Podcasts about Exposition

Third Avenue Baptist ChurchLouisville, KYJoshua 8:1–17June 14, 2026You can find Dr. Mohler's other Line by Line sermons here.Follow Dr. Mohler:X | Instagram | Facebook | YouTubeFor more information on The Southern Baptist Theological Seminary, go to sbts.edu.For more information on Boyce College, just go to BoyceCollege.com.

Exposition of 2 Samuel 6

Il collectionne les cartes postales par milliers depuis vingt ans. Une passion qui l'entraîne à quitter son pays, l'Espagne, pour s'installer à Bruxelles où la brocante est plus intéressante. Oriol Vilanova a installé une partie de sa collection au Pavillon de l'Espagne à la Biennale d'art de Venise. Une exposition pas comme les autres, comme une page d'un patrimoine de l'humanité. À lire aussiRDC: à la Biennale de Venise, le feu réparateur de la photographe Gosette Lubondo

Sunday Bible Lesson (second half): 3:1-4 Two Jewish Advantages. Taught by Dr. Chinyere Onwubiko at Berean Bible Church, Bay Springs, MS.

Sunday Bible Lesson (first half): 3:1-4 Two Jewish Advantages. Taught by Dr. Chinyere Onwubiko at Berean Bible Church, Bay Springs, MS.

Part 8 in the Exposition of Christ Fellowship PBC's church covenant.

Il collectionne les cartes postales par milliers depuis vingt ans. Une passion qui l'entraîne à quitter son pays, l'Espagne, pour s'installer à Bruxelles où la brocante est plus intéressante. Oriol Vilanova a installé une partie de sa collection au Pavillon de l'Espagne à la Biennale d'art de Venise. Une exposition pas comme les autres, comme une page d'un patrimoine de l'humanité. À lire aussiRDC: à la Biennale de Venise, le feu réparateur de la photographe Gosette Lubondo

This meditation was given on June 3rd, 2026, at P3: Prayer, Penance, and Pub, which is a weekly time of Exposition of the Most Blessed Sacrament with Confession available followed by young adult pub time. Each Wednesday, Exposition and Confession starts at 6:30pm, a meditation is given at 8pm, followed by Benediction and young adult Pub Time. Pub time will be held outdoors (weather permitting). Beer and wine are available on a donation basis. Cash and Card accepted.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠Linktree⁠

durée : 00:13:15 - Les émissions culturelles de France Culture - par : Marie Labory - La Maison de la culture du Japon consacre à Kazuo Kitai sa première grande rétrospective, pour mettre en valeur l'œuvre documentaire majeure de ce photographe japonais. - réalisation : Laurence Malonda, Boris Pineau, Aïssatou N'Doye, Jules Barbier, Zohra Vignais, Lise Ripoche, Mathi Adjinsoff - invités : Joseph Ghosn Directeur adjoint de la rédaction de Madame Figaro, Philippe Azoury Journaliste, critique et auteur Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Depuis 50 ans, Kwame Akoto s'occupe de son atelier à Kumasi au Ghana « Almighty God art works ». Il est peintre et a appris le métier auprès des maîtres des boutiques d'enseignes publicitaires de la ville. À ses yeux, l'art et la religion ne peuvent être dissociés : ses tableaux véhiculent des messages écrits en toutes lettres, slogans publicitaires ou réflexions spirituelles ancrés dans les problématiques de la société ou dictés par la foi qui habite le peintre. Sarah Ligner, commissaire d'exposition, était l'invitée de Nathalie Amar sur RFI. L'exposition de « Kwame Akoto Almighty God Art Works » est à retrouver au musée du Quai Branly - Jacques Chirac.   ► Reportage :  Solène Gardré s'est rendue à l'exposition du photographe ivoirien Nuits Balnéaires, Eboro à la Fondation Henri Cartier Bresson. On y trouve des œuvres très graphiques, qui racontent des histoires d'héritages familiaux.   ► Séquence Coupe du monde :  Valentin Hugues s'intéresse à l'Afrique du Sud où les jeunes se préparent à voir pour la première fois leur équipe dans un Mondial car les Bafana Bafana n'avaient pas été en Coupe du monde depuis 16 ans.  Welly Diallo nous parle des équipes africaines dont les pays les supportent à travers la musique et la mode.   ► Playlist du jour : - Shakira, Burna Boy - Dai Dai - Kay Slice feat. Pat Thomas - Kwame Nkrumah - Espoir 2000 - Respectez - ObaaYaa Grace Ashly - Black Stars Cheer Song.

Depuis 50 ans, Kwame Akoto s'occupe de son atelier à Kumasi au Ghana « Almighty God art works ». Il est peintre et a appris le métier auprès des maîtres des boutiques d'enseignes publicitaires de la ville. À ses yeux, l'art et la religion ne peuvent être dissociés : ses tableaux véhiculent des messages écrits en toutes lettres, slogans publicitaires ou réflexions spirituelles ancrés dans les problématiques de la société ou dictés par la foi qui habite le peintre. Sarah Ligner, commissaire d'exposition, était l'invitée de Nathalie Amar sur RFI. L'exposition de « Kwame Akoto Almighty God Art Works » est à retrouver au musée du Quai Branly - Jacques Chirac.   ► Reportage :  Solène Gardré s'est rendue à l'exposition du photographe ivoirien Nuits Balnéaires, Eboro à la Fondation Henri Cartier Bresson. On y trouve des œuvres très graphiques, qui racontent des histoires d'héritages familiaux.   ► Séquence Coupe du monde :  Valentin Hugues s'intéresse à l'Afrique du Sud où les jeunes se préparent à voir pour la première fois leur équipe dans un Mondial car les Bafana Bafana n'avaient pas été en Coupe du monde depuis 16 ans.  Welly Diallo nous parle des équipes africaines dont les pays les supportent à travers la musique et la mode.   ► Playlist du jour : - Shakira, Burna Boy - Dai Dai - Kay Slice feat. Pat Thomas - Kwame Nkrumah - Espoir 2000 - Respectez - ObaaYaa Grace Ashly - Black Stars Cheer Song.

Wednesday Bible Lesson: 23:4-5, 7-9 Kindness. Taught by Dr. Chinyere Onwubiko at Berean Bible Church, Bay Springs, MS.

Audioguide - Exposition au TetrisEpisode 4 : Formes des Luttes Collectif de graphistes né en 2019, ils portent leur travail autour des luttes, telles qu'elles soient. Ils fonctionnent par appels à images, puis sélectionnent les visuels les plus pertinents. Les sujets tournent autour du féminisme, de la politique, de la paix dans le monde etcmono. Des notions qui nous touchent tous.tes et qui sont essentiels dans la société dans laquelle nous vivons. Leurs graphismes invitent à la réflexion collective et à l'engagement. Tous les visuels sont à retrouver librement sur https://formesdesluttes.org/

The 5/31/26 message by Mike Gowens is #25 in the "Exposition of Philippians" series, and is based on Philippians 3:8-14. Gowens develops Paul's metaphor of the athlete that strains for the goal as a metaphor of the Christian life. The entire passage emphasizes the importance of focus, self-discipline and strenuous effort in living the life of discipleship.

Lionel s'entretient avec Séverine Redon, commissaire d'exposition, et nous fait découvrir cette nouvelle exposition évolutive à HiFlow « Hybridations fertiles », à voir jusqu'au 30 juillet 2026. Par l'art, par le design, l'idée est de se reconnecter au vivant, nous confie Séverine. The post Hybridations Fertiles, la nouvelle exposition HiFlow first appeared on Radio Vostok.

Lionel s'entretient avec Séverine Redon, commissaire d'exposition, et nous fait découvrir cette nouvelle exposition évolutive à HiFlow « Hybridations fertiles », à voir jusqu'au 30 juillet 2026. Par l'art, par le design, l'idée est de se reconnecter au vivant, nous confie Séverine. The post Hybridations Fertiles, la nouvelle exposition HiFlow first appeared on Radio Vostok.

Friends of the Rosary,Today is the Solemnity of the Most Holy Body and Blood of Christ, known as Corpus Christi, a feast honoring the Real Presence of Jesus Christ in the Eucharist. It emphasizes the joy of the Eucharist, traditionally celebrated on the Thursday after Trinity SundayThe feast dates back to the 13th century. It was instituted following the Eucharistic visions of St. Juliana of Liège in Belgium and the Eucharistic miracle of Bolsena, Italy, where a consecrated host reportedly began bleeding.Pope Urban IV extended this celebration to the universal Church in 1264 and commissioned the renowned theologian St. Thomas Aquinas to compose special hymns and prayers for the feast day, including the Tantum Ergo and O Salutaris Hostia.The significance of the feast is clear. While Holy Thursday recalls the institution of the Eucharist at the start of the Passion, the Corpus Christi provides a dedicated, joyful occasion for the Church to focus solely on adoration, thanksgiving, and belief in transubstantiation.We celebrate this day with Eucharistic Processions. The Blessed Sacrament is placed in a monstrance and carried through the streets by the clergy, with the faithful walking alongside, praying, and singing. Celebrations often include solemn Exposition and Benediction of the Blessed Sacrament.For Catholics, the procession serves as a public declaration of faith and a visible reminder that Christ is with them in their daily lives.We rejoice in this expression of our Eucharistic faith and devotion in order to deepen our attachment to the unique event that transforms our lives: the Blessed Sacrament.[embed]https://youtu.be/WV7WQbdajJo?si=zhAVQj4tp1_AlJaJ[/embed][embed]https://www.youtube.com/watch?v=-5Xi-Brli0g[/embed]Ave Maria!Come, Holy Spirit, come!To Jesus through Mary!Here I am, Lord; I come to do your will.Please give us the grace to respond with joy!+ Mikel Amigot w/ María Blanca | RosaryNetwork.com, New YorkEnhance your faith with the new Holy Rosary University app:Apple iOS | New! Android Google Play• ⁠June 7, 2026, Today's Rosary on YouTube | Daily broadcast at 7:30 pm ET

Exposition of Philippians 4:1-9

Acts 13:1-3, 14:21-28Jim Newheiserwhy_who_what_of_missions.mp3File Size:62627 kbFile Type:mp3Download File [...]

Friday, 5 June 2026   Now Jesus, going up to Jerusalem, took the twelve disciples aside on the road and said to them, Matthew 20:17   “And ascending, the ‘Jesus to Jerusalem', He took twelve disciples apart alone, and in the road, He said to them,” (CG)   In the previous verse, the final thought concerning the parable of the workers in the vineyard was given. With that complete, a new direction takes place, beginning with, “And ascending, the ‘Jesus to Jerusalem'.”   Regardless of the elevation where one is, the Bible always describes the journey to Jerusalem as an ascent. In fact, there are many locations with a higher elevation in the land itself. The highest among them is Mount Hermon in the Golan Heights, which sits at 7,336 feet above sea level.   After that, many peaks are higher than Jerusalem, a few of them are Mount Ha'Ari, Mount Ramon, Mount ‘Arif, Mount ‘Ofa'im, Mount Hilla, Mount Zafrir, and Mount Hillel. These and other points exceed the elevation of the Temple Mount in Jerusalem, which sits at 2,430 feet. Despite this, the trek there is considered an ascent.   Of this trek, Charles Ellicott says, “The narrative is not continuous, and in the interval between Matthew 20:16-17 we may probably place our Lord's ‘abode beyond Jordan' (John 10:40), the raising of Lazarus, and the short sojourn in the city called Ephraim (John 11:54). This would seem to have been followed by a return to Persea, and then the journey to Jerusalem begins.”   If this is correct, it can be found in what is known as a harmonization of the gospels, which several reliable sources have taken the time to put together, showing the exact chronology of events throughout the four gospels. Of this ascent, the narrative continues, saying, “He took twelve disciples apart alone.”   At this time, there were probably many people with them on the trek, but Jesus wanted to specifically provide information to the twelve that the others were not yet to be privy to. Therefore, Matthew continues, “and in the road, He said to them.”   The verse excitedly ends as if a breath is needed before continuing to the precious words of Jesus to His twelve selected apostles.   Life application: It is important to confirm information in commentaries, not taking them at face value until verified and considered in relation to what the Bible says. In John Gill's Exposition of the Entire Bible, he records the following concerning this verse –   “Which was situated (f) in the highest part of the land of Israel: the land of Israel, is said to be higher than any other land whatever; and the temple at Jerusalem, higher than any part of the land of Israel; wherefore Christ's going to Jerusalem, is expressed by going up to it.”   His footnote says his information was derived from “T. Bab. Sanhedrim, fol. 87. 1.” When John Gill recorded this, in the 1700s, he was using what information was available to him. Unfortunately, the Babylonian Talmud presented him with erroneous information, which has since been passed on to the minds of those who have read it.   At many times, the ascent to Jerusalem is not a physical ascent at all. However, it is always a theological ascent as one moves closer to the point where man meets with the God of Israel. That is why it can be said that a person on Mount Hermon, high above Jerusalem in elevation, will ascend as he makes the trek to Jerusalem.   Remember this as you read the Bible. John Gill certainly didn't intentionally provide wrong information, but for some reason, the compilers of the Babylonian Talmud did. They probably knew what was said was incorrect, but they recorded it anyway.   Understanding that this biblical elevation of Jerusalem is stated as it is, it then becomes more pertinent when considering Paul's words in Galatians –   “For these are the two covenants: the one from Mount Sinai which gives birth to bondage, which is Hagar— 25 for this Hagar is Mount Sinai in Arabia, and corresponds to Jerusalem which now is, and is in bondage with her children— 26 but the Jerusalem above is free, which is the mother of us all.” Galatians 4:24-26   At one point, the city of Jerusalem was considered the pinnacle of elevation because it was where God was dealing with men, interacting with them through temple rites and rituals. That ended with the completed work of Christ. The veil was torn, and access to God through Jesus Christ was made available.   The temple in Jerusalem, which ministers the law of Moses, is not, nor will it ever again be, the pinnacle of God's interactions with man. It is a place of bondage leading to death. It is a place of enmity with God. Wherever Jesus Christ is, that is the place where the spiritual ascent is now realized. That is because He fulfilled the law, set it aside, and introduced the New Covenant in His blood.   To miss this point has led to incredibly bad theology in relation to end times events (eschatology) within the church. People openly applaud the coming construction of the temple in Jerusalem, which will reintroduce sacrifices based on the Law of Moses. It is the very thing Christ came to abolish, and yet Christians actively support this diabolical event. This should not be.   Let us fix our eyes on Jesus alone, mourning over Israel's failure to see the One they have missed for so long. Pray for them. Many will die before their time of realization comes about. Pray to God that eyes will be opened before that tragic day which lies ahead comes upon them.   Lord God, we lift up the lost in the world, knowing that a day of judgment lies ahead for all unless the word gets to them before it arrives. May You work mightily through missionaries, social media, and the simple but effective words of believers around the world to just open their mouths and speak about Your goodness as seen in Jesus Christ our Lord. Amen.  

Psalm 131Psalm 132Reading 1: Job 42Reading 2: From the Exposition on John by St. Thomas Aquinas, priestSt. Helena Ministries is a registered 501(c)3 non-profit. Your donations may be tax-deductibleSupport us at: sthelenaministries.com/supportPresentation of the Liturgy of the Hours (Divine Office) from The Liturgy of the Hours (Four Volumes) © 1975, International Commission on English in the Liturgy Corporation. The texts of Biblical readings are reproduced from the New American Bible © 1975

Quand la génétique éclaire la biodiversité des insectes Les brèves du jour Aux HUG, un chat entre dans les soins de psychogériatrie Quand les ombres éclairent les grandes découvertes scientifiques

Send us Fan MailTwo weeks before the opening of her latest piece in the Bellevue Escapades, Donna Scarantino took the time to come sit in the Playwright's Spotlight. We discuss the origins of the Bellevue series and its evolution over the years, her involvement and eventual takeover of Theatre Americana and how playwrights can submit their work, or how actors can become involved in the theatre company. We delve into her growth as a playwright, having a director change your ending, removing oneself from the performance when in one's own piece, her approach to comedy and what farce looks like on the page, leaning too much on exposition, learning to build the scene, and the use of unnecessary language. We wrap things up with Theatre Americana's expectations for submissions, the concept of a play being only as good as its actors, discipline in writing and the first steps after an idea is hatched, playing with structure, the benefits of table reads, and Donna's refraining to submitting to outside entities. It's a lovely conversation that includes a not-so-well known historic opportunity that playwrights may not be aware of. I hope to hear that many of you decided to submit to Theatre Americana after listening to this episode. Enjoy!For tickets to Dr. Freud, I Presume June 5th through June 7th at the Pasadena New Thought Center, visit - https://tickets.evvnt.com/events/dr-freud-i-presume-6-7-2026Donna Scarantino is a playwright, director, costumer, and set designer with over 25 years of experience in the theatre. In 1992, she formed Show of Support Theater Company, Prescott AZ and in 2008 took ownership of Theatre Americana one of California's oldest independent production companies, established in 1935 to present original plays by American playwrights, expanding and evolving over the years to combine old traditions with new ones. She has written 10 plays in the Bellevue Escapades, and her play Dr. Freud, I Presume is the ninth sequel in the series.To watch the video format of this episode, visit - https://youtu.be/oP72ajfBTtILinks to sites and resources mentioned in this episode - Theatre Americana - https://theatreamericana.comNew Play Exchange - https://newplayexchange.org/get-startedTo submit a play to Theatre Americana, email Donna Scarantino at - donna8465@sbcglobal.netSocials for Donna Scarantino and Theatre Americana -FB - https://www.facebook.com/profile.php?id=100009227001624IG - https://www.instagram.com/scarantinodonna/Theatre Americana - FB - https://www.facebook.com/profile.php?id=100066419812534IG - https://www.instagram.com/theatreamericana/Websites and socials for James Elden, Punk Monkey Productions and Playwright's SpotlightPunk Monkey Productions - www.punkmonkeyproductions.comPLAY Noir -www.playnoir.comPLAY Noir Anthology –www.punkmonkeyproductions.com/contact.htmlJames Elden -Twitter - @jameseldensauerIG - @alakardrakeFB - fb.com/jameseldensauerPunk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods                  - @playnoirla IG - @punkmonkeyprods       - @playnoir_la FB - fb.com/playnoir        - fb.com/punkmonkeyproductionsPlaywright's Spotlight -Twitter - @wrightlightpod IG - @playwrights_spotlightPlaywriting services through Los Angeles Collegiate Playwrights Festivalwww.losangelescollegiateplaywrightsfestival.com/services.htmlSupport the show

Direction la Nouvelle-Guinée, cette grande île située dans l'océan Pacifique, au-dessus de l'Australie. On va parler des paradisiers, ces oiseaux qui ont longtemps été chassés pour leurs plumes. Une exposition temporaire au Musée du quai Branly-Jacques Chirac nommée "Plumes du Paradis" retrace l'histoire de ceux que l'on surnomme les oiseaux de paradis. Sacha Dubesset s'est rendu sur place pour RTL : lorsque l'on entre dans l'exposition, on a la sensation de mettre un pied à l'autre bout du monde... Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Exposition of Revelation 4-5

Acts 2:42; John 4:23-24Jim Newheiserworship_that_pleases_god.mp3File Size:55114 kbFile Type:mp3Download File [...]

Au programme du Paris des Arts, deux artistes qui sortent des sentiers battus : l'actrice Alice Taglioni nous partage sa passion pour le piano et Jessica Préalpato, sacrée meilleure pâtissière en 2019, réinvente le goûter en quatre étapes.

Pour tous ceux qui ont la possibilité d'arpenter le sud de la France et plus précisément la ville de l'Isle-sur-la-Sorgue, dans le Vaucluse, une exposition gratuite est à ne pas manquer à la fondation Villa Datris. « Méditerranée, odyssées contemporaines », c'est son intitulé. Soixante-quatorze artistes venus de tout le pourtour méditerranéen livrent leur vision de ce que représente pour eux la « mare nostrum » des latins, carrefour de civilisations, lieu de luttes, de métissages et de mémoire. Qu'est-ce que la Méditerranée ? À cette question, l'historien français Fernand Braudel répondait : « Des civilisations entassées les unes sur les autres. » C'est à cet empilement, ce carrefour, que la fondation Datris a voulu rendre hommage en conviant 74 artistes à exprimer leur ressenti sur la Méditerranée. Stéphane Baumet est le directeur de la fondation.  « C'est un regard sur la Méditerranée et un constat que l'on peut faire sur l'état de cette mer, constat d'un point de vue écologique, de la beauté, des tensions, mais c'est aussi un constat de toute cette richesse merveilleuse, de tous ces échanges entre les artistes mais également les cultures et aussi l'histoire ». Dans les salles et dans le jardin de cette villa-musée fondée par le couple Danièle Marcovici et Tristan Fourtine, les œuvres expriment des préoccupations différentes en fonction des rives de la Méditerranée. Simohammed Fettaka, plasticien marocain, a recouvert la mer de petits soldats de plastique bleu. Une œuvre baptisée « Camouflage ». « Cette œuvre est née d'une expérience personnelle. En grandissant à Tanger, j'ai vu des amis, des voisins, des gens de la famille qui traversaient la Méditerranée de façon illégale. On les appelle les Harragas. Et ces gens qui partent, soit ils réussissent, soit ils meurent. Et c'est de là que m'est venue l'idée que la Méditerranée est un champ de bataille pour moi. Soit tu reviens en héros, soit tu meurs noyé. » « Qu'est-ce que nous faisons là ? »  Vu de France, et par le regard acéré de l'artiste Laurent Perbos, la Méditerranée, c'est un palmier en matière plastique.  « Cette œuvre s'appelle Ibiza, elle fait référence à des noms de plages ou de sites balnéaires où les gens ont envie d'aller, qui sont des fantasmes du tourisme. Là, c'est un palmier que j'ai réalisé à partir d'étais de chantier que je superpose. Et le bouquet au sommet est composé de frites de piscine et de bouées de plage. Tous ces objets-là sont des objets issus de la consommation de masse ; et cela nous renvoie tout de suite à cette question : "Qu'est-ce que nous faisons là ? Est-ce que nous ne sommes pas en train de consommer uniquement un miroir aux alouettes ?" »  Miroir aux alouettes, miroir de nos rêves et de nos espoirs, cette mer que nous partageons est aussi et avant tout pour les artistes présents à la Villa Datris un espace de liberté. Et parfois, la liberté, c'est celle de dire « non ». Plusieurs artistes maghrébins ont annulé leur présence dans l'exposition pour protester contre celle d'une artiste israélienne, Sigalit Landau, qui, elle-même, a fini par jeter l'éponge. ► À voir jusqu'au 1ᵉʳ novembre à la fondation Villa Datris.

This meditation was given on May 27th, 2026, at P3: Prayer, Penance, and Pub, which is a weekly time of Exposition of the Most Blessed Sacrament with Confession available followed by young adult pub time. Each Wednesday, Exposition and Confession starts at 6:30pm, a meditation is given at 8pm, followed by Benediction and young adult Pub Time. Pub time will be held outdoors (weather permitting). Beer and wine are available on a donation basis. Cash and Card accepted.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠Linktree

In this episode of And Now For Something Completely Machinima, hosts Phil Rice, Damien Valentine, and Tracy Harwood dive into a stunning fan-made cinematic created inside Star Wars Battlefront II (2017 video game).We explore how machinima creators are pushing the limits of game engines, modding tools, and cinematic language to produce high-quality storytelling—despite technical limitations like no built-in camera controls. From Cloud City aesthetics to editing techniques and Star Wars authenticity, this episode unpacks what makes this project so impressive (and occasionally hilarious).Whether you're into machinima, virtual production, or the Star Wars universe, there's plenty here to inspire.⏱️ Timestamps00:00 – Intro & classic Completely Machinima opening 01:09 – Welcome + episode setup 01:36 – Damien introduces Battlefront 2 machinima scene 02:30 – Why this film stood out (engine use & in-game rendering) 04:22 – Tracy's first impressions: cinematic language & storytelling 06:00 – Cloud City, mood-building & Star Wars “grammar” 08:30 – Editing, pacing & shot composition analysis 11:13 – The challenge: no camera tools → modding solutions 11:34 – Phil on cinematic storytelling vs dialogue limitations 12:44 – Voice acting, authenticity & sound design 13:03 – Unexpected comedy moments (yes, really

This 5/17/26 sermon by Michael Gowens is based on Philippians 3:4-8 and is #23 in the Exposition of Philippians series. In one of his characteristic autobiographical paragraphs, Paul draws from his own experience to describe a complete restructuring of his life perspective and outlook on the future. He employs the metaphor of an accountant that revalues his assets for liabilities and vice versa, in order to prompt the Philippians to reassess their priorities in living the Christian life.

Send us Fan MailRevelation gets treated like a doomsday decoder ring, but we read it the way the title demands: The Revelation of Jesus Christ. That single shift changes everything. Instead of chasing speculation about the Antichrist or a future seven-year tribulation, we start with the real-world setting that shaped the book and the real churches it was meant to strengthen.We walk through the Roman Empire at its peak, the persecution Christians faced under Domitian, and the pressure to prove loyalty through emperor worship. When religion, politics, economics, and civic life blend into one system, refusing idolatry doesn't stay “private” for long. It can cost community, work, safety, and even life. That backdrop also frames themes many people argue about today, including the “mark of the beast” language and the threat of being shut out of buying and selling.Then we go straight at modern prophecy assumptions, especially dispensationalism. We explain why separating Daniel 9's 70th week from the 69th creates a chain reaction of errors, including the claim that Revelation 4–22 happens after Christians are raptured away and therefore has no relevance for believers. We also show why that doesn't fit church history, because the early church already endured intense tribulation through multiple persecutions. Revelation isn't written to entertain a future audience. It's written to reveal Christ's supremacy over beastly empires and to keep Christians faithful between the ascension and the return.If you've ever felt intimidated by the Book of Revelation, this conversation gives you a clear starting map: historical context, Old Testament imagery, and a Christ-centered lens. Subscribe for the full series, share this with a friend who's tired of prophecy hype, and leave a review with the biggest question you want answered next.Support the showBE PROVOKED AND BE PERSUADED!

Send us Fan MailRevelation gets treated like a codebook for predicting tomorrow, but we make the case that it is actually a pastoral letter for the church today. We start by reading 1 Corinthians 15:24–28 and tracing the big idea: Christ reigns now in his mediatorial role, conquers every enemy, and then hands the kingdom to the Father so that God is all in all. That framework changes how we talk about Christian eschatology, because it puts Christ's present rule and the church's endurance front and center.From there, we compare Daniel and Revelation. Daniel is told to seal the message because fulfillment is far off, while John is told the opposite because the events are near. We dig into what “must shortly come to pass” actually implies, why Revelation calls its audience Christ's servants, and why that matters when people claim the church disappears from the narrative after chapter three. Along the way, Pat, Meg, and Ben add helpful angles, including the hear-versus-see pattern around the 144,000 and how that points to symbolic communication.We also tackle the practical fallout of popular end-times systems, especially pre-tribulation rapture teaching and a future earthly millennium. If Jesus' return is imminent, it cannot be gated behind a list of required events. And if Revelation is “signified,” then the book itself tells us to expect signs and symbols that communicate real spiritual realities, not a wooden literalism that ignores the Old Testament background.If you want a clearer, simpler, more church-centered way to read Revelation, listen now, then subscribe, share with a friend, and leave a review with the biggest assumption you are rethinking.Support the showBE PROVOKED AND BE PERSUADED!

Send us Fan MailRevelation gets treated like a movie trailer for the end of the world, and a lot of us learned to read it with more fear and speculation than clarity. We slow things down and ask a blunt question: what if the confusion isn't because Revelation is impossible, but because we keep adding ideas that aren't even there? Along the way, we talk about why Scripture is meant to be understood, and why humility matters when our favorite traditions get challenged.We also confront a surprising set of facts that reshapes the whole conversation. Revelation never uses the phrases “man of lawlessness,” “son of perdition,” “Antichrist,” or “abomination of desolation,” even though many popular dispensationalist teachings make those terms feel like the book's main plot. That forces us to rethink what we've assumed, how we define “antichrist” from John's letters, and why turning apocalyptic imagery into literal headlines can miss the point.From there, we get practical about Bible study. If you want to interpret Revelation responsibly, you have to know the Old Testament because the symbols, phrases, and judgment language are rooted there. We talk cross-references, prophetic imagery, and why meditation and prayer (Jeremiah 33:3) aren't “extra credit” but part of how God forms understanding over time. If you're ready to read Revelation with better biblical hermeneutics and less hype, come study with us, then subscribe, share the episode, and leave a review so more people can find it.Support the showBE PROVOKED AND BE PERSUADED!

Send us Fan MailRevelation gets used as a fear machine far too often, but we come back to the opening claim: it's the revelation of Jesus Christ. That single line forces a reset. Rather than treating the book like a prediction chart for future events, we read it as an unveiling of Christ's kingly glory, his care for the church, his judgment of evil, and his sure triumph over every empire that rises and falls.We talk through the real-world pressure on the seven churches in Asia Minor under Rome, where emperor worship and pagan festivals weren't just “religious options” but social and economic expectations. That context sheds light on the book's symbolic language, including “buying and selling” as a picture of spiritual compromise and allegiance to a beastly world system. We also challenge modern forms of idolatry, from celebrity and wealth to the way political tribalism can quietly demand our loyalty.From Patmos to Revelation 1:1, we keep the focus on Christ reigning among his churches right now, building faith instead of feeding panic. We dig into why the “it's all future” assumption can miss the point, and we discuss Christ's mediatorial office as the time frame Revelation speaks into, from his first coming until his return. If you want a clearer, calmer, more Christ-centered approach to Revelation, hit play, then subscribe, share with a friend, and leave a review with the biggest takeaway you're walking away with.Support the showBE PROVOKED AND BE PERSUADED!

Third Avenue Baptist ChurchLouisville, KYJoshua 6:1-27May 24, 2026You can find Dr. Mohler's other Line by Line sermons here.Follow Dr. Mohler:X | Instagram | Facebook | YouTubeFor more information on The Southern Baptist Theological Seminary, go to sbts.edu.For more information on Boyce College, just go to BoyceCollege.com.

This meditation was given on May 20th, 2026, at P3: Prayer, Penance, and Pub, which is a weekly time of Exposition of the Most Blessed Sacrament with Confession available followed by young adult pub time. Each Wednesday, Exposition and Confession starts at 6:30pm, a meditation is given at 8pm, followed by Benediction and young adult Pub Time. Pub time will be held outdoors (weather permitting). Beer and wine are available on a donation basis. Cash and Card accepted.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠InstagramLinktree

Exposition of Revelation 2:18-3:22

Une émission enregistrée en public à Marseille pour l'ouverture de la Saison Méditerranée imaginée par sa commissaire générale Julie Kretzschmer, dont l'objectif est de renforcer une communauté de destin entre les différentes rives. Et parmi les multiples enjeux et défis partagés entre les pays méditerranéens, se pose la question des archives et de la mémoire de la bande de Gaza, détruite à 80% par la guerre menée par Israël suite aux attaques du Hamas du 7 octobre 2023. C'est l'un des thèmes majeurs de cette saison multiculturelle Gaza a perdu son patrimoine architectural, son patrimoine culturel, ses lieux de culte et 10% de sa population soit 200 000 hommes, femmes et enfants. Des mémoires et des archives irremplaçables et inachevées pour citer l'exposition Studio Kegham présentée au Centre photographique Marseille, des images en noir et blanc comme un album de famille d'un Gaza détruit que réanime Kegham Djeghalian junior, petit-fils de Kegham Djeghalian senior son grand-père arménien, fondateur du premier studio photographique de la ville de Gaza dès 1944. Au cœur des images photographiques de ce Gaza disparu, nous donnons donc la parole aux archives vivantes de Gaza que sont les artistes et leurs œuvres : Nour Elassy, poétesse, pour ses textes sur le génocide et l'exil ; Maha Al-Daya, pour ses cartes brodées de la bande de Gaza ; Shareef Sarhan pour son projet gazaoui Re-Lighthouse, reconstruction du phare de Gaza… Et Marion Slitine, anthropologue et fondatrice du collectif Ma'ann pour l'exposition « Déplacer le silence : 40 artistes et poétes.ses de Gaza ».   Découvrez le programme de l'ouverture de la Saison Méditerranée Découvrez l'exposition Photo Kegham de Gaza Découvrez l'exposition Déplacer le silence Découvrez les poèmes de Nour Elassy prochainement édités aux Liens qui libèrent le 9 septembre « Il manque à mes mains de quoi te sauver ». Il manque à mes mains Ciel noir terre rouge des enfants hurlent et tout semble si profondément irréel « Je ne vois plus. Je suis tout seul. Sors-moi de là », un enfant crie, par-dessous les gravats Pardonne-moi, mon enfant Il manque à mes mains. J'ai bien tenté d'appeler à l'aide Mais il s'avère que l'aide elle-même a besoin de secours J'ai bien tenté de hurler en direction des caméras allumées Il s'avère que le monde entier regardait déjà. Regardait droit, avec des yeux impuissants J'ai bien tenté de crier, du plus fort que j'ai pu Mais il s'avère qu'ils étaient tous sourds Pardonne-moi, mon enfant Il manque à mes mains de quoi te sauver.

durée : 00:05:30 - Les Matins de France Culture - par : Alexandra Delbot - Une étude française montre qu'utiliser moins de produits cosmétiques et d'hygiène suffit à faire baisser, en 5 jours seulement, l'exposition à des perturbateurs endocriniens comme le bisphénol A ou les phtalates. Un geste simple à l'échelle individuelle mais insuffisant en matière de santé publique. - invités : Claire Philippat Chargée de recherche à l'INSERM, épidémiologiste environnementale, spécialiste des effets des polluants chimiques sur le développement de l'enfant Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Third Avenue Baptist ChurchLouisville, KYJoshua 5:1–15May 17, 2026You can find Dr. Mohler's other Line by Line sermons here.Follow Dr. Mohler:X | Instagram | Facebook | YouTubeFor more information on The Southern Baptist Theological Seminary, go to sbts.edu.For more information on Boyce College, just go to BoyceCollege.com.

What if the Book of Job is not primarily about explaining suffering—but about surviving trauma? In this episode of The Biblical Mind Podcast, Dru Johnson sits down with Old Testament scholar and licensed therapist Michelle Keener to explore the Book of Job through the lens of trauma, PTSD, lament, and healing. Drawing from her book Comfort from the Ashes, Keener argues that the long poetic sections of Job—often skipped by modern readers—may actually portray the slow process of trauma recovery rather than abstract theological debate. Together, Dru and Michelle discuss why Job's friends sound so much like modern Christian clichés, how churches often rush people past suffering toward “victory,” and why lament is essential to spiritual health. The conversation also explores the neuroscience of trauma, the body's involuntary survival responses, repetition in trauma processing, and how God's presence—not simplistic answers—brings healing in Job. They also examine the church's discomfort with anger, grief, and unresolved pain, asking whether modern Christians have lost the biblical language of lament found in Job and the Psalms. This episode is a thoughtful and deeply pastoral conversation for anyone wrestling with suffering, trauma, faith, or the meaning of the Book of Job. For Michelle Keener's latest book, buy it here: https://www.ivpress.com/comfort-in-the-ashes We are listener supported. Give to the cause here: https://hebraicthought.org/give For more articles: https://thebiblicalmind.org/ Social Links: Facebook: https://www.facebook.com/HebraicThought Instagram: https://www.instagram.com/hebraicthought Threads: https://www.threads.net/hebraicthought X: https://www.twitter.com/HebraicThought Bluesky: https://bsky.app/profile/hebraicthought.org Chapters: 00:00 Introduction to Job and Common Misunderstandings 02:08 The Movie Tree of Life as an Exposition of Job 04:07 Is Job the Oldest Book in the Bible? 05:23 The Significance of the Middle Poetry in Job 06:22 Trauma and the Messy Middle of Job 08:17 Sitting with Suffering: The Role of Lament and Honesty 09:42 Job as a Trauma Survivor and Its Modern Relevance 11:55 The Process of Healing and God's Presence 14:07 Physiological Responses to Trauma and Divine Design 16:50 Reintegration of Trauma and the Role of Narrative 19:44 The Encounter with God as Resolution 22:40 Creating Trauma-Informed Church Spaces 24:37 The Power of Honest Testimony and Lament 26:42 The Ubiquity of Trauma Talk and Its Nuances 29:48 Language of Trauma: Distress, Wounded, and Healing 33:40 Ripple Effects of Trauma on Families and Communities 36:11 How to Approach Reading Job for Deep Understanding 38:18 Interpreting Job's Final Resolution and God's Response 40:20 Theological Insights: God's Goodness and Human Suffering 41:18 Conclusion: Healing and Hope in the Biblical Narrative