Podcasts about Modernism

Melvyn Bragg and guests discuss the dance which, from when it reached Britain in the early nineteenth century, revolutionised the relationship between music, literature and people here for the next hundred years. While it may seem formal now, it was the informality and daring that drove its popularity, with couples holding each other as they spun round a room to new lighter music popularised by Johann Strauss, father and son, such as The Blue Danube. Soon the Waltz expanded the creative world in poetry, ballet, novellas and music, from the Ballets Russes of Diaghilev to Moon River and Are You Lonesome Tonight. With Susan Jones Emeritus Professor of English Literature at the University of Oxford Derek B. Scott Professor Emeritus of Music at the University of Leeds And Theresa Buckland Emeritus Professor of Dance History and Ethnography at the University of Roehampton Producer: Simon Tillotson Reading list: Egil Bakka, Theresa Jill Buckland, Helena Saarikoski, and Anne von Bibra Wharton (eds.), Waltzing Through Europe: Attitudes towards Couple Dances in the Long Nineteenth Century, (Open Book Publishers, 2020) Theresa Jill Buckland, ‘How the Waltz was Won: Transmutations and the Acquisition of Style in Early English Modern Ballroom Dancing. Part One: Waltzing Under Attack' (Dance Research, 36/1, 2018); ‘Part Two: The Waltz Regained' (Dance Research, 36/2, 2018) Theresa Jill Buckland, Society Dancing: Fashionable Bodies in England, 1870-1920 (Palgrave Macmillan, 2011) Erica Buurman, The Viennese Ballroom in the Age of Beethoven (Cambridge University Press, 2022) Paul Cooper, ‘The Waltz in England, c. 1790-1820' (Paper presented at Early Dance Circle conference, 2018) Sherril Dodds and Susan Cook (eds.), Bodies of Sound: Studies Across Popular Dance and Music (Ashgate, 2013), especially ‘Dancing Out of Time: The Forgotten Boston of Edwardian England' by Theresa Jill Buckland Zelda Fitzgerald, Save Me the Waltz (first published 1932; Vintage Classics, 2001) Hilary French, Ballroom: A People's History of Dancing (Reaktion Books, 2022) Susan Jones, Literature, Modernism, and Dance (Oxford University Press, 2013) Mark Knowles, The Wicked Waltz and Other Scandalous Dances: Outrage at Couple Dancing in the 19th and Early 20th Centuries (McFarland, 2009) Rosamond Lehmann, Invitation to the Waltz (first published 1932; Virago, 2006) Eric McKee, Decorum of the Minuet, Delirium of the Waltz: A Study of Dance-Music Relations in 3/4 Time (Indiana University Press, 2012) Eduard Reeser, The History of the Walz (Continental Book Co., 1949) Stanley Sadie (ed.), The New Grove Dictionary of Music and Musicians, Vol. 27 (Macmillan, 2nd ed., 2000), especially ‘Waltz' by Andrew Lamb Derek B. Scott, Sounds of the Metropolis: The 19th-Century Popular Music Revolution in London, New York, Paris and Vienna (Oxford University Press, 2008), especially the chapter ‘A Revolution on the Dance Floor, a Revolution in Musical Style: The Viennese Waltz' Joseph Wechsberg, The Waltz Emperors: The Life and Times and Music of the Strauss Family (Putnam, 1973) Cheryl A. Wilson, Literature and Dance in Nineteenth-century Britain (Cambridge University Press, 2009) Virginia Woolf, The Voyage Out (first published 1915; William Collins, 2013) Virginia Woolf, The Years (first published 1937; Vintage Classics, 2016) David Wyn Jones, The Strauss Dynasty and Habsburg Vienna (Cambridge University Press, 2023) Sevin H. Yaraman, Revolving Embrace: The Waltz as Sex, Steps, and Sound (Pendragon Press, 2002) Rishona Zimring, Social Dance and the Modernist Imagination in Interwar Britain (Ashgate Press, 2013) Spanning history, religion, culture, science and philosophy, In Our Time from BBC Radio 4 is essential listening for the intellectually curious. In each episode, host Melvyn Bragg and expert guests explore the characters, events and discoveries that have shaped our world.

We've got author and architect Peter Forguson celebrating Michigan's extraordinary collection of bold, Modernist houses with the new book Contemporary Michigan, from the UK, Michael Diamant rants against Modernism, and later on, musical guest Brent Jensen serves classic tunes made famous by Paul Desmond.  

Every rule was made to be broken, except in architecture, where even the act of breaking rules seems to come with its own set of rules. Modernism promised liberation from the past, but it quickly wrote its own commandments into the story—flat roofs, open plans, white walls, and exposed structure became the expected vocabulary. A movement that arrived as rebellion soon carried the weight of convention, and those conventions still shape how we design and judge buildings today. This week, Andrew and I are taking a closer look at the commandments of Modernism—where they came from, why they matter, and what they mean for the way we practice now. Welcome to Episode 186: The Rules of Modernism.  [Note: If you are reading this via email, click here to access the on-site audio player]  If you are interested in seeing just a few of the houses I mentioned on the podcast, you can see them listed on the Realtor.com (here and here are just a few of them) The Roots of Modernism jump to 6:30 Modern architecture did not emerge in a vacuum. It was a response to seismic shifts in society, technology, and culture that took place in the late nineteenth and early twentieth centuries. Industrialization had transformed the way people lived, cities were expanding at unprecedented rates, and new materials like steel, reinforced concrete, and large sheets of plate glass were suddenly available to architects. These inventions were not simply practical tools, they were symbols of a new age. Architects began to ask why they should keep designing buildings that looked like medieval castles or classical temples when the world around them had become faster, lighter, and more efficient. The very idea of progress seemed incompatible with copying the past, and so Modernism positioned itself as the architecture of a new century - an architecture that would represent industry, rationality, and optimism for the future. This rejection of the past was more than an aesthetic preference, it was a manifesto. Ornament was not just unnecessary, it was cast as dishonest and wasteful. Historical references were treated as evidence of cultural stagnation. In their place, Modernists put forward ideas of functional clarity, open planning, and structural honesty. The promise was bold: architecture would no longer serve as a backdrop for tradition, it would become a tool for shaping a better society. Housing would be healthier, cities would be more efficient, and design would finally align with the realities of modern life. It was not only about how buildings looked, but about how they could transform the way people lived … and that is why the roots of Modernism matter to this conversation. The movement began as a radical break from the architectural traditions that came before it, yet it also established a new set of values that quickly hardened into conventions of their own. Before we can explore the “rules” of Modern design, we need to understand the cultural and historical conditions that gave rise to them. Only then can we appreciate the irony that a movement born from revolution became one of the most codified design languages of the twentieth century. By the time Modernism had established itself internationally, the movement that began as rebellion had already created its own set of unwritten rules. Architects may not have published them in a single manifesto, but they were understood all the same. You could look at a building and know whether it was ‘Modern' or not, based on a handful of essential qualities. These rules were never carved into stone, yet they became the code that defined the movement for decades. To understand Modern design, and to really grasp how it operates, we need to lay out those unspoken commandments - the ideas that quietly dictate what belongs inside the Modernist tradition and what falls outside of it. The Ten Commandments of Modernism jump to 13:42 Modernism never published a rulebook,

In CRUX interview, Leo XIV proposes changing Catholic teaching on sexual morality by changing "attitudes"? The essence of Modernism: faith must follow fads, the cornerstone of the new order "Synodal Church." How the New Order failed Charlie Kirk. This episode was recorded on 09/23/2025. Our Links: http://linkwcb.com/ Please consider making a monetary donation to What Catholics Believe. Father Jenkins remembers all of our benefactors in general during his daily Mass, and he also offers one Mass on the first Sunday of every month specially for all supporters of What Catholics Believe. May God bless you for your generosity! https://www.wcbohio.com/donate Subscribe to our other YouTube channels: ‪@WCBHighlights‬ ‪@WCBHolyMassLivestream‬ Video mentioned by Fr. Jenkins at the start of the episode: • Mary is the Solution to Toxic Feminism May God bless you all!

Michael Vassar is a futurist philosopher who believes that our civilization has lost the ability to think clearly, as the result of a silent project to destroy education that has been running in the background for generations. At the core of his argument is that the modern world has been shaped by elites interested in taking over the world. Interestingly, he seems to think that this multi-generational plan has backfired, and produced a society where there is a vanishingly small number of people even capable of formulating such grand ambitions, let alone possess the cognitive abilities to execute on their plans. We talk through his argument, and start to unpack some lore about the Rationalists, an online community that openly pursues the ideals of the enlightenment but can't stop spawning cults for some reason. PATREON https://www.patreon.com/c/demystifysciPARADIGM DRIFThttps://demystifysci.com/paradigm-drift-showHOMEBREW MUSIC - Check out our new album!Hard Copies (Vinyl) FREE SHIPPING: https://demystifysci-shop.fourthwall.com/products/vinyl-lp-secretary-of-nature-everything-is-so-good-hereStreaming:https://secretaryofnature.bandcamp.com/album/everything-is-so-good-here00:00 Go!00:07:30 Intentionality in Modern Social Structures00:10:00 Media and Perception of Disasters00:12:00 The Roller Coaster Metaphor for Society00:15:00 Erosion of Critical Thinking Abilities00:21:00 Historical Perspectives on Independent Thought00:24:43 Understanding Literature and Its Interpretation00:27:02 Institutional Influence on Thought00:28:35 Market Influence on Power Dynamics00:30:40 Rise of Constitutional Monarchy00:32:17 Comparison of French and English Systems00:37:34 Education and Governance in Germany00:40:11 Historical Context of Education Systems00:42:12 Power Dynamics in Thought and Organization00:46:04 Democracy and Its Challenges00:50:55 Displacement of Romanticism and Specialness00:55:36 Modernism and Institutional Hierarchies01:00:06 The Erosion of Common Law Principles01:05:50 Discretion in the American Legal System01:10:03 Pragmatism's Influence on Legal Thought01:13:10 Bureaucracy versus Common Law01:16:01 The Mythos of American Governance01:17:12 Discussion on Interpretation and Unintended Consequences01:21:25 Cultural Narratives and Their Influence01:29:51 Education and Its Role in Society01:37:03 Historical Context of Educational Systems01:40:54 The Role of Institutional Thinking01:42:30 Economic Control and Marketing Narratives01:44:06 The Rationalist Movement01:52:17 Mistake Theory vs. Conflict Theory01:59:04 Conspiracy Theories and Truth02:07:54 Whistleblowing vs. Conspiracy Theory02:12:03 The Nature of Evidence and Conspiracy Theories02:18:34 Cultural Dynamics of Belief and Inquiry02:23:43 Justice, Honor, and Social Dynamics02:30:58 Rationalism and the Quest for Truth02:33:37 Rationality and Accountability in the Community02:36:40 Justice and Honor in Rational Discourse02:46:10 Power Dynamics and Rationality02:54:00 The Nature of Power and the Human Condition02:59:45 Insights on Ideology and Courage in Pursuit03:02:03 Pursuit of Radical Life Extension#philosophy , #futuristic , #rational , #idw , #criticalthinking , #society , #aistory , #historyfacts , #cultures , #economics , #historyoflaw #legal #powerful , #innovations #philosophypodcast , #sciencepodcast, #longformpodcastMERCH: Rock some DemystifySci gear : https://demystifysci-shop.fourthwall.com/AMAZON: Do your shopping through this link: https://amzn.to/3YyoT98DONATE: https://bit.ly/3wkPqaDSUBSTACK: https://substack.com/@UCqV4_7i9h1_V7hY48eZZSLw@demystifysci RSS: https://anchor.fm/s/2be66934/podcast/rssMAILING LIST: https://bit.ly/3v3kz2S SOCIAL: - Discord: https://discord.gg/MJzKT8CQub- Facebook: https://www.facebook.com/groups/DemystifySci- Instagram: https://www.instagram.com/DemystifySci/- Twitter: https://twitter.com/DemystifySciMUSIC: -Shilo Delay: https://g.co/kgs/oty671

We're back with one of our most popular segments, Children of Genius. Them apples don't fall too far from the tree, and today we'll hear from two that dropped nearby, Toby Rapson and Ron Kappe. They grew up immersed in Modernist design with some of the most influential architecture of the 20th century, thanks to their fathers Ralph Rapson and Ray Kappe, tradition they continue today. Later, Modernist homeowner and musical guest Holly Cole.  

Send us a textDescriptionBack to the Future: Neoclassicism in Music in 60 Seconds. Take a minute to get the scoop!Fun FactStravinsky admitted that Pulcinella wasn't just homage—it was liberation. “It was a backward look, of course,” he said, “but it was a look in the mirror too.” By reworking 18th-century melodies with his own twists, he essentially invented neoclassicism—proving that recycling old material can still create something revolutionary.About Steven, HostSteven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.You can FOLLOW ME on Instagram.

Om Eileen Grays moderna villa E-1027 och om Coco Chanels nyklassisism, La Pausa, precis i närheten. Två kvinnor som ritar sina hus under samma galna årtionde. Med lust och hjärta men också alldeles olika. Hosted on Acast. See acast.com/privacy for more information.

In episode THREE HUNDRED AND FORTY-ONE, Mike and Jason continue their discussion of modernism and modernity. What is relativism? Why is it so attractive? Why doesn't it hold up? The guys discuss stuff like this and more. We hope you enjoy the episode! Show Notes: Support 1517 Podcast Network 1517 Podcasts 1517 on Youtube 1517 Podcast Network on Apple Podcasts 1517 Events Schedule 1517 Academy - Free Theological Education What's New from 1517: Untamed Prayers: 365 Daily Devotions on Christ in the Book of Psalms by Chad Bird Remembering Your Baptism: A 40-Day Devotional by Kathryn Morales Sinner Saint by Luke Kjolhaug The Impossible Prize: A Theology of Addiction by Donavan Riley More from the hosts Michael Berg @ 1517 Wade Johnston @ 1517 Let the Bird Fly! website Thanks for listening! Attributions for Music and Image used in this Episode: “The Last One” by Jahzzar is licensed under an Attribution-ShareAlike 3.0 International License. “Gib laut” by Dirk Becker is licensed under an Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License. “Whistling Down the Road” by Silent Partner.

In this candid conversation, Poppy Bourg and Shannon McGough of Poppy McGough Design House unpack the evolving Dallas design scene, the challenges of modern publishing, and the importance of integrating architecture and interior design. They discuss how their unique backgrounds inform their approach, client expectations in a shifting market, and why authenticity and craftsmanship matter more than fleeting trends. Designer Resources Pacific Sales Kitchen and Home. Where excellence meets expertise. Design Hardware - A stunning and vast collection of jewelry for the home! TimberTech - Real wood beauty without the upkeep LOME-AI.com, simple, inexpensive, text to video harnessing the power of AI to grow your firm, beautifully. From the pitfalls of celebrity-driven design magazines to the nuanced demands of Dallas homeowners, Poppy and Shannon reveal how they balance creativity, technical knowledge, and client relationships to create spaces that are not only beautiful but built to last. They explore the impact of regional influences, climate challenges, and the expanding role of interior designers in shaping cohesive, livable homes. 1. The State of Design Publications & Celebrity Influence Shift in design media focus: from architecture to celebrity homes Challenges of magazines cutting back editorial staff and local flavor Dallas's design culture: diverse, not pigeonholed into one “look” 2. Client Trends and Diversity in Dallas Architecture Clients influenced by wide range of styles via online exposure Resurgence of traditional styles alongside modern, Mediterranean, Santa Barbara influences Growing trend of lake homes post-2020 pandemic and its impact on local design culture 3. Modernism and Design Inspirations Experience visiting Modernism Week in Palm Springs Dallas's limited mid-century modern presence compared to other cities Appreciation for maximalism and richly detailed interiors beyond minimalist trends 4. Backgrounds & Partnership Story Shannon's hospitality design and hotel experience, focus on durability and build process Poppy's real estate and builder project management background, deep builder and trade knowledge How their combined skills create a holistic approach to residential design and construction collaboration 5. Building Challenges in Dallas Impact of active soil, climate extremes, and shifting weather on construction and interiors Importance of realistic client expectations around timelines, soil testing, and permitting Regional differences in design challenges and neighborhood personalities across Dallas metroplex 6. Expanded Role of Interior Designers Growing client education on lighting, air quality, water filtration, and acoustics Increasing involvement in exterior design for cohesive indoor-outdoor flow Navigating intellectual property issues, brand extensions, and designer-led product lines 7. Photography, Styling, and Portfolio Strategy Not every project gets photographed due to client preference or cost In-house styling process balancing client personality with editorial needs Preference for showcasing recent projects and maintaining strong referral-based business Thank you, Poppy, Shannon. Loved our chat and appreciate the time. Thank you for listening. If you liked this episode, share it with a friend or colleague who loves design and architecture like you do, subscribe to Convo By Design wherever you get your podcasts. And continue the conversation on Instagram @convo x design with an “x”. Keep those emails coming with guest suggestions, show ideas and locations where you'd like to see the show. Convo by design at outlook.com. Thank you, Poppy, Shannon. Loved our chat and appreciate the time. Thank you for listening. If you liked this episode, share it with a friend or colleague who loves design and architecture like you do, subscribe to Convo By Design wherever you get your ...

You all know we love midcentury modern houses in Palm Springs, but what about new ones?  These will be the houses we will tour and sip martinis at and give lectures about 40 years from now.  Today we'll talk with one of those architects, Jill Lewis, about a new house in the Desert Palisades area of Palm Springs, along with the landscape architect for that project, John Hreno.  Then we'll meet the leader of SOCOMCM, architect Edward Peck, plus returning jazz vocalist Jaimee Paul. 

Nicolás y Ricardo leen la obra maestra de Malcolm Lowry, encuentran las semejanzas de su protagonista con el Fausto de Marlowe, admiran los volcanes desde el otro lado del Anáhuac, y descubren que los símbolos son más obtusos que las metáforas.

In episode THREE HUNDRED AND FORTY, Mike and Jason modernism and modernity? What are they? Is there a difference? Why do they matter? What do they mean for us today? We hope you enjoy the episode! Show Notes: Support 1517 Podcast Network 1517 Podcasts 1517 on Youtube 1517 Podcast Network on Apple Podcasts 1517 Events Schedule 1517 Academy - Free Theological Education What's New from 1517: Preorder Sinner Saint by Luke Kjolhaug The Impossible Prize: A Theology of Addiction by Donavan Riley Ditching the Checklist by Mark Mattes Broken Bonds: A Novel of the Reformation, Book 1 of 2 by Amy Mantravadi More from the hosts Michael Berg @ 1517 Wade Johnston @ 1517 Let the Bird Fly! website Thanks for listening! Attributions for Music and Image used in this Episode: “The Last One” by Jahzzar is licensed under an Attribution-ShareAlike 3.0 International License. “Gib laut” by Dirk Becker is licensed under an Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License. “Whistling Down the Road” by Silent Partner.

We're back with another episode of Graphic Support Group and we're filled with joy to share this one. Our guest Nontsikelelo Mutiti “is a Zimbabwean born designer, visual artist, and educator whose conceptual approach to design spans the mediums of print, moving-image, web design, fine art, and community engagement.” That introduction doesn't even begin to capture the breadth of wisdom that Nontsi shared with us. As the spring semester came to an end this past May (she is the current Chair of Director of Graduate Studies in Graphic Design at Yale University) the multidisciplinary designer spent a gracious couple of hours with us. Her words moved us through the many worlds and spaces she occupies in her life. The conversation helped Drew and I to re-think some ideas about Modernism, community and representation that admittedly had us in knots over the years. Sometimes the complexity of the world has a simpler, more honest solution. We're so happy to share this generous episode and hope it'll bring some joy to the beginning of the fall. We hope you all will find some joy in the episode and maybe consider becoming a dragon slayer.We R Here 4 U. Get full access to Graphic Support Group Podcast at graphicsupportgroup.substack.com/subscribe

Full Title Name: Why not 15-minute cities? Laity can only pray and fast? Archbishop Lefebvre and sedevacantism: Assisi? Fr Jenkins misleads on "unacum"? Dialectical popes? Modernism and Marxism: demonic duo! "Trans" school shooting: from Gotham to Gollum. Appeal for God's mercy. This episode was recorded on 9/4/2025. Our Links: http://linkwcb.com/ Please consider making a monetary donation to What Catholics Believe. Father Jenkins remembers all of our benefactors in general during his daily Mass, and he also offers one Mass on the first Sunday of every month specially for all supporters of What Catholics Believe. May God bless you for your generosity! https://www.wcbohio.com/donate Subscribe to our other YouTube channels: ‪@WCBHighlights‬ ‪@WCBHighlights‬ May God bless you all!

In Visions of the Divine (Sophia Institute Press), Catholic evangelist, author, and a top Wall Street executive STEPHEN F. AUTH, reunites the art of the Eucharist with the Eucharistic liturgy itself. Much splendid art adorns and magnificently beautifies Churches throughout the globe, a phenomenathat came under great stress during the Reformation, and especially under JOHN CALVIN. "Calvin, especially, was very much opposed to [Church art]," explains AUTH, in this interview with JOHN AIDAN BYRNE. To order Visions of theDivine: https://www.sojolk8trk.com/99LK8N/29X...Other Books by STEVE AUTH: Pilgrimage to the Museum: https://www.sojolk8trk.com/99LK8N/PHW...Missionary of Wall Street: https://www.sojolk8trk.com/99LK8N/51G...Indeed, much of this early Church art was separated from the context of the Mass for which it was created many centuries ago and is relegated now to museums sprinkled around the world. Along with his co-authors Evelyn Auth andMsgr. Roger Landry, Steve leads the reader on a worldwide pilgrimage to some of the most spectacular and moving artistic masterpieces created over the millennia to help clergy and laity alike penetrate more deeply into the Eucharistic mystery. Journeying to museums and churches in nearly twenty cities across the United States and Europe, the authors will guide you through the liturgy of the Mass in ways you may never have experienced. Whether you attend church out of obligation, for the sense of community you find there, or for the Eucharistic presence itself, Visions of the Divine will help you make these experiences richer, more vibrant, and more fulfilling. And if you've never attended a Roman Catholic Mass and are curious about what happens there, Visions will give you an experience guaranteed to leave you thirsting for more. Narrated in the author's simple, emotive style, Visions of the Divine presents you with dozens of colorful images of thought-provoking art that will immerse you in each element of the Mass at a deeper and more profound level, including: How the simple act of making the Sign of the Cross, which the average Catholic does eight times during the liturgy, can make you cry Quieting your mind to listen more actively to the Word of God and to imagine yourself in the moment as the Word is proclaimed and the author guides you through some of the Scriptures' most iconic messages Imagining the Apostles' Creed as it was carved and painted into one of Europe's most colorful Catholic churches. Meditating on a lasting image of eternity while the collection basket is passed — a practice that will forever change how you think about this relatively prosaic element of the liturgy Reliving the sacrifice and triumph of Christ on Calvary during the Eucharistic prayers through some of the greatest artistic masterpieces ever created. Following the path of biblical figures, such as Mary Magdalene, the prodigal son, and St. Paul himself, to freely receive Christ's healing mercy, forgiveness, peace, and love at Mass Experiencing the sacrament of Holy Communion for what it truly is — communion with God Himself. How to re-enter the world following the Mass with visual images in your head that will make you a more effective evangelist From Rembrandt, El Greco, and Van Gogh to Michelangelo, da Vinci, and Raphael; from Velaquez, Picasso, and Dali to lesser-known greats, such as Pontormo, Masaccio and Drolling, the array of breathtaking art in Visions of the Divine will enlighten your path to communion with God. You will witness our Father's love for you and be encouraged to let yourself be loved by Him within the Eucharistic mystery.

If you've ever wondered why so many priests are afraid to preach the hard, honest Catholic faith, stories like that of Fr Winfried Abel are perfect illustrations of the consequences priests face for rejecting Modernism.Sources:https://www.returntotradition.orgorhttps://substack.com/@returntotradition1Contact Me:Email: return2catholictradition@gmail.comSupport My Work:Patreonhttps://www.patreon.com/AnthonyStineSubscribeStarhttps://www.subscribestar.net/return-to-traditionBuy Me A Coffeehttps://www.buymeacoffee.com/AnthonyStinePhysical Mail:Anthony StinePO Box 3048Shawnee, OK74802Follow me on the following social media:https://www.facebook.com/ReturnToCatholicTradition/https://twitter.com/pontificatormax+JMJ+#popeleoXIV #catholicism #catholicchurch #catholicprophecy#infiltration

If you've ever wondered why so many priests are afraid to preach the hard, honest Catholic faith, stories like that of Fr Winfried Abel are perfect illustrations of the consequences priests face for rejecting Modernism.Sources:https://www.returntotradition.orgorhttps://substack.com/@returntotradition1Contact Me:Email: return2catholictradition@gmail.comSupport My Work:Patreonhttps://www.patreon.com/AnthonyStineSubscribeStarhttps://www.subscribestar.net/return-to-traditionBuy Me A Coffeehttps://www.buymeacoffee.com/AnthonyStinePhysical Mail:Anthony StinePO Box 3048Shawnee, OK74802Follow me on the following social media:https://www.facebook.com/ReturnToCatholicTradition/https://twitter.com/pontificatormax+JMJ+#popeleoXIV #catholicism #catholicchurch #catholicprophecy#infiltration

Diana Souhami talks about her new book No Modernism Without Lesbians, out 2020 with Head of Zeus books. A Sunday Times Book of the Year 2020. This is the extraordinary story of how a singular group of women in a pivotal time and place – Paris, between the wars – fostered the birth of the Modernist movement. Sylvia Beach, Bryher, Natalie Barney, and Gertrude Stein. A trailblazing publisher; a patron of artists; a society hostess; a groundbreaking writer. They were all women who loved women. They rejected the patriarchy and made lives of their own – forming a community around them in Paris. Each of these four central women interacted with a myriad of others, some of the most influential, most entertaining, most shocking and most brilliant figures of the age. Diana Souhami weaves together their stories to create a vivid moving tapestry of life among the Modernists in pre-war Paris. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Diana Souhami talks about her new book No Modernism Without Lesbians, out 2020 with Head of Zeus books. A Sunday Times Book of the Year 2020. This is the extraordinary story of how a singular group of women in a pivotal time and place – Paris, between the wars – fostered the birth of the Modernist movement. Sylvia Beach, Bryher, Natalie Barney, and Gertrude Stein. A trailblazing publisher; a patron of artists; a society hostess; a groundbreaking writer. They were all women who loved women. They rejected the patriarchy and made lives of their own – forming a community around them in Paris. Each of these four central women interacted with a myriad of others, some of the most influential, most entertaining, most shocking and most brilliant figures of the age. Diana Souhami weaves together their stories to create a vivid moving tapestry of life among the Modernists in pre-war Paris. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Diana Souhami talks about her new book No Modernism Without Lesbians, out 2020 with Head of Zeus books. A Sunday Times Book of the Year 2020. This is the extraordinary story of how a singular group of women in a pivotal time and place – Paris, between the wars – fostered the birth of the Modernist movement. Sylvia Beach, Bryher, Natalie Barney, and Gertrude Stein. A trailblazing publisher; a patron of artists; a society hostess; a groundbreaking writer. They were all women who loved women. They rejected the patriarchy and made lives of their own – forming a community around them in Paris. Each of these four central women interacted with a myriad of others, some of the most influential, most entertaining, most shocking and most brilliant figures of the age. Diana Souhami weaves together their stories to create a vivid moving tapestry of life among the Modernists in pre-war Paris. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Diana Souhami talks about her new book No Modernism Without Lesbians, out 2020 with Head of Zeus books. A Sunday Times Book of the Year 2020. This is the extraordinary story of how a singular group of women in a pivotal time and place – Paris, between the wars – fostered the birth of the Modernist movement. Sylvia Beach, Bryher, Natalie Barney, and Gertrude Stein. A trailblazing publisher; a patron of artists; a society hostess; a groundbreaking writer. They were all women who loved women. They rejected the patriarchy and made lives of their own – forming a community around them in Paris. Each of these four central women interacted with a myriad of others, some of the most influential, most entertaining, most shocking and most brilliant figures of the age. Diana Souhami weaves together their stories to create a vivid moving tapestry of life among the Modernists in pre-war Paris. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Diana Souhami talks about her new book No Modernism Without Lesbians, out 2020 with Head of Zeus books. A Sunday Times Book of the Year 2020. This is the extraordinary story of how a singular group of women in a pivotal time and place – Paris, between the wars – fostered the birth of the Modernist movement. Sylvia Beach, Bryher, Natalie Barney, and Gertrude Stein. A trailblazing publisher; a patron of artists; a society hostess; a groundbreaking writer. They were all women who loved women. They rejected the patriarchy and made lives of their own – forming a community around them in Paris. Each of these four central women interacted with a myriad of others, some of the most influential, most entertaining, most shocking and most brilliant figures of the age. Diana Souhami weaves together their stories to create a vivid moving tapestry of life among the Modernists in pre-war Paris. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Diana Souhami talks about her new book No Modernism Without Lesbians, out 2020 with Head of Zeus books. A Sunday Times Book of the Year 2020. This is the extraordinary story of how a singular group of women in a pivotal time and place – Paris, between the wars – fostered the birth of the Modernist movement. Sylvia Beach, Bryher, Natalie Barney, and Gertrude Stein. A trailblazing publisher; a patron of artists; a society hostess; a groundbreaking writer. They were all women who loved women. They rejected the patriarchy and made lives of their own – forming a community around them in Paris. Each of these four central women interacted with a myriad of others, some of the most influential, most entertaining, most shocking and most brilliant figures of the age. Diana Souhami weaves together their stories to create a vivid moving tapestry of life among the Modernists in pre-war Paris. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices

Diana Souhami talks about her new book No Modernism Without Lesbians, out 2020 with Head of Zeus books. A Sunday Times Book of the Year 2020. This is the extraordinary story of how a singular group of women in a pivotal time and place – Paris, between the wars – fostered the birth of the Modernist movement. Sylvia Beach, Bryher, Natalie Barney, and Gertrude Stein. A trailblazing publisher; a patron of artists; a society hostess; a groundbreaking writer. They were all women who loved women. They rejected the patriarchy and made lives of their own – forming a community around them in Paris. Each of these four central women interacted with a myriad of others, some of the most influential, most entertaining, most shocking and most brilliant figures of the age. Diana Souhami weaves together their stories to create a vivid moving tapestry of life among the Modernists in pre-war Paris. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

Why does every town in America feel exactly the same? You pull off the highway and it's the same Applebee's, the same Walmart, the same McDonald's, the same beige strip malls with the same parking lots. In this episode, Jason and Emily wonder out loud: is this what it was supposed to be? We talk about how copy-and-paste towns strip away character and community, what we miss about places that actually feel unique, and whether it's possible to find (or build) something different in a world of sameness. 00:00 The Cracker of Cracker Barrel  02:38 America has become copy & paste. 04:52 Cracker Barrel's maple syrup problem.  06:31 Modernism in America. 09:05 Capitalism? 11:02 Regulations can be really bad… 12:56 We're too far gone.  15:01 It's not supposed to be this way.  17:37 Emily's theory.  21:27 The future looks bleak.  24:01 Emily knows whose fault it is.  29:05 sigh… Learn more about your ad choices. Visit megaphone.fm/adchoices

One True Podcast continues our celebration of the centenary of Hemingway's In Our Time by examining a classic Nick Adams story: "The End of Something."We welcome Lisa Tyler to discuss the story, its setting, cast of characters, and curiously inexact title. We examine how the story serves as a prequel to "The Three-Day Blow," (while also pointing out many differences between the two texts), discuss the emotional and psychological damage suggested by Nick's line "everything was gone to hell inside of me," and figure out Bill's role in this break-up tale. Lisa Tyler, esteemed Hemingway scholar and editor of Wharton Hemingway, and the Advent of Modernism, makes the convincing claim that Marjorie emerges from this story as one of the most remarkable female characters in Hemingway's entire canon.Join us for this discussion of a Hemingway classic! 

Hello Interactors,My wife and I recently started watching the mini-series 100 Foot Wave, which follows extreme surfer Garrett McNamara's quest to ride the mythical 100-foot breaker. The show has put Nazaré, Portugal on the map — not just as a place, but as a symbol of human daring against forces far larger than ourselves.At the same time, I've been listening to physicist-philosopher Sean Carroll's recent “solo” podcast on the emergence of complexity, tracing how the universe began in simplicity and blossomed into stars, life, and consciousness. These two threads — towering waves and cosmic arcs — collided in my mind, stirring something that has been swelling in me for years: how to reconcile wonder at life's improbable flourishing with despair at its accelerated unraveling on Earth.Should despair be the only response? Or is it possible, like the surfers at Nazaré, to recognize the peril without surrendering to it — to ride, however briefly, the wave that could also destroy us?THE COSMIC WAVEBeneath the lighthouse bluff at Nazaré, Portugal opens a canyon 140 miles long and three miles deep — three times deeper than the Grand Canyon. Born of tectonic fractures and sculpted over millions of years, it is less a static feature than a force in its own right: a conduit that gathers the ocean's momentum and hurls it shoreward. Swells that elsewhere would pass unnoticed are here magnified into walls of water, indifferent to whether they become playground or grave. Geography conspires — wind, current, and rock — but the canyon itself is an accomplice, a reminder that Earth is never merely stage but actor. For today's surfers, this is possibility. For centuries of fishermen, it was peril. The waves have not changed, but the stance we take toward them has — and that, too, becomes part of the story the canyon tells.So it is with complexity. Every wave begins simple, a long low swell born of distant winds, that crescendos into chaos at the shoreline. It swirls and curls into turbulent foam piqued in curious but dangerous beauty, only to dissolve back into undertow, bubbles, and silence. Our own cosmos follows the same rhythm, driven by the logic of entropy — the tendency of energy to spread, of order to give way to disorder. In the beginning, we know the universe was astonishingly simple and ordered: a hot, uniform plasma, almost featureless in its smoothness.Imagine the origin of life sitting at origin of a graph. It exists orderly in low entropy and low complexity. But entropy is restless. As it advanced diagonally up and to the right disorder increases in a straight line. This opens space for complexity to emerge. Early on in the cosmos tiny quantum fluctuations stretched into patterns, atoms gathered into stars, stars fused new elements as galaxies spun, coalesced, and collided. Imagine this as the complexity line on our graph. It also grows with time but takes the shape of a parabolic wave climbing upward to a smooth crest as it increases in complexity. Meanwhile, entropy ticks steadily up and to the right as a straight arrow of time forever growing in disorder as our universe continues to increase in complexity.We are now somewhere on this complexity curve. And this is the paradox of our middle epoch. Entropy never reverses course — disorder always increases — yet along that trajectory the complexity within we live crests, like a wave gathering its final height. For a sliver of cosmic time, the universe has been rich, complex, and with structure. On at least one world in the cosmos, life emerges and even creates complex organisms like us. But if entropy pushes inexorably forward, complexity will not hold indefinitely. Stars will exhaust their fuel, galaxies will drift into darkness, and matter itself may decay. This diagram reminds us that complexity rises only to fall again, tracing an arc back toward simplicity even as entropy continues its steady climb.In this framing, the universe is not a march from order to chaos but a cycle of simple-to-complex-to-simple played out against entropy's one-way slope. We live in a fleeting middle where complexity momentarily flourishes. Like the wave at Nazaré, born as a long low swell, steepening into a towering wall of water, then dissolving again into foam, undertow, and silence, our cosmos crests only once. The question is not whether entropy wins — it does — but how we dwell, and what we make of meaning, within the brief surge of complexity it permits.It took a lot to get us to this point. This complex space that entropy has carved within cosmic time leaves room for novelty. Complexity flourishes locally even as disorder deepens globally. Out of this novel initial imbalance, life emerged — fragile metabolisms harvesting energy from their surroundings, weaving temporary order against the grain of entropy. From single-celled organisms to multicellular bodies, from photosynthesis to predation, biology layered new strategies of survival atop older ones. Evolution diversified life into forests and reefs, wings and fins, neural nets and circulatory systems. These proliferations multiplied niches where order could briefly hold, even as the larger cosmos drifted toward disorder.Only much later did consciousness arise, one of evolution's rarest experiments: a capacity not merely to metabolize energy but to reflect upon the arc of complexity itself. With awareness came memory, imagination, culture — tools for navigating the turbulence of entropy's middle chapter. Entropy still holds the reins: the universe will drift back toward simplicity, whether into a thin uniform haze or some other quiet ending. Yet here, in the middle, entropy's detour has produced extravagant complexity — including beings capable of gazing back at the wave that carries them and wondering what it means.THE INDIFFERENT EARTHThis same gaze can also induce speculation. Like speculative realism. Emerging in the early 2000s as a reaction against a tendency to keep reality tethered to human thought and language, its central claim is stark: the world is indifferent to us. Planets orbit, tectonic plates shift, and waves break whether or not anyone is there to see them. From this view, complexity arises from imbalances in matter and energy, from unfinished processes that unfold far beyond human agency. The wave doesn't care whether it is surfed or feared; it builds from wind, water, and terrain, cresting and dissolving with no meaning to maintain.Animated globe of tectonic plates shifting across hundreds of millions of years, reminding us that Earth's movements unfold indifferent to human presence or perception. Source: Reddit. And below is where we go from here:This speculation hits another conscious reality — optimism. Human optimism is as hard to contain as its constant refrain. Born of the Enlightenment but rebirthed amid the industrial expansion, world wars, and scientific breakthroughs of the early 1900s, modernist optimism leaned confidently on reason and science — a conviction that human ingenuity could transcend natural limits and bend uncertainty toward progress. Time and again, human ingenuity has found ways to stretch the boundaries of what seemed natural limits. Agricultural revolutions multiplied food production beyond what Malthus thought possible. Industrialization transformed energy regimes, substituting fossil carbon for dwindling forests. Urban innovations — from sanitation to electrification — allowed cities to grow far past the thresholds that once doomed them to collapse. Each leap suggested that collapse was not destiny but averted through cleverness.This pattern sustains modernist faith: that humans can intervene wisely in the unfolding of complexity. Where speculative realism emphasizes the indifference of natural forces — entropy driving stars and systems toward disorder regardless of our designs — modernist thought wagers otherwise. It insists that ingenuity allows us not merely to endure the swell but to ride it, to carve temporary stability out of turbulence. In this view, the challenge of complexity is not simply to recognize its inevitabilities but to cultivate the foresight, restraint, and imagination that let human life persist in its fragile middle.That is if humans “don't do dumb things.” In other words, humans can and should preserve the conditions that let life and intelligence persist locally, even as the universal drift of entropy continues.Armed with the mathematical models that fuel both scientific confidence and human hubris, the world can appear elegant — even in its ugliness. Amidst entropy following a relentless trajectory we see scaling laws enfold organisms, cities, and civilizations alike. The planet itself is rendered as a singular complex system drifting through cosmic time. The physicist's gaze simplifies this by design — reducing frictions, stripping away differences, until only lawlike arcs remain. As the polymath Heinz von Foerster once put it, “Hard sciences are successful because they deal with the soft problems; soft sciences are struggling because they deal with the hard problems.”Geography, by contrast, cannot ignore what falls through those cracks. The sweep of cosmology may remind us that complexity is not uniquely human — stars ignite, galaxies cluster, black holes churn — but such vistas stretch horizons so far that human lifetimes blur into insignificance. Civilizations, like waves, crest and crash in an instant against the span of cosmic time.To move closer in, at a planetary scale, complexity narrows to the thin envelope where oceans, land, and atmosphere intertwine. It is within this fragile band that agriculture took root, cities rose, and civilizations flourished. Yet scientists, equipped with hard science, warn that this Holocene balance has already been breached. The “safe operating space” is no longer secure; the planetary is already in transition.But even “the planetary” is too smooth a category. These upheavals are not shared evenly across the globe. They are bound to the ground — to places where histories sediment and lives unfold. From colonial dispossession to infrastructures of extraction, from economic logics that amplify inequality to political systems that harden vulnerability, complexity here is never neutral. It is situated, entangled with geographies of power and precarity. What some describe as “geography envy” names this tension: physicists are drawn to Earth as a rich arena for testing universal models, yet in the process often flatten the contextual and uneven dynamics that geographers insist cannot be ignored. Geography refuses such reduction. It insists that the Earth is not merely a planetary system but a lived ground, fractured, uneven, and resistant to smooth incorporation into law-like arcs.Speculative realism cuts deeper. It reminds us that both elegant arcs and messy ground are parts, never the whole. Reality is not exhausted by smooth models or contextual accounts; it exceeds them both. The planetary is not a canvas awaiting inscription, nor a kaleidoscope of situated and entangled stories. It is a force-field of matter and relation, where floods, famines, extinctions, and upheavals erupt whether or not we have the language to make sense of them.Our minds, perhaps not yet evolved past binary thinking, want to declare one frame the winner: cosmic order or earthly mess. Modernism sought mastery through universal reason; postmodernism countered by unraveling every claim to stability. But metamodernism, a paradigm emerging in the 2010s, tries to move differently. It oscillates between these poles. It yearns for universal arcs while acknowledging the irreducible particularities of lived experience.To see the “planetary” through this lens is to move between entropy's inevitability and the instability of farmers, migrants, and city dwellers negotiating disrupted climates, markets, and states. Flows of capital expose some regions more than others, while systems of governance distribute or intensify that exposure. Human choices, bounded by perception and culture, compound these structural forces in ways behavioral geographers have long traced. All this unfolds across terrains and climates that set the boundaries of risk, while the distribution of plants, animals, and microbes reveals how even the nonhuman world is entangled in shifting geographies of survival.DWELLING IN DUMBNESSComplexity, then, cannot be abstracted into a question of whether it will continue. It will — cosmically, biologically, and geologically. The sharper question is how the continuities of our lived complexity register unevenly: whose livelihoods collapse, whose infrastructures crack, whose communities adapt or perish. Physics asks what the laws are; geography insists on whose lives are caught in them, whose ground is destabilized, and at what cost. Speculative realism pushes both disciplines to admit they never touch the whole: the real always exceeds our grasp, even as we are swept inside its turbulence.Even as we oscillate, it's unsettling to accept that the Holocene's narrow band of stability — the “safe operating space” — is already behind us. The so-called Great Acceleration shows that nearly every Earth system indicator — from carbon concentration to biodiversity loss, from ocean acidification to nitrogen cycles — has surged beyond Holocene bounds in the span of a single human lifetime. More specifically, the lifetime of my parents and/or me. These curves do not slope gently toward some distant tipping point; they spike upward, marking thresholds already crossed. Talk of future risk obscures the present tense: destabilization is not looming; we are living it. The rhythms of climate, soil, and water no longer conform to the stable backdrop against which civilizations emerged.And yet, here again, we are re-inscribing the Earth as a backdrop through statistics. This triggers a tendency to mother our “Mother Earth”. We've taken her thermometer out, read the value, and have reasoned her temperature is life threatening. Humans can't resist caring for ailing life. But branches of geophilosophy warns us to wake up. The planet is no patient and we're no doctor. Fires, tectonics, and oceans act with or without us, indifferent to notions of care, justice, or intention found in advanced organisms. The Anthropocene is not solely the record of human decisions but the scene of inhuman forces that have long shaped life's precarious conditions. Here speculative realism returns — reality unfolds beyond our categories, whether in cosmic entropy, metabolic scaling, or the volatile indifference of a sick and angry Mother Earth…or the violence of an impending wave.I recognize this indifference but also recognize it does not absolve us. If anything, it should sharpen the ethical demand. To dwell within dumbness is to accept that the wave is already forming, but also to recognize that some bodies are naturally positioned closer to its break, some can't surf, and others are made to suffer the buffering effects of a crashing wave. Metamodernism's pendulum of tragic optimism may just offer a way through the wash. We need not kneel to the naïve belief in perpetual progress, nor retreat into ironic despair, but foster an ethic of persistence that takes seriously both human responsibility and inhuman indifference.Like Nazaré's canyon, the Anthropocene multiplies force from conditions already set in motion. Swells crest into walls that thrill the few who ride but have long drowned those with fewer choices. Complexity will continue, but justice requires asking not only how we dwell in turbulence, but whose lives are lifted, and whose are pulled under. The wager is no longer whether to master the wave. It is whether we can learn to inhabit it without denying the unequal costs it exacts. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit interplace.io

Eva Lake studied art history and archaeology at the University of Oregon and painting at the Art Students League of New York. She has exhibited internationally since 1980. As a singer in post punk bands she recorded with Trap Records in the Pacific Northwest. Her day job was in makeup, beauty and fashion and this, plus her studies in art history, have formed the foundation and subject matter for much of her work. For over a dozen years she interviewed other art people on the radio, specifically KPSU and KBOO, and has written about art for various publications including Art Week, Visual Art Source, Preview and the Bay Area Guardian. Lake also curated exhibitions and worked at artist-run and commercial galleries including Lovelake, Chambers Fine Art, Portland Arts Collective and the Russo Lee Gallery. Born in Los Angeles, she then grew up on a dirt road in southern Oregon. Lake currently lives and works in Portland, Oregon and is represented by Frosch and Co in New York City and Modernism in San Francisco. Eva Lake, Crystal Helmet No. 4 Paper collage 17.5 x 14 2024 Eva Lake, Egyptian Sculpture Helmet Paper collage 23.5 x 19.5 inches 2024 Eva Lake, Giotto Helmet Paper collage 25.5 x 19.5 inches 2025

Jim talks with Lawrence Cahoone about the ideas in his book The Orders of Nature: An Introduction to the Philosophy of Complex Systems for the Life Sciences. They discuss how Cahoone's naturalist philosophy bridges multiple philosophical domains, his distinctive use of emergence theory borrowed from William Wimsatt, the concept of "no simples" in objective relativism, the role of Prigogine in emergence theory, Cahoone's self-taught approach to understanding physics and science, fallibilist and local metaphysics, Columbian naturalism and its rejection of the supernatural, the relationship between objects and their contexts, scientific explanations of relativity and quantum mechanics, and much more. Episode Transcript The Orders of Nature: An Introduction to the Philosophy of Complex Systems for the Life Sciences, by Lawrence Cahoone The Emergence of Value: Human Norms in a Natural World, by Lawrence Cahoone The Feynman Lectures on Physics, by Richard Feynman Lawrence Cahoone graduated with a Ph.D. in Philosophy at Stony Brook University in 1985. Cahoone's areas of specialization are American Philosophy, Continental Philosophy, Social and Political Philosophy, Philosophy of Culture, Metaphysics and Natural Science and Modernism and Postmodernism. Since 2000, Cahoone has taught at Holy Cross and is now currently an Emeritus Professor of Philosophy at Holy Cross. He has also written and published seven books in his career, including The Emergence of Value, The Orders of Nature, and Cultural Revolutions.

Fr. Patrick preached this homily on August 21, 2025. The readings are from Judges 11:29-39a, Psalm 40:5, 7-8a, 8b-9, 10 & Matthew 22:1-14. — Connect with us! Website: https://slakingthirsts.com/ Youtube: https://www.youtube.com/channel/UCytcnEsuKXBI-xN8mv9mkfw

Discover St. Bernard's powerful meditation on the Annunciation and Mary's life-changing “yes.”Morning Offering, August 21, 2025Every morning, join Father Brad as he begins the day with prayer and reflection. In a few short minutes, Father Brad guides you in prayer, shares a brief reflection grounding your day in the Church's rhythm of feast days and liturgy, and provides you with the encouragement necessary to go forward with peace and strength. Disclaimer: The ads shown before, during, or after this video have no affiliation with Morning Offering and are controlled by YouTubeLet us do as the saints urge and begin our days in prayer together so as a community of believers we may join the Psalmist in saying, “In the morning, Lord, you hear my voice; in the morning I lay my requests before you and wait expectantly.” (Psalm 5:3-4)________________

Send us a textI'm honored to welcome Dr. Edward J. Larson to this episode of the podcast. Dr. Larson is the Pulitzer Prize-winning author of Summer for the Gods: The Scopes Trial and America's Continuing Debate Over Science and Religion, a landmark work that reexamines the 1925 Scopes “Monkey” Trial with fresh insight and scholarly depth.In our conversation, Dr. Larson challenges the familiar narrative popularized by Inherit the Wind, revealing the Scopes Trial as far more than a simple clash between science and religion. It was, in fact, a complex cultural moment shaped by political ambition, regional identity, national media, and the anxieties of a rapidly modernizing society.We explore key figures—Clarence Darrow, William Jennings Bryan, and John Scopes—and their roles in this iconic legal battle. Dr. Larson offers fascinating context around Bryan's progressive credentials, his anti-evolution stance, and his public persona as a speaker and political leader. We also discuss the broader implications of the trial for American legal and educational systems, and how its legacy continues to inform today's debates over religion in public life, science education, and Christian nationalism.Dr. Larson reflects on his personal and academic journey, from his early years to his study from college, to grad school, to law school, and his doctoral dissertation on the history of science. He shares what inspired his deep investigation into the Scopes Trial—ultimately culminating in the Pulitzer Prize in 1998. This episode is both thought-provoking and timely. I invite you to join me for a meaningful conversation that sheds new light on a pivotal moment in American history. SHOW NOTESKen's Substack: Scopes in 2025Support the showBecome a Patron - Click on the link to learn how you can become a Patron of the show. Thank you! Ken's Substack Page The Podcast Official Site: TheBeachedWhiteMale.com

Advice to Catholic entering politics? Obligation of Catholic citizens? The mark of a "workaholic"? Catholic expression: "The road to hell is paved with good intentions?" Advice to Catholic college students? Recognizing a true Pope? Gaining most graces at Mass? St Mary Magdalene's feast day reading: "Canticle of canticles"? Modernism in Catholic clothing! This episode was recorded on 08/05/2025. Our Links: http://linkwcb.com/ Please consider making a monetary donation to What Catholics Believe. Father Jenkins remembers all of our benefactors in general during his daily Mass, and he also offers one Mass on the first Sunday of every month specially for all supporters of What Catholics Believe. May God bless you for your generosity! https://www.wcbohio.com/donate Subscribe to our other YouTube channels: ‪@WCBHighlights‬ ‪@WCBHolyMassLivestream‬ May God bless you all!

"What is more precise than precision? Illusion." I talked with my friend, the scholar Siobhan Phillips, about Marianne Moore's poem "Armor's Undermining Modesty." Siobhan Phillips is a professor of English at Dickinson College, where she teaches courses on American literature of the twentieth and twenty-first centuries, food studies, and creative writing. She is the author of The Poetics of the Everyday: Creative Repetition in Modern American Verse (Columbia UP, 2010) and the novel Benefit (Bellevue Literary Press, 2022). Her essays have appeared in such journals as Contemporary Liiterature, Journal of Modern Literature, Modernism/modernity, Literary Imagination, Twentieth-Century Literature, and PMLA. Her essay on Marianne Moore and the Carlisle Indian Industrial School was published on the website of the Poetry Foundation. Please follow the podcast, and leave us a rating and review. Share an episode with a friend! And stay tuned for more episodes to come soon.

Impeccable angels, unfriendly Catholics, dinosaurs and more on this Friday edition of Called to Communion with Dr. David Anders.

Impeccable angels, unfriendly Catholics, dinosaurs and more on this Friday edition of Called to Communion with Dr. David Anders.

Impeccable angels, unfriendly Catholics, dinosaurs and more on this Friday edition of Called to Communion with Dr. David Anders.

The 1920s was an era of contradictions. We deconstruct the popular image of the Roaring Twenties and examine the tensions at work in American culture. The decade was anything but simple.-Find the full transcript of this episode including citations at our website:https://www.americanhistoryremix.com/episodeguide/culture-1920s-In this episode we cover….-Introduction [0:00-03:03]--Misery & EscapismWorld War One [03:03-06:03]Spanish Flu [06:03-08:55]Consumer Culture [08:55-10:52]Entertainment [10:52-13:43]The Lost Generation [13:43-15:31]--Modernism & TraditionalismA Divided Society [15:31-16:51]Immigration [16:51-18:55] Intellectual Trends [18:55-23:14]The Klan [23:14-25:14]Prohibition [25:14-28:19]Political Divide [28:19-30:40]--Traditional & “New Woman”Home & Work [30:40-31:55]Sex [31:55-34:50]Limits to the Change [34:50-37:15]Consumer Society [37:15-38:28]Generational Divide [38:28-39:58]--Racial Violence & ArtThe Great Migration [39:58-41:12]Lynching [41:12-43:50]Tulsa Race Massacre [43:50-46:58]The Blues [46:58-51:00]Ragtime [51:00-53:00]Brass Bands [53:00-54:10]Jazz [54:10-54:57]Harlem Renaissance [54:57-57:00]--Conclusion [57:00-58:28]-To dive deeper into these topics (affiliate links):LeRoy Ashby, With Amusement for All: A History of American Popular Culture since 1830https://tinyurl.com/Ashby-With-AmusementAlfred W. Crosby, America's Forgotten Pandemic: The Influenza of 1918https://tinyurl.com/Crosby-Americas-ForgottenLynn Dumenil, The Modern Temper: American Culture and Society in the 1920shttps://tinyurl.com/Dumenil-Modern-TemperGeorge M. Marsden, Fundamentalism and American Culturehttps://tinyurl.com/Marsden-FundamentalismW.J. Rorabaugh, Prohibition: A Concise Historyhttps://tinyurl.com/Rorabaugh-ProhibitionEileen Southern, The Music of Black Americans: A Historyhttps://tinyurl.com/Southern-The-Music-of-Black-Support the showSupport the Show https://buymeacoffee.com/amhistoryremix

Who doesn't want to live happily ever after?The important role of romance fiction in Irish Literature is being explored in a new exhibition, which has opened in the Museum of Literature Ireland.Seán is joined by the Curator of Happy Ever After and author of ‘Modernism in Irish Women's Contemporary Writing: The Stubborn Mode', Professor Paige Reynolds, to discuss this further...Image: MoLI

"Do I dare / Disturb the universe?" I've been waiting to record this episode for a long time: Megan Quigley, my dear friend and colleague, joins the podcast to talk about T. S. Eliot and "The Love Song of J. Alfred Prufrock."Megan Quigley is an associate professor of English at Villanova University, where she is also on the Irish Studies and Gender and Women's Studies faculties. She is the author of Modernist Fiction and Vagueness: Philosophy, Form, and Language (Cambridge UP, 2015) and the co-editor of Eliot Now (Bloomsbury, 2024). She is also the editor of two clusters of essays on #MeToo, Eliot, and modernism in Modernism/modernity Print+ (2019, 2020). Her essays have appeared in the James Joyce Quarterly, Modernism/modernity, Philosophy and Literature, Poetics Today, LARB, the T. S. Eliot Studies Annual, nonsite, and the Cambridge Companion to European Modernism. She is a four-time lecturer and seminar leader at the T. S. Eliot International Summer School. Her current book project is called "The Love Song of Modernism" and is on modernism and fan fiction. She has two essays in progress on AI and literature and an essay forthcoming on "T. S. Eliot's Women" in A Companion to Eliot's Complete Prose.As always, make sure you're following the podcast on your platform of choice, and, if you've been enjoying it, leave a rating and review. Please also share the podcast with your friends. More soon!

Send us a textTo learn more about Silvia Wistuba and her work, please visit here and here.Cover Image: Wistuba's adaptation of work by artist Julie Wolfthorn for the cover of Jugend magazine (1898).Show Notes0:00 Silvia Wistuba on equality of artists1:15 Wistuba's background2:30 Gabriele Münter4:30 ‘Malweiber' meaning 6:00 timeframe of ‘Malweiber' labeling – 1871-19188:30 research process12:00 regional approach to research15:00 twelve female artists focused on in research16:30 finding that art is not gendered18:15 Charlotte Corinth21:30 Dora Hitz22:40 Maria Slavona24:25 Augusta von Zitzewitz25:20 Erma Bossi26:25 Elisabeth Epstein27:23 Maria Franck-Marc30:30 Gabriele Münter32:25 Elisabeth Erdmann-Macke34:25 Ida Gerhardi 36:30 Fifi Kreutzer37:55 Olga Openheimer40:30 range of resources 43:30 Blue Rider Group45:30 Gabriele Münter's donation to Lenbachhaus (Munich) 49:00 Museum Art of the Lost Generation 51:30 current relevance53:30 need for discourse on art's social context55:08 social justice for artists of the past55:20 defining justice as respect shown to all56:25 feedback58:10 challenging the sexist paradigm that art is gendered59:40 plans to convert thesis into book1:00:15 derogatory nature of term ‘Malweiber'1:01:45 cover image inspired by Julie Wolfthorn's image    Please share your comments and/or questions at stephanie@warfareofartandlaw.comMusic by Toulme.To hear more episodes, please visit Warfare of Art and Law podcast's website.To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com. Thanks so much for listening!© Stephanie Drawdy [2025]

Recorded poolside at the swanky USModernist compound during Modernism Week 2025, this week we're hanging with the Daughters of Design: Susan Saarinen, Celia Bertoia, and Carla Hartman.  Back in the studio, authors Phillip Cox and Niall Cronin on architect Evans Woollen, and later, a well-known NPR host who's toured with Pink Martini, special musical guest Ari Shapiro.

Dispensational Premillennialism? God's multiple covenants? Thousand-year earthly reign of Christ? Saints Peter and Paul vs. ancient pagan ecumenism: Christ as just another one of the "gods"? Conciliar Modernism is today's neo-pagan ecumenism: How attending approved TLM is complete surrender to Modernism. Fatima: dogma of Faith will survive in Portugal. Pius XII consecrated Russia to Mary's Immaculate Heart. This episode was recorded on 07/08/2025. Our Links: http://linkwcb.com/ Please consider making a monetary donation to What Catholics Believe. Father Jenkins remembers all of our benefactors in general during his daily Mass, and he also offers one Mass on the first Sunday of every month specially for all supporters of What Catholics Believe. May God bless you for your generosity! https://www.wcbohio.com/donate Subscribe to our other YouTube channels: ‪@WCBHighlights‬ ‪@WCBHolyMassLivestream‬ May God bless you all!

In this podcast, A.J. asks the question: Is modernism still relevant today? She elaborates on the fundamentals and the qualities of modernism of the past and the present. She interviews students and teachers about the basic idea of modernism and the impact it has had on our society. If you have a deep interest and questions about the large field of modernism, listen to this podcast and enhance your knowledge of the new ideals of modernism. 

For this "Summer Best-Of" we've put together some of our favorite conversations our centennial series, 100 Years of 100 Things:Ashley Stimpson, Maryland-based freelance journalist who writes about science and conservation, takes us through the past 100 years of kids going to the woods for summer camp.Victoria Rosner, dean of the Gallatin School at NYU and the author of Machines for Living: Modernism and Domestic Life (Oxford University Press, 2020), talks about the post-World War I development of modernism (and post-modernism) across the arts and beyond.Maureen Corrigan, the book critic for Fresh Air, Georgetown professor and the author of So We Read On: How The Great Gatsby Came to Be and Why It Endures (Hachette, 2014), looks at the 1925 publication of the novel, The Great Gatsby, and why it continues to resonate with readers one hundred years later.Polo shirts, khaki shorts, and boat shoes: the classic uniform of elites on their days off.  Avery Trufelman, host of the podcast Articles of Interest, delves into the last 100 years of preppies and their clothes. These interviews were polished up and edited for time, the original versions are available here:100 Years of 100 Things: Summer Camps (Aug 26, 2025)100 Years of 100 Things: Modernism (Jan 8, 2025)100 Years of 100 Things: The Great Gatsby (Jan 13, 2025)100 Years of 100 Things: Preppies and Their Clothes (Mar 26, 2025)

Watch this video Right NOW and Ads-FREE on our independent platform: https://remnant-tv.com/v/1436?channelName=RemnantTV Stay Connected! Subscribe to Michael Matt's E-Letter: https://remnantnewspaper.com/web/index.php/subscribe-today/free-remnant-updates Register for the Catholic Identity Conference: https://catholicidentityconference.org/ Viva Cristo Rey! Subscribe to The Remnant Newspaper: https://remnantnewspaper.com/web/index.php/subscribe-today In this edition of The Underground, Michael J. Matt appeals to the clans to stand together against secular politicians and reckless Christian #Zionists. What exactly is #ChristianZionism, and whatever happened to the New Jerusalem that is the Church of Jesus Christ? Plus, #Israel Fatigue kicks into high gear as #DonaldTrump blasts Bibi and the Iranian government. #MAGA leaders call for a regime change, but not necessarily the one you have in mind. Steve Bannon said WHAT?! More good news: #Catholic revival is rising in small towns all across America, and you'll never guess which Mass is at the heart of it all. And, finally, Catholics keep the Faith in a #HolyLand at war. Yes, their community is shrinking, but they are hanging on -- just like the #Cristeros in Mexico, who in the face of a Masonic regime, laid down their lives for the #LatinMass and the #TraditionalFaith of their fathers. Support us | https://remnantnewspaper.com/web/index.php/donate-today Check out my website: https://www.remnantnewspaper.com Sign up for Michael Matt's Weekly E-Letter: https://remnantnewspaper.com/web/index.php/subscribe-today/free-remnant-updates Follow Michael Matt on X: https://x.com/Michael_J_Matt Listen to Michael Matt's podcasts: SPOTIFY: https://open.spotify.com/show/1AdkCDFfR736CqcGw2Uvd0 APPLE: https://podcasts.apple.com/us/podcast/the-michael-j-matt-show/id1563298989 SOURCES: The Top 10 Up-And-Coming Catholic Towns In The USA: https://youtu.be/y46MmnLZ7AY?si=7cI3M4wIORl8v493

John Arnold built his fortune in energy trading by surrounding himself with smart people, maintaining emotional detachment, sensing market imbalances through first-principles analysis, and focusing with laser intensity on a single niche until he dominated it completely. Now he's applying that same analytical rigor to philanthropy, where he's discovered that changing human behavior for the long term proves far more challenging than predicting natural gas prices, and that the academic research meant to guide social policy is often riddled with perverse incentives and poor methodology. Tyler and John discuss his shift from trading to philanthropy and more, including the specific traits that separate great traders from good ones, the tradeoffs of following an "inch wide, mile deep" trading philosophy, why he attended Vanderbilt, the talent culture at Enron, the growth in solar, the problem with Mexico's energy system, where Canada's energy exports will go, the hurdles to next-gen nuclear, how to fix America's tripartite energy grid, how we'll power new data centers, what's best about living in Houston, his approach to collecting art, why trading's easier than philanthropy, how he'd fix tax the US tax code and primary system, and what Arnold Ventures is focusing on next. Read a full transcript enhanced with helpful links, or watch the full video. Recorded April 28th, 2025. Help keep the show ad free by donating today! Other ways to connect Follow us on X and Instagram Follow Tyler on X Follow John on X Sign up for our newsletter Join our Discord Email us: cowenconvos@mercatus.gmu.edu Learn more about Conversations with Tyler and other Mercatus Center podcasts here.

Join Victor Davis Hanson and cohost Jack Fowler for a discussion of the federal budget bill, the Reparations Now Resolution, criticism of General Milley, SCOTUS sided with Venezuelan migrants, was society more stable long ago v. Modernism, what will be said about the current generations, Strategika, Gordon Chang critical of deal with China, and Memorial Day movies.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Altina Schinasi is known as the inventor of cat-eye glasses, but she was also an artist, a documentarian, and an activist. And she was very frank about her own faults and bad decisions. Research: “Altina Schinasi 1924 (1907-1999).” Helen Temple Cook Library. Dana Hall School. https://library.danahall.org/archives/danapedia/alumnae/altina-schinasi-1924-1907-1999/ “Altina Schinasi's 116th Birthday.” Google Doodle. https://doodles.google/doodle/altina-schinasis-116th-birthday/ “Altina Schinasi, The Harlem Girl Who Knew Martin Luther King, Rosa Parks, Salvador Dali And Invented Cat-Eye Glasses.” Harlem World. June 21, 2023. https://www.harlemworldmagazine.com/altina-schinasi-the-harlem-girl-who-knew-martin-luther-king-rosa-parks-salvador-dali-and-invented-cat-eye-glasses/ “Artist Altina Schinasi Miranda Dies at 92.” Ventura County Star. Aug. 17, 1999. https://www.newspapers.com/image/935509837/?match=1&terms=Altina%20Schinasi Bachz, Betty. “From Audrey Hepburn to Hailey Bieber: How cat-eye frames became a timeless look.” Vogue Scandinavia. Oct. 8, 2021. https://www.voguescandinavia.com/articles/history-of-the-cat-eye-sunglasses “Heiress Asks Divorce.” The Cleveland Press. June 21, 1933. https://www.newspapers.com/image/1164656661/?match=1&terms=Altina%20Schinasi “The League’s Legacy.” Art Students League of New York. https://www.artstudentsleague.org/timeline#timeline “Mengel Module Furniture - Morris B. Sanders.” Modernism 101. https://modernism101.com/products-page/industrial-design/mengel-module-furniture-promotionalsales-ephemera-for-morris-b-sanders-furniture-designed-in-1946-produced-by-the-mengel-furniture-company-of-louisville-ky/ “Morris Schinasi.” The Daily Times. Sept. 13, 1928. https://www.newspapers.com/image/724032205/?match=1&terms=Morris%20Schinasi “Morris Schinasi Leaves $1,300,000 to Institutions.” The Daily Times. Sept. 28, 1928. https://www.newspapers.com/image/724032801/ Ravo, Nick. “Altina Schinasi Miranda, 92, Designer of Harlequin Glasses.” The New York Times. Aug. 21, 1999. https://www.nytimes.com/1999/08/21/arts/altina-schinasi-miranda-92-designer-of-harlequin-glasses.html “Rose-Colored Glasses.” Pittsburgh Post Gazette. Sept. 12, 1939. https://www.newspapers.com/image/88914623/?match=1&terms=%22harlequin%20eyeglasses%20%22 Sander, Peter. “Altina.” 2014. Schinasi Estate Put at $8,014,962.” The Springfield Morning Union. May 2, 1930. https://www.newspapers.com/image/1067224117/?match=1&terms=Altina%20Schinasi Peabody, Pam. “Visions: sculptor Altina interviewed by Pam Peabody.” American Women Making History and Culture. WFPW. 1978. https://archive.org/details/pacifica_radio_archives-WZ0295.01 Zaltzman, Lior. “The Pioneering Sephardic Jewish Mother Invented the Cat-Eye Glasses.” Kveller. Aug. 4, 2023. https://www.kveller.com/this-pioneering-sephardic-jewish-mother-invented-the-cat-eye-glasses/ See omnystudio.com/listener for privacy information.