Podcasts about Yun

Send us Fan MailIsang Yun was one of Korea's most important composers, blending traditional Korean sounds with modern European music.But in 1967, he was kidnapped off the streets of West Berlin by South Korean agents, tortured, and sentenced to death.In this episode, we explore Yun's life, his music, and the political forces that turned a composer into a target. From his early years under Japanese rule to his exile in Germany, this is the story of an artist caught between ideology, identity, and power. Korea's #1 ghost and dark history walking tour. Book at DarkSideOfSeoul.com Get your comic at DarkSideOfSeoul.comSupport the showJoin our Patreon to get more stuffhttps://patreon.com/darksideofseoulBook a tour of The Dark Side of Seoul Ghost Walk at https://darksideofseoul.comPitch your idea here. https://www.darksideofseoul.com/expats-of-the-wild-east/CreditsProduced by Joe McPherson and Shawn MorrisseyMusic by SoraksanTop tier PatronsAngel EarlJoel BonominiDevon HiphnerGabi PalominoSteve MarshEva SikoraRon ChangMackenzie MooreHunter WinterCecilia Löfgren DumasJosephine RydbergDevin BuchananAshley WrightGeorge IrionFacebook Page | Instagram

Now on that same day two of them were going to a village called Emmaus, about seven miles from Jerusalem, and talking with each other about all these things that had happened. While they were talking and discussing, Jesus himself came near and went with them, but their eyes were kept from recognizing him. And he said to them, “What are you discussing with each other while you walk along?” They stood still, looking sad. Then one of them, whose name was Cleopas, answered him, “Are you the only stranger in Jerusalem who does not know the things that have taken place there in these days?” He asked them, “What things?” They replied, “The things about Jesus of Nazareth, who was a prophet mighty in deed and word before God and all the people, and how our chief priests and leaders handed him over to be condemned to death and crucified him. But we had hoped that he was the one to redeem Israel. Yes, and besides all this, it is now the third day since these things took place. Moreover, some women of our group astounded us. They were at the tomb early this morning, and when they did not find his body there they came back and told us that they had indeed seen a vision of angels who said that he was alive. Some of those who were with us went to the tomb and found it just as the women had said, but they did not see him.” Then he said to them, “Oh, how foolish you are and how slow of heart to believe all that the prophets have declared! Was it not necessary that the Messiah should suffer these things and then enter into his glory?” Then beginning with Moses and all the prophets, he interpreted to them the things about himself in all the scriptures. As they came near the village to which they were going, he walked ahead as if he were going on. But they urged him strongly, saying, “Stay with us, because it is almost evening and the day is now nearly over.” So he went in to stay with them. When he was at the table with them, he took bread, blessed and broke it, and gave it to them. Then their eyes were opened, and they recognized him, and he vanished from their sight. They said to each other, “Were not our hearts burning within us while he was talking to us on the road, while he was opening the scriptures to us?” That same hour they got up and returned to Jerusalem, and they found the eleven and their companions gathered together. They were saying, “The Lord has risen indeed, and he has appeared to Simon!” Then they told what had happened on the road and how he had been made known to them in the breaking of the bread. Luke 24:13-35 NRSVUE Sermon Part 2: Christ in Our Conversations So for this part two, our theme of our preaching is “Christ in our conversations.” Sabi nga sa Matthew chapter 18:20, “For where two or three are gathered in my name, I am there among them.” But of course, we also honor and value ‘yung mga intimate at personal conversations natin with God through prayer. While it is true na mas yumayabong at nabibigyan ng buhay ang ating mga conversations with each other and the community. After all nga ‘di ba, bilang isang Metropolitan Community Church, community is our middle name. Tama ba?. I also believe na mahalagang pagtuunan din natin ng pansin and a good practice ‘yung pagiging self-aware. Ang matutong makinig sa pansariling pangangailangan, to listen to our bodies, to affirm ourselves first na hindi kasalanan ang pagiging bakla, so that we can also affirm others. We need to resolve our own struggles before we can do that for other people. The famous line: you cannot pour from an empty cup. And we have clarity in our personal lives to inspire that capacity to others. Shit ba? Paborito na ni Joseph?. Mga kasita, we miss you, Chang. So we know that God, through Jesus, has always been with us in our journey. At napakinggan din natin ang isa sa mga pinaka-life-changing na holy conversation moment doon sa ating gospel reading , kung saan, after nilang mag-sharing about scripture ng breaking of bread ay bigla na lang naglaho ‘yung stranger na kasalubong nila patungong Emmaus. At sa punto ring ‘yon, na-realize nila na it was Jesus, that it was him all along. Christ is present in our conversations. Hindi lamang tuwing linggo sa ating praise and worship, kundi sa mga ordinary moments in our lives. Hindi lamang sa mga masasaya, lalo’t higit sa mga masasalimuot at difficult conversations that we have to deal with. Naalala ko ‘yung chika ko, paniniwala ako nung bago ako dumating sa MCC sa Open Table. Pansin niyo ba na sa mga moments na when we have personal conversations with God, may mga times na tayo lang ‘yung nagsasalita, where we cry out to Jesus. We give thanks, we ask forgiveness, and may mga moments naman na tayo ay tahimik lang and letting our hearts speak the prayers that our mouths couldn’t utter. Parang ‘yung mga moments na ‘yon na siya naman ‘yung nangungusap sa atin. Man through words, pero alam mo at ramdam mo ‘yung healing, ‘yung kagaanan ng loob, at sa mga ganitong moments natin tila mas nararamdaman ang kanyang presence sa ating buhay. So last week ay na-mention ko ‘yung tungkol sa mga naging struggle ko sa work recently at kung paano ko binaka ‘yung feeling of being overwhelmed. I mean, I am glad that I was able to get through it, but I am also aware that it’s not the same for everyone. Some people may still be in that situation or perhaps find themselves in the loop na paulit-ulit lang or paikot-ikot lang. Sa dami ng aking iniisip—trabaho, travels, at iba pang ganap as an extrovert at natural people person. At the same time, ‘yung mga gampanin sa ating simbahan as pastor in discernment, in that journey, I stumbled upon ‘yung podcast of Coach Pia Acevedo. Kilala niyo ba si Coach Pia? So si Coach Pia is a life coach, author, and a leadership trainer with over two decades of experience in coaching and counseling. She helps people cut through confusion and live with clarity, purpose, and intention so that they can focus on what truly matters. Isa sa mga magandang napulot ko from her ay connected sa pagiging present. Hindi man lingid sa kaalaman ng lahat na marami sa ating mga akla ay mga breadwinner. Imagine as a queer person who is already struggling to fight discrimination on top of the fight for the same rights as our straight allies. Isa pa sa mga dagdag na challenge ang pagiging breadwinner. Hindi ko na alam kung ilang beses ko nang na-tackle ang topic na ito. I think deserve na nito ng isang preaching series at malalang holy conversation moments at kasama na sa mga listahan ng mga personal advocacies na malapit sa aking puso. Pero habang wala pa tayo doon, I suggest you can grab muna ‘yung copy nung books from Coach Pia. Nag-promote pa, not sponsored. So I’m yet to finish ‘yung first book and ito ‘yun. Ito ‘yung unang “Focus on What Matters”. I’m yet to finish this and plan to start ‘yung isa pa, ‘yung “Moment to Moment”, right after. I hope na makatulong ito upang magkaroon tayo ng clarity sa dami ng ating mga iniisip. So anyway, I’m sure nag-aantay na kayo kung ang haba na ng sinabi ko at wala pa ako doon sa main point. Ito na nga, bilang isang breadwinner na bakla, at another example is sa ating mga straight allies na as a parent, sa mga kapatid nating OFWs na nagtatrabaho at kumakayod , ginagawang araw ang gabi para lang makapagpadala ng pera sa kanilang mga mahal sa buhay. ‘Di ba nga sila ‘yung mga sagot natin sa tanong na, “Para kanino ka bumabangon?”. “Para sa pamilya, para sa future ng mga anak ko.” ‘Di bale nang magkalayo kami kaysa naman sama-sama kaming mamatay na dilat at gutom. At dahil sa dami na nating iniisip, siyempre wala na tayong capacity para sa maliliit na bagay. Tama ba?. No more time to play with the kids after work dahil madalas pagod na lang sa trabaho kung ‘di pa rin sa commute. Buti kung ganun lang, pero minsan mas malala. At personally, ganito ‘yung eksena ko nung mga unang taon ko sa BPO industry bilang isang breadwinner. Napansin ko na sobrang mainitin ang ulo ko at ang dali kong ma-trigger, ‘yung angil sa mga tao kahit na wala pa naman silang ginagawang masama or kahit sa mga maliliit na bagay. Kayo rin ba may ganitong eksena? Let’s pause for a moment at balikan ‘yung mga sandali ng ating mga buhay na tayo ay napasabi ng, “Ang dami ko nang iniisip, dumagdag pa ‘to.”. Ito ang isang manifestation ng kawalan ng clarity. Akala ko ba para sa kanila ka bumabangon, pero sila rin ‘yung unang nakakaramdam ng mga angil at frustrations mo sa buhay. And si Coach Pia reminds us that when we don’t do our inner work, we don’t just suffer alone. The people we love encounter a compromised version of us. ‘Yun ‘yon. Meet the compromised version of you. Imagine that you’re in front of the mirror ng mahiwagang salamin, boy, for a few moments. Look at that compromised version of you. Do you like what you see?. And imagine kung ano na kaya ang extent ng damage that it had cost you and your loved ones. So paano natin matutulungan ‘yung ating compromised version? What does it take to achieve clarity and focus sa ating mga buhay?. So sa book na “Focus on What Matters,” Coach Pia talks about the need for inner work, which is a journey that starts by laying the groundwork for clarity through practices like self-mastery, self-development, and self-commitment. She talked about habits that we can commit to in order to achieve personal clarity. And for today, I’d like to share to you about M.I.C.K. abbreviation siya. That stands for motivating, inspiring, cheering, and being kind to ourselves. It is both a habit that we can commit to and a muscle we exercise because, again, we can’t pour from an empty cup. And these intentional habits will help us fill our cup. So number one is ‘yung letter M, Motivation. Motivation habit is any regimen or routine that you know works well for you. It involves committing to routines, no matter how trivial, that bring out the best in you. Through these personalized activities, we nurture ourselves and anchor on the stability they provide. An example could be making your bed in the morning, listening to music, and preparing breakfast. One more example could be dedicating a time to exercise, let’s say three times a week. So how do we know if a habit or activity is worth committing to?. We know when we feel something is missing if we skip it, and when we distinctly feel recharged by integrating it into our schedule regularly. Motivation habit serves as a fuel to our tank. By committing to these habits, we experience a steady rhythm that keeps us grounded, whether these are daily, weekly, or monthly habits. Next is your Inspiration, your I. If motivation muscle provides the structure for self-care, inspiration muscle naman brings a wave of joy that refreshes us. Unlike motivation habits which follow rhythm, inspiration habits are done less frequently but offer a full recharge. It enables us to stay connected to what makes us feel alive, providing a surge of deep joy in moments when it is needed. Tapping our sources of inspiration which ignite our natural creativity can foster positive energy and overall well-being. And sabi ni Coach Pia, among doon sa mga clients niya, travel is the most common source of inspiration. We can only take trips every so often, but when we do, there’s infusion of new energy. Traveling reconnects us to the natural enthusiasm and joy reminiscent of childhood. And to activate inspiration muscle is to take ownership of your need for mga picker-upper choices and activities that infuse you with the surge of energy. Other than travel, this can also range from planning a trip or to simple pleasures like enjoying a YouTube video or tuning into a podcast. Mga ka-eme. May mga ka-eme ba dito? Yes. Or listening to music that swiftly recharges you to become your best self. Learning something new or engaging in hobbies that awaken your creativity can also serve this purpose. Even revisiting ‘yung mga old hobbies that once sparked joy can once again ignite your enthusiasm for life and tap into the best version of yourself. As clarity is a personal journey, only you yourself are capable of choosing the inspiration that you need. An inspired person feels alive. Whatever brings you inspiration is a non-negotiable in your life. Next naman is ‘yung C which stands for Cheer. Picture yourself as your own personal cheerleader. The cheer muscle involves encouraging ourselves to push past our limits, especially in our adversity. Cheer is a non-negotiable habit we put in place to help us manage stress. We can proactively anticipate stressful times and plan ahead by intentionally plotting activities and inserting habits into our schedule. This will help us manage the demand of our hectic schedule. Sensitivity toward ourselves is crucial in strengthening our cheer muscle. Start exercising sensitivity and observation skills. Look at your calendar and anticipate which specific meetings, social events, projects, or deliverables you know will trigger your stress, anxiety, or heaviness. Kumbaga paghahandaan mo na siya. Pag alam mo mas-stress ako sa week na ‘to , kailangan gumawa na ako ng mga habits na magre-recharge sa akin. This approach provides you with the support needed to manage potential heaviness or disengagement. Since we know ourselves best, let’s prepare ourselves for anticipated stress and activities. Just like a cheerleader motivates the team during the final seconds of a game, we cheer for ourselves to stay resilient and persevere towards our goals. Even when the going gets tough, our cheer muscle enables us to face life’s challenges well-prepared as they often come relentlessly unexpected. A strong cheer muscle enhances our resilience, enabling us to bounce back more quickly from stressful situations. Last naman is ‘yung Kindness. Kindness is your capacity to be nurturing, kind, patient, and compassionate towards yourself just as you would a loved one or a best friend. The strength of our kindness muscle should allow you to be intentional in your caring for others as you would care for yourself. One strong measure of the strength of your kindness muscle is our capacity to forgive ourselves, forgive others, or ask for forgiveness for when we feel we may have hurt. And kindness is the most difficult muscle to strengthen. As often than not, we did not grow up with strong models of people around us living a life of kindness, nurturing patience and love for ourselves. Nabanggit ko rin ‘to doon sa ano natin, parang hirap para sa atin na maging forgiving of ourselves. From a young age, we are also taught to prioritize the needs of others. Yet, our ability to care for others hinges on how well we take care of ourselves. Showing kindness to ourselves is important, especially when we face setbacks or disappointments. It’s about offering ourselves the same support and encouragement that we readily give others. Strengthening our kindness muscle means taking the time to pause, relax, and rest. Doing anything that nurtures you, like eating well, enjoying your favorite food, and getting plenty of sleep is essential. We must accept that we cannot always meet our own expectations and let go of attachments to specific outcomes. By forgiving ourselves when we falter, honoring the progress we’ve made, and staying open to learning from failures, we create a space for us to grow into the best versions of ourselves. Being kind to yourself is also a non-negotiable in your life. So ano siya, pwedeng magkakahalo siya, ‘yung mga what motivates you can also inspire you. Pwedeng-pwede siyang pumasok doon sa alin sa mga iyon. So our internal guide has a big say in how we make decisions. It’s all about progress, learning, and embracing our imperfections along the way. This journey of growth allows us to center ourselves and focus on what truly counts in life. The more we nurture this process, the better we become at self-care and connecting with our genuine selves. So I hope that you also learned something as much as I did nung sa book na ‘to at marami pa. Ipapa-hiram ko kasi hindi pa ako tapos. At ‘yun sa part na nai-share ko sa inyo about sa “Focus on What Matters” by Coach Pia, ito ‘yung mga simpleng bagay na pwede nating gawin para sa ating mga sarili to move from a compromised version to the best version of ourselves. Pero hindi natatapos doon ang lahat. As we strive to become the best version of ourselves, mahalaga ring pag-usapan ang pagse-set ng boundaries. Beep beep. Baka may matamaan sa pagse-set ng boundaries. Minsan parang profound pakinggan kasi nung boundaries at hindi siya ganoon ka-common sa kultura nating mga Pilipino. Pero just because it’s not common doesn’t mean hindi na natin ito dapat pagtuunan ng pansin. Halimbawa sa pagiging breadwinner, dahil ikaw na ‘yung naghahanap-buhay, mahalagang mag-set ka ng boundaries through shared responsibility sa inyong mga bahay, mga tahanan. I-delegate mo ang mga simpleng gawain upang kahit papaano ay mabawasan ang iyong iniisip. Some might say na madaling sabihin pero mahirap gawin , lalo na para sa ilan na bukod sa pagiging breadwinner ay magulang din, or to be specific, nanay. Mahirap talagang iwalay ang pagiging nanay sa pagiging provider as a mother. Pero mahalaga na naiintindihan ito ng mga tao sa paligid mo. Oo, nanay ka , maghahanda ka ng pagkain, mag-aasikaso ka ng gamit ng mga anak mo, but it’s also important to set boundaries. Tandaan mo na kailangan mo rin ng sapat na pahinga para makapag-focus ka sa trabaho na siyang nagbibigay ng kakayahan mong mag-provide para sa iyong pamilya. Kailangan itong ma-communicate. Kailangan ng maayos na usapan kung paano mas mapapagaan ang inyong sitwasyon. At isa lang ito sa marami pang mga halimbawa. Iba’t iba ‘yung dynamics ng bawat isa. Pero ang punto ay ito: Huwag mong piliting saluhin ang lahat. Matutong manghingi ng tulong kapag kailangan. Alam ko hindi ‘to madali, but I hope you are able to do so and have these conversations. After all, wala namang hindi nadadaan sa maayos na usapan. So now let’s go back to the journey ni Cleopas at isa pang disciple. Let us be reminded of their enthusiasm when they realized that they had been in conversation with Jesus all along. This story reminds us that God is always with us sa ating paglalakbay, that we can be that other disciple na unnamed. Hindi man tayo ever makapaglalakad kasama ang historical Jesus, ‘di ba, o baka sa panaginip, pero ano ba ‘yung pangako? That we have each other. We experience Christ in our many conversations with our families, with our loved ones, with our chosen families like here sa ating simbahan, at lalo na when we are intentional sa ating pakikinig at pagiging in solidarity sa iba’t iba pang community lalo na sa mga maralita. As I close this part two, keyword “close,” napaisip rin ako baka lumalayo na ako sa theme na “Christ in our conversations.”. Pero I had a Holy Spirit activate moment. I feel that this is a perfect opportunity to also talk about self-love —ang matutunang makinig sa kung anong sinasabi ng ating mga katawan at isip. After all, magkaugnay ang pagkakaroon ng personal clarity sa ating buhay at ang pagkakaroon ng meaningful conversations sa ating kapwa. By building these small habits for ourselves ay mas mapapayabong natin ang ating mga conversation at ang pag-unawa sa journey ng bawat isa, dahil hindi naman tayo pare-pareho ng kwento, and that’s the beauty of our diversity. Maaaring hindi tayo pare-pareho ng ating pinagdadaanang struggle pero pareho lang naman ang ating pinaglalaban. At sa bawat pakikipag-usap natin sa iba, we find Christ in their stories and hope that they find Christ in us and through us. Napapalalim ang ating pakikipagbahagi at pakikisangkot sa pakikinig ng kanilang kwento. We hold the power to carry these stories and share them with others. And being with Open Table MCC for almost 10 years now, marami na akong nakasama, nakasalamuha, nakadaupang-palad, nakausap at narinig ng mga kwento—ang mga Lumad, ang mga persons deprived of liberty sa QC Women’s Penitentiary , ang mga magsasaka sa Lupang Ramos, ang mga batang PLHIV na nasa pangangalaga ng Duyan Foundation at Project Red Ribbon, at ang ilan sa mga communities na naabutan ng tulong ng Pride Cares, mga nasalanta ng bagyo sa Rodriguez, Rizal at iba pang naabutan ng tulong through our partnership sa iba’t iba pang LGBTQIA+ organizations. Ang kanilang mga kwento ay patuloy kong dadalhin at subukang maibahagi sa marami pang pakikipag-usap, lalo na sa panibagong responsibility as pastor in discernment. Ganito rin ang sinasabi ko sa mga students who come and be in immersion with us. Iilan lang sa kanila ang bakla at may katulad na kwento sa atin, pero ibinabahagi natin ang ating mga kwento in the hope na dalhin nila ito as they go on in their lives hanggang makarating na sila sa kanilang adulting journey, sharing the good news sa mga kapwa nila estudyante who still struggle to resolve their sexuality with their spirituality, to tell them about the small church where you can come as you are in your most authentic self, where you can express your love of God in the most fantabulous and flamboyant way. Amen ba? At bilang Easter people, dahil hindi lang natapos ang kwento sa muling pagkabuhay ni Kristo, let us be reminded that we are the continuation of the story. Galing kay RD ‘yan at lagi kong panghahawakan ‘yang narinig ko sa preaching niya. Ayan, nawala na ako. And with that comes the power na magpatuloy at bilang Open Table MCC to have meaningful conversations, even difficult ones, to take part in the call for ceasefire and to put an end to meaningless war. Conversations that continue to create safe spaces, and our participation in the wider work of justice and peace through Jesus who proclaimed a radically inclusive love for all people, at ‘pag kinakailangan ay harapin ang mga usapang mahirap lalo na sa mga kakilala or kapamilya natin na patuloy nagbubulag-bulagan at pumipili at naghahalal ng mga leader na corrupt at sangkot sa katiwalian. Hindi man ito madali, I hope that we’re always reminded na parte rin sila ng pinaglalaban, that there’s more that unites us than separates us. Let us also be intentional sa pangangamusta sa mga mahal natin sa buhay knowing always that Jesus is present in our conversations to speak with love and compassion. At kung ikaw naman ‘yung may kinikimkim sa loob mo kung ano man ‘yan, I hope that the Holy Spirit touches your heart so you can find the courage to have that conversation, one that could inspire, heal, and transform you and others, knowing that God, Jesus, will be there with you. Amen. The post Easter: The Walk To Emmaus Part 2 appeared first on Open Table Metropolitan Community Church.

Spring Break Florida Recap & Random Thoughts | Improvement Warrior Podcast Episode 87This podcast goes over my spring break trip from late March to Early April 2026 down in Florida. 4.5 beach days and 2 Disney days, and a tripto Iowa to pick a new fury friend ;)I cover my routine while down there, sunglasses, current events, the moon landing, a new thing I've been doing for my fascia, and just wherever my mind was at the time. First podcast recorded completely on my phone so any audio issues I apologize in advance. Don't forget to subscribe and leave a review for the podcast. Thank you in advance. Any new reviews on appel or spotify get access to 1 of my premium webinars. Just email me improvementwarrior@mail.com with a screenshot and the webinar of choice. Resources:-Fascia Sticks: http://www.improvementwarriorfitness.com/fasciasticksUse code SUNYUNJASON-Improvement Warrior Newsletter: http://www.improvementwarriorfitness.com/nl-Improvement Warrior Substack: http://improvementwarrior.substack.com-Patreon Support: http://www.improvementwarriorfitness.com/patreon-Improvement Warrior University Premium: http://www.improvementwarriorfitness.com/iwu-Magnesium Breakthrough: http://www.improvementwarriorfitness.com/magnesium-Discovery Call Coaching Call with Yun: http://www.improvementwarriorfitness.com/discoverycall

Everyone keeps asking the same question: are mortgage rates going back to 3%? According to NAR Chief Economist Dr. Lawrence Yun, don't count on it. In this episode, James and Keith sit down with Dr. Yun to break down what's really happening in the economy; from inflation and national debt to oil prices, global conflict, and consumer confidence. They unpack why rates are likely to stay higher than many expect, what that means for home sales, and how agents should be thinking about the market heading into 2026. If you're waiting for "the market to go back to normal," this episode will reset your expectations. Links mentioned during the show: Dr. Yun's content: https://www.nar.realtor/lawrence-yun First appearance on REIU: https://youtu.be/5iI-z7XTlaA   Connect with Dr. Lawrence Yun on LinkedIn.   Stay ahead of the market with insights from Zillow's Consumer Trends Report. This annual research breaks down what buyers and sellers are actually doing and what they expect from their agents.    With 55% of buyers being repeat buyers, yet only 13% using their previous agent again, the message is clear: past performance doesn't guarantee future loyalty. Even more telling, nearly half of buyers and over half of sellers hire the first agent they contact.    Today's clients prioritize pricing strategy, negotiation expertise, and a seamless, organized offer process. If you want to position yourself as the agent they choose in 2026, start with the data.    Explore the full report and put these insights to work in your business. https://bit.ly/4rDZg3M   Subscribe to Real Estate Insiders Unfiltered on YouTube! https://www.youtube.com/@RealEstateInsidersUnfiltered?sub_confirmation=1   To learn more about becoming a sponsor of the show, send us an email: jessica@inman.com   You asked for it. We delivered. Check out our new merch! https://merch.realestateinsidersunfiltered.com/   Follow Real Estate Insiders Unfiltered Podcast on Instagram - YouTube, Facebook - TikTok. Visit us online at realestateinsidersunfiltered.com.   Link to Facebook Page: https://www.facebook.com/RealEstateInsidersUnfiltered Link to Instagram Page: https://www.instagram.com/realestateinsiderspod/ Link to YouTube Page: https://www.youtube.com/@RealEstateInsidersUnfiltered Link to TikTok Page: https://www.tiktok.com/@realestateinsiderspod Link to website: https://realestateinsidersunfiltered.com This podcast is produced by Two Brothers Creative. https://twobrotherscreative.com/contact/  

Fluent Fiction - Mandarin Chinese: Flames of Tradition: Bridging Generations at Torch Festival Find the full episode transcript, vocabulary words, and more:fluentfiction.com/zh/episode/2026-04-16-07-38-19-zh Story Transcript:Zh: 微风轻轻吹拂着西洲村的黄昏，阳光洒在层叠的梯田上。En: The gentle breeze softly caressed the Xizhou Village at dusk, with sunlight spilling onto the layered terraces.Zh: 村里的人们忙着准备一年一度的火把节，空气中充满了春天花香与期待的味道。En: The villagers were busy preparing for the annual Torch Festival, with the scent of spring flowers and anticipation filling the air.Zh: 村庄的传统木屋旁，小溪潺潺流淌。En: Next to the village's traditional wooden houses, a stream babbled.Zh: 村民刘正在挂起一串串彩灯，而云则在摆弄桌上的传统乐器。En: Villager Liu was hanging strings of colorful lights, while Yun was tinkering with traditional musical instruments on the table.Zh: 村子中心，女孩薇站在一座小台子上，统筹着这次的火把节。En: In the center of the village, a girl named Wei stood on a small platform, coordinating this year's Torch Festival.Zh: 薇对祖先传下来的传统有着深厚的感情，她想要在现代化的冲击下，坚持住这些珍贵的文化。En: Wei had a deep affection for the traditions passed down by her ancestors and wanted to preserve these precious cultures in the face of modernization.Zh: 然而，她心里也默默希望，这一次的节日能吸引年轻一代的参与。En: However, she also secretly hoped that this festival would attract the participation of the younger generation.Zh: 薇想到了一个点子，她决定在火把节上加入现代音乐和舞蹈，吸引年轻人参加。En: Wei came up with an idea and decided to incorporate modern music and dance into the Torch Festival to attract young people.Zh: 在她的计划中，新元素和古老的仪式将会并存，让这个火把节焕发新的活力。En: In her vision, new elements and ancient rituals would coexist, giving the Torch Festival new vitality.Zh: 终于，火把节到来了。En: Finally, the Torch Festival arrived.Zh: 村民们穿上了五彩斑斓的民族服饰，灯火通明的夜晚，欢快的音乐响起。En: Villagers donned colorful national costumes, and the brightly lit night was filled with joyous music.Zh: 然而，随着音乐的逐渐现代化，一些年长的村民开始皱眉。En: However, as the music became increasingly modern, some of the older villagers began to frown.Zh: 突然间，一场争论开始了，村里长者认为现代音乐侵蚀了传统，而年轻人却认为这是不可避免的变化。En: Suddenly, a debate broke out; the village elders felt that modern music was eroding tradition, while the young people believed this change to be inevitable.Zh: 薇站在中间，心如擂鼓。En: Wei stood in the middle, her heart pounding like a drum.Zh: 她知道她必须做些什么。En: She knew she had to do something.Zh: 为了化解矛盾，薇提出了一个折衷方案：传统仪式的部分将保留其纯粹，而舞台上的表演则可以融入现代元素。En: To resolve the conflict, Wei proposed a compromise: the traditional parts of the ceremony would remain pure, while the performances on stage could incorporate modern elements.Zh: 这样，每个人都有参与的机会，传统与现代在这个节日里共存。En: This way, everyone would have a chance to participate, allowing tradition and modernity to coexist in this festival.Zh: 争论逐渐平息，人们意识到薇的用心良苦。En: The debate gradually subsided as people realized Wei's good intentions.Zh: 火把节在欢声笑语中继续，村庄重归宁静，却因创新而变得生动。En: The Torch Festival continued amidst laughter and joy, and the village returned to its tranquility, now animated with innovation.Zh: 薇感到心中的石头终于落地，她意识到，敬畏传统也可以是在增长的过程中允许创新。En: Wei felt the weight lift from her heart, realizing that respecting tradition could also mean allowing innovation in the process of growth.Zh: 这个夜晚，火把的光辉映照着每位村民的脸，En: That night, the torchlight illuminated every villager's face.Zh: 薇成为了年轻与年长者之间的桥梁，她的努力让社区更加团结。En: Wei became the bridge between the young and the elders, and her efforts made the community more united.Zh: 她明白，过去的传承可以通过新的方式得到延续，而创新则为传统注入了生命力。En: She understood that the legacy of the past could be continued in new ways, and innovation infused tradition with vitality.Zh: 西洲村在火光中迎来了一个崭新的春天。En: Xizhou Village, under the torchlight, welcomed a new spring. Vocabulary Words:caressed: 吹拂layered: 层叠terraces: 梯田anticipation: 期待babble: 潺潺流淌tinkering: 摆弄deep: 深厚affection: 感情preserve: 坚持modernization: 现代化coexist: 并存vitality: 活力don: 穿上costumes: 服饰illuminated: 映照infuse: 注入eroding: 侵蚀inevitable: 不可避免debate: 争论compromise: 折衷方案subside: 平息legacy: 传承innovation: 创新participation: 参与tranquility: 宁静animated: 生动heart pounding: 心如擂鼓preservation: 坚持rituals: 仪式resolve: 化解

Fluent Fiction - Mandarin Chinese: Spring's Whisper: Finding Solace in the Bamboo Grove Find the full episode transcript, vocabulary words, and more:fluentfiction.com/zh/episode/2026-04-13-07-38-19-zh Story Transcript:Zh: 春天的竹林，一如往常的宁静。En: The bamboo forest in spring is as tranquil as ever.Zh: 青翠的竹子随风摇曳，阳光洒在地上，形成斑驳的光影。En: The verdant bamboo sways gently with the wind, and sunlight dapples the ground, creating mottled shadows.Zh: 今天是学校的春游，地点选在这片幽静的竹林。En: Today is the school's spring outing, and the location is this serene bamboo grove.Zh: 虽然是个愉快的日子，但允的心情却很沉重，清明节让他不禁想起最近去世的爷爷。En: Although it's a pleasant day, Yun feels heavy-hearted as the Qingming Festival reminds him of his recently deceased grandfather.Zh: “允，快过来！En: "Yun, come quickly!Zh: 大家在拍合影呢！En: Everyone's taking a group photo!"Zh: ”雷的声音打断了允的思绪。En: Lei's voice interrupted Yun's thoughts.Zh: 允勉强挤出一个微笑，走向他的同学们。En: Yun forced a smile and walked toward his classmates.Zh: 雷是允的好朋友，总是充满活力，对万事万物充满好奇，但他看出了允的不快乐。En: Lei is Yun's good friend, always full of energy and curiosity about everything, but he noticed Yun's unhappiness.Zh: 梅则安静地站在一旁。En: Mei, on the other hand, stood quietly to the side.Zh: 她不像雷那样活泼，却总是以一种默默的方式给予支持。En: She's not as lively as Lei, but she always offers support in a silent way.Zh: 合影完毕后，大家开始自由活动。En: After the group photo, everyone started to move around freely.Zh: 允向雷和梅说：“我想一个人走走。En: Yun told Lei and Mei, "I want to walk alone for a while."Zh: ”雷点点头，识趣地没有跟上。En: Lei nodded knowingly and did not follow.Zh: 允沿着竹林的小径走，他想找一个安静的地方，安放心中对爷爷的思念。En: Yun walked along the path in the bamboo forest, looking for a quiet place to settle his thoughts of his grandfather.Zh: 他走着走着，发现林子深处有一片小空地，被竹子环绕着，阳光照在地上，静谧而温暖。En: As he continued walking, he found a small clearing deep in the forest, surrounded by bamboo, where sunlight warmly bathed the ground.Zh: 允坐下来，闭上眼睛，心中默念着爷爷的名字。En: Yun sat down, closed his eyes, silently reciting his grandfather's name in his heart.Zh: 没过多久，他听到了轻轻的脚步声。En: Before long, he heard soft footsteps.Zh: 睁开眼，看到梅和雷慢慢走过来。En: Opening his eyes, he saw Mei and Lei approaching slowly.Zh: “我们想着也许你需要陪伴。En: "We thought you might need some company," Mei said softly, placing a few bamboo leaves and small stones she had picked up on the ground next to Yun.Zh: ”梅轻声说，把从地上捡来的几片竹叶和小石子摆在允身旁。En: "It's an impromptu memorial."Zh: “这是个即兴的纪念。En: Lei nodded, holding a small bunch of wildflowers and planting them in the ground.Zh: ”雷点头，手里拿着一束野花，插在地上。En: Yun felt an unexpected sense of peace.Zh: 允感受到了一种未曾想到的安宁。En: He realized he was not alone.Zh: 他意识到他并不孤单。En: His friends, though silent, were always by his side, offering warm support.Zh: 他的朋友们虽不言不语，却总在身边，给予着他温暖的支持。En: They sat there quietly.Zh: 他们静静地坐在那里。En: The rustling bamboo leaves sounded like his grandfather gently whispering.Zh: 竹叶沙沙作响，像是爷爷在轻声呢喃。En: Yun's heart filled with gratitude.Zh: 允的心中充满感激。En: He understood that although his grandfather was gone, the memories would last forever, and friendship is the pillar for overcoming difficult times.Zh: 他明白了，虽然爷爷不再了，但记忆永远长存，而友谊是度过难关的支柱。En: When they returned to their classmates, Yun felt much lighter.Zh: 当他们重新回到同学们中时，允感到心情轻松了许多。En: He understood that living in the moment is the best way to honor his grandfather.Zh: 他明白，活在当下也是对爷爷最好的纪念。En: His friends' companionship allowed him to appreciate the beauty of life, as the sunlight filtered through the bamboo shadows and brushed against his face.Zh: 朋友们的陪伴让他感受到生活的美好，阳光透过竹影洒在脸上，他微笑着迎接春天的清风。En: He smiled and welcomed the fresh breeze of spring. Vocabulary Words:tranquil: 宁静verdant: 青翠dapples: 洒mottled: 斑驳grove: 林heavy-hearted: 沉重deceased: 去世interrupted: 打断forced a smile: 勉强挤出一个微笑lively: 活泼settle: 安放clearing: 空地reciting: 默念footsteps: 脚步声impromptu: 即兴memorial: 纪念peace: 安宁companionship: 陪伴appreciate: 感受到filtered: 透过whispering: 呢喃gratitude: 感激pillar: 支柱overcoming: 度过breeze: 清风serene: 幽静curiosity: 好奇sway: 摇曳vividly: 生动地whisper: 轻声

We've been on a bit of a mini World Models series over the last quarter: from introducing the topic with Yi Tay, to exploring Marble with World Labs' Fei-Fei Li and Justin Johnson, to previewing World Models learned from massive gaming datasets with General Intuition's Pim de Witte (who has now written down their approach to World Models with Not Boring), to discussing the Cosmos World Model with with Andrew White of Edison Scientific on our new Science pod, to writing up our own theses on Adversarial World Models. Meanwhile Nvidia, Waymo and Tesla have published their own approaches, Google has released Genie 3, and Yann LeCun has raised $1B for AMI and published LeWorldModel.Today's guests have a radically different approach to World Modeling to every player we just mentioned — while Genie 3 is impressive, its many flaws demonstrate the issues with their approach - terrain clipping, noninteractivity (single player, no physics/no objects other than the player move), and maximum of 60 second immersion. Moonlake AI (inspired by the Dreamworks logo) is the diametric opposite - immediately multiplayer, incredibly interactive, indefinite lifetime, capable of MANY different kinds of world models by simulating environments, predicting outcomes, and planning over long horizons. This is enabled by bootstrapping from game engines and training custom agents: In Towards Efficient World Models, Chris Manning and Ian Goodfellow join Fan-Yun in explaining why their approach to efficiency with structure and casuality instead of just blind scaling is sorely needed:SOTA models still show physical or spatial understanding glitches, such as solid objects floating in mid-air or moving “inside” other solid objects.If the goal is to plan for the next action, how often is a high-resolution pixel view necessary for modeling the world? Our bet is that there is a disproportionately large share of economically valuable tasks where such detail is not required. After all, humans with a wide variety of sensory limitations have little difficulty doing almost everything in the world. Furthermore, for a large number of purposes, describing a scene or a situation in a few words of language (“the car's tires squealed as it cornered sharply”) is sufficient for understanding and planning.Experiments also show that humans only partially process visual input in a top-down, task-directed way, often making use of abstracted object-level modeling. In almost all cases, partial representations combined with semantic understanding are sufficient.…If the goal is to facilitate the understanding of causality in multimodal environments, then the world model—whether it is used in the virtual world or the physical world—must prioritize properties such as spatial and physical state consistency maintained over long time periods, and an ability to evolve the world that accurately reflects the consequences of actions. That's what Moonlake is building.Game engines are the right starting point abstraction to efficiently extract causal relationships, and building the interfaces and community (including their new $30,000 Creator Cup) to kickstart the flywheel of actions-to-observations.We were fortunate enough to attend their sessions at GDC 2026 (the Mecca of Game Devs), and were impressed by the huge variety and flexibility of the worlds people were building with Moonlake's tools already! Live videos on the pod.Full Video Pod on YouTube!Timestamps00:00 Benchmarking Gets Hard00:47 Meet Moonlake Founders01:26 Why Build World Models03:12 Structure Not Just Scale05:37 Defining Action Conditioned Worlds07:32 Abstraction Versus Bitter Lesson14:39 Language Versus JEPA Debate20:27 Reasoning Traces And Rendering Layer37:00 Gameplay Over Graphics38:02 Fiction Rules And World Tweaks39:15 Code Engines Beat Learned Priors41:10 Diffusion Scaling Limits43:23 Symbolic Versus Diffusion Boundary46:14 Platform Vision Beyond Games50:24 Spatial Audio And Multimodal Latents54:23 NLP Roots Hiring And Moon Lake NameTranscript[00:00:00] Cold Open[00:00:00] Chris Manning: Think this whole space is extremely difficult as things are emerging now. And I mean, it's not only for world models, I think it's for everything including text-based models, right? ‘cause in the early days it seemed very easy to have good benchmarks ‘cause we could do things like question answering benchmarks.[00:00:20] But these days so much of what people are wanting to do is nothing like that, right? You're wanting to get some recommendations about which backpack would be best for you for your trip in Europe next month. It's not so easy to come up with a benchmark, and it's the same problem with these world models.[00:00:41] Meet the Founders[00:00:41] swyx: Okay. We're back in the studio with Moon Lake's, two leads. I, I guess there's other founders as well, but, sun and Chris Manning. Welcome to the studio.[00:00:54] Fan-yun Sun: Thanks. Thanks, Chris. Thanks for having us.[00:00:56] swyx: You've got, you guys have, come burst onto the scene with a really refreshing [00:01:00] new take of mold models.[00:01:01] I would just want to, I guess ask how you, the two of you came together. Chris, you're a legend in NLP and just AI in, in, in general. You're, you're his grad student, I guess[00:01:10] Fan-yun Sun: Actually my co-founder.[00:01:11] swyx: Oh, yeah.[00:01:12] Fan-yun Sun: I should give a lot of credit to my co-founder, Sharon. Yeah. She was, she was actually working with Professor Fe Androgyn and then she ended up working with, Ron and Chris Manning here.[00:01:22] And then, so I got connected through to Chris initially, actually through my co-founder,[00:01:26] What is Moon Lake?[00:01:26] swyx: what is Moon Lake? What, what is, actually, I'm also very curious about the name, but like why going into world models?[00:01:33] Fan-yun Sun: So I was working a lot. With actually Nvidia research during my PhD years on essentially generating interactive worlds to train reinforcement learning agents or embody EA agents.[00:01:44] And then there's two observations. One in academia and one in industry. An industry like folks at Nvidia are actually paying a lot of dollars to purchase these types of interactive worlds, whether it's for the sake of evaluation or training the robots, or policies or models. And [00:02:00] then, in academia, same thing is happening.[00:02:02] And more specifically, when I was actually working with Nvidia on the synthetic data foundation model training project, we were actually generating a lot of these synthetic data and showing that, hey, you can actually, these synthetic data are actually as useful as real world data when it comes to multimodal pre-training.[00:02:16] But then, like I said, there's a lot of dollars being paid out to like external vendors or, or like. Other folks to manually curate these types of data. It was very clear to us that, okay, on our way to, let's call it embody general intelligence models need to learn the consequences behind their actions, which means that they need interactive data and the demand for those types of data are growing exponentially.[00:02:38] But everybody's sort of thinking about it from a pure, say, video generation perspective or something else. But we feel like the true actually opportunity is actually building reasoning models that can do these things, like how humans do these things today. So that's a little bit on the genesis of Moon Lake, and I think the reason I got into world models was partly.[00:02:59] A philosophical [00:03:00] take of the on the world where I like, believe the simulation theory and stuff like that. But on the other, on the other hand, it's really just like, oh, like there's an opportunity there that I feel like nobody's doing it the way I think should be done.[00:03:10] Structure, Not Scale: The Vision[00:03:10] Chris Manning: I can say a little bit about that.[00:03:12] Yeah. So of the overall goal is the pursuit of artificial intelligence and most of my career has been doing that in the language space and that's been just extremely productive. As we all know, the story of the last few years, I don't have to tell about how much we've achieved with large language models, but, uh.[00:03:31] Although they have been extremely effective for ramping language and general intelligence, it's clearly not the whole world. There's this multimodal world of vision, sound, taste that you'd like to be dealing with more than just, language. And then the question is how to do it. And despite, a huge investment in the computer vision space, right, as the research field computer [00:04:00] vision has been for decades, far, far larger than the language space, actually.[00:04:05] I think it's fair. Say that, vision, understanding sort of stalled out, right? You got to object recognition and then progress just wasn't being made right? If you look at any of these, vision language models, it's the language that's doing 90% of the work and the vision barely works. And so there's really an interesting research question as to why that is and at heart, the ideas behind Moon Lake are an attempt to answer that, believing that there can be a really rich connection between a more symbolic layer of abstracted understanding of visual domains, which aren't in the mainstream vision models, which are still trying to operate on the surface level of pixels.[00:04:50] swyx: I think one of your blog posts, you put it as structure, not scale. Is that, a general thesis?[00:04:57] Chris Manning: Yeah. Well, scale is good too.[00:04:58] swyx: Yeah. Scale is good. Too[00:04:59] lot,[00:04:59] Chris Manning: [00:05:00] lots of data is good as well and scale, but nevertheless, you want the structure Yeah. To be able to much more efficiently learn.[00:05:07] swyx: Yeah. The other thing I really liked also is you put out an example of what your kind of reasoning traces look like.[00:05:12] Right. Which you would distill is the word that comes to mind. I don't even think that's a good, good description, but it would involve, for example, geometry, physics, affordances, symbolic logic, perceptual mappings, and what, what have you. But like that, that is the kind of example that involves, let's call it spatial reasoning, role model reasoning as as compared to normal LM reasoning.[00:05:35] Yeah.[00:05:36] Defining World Models vs Video Generation[00:05:36] Vibhu: But also like taking it a step back. So how do you guys define world models? A lot of people see okay, you can do diffusion, you can do video generation. But, you guys put out quite a few blog posts. You put out a essay recently, we can even pull it up about efficient world models. You have a pretty like structural definition here, but for the general audience that don't super follow the space, right.[00:05:55] What's, what's the difference in what we see from like a video generation model to [00:06:00] a world gen A simulator? How do you kind of paint that last[00:06:02] Chris Manning: year? Yeah, so I think this is actually a little bit subtle because, people look at these amazing generative AI video models, SAWA VO three, one of these things, and they think Genie, they think, oh, this is amazing.[00:06:17] This is we've solved understanding the world because you can produce these generative AI videos, but. The reality is that although the visuals do look fantastic, those visuals actually are accompanied by an understanding of the 3D world, understanding how objects can move, what the consequences of different actions are, and that's what's really needed for spatial intelligence.[00:06:49] So I mean, a term we sometimes use is that you need action condition, world models. That you only actually have a world model if you can predict, [00:07:00] given some action is taken, what is going to change in the world because of it. And in particular, that becomes hard over longer time scales. So if you're simply, trying to.[00:07:12] Predict the next video frame. That's not so difficult. But what you actually want to do is understand the consequences, likely consequences of actions minutes into the future. And to do that, you actually much more of an abstracted semantic model of the world.[00:07:32] The Bitter Lesson & Data Abstraction[00:07:32] swyx: Yeah, the question comes where you want to have more structure than is available in just predicting the next token.[00:07:41] And typically, well, let's, let's call it the experience of the last five years has been that is just washed away by scale, right? So what is the right middle ground here that, you don't ignore the bitter lesson, but also you. Can be more efficient than what we're doing today.[00:07:57] Chris Manning: One possibility [00:08:00] is, look, if we just collect masses and masses and masses and masses of video data, this problem will be solved.[00:08:11] Under certain assumptions that could be true, but there are sort of multiple avenues in which it could not be true. The first is what's really essential is understanding the, the consequences of actions producing an action conditioned world model. And if you are simply, collecting observational video data, which is the easy stuff to collect, when you're sort of mining online videos, you don't actually.[00:08:41] Know the actions that are being taken to see how the video is changing. And so if you are never collecting directly actions and you are having to try and infer them from what happened in the observed video, that's not impossible. But it's very [00:09:00] hard and it's not really established that you can get that to work at any scale yet.[00:09:05] And so there's a lot of premium on collecting action condition video data, which is part of why there's been a lot of interest in using simulation so that you can be collecting data where you do know the actions, which isn't quite limited supply, but there's also in the limit of as much data as you could possibly have.[00:09:28] Maybe the problem is eventually solvable, but. Even though we collect huge amounts of text data is always at a great level of abstraction, right? Language is a human designed, abstracted representation where there's meaning in each token and it's representing and abstraction of the world, right?[00:09:51] As soon as you are describing someone as a professor, and as soon as you are saying that they're condescending, right? These are very [00:10:00] abstracted descriptions of the world. It's not at what you're observing as pixel level, and to get to that kind of degree of abstraction, starting from pixels is orders and magnitude of extra data and processing.[00:10:14] And so, although, we absolutely want to exploit, get as much data as possible, use the bitter lesson. Nevertheless, if there are ways in which you can work with five orders of magnitude less data than people working purely from pixels, you're gonna be able to make a lot more progress, a lot more quickly.[00:10:34] And that's the bet here. And so you could just say that's only wanting to be able to, do it more efficiently, do it more quickly, do it more cheaply. But I think it's actually more than that, I think. One should be making the analogy to how human beings work at one level. You know? Yes, we have these high [00:11:00] resolution eyes and we can look and see a scene like a video, but all of the evidence from neuroscience and psychology is that most of what comes into people's eyes is never processed.[00:11:13] Right. That you are doing fairly fine ated processing of exactly what you're focusing on. But as soon as it's away from that of yeah, there's another guy over there that you've sort of only processing top down this very abstracted semantic description of the world around you. And so, that's what human beings are doing.[00:11:33] They're working with semantic abstractions and so. I think it is just the right representation. ‘cause we also have other goals we want to be able to do, real time worlds. So that means there's a limit to how much processing you can do and we want to do long-term planning and consistency. And again, that favors abstraction.[00:11:55] I mean, I guess there was actually a recent. Blog posts that [00:12:00] came out from our Friends of physical intelligence and, they were sort of heading in the same direction they were saying Oh, to the pay[00:12:06] swyx: pay model.[00:12:07] Chris Manning: Yeah. Yeah. To maintain a long term memory of what's happening in the world. So we can, do longer term we actually storing text of what is, been happening in the world.[00:12:19] Right. It is not such a successful strategy of trying to keep it all at a pixel level.[00:12:24] Vibhu: And yeah, I mean, you can see it in video models like that Temporal consistency. We're at a scale of train on, all the video data we have. We have it for maybe 30 seconds, a few minutes. That's not the same as a game state played for half an hour.[00:12:37] Right. I thought you guys break it down pretty well. You have a, you have a blog post about. Building multimodal worlds with an agent. I dunno if you guys wanna talk about this. This is one of the things I read, I[00:12:48] swyx: thought, yeah, it's the thing I talked about with the reasoning chain. Yeah.[00:12:51] Vibhu: So there's like different phases to this.[00:12:53] It seems like it's more of an agent, a scaffold, very different approach than just, type in a prompt and you, you don't have the same consistency. [00:13:00] It also, like, for people that are listening, I, I would highly recommend reading it. It breaks down the problem in a different light, right?[00:13:06] So like, what do you need to consider when you're talking about video, like world game models, right? How would, what do you need to consider? What are the factors? What are the elements? What's the state? So I don't know if you guys have stuff to talk about for this one.[00:13:19] Fan-yun Sun: Yeah. Actually, I wanted to add on a little bit Yeah.[00:13:22] On our previous point, which is just like, change topics so quickly. I, I do feel like sometimes people confuse like, oh, like we're taking an an, an method with abstraction. That means they don't believe in bitter lesson. Like that's just false, right? Like we are believed is a bitter lesson. But then I feel like the question that we always discuss is like, what is the right abstraction level today?[00:13:42] The analogy I like to make is like, let's just say we can encode and decode. Represent all of images, videos, audio and bytes. Then the most bitter lesson approached is to train a next byte prediction model as opposed to the next token prediction model where it's just like, okay, it's natively multimodal, can just, but it's like, yeah, like [00:14:00] to, to Chris's point, it's like the scale and computing you need to achieve that.[00:14:03] So that's why we always come back to like, okay, what is the most efficient way to do it? And reasoning models to the point of this blog post is a showcase of like, Hey, we're actually just like reasoning about the world and reasoning about. The aspects of the world that CAGR that matter for me to learn what I want to learn from this role model.[00:14:21] swyx: Yeah, it's like you're improving the en encoder of whatever you're, trying to model. And like a better representation would just represent the important things in less space. Yeah. Which would just be more efficient.[00:14:33] Fan-yun Sun: Yeah.[00:14:34] swyx: So yeah, I, I, I fully agree that it is not, antagonistic to, bitter lesson.[00:14:38] I do wanna wanna mention one more thing. Is there any philosophical differences with the JPA stuff that, Yun is working on? I gotta go there. You, you, you, you're, you're imagining like some latent abstraction. I'm like, okay, fine. Let's, let's talk about it, right? Like it's an elephant in the room.[00:14:52] Chris Manning: Yeah.[00:14:53] JEPA & Philosophical Differences with LeCun[00:14:53] Chris Manning: There are philosophical differences. Jan Lacoon is a dear friend of mine, but. [00:15:00] He has never appreciated the power of language in particular, or symbolic representations in general. Yarn is a very visual thinker. He always wants to claim that he thinks visually and there are no words, symbols, or math in his head.[00:15:21] Maybe that's true of yarn. It's certainly not the way I think. Um. But at any rate, the world according to yarn is the basic stuff of the, the world and of intelligence is visual and language is just. This low bit rate communication mechanism between humans and it doesn't have much other utility and it's far inferior to the high bit rate video, that comes into your eyes.[00:15:53] And I think he's fundamentally missing a number of important things [00:16:00] there. Think of this evolutionary argument looking at animals, right? That the closest analogies, the things with chimps, right? So chimpanzees, have fairly similar brains to human beings. They have great vision systems, they have great memory systems.[00:16:18] They've got, better memory than we do of short term memories. They can plan, they can build primitive tools that, humans. Massively ahead in what we understand about the world, what we can plan, what we can build. And essentially what took off for us was that humans managed to develop language and that gave a symbolic knowledge, representation, and reasoning level, which just, okay if this sort of vaulting of what could be done with the intelligence in brains.[00:16:59] So the [00:17:00] philosopher Dan de refers to language as a cognitive tool and argues that, humans unique among the creatures in the world have managed to build their own cognitive tools and language is the famous first example. But other things like, mathematics and programming languages are also cognitive tools.[00:17:21] They give you an ability to. Think in abstractions, in extended causal reasoning chains. And that allows you to do much more. And we use that for spatial representation and intelligence and planning and gameplay as well. So we believe, and this is, underlying the specific technologies that Moon Lake is making, that symbolic representations are powerful.[00:17:50] And you want to use that in your understanding of the visual world when you want a causal understanding, when you want to maintain long-term [00:18:00] consistency and prediction. And as I understand it, that's just not in ya Koon's worldview. So I think that's the fundamental philosophical difference. Then there's the specific model.[00:18:11] He's been advancing jpa, that's a reasonable. Research bed is a direction as to, to head for building out a model of the visual world. To my mind, it's sort of one reasonable research bed. It's not really established. It's the best one that everyone should be following,[00:18:32] swyx: at least developed at scale, at Meta.[00:18:34] But it's not just vision, right? Like, I mean, JPA is a, just joint admitting prediction can be applied to anything really. And people have done it. The argument is that there is a latent representation or that is probably more. Suited to the task, then why not let machines do it for us instead of predefining it at all?[00:18:50] And isn't something like a JPA shaped thing the right answer? And if not, why not?[00:18:55] Chris Manning: So I think there's a part of jpa that's right, which is [00:19:00] you do want to have a joint. Embedding that gives you a consistent model of the world. And Jan's argument is you can never get that from auto aggressive language models ‘cause they're sort of left to right churning out one token at a time.[00:19:22] I guess this is where we're the research arguments of the field, I'm not actually convinced that's right. ‘cause although the token production is this auto aggressive, process that's heading, left to right, I guess don't have to be left to right. But anyway, in sequence of tokens we could have right to left Arabic.[00:19:40] But although that's true, all of the weights of the model that are internal to the transformer, they are a joint model of the model's understanding of the world. And so I think you can think of the weights of the model as a form of. Joint representation, [00:20:00] and therefore it is plausible to think that could be the basis of a world model, which avoids, ya's objections.[00:20:10] swyx: I think I follow, and obviously that would touch on what Moon Lake eventually ends up doing as well. Right. Like, which it's hard to tell because you put out the end results, but we don't know the inputs that go into it. So it's, it's, that's something that we have to figure out over time.[00:20:25] Vibhu: Yeah. I mean, I guess this kind of breaks down some of the outputs. Do you wanna walk us through it?[00:20:31] Reasoning Traces & Interactive Worlds[00:20:31] Fan-yun Sun: Yeah. So this, this really just walks us through the reasoning traces of like, okay. So that just say, if we wanna build a world in this context, it's really just a game demo that, that shows the, the variety of interactions that this world model can build.[00:20:45] And yeah, it's really just a reasoning traces of like, okay it prompted to create a bowling game. Like how did it achieve what you saw? That level of causality, interaction and consistency, right? So yeah, this is almost just like a, an example of [00:21:00] like a reasoning traces. Very[00:21:01] swyx: detailed.[00:21:01] Fan-yun Sun: Yeah.[00:21:01] Vibhu: Very, very detailed.[00:21:02] You gotta you don't even realize it, right? Like when a video is generated, what happens when a ball strikes a pin, right? So first, like you, there's audio in that, like audio triggers happens, score increments, the world changes. Like pins have to start dropping. There's a timer that goes on. It's just like very similar to how now we're used to reasoning for language models.[00:21:20] There's a whole state of what happens. So geometry, physics, all this stuff. And then yeah, there's kind of that single prompt. So asset, ation all this stuff. It's like a, it's a nice view to see what's going on.[00:21:32] swyx: I think Sun is also too polite to point out that, both like Google's genie, demos as well as world Labs is marble, do not have interactive worlds.[00:21:41] Fan-yun Sun: That's the benefit of having a reasoning model, right? Like, because you can, you can say, oh, like maybe in this particular context, I want to learn how to bowl. And then you can say, okay, then what is it important when it comes to learning how to bowl? Okay, maybe it's like I need to understand the, the basic of like, physics and I want to throw it over [00:22:00] them.[00:22:00] I wanna know that when I, when it resets it's a new game. So I know that yeah, basically, you know to pick up the ball, you know that ball's gonna cause the pins to fall down. You know that what's important to this particular bowling game is to score and you know that the score corresponds to the number of pins that fell down.[00:22:19] So it's just like, if it's a model that sort of knows what it. Looks like, knows what a bowling game looks like, but doesn't actually allows you to practice over and over again and to understand that, oh, like what it takes to actually get a high score. Then it sort of doesn't actually allow you to learn what you set out to learn within the world model.[00:22:38] And I think this is really just one example of showing like the advantages of the approach that we're taking over most the, let's call it the zeitgeist, is today, when people talk about clinical role models,[00:22:51] Chris Manning: right? So it sort of seems like the question to ask when there's a world model is.[00:22:58] Can I not [00:23:00] only just wander around the world and look at the beautiful graphics, can I interact with the objects in the world and see the right consequences of actions?[00:23:11] Vibhu: And you also understand what the consequences would be if you do something right. So it's not just like, okay, there's one thing if I pick it up, something will happen.[00:23:19] But, there's 50 options and I know I can expect, I can infer what would happen if I do any of them. Right. So very different when you can actually see it play around with it.[00:23:28] swyx: There,[00:23:28] Beyond Unity: Cognitive Tools for World Building[00:23:31] swyx: there's two cheeky elements of that. I mean, the, the, the I guess, less ambitious one is, let's really establish for listeners, why is this fundamentally different than writing Unity code, right?[00:23:40] Like just creating a model to translate a prompt into Unity code[00:23:44] Fan-yun Sun: so there is an underlying physics engine. Yeah. In that sense, there's some overlapping things to Unity, but the way we think about it is like physics engine. Tools or code are cognitive tools like borrowing Chris's term, right? Like tools [00:24:00] that the model can employ as means to an end.[00:24:04] So today maybe you say, okay, in this particular context we care about physics, we care about the long-term causality consequences. Then yes, we deploy it, employ physics engine, and then maybe tomorrow we say, okay, we're we're training that. Just say drones where we only care about really fluid dynamics and the visual aspect of the world.[00:24:25] Then, then yeah, maybe we don't actually, the model actually doesn't have to use a physics engine. Or maybe it employs other types of representation or physics engine to achieve the task. So yes, writing code for Unity is sort of similar to a tool that our A model can employ, but our goal is for a model to take a representation conditioned reasoning.[00:24:46] Approach or process.[00:24:47] swyx: Yeah,[00:24:47] Fan-yun Sun: internally.[00:24:48] swyx: Yeah. Using these things as just like general two calls. Right. Which I think is very interesting. The other more ambitious one is, some kind of recursive element where it becomes multiplayer, right? Like here, there's a single player element, you're not [00:25:00] modeling any other people involved.[00:25:01] And that is a whole other thing.[00:25:04] Fan-yun Sun: But in fact, we can really do multiplayers. Oh yeah, okay. I haven't seen any double situations. So just actually just like prompt our, our model to say, Hey, like configure to multiplayer. Then it'll do like this. You'll be able to configure multiplayer[00:25:16] swyx: great[00:25:17] Fan-yun Sun: persistency database for you.[00:25:18] Easy. Yeah.[00:25:19] Vibhu: So what, what are like some of the current limitations in where we're at? So there's one approach of like, okay, scale up video predictors. Obviously there's data issues. With approaches like this, is it data constraints? What are like the next steps? Is it real time? Like, so there's one side of, write an agent to write Unity code, but okay, I want to be streaming a game real time.[00:25:38] I want to have characters being also like agent, but where, where do we kinda see this scaling up? Right?[00:25:44] Fan-yun Sun: Yeah, there's definitely a data constraint. Like the more data, the, the better. This reasoning model can almost basically act as humans to like operate a variety of tools and softwares to build whatever's necessary.[00:25:57] And then there's a sort [00:26:00] of fidelity constraint, which we're actually solving with another model, which we can talk about later. But it's like, it's not as easy to get to photorealism with the approach that we're taking. But we think there are better solutions to that, which is we can dive into later.[00:26:14] Later.[00:26:15] Vibhu: The one one thing you note here is it's a diffusion model, right? So there's, there's a few approaches, diffusion caution, splatting, yeah, so Ry diffusion model, you guys wanna[00:26:25] Fan-yun Sun: Yeah.[00:26:25] Vibhu: Introduce,[00:26:26] Fan-yun Sun: yeah, totally.[00:26:26] Rie: Neural Rendering & Skins for Worlds[00:26:26] Fan-yun Sun: So within our world modeling framework, we think there are two models that we train, right?[00:26:31] Like, there's the multimodal reasoning model that we just talked about that essentially handles. Mainly the, the causality, the persistency and logic determinism of the world. And then RY is our bet on saying, okay, like while all those model, can take care of all these things that we just talked about, it's limitations compared to existing, say, video models, is that it doesn't have as high of a pixel [00:27:00] ality right off the gate, right?[00:27:02] And EE is to say, Hey, we can actually take whatever persistent representation that we generate with our multimodal reasoning model and learn to restyle it into photo photorealistic styles or arbitrary styles you want. So this model is almost to say, Hey, I'm going to respect the persistency and interactivity of the world that you created, but my only job is to make sure that its pixel distribution is close to what we want.[00:27:29] Vibhu: Yeah.[00:27:30] swyx: Great example right there. You kept the KL divergence.[00:27:33] Fan-yun Sun: Oh. Where,[00:27:34] swyx: no, no. I mean this, this is a, a classic like, how you don't stray too far from the source material as you, you kept the kl, which is Oh yeah. Kind of cool. Yeah.[00:27:43] Fan-yun Sun: Yeah.[00:27:44] swyx: I mean, and the[00:27:44] Chris Manning: difference is, and I mean sun was pointing at this, where sort of saying it's in one way a more difficult path, but a better path that, typically the diffusion models are producing the whole scene and it looks lovely, [00:28:00] but there isn't spatial understanding behind it, which is allowing for the real time graphics gameplay, the spatial intelligence, understanding the consequences of worlds where this is, taking a path where it is assuming an abstracted semantic model of the world's state.[00:28:20] And then the diffusion model is then being used on top of that to produce the high quality graphics.[00:28:27] swyx: Is there an intended practical, or business use for this, or is it like a, like a demonstration of capabilities?[00:28:34] Fan-yun Sun: We actually believe that this is gonna be the next paradigm of rendering. So it's gonna replace how ra raizer, it's gonna replace DLSS today because it not only has these pixel prior that's learned from the world such that you can literally play any game in photo realistic styles, which is a lot of people's desire when they do GTA, right?[00:28:51] Like,[00:28:51] Vibhu: all the mods, all the people adding perfect lighting and all this.[00:28:54] swyx: So[00:28:54] Fan-yun Sun: skins[00:28:55] swyx: for worlds, let's call it[00:28:56] Fan-yun Sun: skins, let's call it skin for worlds. I,[00:28:58] Vibhu: it's also like, you can call it skin, you can call it [00:29:00] customization. You can play it how you want, right?[00:29:01] Fan-yun Sun: Yeah, exactly. And I think another thing that we really pointed out specific specifically in this blog is the programmability of it, right?[00:29:09] So what this means is that this render historically render is always a derivative of the game state, right? You're saying, oh, here's the game state, I'm rendering out a frame. But here I'm saying actually this render can be part of the gameplay loop. I can say something along the lines of, if upon getting 10.[00:29:26] Apples, I'm gonna, my weapon of choice, my bullet's gonna turn into apples. And that's, that's possible because we can say, we can basically dynamically have certain game state trigger the, the preconditions to the render such that the rendering is now part of the game loop too. One thing is to just say, okay, it's, it's, it's the appearance.[00:29:47] But the second thing is also to say there's these novel interactions that are possible because this render now has actually priors of the world.[00:29:57] swyx: It is up to the artist to figure out what to do with it.[00:29:59] Fan-yun Sun: It [00:30:00] is up to the creators. Yes.[00:30:01] swyx: Yeah.[00:30:01] Fan-yun Sun: And I also think that's actually another big argument that we're making and the reason that we're picking, taking the bet we're baking is that a lot of the times, whether it's for embody AI gaming, like you want a layer where human can inject their intentions.[00:30:15] So, for example, let's just say in the context of gaming, it's obviously like my creative intent, but maybe in the context of embodied ai, it's like, oh, like I take this foundational policy and I want to actually fine tune it to deploy in my house. So you want to almost say, inject, have a layer where human can say, oh, here's the distribution of things I want to create to achieve my goal.[00:30:35] And I think 3D graphics as it as it is today, is basic, the layer for people to say, Hey, what do I care about in this world? And it allows, basically human intent to be expressed in these worlds much more explicitly and distributionally as opposed to just saying, Hey, I'm gonna generate like, arbitrary.[00:30:54] And it's like just prompts,[00:30:55] swyx: it's one of those things where like, I think you, you're going to build up a series of models, right? [00:31:00] This is just one of, this is probably like the highest utility or heaviest, frequency one, I don't dunno what to call this. Where like you Yeah. You can immediately drop this in on any game and you don't need anything else that.[00:31:10] That you guys do. But, I, I could see, I could see that I think the, the human intent is something that people are not even used to because we're so used to static worlds or, worlds that just don't react, or, I don't know. It's, it, you're kind of blowing my mind right now with like, I'm, I wonder if you've talked to people at GDC Hmm.[00:31:27] And what are they gonna do with it?[00:31:30] Fan-yun Sun: Yeah. Now the stance that we take on this front is like, we're not gonna be more creative than our users to ship[00:31:35] swyx: it out.[00:31:35] Fan-yun Sun: Yeah. But we wanna make sure that we're building things in a way that really allows them to express their intent.[00:31:41] swyx: The thing that you said about, here's the distribution that I want.[00:31:45] I think text may be too low of a bandwidth to. To really demonstrate, because I, I, there, I'm, I'm probably just gonna want to drop in a bunch of, reference assets and then you can figure it out from[00:31:58] Vibhu: there. But you probably wanna do a, a mixture of [00:32:00] both, right? Like you throw in a few images. I wanted this style.[00:32:02] Yeah. I want it to look like this. So it, it's, it's a mixture, right?[00:32:05] Chris Manning: I, I think it's a mixture. I mean, yeah, I mean there's clearly a visual component of this, and it's not that, everything can be text. ‘cause of course you want to give a visual look, but there's also a massive amount of giving the overall picture of the look of the world and the behavior of things that you can express in a few words of text.[00:32:32] And it be very time consuming and difficult to do via visual means. So I think, yeah, you want a combination of both.[00:32:40] Evaluating World Models[00:32:40] Vibhu: So one question I kind of have is, how do we go about evaluating world models? So like, there's many axes, right? One is like, okay. I have preferences. How well do we adhere to prompts? One is the simulation.[00:32:50] One is like do things, is there core logic that's broken? So coming from we know how to evaluate diffusion, there's fidelity, there's [00:33:00] stuff like that. But what are some of the challenges that most people probably aren't thinking about?[00:33:04] Fan-yun Sun: Yeah, I think this is like a great question and probably one of the hardest questions in role models because like, I think it always comes back to what are you building this role model for?[00:33:13] And depending on your end goal and purpose, the evaluation should defer. So in the context of games, then the most direct way of measuring is how much behind are people actually spending in this world that you create? And if your goal is to say, for example, in the context that we just talked about, like, hey, deploying, deploying action in body, a agent, then your, your end.[00:33:33] Metric is then, okay, after training in these worlds that you generate how robust it is to when you actually deploy to the target environment. But then, it's, it's hard to measure these end metrics. So today people have like these proxy metrics that I call that basically try to measure what we really care about, which is the end metrics, but then frankly it's different for every use case.[00:33:57] Yeah,[00:33:57] Vibhu: which seems like quite a challenge, right? Like in [00:34:00] in language models or video models. Image models, your benchmarks are proxies, right? People aren't actually asking instruction, following tool use questions. They're proxies of how well it will do downstream. But for this, so like, should teams, should companies have their own individual benchmarks outside of games?[00:34:16] If you think of stuff like, okay, video production, movies, stuff like that, that also want to use world models. Should, should they sort of internalize like. Their own proxy. Is this something you guys do? Where, where does that connect[00:34:28] Chris Manning: go? Yeah, I think this whole space is extremely difficult as things are emerging now.[00:34:35] And I mean, it's not only for world models, I think it's for everything including text-based models, right? ‘cause in the early days it seemed very easy to have good benchmarks ‘cause we could do things like question answering benchmarks and could you answer the question based on these documents and the various other kinds of, do pieces of logical reasoning or math.[00:34:58] But again, these are sort of. [00:35:00] And there were sort of visual equivalents of things like object recognition, right? For these small component tasks. These days so much of what people are wanting to do also with language models is nothing like that, right? You're wanting to, have an interaction with the language model and get some recommendations about which backpack would be best for you for your trip in Europe next month.[00:35:25] And it's not the same kind of thing, right? And it's not so easy to come up with a benchmark as to does this large language model give you an effective interaction for guiding you in a good way for shopping, right? So, and it's the same problem with these world models. So if we take the game design case, well success is that a game designer can.[00:35:57] Produce what they are [00:36:00] imagining in a reasonable amount of time. And that's really the kind of macro task. That's a very hard thing to turn into a benchmark and I think a lot of this is actually going to turn into people walking, walking with their feet. Right? I mean, I guess that's what's happening, at the large language model level, right?[00:36:23] When people are choosing to use, GPT five or Gemini or clawed, individuals are trying out these different models and deciding, oh, I like the kind of answers that GT five gives me, or no, I feel like I get more accurate detail from Claude, right?[00:36:43] Vibhu: It's a lot of[00:36:43] Chris Manning: vitech, a lot of people just using it.[00:36:45] It's vibe checking. I realize that, but it's actually whether. People feel it's giving them utility in what they want. Right.[00:36:52] Vibhu: And the the interesting thing there is like a lot of people prefer the visual, right? This looks pretty, which is not the objective of what this is [00:37:00] for, right? It's if a, if a game designer is working on something, they care about the game engine, right?[00:37:04] The state, it's, it can look whatever. You can fix that up later. Or you can have a really good game state and you can quickly edit it to 20. 20 different versions, like Keep State,[00:37:14] Chris Manning: right?[00:37:14] Vibhu: So[00:37:14] Chris Manning: that's a really important distinction, for and for speaking to Moon Lake strength, right? So, yeah, great visuals are lovely to look at for a few seconds, but gains are really all about the concept, the game play.[00:37:33] And a lot of the time that doesn't actually even require great visuals. I mean, there are just lots of very successful games which have relatively primitive visuals, and there are other games where people have spent millions producing photo realistic, visuals, and the game sucks, right? So, keeping those two axes apart is really important in thinking about what's important in a [00:38:00] world model for different uses.[00:38:02] swyx: This conversation is reminding me of some game review and fiction discussions I've, had in my sort of non-AI related life. Some, for some people might know Brandon Sanderson, who's a very famous, fiction author, had, is is a big game reviewer. And he, he's a big fan of video games where you change one thing about a normal what you might assume about, about the world.[00:38:22] For example, Baba is you, I don't know if you might have come across that, where like the rules change as you play the game. And also like where, you can do things like reverse time selectively or like change gravity selectively. And I think this is also reminds, reminds me of other kinds of world models that are created by authors.[00:38:38] Where Ted Chang is, is my typical example where he'll take the world that, you know today, but change one thing about it and, but then create a consistent world based on that. Which is long-winded answer of me to, of. For me to say is it's it easy to create alternative roles that don't exist, but you change one thing and then let's, let's run a whole bunch of people through it to see if it works.[00:38:58] Chris Manning: My first dance will [00:39:00] be, that seems a lot easier and more conceivable to do using Techn technology like Moon Lakes than with some of the other world models out there, where the sun can actually make it happen. I'll let him give a second answer.[00:39:15] swyx: If I guess for you, you're constrained by the game engine tool, right?[00:39:18] Like at the end of the day, that's the, that's the thought, partner that you have. If I ask for something where like, if it never is allowed to reverse time or if gravity only ever works one way, then well that's it. But sometimes gravity might change,[00:39:33] Fan-yun Sun: but it's a lot easier to change with code as opposed to a model that is learned primarily on data of.[00:39:42] Real world and virtual worlds that are, I guess, like for example, junior, like there's actually trained on a lot of real world data and a lot of virtual gaming data, and it's hard to say maybe it's easier to say, okay, I wanna change the visuals in like the time period of, of the world. Like, you can't change gravity, for [00:40:00] example.[00:40:00] Vibhu: I feel like you can to light bounds, right? Everything comes down to like, code is a better way to execute it, but the models aren't that diverse and creative, right? You can say, okay, make gravity slower. It can do that, but it's limited to your representation of how you text it out, right? Like they're, they're only gonna do a few iterations, whereas programmatically, if there's a game engine under the hood, you can kind of go wild, right?[00:40:22] So one of the, I dunno, one of the limitations of most models is that they're very overtrained to one style. Right. And extracting diversity is pretty difficult. At least that's something we've seen.[00:40:35] Fan-yun Sun: I mean, are there examples you have in mind where you Existing models? Yeah. Like it would be easier to do that's not using code.[00:40:43] Certain types of creative intent or like transition state transitions,[00:40:47] swyx: Clipping, other models, other wo models are very good at clipping through things. Clipping my, my, my legs clipping through a rock because it's, it's just, it's just bad. [00:41:00] Like, you would have to struggle very hard with your stuff to actually make that happen.[00:41:04] Which I think is maybe a topic that you actually prepared on, Gian Splatting versus, the other stuff.[00:41:09] Vibhu: Yeah. Yeah. It's just for those not super familiar, right? There's a, there's gian splatting, there is diffusion. Like what works, what scales up. I feel like in February when Soro one came out the blog post was literally titled like,[00:41:21] swyx: you bring it up.[00:41:22] You never know.[00:41:23] Vibhu: World, world, video generation models are world simulators. It's super bitter lesson pilled. Yeah, emer, a lot of it is emergence, right? So, not to go through their blog post, basically their whole thing was as you scale up all this consistency, all this stuff just kind of solves, it's a very simple premise, right?[00:41:41] They just scaled up, diffusion, and from there, this is, this is Feb 2024, how much can we, it's already been two years, which is basically five years. How much more in AI time do we need to just scale up or, or do we hit a data cap? But I think we already talked about this a lot, right? Like this is back to the beginning discussion of what's [00:42:00] appropriate for the time.[00:42:01] And that seems like your approach, right?[00:42:03] Fan-yun Sun: Yeah. The point I'm trying to make is that they're very many, many different types of world simulators and like having a world simulator that can produce pixel coherency is very, very useful for games and, marketing and all these things, but it's not as useful as people think when it comes to causal reasoning.[00:42:25] When it comes to embodied ai. Yeah, like it this title is true. We're not saying that it's, it's like, not a great world simulator, but actually in the blog that we, we, we, we wrote, the bet is more so that there are gonna be disproportionately large share of value of real world tasks or, and virtual tasks where high resolution pixel fidelity is not needed.[00:42:47] Yes. Video models have their values.[00:42:50] swyx: Yeah. This is at the absolute limit of my physics understanding, but one example that comes to mind is basically having to solve like ba the equivalent of a three [00:43:00] body problem in a deterministic Well, where the video models, which is approximated good enough. Yeah.[00:43:08] Right. Like there's, there's some point at which your approach kind of runs into like the you now have to simulate the world. Please, thank you very much. And like you're trying to do that, but only to the extent that the game engine lets you and like game engines cannot do some things.[00:43:23] Fan-yun Sun: Yeah, no, I mean, I think the interesting or more technical question here actually is where do you draw the boundary between.[00:43:32] What's handled with, let's say, diffusion prior and what, when? What's handled with symbolic priors?[00:43:38] swyx: Yes.[00:43:38] Fan-yun Sun: Okay.[00:43:38] swyx: Okay.[00:43:39] Fan-yun Sun: Right. Let's go there. Because this, this boundary can actually be fluid. Like I think like maybe what you're trying to get at is like, okay, people are saying pixel prior, everything. But what we're saying is, okay, there's a boundary that we draw where this is where we think provides the most economical value for the domains and things that we care about today.[00:43:59] [00:44:00] And I actually do think, and it's something that we do internally all the time, which is like, okay, given new equations that we learn or new elements of the world and that we, we learn, or maybe some other knowledge that we acquire in the process of developing the models. Should we still be maintaining this line exactly as it is today?[00:44:22] Or should we move it a little bit left or a little bit right? Right. Like sometimes that we realize that, oh, like maybe customers or, or folks like want certain things that are better handled with preop pryor as opposed to, symbolic prior than,[00:44:34] swyx: yeah. Your, your skin thing is a, is a example moving it, right.[00:44:37] Yeah.[00:44:37] Or left. Yeah,[00:44:37] Fan-yun Sun: exactly.[00:44:38] swyx: I dunno what the, the left right is.[00:44:39] Fan-yun Sun: Yeah, yeah, yeah. No the, the model.[00:44:42] swyx: Yes.[00:44:42] Fan-yun Sun: Actually we have a few iterations of them. They're actually at slightly different[00:44:45] swyx: I know boundaries. You should, you should do that. That's a cool dimension to show.[00:44:49] Fan-yun Sun: Yeah.[00:44:50] swyx: Is quantum mechanics the diffusion prior of our world?[00:44:55] Right. It's like that's the boundary of classical mechanics versus quantum. Right? Like, that's it. At one [00:45:00] point God plays dice and the other point doesn't.[00:45:02] Fan-yun Sun: I dunno if Chris, you wanna say it, but I think, I think generally I feel like physics is better with symbol P priors.[00:45:08] Chris Manning: Even quantum physics.[00:45:09] Fan-yun Sun: Even quantum physics.[00:45:11] swyx: Yeah. This is starts against to, MLST territory is, is what I call it, where, he, he likes to get philosophical. We, we we're quite friendly.[00:45:18] Vibhu: I mean, we need to get, we need to get singularity. I heard some of that.[00:45:23] swyx: No, no, I think that is actually really helpful and man, I just want you to productize this like, as a product guy, I'm just like, oh, also[00:45:32] Vibhu: a gamer, I[00:45:33] swyx: wanna, it's like a researcher, like, it's cool.[00:45:35] Like this is a, the theoretical, like you have a very good, I don't know, like the way of thinking about these things, but I just wanna see you like, express it. I do think like your fundamentally things when, when you leave open new tools, like, okay, use, use human intent to incorporate it into how you render.[00:45:52] Artists are gonna have to take like two to three years to figure out what to do with this. And you just don't know.[00:45:57] Chris Manning: Right. But I think, this is, [00:46:00] gives a much more approachable and controllable world for the society, which is the beauty, the beauty of, NLP, that that will enable it to be adopted and used.[00:46:10] And we are very hopeful about that. Yeah,[00:46:13] Fan-yun Sun: yeah. Yeah. I mean, we are, we are very focused actually on commercialization in the sense that like we do, we do really believe in the data flywheel app approach. Yeah. Where, we put this in the hands of the creators and the users and then they will teach us when, what capability our model should improve.[00:46:27] And that's why we are, we are actually, like products and beta[00:46:31] swyx: Yeah. Focusing on gaming. What, what's like the adjacent thing to gaming[00:46:34] Fan-yun Sun: embody adjacent, basically. So maybe we can, we can I'll maybe start with where we see the platform in three years. Yeah. Which is like, okay. The users would tell us what they want to achieve.[00:46:45] The end goal could be, Hey, I just, I wanna make something to teach my kids the value of humility. Or it could be, Hey, I wanna fine tune my, drones to be really good at rescue situations. I could be vacuum robots. I want to like train [00:47:00] my manipulation or like vacuum robot to be very robust to my office, right?[00:47:04] But it's like, whatever it is, scenario robust to[00:47:06] swyx: my office[00:47:07] Fan-yun Sun: or like navigate very robustly in my office. But then it's like, whatever end goal that you want, our role model will say, okay, given what you want to achieve, let me generate a distribution of environments such that I can train and evaluate whatever it is you want.[00:47:24] Yeah. Right. Maybe for the purpose of games, it's just the end simulation and that's the end product for certain policies. It's like I can train it within these environments and then help you see where your policy is failing or not. Yeah. And then, so I think,[00:47:37] swyx: so in that case, much more of a training tool.[00:47:40] Than in other training[00:47:41] Vibhu: evaluation? Both. Right?[00:47:43] swyx: Sure. Same. Same thing.[00:47:43] Fan-yun Sun: Yeah, same thing. I think it's just this role model that allows people to train any policy that can act in any multimodal environments.[00:47:51] swyx: Would it be harder to reward hack? Is there an angle here where it is harder to reward hack? Like it's just, I'll just put it generally because I think that's a, that's obviously a key [00:48:00] problem that a lot of people face when in training agents in these environments, and I don't know, can you solve it?[00:48:07] Chris Manning: I think not necessarily. To the extent that there's a mis specified reward that. It seems like it could be hacked in a more symbolic world or in a more pixel based world. I dunno if Sun's got any thoughts, but I don't think that's really being solved.[00:48:26] swyx: The other thing that comes to mind is just you could just build a better sawa as a video generator model, right?[00:48:31] Because then you, you would move the diffusion, side a bit more further to the right. I think if I got the directionality correct. And that's it.[00:48:40] Vibhu: It's better on domains, right? Like on consistency over now, or for sure it exists versus something doesn't, right.[00:48:46] Chris Manning: So[00:48:46] swyx: yeah. Yeah. Is[00:48:49] Vibhu: is a question more like, like[00:48:51] swyx: I'm just riffing on like, how do you, what can you build, you know?[00:48:54] Oh, with the stuff that you have. I do think that the minor, the academic does go immediately to training [00:49:00] and in eval evaluation, but like art tends to take unusual directions. Like you might end up,[00:49:06] Chris Manning: okay. Yeah. But the question is, can you use this piece of software to develop compelling gameplay and. I don't think you can take SOAR and produce compelling gameplay, right?[00:49:19] If you want to have a world that you can wander around in a bit, you are good. But what are your abilities to have gameplay mechanics implemented the way you'd like them to be and to have things stay, with the long-term history of your gameplay that influences future actions. I think there's just nothing there for that.[00:49:39] swyx: Yeah, I do tend to agree. I, I'm just trying to sort of test the boundaries. I would also make the observation that as AAA games industry has developed the line between what is a movie and what is a game has blurred. And you, you, you do end up basically producing a two hour movie as part of your game.[00:49:57] Fan-yun Sun: No, honestly, there, there's so many actually [00:50:00] applications in adjacent markets that our world model can go into. Yeah. But yeah, it, it's sort of fun to riff, riff on. Although on the execution side, we we, we need to stay focused with like, okay, what are the capabilities we want to unlock over time?[00:50:11] And there's a roadmap for that. But yeah, if we're just riffing on sort of like the possibilities, I feel like, whether it's endless Yeah, it's like classic[00:50:18] swyx: and the embedding for a possibility and endless in my mind, it's very close. Yeah. I do wanna, focus on one, like weird choice. I, I don't know if it's weird.[00:50:28] Maybe I'm, I got something here. Audio, right? You could have just said no audio And audio in my mind has a lot of recursion, whereas in video you can just do recasting and that's much computationally much simpler. Audio just seems way harder. I don't know if you wanna just comment on just the special 3D audio.[00:50:46] Problem. Did you really have to do it? I guess you do to be immersive, but like a lot of people do treat it as like, well, you just stick a, a tt S model on top of[00:50:57] Vibhu: Well, there's a lot more to game audio than [00:51:00] just speech. Right. It's not just[00:51:01] swyx: tts. Yeah. Tts. S Fxt, GM Spatial in my mind Echoes[00:51:06] Chris Manning: Yeah.[00:51:06] swyx: And reflections.[00:51:07] And I, I don't even know what's, what else? I don't know what, what other problems in this space.[00:51:13] Fan-yun Sun: Yeah, I think this point like the, it's sort of a more, more pointing to the benefits of using an game engine as a tool that's available to the model, right? Because like part of the spatial audio is from the code that is underlying the simulation.[00:51:32] And while we do give our model access to other types of audio models as. Tools.[00:51:39] swyx: None of them would be spatial, I think.[00:51:41] Fan-yun Sun: But that's exactly sort of more 0.2. We're giving our model an abstraction or a suite of tools such that it's able to achieve that. And you can argue that sort of spatial is like a, like a emergence out of the, the tools that we and abstraction that we provide to the agents.[00:51:59] And I think that's the beauty of [00:52:00] this, this, this approach is like there's a lot of things kind of like how human's built technology and they're like Lego blocks that build on top of each other. And it's the same thing here. There's gonna be things that sort of just sort of emerges from being able to put these things together in like combinatorially interesting ways,[00:52:14] Chris Manning: right?[00:52:15] So this integrated audio model exploits the understanding and semantics of the Moon Lake world, right? And whereas in general for the Gen AI video models. There's no actual integration across to audio at all, right? That someone might stick some music or stick a soundscape or whatever else on top of their video.[00:52:44] So it's not a silent video, but they're in no way connected into a consistent world model. And there's nothing that's okay. An action is happening in the video. Therefore there should be a sound that's [00:53:00] coming from this part of the visual field.[00:53:03] swyx: Yeah.[00:53:03] Vibhu: Is that different than Sora too? Does it not have audio?[00:53:06] Not to say it's not like[00:53:08] swyx: amazing[00:53:08] Vibhu: isn't a spatial[00:53:09] swyx: audio.[00:53:09] Vibhu: It doesn't,[00:53:10] swyx: no. I've played around it with it enough. It just sounds like someone put an 11 laps voice on top of it and just tried to do the lip sync.[00:53:18] Vibhu: Oh, yeah. I've seen, okay. Generate a dog at the beach and reactions to big wave and move[00:53:23] swyx: around.[00:53:23] It's definitely like, so have the dog, have the dog move away from camera and see if the, the song goes down. It doesn't. ‘Cause they don't have facial audio.[00:53:32] Fan-yun Sun: We do want to basically like we, our moral model, like the one we're training is basically towards the goal of having a combined latent representation across all these different modalities.[00:53:42] Right? Such that it can like reason across these different modalities. So for example, if I close my eyes and like you play a video, you play a sound of like a car skidding away from me. I almost can like, visually extrapolate that trajectory in my mind. And I think that type of capability, we want our model to be able to reason, right?[00:53:59] And that's the reason that [00:54:00] we're sort of taking this multimodal reasoning approach. It's like we want this combine late in space that can[00:54:05] swyx: Yeah. Oh, you said late in space. We like that. Here we have to play the, the bell Every time that someone says late in space, no, you gotta train daredevil one. Where you, you, you, it's only audio, but you have to work out.[00:54:15] Where everything is.[00:54:19] Cool. I I think that that was, that was about it for our Moon Lake coverage. I do think that we have like a couple of, Chris Madden questions on, on IR and, just any, any other sort of attention topics or n NLP topics.[00:54:31] Vibhu: Okay.[00:54:31] swyx: Go ahead.[00:54:32] Chris Manning's Journey: From NLP to World Models[00:54:32] Vibhu: Well, no, I mean, yeah, it's just fun. We talked a bit about how you guys met, but you basically, you, you were like the godfather of NLP per se, right?[00:54:39] You spent the whole career from early embeddings, early early attention. You did 2015 attention for machine translation, everything. You, you had information retrieval, so RAG before rag, we just wanna shout that out and admire a lot of that. Right? So what prompted the switch over to world models?[00:54:56] How, how'd all that come about?[00:54:58] Chris Manning: To some answer it [00:55:00] is, the enthusiasms and creativity of students, but there's a bit of a history there, right? So, yeah. So clearly most of my career has been doing stuff with language and how I got into research was thinking, ah, this is just so amazing how humans can produce speech and understand each other in real time.[00:55:21] And somehow they managed to learn languages from their kids. How could this possibly happen? And so, yeah, starting off I was very focused on language, but as it sort of got into the 2000 and tens, I started, going, I'd been working on question answering, and then I started to get, interest in visual question answering.[00:55:42] And that was an area where it was very noticeable. That the visual understanding was bad. Right. These were the days when like, it sort of seemed like there's almost no visual [00:56:00] understanding. You were just getting answers that came from priors. So, if you asked how many people are sitting at the table, it'd always answer two regardless of how many, how many people you could see in the picture.[00:56:11] And so it seemed like, oh, these models actually aren't able to get semantic information outta

We finally did it. We sat down with the man behind the numbers AND we recorded it live at the NAR podcast studio in Chicago.   If you've ever been at a dinner party, a showing, or a closing table and gotten hit with "so... how's the market?", this episode is for you. We got to chat with Dr. Lawrence Yun, Chief Economist at the National Association of Realtors, and y'all, we had SO many questions. We're the data nerds who cover the NAR Home Buyers and Sellers Profile Report every single year, so getting face time with the person behind all that research? It was kind of a big deal for us.   Dr. Yun has been at NAR since 2000 and stepped into the Chief Economist role in 2008 right in the middle of the foreclosure crisis. He's testified before Congress, appeared on C-SPAN, and was recognized by the Wall Street Journal for having one of the closest forecasts for 2024. Basically, if there's someone you want breaking down housing market trends for Realtors, it's him.   We cover a lot of ground in this one, from the housing shortage and what's actually being done about it, to the lock-in effect, affordability challenges for first-time buyers, capital gains tax reform, and what a "sweet spot" interest rate would even look like. Dr. Yun also shares something we weren't expecting, a really personal story about his family immigrating to the U.S. and how home ownership shaped his perspective on wealth and the American dream.   Here's what we cover in this episode: Why the answer to "how's the market?" is always local — and how to explain that to clients The housing shortage by the numbers (hint: we're still millions of units short) Why the median age of first-time buyers hitting 40 is "the most depressing statistic" of last year The lock-in effect: who it really impacts and why it may be loosening Why 6% isn't actually a high rate historically but still feels impossible for today's buyers How home prices rising 50% since pre-COVID has changed the affordability conversation The capital gains tax exemption that hasn't been updated in 30 years (and why that matters for your sellers AND your investment properties) What the Housing for the 21st Century Act could actually do How investors releasing rental properties could help the first-time buyer shortage What we need to build annually to get out of the housing shortage Key Quotes & Takeaways: "Is it a good time to buy? That's not the right question. Do you want to build wealth over time or not?" Dr. Lawrence Yun "Your house was $60,000. Their rate is 6% AND the house is $400,000. It's not the same math." Alissa "Median age of the first-time buyer is now 40. That is the most depressing statistic of last year." Dr. Lawrence Yun "I had 24 showings and five offers in one day at $175K. The same week, a $500K listing could sit for 50 days. Same market. Totally different world." Katy "If you are listening to this podcast, you are already ahead." Dr. Lawrence Yun Products, People & Previous Episodes Mentioned: NAR Home Buyers and Sellers Profile Report(2025 in episode 338) NAR Affordability Index NAR Existing Home Sales Statistics Housing for the 21st Century Act (bipartisan housing legislation) Ability to Repay Act (post-2008 mortgage reform legislation) Blue Chip Council (economic forecasting panel) Wall Street Journal Forecasting Survey Joint Center for Housing Studies at Harvard University Hustle Humbly Community Want to toast someone on the show? Send us a voice or video message with your name, who you're toasting, and why! Email it to team@hustlehumblypodcast.com. Leave us a review at http://ratethispodcast.com/hustlehumbly    

Energy = Clocks & Magnetism Over Calories | Improvement Warrior POdcast Episode 86Welcome to a transformative episode where we delve into the profound effects of circadian rhythms on our overall health and well-being. Are you tired of the endless cycle of fad diets and workout plans? Discover the secrets of your body's natural clock and unlock a holistic path to real energy. We'll explore how Einstein's infamous equation, E= MC2 relates to you and your energy levels and your daily routines. Join us for an enlightening journey towards syncing with nature's timepiece!Highlights from the showUnderstanding magnetism's role is vital for optimizing circadian rhythms and overall health.Energy production and life clocks link directly through the body's magnetic fields.How Einstein's equation fits into your life and the life of those who are subservient to coffee and red bullThe body's internal rhythm adapts to the Earth's geomagnetic fields.Exposure to natural light synchronizes your body's circadian environment.Blue light and EMF disrupt circadian alignments and affect mitochondrial performance.Cold exposure can upregulate mitochondrial biogenesis and efficiency.Geomagnetic forces influence water structure, impacting cellular energy functions.Lifestyle shifts integrating natural cycles boost energy alignment with Earth's magnetism.Mitochondrial health is tied to metabolic flexibility in different magnetic environments.EMF-conscious living entails rethinking device usage for better mitochondrial health.Resources:Improvement Warrior Newsletter: http://www.improvementwarriorfitness.com/nlImprovement Warrior Substack: http://improvementwarrior.substack.comPatreon Support: http://www.improvementwarriorfitness.com/patreonImprovement Warrior University Premium: http://www.improvementwarriorfitness.com/iwuLeptin Transformation: http://www.improvementwarriorfitness.com/leptintransformationCalories In Calories Out Blog: http://www.improvementwarriorfitness.com/cicoElizabeth Kolbert's 6th Extinction Book: https://amzn.to/4sgmcH4Shield Your Body EMF Fanny Pack: http://www.improvementwarriorfitness.com/sybGo Dark Faraday Pouches: http://www.improvementwarriorfitness.com/godarkCell phones and wireless tech podcast: http://www.improvementwarriorfitness.com/udc3Magnesium Breakthrough: http://www.improvementwarriorfitness.com/magnesiumDiscovery Call Coaching Call with Yun: http://www.improvementwarriorfitness.com/discoverycallEpi-Paleo Diet Webinar Part 1: https://open.spotify.com/episode/2tONH3q2Xf6SrE21rQMVaQThanks for watching and listening. Don't forget to share the podcast and rate and review the podcast on apple and spotify.

The Oscars are just around the corner and film fans around the world are speculating about who will take home the biggest awards in Hollywood. Our own JOY film critic Glen Charlie Dunks joins us with his predictions on the eve of the Academy Awards. Glenn Charlie Dunks is an award-winning film critic from Melbourne, Australia. He is the founder and writer behind the reDocumented website, launched in May 2025. For ten years, Glenn has been an active part of the Australian film scene as a critic and journalist. Getting his start with the Geelong/Surf Coast-based street press Forte Magazine, he progressed to writing regularly for Trespass and Onya Magazine as well as his personal blog. In 2010, Glenn began writing film reviews and features for Australian print institution The Big Issue. In the following decade, he has contributed to world-renowned publications such as The Guardian, Vanity Fair and The Film Experience where he covers documentary film on a weekly basis. In Australia, his work has been published across outlets including Metro Magazine, ScreenHub, Flicks Australia, Junkee, SBS Film, SBS Sexuality, Broadsheet, Quickflix, Concrete Playground and the online edition of Overland Journal. He is also the regular film critic for Air Nuigini's Paradise Magazine. His work has been republished by IndieWire's Women and Hollywood blog and the Media, Entertainment and Arts Alliance union's quarterly print publication The Equity Magazine. He has also been spotlighted by The Age. In 2013 he sat on the FIPRESCI Jury for the 56th San Francisco International Film Festival alongside Vincent Musetto and Mario Abbade, awarding their top prize to Sébastien Betbeder's Nights with Théodore. In 2014, he joined the FIPRESCI Jury of the 25th Stockholm International Film Festival alongside Quirijn Foeken and Dieter Wieczorek, with the award going to Savario Costanzo's Hungry Hearts starring Adam Driver. In 2020, Glenn joined the ‘virtual' DOK Leipzig festival with Yun-hua Chen and Hrvoje Puksek, awarding Dario Doria's Vincenta. Later in 2016, he was on the competition jury for the 2nd Czech & Slovak Film Festival of Australia alongside Hayley Inch and Tom Clift, awarding Marko Skop's Eva Nova. Additionally, he has worked as a programming consultant for the San Francisco International Film Festival and the Sydney Underground Film Festival. In 2019, he moderated an industry panel Q&A at the Environmental Film Festival of Australia for the film Grit. Glenn has also been a judge on the ATOM Awards documentary selection panels across four separate years. In 2022, he became a voter for the Golden Globe Awards. In 2023, he was once again accepted as an international voter for the awards. Glenn has attended and/or covered a further variety of other festivals including Sundance, New York, Tribeca, DOC NYC, NewFest, BAMcinemaFest, Dances with Films, Melbourne, Sydney, Brisbane, Adelaide, Melbourne Queer, Mardi Gras Film Festival, and a variety of local cultural film events including the Russian, French and Spanish film festivals and AFI/AACTA Awards. In 2013 he also attended and covered the Twin Peaks Festival in North Bend, Washington State. As an interviewer, Glenn has spoken to some of the most accomplished and respected names in film in Australia and the world. Filmmakers and artists including Tim Burton, Amy Adams, John Waters, Margaret Cho, Guy Maddin, Isaac Julien, Neil Armfield, Rachel Perkins, Sam Neill, Jamie Babbit, Grímur Hákonarson, Stephen Dunn, Andrew Ahn, Grant Scicluna, Matt Sobel, Christoph Waltz, Krysten Ritter, Sophie Hyde, Bentley Dean, Sara Jordenö, Max Gogarty, William Fairman, Nickolas Bird, Poppy Stockell, Charlie Hill-Smith, Nick Eynaud, Lucy Fry and John Jarratt. Major Oscar Categories – Nominees Best Picture Anora The Brutalist A Complete Unknown Conclave Dune: Part Two Emilia Pérez Nickel Boys The Substance Wicked I’m Still Here Best Director Sean Baker – Anora Brady Corbet – The Brutalist James Mangold – A Complete Unknown Jacques Audiard – Emilia Pérez Coralie Fargeat – The Substance Best Actor Adrien Brody – The Brutalist Timothée Chalamet – A Complete Unknown Colman Domingo – Sing Sing Paul Giamatti – The Holdovers Sebastian Stan – The Apprentice Best Actress Cynthia Erivo – Wicked Karla Sofía Gascón – Emilia Pérez Mikey Madison – Anora Demi Moore – The Substance Saoirse Ronan – The Outrun Best Supporting Actor Kieran Culkin – A Real Pain Robert Downey Jr – Oppenheimer Ryan Gosling – Barbie Mark Ruffalo – Poor Things Sterling K Brown – American Fiction Best Supporting Actress Emily Blunt – Oppenheimer Danielle Brooks – The Color Purple America Ferrera – Barbie Da'Vine Joy Randolph – The Holdovers Jodie Foster – Nyad The post Sat 14th, March, 2026: Glen Charlie Dunks Film Critic – JOY 94.9, Oscars Prediction appeared first on Saturday Magazine.

Geoffrey Shugen Arnold, Roshi Zen Mountain Monastery, Mt Tremper, New York, Sunday 01/11/2026 From Master Wu-Men’s Gateless Gate, Case 39: Yun-men Says You Missed It Three core aspects of Zen practice are morality, calming the mind, and insight into the nature of reality. Without this third element, wisdom-insight, Zen isn't truly a liberating practice. Shugen […]

➡️ Watch the full interview ad-free, join a community of geopolitics enthusiasts and gain access to exclusive content on PATREON: https://www.patreon.com/DecodingGeopolitics➡️ Sign up to my free geopolitics newsletter: https://stationzero.substack.com/This is a conversation with Dr. Yun Sun, a Senior Fellow and Director of the China Program at the Stimson Center. Yun is one of the most experienced China watchers and researchers, analyzing China's foreign and domestic politics for over two decades which makes this conversation and her arguments both extremely interesting and kind of concerning. Because Yun argues that we are gravely under-estimating the risk of a Chinese invasion of Taiwan - not in some distant future but as soon as this year, 2026. She believes that the thinking in Beijing among China's leadership is quickly changing: that they are abandoning the idea that time is on their side and that instead, China now believes that if it ever wants to get Taiwan, it's now or never and the longer it waits, the harder it will get. And that we are now witnessing a confluence of several dynamics - none of which were likely or expected - but that are now all happening at the same time. And that together they are - as Yun Sun puts it - creating a “perfect storm for Taiwan in 2026” - and significantly increasing the odds that China might make its move. In this conversation, we talk about what these factors are - from the US foreign policy and China's perception of Donald Trump to the Ukraine war - how likely a Chinese invasion this year is or what the recent purges of the leadership of the Chinese military - and the fact that Xi Jinping now has direct, unlimited command of China's armed forces - mean in this context.

For the last segment of the week, Nevena and Kenny were joined live in the studio by Glen Charlie Dunks, Film Critics as they discuss the 2026 Oscar Nominations. Glenn Charlie Dunks is an award-winning film critic from Melbourne, Australia. He is the founder and writer behind the reDocumented website, launched in May 2025. For ten years, Glenn has been an active part of the Australian film scene as a critic and journalist. Getting his start with the Geelong/Surf Coast-based street press Forte Magazine, he progressed to writing regularly for Trespass and Onya Magazine as well as his personal blog. In 2010, Glenn began writing film reviews and features for Australian print institution The Big Issue. In the following decade, he has contributed to world-renowned publications such as The Guardian, Vanity Fair and The Film Experience where he covers documentary film on a weekly basis. In Australia, his work has been published across outlets including Metro Magazine, ScreenHub, Flicks Australia, Junkee, SBS Film, SBS Sexuality, Broadsheet, Quickflix, Concrete Playground and the online edition of Overland Journal. He is also the regular film critic for Air Nuigini’s Paradise Magazine. His work has been republished by IndieWire's Women and Hollywood blog and the Media, Entertainment and Arts Alliance union's quarterly print publication The Equity Magazine. He has also been spotlighted by The Age. In 2013 he sat on the FIPRESCI Jury for the 56th San Francisco International Film Festival alongside Vincent Musetto and Mario Abbade, awarding their top prize to Sébastien Betbeder’s Nights with Théodore. In 2014, he joined the FIPRESCI Jury of the 25th Stockholm International Film Festival alongside Quirijn Foeken and Dieter Wieczorek, with the award going to Savario Costanzo's Hungry Hearts starring Adam Driver. In 2020, Glenn joined the ‘virtual’ DOK Leipzig festival with Yun-hua Chen and Hrvoje Puksek, awarding Dario Doria’s Vincenta. Later in 2016, he was on the competition jury for the 2nd Czech & Slovak Film Festival of Australia alongside Hayley Inch and Tom Clift, awarding Marko Skop's Eva Nova. Additionally, he has worked as a programming consultant for the San Francisco International Film Festival and the Sydney Underground Film Festival. In 2019, he moderated an industry panel Q&A at the Environmental Film Festival of Australia for the film Grit. Glenn has also been a judge on the ATOM Awards documentary selection panels across four separate years. In 2022, he became a voter for the Golden Globe Awards. In 2023, he was once again accepted as an international voter for the awards. Glenn has attended and/or covered a further variety of other festivals including Sundance, New York, Tribeca, DOC NYC, NewFest, BAMcinemaFest, Dances with Films, Melbourne, Sydney, Brisbane, Adelaide, Melbourne Queer, Mardi Gras Film Festival, and a variety of local cultural film events including the Russian, French and Spanish film festivals and AFI/AACTA Awards. In 2013 he also attended and covered the Twin Peaks Festival in North Bend, Washington State. As an interviewer, Glenn has spoken to some of the most accomplished and respected names in film in Australia and the world. Filmmakers and artists including Tim Burton, Amy Adams, John Waters, Margaret Cho, Guy Maddin, Isaac Julien, Neil Armfield, Rachel Perkins, Sam Neill, Jamie Babbit, Grímur Hákonarson, Stephen Dunn, Andrew Ahn, Grant Scicluna, Matt Sobel, Christoph Waltz, Krysten Ritter, Sophie Hyde, Bentley Dean, Sara Jordenö, Max Gogarty, William Fairman, Nickolas Bird, Poppy Stockell, Charlie Hill-Smith, Nick Eynaud, Lucy Fry and John Jarratt. The post Sat, 31st Jan, 2026: Glen Charlie Dunks, Film Critic, Oscar Nominations: Sunrises? Shuns? and Duds? appeared first on Saturday Magazine.

What if everything you've been taught about success is wrong? In this powerful and eye-opening episode, Mike sits down with Yun Rhee—a visionary leader, community builder, human potential catalyst, and founder of The Elevated Oracle—for a conversation that bridges ancient spiritual wisdom with cutting-edge science. Yun brings a rare perspective on personal transformation, blending deep intuition with modern research to challenge conventional definitions of achievement and fulfillment. From her early journey as a Korean immigrant shaped by discipline, sacrifice, and perseverance, Yun reveals how the traditional model of "work harder to get ahead" left many disconnected from their true gifts. What followed was a profound awakening that led her into the worlds of energy work, paradigm shifting, quantum sound therapy, and conscious creation, reshaping how she approaches purpose, leadership, and human potential. Together, Mike and Yun explore energy alignment, subconscious reprogramming, and the science of quantum thinking, including the role of gamma brainwaves in creativity and peak performance. Yun explains how meditation, breathwork, nervous-system regulation, and quantum sound therapy can unlock hidden potential and restore energetic flow. Insightful, inspiring, and deeply empowering, this episode invites listeners to step beyond conditioning, reconnect with their higher self, and design a life guided by purpose, alignment, and possibility.   IN THIS EPISODE: ➡️ QUANTUM AWAKENING: Breaking free from subconscious programming to activate untapped potential ➡️ ENERGY ALIGNED CREATION: How frequency, intention, and breath shape your reality ➡️ NERVES OF GREATNESS: Mastering the nervous system to unlock clarity, calm, and peak performance ➡️ COMMUNITY BY DESIGN: Building environments where technology, connection, and purpose converge  

Fluent Fiction - Mandarin Chinese: Finding Heritage: A Journey of Tradition and Connection Find the full episode transcript, vocabulary words, and more:fluentfiction.com/zh/episode/2026-01-26-08-38-20-zh Story Transcript:Zh: 冷冽的冬季天空下，长城雄伟的身影蜿蜒而去。En: Under the cold winter sky, the majestic silhouette of the Great Wall wends its way.Zh: 古老的石墙两侧，五颜六色的摊位排开，售卖着各种喜庆的春节装饰品。En: On either side of the ancient stone walls, colorful stalls are lined up, selling various festive Spring Festival decorations.Zh: 空气中弥漫着节日的气氛，夹杂着阵阵冷风，家人和游客们在这些摊位间穿梭，寻找新年必备的装饰品。En: The atmosphere of the festival fills the air, mixed with gusts of cold wind, as families and tourists weave through these stalls, searching for must-have decorations for the New Year.Zh: 梁站在一个小摊前，眼神迷茫。En: Liang stood in front of a small stall, his gaze bewildered.Zh: 对于一个生于华夏的年轻人，他却感到自己与文化的距离遥远。En: Although a young man born in China, he felt a great distance from his culture.Zh: 他想找一些有意义的春节装饰，用以感受节日的温馨和传统的力量。En: He wanted to find some meaningful Spring Festival decorations to feel the warmth of the festival and the power of tradition.Zh: 然而，琳琅满目的红灯笼、剪纸、福字似乎都在对他微笑，但每一个却又似乎都没有不同。En: However, the array of red lanterns, paper cuttings, and Fu characters all seemed to smile at him, yet each appeared indistinct.Zh: “我应该选哪个呢？En: "Which one should I choose?"Zh: ”梁轻声自言自语，眉头微皱。En: Liang muttered to himself softly, frowning slightly.Zh: 这时，旁边一个摊位上，一个正在认真挑选装饰的女孩抬起了头。En: At this moment, a girl who was seriously selecting decorations at a nearby stall looked up.Zh: 云是一名大学生，正在研修中国文化，对于传统习俗有着极大的热情和理解。En: Yun was a university student majoring in Chinese culture, with great enthusiasm and understanding of traditional customs.Zh: “需要帮忙吗？En: "Need some help?"Zh: ”云的声音温和，是难以拒绝的邀请。En: Yun's voice was gentle, an invitation hard to refuse.Zh: 梁有些犹豫，但还是点头。En: Liang hesitated a bit, but nodded nonetheless.Zh: “我想买一些有意义的春节装饰，但我不知道该选哪些。En: "I want to buy some meaningful Spring Festival decorations, but I don't know which ones to choose."Zh: ”云微微一笑，点头赞许。En: Yun smiled slightly, nodding in approval.Zh: “春节装饰有很多种，每种都有自己的意义。En: "There are many types of Spring Festival decorations, each with its own significance.Zh: 红灯笼代表着好运和团圆，福字倒贴象征着福到了，而春联传递了对新一年的美好祝愿。En: Red lanterns represent good luck and reunion, Fu characters pasted upside down symbolize the arrival of fortune, and couplets convey beautiful wishes for the new year."Zh: ”梁听得认真，渐渐放松下来，他点点头。En: Listening intently, Liang gradually relaxed and nodded.Zh: “原来如此。En: "I see.Zh: 我觉得这些不仅美丽，更是对传统的一个连接。En: I feel that these are not just beautiful, but also a connection to tradition."Zh: ”在云的指导下，梁终于选出了一些他感到共鸣的装饰。En: With Yun's guidance, Liang finally chose some decorations he resonated with.Zh: 有红艳的灯笼，有剪纸的福字，还有一对红红的春联。En: There were bright red lanterns, paper-cut Fu characters, and a pair of red couplets.Zh: “谢谢你，云。En: "Thank you, Yun."Zh: ”梁感激地说道，眼中流露出真诚。En: Liang said gratefully, genuine emotion in his eyes.Zh: “能帮你找到你想要的，我很高兴。En: "I'm glad I could help you find what you want."Zh: ”云回应道。En: Yun responded.Zh: 两人选好装饰后缓缓离开，感受到节日的气氛愈加强烈。En: After selecting their decorations, the two slowly left, feeling the festival atmosphere grow stronger.Zh: 梁在阳光下露出舒心的微笑，他知道这不仅仅是买到了装饰，更重要的是，找到了一种久违的连接感。En: Liang smiled contentedly in the sunlight, knowing he had found not just decorations but also a long-missed sense of connection.Zh: 他面对即将到来的春节，满怀期待。En: He looked forward to the upcoming Spring Festival with great anticipation.Zh: 分别时，梁邀请云在春节来到他的家，一同感受节日的喜悦和传统。En: As they parted ways, Liang invited Yun to his home during the Spring Festival to enjoy the joy and tradition of the holiday together.Zh: 云欣然同意，他们约定好在不久的将来再见面。En: Yun gladly agreed, and they planned to meet again in the near future.Zh: 长城的影子依然静静伫立，见证着这一切。En: The shadow of the Great Wall remained quietly, witnessing it all.Zh: 而此刻，梁的内心也像这座古老的墙一般，坚实而温暖。En: At this moment, Liang's heart, like the ancient wall, was solid and warm. Vocabulary Words:majestic: 雄伟的silhouette: 身影gust: 阵风bewildered: 迷茫array: 琳琅满目indistinct: 不清晰frown: 皱眉invitation: 邀请hesitate: 犹豫approval: 赞许significance: 意义upside down: 倒贴convey: 传递intently: 认真地resonate: 共鸣genuine: 真诚anticipation: 期待parted: 分别solid: 坚实wends: 蜿蜒stall: 摊位festive: 喜庆的decorations: 装饰品tradition: 传统customs: 习俗reunion: 团圆couplets: 春联contentedly: 舒心地witnessing: 见证remained: 伫立

Some cookbooks don't just provide recipes; they tell stories—and Nite Yun's My Cambodia: A Khmer Cookbook is a perfect example. Yun discovered the rich history of her Cambodian-American heritage in the kitchen, and her debut cookbook tells these stories through her family's most beloved recipes. In today's episode, Yun talks with NPR's Leila Fadel about her book's unique creation process and the power of food to bring together families across generations and continents. To listen to Book of the Day sponsor-free and support NPR's book coverage, sign up for Book of the Day+ at plus.npr.org/bookofthedayLearn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

 This is a  link to my podcast-Episode 297: Yun hee kuch baatein There are days when you just drop in at a friends place, you have no agenda, no seasonal topic, even no gossip to share, then what do you do? I am just like that today. Even otherwise I am never a preacher, but … Continue reading Episode 297: Yun-hee Kuch Baatein

Growing up in Stockton's Khmer refugee community, Nite Yun knew some about her family's history and heritage, but it was only after she visited Cambodia for the first time at age 24 that she connected deeply with her roots. Returning to the Bay Area, she opened the acclaimed Nyum Bai restaurant in Fruitvale, after being nurtured by the culinary incubator La Cocina. Now, she is the chef and owner of Lunette in the Ferry Building, and author of a new cookbook with recipes and reflections on her childhood and cooking in the Bay Area. Guests: Nite Yun, chef and owner, Lunette, a Cambodian restaurant in the Ferry Building. Yun is the author of the cookbook, "My Cambodia: A Khmer Cookbook." Leticia Landa, executive director, La Cocina Learn more about your ad choices. Visit megaphone.fm/adchoices

Kumusta? Is life getting better? 'Yun bang masasabi mong malayo pa, pero malayo na? ‘Yun bang, nakakaluwag-luwag ka na kahit paano, but at the back of your mind, may takot ka pa rin? All Rights Reserved, CBN Asia Inc.https://www.cbnasia.com/giveSupport the show

When we think of movie genres or tropes, ilan sa una nating maiisip ay romance, comedy, drama at horror. Pero alam ba ninyo na kasama dito ang true crime? Ito ang storylines that are either based on or inspired by true events. Mga krimeng pinagdaanan ng main character na sinusubaybayan ng audience. ‘Yun nga lang, these stories are morbid, gory, violent, and disturbing.All Rights Reserved, CBN Asia Inc.https://www.cbnasia.com/giveSupport the show

This week's EYE ON NPI is as mysterious and powerful as the extra-dimensional being from Star Trek (https://en.wikipedia.org/wiki/Q_(Star_Trek)) - it's the new Arduino UNO Q (https://www.digikey.com/en/product-highlight/a/arduino/uno-q-microcontroller-board) microcontroller board, released as part of the Qualcomm/Arduino acquisition announcement (https://www.qualcomm.com/news/releases/2025/10/qualcomm-to-acquire-arduino-accelerating-developers--access-to-i). This Uno-shaped board is packed with both an STM32 microcontroller and a Qualcomm Dragonwing microprocessor so you get the best-of-both-worlds: 3.3V/5V logic compatibility with timers and ADCs, plus a full Debian install and AI support for running local vision models. We last checked in on Arduino we were reviewing their new announcements based on a partnership with Renesas: the Arduino Nano R4 SoC (https://www.youtube.com/watch?v=QLAI41ZfCfw) which is a miniaturized version of the UNO R4 (https://www.youtube.com/watch?v=uw0EU8urz5M). These boards feature an Arm microcontroller, with lots of fun on-board accessories like an LED grid, Qwiic connector, and WiFi/Bluetooth module. These boards represented a bump in capabilities over the classic UNO R3 (https://www.digikey.com/en/products/detail/arduino/A000073/3476357) but are still under-powered compared to the 'Portenta' line (https://www.digikey.com/en/products/detail/arduino/ABX00045/15294134). So, when we see the Arduino UNO Q (https://www.digikey.com/short/qc9d09fm) is a merging of three separate 'strands' of Arduino development history. One, it's shaped and has hardware-compatibility with the classic UNO which has been their mainstay for decades. Two, it has the powerful microcontroller type that the Pro line features. And three, it revives some of the Linux-based boards that Arduino had previously released like the Yun (https://www.digikey.com/en/products/detail/arduino/A000008/4486331), Tian (https://docs.arduino.cc/retired/boards/arduino-tian/) and Tre (https://docs.arduino.cc/retired/boards/arduino-tre). What sets the Q apart is that this time instead of being just a chip-supplier partnership, Arduino has been acquired as a subsidiary of Qualcomm (https://www.qualcomm.com/news/releases/2025/10/qualcomm-to-acquire-arduino-accelerating-developers--access-to-i) which means that there's going to be first-class engineering support for the onboard Dragonwing processor. Speaking of, let's take a look at the hardware included in the new Q! There's two chipsets on each board: the big processor is a Qualcomm Dragonwing™ QRB2210 (https://www.digikey.com/en/products/detail/qualcomm/QRB-2210-0-NSP752-TR-00-0/27904331) - 64-bit System-on-Chip with 4 × Arm Cortex-A53 running at 2.0 GHz and Adreno 702 GPU running at 845 MHz for 3D graphics. This chip runs mainline Debian OS with upstream support so you can configure a kernel and distribution image without needing patches. Arduino and Qualcomm distribute their own ready to go image too (https://docs.arduino.cc/tutorials/uno-q/update-image/). This chip has modern A/V support with both CSI camera and DSI MIPI display capability to match. Those high speed connects are available on the dual 60-pin bottom connects - while there isn't a sub-connect board right now, it's likely that Arduino will develop one soon. Meanwhile, you can use their documentation (https://docs.arduino.cc/hardware/uno-q/) such as STEP and Gerber files if you want to start adding a direct-plug integration into your hardware now. The second chipset is a STM32U585 Arm Cortex-M33 with 2 MB Flash, 786 kB SRAM and running at 160 MHz - it runs the Arduino Core via Zephyr OS and from the block diagram, looks like it communicates with the main core via UART and SPI. The STM is what handles GPIO, PWM, ADC, DAC, timers, etc since it is 3.3V logic and has some 5V logic-level compatibility. The main headers on the Arduino - and some of the bottom extra headers - expose the STM logic so you can connect standard sensors, OLEDs, relays etc. While there are some GPIO from the Dragonwing also available, they're 1.8V logic and are already allocated in the Linux Device tree. The Arduino UNO Q (https://www.digikey.com/short/qc9d09fm) is available for pre-order right now from DigiKey for a door-busting $44! We've already put in our order, and we'll do a project to check it out as soon as it arrives. After you get your pre-order in, check out some of the projects that have already been published to get a sense of the Q's capabilities like this MAME emulation arcade cabinet (https://projecthub.arduino.cc/jcarolinares/arduino-uno-q-arcade-cabinet-machine-39dd38) or face-recognition car (https://www.youtube.com/watch?v=EGDxAXpH_Ag). You can start dreaming of what you'll be able to do with a full computer + microcontroller board that fits where your old UNO R3 would fit, while you wait for the shipping notification.

Comment on this episode by going to KDramaChat.comToday, we'll be discussing Episode 12 of Extraordinary Attorney Woo, the hit K Drama on Netflix starring Park Eun-bin as Woo Young Woo, Kang Tae-oh as Lee Jun-ho, Ha Yoon-kyung as Choi Soo-yeon, Ju Hyun-young as Dong Geurami, Kang Ki-young as Jung Myung-seok, and Joo Jong-hyuk as Kwon Min-woo. We discuss:The songs featured during the recap: “One Two Three Young Woo” by Jo Byeong Hyeon and “H” by Roh Young Sim. The first is quirky, while the second is melancholy.The political and ethical complexity of Hanbada's involvement in drafting a policy that led to mass layoffs of married women.The fierce and principled attorney Ryu Jae Sook, who champions women's and labor rights, and who offers a thought-provoking contrast to Hanbada's corporate approach.The idea of generation names in Korean clans, and how these were used to explore the relationship between Judge Ryu Myeong Ha and Attorney Ryu Jae Sook.Attorney Jung's jarring statement that attorneys are not meant to make the world a better place, but to defend their clients, no matter who they are.Woo Young Woo's internal conflict as she receives a job offer from Attorney Ryu and wrestles with what kind of attorney she wants to be.The damaging but clever tactics of Kwon Min-woo, who secretly mails a legal memo to the opposing counsel in an attempt to frame Woo Young Woo.The brutal emotional toll of litigation, as personal and irrelevant information (such as fertility treatment) is dragged into court to discredit the plaintiffs.The bittersweet conclusion to the case: the women lose in court but win in the court of public opinion and in moral conviction.The evolving relationship between Woo Young Woo and Lee Jun-ho as they try to navigate differing perceptions of what it means to be a couple.The quiet decline of Attorney Jung, whose stress and physical deterioration hint at serious underlying health issues.A linguistic and cultural deep dive into the Korean pronunciation of family names such as Choi, Park, and Yun, and the surprising differences when romanized.ReferencesGeneration name - WikipediaPro bono practices and opportunities in South KoreaGlass ceiling - Wikipedia

Had the pleasure of speaking with former WWE and WCW star Jimmy Yang! On episode 232, we discussed his childhood, getting into wrestling, training, how the Jimmy Wang Yang character came about, participating in Secret Santa events, his new book Yun's Time, and more. Get a copy of Jimmy's new book here: https://www.jazzyyang.com/products/james-yun-yun-s-time Are you a pro wrestler and have done community service and/or charity work? E-mail the podcast at wrestlingwithheart@yahoo.com and tell us if you would be interested in being interviewed. Follow us on:Facebook: Wrestling with Heart with Stanley Karr Bluesky: @wrestlingwithheart.bsky.social Instagram: @wrestlingwithheart Threads: @wrestlingwithheart Hear Wrestling with Heart on Apple Podcasts: https://podcasts.apple.com/us/podcast... Hear Wrestling with Heart on Spotify: https://open.spotify.com/show/46cviL5... Hear Wrestling with Heart on iHeartRadio: https://www.iheart.com/podcast/269-wr... Donate to my Patreon and subscribe to my content here: https://www.patreon.com/user?u=84502525 Learn more about your ad choices. Visit megaphone.fm/adchoices

The startup was started earlier this year by Yang Fan Yun and Charlie Deane. Yun is a former product manager at Uber, while Deane founded a company selling server proxies. When he was at Uber, he realized that a lot of people around him were doing grunt work in their browsers. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Fluent Fiction - Mandarin Chinese: Whispers of the Past: A Stormy Quest for Lost Memories Find the full episode transcript, vocabulary words, and more:fluentfiction.com/zh/episode/2025-08-23-22-34-01-zh Story Transcript:Zh: 天空阴沉，预示着一场暴风雨即将来临。En: The sky was overcast, hinting at an impending storm.Zh: 梁站在曾经的学校门前，思绪如这不稳定的天气一般混乱。En: Liang stood in front of his former school, his thoughts as tumultuous as the unstable weather.Zh: 多年前，这里充满了欢声笑语，如今却只剩下破碎的玻璃和倒塌的墙壁。En: Years ago, this place was filled with laughter and joy, but now only shattered glass and collapsed walls remain.Zh: 仲夏的季节，空气中弥漫着潮湿和腐朽的味道，四周安静得令人不安，只有远处的雷声隐隐作响。En: In the midsummer season, the air was thick with the smell of dampness and decay, and the surroundings were eerily quiet, save for the faint rumblings of distant thunder.Zh: “我们真的要进去吗？”云紧紧拉着梁的胳膊，担心地问。En: "Are we really going in?" Yun tightly clutched Liang's arm and asked worriedly.Zh: 他知道，尽管这里早已没人居住，但仍有未知的危险潜伏着。En: He knew that although no one lived here anymore, unknown dangers might still be lurking.Zh: “我必须找到那一页。”梁坚定地回答。En: "I have to find that page," Liang replied resolutely.Zh: 他的手中拿着一本旧笔记本，那是他与过去连接的纽带。En: In his hand was an old notebook, his tether to the past.Zh: 智的身影悄然而至。En: Zhi's figure appeared silently.Zh: 他是个神秘的人，总是说自己能和灵魂交流。En: He was a mysterious person who always claimed he could communicate with spirits.Zh: 今天恰逢中元节，智说，灵魂会在这一天重回人间寻找答案。En: Today, coinciding with the Zhongyuan Jie, Zhi said that souls would return on this day to seek answers.Zh: “灵魂们需要你去解答。”智的声音平静而深邃，他的眼睛盯着学校的深处。En: "The spirits need you to uncover answers," Zhi's voice was calm and profound, his eyes fixed on the depths of the school.Zh: 梁深吸一口气，点了点头。En: Liang took a deep breath and nodded.Zh: 他知道，时间不多了。En: He knew there was little time left.Zh: 三人走进破败的走廊，沙沙声在脚下回荡。En: The three of them walked into the dilapidated corridor, the rustling sounds echoing beneath their feet.Zh: 阳光勉强从破碎的窗户中洒进来，空气中浮动的灰尘犹如无形的幽灵。En: Sunlight barely streamed through the broken windows, and the dust floating in the air resembled invisible ghosts.Zh: 随着他们走入记忆深处的教室，墙上的黑板早已空白，如同被时间洗净了一般。En: As they stepped into a classroom deep within their memories, the blackboard on the wall was blank, as if cleansed by time.Zh: “就是这里。”梁的手指抚过一个老旧的课桌，这里曾经是他的角落。En: "This is it." Liang's fingers brushed across an old desk that used to be his corner.Zh: 然而，未等他开始翻找，暴风雨突然而至。En: However, before he could start searching, the storm abruptly arrived.Zh: 狂风卷起地上的杂物，房子摇摇欲坠。En: The fierce wind lifted debris from the ground, and the building trembled.Zh: 梁在慌乱中寻找那遗失的记忆。En: In the chaos, Liang searched for the lost memories.Zh: 就在此时，智闭上眼睛，轻声喃喃：“她说找到了，是一段未完成的告别。”En: At this moment, Zhi closed his eyes and murmured softly, "She says it's found, it's an unfinished farewell."Zh: 云盯着那些飘浮在空中的纸张，突然发现有一张纸慢慢掉落在梁的脚边。En: Yun gazed at the papers floating through the air and suddenly noticed one slowly descending at Liang's feet.Zh: 梁急忙捡起，那是某个夏日午后，一个关于爱与梦想的瞬间。En: Liang hurriedly picked it up; it was a moment from a summer afternoon, a fragment about love and dreams.Zh: 随着这个心底的片段重现，暴风雨也随之平息。En: As this fragment from the depths of his heart resurfaced, the storm subsided.Zh: 梁感受到一股前所未有的平静。En: Liang felt an unprecedented calm.Zh: “或许，过去并不需要解答。”他的语气平和，“重要的是心中的那份温暖。”En: "Perhaps, the past doesn't need answers," he said with serenity in his voice, "What's important is the warmth in our hearts."Zh: 云微微点头，他开始意识到，有些事物比生存更有意义。En: Yun nodded slightly, beginning to realize that some things are more meaningful than mere survival.Zh: 而智，在找到灵魂的答案后，重重地点了个头，似乎对两个新朋友感到满足。En: And Zhi, having found the answer for the spirits, nodded heavily, seemingly satisfied with his two new friends.Zh: 天边的乌云逐渐散去，阳光将废墟染成温暖的金色。En: The clouds in the sky gradually parted, and the sunshine painted the ruins a warm golden hue.Zh: 三人并肩站立，终于拥抱各自的内心，在这个被遗忘的地方，重拾珍贵的回忆与情谊。En: The three stood side by side, finally embracing their innermost selves, reclaiming precious memories and connections in this forgotten place. Vocabulary Words:overcast: 阴沉impending: 即将来临tumultuous: 混乱midsummer: 仲夏decay: 腐朽eerily: 令人不安lurking: 潜伏resolutely: 坚定地tether: 纽带coinciding: 恰逢profound: 深邃dilapidated: 破败resemble: 犹如fragment: 片段subside: 平息unprecedented: 前所未有serenity: 平和embrace: 拥抱connections: 情谊uncanny: 奇异debris: 碎片profound: 深刻answers: 解答reclaimed: 重拾innermost: 内心深处ominously: 不祥地perception: 感知unearth: 发掘revelation: 启示spectral: 幽灵般

durée : 00:29:52 - Les Nuits de France Culture - par : Philippe Garbit - Frémissements et fracas, Ysang Yun, figure tutélaire des compositeurs coréens (1ère diff : 03/10/2002) Par Daniela Langer - Avec Younghi Pagh-Paan (compositrice coréenne installée en Allemagne) et Hae-Sun Kang (violoniste) - Avec en archives, la voix de Paul Méfano - Réalisation Marianne Manesse - réalisation : Virginie Mourthé

“The apartment sector is temporarily oversupplied,” Lawrence Yun notes with surprise. He digs through the latest economic data around housing and identifies some of the latest trends. “Once the interest rate comes down, we're going to see a rush of buyers,” he adds, with many renting apartments because they were forced to. Because of this, Yun expects a housing shortage in single-family housing.======== Schwab Network ========Empowering every investor and trader, every market day. Subscribe to the Market Minute newsletter - https://schwabnetwork.com/subscribeDownload the iOS app - https://apps.apple.com/us/app/schwab-network/id1460719185Download the Amazon Fire Tv App - https://www.amazon.com/TD-Ameritrade-Network/dp/B07KRD76C7Watch on Sling - https://watch.sling.com/1/asset/191928615bd8d47686f94682aefaa007/watchWatch on Vizio - https://www.vizio.com/en/watchfreeplus-exploreWatch on DistroTV - https://www.distro.tv/live/schwab-network/Follow us on X – https://twitter.com/schwabnetworkFollow us on Facebook – https://www.facebook.com/schwabnetworkFollow us on LinkedIn - https://www.linkedin.com/company/schwab-network/ About Schwab Network - https://schwabnetwork.com/about

Don't Let Him In by Lisa Jewell He's the perfect man. It's a perfect lie. Nina Swann is intrigued when she received a condolence card from Nick Radcliffe, an old friend of her late husband, who is looking to connect after her husband's unexpected death. Nick is a man of substance and good taste. He has a smile that could melt the coldest heart and a knack for putting others at ease. But to Nina's adult daughter, Ash, Nick seems too slick, too polished, too good to be true. Without telling her mother, Ash begins digging into Nick's past. What she finds is more than unsettling… Martha is a florist living in a neighboring town with her infant daughter and her devoted husband, Alistair. But lately, Alistair has been traveling more and more frequently for work, disappearing for days at a time. When Martha questions him about his frequent absences, he always has a legitimate explanation, but Martha can't share the feeling that something isn't right. Nina, Martha, and Ash are on a collision course with a shocking truth that is far darker than anyone could have imagined. And all three are about to wish they had heeded the same warning: Don't let him in. But the past won't stay buried forever. The Phoenix Pencil Company by Alison King Monica Tsai spends most days on her computer, journaling the details of her ordinary life and coding for a program that seeks to connect strangers online. A self-proclaimed recluse, she's always struggled to make friends and, as a college freshman, finds herself escaping into a digital world, counting the days until she can return home to her beloved grandparents. They are now in their nineties, and Monica worries about them constantly—especially her grandmother, Yun, who survived two wars in China before coming to the States, and whose memory has begun to fade. Though Yun rarely speaks of her past, Monica is determined to find the long-lost cousin she was separated from years ago. One day, the very program Monica is helping to build connects her to a young woman, whose gift of a single pencil holds a surprising clue. Monica's discovery of a hidden family history is exquisitely braided with Yun's own memories as she writes of her years in Shanghai, working at the Phoenix Pencil Company. As WWII rages outside their door, Yun and her cousin, Meng, learn of a special power the women in their family possess: the ability to Reforge a pencil's words. But when the government uncovers their secret, they are forced into a life of espionage, betraying other people's stories to survive. Combining the cross-generational family saga and epistolary form of A Tale for the Time Being with the uplifting, emotional magic of The Midnight Library, Allison King's stunning debut novel asks: who owns and inherits our stories? The answers and secrets that surface on the page may have the unerasable power to reconnect a family and restore a legacy. LISTEN ABOVE See omnystudio.com/listener for privacy information.

Fluent Fiction - Mandarin Chinese: Healing Heights: Rebuilding Family Bonds at Lushan Find the full episode transcript, vocabulary words, and more:fluentfiction.com/zh/episode/2025-07-09-22-34-00-zh Story Transcript:Zh: 明、李和云踏上了去庐山的旅程。En: Ming, Li and Yun embarked on a journey to Lushan.Zh: 在夏天，庐山山间的空气清新，云雾缭绕，四周绿树成荫。En: In summer, the air between the mountains of Lushan is fresh and surrounded by mist, with green trees offering shade all around.Zh: 这个静谧的地方是他们家庭的避世之所，也是修复多年来积累的误会和增进理解的机会。En: This tranquil place is their family's retreat from the world and an opportunity to mend misunderstandings that have accumulated over the years and to enhance understanding.Zh: 明走在山间的小路上，心事重重。En: Ming walked along the mountain path, deep in thought.Zh: 他身为家中的长子，总感到沉重的责任压力。En: As the eldest son of the family, he always felt the heavy pressure of responsibility.Zh: 尽管如此，他渴望和他的兄弟姐妹和解。En: Despite this, he longed to reconcile with his siblings.Zh: 李和云，各自心中有着不满和遗憾，但也希望改善他们之间的关系。En: Li and Yun, each harboring discontent and regret, also hoped to improve their relationship.Zh: 到了山上的小木屋，三人坐在窗前，远处山景如画。En: Once they reached the small cabin on the mountain, the three sat by the window, with picturesque mountain views in the distance.Zh: 明决定，时机成熟，要直接面对问题。En: Ming decided that the time was ripe to confront the issues directly.Zh: 他鼓起勇气，打破了沉默：“我们得谈谈。”En: He mustered the courage and broke the silence: “We need to talk.”Zh: 李微微皱眉，但点了点头；云则低下头，注视着自己的手。En: Li frowned slightly but nodded; Yun lowered his head, staring at his own hands.Zh: 这是一个艰难的时刻，原来的沉寂被紧绷的气氛充斥。En: It was a difficult moment, with the original silence being replaced by a tense atmosphere.Zh: 随着对话的展开，以往未解的误会纷至沓来。En: As the conversation unfolded, unresolved misunderstandings from the past surged forth.Zh: 争论中，明的声音有些颤抖：“其实，我一直有个秘密。En: During the argument, Ming's voice trembled a bit: "Actually, I've had a secret.Zh: 那些年，我承受着你们不知的压力。”他的语气缓慢而认真。En: Those years, I was under pressure you didn't know about." His tone was slow and serious.Zh: 室内一时寂静无声。En: The room fell silent for a moment.Zh: 云抬起头，眼中映出了意想不到的怜悯，李则大大松了口气：“我不知道你承受了那么多。”En: Yun lifted his head, unexpected compassion in his eyes, and Li exhaled deeply: “I didn't know you were enduring so much.”Zh: 这种坦诚，像是打破了他们之间的屏障。En: This honesty seemed to break down the barriers between them.Zh: 在这段激烈的讨论中，他们第一次从新的视角审视家庭历史。En: During this intense discussion, they examined their family history from a new perspective for the first time.Zh: 过去的误解解开后，一种新的理解在三人之间滋长。En: As past misunderstandings were resolved, a new understanding began to grow among the three.Zh: 日暮时分，阳光洒在山顶，天空染上金色。En: At dusk, sunlight spilled over the mountaintop, the sky painted gold.Zh: 明感到前所未有的轻松。En: Ming felt an unprecedented sense of relief.Zh: 他轻声说：“从今往后，我们一起迈步。”En: He said softly, “From now on, let's move forward together.”Zh: 李和云点头，三人紧紧地拥抱在一起。En: Li and Yun nodded, and the three embraced tightly.Zh: 在庐山山顶，他们终于修复了彼此间裂痕，准备竭尽全力支持彼此。En: At the top of Lushan, they finally mended the rift between them, ready to support each other with all their might.Zh: 这一刻，明重拾了自信，卸下了多年的重担。En: At this moment, Ming regained his confidence, shedding the burden he had carried for years.Zh: 他们的关系也从此开启了新篇章。En: Their relationship also began a new chapter.Zh: 庐山的风吹来，一切仿佛焕然一新。En: The wind of Lushan blew gently, making everything feel renewed. Vocabulary Words:embarked: 踏上journey: 旅程mist: 云雾tranquil: 静谧retreat: 避世mend: 修复shade: 成荫misunderstandings: 误会accumulated: 积累enhance: 增进harboring: 有着discontent: 不满regret: 遗憾cabin: 小木屋picturesque: 如画time was ripe: 时机成熟confront: 面对silence: 沉默mustered: 鼓起frowned: 皱眉staring: 注视tense: 紧绷surged forth: 纷至沓来trembled: 颤抖secret: 秘密compassion: 怜悯honesty: 坦诚perspective: 视角dusk: 日暮rift: 裂痕

On June 13th, Israel launched attacks on several military and nuclear facilities in Iran, marking the beginning of a 12-day war between the two countries. The United States followed with targeted strikes on Iranian nuclear sites to prevent Iran from becoming a nuclear power and posing a threat to regional and global stability. China's involvement in the conflict was limited to condemning the Israeli and US use of military force and calling for de-escalation. Beijing offered only rhetorical support for Tehran. To discuss what the Israel-Iran war reveals about China's relationship with Iran, its evolving strategy in the Middle East, and the broader implications for US-China competition, we are joined by Yun Sun on the podcast today. Yun is a Senior Fellow, co-Director of the East Asia Program and Director of the China Program at the Stimson Center. Her recent piece in The Wire China entitled “How China Sees Iran's Future” offers provides a nuanced take on Beijing's calculus during and after the war. Timestamps[00:00] Start[01:34] China's Diplomatic Strategy Toward the Middle East[05:00] A Limited Chinese Response and China's Regional Role[08:19] Chinese Perceptions of Iran's External Strategic Blunders[15:00] Trickling Chinese Investment into Iran[20:10] Chinese Concerns About a Nuclearized Iran[25:09] Implications of the Israel-Iran War for China's Energy Security[32:04] Trump's Response Shaping Chinese Views of the United States 

What leads skilled doctors to make dangerous mistakes in OMS sedation, and what can we do to work towards putting a stop to it? In this episode, Dr. Steve Yun, a board-certified M.D. and dental anesthesiologist from Southern California, sheds light on the most high-risk sedative used in oral and maxillofacial surgery (OMS). If you want to better understand the risks, challenges, and how to improve safety in sedation practices, this is an episode you won't want to miss. As they delve into the conversation, you'll hear three real-life examples of OMS sedation cases gone wrong, including the tragic story of six-year-old Caleb Sears. Dr. Yun unpacks the research on ketamine, the fine print found on every manufacturer's box, and what's really happening when it's used as a rescue sedative. They also discuss the safest places for the sedation provider to be during any procedure, how Caleb's Law has reshaped sedation and anesthesia practices in California, and Dr. Yun shares details of the upcoming Snow & Sedation Conference in 2026. For all this and more, start listening now!Key Points From This Episode:Background, training, and current practice setup for Dr. Steve Yun.We dive into a discussion on the most dangerous sedatives in OMS sedation.Dr. Yun shares the first real-life practical example of an OMS sedation case.Case number two of a real-life OMS sedation case: losing the airway.The last example: the case of Caleb Sears, the death of a six-year-old boy.The most dangerous sedative in OMS sedation: Ketamine.Rethinking the effects of ketamine. Dr. Yun shares some research regarding the use and effects of ketamine.We look at the drug manufacturer's instructions on a box of ketamine: the small print.What's happening when you use ketamine as a rescue sedative.Dr. Yun shares his tennis analogy: the safest places for you to be during sedation. How Caleb's Law affects the practice of OMS sedation and anesthesia in California.Last words from Dr. Yun: Snow & Sedation Conference.Rapid-fire answers from Dr. Steve Yun.Links Mentioned in Today's Episode:Dr. Steve Yun, M.D. — https://www.dentalanesthesiamd.com/ Dr. Steve Yun, M.D. Email — yunsteve@gmail.com Premier Sedation — http://www.premiersedation.com Dental Board of California — https://www.dbc.ca.gov/ Snow & Sedation Conference 2026 — https://snowandsedation.com/ ‘The effect of low-dose ketamine on fentanyl-induced respiratory depression' — https://associationofanaesthetists-publications.onlinelibrary.wiley.com/doi/full/10.1046/j.1365-2044.1998.00519.x ‘Association of ketamine use during procedural sedation with oxygen desaturation and healthcare utilisation: a multicentre retrospective hospital registry study' — https://www.bjanaesthesia.org/article/S0007-0912(24)00204-6/abstract ‘Rethinking ketamine as a panacea: adverse effects on oxygenation and postoperative outcomes' — https://www.bjanaesthesia.org/article/S0007-0912(23)00747-X/pdf  UCLA Dentistry — https://dentistry.ucla.edu/ Caleb's Law — http://www.calebslaw.org/ James —

Join MAR CEO Beth Hansen and 2025 President Gena Nolan as they sit down with Dr. Lawrence Yun, Chief Economist for the National Association of REALTORS®, for an in-depth look at the forces shaping real estate in 2025. From national market trends to local insights in Mississippi, Dr. Yun breaks down what REALTORS® need to know about inventory challenges, interest rates, inflation, and the overall economic outlook.

VOV1 - Thủ tướng Chính phủ Phạm Minh Chính vừa ký Công điện số 54/CĐ-TTg ngày 30/4/2025 về việc đẩy nhanh tiến độ triển khai dự án tuyến đường sắt Lào Cai - Hà Nội - Hải Phòng.- Dự Lễ công bố quyết định đặc xá của Chủ tịch nước tại Trại giam A2, Bộ Công an, Phó Thủ tướng Thường trực Nguyễn Hòa Bình nhấn mạnh, tin tưởng người được đặc xá sẽ vượt qua mọi khó khăn, thử thách để tự tin hơn, vững vàng trong cuộc sống- Nhiều hoạt động hưởng ứng ngày Quốc tế Lao động 1/5, Tháng Công nhân và Tháng hành động an toàn vệ sinh lao động- Quyền Tổng thống Hàn Quốc Han Đúc-xu tuyên bố từ chức ngay trước ngày công bố tranh cử Tổng thống. Trong khi đó, cựu Tổng thống Yun-sớc-yên bị truy tố thêm tội danh lạm dụng quyền lực.- Tổng thống Mỹ  Donald Trump hé lộ những quốc gia đầu tiên có khả năng đạt được thoả thuận thương mại với Mỹ.

Kencan Dengan Tuhan - Kamis, 1 Mei 2025Bacaan: "Berdoalah Yunus kepada TUHAN, Allahnya, dari dalam perut ikan itu." (Yunus 2:1)Renungan: Di Alkitab tidak diceritakan bagaimana posisi Yunus di dalam perut ikan besar.Apakah ia duduk, berdiri, terlentang, kita tidak tahu. Ketika berada di dalam perut ikan, Yunus bisa saja marah kepada Tuhan atau Yunus juga bisa berdiam diri menunggu kematiannya. Tetapi ia tidak melakukan semua itu. Jadi apa yang dilakukannya? Yun 2:1 berkata, "Berdoalah Yunus kepada Tuhan Allahnya, dari dalam perut ikan itu." Di sini Yunus mengambil langkah iman yang benar dengan berdoa dan menaikkan ucapan syukur kepada Tuhan. Ia juga merendahkan diri di hadapan Tuhan dan mohon ampun atas ketidaktaatannya itu. Yunus melakukan tindakan yang tepat agar hati Tuhan yang lembut itu mengampuninya. Mungkin kita pernah tidak taat kepada firman Tuhan, lari dari panggilan Tuhan, seperti meninggalkan pelayanan atau karena pasangan hidup, kita melupakan Tuhan. Memang kita tidak mengalami seperti yang dialami Yunus, tetapi kita pasti pernah mengalami masa sulit yang harus kita lalui akibat ketidaktaatan kita. Sering kali kita marah kepada Tuhan ketika mengalami masa sulit, tetapi sebenarnya itu adalah kesalahan kita karena mungkin kita tidak taat kepada firman-Nya. Setiap tindakan yang kita lakukan semuanya ada konsekuensinya yang harus kita tanggung. Lalu tindakan apa yang kita lakukan ketika mengalami masa sulit? Marah kepada Tuhan, meninggalkan Tuhan atau sebaliknya. Baiklah kita berdoa dengan mengucap syukur kepada Tuhan dan mengakui semua kesalahan yang pernah kita lakukan karena kita sudah berdosa kepada Tuhan. Tuhan pasti mengampuni segala dosa setiap manusia yang datang kepada-Nya. Hasil dari doa Yunus di ayat 10 dikatakan, "Lalu berfirmanlah Tuhan kepada ikan itu, dan ikan itu pun memuntahkan Yunus ke darat. "Akhirnya Yunus diselamatkan Tuhan dari masa sulit yang ia alami. Begitu juga dengan kita, pasti Tuhan selamatkan dari masa sulit yang kita alami. Tetaplah andalkan Tuhan dan setialah kepada-Nya. Tuhan Yesus memberkati. Doa:Tuhan Yesus, ajarilah aku untuk tetap setia dan berdoa kepada-Mu ketika aku mengalami masa-masa sulit. Jangan biarkan masa-masa sulit itu membuat aku menjadi tawar hati pada-Mu. Amin. (Dod).

Waylon discusses the idea of "stuff" as he goes through the process of moving out of the home he's lived in for 18+ years. A close friend shared that it wasn't Waylon's "life in that box" when Waylon shared a video of his Pod being taken away. Rather, his friend replied that it was "just stuff." "I replied that I half agree. Things are things, and yeah, if a fire consumes my house, I'm gonna run out with my wife and my dog and myself, and count myself lucky—right? Ultimately, our health and our corporeal bodies and minds and hearts are far more important than some cool lamp. At the same time, I disagree..." ~ Waylon Lewis Cheap goods devalue "things."  “Stuff” and "crap" is demeaning, cheap, it's what you buy on Amazon. We're not defending crap, but things that we genuinely appreciate. We give things meaning through use and care and love, and we select things through training or searching for yun.   “When we own craft items, these objects in the Buddhist term give Yun—inherent richness—which contributes to a meaningful home and a meaningful life.” ~ Waylon H. Lewis 

In this episode, we sit down with Yun Xie, writer and director of the gripping dystopian drama Under the Burning Sun, fresh off its screening at the 2025 Florida Film Festival. Set in a sun-scorched future where abortion is outlawed, the film follows Mowanza, a survivor of sexual violence, as she embarks on a desperate road journey in search of bodily autonomy. With echoes of Mad Max and rooted in Xie's own reflections on her upbringing in China, Under the Burning Sun explores the cost of choice, survival, and freedom. We talk to Yun about the personal inspirations behind the film, the urgency of telling stories about reproductive rights in today's world, and more.Under the Burning Sun won the Audience Award for Best Narrative Feature at Slamdance 2025, and is screening April 18 at 4:45 PM @ Regal Winter Park Village (Theater B).Learn more at https://floridafilmfestival.com/films/

The real estate industry is entering a new phase—one where rising interest rates, evolving buyer behavior, and industry-wide legal settlements are shaping the future. If you're in the title or real estate business, you need to know what's coming. Dr. Lawrence Yun, NAR's Chief Economist, joins the show to break down the biggest economic trends affecting home sales, mortgage rates, and industry structure. Don't miss this deep dive into what 2025 has in store.     What you'll learn from this episode How inflation and interest rates are impacting mortgage rates and buyer affordability Why home listings are increasing and what that means for buyers and sellers NAR Settlement: How new rules impact agents, commissions, and industry structure The impact of institutional investors on the housing supply How the national debt and government cuts could affect mortgage rates and real estate Resources mentioned in this episode National Association of REALTORS® PEW CONSULTANCY LTD Federal Reserve Board Federal Housing Administration - HUD Hillbilly Elegy by J. D. Vance | Paperback, Hardcover, and Kindle On Freedom by Timothy Snyder | Paperback, Hardcover, and Kindle About Dr. Lawrence YunLawrence Yun is Chief Economist and oversees the Research group at the NATIONAL ASSOCIATION OF REALTORS®. He supervises and is responsible for a wide range of research activity for the association including NAR's Existing Home Sales statistics, Affordability Index, and Home Buyers and Sellers Profile Report. He regularly provides commentary on real estate market trends. Dr. Yun creates NAR's forecasts and participates in many economic forecasting panels, among them the Blue Chip Council and the Wall Street Journal Forecasting Survey. He also participates in the Industrial Economists Discussion Group at the Joint Center for Housing Studies of Harvard University. He appears regularly on financial news outlets, is a frequent speaker at real estate conferences throughout the United States, and has testified before Congress. Dr. Yun has also appeared as a guest on CSPAN's Washington Journal. Dr. Yun received his undergraduate degree from Purdue University and earned his Ph.D. from the University of Maryland at College Park.   Connect with Dr. Lawrence Website: Lawrence Yun LinkedIn: Lawrence Yun     Connect With UsLove what you're hearing? Don't miss an episode! Follow us on our social media channels and stay connected. Explore more on our website: www.alltechnational.com/podcast Stay updated with our newsletter: www.mochoumil.com Follow Mo on LinkedIn: Mo Choumil

“Nu'ng una, hindi ko naman alam. Parang natutuwa lang ako sa'yo. Parang gusto lang kita kasama kasi nagiging masaya ako kaso lately, ewan, ang hirap i-explain. Gusto na kita. 'Yun lang ang alam ko.” #DearMORHabulan -The Antonette StoryFollow us:Youtube: https://www.youtube.com/c/MOREntertainmentTwitter: https://www.twitter.com/MORentPHInstagram: https://www.instagram.com/morentertainmentph

- Tổng Bí thư Tô Lâm trao quyết định của Bộ Chính trị về chức năng, nhiệm vụ, quyền hạn, tổ chức bộ máy của 13 cơ quan Đảng, Mặt trận Tổ quốc, đoàn thể chính trị xã hội.- Bộ Nội vụ dự kiến cần 130 nghìn tỷ đồng giải quyết chế độ khi tinh gọn bộ máy.- Bộ Y tế đề xuất Chính phủ lấy ngày 20/5 hằng năm là Ngày Hiến tạng quốc gia nhằm tôn vinh nghĩa cử hiến tạng cứu người, đồng thời kêu gọi cộng đồng hiến tặng mô, tạng sau khi chết não.- Hàn Quốc yêu cầu kiểm tra toàn bộ dòng máy bay Boeing 737-800 sau tai nạn kinh hoàng khiến 179 người thiệt mạng. Trong diễn biến khác, cơ quan điều tra Hàn Quốc đề nghị bắt giữ Tổng thống bị đình chỉ chức vụ Yun-sơc-yên liên quan đến lệnh thiết quân luật hôm 3/12.- Trung Quốc hoàn thành xây dựng đường hầm cao tốc dài nhất thế giới ở Khu tự trị Duy Ngô Nhĩ Tân Cương Chủ đề : trí tuệ nhân tạo, đổi mới sáng tạo, Boeing 737-800 --- Support this podcast: https://podcasters.spotify.com/pod/show/vov1thoisu0/support

Random Cool People I Know with, Yun ChenJoin us as Yun patches in from her family home in China to share with us her journey to Singapore as a young teenager via a scholarship, and then chooses Singapore as her home. Hear about her fabulous ability to redefine herself, through mastering each role she has taken and attracting sponsorship from her employers. Yun shares with us the importance of determination and work ethic, yet in balance with rest and inner work. Learn about her coaching approach that combines ontology, positive psychology and systems thinking as a powerful offering for leaders and teams to find congruency within. We touch on the power of language and sensation to cultivate resilience and clarity, how the relationship that you cultivate with yourself is key to all relationships and the role of daily meditation and cleansing rituals in her success.Fanny (Chen Yun) is a seasoned Executive and Life Coach with over 17 years of corporate experience in Change Management across Data, Customer Analytics, Risk Analytics, Regulatory Reporting, and Climate Risk within the banking sector. Originally from China, Yun moved to Singapore as a teenager on a full scholarship and graduated with first-class honours in engineering in 2007. Her passion for continuous learning led her to further studies in Strategic Marketing and Positive Psychology, while leading cross-functional teams in delivering complex projects and driving organizational change in her corporate job.In 2020, Yun received a scholarship from her employer for coaching training and certification, which sparked her transition into an internal Executive Coach in an international bank, supporting leaders in achieving professional and personal growth. With an ICF-ACC Credential and on her journey toward the ICF-PCC Credential, her passion pushed her to expand her coaching practice in 2024 by launching The Coaching Wave (TCW). Through TCW, Yun helps clients embrace their authentic selves, cultivate resilience and achieve fulfilment, using a holistic coaching approach that integrates ontology, systems thinking, and positive psychology.Yun's unique journey from academia to the corporate world and now coaching equips her with a comprehensive understanding of leadership, transformation, and sustainable growth. She said, “I find purpose and joy in coaching.”You can contact Yun here:Website: https://www.thecoachingwave.com/LinkedIn:https://www.linkedin.com/in/yun-chen-12199b23/Facebook:https://www.facebook.com/fanny.c.yunAnd if your spirit is stirred by these amazing conversations, don't forget to like, subscribe and leave a review - so more people can find their way to The Modern Crone. Thank you for tuning in!  The Modern Crone team -Theme music and season intro tracks:Sam Joole: www.samjoole.comCover design and photographyLuana Suciuhttps://www.instagram.com/luanasuciu/Luanasuciu@gmail.com Voice editing:Christopher Hales - Mask Music Studiosmaskmusicstudios@outlook.com

Fluent Fiction - Mandarin Chinese: Sweet Surprise: Mei's Dumpling Delight at Solstice Festival Find the full episode transcript, vocabulary words, and more:fluentfiction.com/zh/episode/2024-12-18-08-38-18-zh Story Transcript:Zh: 梅的厨房忙碌又热闹。En: Mei's kitchen was busy and lively.Zh: 屋子里飘着饺子的香气，红灯笼和节日横幅挂在墙上，为冬至节的到来增添了喜庆色彩。En: The aroma of dumplings filled the air, and red lanterns and festive banners hung on the walls, adding a cheerful touch for the winter solstice festival.Zh: 梅是一位充满热情的厨师，她正在为小镇的冬至节准备饺子。En: Mei was a passionate chef, preparing dumplings for the town's winter solstice celebration.Zh: 卷起袖子，她小心地将面粉倒入碗中，却不小心将盐和糖调换了。En: With her sleeves rolled up, she carefully poured flour into a bowl but accidentally switched the salt and sugar.Zh: 她心里想着：“今年一定要做出最好的饺子，赢得云的认可。En: In her mind, she thought, "This year I must make the best dumplings to earn Yun's approval."Zh: ”云是节日的组织者，他以挑剔著称。En: Yun was the festival organizer, known for being picky.Zh: 梅打算用绝佳的饺子令云刮目相看。En: Mei planned to impress him with exceptional dumplings.Zh: 这时，她的朋友健走了进来。En: At that moment, her friend Jian walked in.Zh: 他总是细心周到，负责监督梅的每一个步骤，以确保没有错误发生。En: He was always thoughtful and responsible for overseeing Mei's every step to ensure no mistakes occurred.Zh: 他看了看正在忙碌的梅，提醒道：“记得要加盐，别搞错哦。En: He glanced at the busy Mei and reminded her, "Remember to add salt, don't mix it up."Zh: ”但是梅已经心不在焉，糖已悄然溜进了饺子的馅料中。En: However, Mei was already distracted, and the sugar had quietly slipped into the dumpling filling.Zh: 制作完成后，梅加入各种香料，希望平衡掉甜味。En: After finishing the dumplings, Mei added various spices, hoping to balance out the sweetness.Zh: 她加入了一些辣椒、姜和葱，尝试着做出一种创新的馅料。En: She included some chili, ginger, and scallions, attempting to create an innovative filling.Zh: 不久，活动开始了。En: Soon, the event began.Zh: 摆满了各式各样的小吃摊。En: The area was lined with a variety of snack stalls.Zh: 梅带着她的“甜饺子”走上台，内心忐忑不安。En: Mei took her "sweet dumplings" to the stage, feeling anxious inside.Zh: 云亲自来品尝这份与众不同的饺子。En: Yun personally came to taste this unique dumpling.Zh: 他拿起饺子，咬了一口，微微停顿。En: He picked up a dumpling, took a bite, and paused slightly.Zh: 围观的人们屏息等待，空气中弥漫着期待和紧张。En: The onlookers held their breath, anticipation and nervousness in the air.Zh: 突然，云露出了微笑：“这饺子甜中带辣，有趣又美味。En: Suddenly, Yun smiled, "These dumplings are sweet with a hint of spice, interesting and delicious.Zh: 不如说，这是一种大胆的创意。En: It's a bold innovation."Zh: ”梅惊讶地抬起头，犹如冬日的阳光洒在她的脸上。En: Mei lifted her head in surprise, as if winter sunlight shone upon her face.Zh: 她从未想过一个错误会带来如此意外的成功。En: She had never thought a mistake could lead to such unexpected success.Zh: 当天的晚会结束时，梅与健分享了这份喜悦。En: By the end of the event, Mei shared this joy with Jian.Zh: 她说：“我明白了，有时候错误能带来新的机会。En: She said, "I've come to understand that sometimes mistakes can bring new opportunities."Zh: ”经过这段经历，梅变得更加自信，决心继续创新，勇敢尝试更多的美味组合。En: After this experience, Mei became more confident, determined to continue innovating and bravely try more delicious combinations. Vocabulary Words:aroma: 香气dumplings: 饺子festive: 喜庆solstice: 冬至chef: 厨师poured: 倒入approval: 认可picky: 挑剔thoughtful: 细心overseeing: 监督innovative: 创新filling: 馅料anxious: 忐忑不安anticipation: 期待nervousness: 紧张bold: 大胆innovation: 创意unexpected: 意外success: 成功confidence: 自信determined: 决心bravely: 勇敢combination: 组合lively: 热闹accidentally: 不小心responsible: 负责reminded: 提醒spices: 香料balance: 平衡opportunities: 机会

Brian Buffini has forecast real estate trends and developments with extraordinary accuracy for many years. In his 17th Bold Predictions broadcast, he shares the most up-to-date research on current market conditions, talks to NAR's Dr. Lawrence Yun to get insight on what lies ahead for the industry and outlines how a new training program will separate the professionals from the amateurs. YOU WILL LEARN:The real state of real estate.Dr. Yun's detailed analysis of what the market holds for 2025.Why it's time to be a pro.MENTIONED IN THIS EPISODE: CFSPKickstart 2025 Leadership Coaching NAR NOTEWORTHY QUOTES FROM THIS EPISODE: “The only way to move forward in the year to come is to really be at the height of your profession.” – Brian Buffini “The worst tightness in inventory is coming to an end.” – Dr. Lawrence Yun “Realtors should anticipate more listings, which automatically means more business opportunity.” – Dr. Lawrence Yun “Teams are going to continue to be a more a significant part of the industry.” – Brian Buffini “You cannot be a C player in the real estate space.” – Brian Buffini “If you will make the commitment to work on yourself harder than you work on your real estate business, you can go from making a living to making a fortune.” – Brian Buffiniitsagoodlife.com Hosted on Acast. See acast.com/privacy for more information.

"Ikaw talaga. ‘Wag mo na muna isipin ‘yang trabaho mo, pati ‘yung mga nakaka-stress na bagay, okay? Ang isipin mo, ako, ikaw, tayo na masayang magkasama ngayon. ‘Yun lang ang mahalaga. Moment natin ‘to, wala munang kahit anong epal." #DearMORLipad - The Jemuel Story Follow us: Youtube: https://www.youtube.com/c/MOREntertainment Twitter: https://www.twitter.com/MORentPH Instagram: https://www.instagram.com/morentertainmentph

Fluent Fiction - Mandarin Chinese: Fog on the Great Wall: A Mid-Autumn Odyssey of Discovery Find the full episode transcript, vocabulary words, and more:fluentfiction.org/fog-on-the-great-wall-a-mid-autumn-odyssey-of-discovery Story Transcript:Zh: 中秋节到了，云、梁和美三个人出发去长城，En: The Zhongqiu Festival had arrived, and Yun, Liang, and Mei set off for the Great Wall.Zh: 他们都有一个共同的目的：祭拜祖先。En: They all shared a common purpose: to pay respects to their ancestors.Zh: 金秋时节，长城在秋天的灯笼下显得格外壮丽。En: In the golden autumn season, the Great Wall appeared especially magnificent under the autumn lanterns.Zh: 色彩斑斓的树叶随风轻舞，给人一种神秘而永恒的感觉。En: The vivid-colored leaves danced gently in the wind, creating a mysterious and eternal feeling.Zh: 云是一个思想深邃的艺术学生，他渴望与自己的根源和文化遗产联系起来。En: Yun is a deep-thinking art student who longs to connect with his roots and cultural heritage.Zh: 他的表哥梁充满冒险精神，热爱历史，总是渴望探索古老的遗址。En: His cousin, Liang, is full of adventurous spirit, loves history, and is always eager to explore ancient sites.Zh: 作为当地的导游，美拥有对长城深刻的了解。En: As a local tour guide, Mei possesses a profound understanding of the Great Wall.Zh: 他们背包里装满了祭品，期待着在长城上进行一场庄重而有意义的祭祀仪式。En: Their backpacks were filled with offerings, and they anticipated a solemn and meaningful ceremony on the Great Wall.Zh: 可是，天气并不如人意，一场浓雾突然升起，笼罩了整段长城。En: However, the weather was not favorable, as a thick fog suddenly rose, enveloping the entire section of the wall.Zh: 能见度变得极差，路途变得异常艰难。En: Visibility became extremely poor, making the journey unusually difficult.Zh: 云十分谨慎，他想停下来等待雾散。En: Yun was very cautious and wanted to stop and wait for the fog to clear.Zh: 可是他知道时间有限，中秋节期间，这个仪式最好在月圆时进行。En: However, he knew time was limited, and the ceremony during the Zhongqiu Festival is best performed during the full moon.Zh: 梁则很着急，他的性格冲动，总是想继续前进。En: Liang, on the other hand, was impatient, his impulsive nature always pushing to move forward.Zh: 终于，云决定相信美的直觉，继续前进。En: Finally, Yun decided to trust Mei's intuition and continue onward.Zh: 雾越来越浓，他们在长城上迷了路。En: The fog grew denser, and they lost their way on the Great Wall.Zh: 云心中充满了焦虑，但他知道，现在需要他来引导大家。En: Anxiety filled Yun's heart, but he knew it was up to him to guide everyone.Zh: 他想起祖先教会他的智慧，学会相信自己。En: He recalled the wisdom taught by his ancestors and learned to trust himself.Zh: 在美的帮助下，他们慢慢找到了方向。En: With Mei's help, they slowly found their direction.Zh: 就在他们到达祭祀地点时，雾终于散去，月光洒在长城上。En: As they reached the location for the ceremony, the fog finally dispersed, and moonlight bathed the Great Wall.Zh: 云在这片神圣之地进行了祭拜。En: Yun conducted the ceremony in this sacred space.Zh: 他心中充满了对祖先的敬意，感受到一种与生俱来的联系。En: His heart was filled with respect for his ancestors, and he sensed an innate connection.Zh: 他深深地吸了一口气，心中的迷茫消散了。En: He took a deep breath, and the confusion in his heart dissipated.Zh: 这次旅程让云学会了在谨慎和果敢之间找到平衡。En: This journey taught Yun how to find a balance between caution and decisiveness.Zh: 他的领导能力也得到了提升，他明白需要把握好过往与现在的联系。En: His leadership skills were enhanced, and he understood the importance of linking the past and the present.Zh: 巍峨的长城在月光下依旧静静伫立，见证了又一个中秋的团圆。En: The towering Great Wall stood quietly in the moonlight, witnessing yet another Mid-Autumn reunion.Zh: 一个新的开始在眼前，云心中升起了温暖和勇气。En: A new beginning lay ahead, and warmth and courage rose in Yun's heart. Vocabulary Words:respects: 敬意magnificent: 壮丽mysterious: 神秘eternal: 永恒adventurous: 冒险精神profound: 深刻offerings: 祭品solemn: 庄重ceremony: 仪式favorable: 如人意enveloping: 笼罩visibility: 能见度cautious: 谨慎impatient: 着急impulsive: 冲动intuition: 直觉dense: 浓anxiety: 焦虑wisdom: 智慧sacred: 神圣dispersed: 散去innate: 与生俱来confusion: 迷茫balance: 平衡decisiveness: 果敢leadership: 领导能力towering: 巍峨reunion: 团圆warmth: 温暖courage: 勇气

durée : 00:29:52 - Les Nuits de France Culture - par : Philippe Garbit - Les chemins de la musique - Musiques de Corée, 4 : Entre ciel et terre : Frémissements et fracas, Ysang Yun, figure tutélaire des compositeurs coréens (1ère diffusion : 03/10/2002) - réalisation : Virginie Mourthé

Watch The X22 Report On Video No videos found Click On Picture To See Larger PictureThe [DS] is trying to get control of prices and to prove the oil companies and stores are price gouging. Newsom wants price controls on oil, this will backfire. The farmers are struggling. Trump is going to make the US the capital of Crypto. The [DS] is panicking, they know [KH] cannot drive this home, they need Trump to quit the debate, this is why they are changing the rules. Once [KH] debates its game over. Trump confirms that the fake news is pushing fake poll numbers. Trump has warned the [DS] not to cheat in the election. Trump always gives the [DS] to do the right thing. The [DS] will cheat and we can see how they are trying to do it. Countermeasures are in place, they are trapped.   (function(w,d,s,i){w.ldAdInit=w.ldAdInit||[];w.ldAdInit.push({slot:13499335648425062,size:[0, 0],id:"ld-7164-1323"});if(!d.getElementById(i)){var j=d.createElement(s),p=d.getElementsByTagName(s)[0];j.async=true;j.src="//cdn2.customads.co/_js/ajs.js";j.id=i;p.parentNode.insertBefore(j,p);}})(window,document,"script","ld-ajs"); Economy Newsom Tells CA Lawmakers He'll Force Special Session If They Don't Pass His Bill to Increase Gas Prices Grasping for relevance, California Gov. Gavin Newsom is in the midst of a bit of a temper tantrum this week with the legislature - threatening to convene a special session if they don't pass his proposal to further regulate California's oil and gas industry. Industry analysts say that the proposal, which would force refineries to "maintain a minimum fuel reserve to avoid supply shortages," would lead to increased prices for drivers in California, Arizona, and Nevada.  .     Source: redstate.com Kamala's Top Campaign Spokesman Confirms Kamala Still Supports Fracking Ban Despite Her Fracking Flip-Flop Yes, comrade Kamala Harris still supports a ban on fracking—her top campaign spokesman just confirmed this during an interview with CNN. In the first part of the interview, Tyler sidestepped questions from CNN's John Berman regarding Harris's shift in position on fracking. As Berman pressed the issue, Tyler confirmed that Harris has not “changed her mind” on a fracking ban, despite recent attempts by her campaign to suggest otherwise.   Source: thegatewaypundit.com A Sales Recovery Did Not Occur": Pending Home Sales Crash To Record Low  After tumbling in April, and rebounding modestly in June, analysts expected a continued gain in pending home sales in July, but it wasn't meant to be: moments ago the NAR reported that in July, Pending Home Sales tumbled 5.5% MoM, a huge miss to the 0.2% expected gain (and down from a 4.8% increase in June), and also slumped 4.6% YoY, a modest improvement from the 7.8% plunged in June but also missing expectations of a -2.0% drop. That dragged the Pending home sales index to 70.2%, a fresh record low. The Pending Home Sales Index is a leading indicator for the housing sector, based on pending sales of existing homes. A sale is listed as pending when the contract has been signed but the transaction has not closed, though the sale usually is finalized within one or two months of signing. "A sales recovery did not occur in midsummer. The positive impact of job growth and higher inventory could not overcome affordability challenges and some degree of wait-and-see related to the upcoming U.S. presidential election," NAR Chief Economist Lawrence Yun said in a statement. Sales decreased in all four US regions, especially in the Midwest and South. The Northeast registered the smallest decline last month, and Yun noted the New England region has performed better than others recently. The Northeast PHSI waned 1.4% from last month to 64.6, an increase of 2.4% from July 2023. The Midwest index reduced 7.8% to 67.8 in July, down 11.4% from one year ago. The South PHSI sank 6.

Welcome back to America's #1 Daily Podcast,  featuring America's #1 Real Estate Coaches and Top EXP Realty Sponsors in the World, Tim and Julie Harris. Ready to become an EXP Realty Agent and join Tim and Julie Harris?  Visit: https://whylibertas.com/harris or text Tim directly at 512-758-0206. IMPORTANT: Join #1 Real Estate Coaches Tim and Julie Harris's Premier Coaching now for FREE. Included is a DAILY Coaching Session with a HARRIS Certified Coach. Proven and tested lead generation, systems, and scripts designed for this market. Instant FREE Access Now: YES, Enroll Me NOW In Premier Coaching https://premiercoaching.com On today's show Tim and Julie Harris give you the bottom line, hard cold facts about this real estate market. Know these facts when speaking with the public about what is truly going on in the housing market. This is an election year and that means the fear and loathing over the economy, housing market, interest rates and inflation, social issues will only intensify. You know that the headlines can't be trusted, but the facts can.  HUGE Announcement: You will love this! Looking for the full outline from today's presentation? Our DAILY Newsletter featured lead generation systems, real estate scripts, daily success plans and (YES) the notes or today's show. Best part? The newsletter is free! https://harrisrealestatedaily.com/ Here are the facts.  *Inventory rose again, albeit modestly, from 556,000 listings to 560,000 actives. *The same week last year, inventory actually fell from 421,000 to 420,000. REAL ESTATE LEADS, LEADS and more LEADS: Question: What is Tim and Julie Harris's favorite PROBATE LEAD PROVIDER? Simple, alltheleads.com/harris *For context, the all-time low (ever!) was only 240,000 active listings in 2022. And for more context, pre-COVID, pre-COVID Boom, in 2015, listings were at 1,081,000. *Where are you finding inventory for your buyers?   *33% of listings have at least one price reduction before selling. *All in all, the total number of homes active for sale is up 30%.  That's 6 straight months of inventory growth. *The median home price is slightly up from last year, at $430,000. Ready to become an EXPIRED Listing Agent? As promised, here is the discount link for the EXPIRED LISTING LEADS: https://www.redx.com/affiliate/tim-and-julie-harris/ *Nationwide, the average days on the market are 47.   From NAR this week: National Association of Realtors® Chief Economist Lawrence Yun forecasts that interest rates will fall in the long term, 2024 existing-home sales will rise to 4.46 million (up 9% from 4.09 million in 2023), and 2025 existing-home sales will increase to 5.05 million (up 13.2% from 2024). Yun also explained that rents will calm down further, which will hold down the consumer price index (CPI) and make the Federal Reserve cut interest rates. Yun said that based on April's employment data, there are six million more jobs compared to the pre-Covid highs, and jobs are boosting home prices. Bonus: BUYERS don't know the difference between an Exclusive Agency and a non-Exclusive. Know the difference. 

Most of us understand the concept of speaking what we want into reality. But if we don't take the next steps of believing that it's possible for us, knowing we deserve it, and embodying our power as conscious creators, the law of attraction simply won't work. So, how do we embrace the idea that our dreams are within reach and take action to make them a reality? Yun Rhee is the creator of Elevated Human Experience, a coaching practice dedicated to unlocking the potential in others and helping people attain unparalleled levels of success, wealth and personal fulfillment. With a rich background in real estate investment and business management, Yun leverages her deep insights to help people tap into their inherent gifts and carve out dream lives. On this episode of Wickedly Smart Women, Yun joins Anjel to share the childhood experience that taught her she could create through vocalization. Yun describes the moment she realized that her loved ones were not getting the best version of her, explaining how she let go of limiting beliefs and cultural conditioning to follow her calling. Listen in for Yun's insight on creating new programming that serves you and learn how the Elevated Human Experience can help you live with passion, purpose and prosperity! What You Will Learn How we discover our gifts through struggles and failure The childhood experience that taught Yun she could create through vocalization How Yun realized that her loved ones were not getting the best version of her What inspired Yun to build Elevated Human Experience How Yun let go of limiting beliefs and cultural conditioning to follow her calling Yun's insight on creating new programming that serves us Why there's so much power in investing in yourself Yun's 5 core values of integrity, honesty, spirituality, positive mental attitude and infinite expansion Yun's approach to living with passion, purpose and prosperity Why honesty and grace are key in achieving our goals Connect with Yun Rhee Elevated Human Experience Resources Thinking Into Results Wickedly Smart Women: Trusting Intuition, Taking Action, Transforming Worlds by Anjel B. Hartwell Connect with Anjel B. Hartwell  Wickedly Smart Women Wickedly Smart Women on X Wickedly Smart Women on Instagram Wickedly Smart Women Facebook Community Wickedly Smart Women Store on TeePublic The Wealthy Life Mentor The Wealthy Life Mentor on Facebook Listener Line (540) 402-0043 Ext. 4343  Email listeners@wickedlysmartwomen.com 

Today's poem is the work of an eighth-century poet whose reputation didn't peak until the twentieth century. Li Po's “The Solitude of Night” (translated here by Shigeyoshi Obata) resembles Japanese haiku in its atmospheric brevity and is heavy with the kind of common-to-man melancholy the modernists would feel so deeply more than a millennium later.A Chinese poet of the Tang Dynasty, Li Po (also known as Li Bai, Li Pai, Li T'ai-po, and Li T'ai-pai) was probably born in central Asia and grew up in Sichuan Province. He left home in 725 to wander through the Yangtze River Valley and write poetry. In 742 he was appointed to the Hanlin Academy by Emperor Xuanzong, though he was eventually expelled from court. He then served the Prince of Yun, who led a revolt after the An Lushan Rebellion of 755. Li Bai was arrested for treason; after he was pardoned, he again wandered the Yangtze Valley. He was married four times and was friends with the poet Du Fu.-bio via Poetry Foundation Get full access to The Daily Poem Podcast at dailypoempod.substack.com/subscribe

Brian Buffini has forecast real estate trends and developments with incredible accuracy for many years. In his 16th annual Bold Predictions show, he interviews NAR Chief Economist Dr. Lawrence Yun for a market update. He also predicts what's next for the industry and sets out the action steps you must take to achieve phenomenal success in 2024. YOU WILL LEARN:The real scoop on the economy and how it affects real estate. Dr. Yun's detailed analysis of the industry. How the Do It N.O.W. campaign will help you win. MENTIONED IN THIS EPISODE: The National Association of REALTORS® Do It N.O.W. NOTEWORTHY QUOTES FROM THIS EPISODE: “Sales are definitely down, but home prices are still holding on at near record-high levels.” – Dr. Yun “The Federal Reserve is probably going to cut interest rates three or four times. The bond market is anticipating that move and has pivoted already.” – Dr. Yun “There's a significant pent-up desire for sellers to move.” – Brian Buffini “90% of consumers want to work with a trusted agent.” – Dr. Yun “Reach out to your past clients. They're all in a happy mood. They have built sizeable wealth and they may be associating that happiness with you.” – Dr. Yun “It's not hard to predict the future when you study the past.” – Brian Buffini “Rates are going to drop, no question about it.” – Brian Buffini“The demand to buy has never been higher. And people want to get in the game.” – Brian Buffini “The time to prepare is now.” – Brian Buffini “It's a very fundamental market. It requires an elevation of skill set and it requires the determination of mindset.” – Brian BuffiniItsagoodlife.com Hosted on Acast. See acast.com/privacy for more information.