POPULARITY
Su música, grandiosa y dramática, es consecuencia de su vida como refugiado y de la dramática división de Corea, su país natal. Su carrera internacional—con base en Alemania, donde vive con estatus de refugiado—es un grito a favor del arte y los derechos humanos._____Has escuchadoCello Concerto (1976). Luigi Piovano, violonchelo; Japan Philharmonic Orchestra; Tatsuya Shimono, director. Kairos (2022)Exemplum in memoriam Kwangju (1981). Gwangju Symphony Orchestra; Seokwon Hong, director. Deutsche Grammophon (2022)Fluktuationen (1964). Symphonieorchester des Bayerischen Rundfunks; Ernest Bour, director. Deutscher Musikrat (1983)Glissées (1970). Siegfried Palm, violonchelo. Deutsche Grammophon (1975)“Isang Yun: Symphony No. 1” (1983). Seoul Philharmonic Orchestra; Chi-Yong Chung, director. YouTube Vídeo. Publicado por hscherchen, 17 de septiembre de 2017: https://www.youtube.com/watch?v=9Mi6Lg3sK6Q_____Selección bibliográficaAEISTER, Hanns-Werner y Walter-Wolfgang Sparrer, Der Komponist Isang Yun. Edition Text & Kritik, 1987ALBÈRA, Philippe, “La Rencontre de Yun et Carter”. En: Le son et le sens: essais sur la musique de notre temps. Contrechamps, 2007*BABCOCK, David, “Korean Composers in Profile”. Tempo, n.º 192 (1995), pp. 15-21*CRAIG, Dale A., “Trans-Cultural Composition in the 20th Century”. Tempo, n.º 156 (1986), pp. 16-18*KIM, Jeongmee, “Musical Syncretism in Isang Yun's Gasa”. En: Locating East Asia in Western Art Music. Editado por Yayoi Uno Everett y Frederick Lau. Wesleyan University Press, 2004SPARRER, Walter-Wolfgang, Isang Yun. Leben und Werk im Bild. Wolke Verlag, 2020 *Documento disponible para su consulta en la Sala de Nuevas Músicas de la Biblioteca y Centro de Apoyo a la Investigación de la Fundación Juan March
This edition features stories on Airmen hoping to make the U.S. Olympic bobsledding team, Airmen at Yokota Air Base celebrating Dr. Martin Luther King, Jr.'s life and his legacy, Aviano Air Base's Key Spouse program, the 633rd Air Base Wing taking over as the Installation Host Wing for Langley Air Force Base, and Airmen preparing Kwangju Air Base for the population increase during exercise Max Thunder. Hosted by Senior Airman Brad Sisson.
Jay Bhattacharya, eminent economist and veteran commentator on the financial crisis, discusses his book "The Great Ranters: Fools, Gamblers, and Speculators on the Stocks, Bond, and Oil Markets."
I was joined by Derek Hannon and we talk about his expat journey from Galway, Ireland, to South Korea - via Australia, New Zealand, and Europe. Derek tells of how he landed in Kwangju, South Korea, without knowing much about the country...and the ominous task of teaching several hundred Kindergarten students that lay ahead, in the early days. Derek explains how he got into the bar business and the integral role an expat bar plays in a city outside of the capital. We compare the red tape of setting up a business at home and abroad...you might be surprised...and finding the balance between work and play!...all this and being pointed at in the street - in a good way. If you enjoyed the episode, check out our back catalogue. You can follow Can't Find My Way Home at the following... Anchor.fm -https://anchor.fm/craig-branch Apple Podcasts - https://apple.co/33qEydM Google Podcasts - https://bit.ly/355fOJ7 Spotify - https://open.spotify.com/show/6qCrwzU... Instagram - @cant.findmywayhome Facebook - @expatmusicpod Theme music: Surf Shimmy Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/b... Mamas - Josh Lippi and The Overtimers --- Send in a voice message: https://anchor.fm/craig-branch/message
KoreanAmericanHeritage.com presents an interview of Kwangju students from Kumho High School. Visiting the states and bringing back to Korean some positive American attitude. Enjoy. KAHP Intro music credited to Ban-Jang Kim of Windy City. KAHP Logo designed by Minsoo Kim. Please contact han@koreanamericanheritage.com for any questions
KoreanAmericanHeritage.com presents an interview with some high schoolers from Kwangju and several others associated from that area. Listen in on their perspective on being Korean and their hope for the future. Some Korean is used in this episode hopefully you can understand what is being said. KAHP Intro music credited to Ban-Jang Kim of Windy City. KAHP Logo designed by Minsoo Kim. Please contact han@koreanamericanheritage.com for any questions.
Modération : Valérie Marin la Meslée Dialogue : Dany Laferrière, écrivain canadien d'origine haïtienne, est l'auteur d'une œuvre considérable comptant plus d'une vingtaine de livres (Comment faire l'amour avec un nègre sans se fatiguer, L'Odeur du café, Le Goût des jeunes filles, L'Enigme du retour…). Elu à l'Académie française en décembre 2013, il a écrit de nombreux textes sur les artistes présentés dans l'exposition. Mario Benjamin est une personnalité remarquable de l'art contemporain en Haïti. Invité à prendre part à des manifestations majeures comme les Biennales de Venise, de Kwangju, de Sao Paulo, de Johannesburg ou encore à de nombreuses expositions aux Etats-Unis, il a acquis une stature internationale.
Modération : Valérie Marin la Meslée Dialogue : Dany Laferrière, écrivain canadien d’origine haïtienne, est l’auteur d’une œuvre considérable comptant plus d’une vingtaine de livres (Comment faire l'amour avec un nègre sans se fatiguer, L’Odeur du café, Le Goût des jeunes filles, L’Enigme du retour…). Elu à l’Académie française en décembre 2013, il a écrit de nombreux textes sur les artistes présentés dans l’exposition. Mario Benjamin est une personnalité remarquable de l’art contemporain en Haïti. Invité à prendre part à des manifestations majeures comme les Biennales de Venise, de Kwangju, de Sao Paulo, de Johannesburg ou encore à de nombreuses expositions aux Etats-Unis, il a acquis une stature internationale.
In a seeming contradiction of its substance as an object, this unusual jar carries inscriptions from a Buddhist text on nothingness. The potter, a Buddhist who lives in the mountains of Kwangju, believes that dedication and painstaking effort are an essential part of the creative process. His work is praised for its individuality and for its imaginative embrace of antiquity, particularly the austere but beautiful aesthetic of the uniquely Korean 'punch'ong' (literally 'powder green') ceramics of the fifteenth and sixteenth centuries. In this engaging object the artist has employed the 'sgraffito' technique in which the vessel, made in this case by the coiling method, is then beaten and its surface scoured in an instant 'maturing' process before being covered with a white slip. The characters have then been scratched through the thin slip. This rich combination of contemporary individuality with a spirit of antiquity expresses the ideals of purity, honesty and humble sparseness so admired by the connoisseurs and tea masters of modern Japan. Art Gallery Handbook, 1999. pg. 267.