Podcasts about audiences

Hey Winner, Growing your business doesn't have to mean growing your audience alone. In this episode of Your Anti-Social Advantage, we dive into the power of collaborations — one of the fastest, most sustainable, and most faith-aligned ways to expand your reach without relying on social media. You'll learn why partnerships are deeply rooted in Kingdom principles, how to collaborate without feeling pushy, and the many ways you can “borrow” aligned audiences in ways that feel natural, relational, and life-giving. If you're ready to stop shouting into the void and start showing up in rooms that already want what you offer… this episode is for you. Rooting for you ~ Gabe   New to the podcast? Start here: https://redhotmindset.com/podcast-start/   LISTEN TO HEAR: Why you don't need to grow your business alone How collaboration mirrors Biblical principles of community and multiplication The best anti-social platforms for collaboration (podcasts, bundles, summits, email swaps, referrals) How to start collaborating even if you “don't know anyone yet” The mindset shift that makes partnerships feel natural, not salesy  

Sometimes the biggest creative breakthroughs start with a mistake, and no one proves that better than Massimo Bottura.The three-Michelin-star chef behind some of the world's most iconic dishes built his reputation on turning accidents, constraints, and tradition itself into something entirely new. In this episode, we break down his marketing lessons with the help of our special guest Abel Grünfeld, VP of Marketing at Riverside.Together, we explore what B2B marketers can learn from transforming mistakes into memorable stories, using constraints to spark better ideas, and leading with calm adaptability when things inevitably go off script.About our guest, Abel GrünfeldAbel Grunfeld is Riverside's VP of marketing and first employee. He is a growth strategy expert, specializing in scaling our digital presence and building an efficient marketing pipeline. What B2B Companies Can Learn From Massimo Bottura:Turn mistakes into magnetic storytelling. Massimo Bottura's most iconic dish was born from a dropped lemon tart, which is proof that imperfections can become brand-defining moments. Abel explains, “ [It's] very inspiring to take this high stress environment… and transform it into something that actually is unique, much more creative, much more powerful in terms of storytelling.” In B2B, the same principle applies. When a campaign breaks, a launch misfires, or a plan goes sideways, don't hide it. Shape it into a story. Audiences connect most with brands that reveal the creative, human process behind the work. Your “oops” moment might become your most memorable asset.Use constraints to fuel creativity. In high-pressure kitchens, limitations create innovation, not less of it. Abel notes, “Your constraints are your advantage… By being very intentional and aware of what your constraints and disadvantages are, you can be really focused on how to use these to actually create some sort of playing field where you can be more successful.” B2B teams often don't have unlimited budgets, bandwidth, or time. That's not a disadvantage, that's focus. Constraints sharpen your narrative, strengthen your positioning, and force bold creative choices. The boundaries become the catalyst.Plan for surprises and lead through them. Massimo Bottura thrives by embracing unpredictability, treating chaos as a space for invention. Abel shares, “You always plan, but you cannot always control the outcomes… you need to plan to be surprised… and  to figure out how you make the most out of any situation.” For B2B marketers, this is the mindset shift. Markets shift. Teams change. Campaigns don't go as expected. The brands that win are the ones that stay calm, adapt quickly, and turn the unexpected into momentum. Build flexibility into your strategy so you can transform disruption into differentiation.Quote“Real creativity, very often, it's a coincidence of different factors.  There's an unintentionality behind creation that when you plan everything out, you'll never come to that result. When you allow space for exploration, for playfulness, for doing things that you never planned… sometimes they're better than what you actually can envision and visualize yourself.” Time Stamps[00:55] Meet Abel Grünfeld, VP of Marketing at Riverside [00:52] Why Massimo Bottura?[01:59 The Role of VP of Marketing at Riverside[03:02] Behind the Scenes of Massimo Bottura: The Italian Culinary Genius[14:58] Marketing Lessons from Massimo Bottura[26:19] Where are B2B Companies at with Video?[32:07] The Importance of Video Content[41:34] Content Strategy at Riverside[44:47] Simplifying Video Production[47:07] Consolidating Video Creation Tools[49:07] Final Thoughts and TakeawaysLinksConnect with Abel on LinkedInLearn more about RiversideAbout Remarkable!Remarkable! is created by the team at Caspian Studios, the premier B2B Podcast-as-a-Service company. Caspian creates both nonfiction and fiction series for B2B companies. If you want a fiction series check out our new offering - The Business Thriller - Hollywood style storytelling for B2B. Learn more at CaspianStudios.com. In today's episode, you heard from Ian Faison (CEO of Caspian Studios) and Meredith Gooderham (Head of Production). Remarkable was produced this week by Jess Avellino, mixed by Scott Goodrich, and our theme song is “Solomon” by FALAK. Create something remarkable. Rise above the noise. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Running Meta ads can get confusing fast, especially when you hear people say you should combine all your targeting together. After managing ads for years, I've never seen that work well for course creators.   ‍‍ ‍‍Get the 48-Hour Ad Fix Audit  ‍‍ ‍‍Today, I break down why separating warm and cold audiences still matters (even with the Andromeda update) and how Meta's algorithm actually treats each group behind the scenes. If you've been unsure about your targeting setup or why your cold leads suddenly got expensive, I share exactly what you can do to get better results without overthinking it.‍‍ ‍‍ ‍‍‍‍ ‍‍ ‍‍‍‍ ‍‍ ‍‍‍‍Watch this episode on YouTube!‍‍ ‍‍ ‍‍Please click here to give an honest Rating/Review for the show on iTunes! Thanks for your support!‍‍ ‍‍ ‍‍Kwadwo [QUĀY.jo] Sampany-Kessie's Links:Get 1:1 Meta Ads Coaching from Kwadwo!Say hi to Kwadwo on InstagramSubscribe to The Art of Online Business's YouTube Channel

Face au film "Mes très chers enfants" sur France 2, à la série "Les enquêtes de Vera" sur France 3 et au magazine "Capital" sur M6, c'est TF1 qui se hisse en tête des audiences de ce dimanche soir grâce au film "Red one". Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Du lundi au vendredi, Julien Pichené fait le point sur l'actualité des médias. Aujourd'hui, les 100 meilleures audiences de l'année, la victoire de la France à l'Eurovision Junior, France Télévisions a été condamnée pour le licenciement des présentateurs de l'émission "Des chiffres et des lettres" et le nouveau de TF1 "Qui sera le plus nul ?" le 2 janvier prochain. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Du lundi au vendredi, Julien Pichené fait le point sur l'actualité des médias. Aujourd'hui, les 100 meilleures audiences de l'année, la victoire de la France à l'Eurovision Junior, France Télévisions a été condamnée pour le licenciement des présentateurs de l'émission "Des chiffres et des lettres" et le nouveau de TF1 "Qui sera le plus nul ?" le 2 janvier prochain. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Face au film "Mes très chers enfants" sur France 2, à la série "Les enquêtes de Vera" sur France 3 et au magazine "Capital" sur M6, c'est TF1 qui se hisse en tête des audiences de ce dimanche soir grâce au film "Red one". Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Face au film "Mes très chers enfants" sur France 2, à la série "Les enquêtes de Vera" sur France 3 et au magazine "Capital" sur M6, c'est TF1 qui se hisse en tête des audiences de ce dimanche soir grâce au film "Red one". Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Du lundi au vendredi, Julien Pichené fait le point sur l'actualité des médias. Aujourd'hui, les 100 meilleures audiences de l'année, la victoire de la France à l'Eurovision Junior, France Télévisions a été condamnée pour le licenciement des présentateurs de l'émission "Des chiffres et des lettres" et le nouveau de TF1 "Qui sera le plus nul ?" le 2 janvier prochain. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

La Scala's Season Opening and Milan's Christmas Atmosphere: Colleague Lorenzo Fiori describes attending the season opening at La Scala, featuring a dramatic Russian opera that audiences connected to current geopolitical tensions, also noting the festive Christmas atmosphere in Milan and Prime Minister Meloni's continued, albeit non-military, support for Ukraine. 1957

Face à la série "Le Daron" sur TF1, au magazine "Envoyé spécial" sur France 2 et à l'émission "Le meilleur pâtissier" sur M6, c'est France 3 qui se hisse en tête des audiences de ce jeudi soir grâce à la série "Meurtres à...". Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Face à la série "Le Daron" sur TF1, au magazine "Envoyé spécial" sur France 2 et à l'émission "Le meilleur pâtissier" sur M6, c'est France 3 qui se hisse en tête des audiences de ce jeudi soir grâce à la série "Meurtres à...". Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Face à la série "Le Daron" sur TF1, au magazine "Envoyé spécial" sur France 2 et à l'émission "Le meilleur pâtissier" sur M6, c'est France 3 qui se hisse en tête des audiences de ce jeudi soir grâce à la série "Meurtres à...". Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Face au téléfilm "Haut les coeurs" sur France 2, au magazine "Des racines et des ailes" sur France 3 et au documentaire "Hallyday par David" sur M6, c'est TF1 qui se hisse en tête des audiences de ce mercredi soir grâce à la série "Will Trent". Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Face au téléfilm "Haut les coeurs" sur France 2, au magazine "Des racines et des ailes" sur France 3 et au documentaire "Hallyday par David" sur M6, c'est TF1 qui se hisse en tête des audiences de ce mercredi soir grâce à la série "Will Trent". Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Face au téléfilm "Haut les coeurs" sur France 2, au magazine "Des racines et des ailes" sur France 3 et au documentaire "Hallyday par David" sur M6, c'est TF1 qui se hisse en tête des audiences de ce mercredi soir grâce à la série "Will Trent". Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Shoot us a Text.Episode #1215: Today we break down why monthly payments keep climbing despite improving fundamentals, VinFast's shrinking U.S. footprint as it pivots overseas, and VaynerMedia's Anti-Trend Report showing why trend-chasing is officially dead in 2026.Show Notes with links:New-vehicle payments hit a November record at $760, but underneath the headline, several affordability pressures are actually starting to ease. Softer interest rates and strong used-vehicle values are helping cushion buyers as the market normalizes into year-end.Rates dipped to 6.1% and robust used values are keeping trade-in equity near historic highs.Dealer profits stayed steady at $2,161 per vehicle, showing margin stability.However, negative equity rose to 27% of all trades and lease expirations are down 15% YoY and 50% vs. 2023“How aggressively manufacturers choose to adjust discounting and promotional activity during December will be critical in shaping the close of 2025.” said J.D. Power's Thomas King.VinFast's retreat from the U.S. market is accelerating as its retail network falls below two dozen active stores. Falling sales, stalled product plans, and shifting global priorities are prompting dealers to exit while the brand refocuses on markets where demand is stronger.Holman's North Carolina store — VinFast's first U.S. franchise — ends sales Dec. 31, marking the third dealer exit in six months.U.S. registrations fell 57% through October, even as overall EV sales grew 11% in the same period.Several listed stores show no inventory or are “coming soon,” and many active rooftops have 15 or fewer vehicles in stock.“Given the tariff situation and the instability in the EV market, we just need to see how that settles before we push hard in the U.S.,” said VinFast chairwoman Thuy Thu Le.VaynerMedia's new Anti-Trend Report argues that social trends are collapsing faster than ever, making 2026 the year brands stop chasing virality and start pursuing genuine relevance. With algorithms fragmenting attention, emotional connection becomes the new competitive advantage.The report says trend fatigue is accelerating — trends now fade 14x faster than they used to, and 1/3 of consumers think brands “jumping on viral trends” is embarrassing.Platforms are blurring: TikTok layouts show up on Instagram, Facebook-style text posts appear everywhere — meaning content format matters more than platform identity.Audiences expect authenticity, not broadcasts; brands must create two-way social conversations, not passive content streams.“In 2026, the brands that win won't be those who shout the loudest, but those who show up the most real.” — Allan Blair, SVP & Head of Strategy, VaynerMediaThank you to today's sponsor, Mia. Capture more revenue, protect CSI, and never miss a call or connection again with 24/7 phone coverage and texJoin Paul J Daly and Kyle Mountsier every morning for the Automotive State of the Union podcast as they connect the dots across car dealerships, retail trends, emerging tech like AI, and cultural shifts—bringing clarity, speed, and people-first insight to automotive leaders navigating a rapidly changing industry.Get the Daily Push Back email at https://www.asotu.com/ JOIN the conversation on LinkedIn at: https://www.linkedin.com/company/asotu/

10 Years and 500 Peaks and Valleys of Pop Culture This week on the podcast, Brian and Darryl celebrate the Infamous Podcast’s most Infamous Milestone yet… 500 Episodes. Here, they will discuss how the pop culture landscape has changed since July 2015. Episode Index Intro: 0:07 Nostalgia: 5:00 The Rise and Fall of Pop Culture Five hundred episodes in, Brian and Darryl have seen some things. Chief among them: the slow realization that Hollywood learned absolutely the wrong lessons from its biggest successes. Take Marvel. Once upon a time, this was the gold standard. The MCU built toward Avengers: Endgame like it mattered, because it did. When nostalgia showed up, it was earned. Even the contentious stuff, like Captain Marvel or the very “look around, ladies” A-Force moment, happened inside a franchise people still trusted. Then the Disney+ floodgates opened. Too many shows, too little focus, and suddenly big ideas like Doomsday didn't feel epic. They felt panicked. The machine kept pumping content, but the soul quietly clocked out. Spider-Man: No Way Home briefly reminded everyone how this is supposed to work. Nostalgia wasn't the point. Story was. Seeing multiple Spider-Men together actually meant something, and for a minute, Marvel felt dangerous again. Then everyone immediately tried to copy the trick without understanding why it worked. Star Wars didn't even get that far. Somehow, with the original cast alive and willing, the sequel trilogy never once put Luke, Leia, and Han on screen together. Not once. It's arguably the biggest fumble in modern blockbuster history. Nostalgia wasn't used to unite fans. It was used like window dressing, leaving audiences staring at the screen thinking, “How did you miss that?” Indiana Jones followed the same road into the ditch. Instead of honoring what Indy stood for, the franchise tried to modernize the wrong things, misunderstand its own appeal, and slowly sand down the character until nothing recognizable was left. The so-called “Phoebe Waller effect” isn't about one person. It's about Hollywood confusing quippy cynicism and tonal shifts with actual evolution and then acting shocked when audiences check out. And that's the real takeaway here. Nostalgia can't save a floundering global box office. Audiences aren't idiots. They know when they're being sold a memory instead of a story. Recognition has replaced risk, and comfort IP has replaced creativity. The result is a lot of familiar logos and a shocking lack of excitement. And then there's Dexter, quietly walking into the room and embarrassing half of Hollywood. Instead of screaming “remember this?” every five minutes, Dexter did something radical. It changed the setting, brought in new characters, raised the stakes, and kept the core of the character intact. Same morally broken serial killer, new problems. No endless callbacks. No cosplay storytelling. Just character, consequence, and actual intent. Which is wild, because Dexter figured out the thing billion-dollar franchises still can't. If the only thing your revival has is memories, you don't have a revival. You have a reunion tour. Dexter wasn't trying to recreate Miami or trick audiences into nostalgia dopamine. It trusted that people missed the character, not the wallpaper. So while Marvel is throwing multiverses at the wall, Star Wars forgot to put its Trinity in the same room, Indiana Jones got power-washed into irrelevance, and DC is still arguing with itself, Dexter just showed up, changed the scenery, and reminded everyone how this is actually done. Same Dexter. New playground. No panic. No apology tour. Five hundred episodes later, Brian and Darryl aren't mad that pop culture changed. They're annoyed that it changed this lazily. Because if there's one thing a decade of podcasting proves, it's this: people don't stop loving franchises. Franchises stop loving their audiences. And yeah… we're still talking about it. One more note from Darryl… Contact Us The Infamous Podcast can be found wherever podcasts are found on the Interwebs, feel free to subscribe and follow along on social media. And don't be shy about helping out the show with a 5-star review on Apple Podcasts to help us move up in the ratings. @infamouspodcast facebook/infamouspodcast instagram/infamouspodcast stitcher Apple Podcasts Spotify Google Play iHeart Radio contact@infamouspodcast.com Our theme music is ‘Skate Beat’ provided by Michael Henry, with additional music provided by Michael Henry. Find more at MeetMichaelHenry.com. The Infamous Podcast is hosted by Brian Tudor and Darryl Jasper, is recorded in Cincinnati, Ohio. The show is produced and edited by Brian Tudor. Subscribe today!

Bob “Bongo” Starkie was one of Australian rock's most colourful and enduring guitarists — a player whose sharp riffs, cheeky humour, and rhythmic pulse powered Skyhooks from Melbourne cult heroes to national icons. Bongo's journey before, during, and after the band reflects a musician who never lost his spark. Starkie passed away on 29 November 2025, prompting an outpouring of affection from fans and fellow artists who saw him as a vital thread in the fabric of Australian music.Growing up in Melbourne, Bob was drawn to guitar early and spent his young adulthood shaping his craft in pubs, clubs, and rehearsal rooms. He played in a string of local outfits where he built a reputation for clean, punchy rhythm work and an upbeat stage presence. Even before he had a national profile, musicians around the city knew him as reliable, talented, and quietly charismatic — the sort of guitarist other bands wanted to poach.Starkie joined Skyhooks in 1973, stepping into a band that would become one of Australia's most influential rock acts. Skyhooks arrived like a shockwave: irreverent, glammy, theatrical, and unmistakably Australian.Bob's guitar style became a pillar of their sound — tight, melodic, rhythmic, and full of playful swagger. His work powered hits from Living in the '70s and Ego Is Not a Dirty Word, including classics like “Horror Movie,” “You Just Like Me 'Cause I'm Good in Bed,” “Ego Is Not a Dirty Word,” and “Women in Uniform.”Onstage, Bob brought a grounded confidence that balanced the band's wilder theatrical edges. He wasn't the loudest personality in Skyhooks, but his presence was essential — the rhythmic engine room that kept the glitter-covered chaos driving forward.After the band's original era wound down, Starkie remained a working musician through and through. He played in a variety of groups, collaborated widely, and stayed active across Melbourne's music scene.Eventually, he took on a role that fans adored: fronting Bob Starkie's Skyhooks Show, a touring act that kept the band's catalogue alive with humour, heart, and authenticity. Unlike a tribute act, this was the real thing — Starkie playing the music he helped make famous. Audiences loved him for it, and the shows often became celebrations shared across generations.He also contributed frequently to interviews, documentaries, and retrospectives, offering his memories with warmth and clarity. Starkie took pride in the band's legacy and made sure the stories — and the songs — stayed alive.In his final years, Starkie continued performing and engaging with the music community whenever his health allowed. His death led to a wave of tributes across Australia. Artists, fans, music journalists, and former bandmates remembered him as a generous, grounded musician who gave everything to his craft and never lost his sense of fun.Bob “Bongo” Starkie leaves behind more than riffs and records — he leaves behind decades of memories, laughter, friendship, and the unmistakable sound of Skyhooks, a band that helped Australia find its own voice in rock 'n' roll. From his early days in Melbourne pubs to his final shows proudly flying the Skyhooks flag, he stayed true to the music and the people who loved it.His legacy will continue to ring out every time a Skyhooks classic blasts through a speaker.In this episode we explore Bongo's musical life, listening to hin tell his own story, in his own words. Whether you're already familar with the band Skyhooks, or just discovering them for the first time, I'm sure you're going to enjoy hearing Bob's story.For more information, comments or feedback, head to ny website https://www.abreathoffreshair.com.au

Face à M6, c'est France 3 qui est en tête des audiences de ce mardi soir grâce à "Tom et Lola".Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Face à M6, c'est France 3 qui est en tête des audiences de ce mardi soir grâce à "Tom et Lola".Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Face à M6, c'est France 3 qui est en tête des audiences de ce mardi soir grâce à "Tom et Lola".Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Face à la série "R.I.P" sur TF1, à la série "La disparue de Compostelle" sur France 2 et au film "Downton Abbey" sur France 3, c'est M6 qui se hisse en tête des audiences de ce lundi soir grâce à l'émission "L'amour est dans le pré". Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Is TV getting less woke? According to a recent study, nearly half of all LGBTQ+ characters will disappear from TV next season, including 61% of trans characters. In this episode, Tara breaks down: How streaming shows like Stranger Things went from “fun” to overloaded with LGBTQ+ storylines

Bio Info Jarrod Lopiccolo transforms brands through creative digital performance marketing with a strong architectural background. A veteran of 40+ podcasts and 100+ speaking engagements across North America and Europe, he delivers actionable insights for audiences to implement immediately. As CoFounder and CEO of Noble Studios, Jarrod has built an international agency serving Adobe, Google, and Disney while being recognized by Inc. Magazine and Ad Age. His expertise in digital marketing strategy, leadership development, and sustainable tourism makes him ideal for shows targeting CMOs, leaders, and founders. Audiences appreciate his engaging stories, from global business building to adventures like Everest Base Camp, that illustrate practical frameworks for driving revenue and team performance. Jarrod provides strategies for optimizing business growth, building high-performing teams, and creating principle-led cultures in today's digital economy.

On today's podcast episode, we discuss how LGBTQ+ streaming platform Revry has been able to gain traction in a crowded, highly competitive streaming TV universe; what advertisers misunderstand about marketing to the queer community; and some examples of when queer representation in media hit the nail on the head—and when it missed the mark. Join Senior Director of Podcasts and host Marcus Johnson, along with analysts Paola Flores-Marquez and Emmy Liederman, and Revry CEO and Co-Founder Damian Pelliccione. Listen everywhere, and watch on YouTube and Spotify.   To learn more about our research and get access to PRO+ go to EMARKETER.com   Follow us on Instagram at: https://www.instagram.com/emarketer/ For sponsorship opportunities contact us: advertising@emarketer.com For more information visit: https://www.emarketer.com/advertise/ Have questions or just want to say hi? Drop us a line at podcast@emarketer.com    For a transcript of this episode click here: https://www.emarketer.com/content/podcast-behind-numbers-better-understanding-lgbtq-media-content-and-brands-queer-audiences-revry   © 2025 EMARKETER   Campaigns take flight with Viasat Ads. Unlock access to over 250 million passengers annually across leading global airlines, with high-engagement ad formats and real-time delivery. Viasat Ads provides access to a verified audience in a captive environment, so your message reaches passengers when they are ready to engage. Join their journey with Viasat Ads.

Fiction podcasts often hold listeners for longer than non-fiction shows. But what can non-fiction creators learn from this? We break down the simple storytelling tools that keep audiences hooked, including open loops, stronger intros, clearer arcs, and themed seasons. We also highlight some easy wins that improve retention, such as smoother transitions, cleaner audio, and titles that set clearer expectations.We then dive into a detailed review of a history and policy podcast and explore the lessons it offers for growth. Naming clarity, smarter show notes, and better use of a back catalogue all come up as high-impact opportunities. We also look at ways to reach more listeners through collaborations, community spaces, news-reactive episodes, and in-app promotion. The thread throughout is simple. Strengthen retention first, then build reach with structure, consistency, and relevance.MentionedPutting the Past to Work: The History-Policy Podcast at UCLAHow to Record the Perfect Podcast IntroApply to be Featured on Apple PodcastsThe SCALE Podcast Growth FrameworkThe Bumper Dashboard: The Future of Podcast AnalyticsPodcraft is brought to you by Alitu and The Podcast Host

Face au film "Le règne animal" sur France 2, à la série "Les enquêtes de Vera" sur France 3 et au magazine "Zone interdite" sur M6, c'est TF1 qui se hisse en tête des audiences de ce dimanche soir grâce au film "Noël joyeux". Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

The 2026 Blueprint for Growing Your Clothing Brand (What Actually Works Now)Make Designs (with discount)

Who doesn't love the smell of a fresh Christmas tree? That unmistakable pine scent isn't just nostalgic — it may actually have measurable benefits. We start this episode with a look at why the aroma of pine can lift your mood, help you relax, and enhance your holiday season. Source: https://www.foxnews.com/health/the-healing-power-of-pine Audiences are remarkable. Whether it's a play, a movie, or a concert, something special happens when people gather — a shared energy that shapes how we feel and how performers respond. But how did audiences become “a thing”? Why do we applaud? And how did we learn the unspoken rules of audience behavior? Theatre historian Robert Viagas, Editor-in-Chief of Encore Monthly and longtime Playbill veteran, joins me to explore the fascinating evolution of audiences. He's author of Right This Way: A History of the Audience. (https://amzn.to/46F8lOS) We love certainty — confident leaders, clear answers, and firm decisions. Yet uncertainty can be surprisingly powerful. Journalist Maggie Jackson explains how not knowing can spark curiosity, deepen thinking, and ultimately lead to better choices. Her work has appeared in The New York Times, Business Week, Vanity Fair, and Wired.com. She's the author of Uncertain: The Wisdom and Wonder of Being Unsure. (https://amzn.to/3Gli42b) Want to get more done in less time? We wrap up with three simple but highly effective productivity techniques from expert Don Wetmore that can help streamline your day and boost your efficiency. Source: https://productivity-institute.com/ PLEASE SUPPORT OUR SPONSORS! AURA FRAMES: Visit ⁠⁠⁠https://AuraFrames.com⁠⁠⁠ and get $45 off Aura's best selling Carver Mat frames by using promo code SOMETHING at checkout. DAVID GREENE IS OBSESSED: We love the "David Greene Is Obsessed" podcast! Listen at ⁠ https://link.mgln.ai/SYSK⁠ or wherever you get your podcasts. QUINCE: Give and get timeless holiday staples that last this season with Quince.  Go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://Quince.com/sysk⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for free shipping on your order and 365 day returns! DELL: It's time for Cyber Monday at Dell Technologies. Save big on PCs like the Dell 16 Plus featuring Intel® Core™ Ultra processors. Shop now at: ⁠⁠⁠⁠⁠⁠ https://Dell.com/deals ⁠⁠⁠⁠⁠⁠ AG1: Head to ⁠⁠⁠⁠⁠⁠https://DrinkAG1.com/SYSK ⁠⁠⁠⁠⁠⁠ to get a FREE Welcome Kit with an AG1 Flavor Sampler and a bottle of Vitamin D3 plus K2, when you first subscribe!  NOTION: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Notion brings all your notes, docs, and projects into one connected space that just works . It's seamless, flexible, powerful, and actually fun to use! Try Notion, now with Notion Agent, at: ⁠⁠⁠⁠⁠⁠https://notion.com/something⁠⁠⁠⁠⁠⁠ PLANET VISIONARIES: In partnership with Rolex's Perpetual Planet Initiative, this… is Planet Visionaries. Listen or watch on Apple, Spotify, YouTube, or wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

The deal is done. Netflix will purchase Warner Bros. Discovery for $82 billion. Yet another corporate monopoly drives a nail through Hollywood's coffin. It was bad enough when Disney bought Fox, Star Wars, and Marvel. Now, Netflix will be among the most powerful corporate monopolies, replacing what Hollywood used to be.America gave up on Hollywood because Hollywood gave up on America. The result is empty movie theaters all over the country—one bomb after another. Of course, Warner Bros. knew. You'd have to be an idiot not to know. Does anyone think Netflix is sweating the online memes accusing it of being too woke? No, they aren't. They are making too much money to care. With streaming, there is no free market pressure, no quality control. You don't have to motivate people to leave their homes. You don't need big stars to drive box office, and best of all, you can ignore the silent majority that has tuned you out long ago. Hate the trans agenda being shoved down everyone's throat? Too bad. Your boycotts are a drop in the bucket at Netflix. It's the perfect solution to Hollywood's problem. They can have everything they want — a virtue signaling paradise — and never have to worry about big budgets or low box office ever again. That's the easy way out. The truth is harder to swallow. They destroyed themselves. They wrecked their brand and alienated their audience. Hollywood built a ship of failure when it split into two divergent paths around 2003, after the Harry Potter and Lord of the Rings franchises brought in ungodly profits not just here but around the world. The branding was the key, the IPs. For years, they dominated the global box office and brought people to movie theaters across the country.Meanwhile, in the other Hollywood, in the “prestige” niche lane where the Oscars live, things began to get smaller, more isolated, more aligned with politics, especially under Barack Obama. His win influenced almost everything, as he loves to put out his top-ten lists every year and even has a deal with Netflix. These two Hollywoods existed side by side like the First Class section of the airplane vs. Coach, where they “let them eat Marvel.” You can see the rise and fall in one image, from Box Office Mojo:This year might mean that, for the first time since 2020, China will dominate the Worldwide box office rather than Hollywood, unless Jim Cameron can bring Avatar: Fire and Ash over the 2 billion mark.In 2019, Hollywood put out over 900 movies. Last year, just 624, and many of them bombed. So what happened? 2020 happened. The one-two punch of COVID and the Great Awokening brought Hollywood to its knees. The Oscar race this year is loaded with unwatchable movies that swirl around things almost no one outside the bubble of Hollywood cares about, identity mainly. Mothers' caterwauling their oppression, like Die, My Love, If I had Legs I'd Kick You, and even One Battle After Another feature women who seem to hate their children. The people who run Hollywood are still mostly rich white men, but they must always genuflect, with women or people of color as shields to protect them from accusations of sexism or racism by the mob online. The rise of female directors who get these jobs for no other reason except that they're female has transformed a once-great industry into a DEI film school. Every couple is interracial. Every movie must have significant actors of color. The GLAAD lobby demands representation everywhere. Why would anyone want to pay money to have them shove their ideology down our throats?Success doesn't even matter to them. That they project “goodness” is all they care about now, their status inside utopia. The EndAs I drive across this country, I sometimes see a multiplex in a mall. It looks as deserted to me as the old drive-ins once did, and I can't help but think this really is the end for movie theaters. They'll go the way of the record store, limited to enthusiasts in the big cities. Everyone else will numbly scroll through Netflix for whatever they can find, but it will never have the same cultural impact as a great movie when we're all under one roof, sharing a story.It's yet more separation, more isolation, more internet, more social media, less of what we all need as a society.“The Future is Coming, and You Aren't In It”After COVID ended for rational Americans, we all wondered whether people would return to the movies. The paranoid mask-wearing Liberals did not. Even Peggy Noonan noticed.In 2022, a miracle arrived in the form of Tom Cruise starring in Top Gun: Maverick. It made so much money that it wiped clean the argument that Hollywood was over and movie theaters were dying. Although it was nominated for Best Picture, it lost to the woke screed, Everything Everywhere All At Once. That was a sign that Hollywood was not ready for the iceberg right ahead.The following year showed promise, with “Barbenheimer,” “Oppenheimer,” and “Barbie” becoming cultural sensations on TikTok. The Oscars did the right thing and gave their awards to Oppenheimer. Though things seem to be moving in the right direction, it's too little, too late. Audiences don't trust Hollywood anymore, and I can't blame them. Of all the Warner Bros. movies that were successful this year, the Oscar will likely go to the anti-ICE, pro-ANTIFA, anti-Trump rallying cry, One Battle After Another. No film in recent memory has better captured the singular worldview of the progressive Left.As Curtis Yarvin wrote for The Spectator:Fundamentally, One Battle is a religious film. It is entirely set in the fantasy landscape of the great American religion, progressivism, the 20th-century evolution of our ancient Puritan tradition. If you are a true believer, imagine watching Battlefield Earth without being a Scientologist. For non-progressives, One Battle may be necessary viewing. It displays the interior landscape of the narcissistic narrative of our world's dominant cult of power. We seldom get to strap a GoPro to the inside of a lib's forehead. And he continues:So this film is out there – recruiting damaged people by presenting them as romantic heroes in a propaganda fantasy. Few will kill. But many will clap. When bad movies succeed, as One Battle will, they diagnose something bad in the audiences they entertain. Corrupt art is the pathognomonic mark of a corrupt society. Shitty people will watch this shitty film, and love it. Shitty journalists have already given it a standing ovation – the politics makes them hard, like Lockjaw. This evil is at the very heart of our culture.As Leonard Cohen noted: “I have seen the future, brother. It is murder.” Murder is as old as Cain. The anonymous internet is young. Nobody asked for the combination. But they'll get it.So, of course, the critics have gone nuts for it. It IS religious for them. It's already won many awards and is on track to win Best Picture. Trust me, Hollywood has no desire to save itself. One Battle After Another cost upwards of $140 million and only made $70 million in the US, with the bulk of its profits made overseas on Leonardo DiCaprio's name, which is why it's assumed he demanded his usual fee of $20 million. Old Hollywood understood that you don't reward failure with film awards. New Hollywood cares less about the money and more about the message. The public used to matter because the box office did. No wonder WB is selling out after watching one bomb after another this past year. Why wait for bankruptcy? Why not cash out now on a high note?This is the kind of thing Hollywood pumps out now:And therein lies the problem. They forgot it wasn't about them. They believed their own publicity. They fell in love with their own image, like Narcissus. They began to believe they were important. We loved movies and celebrities for what they gave us, not for who they are. We don't care. We don't need them to fix us. Or teach us. Or lecture us. Or scold us. We just need them to entertain us. Well, now the billionaires have arrived to prove to them how little they matter when it comes to the bottom line. And if you think that's bad, wait until the AI tsunami wipes out half the industry. The audience was always their best hope for survival. As long as we showed up, Hollywood and its stars had power. Now that audiences have vanished, well, the ship is made of iron, and it will sink.Who knows, maybe Congress or Trump can stop the merger. That still won't fix the fundamental problem of what Hollywood has become and why the public turned away. On the upside, the giant hole Hollywood leaves behind, like the asteroid that killed the dinosaurs, might open up movie theaters to a new breed of filmmaker. Maybe they can make movies Hollywood or Netflix never would - trashy comedies, cheap horror, romantic comedies, Dirty Harry movies. Who knows, maybe we can Make Hollywood Great Again. What better way to rebuild a counterculture?Altamont, Illinois, 8:42AM. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.sashastone.com/subscribe

In this episode of the MadTech Podcast, Shula Sinclair, chief strategy officer at T&P, joins ExchangeWire editor Aimee Newell Tarín and head of content John Still to discuss the latest surrounding Meta's fraudulent ads, AI sending traffic and conversions soaring for retailers, and the influencer landscape. They look at a complaint launched by Swedish publishers against Meta, how AI is reshaping consumer habits, and influencer content's increasing popularity with older viewers.

Dans cet épisode de Culture Média, Thomas Isle reçoit Arnaud Chautard, coproducteur de la série Loup-Garou, qui revient sur Canal+ pour une deuxième saison et séduit à l'international. L'émission évoque aussi l'élection de Miss France 2026, diffusée sur TF1, avec les confidences de la Miss France 2025. Europe 1 se mobilise pour le Téléthon, porté par Sophie Davant, et un point est fait sur les audiences TV, avec de bonnes performances pour France 3 et France 2.À retenir :Retour de la série Loup-Garou sur Canal+ (saison 2).Élection de Miss France 2026 en direct sur TF1.Mobilisation pour le Téléthon et bilan des audiences TV.Notre équipe a utilisé un outil d'Intelligence artificielle via les technologies d'Audiomeans© pour accompagner la création de ce contenu écrit.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Face à la série "Le Daron" sur TF1, au magazine "Cash investigation" sur France 2 et à l'émission "Le meilleur pâtissier" sur M6, c'est France 3 qui se hisse en tête des audiences de ce jeudi soir grâce au téléfilm "Dans l'ombre des dunes". Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

In this forward-looking episode of the SpeakersU Podcast, James Taylor and Maria Franzoni unpack the key trends shaping the global speaking industry as we head into 2026 and beyond. Maria shares insights from her presentation at the Speaker Summit & Awards on the Future of the Speaking Industry, while James brings field reports from 25 countries — including Saudi Arabia, Dubai, the Philippines, and New Zealand — revealing what's really happening in global event markets. Together they discuss where speaking opportunities are growing, which regions are slowing down, the rise of hybrid events, the impact of AI and generative search, and why bookers are demanding greater ROI and customisation from every speaker they hire. Whether you're an emerging or established speaker, this episode will help you stay ahead of market shifts, adapt your marketing, and future-proof your speaking business.     Key Takeaways ROI is everything – Bookers expect measurable value and tangible takeaways from every speaker. Stack your value – Offer panels, Q&As, and workshops to increase ROI and referrals. Hybrid events aren't going away – Learn to master both live and virtual audiences. Recording is now standard – Expect to be filmed; be clear on how your footage is used. Customisation is essential – Tailoring your keynote builds trust and repeat bookings. AI tools are reshaping marketing – From James's Taylor-Made AI tool to generative SEO (GEO/AEO), speakers must adapt fast. Bookers are getting younger – They're digital natives searching on social media and ChatGPT. Video expectations are changing – Bookers want full-length clips, not just highlight reels. Industry recovery is uneven – It's a K-shaped comeback: top speakers thrive, many others struggle. Global trends – Middle East (Riyadh-focused), Southeast Asia, and Turkey are hot; Europe and the US are mixed; India is poised to boom.     Memorable Quotes "It's not enough to show up and speak — you have to show clear ROI for the booker and the audience." – Maria Franzoni "Stack your value. Go beyond the keynote — moderate, run a panel, do a workshop." – James Taylor "If you're saying no to being recorded, you might not get chosen." – Maria Franzoni "We're moving from SEO to GEO — from search engine optimisation to generative engine optimisation." – James Taylor "You don't need to be on every social platform, but you do need to be where your next generation of bookers are." – Maria Franzoni "Be passionate about your topic. Audiences forgive nerves but never indifference." – James Taylor     Episode Timestamps 00:00 – Welcome, party season, and comedy talk 02:52 – Introducing today's theme: Speaking Industry Trends 03:20 – What bookers want in 2026: ROI and added value 06:01 – How James stacks value with workshops and panels 07:59 – Hybrid events: why they're here to stay 10:09 – The rise of recording and licensing considerations 12:26 – Customisation and tailoring expectations 14:53 – Using AI for keynote research and relevance 16:41 – James's new "Taylor-Made AI" keynote customisation tool 17:59 – From SEO to GEO: adapting to generative search 18:59 – Younger bookers and digital-native expectations 21:04 – How bureaus help new planners avoid mistakes 23:12 – The K-shaped recovery in the speaking market 25:41 – Why innovation speakers are struggling and AI speakers are thriving 26:52 – Showreels and video trends: longer, more authentic footage 28:06 – Why TED-style talks are losing impact 29:58 – Digital twins and AI-driven content for speakers 32:38 – Global hotspots: Middle East focus shifting to Riyadh 36:10 – Asia and India's fast-growing opportunities 39:20 – Europe's uneven landscape and UK fee pressures 42:14 – The US outlook, shifting city destinations, and Latin America's rise 44:28 – Wrap-up and call for listener suggestions    Resources & Links

How do we ever know what is enough – or feel like enough – in a world that pushes us to incessantly perform, perfect, collect, and earn?  The extraordinary duo Suleika Jaouad and Jon Batiste are here for one of the richest conversations we've had about art, love, ambition, spirituality, and what it takes to remain ourselves.  Together, we explore:  - The “beast” we all carry: fear, perfectionism, control, or ambition—and how facing it is the only way out;  - How we can all begin to alchemize our pain into creativity; and  - How to hold onto the integrity of art, beauty, and love in a world that's always searching for “more.”  This conversation will help you take a deep breath and finally feel like it's all enough – including you.  .  And check out our prior conversations we had with Suleika, the brilliant author of The Book of Alchemy: How to Stay Human; and How to Turn a Mistake into Magic.  About Jon Batiste:  Jon Batiste is a seven-time Grammy and Academy Award–winning artist whose music moves between jazz, soul, classical, and pop.  His ninth studio album, Big Money, was released on August 22nd, and is supported by a national headlining tour with more than 30 stops. Audiences also know Jon from his Oscar-winning score for his chart-topping album Beethoven Blues and the acclaimed documentary American Symphony, which celebrates his artistry, resilience, and love with his wife Suleika at the height of his creative powers.  About Suleika Jaouad: Suleika Jaouad is the author of the New York Times bestselling memoirs The Book of Alchemy and Between Two Kingdoms. She writes The Isolation Journals, the #1 Literature newsletter on Substack, and wrote the New York Times “Life, Interrupted” column. A three-time cancer survivor and visual artist, she appears with her husband Jon Batiste in the Oscar-nominated documentary American Symphony.

host: Alyson Stanfield In 2020, Dawn Trimble was laid off from her interior design job during the pandemic while navigating a divorce—and she felt relief. That moment became a turning point. Within months of painting full-time, she launched her first collection, which sold out in days and matched her corporate paycheck. Dawn talks about the practical steps she took to build momentum, what she brought from her design background into her art business, how she thinks about creativity as service rather than self-expression, and why she believes the most important thing any artist can do is simply start. HIGHLIGHTS 01:40 Dawn describes her serene watercolor paintings 03:00 The relief of being laid off during the pandemic 05:40 Creating her first collection and selling out in days 08:00 The three-legged stool business approach 26:00 Wall covering licensing partnerships that surprised her with the size of the first checks 29:00 How she structures her week 32:00 Marketing through storytelling and connection 39:00 The "Memories" collection and her father's dementia 44:00 Her faith, viewing herself as conduit, not source 47:20 Her advice to other artists: just do it DAWN'S ACTION FOR YOU Dawn reminds us that everyone has insecurities and everyone is afraid. But you have to start anyway. As she mentioned, inspiration has to find us working. You can't sit around wishing—it has to be an action. So this week, get into your studio and make something. Let inspiration find you working. To read more, see images, find resources mentioned, and leave a comment, visit https://artbizsuccess.com/trimble-revenue Connect with Dawn and see more of her art: https://dawnmtrimbleart.com

Face à la série "Will Trent" sur TF1, au magazine "Des racines et des ailes" sur France 3 et à la série "Scènes de ménages" sur M6, c'est France 2 qui se hisse en tête des audiences de ce mercredi soir grâce à la série "Ardennes". Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

What if the secret to building an authentic, successful career isn't a linear path, but embracing the chaos of a playground model and leveraging your most human qualities?In this episode of Glass Ceilings and Sticky Floors, Erica Rooney sits down with Ashley Faus, Head of Lifecycle Management at Atlassian and author of the upcoming book, Human-Centered Marketing, How to Connect with Audiences in the Age of AI. Ashley brings a fresh perspective, blending her deep expertise in marketing and technology with her background in musical theater and vocal performance.Join them as they explore how the empathy skills of a theater kid translate directly into high-level business strategy, and how women can build true trust, authority, and influence using Ashley's four pillars of thought leadership.Inside the Episode:The Theater Kid to Tech Leader Pipeline: Ashley reveals the surprising synergy between musical theater and marketing, explaining how stepping into a character's shoes directly translates into high-level audience empathy and strategic business connection.The Problem with "Bright Girls": A discussion on why the linear structure of traditional education is a disservice to high-achieving women, leading them to believe that career snags mean they're "not smart."The Career as a Playground: Why the traditional career funnel doesn't work and how to view your professional journey as a playground where you can climb the slide or use skills in "the wrong way" (e.g., a lateral move) for massive long-term growth.The Checkers vs. Chess Promotion Rule: Critical advice for ambitious women on how to play the "smart game of checkers" for 12 months after a promotion, avoiding the frustration of unrealistic growth expectations in large companies.The Four Pillars of Thought Leadership: Ashley breaks down her framework for building influence: Credibility, Profile, Being Prolific, and Depth of Ideas. Learn which pillar is likely your weakest point and how to strengthen it.Building Trust in the Age of AI: The three essential human elements (Logic, Empathy, and Authenticity) that are critical for building genuine trust and authority when the digital world is flooded with AI-generated content.The Minimum Viable Action (MVA): A practical strategy for managing your energy and relationships, maintaining a "warm" baseline (e.g., a quick text) so you don't always have to start from zero.If you're ready to embrace a non-linear career path and use your innate human connection skills to build lasting influence and authority, this episode is your strategic guide.

What if the secret to building an authentic, successful career isn't a linear path, but embracing the chaos of a playground model and leveraging your most human qualities?In this episode of Glass Ceilings and Sticky Floors, Erica Rooney sits down with Ashley Faus, Head of Lifecycle Management at Atlassian and author of the upcoming book, Human-Centered Marketing, How to Connect with Audiences in the Age of AI. Ashley brings a fresh perspective, blending her deep expertise in marketing and technology with her background in musical theater and vocal performance.Join them as they explore how the empathy skills of a theater kid translate directly into high-level business strategy, and how women can build true trust, authority, and influence using Ashley's four pillars of thought leadership.Inside the Episode:The Theater Kid to Tech Leader Pipeline: Ashley reveals the surprising synergy between musical theater and marketing, explaining how stepping into a character's shoes directly translates into high-level audience empathy and strategic business connection.The Problem with "Bright Girls": A discussion on why the linear structure of traditional education is a disservice to high-achieving women, leading them to believe that career snags mean they're "not smart."The Career as a Playground: Why the traditional career funnel doesn't work and how to view your professional journey as a playground where you can climb the slide or use skills in "the wrong way" (e.g., a lateral move) for massive long-term growth.The Checkers vs. Chess Promotion Rule: Critical advice for ambitious women on how to play the "smart game of checkers" for 12 months after a promotion, avoiding the frustration of unrealistic growth expectations in large companies.The Four Pillars of Thought Leadership: Ashley breaks down her framework for building influence: Credibility, Profile, Being Prolific, and Depth of Ideas. Learn which pillar is likely your weakest point and how to strengthen it.Building Trust in the Age of AI: The three essential human elements (Logic, Empathy, and Authenticity) that are critical for building genuine trust and authority when the digital world is flooded with AI-generated content.The Minimum Viable Action (MVA): A practical strategy for managing your energy and relationships, maintaining a "warm" baseline (e.g., a quick text) so you don't always have to start from zero.If you're ready to embrace a non-linear career path and use your innate human connection skills to build lasting influence and authority, this episode is your strategic guide.

Face au film "Harry Potter et les Reliques de la mort - Partie 1" sur TF1, à la fiction "Notre histoire de France" sur France 2 et à l'émission "La France a un incroyable talent" sur M6, c'est France 3 qui se hisse en tête des audiences de ce mardi soir grâce à la série "Tom et Lola". Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

The newly renovated Troy Savings Bank Music Hall will welcome two-time Grammy Award-winning Albany Symphony for dazzling holiday performances on December 13 and 14.Audiences will enjoy Haydn's most famous work, the “Surprise” Symphony; Mozart's greatest concerto, his Piano Concerto No. 20 in d minor, Bach's joyful, virtuosic Brandenburg Concerto No. 5, and the thrilling world premiere of a work by an extraordinarily brilliant 14-year-old composer, Isaac Thomas. On December 7th, families can revel in the sparkle of Magic of the Season, the Capital Region's most beloved holiday spectacular, returning with its heartwarming blend of music, community, and festive delight. Maestro David Alan Miller is here with all the details.

Everybody loves a good origin story, but not every story is worth retelling. The real skill is knowing when to evolve, not repeat.That's the lesson of Andor, the Star Wars series that turned subtle storytelling into a strategy for lasting relevance. In this episode, we explore its B2B marketing takeaways with the help of our special guest Rachel Sterling, CMO of Identity Digital. Together, we break down what B2B marketers can learn from spotting product fatigue early, tailoring stories for evolving audiences, and creating content that sparks conversation, not just clicks.About our guest, Rachel SterlingRachel Sterling serves as Chief Marketing Officer where she is focused on expanding Identity Digital's impact on driving awareness and adoption of our top level domain portfolio. Prior to joining Identity Digital, Rachel held senior leadership positions at Proximie, Instagram, Twitter, and Google where she developed impactful strategies around product, integrated, content, and event marketing.Rachel also possesses a creative background, spending the first eight years of her career working in TV production and post-production. Rachel lives in Belmont, CA with her husband and two children.What B2B Companies Can Learn From Andor:Recognize when the story has run its course. Just like Disney realized Luke Skywalker's arc had reached its limits, Rachel ties that lesson to brand fatigue. Audiences, like customers, eventually want something new. As she puts it: “Their main characters had been exhausted… you have to consistently monitor for user sentiment.” Andor worked because it didn't cling to nostalgia; it built from a blank slate. In B2B, that means knowing when your message or product line has hit its ceiling and having the courage to reinvent before your audience tunes out.Segment for meaning, not just demographics. Disney didn't make Andor for everyone. It made it for the fans who grew up with A New Hope. Rachel explains: “By exploring more mature themes, you're building content specifically for the core audience that had been there since the very beginning.” The same rule applies in B2B. As your audience evolves, so should your tone, themes, and depth. Mature buyers crave nuance; new ones need accessibility. Build the right story for the right segment, and you'll meet each generation where they are, not where they were.Make content that talks back. Rachel points out that Andor isn't a passive show. It demands engagement long after the credits roll. As she says: “Content no longer exists in a passive experience… The sign of a good show is when you can engage in conversation beyond just a simple, ‘that was good.'” In B2B, the same holds true. The best content doesn't just get attention; it gets people talking, sharing, and connecting around a shared idea. Don't settle for applause, aim for conversation that keeps your brand in motion.Quote“Just because you feel affinity for the product does not mean that people will continue to share that affinity. I definitely think that marketers, from seeing the decision that Disney made to Greenlight Andor, can take away the message [to] understand when you have product fatigue.”Time Stamps[00:55] Meet Rachel Sterling, Chief Marketing Officer at Identity Digital[01:51] Why Andor?[03:36] The Role of CMO at Identity Digital[04:45] What is Andor?[22:32] B2B Marketing Lessons from Andor[42:14] Identity Digital's Brand and Content Strategy[45:52] Advice for First-Time CMOs[48:27] Final Thoughts and TakeawaysLinksConnect with Rachel on LinkedInLearn more about Identity DigitalAbout Remarkable!Remarkable! is created by the team at Caspian Studios, the premier B2B Podcast-as-a-Service company. Caspian creates both nonfiction and fiction series for B2B companies. If you want a fiction series check out our new offering - The Business Thriller - Hollywood style storytelling for B2B. Learn more at CaspianStudios.com. In today's episode, you heard from Ian Faison (CEO of Caspian Studios) and Meredith Gooderham (Head of Production). Remarkable was produced this week by Jess Avellino, mixed by Scott Goodrich, and our theme song is “Solomon” by FALAK. Create something remarkable. Rise above the noise. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Matthew Bertram and Chris Krimitsos dive into how creators and brands can grow faster together amid an AI content surge, with real case studies from Podfest and beyond. We map a practical playbook: entity SEO, the 7-11-4 rule, a clip-first workflow, and partnership models that beat CPMs.• creator economy trends and the shift to video• long form for trust, shorts for discovery• entity SEO, consistent handles and domains• the 7-11-4 rule for brand familiarity• platform economics with YouTube as home base• partnership deals beyond CPMs and MGs• measuring hidden ROI and affiliate leakage• NIL, rights and repurposing content• brand control vs creator authenticity• B2B adoption steps, timelines and testsGuest Contact Information: Website: chriskrimitsos.comInstagram: instagram.com/chriskrimitsosFacebook: facebook.com/chriskrimitsosX: x.com/chriskrimitsosMore from EWR and Matthew:Leave us a review wherever you listen: Spotify, Apple Podcasts, or Amazon PodcastFree SEO Consultation: www.ewrdigital.com/discovery-callWith over 5 million downloads, The Best SEO Podcast has been the go-to show for digital marketers, business owners, and entrepreneurs wanting real-world strategies to grow online. Now, host Matthew Bertram — creator of LLM Visibility™ and the LLM Visibility Stack™, and Lead Strategist at EWR Digital — takes the conversation beyond traditional SEO into the AI era of discoverability. Each week, Matthew dives into the tactics, frameworks, and insights that matter most in a world where search engines, large language models, and answer engines are reshaping how people find, trust, and choose businesses. From SEO and AI-driven marketing to executive-level growth strategy, you'll hear expert interviews, deep-dive discussions, and actionable strategies to help you stay ahead of the curve. Find more episodes here: youtube.com/@BestSEOPodcastbestseopodcast.combestseopodcast.buzzsprout.comFollow us on:Facebook: @bestseopodcastInstagram: @thebestseopodcastTiktok: @bestseopodcastLinkedIn: @bestseopodcastConnect With Matthew Bertram: Website: www.matthewbertram.comInstagram: @matt_bertram_liveLinkedIn: @mattbertramlivePowered by: ewrdigital.comSupport the show

Worried that giving the same talk more than once would box you in - or worse, bore you to tears?I've been there. And if you're a builder-of-slides-at-heart like me, the idea of sticking to one signature talk can feel a little… constraining.But here's the truth: the talk you give again (and again and again) is the one that becomes unforgettable - for you and your audience.In this episode, I'm joined by Thought Leader Academy graduate Kelly Mallery, who proves exactly that. Kelly works in the continuous improvement and lean space, and she discovered that honing one powerful talk didn't limit her creativity, it amplified it. And it opened doors.We talk about how she's evolved her talk, why a transformer toy has become part of her on-stage brand (yes, really), and how she learned to adapt the same content for both 20-minute and 60-minute speaking slots without losing impact.Whether you're speaking to industry peers, corporate audiences, or groups who've never heard of your topic before, what Kelly shares will help you rethink how reusable and scalable your signature talk can be.Kelly and I talk about:Why one signature talk can actually increase your impact, confidence, and clarityHow Kelly transformed her message by introducing her “Resistobots” (inspired by her love of Transformers)The power of refining the same talk through multiple deliveriesWhat changes—and what stays the same—when adapting a talk from 20 minutes to 60 minutesHow your ideal audience and your buyer can be two different people, and why it mattersThe importance of opening strong and closing with purpose (no rushing just to “get to the content”!)Why props, stories, and frameworks make your message stick—and lead to more speaking invitesLinks:Show notes at https://www.speakingyourbrand.com/453/ Kelly's website: https://www.kellymallery.com/ Watch Kelly deliver a 10-minute version of her signature talk = https://www.youtube.com/live/4ytvyFXfGU0?si=BH8Z-8qt8Npt2XWuDiscover your Speaker Archetype by taking our free quiz at https://www.speakingyourbrand.com/quiz/Enroll in our Thought Leader Academy: https://www.speakingyourbrand.com/academy/ Connect on LinkedIn:Carol Cox = https://www.linkedin.com/in/carolcoxKelly Mallery (guest) = https://www.linkedin.com/in/kelly-mallery-coaching/ Related Podcast Episodes:Episode 345: Elevate Your Audience Engagement Skills with These Proven Strategies with Katie AndersonEpisode 355: What a Signature Talk Is and What It Should be Doing for YouEpisode 354: Finding and Developing Your Big I.D.E.A.Episode 440: No Need to Start from Scratch: Repurpose Your Signature Talk for Different Topics and Audiences

My personal branding journey has been shaped by years of helping entrepreneurs and influencers build their presence and influence. I've had the privilege of working with top names in the industry, refining their brand messages and guiding them to create meaningful media opportunities.  Through my own experience as both a podcast host and a dedicated listener, I've learned what it takes to captivate an audience and leave a lasting impression. In today's episode, I'm sharing these lessons to help you do the same!  I reveal my top strategies for becoming a podcast guest that leaves people wanting more. You'll learn how to connect with your audience on a deeper level and make an impact that translates to more followers and potential clients.  "Your goal as a podcast guest is to think about all the questions that the host could ask, and make the answers a documentary instead of a lecture." ~ Jen Gottlieb In This Episode: - Introduction & the power of podcast guesting - Defining the ideal podcast audience avatar - Why storytelling is crucial for podcast success - How to create sound bites that get shares - Giving away your best value on podcasts - Building relationships with your podcast host - Why you must focus on just one call to action - Bonus tip: Be the biggest promoter of the podcast           Where to find me: IG: https://www.instagram.com/jen_gottlieb/    TikTok: https://www.tiktok.com/@jen_gottlieb     Facebook: https://www.facebook.com/Jenleahgottlieb    Website: https://jengottlieb.com/    My business: https://www.superconnectormedia.com/    YouTube: https://www.youtube.com/@jen_gottlieb

We are taking a heartwarming ride back to Walnut Grove with three beloved Little House On The Prairie cast members: Alison Arngrim, Dean Butler, and Karen Grassle, as they reunite to celebrate the show's enduring magic and to preview a new documentary and a Simi Valley cast reunion event in December, 2025.We explore why Little House continues to resonate across generations, drawing parallels to Star Trek and its devoted fan culture. Audiences still crave the sense of simplicity, community, and frontier resilience the series embodies.Karen Grassle shares the story of landing her very first series regular role as Caroline Ingalls after eight lean years as a struggling New York actor. The cast reflects on the unexpected typecasting that followed their time on the prairie, and Alison recalls the heady moment when, at age 12, she recognized the deliciously devious nature of her role, Prairie Bitch, Nellie Oleson.We delve into the legacy of Michael Landon, his uncanny eye for casting, his individualized directing style, and why guest stars adored working with him, while Karen offers a candid look at her complicated relationship with Michael  and the challenges she faced as a women on that set.Alison and Dean walk us through the phenomenon of the Little House passport book, that allows Laura fans to mark every museum that celebrates the Ingalls family's history in their town. And the cast previews what will make the Simi Valley reunion truly special for enthusiasts, including meet-and-greets, photo-ops, breakfast with the cast, a screening of the 'Little House Homecoming' documentary and a tote bag!We also discuss the real, sometimes harsh conditions the actors faced on set, including rain, snow, fire and Victor French leaping into a freezing creek. And we get into the new Netflix limited series currently in production (though the original cast isn't officially involved, they share their openness to making appearances). And of course we make time for game time. How well does the cast know what takes place in the Books vs. the Series? And we play the IMDB Roulette Sub-Genre,  Were You In it? This is a conversation that celebrates the past, embraces the future and shares the community of Little House.In current media --Fritz: The documentary Being Eddie on NetflixWeezy: Netflix movie, Train DreamsPath Points of Interest:LHOP Holiday cast reunion Dec 12 - 14th, 2025Little House Homecoming DocumentaryDean ButlerDean Butler on InstagramDean Butler on FacebookAlison Arngrim Alison Arngrim on InstagramAlison Arngrim on FacebookKaren GrassleKaren Grassle on InstagramLaura Ingalls Wilder Tour PassportConfessions Of A Prairie Bitch by Alison ArngrimPrairie Man by Dean ButlerBright Lights, Prairie Dust by Karen GrassleBeing Eddie Train Dreams 

Send us a Question!PATREON MOVIE DISCUSSION: This movie was selected by our Patreon Supporters over at the Cinematic Doctrine Patreon. Support as little as $3 a month and have your voice heard!  Shirleon joins Melvin to discuss 2013's insane surprise financial hit, Now You See Me! Despite being a critical flop the film was a blockbuster blowout earning nearly 5x its budget! So, who's right, the critics or the audiences? Tune in and find out! Topics:Editor's Note: No Patreon Exclusive discussion! But, I do intend to trim this episode down from its original 1:08:02 length, so if you want to hear the UNCUT version, tune in on Patreon here!Shirleon says she'd rather rewatch Death Note (2017) than ever watch Now You See Me again.Melvin, "I just thought the movie was bad."Every character basically sucks. If they don't suck, they're boring.Melvin has an issue with how normies and the working-poor are depicted, and he also feels it takes its audience for granted. It thinks its audience is a bunch of morons.Shirleon is overtaken by how much stuff is stuffed into this film, and the two discuss why that's a serious problem.Melvin talks about Safety Not Guaranteed, a movie that's got similar themes of belief and hope but isn't a total mess.Trying to make sense of the ending.Recommendations:What Moves the Dead by T. Kingfisher (2023) (Novel)Smiling Friends (2020-X) (Series)Support the showSupport on Patreon for Unique Perks! Early access to uncut episodes Vote on a movie/show we review One-time reward of two Cinematic Doctrine Stickers & Pins Social Links: Threads Website Instagram Facebook Group

In today's episode of the Creative Edition Podcast, we're diving into one of the most powerful ways to grow your brand, build trust with your audience, and streamline your content workflow: the signature series.A signature series is a recurring, themed content format that becomes part of your brand identity. It's the series your audience starts to recognize immediately—whether it's your intro music, your color palette, your editing style, or the unique way you tell stories. Think of it as a repeatable content format that showcases your personality, expertise, and creativity… over and over again.We'll break down:✨ What a signature series actually is Why it's more than a cute title—and how consistent tone, structure, and visuals make your content recognizable anywhere it shows up.

Pre-WWII US exercises, influenced by Patton and his peers, successfully showcased armored warfare. Patton was eccentric, boring audiences with detailed lectures on Roman generals and claiming to be the reincarnation of Napoleon, which disconnected him from his troops. Montgomery, leading the Third Division, trained his men endlessly and formed a cohesive team before the Dunkirk evacuation, seeing the retreat as a challenge to rebuild. Rommel was given command of the 7th Panzer Division in 1940 and, due to his aggressive success, became known as the commander of the "phantom division," celebrated by Nazi propaganda.