Podcasts about Exposition

Third Avenue Baptist ChurchLouisville, KY1 Corinthians 13:1–13October 12, 2025You can find Dr. Mohler's other Line by Line sermons here.Follow Dr. Mohler:X | Instagram | Facebook | YouTubeFor more information on The Southern Baptist Theological Seminary, go to sbts.edu.For more information on Boyce College, just go to BoyceCollege.com.

TR is joined by Eileen Ng to discuss her use of visual rubrics to enable authentic assessment, reflection, and learning Show Notes Examples of Eileen's visual rubrics: Spider Web Lab Report (https://docs.google.com/presentation/d/1muAF0bKajT-_MwQeSczVCjAVWGTbjT5hXIoAPXVDTkY/edit?slide=id.g344356e06f6_0_0#slide=id.g344356e06f6_0_0) Four-Level Rubric (https://drive.google.com/file/d/1ZjNNxyNKlataj_lyaTRRnsPBGWn1mYzv/view) EDrenaline RUsh (https://edrenalinerush.com) The Personal Record Rubric (https://edrenalinerush.com/resources/personal-record-rubrics/) The Spider Graph rubric, based on Dungeons and Dragons (https://edrenalinerush.com/2018/08/07/spider-graphs-spider-graphs/) See also - Lucas Blair's "Dungeons and Dragons Character Sheets Go To Grad School" (https://www.slideshare.net/slideshow/dd-character-sheets-go-to-grad-school/107341859#2) Eileen's article on Edutopia: "Representing Student Proficiency and Progress With Visual Rubrics" (https://www.edutopia.org/article/representing-proficiency-progress-visual-rubrics/) Mastery Transcript Consortium (https://mastery.org) Connect with Eileen by email at eileen.ng@modernclassrooms.org (mailto:eileen.ng@modernclassrooms.org) or on the Edutopia Facebook page (https://www.facebook.com/edutopia) Learning Experiences for the Upcoming Week Want to start building your own Modern Classroom and work one-on-one with an expert educator? If you're an educator in Chicago, St. Louis, Alabama, or any of the districts we're partnered with, you can sign up now for the Virtual Mentorship Program! The next session runs from October 20 to January 19, and the whole program is virtual and self-paced. See if there's an opportunity in your area by going to modernclassrooms.org/apply-now (modernclassrooms.org/apply-now) Ready to reimagine your classroom? Join Kami, ScreenPal, and MCP as we dive into The Shift to Student-Led by Catlin Tucker and Katie Novak, focusing on shifting from information transfer to student-driven discovery for our first Book Club Session 1 out of 4 on October, 16, 7pm ET. Explore Workflow Shift 1: strategies to empower students as active learners and leave with fresh ideas to transform your teaching. Let's chat, collaborate, and spark change—one page at a time! Register here (https://www.modernclassrooms.org/book-club) Cassie Fontaine and Zuzka Blasi are presenting at MassCUE on October 15-16 in Boston, MA. MCP will be exhibiting at NCTM Annual Meeting & Exposition on October 15-18 in Atlanta, GA. If you're attending, make sure to check them out and say hi! Contact us, follow us online, and learn more: Email us questions and feedback at: podcast@modernclassrooms.org (mailto:podcast@modernclassrooms.org) Listen to this podcast on Youtube (https://www.youtube.com/playlist?list=PL1SQEZ54ptj1ZQ3bV5tEcULSyPttnifZV) Modern Classrooms: @modernclassproj (https://twitter.com/modernclassproj) on Twitter and facebook.com/modernclassproj (https://www.facebook.com/modernclassproj) Kareem: @kareemfarah23 (https://twitter.com/kareemfarah23) on Twitter Toni Rose: @classroomflex (https://twitter.com/classroomflex) on Twitter and Instagram (https://www.instagram.com/classroomflex/?hl=en) The Modern Classroom Project (https://www.modernclassrooms.org) Modern Classrooms Online Course (https://learn.modernclassrooms.org) Take our free online course, or sign up for our mentorship program to receive personalized guidance from a Modern Classrooms mentor as you implement your own modern classroom! The Modern Classrooms Podcast is edited by Zach Diamond: @zpdiamond (https://twitter.com/zpdiamond) on Twitter and Learning to Teach (https://www.learningtoteach.co/) Special Guest: Eileen Ng.

Exposition of Luke 15:11-32

This meditation was given on October 8th, 2025, at P3: Prayer, Penance, and Pub, which is a weekly time of Exposition of the Most Blessed Sacrament with Confession available followed by young adult pub time. Each Wednesday, Exposition and Confession starts at 6:30pm, a meditation is given at 8pm, followed by Benediction and young adult Pub Time. Pub time will be held outdoors (weather permitting). Beer and wine are available on a donation basis. Cash and Card accepted.Follow us:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Linktree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

A new MP3 sermon from Zion Presbyterian Church is now available on SermonAudio with the following details: Title: Genesis 7 Commentary; The Ark & the Ascension Subtitle: Exposition of 1 Peter Speaker: Romesh Prakashpalan Broadcaster: Zion Presbyterian Church Event: Devotional Date: 10/5/2025 Bible: 1 Peter 3:18-22; Genesis 7 Length: 4 min.

At The Big E, a fair becomes a mirror. Wander with the Audacious crew through 175 acres of wonder and delight to meet the people who bring it to life! From a Lost & Found sage, to a fairy from the Florence Griswold Museum, to a hot tub ace, to Amber, the bathroom attendant/joy DJ. President & CEO Gene Cassidy shares the soul of the Exposition, then we follow our heads, hearts, and (especially) stomachs through cream puffs, Pepe’s pizza, cookie dough-on-a-stick, and dangerously good oddities. Suggested episodes: Scenes from the Big E: A fair filled with food, animals, music – and heart GUESTS: Mary Naughton and Cyndy Penner: mother and daughter duo behind Cyndy’s Bears, selling embroidered teddy bears and other personalized items Andrea Anderson and Sabrina Gagnon: at The Big E with their Clydesdale horses from Hobby Knoll Stable in Duxbury, MA Susan Rotondo and Bill Motyl: longtime fair regulars from Southwick, MA Tammi Flynn: Director of Communications at The Florence Griswold Museum in Old Lyme, CT Rita Rivera: a fairy for the day, advertising the Wee Faerie Village at The Florence Griswold Museum Amber Stone: bathroom attendant at The Big E and recovery coach from Springfield, MA Ed Ame: a Chicago native, who spends most of the year traveling and works at the Lost & Found booth at The Big E James Tackett: a man from Madison, IN, who runs the mini ball booth at The Big E Darryl Wilson: sales representative for MAAX Swim Spas and Hot Tubs Melissa Russell: fife player from Bristol, CT, who performs with a fife and drum corps, and spent Connecticut Day with her family at The Big E John Barrows: printer at Eastern States Exposition Eugene Cassidy: President and CEO at Eastern States Exposition Greg: a Faribault, MN, native, who sells blooming onions at The Big E Kevin Gagliard: Operations Manager at Frank Pepe Pizzeria Napoletana Lynn Lischke: Newburyport, MA, resident, who sells cream puffs at The Big E Josh Virkler: owner of Luann’s Bakery in Ellington, Stafford, and soon Hartford, CT Jackson Panek-Henderson: nine-year-old fairgoer from Newington, CT Joseph Haag: owner of Kora and Mila’s Cookie Dough from Plymouth, WI, serving cookie dough on a stick at The Big E Josh, John, and Henry Pupa: repeat fairgoers from Griswold, CT Support the show: https://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

Romans 7:13-25 — Having unpacked numerous New Testament passages in the first part of this series, Dr. Martyn Lloyd-Jones moves to an in-depth look at three possible identities of the wretched man: the regenerate, the unregenerate, or the immature Christian. In this sermon on Romans 7:13-25 titled “The Wretched Man Identity (2),” Dr. Lloyd-Jones shows that the identity of this wretched man in Romans 7 is not the regenerate man as this is incompatible with other scriptural teaching. But neither is it describing an unregenerate man, as the man is experiencing genuine conviction of sin. He shows an awareness of his own weakness and failure, but there is no mention of the Holy Spirit and indwelling Christ in the text, thus it cannot be an unregenerate man. Having shown he is neither a regenerate or unregenerate man, Dr. Lloyd-Jones turns to the question of whether this can be a description of an immature believer. He emphatically denies this possibility because no matter the situation, it is impossible for a Christian to utter the cry of verse 24. The Christian does not despair. No, he fights sin and uses restraint and care to mortify his flesh. So then how do we identify this man? How are we to understand the meaning of Paul's words? Dr. Lloyd-Jones directs our attention to Paul's intent in writing this passage. The intent is to show that the law is not salvific. This is the point Paul is trying to highlight in dramatic fashion. When man tries to keep the law, he falls under conviction, but has no hope. He doesn't know or understand the truth of the gospel. This, says Dr. Lloyd-Jones is the central meaning of this difficult passage of Scripture. In Dr Lloyd-Jones's own words, the man described in Romans 7 is “a man who is experiencing an intense conviction of sin, a man who has been given to see, by the Spirit, the holiness of the Law; and he feels utterly condemned. He is aware of his weakness for the first time, and his complete failure” ( D. Martyn Lloyd-Jones, Exposition of Chapter 7:1-8:4 The Law: Its Functions and Limits, Edinburgh, Banner of Truth, 1973, p.255). Paul is showing us that there is one great and glorious hope for us. What the law could not do, thanks be to God, the grace of God provides.

Romans 7:13-25 — Having unpacked numerous New Testament passages in the first part of this series, Dr. Martyn Lloyd-Jones moves to an in-depth look at three possible identities of the wretched man: the regenerate, the unregenerate, or the immature Christian. In this sermon on Romans 7:13-25 titled “The Wretched Man Identity (2),” Dr. Lloyd-Jones shows that the identity of this wretched man in Romans 7 is not the regenerate man as this is incompatible with other scriptural teaching. But neither is it describing an unregenerate man, as the man is experiencing genuine conviction of sin. He shows an awareness of his own weakness and failure, but there is no mention of the Holy Spirit and indwelling Christ in the text, thus it cannot be an unregenerate man. Having shown he is neither a regenerate or unregenerate man, Dr. Lloyd-Jones turns to the question of whether this can be a description of an immature believer. He emphatically denies this possibility because no matter the situation, it is impossible for a Christian to utter the cry of verse 24. The Christian does not despair. No, he fights sin and uses restraint and care to mortify his flesh. So then how do we identify this man? How are we to understand the meaning of Paul's words? Dr. Lloyd-Jones directs our attention to Paul's intent in writing this passage. The intent is to show that the law is not salvific. This is the point Paul is trying to highlight in dramatic fashion. When man tries to keep the law, he falls under conviction, but has no hope. He doesn't know or understand the truth of the gospel. This, says Dr. Lloyd-Jones is the central meaning of this difficult passage of Scripture. In Dr Lloyd-Jones's own words, the man described in Romans 7 is “a man who is experiencing an intense conviction of sin, a man who has been given to see, by the Spirit, the holiness of the Law; and he feels utterly condemned. He is aware of his weakness for the first time, and his complete failure” ( D. Martyn Lloyd-Jones, Exposition of Chapter 7:1-8:4 The Law: Its Functions and Limits, Edinburgh, Banner of Truth, 1973, p.255). Paul is showing us that there is one great and glorious hope for us. What the law could not do, thanks be to God, the grace of God provides. To support this ministry financially, visit: https://www.oneplace.com/donate/603/29

Matt Carter unpacks Revelation 2, underscoring that all ministry must originate from a genuine love for Christ to avoid the pitfall of abandoning one's first love. It concludes with practical guidance for leaders to cultivate God's manifest presence in their churches through authentic worship, consistent prayer, prioritizing people, and a mission-focused approach.

This narration is dedicated to L M and Esther with heart felt gratitude. First published in the year 1612, five years after Arthur Dent's death, this treatise remains a nourishing guide for believers who long to grow in both the understanding and practice of prayer. Dent, a faithful preacher and minister of God's Word, draws his readers into the deep spiritual contours of the Lord's Prayer, expounding each petition with theological clarity and heartfelt exhortation. Forgive us our Debts In this petition and the next, we ask for spiritual blessings, which teaches us that, since there are two petitions for spiritual things and only one for temporal things, our concern for our souls must be twice as great as our concern for our bodies. Coherence. God's will is done when we trust His providence for our daily needs and trust His mercy for the forgiveness of our sins. Reason for the order (why we ask first for things of the body, and only afterwards for things of the soul) even though the body is not more excellent than the soul:

A new MP3 sermon from Mount Zion Bible Church is now available on SermonAudio with the following details: Title: Laboring to Enter God's Rest Subtitle: Exposition of Hebrews Speaker: Pastor Jeff Pollard Broadcaster: Mount Zion Bible Church Event: Sunday Service Date: 9/28/2025 Bible: Hebrews 4:11-13 Length: 64 min.

This narration is dedicated to L M and Esther with heart felt gratitude. First published in the year 1612, five years after Arthur Dent's death, this treatise remains a nourishing guide for believers who long to grow in both the understanding and practice of prayer. Dent, a faithful preacher and minister of God's Word, draws his readers into the deep spiritual contours of the Lord's Prayer, expounding each petition with theological clarity and heartfelt exhortation.

Exposition of Esther 5

Genesis 21Steve McClung isaac_aint_him.mp3File Size:90047 kbFile Type:mp3Download File [...]

En juin 1977, le Crocodrome est une sculpture énorme conçue par les artistes Jean Tinguely, Niki de Saint-Phalle et Bernard Linginbühl. Elle a pris ses quartiers dans l'immense hall du tout nouveau centre Pompidou, inauguré un peu plus tôt dans l'année.*** Crédits podcast *** Documentaliste : Anne Brulant - Textes : Lætitia Fourmond - Restauration et mixage : Ian Debeerst - Enregistrement : Franck Couillard - Voix off : Clara De Antoni - Musique(s) : Universal Production Music France - Chargée de production : Delphine Lambard - Cheffe de projet : Lætitia Fourmond - Assistante cheffe de projet : Daphné Boussus - Responsable éditoriale : Zoé Macheret - Un podcast INA.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

This meditation was given on September 24th, 2025, at P3: Prayer, Penance, and Pub, which is a weekly time of Exposition of the Most Blessed Sacrament with Confession available followed by young adult pub time. Each Wednesday, Exposition and Confession starts at 6:30pm, a meditation is given at 8pm, followed by Benediction and young adult Pub Time. Pub time will be held outdoors (weather permitting). Beer and wine are available on a donation basis. Cash and Card accepted.Follow us:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Linktree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Allan Moseley delves into 2 Corinthians chapter 3, examining the profound distinctions between the Old Covenant and the New Covenant in Christ. It emphasizes the New Covenant's surpassing glory, spiritual life, and eternal righteousness, and encourages believers to daily behold Christ's glory for personal transformation and to reveal God's greatness to a world in desperate need.

Le soleil, on le redoute souvent pour ses effets néfastes : coups de soleil, vieillissement de la peau, voire cancers cutanés en cas d'abus. Mais s'exposer modérément à la lumière solaire est en réalité essentiel pour notre santé. Et ce, pour plusieurs raisons précises.La première concerne la vitamine D. Lorsque notre peau est exposée aux rayons ultraviolets B (les fameux UVB), elle déclenche une réaction chimique qui aboutit à la synthèse de cette vitamine indispensable. La vitamine D joue un rôle clé dans la fixation du calcium sur les os, prévenant ainsi l'ostéoporose. Elle participe aussi au bon fonctionnement du système immunitaire, à la santé musculaire et même à la régulation de l'humeur. On estime qu'une quinzaine de minutes d'exposition quotidienne des bras et du visage, en dehors des heures de fort ensoleillement, suffit généralement à couvrir nos besoins.Deuxième effet bénéfique : la lumière du soleil influence directement notre horloge biologique. Elle régule la sécrétion de mélatonine, l'hormone du sommeil. En d'autres termes, s'exposer à la lumière naturelle le matin ou en journée aide notre organisme à rester synchronisé avec le cycle jour-nuit, favorisant un sommeil réparateur et une meilleure vigilance dans la journée. C'est pourquoi le manque de lumière hivernal peut provoquer des troubles du sommeil ou une fatigue persistante.Troisième point : l'impact sur l'humeur. La lumière stimule la production de sérotonine, parfois surnommée « hormone du bonheur ». C'est un neurotransmetteur qui améliore le moral et agit comme un antidépresseur naturel. On comprend ainsi pourquoi, dans certaines régions peu ensoleillées, on observe plus de dépressions saisonnières en hiver.Enfin, plusieurs recherches suggèrent que l'exposition solaire, à petites doses, pourrait contribuer à réduire certains risques cardiovasculaires en dilatant légèrement les vaisseaux sanguins, ce qui fait baisser la tension artérielle.La bonne dose de soleil ? En moyenne, 15 minutes par jour, bras et visage découverts, suffisent pour la plupart d'entre nous. Si la peau est plus foncée, on vise plutôt 30 minutes. Et on évite toujours le créneau dangereux de 12h à 16h. L'hiver, sous nos latitudes, les UVB sont trop faibles : dans ce cas, la vitamine D vient surtout de l'alimentation… ou d'une supplémentation si nécessaire. En résumé, le soleil est un véritable allié santé… à condition de le consommer comme un médicament : à petite dose, régulièrement, et jamais en excès. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Third Avenue Baptist ChurchLouisville, KY1 Corinthians 11:1–22September 21, 2025You can find Dr. Mohler's other Line by Line sermons here.Follow Dr. Mohler:X | Instagram | Facebook | YouTubeFor more information on The Southern Baptist Theological Seminary, go to sbts.edu.For more information on Boyce College, just go to BoyceCollege.com.

Exposition of Esther 4

Pastor Garrison GreeneTEXT: Genesis 44:1-34BIG IDEA: When tested, are you shown to be repentant, compassionate, and sacrificial like Judah's greater Son who gave himself for you?RESOURCES: ESV Study Bible; Genesis: The Beginning of God's Place of Salvation by Richard Belcher Jr; Reformed Expository Commentary: Genesis by Richard Phillips; Welwyn Commentary Series: Genesis by Philip Eveson; Exposition of Genesis by HC Leupold; Living in the Light of Inextinguishable Hope: The Gospel According to Joseph by Iain Duguid and Matthew Harmon; Joseph and the Gospel of Many Colors by Voddie Baucham

Psalm 23:1-6 The Lord is my shepherd; I shall not want. 2 He makes me to lie down in green pastures; He leads me beside the still waters. 3 He restores my soul; He leads me in the paths of righteousness For His name's sake. 4 Yea, though I walk through the valley of the shadow of death, I will fear no evil; For You are with me; Your rod and Your staff, they comfort me. 5 You prepare a table before me in the presence of my enemies; You anoint my head with oil; My cup runs over. 6 Surely goodness and mercy shall follow me All the days of my life; And I will dwell in the house of the Lord Forever.

The book of Amos has a way of getting under our spiritual skin, revealing hypocrisy and mere formalism in our professed love for God. Amos is a powerful reminder that God knows whether our worship is faithful or a mere façade. In 5:1–17, Amos addresses this in terms of a funeral dirge. He declares to be dead that which professes to be alive and makes the earnest appeal to seek God and live.

Genesis 20Steve McClunggenesis20.mp3File Size:82416 kbFile Type:mp3Download File [...]

durée : 00:59:03 - Mauvais genres - par : François Angelier - De Notre-Dame à Gotham city, une richissime exposition rend compte de l'évolution des cultures gothiques, de la cathédrale médiévale à la scène Métal. - réalisation : Laurent Paulré

durée : 00:59:03 - Mauvais genres - par : François Angelier - De Notre-Dame à Gotham city, une richissime exposition rend compte de l'évolution des cultures gothiques, de la cathédrale médiévale à la scène Métal. - réalisation : Laurent Paulré

Fluent Fiction - French: Artful Encounters: A Tale of Transformative Inspiration Find the full episode transcript, vocabulary words, and more:fluentfiction.com/fr/episode/2025-09-20-22-34-02-fr Story Transcript:Fr: À Montmartre, un quartier animé de Paris, les rues pavées brillaient sous le soleil de l'automne.En: In Montmartre, a lively district of Paris, the cobbled streets gleamed under the autumn sun.Fr: Les feuilles d'un orange éclatant parsemaient le sol, ajoutant une touche de couleur au décor.En: The leaves of a bright orange scattered the ground, adding a touch of color to the scene.Fr: Élise marchait d'un pas rapide, son sac rempli de croquis frappant sa hanche à chaque pas.En: Élise walked with a quick pace, her bag filled with sketches striking her hip with each step.Fr: Elle était impatiente, excitée par l'exposition d'art moderne à la petite galerie du coin.En: She was eager, excited about the modern art exhibition at the small gallery around the corner.Fr: À l'entrée de la galerie, un petit panneau indiquait "Exposition d'art moderne - Ouvert aujourd'hui."En: At the entrance of the gallery, a small sign indicated "Modern Art Exhibition - Open today."Fr: Les murs blancs de la galerie mettaient en valeur la gamme colorée des œuvres d'art exposées.En: The white walls of the gallery enhanced the colorful range of artworks on display.Fr: Élise observait chaque pièce attentivement, capturant les détails dans son carnet de croquis.En: Élise examined each piece attentively, capturing the details in her sketchbook.Fr: Elle cherchait l'inspiration pour son projet d'art, quelque chose d'unique qui bousculerait les attentes de ses professeurs.En: She was searching for inspiration for her art project, something unique that would challenge her teachers' expectations.Fr: Lucien se tenait devant une toile particulièrement audacieuse.En: Lucien stood in front of a particularly bold canvas.Fr: Écrivain en quête d'inspiration, il espérait débloquer sa créativité paralysée depuis des mois.En: A writer in search of inspiration, he hoped to unlock his creativity, which had been paralyzed for months.Fr: Il se perdit dans les couleurs vives et les formes chaotiques de l'œuvre, entouré par le murmure constant des visiteurs.En: He lost himself in the vivid colors and chaotic shapes of the work, surrounded by the constant murmur of visitors.Fr: Élise s'approcha de Lucien, intriguée par son silence concentré.En: Élise approached Lucien, intrigued by his focused silence.Fr: "Qu'en pensez-vous?"En: "What do you think?"Fr: demanda-t-elle, sa voix pleine de curiosité.En: she asked, her voice full of curiosity.Fr: Lucien se tourna légèrement, surpris d'être interpellé.En: Lucien turned slightly, surprised to be addressed.Fr: "C'est... captivant," répondit-il, tâchant de mettre des mots sur ses pensées confuses.En: "It's...captivating," he replied, trying to put words to his confused thoughts.Fr: "Oui, mais je trouve qu'il manque quelque chose," dit Élise, sa voix déterminée.En: "Yes, but I find something is missing," said Élise, her voice determined.Fr: "L'émotion brute, peut-être.En: "Raw emotion, maybe.Fr: Tout est question de perspective, non?"En: It's all about perspective, isn't it?"Fr: Lucien fut frappé par son point de vue.En: Lucien was struck by her viewpoint.Fr: "Je n'y avais pas pensé de cette manière," avoua-t-il.En: "I hadn't thought about it that way," he admitted.Fr: "Cela pourrait être un beau défi pour un écrivain."En: "That could be a beautiful challenge for a writer."Fr: Cet échange éveilla leur appétit d'échange d'idées.En: This exchange awakened their appetite for exchanging ideas.Fr: Lucien proposa un café à Élise pour approfondir la conversation.En: Lucien suggested a coffee to Élise to delve deeper into the conversation.Fr: Assis à la terrasse d'un bistrot voisin, ils discutèrent passionnément de l'abstrait face au réalisme, chacun défendant ardemment son approche.En: Sitting on the terrace of a nearby bistrot, they passionately discussed the abstract versus realism, each ardently defending their approach.Fr: "Le réalisme saisit la vie telle quelle," affirma Élise.En: "Realism captures life as it is," asserted Élise.Fr: "Mais l'abstrait engage l'imagination," rétorqua Lucien.En: "But abstraction engages the imagination," retorted Lucien.Fr: Leur débat était animé, mais respectueux, élargissant leurs perspectives respectives.En: Their debate was lively but respectful, broadening their respective perspectives.Fr: Au fil de leur discussion, Élise découvrit une nouvelle inspiration dans les récits littéraires de Lucien.En: As their discussion progressed, Élise discovered new inspiration in Lucien's literary narratives.Fr: Ils étaient remplis de détails sensoriels qu'elle pouvait intégrer dans son art.En: They were filled with sensory details that she could incorporate into her art.Fr: Quant à Lucien, entendre Élise parler de ses projets vint raviver la flamme créative qu'il pensait perdue.En: As for Lucien, hearing Élise talk about her projects rekindled the creative spark he thought he had lost.Fr: Ils se séparèrent avec un respect mutuel et une énergie renouvelée.En: They parted ways with mutual respect and renewed energy.Fr: Élise, libérée des attentes traditionnelles, avait trouvé confiance en sa voix artistique unique.En: Élise, freed from traditional expectations, had found confidence in her unique artistic voice.Fr: Lucien, enfin libéré de son blocage créatif, se mit à écrire à nouveau, animé par les idées fraîches que leurs échanges avaient générées.En: Lucien, finally free from his creative block, began writing again, fueled by the fresh ideas their exchanges had generated.Fr: En quittant Montmartre, Élise et Lucien portaient avec eux une étincelle de nouveauté et une collaboration tacite qui pousserait chacun à créer différemment.En: Leaving Montmartre, Élise and Lucien carried with them a spark of novelty and a tacit collaboration that would push each to create differently.Fr: Leurs vies s'entrecroisaient désormais à travers l'art, transformant une simple rencontre en une source de profonde inspiration.En: Their lives now intertwined through art, transforming a simple encounter into a source of profound inspiration. Vocabulary Words:district: le quartiercobbled streets: les rues pavéesgleamed: brillaientbright: éclatantscene: le décorentrance: l'entréegallery: la galerieenhanced: mettaient en valeurrange: la gammeartworks: les œuvres d'artdisplay: exposéesunique: uniqueexpectations: les attentescanvas: la toilewriter: l'écrivaininspiration: l'inspirationcreativity: la créativitésurrounded: entourémurmur: le murmurevisitors: les visiteurscuriosity: la curiositéperspective: la perspectivechallenge: le défiexchange: l'échangerespective: respectivessensory: sensorielsincorporate: intégrerblock: le blocagespark: l'étincelleencounter: la rencontre

Raconter l'Afrique et ses diasporas à travers leurs sons et leurs musiques, c'est l'objectif d'une exposition immersive au Musée d'ethnographie de Genève, en Suisse. Avec plus de 200 œuvres – archives, instruments anciens et installations contemporaines –, Afrosonica. Paysages sonores embarque le public dans un voyage multisensoriel qui met en lumière le son comme vecteur de connexion, de résistance et de changement. Des tambours et des luths, des gousses de fruits et des cocons d'insectes, des graines et des coquillages : c'est l'Afrique dans toute sa diversité sonore qui se déploie sur 1 000 mètres carrés au Musée d'ethnographie de Genève. Mo Laudi, artiste multidisciplinaire et DJ sud-africain, est co-commissaire de l'exposition : « "Afrosonica" fait référence à une tradition dans les townships de fusionner des mots pour créer de nouvelles significations. Ici, c'est l'idée que l'Afrique est riche ; les minéraux les plus précieux proviennent du Congo et se retrouvent dans nos téléphones portables ; l'or d'Afrique du Sud orne les Rolex. Et quand vous écoutez du rock and roll, il a ses racines en Afrique, tout comme le hip-hop et le jazz. Aujourd'hui, il y a une fierté à affirmer : "Je suis Africain." Il est essentiel de se souvenir de ces racines pour avancer. » Cet ambassadeur de l'afro-électro présente lui-même une création. Inspirée des peintures murales des maisons d'Afrique du Sud, il y mêle plastique recyclé et chants de travail. Avec l'ethnomusicologue canadienne Madeleine Leclair, conservatrice au MEG, les deux commissaires ont puisé dans les 20 000 heures d'archives du musée et passé commande à sept artistes contemporains pour créer un parcours libre où le son est outil de mémoire, de transmission, de contestation. À écouter aussiAfrosonica, paysages sonores au Musée d'Ethnographie de Genève (MEG) Madeleine Leclair : « Les grands mouvements politiques, les grands chamboulements qui ont marqué l'histoire de l'Afrique – la colonisation, décolonisation, indépendance – étaient accompagnés de musique. C'est vraiment un élément fédérateur. Également en Afrique du Sud, à l'époque de l'apartheid notamment, le gouvernement est même allé jusqu'à censurer des enregistrements, de personnages importants dans la contestation rayés du disque. » Une vingtaine de thèmes rythment le parcours, illustrant le pouvoir du son entre révolte et résilience, rituel et réactivation de la mémoire. Des peintures préhistoriques de harpes du Sahara croisent le chant vaudou du Bénin des années 1960, tandis que la rumba congolaise se frotte aux vinyles d'un jukebox. Le public peut assister à un « bain d'oreilles » au Nigeria et se laisser hypnotiser par le vrombissement d'un rhombe, petit objet en os, en bois ou en ivoire, que l'on fait tournoyer au-dessus de la tête à l'aide d'une ficelle. Madeleine Leclair : « Ces rhombes sont mis en mouvement sur les cinq continents, notamment au Brésil, en Australie également, et en Afrique, ça peut aussi être interprété comme la voix des ancêtres. » Et parfois, il suffit d'un bidon d'huile et d'un câble de frein à vélo pour créer une cithare au Burkina Faso et redonner un sens au son. ► L'exposition Afrosonica. Paysages sonores à voir et à écouter au MEG en Suisse jusqu'au 4 janvier 2026.

Jeff Iorg explores God's eternal mission, as revealed in Ephesians 3, emphasizing our divine invitation to serve the gospel by communicating it to others. It challenges listeners to prioritize this mission above all else, acknowledging the potential cost of personal affliction, yet affirming its ultimate reward for God's glory and our eternal benefit.

A new MP3 sermon from Mount Zion Bible Church is now available on SermonAudio with the following details: Title: Children, Sons, & Heirs of God Subtitle: Exposition of Galatians Speaker: Pastor Jeff Pollard Broadcaster: Mount Zion Bible Church Event: Midweek Service Date: 9/17/2025 Bible: Galatians 4:1-7 Length: 52 min.

Stephen Rummage delves into the "gospel demands" found in Romans 10:13-17, presenting them as a reverse-engineered chain of salvation. It outlines five essential links for gospel advance: calling on Jesus, believing in him, hearing the Word of Christ, faithfully preaching, and actively sending messengers to reach the lost.

https://www.maynardvillefellowship.com/wp-content/uploads/2025/09/Psalm-131-The-Murder-of-Charlie-Kirk.mp3 Many of us have been devastated. Shaken to our cores. … by the murder of a man we never met- Charlie Kirk. Who committed this atrocity? A lone gunman? Was it a government conspiracy? Perhaps a foreign government or agency? You crave justice; you hunger for answers—so down the rabbit hole you go. Podcasts, influencers, & news outlets constantly claim to have “Breaking news." This voice is sure it's a transgender shooter. Another, a government conspiracy. Another points to suspicious “timestamps.” You hear of an arrest. Someone then claims the arrest is a scapegoat. It's exhausting.  Soul-crushingly discouraging. What are we to do with these anxious thoughts in a time like this? We turn where saints have always turned—to God's Word. Join Pastor Matt as he walks through Ps. 131, where we hear David's prayer—born in a difficult-to-grasp cultural moment. We don't know the exact situation behind Ps. 131—& that's a mercy. God gave it to steady us in many moments, including this one. If you need consolation as you grieve Charlie Kirk's assassination, listen in. If you are encouraged, share with a friend who needs peace today.

A new MP3 sermon from Mount Zion Bible Church is now available on SermonAudio with the following details: Title: There Remains Rest for God's People Subtitle: Exposition of Hebrews Speaker: Pastor Jeff Pollard Broadcaster: Mount Zion Bible Church Event: Sunday Service Date: 9/14/2025 Bible: Hebrews 4:1-11 Length: 66 min.

Third Avenue Baptist ChurchLouisville, KY1 Corinthians 11:1–16September 14, 2025You can find Dr. Mohler's other Line by Line sermons here.Follow Dr. Mohler:X | Instagram | Facebook | YouTubeFor more information on The Southern Baptist Theological Seminary, go to sbts.edu.For more information on Boyce College, just go to BoyceCollege.com.

Exposition of Esther 3

1) Sauvegarder des archives dans l'ADN Un projet européen, mené par l'Université de Genève et la Haute école Arc ingénierie, vise à automatiser le stockage de données dans l'ADN synthétique. Inspirée par des micro-usines horlogères, cette technologie pourrait révolutionner l'archivage numérique, avec un prototype prévu pour 2027 et une commercialisation en 2030. 2) Des cépages qui résistent aux champignons Cʹest le temps des vendanges en Suisse, lʹoccasion de découvrir les cépages PIWI, résistants aux champignons comme le mildiou ou lʹoïdium. Moins de traitements, plus de durabilité: des variétés comme Divico, Divona ou Solaris, développées par Agroscope, révolutionnent la viticulture. À Hermance, Raphaël Piuz cultive une centaine de ces cépages sur 4 hectares, réduisant jusquʹà 80 % les intrants phytosanitaires. David Marchand, lui, est conseiller et chercheur en viticulture biologique au FiBL, lʹInstitut de recherche de lʹagriculture biologique. Il explique les avantages et inconvénients à planter des cépages résistants. 3) Devenez volcanologues lors de l'exposition "Le feu de la terre, une aventure humaine" Mettez-vous dans la peau dʹun ou une volcanologue en entrant dans une Volcano Box! Cʹest lʹexpérience proposée dans "Le feu de la terre, une aventure humaine", une exposition proposée par des scientifiques du Département des sciences de la Terre de lʹUniversité de Genève.

In Amos, we hear God's thunderous threatening—his roaring resolve of irrevocable judgement. God's people, and the world, were being prepared to meet their God, to give account to him. And depending on their response to this message, they would either meet God in his wrath or in acceptable worship. The choice was theirs. The choice is ours as well. 1. A Stunning Indictment of the Women (vv. 1–3) 2. A Sarcastic Call to Worship (vv. 4–5) 3. A Stubborn Response to the Word (vv. 6–11) 4. A Sobering Warning of Wrath (vv. 12–13)

Le concept de manuscrit enluminé est un signe de pouvoir, de richesse, et de culture. Rédigés à la main, illustrés, ou plutôt enluminés, ces beaux objets manuscrits illuminent un texte, qui témoigne généralement de pratiques chrétiennes. On situe sa popularité au Moyen Âge, mais on trouve des manuscrits sous l'Antiquité tardive. La production va progressivement s'éteindre au profit de l'imprimerie moderne au 15e siècle. Le plus célèbre est sans aucun doute Les très riches heures du duc de Berry, qui vient de faire l'objet d'une restauration. Reportage de Christine Pinchart. Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Drawing from Mark 4:26-29, Andy Davis outlines the gospel worker's essential role in scattering the seed of God's Word and affirming new believers. We are called to diligently share the gospel, confident in divine power for transformation.

Over three centuries after its initial publication, Nehemiah Coxe's seminal work "A Discourse of the Covenants" remains as vital as ever in understanding Baptist Covenant Theology. Paired with John Owen's Exposition of Hebrews 8:6-13, this twentieth anniversary edition of Covenant Theology from Adam to Christ features updated content and indices. In this conversation, Richard Barcellos, Ron Miller & Fransico Orozco discuss the history of this book's initial publication, Coxe's view of the Abrahamic covenant, and more. For more information about CBTS, visit: https://cbtseminary.org

Drawing from 2 Kings 13, Major General Doug Carver explores King Jehoash's desperate plea to Elisha for a plan against Syria, setting the stage for a reflection on God's guidance in challenging circumstances. The sermon emphasizes that God provides victory, yet challenges believers to pursue "total victory" through complete obedience and an "all-in" commitment to His plan, rather than settling for partial measures.

Exposition of Esther 2