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Nicholas Korody is a writer and artist. He writes for Archinect, where is also the editor of their print publication, Ed; and is one-half of Adjustments Agency, a studio and artistic practice he formed with Joanna Kloppenburg to investigate the architecture of architecture. Earlier this year, Nicholas launched Interiors Agency, his new independent practice interested in the role of interior design and decoration in culture. In this episode, Jarrett and Nicholas talk about his liberal arts background and sideways entry into architecture, the labor of design discourse, working across various mediums. Links from this episode can be found at scratchingthesurface.fm.
This week we announced the release of our latest issue of our print journal, Ed, with the theme “Architecture of Disaster”. For today’s show I’m talking with Nicholas Korody, Ed’s editor-in-chief, to discuss this latest release. Nicholas talks about the conception of the theme and shares some of his favorite pieces. We finish the conversation with a hint at Nicholas’s forthcoming Venice Architecture Biennale coverage.
This week, we are joined by Nicholas Korody, the Editor-in-Chief of Archinect's new print project Ed, and Ethel Baraona Pohl, co-founder of Barcelona-based architecture publisher dpr-barcelona. We discuss the increasingly-niche industry of architectural print publishing, and the evolving value it offers as digital media continues to thrive. We also provide a little behind-the-scenes look at the conception and development of Ed. Interested in seeing your work in print? Ed is currently seeking submissions for our next issue on "Disaster". Bracket, a publication project Archinect co-publishes with Infranetlab, is seeking submissions for the upcoming release "On Sharing".
Recently, Archinect teamed up with Bureau Spectacular for the Arroyo Seco Weekend festival. Jimenez Lai and Joanna Grant designed a pavilion for the event, while Archinect's Paul Petrunia and Nicholas Korody held a series of interviews within it. Conversations focused on temporary architecture, installations, festival design and planning, and the festival's host city of Pasadena, CA, the results of which can be listened to below. We'd like to thank the Goldenvoice team, and in particular Raffi Lehrher, for recognizing the importance of architecture and urban issues, their interest in engaging the community, and inviting us to take part in this inaugural event.
Recently, Archinect teamed up with Bureau Spectacular for the Arroyo Seco Weekend festival. Jimenez Lai and Joanna Grant designed a pavilion for the event, while Archinect's Paul Petrunia and Nicholas Korody held a series of interviews within it. Conversations focused on temporary architecture, installations, festival design and planning, and the festival's host city of Pasadena, CA, the results of which can be listened to below. We'd like to thank the Goldenvoice team, and in particular Raffi Lehrher, for recognizing the importance of architecture and urban issues, their interest in engaging the community, and inviting us to take part in this inaugural event.
Recently, Archinect teamed up with Bureau Spectacular for the Arroyo Seco Weekend festival. Jimenez Lai and Joanna Grant designed a pavilion for the event, while Archinect's Paul Petrunia and Nicholas Korody held a series of interviews within it. Conversations focused on temporary architecture, installations, festival design and planning, and the festival's host city of Pasadena, CA, the results of which can be listened to below. We'd like to thank the Goldenvoice team, and in particular Raffi Lehrher, for recognizing the importance of architecture and urban issues, their interest in engaging the community, and inviting us to take part in this inaugural event.
Recently, Archinect teamed up with Bureau Spectacular for the Arroyo Seco Weekend festival. Jimenez Lai and Joanna Grant designed a pavilion for the event, while Archinect's Paul Petrunia and Nicholas Korody held a series of interviews within it. Conversations focused on temporary architecture, installations, festival design and planning, and the festival's host city of Pasadena, CA, the results of which can be listened to below. We'd like to thank the Goldenvoice team, and in particular Raffi Lehrher, for recognizing the importance of architecture and urban issues, their interest in engaging the community, and inviting us to take part in this inaugural event.
Recently, Archinect teamed up with Bureau Spectacular for the Arroyo Seco Weekend festival. Jimenez Lai and Joanna Grant designed a pavilion for the event, while Archinect's Paul Petrunia and Nicholas Korody held a series of interviews within it. Conversations focused on temporary architecture, installations, festival design and planning, and the festival's host city of Pasadena, CA, the results of which can be listened to below. We'd like to thank the Goldenvoice team, and in particular Raffi Lehrher, for recognizing the importance of architecture and urban issues, their interest in engaging the community, and inviting us to take part in this inaugural event.
Recently, Archinect teamed up with Bureau Spectacular for the Arroyo Seco Weekend festival. Jimenez Lai and Joanna Grant designed a pavilion for the event, while Archinect's Paul Petrunia and Nicholas Korody held a series of interviews within it. Conversations focused on temporary architecture, installations, festival design and planning, and the festival's host city of Pasadena, CA, the results of which can be listened to below. We'd like to thank the Goldenvoice team, and in particular Raffi Lehrher, for recognizing the importance of architecture and urban issues, their interest in engaging the community, and inviting us to take part in this inaugural event.
Recently, Archinect teamed up with Bureau Spectacular for the Arroyo Seco Weekend festival. Jimenez Lai and Joanna Grant designed a pavilion for the event, while Archinect's Paul Petrunia and Nicholas Korody held a series of interviews within it. Conversations focused on temporary architecture, installations, festival design and planning, and the festival's host city of Pasadena, CA, the results of which can be listened to below. We'd like to thank the Goldenvoice team, and in particular Raffi Lehrher, for recognizing the importan
Recently, Archinect teamed up with Bureau Spectacular for the Arroyo Seco Weekend festival. Jimenez Lai and Joanna Grant designed a pavilion for the event, while Archinect's Paul Petrunia and Nicholas Korody held a series of interviews within it. Conversations focused on temporary architecture, installations, festival design and planning, and the festival's host city of Pasadena, CA, the results of which can be listened to below. We'd like to thank the Goldenvoice team, and in particular Raffi Lehrher, for recognizing the importance of architecture and urban issues, their interest in engaging the community, and inviting us to take part in this inaugural event.
Who thought these were a good idea? Seriously. On Day 1, when the money guys met with the building guys, why didn't they scream and run away? Did they feel any regret once the building itself took form? Jacquetta and Kathleen are disgusted, but they got through Part 2: Modernism and managed to keep their sanity (mostly). Mandatory: all the pictures you need are on our Facebook page! The links we promised: Yes, 432 Park Avenue WAS, in fact, inspired by a garbage can. At least it's a fancy garbage can. This article has more info and nice pictures of 432 Park's lighting scheme. As of the time of recording, there are currently plans for eight more ultra-luxe towers in and around Manhattan. Nicholas Korody at Archinet.com has done a great job compiling various reviews of the new Whitney. Theodore Dalrymple is the genius who says, of the new Whiney Museum, "The building was a perfect place from which to commit suicide". I recommend reading his other stuff. Not an architect, but a helluva writer. Jonathan Letham wrote an open letter to Frank Gehry .The article includes an image of the "Miss Brooklyn" tower, a hideous architechtural bullet we were lucky to dodge. Yes, Barclays Center does have the worst seats in professional sports. And there are no plans to change them. To paraphrase Barclays Center CEO Brett Yormark, "You can watch the game on your phone, plebe."
Missed out on Next Up: The LA River, Archinect Sessions' live podcasting event? Now you can listen to the first half all at once, on One-to-One. Next week we'll release the full second-half. This playlist of live recordings features interviews with: Frances Anderton (host, KCRW’s DnA) and Christopher Hawthorne (architecture critic, Los Angeles Times) Steven Appleton (co-founder, LA River Kayak Safari) and Catherine Gudis (co-founder, Play the L.A. River game) Marissa Christiansen (Executive Director (formerly Senior Policy Director), Friends of the Los Angeles River) Deborah Weintraub (Chief Deputy City Engineer, LA Bureau of Engineering) About Next Up: The LA River When Frank Gehry's office was first attached to the L.A. River's master plan and redevelopment, the river began attracting fresh attention over a project that had already been evolving for decades. This October, in an attempt to do justice to the river's complexity and history (and the accompanying urbanist discourse), Archinect hosted 'Next Up: The LA River'—a live podcasting interview series with an array of architects, planners, artists, and journalists with varying perspectives on the subject. We're now eager to share those conversations with everyone as eight Mini-Sessions, released as part of our Archinect Sessions podcast. Amelia Taylor-Hochberg, Paul Petrunia and Nicholas Korody moderated the conversations, which took place at the Los Angeles Architecture + Design Museum on October 29, 2016. While we reached out to them, unfortunately no representatives from Gehry's office were able to take part.
For this Mini-Session from our Next Up: The LA River event, Nicholas Korody spoke with Julia Meltzer, director and founder of non-profit arts organization, Clockshop, and Elizabeth Timme, co-director of the urban design and architecture non-profit LA-Más. Both Clockshop and LA-Más are located within Elysian Valley, aka Frogtown—a sliver of a neighborhood bordered by the LA River, the 5 and the 2 freeways. In recent years, Frogtown (predominantly a low-density neighborhood of single-family homes) has become a major focus in LA conversations about gentrification and development, and both Timme's and Meltzer's work is heavily invested in their context. Clockshop (in collaboration with California State Parks) has its HQ in Frogtown and hosts art events in the Bowtie, an undeveloped plot of land along the river. In 2015, LA-Más led a community "co-visioning process" (the 'Futuro de Frogtown') to determine the kind of development decisions residents were concerned about. Nicholas Korody spoke with both Timme and Meltzer about issues of equitable-design and place-making along the river, and the role of art within a master redevelopment plan.
As Chief Architect and Chief Deputy City Engineer presiding over a group of 800+ architects and engineers, Deborah Weintraub has a big picture of LA infrastructure in mind when it comes to the river. She also has a fair amount of historical perspective, having overseen the implementation of the Los Angeles River Revitalization Master Plan after it first issued RFPs in December of 2004. Additionally, she oversaw the design and construction of the river's new 6th Street Viaduct by Michael Maltzan's office, which recently broke ground. Nicholas Korody spoke with Deborah about her role as the most senior architect in the Bureau of Engineering, the river's urbanistic potential (and pitfalls) as a gigantic piece of infrastructure, and Gehry's role beyond hydrology.
When Frank Gehry's office was first attached to the L.A. River's master plan and redevelopment, the river began attracting fresh attention over a project that had already been evolving for decades. This October, in an attempt to do justice to the river's complexity and history (and the accompanying urbanist discourse), Archinect hosted 'Next Up: The LA River'—a live podcasting interview series with an array of architects, planners, artists, and journalists with varying perspectives on the subject. We're now eager to share those conversations with everyone as eight Mini-Sessions, released as part of our Archinect Sessions podcast. Amelia Taylor-Hochberg, Paul Petrunia and Nicholas Korody moderated the conversations, which took place at the Los Angeles Architecture + Design Museum on October 29, 2016. While we reached out to them, unfortunately no representatives from Gehry's office were able to take part. Our first Mini-Session was moderated by myself, with Frances Anderton (host of KCRW's 'Design and Architecture'), and Christopher Hawthorne (architecture critic for the Los Angeles Times). We cover their journalistic approaches to the river, and their own personal take on its role in the city.
Wrapping up our special editorial theme for June 2016, Privacy, Archinect writers Julia Ingalls and Nicholas Korody join us on the podcast this week to discuss two of their recent features—Julia's piece on banking security with input from a reformed robber, and Nicholas' interview with the architecture firm that moonlights as a government whistleblower, posting hundreds of secret documents online.
Last week we witnessed the loss of Dame Zaha Hadid, one of architecture's most formidable and prolific talents. We'll be devoting a later podcast episode to remembering her and honoring her work. Until then, we'll continue catching you up with the most significant architecture news from the past week. This episode we discuss Alejandro Aravena's Pritzker acceptance speech (and the designs he's giving away for free), how NASA is experimenting with inflatable space houses, how we "crave" public space, and Nicholas Korody joins us to discuss the cockroach of unpaid architecture internships (they just won't die). Shownotes: Zaha Hadid Dies at Age 65 The NASA-grade work of Garrett Finney Quilian Riano's Who Owns Space project Woman calls out Florida Governor Rick Scott in a Starbucks
For our final Mini-Session from the Next Up series, Nicholas Korody interviews TOMA, a Santiago-based collective. TOMA build politically-charged social spaces, using design as a strategy for bringing people together rather than as an end in itself. With their installation for the Chicago Architecture Biennial, Escuelopolis, the Chilean architects catalogued and mapped the connections between their home-base and the Midwestern metropolis, honing in on the exportation of neoliberalism to South America by the University of Chicago-trained “Chicago Boys.” Regularly printing newspapers to document their research as it occurred, TOMA invited visitors and participants to the Biennial to actively participate in their architectural research, gathering people together to consider the processes that keep us apart.
Nicholas Korody interviews architect Andreas Angelidakis for our next Mini-Session, originally part of our Next Up event at the Chicago Architecture Biennial. Trained at SCI-Arc, Angelidakis is perhaps better known in contemporary art circles than architecture's (as pointed out by Nicholas in a previous feature here on Archinect), but as proved in his contribution to the Biennial, the context and concerns of his ideas rely on, and contribute to, architectural discourse.
Architect and educator Liam Young joins Paul Petrunia and Nicholas Korody in the Archinect studio for this week's One-to-One. Young, a kind of architect-non-architect (his definition of the role may vary), concerns his design and creative work with the anthropocentric futures of our globalized society, in architecture, energy, and technology. Standard among his many roles are co-director of the AA's Unknown Fields Division, a nomadic research studio, and founder of the urbanism think tank, Tomorrow's Thoughts Today. Current projects include developing a new masters program at SCI-Arc in fiction and entertainment, and leading a studio at the AA. Special thanks to SCI-Arc for helping set up the interview.