Podcasts about american theatre

Front Row Classics is thrilled to welcomes back author and professor Laurence Maslon. Brandon and Larry are commemorating the 70th anniversary of the film version of Rodgers and Hammerstein's Carousel. The two discuss the production's history and legacy.  Laurence Maslon is an arts professor at New York University's Tisch School of the Arts, as well as associate chair of the Graduate Acting Program. His most recent book is an updated companion volume to the PBS series Broadway: The American Musical. He is also the host and producer of the weekly radio series, Broadway to Main Street (winner of the 2019 ASCAP Foundation/Deems Taylor Award for Radio Broadcast) on the NPR station WLIW-FM. He edited the two-volume set American Musicals (1927-1969) for Library of America, as well as their Kaufman & Co., Broadway comedies by George S. Kaufman. Other books include the companion book to Come From Away, Broadway to Main Street: How Show Music Enchanted America (Oxford), The Sound of Music Companion, and the South Pacific Companion. He is the writer and coproducer of the PBS American Masters documentary, Sammy Davis, Jr.: I've Gotta Be Me, and wrote American Masters documentary Richard Rodgers: The Sweetest Sounds. He served on the nominating committee for the Tony Awards from 2007 to 2010. He has written for the New York Times, the Washington Post, the New Yorker, Opera News, Stagebill, and American Theatre. 

Join us on the latest Whisper in the Wings from Stage Whisper, as we welcomed on the actor/playwright Andrea Mezvinsky, to talk about her show A Woman in Reverse. This fantastic and relevant piece of comedic theatre was so much fun to learn all about. So make sure that you hit play and get your tickets today!A Woman in ReversePart of the 2026 Midtown International Theatre FestivalJune 17th-20th@ The American Theatre of ActorsTickets and more information are available at mitf2026.com And be sure to follow Andrea to stay up to date on all her upcoming projects and productions: andreamezvinsky.biz@andreamezvinsky

For the latest Whisper in the Wings from Stage Whisper, we welcomed on several artists and works that are part of the Midtown International Theatre Festival. Our continued coverage on this episode features four more works that are making up this year's line up. So be sure to tune in and turn out to support these fantastic shows!Midtown International Theatre Festival June 15th- July 26th @ The American Theatre of Actors Tickets and more information are available at americantheatreofactors.org And be sure to follow our guests to stay up to date on all their upcoming projects and productions: The Plans We Made written and directed by Dr. Danielle Bacibianco , lighting and sound designed by Tori Sliwinski, performed by Lillie Schenkel, Jordyn Rubinsky, and production assisted by Krista Luongo, and sound designed by Gary J. Moore June 16th, 21st, and 22nd@theplanswemade@drprofbdrdanibacibianco.com @jordynrubinsky@lillie_skyelillieschenkel.com@torisliwinski@krista.luongoShangri-La-La, a comedy musical about Siegfried & Roy creator by Mike Meier July 25th and 26thPicking up Stones: An American Jew Wakes Up to a Nightmare written and performed by Sandra Laub June 26th, 27th, and 28th and July 2nd, 3rd, and 4thpickingupstones.com@laub.sandraAmericaring written and produced by Kate Gill June 26th-28th

We continue our coverage of this year's Midtown International Theatre Festival on the latest Whisper in the Wings from Stage Whisper. This time, we welcomed on five more works and the brilliant artists behind them. So be sure that you tune in and get your tickets today!Midtown International Theatre Festival June 15th- July 26th @ The American Theatre of Actors Tickets and more information are available at americantheatreofactors.org Omeed's Tapestries written and produced by Barry Putt Jr June 29th, July 1st, 6th, 9th, and 10thbarrymputtjr.com Crabs in a Barrel written and produced by Reginald T. Jackson July 8th, 11th, and 12threginaldtjackson.com Mother Boswick the best show you never knew you needed written, performed, produced by David Magieson June 23rd, 25th, and 28th@motherboswickmotherboswick.com Whatever written and producer Scott Brooks July 5th, 7th, 10th, and 12thwhateverplay.netscottmbrooks.com The Crossword Play (Or Ezmeranda's Gift) performed and produced by Xavier Love July 13th, 15th, and 18th @tcwpak

On the latest Whisper in the Wings from Stage Whisper, we are thrilled to kick off our coverage of the return of the Midtown International Theatre Festival. On our program today, we welcomed on five show sand the artists behind them. So be sure that you hit play and get your tickets today!Midtown International Theatre Festival June 15th- July 26th @ The American Theatre of Actors Tickets and more information are available at americantheatreofactors.org Cool at Camp co-created and producer by Dani Tapper July 14th, 16th, and 18thcoolatcampmusical.com@coolatcampmusicalAcross a Crowded Room directed by Valerie Adami JuhlinJune 16th, 18th, and 20thbreakalegproductions.comHow to Swallow a Volcano written and performed by Anne McDermott June 15th, 18th and 21st@annemcdermotthasfunMonarch a Mexican American Musical created by Mayu Molina and Alfonso Molina July 23rd, 24th, and 26thmonarchthemusical.comBeethoven's Wrong Note musically directed by James Higgins, created/produced/performed by Jay Stephenson, and performed by James HarknessJuly 2nd-5th@jayboytheplayboy@higgypiggy71@ijamesharkness

In this special episode of Backstage Pass, we present the Director's Roundtable from New York Theatre Barn's A Seat at the Table Series. For one night only, 5 award-winning Broadway directors will unite to discuss their unique experiences working in a rapidly evolving industry and offer insights into the creative process of incubating new works. New York Theatre Barn's roundtable offered audience members the opportunity to submit questions, making their voices an integral part of the conversation. New York Theatre Barn believes that there is a place for all of us at the table of the American Theatre. The directors include Tony Award-winner Walter Bobbie (Chicago, Bright Star), five-time Tony nominee Camille A. Brown (Gypsy, for colored girls who have considered suicide / when the rainbow is enuf), Tony nominee Marcia Milgrom Dodge (Ragtime, Seussical), JoAnn M. Hunter (School of Rock, Harmony), and Victoria Collado (Latin History for Morons). New York Theatre Barn's Héctor Flores Jr. moderated the conversation. Connect with Walter Bobbie: Instagram: @walterbobbie18 Connect with Camille A Brown: Website: https://www.camilleabrown.org/ Instagram: @camilleabrown Connect with Marcia Milgrom Dodge: Website: https://marciamilgromdodge.com/ Instagram: @marciamilgromdodge Connect with Joann M. Hunter: Website: http://www.joannmhunter.com/ Instagram: @joann_m_hunter Connect with Victoria Collado: Website: https://www.victoriacollado.com/ Instagram: @itsvickylin Connect with Héctor Flores Jr: Instagram: @hectorfloresjr35 Connect with New York Theatre Barn: Twitter: @nytheatrebarn Instagram: @newyorktheatrebarn  Facebook.com/nytheatrebarn nytheatrebarn.org Pauls's personal instagram: @paulsmacs Teresa's personal instagram: @terijoyeaux Learn more about your ad choices. Visit megaphone.fm/adchoices

A decade after landmark convenings, Nabra and Marina revisit the “Middle Eastern American Theatre Artists' Bill of Rights” and “Dear Producers and Artistic Directors of the American Theatre” (an open letter to producers), asking how these calls for agency and equity continue to shape MENA/SWANA theatre today. Kunafa and Shay is a podcast produced for HowlRound Theatre Commons by co-hosts Nabra Nelson and Marina Johnson. Kunafa and Shay discusses and analyzes contemporary and historical Middle Eastern and North African (MENA) and Southwest Asian and North African (SWANA) theatre from across the region. Kunafa and Shay highlights MENA/SWANA plays and theatremakers, spotlights community-engaged work in the region and diaspora, and analyzes the past, present, and future of MENA/SWANA theatre in the United States and beyond. Theatre artists and scholars Nabra Nelson and Marina Johnson bring their own perspectives, research, and special guests in order to start a dialogue and encourage further learning and discussion. The name, Kunafa and Shay, invites you into the discussion in the best way we know how: with complex and delicious sweets like kunafa, and perfectly warm tea (or, in Arabic, shay). Kunafa and Shay is a place to share experiences, discuss ideas, and sometimes engage with our differences. In each country in the region, you'll find kunafa made differently. In that way, we also lean into the diversity, complexity, and robust flavors of MENA/SWANA theatre.  Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

This season's Themed Month, Paula Vogel Month, wraps up with her most famous play. The incomparable "How I Learned to Drive" is a haunting, hilarious piece of theatre. Listen in as Jackson and Jacob revisit its whirling theatricality and specificity.  ------------------------------ Please enjoy these other conversations on "How I Learned to Drive": Playwright Sarah Ruhl's essay on the play: https://www.3viewstheater.com/views/how-i-learned-from-how-i-learned-to-drive Paula Vogel's essay on the play for American Theatre: https://playmakersrep.org/enduring-lesson-learned-drive/ Vogel's video essay when the Broadway run was cancelled due to Covid: https://www.youtube.com/watch?v=uEGTp8542LE Interviews with the Second Stage cast: https://www.broadway.com/videos/153901/beyond-broadway-how-i-learned-to-drive/ Cleveland Play House Artistic Director Laura Kepley on the play: https://www.youtube.com/watch?v=AEb5KIYg5_E ------------------------------ Please consider supporting us on Patreon. For as low as $1/month, you can help to ensure the No Script Podcast can continue.  https://www.patreon.com/noscriptpodcast  ----------------------------- We want to keep the conversation going! Have you read this play? Have you seen it? Comment and tell us your favorite themes, characters, plot points, etc. Did we get something wrong? Let us know. We'd love to hear from you. Find us on social media at:  Email: noscriptpodcast@gmail.com Facebook: https://www.facebook.com/No-Script-The-Podcast-1675491925872541/ Instagram: https://www.instagram.com/noscriptpodcast/ Twitter: https://twitter.com/noscriptpodcast/ ------------------------------ Thanks so much for listening! We'll see you next week.

Scott talks about all the shows coming to the Stranahan Theatre beginning in October of this year for the 26-27 year. Subscription tickets are available now. 

Guest Karen Berman, Ph.D., Chaired the Department of Theatre and Dance at Georgia College and previously taught for 15 years at Georgetown University. She is Dean Emerita, College of Fellows of the American Theatre; Past President of the Association for Theatre in Higher Education; Director of 150 Holocaust and other theatre productions; and winner of the Georgia Governor's Award for the Arts and the Hillel Heroes Award. Karen is co-Artistic Director of Washington Women in Theatre. She is the co-author with Dr. Gail Humphries of the two-volume work, Stories of the Holocaust: Art for Healing and Renewal. Co-host Irene Stern Frielich was a guest on Episode 370: "Walking Where History Happened: A Daughter's Holocaust Journey." Irene is the daughter of a German Jewish Holocaust survivor—but for much of her life, the story remained unspoken. In 2017, after rediscovering her father's testimony, Irene set out to physically retrace his escape route from Nazi Germany through his survival in Holland. The result was a journey of reconciliation and healing. Her award-winning memoir, Shattered Stars, Healing Hearts, explores trauma, courage, and connection across generations. Summary In this episode, Jeff and co-host Irene Stern Frielich speak with Dr. Karen Berman about the role of the arts in Holocaust education and remembrance. Dr. Berman discusses her five-year project to co-edit two volumes featuring 33 contributors who explore how theater, music, visual art, and film illuminate the Holocaust and its aftermath. The books argue that the arts can foster empathy, healing, and social responsibility while inspiring people to become "upstanders" who actively oppose hate and injustice. The conversation explores how artistic expression functioned as both resistance and survival during the Holocaust. A powerful example is the performance of Verdi's Requiem in the Theresienstadt concentration camp, where imprisoned singers used music as a form of spiritual defiance against their captors. The discussion also examines how Holocaust education is evolving. Scholars and educators are increasingly shifting from purely historical instruction toward approaches that engage students emotionally and morally through storytelling, performance, and immersive technologies such as virtual reality and holographic survivor testimony. Ultimately, the episode emphasizes that art has the power to humanize history, deepen empathy, and transform audiences into witnesses. By connecting personal stories with creative expression, educators and artists can ensure that Holocaust memory remains meaningful—and that the lessons of history inspire moral action today. The Essential Point The episode emphasizes that art has the power to humanize history, deepen empathy, and transform audiences into witnesses. By connecting personal stories with creative expression, educators and artists can ensure that Holocaust memory remains meaningful—and that the lessons of history inspire moral action today. Social Media Website: Stories of the Holocaust: Art for Healing and Renewal: www.storiesoftheholocaust.com Georgia Governor's Award for the Arts: https://share.google/7ZF1jsonbwuBfMeDr Hillel Heroes Award: https://share.google/AVs09ck8I9RpdVIDb Kirkus ReviewsStories of the Holocaust: Art for Healing and Renewal. Volume I https://www.kirkusreviews.com/book-reviews/karen-berman/stories-of-the-holocaust/ Stories of the Holocaust: Art for Healing and Renewal. Volume II https://www.kirkusreviews.com/book-reviews/karen-berman/stories-of-the-holocaust-2/ Substack LinkedIn Referenced Defiant Requiem: Verdi at Terezín Virtual reality video of a Holocaust survivor revisiting the Majdanek concentration camp: Pilgrim in the Metaverse

 Beyond is sponsored by The Malone Society: The permanent utility of original texts This is a chat with Dr Jeff S. Dailey who produced the play The Interlude of Youth (1513) in New York in August 2025. As we also produced the play in the summer of 2025, we had a good natter about the challenges of making this play work. We're in the middle of archiving our work on the play and the rest of the Entertaining Henry season from June on our patreon feed - rehearsal audio for £5 tier, and both audio and video for £10 tiers. But free to all are our exploring session videos.And there is also a video of the discussed production of The Interlude of Youth from the John Cullum Theatre at the American Theatre of Actors, New York in August 2025, directed Dr. Jeff S. Dailey. There's information about the production, and a video of it online.Our patrons received a rough mix of this episode in September 2025 - 5 months in advance.The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to www.patreon.com/beyondshakespeare - or if you'd like to buy us a coffee at ko-fi https://ko-fi.com/beyondshakespeare - or if you want to give us some feedback, email us at admin@beyondshakespeare.org, follow us on Twitter, Facebook & Instagram @BeyondShakes or go to our website: https://beyondshakespeare.orgYou can also subscribe to our YouTube channel where (most of) our exploring sessions live - https://www.youtube.com/channel/UCLa4pXxGZFwTX4QSaB5XNdQThe Beyond Shakespeare Podcast is hosted and produced by Robert Crighton.About our sponsors - the Malone Society. The Society was founded in 1906 at the initiative of A.W. Pollard, and for over a century they have published (almost) every year edited volumes of early printed and manuscript texts of both well-known and neglected plays. They also publish collections of documentary material relating to the performance and reception of early drama. Their best-known publications include W.W. Greg's edition of Sir Thomas More, a collaborative history play, and A.C. Dunstan's edition of the earliest surviving original play in English to have been written by a woman, Elizabeth Cary's The Tragedy of Mariam.Their membership is international and open to anyone interested in early drama. Members receive their annual volumes and are able to buy books from their backlist at low prices.In addition to their publications, they support scholarship of early drama through fellowships and research grants, an annual prize for graduate students, and performances and symposia.The Society is named after Edmond Malone, born in Dublin in 1741, a great editor, textual scholar and theatre historian, whose work continues to shape studies in early drama. 

Ethel Barrymore: Shy Empress of the Footlights unveils the captivating duality of one of America's most revered theatrical legends. Known for her poise, talent, and commanding presence on stage, Ethel Barrymore was paradoxically a woman of deep reserve and quiet introspection. This richly detailed biography offers an intimate portrait of the First Lady of the American Theatre, tracing her journey from the gilded footlights of Broadway to the screens of early Hollywood. This book explores how Barrymore's quiet strength shaped a dynasty―and how her shy soul reigned behind the curtain of fame. A must-read for lovers of theater, classic film, and untold stories of iconic women.

For the latest Whisper in the Wings from Stage Whisper, we welcomed back on the actors Peter Zizzo and Jeff LeBeau and the playwright/director Allen Barton. They joined us to talk about the upcoming New York run of their show, Years to the Day. The show which we got to feature back in the Fall of 2025, was so exciting to talk about once again, and we are so exited to learn about how the show continues to change and grow. So make sure that you tune in and turn out for this fantastic production!Years to The DayFebruary 20th-22nd @ The Beverly Hills Playhouse (Los, Angeles)February 25th-28th @ American Theatre for Actors (New York City)Tickets and more information are available at bhplayhouse.com And be sure to follow our guests to stay up to date on all their upcoming projects and productions: bhplayhouse.com@bhplayhouse@hefejefe@peterzizzo

“When I set out to write this book, I decided to approach it like a biography. After all, the Method had parents, obscure beginnings, fumbling toward its purpose, a spectacular rise, struggles as it reached the top, and an eventual decline.” This is how Isaac Butler articulates his project in The Method: How the Twentieth Century Learned to Act (Bloomsbury, February 2022). The Method tracks the origins of this transcontinental school of naturalistic acting and its many contradictions, including its emphasis on individualist achievement within communitarian organizations and the actorly tension between psychological interiority and external action when building a character. In following the life of this concept, Butler reveals the impossibly charming, ambitious, questionable cast of characters that have defined the terms of Western acting in the twentieth century. In the process, he clears up many of the public misunderstandings around Method as an approach and as a style. In this discussion, Butler details his first career in the theater as a professional actor, explores how Constantin Stanislavski's “system” of acting was the farthest thing from systematic, explains the difference between method and Method, and divulges the many rivalries and hostilities between American M/method practitioners and instructors at mid-century. Isaac Butler is the coauthor (with Dan Kois) of The World Only Spins Forward: The Ascent of Angels in America, which NPR named one of the best books of 2018. Butler's writing has appeared in New York magazine, Slate, the Guardian, American Theatre, and other publications. For Slate, he created and hosted Lend Me Your Ears, a podcast about Shakespeare and politics, and currently co-hosts Working, a podcast about the creative process. His work as a director has been seen on stages throughout the United States. He is the co-creator, with Darcy James Argue and Peter Nigrini, of Real Enemies, a multimedia exploration of conspiracy theories in the American psyche, which was named one of the best live events of 2015 by the New York Times and has been adapted into a feature-length film. Butler holds an MFA in creative nonfiction from the University of Minnesota and teaches theater history and performance at the New School and elsewhere. He lives in Brooklyn. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her writing has been published in the Washington Post, Public Books, Literary Hub, The Forward, and Camera Obscura. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

“When I set out to write this book, I decided to approach it like a biography. After all, the Method had parents, obscure beginnings, fumbling toward its purpose, a spectacular rise, struggles as it reached the top, and an eventual decline.” This is how Isaac Butler articulates his project in The Method: How the Twentieth Century Learned to Act (Bloomsbury, February 2022). The Method tracks the origins of this transcontinental school of naturalistic acting and its many contradictions, including its emphasis on individualist achievement within communitarian organizations and the actorly tension between psychological interiority and external action when building a character. In following the life of this concept, Butler reveals the impossibly charming, ambitious, questionable cast of characters that have defined the terms of Western acting in the twentieth century. In the process, he clears up many of the public misunderstandings around Method as an approach and as a style. In this discussion, Butler details his first career in the theater as a professional actor, explores how Constantin Stanislavski's “system” of acting was the farthest thing from systematic, explains the difference between method and Method, and divulges the many rivalries and hostilities between American M/method practitioners and instructors at mid-century. Isaac Butler is the coauthor (with Dan Kois) of The World Only Spins Forward: The Ascent of Angels in America, which NPR named one of the best books of 2018. Butler's writing has appeared in New York magazine, Slate, the Guardian, American Theatre, and other publications. For Slate, he created and hosted Lend Me Your Ears, a podcast about Shakespeare and politics, and currently co-hosts Working, a podcast about the creative process. His work as a director has been seen on stages throughout the United States. He is the co-creator, with Darcy James Argue and Peter Nigrini, of Real Enemies, a multimedia exploration of conspiracy theories in the American psyche, which was named one of the best live events of 2015 by the New York Times and has been adapted into a feature-length film. Butler holds an MFA in creative nonfiction from the University of Minnesota and teaches theater history and performance at the New School and elsewhere. He lives in Brooklyn. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her writing has been published in the Washington Post, Public Books, Literary Hub, The Forward, and Camera Obscura. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

For the latest Whisper in the Wings from Stage Whisper, we welcomed on the playwright/director Dennis Leroy Kangalee to talk about his amazing new work My Dying City Vol.II. This was such a fascinating and timely work to learn all about, and Dennis was so easy and so fun to speak with. So make sure you hit play and get your tickets today!Kangalee Arts Ensemble PresentsMy Dying City Vol. IIJanuary 15th-25th@ The American Theatre of Actors Tickets and more information are available at kangaleeartsensemble.org And be sure to follow Dennis to stay up to date on all his upcoming projects and productions: kangaleeartsensemble.orgdlk@kangaleeartsensemble.org

This week on the podcast is part one of our interview with David Cote. He's a playwright, librettist, and theater critic based in New York City. When we recorded his interview, his opera, Blind Injustice was performed in New York at Jazz at Lincoln Center, and in Cleveland at Playhouse Square. Last year his opera Lucidity premiered with On Site Opera in New York and then had its Northwest premiere at Seattle Opera. Next year Lucidity has its European premiere in Germany.As a journalist, David's TV and theater writing appears in The A.V. Club, Observer, 4 Columns, American Theatre and elsewhere. He was the longest serving theater editor and chief drama critic of Time Out New York, and is the author of popular companion books about the Broadway hits: Moulin Rouge! The Musical; Wicked; Jersey Boys and Spring Awakening. https://davidcote.com/

This week on the podcast is part one of our interview with David Cote. He's a playwright, librettist, and theater critic based in New York City. When we recorded his interview, his opera, Blind Injustice was performed in New York at Jazz at Lincoln Center, and in Cleveland at Playhouse Square. Last year his opera Lucidity premiered with On Site Opera in New York and then had its Northwest premiere at Seattle Opera. Next year Lucidity has its European premiere in Germany.As a journalist, David's TV and theater writing appears in The A.V. Club, Observer, 4 Columns, American Theatre and elsewhere. He was the longest serving theater editor and chief drama critic of Time Out New York, and is the author of popular companion books about the Broadway hits: Moulin Rouge! The Musical; Wicked; Jersey Boys and Spring Awakening. https://davidcote.com/

On the latest Friday Morning Coffee, host Caitlin Malcuit discusses Seth Gordon's new book Crossroads in the American Theatre, which explores the current state of the U.S. nonprofit theatre movement. Then, author Robert M. Dowling (Eugene O'Neill: A Life in Four Acts, Slumming in New York: From the Waterfront to Mythic Harlem) chats with Daniel Ford about his book Coyote: The Dramatic Lives of Sam Shepard. This episode is sponsored by Libro.fm.

On the latest Whisper in the Wings from Stage Whisper, we welcomed on the actors/co-producers Lev Grzhonko and Maria Atlas, to talk about their upcoming production of Love Letters. This wonderful show was so fantastic to chat about. So be sure that you tune in and turn out for this fantastic production!Love LettersNovember 19th-23rd @ American Theatre of ActorsTickets and more information are available at americantheatreofactors.org And be sure to follow our guests to stay up to date on all their upcoming projects and productions: @love.letters.playgurneyloveletters.love

Episode 613 - Dennis A. Blackledge - Working professional in the American Theatre, Writer and Short Story CreatorDennis A. Blackledge has spent a lifetime immersed in storytelling as a working professional in the American Theatre. As a writer, he has authored articles for Blue Suede News Magazine, written the script for the annual yearend radio broadcast of Rock & Roll Heaven (2005-2009), plus the book for the musical Smokestack Lightning. He is currently creating a series of short fiction stories about coming of age in small town New England in the mid-twentieth century.https://www.jerryjazzmusician.com/every-night-at-ten-a-short-story-by-dennis-a-blackledge/https://fabulaargentea.com/index.php/article/good-sam-i-am-by-dennis-a-blackledge/Support the show___https://livingthenextchapter.com/podcast produced by: https://truemediasolutions.ca/Coffee Refills are always appreciated, refill Dave's cup here, and thanks!https://buymeacoffee.com/truemediaca

On the latests Whisper in the Wings from Stage Whisper, we welcomed on the artists Iryna Malygina and Tatyana Kat, to talk about their current piece In the Wilderness of Demons. This brave and fantastic work was so much fun to learn all about, and we are thrilled to share it with you. So be sure you hit play and get your tickets today!In the Wilderness of DemonsNow- November 2nd@ American Theatre of ActorsTickets and more information are available at americantheatreofactors.com And be sure to follow our guests to stay up to date on all their upcoming projects and productions: movatheater.com@redredstorm@iryna_malygina

Front Row Classics welcomes author Laurence Mason to celebrate the art of both Alfred Hitchcock and a great drink. Maslon recently wrote "Hitchcocktails: Lethal Libations inspired by the Master of Suspense". The books pairs Hitchcock's legendary films with a cocktail appropriate for the occasion. Larry mixes both film history and mixology in an attractive package for both films fans and drink enthusiasts alike. "Hitchcocktails: Lethal Libations inspired by the Master of Suspense" is available now from Weldon Owen wherever books are sold. Laurence Maslon is an arts professor at New York University's Tisch School of the Arts, as well as associate chair of the Graduate Acting Program. His most recent book is an updated companion volume to the PBS series Broadway: The American Musical. He is also the host and producer of the weekly radio series, Broadway to Main Street (winner of the 2019 ASCAP Foundation/Deems Taylor Award for Radio Broadcast) on the NPR station WLIW-FM. He edited the two-volume set American Musicals (1927-1969) for Library of America, as well as their Kaufman & Co., Broadway comedies by George S. Kaufman. Other books include the companion book to Come From Away, Broadway to Main Street: How Show Music Enchanted America (Oxford), The Sound of Music Companion, and the South Pacific Companion. He is the writer and coproducer of the PBS American Masters documentary, Sammy Davis, Jr.: I've Gotta Be Me, and wrote American Masters documentary Richard Rodgers: The Sweetest Sounds. He served on the nominating committee for the Tony Awards from 2007 to 2010. He has written for the New York Times, the Washington Post, the New Yorker, Opera News, Stagebill, and American Theatre. Mr. Maslon, otherwise a nice guy, mixes a mean drink.  

In this episode of the Broad Street Review podcast, host Darnelle Radford speaks with Nell Bang-Jensen, CEO and producing director of Fringe Arts, as they reflect on her first year in the role. They discuss the importance of Fringe Arts in supporting new and experimental work, the growth of the festival, and the significance of community engagement in the arts. Nell shares insights on the challenges faced by artists, the role of workshops, and the unique experiences offered by events like Feastival. The conversation also touches on funding challenges and the potential for more festivals in Philadelphia, emphasizing the need for continued support for the arts community.Chapters00:00 Introduction to Fringe Arts and Nell Bang-Jensen02:12 Reflecting on a Year at Fringe Arts04:06 The Importance of Fringe Festivals06:30 Supporting Artists and Workshops08:29 Navigating the Festival Landscape11:04 The Role of Community in the Arts14:19 Festival Growth and Audience Engagement15:29 Curated vs. Neighborhood Festivals17:54 Thematic Hubs and Community Engagement20:35 Challenges with Non-Traditional Spaces23:29 The Future of Fringe Arts25:59 Feastival: A Culinary and Arts Experience28:16 Planning for the Future of Fringe Arts33:51 Community Needs and Artist Support35:59 The Future of Festivals in Philadelphia38:56 Funding Challenges in the Arts39:48 Conclusion and Future AspirationsABOUT NELL BANG-JENSEN (CEO and Producing Director of FringeArts)Nell Bang-Jensen is a Philadelphia-based theater maker and the newly appointed Artistic Director of Theatre Horizon She has created four full-scale, original works, in addition to directing and producing for many of Philadelphia's major theater institutions, including Philadelphia Theatre Company, the Wilma, Pig Iron, and the Painted Bride. Nell is a recipient of a 2019 Map Fund Award, a Next Stage Director's Fellowship from the Drama League (2019), a Thomas J. Watson Fellow (2011-2012), a Frank 5 Fellow for the Aydelotte Foundation (2017), and a participant in the Leadership U: One-on-One program, funded by the Andrew W. Mellon Foundation and administered by Theatre Communications group; a national fellowship given to eight individuals who TCG believes are the core and future of theater. In October 2018, American Theatre magazine named her one of six "theatre workers to know" across the nation.FOR MORE ABOUT FRINGE ARTS: https://fringearts.com

Saturday Church is running at New York Theater Workshop through October 24th. To learn more, visit www.nytw.org. Follow The Present Stage on Instagram at @thepresentstageThe Present Stage: Conversations with Theater Writers is hosted by Dan Rubins, a theater critic for Theatermania and Slant Magazine. You can also find Dan's reviews on Cast Album Reviews and in The New Yorker's Briefly Noted column.The Present Stage supports the national nonprofit Hear Your Song. If you'd like to learn more about Hear Your Song and how to support empowering youth with serious illnesses to make their voices heard though songwriting, please visit www.hearyoursong.org

This is the second part of this Encore Episode from 2021 featuring a conversation with Irene Sankoff & David Hein — the dynamic writing team and married couple that created the international smash hit musical Come From Away which recently topped American Theatre magazine's list of the most produced plays in America in 2025/26. On the previous episode Irene and David related how they got hooked on musicals, and how they went from their first show based on a true story — My Mother's Lesbian Jewish Wiccan Wedding — to deciding to create a musical based on the real life events that happened in the small town of Gander, Newfoundland in the days following 9/11. They also described what it was like to attend the 10th Anniversary of the events in Gander and then begin to transform the stories they heard there into a musical during an early workshop production at The Canadian Music Theatre Project at Sheridan College. We also explored the classic Broadway shows that influenced and inspired the writing of their book, music, and lyrics for Come From Away. If you missed part one you may want to go back and catch up on that episode before you listen to this one. Today we look at the extensive development process that CFA went through on its journey to Broadway — including a workshop in Seattle, a series of productions at the La Jolla Playhouse, The Seattle Rep, Ford's Theater in DC. and the Royal Alexandra Theatre in Toronto, as well as a thrilling concert presentation in Gander where it all began.  Back in 2015, I served as the Executive Producer and Artistic Director of The 5th Avenue Theatre in Seattle and, as such, I had the great pleasure of co-producing that original Seattle workshop of Come From Away. This was the first time that the show's Tony award winning director Christopher Ashley and choreographer, Kelly Devine began to work on the show — and it was great fun to recall that exciting experience with Irene and David. Come From Away is the fifth musical to originate in Canada and eventually open on Broadway.  The first was 1974's Rockabye Hamlet with book, music and lyrics by Cliff Jones. This rock musical adaptation of Shakespeare was originally titled Kronborg 1582 and was well received, first as a radio series on the CBC, and then at the Charlottetown Theatre Festival and on tour in Canada, before being retitled and opening on Broadway with Gower Champion as the director. It became a legendary flop and closed after 7 performances. Next, in 1980 came the intimate and engaging Billy Bishop Goes To War written by John McLachlan Gray the show featured one actor to playing18 different roles to tell the story of real life Canadian fighter pilot Billy Bishop during the first World War. This show nearly doubled the run of Rockabye Hamlet closing after 12 performances. However, over the next ten years Billy Bishop Goes To War received scores of productions at theaters all across North America.  The Story Of My Life, with music and lyrics by Neil Bartram and book by Brian Hill, opened on Broadway in 2009. Unfortunately, it had an even shorter run than either of the previous two Canadian shows. However, one year earlier, a group of Canadian writers finally scored a significant hit with The Drowsy Chaperone – book by Bob Martin and Don McKellar, and music and lyrics by Lisa Lambert & Greg Morrison. This delightful show opened on Broadway in 2008, received Tony Awards for Best Book and Best Original Score, and ran for 674 performances.   There have been a few other Canadian writers that found success on Broadway – Galt McDermott being the most famous of them – but that was with shows that originated in the US. Learn more about your ad choices. Visit megaphone.fm/adchoices

Join us on the latests Whisper in the Wings from Stage Whisper as we welcomed on the adaptor/director Steven Simone-Friedland and the conceiver/performer Rick Simone-Friedland, to talk about their fabulous show that is coming to NYC as part of the Dream Up Festival, Kind Stranger. This is such a great new work focusing on one of the greatest playwrights in the American Theatre. So be sure you hit play and come out to support these fantastic artists!Kind StrangerPart of the Dream Up FestivalAugust 24th- September 1st@ Theater for the New CityTickets and more information are available at ovationtix.comAnd be sure to follow our guests to stay up to date on all their upcoming projects and productions:kindstrangerplay.com

In this episode, Hayley and Amy discuss funding shifts in the arts in 2025. We get ourselves up to date on what's been happening with the National Endowment for the Arts, chat about alternative funding visions for theatre and the arts, and share action steps you can take to support the arts in your own community. Click here for a transcript of the episode!Episode NotesHosts: Hayley Goldenberg and Amy AndrewsMusic: Chloe GellerEpisode Resources:National Endowment for the Arts websitePittsburgh Arts Council - Trump's Impact on the Arts: A Running List of UpdatesBroadway World - The NEA Grant Terminations and What it Means for the Future of American Theatre by Cara Joy DavidAmerican Theatre - NEA Abruptly Pulls Arts Grants on a Massive ScaleBroadway League - Broadway's 2024– 2025 Season Wraps with 14.7 Million Attendances and Grosses Of $1.89 BillionOregon Arts RisingWomen & Theatre Podcast S4E9: Danielle DeMatteo5 Calls appThanks for listening!Who do you want to hear from next on the Women & Theatre Podcast? Nominate someone here.The Women & Theatre Podcast is created and produced by Hayley Goldenberg and Amy Andrews. Please like, comment, subscribe, follow us on Instagram and Facebook, and consider making a donation to support our work. Thank you for listening!

In honor of Pride Month, we hear a 2004 interview with the late Terrence McNally, four time Tony Award winner, who frequently focused on the gay experience in his work. This podcast, unedited from its original posting, was first heard on April1, 2020. Terrence McNally, who died of complications from COVID on March 24, 2020  at the age of 81, was a giant of the American theatre. He received tony awards for his plays Love Valour Compassion and Master Class, and for best book for a musical for Kiss of the Spider Woman and Ragtime. His plays, musicals and operas have been performed around the world. Among his other plays were Lisbon Traviata, Lips Together Teeth Apart, The Ritz, and Frankie and Johnnie in the Claire de Lune. His plays, rich with humor and deft characterization, also were political in nature, and he never shied away and he was always willing to take a stand especially in the area of gay rights and the necessity for community. Richard Wolinsky spoke with Terrence McNally on March 18, 2004 in the offices of New Conservatory Theatre in San Francisco, which was then running the musical, A Man of No Importance, for which he had written the book. The music and lyrics were by Stephen Flaherty and Lynn Ahrens, who he had previously collaborated with on Ragtime. He was in San Francisco as New Conservatory's playwright in residence that spring, working on a play that would eventually become Some Men, a look at gay mens lives over the course of several decades. Terrence McNally's play Some Men played off Broadway in 2007 and would return to its theatre of origin, New Conservatory in San Francisco, in 2009. Over the fifteen years after the interview, he would write several plays that reached Broadway, including It's Only a Play and Mothers and Sons, along with three musicals, the last being Anastasia, based on the animated film, which ran on Broadway for two years, closing in spring, 2019 after 808 performances.     The post Pride Month: Terrence McNally (1938-2020), Titan of the American Theatre appeared first on KPFA.

On the latest Whisper in the Wings from Stage Whisper, we welcomed back on the actress/director Amber Brookes, and welcomed in the actor Jospeh Monsieur to talk about their upcoming run of Black & White City Blues. This was a great show to talk about once again, and we loved hearing all about what audiences can expect from this iteration of the show. So make sure that you tune in and turn out for this production!Black & White City BluesMay 14th-25th@ American Theatre of ActorsTickets and more information are available at onthestage.ticketsAnd be sure to follow our guests to stay up to date on all their upcoming projects and productions: @directedbyamber@joseph_monseur

DONNA TRINKOFF – Artistic Producer - of Amas Musical Theatre, a non-profit performing arts organization in New York City devoted the creation, development and production of new musicals and to the training and encouragement of inner-city young people. Since 1994, Donna has produced the original musicals Broadway and the Bard, starring Len Cariou, Red Eye of Love, The Other Josh Cohen, Triassic Parq! Wanda's World, Shout! The Mod Musical, Lone Star Love, Magpie, Stormy Weather: The Lena Horne Story, Zanna, Don't!, Latin Heat, From My Hometown, Langston Hughes' Little Ham, 4 Guys Named José, Rollin' on the T.O.B.A., among others, and she has presented over 90 original musicals in the Amas Musical Theatre Lab. As Starry Night Productions, Donna presented the Off-Broadway premiere of SILENCE! The Musical (Christopher Gattelli, Hunter Bell, Jon & Al Kaplan), the unauthorized parody of the iconic film “The Silence of the Lambs” to critical acclaim, sold-out houses and a two-year run. SILENCE! won the Off Broadway Alliance Award and the Obie Award for Best Musical and was named as one of the 'Top 10 Plays of the Year' by TIME Magazine. The original cast album has been released on Sh-K-Boom Records. Donna was an associate artistic director at the Cabaret and Performance Conference at the Eugene O'Neill Center in CT and worked with Aruba Productions on new and upcoming musicals. She holds a BA in English and Theatre from SUNY Binghamton, is a graduate of the National Theatre Institute, and she received a Certificate of Merit from the Drama Studio in London. Donna is a member of the League for Professional Theatre Women. She is a recipient of the New York Municipal Art Society Award of Merit and the Galaxy Award from the NY Women's Association.  Amas Musical Theatre is a non-profit, multi-ethnic theatrical organization founded in 1968 by Ms. Rosetta LeNoire. Amas (“you love” in Latin) is devoted to the creation, development and professional production of new American musicals, the celebration of cultural equity and minority perspectives, the emergence of new artistic talent, and the training and encouragement of underserved young people. Amas celebrates its impact in pioneering multi-ethnic casting in the American Theatre and reiterates its commitment to this reflection of our diverse society.​Amas Musical Theatre commits its work to: Contributing to the vitality of the American Musical Theatre - a unique American esthetic expression -- through the creation, development and professional production of original musicals.​Bringing creative, musical theatre to the American education system, and enhancing the experience of students.​Encouraging tolerance and civility among people of our diverse society by bringing them together through the art of musical theatre.​Audiences are built by bringing both children and other community members into Amas with free performances and free ticket programs. Amas actively combines artists and audience members from every possible racial, ethnic and religious background, bringing them together to work and learn from each other.​For 50 years, Amas has engraved its unique trademark on the world of musical theatre. We produce quality musical theatre presenting different cultural viewpoints, while reaching out to underserved audiences. Amas attracts actors and artists of distinction and reputation, while offering opportunities for new talent to learn and develop.

On the latest Whisper in the Wings from Stage Whisper, we welcomed back on the director Caitlyn Marr and the playwright Lana Meyer to talk about their latest production, Nongod. This was such a fantastic show to learn all about, and we had a great time learning even more insight from our wonderful guests! So make sure you tune in and turn out for this great new production!PAUL PresentsNongodMay 7th-11th@ The American Theatre of ActorsTickets and more information available at wearepaul.org And be sure to follow our guests to stay up to date on all their upcoming projects and productions: wearepaul.orginfo@wearepaul.org@we_are_paul@caitlynmarr22

In this episode of the Life Shift podcast, I sit down with Susan Lieu, a Vietnamese American playwright, performer, and author, who shares her powerful journey of healing and self-discovery after losing her mother at a young age. Through her art, Susan has found a way to process her pain, reclaim her narrative, and inspire others to embrace vulnerability and the power of storytelling.Susan takes us through her childhood as the daughter of Vietnamese refugees, growing up in a bustling household filled with extended family. She recounts the pivotal moment when, at just 11 years old, her mother tragically passed away due to complications from plastic surgery. This loss not only shattered Susan's world but also led to years of silence and unresolved grief within her family.The conversation also touches on the broader implications of intergenerational trauma and the expectations placed upon children of immigrants. Breaking the Silence: A Journey of Healing Through ArtHow Susan found her voice and began to process her grief through solo performanceThe power of storytelling in uncovering family secrets and healing generational traumaNavigating cultural expectations and finding the courage to pursue a creative pathEmbracing Vulnerability and AuthenticityThe challenges of sharing deeply personal stories on stage and in writingHow Susan's journey has impacted her relationships with family membersThe ripple effect of vulnerability and its power to inspire othersRedefining Success and Finding PurposeSusan's transition from corporate life to full-time artistryThe importance of setting boundaries and prioritizing self-careHow becoming a mother has shifted Susan's perspective on her own childhood experiencesAs you listen to this episode, consider:How have unspoken family stories shaped your own life and relationships?In what ways might sharing your own vulnerable experiences help others feel less alone?How can you take small, daily steps towards living a more authentic and fulfilling life?Join us for this inspiring conversation that reminds us of the healing power of storytelling and the beauty of embracing our whole selves – imperfections and all.Susan Lieu is a multi-hyphenate storyteller, activist, and author. Through her book, podcast, and live performances, Susan takes audiences on a journey of healing intergenerational trauma, embracing authenticity, and finding boldness in vulnerability.Susan is the creator of her theatrical solo show "140 LBS: How Beauty Killed My Mother," which received critical acclaim from the LA Times, NPR, and American Theatre. Her debut memoir, The Manicurist's Daughter (Celadon), is an Apple Book Pick of the Month and Must Listen of the Month, and has received accolades from The New York Times, NPR Books, Elle Magazine, and The Washington Post. www.susanlieu.meIG: @susanlieu @celadonbooks, @modelminoritymomsFB: www.facebook.com/susanlieuofficialLinkedIn: https://www.linkedin.com/in/susanlieu/#themanicuristsdaughter #whenwefeelweheal Resources: To listen in on more conversations about pivotal moments...

In this episode of the Lights Up! podcast, Mark Blankenship shares his insights on creating immersive experiences, reflecting on the significance of movement in narrative influenced by his love of the Greek tragedy. The discussion highlights the evolving nature of theatre and the shared responsibility of storytellers and audiences in shaping demand for fresh perspectives.Beyond his work as a playwright, Mark Blankenship is a seasoned arts journalist and editor. His contributions have appeared in esteemed publications such as The New York Times, Variety, and American Theatre. Mark's multifaceted career also includes roles as a dramaturg and filmmaker, underscoring his diverse impact on the arts community.Play Starts (1:01)Conversation with Mark (10:44)Actors:Tom Baxter: SJ LesterWick Wallace: Joel Sanchez-AvantesGreg Hughes: Caleb SextonDirected by Garry Lee PoseySoundscape by Eric "Red" WyattLinks to follow Mark:Website: markgblankenship.com/bylines Twitter/Instagram: @IAmBlankenship​Bluesky: markblankenship.bsky.socialSubstack: lostsongs.substack.comLinkedIn: https://www.linkedin.com/in/mark-blankenship-0118776/ Hosted on Acast. See acast.com/privacy for more information.

Get ready for an incredible new theatre season! Heidi and Jessie from The American Theatre Guild are here on Stage Door to announce the amazing Broadway shows coming to Toledo. We're bringing even more spectacular performances to our theatre-loving community! Stay tuned for an unforgettable season ahead! #BroadwayInToledo #TheatreSeason #AmericanTheatreGuild #Shucked #TheWiz #&Juliet #TheGreatGatsby #TheNeilDiamondMusicalABeautifulNoise.

Susan Lieu joins Let's Talk Memoir for a conversation about realizing you're an artist later in life, becoming a multi-hyphinate storyteller, being a mother when you never knew your own, piecing together a family story, feeling plagued by structure, sticking to the throughline, writing residencies, writing down goals, deciding to stop searching for approval from loved ones and getting it for and from ourselves, accepting loved ones as they are, grief journeys, storytelling as closure, and her new memoir The Manicurist's Daughter.   Also in this episode: -using a book doctor -mental health stigma and older generations -body acceptance   Books mentioned in this episode:  -Ma and Me by Putsata Reang    SUSAN LIEU is a Vietnamese-American author, playwright, and performer who tells stories that refuse to be forgotten. She took her award-winning autobiographical solo show 140 LBS: How Beauty Killed My Mother on a ten-city national tour, with sold-out premieres and accolades from the Los Angeles Times, NPR, and American Theatre. Her debut memoir, The Manicurist's Daughter, is an Apple Book of the Month, Apple Book Must Listen of the Month, and has been featured on The New York Times, NPR Books, Elle Magazine, LA Times, and The Washington Post. Creator of The Vagina Monologues, V (formerly Eve Ensler) calls The Manicurist's Daughter “a stunning, raw, brave memoir that wouldn't let me go.” She is a proud alumnae of Harvard College, Yale School of Management, Coro, Hedgebrook, and Vashon Artist Residency. She is also the cofounder of Socola Chocolatier, an artisanal chocolate company based in San Francisco. Susan lives with her husband and son in Seattle, where they enjoy mushroom hunting, croissants, and big family gatherings. The Manicurist's Daughter is her first book. Connect with Susan: Website: https://www.susanlieu.me/ Model Minority Moms Podcast: https://modelminoritymoms.com/ Instagram: @susanlieu, @celadonbooks  facebook: https://www.facebook.com/susanlieuofficial TikTok: @susanlieuofficial LinkedIn: https://www.linkedin.com/in/susanlieu/ – Ronit's writing has appeared in The Atlantic, The Rumpus, The New York Times, Poets & Writers, The Iowa Review, Hippocampus, The Washington Post, Writer's Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts' 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories.  She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and teaches memoir through the University of Washington's Online Continuum Program and also independently. She launched Let's Talk Memoir in 2022, lives in Seattle with her family of people and dogs, and is at work on her next book. More about Ronit: https://ronitplank.com Subscribe to Ronit's Substack: https://substack.com/@ronitplank Follow Ronit: https://www.instagram.com/ronitplank/ https://www.facebook.com/RonitPlank https://bsky.app/profile/ronitplank.bsky.social   Background photo credit: Photo by Patrick Tomasso on Unsplash Headshot photo credit: Sarah Anne Photography Theme music: Isaac Joel, Dead Moll's Fingers

Send us a textComing to Fowl Players Radio 2/10/2025- Author David Finkle!! Fowl Players Radio kicks off Season 12 with an interview with David Finkle- author of “The Great Gatsby Murder Case" David Finkle is a New York-based writer who concentrates on politics and the arts. He writes regularly on theater, books and music for New York Stage Review and The Clyde Fitch Report, where he is chief drama critic. He's contributed to scores of publications, including The New York Times, The Village Voice, The New York Post, The Nation, The New Yorker, New York, Vogue, Mirabella, Harper's Bazaar, Psychology Today, Saturday Review and American Theatre. He is the author of People Tell Me Things, a story collection, The Man With the Overcoat, a novel, Humpty Trumpty Hit a Brick Wall: Donald J. Trump's First Year in Verse and Great Dates With Some Late Greats, a story collection. His websites: www.davidfinkle.com www.davidfinklewrites.com #fowlplayersradio #davidfinkle#thegreatgatsbymurdercase #davidfinkleauthor #michaelspedden#fowlplayersofperryville www.fowlplayersradio.com www.fowlplayersofperryville.comwww.youtube.com/@fowlplayersradiowww.fowlplayersradio.comwww.thefowlplayersofperryville.com#michaelspedden#fowlplayersradio#fowlplayersofperryville@fowl_radio@SpeddenMichaelwww.youtube.com/@fowlplayersradiowww.patreon.com/fowlplayersradiobuymeacoffee.com/fowlplayerw

On the latest Whisper in the Wings from Stage Whisper, we welcomed on the performer/creator/co-producer Diana Zhdanova and the director Kathryn Syssoyeva. They joined us to talk about their upcoming production, (beyond) Doomsday Scrolling. This is a very powerful and timely work that was fascinating to discuss. So be sure you tune in and turn up for this great work!(beyond) Doomsday ScrollingFebruary 6th-9th @ John Cullum Stage at American Theatre of ActorsTickets and more information are available at anomalousco.com Use promo code FCKTRMP for $10 off ticketsAnd be sure to follow our guests to stay up to date on all their upcoming projects and productions:anomalousco.com@anamalousco

Through February, the stage production of Fat Ham will premiere at the Cleveland Play House. It's a cleverly hilarious retelling of William Shakespeare's Hamlet through the eyes of "Juicy," a Southern Black mama's boy during a backyard cookout. It unapologetically centers Black joy and flips masculinity on its head. For many, the play's premise might cause a casual reader to double-take. Yet, the production won the 2022 Pulitzer Prize winner for drama and was nominated for five Tony Awards including Best Play. This summer, England's Royal Shakespeare Company itself will stage the European premiere.rnrnrnFrom Hollywood film to literature and theatre productions--contemporary spins on classics are not a new concept. These reinterpretations often reach new audiences, create new models for artistic production, and create space for entire communities.

This episode of HIV unmuted features an intimate conversation with Ambassador-at-Large Dr John N Nkengasong, the U.S. Global AIDS Coordinator and Senior Bureau Official for Global Health Security and Diplomacy (GHSD). Our host,Juan Michael Porter II, takes listeners through John N Nkengasong's remarkable journey from his early days as a virologist to his current role leading the State Department's Bureau of GHSD, which oversees the global implementation of the U.S. President's Emergency Plan for AIDS Relief (PEPFAR). John N Nkengasong offers profound insights into the ongoing global HIV response, stressing the importance of community leadership in sustaining the progress made over the years. He addresses the challenges of maintaining this momentum in the face of changing global health priorities and funding landscapes. Despite significant advancements in treatment and prevention, John N Nkengasong underscores that ending the HIV pandemic will require addressing persistent inequalities and engaging communities around the world.  John N Nkengasong also highlights the potential of lenacapavir for HIV prevention, which, as of December 2024, is part of a coordinated effort by PEPFAR, the Global Fund to Fight AIDS, Tuberculosis and Malaria, the Children's Investment Fund Foundation and the Gates Foundation to expand access to innovative treatments. Learn more about this initiative here. Meet our guest: John N Nkengasong is an Ambassador-at-Large and serves as the U.S. Department of State's U.S. Global AIDS Coordinator and Senior Bureau Official for Global Health Security and Diplomacy (GHSD). He oversees the Bureau of Global Health Security and Diplomacy, which serves as the department's coordinating body for work on strengthening global health security to prevent, detect and respond to infectious diseases, including HIV and AIDS. The department also elevates and integrates global health security as a core component of U.S. national security and foreign policy. GHSD is home to the U.S. President's Emergency Plan for AIDS Relief (PEPFAR), which the Ambassador also oversees. PEPFAR is the largest commitment by any nation to address a single disease in history and has prevented millions of HIV acquisitions, saved more than 25 million lives, and changed the course of the HIV pandemic.Meet our host: Juan Michael Porter II is a health journalist, HIV advocate, culture critic, educator and the host of HIV unmuted, the IAS podcast. He is the Senior Editor of TheBody.com and TheBodyPro – and the first person openly living with HIV to hold the position. Juan Michael's reporting combines data dives, personal narratives and policy analyses to address the real-world consequences of ever-shifting legislation on people's health outcomes. He has written for the Public Broadcasting Service, SF Chronicle, Philadelphia Inquirer, Christian Science Monitor, NY Observer, TDF Stages, Playbill, American Theatre, Time Out NY, Queerty, Anti-Racism Daily, Positively Aware, Documentary Magazine, SYFY Wire, Scholastic and Dance Magazine.

On the latest Whisper in the Wings from Stage Whisper, we welcomed on some amazing artists; the playwright Richard Vetere, director Amber Brookes, and the actor and moderator for an upcoming talk back dan Lauria. They stopped by to talk about their upcoming production of the powerful show, Black & White City Blues. This was such an amazing show to learn all about, and the incredible insight that was shared with us was even more fantastic. So make sure that you tune in and get your tickets while you still can for this great work!Black & White City BluesJanuary 8th-19th@ The American Theatre of ActorsTickets and more information are available at americantheatreofactors.org And be sure to follow our guests to stay up to date on all their upcoming projects and productions:Amber; @directedbyamberRichard: richardvetereauthor.com

On the latest Whisper in the Wings from Stage Whisper, we welcomed on actor Archie Colville to talk about his latest show, Dream on Baransky. This fun and fantastic new work was a blast to learn more about, and just like our conversation, this show should not be missed. So tune in and turn up for this great production!Dream on BaranskyDecember 7th-22nd@ American Theatre of ActorsTickets and more information are available at americantheatreofactors.org And be sure to follow Archie to stay up to date on all his upcoming projects and productions:@archie.colville

In this special World AIDS Day episode of HIV unmuted, the IAS podcast, poet, advocate and researcher Bakita Kasadha joins host Juan Michael Porter II in a conversation that challenges preconceived notions and redefines how we discuss and address HIV stigma. Produced in collaboration with the IAS Heart of Stigma programme of IAS – the International AIDS Society – this episode dives into the transformative power of language, art and science in reshaping the global HIV narrative. Bakita shares her unique journey from poetry to advocacy and from being skeptical about research to becoming a groundbreaking researcher herself. Through candid dialogue, the episode explores the nuances of internalized stigma, the limitations of rigid language norms, and the necessity of inclusive and participatory approaches in HIV discourse. Bakita and Juan Michael discuss the role of grace, nuance, and allyship in dismantling stigma and how the arts can amplify voices and stories that have long been marginalized. This episode will leave you inspired to rethink stigma, reclaim narratives, and prioritize people in every aspect of the conversation. To find out how you can get involved this World AIDS Day (1 December), visit our World AIDS Day page. Meet our guest: Bakita Kasadha  Bakita Kasadha is a multi-award-winning health researcher at the University of Oxford, and poet and activist. In 2024, she was awarded the IAS biennial Prudence Mabele Prize. She was the main researcher on the award-winning HIV and infant-feeding NOURISH-UK study and co-edited the collection, HIV and Women's Health: Where Are We Now? Her poetry, commissioned by organizations like the Elton John AIDS Foundation, has inspired initiatives such as a multimillion-pound Fast-Track Cities (London) fund to prevent HIV. She has written for TheBodyPro, NAM aidsmap, Black Ballad, Glamour and the British Journal of Healthcare Management. Her work focuses on addressing health inequities through research and the arts. Meet our host:  Juan Michael Porter II  Juan Michael Porter II is a health journalist, HIV advocate, culture critic, educator and the host of HIV unmuted, the IAS podcast. He is the Senior Editor of TheBody.com and TheBodyPro – and the first person openly living with HIV to hold the position. Juan Michael's reporting combines data dives, personal narratives and policy analyses to address the real-world consequences of ever-shifting legislation on people's health outcomes. He has written for the Public Broadcasting Service, SF Chronicle, Philadelphia Inquirer, Christian Science Monitor, NY Observer, TDF Stages, Playbill, American Theatre, Time Out NY, Queerty, Anti-Racism Daily, Positively Aware, Documentary Magazine, SYFY Wire, Scholastic and Dance Magazine. 

Jessica speaks with Susan Lieu, Vietnamese-American author, playwright, and performer.  She's the creator of her theatrical solo show "140 LBS: How Beauty Killed My Mother," which received critical acclaim from LA Times, NPR, and American Theatre.  Her debut memoir, The Manicurist's Daughter, is an Apple Book Pick of the Month and Must Listen of the Month, and has received accolades from The New York Times, NPR Books, Elle Magazine, and The Washington Post.  She's also the cofounder of Socola Chocolatier; the co-host of the podcast Model Minority Moms; a proud alum of Harvard, Yale, and Hedgebrook; and a mom of a 4-year old boy. https://www.susanlieu.me/ Instagram: @susanlieu, @celadonbooks  Facebook: https://www.facebook.com/susanlieuofficial TikTok: @susanlieuofficial LinkedIn: https://www.linkedin.com/in/susanlieu/ Model Minority Moms: https://modelminoritymoms.com/ Socola Chocolatier: https://www.socolachocolates.com/ ~ Are you a high achiever, a leader, or an Ampersand who's recently taken on more responsibility at work?  From steering relationships at the C-level to piloting conversations with teams and peers, increasing visibility and opportunities in your field, integrating your creative endeavors, or connecting the dots in your personal life — as a parent, child, and partner — Jessica can help you traverse the unknown challenges and situations that arise as a leader. BOOK AN INTRO CALL: ⁠https://calendly.com/jessicawancoaching/intro-call-coaching⁠⁠ Follow Jessica on LinkedIn Credits Produced and Hosted by ⁠⁠Jessica Wan⁠⁠ Co-produced, edited, and sound design by ⁠⁠⁠⁠Carlos Schmitt⁠ Theme music by ⁠⁠Denys Kyshchuk⁠⁠ and ⁠⁠Stockaudios⁠⁠ from ⁠⁠Pixaba⁠y⁠

Susan Lieu is a Vietnamese-American author, playwright, and performer. Her debut memoir, The Manicurist's Daughter (Celadon), has received accolades from The New York Times, NPR Books, Elle Magazine, and The Washington Post, and is an Apple Book Pick of the Month and Must Listen of the Month. Susan is the creator of her theatrical solo show "140 LBS: How Beauty Killed My Mother," which received critical acclaim from LA Times, NPR, and American Theatre. The co-founder of Socola Chocolatier, Susan is a proud alumnus of Harvard College, Yale School of Management, and Hedgebrook. LISTEN TO THIS EPISODE IF: You have experienced intergenerational trauma You want to live a more authentic life You desire to find more boldness and pursue your dreams Follow Susan at: Instagram: @susanlieu, @celadonbooks Facebook: https://www.facebook.com/susanlieuofficial TikTok: @susanlieuofficial LinkedIn: https://www.linkedin.com/in/susanlieu/

Join the conversation by letting us know what you think about the episode!Words matter. Words have power. Art is powerful. We explore just how powerful words, art, and poetry can be with guests Tara Bracco and Karla Jackson-Brewer. Tune in to hear some of that power as Karla reads a portion of one of her poems included in the book, Poetic People Power.For 20 years, the New York City-based spoken word group Poetic People Power has creatively explored social and political topics, offering insights and solutions to issues that affect our everyday lives and the world around us. This debut anthology invites readers to explore three of their shows about environmental heroes, women's voices, and human rights abuses. Tara Bracco is the founder and producing artistic director of Poetic People Power. She has created, produced, and performed in 20 spoken word shows about social and political issues. She is a recognized leader in the field of art and social change and has been featured in O, The Oprah Magazine, Time Out New York, Brooklyn Rail, and HuffPost. As a journalist, her work has appeared in Cosmopolitan, American Theatre, Condé Nast Traveler, BUST, and Clamor. Karla Jackson-Brewer is a longtime member of Poetic People Power, Professor at Rutgers University, Senior Vajrayana Buddhist Teacher, and priest in the West African tradition of Ifa.Where to find out more about Poetic People Power:Facebook: https://www.facebook.com/poeticpeoplepower/ Instagram: https://www.instagram.com/poeticpeoplepower/ Website: https://www.poeticpeoplepower.com/Where to find Karla Jackson-Brewer:Facebook: www.facebook.com/karla.jacksonbrewer Instagram: @oduneyeSupport the showBe part of the conversation by sharing your thoughts about this episode, what you may have learned, how the conversation affected you. You can reach Raquel and Jennifer on IG @madnesscafepodcast or by email at madnesscafepodcast@gmail.com.Share the episode with a friend and have your own conversation. And don't forget to rate and review the show wherever you listen!Thanks!

As the 2024 recipient of the Betty Jean Jones Award, Ann Folino White, associate professor of theatre studies at Michigan State University, joins the ranks of a select group of scholars honored by this prestigious national award for excellence in teaching and mentorship in theatre. Presented by the American Theatre and Drama Society, or ATDS, an international body of scholars dedicated to the study of theatre, performance, and drama across the Americas, the Betty Jean Jones Award signifies the profound influence Folino White has made on her students, colleagues, and the broader academic and theatre communities. The honor is more than just a recognition of her accomplishments – it is a validation of her lifelong commitment to inclusivity, impactful mentorship, and the study of theatre. Conversation Highlights: (1:05) - Congratulations! Tell us about ATDS and this award.  (2:29) – Tell us about your background and Spartan pedigree. (3:50) - Your work is distinguished by your commitment to dismantling the narratives that have long dominated theatre education. Why and how did you overhaul the theatre curriculum? (8:08) - You're based in the Theatre Department, but you're involved all over campus. Talk about your role as chair of the President's Advisory Committee on Disabilities Issues at MSU and the cool progress at Spartan Stadium you played a role in. (11:48) - Why do you love teaching and mentoring and promoting curiosity and collaboration? (14:59) - Talk about the book you're working on about Actors' Equity Association, the union that represents professional actors in the United States. What is Actors' Equity and how does the book explore acting as work and unionized labor, a concept you believe is often misunderstood and ignored. (19:42) - How have you seen students change over the 15+ years you've been teaching at MSU? (22:11) - What challenges and opportunities await your students in whatever field the enter, and what are those facing current actors around the world? Listen to “MSU Today with Russ White” on the radio and through Spotify, Apple Podcasts, and wherever you get your shows.

In this episode of HIV unmuted, host Juan Michael Porter II sits down with Jeanne Marrazzo, the Director of the National Institute of Allergy and Infectious Diseases (NIAID), in a conversation that goes beyond the headlines and deep into the heart of HIV research and advocacy. Dr Marrazzo, a leader with decades of experience in infectious disease research, shares her inspiring journey from her roots in Scranton, Pennsylvania, to her groundbreaking work in HIV prevention and care. Through this intimate conversation, listeners will discover what drives Dr. Marrazzo's commitment to equity, diversity and community-centered research, and how her personal and professional experiences shape her vision for the future of HIV science. From the challenges of addressing global health inequities to the optimism surrounding new HIV prevention methods, Dr Marrazzo offers valuable insights into the importance of inclusive messaging, the power of collaboration, and why putting people first remains at the core of her mission. Tune in to hear how Jeanne Marrazzo plans to navigate the evolving landscape of global health as she leads NIAID into a new era, and why she believes that hope, innovation, and community are key to overcoming the ongoing challenges in the HIV response. Meet our guest: Jeanne Marrazzo   Jeanne Marrazzo, MD, MPH, FACP, FIDSA, is the Director of NIAID at the U.S. National Institutes of Health (NIH), where she oversees a USD 6.3 billion budget that supports research to advance understanding, diagnosis and treatment of infectious, immunologic and allergic diseases. She was previously the C. Glenn Cobbs Endowed Chair and Director of Infectious Diseases at the University of Alabama at Birmingham Heersink School of Medicine. She is a Fellow of the American College of Physicians and the Infectious Diseases Society of America (IDSA), and was Treasurer of the IDSA from 2021 to 2023, having served on the board since 2018. She researches the vaginal microbiome, sexually transmitted infections and HIV pre-exposure prophylaxis. She has had leadership roles in the NIH HIV Prevention Trials Network and the Infectious Diseases Clinical Research Consortium. She was a leading voice in communicating science during the COVID-19 pandemic.   Meet our host: Juan Michael Porter II  Juan Michael Porter II is a health journalist, HIV advocate, culture critic, educator and the host of HIV unmuted, the IAS podcast. He is the Senior Editor of TheBody.com and TheBodyPro – and the first person openly living with HIV to hold the position. Juan Michael's reportage combines data dives, personal narratives and policy analyses to address the real-world consequences of ever-shifting legislation on people's health outcomes. He has written for the Public Broadcasting Service, SF Chronicle, Philadelphia Inquirer, Christian Science Monitor, NY Observer, TDF Stages, Playbill, American Theatre, Time Out NY, Queerty, Anti-Racism Daily, Positively Aware, Documentary Magazine, SYFY Wire, Scholastic and Dance Magazine. 

In today's episode, Sari talks to Craig Aikman, Senior Director of Booking & Operations at the American Theatre Guild. Craig has been with the company for 17 years and talks about his love for the arts and the resilience of theater in Kansas City. The next season of shows hit the stage at the end of the year and according to Craig, show-lovers won't want to miss it. Be sure to follow American Theatre Guild at @bwaykansascity on Instagram and check out their website, https://kansascity.broadway.com/ to learn more about memberships and see a full list of shows coming soon. Looking for more KC content? Follow Sari at @kcbysari on Instagram.  SPONSOR: Tapp Into It Fitness. Vist https://www.tappintoitfitness.com/ and mention "kcbysari" and your first session with Justine is FREE.

This episode of HIV unmuted introduces a new host and format for the award-winning IAS podcast. Our host, Juan Michael Porter II, the Senior Editor for TheBody/TheBodyPro, takes a deep dive with a single guest in an intimate conversation that gives the listener a glimpse of the guest – who they are and how they got into this work – and an understanding of their topic of expertise.   This new format opens with Sharon Lewin, the IAS President and AIDS 2024 International Co-Chair, walking us through the latest HIV science released at AIDS 2024, the 25th International AIDS Conference, and what it means for the HIV response. This episode delves into a broad range of exciting science, from long-acting injectables to new research on doxycycline prophylaxis to advances in cure research, including inspiration from the “next Berlin Patient”.  Through the lens of her personal story, Sharon walks us through the context and challenges of the HIV response, such as changing global health priorities and reduced funding for HIV. Astounding progress has been made in the HIV response. Yet, we are still missing critical targets. Sharon makes it clear that if we are to envision the end of the HIV pandemic, we must address persisting inequalities that remain in the HIV response: we must put people first. Meet our guest Sharon LewinThe IAS President and AIDS 2024 International Co-Chair, Sharon Lewin, is an infectious diseases physician and basic scientist and has worked in HIV-related clinical medicine and research for over 25 years. She is Director of the Peter Doherty Institute for Infection and Immunity, a joint venture of the University of Melbourne and Royal Melbourne Hospital in Melbourne, Australia. The Doherty Institute has over 850 staff working on infection and immunity through research, education and public health, and has a significant focus on virology, including HIV. She is an active clinician, working at the Alfred Hospital and Royal Melbourne Hospital, and a Melbourne Laureate Professor of Medicine at the University of Melbourne.    Meet our host Juan Michael Porter II Juan Michael Porter II is a health journalist, HIV advocate, culture critic, educator and the host of HIV unmuted, the IAS podcast. He is the Senior Editor of TheBody.com and TheBodyPro – and the first person openly living with HIV to hold the position. Juan Michael's reportage combines data dives, personal narratives and policy analyses to address the real-world consequences of ever-shifting legislation on people's health outcomes. He has written for the Public Broadcasting Service, SF Chronicle, Philadelphia Inquirer, Christian Science Monitor, NY Observer, TDF Stages, Playbill, American Theatre, Time Out NY, Queerty, Anti-Racism Daily, Positively Aware, Documentary Magazine, SYFY Wire, Scholastic and Dance Magazine.