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In his classic essay on the fear of breakdown, Donald Winnicott famously conveys to a patient that the disaster powerfully feared has, in fact, already happened. Taking her cue from Winnicott, Noëlle McAfee's Fear of Breakdown: Psychoanalysis and Politics (Columbia University Press, 2019), explores the implications of breakdown fears for the practice of democracy. Democracy, as you may dimly recall, demands the capacity to bear difference, tolerate loss, and to speak into the unknown. Meanwhile we have come to live in a world where, if my clinical practice and personal life are any indication, people often prefer writing to speaking. Patients who want to make a schedule change--never a neutral event in psychoanalysis—write me. I say, addressing the resistance, “This is a talking cure. Get your money's worth. Speak!” Among intimates, bad news is something I too often read about. I surmise that in speaking desire or conveying pain, a fantasized recipient is sought, an ideal listener, who, like a blow up doll lover can be invoked, controlled and then deflated at will. Circling back to difference and loss, ideas that do not mirror our already existing thoughts find themselves batted out of the park to an elsewhere not worth enunciating. Cultivating a protective bubble—such a heartbreak right? It seems there is something about democracy that frightens the shit out of us. Deploying the work of Winnicott, Klein, Green and Kristeva, Mcafee reminds us of our original loss—what she calls “plenum”. That loss, to the degree it is recognized, initiates our undoing. Mother's other—be it her lover, her piano lessons, a visit to the dentist for a cavity—tears a hole in our emotional shield. In her wake, we cling to seemingly strong leaders, a father, or failing that potent ideologies reeking of misogyny, all the while hoping for compensation for an unfathomable loss. Embedded within democracy lies the demand that we see other than ourselves. This demand challenges the thin-skinned among us. And all of us are thin-skinned from time to time. How to manage? Mcafee adds her voice to the popular chorus of those practicing applied psychoanalysis and suggests we embrace mourning. It is an inarguable position yet also nice work if you can get it! Of course, with the original disaster elided, like sleepwalkers in our night fog, we will helplessly seek it out; worse, we will make it manifest, with a vengeance. What is not remembered gets repeated. Trapped in America, as I am, one wonders about democracy. What might lure us to revisit the sight of the disaster, “the thing itself',” to quote Adrienne Rich, “and not the myth?” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
In his classic essay on the fear of breakdown, Donald Winnicott famously conveys to a patient that the disaster powerfully feared has, in fact, already happened. Taking her cue from Winnicott, Noëlle McAfee's Fear of Breakdown: Psychoanalysis and Politics (Columbia University Press, 2019), explores the implications of breakdown fears for the practice of democracy. Democracy, as you may dimly recall, demands the capacity to bear difference, tolerate loss, and to speak into the unknown. Meanwhile we have come to live in a world where, if my clinical practice and personal life are any indication, people often prefer writing to speaking. Patients who want to make a schedule change--never a neutral event in psychoanalysis—write me. I say, addressing the resistance, “This is a talking cure. Get your money's worth. Speak!” Among intimates, bad news is something I too often read about. I surmise that in speaking desire or conveying pain, a fantasized recipient is sought, an ideal listener, who, like a blow up doll lover can be invoked, controlled and then deflated at will. Circling back to difference and loss, ideas that do not mirror our already existing thoughts find themselves batted out of the park to an elsewhere not worth enunciating. Cultivating a protective bubble—such a heartbreak right? It seems there is something about democracy that frightens the shit out of us. Deploying the work of Winnicott, Klein, Green and Kristeva, Mcafee reminds us of our original loss—what she calls “plenum”. That loss, to the degree it is recognized, initiates our undoing. Mother's other—be it her lover, her piano lessons, a visit to the dentist for a cavity—tears a hole in our emotional shield. In her wake, we cling to seemingly strong leaders, a father, or failing that potent ideologies reeking of misogyny, all the while hoping for compensation for an unfathomable loss. Embedded within democracy lies the demand that we see other than ourselves. This demand challenges the thin-skinned among us. And all of us are thin-skinned from time to time. How to manage? Mcafee adds her voice to the popular chorus of those practicing applied psychoanalysis and suggests we embrace mourning. It is an inarguable position yet also nice work if you can get it! Of course, with the original disaster elided, like sleepwalkers in our night fog, we will helplessly seek it out; worse, we will make it manifest, with a vengeance. What is not remembered gets repeated. Trapped in America, as I am, one wonders about democracy. What might lure us to revisit the sight of the disaster, “the thing itself',” to quote Adrienne Rich, “and not the myth?” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science
In his classic essay on the fear of breakdown, Donald Winnicott famously conveys to a patient that the disaster powerfully feared has, in fact, already happened. Taking her cue from Winnicott, Noëlle McAfee's Fear of Breakdown: Psychoanalysis and Politics (Columbia University Press, 2019), explores the implications of breakdown fears for the practice of democracy. Democracy, as you may dimly recall, demands the capacity to bear difference, tolerate loss, and to speak into the unknown. Meanwhile we have come to live in a world where, if my clinical practice and personal life are any indication, people often prefer writing to speaking. Patients who want to make a schedule change--never a neutral event in psychoanalysis—write me. I say, addressing the resistance, “This is a talking cure. Get your money's worth. Speak!” Among intimates, bad news is something I too often read about. I surmise that in speaking desire or conveying pain, a fantasized recipient is sought, an ideal listener, who, like a blow up doll lover can be invoked, controlled and then deflated at will. Circling back to difference and loss, ideas that do not mirror our already existing thoughts find themselves batted out of the park to an elsewhere not worth enunciating. Cultivating a protective bubble—such a heartbreak right? It seems there is something about democracy that frightens the shit out of us. Deploying the work of Winnicott, Klein, Green and Kristeva, Mcafee reminds us of our original loss—what she calls “plenum”. That loss, to the degree it is recognized, initiates our undoing. Mother's other—be it her lover, her piano lessons, a visit to the dentist for a cavity—tears a hole in our emotional shield. In her wake, we cling to seemingly strong leaders, a father, or failing that potent ideologies reeking of misogyny, all the while hoping for compensation for an unfathomable loss. Embedded within democracy lies the demand that we see other than ourselves. This demand challenges the thin-skinned among us. And all of us are thin-skinned from time to time. How to manage? Mcafee adds her voice to the popular chorus of those practicing applied psychoanalysis and suggests we embrace mourning. It is an inarguable position yet also nice work if you can get it! Of course, with the original disaster elided, like sleepwalkers in our night fog, we will helplessly seek it out; worse, we will make it manifest, with a vengeance. What is not remembered gets repeated. Trapped in America, as I am, one wonders about democracy. What might lure us to revisit the sight of the disaster, “the thing itself',” to quote Adrienne Rich, “and not the myth?” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
Ecological crises threaten all forms of life on earth. Democracy too is endangered, as popular discontent, elite malfeasance, and unresponsive institutions imperil its survival. Present political concepts have proven inadequate to meeting these challenges, and their inadequacies are themselves symptoms of the failures of prevailing political, cultural, and ecological stories and practices.This book offers a new vision of ecological and participatory democratic life for a time of crisis. Identifying myth and ritual as key resources for contemporary politics, Earthborn Democracy excavates practices and narratives that illustrate the interdependence necessary to inspire ecological renewal. It tells stories of multispecies agency and egalitarian political organization across history, from ancient Mesopotamia and the precolonial Americas to contemporary social movements, emphasizing Indigenous traditions and resistance. Resonating across these practices and stories past and present is a belief that we are all―human as well as nonhuman―earthborn, and this can serve as the basis for reimagining democracy. Allying visionary political theory with environmental activism, Earthborn Democracy: A Political Theory of Entangled Life (Columbia UP, 2024) provides a foundation and a guide for collective action in pursuit of earthly flourishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science
Ecological crises threaten all forms of life on earth. Democracy too is endangered, as popular discontent, elite malfeasance, and unresponsive institutions imperil its survival. Present political concepts have proven inadequate to meeting these challenges, and their inadequacies are themselves symptoms of the failures of prevailing political, cultural, and ecological stories and practices.This book offers a new vision of ecological and participatory democratic life for a time of crisis. Identifying myth and ritual as key resources for contemporary politics, Earthborn Democracy excavates practices and narratives that illustrate the interdependence necessary to inspire ecological renewal. It tells stories of multispecies agency and egalitarian political organization across history, from ancient Mesopotamia and the precolonial Americas to contemporary social movements, emphasizing Indigenous traditions and resistance. Resonating across these practices and stories past and present is a belief that we are all―human as well as nonhuman―earthborn, and this can serve as the basis for reimagining democracy. Allying visionary political theory with environmental activism, Earthborn Democracy: A Political Theory of Entangled Life (Columbia UP, 2024) provides a foundation and a guide for collective action in pursuit of earthly flourishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Ecological crises threaten all forms of life on earth. Democracy too is endangered, as popular discontent, elite malfeasance, and unresponsive institutions imperil its survival. Present political concepts have proven inadequate to meeting these challenges, and their inadequacies are themselves symptoms of the failures of prevailing political, cultural, and ecological stories and practices.This book offers a new vision of ecological and participatory democratic life for a time of crisis. Identifying myth and ritual as key resources for contemporary politics, Earthborn Democracy excavates practices and narratives that illustrate the interdependence necessary to inspire ecological renewal. It tells stories of multispecies agency and egalitarian political organization across history, from ancient Mesopotamia and the precolonial Americas to contemporary social movements, emphasizing Indigenous traditions and resistance. Resonating across these practices and stories past and present is a belief that we are all―human as well as nonhuman―earthborn, and this can serve as the basis for reimagining democracy. Allying visionary political theory with environmental activism, Earthborn Democracy: A Political Theory of Entangled Life (Columbia UP, 2024) provides a foundation and a guide for collective action in pursuit of earthly flourishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies
In the last third of the twentieth century, the Arab intellectual and political scene polarized between totalizing doctrines—nationalist, Marxist, and religious—and radical critique. Arab thinkers were reacting to the disenchanting experience of postindependence and a widespread sense of malaise, as well as to authoritarianism, intolerance, injustice, failed development, and successive defeats by Israel. The foundational account of these responses, Contemporary Arab Thought illuminates the relationship between cultural and political critique in the work of major Arab thinkers. Elizabeth Suzanne Kassab also connects Arab debates to the postcolonial issues of Latin America and Africa, revealing the shared struggles of different regions. Since its first publication in 2009, this book has stood as the foremost account of contemporary Arab debates on culture, philosophy, modernity, tradition, identity, and liberation. It is widely used in Middle Eastern studies courses, and it has become a classic in the field of Arab intellectual history. Contemporary Arab Thought: Cultural Critique in Comparative Perspective (Columbia UP, 2025) now features an extensive new introduction that reconsiders post-1967 Arab intellectual history in light of the 2011 uprisings and the upheavals that have occurred over the intervening years. Kassab critically reflects on the book's arguments and the responses it has provoked, and she surveys the new preoccupations that have emerged in Arab debates since 2011. As crises again overtake the Middle East, this landmark work continues to offer indispensable insight into the richness of contemporary Arab thought. Elizabeth Suzanne Kassab is associate professor of philosophy at the Doha Institute for Graduate Studies. Her books include Enlightenment on the Eve of Revolution: The Egyptian and Syrian Debates (Columbia, 2019). The Arabic edition of Contemporary Arab Thought received the prestigious Sheikh Zayed Book Award. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
From In Borneo, the Land of the Head-Hunters to The Epic of Everest to Camping Among the Indians, the early twentieth century was the heyday of expedition filmmaking. As new technologies transformed global transportation and opened new avenues for documentation, and as imperialism and capitalism expanded their reach, Western filmmakers embarked on journeys to places they saw as exotic, seeking to capture both the monumental and the mundane. Their films portrayed far-flung locales, the hardships of travel, and the day-to-day lives of Indigenous people through a deeply colonial lens. Nomadic Cinema: A Cultural Geography of the Expedition Film (Columbia University Press, 2025) by Dr. Alison Griffiths is a groundbreaking history of these films, analyzing them as visual records of colonialism that also offer new possibilities for recognizing Indigenous histories. Dr. Griffiths examines expedition films made in Borneo, Central Asia, Tibet, Polynesia, and the American Southwest, reinterpreting them from decolonial perspectives to provide alternative accounts of exploration. She considers the individuals and institutions—including the American Museum of Natural History—responsible for creating the films, the spectators who sought them out, and the Indigenous intermediaries whose roles white explorers minimized. Ambitious and interdisciplinary, Nomadic Cinema ranges widely, from the roots of expedition films in medieval cartography and travel writing to still-emerging technologies of virtual and augmented reality. Highlighting the material conditions of filmmaking and the environmental footprint left by exploration, this book recovers Indigenous memory and sovereignty from within long-buried sources. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
From In Borneo, the Land of the Head-Hunters to The Epic of Everest to Camping Among the Indians, the early twentieth century was the heyday of expedition filmmaking. As new technologies transformed global transportation and opened new avenues for documentation, and as imperialism and capitalism expanded their reach, Western filmmakers embarked on journeys to places they saw as exotic, seeking to capture both the monumental and the mundane. Their films portrayed far-flung locales, the hardships of travel, and the day-to-day lives of Indigenous people through a deeply colonial lens. Nomadic Cinema: A Cultural Geography of the Expedition Film (Columbia University Press, 2025) by Dr. Alison Griffiths is a groundbreaking history of these films, analyzing them as visual records of colonialism that also offer new possibilities for recognizing Indigenous histories. Dr. Griffiths examines expedition films made in Borneo, Central Asia, Tibet, Polynesia, and the American Southwest, reinterpreting them from decolonial perspectives to provide alternative accounts of exploration. She considers the individuals and institutions—including the American Museum of Natural History—responsible for creating the films, the spectators who sought them out, and the Indigenous intermediaries whose roles white explorers minimized. Ambitious and interdisciplinary, Nomadic Cinema ranges widely, from the roots of expedition films in medieval cartography and travel writing to still-emerging technologies of virtual and augmented reality. Highlighting the material conditions of filmmaking and the environmental footprint left by exploration, this book recovers Indigenous memory and sovereignty from within long-buried sources. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
From In Borneo, the Land of the Head-Hunters to The Epic of Everest to Camping Among the Indians, the early twentieth century was the heyday of expedition filmmaking. As new technologies transformed global transportation and opened new avenues for documentation, and as imperialism and capitalism expanded their reach, Western filmmakers embarked on journeys to places they saw as exotic, seeking to capture both the monumental and the mundane. Their films portrayed far-flung locales, the hardships of travel, and the day-to-day lives of Indigenous people through a deeply colonial lens. Nomadic Cinema: A Cultural Geography of the Expedition Film (Columbia University Press, 2025) by Dr. Alison Griffiths is a groundbreaking history of these films, analyzing them as visual records of colonialism that also offer new possibilities for recognizing Indigenous histories. Dr. Griffiths examines expedition films made in Borneo, Central Asia, Tibet, Polynesia, and the American Southwest, reinterpreting them from decolonial perspectives to provide alternative accounts of exploration. She considers the individuals and institutions—including the American Museum of Natural History—responsible for creating the films, the spectators who sought them out, and the Indigenous intermediaries whose roles white explorers minimized. Ambitious and interdisciplinary, Nomadic Cinema ranges widely, from the roots of expedition films in medieval cartography and travel writing to still-emerging technologies of virtual and augmented reality. Highlighting the material conditions of filmmaking and the environmental footprint left by exploration, this book recovers Indigenous memory and sovereignty from within long-buried sources. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film
In the last third of the twentieth century, the Arab intellectual and political scene polarized between totalizing doctrines—nationalist, Marxist, and religious—and radical critique. Arab thinkers were reacting to the disenchanting experience of postindependence and a widespread sense of malaise, as well as to authoritarianism, intolerance, injustice, failed development, and successive defeats by Israel. The foundational account of these responses, Contemporary Arab Thought illuminates the relationship between cultural and political critique in the work of major Arab thinkers. Elizabeth Suzanne Kassab also connects Arab debates to the postcolonial issues of Latin America and Africa, revealing the shared struggles of different regions. Since its first publication in 2009, this book has stood as the foremost account of contemporary Arab debates on culture, philosophy, modernity, tradition, identity, and liberation. It is widely used in Middle Eastern studies courses, and it has become a classic in the field of Arab intellectual history. Contemporary Arab Thought: Cultural Critique in Comparative Perspective (Columbia UP, 2025) now features an extensive new introduction that reconsiders post-1967 Arab intellectual history in light of the 2011 uprisings and the upheavals that have occurred over the intervening years. Kassab critically reflects on the book's arguments and the responses it has provoked, and she surveys the new preoccupations that have emerged in Arab debates since 2011. As crises again overtake the Middle East, this landmark work continues to offer indispensable insight into the richness of contemporary Arab thought. Elizabeth Suzanne Kassab is associate professor of philosophy at the Doha Institute for Graduate Studies. Her books include Enlightenment on the Eve of Revolution: The Egyptian and Syrian Debates (Columbia, 2019). The Arabic edition of Contemporary Arab Thought received the prestigious Sheikh Zayed Book Award. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies
From In Borneo, the Land of the Head-Hunters to The Epic of Everest to Camping Among the Indians, the early twentieth century was the heyday of expedition filmmaking. As new technologies transformed global transportation and opened new avenues for documentation, and as imperialism and capitalism expanded their reach, Western filmmakers embarked on journeys to places they saw as exotic, seeking to capture both the monumental and the mundane. Their films portrayed far-flung locales, the hardships of travel, and the day-to-day lives of Indigenous people through a deeply colonial lens. Nomadic Cinema: A Cultural Geography of the Expedition Film (Columbia University Press, 2025) by Dr. Alison Griffiths is a groundbreaking history of these films, analyzing them as visual records of colonialism that also offer new possibilities for recognizing Indigenous histories. Dr. Griffiths examines expedition films made in Borneo, Central Asia, Tibet, Polynesia, and the American Southwest, reinterpreting them from decolonial perspectives to provide alternative accounts of exploration. She considers the individuals and institutions—including the American Museum of Natural History—responsible for creating the films, the spectators who sought them out, and the Indigenous intermediaries whose roles white explorers minimized. Ambitious and interdisciplinary, Nomadic Cinema ranges widely, from the roots of expedition films in medieval cartography and travel writing to still-emerging technologies of virtual and augmented reality. Highlighting the material conditions of filmmaking and the environmental footprint left by exploration, this book recovers Indigenous memory and sovereignty from within long-buried sources. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
From In Borneo, the Land of the Head-Hunters to The Epic of Everest to Camping Among the Indians, the early twentieth century was the heyday of expedition filmmaking. As new technologies transformed global transportation and opened new avenues for documentation, and as imperialism and capitalism expanded their reach, Western filmmakers embarked on journeys to places they saw as exotic, seeking to capture both the monumental and the mundane. Their films portrayed far-flung locales, the hardships of travel, and the day-to-day lives of Indigenous people through a deeply colonial lens. Nomadic Cinema: A Cultural Geography of the Expedition Film (Columbia University Press, 2025) by Dr. Alison Griffiths is a groundbreaking history of these films, analyzing them as visual records of colonialism that also offer new possibilities for recognizing Indigenous histories. Dr. Griffiths examines expedition films made in Borneo, Central Asia, Tibet, Polynesia, and the American Southwest, reinterpreting them from decolonial perspectives to provide alternative accounts of exploration. She considers the individuals and institutions—including the American Museum of Natural History—responsible for creating the films, the spectators who sought them out, and the Indigenous intermediaries whose roles white explorers minimized. Ambitious and interdisciplinary, Nomadic Cinema ranges widely, from the roots of expedition films in medieval cartography and travel writing to still-emerging technologies of virtual and augmented reality. Highlighting the material conditions of filmmaking and the environmental footprint left by exploration, this book recovers Indigenous memory and sovereignty from within long-buried sources. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/world-affairs
In the last third of the twentieth century, the Arab intellectual and political scene polarized between totalizing doctrines—nationalist, Marxist, and religious—and radical critique. Arab thinkers were reacting to the disenchanting experience of postindependence and a widespread sense of malaise, as well as to authoritarianism, intolerance, injustice, failed development, and successive defeats by Israel. The foundational account of these responses, Contemporary Arab Thought illuminates the relationship between cultural and political critique in the work of major Arab thinkers. Elizabeth Suzanne Kassab also connects Arab debates to the postcolonial issues of Latin America and Africa, revealing the shared struggles of different regions. Since its first publication in 2009, this book has stood as the foremost account of contemporary Arab debates on culture, philosophy, modernity, tradition, identity, and liberation. It is widely used in Middle Eastern studies courses, and it has become a classic in the field of Arab intellectual history. Contemporary Arab Thought: Cultural Critique in Comparative Perspective (Columbia UP, 2025) now features an extensive new introduction that reconsiders post-1967 Arab intellectual history in light of the 2011 uprisings and the upheavals that have occurred over the intervening years. Kassab critically reflects on the book's arguments and the responses it has provoked, and she surveys the new preoccupations that have emerged in Arab debates since 2011. As crises again overtake the Middle East, this landmark work continues to offer indispensable insight into the richness of contemporary Arab thought. Elizabeth Suzanne Kassab is associate professor of philosophy at the Doha Institute for Graduate Studies. Her books include Enlightenment on the Eve of Revolution: The Egyptian and Syrian Debates (Columbia, 2019). The Arabic edition of Contemporary Arab Thought received the prestigious Sheikh Zayed Book Award. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history
From In Borneo, the Land of the Head-Hunters to The Epic of Everest to Camping Among the Indians, the early twentieth century was the heyday of expedition filmmaking. As new technologies transformed global transportation and opened new avenues for documentation, and as imperialism and capitalism expanded their reach, Western filmmakers embarked on journeys to places they saw as exotic, seeking to capture both the monumental and the mundane. Their films portrayed far-flung locales, the hardships of travel, and the day-to-day lives of Indigenous people through a deeply colonial lens. Nomadic Cinema: A Cultural Geography of the Expedition Film (Columbia University Press, 2025) by Dr. Alison Griffiths is a groundbreaking history of these films, analyzing them as visual records of colonialism that also offer new possibilities for recognizing Indigenous histories. Dr. Griffiths examines expedition films made in Borneo, Central Asia, Tibet, Polynesia, and the American Southwest, reinterpreting them from decolonial perspectives to provide alternative accounts of exploration. She considers the individuals and institutions—including the American Museum of Natural History—responsible for creating the films, the spectators who sought them out, and the Indigenous intermediaries whose roles white explorers minimized. Ambitious and interdisciplinary, Nomadic Cinema ranges widely, from the roots of expedition films in medieval cartography and travel writing to still-emerging technologies of virtual and augmented reality. Highlighting the material conditions of filmmaking and the environmental footprint left by exploration, this book recovers Indigenous memory and sovereignty from within long-buried sources. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts.
In the last third of the twentieth century, the Arab intellectual and political scene polarized between totalizing doctrines—nationalist, Marxist, and religious—and radical critique. Arab thinkers were reacting to the disenchanting experience of postindependence and a widespread sense of malaise, as well as to authoritarianism, intolerance, injustice, failed development, and successive defeats by Israel. The foundational account of these responses, Contemporary Arab Thought illuminates the relationship between cultural and political critique in the work of major Arab thinkers. Elizabeth Suzanne Kassab also connects Arab debates to the postcolonial issues of Latin America and Africa, revealing the shared struggles of different regions. Since its first publication in 2009, this book has stood as the foremost account of contemporary Arab debates on culture, philosophy, modernity, tradition, identity, and liberation. It is widely used in Middle Eastern studies courses, and it has become a classic in the field of Arab intellectual history. Contemporary Arab Thought: Cultural Critique in Comparative Perspective (Columbia UP, 2025) now features an extensive new introduction that reconsiders post-1967 Arab intellectual history in light of the 2011 uprisings and the upheavals that have occurred over the intervening years. Kassab critically reflects on the book's arguments and the responses it has provoked, and she surveys the new preoccupations that have emerged in Arab debates since 2011. As crises again overtake the Middle East, this landmark work continues to offer indispensable insight into the richness of contemporary Arab thought. Elizabeth Suzanne Kassab is associate professor of philosophy at the Doha Institute for Graduate Studies. Her books include Enlightenment on the Eve of Revolution: The Egyptian and Syrian Debates (Columbia, 2019). The Arabic edition of Contemporary Arab Thought received the prestigious Sheikh Zayed Book Award.
The Loyalty Trap: Conflicting Loyalties of Civil Servants Under Increasing Autocracy (Columbia University Press, 2025) explores how civil servants navigated competing pressures and duties amid the chaos of the first Trump administration, drawing on in-depth interviews with senior officials in the most contested agencies over the course of a tumultuous term. A revealing investigation that is now more relevant than ever. Jaime Kucinskas is Associate Professor of the Department of Sociology at Hamilton College. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science
The Loyalty Trap: Conflicting Loyalties of Civil Servants Under Increasing Autocracy (Columbia University Press, 2025) explores how civil servants navigated competing pressures and duties amid the chaos of the first Trump administration, drawing on in-depth interviews with senior officials in the most contested agencies over the course of a tumultuous term. A revealing investigation that is now more relevant than ever. Jaime Kucinskas is Associate Professor of the Department of Sociology at Hamilton College. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology
The Loyalty Trap: Conflicting Loyalties of Civil Servants Under Increasing Autocracy (Columbia University Press, 2025) explores how civil servants navigated competing pressures and duties amid the chaos of the first Trump administration, drawing on in-depth interviews with senior officials in the most contested agencies over the course of a tumultuous term. A revealing investigation that is now more relevant than ever. Jaime Kucinskas is Associate Professor of the Department of Sociology at Hamilton College. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/public-policy
The Loyalty Trap: Conflicting Loyalties of Civil Servants Under Increasing Autocracy (Columbia University Press, 2025) explores how civil servants navigated competing pressures and duties amid the chaos of the first Trump administration, drawing on in-depth interviews with senior officials in the most contested agencies over the course of a tumultuous term. A revealing investigation that is now more relevant than ever. Jaime Kucinskas is Associate Professor of the Department of Sociology at Hamilton College. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics
The Loyalty Trap: Conflicting Loyalties of Civil Servants Under Increasing Autocracy (Columbia University Press, 2025) explores how civil servants navigated competing pressures and duties amid the chaos of the first Trump administration, drawing on in-depth interviews with senior officials in the most contested agencies over the course of a tumultuous term. A revealing investigation that is now more relevant than ever. Jaime Kucinskas is Associate Professor of the Department of Sociology at Hamilton College. Learn more about your ad choices. Visit megaphone.fm/adchoices
How does art engage with its social context? What does 'the politics of art' even mean? In his new book Impossible Speech: The Politics of Representation in Contemporary Korean Literature and Film (Columbia University Press, 2023), Christopher P. Hanscom takes on these questions in the context of contemporary Korean literature. Moving away from realist texts and realism, Impossible Speech instead focuses on four key figures: the migrant laborer, the witness of state violence, the refugee, and the socially excluded. Through each, the book probes the boundaries of what we think of as 'nonpolitical' art, showing how by calling on characters to address events and experiences that cannot be spoken about — in other words, by asking characters to speak impossibly — even art that might be considered nonsensical or absurd demands to be read as politically engaged. Although this book uses examples drawn from modern Korean literature and film, Hanscom's contention that the politics of art lies in its ability to confront and challenge the boundaries of what is sayable is deeply relevant to art beyond East Asian Studies. Impossible Speech should, therefore, be of interest to those in Korean literature as well as those interested in literary theory, film studies, and speech studies more broadly. Listeners with a keen interest in Korean literature should also check out Hanscom's earlier appearance on the New Books Network to talk about his first book,The Real Modern: Literary Modernism and the Crisis of Representation in Colonial Korea (Harvard University Asia Center, 2013). You can listen to that interview here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
How does art engage with its social context? What does 'the politics of art' even mean? In his new book Impossible Speech: The Politics of Representation in Contemporary Korean Literature and Film (Columbia University Press, 2023), Christopher P. Hanscom takes on these questions in the context of contemporary Korean literature. Moving away from realist texts and realism, Impossible Speech instead focuses on four key figures: the migrant laborer, the witness of state violence, the refugee, and the socially excluded. Through each, the book probes the boundaries of what we think of as 'nonpolitical' art, showing how by calling on characters to address events and experiences that cannot be spoken about — in other words, by asking characters to speak impossibly — even art that might be considered nonsensical or absurd demands to be read as politically engaged. Although this book uses examples drawn from modern Korean literature and film, Hanscom's contention that the politics of art lies in its ability to confront and challenge the boundaries of what is sayable is deeply relevant to art beyond East Asian Studies. Impossible Speech should, therefore, be of interest to those in Korean literature as well as those interested in literary theory, film studies, and speech studies more broadly. Listeners with a keen interest in Korean literature should also check out Hanscom's earlier appearance on the New Books Network to talk about his first book,The Real Modern: Literary Modernism and the Crisis of Representation in Colonial Korea (Harvard University Asia Center, 2013). You can listen to that interview here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
How does art engage with its social context? What does 'the politics of art' even mean? In his new book Impossible Speech: The Politics of Representation in Contemporary Korean Literature and Film (Columbia University Press, 2023), Christopher P. Hanscom takes on these questions in the context of contemporary Korean literature. Moving away from realist texts and realism, Impossible Speech instead focuses on four key figures: the migrant laborer, the witness of state violence, the refugee, and the socially excluded. Through each, the book probes the boundaries of what we think of as 'nonpolitical' art, showing how by calling on characters to address events and experiences that cannot be spoken about — in other words, by asking characters to speak impossibly — even art that might be considered nonsensical or absurd demands to be read as politically engaged. Although this book uses examples drawn from modern Korean literature and film, Hanscom's contention that the politics of art lies in its ability to confront and challenge the boundaries of what is sayable is deeply relevant to art beyond East Asian Studies. Impossible Speech should, therefore, be of interest to those in Korean literature as well as those interested in literary theory, film studies, and speech studies more broadly. Listeners with a keen interest in Korean literature should also check out Hanscom's earlier appearance on the New Books Network to talk about his first book,The Real Modern: Literary Modernism and the Crisis of Representation in Colonial Korea (Harvard University Asia Center, 2013). You can listen to that interview here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies
How does art engage with its social context? What does 'the politics of art' even mean? In his new book Impossible Speech: The Politics of Representation in Contemporary Korean Literature and Film (Columbia University Press, 2023), Christopher P. Hanscom takes on these questions in the context of contemporary Korean literature. Moving away from realist texts and realism, Impossible Speech instead focuses on four key figures: the migrant laborer, the witness of state violence, the refugee, and the socially excluded. Through each, the book probes the boundaries of what we think of as 'nonpolitical' art, showing how by calling on characters to address events and experiences that cannot be spoken about — in other words, by asking characters to speak impossibly — even art that might be considered nonsensical or absurd demands to be read as politically engaged. Although this book uses examples drawn from modern Korean literature and film, Hanscom's contention that the politics of art lies in its ability to confront and challenge the boundaries of what is sayable is deeply relevant to art beyond East Asian Studies. Impossible Speech should, therefore, be of interest to those in Korean literature as well as those interested in literary theory, film studies, and speech studies more broadly. Listeners with a keen interest in Korean literature should also check out Hanscom's earlier appearance on the New Books Network to talk about his first book,The Real Modern: Literary Modernism and the Crisis of Representation in Colonial Korea (Harvard University Asia Center, 2013). You can listen to that interview here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film
How does art engage with its social context? What does 'the politics of art' even mean? In his new book Impossible Speech: The Politics of Representation in Contemporary Korean Literature and Film (Columbia University Press, 2023), Christopher P. Hanscom takes on these questions in the context of contemporary Korean literature. Moving away from realist texts and realism, Impossible Speech instead focuses on four key figures: the migrant laborer, the witness of state violence, the refugee, and the socially excluded. Through each, the book probes the boundaries of what we think of as 'nonpolitical' art, showing how by calling on characters to address events and experiences that cannot be spoken about — in other words, by asking characters to speak impossibly — even art that might be considered nonsensical or absurd demands to be read as politically engaged. Although this book uses examples drawn from modern Korean literature and film, Hanscom's contention that the politics of art lies in its ability to confront and challenge the boundaries of what is sayable is deeply relevant to art beyond East Asian Studies. Impossible Speech should, therefore, be of interest to those in Korean literature as well as those interested in literary theory, film studies, and speech studies more broadly. Listeners with a keen interest in Korean literature should also check out Hanscom's earlier appearance on the New Books Network to talk about his first book,The Real Modern: Literary Modernism and the Crisis of Representation in Colonial Korea (Harvard University Asia Center, 2013). You can listen to that interview here.
How does art engage with its social context? What does 'the politics of art' even mean? In his new book Impossible Speech: The Politics of Representation in Contemporary Korean Literature and Film (Columbia University Press, 2023), Christopher P. Hanscom takes on these questions in the context of contemporary Korean literature. Moving away from realist texts and realism, Impossible Speech instead focuses on four key figures: the migrant laborer, the witness of state violence, the refugee, and the socially excluded. Through each, the book probes the boundaries of what we think of as 'nonpolitical' art, showing how by calling on characters to address events and experiences that cannot be spoken about — in other words, by asking characters to speak impossibly — even art that might be considered nonsensical or absurd demands to be read as politically engaged. Although this book uses examples drawn from modern Korean literature and film, Hanscom's contention that the politics of art lies in its ability to confront and challenge the boundaries of what is sayable is deeply relevant to art beyond East Asian Studies. Impossible Speech should, therefore, be of interest to those in Korean literature as well as those interested in literary theory, film studies, and speech studies more broadly. Listeners with a keen interest in Korean literature should also check out Hanscom's earlier appearance on the New Books Network to talk about his first book,The Real Modern: Literary Modernism and the Crisis of Representation in Colonial Korea (Harvard University Asia Center, 2013). You can listen to that interview here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/korean-studies
An ambitious genre-crossing exploration of Black speculative imagination, The Dark Delight of Being Strange: Black Stories of Freedom (Columbia University Press 2024) combines fiction, historical accounts, and philosophical prose to unveil the extraordinary and the surreal in everyday Black life.In a series of stories and essays, James B. Haile, III, traces how Black speculative fiction responds to enslavement, racism, colonialism, and capitalism and how it reveals a life beyond social and political alienation. He re-envisions Black technologies of freedom through Henry Box Brown's famed escape from slavery in a wooden crate, fashions an anticolonial “hollow earth theory” from the works of H. G. Wells and Jules Verne, and considers the octopus and its ability to camouflage itself as a model for Black survival strategies, among others. Looking at Black life through the lens of speculative fiction, this book transports readers to alternative worlds and spaces while remaining squarely rooted in present-day struggles. In so doing, it rethinks historical and contemporary Black experiences as well as figures such as Harriet Tubman, Frederick Douglass, Booker T. Washington, W. E. B. Du Bois, Henry Dumas, and Toni Morrison.Offering new ways to grasp the meanings and implications of Black freedom, The Dark Delight of Being Strange invites us to reimagine history and memory, time and space, our identities and ourselves. Winner, 2025 Hugh J. Silverman Book Prize, Association for Philosophy and Literature Finalist, 2025 PEN America Open Book Award James B. Haile III is a Professor of English & Philosophy at the University of Rhode Island. You can find him at the University of Rhode Island Philosophy Department website. You can find the host, Sullivan Summer, online, on Instagram, and at Substack, where she and Dr. Haile continue their conversation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
An ambitious genre-crossing exploration of Black speculative imagination, The Dark Delight of Being Strange: Black Stories of Freedom (Columbia University Press 2024) combines fiction, historical accounts, and philosophical prose to unveil the extraordinary and the surreal in everyday Black life.In a series of stories and essays, James B. Haile, III, traces how Black speculative fiction responds to enslavement, racism, colonialism, and capitalism and how it reveals a life beyond social and political alienation. He re-envisions Black technologies of freedom through Henry Box Brown's famed escape from slavery in a wooden crate, fashions an anticolonial “hollow earth theory” from the works of H. G. Wells and Jules Verne, and considers the octopus and its ability to camouflage itself as a model for Black survival strategies, among others. Looking at Black life through the lens of speculative fiction, this book transports readers to alternative worlds and spaces while remaining squarely rooted in present-day struggles. In so doing, it rethinks historical and contemporary Black experiences as well as figures such as Harriet Tubman, Frederick Douglass, Booker T. Washington, W. E. B. Du Bois, Henry Dumas, and Toni Morrison.Offering new ways to grasp the meanings and implications of Black freedom, The Dark Delight of Being Strange invites us to reimagine history and memory, time and space, our identities and ourselves. Winner, 2025 Hugh J. Silverman Book Prize, Association for Philosophy and Literature Finalist, 2025 PEN America Open Book Award James B. Haile III is a Professor of English & Philosophy at the University of Rhode Island. You can find him at the University of Rhode Island Philosophy Department website. You can find the host, Sullivan Summer, online, on Instagram, and at Substack, where she and Dr. Haile continue their conversation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
An ambitious genre-crossing exploration of Black speculative imagination, The Dark Delight of Being Strange: Black Stories of Freedom (Columbia University Press 2024) combines fiction, historical accounts, and philosophical prose to unveil the extraordinary and the surreal in everyday Black life.In a series of stories and essays, James B. Haile, III, traces how Black speculative fiction responds to enslavement, racism, colonialism, and capitalism and how it reveals a life beyond social and political alienation. He re-envisions Black technologies of freedom through Henry Box Brown's famed escape from slavery in a wooden crate, fashions an anticolonial “hollow earth theory” from the works of H. G. Wells and Jules Verne, and considers the octopus and its ability to camouflage itself as a model for Black survival strategies, among others. Looking at Black life through the lens of speculative fiction, this book transports readers to alternative worlds and spaces while remaining squarely rooted in present-day struggles. In so doing, it rethinks historical and contemporary Black experiences as well as figures such as Harriet Tubman, Frederick Douglass, Booker T. Washington, W. E. B. Du Bois, Henry Dumas, and Toni Morrison.Offering new ways to grasp the meanings and implications of Black freedom, The Dark Delight of Being Strange invites us to reimagine history and memory, time and space, our identities and ourselves. Winner, 2025 Hugh J. Silverman Book Prize, Association for Philosophy and Literature Finalist, 2025 PEN America Open Book Award James B. Haile III is a Professor of English & Philosophy at the University of Rhode Island. You can find him at the University of Rhode Island Philosophy Department website. You can find the host, Sullivan Summer, online, on Instagram, and at Substack, where she and Dr. Haile continue their conversation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
An ambitious genre-crossing exploration of Black speculative imagination, The Dark Delight of Being Strange: Black Stories of Freedom (Columbia University Press 2024) combines fiction, historical accounts, and philosophical prose to unveil the extraordinary and the surreal in everyday Black life.In a series of stories and essays, James B. Haile, III, traces how Black speculative fiction responds to enslavement, racism, colonialism, and capitalism and how it reveals a life beyond social and political alienation. He re-envisions Black technologies of freedom through Henry Box Brown's famed escape from slavery in a wooden crate, fashions an anticolonial “hollow earth theory” from the works of H. G. Wells and Jules Verne, and considers the octopus and its ability to camouflage itself as a model for Black survival strategies, among others. Looking at Black life through the lens of speculative fiction, this book transports readers to alternative worlds and spaces while remaining squarely rooted in present-day struggles. In so doing, it rethinks historical and contemporary Black experiences as well as figures such as Harriet Tubman, Frederick Douglass, Booker T. Washington, W. E. B. Du Bois, Henry Dumas, and Toni Morrison.Offering new ways to grasp the meanings and implications of Black freedom, The Dark Delight of Being Strange invites us to reimagine history and memory, time and space, our identities and ourselves. Winner, 2025 Hugh J. Silverman Book Prize, Association for Philosophy and Literature Finalist, 2025 PEN America Open Book Award James B. Haile III is a Professor of English & Philosophy at the University of Rhode Island. You can find him at the University of Rhode Island Philosophy Department website. You can find the host, Sullivan Summer, online, on Instagram, and at Substack, where she and Dr. Haile continue their conversation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/folkore
An ambitious genre-crossing exploration of Black speculative imagination, The Dark Delight of Being Strange: Black Stories of Freedom (Columbia University Press 2024) combines fiction, historical accounts, and philosophical prose to unveil the extraordinary and the surreal in everyday Black life.In a series of stories and essays, James B. Haile, III, traces how Black speculative fiction responds to enslavement, racism, colonialism, and capitalism and how it reveals a life beyond social and political alienation. He re-envisions Black technologies of freedom through Henry Box Brown's famed escape from slavery in a wooden crate, fashions an anticolonial “hollow earth theory” from the works of H. G. Wells and Jules Verne, and considers the octopus and its ability to camouflage itself as a model for Black survival strategies, among others. Looking at Black life through the lens of speculative fiction, this book transports readers to alternative worlds and spaces while remaining squarely rooted in present-day struggles. In so doing, it rethinks historical and contemporary Black experiences as well as figures such as Harriet Tubman, Frederick Douglass, Booker T. Washington, W. E. B. Du Bois, Henry Dumas, and Toni Morrison.Offering new ways to grasp the meanings and implications of Black freedom, The Dark Delight of Being Strange invites us to reimagine history and memory, time and space, our identities and ourselves. Winner, 2025 Hugh J. Silverman Book Prize, Association for Philosophy and Literature Finalist, 2025 PEN America Open Book Award James B. Haile III is a Professor of English & Philosophy at the University of Rhode Island. You can find him at the University of Rhode Island Philosophy Department website. You can find the host, Sullivan Summer, online, on Instagram, and at Substack, where she and Dr. Haile continue their conversation.
Chinese travelers first made their way to the Maldives in the Indian Ocean in the 14th century, looking for goods like coconuts, cowries, and ambergris. That started centuries of travel to the islands, including one trip by famed sailor Zheng He. Then, quickly, the Maldives—and the broader Indian Ocean—vanished as Ming China turned inward. Bin Yang writes about these linkages between China, the Maldives and the Indian Ocean in his recent book Discovered but Forgotten: The Maldives in Chinese History, c 1100-1620 (Columbia University Press: 2024) Bin Yang is a professor of history at City University of Hong Kong. His books include Between Winds and Clouds: The Making of Yunnan (Columbia University Press: 2008) and Cowrie Shells and Cowrie Money: A Global History (Columbia University Press: 2019). You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Discovered But Forgotten. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Chinese travelers first made their way to the Maldives in the Indian Ocean in the 14th century, looking for goods like coconuts, cowries, and ambergris. That started centuries of travel to the islands, including one trip by famed sailor Zheng He. Then, quickly, the Maldives—and the broader Indian Ocean—vanished as Ming China turned inward. Bin Yang writes about these linkages between China, the Maldives and the Indian Ocean in his recent book Discovered but Forgotten: The Maldives in Chinese History, c 1100-1620 (Columbia University Press: 2024) Bin Yang is a professor of history at City University of Hong Kong. His books include Between Winds and Clouds: The Making of Yunnan (Columbia University Press: 2008) and Cowrie Shells and Cowrie Money: A Global History (Columbia University Press: 2019). You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Discovered But Forgotten. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies
Chinese travelers first made their way to the Maldives in the Indian Ocean in the 14th century, looking for goods like coconuts, cowries, and ambergris. That started centuries of travel to the islands, including one trip by famed sailor Zheng He. Then, quickly, the Maldives—and the broader Indian Ocean—vanished as Ming China turned inward. Bin Yang writes about these linkages between China, the Maldives and the Indian Ocean in his recent book Discovered but Forgotten: The Maldives in Chinese History, c 1100-1620 (Columbia University Press: 2024) Bin Yang is a professor of history at City University of Hong Kong. His books include Between Winds and Clouds: The Making of Yunnan (Columbia University Press: 2008) and Cowrie Shells and Cowrie Money: A Global History (Columbia University Press: 2019). You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Discovered But Forgotten. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices
Chinese travelers first made their way to the Maldives in the Indian Ocean in the 14th century, looking for goods like coconuts, cowries, and ambergris. That started centuries of travel to the islands, including one trip by famed sailor Zheng He. Then, quickly, the Maldives—and the broader Indian Ocean—vanished as Ming China turned inward. Bin Yang writes about these linkages between China, the Maldives and the Indian Ocean in his recent book Discovered but Forgotten: The Maldives in Chinese History, c 1100-1620 (Columbia University Press: 2024) Bin Yang is a professor of history at City University of Hong Kong. His books include Between Winds and Clouds: The Making of Yunnan (Columbia University Press: 2008) and Cowrie Shells and Cowrie Money: A Global History (Columbia University Press: 2019). You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Discovered But Forgotten. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review
Chinese travelers first made their way to the Maldives in the Indian Ocean in the 14th century, looking for goods like coconuts, cowries, and ambergris. That started centuries of travel to the islands, including one trip by famed sailor Zheng He. Then, quickly, the Maldives—and the broader Indian Ocean—vanished as Ming China turned inward. Bin Yang writes about these linkages between China, the Maldives and the Indian Ocean in his recent book Discovered but Forgotten: The Maldives in Chinese History, c 1100-1620 (Columbia University Press: 2024) Bin Yang is a professor of history at City University of Hong Kong. His books include Between Winds and Clouds: The Making of Yunnan (Columbia University Press: 2008) and Cowrie Shells and Cowrie Money: A Global History (Columbia University Press: 2019). You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Discovered But Forgotten. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices
Chinese travelers first made their way to the Maldives in the Indian Ocean in the 14th century, looking for goods like coconuts, cowries, and ambergris. That started centuries of travel to the islands, including one trip by famed sailor Zheng He. Then, quickly, the Maldives—and the broader Indian Ocean—vanished as Ming China turned inward. Bin Yang writes about these linkages between China, the Maldives and the Indian Ocean in his recent book Discovered but Forgotten: The Maldives in Chinese History, c 1100-1620 (Columbia University Press: 2024) Bin Yang is a professor of history at City University of Hong Kong. His books include Between Winds and Clouds: The Making of Yunnan (Columbia University Press: 2008) and Cowrie Shells and Cowrie Money: A Global History (Columbia University Press: 2019). You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Discovered But Forgotten. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.
Discovered but Forgotten: The Maldives in Chinese History, c.1100-1620 (Columbia UP, 2024) examines China's maritime activities in the Indian Ocean, especially as they relate to the Maldives. By weaving together the accounts of a 14th-century Chinese traveler (Wang Dayuan) to the archipelago, archaeological analysis of shipwrecks, maps by both the imperial court and Jesuits, records about items including cowrie shells and ambergris, and much more, Bin Yang argues that the Maldives — and the Indian Ocean world — shaped the Chinese empire. Discovered but Forgotten is a far-reaching and ambitious book that showcases both imperial China's maritime activities in the Indian Ocean world and how to do maritime history and global history, even when that means working with incomplete records and fragments of porcelain. This book should interest readers curious about East Asian history and global history, as well as anyone who doesn't yet know how important ambergris was to maritime trade and Ming China (spoiler: the answer is very). In addition to Discovered but Forgotten, interested listeners (and readers!) should also seek out Bin's previous books, especially Cowrie Shells and Cowrie Money: A Global History (Routledge, 2019). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Discovered but Forgotten: The Maldives in Chinese History, c.1100-1620 (Columbia UP, 2024) examines China's maritime activities in the Indian Ocean, especially as they relate to the Maldives. By weaving together the accounts of a 14th-century Chinese traveler (Wang Dayuan) to the archipelago, archaeological analysis of shipwrecks, maps by both the imperial court and Jesuits, records about items including cowrie shells and ambergris, and much more, Bin Yang argues that the Maldives — and the Indian Ocean world — shaped the Chinese empire. Discovered but Forgotten is a far-reaching and ambitious book that showcases both imperial China's maritime activities in the Indian Ocean world and how to do maritime history and global history, even when that means working with incomplete records and fragments of porcelain. This book should interest readers curious about East Asian history and global history, as well as anyone who doesn't yet know how important ambergris was to maritime trade and Ming China (spoiler: the answer is very). In addition to Discovered but Forgotten, interested listeners (and readers!) should also seek out Bin's previous books, especially Cowrie Shells and Cowrie Money: A Global History (Routledge, 2019). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies
Discovered but Forgotten: The Maldives in Chinese History, c.1100-1620 (Columbia UP, 2024) examines China's maritime activities in the Indian Ocean, especially as they relate to the Maldives. By weaving together the accounts of a 14th-century Chinese traveler (Wang Dayuan) to the archipelago, archaeological analysis of shipwrecks, maps by both the imperial court and Jesuits, records about items including cowrie shells and ambergris, and much more, Bin Yang argues that the Maldives — and the Indian Ocean world — shaped the Chinese empire. Discovered but Forgotten is a far-reaching and ambitious book that showcases both imperial China's maritime activities in the Indian Ocean world and how to do maritime history and global history, even when that means working with incomplete records and fragments of porcelain. This book should interest readers curious about East Asian history and global history, as well as anyone who doesn't yet know how important ambergris was to maritime trade and Ming China (spoiler: the answer is very). In addition to Discovered but Forgotten, interested listeners (and readers!) should also seek out Bin's previous books, especially Cowrie Shells and Cowrie Money: A Global History (Routledge, 2019). Learn more about your ad choices. Visit megaphone.fm/adchoices
Discovered but Forgotten: The Maldives in Chinese History, c.1100-1620 (Columbia UP, 2024) examines China's maritime activities in the Indian Ocean, especially as they relate to the Maldives. By weaving together the accounts of a 14th-century Chinese traveler (Wang Dayuan) to the archipelago, archaeological analysis of shipwrecks, maps by both the imperial court and Jesuits, records about items including cowrie shells and ambergris, and much more, Bin Yang argues that the Maldives — and the Indian Ocean world — shaped the Chinese empire. Discovered but Forgotten is a far-reaching and ambitious book that showcases both imperial China's maritime activities in the Indian Ocean world and how to do maritime history and global history, even when that means working with incomplete records and fragments of porcelain. This book should interest readers curious about East Asian history and global history, as well as anyone who doesn't yet know how important ambergris was to maritime trade and Ming China (spoiler: the answer is very). In addition to Discovered but Forgotten, interested listeners (and readers!) should also seek out Bin's previous books, especially Cowrie Shells and Cowrie Money: A Global History (Routledge, 2019). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies
China's breathtaking economic development has been driven by bureaucrats. Even as the country transitioned away from socialist planning toward a market economy, the economic bureaucracy retained a striking degree of influence and control over crafting and implementing policy. Yet bureaucrats are often dismissed as faceless and inconsequential, their role neglected in favor of party leaders' top-down rule or bottom-up initiatives.< Markets with Bureaucratic Characteristics (Columbia UP, 2024) offers a new account of economic policy making in China over the past four decades that reveals how bureaucrats have spurred large-scale transformations from within. Yingyao Wang demonstrates how competition among bureaucrats motivated by careerism has led to the emergence of new policy approaches. Second-tier economic bureaucrats instituted distinctive―and often conflicting―“policy paradigms” aimed at securing their standing and rewriting China's long-term development plans for their own benefit. Emerging from the middle levels of the bureaucracy, these policy paradigms ultimately reorganized the Chinese economy and reshaped state-market relations. Drawing on fine-grained biographical and interview data, Wang traces how officials coalesced around shared career trajectories, generational experiences, and social networks to create new alliances and rivalries. Shedding new light on the making and trajectory of China's ambitious economic reforms, this book also provides keen sociological insight into the relations among bureaucracy, states, and markets. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
China's breathtaking economic development has been driven by bureaucrats. Even as the country transitioned away from socialist planning toward a market economy, the economic bureaucracy retained a striking degree of influence and control over crafting and implementing policy. Yet bureaucrats are often dismissed as faceless and inconsequential, their role neglected in favor of party leaders' top-down rule or bottom-up initiatives.< Markets with Bureaucratic Characteristics (Columbia UP, 2024) offers a new account of economic policy making in China over the past four decades that reveals how bureaucrats have spurred large-scale transformations from within. Yingyao Wang demonstrates how competition among bureaucrats motivated by careerism has led to the emergence of new policy approaches. Second-tier economic bureaucrats instituted distinctive―and often conflicting―“policy paradigms” aimed at securing their standing and rewriting China's long-term development plans for their own benefit. Emerging from the middle levels of the bureaucracy, these policy paradigms ultimately reorganized the Chinese economy and reshaped state-market relations. Drawing on fine-grained biographical and interview data, Wang traces how officials coalesced around shared career trajectories, generational experiences, and social networks to create new alliances and rivalries. Shedding new light on the making and trajectory of China's ambitious economic reforms, this book also provides keen sociological insight into the relations among bureaucracy, states, and markets. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies
China's breathtaking economic development has been driven by bureaucrats. Even as the country transitioned away from socialist planning toward a market economy, the economic bureaucracy retained a striking degree of influence and control over crafting and implementing policy. Yet bureaucrats are often dismissed as faceless and inconsequential, their role neglected in favor of party leaders' top-down rule or bottom-up initiatives.< Markets with Bureaucratic Characteristics (Columbia UP, 2024) offers a new account of economic policy making in China over the past four decades that reveals how bureaucrats have spurred large-scale transformations from within. Yingyao Wang demonstrates how competition among bureaucrats motivated by careerism has led to the emergence of new policy approaches. Second-tier economic bureaucrats instituted distinctive―and often conflicting―“policy paradigms” aimed at securing their standing and rewriting China's long-term development plans for their own benefit. Emerging from the middle levels of the bureaucracy, these policy paradigms ultimately reorganized the Chinese economy and reshaped state-market relations. Drawing on fine-grained biographical and interview data, Wang traces how officials coalesced around shared career trajectories, generational experiences, and social networks to create new alliances and rivalries. Shedding new light on the making and trajectory of China's ambitious economic reforms, this book also provides keen sociological insight into the relations among bureaucracy, states, and markets. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies
China's breathtaking economic development has been driven by bureaucrats. Even as the country transitioned away from socialist planning toward a market economy, the economic bureaucracy retained a striking degree of influence and control over crafting and implementing policy. Yet bureaucrats are often dismissed as faceless and inconsequential, their role neglected in favor of party leaders' top-down rule or bottom-up initiatives.< Markets with Bureaucratic Characteristics (Columbia UP, 2024) offers a new account of economic policy making in China over the past four decades that reveals how bureaucrats have spurred large-scale transformations from within. Yingyao Wang demonstrates how competition among bureaucrats motivated by careerism has led to the emergence of new policy approaches. Second-tier economic bureaucrats instituted distinctive―and often conflicting―“policy paradigms” aimed at securing their standing and rewriting China's long-term development plans for their own benefit. Emerging from the middle levels of the bureaucracy, these policy paradigms ultimately reorganized the Chinese economy and reshaped state-market relations. Drawing on fine-grained biographical and interview data, Wang traces how officials coalesced around shared career trajectories, generational experiences, and social networks to create new alliances and rivalries. Shedding new light on the making and trajectory of China's ambitious economic reforms, this book also provides keen sociological insight into the relations among bureaucracy, states, and markets. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology
Everyday items found at the sites of atrocities possess a striking emotional force. Victims' garments, broken glasses, wallets, shoes, and other such personal property that are recovered from places of death including concentration camps, mass graves, and prisons have become staples of memorial museums, exhibited to the public as material testimony in order to evoke sympathy and promote human rights. How do these objects take on such power, and what are the benefits and pitfalls of deploying them for political purposes? A Victim's Shoe, a Broken Watch, and Marbles: Desire Objects and Human Rights (Columbia University Press, 2025) by Dr. Lea David examines how artifacts of atrocities circulate and, in so doing, sheds new light on the institutions and social processes that shape collective memory of human rights abuses. Dr. Lea David traces the journeys of what she terms “desire objects”: their rediscovery at the locations of mass atrocities, their use in forensic and legal procedures, their return to the homes of grieving families, their appearance in public spaces such as museums and exhibitions, and their role in political protests. She critically investigates the logic that shapes why and how desire objects gain symbolic power and political significance, showing when and under what circumstances they are used to promote particular worldviews and narratives. Featuring both novel theoretical methods and keen empirical analysis, this book offers important insights into the shortcomings of common assumptions about human rights. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Everyday items found at the sites of atrocities possess a striking emotional force. Victims' garments, broken glasses, wallets, shoes, and other such personal property that are recovered from places of death including concentration camps, mass graves, and prisons have become staples of memorial museums, exhibited to the public as material testimony in order to evoke sympathy and promote human rights. How do these objects take on such power, and what are the benefits and pitfalls of deploying them for political purposes? A Victim's Shoe, a Broken Watch, and Marbles: Desire Objects and Human Rights (Columbia University Press, 2025) by Dr. Lea David examines how artifacts of atrocities circulate and, in so doing, sheds new light on the institutions and social processes that shape collective memory of human rights abuses. Dr. Lea David traces the journeys of what she terms “desire objects”: their rediscovery at the locations of mass atrocities, their use in forensic and legal procedures, their return to the homes of grieving families, their appearance in public spaces such as museums and exhibitions, and their role in political protests. She critically investigates the logic that shapes why and how desire objects gain symbolic power and political significance, showing when and under what circumstances they are used to promote particular worldviews and narratives. Featuring both novel theoretical methods and keen empirical analysis, this book offers important insights into the shortcomings of common assumptions about human rights. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/genocide-studies
Everyday items found at the sites of atrocities possess a striking emotional force. Victims' garments, broken glasses, wallets, shoes, and other such personal property that are recovered from places of death including concentration camps, mass graves, and prisons have become staples of memorial museums, exhibited to the public as material testimony in order to evoke sympathy and promote human rights. How do these objects take on such power, and what are the benefits and pitfalls of deploying them for political purposes? A Victim's Shoe, a Broken Watch, and Marbles: Desire Objects and Human Rights (Columbia University Press, 2025) by Dr. Lea David examines how artifacts of atrocities circulate and, in so doing, sheds new light on the institutions and social processes that shape collective memory of human rights abuses. Dr. Lea David traces the journeys of what she terms “desire objects”: their rediscovery at the locations of mass atrocities, their use in forensic and legal procedures, their return to the homes of grieving families, their appearance in public spaces such as museums and exhibitions, and their role in political protests. She critically investigates the logic that shapes why and how desire objects gain symbolic power and political significance, showing when and under what circumstances they are used to promote particular worldviews and narratives. Featuring both novel theoretical methods and keen empirical analysis, this book offers important insights into the shortcomings of common assumptions about human rights. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology
In Indian languages from Sanskrit to Marathi, yoga has an enormous range of meanings, though most often it refers to philosophy or methods to control the mind and body. The Yoga of Power: Political Thought and Practice in India (Columbia UP, 2025) argues for a wider understanding, demonstrating that yoga has long expressed political thought and practice. The political idea of yoga names the tools of kings, poets, warriors, and revolutionaries. It encodes stratagems for going into battle and for the demands of governance. This idea suggests routes to self-rule even when faced with implacable obstacles, and it defines righteous action amid the grime and grief of politics and war. Surya Namaskar 1928 by Raja of Anundah. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network