesday of this month. Here are links to references mentioned by Dana in the episode:1.  Letters from an American, Heather Cox Richardson https://heathercoxrichardson.substack.com/2. Rachel Maddow, Burn Order: https://www.ms.now/rachel-maddow-presents-burn-order3. Densho ( a digital storehouse of Asian American history).  This is an interview with attorney Dale Minami who was one of several attorneys who participated in the Coram Nobis Case which set aside the convictions of Fred Korematsu, Gordon Hirabayashi, and Min Yasui (all of whom challenged different aspects of the constitutionality of the order to evacuate Japanese Americans in 1942). https://www.instagram.com/reel/DTk9cCAiECg/4. Strict Scrutiny:   https://crooked.com/podcast-series/strict-scrutiny/REVEREND DANA TAKAGI (she/her) is a retired professor of Sociology and zen priest, practicing zen since 1998. She spent 33 years teaching sociology and Asian American history at UC Santa Cruz, and she is a past president of the Association for Asian American Studies. 

Episode Notes Full descrptions from the Library of Congress “The Tramp and the Dog” (1896)                                                          "The Tramp and the Dog," a silent film from Chicago's Selig Polyscope Company, is considered director William Selig's most popular early work. Filmed in Rogers Park, it is recognized as the first commercial film made in Chicago. Previously a lost film, it was rediscovered in 2021 at the National Library of Norway. The film depicts a tramp who attempts to steal a pie from a backyard windowsill, only to be met by a broom-wielding housewife and her dog, who foils the crime. The film is one of the first known as “pants humor,” where a character loses (or almost loses) his pants during an altercation. This scene inspired future comedy gags showing drifters and tramps losing their pants to dogs chasing them. “The Oath of the Sword” (1914)                                                                        A three-reel silent drama, "The Oath of the Sword" depicts the tragic story of two young lovers separated by an ocean. Masao follows his ambitions, studying abroad at the University of California, Berkeley, while Hisa remains in Japan, caring for her ill father. This earliest known Asian American film production featured Japanese actors playing Japanese characters and was produced by the Los Angeles-based Japanese American Film Company. Made at a time when Hollywood studios were not yet the dominant storytellers of the American film industry, "The Oath of the Sword" highlights the significance of early independent film productions created by and for Asian American communities. James Card, the founding curator at the George Eastman Museum, acquired “The Oath of the Sword” in 1963. The museum made a black and white photochemical preservation in 1980. In 2023, a new preservation reproducing the original tinting was done in collaboration with the Japanese American National Museum, and the film has since become widely admired. “The Maid of McMillan” (1916)Known to be the first student film on record, this whimsical, silent romance film was shot on campus in 1916 by students in the Thyrsus Dramatic Club at Washington University in St. Louis, Missouri. Club members Donald Stewart (Class of 1917) and George D. Bartlett (Class of 1920) wrote the screenplay. The original nitrate print of “The Maid of McMillan” was rediscovered in 1982, and two 16mm prints were made; the original nitrate was likely destroyed at this time. In 2021, with funding from the National Film Preservation Foundation, one of those 16mm prints was scanned at 4k and reprinted onto 35mm helping to secure the film's survival and legacy. “The Lady” (1925)When “The Lady” debuted in theaters in 1925, the silent film era had hit its stride, and this movie represents a powerhouse of artists at their peak. Director Frank Borzage was a well-established expert in drawing out intense expressions of deep emotion and longing in his actors. He did just that with the film's lead actress, Norma Talmadge, also at the height of her career, both in front of and behind the camera. Talmadge produced “The Lady” through her production company and commissioned one of the most prolific screenwriters, Frances Marion, to deliver a heartfelt story of a woman seeking to find the son she had to give up, to protect him from his evil grandfather. “The Lady” was restored by the Library of Congress in 2022. “Sparrows” (1926)As a silent actress, producer and key founder in the creation of the American film industry, Mary Pickford's performance in “Sparrows” represents her ability to master the genre she helped nourish: sentimental melodramas full of adventure and thrills, with dashes of comedy and heartfelt endings. Pickford plays Molly, the eldest orphan held within the swampy squalor of the Deep South, who moves heaven and earth to save the other orphan children from a Dickensian world of forced labor. The film takes some departures from the visual styles found in Pickford's other films, invoking an unusual tone of despair while deploying camera angles and lighting akin to German Expressionist cinema. “Sparrows” was preserved by the Library of Congress in collaboration with the Mary Pickford Company in 2020. “Ten Nights in a Barroom” (1926)                                                                     Featuring an all-Black cast, “Ten Nights in a Barroom” was produced in 1926 by the Colored Players Film Corporation of Philadelphia and is the earliest of only two surviving films made by the company. This silent film is based on the stage melodrama adapted from the 1854 novel “Ten Nights in a Bar-Room and What I Saw There” by Timothy Shay Arthur. Released in 2015 by Kino Lorber as part of the five-disc set “Pioneers of African-American Cinema,” the compilation was produced by the Library of Congress, in association with the British Film Institute, George Eastman Museum, Museum of Modern Art, National Archives, Smithsonian's National Museum of African American History and Culture, Southern Methodist University and the UCLA Film & Television Archive. Preserved by George Eastman Museum. “White Christmas” (1954)                                                           While the chart-topping song "White Christmas" was first performed by Bing Crosby for the 1942 film "Holiday Inn," its composer, Irving Berlin, was later inspired to center the song in the 1954 musical "White Christmas." Crosby, along with Danny Kaye, Rosemary Clooney, Vera-Ellen Rohe and director Michael Curtiz, embedded "White Christmas" in American popular culture as a best-selling single and the top-grossing film of 1954, as well as regular holiday viewing throughout the decades. The story of two World War II veterans-turned-entertainers and a singing sister act preparing a show for a retired general, the film and its grand musical numbers were captured in VistaVision, a widescreen process developed by Paramount Pictures and first used for "White Christmas." “High Society” (1956)                                                                  Often referred to as the last great musical of the Golden Age of Hollywood, “High Society” features an all-star cast including Bing Crosby, Grace Kelly, Frank Sinatra and Louis Armstrong (and his band), along with a memorable score of Cole Porter classics. Set in Newport, Rhode Island, the film showcases the Newport Jazz Festival (established in 1954) and features a remarkable version of Cole Porter's “Now You Has Jazz.” It includes the first big-screen duet by Frank Sinatra and Bing Crosby, singing “Well, Did You Evah?” This was Grace Kelly's last movie before she retired from acting and married the Prince of Monaco; she wore her Cartier engagement ring while filming. “Brooklyn Bridge” (1981)                                               With “Brooklyn Bridge,” Ken Burns introduced himself to the American public, telling the story of the New York landmark's construction. As with later subjects like the Civil War, jazz and baseball, Burns connects the building of the Brooklyn Bridge to American identity, values and aspirations. Released theatrically and nominated for an Academy Award for Best Documentary Feature, “Brooklyn Bridge” marked the beginning of Burns' influential career in public media*.* More than just a filmmaker, Burns has become a trusted public historian. His storytelling presents facts, but maybe more importantly, invites reflection on what America is, where it's been, and where it's going. His influence is felt not only in classrooms and through public broadcasting, but across generations who see history as something alive and relevant. “Say Amen, Somebody” (1982)George Nierenberg's documentary is a celebration of the historical significance and spiritual power of gospel music. With inspirational music, joyful songs and brilliant singers, the movie focuses on the men and women who pioneered gospel music and strengthened its connections to African American community and religious life. Prior to production, Nierenberg, who is white, spent over a year in African American churches and communities, gaining the trust of the performers. Restored by the Smithsonian's National Museum of African American History and Culture in 2020, the film features archival footage, photographs, stirring performances and reflections from the father of gospel Thomas A. Dorsey and its matron Mother Willie Mae Ford Smith. Nierenberg shows the struggles and sacrifices it takes to make a living in gospel, including criticism endured by women who sought to pursue careers as professional gospel singers while raising their families. “The Thing” (1982)Moody, stark, often funny and always chilling, this science fiction horror classic follows Antarctic scientists who uncover a long-dormant, malevolent extraterrestrial presence. “The Thing” revolutionized horror special effects and offers a brutally honest portrait of the results of paranoia and exhaustion when the unknown becomes inescapable. “The Thing” deftly adapts John W. Campbell's 1938 novella “Who Goes There?” and influenced “Stranger Things” and “Reservoir Dogs.” It remains a tense, thrilling and profoundly unsettling work of cinema. “The Big Chill” (1983)Lawrence Kasdan's best picture-nominated “The Big Chill” offers an intimate portrait of friends reunited after the suicide of one of their own and features actors who defined cinema in the 1980s – Glenn Close, William Hurt, Jo Beth Williams, Kevin Kline, Jeff Goldblum and Meg Tilly. This powerful ensemble portrays American stereotypes of the time – the yuppie, the drug dealer, the TV star – and deftly humanizes them. Through humor, tenderness, honesty and an amazing soundtrack, it shows formerly idealistic Americans making and dealing with the constant compromises of adulthood, while buoying one another with uncompromising love and friendship. “The Karate Kid” (1984)An intimate story about family and friendship, “The Karate Kid” also succeeds as a hero's journey, a sports movie and a teen movie – a feel-good movie, but not without grit. The film offers clearly defined villains, romance and seemingly unachievable goals, but also an elegant character-driven drama that is relatable and touching. A father who has lost his son meets the displaced son of a single mother and teaches him about finding balance and avoiding the pitfalls of violence and revenge. Race and class issues are presented honestly and are dealt with reasonably. Our hero practices a lot, gets frustrated, gets hurt, but still succeeds. It's as American as they come, and it's a classic. “Glory” (1989)“Glory,” described by Leonard Maltin as “one of the finest historical dramas ever made,” portrays a historical account of the 54th Regiment, a unit of African American soldiers who fought for the North in the Civil War. Authorized by the Emancipation Proclamation of 1863, the regiment consisted of an all-Black troop commanded by white officers. Matthew Broderick plays the young colonel who trains the troop, and Denzel Washington (in an Academy Award-winning performance) is among an impressive cast that includes Morgan Freeman, Cary Elwes and Andre Braugher. American Civil War historian James M. McPherson said the film "accomplishes a remarkable feat in sensitizing a lot of today's Black students to the role that their ancestors played in the Civil War in winning their own freedom.” “Philadelphia” (1993)                                                                  “Philadelphia” stars Tom Hanks in one of the first mainstream studio movies to confront the HIV/AIDS crisis. In the film, law partner Andrew Beckett (Hanks) is fired from his firm when they discover that he is gay and has AIDS. He hires personal attorney Joe Miller (Denzel Washington) to help him with litigation against his former employer. Director Jonathan Demme is quoted as saying, “The film is not necessarily just about AIDS, but rather everyone in this country is entitled to justice.” The film won two Oscars: one for Hanks and the other for Bruce Springsteen's original song, “The Streets of Philadelphia.” Through the song's mainstream radio and MTV airplay, it brought the film and its conversation around the HIV/AIDS pandemic to a wider audience. “Before Sunrise” (1995)                                                              Richard Linklater has explored a wide range of narrative storytelling styles while consistently capturing ordinary, everyday American life. However, his innovative use of time as a defining and recurring cinematic tool has become one of his most significant accomplishments. As the first film in his “Before” trilogy – three films, each shot nine years apart – “Before Sunrise” unfolds as one of cinema's most sustained explorations of love and the passage of time, highlighting the human experience through chance encounters and conversation. With his critically acclaimed 12-year production of the film “Boyhood” (2014) and a new 20-year planned production underway, his unique use of the medium of film to demonstrate time passing demonstrates an unprecedented investment in actors and narrative storytelling. “Clueless” (1995)                                                             A satire, comedy and loose Jane Austen literary adaptation dressed in teen movie designer clothing, “Clueless,” directed by Amy Heckerling, rewards both the casual and hyper-analytical viewer. It's impossible to miss its peak-1990s colorful, high-energy, soundtrack-focused on-screen dynamism, and repeated viewings reveal its unpretentiously presented and extraordinarily layered and biting social commentary about class, privilege and power structures. Heckerling and the incredible cast never talk down to the audience, creating main characters that viewers root for, despite the obvious digs at the ultrarich. The film centers on Cher (Alicia Silverstone) as a well-intentioned, fashion-obsessed high school student who is convinced she has life figured out. In the age of MTV, the film's popularity launched Paul Rudd's career and Silverstone's iconic-1990s status. The soundtrack, curated by Karyn Rachtman, helped solidify the film as a time capsule of clothing, music, dialogue and teenage life. “The Truman Show” (1998)Before social media and reality television, there was “The Truman Show.” Jim Carrey breaks from his usual comedic roles to star in this dramatic film about a man who, unbeknownst to him, is living his life on a soundstage filmed for a popular reality show. Adopted at birth by the television studio, Truman Burbank (Carrey) grew up in the (fictitious) town of Seahaven Island with his family and friends playing roles (paid actors). Cameras are all over the soundstage and follow his activities 24/7. Almost 30 years since its release, the film continues to be a study in sociology, philosophy and psychology, and has inspired university classes on media influence, the human condition and reality television. “Frida” (2002)Salma Hayek produced and starred in this biopic of Frida Kahlo, adapted from the book “Frida: A Biography of Frida Kahlo” by Hayden Herrera. The film explores Kahlo's rise as an artist in Mexico City and the impact disability and chronic pain from an accident as a young adult had on her life and work. The film centers around her tumultuous and passionate relationships, most significantly with her husband, painter Diego Rivera (Alfred Molina). Directed by Julie Taymor, the film was nominated for six Academy Awards, including Best Actress. It won awards for Best Makeup and Best Original Score for Elliot Goldenthal, who also won a Golden Globe in the same category. “The Hours” (2002)Director Stephen Daldry's “The Hours” weaves the novel “Mrs. Dalloway” into three women's stories of loneliness, depression and suicide. Virginia Woolf, played by Nicole Kidman (who won an Oscar and a Golden Globe for her performance), is working on the novel while struggling with what is now known as bipolar disorder. Laura, played by Julianne Moore (nominated for Best Actress in a Supporting Role), is unfulfilled in her life as a 1950s housewife and mother. Clarissa (played by Meryl Streep) is – like Mrs. Dalloway – planning a party, but for her close friend who is dying of AIDS. The film is based on Michael Cunningham's Pulitzer Prize-winning novel. It earned nine Academy Award nominations, including Best Picture, and won a Golden Globe for Best Picture. “The Incredibles” (2004)                                                 With an all-star cast and memorable soundtrack, this Academy Award-winning Pixar hit uses thrilling action sequences to tell the story of a family trying to live normal lives while hiding their superpowers. For the first time, Pixar hired an outside director, Brad Bird, who drew inspiration from spy films and comic books from the 1960s. The animation team developed a new design element to capture realistic human anatomy, hair, skin and clothing, which Pixar struggled with in early films like “Toy Story.” The film spawned merchandise, video games, Lego sets and more. The sequel, “Incredibles 2,” was also a huge hit, and together, both films generated almost $2 billion at the box office. “The Wrecking Crew” (2008)                                                     “The Wrecking Crew” is a documentary that showcases a group of Los Angeles studio musicians who played on many hit songs and albums of the 1960s and early 1970s, including “California Dreamin',” “The Beat Goes On,” “You've Lost That Lovin' Feeling” and “These Boots Are Made for Walkin'.” Through interviews, music, footage and his own narration, director Denny Tedesco reveals how the Wrecking Crew members – including his father, guitarist Tommy Tedesco – were the unsung heroes of some of America's most famous songs. Production for the film began in 1996, and the film was completed in 2008. Due to the high cost of song licenses, the official release was delayed until 2015, when a successful Kickstarter campaign raised over $300,000 to pay for the music rights. “Inception” (2010)                                                                         Writer and director Christopher Nolan once again challenges audiences with multiple interconnected narrative layers while delivering thrilling action sequences and stunning visual effects. “Inception” asks the question, “Can you alter a person's thoughts by manipulating their dreams?” Taking almost 10 years to write, the film was praised for its aesthetic significance and Nolan's ability to create scenes using cameras rather than computer-generated imagery. A metaphysical heist film with an emotional core driven by grief and guilt, “Inception” offers a meditation on how dreams influence identity, and it resonates deeply in an age of digital simulation, blurred realities and uncertainty. The film earned $830 million at the box office and won four Academy Awards. “The Loving Story” (2011)Nancy Buirski's acclaimed documentary gives an in-depth and deeply personal look at the true story of Richard Loving (a white man) and Mildred Loving (a Black and Native American woman), who were forbidden by law to marry in the state of Virginia in the 1960s. Their Supreme Court case, Loving vs. Virginia, was one of the most significant in history, and paved the way for future multiracial couples to marry. The movie captures the immense challenges the Lovings faced to keep their family and marriage together, through a combination of 16mm footage, personal photographs, accounts from their lawyers and family members, and audio from the Supreme Court oral arguments. “The Grand Budapest Hotel” (2014)“The Grand Budapest Hotel” stands as one of Wes Anderson's most successful films and demonstrates his own brand of unique craftsmanship, resulting in a visually striking and emotionally resonant story. As one of the most stylistically distinctive American filmmakers of the last half-century, Anderson uses historically accurate color and architecture to paint scenes to elicit nostalgia and longing from audiences, while at the same time weaving in political and social upheaval into the film. The film is an example of Anderson as a unique artist who uses whimsy, melancholy, innovative storytelling and a great deal of historical research, which is on display in this visually rich gem of a movie. Find out more at https://registry-a-podcast.pinecast.co

Jay Yu is a prominent DeepTech and NuclearTech entrepreneur with a Wall Street capital markets background. Driven by a vision to make energy more accessible, affordable, and sustainable worldwide, he currently serves as Executive Chairman & CEO of LIS Technologies Inc. (LIST) and Founder & Chairman of NANO Nuclear Energy Inc. (NASDAQ: NNE). LIS Technologies is the only U.S.-origin and patented laser uranium enrichment technology company, delivering a revolutionary, energy- and cost-efficient approach that is set to redefine nuclear fuel industry standards while also producing medical and stable isotopes; including silicon-28 critical for AI and quantum computing. NANO Nuclear Energy Inc. (NNE) is the first publicly listed, vertically integrated advanced nuclear micro modular reactor company in the United States. Under Jay Yu's leadership, NNE acquired one of the highest Technology Readiness Level (TRL) and patented microreactor designs in development, achieved a market capitalization exceeding $3 billion, raised over $600 million in just a year and a half, and earned the title of Wall Street's Cinderella story of 2024 as the #1 Top IPO Performer. Leading a world-class team of nuclear engineers, former national leaders in military and policy, U.S. Department of Energy experts, national laboratory veterans, and regulatory specialists, Jay is developing smaller, simpler, and safer advanced nuclear microreactors. He brings deep expertise in corporate structuring, capital fundraising, and recruiting top-tier talent while passionately building strategic relationships and creating lasting value for partners and stakeholders. In 2021, Jay Yu was honored as one of The Outstanding 50 Asian Americans in Business; the highest recognition in the U.S. AAPI community. Shawn Ryan Show Sponsors: Check out Maui Nui for wild Axis deer venison, harvested and shipped from Maui under USDA inspection—visit https://mauinuivenison.com/srs If you're serious about selling to the Department of War, go to https://SBIRAdvisors.com and mention Shawn Ryan for your first month free. Head to https://Superpower.com and use code SRS at checkout for $20 off your membership. Live up to your 100-Year potential. #superpowerpod Get firearm security redesigned and save 10% off @StopBoxUSA with code SRS at https://www.stopboxusa.com/srs #stopboxpod Jay Yu Links: X - https://x.com/nano_nuclear IG - https://www.instagram.com/nanonuclear YT - https://www.youtube.com/@nanonuclearenergy NANO Nuclear - https://nanonuclearenergy.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

According to our favorite literary reviewer, Bethanne Patrick, these are the seven books that “will really matter” in 2026:* Land by Maggie O'Farrell — The Hamnet author returns with a luminous novel set in 1865 Ireland, two decades after the Great Famine. A father and son survey their region for the British—mapping the land in English when their hearts speak Gaelic. O'Farrell explores post-famine trauma, colonialism, and the mysterious pull of place, weaving in neolithic history and Irish wolfhounds that feel almost magical. As some characters emigrate to the New World, the novel asks what it means when land becomes identity, when a nation is defined not by commerce but by the places that feed our souls.* The Fire Agent by David Baerwald — A stunning debut from the Grammy-winning songwriter behind Sheryl Crow's Tuesday Night Music Club. This 600-page thriller is based on Baerwald's own family history: his grandfather Ernst was sent to Tokyo as the purported sales director for IG Farben, the company complicit in the Holocaust. The novel spans continents and decades, from a 1920s throuple to Wild Bill Donovan's OSS becoming the CIA, complete with family photographs. Patrick calls it “a knockout”—not a potboiler, but a wild, scary ride where almost everything actually happened.* A Tender Age by Chang-rae Lee — The Pulitzer finalist delivers what his publisher calls “a spellbinding exploration of American masculinity and family dynamics.” Through an unforgettable Asian-American protagonist, Lee examines what it means to grow up with “double consciousness”—always aware of how the dominant culture perceives you, your family, your chances. Patrick places him alongside Jesmyn Ward as one of America's finest novelists.* Witness and Respair by Jesmyn Ward — The two-time National Book Award winner collects her nonfiction, including the devastating Vanity Fair essay about her husband's death from COVID at 33. “Respair” is Ward's resurrection of an archaic word: the repair that comes after despair. These crystalline essays on the American South, racism, and grief reveal the deep thought behind her remarkable fiction. Patrick sees it as essential reading for 2026—a creative grappling with everything America must face.* Backtalker by Kimberlé Crenshaw — A memoir from the architect of “intersectionality” and “critical race theory,” now under attack in the current administration. Structured in three parts—raising a back talker, becoming a back talker, being a back talker—it begins with young Kimberlé desperate to play Thornrose in a classroom fairy tale, passed over week after week. When she's finally chosen on the last day and the bell rings, her mother marches back to school and demands justice. That's where Crenshaw learned to speak truth to power.* American Struggle edited by Jon Meacham — For the 250th anniversary, the historian assembles primary documents proving that struggle is constant and non-linear in American history. Abolitionists spoke out in the nineteenth century; civil rights activists had to speak out again in the twentieth. From Abigail Adams's “remember the ladies” letter to Fannie Lou Hamer's testimony at the 1964 Democratic Convention, Meacham—no fan of the current administration—shows that the fight never stays won. Patrick sees it as essential for librarians, teachers, and younger readers.* John of John by Douglas Stuart — Patrick's sneaky seventh pick (I originally only allowed her six). The Booker Prize-winning author of Shuggie Bain returns to Scotland, this time the Isle of Harris, where men weave Harris Tweed on licensed looms. John McLeod is a fire-and-brimstone church elder; his son Cal returns from Glasgow art college with dyed hair and queer identity. What looks like prodigal son territory becomes something richer—father and son have more in common than either knows. Stuart captures a community tied to sheep farming and craft practices that feel centuries old, even as modernity crashes against the shore.Enjoy!Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

Delving into the complex interplay of race, kinship, and technology, Technologies of Kinship: Asian American Racialization and the Making of Family (NYU Press, 2025) challenges conventional notions of racial identity in an era of advanced genetic testing. As Author LiLi Johnson argues, kinship, far from being solely defined by biological ties, is a social construct shaped by "technologies of kinship"—systems like government bureaucracy, immigration policies, photography, online profiles, and ancestry tests. These technologies reveal the surprisingly fluid nature of racial categories in relation to kinship, a social formation that significantly affects how race is defined, understood, and experienced. Johnson reexamines the technological systems that have shaped Asian American identity and kinship, exploring how the racialization of Asian Americans has evolved from exclusion to neoliberal multiculturalism over the last century, analyzing the political and interpersonal implications of these social and cultural changes for affected families. LiLi Johnson is an Assistant Professor of English and Gender and Women's Studies at Dalhousie University. Her research interests include Asian American family and kinship, racial formation and discourses of multiculturalism, cultural studies of science and technology, and digital and visual cultures. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

No, her name isn't Carolyn. Hear what other comments and indignities Carol had to put up with on her rise to become one of the most accomplished Asian American woman on-air reporters. No, she isn't Connie Chung. Plus, read about the devastating loss of her husband. Gutted.Purchase on Bookshop: https://bit.ly/4rbKlhaShare, rate, & review the podcast, and follow Zibby on Instagram @zibbyowens!** Check out the Z.I.P. membership program—Zibby's Important People! As a Z.I.P., you'll get exclusive essays, special author access, discounts at Zibby's Bookshop, and more. Head to zibbyowens.com to subscribe or upgrade and become a Z.I.P. today!** Follow @totallybookedwithzibby on Instagram for more about today's episode. (Music by Morning Moon Music. Sound editing by TexturesSound. To inquire about advertising, please contact allie.gallo@acast.com.) Hosted on Acast. See acast.com/privacy for more information.

We're back with season 8! Did you miss us? Today we sit down to catch up over our thoughts for this new year and speculate on how 2026, Year of the Fire Horse, will be for us two Fire Rats.Support the showFollow us on social media @eatyourcrustpod

Episode Summary: In this week's episode of your favorite Korean Adoptee podcast, the Janchi Boys sit down with Jae Carelli and talk about growing up in a family of 5 Korean adoptees, how working at a ramen shop got them in touch with their Asianness, creating an album and stage show around the 7 core issues of adoption and the intersection of language, neurodivergence and music to help us communicate effectively.Later, we dig into premade Kimbap....we might have found the one thing Patrick doesn't want to add chocolate to!Meet Jae Carelli!:@jae.ci on Instagramhttps://www.jae-ci.comHomeward Bound ProjectListen to American Doll on Spotify---// Support the Show!Online at janchishow.com / @janchishowSupport the show at janchishow.com/supportJoin our Facebook Group! janchishow.com/afterpartyWatch our Youtube VideosLeave a voicemail! 972-677-8867Write us a note: janchishow@gmail.comThe Janchi Show Quick BioThe Janchi Show focuses on exploring intersectional identities and current events through the lens of adoption, race, lived experience and more. Sometimes we have guests, and sometimes it's just the three of us. Either way, it's always a janchi!// Meet the Janchi Boys!Nathan NowackNathan (he/him) is a transracial Korean American adoptee who was born in Seoul in the 1970s. He was adopted at the age of 5 months old and raised in a small town in Oklahoma along with a non-biological Korean adopted sister.  After going to college in Colorado he later moved to Los Angeles to pursue a digital media career and eventually started 2 photography companies.  He loves spending time with his wife and 3 kids, playing golf, and collecting Lego. He is in reunion with his biological family as the youngest of 7 and has been in contact since 2015.  He currently serves on the Advisory Council for KAAN and helps with the planning of their annual adoptee conference.  In 2021, Nathan and his family moved back to Colorado to be closer to family and start a new chapter in their lives.  Connect with Nathan!Website: http://www.coverve.comInstagram: http://instagram.com/nnowackPatrick ArmstrongPatrick Armstrong (he/him) is a transracial Korean American adoptee, podcaster, speaker, and community facilitator. He is one of the hosts of the Janchi Show, a podcast that explores and celebrates the experiences and stories of Korean adoptees everywhere. He also is host of Conversation Piece with Patrick Armstrong, a podcast where he discusses the missing pieces of the conversations we're already having. He is a cofounder of the Asian Adoptees of Indiana, a group dedicated to creating a safe, engaging community for all Asian adoptees who need it. He is currently based in Indianapolis with his wife and cat. Connect with Patrick!Website: http://patrickintheworld.meLinkedIn: http://linkedin/in/patrickintheworldInstagram: http://instagram.com/patrickintheworldK.J. Roelke (@kjroelke)KJ (he/him) was adopted from Daegu and raised in Dallas, Texas with his two biological, older siblings and his younger sister, adopted from Russia. After spending a decade in the Midwest for college and career, he and his wife are back in Dallas and living large! He has been on his journey of discovery since 2015 and spends his days as a web developer for the Choctaw Nation of Oklahoma.Connect with K.J.!Website: https://kjroelke.online/LinkedIn: https://linkedin/in/kjroelkeInstagram: https://instagram.com/kjroelke// Listen to/Watch The Janchi Show on all major platforms:Apple: http://janchishow.com/appleSpotify: http://janchishow.com/spotifyYoutube: http://janchishow.com/youtubeGratitude & CreditsMichelle Nam for our logo and brandingJerry Won for bring us togetherThis show is created and produced by Patrick, Nathan and KJ and is the sole property of the Janchi Show, LLC.

Delving into the complex interplay of race, kinship, and technology, Technologies of Kinship: Asian American Racialization and the Making of Family (NYU Press, 2025) challenges conventional notions of racial identity in an era of advanced genetic testing. As Author LiLi Johnson argues, kinship, far from being solely defined by biological ties, is a social construct shaped by "technologies of kinship"—systems like government bureaucracy, immigration policies, photography, online profiles, and ancestry tests. These technologies reveal the surprisingly fluid nature of racial categories in relation to kinship, a social formation that significantly affects how race is defined, understood, and experienced. Johnson reexamines the technological systems that have shaped Asian American identity and kinship, exploring how the racialization of Asian Americans has evolved from exclusion to neoliberal multiculturalism over the last century, analyzing the political and interpersonal implications of these social and cultural changes for affected families. LiLi Johnson is an Assistant Professor of English and Gender and Women's Studies at Dalhousie University. Her research interests include Asian American family and kinship, racial formation and discourses of multiculturalism, cultural studies of science and technology, and digital and visual cultures. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Delving into the complex interplay of race, kinship, and technology, Technologies of Kinship: Asian American Racialization and the Making of Family (NYU Press, 2025) challenges conventional notions of racial identity in an era of advanced genetic testing. As Author LiLi Johnson argues, kinship, far from being solely defined by biological ties, is a social construct shaped by "technologies of kinship"—systems like government bureaucracy, immigration policies, photography, online profiles, and ancestry tests. These technologies reveal the surprisingly fluid nature of racial categories in relation to kinship, a social formation that significantly affects how race is defined, understood, and experienced. Johnson reexamines the technological systems that have shaped Asian American identity and kinship, exploring how the racialization of Asian Americans has evolved from exclusion to neoliberal multiculturalism over the last century, analyzing the political and interpersonal implications of these social and cultural changes for affected families. LiLi Johnson is an Assistant Professor of English and Gender and Women's Studies at Dalhousie University. Her research interests include Asian American family and kinship, racial formation and discourses of multiculturalism, cultural studies of science and technology, and digital and visual cultures. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies

In this episode, I sit down with a Chicago-based art therapist Elizabeth Yoo-lae Cho to explore why creative expression can unlock what words sometimes can't. She explains how she uses clients' artwork to track therapeutic progress over time in ways traditional talk therapy can't capture. We also dive into her experience as a Korean American woman whose training environment was white-dominated—navigating boundary challenges with middle-aged white men while learning to find her voice. Now working primarily with Asian American clients, she shares how she's learned to bring her full, authentic self into the room. This conversation offers both practical tools and real inspiration for new therapists.Elizabeth Yoo-lae Cho:⁠https://www.elizabethyoolaecho.comNew Therapist FAQ on Instagram:⁠⁠⁠⁠https://www.instagram.com/newtherapistfaq/⁠⁠⁠⁠New Therapist FAQ on Facebook:⁠⁠⁠⁠https://www.facebook.com/ntfaqpodcast⁠⁠⁠⁠

Given the heart-breaking events in the US this week, ODA will present a series of offerings from both hosts, Rev. Liên Shutt & Rev. Dana Takagi.This episode is from a talk at Access to Zen, Rev. Liên's sangha.Rev. Dana's commentaries will drop in 1-week. We'll then offer more responses; formats TBD. Feel free to reach out to us at Info.Access2Zen@gmail.com. Please take good care meanwhile!HOST:Rev. Liên Shutt (she/they) is a recognized leader in the movement that breaks through the wall of American white-centered convert Buddhism to welcome people of all backgrounds into a contemporary, engaged Buddhism. As an ordained Zen priest, licensed social worker, and longtime educator/teacher of Buddhism, Shutt represents new leadership at the nexus of spirituality and social justice, offering a special warm welcome to Asian Americans, all BIPOC, LGBTQIA+, immigrants, and those seeking a “home” in the midst of North American society's reckoning around racism, sexism, homophobia, and xenophobia. Shutt is a founder of Access to Zen (2014). You can learn more about her work at AccessToZen.org. Her new book, Home is Here: Practicing Antiracism with the Engaged Eightfold Path. See all her offerings at EVENTS

For our last episode of this season, Mary Choy, board-certified pharmacist and author, joins middle schooler Ashley to talk about the lessons she's learned along her career journey. She shares how her mother planted the idea of becoming a pharmacist, how she pursued it with determination, and how her mistakes taught her valuable lessons. Mary also talks about blending science with creativity, her love of performance, and giving back to her Asian American community.

Using People…For God's Glory? In this episode of the Centering, hosts Yulee Lee and Daniel Lee are joined by special guest Dr. Kevin Doi, Director of Pastoral Formation at the AAC and Affiliate Assistant Professor of Asian American Church Studies at Fuller Seminary. The conversation delves into the temptation to use people for ministry growth, the importance of honoring individual callings, and creating a church environment focused on relational health rather than numerical growth. The episode highlights practical strategies for both recognizing and countering toxic ministry practices in church leadership. 00:00 Introduction to Toxic Ministry 00:47 Understanding Toxic Ministry for God's Glory 02:29 Guest Introduction: Dr. Kevin Doi 04:23 The Familiarity of Oppression in Ministry 06:39 The Challenge of Healthy Boundaries 09:19 Rethinking Church Growth and Leadership 15:45 The Importance of Relational Ministry 25:11 The Role of Ministry Beyond Church Walls 25:57 Challenges of Church Leadership 27:12 Personal Experiences in Church Dynamics 29:29 The Pressure of Metrics in Ministry 32:20 Rethinking Church Leadership and Community 40:30 Practical Steps for Healthy Ministry 47:29 Concluding Thoughts and Next Episode Preview Asian American Pastoral Formation Initiative https://aac.fuller.edu/initiatives/pastoral-formation-initiative/ Leadership and the New Science by Margaret Wheatley https://margaretwheatley.com/books/leadership-and-the-new-science/ Fall 2026 Asian American Ministry Doctor of Ministry cohort, mentored by Dr. Kevin Doi and Dr. Daniel Lee https://fuller.edu/dmin/fall-2026-asian-american-ministry-cohort/ If you appreciate the work we do at the Asian American Center at Fuller Seminary, please consider supporting us! Your monetary support sustains our vital work and expands Asian American research, leadership development, and pastoral formation for the Church in the year ahead. Donate here: fuller.edu/giveaac

Asian Americans make up a small percentage of artists on major stages — and Lily Tung Crystal is actively changing that.Lily is the artistic director of East West Players, the nation's largest and longest-running Asian American theater company. She shares her journey from Cornell to Shanghai to Minneapolis to Los Angeles, and how her work is reshaping who gets hired, who gets supported, and whose stories are told.We talk about representation, leadership, and why lasting change in the arts takes systems — not just talent — along with the creativity and care that make live theater matter.We had so much fun with Lily. Fun fact: she's a sorority sister we hadn't connected with since 1990!Read about Lily here:https://www.eastwestplayers.org/blog/ewp-announces-artistic-director-lily-tung-crystalFind East West Players and their schedule here:https://www.eastwestplayers.org/And a special thank you to Beth Storz, a recent guest and sorority sister, for making the connection.Not sponsored or affiliated with Cornell University

On our first mid-month book news check-in episode for 2026, we go over the latest Asian American publishing news from the holiday season, as well as check out some of January's new releases from Asian and Asian American authors.Upcoming books mentioned in our publishing news:Death Wish by Lilly LuWhat Hungers in the Dark by Monika KimHow to Crash a Kite by Ellie PetersonTokki's Tricks by Aram KimGirl Gods by K-Ming Chang Cerulean by Sajni Patel Hanging Out with Nani by Vikram MadanJanuary New Releases mentioned in our book news:The Swan's Daughter by Roshani Chokshi (Jan 6)Fly, Wild Swans: My Mother, Myself and China by Jung Chang (Jan 13)A Year Without Home by V.T. Bidania (Jan 13)This Is Where the Serpent Lives by Daniyal Mueenuddin (Jan 13)City of Others by Jared Poon (Jan 13)The Moon Without Stars by Chanel Miller (Jan 13)A Midnight Pastry Shop Called Hwawoldang by Lee Onhwa (Jan 13)How to Commit a Postcolonial Murder by Nina McConigley (Jan 20)The Elsewhere Express by Samantha Sotto Yambao (Jan 20)The Poet Empress by Shen Tao (Jan 20)Two Women Living Together by Kim Hana, Hwang Sunwoo; Gene Png (Translator) (Jan 20)Early Mornings at the Laksa Cafe by Janet Tay (Jan 27)A Beast Slinks Towards Beijing by Alice Evelyn Yang (Jan 27)Books & Boba is a podcast dedicated to reading and featuring books by Asian and Asian American authorsSupport the Books & Boba Podcast by:Joining our Patreon to receive exclusive perks

This episode features Dr. Kong Pheng Pha discussing his recently published book, Queering the Hmong Diaspora: Racial Subjectivity and the Myth of Hyperheterosexuality (U Washington Press, 2025).Queering the Hmong Diaspora dismantles narratives that frame Hmong communities as sexual deviant and reveals how legal cases, media representations, and legislative efforts have constructed Hmong Americans as hyperheterosexual and ungovernable subjects. This critical examination of how Hmong Americans are positioned within racial, gendered, and sexual discourses of liberalism, further explores the lived experiences of queer Hmong Americans, whose existence and activism challenge mainstream and ethnonationalist constructions of subjectivity. Addressing Hmong American gender and sexual politics through feminist, queer, and social justice lenses, Pha offers a critical framework for understanding how race and sexuality intersect in shaping the lives of minoritized refugee communities in the United States and beyond. Kong Pang Pa is an interdisciplinary scholar and educator whose academic research, writing, and public scholarship explores the histories and politics of refugee migration, radical queer, feminist, and anti-racist social movements, activism, and community organizing, legacies of U.S. war and empire, minoritized student experiences in the modern university, and Asian American racial, gender, sexual, and queer formations, with particular attention on Hmong and Southeast Asian communities in the United States. Presently, he is an assistant professor of Gender & Women's Studies and Asian American Studies at the University of Wisconsin-Madison. Donna Doan Anderson is the Mellon research assistant professor in U.S. Law and Race at the University of Nebraska-Lincoln. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Fantasies of Hong Kong Disneyland: Attempted Indigenizations of Space, Labor, and Consumption (Rutgers UP, 2025) examines the attempt to transplant Disney's "happiest place on Earth" ethos to Hong Kong—with unhappy results. Focusing on the attempted localization and indigenization of this idea in a globalized transnational park, the book delves into the three-way dynamics of an American culture-corporation's intentions, China's government investment, and Hong Kong. The triple actors introduce an especially complex case as two of the world's most powerful entities, the nominally Communist state of China and corporate behemoth Disney, come together for a project in the third space of Hong Kong. The situation poses special challenges for Disney's efforts to manage space, labor, and consumption to achieve local adaptation and business success. Jenny Banh is a keynote speaker, curriculum developer, and professor of Asian American Studies and Anthropology at California State University, Fresno. Her current research examines the barriers/bridges to Southeast Asian American students, Asian Foodways, and a Hong Kong corporation. In her community work, she has conducted, coded, and transcribed over 40 oral histories of Southeast Asian Americans who live in California's Central Valley. She donated all the oral histories to the school's library to create the Central Valley Southeast Asian American Successful Voices Archive. Recently, she helped to co-create the ASAM-Asian Major, nineteen new Asian American studies courses, and three certificates. She has been awarded two teaching awards and four service awards. Donna Doan Anderson is the Mellon research assistant professor in U.S. Law and Race at the University of Nebraska-Lincoln. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Fantasies of Hong Kong Disneyland: Attempted Indigenizations of Space, Labor, and Consumption (Rutgers UP, 2025) examines the attempt to transplant Disney's "happiest place on Earth" ethos to Hong Kong—with unhappy results. Focusing on the attempted localization and indigenization of this idea in a globalized transnational park, the book delves into the three-way dynamics of an American culture-corporation's intentions, China's government investment, and Hong Kong. The triple actors introduce an especially complex case as two of the world's most powerful entities, the nominally Communist state of China and corporate behemoth Disney, come together for a project in the third space of Hong Kong. The situation poses special challenges for Disney's efforts to manage space, labor, and consumption to achieve local adaptation and business success. Jenny Banh is a keynote speaker, curriculum developer, and professor of Asian American Studies and Anthropology at California State University, Fresno. Her current research examines the barriers/bridges to Southeast Asian American students, Asian Foodways, and a Hong Kong corporation. In her community work, she has conducted, coded, and transcribed over 40 oral histories of Southeast Asian Americans who live in California's Central Valley. She donated all the oral histories to the school's library to create the Central Valley Southeast Asian American Successful Voices Archive. Recently, she helped to co-create the ASAM-Asian Major, nineteen new Asian American studies courses, and three certificates. She has been awarded two teaching awards and four service awards. Donna Doan Anderson is the Mellon research assistant professor in U.S. Law and Race at the University of Nebraska-Lincoln. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

This episode features Dr. Kong Pheng Pha discussing his recently published book, Queering the Hmong Diaspora: Racial Subjectivity and the Myth of Hyperheterosexuality (U Washington Press, 2025).Queering the Hmong Diaspora dismantles narratives that frame Hmong communities as sexual deviant and reveals how legal cases, media representations, and legislative efforts have constructed Hmong Americans as hyperheterosexual and ungovernable subjects. This critical examination of how Hmong Americans are positioned within racial, gendered, and sexual discourses of liberalism, further explores the lived experiences of queer Hmong Americans, whose existence and activism challenge mainstream and ethnonationalist constructions of subjectivity. Addressing Hmong American gender and sexual politics through feminist, queer, and social justice lenses, Pha offers a critical framework for understanding how race and sexuality intersect in shaping the lives of minoritized refugee communities in the United States and beyond. Kong Pang Pa is an interdisciplinary scholar and educator whose academic research, writing, and public scholarship explores the histories and politics of refugee migration, radical queer, feminist, and anti-racist social movements, activism, and community organizing, legacies of U.S. war and empire, minoritized student experiences in the modern university, and Asian American racial, gender, sexual, and queer formations, with particular attention on Hmong and Southeast Asian communities in the United States. Presently, he is an assistant professor of Gender & Women's Studies and Asian American Studies at the University of Wisconsin-Madison. Donna Doan Anderson is the Mellon research assistant professor in U.S. Law and Race at the University of Nebraska-Lincoln. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies

Fantasies of Hong Kong Disneyland: Attempted Indigenizations of Space, Labor, and Consumption (Rutgers UP, 2025) examines the attempt to transplant Disney's "happiest place on Earth" ethos to Hong Kong—with unhappy results. Focusing on the attempted localization and indigenization of this idea in a globalized transnational park, the book delves into the three-way dynamics of an American culture-corporation's intentions, China's government investment, and Hong Kong. The triple actors introduce an especially complex case as two of the world's most powerful entities, the nominally Communist state of China and corporate behemoth Disney, come together for a project in the third space of Hong Kong. The situation poses special challenges for Disney's efforts to manage space, labor, and consumption to achieve local adaptation and business success. Jenny Banh is a keynote speaker, curriculum developer, and professor of Asian American Studies and Anthropology at California State University, Fresno. Her current research examines the barriers/bridges to Southeast Asian American students, Asian Foodways, and a Hong Kong corporation. In her community work, she has conducted, coded, and transcribed over 40 oral histories of Southeast Asian Americans who live in California's Central Valley. She donated all the oral histories to the school's library to create the Central Valley Southeast Asian American Successful Voices Archive. Recently, she helped to co-create the ASAM-Asian Major, nineteen new Asian American studies courses, and three certificates. She has been awarded two teaching awards and four service awards. Donna Doan Anderson is the Mellon research assistant professor in U.S. Law and Race at the University of Nebraska-Lincoln. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies

This episode features Dr. Kong Pheng Pha discussing his recently published book, Queering the Hmong Diaspora: Racial Subjectivity and the Myth of Hyperheterosexuality (U Washington Press, 2025).Queering the Hmong Diaspora dismantles narratives that frame Hmong communities as sexual deviant and reveals how legal cases, media representations, and legislative efforts have constructed Hmong Americans as hyperheterosexual and ungovernable subjects. This critical examination of how Hmong Americans are positioned within racial, gendered, and sexual discourses of liberalism, further explores the lived experiences of queer Hmong Americans, whose existence and activism challenge mainstream and ethnonationalist constructions of subjectivity. Addressing Hmong American gender and sexual politics through feminist, queer, and social justice lenses, Pha offers a critical framework for understanding how race and sexuality intersect in shaping the lives of minoritized refugee communities in the United States and beyond. Kong Pang Pa is an interdisciplinary scholar and educator whose academic research, writing, and public scholarship explores the histories and politics of refugee migration, radical queer, feminist, and anti-racist social movements, activism, and community organizing, legacies of U.S. war and empire, minoritized student experiences in the modern university, and Asian American racial, gender, sexual, and queer formations, with particular attention on Hmong and Southeast Asian communities in the United States. Presently, he is an assistant professor of Gender & Women's Studies and Asian American Studies at the University of Wisconsin-Madison. Donna Doan Anderson is the Mellon research assistant professor in U.S. Law and Race at the University of Nebraska-Lincoln. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Get Keri's book here: https://us.macmillan.com/books/9781250288226/youllneverbelieveme/?fbclid=IwY2xjawPWqphleHRuA2FlbQIxMABicmlkETEzMHhEWjgyYkZoQkkyZkVwc3J0YwZhcHBfaWQQMjIyMDM5MTc4ODIwMDg5MgABHituBBodlwuibAa7AjGgUbkfVnb4T29blHv9txsdvj1p-STZ4YYD04dcSgFm_aem_9ckC3KkZJsPEBc70Amedlw   Before Anna Delvey, before the Tinder Swindler, there was Kari Ferrell. Adopted at a young age by a Mormon family in Utah, Kari struggled with questions of self-worth and identity as one of the few Asian Americans in her insulated community, leading her to run with the “bad crowd” in an effort to fit in. Soon, stealing from superstores turned into picking up men (and picking their pockets), and before she knew it, Kari had graduated from petty theft to Utah's most wanted list. Though Kari was able to escape the Southwest, she couldn't outrun her new moniker: the Hipster Grifter.   Check out our new bi-weekly series, "The Crisis Papers" here: https://www.patreon.com/bitterlakepresents/shop   Thank you guys again for taking the time to check this out. We appreciate each and everyone of you. If you have the means, and you feel so inclined,   BECOME A PATRON! We're creating patron only programing, you'll get bonus content from many of the episodes, and you get MERCH!   Become a patron now https://www.patreon.com/join/BitterLakePresents?   Please also like, subscribe, and follow us on these platforms as well, (specially YouTube!)   THANKS Y'ALL   YouTube: https://www.youtube.com/channel/UCG9WtLyoP9QU8sxuIfxk3eg Facebook: https://www.facebook.com/Thisisrevolutionpodcast/ Twitter: @TIRShowOakland Instagram: @thisisrevolutionoakland   Substack: https://jmylesoftir.substack.com/.../the-money-will-roll...   Read Jason Myles in Sublation Magazine https://www.sublationmag.com/writers/jason-myles Read Jason Myles in Damage Magazine https://damagemag.com/2023/11/07/the-man-who-sold-the-world/