Podcasts about american theatre

On the latest Whisper in the Wings from Stage Whisper, we welcomed back on the actress/director Amber Brookes, and welcomed in the actor Jospeh Monsieur to talk about their upcoming run of Black & White City Blues. This was a great show to talk about once again, and we loved hearing all about what audiences can expect from this iteration of the show. So make sure that you tune in and turn out for this production!Black & White City BluesMay 14th-25th@ American Theatre of ActorsTickets and more information are available at onthestage.ticketsAnd be sure to follow our guests to stay up to date on all their upcoming projects and productions: @directedbyamber@joseph_monseur

DONNA TRINKOFF – Artistic Producer - of Amas Musical Theatre, a non-profit performing arts organization in New York City devoted the creation, development and production of new musicals and to the training and encouragement of inner-city young people. Since 1994, Donna has produced the original musicals Broadway and the Bard, starring Len Cariou, Red Eye of Love, The Other Josh Cohen, Triassic Parq! Wanda's World, Shout! The Mod Musical, Lone Star Love, Magpie, Stormy Weather: The Lena Horne Story, Zanna, Don't!, Latin Heat, From My Hometown, Langston Hughes' Little Ham, 4 Guys Named José, Rollin' on the T.O.B.A., among others, and she has presented over 90 original musicals in the Amas Musical Theatre Lab. As Starry Night Productions, Donna presented the Off-Broadway premiere of SILENCE! The Musical (Christopher Gattelli, Hunter Bell, Jon & Al Kaplan), the unauthorized parody of the iconic film “The Silence of the Lambs” to critical acclaim, sold-out houses and a two-year run. SILENCE! won the Off Broadway Alliance Award and the Obie Award for Best Musical and was named as one of the 'Top 10 Plays of the Year' by TIME Magazine. The original cast album has been released on Sh-K-Boom Records. Donna was an associate artistic director at the Cabaret and Performance Conference at the Eugene O'Neill Center in CT and worked with Aruba Productions on new and upcoming musicals. She holds a BA in English and Theatre from SUNY Binghamton, is a graduate of the National Theatre Institute, and she received a Certificate of Merit from the Drama Studio in London. Donna is a member of the League for Professional Theatre Women. She is a recipient of the New York Municipal Art Society Award of Merit and the Galaxy Award from the NY Women's Association.  Amas Musical Theatre is a non-profit, multi-ethnic theatrical organization founded in 1968 by Ms. Rosetta LeNoire. Amas (“you love” in Latin) is devoted to the creation, development and professional production of new American musicals, the celebration of cultural equity and minority perspectives, the emergence of new artistic talent, and the training and encouragement of underserved young people. Amas celebrates its impact in pioneering multi-ethnic casting in the American Theatre and reiterates its commitment to this reflection of our diverse society.​Amas Musical Theatre commits its work to: Contributing to the vitality of the American Musical Theatre - a unique American esthetic expression -- through the creation, development and professional production of original musicals.​Bringing creative, musical theatre to the American education system, and enhancing the experience of students.​Encouraging tolerance and civility among people of our diverse society by bringing them together through the art of musical theatre.​Audiences are built by bringing both children and other community members into Amas with free performances and free ticket programs. Amas actively combines artists and audience members from every possible racial, ethnic and religious background, bringing them together to work and learn from each other.​For 50 years, Amas has engraved its unique trademark on the world of musical theatre. We produce quality musical theatre presenting different cultural viewpoints, while reaching out to underserved audiences. Amas attracts actors and artists of distinction and reputation, while offering opportunities for new talent to learn and develop.

On the latest Whisper in the Wings from Stage Whisper, we welcomed back on the director Caitlyn Marr and the playwright Lana Meyer to talk about their latest production, Nongod. This was such a fantastic show to learn all about, and we had a great time learning even more insight from our wonderful guests! So make sure you tune in and turn out for this great new production!PAUL PresentsNongodMay 7th-11th@ The American Theatre of ActorsTickets and more information available at wearepaul.org And be sure to follow our guests to stay up to date on all their upcoming projects and productions: wearepaul.orginfo@wearepaul.org@we_are_paul@caitlynmarr22

In this episode of the Life Shift podcast, I sit down with Susan Lieu, a Vietnamese American playwright, performer, and author, who shares her powerful journey of healing and self-discovery after losing her mother at a young age. Through her art, Susan has found a way to process her pain, reclaim her narrative, and inspire others to embrace vulnerability and the power of storytelling.Susan takes us through her childhood as the daughter of Vietnamese refugees, growing up in a bustling household filled with extended family. She recounts the pivotal moment when, at just 11 years old, her mother tragically passed away due to complications from plastic surgery. This loss not only shattered Susan's world but also led to years of silence and unresolved grief within her family.The conversation also touches on the broader implications of intergenerational trauma and the expectations placed upon children of immigrants. Breaking the Silence: A Journey of Healing Through ArtHow Susan found her voice and began to process her grief through solo performanceThe power of storytelling in uncovering family secrets and healing generational traumaNavigating cultural expectations and finding the courage to pursue a creative pathEmbracing Vulnerability and AuthenticityThe challenges of sharing deeply personal stories on stage and in writingHow Susan's journey has impacted her relationships with family membersThe ripple effect of vulnerability and its power to inspire othersRedefining Success and Finding PurposeSusan's transition from corporate life to full-time artistryThe importance of setting boundaries and prioritizing self-careHow becoming a mother has shifted Susan's perspective on her own childhood experiencesAs you listen to this episode, consider:How have unspoken family stories shaped your own life and relationships?In what ways might sharing your own vulnerable experiences help others feel less alone?How can you take small, daily steps towards living a more authentic and fulfilling life?Join us for this inspiring conversation that reminds us of the healing power of storytelling and the beauty of embracing our whole selves – imperfections and all.Susan Lieu is a multi-hyphenate storyteller, activist, and author. Through her book, podcast, and live performances, Susan takes audiences on a journey of healing intergenerational trauma, embracing authenticity, and finding boldness in vulnerability.Susan is the creator of her theatrical solo show "140 LBS: How Beauty Killed My Mother," which received critical acclaim from the LA Times, NPR, and American Theatre. Her debut memoir, The Manicurist's Daughter (Celadon), is an Apple Book Pick of the Month and Must Listen of the Month, and has received accolades from The New York Times, NPR Books, Elle Magazine, and The Washington Post. www.susanlieu.meIG: @susanlieu @celadonbooks, @modelminoritymomsFB: www.facebook.com/susanlieuofficialLinkedIn: https://www.linkedin.com/in/susanlieu/#themanicuristsdaughter #whenwefeelweheal Resources: To listen in on more conversations about pivotal moments...

In this episode of the Lights Up! podcast, Mark Blankenship shares his insights on creating immersive experiences, reflecting on the significance of movement in narrative influenced by his love of the Greek tragedy. The discussion highlights the evolving nature of theatre and the shared responsibility of storytellers and audiences in shaping demand for fresh perspectives.Beyond his work as a playwright, Mark Blankenship is a seasoned arts journalist and editor. His contributions have appeared in esteemed publications such as The New York Times, Variety, and American Theatre. Mark's multifaceted career also includes roles as a dramaturg and filmmaker, underscoring his diverse impact on the arts community.Play Starts (1:01)Conversation with Mark (10:44)Actors:Tom Baxter: SJ LesterWick Wallace: Joel Sanchez-AvantesGreg Hughes: Caleb SextonDirected by Garry Lee PoseySoundscape by Eric "Red" WyattLinks to follow Mark:Website: markgblankenship.com/bylines Twitter/Instagram: @IAmBlankenship​Bluesky: markblankenship.bsky.socialSubstack: lostsongs.substack.comLinkedIn: https://www.linkedin.com/in/mark-blankenship-0118776/ Hosted on Acast. See acast.com/privacy for more information.

Get ready for an incredible new theatre season! Heidi and Jessie from The American Theatre Guild are here on Stage Door to announce the amazing Broadway shows coming to Toledo. We're bringing even more spectacular performances to our theatre-loving community! Stay tuned for an unforgettable season ahead! #BroadwayInToledo #TheatreSeason #AmericanTheatreGuild #Shucked #TheWiz #&Juliet #TheGreatGatsby #TheNeilDiamondMusicalABeautifulNoise.

Susan Lieu joins Let's Talk Memoir for a conversation about realizing you're an artist later in life, becoming a multi-hyphinate storyteller, being a mother when you never knew your own, piecing together a family story, feeling plagued by structure, sticking to the throughline, writing residencies, writing down goals, deciding to stop searching for approval from loved ones and getting it for and from ourselves, accepting loved ones as they are, grief journeys, storytelling as closure, and her new memoir The Manicurist's Daughter.   Also in this episode: -using a book doctor -mental health stigma and older generations -body acceptance   Books mentioned in this episode:  -Ma and Me by Putsata Reang    SUSAN LIEU is a Vietnamese-American author, playwright, and performer who tells stories that refuse to be forgotten. She took her award-winning autobiographical solo show 140 LBS: How Beauty Killed My Mother on a ten-city national tour, with sold-out premieres and accolades from the Los Angeles Times, NPR, and American Theatre. Her debut memoir, The Manicurist's Daughter, is an Apple Book of the Month, Apple Book Must Listen of the Month, and has been featured on The New York Times, NPR Books, Elle Magazine, LA Times, and The Washington Post. Creator of The Vagina Monologues, V (formerly Eve Ensler) calls The Manicurist's Daughter “a stunning, raw, brave memoir that wouldn't let me go.” She is a proud alumnae of Harvard College, Yale School of Management, Coro, Hedgebrook, and Vashon Artist Residency. She is also the cofounder of Socola Chocolatier, an artisanal chocolate company based in San Francisco. Susan lives with her husband and son in Seattle, where they enjoy mushroom hunting, croissants, and big family gatherings. The Manicurist's Daughter is her first book. Connect with Susan: Website: https://www.susanlieu.me/ Model Minority Moms Podcast: https://modelminoritymoms.com/ Instagram: @susanlieu, @celadonbooks  facebook: https://www.facebook.com/susanlieuofficial TikTok: @susanlieuofficial LinkedIn: https://www.linkedin.com/in/susanlieu/ – Ronit's writing has appeared in The Atlantic, The Rumpus, The New York Times, Poets & Writers, The Iowa Review, Hippocampus, The Washington Post, Writer's Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts' 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories.  She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and teaches memoir through the University of Washington's Online Continuum Program and also independently. She launched Let's Talk Memoir in 2022, lives in Seattle with her family of people and dogs, and is at work on her next book. More about Ronit: https://ronitplank.com Subscribe to Ronit's Substack: https://substack.com/@ronitplank Follow Ronit: https://www.instagram.com/ronitplank/ https://www.facebook.com/RonitPlank https://bsky.app/profile/ronitplank.bsky.social   Background photo credit: Photo by Patrick Tomasso on Unsplash Headshot photo credit: Sarah Anne Photography Theme music: Isaac Joel, Dead Moll's Fingers

Send us a textComing to Fowl Players Radio 2/10/2025- Author David Finkle!! Fowl Players Radio kicks off Season 12 with an interview with David Finkle- author of “The Great Gatsby Murder Case" David Finkle is a New York-based writer who concentrates on politics and the arts. He writes regularly on theater, books and music for New York Stage Review and The Clyde Fitch Report, where he is chief drama critic. He's contributed to scores of publications, including The New York Times, The Village Voice, The New York Post, The Nation, The New Yorker, New York, Vogue, Mirabella, Harper's Bazaar, Psychology Today, Saturday Review and American Theatre. He is the author of People Tell Me Things, a story collection, The Man With the Overcoat, a novel, Humpty Trumpty Hit a Brick Wall: Donald J. Trump's First Year in Verse and Great Dates With Some Late Greats, a story collection. His websites: www.davidfinkle.com www.davidfinklewrites.com #fowlplayersradio #davidfinkle#thegreatgatsbymurdercase #davidfinkleauthor #michaelspedden#fowlplayersofperryville www.fowlplayersradio.com www.fowlplayersofperryville.comwww.youtube.com/@fowlplayersradiowww.fowlplayersradio.comwww.thefowlplayersofperryville.com#michaelspedden#fowlplayersradio#fowlplayersofperryville@fowl_radio@SpeddenMichaelwww.youtube.com/@fowlplayersradiowww.patreon.com/fowlplayersradiobuymeacoffee.com/fowlplayerw

On the latest Whisper in the Wings from Stage Whisper, we welcomed on the performer/creator/co-producer Diana Zhdanova and the director Kathryn Syssoyeva. They joined us to talk about their upcoming production, (beyond) Doomsday Scrolling. This is a very powerful and timely work that was fascinating to discuss. So be sure you tune in and turn up for this great work!(beyond) Doomsday ScrollingFebruary 6th-9th @ John Cullum Stage at American Theatre of ActorsTickets and more information are available at anomalousco.com Use promo code FCKTRMP for $10 off ticketsAnd be sure to follow our guests to stay up to date on all their upcoming projects and productions:anomalousco.com@anamalousco

Through February, the stage production of Fat Ham will premiere at the Cleveland Play House. It's a cleverly hilarious retelling of William Shakespeare's Hamlet through the eyes of "Juicy," a Southern Black mama's boy during a backyard cookout. It unapologetically centers Black joy and flips masculinity on its head. For many, the play's premise might cause a casual reader to double-take. Yet, the production won the 2022 Pulitzer Prize winner for drama and was nominated for five Tony Awards including Best Play. This summer, England's Royal Shakespeare Company itself will stage the European premiere.rnrnrnFrom Hollywood film to literature and theatre productions--contemporary spins on classics are not a new concept. These reinterpretations often reach new audiences, create new models for artistic production, and create space for entire communities.

This episode of HIV unmuted features an intimate conversation with Ambassador-at-Large Dr John N Nkengasong, the U.S. Global AIDS Coordinator and Senior Bureau Official for Global Health Security and Diplomacy (GHSD). Our host,Juan Michael Porter II, takes listeners through John N Nkengasong's remarkable journey from his early days as a virologist to his current role leading the State Department's Bureau of GHSD, which oversees the global implementation of the U.S. President's Emergency Plan for AIDS Relief (PEPFAR). John N Nkengasong offers profound insights into the ongoing global HIV response, stressing the importance of community leadership in sustaining the progress made over the years. He addresses the challenges of maintaining this momentum in the face of changing global health priorities and funding landscapes. Despite significant advancements in treatment and prevention, John N Nkengasong underscores that ending the HIV pandemic will require addressing persistent inequalities and engaging communities around the world.  John N Nkengasong also highlights the potential of lenacapavir for HIV prevention, which, as of December 2024, is part of a coordinated effort by PEPFAR, the Global Fund to Fight AIDS, Tuberculosis and Malaria, the Children's Investment Fund Foundation and the Gates Foundation to expand access to innovative treatments. Learn more about this initiative here. Meet our guest: John N Nkengasong is an Ambassador-at-Large and serves as the U.S. Department of State's U.S. Global AIDS Coordinator and Senior Bureau Official for Global Health Security and Diplomacy (GHSD). He oversees the Bureau of Global Health Security and Diplomacy, which serves as the department's coordinating body for work on strengthening global health security to prevent, detect and respond to infectious diseases, including HIV and AIDS. The department also elevates and integrates global health security as a core component of U.S. national security and foreign policy. GHSD is home to the U.S. President's Emergency Plan for AIDS Relief (PEPFAR), which the Ambassador also oversees. PEPFAR is the largest commitment by any nation to address a single disease in history and has prevented millions of HIV acquisitions, saved more than 25 million lives, and changed the course of the HIV pandemic.Meet our host: Juan Michael Porter II is a health journalist, HIV advocate, culture critic, educator and the host of HIV unmuted, the IAS podcast. He is the Senior Editor of TheBody.com and TheBodyPro – and the first person openly living with HIV to hold the position. Juan Michael's reporting combines data dives, personal narratives and policy analyses to address the real-world consequences of ever-shifting legislation on people's health outcomes. He has written for the Public Broadcasting Service, SF Chronicle, Philadelphia Inquirer, Christian Science Monitor, NY Observer, TDF Stages, Playbill, American Theatre, Time Out NY, Queerty, Anti-Racism Daily, Positively Aware, Documentary Magazine, SYFY Wire, Scholastic and Dance Magazine.

On the latest Whisper in the Wings from Stage Whisper, we welcomed on some amazing artists; the playwright Richard Vetere, director Amber Brookes, and the actor and moderator for an upcoming talk back dan Lauria. They stopped by to talk about their upcoming production of the powerful show, Black & White City Blues. This was such an amazing show to learn all about, and the incredible insight that was shared with us was even more fantastic. So make sure that you tune in and get your tickets while you still can for this great work!Black & White City BluesJanuary 8th-19th@ The American Theatre of ActorsTickets and more information are available at americantheatreofactors.org And be sure to follow our guests to stay up to date on all their upcoming projects and productions:Amber; @directedbyamberRichard: richardvetereauthor.com

On the latest Whisper in the Wings from Stage Whisper, we welcomed on actor Archie Colville to talk about his latest show, Dream on Baransky. This fun and fantastic new work was a blast to learn more about, and just like our conversation, this show should not be missed. So tune in and turn up for this great production!Dream on BaranskyDecember 7th-22nd@ American Theatre of ActorsTickets and more information are available at americantheatreofactors.org And be sure to follow Archie to stay up to date on all his upcoming projects and productions:@archie.colville

In this special World AIDS Day episode of HIV unmuted, the IAS podcast, poet, advocate and researcher Bakita Kasadha joins host Juan Michael Porter II in a conversation that challenges preconceived notions and redefines how we discuss and address HIV stigma. Produced in collaboration with the IAS Heart of Stigma programme of IAS – the International AIDS Society – this episode dives into the transformative power of language, art and science in reshaping the global HIV narrative. Bakita shares her unique journey from poetry to advocacy and from being skeptical about research to becoming a groundbreaking researcher herself. Through candid dialogue, the episode explores the nuances of internalized stigma, the limitations of rigid language norms, and the necessity of inclusive and participatory approaches in HIV discourse. Bakita and Juan Michael discuss the role of grace, nuance, and allyship in dismantling stigma and how the arts can amplify voices and stories that have long been marginalized. This episode will leave you inspired to rethink stigma, reclaim narratives, and prioritize people in every aspect of the conversation. To find out how you can get involved this World AIDS Day (1 December), visit our World AIDS Day page. Meet our guest: Bakita Kasadha  Bakita Kasadha is a multi-award-winning health researcher at the University of Oxford, and poet and activist. In 2024, she was awarded the IAS biennial Prudence Mabele Prize. She was the main researcher on the award-winning HIV and infant-feeding NOURISH-UK study and co-edited the collection, HIV and Women's Health: Where Are We Now? Her poetry, commissioned by organizations like the Elton John AIDS Foundation, has inspired initiatives such as a multimillion-pound Fast-Track Cities (London) fund to prevent HIV. She has written for TheBodyPro, NAM aidsmap, Black Ballad, Glamour and the British Journal of Healthcare Management. Her work focuses on addressing health inequities through research and the arts. Meet our host:  Juan Michael Porter II  Juan Michael Porter II is a health journalist, HIV advocate, culture critic, educator and the host of HIV unmuted, the IAS podcast. He is the Senior Editor of TheBody.com and TheBodyPro – and the first person openly living with HIV to hold the position. Juan Michael's reporting combines data dives, personal narratives and policy analyses to address the real-world consequences of ever-shifting legislation on people's health outcomes. He has written for the Public Broadcasting Service, SF Chronicle, Philadelphia Inquirer, Christian Science Monitor, NY Observer, TDF Stages, Playbill, American Theatre, Time Out NY, Queerty, Anti-Racism Daily, Positively Aware, Documentary Magazine, SYFY Wire, Scholastic and Dance Magazine. 

We would jazz walk a mile or so to see this show. By Anna Ouyang Moench Directed by Les Waters Christmas, but not as you know it. Leave the little ones at home and gather ‘round for a very Playhouse take on Christmas. Your Local Theater Presents: A Christmas Carol, by Charles Dickens, Again is a laugh-out-loud funny and heartfelt story for theatre lovers and holiday enthusiasts alike. Eddie is a young actor, fresh out of Juilliard and ready to make his mark on the American Theatre. His dreams are within reach… sort of. First he's just going to do this regional production of A Christmas Carol. As the years pass, Eddie finds himself back at the same local theatre, over and over and over again. Much remains the same: the play, the stage manager, the green room — though Eddie finds himself in different costumes as he ages through the male roles over the course of his career. Anna Ouyang Moench is not just an award-winning playwright. Her work as a screenwriter includes Apple TV+'s Severance and the second season of the multi-award-winning Netflix show, Beef. Her comedic and incisive style is on display in this moving new play; a love letter to actors, artists and dreamers of all professions who make sacrifices large and small in service of their work… and ultimately wonder whether it was worth it.

Jessica speaks with Susan Lieu, Vietnamese-American author, playwright, and performer.  She's the creator of her theatrical solo show "140 LBS: How Beauty Killed My Mother," which received critical acclaim from LA Times, NPR, and American Theatre.  Her debut memoir, The Manicurist's Daughter, is an Apple Book Pick of the Month and Must Listen of the Month, and has received accolades from The New York Times, NPR Books, Elle Magazine, and The Washington Post.  She's also the cofounder of Socola Chocolatier; the co-host of the podcast Model Minority Moms; a proud alum of Harvard, Yale, and Hedgebrook; and a mom of a 4-year old boy. https://www.susanlieu.me/ Instagram: @susanlieu, @celadonbooks  Facebook: https://www.facebook.com/susanlieuofficial TikTok: @susanlieuofficial LinkedIn: https://www.linkedin.com/in/susanlieu/ Model Minority Moms: https://modelminoritymoms.com/ Socola Chocolatier: https://www.socolachocolates.com/ ~ Are you a high achiever, a leader, or an Ampersand who's recently taken on more responsibility at work?  From steering relationships at the C-level to piloting conversations with teams and peers, increasing visibility and opportunities in your field, integrating your creative endeavors, or connecting the dots in your personal life — as a parent, child, and partner — Jessica can help you traverse the unknown challenges and situations that arise as a leader. BOOK AN INTRO CALL: ⁠https://calendly.com/jessicawancoaching/intro-call-coaching⁠⁠ Follow Jessica on LinkedIn Credits Produced and Hosted by ⁠⁠Jessica Wan⁠⁠ Co-produced, edited, and sound design by ⁠⁠⁠⁠Carlos Schmitt⁠ Theme music by ⁠⁠Denys Kyshchuk⁠⁠ and ⁠⁠Stockaudios⁠⁠ from ⁠⁠Pixaba⁠y⁠

Susan Lieu is a Vietnamese-American author, playwright, and performer. Her debut memoir, The Manicurist's Daughter (Celadon), has received accolades from The New York Times, NPR Books, Elle Magazine, and The Washington Post, and is an Apple Book Pick of the Month and Must Listen of the Month. Susan is the creator of her theatrical solo show "140 LBS: How Beauty Killed My Mother," which received critical acclaim from LA Times, NPR, and American Theatre. The co-founder of Socola Chocolatier, Susan is a proud alumnus of Harvard College, Yale School of Management, and Hedgebrook. LISTEN TO THIS EPISODE IF: You have experienced intergenerational trauma You want to live a more authentic life You desire to find more boldness and pursue your dreams Follow Susan at: Instagram: @susanlieu, @celadonbooks Facebook: https://www.facebook.com/susanlieuofficial TikTok: @susanlieuofficial LinkedIn: https://www.linkedin.com/in/susanlieu/

Join the conversation by letting us know what you think about the episode!Words matter. Words have power. Art is powerful. We explore just how powerful words, art, and poetry can be with guests Tara Bracco and Karla Jackson-Brewer. Tune in to hear some of that power as Karla reads a portion of one of her poems included in the book, Poetic People Power.For 20 years, the New York City-based spoken word group Poetic People Power has creatively explored social and political topics, offering insights and solutions to issues that affect our everyday lives and the world around us. This debut anthology invites readers to explore three of their shows about environmental heroes, women's voices, and human rights abuses. Tara Bracco is the founder and producing artistic director of Poetic People Power. She has created, produced, and performed in 20 spoken word shows about social and political issues. She is a recognized leader in the field of art and social change and has been featured in O, The Oprah Magazine, Time Out New York, Brooklyn Rail, and HuffPost. As a journalist, her work has appeared in Cosmopolitan, American Theatre, Condé Nast Traveler, BUST, and Clamor. Karla Jackson-Brewer is a longtime member of Poetic People Power, Professor at Rutgers University, Senior Vajrayana Buddhist Teacher, and priest in the West African tradition of Ifa.Where to find out more about Poetic People Power:Facebook: https://www.facebook.com/poeticpeoplepower/ Instagram: https://www.instagram.com/poeticpeoplepower/ Website: https://www.poeticpeoplepower.com/Where to find Karla Jackson-Brewer:Facebook: www.facebook.com/karla.jacksonbrewer Instagram: @oduneyeSupport the showBe part of the conversation by sharing your thoughts about this episode, what you may have learned, how the conversation affected you. You can reach Raquel and Jennifer on IG @madnesscafepodcast or by email at madnesscafepodcast@gmail.com.Share the episode with a friend and have your own conversation. And don't forget to rate and review the show wherever you listen!Thanks!

As the 2024 recipient of the Betty Jean Jones Award, Ann Folino White, associate professor of theatre studies at Michigan State University, joins the ranks of a select group of scholars honored by this prestigious national award for excellence in teaching and mentorship in theatre. Presented by the American Theatre and Drama Society, or ATDS, an international body of scholars dedicated to the study of theatre, performance, and drama across the Americas, the Betty Jean Jones Award signifies the profound influence Folino White has made on her students, colleagues, and the broader academic and theatre communities. The honor is more than just a recognition of her accomplishments – it is a validation of her lifelong commitment to inclusivity, impactful mentorship, and the study of theatre. Conversation Highlights: (1:05) - Congratulations! Tell us about ATDS and this award.  (2:29) – Tell us about your background and Spartan pedigree. (3:50) - Your work is distinguished by your commitment to dismantling the narratives that have long dominated theatre education. Why and how did you overhaul the theatre curriculum? (8:08) - You're based in the Theatre Department, but you're involved all over campus. Talk about your role as chair of the President's Advisory Committee on Disabilities Issues at MSU and the cool progress at Spartan Stadium you played a role in. (11:48) - Why do you love teaching and mentoring and promoting curiosity and collaboration? (14:59) - Talk about the book you're working on about Actors' Equity Association, the union that represents professional actors in the United States. What is Actors' Equity and how does the book explore acting as work and unionized labor, a concept you believe is often misunderstood and ignored. (19:42) - How have you seen students change over the 15+ years you've been teaching at MSU? (22:11) - What challenges and opportunities await your students in whatever field the enter, and what are those facing current actors around the world? Listen to “MSU Today with Russ White” on the radio and through Spotify, Apple Podcasts, and wherever you get your shows.

In this episode of HIV unmuted, host Juan Michael Porter II sits down with Jeanne Marrazzo, the Director of the National Institute of Allergy and Infectious Diseases (NIAID), in a conversation that goes beyond the headlines and deep into the heart of HIV research and advocacy. Dr Marrazzo, a leader with decades of experience in infectious disease research, shares her inspiring journey from her roots in Scranton, Pennsylvania, to her groundbreaking work in HIV prevention and care. Through this intimate conversation, listeners will discover what drives Dr. Marrazzo's commitment to equity, diversity and community-centered research, and how her personal and professional experiences shape her vision for the future of HIV science. From the challenges of addressing global health inequities to the optimism surrounding new HIV prevention methods, Dr Marrazzo offers valuable insights into the importance of inclusive messaging, the power of collaboration, and why putting people first remains at the core of her mission. Tune in to hear how Jeanne Marrazzo plans to navigate the evolving landscape of global health as she leads NIAID into a new era, and why she believes that hope, innovation, and community are key to overcoming the ongoing challenges in the HIV response. Meet our guest: Jeanne Marrazzo   Jeanne Marrazzo, MD, MPH, FACP, FIDSA, is the Director of NIAID at the U.S. National Institutes of Health (NIH), where she oversees a USD 6.3 billion budget that supports research to advance understanding, diagnosis and treatment of infectious, immunologic and allergic diseases. She was previously the C. Glenn Cobbs Endowed Chair and Director of Infectious Diseases at the University of Alabama at Birmingham Heersink School of Medicine. She is a Fellow of the American College of Physicians and the Infectious Diseases Society of America (IDSA), and was Treasurer of the IDSA from 2021 to 2023, having served on the board since 2018. She researches the vaginal microbiome, sexually transmitted infections and HIV pre-exposure prophylaxis. She has had leadership roles in the NIH HIV Prevention Trials Network and the Infectious Diseases Clinical Research Consortium. She was a leading voice in communicating science during the COVID-19 pandemic.   Meet our host: Juan Michael Porter II  Juan Michael Porter II is a health journalist, HIV advocate, culture critic, educator and the host of HIV unmuted, the IAS podcast. He is the Senior Editor of TheBody.com and TheBodyPro – and the first person openly living with HIV to hold the position. Juan Michael's reportage combines data dives, personal narratives and policy analyses to address the real-world consequences of ever-shifting legislation on people's health outcomes. He has written for the Public Broadcasting Service, SF Chronicle, Philadelphia Inquirer, Christian Science Monitor, NY Observer, TDF Stages, Playbill, American Theatre, Time Out NY, Queerty, Anti-Racism Daily, Positively Aware, Documentary Magazine, SYFY Wire, Scholastic and Dance Magazine. 

A look at top shows for the season, plus Top 10 in Colorado for the week and a chat with Aisha Ahmad-Post from the DU Newman Center   In this week's episode of the OnStage Colorado Podcast, Toni Tresca and I take a look at the annual list from American Theatre that details the most-performed shows and playwrights for the 2024-2025 season. It's an interesting journey into what plays get the most play and the playwrights theatres just can't seem to get enough of.   Also in this episode, I sat down with Newman Center Executive Director Aisha Ahmad-Post to hear about her journey and what's on tap for Newman Center Presents as its new season starts. And as always we talk through shows we've seen, shows we're going to see or have reviews of on the website and our weekly Top 10 Colorado Headliners. Here they are:   Carrie the Musical, The Spark, Oct. 4-20 Avaaz, DCPA Theatre Company, previews Oct. 4-9 and runs Oct. 10-Nov. 17 Spamalot, Butte Theater, Oct. 5-Nov. 2 Around the World in 80 Days, Aurora Fox Arts Center, Oct. 5-27 The Talking Dead: A Haunted Pub Crawl, The Golden Mil, Oct. 5-26 The All American Haunting, Lincoln Center, Fort Collins, Oct. 4,5 Cabaret from Platte Valley Players, Armory Performing Arts Center, Brighton, Oct. 4-19 Beer for Breakfast, Windsor Community Playhouse, Oct. 4-20 Sherlock Holmes and the Adventure of the Elusive Ear, Miners Alley, Golden, Oct. 4-Nov. 10 The Girl on the Train, Firehouse Theater at the John Hand Theater, Denver, Oct. 5-Nov. 3 Chapters 00:00: Theatrical Reviews and Performances 07:01: Top 10 Most Produced Plays and Playwrights 22:06: Trends in American Theater 26:58: Upcoming Shows and Events 46:40: Interview with Aisha Ahmad-Post

In today's episode, Sari talks to Craig Aikman, Senior Director of Booking & Operations at the American Theatre Guild. Craig has been with the company for 17 years and talks about his love for the arts and the resilience of theater in Kansas City. The next season of shows hit the stage at the end of the year and according to Craig, show-lovers won't want to miss it. Be sure to follow American Theatre Guild at @bwaykansascity on Instagram and check out their website, https://kansascity.broadway.com/ to learn more about memberships and see a full list of shows coming soon. Looking for more KC content? Follow Sari at @kcbysari on Instagram.  SPONSOR: Tapp Into It Fitness. Vist https://www.tappintoitfitness.com/ and mention "kcbysari" and your first session with Justine is FREE.

On the latest Whisper in the Wings from Stage Whisper, we sat down with actor Alan Hasnas who is playing the title role in the latest production of King Lear. This was such a great conversation about this epic Shakespearean drama, as well a fun conversation with this fantastic artist. So make sure you tune in and turn up for this production! King LearNow- August 25th@ John Cullum Stage at American Theatre of ActorsTickets and more information can be found at americantheatreofactors.orgAnd be sure to follow Alan to stay up to date on all his upcoming projects and productions: ahasnas@earthlink.netalanhasnas.com

This week, Eric and Josh chat about: long weekends, Lake Placid, the American Theatre in Canton, the song Barbara Stanwyck by Curl, Oddity, Bush vs Bush X, IF vs If...., Star Trek: Generations, Rotten Tomatoes, Trailer Park Boys, and more! Plus, they mention the movies screening the week of Friday August 16 - Thursday August 22: Close To You, Caligula: The Ultimate Cut, The Room, Saturday Night Sinema, and Sabrina! They neglect to mention Widow Clicquot returning for a 2nd week, and 40th anniversary screenings of The Terminator (they got booked right after the podcast recorded). But, you can always check up to the minute listings at mayfairtheatre.ca!

 Listen to the Show Right Click to Save GuestsGround Floor Theatre Queer Camp SCROLLKEEP City of Austin Arts Commission What We Talked About  

A discussion of notable events, people, and cultural happenings in St. Louis during the early 1960s, including the opening of the American Theatre, the start of KMOX radio's community programs, the move of the Chicago Cardinals to St. Louis, the rise and fall of the Gaslight Square district, and the construction of the Gateway Arch.

This episode of HIV unmuted introduces a new host and format for the award-winning IAS podcast. Our host, Juan Michael Porter II, the Senior Editor for TheBody/TheBodyPro, takes a deep dive with a single guest in an intimate conversation that gives the listener a glimpse of the guest – who they are and how they got into this work – and an understanding of their topic of expertise.   This new format opens with Sharon Lewin, the IAS President and AIDS 2024 International Co-Chair, walking us through the latest HIV science released at AIDS 2024, the 25th International AIDS Conference, and what it means for the HIV response. This episode delves into a broad range of exciting science, from long-acting injectables to new research on doxycycline prophylaxis to advances in cure research, including inspiration from the “next Berlin Patient”.  Through the lens of her personal story, Sharon walks us through the context and challenges of the HIV response, such as changing global health priorities and reduced funding for HIV. Astounding progress has been made in the HIV response. Yet, we are still missing critical targets. Sharon makes it clear that if we are to envision the end of the HIV pandemic, we must address persisting inequalities that remain in the HIV response: we must put people first. Meet our guest Sharon LewinThe IAS President and AIDS 2024 International Co-Chair, Sharon Lewin, is an infectious diseases physician and basic scientist and has worked in HIV-related clinical medicine and research for over 25 years. She is Director of the Peter Doherty Institute for Infection and Immunity, a joint venture of the University of Melbourne and Royal Melbourne Hospital in Melbourne, Australia. The Doherty Institute has over 850 staff working on infection and immunity through research, education and public health, and has a significant focus on virology, including HIV. She is an active clinician, working at the Alfred Hospital and Royal Melbourne Hospital, and a Melbourne Laureate Professor of Medicine at the University of Melbourne.    Meet our host Juan Michael Porter II Juan Michael Porter II is a health journalist, HIV advocate, culture critic, educator and the host of HIV unmuted, the IAS podcast. He is the Senior Editor of TheBody.com and TheBodyPro – and the first person openly living with HIV to hold the position. Juan Michael's reportage combines data dives, personal narratives and policy analyses to address the real-world consequences of ever-shifting legislation on people's health outcomes. He has written for the Public Broadcasting Service, SF Chronicle, Philadelphia Inquirer, Christian Science Monitor, NY Observer, TDF Stages, Playbill, American Theatre, Time Out NY, Queerty, Anti-Racism Daily, Positively Aware, Documentary Magazine, SYFY Wire, Scholastic and Dance Magazine.  

Mayor Donnie Tuck will be at Phoebus' American Theatre on Thursday, July 25 at 7 p.m.

A special four-guest episode, HB Studio hosts a virtual conversation with the four Uta Hagen Award Recipients: Kelly Quinnett (2019 Awardee, University of Idaho), Yesenia Herrington (2022 Awardee from Texas State University), Katherine LeRoy-Lawson (2023 Awardee from South Georgia State College), and Jenny McKnight (2024 Awardee from Indiana University). Join us as we explore each journey that led to teaching theatre in higher education, connecting with students, mental health support, teaching artist styles, seeking opportunities for student artists, and their time in our Hagen Teacher's Lab. The Uta Hagen Award is offered through College of Fellows of the American Theatre, in celebration of the Uta Hagen centennial and the 2020 centennial of the women's vote (a voice for all women). Led by Bonnie Nelson Schwartz,  the recipients are awarded a scholarship to study at HB Studio's one-week teaching artist intensive program, Hagen Teacher's Lab. Led by Mark Nelson and Carol Rosenfeld.

Send Gwendolyn a Text Message!We continue to explore the remarkable intersection of motherhood and entrepreneurship. Today, we have the honor of speaking with the incredible Kira Troilo, who is nurturing her family and building thriving businesses. Join us as we discuss her journey and uncover the strategies she uses to balance the dual roles of mom and business leader.Kira takes us on her journey from working a desk job to becoming a mother and an entrepreneur. From the challenges of dealing with miscarriages to the joys of finally becoming a mother, Kira's story is one of resilience and growth. She shares candidly about her struggles, including the loss of her mother, and how these experiences have shaped her into the strong, multifaceted woman she is today.This episode is for you if you're a budding entrepreneur, a new mom, or someone who loves a good story about perseverance and passion.In this episode, we cover:Discover time management and multitasking tips to efficiently juggle motherhood and running a thriving business.Learn how to create a supportive network that empowers you to pursue your entrepreneurial dreams without compromising family time.Gain valuable insights on building a business that reflects your values and allows you to bring your whole self, including motherhood, to the table.Meet Kira Troilo (she/her)Kira is a Boston-based creative, the CEO and founder of Art & Soul Consulting, and the creator and founder of Inclusive Stages®. Her groundbreaking EDI work with SpeakEasy Stage has earned a national spotlight in American Theatre magazine and underscores her significant role in shaping inclusive theatre practices. At the core of Kira's philosophy is creating an "environment of grace" - a culture where team members can bring their full, multifaceted selves to work without apology. It's a powerful reframing of what "professional" can look like in today's modern workforce. And for other mothers looking to start their entrepreneurial journeys, Kira's advice is empowering: start small by dedicating just an hour a week, let your ideas percolate, and grow from there. There is no need to adhere to the unsustainable narrative of doing it alone.Kira's story boldly calls us to reimagine our definitions of success. It reminds us that our most profound personal growth often arises from our greatest challenges. It's proof that the path of entrepreneurship and motherhood when intentionally interwoven, can lead to indescribably rich lives and businesses that leave a profound legacy. We could all use more trailblazers like Kirra showing us the way.Connect with Kira Troilo@kiratroilo@artandsoulconsulting@inclusivestagesStop being overwhelmed and let your clients get back to having the best of you.Book your complimentary discovery call!Connect with GwendolynWebsiteFacebookLinkedInInstagram Thanks for joining me on this episode of Leading Behind the Scene! If you enjoyed this episode, please leave a review on Apple or Spotify to help me reach even more entrepreneurs ready to make their moves.

About Philip's new book: NIGHT & ITS LONGINGS (On Sale: March 26, 2024; Livingston Press; Paperback; ISBN: 9781604893748) - in time for your: spring reading, mystery, and romantic suspense roundups…a brooding tale of love lost, adultery, and crime - both a love story and a mystery inseparably intertwined.  Writer Jake Garrett's world is turned upside down when the husband of his former flame, Vera, pays him a surprise, late-night visit at his Greenwich Village apartment. Instead of harboring resentment for their affair, Vera's husband has an unusual request: to help find his missing wife who disappeared from a New York City park while taking photographs.  Suddenly, Jake is thrust back into a world he thought had been lost to him forever. Jake's undying love for Vera propels his search for her through the city's night-time streets and, finally, on the remote beaches of the Carolina coast.  Night and Its Longings isn't just a story of a missing woman — it's a tale of redemption and self-discovery. Both Jake and Vera, in their separate ways, are forced to confront the most vital human questions: why we do what we do, how we make amends for a life gone wrong, and how in the darkness of night, we see ourselves in the clearest light. About the author: PHILIP CIOFFARI is the author of 6 works of fiction, including: 1) If Anyone Asks, Say I Died From The Heartbreaking Blues; 2) The Bronx Kill; 3) Catholic Boys; 4) Jesusville, 5) Dark Road, Dead End; AND 6) the award-winning A History Of Things Lost Or Broken (which won the Tartt First Fiction Prize and the D. H. Lawrence award for fiction). He is also the writer/director of the Independent feature film, LOVE IN THE AGE OF DION, which has won a number of film festival awards, including Best Picture at the Long Island Int'l Film Expo, and Best Director at the NY Independent Film & Video Festival. His plays have been produced off and off-off-Broadway at the Chelsea Playhouse, The Belmont Italian American Playhouse, American Globe Theater and American Theatre for Actors, among others. He's a graduate of St. John's University and received his Ph.D. from New York University. He is a member of the Playwrights/Directors Unit of the Actors Studio. www.philipcioffari.com.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Don't miss this enlivening and inspiring episode of the Hive Poetry Collective on KSQD. Join host Julie Murphy as she chats with spoken word poets Tara Bracco and Suzen Baraka. They read work newly published in the debut anthology, Poetic People Power and talk about their motto-- Art + Action= Change. This anthology draws from twenty years of live performances of Poetic People Power, poetry for social good. Their work explores social and political topics as well as their personal journeys. Tara Bracco is founder and producing artistic director of Poetic People Power. She's created, produced, and performed in 20 spoken word shows about the social and political issues of our time. She is a recognized leader in the field of art and social change and has been featured in O, The Oprah Magazine, Time Out New York, Brooklyn Rail, and HuffPost for her visionary leadership of Poetic People Power. She has spoken about art and activism at colleges, festivals, and theaters, and she is the recipient of 20 competitive grant awards. She is also the recipient of the 2015 Images and Voices of Hope Award. Her work as a journalist has been published by Cosmopolitan, American Theatre, Condé Nast Traveler, BUST, and Clamor. In 2009, she cofounded the international nonprofit The Project Solution, which serves 30,000 people in 14 countries. You can find Tara on Instagram and Facebook.       Suzen Baraka is a two-time Emmy Award-winning poet and SAG-AFTRA actor. With a passion for performance ignited over 17 years ago, Suzen has graced stages nationwide, captivating audiences with her magnetic presence and powerful spoken word.  A true advocate for the transformative power of the arts, Suzen served as an artist in residence at the New Jersey Performing Arts Center, using poetry and performance to inspire and uplift underprivileged youth in Irvington and Newark. Her commitment to social justice extends beyond the stage, as evidenced by her role as the writer and face of Theraflu's Right to Recover Campaign, championing women's access to paid sick leave. Her work has been recognized with two regional Emmy Awards for her PSAs, titled: VOTE 2020 and My Asian. As an American actress, poet, and proud woman of Black and Korean descent, Suzen Baraka seeks to build bridges, spark conversations, challenge norms, and pave the way for a future where art and activism converge in powerful harmony.  You can contact Suzen on her website, Instagram, and Two Stop by David Johann Kim by the Ensemble Studio Theater at Atwater Village.

In Episode Eight, David and Mark-Eugene continue honoring Women's History Month with an insightful interview featuring Emily Mann and Alexis Greene. Emily Mann shares her journey as a distinguished playwright, director, and artistic director, inspiring our audience with her remarkable achievements. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the face of dwindling arts funding and shrinking audiences, and while many theaters have been forced to shutter, five small to midsize theatre companies came together in Spring 2023 to share resources, foster collective learning, and champion new visions for the American Theater. Their goal, individually and collectively, is to center historically marginalized artists and audiences in all facets of their work while developing new models for artistic production, audience building, community engagement, new play development, and organizational leadership.rnrnIn January 2024, Cleveland Public Theatre was among a cohort of companies that received historic support from the Mellon Foundation--allowing them to continue innovating strategies that can be replicated by the national field.

Bonus Episode Alert! Survival Jobs Co-Host Jason A. Coombs islive on the red carpet at The Black Theatre Coalition Inaugural Gala from Monday, February 12, 2024! Featuring interviews with special guest performer Bebe Winans and special guest attendees including La Chanze, Soshana Bean, Reggie Van Lee, Malena Belafonte, David Belafonte, Jonathan McCrory, Kevin Boseman, Laura Benanti, Alexa Smith, Sade Lythcott, Irene Gandy, Warren Adams, T. Oliver Reed, Cody Renard Richard, Anthony Wayne, Dominique Morisseau, Jonathan Burke and Sideeq Heard among others! The Black Theatre Coalition was founded by T. Oliver Reid, Warren Adams and Reggie Van Lee during the Summer of 2019. They identified the disparity between the growing inclusivity onstage, versus the almost non-existence of Black professionals off stage. Black Theatre Coalition officially filed as a nonprofit 501(c)(3) in June of 2020. Black Theatre Coalition's mission is to remove the “illusion of inclusion” in the American Theatre by building a sustainable ethical roadmap that will increase employment opportunities for Black theatre professionals. For more information about the Black Theatre Coalition, visit their website: https://blacktheatrecoalition.org/. You can support the podcast and the hosts at www.buymeacoffee.com/SurvivalJobsPod and on Instagram at @surivaljobspod | @SammyTutz | @JasonACoombs.  Info on Your Hosts:  Broadway World Article on our Season 2 Launch Party Follow Samantha: Instagram.   |  Samantha's Official Website here Follow Jason on Instagram  | Twitter. Check out Jason's Official Website here Check out and support The Bridgeport Film Fest Important Links: Support the citizens of Gaza Native Land Map US Interior Indian Affairs NPR: "How To Help Puerto Rico" Article How to Help the People of Florida Article Abortion Funds Website Plan C Pills Website National Write Your Congressman Link How to help Uvalde families NPR Article Where to Donate to Support Access to Abortions Right Now Support Us... Please!  If you're feeling generous, Buy Us A Coffee HERE! Please don't become complacent: Support the Black Mamas Matter Alliance Support Families Detained and Separated at the Border.  Support the AAPI Civic Engagement Fund. Support Black Trans Folx here Donate to the Community League of the Heights (CLOTH) Support the People of Palestine How to be an Ally to the AAPI Community 168 Ways to Donate in Support of Black Lives and Communities of Color The New York Times: On Mexico's Border With U.S., Desperation as Migrant Traffic Piles Up PBS: How to help India during its COVID surge — 12 places you can donate Covid quarantine didn't stop antisemitic attacks from rising to near-historic highs Opening and Closing Theme Music: "One Love" by Beats by Danny | Game Music: "Wake Up" by MBB.  If you enjoy Survival Jobs: A Podcast be sure to subscribe and follow us on your preferred podcast listening app! Also, feel free to follow us on Instagram and Twitter! Thank you!! Learn more about your ad choices. Visit megaphone.fm/adchoices

In the wake of the COVID-19 pandemic, Seattle's theatre community demonstrated resilience and adaptability, navigating through challenging times to envision a new era for the performing arts. Arts journalist and educator Misha Berson will moderate an open discussion about Seattle's current theatrical landscape with the respected artistic directors of three of the city's most popular stage companies: John Langs, head of the long-running ACT Theatre; Karen Lund, producing artistic director of Taproot Theatre in Greenwood; and Dámaso Rodríguez, the new artistic director of the Tony Award-honored Seattle Repertory Theatre. Misha Berson was the chief theatre critic for The Seattle Times for 25 years. Now a freelance writer and teacher, her work appears in The Seattle Times, American Theatre, and other publications, and she is the author of four books, most recently Something's Coming, Something Good: West Side Story and the American Imagination. Presented by Town Hall Seattle and Northwest Center for Creative Aging.

When music journalist Myles Clarkson visits ailing piano virtuoso Duncan Ely at his palatial California home, ostensibly to interview the man, Duncan notices something distinct about Myles:  his hands – they're beautiful, the bone structure perfect for a concert pianist.  Myles, it turns out, is a Juilliard-trained musician whose career tanked after receiving some bad reviews.  Taking an interest in Myles, Duncan introduces him to his artist daughter Roxanne. Soon Myles has entered the pianist's inner circle, much to the chagrin of Myles' wife, Paula, who feels more than a tinge of jealousy at the attention being paid to her husband.  But things are about to take a turn for the uncanny.  Roxanne casts a plaster life mask of Myles, and with Duncan on his way out, Myles donates blood to help him.  While Myles is asleep, something happens, and when he awakes, he's changed.  It's almost as if he's someone else. His urge to live, to love, to play music, is revived, leaving Paula to wonder:  just what, or who, is inhabiting the body of the man she loves? Intro, Debate Society, Hot for Teacher (spoiler-free): 00:00-28:50Honor Roll and Detention (spoiler-heavy): 28:51-1:02:54Superlatives (spoiler-heavier): 1:02:55-1:22:19 Director Paul WendkosScreenplay Ben Maddow, based on the novel by Fred Mustard StewartFeaturing Alan Alda, Jacqueline Bisset, Bradford Dillman, Pamelyn Ferdin, Curt Jurgens, Barbara Parkins, Kathleen Widdoes, William Windom David Cote is a playwright, opera librettist, and critic based in New York. His operas include Lucidity – which will be produced by On Site Opera in New York and Seattle Opera in fall 2024, Blind Injustice, which premiered at Cincinnati Opera and will be presented at Peak Performances at Montclair State University February 16 & 18. Other operas include Three Way at Nashville Opera and BAM; The Scarlet Ibis for the Prototype Festival; and 600 Square Feet with Cleveland Opera Theater. His plays include The Müch, Saint Joe, and Otherland. David wrote lyrics for Nkeiru Okoye's Black Lives Matter monodrama, Invitation to a Die-In and the dating-app song cycles In Real Life, composed by Robert Paterson. David's TV and theater coverage appears in The A.V. Club, Observer, 4 Columns, and American Theatre. He was the longest serving theater editor and chief drama critic of Time Out New York. He's also the author of popular companion books about the Broadway hits Moulin Rouge! The Musical, Spring Awakening, Jersey Boys, and Wicked. Our theme music is by Sir Cubworth, with embellishments by Edward Elgar.  Music from The Mephisto Waltz by Jerry Goldsmith. For more information on this film (including why the Professor chose it, on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Our Blog⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠), the pod, essays from your hosts, and other assorted bric-a-brac, visit our website, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠scareupod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Please subscribe to this podcast via Apple or Google Podcasts, Spotify, or wherever you get your podcasts. If you like what you hear, please leave us a 5-star rating. Join our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ group. Follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.

Broadcast on Serenade Radio on 11th January, 2024 Name Artist Album Year Comments Any Dream Will Do; Go, Go, Go, Joseph Lance Luce Down Under [09LL2002] 2002 Excerpts from four different concerts at the 4/22 Wurlitzer in Morrabin Town Hall, Victoria (1984), 4/29 Wurlitzer, Capri Th, Goodwood,SA (1987 & 2000), 3/17 Wurlitzer, Orion Center, Sydney, NSW. Does not specify venue for each track. I Don't Know How To Love Him Donna Parker The Lady Elsinore 2007 3-26 Wurlitzer, Elsinore Theatre, Salem, OR On This Night Of A Thousand Stars Rex Koury At The Forum [HMR Productions 1281] 4-24 Robert Morton, Broome Center for the Performing Arts (Forum Theatre), Binghamton, NY; ex-American Theatre, Denver (1922-1930); ex-Alma Temple, Pillar of FIre Church Memory Frank Pellico My Final Vision 1998 6-51 Barton, Chicago Stadium; Recorded July 7th, 1993 - ATOS Convention Wishing You Were Somehow Here Again Arnold Loxam Wurlitzer Seasons [OS Digital OS 212] 1995 3-8 Wurlitzer, Town Hall, Burton-on-Trent; ex-Forum/ABC Cinema, Northenden, Manchester Love Changes Everything Michael Wooldridge Showtime Spectacular [Merlin Productions CD] 2003 3-19 Wurlitzer, Pollokshaws Burgh Hall, Glasgow (Scottish Cinema Organ Trust Clydebank Wurlitzer) With One Look Mark Laflin Compton [COS 131] 2018 3-7 Compton plus Melotone, St. John Vianney Church, Clayhall, Essex; ex-Ritz Cinema, Nuneaton, Warwickshire No Matter What Kevin Morgan Theatre Organ Echoes 3: Romance [Organ 1st CD] 1999 3-8 Wurlitzer, Buttermarket, Shrewsbury; ex-Ritz, Chatham, Kent The Phantom Of The Opera Dave Wickerham Pipe Organ Pops [PSTOS CD] 2014 3-25 Wurlitzer-Kimball, Calvary Christian Assembly, Seattle, WA

Welcome to the Green Room Meditations Podcast, presented by the Indiana Repertory Theatre and hosted by Devon Ginn. Today, we are in conversation with: Talleri McRae! As the author of The National Disability Theatre Handbook, Talleri is a powerhouse in the world of theatre, disability advocacy, and inclusion. Join us as we delve into her perspectives on shifting perceptions of disability, the power of collaborative efforts, and the importance of language in fostering a more inclusive theatre community.    From her base in Louisville, KY, Talleri shares insights gained over a decade of collaboration with theatres and educators across the nation. As a theatre artist, educator, disability scholar, and access/inclusion specialist, Talleri has been a driving force in initiatives that challenge norms and champion accessibility in the American Theatre. Discover how her work is transforming the accessibility landscape one theatre at a time.  About the Indiana Repertory Theatre: Founded in 1971, the Indiana Repertory Theatre (IRT) is the largest professional not-for-profit theatre in the state and one of the leading regional theatres in the country. The mission of the Indiana Repertory Theatre is to produce top-quality, professional theatre and related activities, providing experiences that will engage, surprise, challenge, and entertain people throughout their lifetimes, helping us build a vital and vibrant community. Inclusion, Diversity, Equity, and Access (IDEA): The IRT strives to celebrate and serve the diverse people and cultures that make up our whole community. The IRT is committed to providing access for all; to creating and maintaining an antiracist theatre that is inclusive, safe, and respectful. https://www.irtlive.com/ 

[This blog will always be free to read, but it's also how I pay my bills. If you have suggestions or feedback on how I can earn your paid subscription, shoot me an email: cmclymer@gmail.com.]Brantley never suffered as much in service to theater as I did this week during the one-hour production of Ms. Smith's 1st Grade Thanksgiving Class Play, which premiered to a lukewarm reception this morning in the cafeteria/gymnasium of Ann Richards Elementary School in Austin, Texas and just concluded its run at the same venue this evening before a family audience. My god, the things people do for their families.I have rarely felt so conflicted over the existence of protected speech via the First Amendment when it is this easily taken for granted by the parade of precocious mediocrity whom we are brazenly expected to believe are artistically intentional, much less inclined. None of the players appeared to understand the responsibility they carry with them while performing, nearly all of whom constantly fidgeted, forgot simple lines, and engaged in tickle fights on the side, all while constantly and shamelessly breaking the fourth wall by waving to their parents from the stage. One young actor had the gall to shout “hi, mommy!” immediately following her brief and uncritical appearance as a welcoming bowl of corn amidst her disgruntled classmates dressed as various livestock. Her unprofessional outburst was greeted with the most proactively amused applause of the night, to give you a sense of how outnumbered I was in this audience of mouth-breaking plebs.The production was pathetically bereft of a sensible score, with any semblance of a coherent musical theme being more scarce than a recent date night among the working parents in attendance.The most adventure witnessed all evening, near the end of the hour, was the curious inclusion and attempt at a solo piano version of “All I Want for Christmas is You” — the 1994 holiday single by R&B singer-songwriter Mariah Carey which is, notably, not about Thanksgiving, and, in recent years, has grown in importance from an especially strong seasonal chart-topper to a tradition enforced with religious zeal, even if favorable intention comes at the steep cost of personal dignity.In the earnest hands of Mr. Williams, 3rd grade teacher and aspiring possessor of basic rhythm, the holiday staple is within shouting distance of being recognizable, and yet, it is still predominantly absent of charm.The acoustics of the venue being unfavorable to joy, there were often moments when the excitable yammering of a 3ft. human being being directed at my head felt concussive and made me question the longterm trajectory of American Theatre.The writing is plainly abysmal, barely hovering with hyper-digestible dialogue, never daring to spice up one-liners, let alone dabble with something more polysyllabic curious. The embarrassing lack of narrative structure is only favored by the distraction of a self-defeating manner of collective lisping through an astonishing prevalence of missing teeth. I have never seen so many toothless players.Nor was there any bite to be found in the supposed message: a story of people from different backgrounds exchanging cultural understanding and mutual appreciation for the necessity of community. It was presented in crudely conceived parables involving stilted conversations between—for example—giant, papier-mâché costumes purporting to be anthropomorphic glazed honey hams.While the fancy pork recited some sort of hippie pablum about togetherness, I was momentarily distracted by the sheer number of video recording devices out and all around me. There is certainly no way, I told myself upon witnessing this, that these people will actually watch this again at a later time. But I am told they will, that this is what parents do and then force their friends to do with them, as well.They are all smiling and appear to be proud and even weepy. I despise them.I emailed a list of questions to Ms. Smith, the director of the play, requesting an explanation for the compounding failures of her production, and as of this morning, I had received no response.I am not terribly surprised. Excellence in the theater isn't for the faint of heart.Perhaps this company will take itself more seriously in 2nd grade.[Hey folks, quick note: my good friend has started a fantastic new blog that covers all things in professional women's soccer. It's called The Jugadora, it's fantastic, and it's free to read. Subscribe here: Get full access to Charlotte's Web Thoughts at charlotteclymer.substack.com/subscribe

Welcome to the Green Room Meditations Podcast, presented by the Indiana Repertory Theatre and hosted by Devon Ginn. Today, we are in conversation with: Priscilla Lindsay. In this episode, we sit down with the illustrious Priscilla, who is directing the beloved Charles Dickens' A Christmas Carol for our 51st Season. Priscilla's decades-long tenure at the Indiana Repertory Theatre (IRT) has left an indelible mark. From actress to director and Associate Artistic Director, Priscilla shares her journey, offering insights into her love for the stage and the profound impact of A Christmas Carol on her theatrical odyssey. As Priscilla finds respite in a well-deserved retirement from the University of Michigan, we uncover how she continues to channel her passion into creative pursuits. From recent directorial and acting projects to cherished memories of past performances at the IRT, Priscilla provides a glimpse into the life of an artist whose dedication to storytelling remains unwavering. The episode culminates in a heartfelt discussion about Priscilla's hopes for the future of the IRT and her reflections on the evolving landscape of the American Theatre. Join us on this captivating journey as we celebrate Priscilla Lindsay's contributions to the world of theatre, exploring the magic behind the curtain and the enduring impact of a life dedicated to the art of storytelling. About the Indiana Repertory Theatre: Founded in 1971, the Indiana Repertory Theatre (IRT) is the largest professional not-for-profit theatre in the state and one of the leading regional theatres in the country. The mission of the Indiana Repertory Theatre is to produce top-quality, professional theatre and related activities, providing experiences that will engage, surprise, challenge, and entertain people throughout their lifetimes, helping us build a vital and vibrant community. Inclusion, Diversity, Equity, and Access (IDEA): The IRT strives to celebrate and serve the diverse people and cultures that make up our whole community. The IRT is committed to providing access for all; to creating and maintaining an antiracist theatre that is inclusive, safe, and respectful. https://www.irtlive.com/     

In this episode of the OnStage Colorado Podcast, hosts Alex Miller and Toni Tresca review what's happening around the state with live theatre and also take a look at American Theatre's list of the Top 10 plays being produced in the U.S. right now. Also in this episode, an interview with playwright Ellen K. Graham with Feral Assembly. Her new play Loki's Monstrous Children opens Nov. 2 at Buntport Theater in Denver and runs through Nov. 11. Theatre companies and organizations mentioned in this episode:   Aspen Community Theatre Benchmark Theatre BETC Butte Theatre Cherry Creek Theatre Company Consensual Circus Denver Center Broadway Denver Center Theatre Company Evergreen Players Feral Assembly Fine Arts Center at Colorado College Flea Market Comedy Show Lone Tree Arts Center Main Street Live Meow Wolf Miners Alley Playhouse PACE Center/Give 5 Productions Platte Valley Players Su Teatro Uniitive Theatre Upstart Crow Vintage Theatre Wheat Ridge Theatre Company Wonderbound

A writer of my acquaintance recently had an op-ed published in the Washington Post about theatre and what should be done about the death spiral it seems to be in. In the piece, she proposed some ways to fix some of the problems the field has found itself in. She named the difficulties, the history and offered a solution. In watching the response to the article roll in, I was struck by how those who were opposed to her ideas seemed to think the proposal was a plan that was about to be put into place. They seemed to think this was a thing that was about to happen. (One thing she suggested was to give funding for big arts institutions directly to artists instead.) There were cries for the loss of these institutions, for the loss of jobs, for the impossibility of artists taking responsibility for their own budgets. It seemed like they thought this writer was a wizard and was giving notice of what she was about to do with her magic wand. They seemed to attribute great powers to this writer, to imagine she could, with a series of words in a major newspaper, transform the whole of American Theatre, whether the American Theatre wanted it or not. To support this podcast: Give it 5 stars in Apple Podcasts. Write a nice review! Rate it wherever you listen or via: ⁠https://ratethispodcast.com/strugglingartist⁠ Join my mailing list: ⁠www.emilyrainbowdavis.com/⁠ Like the blog/show on Facebook: ⁠https://www.facebook.com/SongsfortheStrugglingArtist/⁠ Support me on Patreon: ⁠www.patreon.com/emilyrdavis⁠ Or help me pay off my tickets to and from Crete on Kofi: ⁠http://ko-fi.com/emilyrainbowdavis⁠ or PayPal me: ⁠https://www.paypal.me/strugglingartist⁠ Join my Substack: ⁠https://emilyrainbowdavis.substack.com/⁠ Follow me on Twitter ⁠@erainbowd⁠ Me on Mastodon - @erainbowd@podvibes.co Me on Hive - @erainbowd ⁠Instagram⁠ and ⁠Pinterest⁠ Tell a friend! Listen to The Dragoning ⁠here⁠ (it's my audio drama) and support via Ko-fi here: ⁠https://ko-fi.com/messengertheatrecompany⁠ As ever, I am yours, Emily Rainbow Davis

Clayton Fox writes Tablet's daily newsletter, The Scroll, alongside Sean Cooper and Jacob Siegel. He has written independently for Tablet, Real Clear Investigations, Brownstone Institute, American Theatre magazine, Los Angeles Magazine and The American Conservative. His poetry has been published in Hobart Pulp, Apocalypse Confidential and Tablet. FOLLOW CLAY ON TWITTER:https://www.twitter.com/clayfoxwriterTHE TOXIC GENTLENESS OF AMERICAN THEATRE:https://www.tabletmag.com/sections/arts-letters/articles/toxic-gentleness-american-theaterSTUDY REFERENCED IN PODCAST:https://journals.plos.org/plosone/article?id=10.1371/journal.pone.0250780OTHER SOURCES:https://clayfox.substack.com/p/ten-covid-vaccine-studiesWE SEE YOU WHITE AMERICAN THEATRE:https://www.weseeyouwat.com/__________________________________________________________

Critic, Podcast Host, and Gameshow-Winner Mark Blankenship talks about the power of narrative. He explains how a pop culture obsession led him to criticism and creativity. We share our own relationships with stories and unpack what makes us all love them. Mark also talks about the deep pop culture knowledge that got him on Jeopardy and a winning turn on Name that Tune. He'll also talk about his childhood experience, what landed him in NYC, and eventually Rock Hill, SC. Mark was born in Chattanooga, Tennessee. He earned a BA from Emory University where he served as the theater, film and music critic of The Emory Wheel. He also studied theater at Oxford University and holds a Master of Fine Arts in Dramaturgy and Dramatic Criticism. Mark attended Yale School of Drama where he began writing for Variety, The Village Voice, and American Theatre. He has lived in Park Slope, Brooklyn since 2005. His writing credits include numerous pieces for The New York Times, Variety, New York Daily News, The Village Voice, The Advocate, Time Out New York, The Huffington Post, NPR and American Theatre. He regularly appears as panelist/expert commentator for CBC News: Sunday and CNN.com. Mark and Sarah D. Bunting started the Mark and Sarah Talk About Songs podcast in March 2016, where they engage in deep and hilarious discussions about songs chosen by the hosts or the fans. He lives between Brooklyn and Rock Hill with his husband, Andrew.

THE BRIDGES OF MADISON COUNTY  Book by Marsha Norman | Music & Lyrics by Jason Robert Brown  |  Based on the novel by Robert James WallerWorks Consulted & Reference :The Bridges of Madison County (Licensing Script) by  Marsha Norman & Jason Robert Brown"Tony Award Winning Duo Marsha Norman and Jason Robert Brown Discuss ‘Bridges of Madison County'" in American Theatre by Suzy Evans"Opening the Bridges Vault, Vol. 1" by Jason Robert BrownMusic Credits:"Overture" from Dear World (Original Broadway Cast Recording)  | Music by Jerry Herman | Performed by Dear World Orchestra & Donald Pippin"The Speed Test" from Thoroughly Modern Millie  (Original Broadway Cast Recording) | Music by Jeanine Tesori, Lyrics by Dick Scanlan | Performed by Marc Kudisch, Sutton Foster, Anne L. Nathan & Ensemble"Why God Why" from Miss Saigon: The Definitive Live Recording  (Original Cast Recording  / Deluxe)  | Music by Claude-Michel Schönberg, Lyrics by Alain Boublil & Richard Maltby Jr.  | Performed by Alistair Brammer"Back to Before" from Ragtime: The Musical (Original Broadway Cast Recording)  | Music by Stephen Flaherty, Lyrics by Lynn Ahrens | Performed by Marin Mazzie"Chromolume #7 / Putting It Together" from Sunday in the Park with George (Original Broadway Cast Recording)  | Music & Lyrics by Stephen Sondheim | Performed by Mandy Patinkin, Bernadette Peters, Judith Moore, Cris Groenendaal, Charles Kimbrough, William Parry, Nancy Opel, Robert Westenberg, Dana Ivey, Kurt Knudson, Barbara Bryne"What's Inside" from Waitress (Original Broadway Cast Recording)  | Music & Lyrics by Sara Bareilles | Performed by Jessie Mueller & Ensemble"Wondering" from The Bridges of Madison County (Original Broadway Cast Recording)  | Music & Lyrics by Jason Robert Brown | Performed by  Steven Pasquale"Maria" from The Sound of Music (Original Soundtrack Recording)  | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Evadne Baker, Anna Lee, Portia Nelson, Marni Nixon"My Favorite Things" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Julie Andrews"Corner of the Sky" from Pippin (New Broadway Cast Recording) | Music & Lyrics by Stephen Schwartz | Performed by Matthew James Thomas“What Comes Next?” from Hamilton (Original Broadway Cast Recording) | Music & Lyrics by Lin-Manuel Miranda | Performed by Jonathan Groff

Watch the full video on youtube here: https://youtu.be/EY8b5g31j44 Welcome author Jaime Green! We discuss her moving and delightful book about the possibility and actuality of alien life. The discussion covers a range of topics, from the role of waste of space to the significance of life on Earth. The episode also delves into other scientific questions, such as the definition of a planet, the simulation of the Drake equation, and the morality of abortion from a religious perspective. The episode concludes with a discussion on the potential impact of discovering alien life on society. Jaime Green is a science writer, essayist, editor, and teacher, and she is series editor of The Best American Science and Nature Writing. She received her MFA in Creative Nonfiction from Columbia, and her writing has appeared in Slate, Popular Science, The New York Times Book Review, American Theatre, Catapult, Astrobites, and elsewhere. Jaime Green is interested in the fundamental nature of life and how it arises. She is working to abstract from Earth's chemistry to gain a broader understanding of what distinguishes living matter from inanimate matter. Jaime recognizes that defining life is a difficult task and that traditional definitions may not be useful in understanding the complexity of living systems. Her work is focused on unraveling many of the mysteries surrounding the origins of life, and she is regarded as a leading author in this field. https://www.jaimegreen.net/ Related Episodes: Life's Edge with Carl Zimmer: https://youtu.be/s8B4eHcsWKQ Lee Cronin assembly theory: https://youtu.be/aC8yIU7gE5w Sarah Rugheimer extrasolar planets with a particular focus on atmospheric biosignatures :https://youtu.be/w5DxU-lPYK4 Sara Seager: Life in the Galaxy search for exoplanets the smallest lights in the univ.: https://youtu.be/88FMsX745rs Paul Davies the Goldilocks enigma what is life: https://youtu.be/KgK0RW5GeoA Sara Walker is deputy director of the pioneering Beyond Center for Fundamental Concepts in Science:https://youtu.be/0Iklfzmqz88 Subscribe to the Jordan Harbinger Show for amazing content from Apple's best podcast of 2018! https://www.jordanharbinger.com/podcasts  Please leave a rating and review: On Apple devices, click here, https://apple.co/39UaHlB On Spotify it's here: https://spoti.fi/3vpfXok On Audible it's here https://tinyurl.com/wtpvej9v  Find other ways to rate here: https://briankeating.com/podcast Support the podcast on Patreon https://www.patreon.com/drbriankeating  or become a Member on YouTube- https://www.youtube.com/channel/UCmXH_moPhfkqCk6S3b9RWuw/join Learn more about your ad choices. Visit megaphone.fm/adchoices

We discussed a few things including:1. Their DEI and entrepreneurial journeys  2. Lessons learned3. Randal's insights on data and diversity + new book4. Gina's experience in the nonprofit, arts world  5. Trends, opportunities and challenges in diversity space Dr. Randal Pinkett, author of DATA-DRIVEN DEI, is an entrepreneur, innovator, and DEI expert. He is the co-founder, chairman, and CEO of BCT Partners, a global research, training, and data analytics firm whose mission is to provide insights about diverse people that lead to equity.An international public speaker, Dr. Pinkett is the author or co-author of Black Faces in High Places, Black Faces in White Places, Campus CEO, and No-Money Down CEO. He holds a B.S. in electrical engineering from Rutgers University; an M.S. in computer science from the University of Oxford; and an M.S in electrical engineering, plus an MBA and Ph.D. from MIT.  The first African American to receive a Rhodes Scholarship at Rutgers University, he was inducted into the Academic All-America Hall of Fame as a high jumper, long jumper, sprinter, and captain of the Rutgers men's track and field team. Dr. Pinkett was also the Season 4 winner of the reality television show, The Apprentice.----Gina Pisasale (she/her) is a dramaturg, educator, and Director of Equity and Organizational Culture, a newly created position, at McCarter. She has been engaged in formal EDI work within American theater institutions for almost 20 years, and is an alum of TCG's EDI Institute and artEquity's National Facilitator Training program. As an EDI Facilitator, she has designed and implemented trainings and workshops at People's Light, the Oregon Shakespeare Festival, West Chester University, and Drexel University.Previously, she was the Resident Dramaturg at People's Light, which involved facilitating the company's EDI work and practices of inclusive making. As a freelance dramaturg, she has worked with companies such as the Oregon Shakespeare Festival, GoKash Productions, PlayPenn, Arden Theatre Company, Harrisburg Shakespeare Festival, and A&E Biographies. She is an occasional Senior Lecturer at University of the Arts and her areas of research include Asian American theater and performance, Korean diasporic performance, American dramaturgy, and representations of race within the American Theatre.She has presented her research and organized panels at numerous conferences including IFTR in Seoul, South Korea, LMDA, ASTR, AAA, PTRS, and CAATA and has given lectures at Villanova University, the University of Maryland, and Temple University. She received a BA from the Univ of Richmond, an MA from Villanova Univ, and is ABD PhD at the Univ of Maryland.#DEI #diversity #culture #talent#podcast #AFewThingsPodcast

The Museum of Broadway opened its doors to the public on November 15, 2022, but Julie Boardman and Diane Nicoletti have been working on the development of the Museum for over 5 years. As part of this immersive and interactive theatrical experience, guests travel through a visual history of Broadway, highlighting groundbreaking moments in a series of exhibits that showcase – and show off – dazzling costumes, props, renderings, rare photos, videos, and more. Some of the exhibits included throughout the timeline showcase props and artifacts from the Broadway productions of Phantom of the Opera, West Side Story, Rent, Company, Cabaret, Hamilton and many more. The Museum also features a “Making Of” exhibit dedicated to the folks behind the scenes on a Broadway production and a special exhibit, The American Theatre as seen by Hirschfeld, curated by David Leopold, Creative Director of The Al Hirschfeld Foundation. Diane joins Michelle to talk all about the amazing new museum in Times Square.America is ready to hit the road. According to a recent report on summer travel, 85% of Americans plan to travel this summer and while most of them plan to stay in the states – nearly ¼ of the country's travelers plan to leave the country1. As vacationers start packing their bags, experts say one important question to ask is: “Do I have the tech I need for the trip I'm taking?” Travel tech has a packing list of its own. From the latest devices to make your trip more comfortable (for the adults AND the kids), to smart phones that take great pictures and cutting-edge backup power sources, planning ahead reduces stress on the road. Andrew Testa, Verizon's tech expert, gives tips for tech on the road!As New York City's premier learn-to-swim school for the last 20 years, Imagine Swimming is committed to instilling a love of the water for life. Safety, of course, comes first, but at Imagine it's not just about surviving in water, it's about thriving in it. It's about fostering a lifelong passion for swimming. They offer lessons for all ages: infants, toddlers, school-aged children, and adults. They also have a competitive swim team, a synchronized swimming team, and offer lap swim and more. Brendan O'Melveny is the Chief Aquatics Officer, Imagine Swimming. He has over 23 years of experience as a swim instructor and is currently the Chief Aquatics Officer at Imagine Swimming in New York City. In 2020 he founded the New York Water Safety Coalition, which promotes drowning prevention legislation across the state. Brendan is frequently featured in local and national media as an Aquatics expert. He has finished nine Ironman triathlons, including the World Championship in Hawaii, and is the proud father of two young swimmers.Summer heat and storms can be unforgiving but it's not too late to make investments in your home that will keep weather out and energy in. Whether your audience needs seasonal maintenance tips, DIY projects, or ideas how which investments provide the best ROI, the Money Pit team can help during this vital period for home fix-ups. Home Improvement Expert Tom Kraeutlerur brings us up to speed on the latest trends and upgrades, with an emphasis on energy saving, weather protection, and home safety.

Rob was the founding editor-in-chief of Back Stage West & is the editor-in-chief of American Theatre magazine. And he's here for the only Off-Broadway show to win a Tony Award. Topics include: psuedo-Marxist propaganda, in rep with The Fantasticks, Gilbert & Sullivan, Double-LP German recordings, Domar Warehouse, how existence is a female dog and then one perishes, and the vocal stylings of Dame Bea Arthur. American Theatre Dot Org Featured recordings: The Threepenny Opera - The Complete Score (1954) • Lost in the Stars: The Music of Kurt Weill - Hal Willner (1985) • The Threepenny Opera - Original Cast Recording (1994) • Die Dreigroschenoper - Columbia Masterworks (1958) • Mame - Original Broadway Cast (1966) ORIGINAL CAST MERCH! Visit our Patreon for access to our monthly live stream The Original Cast at the Movies where 2023 is THE YEAR OF BARBRA celebrating the filmography of Ms. Barbra Joan Streisand! Patreon • Twitter • Facebook • Email