Podcasts about Modernism

Elizabeth Gordon was editor-in-chief of House Beautiful.  In April 1953 she published an influential and controversial editorial that rocked the architecture world, presenting Modernism as uncomfortable, impractical, and like communism a threat to American cultural values. We'll talk with author Monica Penick, author of the definitive book on Gordon, 2001's Tastemaker.  Next up, Alison Fisher just closed a wildly successful exhibition at the Art Institute of Chicago on Bruce Goff, an architect who made Frank Lloyd Wright look restrained. Wrapping up, Naama Gheber is a jazz vocalist with four albums and a voice critics have compared to Peggy Lee. 

(0:00) Intro(0:02) Important announcement about Waqf Qurbani(2:54) Islam par chalna kyun zaruri hai?(3:29) Cheez ko uski ulat se samajhna(4:57) Kufr kise kehte hain?(5:41) Shari'a laws vs duniya ke qanoon(6:03) Chori vs kufr(7:35) Badkari vs kufr(9:33) Ahl-e-Kitab se nikah vs kufr(11:08) Anbiya ki biwiyan badkar nahi ho sakti(12:09) Nasab mein daagh aurat se paida hota hai(13:02) Shohar ka zina vs biwi ka zina(14:32) Aurat ka zina zyada bara jurm kyun?(15:58) AI vs experts(16:12) Qur'an mein har jagah mard ka zikr pehle(17:54) Canada mein aik shakhs ka bayan: “Bahu kaam karne ki machine?”(18:45) Naam nihaad liberals ke rishtay(19:19) Individualism(20:03) Canada mein “chhamak chhalo” ke husband ki death ka waqia(21:34) Aaj ke scholars(21:58) Ilm ki quantity(22:32) Ilm ki quality(23:24) Gaon ki aurat(23:52) Modern aurat(24:33) Muashray ka rona(25:02) Kufr aur Islami sazain(25:51) Qur'an mein mard ka zikr pehle(26:47) “Biwi shohar ka libas hai” — aayat ka matlab(28:18) Karachi ke logon ki sehat(29:17) Libas ka maqsad(30:05) Unmarried logon ke scandals ki wajah(31:33) Male aur female sexual desires mein farq(32:58) Libas mein aurat ka zikr pehle karne ki wajah(33:29) Hazrat Umar (RA) ka qoul apni biwi ke bare mein(34:15) Allama Ibn-e-Qayyim (RA) ka qoul aise taqwa par(35:56) Malaysia(36:15) Pakistan(37:05) Mufti sahab ke world tour experiences(37:48) Pakistani government aur Sindh ka exam system(38:36) Aise sufiyon ka taqwa jab toota(40:35) Mard ko 4 shadiyon ki ijazat ki wajah(40:57) Islam vs liberalism(41:28) Male aur female mein farq(41:55) Mushaqqat wale kaam — mard ki zimmedari(42:59) Bachon ki paidaish ka amal — aurat ki zimmedari (Japan ka naya qanoon)(44:20) Border par larrna — mard ki zimmedari(45:51) Aulad — aurat ke liye Allah ka tohfa(46:27) Women's real rights vs feminism reality(48:00) Nikah ko aasan banane wale liberals(51:06) Qur'an mein zina ke jurm mein aurat ka zikr pehle kyun?(52:02) Zina ki saza vs zina ka jurm(53:28) Badkar biwi vs kafir biwi(54:02) Pardadar biwi(54:15) Bahir mulkon mein husband-wife trust khatam hone ki wajah(56:42) Musalman biwi vs ghair Muslim biwi(59:38) Family system tabah hone ki wajah: modernity(1:01:00) Bachpan mein nikah vs pachpan mein(1:01:48) Islam vs kufr(1:02:42) Zakaat vs sood(1:03:33) Zina vs nikah(1:03:54) Insan ke liye Allah ki ghulami ka hukm vs assembly laws(1:05:17) Eid ul Azha par janwar ki qurbani par liberals ke aitraazat(1:05:59) 1998 ka charsii(1:06:30) Qurbani ke gosht par aitraazat(1:07:05) Sahaba (RA) ka sawal: “Qurbani kya hai?” — Nabi ﷺ ka jawab(1:08:42) “Kyun?” ka jawab(1:09:15) Modernism vs hamare bazurgon ki sehat(1:10:41) Beti ki shadi ki ideal age(1:11:13) Masla: larrki ke liye baap ki wilayat saqit?(1:11:40) Mufti sahab ke bete ki 18 saal ki age mein shadi(1:12:24) Nikah se rizq mein barkat(1:13:21) Hazrat Ibrahim (AS) ka surrender vs shaitan ka surrender na karna(1:14:30) Janwar zibah karne par ye 2 log zyada aitraaz karte hain(1:15:11) Maa ki muhabbat(1:16:10) Eid ul Azha par Allah ki taraf se gosht ki ziyafat(1:17:20) Eid ul Azha par Nabi ﷺ ka pehla khana gosht tha(1:17:42) Eid ul Azha par “decent” banne walon ke liye paigham(1:18:08) Aameen(1:18:10) Waqf Qurbani by MTM Foundation(1:20:01) “Munajat-e-Sabri” kitab parhna kaisa hai?(1:22:53) Madrasa ke tulaba o talibat ka parhai ke dauran nikah aur rukhsati(1:28:53) Khawateen ka Tablighi Jamaat mein nikalna kaisa hai?(1:33:16) “Tibb-e-Nabvi se ilaj” bayan par aitraaz ka jawab(1:40:52) Gosht, charbi aur doodh ki fazilat(1:45:37) Aaj ke bachay khalis doodh aur desi ghee se allergic(1:46:54) Quetta ke Pathan aur Afghani bachay vs burger bachay(1:49:29) Mufti sahab ne 15 saal ki age ke baad gosht khana shuru kiya(1:50:17) Tajurbakaar hakeem?(1:51:20) Barelvi ulama(1:55:27) Mufti sahab ke liye Sindhi ajrak aur topi ka gift(1:56:45) Aurat ki kamai aur financial independence ka Shari'a law(1:59:35) Chhota bhai fohash films dekhta ho? (Shohar ke aib chhupane ka hukm)(2:05:59) Qiston par karobar ka asool Hosted on Acast. See acast.com/privacy for more information.

Adam McKible, Professor of English at John Jay College of Criminal Justice, talks with LaGuardia Community College Professor of English Jesse Schwartz about Jim Crow Modernism, a volume co-edited with McKible, Keith Clark and Robert Jackson. For more, visit IndoorVoicesPodcast.com

In this episode, host Peter Bauman (Le Random's editor in chief) speaks with artists Trevor Paglen and Primavera De Filippi about Protocol art.The occasion is Strange Rules, the landmark group exhibition co-conceived by Hans Ulrich Obrist, Holly Herndon, and Mat Dryhurst, running at the Palazzo Diedo in Venice for the full duration of the Biennale. The show offers the most institutionally significant framing of protocol art to date, and Paglen and De Filippi represent two of its most distinct vantages.The conversation opens with the question of how each artist situates their practice within the protocol framework. Paglen, long known as a revealer of hidden infrastructures, reflects on a career built between systems observation and systems intervention. He and on how his new work Voyager marks a turn inward, toward consciousness rather than exposure. De Filippi, a longtime Protocol art theorist and one of the few artists to self-define as a protocol artist, walks through her Protocolism Manifesto and the decade-long Plantoid project that preceded it, sharpening a key distinction: the difference between making art on top of a protocol and making the protocol itself as the creative act.Meanwhile, our Monday Editorial with Shohei Fujimoto completes our Venice Biennale coverage for the week. (More to come!)00:04 Introduction & The Strange Rules Exhibition01:39 Trevor Paglen's Work: Voyager and the Pivot Inward02:49 Trevor Paglen on Protocol Art & Post-Minimal Influences04:57 Primavera De Filippi Defines Protocol Art & the Protocolism Manifesto08:13 Voyager Explained: AI That Hypnotizes You10:22 Plantoid: The Self-Replicating Blockchain Sculpture13:34 The Breadth of Protocol Art & the Venice Biennale as Platform17:43 Why Protocol Art Is Rising: Generative AI & the Meta-Layer20:57 Photography, Modernism & the Current AI Rupture23:35 Capital-A Algorithm: Fear, Critique & Alternatives26:36 Embracing the Algorithm: Open Source & Artistic Autonomy30:05 Consciousness, Entanglement & Voyager's Six Journeys33:41 Synthetic Life, Symbionts & Machine Qualia39:05 Protocol Art as a Lens for Economics, Politics & Technology42:34 Protocol vs. Instantiation, Copyright & Closing Thoughts

In Bakersfield CA, David Coffey preserves two houses one by Neutra, and one by Wright, but today we talk about his passion, Modernism in Uruguay.  In Los Angeles, Cindy Olnick stewards the Neutra Institute. Later on, jazz duo Lenore Raphael and Chris Hodgkins reunite for their joyful new album, Pennies From Heaven. 

Professor William Thomas doesn't hold back as he lays out the stark choice facing Catholics: following a "diabolical" Synodal church that is built on the errors of Modernism, or staying faithful to the authentic Magisterium of the Catholic Church. A former classmate of Pope Leo XIV, Thomas brings a wealth of theological insights into the unfolding crisis that is causing doctrinal confusion across the world. The solution? Personal holiness and a return to orthodox Catholicism based on the Scriptures and Tradition.HELP SUPPORT WORK LIKE THIS: https://give.lifesitenews.com/?utm_source=SOCIAL U.S. residents! Create a will with LifeSiteNews: https://www.mylegacywill.com/lifesitenews ****PROTECT Your Wealth with gold, silver, and precious metals: https://sjp.stjosephpartners.com/lifesitenews +++SHOP ALL YOUR FUN AND FAVORITE LIFESITE MERCH! https://shop.lifesitenews.com/ +++Connect with John-Henry Westen and all of LifeSiteNews on social media:LifeSite: https://linktr.ee/lifesitenewsJohn-Henry Westen: https://linktr.ee/jhwesten Hosted on Acast. See acast.com/privacy for more information.

What does Lufthansa, Picasso and the Ukrainian Foreign Affairs Building have in common? They all have links to Mykhailo Boychuk - Ukraine's most prominent modernist painter and the founder and leader of the Boychukists. His work incorporated a Ukrainian essence into a modern spin that tried to break away from the stagnant Russian art world. What happened to him and what became of his influence? Find out in this latest episode of Wandering the Edge!Facebook & Instagram: WanderedgeukraineFor more episodes, sources and extras, please visit: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠wanderingtheedge.net⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Imagine doing Modernist preservation – in a war zone.  Dmytro Soloviov documents Ukraine's modernist architecture.  Ben Wever cares for one of America's modernist treasures, the Miller House in Columbus, Indiana. Hallie Swenson uncovers the stories of San Diego Modernism, and architect Robert Stone brings new desert Modernism to life. 

In this episode, we speak with Lisa Gralnek, Managing Director of iF Design USA and Global Head of Sustainability and Impact at iF Design. We cover the scale and rigor behind the iF Design Award — one of the world's most recognized design competitions since 1953 — and how iF has made sustainability a core, embedded criterion in its judging process. We also discuss the launch of the iF Design Academy, what it means to close the gap between design and business fluency, and the risks of outsourcing critical thinking to AI tools. Plus, we reflect on why design thinking became its own victim, what head-heart-hands means in an age of AI, and what we might be collectively unlearning as machines take on more of the work.TOPICS WE ADDRESS:- Lisa's path from political science and fashion to design leadership- How the iF Design Award jury process works across 93 categories and 9 disciplines- Why sustainability now accounts for 20% of the iF scoring criteria — and what that shift has taught applicants and jurors alike- The circular economy and the "R ladder" of repairability, reusability, and recyclability- iF Design's two free-entry competitions: the iF Design Student Award and the iF Social Impact Prize, both aligned with the UN Sustainable Development Goals- The launch of the iF Design Academy and why designers need more than design education to lead- The upcoming course AI Strategy for Design Leaders (June 2026) — led by Tey Bannerman, former McKinsey partner- Why design thinking became a buzzword without operationalization — and what it would take to bring it back- What the documentary Modernism, Inc.: The Eliot Noyes Design Story says about the long history of design and corporate power- The tension between AI efficiency and the tactile, hands-on learning that makes designers designers- What we might be collectively "unlearning" as AI tools take on more of the creative processRESOURCES MENTIONED:- iF Design: https://ifdesign.com/en/- iF Design Award: https://ifdesign.com/en/if-design-award-and-jury- iF Design Academy: https://ifdesign-academy.com/- iF Design Trend Report (5th annual edition releasing April 28): https://ifdesign.com/en/trend-report- iF Design Student Award: https://ifdesign.com/en/if-design-student-award- iF Social Impact Prize: https://ifdesign.com/en/if-social-impact-prize- Future of XYZ podcast: https://ifdesign.com/en/podcast-future-of-xyz-by-if-design- Lisa Gralnek, "Where Are All the Designers?" (Fast Company): https://www.fastcompany.com/91374558/where-are-all-the-designers- Ellen MacArthur Foundation: https://www.ellenmacarthurfoundation.org/- Modernism, Inc.: The Eliot Noyes Design Story (2023): https://www.imdb.com/title/tt29215800/- UN Sustainable Development Goals: https://sdgs.un.org/goals- AIGA + Yale SOM: Business Perspectives for Creative Leaders: https://www.aiga.org/professional-development/business-perspectives-for-creative-leaders- Subscribe to the AIGA Design Podcast: https://creators.spotify.com/pod/profile/aigadesign/- Questions or feedback? Email us at podcast@aiga.org

[REBROADCAST FROM November 13, 2025] An exhibition at the MoMA celebrates the career of Cuban artist Wifredo Lam, an artist who helped push the boundaries of modernism. Curators Christophe Cherix and Beverly Adams discuss "Wifredo Lam: When I Don't Sleep, I Dream," on view through April 11 2026. Painting is 'The Jungle,' by Wifredo Lam, courtesy of MoMA

J.J. and Dr. Vivian Liska border on the sublime in their discussion of the life and thought of this German-Jewish thinker. If you or your business are interested in sponsoring an episode or mini-series, please reach out at  podcasts@torahinmotion.org Follow us on Bluesky @jewishideaspod.bsky.social for updates and insights!Please rate and review the the show in the podcast app of your choice.We welcome all complaints and compliments at podcasts@torahinmotion.org  For more information visit torahinmotion.org/podcastsVivian Liska is a Professor of German literature and Director of the Institute of Jewish Studies at the University of Antwerp, Belgium. She has published extensively on literary theory, German modernism, and German-Jewish authors and thinkers. Liska's recent books include Giorgio Agamben's Empty Messianism (2008), in German, translated into Hebrew (Resling 2010), When Kafka Says We. Uncommon Communities in German-Jewish Literature (2008) and Fremde Gemeinschaft. Deutsch-jüdische Literatur der Moderne (2011). A Hebrew translation of this book is in the making with Hakibbutz Hameuchad. In 2012, she was awarded the Cross of Honor for Sciences and the Arts from the Republic of Austria. She is the (co-)editor of numerous books, among them the two-volume ICLA publication Modernism (2007), which was awarded the Prize of the Modernist Studies Association in 2008; Contemporary Jewish Writing in Europe: A Guide (2007); Theodor Herzl between Europe and Zion (2007); What does the Veil Know? (2009); The German-Jewish Experience Revisited (2015); and Kafka and the Universal (2016). She is the editor of the book series “Perspectives on Jewish Texts and Contexts” (De Gruyter, Berlin), co-editor of the Yearbook of the Society for European-Jewish Literature, and arcadia. International Journal of Literary Studies. Her most recent book German-Jewish Thought and its Afterlife (Indiana University Press) was published in 2017. 

We wnętrzach Torre Velasca w Mediolanie podczas tegorocznego tygodnia designu odbędzie się wystawa „Polish Modernism. A Struggle for Beauty”. – Zeszłoroczna ekspozycja o polskim designie, przy której pracowałam, skupiała się na sztuce i rzemiośle. Tym razem, wraz z drugą kuratorką, Anną Magą, badamy wzornictwo, w tym wzornictwo przemysłowe, które rozkwitło w okresie modernizmu – mówi Federica Sala.   Autorka: Basia Czyżewska   Artykuł przeczytasz pod linkiem: https://www.vogue.pl/a/co-zobaczymy-na-wystawie-polish-modernism-a-struggle-for-beauty-w-mediolanie

When I arrived in Palm Springs last month, a few days before the concert-lecture I was to play with my father, Ben Sidran, I found him surrounded by months of research notes, trying to wrestle his ideas into something coherent. The performance was part of the Palm Springs International Jazz Festival during the city's annual Modernism Week, and it grew out of an earlier program we presented at Taliesin, Frank Lloyd Wright's home and studio in Spring Green, Wisconsin. What began as a playful idea about the relationship between architecture and music gradually expanded into a deeper exploration of the natural structures that shape both. Along the way we found ourselves diving into the harmonic series, overtones, Fibonacci sequence, and the physics of vibration, asking how these natural phenomena influence the way we hear rhythm, harmony, and beauty. Drawing on conversations with musicians like Gil Goldstein, Howard Levy, and Jacob Collier, the episode is part personal story, part philosophical inquiry, and part behind-the-scenes look at how creative work actually gets made. And how, in the end, even the most abstract ideas often begin the same way: with a gig. www.third-story.com www.wbgo.org/podcast/the-third-story www.leosidran.substack.com/

Kim Hyesoon is one South Korea's foremost poets. Her groundbreaking and radically feminist poetry – ‘a transnational collision of shamanism, Modernism, and feminism' (Griffin Prize Judges) – has been translated into English by poet Don Mee Choi for over a decade. We celebrate the latest of these translations – the Griffin Prize-winning masterpiece on mourning and survival, Autobiography of Death, now published for the first time in the UK by And Other Stories – with an evening of readings from Kim and discussion of her work with Will Harris, whose latest collection is Brother Poem (Granta).

Bombing Iran: for MAGA or Zionism? Card.Sarah to SSPX: call off consecrations. SSPX to Card. Sarah: call off Modernism. Dancing with Modernists? J. H. Westen: Francis and Leo anti-popes? Battle for the papacy! Socialism: where fraud reigns supreme. The powers of Hell will not prevail against Jesus Christ and His Church! This episode was recorded on 3/3/2026. Our Links: http://linkwcb.com/ Please consider making a monetary donation to What Catholics Believe. Father Jenkins remembers all of our benefactors in general during his daily Mass, and he also offers one Mass on the first Sunday of every month specially for all supporters of What Catholics Believe. May God bless you for your generosity! https://www.wcbohio.com/donate Subscribe to our other YouTube channels: ‪@WCBHighlights‬ ‪@WCBHolyMassLivestream‬ May God bless you all!

What can ancient stories teach us about creativity, courage, and our own place in the modern world? In this episode, Stephen Roach welcomes poet and priest Malcolm Guite back to Makers & Mystics to explore his poetic retelling of King Arthur and the Holy Grail. Malcolm reflects on how these stories shaped him from childhood and why myth still carries moral and spiritual weight in a disenchanted age.Together, they discuss the role of storytelling in recovering a sacramental vision of the world. This conversation is an invitation to re-enchantment—to slow down, commit to your craft, and take your place in the great unfolding story.IN THIS EPISODE YOU'LL HEAR ABOUTWhy Arthurian legend endures: its moral and spiritual resonanceTaking up the tale: how myth becomes personal meaningRe-enchantment: seeing the world with wonder in an age of distractionThe value of slow, faithful creative practiceSend a textJoin Malcolm Guite, Jonathan Pageau, Stephen Roach, and so many others!http://www.thebreathandtheclay.comUse the code "mystic26" for a special podcast listener rate!Support the show Get Tickets to The Breath and The Clay 2026 featuring Malcolm Guite, Jon Guerra, and Jonathan Pageau! March 20-22 in Winston-Salem, NC. Sign Up for Our Newsletter! http://eepurl.com/g49Ks1

The Accidental Empire: Marmol Radziner on Preservation, Prefab, and Fighting the Tyranny of the Nimby. Leo Marmol and Ron Radziner discuss the 36-year evolution of their design-build firm, tracing its roots in a student co-op to becoming a leader in modern residential architecture, restoration, and the urgent need for sustainable urban density in Los Angeles. The conversation features Leo Marmol and Ron Radziner, co-founders of Marmol Radziner, detailing the firm’s history, their design philosophy, and their views on the current state of preservation and sustainability in LA. Origin Story and The Return to Modernism: The co-founders met as students at Cal Poly, San Luis Obispo, living in “The Ark,” a condemned co-op. This environment of free rein to alter the building foreshadowed their later design-build approach. They founded their firm in 1989 during the “dying days of postmodernism,” quickly committing to the modernist ideal of clarity, reduction, and the connection between design and craft (Bauhaus). They attribute the firm’s early success to aligning with the eventual return to California modernism, driven by its rich history in the region. Milestone Projects and Preservation: The first major flag-planting project was the Gutentag Studio (a small, pure concrete block and cedar studio), followed by the new Ward Residence. Their watershed moment in preservation was the Kaufmann House restoration (1993) in Palm Springs. At the time, there was virtually no industry for modern restoration, forcing the firm to develop the roadmap for approaching these aging buildings. They view restorations as “classrooms” that inform their new work, maintaining a healthy split of one-third restoration and two-thirds new construction. Preservation Today: The Fetish vs. Functionality: Marmol and Radziner argue they are often at odds with the preservation community because they believe historic properties must evolve to remain functional and relevant, cautioning against a “fetish” that prevents necessary change. They criticize the current situation where every modern building is deemed “sacred,” citing the contentious, successful fight to demolish the Barry Building on San Vicente as an example of overreach where the building’s significance did not rise to the level requiring preservation. The Problem of Scale (“McModerns”) and Efficiency: They express concern over the proliferation of “McModerns” and elephantine houses, driven by high property values and the pressure to “max out the buildable area” on a site. They emphasize that their modern perspective is less about style and more about the fundamental importance of connection—internal open plans and connecting the home to the landscape and exterior rhythm of nature (a concept that is lost when properties are overbuilt). Sustainability and the Nimby Problem: While California leads the country in robust, fire-resilient, and energy-efficient building codes (which have been a success), they gave the state’s housing policy an “F.” Leo Marmol asserted that the greenest thing the city can do is densify and allow more housing in the urban core, calling out the NIMBY (Not In My Back Yard) mentality as the primary political failure that forces sprawl and long commutes. The Return to Prefabrication (Prefab 2.0): Marmol Radziner initially experimented with prefab from 2004–2012 but stopped after the 2008 crash. They are now returning to prefabrication—Prefab 2.0—as a response to the current “crisis of construction costs” and the need for quick, affordable, and sustainable housing solutions, particularly for fire rebuilds in Altadena and the Palisades. Design-Build Practice Scale: The firm combines Architecture, Construction Services (design-build), Landscape Architecture, and Interior Design under one roof. They support their construction services with their own dedicated cabinet shop and metal shop in El Segundo, allowing for control over craft and execution. Fire Resilience and Landscape: The fires are affecting landscape rules, particularly regarding Zone Zero (the 0–5 feet immediately surrounding the building). They argue against the extreme position of “no planting” in Zone Zero, believing the right, well-irrigated planting can help against embers, which they identify as the biggest culprit in mass fires, more so than direct flame. Home hardening (sealing every vulnerability) is considered the single most important factor, with modern energy codes being an accidental but highly effective form of fire hardening.

This recording was originally broadcast in 1963, in the first year of Taiwan's first terrestrial TV station, the Taiwan Broadcasting Company. "Look me in the eye" takes a short sequence of a mountain folk song sung by a women's chorus, from the original 30-minute recording. I layered sound in GarageBand, selecting and editing archival material, contemporary field recordings, overheard dialogue and digital loops, to build aural glimpses of cultural, temporal, and geographic landscapes. By positioning the mountain folk song in dialogue with a recording of a metro train in a Tokyo tunnel, I form a sonic relationship between the mountain above, the underground below, and the distant flatland of my Newhaven studio from which the piece is composed.The folk song functions as both voice and landscape, carrying the acoustic imprint of elevation and openness (shaped by geography rather than infrastructure), of a community embedded in place, where sound travels across valley and mountain, retaining its sense of distance and air, pointing toward cultural memory rooted in the land. In contrast, the Tokyo metro recording introduces a dense, enclosed soundscape. The arrival and departure of a train, with its mechanical rhythm and reverberant tunnel, defines movement, efficiency, and compression. This sound carries additional historical weight: Japan occupied Taiwan from 1895 until the end of the Second World War, leaving lasting marks on its infrastructure, education, and cultural systems. The presence of contemporary Japanese urban sound alongside Taiwanese traditional song resonates not only as a meeting of modern and pre-modern space, but as an echo of shared, asymmetrical history.As sound worlds overlap, they form a layered sonic landscape. The intermittent warmth and discomfort of a questioning voice gets lost beneath the noise of a train, receding and submerged beneath the city. This shifting balance reflects a complex negotiation between tradition, modernisation, and historical memory, echoing the cultural tensions explored by post-war experimental art movements and ideas of Modernism.Yet, a third landscape underlies "Look me in the eye": the lands of the Western world, from which I compose and listen. Positioned beyond both mountain and subway, I observe, engaging with unfamiliar environments through recordings, digital tools, and historical distance. This perspective acknowledges the role of translation, power, and interpretation."Look me in the eye" presents landscape as something heard rather than seen. By moving between mountain, underground, and flatland perspectives, the piece reflects on how sound carries history, place, and identity across time, distance, and cultural boundaries. The folk song becomes less a fixed artifact and more a mutable terrain, shaped by time, technology, and reinterpretation.Regional music of the Republic of China (Taiwan) reimagined by Rachael Adams.———Part of the project A Century of Sounds, reimagining 100 sounds covering 100 years from the collections of the Pitt Rivers Museum at the University of Oxford. Explore the full project at citiesandmemory.com/century-sounds

SSPX Bishop Fellay justifies consecrations: never says "modernism,," does not judge "failing" authority. Viganò, Strickland, others remark. SSPX begs co-existence with Modernism? The very idea of the Catholic papacy is in question. "Church unity is worth a Latin Mass?" Modernists poison Church; solution is more Modernism. Similar: government control poisons society; solution is more government control: socialism! Pope Leo XIII condemns socialism. The truth and power of the traditional Catholic Faith! This episode was recorded on 2/10/2026. Our Links: http://linkwcb.com/ Please consider making a monetary donation to What Catholics Believe. Father Jenkins remembers all of our benefactors in general during his daily Mass, and he also offers one Mass on the first Sunday of every month specially for all supporters of What Catholics Believe. May God bless you for your generosity! https://www.wcbohio.com/donate Subscribe to our other YouTube channels: ‪@WCBHighlights‬ ‪@WCBHolyMassLivestream‬ May God bless you all!

Step into Palm Springs history with a conversation that feels like slipping into a poolside cabana in 1970. This episode of Big Conversations, Little Bar with Patrick Evans & Randy Florence welcomes Nelda Linsk—soon to be honored as First Lady of Modernism—for stories spanning fashion, philanthropy, architecture, and the golden era of desert social life. Nelda shares the behind-the-scenes truth of Slim Aarons' legendary “Poolside Gossip” photo shoot at the Kaufmann House: no stylists, no makeup team, just friends, champagne, and a tripod—finished in about an hour. She recalls the Racquet Club days when celebrities escaped Hollywood attention, and the parties, charity events, and fashion shows that shaped the valley's culture. The conversation also explores her friendship with Barbara Sinatra, the founding of the Barbara Sinatra Children's Center, and why firsthand memories still matter. Expect laughs, name-drops, and pure Palm Springs magic!Takeaways:Nelda Linsk will be recognized as “First Lady of Modernism,” including an updated star dedication.“Poolside Gossip” was lightly staged: Slim Aarons called ahead, asked for friends, and kept it casual.The shoot had no glam squad—just a tripod and camera—yet became globally iconic.The Kaufmann House's architecture and lifestyle helped make the image aspirational worldwide.Palm Springs' Racquet Club era offered celebrities privacy, fueling a unique social scene.Nelda and her husband restored and enhanced the Kaufmann House with major design talent.Nelda's friendship with Barbara Sinatra connected to major philanthropy, including the Children's Center.The episode highlights how Palm Springs changed as retail and tourism shifted toward Palm Desert.#BigConversationsLittleBarPodcast #PatrickEvans #RandyFlorence #SkipsLittleBar #MutualBroadcastingSystem #CoachellaValleyResidents #SkipPaige #NeldaLinsk #Modernism #PalmSprings #ModernismWeek #PoolsideGossip #SlimAarons #KaufmannHouse #MidcenturyModern #PalmSpringsHistory #DesertGlamour #BarbaraSinatra #SinatraLegacy #Philanthropy

The exhibit "Noguchi's New York" explores how Isamu Noguchi relationship with New York transformed the city even when thwarted by Robert Moses. It displays a survey of 50 of his works and animations of projects that were never realized. Noguchi Museum curator Kate Wiener & museum director Amy Hau discuss the exhibit, and the historical impact of the groundbreaking designer.

Inspired by Richard Wagner's idea of the total artwork, European modernist artists began to pursue multimedia projects that mixed colors, sounds, and shapes. Dr. Polina Dimova's At the Crossroads of the Senses: The Synaesthetic Metaphor Across the Arts in European Modernism (Penn State UP, 2024) traces this new sensory experience of synaesthesia—the physiological or figurative blending of senses—as a modernist phenomenon from its scientific description in the late nineteenth century to its prevalence in the early twentieth. Structured around twenty theses on synaesthesia, this book explores the integral relationship between modernist art, science, and technology, tracing not only how modernist artists perceptually internalized and absorbed technology and its effects but also how they appropriated it to achieve their own aesthetic, metaphysical, and social goals. Through case studies of prominent multimodal artists—Oscar Wilde, Aubrey Beardsley, Richard Strauss, Aleksandr Scriabin, Wassily Kandinsky, František Kupka, Andrei Bely, and Rainer Maria Rilke—At the Crossroads of the Senses reveals the color-forms and color-sounds that, for these artists, laid the foundations of the world and served as the catalyst for the flourishing exchanges among the arts at the fin de siècle. Rooted in archival research in Russia, Germany, France, and the Czech Republic, At the Crossroads of the Senses taps overlooked scientific sources to offer a fresh perspective on European modernism. Sensory studies scholars, literary critics, and art and music historians alike will welcome its many contributions, not least among them a refreshing advocacy for a kind of sensuous reading practice. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Inspired by Richard Wagner's idea of the total artwork, European modernist artists began to pursue multimedia projects that mixed colors, sounds, and shapes. Dr. Polina Dimova's At the Crossroads of the Senses: The Synaesthetic Metaphor Across the Arts in European Modernism (Penn State UP, 2024) traces this new sensory experience of synaesthesia—the physiological or figurative blending of senses—as a modernist phenomenon from its scientific description in the late nineteenth century to its prevalence in the early twentieth. Structured around twenty theses on synaesthesia, this book explores the integral relationship between modernist art, science, and technology, tracing not only how modernist artists perceptually internalized and absorbed technology and its effects but also how they appropriated it to achieve their own aesthetic, metaphysical, and social goals. Through case studies of prominent multimodal artists—Oscar Wilde, Aubrey Beardsley, Richard Strauss, Aleksandr Scriabin, Wassily Kandinsky, František Kupka, Andrei Bely, and Rainer Maria Rilke—At the Crossroads of the Senses reveals the color-forms and color-sounds that, for these artists, laid the foundations of the world and served as the catalyst for the flourishing exchanges among the arts at the fin de siècle. Rooted in archival research in Russia, Germany, France, and the Czech Republic, At the Crossroads of the Senses taps overlooked scientific sources to offer a fresh perspective on European modernism. Sensory studies scholars, literary critics, and art and music historians alike will welcome its many contributions, not least among them a refreshing advocacy for a kind of sensuous reading practice. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Inspired by Richard Wagner's idea of the total artwork, European modernist artists began to pursue multimedia projects that mixed colors, sounds, and shapes. Dr. Polina Dimova's At the Crossroads of the Senses: The Synaesthetic Metaphor Across the Arts in European Modernism (Penn State UP, 2024) traces this new sensory experience of synaesthesia—the physiological or figurative blending of senses—as a modernist phenomenon from its scientific description in the late nineteenth century to its prevalence in the early twentieth. Structured around twenty theses on synaesthesia, this book explores the integral relationship between modernist art, science, and technology, tracing not only how modernist artists perceptually internalized and absorbed technology and its effects but also how they appropriated it to achieve their own aesthetic, metaphysical, and social goals. Through case studies of prominent multimodal artists—Oscar Wilde, Aubrey Beardsley, Richard Strauss, Aleksandr Scriabin, Wassily Kandinsky, František Kupka, Andrei Bely, and Rainer Maria Rilke—At the Crossroads of the Senses reveals the color-forms and color-sounds that, for these artists, laid the foundations of the world and served as the catalyst for the flourishing exchanges among the arts at the fin de siècle. Rooted in archival research in Russia, Germany, France, and the Czech Republic, At the Crossroads of the Senses taps overlooked scientific sources to offer a fresh perspective on European modernism. Sensory studies scholars, literary critics, and art and music historians alike will welcome its many contributions, not least among them a refreshing advocacy for a kind of sensuous reading practice. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Inspired by Richard Wagner's idea of the total artwork, European modernist artists began to pursue multimedia projects that mixed colors, sounds, and shapes. Dr. Polina Dimova's At the Crossroads of the Senses: The Synaesthetic Metaphor Across the Arts in European Modernism (Penn State UP, 2024) traces this new sensory experience of synaesthesia—the physiological or figurative blending of senses—as a modernist phenomenon from its scientific description in the late nineteenth century to its prevalence in the early twentieth. Structured around twenty theses on synaesthesia, this book explores the integral relationship between modernist art, science, and technology, tracing not only how modernist artists perceptually internalized and absorbed technology and its effects but also how they appropriated it to achieve their own aesthetic, metaphysical, and social goals. Through case studies of prominent multimodal artists—Oscar Wilde, Aubrey Beardsley, Richard Strauss, Aleksandr Scriabin, Wassily Kandinsky, František Kupka, Andrei Bely, and Rainer Maria Rilke—At the Crossroads of the Senses reveals the color-forms and color-sounds that, for these artists, laid the foundations of the world and served as the catalyst for the flourishing exchanges among the arts at the fin de siècle. Rooted in archival research in Russia, Germany, France, and the Czech Republic, At the Crossroads of the Senses taps overlooked scientific sources to offer a fresh perspective on European modernism. Sensory studies scholars, literary critics, and art and music historians alike will welcome its many contributions, not least among them a refreshing advocacy for a kind of sensuous reading practice. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Inspired by Richard Wagner's idea of the total artwork, European modernist artists began to pursue multimedia projects that mixed colors, sounds, and shapes. Dr. Polina Dimova's At the Crossroads of the Senses: The Synaesthetic Metaphor Across the Arts in European Modernism (Penn State UP, 2024) traces this new sensory experience of synaesthesia—the physiological or figurative blending of senses—as a modernist phenomenon from its scientific description in the late nineteenth century to its prevalence in the early twentieth. Structured around twenty theses on synaesthesia, this book explores the integral relationship between modernist art, science, and technology, tracing not only how modernist artists perceptually internalized and absorbed technology and its effects but also how they appropriated it to achieve their own aesthetic, metaphysical, and social goals. Through case studies of prominent multimodal artists—Oscar Wilde, Aubrey Beardsley, Richard Strauss, Aleksandr Scriabin, Wassily Kandinsky, František Kupka, Andrei Bely, and Rainer Maria Rilke—At the Crossroads of the Senses reveals the color-forms and color-sounds that, for these artists, laid the foundations of the world and served as the catalyst for the flourishing exchanges among the arts at the fin de siècle. Rooted in archival research in Russia, Germany, France, and the Czech Republic, At the Crossroads of the Senses taps overlooked scientific sources to offer a fresh perspective on European modernism. Sensory studies scholars, literary critics, and art and music historians alike will welcome its many contributions, not least among them a refreshing advocacy for a kind of sensuous reading practice. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Starting with Los Angeles, we'll talk with Rudolph Schindler homeowner, and star of Two and a Half Men, Holland Taylor.  Then we move to Palm Springs, the center of the Universe for midcentury Modernism. Everybody who's a fan of Modernism needs to plan a trip, and today we'll talk with Palm Springs tour guides Shann Carr and JD Cargill, author Adele Cygelman and her new documentary Arthur Elrod: Modern Cool, Later music from jazz pianist Lenore Raphael. 

Is Modernism "dumb" - or am I stupid? Synodality in five minutes? Leo tells Anglicans we are all one in faith. Modernist lies, Cardinal Roche and the Traditional Latin Mass. Modernism and Marxism: blood brothers. Mamdani's "child care." Venezuela's Maduro, Noriega, Bay of Pigs. DC National March for Life: Nellie Gray and the Paramount Life Principles. This episode was recorded on 1/27/2026. Our Links: http://linkwcb.com/ Please consider making a monetary donation to What Catholics Believe. Father Jenkins remembers all of our benefactors in general during his daily Mass, and he also offers one Mass on the first Sunday of every month specially for all supporters of What Catholics Believe. May God bless you for your generosity! https://www.wcbohio.com/donate Subscribe to our other YouTube channels: ‪@WCBHighlights‬ ‪@WCBHolyMassLivestream‬ May God bless you all!

Is Frank Lloyd Wright the only good modern architect? Does Falling Water hold water? While modernism is a rejection of the classical orders, it still has merit... right? Maybe we need some help from Brent on this one. The guys talk about the Modern Style of home building and where it has a place in great craft.

On this week's episode we return to 70s for the first of a mini-series on post-punk. A historical period, an unhelpful genre descriptor, a structure of feeling? Whatever it is, the guitar bands of the UK and NYC in 1978 were creating some serious music. Jeremy and Tim discuss where the term came from, what exactly the ‘punk' it was following was, and some the music's early proponents. With reference to The Slits, Wire, Talking Heads and more, we hear about the Hacienda, John Peel, Modernism and Mark E Smith. The guys unpack how funk and reggae were influencing bands like The Contortions in their experimentation with rhythm, visit the CBGB club in New York, and dispute received ideas about the division between punk and disco. Finally, we introduce a major character in out story over the coming months: Arthur Russell.Tracklist:The Slits - New Town (John Peel Session) Wire - I Am the Fly The Fall - Stepping Out Talking Heads - Tentative Decisions The Contortions - I Can't Stand Myself Books:Simon Reynolds - Rip It Up and Start AgainJohn Savage - ‘The New Musick' in Time Travel

LifeSite's John Henry Weston: "What is synodality?" Saint Pius X's encyclical "Pascendi". Francis' 2015 launch of his Synodal Church. The non-magisterium of Leo's listening, learning, "discerning" Church. Not the One, Holy, Catholic and Apostolic Church - now just the Synodal Church. "Synodal" vs. all the marks of the true Catholic Church. Synodal Church the evil offspring of Modernism. Modernism not just a heresy, but "the synthesis of ALL heresies." Modernism perverts art, glorifies ugliness. This episode was recorded on 1/16/2026. Our Links: http://linkwcb.com/ Please consider making a monetary donation to What Catholics Believe. Father Jenkins remembers all of our benefactors in general during his daily Mass, and he also offers one Mass on the first Sunday of every month specially for all supporters of What Catholics Believe. May God bless you for your generosity! https://www.wcbohio.com/donate Subscribe to our other YouTube channels: ‪@WCBHighlights‬ ‪@WCBHolyMassLivestream‬ May God bless you all!

Reconstruction explores the impact of the First World War on the built environment - examining the immediate effects and aftermath of the Great War on the architecture of Britain and the British empire during the interwar years. While much attention has been paid by historians to post-war architectural reconstruction after 1945, the earlier developments of the interwar period (1919-1939) have been comparatively overlooked. Sixteen essays written by leading and emerging scholars bring together new and diverse approaches to the period - a period of reconstruction, fraught with the challenges of modernity and democratisation. The collection considers the complex effects of reconstruction on design, discourse, practice, and professionalism, and deals with the full spectrum of architectural styles and approaches, privileging neither Modernism nor traditional styles. It brings to the fore social and political histories of the built environment, and makes important postcolonial interventions into the architectural history of British Imperialism at home and in its far reaches; in Egypt, South Africa, Australia, and India This interview was conducted by Matthew Wells, Senior Lecturer in Architectural Studies at the University of Manchester. His research explores nineteenth-century European architecture, focusing on cultural techniques, technology, and political economy. Wells is the author of Modelling the Metropolis: The Architectural Model in Victorian London (2023). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Reconstruction explores the impact of the First World War on the built environment - examining the immediate effects and aftermath of the Great War on the architecture of Britain and the British empire during the interwar years. While much attention has been paid by historians to post-war architectural reconstruction after 1945, the earlier developments of the interwar period (1919-1939) have been comparatively overlooked. Sixteen essays written by leading and emerging scholars bring together new and diverse approaches to the period - a period of reconstruction, fraught with the challenges of modernity and democratisation. The collection considers the complex effects of reconstruction on design, discourse, practice, and professionalism, and deals with the full spectrum of architectural styles and approaches, privileging neither Modernism nor traditional styles. It brings to the fore social and political histories of the built environment, and makes important postcolonial interventions into the architectural history of British Imperialism at home and in its far reaches; in Egypt, South Africa, Australia, and India This interview was conducted by Matthew Wells, Senior Lecturer in Architectural Studies at the University of Manchester. His research explores nineteenth-century European architecture, focusing on cultural techniques, technology, and political economy. Wells is the author of Modelling the Metropolis: The Architectural Model in Victorian London (2023). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

Maduro's capture: right or wrong? Praying with annoying people? Did any Jews expect Messiah to be God Himself? Does capitalism beget Communism? The predatory nature of Islam. Charlotte's new order bishop. Mamdani's "warmth of collectivism." Modernism, the synthesis of all heresies, cannot be "reformed." Our reasons for joy and gratitude! This episode was recorded on 1/6/2026. Our Links: http://linkwcb.com/ Please consider making a monetary donation to What Catholics Believe. Father Jenkins remembers all of our benefactors in general during his daily Mass, and he also offers one Mass on the first Sunday of every month specially for all supporters of What Catholics Believe. May God bless you for your generosity! https://www.wcbohio.com/donate Subscribe to our other YouTube channels: ‪@WCBHolyMassLivestream‬ ‪@WCBHighlights‬ May God bless you all!

Reconstruction explores the impact of the First World War on the built environment - examining the immediate effects and aftermath of the Great War on the architecture of Britain and the British empire during the interwar years. While much attention has been paid by historians to post-war architectural reconstruction after 1945, the earlier developments of the interwar period (1919-1939) have been comparatively overlooked. Sixteen essays written by leading and emerging scholars bring together new and diverse approaches to the period - a period of reconstruction, fraught with the challenges of modernity and democratisation. The collection considers the complex effects of reconstruction on design, discourse, practice, and professionalism, and deals with the full spectrum of architectural styles and approaches, privileging neither Modernism nor traditional styles. It brings to the fore social and political histories of the built environment, and makes important postcolonial interventions into the architectural history of British Imperialism at home and in its far reaches; in Egypt, South Africa, Australia, and India This interview was conducted by Matthew Wells, Senior Lecturer in Architectural Studies at the University of Manchester. His research explores nineteenth-century European architecture, focusing on cultural techniques, technology, and political economy. Wells is the author of Modelling the Metropolis: The Architectural Model in Victorian London (2023). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Joyce talks about:The idea of collectivism growing amongst the younger generation. Robbing generations of opportunities with Modernism.A generation hooked on antidepressant medications.People are defending Maduro. The arrest of Maduro and take over of Venezuela took out the supply chain to America's enemies.The possibility of Greenland becoming a part of the US. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Day 1,399. Today, President Zelensky has revealed details of the proposed peace plan worked out between US and Ukraine delegations last weekend in Miami, that is due to be put to Russia later today. Plus, since it's Christmas Eve, something a little different: a special look at the Ukrainian art scene, past and present.We begin with the generation of Ukrainian artists at the dawn of the 20th century who helped drive the Modernist movement, breaking with centuries of figurative tradition and pushing art decisively into modernity. We examine how artists are later reclaimed by national narratives – and why – as well as how the full-scale invasion has reshaped the global art market. We then turn to Ukraine's contemporary art scene, focusing on one young, emerging artist and exploring how their generation, and their creativity, is being transformed by the war.CONTENT REFERENCED:In the Eye of the Storm, Modernism in Ukraine, 1900–1930s, Royal Academy of Arts: https://www.royalacademy.org.uk/exhibition/eye-of-the-stormJames Butterwick. Ukrainian and Russian Art Expert: https://www.jamesbutterwick.com/PinchukArtCentre Prize 2025: https://prize.pinchukartcentre.org/enSIGN UP TO THE ‘UKRAINE: THE LATEST' WEEKLY NEWSLETTER:http://telegraph.co.uk/ukrainenewsletter Each week, Dom Nicholls and Francis Dearnley answer your questions, provide recommended reading, and give exclusive analysis and behind-the-scenes insights – plus maps of the frontlines and diagrams of weapons to complement our daily reporting. It's free for everyone, including non-subscribers.Subscribe: telegraph.co.uk/ukrainethelatestEmail: ukrainepod@telegraph.co.uk Hosted on Acast. See acast.com/privacy for more information.

War, revolution, genocide, rebellion, slump. The economic and political turmoil of the early twentieth century seemed destined to rip asunder the ties that bound colonizers and the colonized to one another. The upheaval represented an opportunity, and not just to nationalists who imagined new homelands or to socialists who dreamed of international brotherhood. For modernists in the orbit of various occultisms, the crisis of empire also represented an opportunity to reveal humanity's fundamental unity and common fate. Lineages of the Global City: Occult Modernism and the Spiritualization of Democracy (U Texas Press, 2025) by Dr. Shiben Banerji recounts a continuous, if also contentious, transnational exchange among modernists and occultists across the Americas, Europe, South Asia, and Australia between 1905 and 1949. At stake were the feelings and affect of a new global subject who would perceive themselves as belonging to humanity as a unified whole, and the urban environment that would foster their subjectivity. The interventions in this debate, which drew in the period's most renowned modernists, took the form of a succession of plans for cities, suburbs, and communes, as well as experiments in building, drawing, printmaking, filmmaking, and writing. Weaving together postcolonial, feminist, and Marxist insight on subject formation, Dr. Banerji advances a new way of understanding modernist urban space as the design of subjective effects. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Robin Schuldenfrei rejoins me to talk more Bauhaus! In this episode, we discuss her book Luxury and Modernism, covering the complexities of the Bauhaus, which had a leftwing ethos but produced luxury objects, and made them by hand to appear machine made. Robin talks us through how the contradiction between luxury and egalitarianism ran from Morris's arts and crafts movement to the Bauhaus, and modernism only became a truly "everyday" part of life during the colossal expansion of middle-class wealth in the midcentury, as celebrated by Life magazine and recreated in the show Mad Men

Our first guest Volker Welter uncovers how architect Leopold Fischer fled Europe to shape Modernism in the US.  We have Cranbrook Museum's Chief Curator Andrew Blauvelt, and later, musical guests Gregg and Kathy Gelb in a tribute to Paul Montgomery.

Cardinal Cobo is a special kind of cardinal, one who would be perfectly at home in the company of Cardinal Cupich or Bishop Batzing.Sponsored by Nelson Insurance Advisorshttps://www.nelsonplan.comSources:https://www.returntotradition.orgorhttps://substack.com/@returntotradition1Contact Me:Email: return2catholictradition@gmail.comSupport My Work:Patreonhttps://www.patreon.com/AnthonyStineSubscribeStarhttps://www.subscribestar.net/return-to-traditionBuy Me A Coffeehttps://www.buymeacoffee.com/AnthonyStinePhysical Mail:Anthony StinePO Box 3048Shawnee, OK74802Follow me on the following social media:https://www.facebook.com/ReturnToCatholicTradition/https://twitter.com/pontificatormax+JMJ+#popeleoXIV #catholicism #catholicchurch #catholicprophecy#infiltration

Cardinal Cobo is a special kind of cardinal, one who would be perfectly at home in the company of Cardinal Cupich or Bishop Batzing.Sponsored by Nelson Insurance Advisorshttps://www.nelsonplan.comSources:https://www.returntotradition.orgorhttps://substack.com/@returntotradition1Contact Me:Email: return2catholictradition@gmail.comSupport My Work:Patreonhttps://www.patreon.com/AnthonyStineSubscribeStarhttps://www.subscribestar.net/return-to-traditionBuy Me A Coffeehttps://www.buymeacoffee.com/AnthonyStinePhysical Mail:Anthony StinePO Box 3048Shawnee, OK74802Follow me on the following social media:https://www.facebook.com/ReturnToCatholicTradition/https://twitter.com/pontificatormax+JMJ+#popeleoXIV #catholicism #catholicchurch #catholicprophecy#infiltration

New Order baptisms? Leo boosts Parolin, downgrades Latin. Freemason Pope? Perpetual papacy? Popes and modesty! IVF kills six for every life it gives. Catholic burial after suicide? Catholics marry by Justice of Peace? Sunday Mass on Saturday? Familism? No compromise with Modernism! 2025 Christmas Appeal : https://www.icaohio.com/christmasappeal This episode was recorded on 12/2/2025. Our Links: http://linkwcb.com/ Please consider making a monetary donation to What Catholics Believe. Father Jenkins remembers all of our benefactors in general during his daily Mass, and he also offers one Mass on the first Sunday of every month specially for all supporters of What Catholics Believe. May God bless you for your generosity! https://www.wcbohio.com/donate Subscribe to our other YouTube channels: ‪@WCBHighlights‬ ‪@WCBHolyMassLivestream‬ May God bless you all!

Today, Joe examines the claim that the Catholic Church has changed positions to fit with the times, while Eastern Orthodoxy has remained the same since Christ founded the Church. Transcript: Joe: Welcome back to Shameless Popery. I’m Joe Heschmeyer and I want to respond to a specific criticism. I’ve heard from some orthodox against Catholicism that Catholicism is guilty of changing and developing unlike unchanging orthodoxy. And the argument goes, the Catholic church is out here changing the mass and changing her moral teachings to look more like current times unlike orthodoxy, whi...

Today's Topics: 1) Pius X to Francis: From 'Modernism Expelled" to "Modernism Enthroned," Pt. 1 https://www.traditionsanity.com/p/pius-x-to-francis-from-modernism 2, 3, 4) Is the Novus Ordo deforming the clergy https://crisismagazine.com/opinion/deforming-the-clergy

In a world devastated by the cataclysm of war, two extraordinary authors and friends, J. R. R. Tolkien and C. S. Lewis, delivered a bracing vision of the human story: a path back to goodness, beauty, and faith. How did they do it? For the first time, historian Joseph Loconte explains how the catastrophe of World War II trans­formed the lives and literary imagination of Tolkien and Lewis. The mechanized slaughter of the First World War had created a storm of disillusionment with the political and religious ideals of Western civilization. The new ideologies of Modernism, communism, Nazism, and totalitarianism rushed to fill the vacuum. At stake was a contest between civilization and barbarism. Tolkien and Lewis sought each other out in friendship and threw themselves into the struggle.Become a Parshall Partner: http://moodyradio.org/donateto/inthemarket/partnersSee omnystudio.com/listener for privacy information.

Melvyn Bragg and guests discuss the dance which, from when it reached Britain in the early nineteenth century, revolutionised the relationship between music, literature and people here for the next hundred years. While it may seem formal now, it was the informality and daring that drove its popularity, with couples holding each other as they spun round a room to new lighter music popularised by Johann Strauss, father and son, such as The Blue Danube. Soon the Waltz expanded the creative world in poetry, ballet, novellas and music, from the Ballets Russes of Diaghilev to Moon River and Are You Lonesome Tonight. With Susan Jones Emeritus Professor of English Literature at the University of Oxford Derek B. Scott Professor Emeritus of Music at the University of Leeds And Theresa Buckland Emeritus Professor of Dance History and Ethnography at the University of Roehampton Producer: Simon Tillotson Reading list: Egil Bakka, Theresa Jill Buckland, Helena Saarikoski, and Anne von Bibra Wharton (eds.), Waltzing Through Europe: Attitudes towards Couple Dances in the Long Nineteenth Century, (Open Book Publishers, 2020) Theresa Jill Buckland, ‘How the Waltz was Won: Transmutations and the Acquisition of Style in Early English Modern Ballroom Dancing. Part One: Waltzing Under Attack' (Dance Research, 36/1, 2018); ‘Part Two: The Waltz Regained' (Dance Research, 36/2, 2018) Theresa Jill Buckland, Society Dancing: Fashionable Bodies in England, 1870-1920 (Palgrave Macmillan, 2011) Erica Buurman, The Viennese Ballroom in the Age of Beethoven (Cambridge University Press, 2022) Paul Cooper, ‘The Waltz in England, c. 1790-1820' (Paper presented at Early Dance Circle conference, 2018) Sherril Dodds and Susan Cook (eds.), Bodies of Sound: Studies Across Popular Dance and Music (Ashgate, 2013), especially ‘Dancing Out of Time: The Forgotten Boston of Edwardian England' by Theresa Jill Buckland Zelda Fitzgerald, Save Me the Waltz (first published 1932; Vintage Classics, 2001) Hilary French, Ballroom: A People's History of Dancing (Reaktion Books, 2022) Susan Jones, Literature, Modernism, and Dance (Oxford University Press, 2013) Mark Knowles, The Wicked Waltz and Other Scandalous Dances: Outrage at Couple Dancing in the 19th and Early 20th Centuries (McFarland, 2009) Rosamond Lehmann, Invitation to the Waltz (first published 1932; Virago, 2006) Eric McKee, Decorum of the Minuet, Delirium of the Waltz: A Study of Dance-Music Relations in 3/4 Time (Indiana University Press, 2012) Eduard Reeser, The History of the Walz (Continental Book Co., 1949) Stanley Sadie (ed.), The New Grove Dictionary of Music and Musicians, Vol. 27 (Macmillan, 2nd ed., 2000), especially ‘Waltz' by Andrew Lamb Derek B. Scott, Sounds of the Metropolis: The 19th-Century Popular Music Revolution in London, New York, Paris and Vienna (Oxford University Press, 2008), especially the chapter ‘A Revolution on the Dance Floor, a Revolution in Musical Style: The Viennese Waltz' Joseph Wechsberg, The Waltz Emperors: The Life and Times and Music of the Strauss Family (Putnam, 1973) Cheryl A. Wilson, Literature and Dance in Nineteenth-century Britain (Cambridge University Press, 2009) Virginia Woolf, The Voyage Out (first published 1915; William Collins, 2013) Virginia Woolf, The Years (first published 1937; Vintage Classics, 2016) David Wyn Jones, The Strauss Dynasty and Habsburg Vienna (Cambridge University Press, 2023) Sevin H. Yaraman, Revolving Embrace: The Waltz as Sex, Steps, and Sound (Pendragon Press, 2002) Rishona Zimring, Social Dance and the Modernist Imagination in Interwar Britain (Ashgate Press, 2013)

In a world devastated by the cataclysm of war, two extraordinary authors and friends, J. R. R. Tolkien and C. S. Lewis, delivered a bracing vision of the human story: a path back to goodness, beauty, and faith. How did they do it? For the first time, historian Joseph Loconte explains how the catastrophe of World War II trans­formed the lives and literary imagination of Tolkien and Lewis. The mechanized slaughter of the First World War had created a storm of disillusionment with the political and religious ideals of Western civilization. The new ideologies of Modernism, communism, Nazism, and totalitarianism rushed to fill the vacuum. At stake was a contest between civilization and barbarism. Tolkien and Lewis sought each other out in friendship and threw themselves into the struggle.Become a Parshall Partner: http://moodyradio.org/donateto/inthemarket/partnersSee omnystudio.com/listener for privacy information.

Melvyn Bragg and guests discuss the dance which, from when it reached Britain in the early nineteenth century, revolutionised the relationship between music, literature and people here for the next hundred years. While it may seem formal now, it was the informality and daring that drove its popularity, with couples holding each other as they spun round a room to new lighter music popularised by Johann Strauss, father and son, such as The Blue Danube. Soon the Waltz expanded the creative world in poetry, ballet, novellas and music, from the Ballets Russes of Diaghilev to Moon River and Are You Lonesome Tonight. With Susan Jones Emeritus Professor of English Literature at the University of Oxford Derek B. Scott Professor Emeritus of Music at the University of Leeds And Theresa Buckland Emeritus Professor of Dance History and Ethnography at the University of Roehampton Producer: Simon Tillotson Reading list: Egil Bakka, Theresa Jill Buckland, Helena Saarikoski, and Anne von Bibra Wharton (eds.), Waltzing Through Europe: Attitudes towards Couple Dances in the Long Nineteenth Century, (Open Book Publishers, 2020) Theresa Jill Buckland, ‘How the Waltz was Won: Transmutations and the Acquisition of Style in Early English Modern Ballroom Dancing. Part One: Waltzing Under Attack' (Dance Research, 36/1, 2018); ‘Part Two: The Waltz Regained' (Dance Research, 36/2, 2018) Theresa Jill Buckland, Society Dancing: Fashionable Bodies in England, 1870-1920 (Palgrave Macmillan, 2011) Erica Buurman, The Viennese Ballroom in the Age of Beethoven (Cambridge University Press, 2022) Paul Cooper, ‘The Waltz in England, c. 1790-1820' (Paper presented at Early Dance Circle conference, 2018) Sherril Dodds and Susan Cook (eds.), Bodies of Sound: Studies Across Popular Dance and Music (Ashgate, 2013), especially ‘Dancing Out of Time: The Forgotten Boston of Edwardian England' by Theresa Jill Buckland Zelda Fitzgerald, Save Me the Waltz (first published 1932; Vintage Classics, 2001) Hilary French, Ballroom: A People's History of Dancing (Reaktion Books, 2022) Susan Jones, Literature, Modernism, and Dance (Oxford University Press, 2013) Mark Knowles, The Wicked Waltz and Other Scandalous Dances: Outrage at Couple Dancing in the 19th and Early 20th Centuries (McFarland, 2009) Rosamond Lehmann, Invitation to the Waltz (first published 1932; Virago, 2006) Eric McKee, Decorum of the Minuet, Delirium of the Waltz: A Study of Dance-Music Relations in 3/4 Time (Indiana University Press, 2012) Eduard Reeser, The History of the Walz (Continental Book Co., 1949) Stanley Sadie (ed.), The New Grove Dictionary of Music and Musicians, Vol. 27 (Macmillan, 2nd ed., 2000), especially ‘Waltz' by Andrew Lamb Derek B. Scott, Sounds of the Metropolis: The 19th-Century Popular Music Revolution in London, New York, Paris and Vienna (Oxford University Press, 2008), especially the chapter ‘A Revolution on the Dance Floor, a Revolution in Musical Style: The Viennese Waltz' Joseph Wechsberg, The Waltz Emperors: The Life and Times and Music of the Strauss Family (Putnam, 1973) Cheryl A. Wilson, Literature and Dance in Nineteenth-century Britain (Cambridge University Press, 2009) Virginia Woolf, The Voyage Out (first published 1915; William Collins, 2013) Virginia Woolf, The Years (first published 1937; Vintage Classics, 2016) David Wyn Jones, The Strauss Dynasty and Habsburg Vienna (Cambridge University Press, 2023) Sevin H. Yaraman, Revolving Embrace: The Waltz as Sex, Steps, and Sound (Pendragon Press, 2002) Rishona Zimring, Social Dance and the Modernist Imagination in Interwar Britain (Ashgate Press, 2013) Spanning history, religion, culture, science and philosophy, In Our Time from BBC Radio 4 is essential listening for the intellectually curious. In each episode, host Melvyn Bragg and expert guests explore the characters, events and discoveries that have shaped our world.