Podcasts about Deutsche Grammophon

durée : 00:32:49 - par : Emilie Munera, Rodolphe Bruneau-Boulmier - Pendant près de trente ans, les frères Alfons et Aloys Kontarsky ont formé le duo de pianistes le plus réputé au monde, établissant la norme pour tous les duos de frères et sœurs pianistes qui leur ont succédé. - réalisation : Pauline Boisaubert Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:32:49 - par : Emilie Munera, Rodolphe Bruneau-Boulmier - Pendant près de trente ans, les frères Alfons et Aloys Kontarsky ont formé le duo de pianistes le plus réputé au monde, établissant la norme pour tous les duos de frères et sœurs pianistes qui leur ont succédé. - réalisation : Pauline Boisaubert Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Today we're joined by David Singer — an internationally acclaimed clarinetist whose remarkable career has taken him from driving a cab in Los Angeles to performing at the White House for Presidents Jimmy Carter and Bill Clinton, and on the stages of Carnegie Hall with legends like Yehudi Menuhin, Yo-Yo Ma, and Rudolf Serkin. A longtime co-Principal Clarinetist with the Grammy-winning Orpheus Chamber Orchestra, David has recorded for Naxos, Deutsche Grammophon, and was recently featured on a landmark reissue with Rudolf Serkin. He's also a beloved professor, chamber music coach, and the author of the new memoir From Cab Driver to Carnegie Hall. With a life full of inspiring stories, stunning performances, and deep musical wisdom, David Singer joins us to share his extraordinary journey.https://singerclarinet.com/Become a supporter of this podcast: https://www.spreaker.com/podcast/i-am-refocused-radio--2671113/support.Subscribe now at YouTube.com/@RefocusedNetworkThank you for your time. 

durée : 00:32:10 - Talmudiques - par : Marc-Alain Ouaknin - A l'occasion des commémorations du 8 mai 1945, Marc-Alain Ouaknin reçoit Christian Curtil. - réalisation : Alexandra Malka Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

This lecture was recorded by Milton Mermikides on the 15th of April 2026 at LSO, LondonMilton Mermikides is a composer, guitarist, technologist, academic and educator in a wide range of musical styles and has collaborated with artists and scientists as diverse as Evelyn Glennie, Tim Minchin, Pat Martino, Peter Zinovieff, John Williams and Brian Eno. Son of a CERN nuclear physicist, he was raised with an enthusiasm for both the arts and sciences, an eclecticism which has been maintained throughout his teaching, research and creative career. He is a graduate of the London School of Economics (BSc), Berklee College of Music (BMus) and the University of Surrey (PhD). He has lectured, exhibited and given keynote presentations at organisations like the Royal Academy of Music, TEDx, Royal Musical Association, British Library, Smithsonian Institute and The Science Museum and his work has been featured extensively in the press. His music, research and graphic art are published and featured by Oxford University Press, Cambridge University Press, Deutsche Grammophon, Sony and more, and he has won awards, scholarships and commendations for writing, teaching, research and his charity work.      The transcript and downloadable versions of the lecture are available from the Gresham College website: https://www.gresham.ac.uk/watch-now/music-mindGresham College has offered free public lectures for over 400 years, thanks to the generosity of our supporters. There are currently over 2,500 lectures free to access. We believe that everyone should have the opportunity to learn from some of the greatest minds. To support Gresham's mission, please consider making a donation: https://gresham.ac.uk/support/Website:  https://gresham.ac.ukTwitter:  https://twitter.com/greshamcollegeFacebook: https://facebook.com/greshamcollegeInstagram: https://instagram.com/greshamcollegeSupport the show

durée : 00:15:53 - par : Lionel Esparza - Cet enregistrement de "Lucia de Lamermoor" avec la soprano Beverly Sills au sommet de sa carrière et de ses moyens, date de 1970. Un disque Westminster Legacy restauré par Deutsche Grammophon - réalisation : Flora Sternadel Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:15:53 - par : Lionel Esparza - Cet enregistrement de "Lucia de Lamermoor" avec la soprano Beverly Sills au sommet de sa carrière et de ses moyens, date de 1970. Un disque Westminster Legacy restauré par Deutsche Grammophon - réalisation : Flora Sternadel Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:16:00 - par : Lionel Esparza - En 1998 paraissait chez Deutsche Grammophon le disque "In paradisum" consacré à deux sommets du répertoire sacré : les Requiem de Gabriel Fauré et de Maurice Duruflé sous la direction de Myung-Whun Chung - réalisation : Flora Sternadel Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:16:00 - par : Lionel Esparza - En 1998 paraissait chez Deutsche Grammophon le disque "In paradisum" consacré à deux sommets du répertoire sacré : les Requiem de Gabriel Fauré et de Maurice Duruflé sous la direction de Myung-Whun Chung - réalisation : Flora Sternadel Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 01:28:37 - par : Lionel Esparza - Né à Stockholm en 2001, le violoniste suédois Daniel Lozakovich a signé chez Deutsche Grammophon à 15 ans. Bach, Tchaïkovski, Beethoven… Une discographie déjà dense pour ce musicien de 25 ans, que l'on découvre aujourd'hui dans Relax ! - réalisation : Flora Sternadel Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 01:28:37 - par : Lionel Esparza - Né à Stockholm en 2001, le violoniste suédois Daniel Lozakovich a signé chez Deutsche Grammophon à 15 ans. Bach, Tchaïkovski, Beethoven… Une discographie déjà dense pour ce musicien de 25 ans, que l'on découvre aujourd'hui dans Relax ! - réalisation : Flora Sternadel Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:17:14 - par : Lionel Esparza - Enregistré entre 1966 et 1970 pour Deutsche Grammophon, Le Ring de Wagner par Karajan est l'autre grande intégrale studio de référence après celle de Georg Solti. Une version plus chambriste, avec un Philharmonique de Berlin mené par la direction précise et souple du chef allemand. - réalisation : Flora Sternadel Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:17:14 - par : Lionel Esparza - Enregistré entre 1966 et 1970 pour Deutsche Grammophon, Le Ring de Wagner par Karajan est l'autre grande intégrale studio de référence après celle de Georg Solti. Une version plus chambriste, avec un Philharmonique de Berlin mené par la direction précise et souple du chef allemand. - réalisation : Flora Sternadel Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 01:28:16 - Bruce Liu : après la compétition, l'accomplissement - par : Aurélie Moreau - 1er Prix du Concours Chopin de Varsovie, Bruce Liu enregistre pour Deutsche Grammophon depuis 2022. « L'essentiel est de continuer à grandir, à chercher ma propre voie » dit-il. (OPStrasbourg). Aujourd'hui : Bach, Ravel, Chopin, Rameau, Tchaïkovski… Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Sounds of Justice, the fourth series in the Global Campus “To the Righthouse” podcast programme,  explores the deep and often surprising connections between music and human rights. Taking inspiration from The Routledge Companion to Music and Human Rights, it travels across genres, geographies and histories to look at the roleof music in advancing empathy, solidarity, identity and resistance to injustice.Aimed at music-makers, change-makers and anyone with an interest in music, social justice and the connections between them, Sounds of Justice is an invitation to listen afresh, to imagine anew and to be moved to action.  The series is hosted by Ignacio Saiz who designed it in collaboration with advisors Angela Impey and Julian Fifer. It brings together leading voices from across the music, social justice and human rights fields, including Manfred Nowak, George Ulrich, Shana Redmond, Rasika Ajotikar, Christina Hazboun, Rachel Harris, Mansoor Adayfi, César Rodríguez-Garavito and Rebecca Dirksen.The first episode  teases out the different dimensions of the relationship between music and human rights. The four guests, all co-editors of the Routledge Companion, explore what the language of music and the values of human rights have in common; and how music's capacity to connect us to our common humanity while attuning us to difference can power ongoing struggles for justice.About the hostIgnacio Saiz is a human rights advocate and independent advisor to international organizations. He previously led the Center for Economic and Social Rights and held senior positions at Amnesty International. A lifelong passion for music has led him to explore how its power can be harnessed to advance human rights, including as creator and host of Sounds of Justice.* Julian Fiferis former Executive Director of Musicians for Human Rights. As cellist and founder of the Orpheus Chamber Orchestra, he conceived a method of orchestral music-making using democratic principles and collective leadership. The artistic outcomes have been documented by Deutsche Grammophon on 55 Orpheus recordings.* Angela Impeyis Emerita Professor of Ethnomusicology at SOAS, University of London and co-editor of the Routledge SOAS Studies in Music series. She has published widely on music and social justice in Africa, including the award-winning Song Walking: Women, Music, and Environmental Justice in an African Borderland.* Manfred Nowakis Professor of International Human Rights Law at the University of Vienna and Secretary General of the Global Campus of Human Rights, a network of some 100 universities in all world regions, based in Venice.* George Ulrichis Academic Director of the Global Campus of Human Rights (Venice, Italy). His research interests relate to the philosophy of human rights, global justice, and human rights and development cooperation.

Consider taking out a paid subscription to The Piano Maven podcast via our Substack page (https://jeddistlermusic.substack.com/about), which you also can access by clicking on the "Donate" button here: https://rss.com/podcasts/pianomavenJed takes a deep dive into Deutsche Grammophon's Friedrich Gulda Edition, which encompasses 84 CDs devoted to the pianist's complete recordings for labels controlled by Universal Music, plus some bonus DVDs. Gulda was one of the 20th century's most fascinating, multi-talented, confrontational and boundary-breaking musicians, who embraced both classical and jazz idioms with equal fervency and commitment. How has this immense recorded legacy stood the test of time? Listen and find out!Here are links to selected recordings featured in the box:Beethoven: Piano Sonata No. 21 in C Major (“Waldstein”) – first movement (Amadeo recording) - https://www.youtube.com/watch?v=PyjnWqxL2CQChopin: Preludes Op. 28 (live Deustche Grammophon recording) - https://www.youtube.com/watch?v=lRB23YrsTo4&list=PLnXTfjAd4PkepKFUVDOOSq_6XNxsJqqwgDebussy: Suite bergamasque - https://www.youtube.com/watch?v=-XDi-UHyDKYGulda: Suite 1962 (jazz trio) - https://www.youtube.com/watch?v=bNUwT8Adf6I

durée : 01:28:10 - Le Quatuor Emerson, enthousiasme et maestria - par : Aurélie Moreau - Fondé à New York en 1976, le Quatuor Emerson connaît la renommée internationale par ses enregistrements pour Deutsche Grammophon, notamment les cycles consacrés à Bartók, Beethoven, Mendelssohn et Chostakovitch. Il a reçu neuf Grammy Awards. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

The highly renowned classical clarinetist, David Singer, has performed many times at Carnegie Hall. He was a principal member and soloist with the Grammy Award-winning Orpheus Chamber Orchestra for 36 years and is featured on many of the group's 70 CDs on Deutsche Grammophon. David began with Orpheus when the group was playing for free. He has played with many of the world's greatest classical musicians, including legends like Yehudi Menuhin, Itzhak Perlman, Rudolf Serkin, and Yo-Yo Ma among others.David has also performed at the White House with Music from Marlboro and The Lincoln Center Chamber Music Society for Presidents Carter and Clinton.  David's recently published memoir, From Cab Driver to Carnegie Hall, is more than a musician's autobiography; its inspiring narrative will resonate with anyone who has faced life's challenges head-on. It's an ode to the power of never giving up while giving oneself every chance to succeed. I've read David's book and found it to be a fascinating, uplifting reflection of a life in music that's been full of challenges, triumphs, and the transformative power of music. If you enjoy stories about artists succeeding despite difficult obstacles, I highly urge you to read David's entertaining memoir. 

Dans L'Honneur des miens (Plon), Christian Curtil raconte comment son grand-père Walter Betcke, président de Deutsche Grammophon, a résisté à toutes les manœuvres de Joseph Goebbels pendant le Troisième Reich, sauvant ainsi le célèbre label allemand qui représentait « l'universalité de la culture ».Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Dans L'Honneur des miens (Plon), Christian Curtil raconte comment son grand-père Walter Betcke, président de Deutsche Grammophon, a résisté à toutes les manœuvres de Joseph Goebbels pendant le Troisième Reich, sauvant ainsi le célèbre label allemand qui représentait « l'universalité de la culture ».Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

durée : 01:58:46 - Le Bach du dimanche du dimanche 25 janvier 2026 - par : Corinne Schneider - Au programme de cette 368e émission : on fête les 50 ans de Renaud Capuçon (né le 27 janvier 1976) avec la parution des Six Sonates et Partitas pour violon seul (Deutsche Grammophon, 23 janv.) ; et zoom sur le cor avec le collectif britannique Solomon's Knot (Prospero, 29 août). - réalisé par : Anne-Lise Assada Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Jed talks about Krystian Zimerman's Deutsche Grammophon recordings of Schubert's Piano Sonatas in A Major D. 959 and B-Flat Major D. 960Links to selected movements are here:D. 959 – II. Allegretto - https://www.youtube.com/watch?v=fubKC4TNi2g&list=PLsUQ1iTYBB1W0lEePuydi5ytSzbgscj3k&index=2D. 960 – IV. Allegro ma non troppo - https://www.youtube.com/watch?v=Z8WNaFz_F0UConsider making a donation to The Piano Maven podcast by subscribing to our Substack page (https://jeddistlermusic.substack.com/about), which you also can access by clicking on the "Donate" button here: https://rss.com/podcasts/pianomaven

Watch the Q&A session here:  https://youtu.be/3B58-fA2b-4"Colour is the keyboard, the eyes are the hammers, the soul is the piano with many strings." — KandinskyHow do we ‘see' music, or ‘hear' images? From Newton's colour scales assigning tones to the rainbow, artists and composers have long explored the deep connections between sound and vision.Kandinsky's Compositions and Improvisations; Klee's polyphonic paintings, and Scriabin's synaesthetic craft all reveal the scintillating interplay of visual and sonic art. This lecture traces their co-evolution and shared language, from spectral composers to technological translations of light into rhythm and melody, uncovering the hidden spectrum where music and colour intertwine.This lecture was recorded by Milton Mermikides on the 14th of January 2026 at LSO St Luke's, LondonMilton Mermikides is a composer, guitarist, technologist, academic and educator in a wide range of musical styles and has collaborated with artists and scientists as diverse as Evelyn Glennie, Tim Minchin, Pat Martino, Peter Zinovieff, John Williams and Brian Eno. Son of a CERN nuclear physicist, he was raised with an enthusiasm for both the arts and sciences, an eclecticism which has been maintained throughout his teaching, research and creative career. He is a graduate of the London School of Economics (BSc), Berklee College of Music (BMus) and the University of Surrey (PhD). He has lectured, exhibited and given keynote presentations at organisations like the Royal Academy of Music, TEDx, Royal Musical Association, British Library, Smithsonian Institute and The Science Museum and his work has been featured extensively in the press. His music, research and graphic art are published and featured by Oxford University Press, Cambridge University Press, Deutsche Grammophon, Sony and more, and he has won awards, scholarships and commendations for writing, teaching, research and his charity work.      Milton is Professor of Music at the University of Surrey, Professor of Guitar at the Royal College of Music, Deputy Director of the International Guitar Research Centre, an Ableton Certified Trainer, and lives in London with his wife, the guitarist Bridget Mermikides and their daughter Chloe. He is also a Vice-Chair of Governors at Addison Primary School, a state school which foregrounds music education, offering free instrumental lessons for all on Pupil Premium. The transcript of the lecture is available from the Gresham College website: https://www.gresham.ac.uk/watch-now/music-light-colourGresham College has offered free public lectures for over 400 years, thanks to the generosity of our supporters. There are currently over 2,500 lectures free to access. We believe that everyone should have the opportunity to learn from some of the greatest minds. To support Gresham College's mission, please consider making a donation: https://www.gresham.ac.uk/get-involved/support-us/make-donation/donate-today Website:  https://gresham.ac.ukX: https://x.com/GreshamCollegeFacebook: https://facebook.com/greshamcollegeInstagram: https://instagram.com/greshamcollegeBluesky: https://bsky.app/profile/greshamcollege.bsky.social TikTok: https://www.tiktok.com/@greshamcollegeSupport Us: Support the show

Au nom de la musique et de la liberté : un couple face à Goebbels" Ma grand-mère, Ruth Schönenberger, était la fille d'un célèbre médecin. Mon grand-père, Walter Betcke, lui, était le fils d'un riche industriel. Il a fait la Première Guerre, puis des études de droit, est devenu avocat puis a été engagé comme directeur juridique en 1928 par Deutsche Grammophon, dont il est devenu le président en 1932. Mes grands-parents se sont mariés en février 1933. À cette époque, le communisme et le nazisme leur étaient complètement étrangers et ils en condamnaient fermement la brutalité et la folie. Les nazis sont arrivés au pouvoir trois semaines après la prise de fonction de mon grand-père et ont aussitôt commencé à vouloir mettre l'entreprise au pas. C'est dans ce contexte que mon grand-père est entré en résistance contre Goebbels et le ministère de la Propagande, au point de lui faire un procès en 1935, qu'il a perdu en première instance et en appel, mais gagné en 1936 devant la cour suprême. Pendant ce temps, mes grands-parents ont subi intimidations, descentes de la Gestapo et menaces de déportation. Arrive la guerre et mon grand-père est enrôlé mais il continue de s'occuper de la société et à employer des juifs dans l'entreprise sous de faux noms. Libéré au bout d'un an, il poursuit sa résistance active pour conserver l'indépendance du répertoire musical et maintenir les salariés (dont des juifs) dans l'entreprise. Mais l'entreprise est bombardée. Il est envoyé au front dans les derniers jours de la guerre et se constitue prisonnier dans la zone américaine. Suit l'enquête en dénazification qui l'empêche de reprendre la direction de l'entreprise pendant un an. Il est totalement blanchi et redevient président de Deutsche Grammophon en 1946, jusqu'à sa retraite en 1965, pour faire de cette entreprise ce qu'elle est devenue : l'un des plus anciens éditeurs de musique enregistrée encore en activité. " C'est cette histoire qui est narrée ici à travers le récit d'un petit-fils ayant grandi à l'ombre d'une Prusse disparue et fantasmée : une traversée historique et intime du XXe siècle.Christian Curtil est notre invité en partenariat avec le Salon du Livre d'Histoire de Versailles, pour les Interviews HistoireHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

durée : 00:15:47 - Le Disque classique du jour du jeudi 11 décembre 2025 - Deutsche Grammophon publie les enregistrements live du lauréat du 19e Concours international de piano Chopin, l'un des concours de musique classique les plus prestigieux. Le pianiste américain Eric Lu est le grand vainqueur de l'édition 2025. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:15:47 - Le Disque classique du jour du jeudi 11 décembre 2025 - Deutsche Grammophon publie les enregistrements live du lauréat du 19e Concours international de piano Chopin, l'un des concours de musique classique les plus prestigieux. Le pianiste américain Eric Lu est le grand vainqueur de l'édition 2025. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Do animals make music? Are the languages of whales and birds truly songs? To answer this, we must first understand what we mean by music as human animals—and how it might emerge across the animal kingdom. From Messiaen's transcriptions of bird calls to the rhythmic gaits of horses echoing in the blues, we'll hear how animal behaviours form an unwitting orchestra and explore whether music is uniquely human or a shared language with our animal cousins.This lecture was recorded by Milton Mermikides on the 29th of October 2025 at LSO St Luke's, LondonMilton Mermikides is a composer, guitarist, technologist, academic and educator in a wide range of musical styles and has collaborated with artists and scientists as diverse as Evelyn Glennie, Tim Minchin, Pat Martino, Peter Zinovieff, John Williams and Brian Eno. Son of a CERN nuclear physicist, he was raised with an enthusiasm for both the arts and sciences, an eclecticism which has been maintained throughout his teaching, research and creative career. He is a graduate of the London School of Economics (BSc), Berklee College of Music (BMus) and the University of Surrey (PhD). He has lectured, exhibited and given keynote presentations at organisations like the Royal Academy of Music, TEDx, Royal Musical Association, British Library, Smithsonian Institute and The Science Museum and his work has been featured extensively in the press. His music, research and graphic art are published and featured by Oxford University Press, Cambridge University Press, Deutsche Grammophon, Sony and more, and he has won awards, scholarships and commendations for writing, teaching, research and his charity work.      Milton is Professor of Music at the University of Surrey, Professor of Guitar at the Royal College of Music, Deputy Director of the International Guitar Research Centre, an Ableton Certified Trainer, and lives in London with his wife, the guitarist Bridget Mermikides and their daughter Chloe. He is also a Vice-Chair of Governors at Addison Primary School, a state school which foregrounds music education, offering free instrumental lessons for all on Pupil Premium. The transcript of the lecture is available from the Gresham College website: https://www.gresham.ac.uk/watch-now/music-animalsGresham College has offered free public lectures for over 400 years, thanks to the generosity of our supporters. There are currently over 2,500 lectures free to access. We believe that everyone should have the opportunity to learn from some of the greatest minds. To support Gresham College's mission, please consider making a donation: https://www.gresham.ac.uk/get-involved/support-us/make-donation/donate-today Website:  https://gresham.ac.ukX: https://x.com/GreshamCollegeFacebook: https://facebook.com/greshamcollegeInstagram: https://instagram.com/greshamcollegeBluesky: https://bsky.app/profile/greshamcollege.bsky.social TikTok: https://www.tiktok.com/@greshamcollegeSupport Us: https://www.gresham.ac.uk/get-involved/support-us/make-donation/donate-todaySupport the show

Linktree: ⁠https://linktr.ee/Analytic⁠Join The Normandy For Additional Bonus Audio And Visual Content For All Things Nme+! Join Here: ⁠https://ow.ly/msoH50WCu0K⁠In this segment of Notorious Mass Effect, Analytic Dreamz dives into the Genshin Impact original soundtrack, Outside It Is Growing Dark, composed by Yu-Peng Chen. A Shanghai Conservatory graduate, Chen founded YinXu Culture, blending Western classical and Chinese folk in scores for films like The Founding of an Army. As HOYO-MiX producer, he crafted Genshin Impact's iconic Mondstadt and Liyue soundtracks, recorded with the London Philharmonic. Signed as Deutsche Grammophon's first Chinese composer, Chen's work earned global acclaim before his 2023 exit. Analytic Dreamz explores Chen's cultural fusions and Genshin Impact's $5B revenue milestone.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Consider making a donation to The Piano Maven podcast by subscribing to our Substack page (https://jeddistlermusic.substack.com/about), which you also can access by clicking on the "Donate" button here: https://rss.com/podcasts/pianomavenTying in with Jed's live onsite coverage of the 19th Warsaw International Piano Competition this month, all of October's episodes are devoted to recordings of Chopin's music. On this episode, Jed discusses Deutsche Grammophon's 2021 box set reissue The Chopin Masters, featuring 28 CDs with 28 pianists.Here are links to some of the performers and performances covered:The original DG YouTube promotional trailer: https://www.youtube.com/watch?v=j2oBU-hb2KARoberto Szidon plays Scherzo No. 3 in C-Sharp Minor Op. 39 - https://www.youtube.com/watch?v=BKIRQBFB2_MAdam Harasiewicz plays Ballade No. 1 in G Minor Op. 23 - https://www.youtube.com/watch?v=QAsOmf3EWeIFou Ts'ong plays Mazurka in B-Flat Minor Op. 24 No. 4 - https://www.youtube.com/watch?v=m81GFTfo3FkVladimir Ashkenazy plays Scherzo No. 4 in E Major Op. 54 - https://www.youtube.com/watch?v=olKoS6Q1AM4Shura Cherkassky plays Polonaise-Fantasie in A-Flat Major Op. 61 - https://www.youtube.com/watch?v=1lzfx2n6iCIArturo Benedetti Michelangeli plays Prelude in C-Sharp Minor Op. 45 - https://www.youtube.com/watch?v=RHbxF0SP8Bg

Iš rankraščių rekonstruota originali Mikalojaus Konstantino Čiurlionio „Jūra“. Lietuvos nacionaliniam simfoniniam orkestrui diriguoja Mirga Gražinytė-Tyla, išleido „Deutsche Grammophon“. Garso režisieriai Vilius ir Aleksandra Kerai. „Įspėjamojo streiko dieną, spalio 5 d., 14 val., burkimės miestų ir miestelių širdyse kartu klausytis Čiurlionio simfoninės poemos „Jūra“. Atsukime garsiakalbius aikštėse, kultūros centruose, muziejuose. Namuose ar automobiliuose. Jeigu mokame, sugrokime „Jūrą“ patys. Niūniuokime. Dalinkimės kūrinio įrašu socialiniuose tinkluose. Čiurlionis – Lietuvos moderniosios kultūros šerdis. Jo „Jūra“ – mūsų himnas ir mūsų įspėjamoji sirena. Ta jūra – mes. Tegul visi girdi, kaip po truputį auga mūsų bangos“, – rašoma Kultūros protesto asamblėjos kvietime. Piliečių asamblėja susibūrė Kultūros ministeriją atidavus populistinei „Nemuno aušros“ partijai. Daugiau informacijos: https://kulturosasambleja.lt/ Fotografijoje: Lietuvos kultūros bendruomenės protestas prieš Kultūros ministerijos atidavimą „Nemuno aušros“ partijai, rugsėjo 25 d. Fotografas Edvinas Girdvainis

durée : 00:21:33 - Disques de légende du mardi 02 septembre 2025 - Exceptionnellement choisi par notre estimée collègue Aurélie Moreau, ce “Disque de légende” réunit deux grandes figures : le pianiste Krystian Zimerman et le chef Seiji Ozawa, dans une version magistrale des deux premiers Concertos de Rachmaninov, parue en 2004 chez Deutsche Grammophon. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Erstmalig 2015 erschienen, vereint die Box mit 25 CDs zahlreiche Aufnahmen des preisgekrönten Violinisten in neuer Verpackung.

durée : 00:18:56 - Disques de légende du mercredi 27 août 2025 - En mars 2024, le pianiste Daniil Trifonov retrouvait son mentor Sergei Babayan pour "Rachmaninoff for two", un album flamboyant enregistré pour Deutsche Grammophon. Au programme, les deux Suites pour deux pianos du compositeur russe, et les Danses symphoniques. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

The mandolin player Avi Avital, with his ensemble Between Worlds, has just released a new DG album ‘Song of the Birds' which crosses boundaries to explore the musics of three geographical regions – Iberia, southern Italy (Puglia) and the Black Sea – with vivid results. For this week's Gramophone Podcast, James Jolly caught up Avi Avital while he was on tour in Northern Germany to talk about the new album.

Consider making a donation to The Piano Maven podcast by subscribing to our Substack page (https://jeddistlermusic.substack.com/about), which you also can access by clicking on the "Donate" button here: https://rss.com/podcasts/pianomavenThe third and arguably final of three episodes discussing big box sets featuring pianist Arturo Benedetti Michelangeli is devoted to his Deutsche Grammophon recordings.You can find some of these on YouTube: https://www.youtube.com/@arturobenedettimichelangel8450And while this box set may be hard to source, all of the individual recordings are readily available from the usual outlets.

In this episode of Working Class Audio, Matt welcomes Engineer & Producer Stefan Bock. His credits include productions for Peter Maffay, Herbert Grönemeyer, Sarah Brightman, Yello, 2L, Berliner Philharmoniker and Deutsche Grammophon. Due to his expertise in the field of immersive audio, Stefan Bock is a renown speaker at international congresses, including those of the Audio Engineering Society and the Association of German Sound Engineers. He is also a regular lecturer at the ARD.ZDF Medienakademie. In This Episode, We Discuss: Being Too Early Inventions Immersive Audio Pure Audio Streaming MSM Studios The Beauty of Niche Good Acoustics Links and Show Notes: Pure Audio Streaming MSM Studios Matt's Rant: Nerd Groups Credits: Guest: Stefan Bock Host/Engineer/Producer: Matt Boudreau WCA Theme Music: Cliff Truesdell The Voice: Chuck Smith

In this episode of Working Class Audio, Matt welcomes Engineer & Producer Stefan Bock. His credits include productions for Peter Maffay, Herbert Grönemeyer, Sarah Brightman, Yello, 2L, Berliner Philharmoniker and Deutsche Grammophon.Due to his expertise in the field of immersive audio, Stefan Bock is a renown speaker at international congresses, including those of the Audio Engineering Society and the Association of German Sound Engineers. He is also a regular lecturer at the ARD.ZDF Medienakademie.In This Episode, We Discuss:Being Too EarlyInventionsImmersive AudioPure Audio StreamingMSM StudiosThe Beauty of NicheGood AcousticsLinks and Show Notes:Pure Audio StreamingMSM StudiosMatt's Rant: Nerd GroupsCredits:Guest: Stefan BockHost/Engineer/Producer: Matt BoudreauWCA Theme Music: Cliff TruesdellThe Voice: Chuck Smith

Pianist Yuja Wang is a phenomena in our time. A remarkable artist who is young enough in mind to make shockingly original music on stage, while being experienced enough to navigate the sometimes cut throat world of the classical music industry.  Between the bars host Yannick Dondelinger joins Yuja Wang for a taxi ride to Amsterdam, and an especially informal chat about the genius of Rachmaninov, the joy of China's cuisine, living in the USA, religion, the privacy of Bachs music, performing with the late and great Claudio Abbado, and many many more topics….. enjoy the ride. For a full transcript of the episode, please visit our website.  photo: Yuja Wang © Julia Wesely music excerpts: © Deutsche Grammophon (2011): Yuja Wang/Mahler Chamber Orchestra/Claudio Abbado: Rachmaninov - Paganini Rhapsody 

durée : 00:13:29 - Le Disque classique du jour du vendredi 20 juin 2025 - Depuis soixante ans, ces enregistrements de Sviatoslav Richter réalisés par Deutsche Grammophon aux festivals de Tours et de Lucerne en 1965, sommeillent dans les archives du label jaune. Soigneusement restaurés par les studios Emil Berliner, ils sont édités pour la première fois. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:13:29 - Le Disque classique du jour du vendredi 20 juin 2025 - Depuis soixante ans, ces enregistrements de Sviatoslav Richter réalisés par Deutsche Grammophon aux festivals de Tours et de Lucerne en 1965, sommeillent dans les archives du label jaune. Soigneusement restaurés par les studios Emil Berliner, ils sont édités pour la première fois. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:18:49 - Le Disque classique du jour du vendredi 13 juin 2025 - À l'occasion du 50e anniversaire de la disparition de Dimitri Chostakovitch le 9 août 2025, Deutsche Grammophon publie des enregistrements en première mondiale et des raretés du grand compositeur russe.

durée : 00:18:49 - Le Disque classique du jour du vendredi 13 juin 2025 - À l'occasion du 50e anniversaire de la disparition de Dimitri Chostakovitch le 9 août 2025, Deutsche Grammophon publie des enregistrements en première mondiale et des raretés du grand compositeur russe.

In the words of The New Yorker, Charles Neidich “is an artist  of  uncommon merit -- a master of his instrument and, beyond that, an  interpreter  who keeps listeners hanging on each phrase.”        Charles is the artistic  director of the Wa Concert Series at  the Tenri Cultural Institute in New  York, which he founded with his wife, clarinetist Ayako Oshima, in September 2017. This concert series is inspired by the  Japanese concept “wa”—  meaning circle, but also harmony and completeness; each  performance is  thus paired with visual arts and offers a variety of culinary delicacies prepared by Ayako Oshima. In recent seasons, Charles has added conducting to his musical accomplishments. He has led the Cobb Symphony Orchestra and Georgia Symphony in performances of the Franck Symphony in D Minor and Mozart's Clarinet Concerto (also playing the solo clarinet part). Charles commands a repertoire of over 200 solo works, including pieces commissioned or inspired by him, as well as his own transcriptions of vocal and instrumental works. With a growing discography to his credit, he can be heard on the Chandos, Sony Classical, Sony Vivarte, Deutsche Grammophon, Musicmasters, Pantheon, and Bridge labels. His recorded repertoire ranges from familiar works by Mozart, Beethoven, Weber, and Brahms, to lesser-known compositions by Danzi, Reicha, Rossini, and Hummel, as well as music by Elliott Carter, Gyorgy Kurtag, and other contemporary masters. Although Charles became quite active in music at an early age, he opted against attending a music conservatory in favor of academic studies at Yale University, where he graduated with a Bachelor of Arts, cum laude, in Anthropology. In 1975 he became the first American to receive a Fulbright grant for study in the former Soviet Union, and he attended the Moscow Conservatory for three years where his teachers were Boris Dikov and Kirill Vinogradov. Charles Neidich has achieved recognition as a teacher in addition to his activities as a performer, and currently is a member of the artist faculties of The Juilliard School, the Manhattan School of Music, the Mannes College of Music. During the 1994-95 academic year he was a Visiting Professor at the Sibelius Academy in Finland where he taught, performed and conducted. Mr. Neidich is a long-time member of the renowned chamber ensemble Orpheus.

durée : 01:58:18 - Pierre Boulez et l'orchestre IV : 1991-2016, la maturité d'un classique - par : Christian Merlin - Au début des années 1990, Boulez n'a plus de fonctions officielles. Apaisé, il revient en force à la direction d'orchestre, désormais invité des plus grandes phalanges de Berlin à Vienne, et réenregistre son répertoire pour Deutsche Grammophon, le label de Karajan. Serait-il devenu un classique ? - réalisé par : Marie Grout

durée : 00:28:34 - Pierre Boulez et l'orchestre IV - 1991-2016, la maturité d'un classique (4/4) : Les derniers feux - par : Christian Merlin - Au début des années 1990, Boulez n'a plus de fonctions officielles. Apaisé, il revient en force à la direction d'orchestre, désormais invité des plus grandes phalanges de Berlin à Vienne, et réenregistre son répertoire pour Deutsche Grammophon, le label de Karajan. Serait-il devenu un classique ? - réalisé par : Marie Grout

durée : 00:28:39 - Pierre Boulez et l'orchestre IV - 1991-2016, la maturité d'un classique (3/4) : La passion de la transmission - par : Christian Merlin - Au début des années 1990, Boulez n'a plus de fonctions officielles. Apaisé, il revient en force à la direction d'orchestre, désormais invité des plus grandes phalanges de Berlin à Vienne, et réenregistre son répertoire pour Deutsche Grammophon, le label de Karajan. Serait-il devenu un classique ? - réalisé par : Marie Grout

durée : 00:27:55 - Pierre Boulez et l'orchestre IV - 1991-2016, la maturité d'un classique (2/4) : Retour à l'opéra - par : Christian Merlin - Au début des années 1990, Boulez n'a plus de fonctions officielles. Apaisé, il revient en force à la direction d'orchestre, désormais invité des plus grandes phalanges de Berlin à Vienne, et réenregistre son répertoire pour Deutsche Grammophon, le label de Karajan. Serait-il devenu un classique ? - réalisé par : Marie Grout

durée : 00:28:12 - Pierre Boulez et l'orchestre IV - 1991-2016, la maturité d'un classique (1/4) : Vienne, Cleveland, Chicago - par : Christian Merlin - Au début des années 1990, Boulez n'a plus de fonctions officielles. Apaisé, il revient en force à la direction d'orchestre, désormais invité des plus grandes phalanges de Berlin à Vienne, et réenregistre son répertoire pour Deutsche Grammophon, le label de Karajan. Serait-il devenu un classique ? - réalisé par : Marie Grout

We're taking a musical detour this week as Patrick throws a little classical music into your ears. All week, he's going to be counting down his top 10 classical jams! Number eight is a tribute to the world's oldest established record company, Deutsche Grammophon, while number seven is a stone-cold classic, Vivaldi's “Four Seasons.”  Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart,Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Threads, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, next covered by Frank Muffin and now re-done in a high-voltage version by Quartjar again!  Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.

Today I offer three different recordings of excerpts, sung in German, from Charles Gounod's opera Faust, which was known in the day in Germany as Margarethe. The Germans have always regarded this work with more than a little scorn because it has so little to do with Goethe's towering masterpiece upon which it is based. The earliest of today's excerpts is from a complete 1908 recording on the Berlin branch of the Grammophon label (when such a thing as a complete operatic recording was virtually unheard of), featuring Emmy Destinn, Karl Jörn and Paul Knüpfer under the baton of Bruno Seidler-Winkler. Much later came two recordings of excerpts in German: the first released on Deutsche Grammophon in 1958 with stalwart recording artist Maria Stader; nonpareil Kavalierbariton Eberhard Wächter; fierce Finnish bass Kim Borg; and the late German lyric tenor Heinz Hoppe under Ferdinand Leitner. The latter was released on Philips in 1963 with Ernst Kozub (recently featured on a “rehabilitational” Countermelody episode; the extraordinary German bass Franz Crass, and Swiss mega-soprano Colette Lorand (soon to be featured in her own Countermelody episode) under Marcel Couraud. As a bonus, I also feature a very young Sylvia Sass in one of her very first recordings from 1975 singing Marguerite's Jewel Song in Hungarian. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.