Podcasts about Modernism

Diana Souhami talks about her new book No Modernism Without Lesbians, out 2020 with Head of Zeus books. A Sunday Times Book of the Year 2020. This is the extraordinary story of how a singular group of women in a pivotal time and place – Paris, between the wars – fostered the birth of the Modernist movement. Sylvia Beach, Bryher, Natalie Barney, and Gertrude Stein. A trailblazing publisher; a patron of artists; a society hostess; a groundbreaking writer. They were all women who loved women. They rejected the patriarchy and made lives of their own – forming a community around them in Paris. Each of these four central women interacted with a myriad of others, some of the most influential, most entertaining, most shocking and most brilliant figures of the age. Diana Souhami weaves together their stories to create a vivid moving tapestry of life among the Modernists in pre-war Paris. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Diana Souhami talks about her new book No Modernism Without Lesbians, out 2020 with Head of Zeus books. A Sunday Times Book of the Year 2020. This is the extraordinary story of how a singular group of women in a pivotal time and place – Paris, between the wars – fostered the birth of the Modernist movement. Sylvia Beach, Bryher, Natalie Barney, and Gertrude Stein. A trailblazing publisher; a patron of artists; a society hostess; a groundbreaking writer. They were all women who loved women. They rejected the patriarchy and made lives of their own – forming a community around them in Paris. Each of these four central women interacted with a myriad of others, some of the most influential, most entertaining, most shocking and most brilliant figures of the age. Diana Souhami weaves together their stories to create a vivid moving tapestry of life among the Modernists in pre-war Paris. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Diana Souhami talks about her new book No Modernism Without Lesbians, out 2020 with Head of Zeus books. A Sunday Times Book of the Year 2020. This is the extraordinary story of how a singular group of women in a pivotal time and place – Paris, between the wars – fostered the birth of the Modernist movement. Sylvia Beach, Bryher, Natalie Barney, and Gertrude Stein. A trailblazing publisher; a patron of artists; a society hostess; a groundbreaking writer. They were all women who loved women. They rejected the patriarchy and made lives of their own – forming a community around them in Paris. Each of these four central women interacted with a myriad of others, some of the most influential, most entertaining, most shocking and most brilliant figures of the age. Diana Souhami weaves together their stories to create a vivid moving tapestry of life among the Modernists in pre-war Paris. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Diana Souhami talks about her new book No Modernism Without Lesbians, out 2020 with Head of Zeus books. A Sunday Times Book of the Year 2020. This is the extraordinary story of how a singular group of women in a pivotal time and place – Paris, between the wars – fostered the birth of the Modernist movement. Sylvia Beach, Bryher, Natalie Barney, and Gertrude Stein. A trailblazing publisher; a patron of artists; a society hostess; a groundbreaking writer. They were all women who loved women. They rejected the patriarchy and made lives of their own – forming a community around them in Paris. Each of these four central women interacted with a myriad of others, some of the most influential, most entertaining, most shocking and most brilliant figures of the age. Diana Souhami weaves together their stories to create a vivid moving tapestry of life among the Modernists in pre-war Paris. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Diana Souhami talks about her new book No Modernism Without Lesbians, out 2020 with Head of Zeus books. A Sunday Times Book of the Year 2020. This is the extraordinary story of how a singular group of women in a pivotal time and place – Paris, between the wars – fostered the birth of the Modernist movement. Sylvia Beach, Bryher, Natalie Barney, and Gertrude Stein. A trailblazing publisher; a patron of artists; a society hostess; a groundbreaking writer. They were all women who loved women. They rejected the patriarchy and made lives of their own – forming a community around them in Paris. Each of these four central women interacted with a myriad of others, some of the most influential, most entertaining, most shocking and most brilliant figures of the age. Diana Souhami weaves together their stories to create a vivid moving tapestry of life among the Modernists in pre-war Paris. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices

Diana Souhami talks about her new book No Modernism Without Lesbians, out 2020 with Head of Zeus books. A Sunday Times Book of the Year 2020. This is the extraordinary story of how a singular group of women in a pivotal time and place – Paris, between the wars – fostered the birth of the Modernist movement. Sylvia Beach, Bryher, Natalie Barney, and Gertrude Stein. A trailblazing publisher; a patron of artists; a society hostess; a groundbreaking writer. They were all women who loved women. They rejected the patriarchy and made lives of their own – forming a community around them in Paris. Each of these four central women interacted with a myriad of others, some of the most influential, most entertaining, most shocking and most brilliant figures of the age. Diana Souhami weaves together their stories to create a vivid moving tapestry of life among the Modernists in pre-war Paris. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

Why does every town in America feel exactly the same? You pull off the highway and it's the same Applebee's, the same Walmart, the same McDonald's, the same beige strip malls with the same parking lots. In this episode, Jason and Emily wonder out loud: is this what it was supposed to be? We talk about how copy-and-paste towns strip away character and community, what we miss about places that actually feel unique, and whether it's possible to find (or build) something different in a world of sameness. 00:00 The Cracker of Cracker Barrel  02:38 America has become copy & paste. 04:52 Cracker Barrel's maple syrup problem.  06:31 Modernism in America. 09:05 Capitalism? 11:02 Regulations can be really bad… 12:56 We're too far gone.  15:01 It's not supposed to be this way.  17:37 Emily's theory.  21:27 The future looks bleak.  24:01 Emily knows whose fault it is.  29:05 sigh… Learn more about your ad choices. Visit megaphone.fm/adchoices

One True Podcast continues our celebration of the centenary of Hemingway's In Our Time by examining a classic Nick Adams story: "The End of Something."We welcome Lisa Tyler to discuss the story, its setting, cast of characters, and curiously inexact title. We examine how the story serves as a prequel to "The Three-Day Blow," (while also pointing out many differences between the two texts), discuss the emotional and psychological damage suggested by Nick's line "everything was gone to hell inside of me," and figure out Bill's role in this break-up tale. Lisa Tyler, esteemed Hemingway scholar and editor of Wharton Hemingway, and the Advent of Modernism, makes the convincing claim that Marjorie emerges from this story as one of the most remarkable female characters in Hemingway's entire canon.Join us for this discussion of a Hemingway classic! 

Hello Interactors,My wife and I recently started watching the mini-series 100 Foot Wave, which follows extreme surfer Garrett McNamara's quest to ride the mythical 100-foot breaker. The show has put Nazaré, Portugal on the map — not just as a place, but as a symbol of human daring against forces far larger than ourselves.At the same time, I've been listening to physicist-philosopher Sean Carroll's recent “solo” podcast on the emergence of complexity, tracing how the universe began in simplicity and blossomed into stars, life, and consciousness. These two threads — towering waves and cosmic arcs — collided in my mind, stirring something that has been swelling in me for years: how to reconcile wonder at life's improbable flourishing with despair at its accelerated unraveling on Earth.Should despair be the only response? Or is it possible, like the surfers at Nazaré, to recognize the peril without surrendering to it — to ride, however briefly, the wave that could also destroy us?THE COSMIC WAVEBeneath the lighthouse bluff at Nazaré, Portugal opens a canyon 140 miles long and three miles deep — three times deeper than the Grand Canyon. Born of tectonic fractures and sculpted over millions of years, it is less a static feature than a force in its own right: a conduit that gathers the ocean's momentum and hurls it shoreward. Swells that elsewhere would pass unnoticed are here magnified into walls of water, indifferent to whether they become playground or grave. Geography conspires — wind, current, and rock — but the canyon itself is an accomplice, a reminder that Earth is never merely stage but actor. For today's surfers, this is possibility. For centuries of fishermen, it was peril. The waves have not changed, but the stance we take toward them has — and that, too, becomes part of the story the canyon tells.So it is with complexity. Every wave begins simple, a long low swell born of distant winds, that crescendos into chaos at the shoreline. It swirls and curls into turbulent foam piqued in curious but dangerous beauty, only to dissolve back into undertow, bubbles, and silence. Our own cosmos follows the same rhythm, driven by the logic of entropy — the tendency of energy to spread, of order to give way to disorder. In the beginning, we know the universe was astonishingly simple and ordered: a hot, uniform plasma, almost featureless in its smoothness.Imagine the origin of life sitting at origin of a graph. It exists orderly in low entropy and low complexity. But entropy is restless. As it advanced diagonally up and to the right disorder increases in a straight line. This opens space for complexity to emerge. Early on in the cosmos tiny quantum fluctuations stretched into patterns, atoms gathered into stars, stars fused new elements as galaxies spun, coalesced, and collided. Imagine this as the complexity line on our graph. It also grows with time but takes the shape of a parabolic wave climbing upward to a smooth crest as it increases in complexity. Meanwhile, entropy ticks steadily up and to the right as a straight arrow of time forever growing in disorder as our universe continues to increase in complexity.We are now somewhere on this complexity curve. And this is the paradox of our middle epoch. Entropy never reverses course — disorder always increases — yet along that trajectory the complexity within we live crests, like a wave gathering its final height. For a sliver of cosmic time, the universe has been rich, complex, and with structure. On at least one world in the cosmos, life emerges and even creates complex organisms like us. But if entropy pushes inexorably forward, complexity will not hold indefinitely. Stars will exhaust their fuel, galaxies will drift into darkness, and matter itself may decay. This diagram reminds us that complexity rises only to fall again, tracing an arc back toward simplicity even as entropy continues its steady climb.In this framing, the universe is not a march from order to chaos but a cycle of simple-to-complex-to-simple played out against entropy's one-way slope. We live in a fleeting middle where complexity momentarily flourishes. Like the wave at Nazaré, born as a long low swell, steepening into a towering wall of water, then dissolving again into foam, undertow, and silence, our cosmos crests only once. The question is not whether entropy wins — it does — but how we dwell, and what we make of meaning, within the brief surge of complexity it permits.It took a lot to get us to this point. This complex space that entropy has carved within cosmic time leaves room for novelty. Complexity flourishes locally even as disorder deepens globally. Out of this novel initial imbalance, life emerged — fragile metabolisms harvesting energy from their surroundings, weaving temporary order against the grain of entropy. From single-celled organisms to multicellular bodies, from photosynthesis to predation, biology layered new strategies of survival atop older ones. Evolution diversified life into forests and reefs, wings and fins, neural nets and circulatory systems. These proliferations multiplied niches where order could briefly hold, even as the larger cosmos drifted toward disorder.Only much later did consciousness arise, one of evolution's rarest experiments: a capacity not merely to metabolize energy but to reflect upon the arc of complexity itself. With awareness came memory, imagination, culture — tools for navigating the turbulence of entropy's middle chapter. Entropy still holds the reins: the universe will drift back toward simplicity, whether into a thin uniform haze or some other quiet ending. Yet here, in the middle, entropy's detour has produced extravagant complexity — including beings capable of gazing back at the wave that carries them and wondering what it means.THE INDIFFERENT EARTHThis same gaze can also induce speculation. Like speculative realism. Emerging in the early 2000s as a reaction against a tendency to keep reality tethered to human thought and language, its central claim is stark: the world is indifferent to us. Planets orbit, tectonic plates shift, and waves break whether or not anyone is there to see them. From this view, complexity arises from imbalances in matter and energy, from unfinished processes that unfold far beyond human agency. The wave doesn't care whether it is surfed or feared; it builds from wind, water, and terrain, cresting and dissolving with no meaning to maintain.Animated globe of tectonic plates shifting across hundreds of millions of years, reminding us that Earth's movements unfold indifferent to human presence or perception. Source: Reddit. And below is where we go from here:This speculation hits another conscious reality — optimism. Human optimism is as hard to contain as its constant refrain. Born of the Enlightenment but rebirthed amid the industrial expansion, world wars, and scientific breakthroughs of the early 1900s, modernist optimism leaned confidently on reason and science — a conviction that human ingenuity could transcend natural limits and bend uncertainty toward progress. Time and again, human ingenuity has found ways to stretch the boundaries of what seemed natural limits. Agricultural revolutions multiplied food production beyond what Malthus thought possible. Industrialization transformed energy regimes, substituting fossil carbon for dwindling forests. Urban innovations — from sanitation to electrification — allowed cities to grow far past the thresholds that once doomed them to collapse. Each leap suggested that collapse was not destiny but averted through cleverness.This pattern sustains modernist faith: that humans can intervene wisely in the unfolding of complexity. Where speculative realism emphasizes the indifference of natural forces — entropy driving stars and systems toward disorder regardless of our designs — modernist thought wagers otherwise. It insists that ingenuity allows us not merely to endure the swell but to ride it, to carve temporary stability out of turbulence. In this view, the challenge of complexity is not simply to recognize its inevitabilities but to cultivate the foresight, restraint, and imagination that let human life persist in its fragile middle.That is if humans “don't do dumb things.” In other words, humans can and should preserve the conditions that let life and intelligence persist locally, even as the universal drift of entropy continues.Armed with the mathematical models that fuel both scientific confidence and human hubris, the world can appear elegant — even in its ugliness. Amidst entropy following a relentless trajectory we see scaling laws enfold organisms, cities, and civilizations alike. The planet itself is rendered as a singular complex system drifting through cosmic time. The physicist's gaze simplifies this by design — reducing frictions, stripping away differences, until only lawlike arcs remain. As the polymath Heinz von Foerster once put it, “Hard sciences are successful because they deal with the soft problems; soft sciences are struggling because they deal with the hard problems.”Geography, by contrast, cannot ignore what falls through those cracks. The sweep of cosmology may remind us that complexity is not uniquely human — stars ignite, galaxies cluster, black holes churn — but such vistas stretch horizons so far that human lifetimes blur into insignificance. Civilizations, like waves, crest and crash in an instant against the span of cosmic time.To move closer in, at a planetary scale, complexity narrows to the thin envelope where oceans, land, and atmosphere intertwine. It is within this fragile band that agriculture took root, cities rose, and civilizations flourished. Yet scientists, equipped with hard science, warn that this Holocene balance has already been breached. The “safe operating space” is no longer secure; the planetary is already in transition.But even “the planetary” is too smooth a category. These upheavals are not shared evenly across the globe. They are bound to the ground — to places where histories sediment and lives unfold. From colonial dispossession to infrastructures of extraction, from economic logics that amplify inequality to political systems that harden vulnerability, complexity here is never neutral. It is situated, entangled with geographies of power and precarity. What some describe as “geography envy” names this tension: physicists are drawn to Earth as a rich arena for testing universal models, yet in the process often flatten the contextual and uneven dynamics that geographers insist cannot be ignored. Geography refuses such reduction. It insists that the Earth is not merely a planetary system but a lived ground, fractured, uneven, and resistant to smooth incorporation into law-like arcs.Speculative realism cuts deeper. It reminds us that both elegant arcs and messy ground are parts, never the whole. Reality is not exhausted by smooth models or contextual accounts; it exceeds them both. The planetary is not a canvas awaiting inscription, nor a kaleidoscope of situated and entangled stories. It is a force-field of matter and relation, where floods, famines, extinctions, and upheavals erupt whether or not we have the language to make sense of them.Our minds, perhaps not yet evolved past binary thinking, want to declare one frame the winner: cosmic order or earthly mess. Modernism sought mastery through universal reason; postmodernism countered by unraveling every claim to stability. But metamodernism, a paradigm emerging in the 2010s, tries to move differently. It oscillates between these poles. It yearns for universal arcs while acknowledging the irreducible particularities of lived experience.To see the “planetary” through this lens is to move between entropy's inevitability and the instability of farmers, migrants, and city dwellers negotiating disrupted climates, markets, and states. Flows of capital expose some regions more than others, while systems of governance distribute or intensify that exposure. Human choices, bounded by perception and culture, compound these structural forces in ways behavioral geographers have long traced. All this unfolds across terrains and climates that set the boundaries of risk, while the distribution of plants, animals, and microbes reveals how even the nonhuman world is entangled in shifting geographies of survival.DWELLING IN DUMBNESSComplexity, then, cannot be abstracted into a question of whether it will continue. It will — cosmically, biologically, and geologically. The sharper question is how the continuities of our lived complexity register unevenly: whose livelihoods collapse, whose infrastructures crack, whose communities adapt or perish. Physics asks what the laws are; geography insists on whose lives are caught in them, whose ground is destabilized, and at what cost. Speculative realism pushes both disciplines to admit they never touch the whole: the real always exceeds our grasp, even as we are swept inside its turbulence.Even as we oscillate, it's unsettling to accept that the Holocene's narrow band of stability — the “safe operating space” — is already behind us. The so-called Great Acceleration shows that nearly every Earth system indicator — from carbon concentration to biodiversity loss, from ocean acidification to nitrogen cycles — has surged beyond Holocene bounds in the span of a single human lifetime. More specifically, the lifetime of my parents and/or me. These curves do not slope gently toward some distant tipping point; they spike upward, marking thresholds already crossed. Talk of future risk obscures the present tense: destabilization is not looming; we are living it. The rhythms of climate, soil, and water no longer conform to the stable backdrop against which civilizations emerged.And yet, here again, we are re-inscribing the Earth as a backdrop through statistics. This triggers a tendency to mother our “Mother Earth”. We've taken her thermometer out, read the value, and have reasoned her temperature is life threatening. Humans can't resist caring for ailing life. But branches of geophilosophy warns us to wake up. The planet is no patient and we're no doctor. Fires, tectonics, and oceans act with or without us, indifferent to notions of care, justice, or intention found in advanced organisms. The Anthropocene is not solely the record of human decisions but the scene of inhuman forces that have long shaped life's precarious conditions. Here speculative realism returns — reality unfolds beyond our categories, whether in cosmic entropy, metabolic scaling, or the volatile indifference of a sick and angry Mother Earth…or the violence of an impending wave.I recognize this indifference but also recognize it does not absolve us. If anything, it should sharpen the ethical demand. To dwell within dumbness is to accept that the wave is already forming, but also to recognize that some bodies are naturally positioned closer to its break, some can't surf, and others are made to suffer the buffering effects of a crashing wave. Metamodernism's pendulum of tragic optimism may just offer a way through the wash. We need not kneel to the naïve belief in perpetual progress, nor retreat into ironic despair, but foster an ethic of persistence that takes seriously both human responsibility and inhuman indifference.Like Nazaré's canyon, the Anthropocene multiplies force from conditions already set in motion. Swells crest into walls that thrill the few who ride but have long drowned those with fewer choices. Complexity will continue, but justice requires asking not only how we dwell in turbulence, but whose lives are lifted, and whose are pulled under. The wager is no longer whether to master the wave. It is whether we can learn to inhabit it without denying the unequal costs it exacts. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit interplace.io

Eva Lake studied art history and archaeology at the University of Oregon and painting at the Art Students League of New York. She has exhibited internationally since 1980. As a singer in post punk bands she recorded with Trap Records in the Pacific Northwest. Her day job was in makeup, beauty and fashion and this, plus her studies in art history, have formed the foundation and subject matter for much of her work. For over a dozen years she interviewed other art people on the radio, specifically KPSU and KBOO, and has written about art for various publications including Art Week, Visual Art Source, Preview and the Bay Area Guardian. Lake also curated exhibitions and worked at artist-run and commercial galleries including Lovelake, Chambers Fine Art, Portland Arts Collective and the Russo Lee Gallery. Born in Los Angeles, she then grew up on a dirt road in southern Oregon. Lake currently lives and works in Portland, Oregon and is represented by Frosch and Co in New York City and Modernism in San Francisco. Eva Lake, Crystal Helmet No. 4 Paper collage 17.5 x 14 2024 Eva Lake, Egyptian Sculpture Helmet Paper collage 23.5 x 19.5 inches 2024 Eva Lake, Giotto Helmet Paper collage 25.5 x 19.5 inches 2025

Jim talks with Lawrence Cahoone about the ideas in his book The Orders of Nature: An Introduction to the Philosophy of Complex Systems for the Life Sciences. They discuss how Cahoone's naturalist philosophy bridges multiple philosophical domains, his distinctive use of emergence theory borrowed from William Wimsatt, the concept of "no simples" in objective relativism, the role of Prigogine in emergence theory, Cahoone's self-taught approach to understanding physics and science, fallibilist and local metaphysics, Columbian naturalism and its rejection of the supernatural, the relationship between objects and their contexts, scientific explanations of relativity and quantum mechanics, and much more. Episode Transcript The Orders of Nature: An Introduction to the Philosophy of Complex Systems for the Life Sciences, by Lawrence Cahoone The Emergence of Value: Human Norms in a Natural World, by Lawrence Cahoone The Feynman Lectures on Physics, by Richard Feynman Lawrence Cahoone graduated with a Ph.D. in Philosophy at Stony Brook University in 1985. Cahoone's areas of specialization are American Philosophy, Continental Philosophy, Social and Political Philosophy, Philosophy of Culture, Metaphysics and Natural Science and Modernism and Postmodernism. Since 2000, Cahoone has taught at Holy Cross and is now currently an Emeritus Professor of Philosophy at Holy Cross. He has also written and published seven books in his career, including The Emergence of Value, The Orders of Nature, and Cultural Revolutions.

Fr. Patrick preached this homily on August 21, 2025. The readings are from Judges 11:29-39a, Psalm 40:5, 7-8a, 8b-9, 10 & Matthew 22:1-14. — Connect with us! Website: https://slakingthirsts.com/ Youtube: https://www.youtube.com/channel/UCytcnEsuKXBI-xN8mv9mkfw

Discover St. Bernard's powerful meditation on the Annunciation and Mary's life-changing “yes.”Morning Offering, August 21, 2025Every morning, join Father Brad as he begins the day with prayer and reflection. In a few short minutes, Father Brad guides you in prayer, shares a brief reflection grounding your day in the Church's rhythm of feast days and liturgy, and provides you with the encouragement necessary to go forward with peace and strength. Disclaimer: The ads shown before, during, or after this video have no affiliation with Morning Offering and are controlled by YouTubeLet us do as the saints urge and begin our days in prayer together so as a community of believers we may join the Psalmist in saying, “In the morning, Lord, you hear my voice; in the morning I lay my requests before you and wait expectantly.” (Psalm 5:3-4)________________

In the newest episode of the A is for Architecture Podcast, I spoke to the architect, historian and theorist Dr Marianna Charitonidou about her fairly recent book, Architectural Drawings as Investigating Devices: Architecture's Changing Scope in the 20th Century, which she published with Routledge in 2023. In the book, Marianna explores how evolving modes of architectural representation reflect epistemological shifts in architecture and urbanism in the modern period. Treating them as something like texts, Marianna analyses drawings' (and their architects') roles in mediating relationships between architects, observers and the inhabitants of built spaces. Touching on the work of all the biggies – from Corb and Mies to Rem and Zaha, Rossi, Tschumi, Eisenman, Hejduk and even (my fave) Ungers, the book argues that these transformations reveal ruptures in architecture's imagination, and its shift from modernist universality to PoMo multiplicity.   Marianna has her own website, she's on Instagram and LinkedIn. The book is linked above.+Music credits: ⁠Bruno Gillick 

Send us a textI'm honored to welcome Dr. Edward J. Larson to this episode of the podcast. Dr. Larson is the Pulitzer Prize-winning author of Summer for the Gods: The Scopes Trial and America's Continuing Debate Over Science and Religion, a landmark work that reexamines the 1925 Scopes “Monkey” Trial with fresh insight and scholarly depth.In our conversation, Dr. Larson challenges the familiar narrative popularized by Inherit the Wind, revealing the Scopes Trial as far more than a simple clash between science and religion. It was, in fact, a complex cultural moment shaped by political ambition, regional identity, national media, and the anxieties of a rapidly modernizing society.We explore key figures—Clarence Darrow, William Jennings Bryan, and John Scopes—and their roles in this iconic legal battle. Dr. Larson offers fascinating context around Bryan's progressive credentials, his anti-evolution stance, and his public persona as a speaker and political leader. We also discuss the broader implications of the trial for American legal and educational systems, and how its legacy continues to inform today's debates over religion in public life, science education, and Christian nationalism.Dr. Larson reflects on his personal and academic journey, from his early years to his study from college, to grad school, to law school, and his doctoral dissertation on the history of science. He shares what inspired his deep investigation into the Scopes Trial—ultimately culminating in the Pulitzer Prize in 1998. This episode is both thought-provoking and timely. I invite you to join me for a meaningful conversation that sheds new light on a pivotal moment in American history. SHOW NOTESKen's Substack: Scopes in 2025Support the showBecome a Patron - Click on the link to learn how you can become a Patron of the show. Thank you! Ken's Substack Page The Podcast Official Site: TheBeachedWhiteMale.com

Advice to Catholic entering politics? Obligation of Catholic citizens? The mark of a "workaholic"? Catholic expression: "The road to hell is paved with good intentions?" Advice to Catholic college students? Recognizing a true Pope? Gaining most graces at Mass? St Mary Magdalene's feast day reading: "Canticle of canticles"? Modernism in Catholic clothing! This episode was recorded on 08/05/2025. Our Links: http://linkwcb.com/ Please consider making a monetary donation to What Catholics Believe. Father Jenkins remembers all of our benefactors in general during his daily Mass, and he also offers one Mass on the first Sunday of every month specially for all supporters of What Catholics Believe. May God bless you for your generosity! https://www.wcbohio.com/donate Subscribe to our other YouTube channels: ‪@WCBHighlights‬ ‪@WCBHolyMassLivestream‬ May God bless you all!

Between the World Wars, ideas about meaning, truth, and the ethics of persuasion informed newly articulated principles for combining word and image. The young field of graphic design developed quickly during this period, and photography played a central role as a visual language of modern life. The concept Typophoto was coined by Bauhaus artist László Moholy-Nagy and played a foundational role in the modernist graphic design movement known as the New Typography. Here, Jessica D. Brier, author of Typophoto: New Typography and the Reinvention of Photography, joins Ellen Lupton in conversation about this fascinating period in design history.Jessica D. Brier is curator of photography at the Frances Lehman Loeb Art Center at Vassar College. She is author of Typophoto: New Typography and the Reinvention of Photography, editor of On the Grid: Ways of Seeing in Print and coeditor of Making a Life in Photography: Rollie McKenna.Ellen Lupton is a graphic designer, writer, and curator who has authored many books about design, including Thinking with Type and Extra Bold, and teaches design theory at Maryland Institute College of Art in Baltimore.REFERENCES:Painting, Photography, Film / László Moholy-NagyJan TschicholdWalter BenjaminEl LissitzkyNever Use Futura / Douglas ThomasPaul RennerMeisterschule für Deutschlands BuchdruckerBauhausPraise for the book:“A novel interplay between text and image, Typophoto fused—as Jessica D. Brier demonstrates in this insightful account—the interests of advertisers with those of the avant-garde, thus instigating a process that ultimately resulted in the ubiquitous pixelated imagery of our own day.—Kathleen James-Chakraborty, author of Modernism as Memory“Deeply researched . . . highlights the ways new print technologies enabled photography to become the central medium of modernist visual culture. “—Paul Stirton, author of Jan Tschichold and the New TypographyTypophoto: New Typography and the Reinvention of Photography by Jessica D. Brier is available from University of Minnesota Press. Thank you for listening.

"What is more precise than precision? Illusion." I talked with my friend, the scholar Siobhan Phillips, about Marianne Moore's poem "Armor's Undermining Modesty." Siobhan Phillips is a professor of English at Dickinson College, where she teaches courses on American literature of the twentieth and twenty-first centuries, food studies, and creative writing. She is the author of The Poetics of the Everyday: Creative Repetition in Modern American Verse (Columbia UP, 2010) and the novel Benefit (Bellevue Literary Press, 2022). Her essays have appeared in such journals as Contemporary Liiterature, Journal of Modern Literature, Modernism/modernity, Literary Imagination, Twentieth-Century Literature, and PMLA. Her essay on Marianne Moore and the Carlisle Indian Industrial School was published on the website of the Poetry Foundation. Please follow the podcast, and leave us a rating and review. Share an episode with a friend! And stay tuned for more episodes to come soon.

Sunset with groove is a session to enjoy a great, cool sunset with soul, afro, and tech sounds.

Impeccable angels, unfriendly Catholics, dinosaurs and more on this Friday edition of Called to Communion with Dr. David Anders.

Impeccable angels, unfriendly Catholics, dinosaurs and more on this Friday edition of Called to Communion with Dr. David Anders.

Impeccable angels, unfriendly Catholics, dinosaurs and more on this Friday edition of Called to Communion with Dr. David Anders.

The 1920s was an era of contradictions. We deconstruct the popular image of the Roaring Twenties and examine the tensions at work in American culture. The decade was anything but simple.-Find the full transcript of this episode including citations at our website:https://www.americanhistoryremix.com/episodeguide/culture-1920s-In this episode we cover….-Introduction [0:00-03:03]--Misery & EscapismWorld War One [03:03-06:03]Spanish Flu [06:03-08:55]Consumer Culture [08:55-10:52]Entertainment [10:52-13:43]The Lost Generation [13:43-15:31]--Modernism & TraditionalismA Divided Society [15:31-16:51]Immigration [16:51-18:55] Intellectual Trends [18:55-23:14]The Klan [23:14-25:14]Prohibition [25:14-28:19]Political Divide [28:19-30:40]--Traditional & “New Woman”Home & Work [30:40-31:55]Sex [31:55-34:50]Limits to the Change [34:50-37:15]Consumer Society [37:15-38:28]Generational Divide [38:28-39:58]--Racial Violence & ArtThe Great Migration [39:58-41:12]Lynching [41:12-43:50]Tulsa Race Massacre [43:50-46:58]The Blues [46:58-51:00]Ragtime [51:00-53:00]Brass Bands [53:00-54:10]Jazz [54:10-54:57]Harlem Renaissance [54:57-57:00]--Conclusion [57:00-58:28]-To dive deeper into these topics (affiliate links):LeRoy Ashby, With Amusement for All: A History of American Popular Culture since 1830https://tinyurl.com/Ashby-With-AmusementAlfred W. Crosby, America's Forgotten Pandemic: The Influenza of 1918https://tinyurl.com/Crosby-Americas-ForgottenLynn Dumenil, The Modern Temper: American Culture and Society in the 1920shttps://tinyurl.com/Dumenil-Modern-TemperGeorge M. Marsden, Fundamentalism and American Culturehttps://tinyurl.com/Marsden-FundamentalismW.J. Rorabaugh, Prohibition: A Concise Historyhttps://tinyurl.com/Rorabaugh-ProhibitionEileen Southern, The Music of Black Americans: A Historyhttps://tinyurl.com/Southern-The-Music-of-Black-Support the showSupport the Show https://buymeacoffee.com/amhistoryremix

Who doesn't want to live happily ever after?The important role of romance fiction in Irish Literature is being explored in a new exhibition, which has opened in the Museum of Literature Ireland.Seán is joined by the Curator of Happy Ever After and author of ‘Modernism in Irish Women's Contemporary Writing: The Stubborn Mode', Professor Paige Reynolds, to discuss this further...Image: MoLI

"Do I dare / Disturb the universe?" I've been waiting to record this episode for a long time: Megan Quigley, my dear friend and colleague, joins the podcast to talk about T. S. Eliot and "The Love Song of J. Alfred Prufrock."Megan Quigley is an associate professor of English at Villanova University, where she is also on the Irish Studies and Gender and Women's Studies faculties. She is the author of Modernist Fiction and Vagueness: Philosophy, Form, and Language (Cambridge UP, 2015) and the co-editor of Eliot Now (Bloomsbury, 2024). She is also the editor of two clusters of essays on #MeToo, Eliot, and modernism in Modernism/modernity Print+ (2019, 2020). Her essays have appeared in the James Joyce Quarterly, Modernism/modernity, Philosophy and Literature, Poetics Today, LARB, the T. S. Eliot Studies Annual, nonsite, and the Cambridge Companion to European Modernism. She is a four-time lecturer and seminar leader at the T. S. Eliot International Summer School. Her current book project is called "The Love Song of Modernism" and is on modernism and fan fiction. She has two essays in progress on AI and literature and an essay forthcoming on "T. S. Eliot's Women" in A Companion to Eliot's Complete Prose.As always, make sure you're following the podcast on your platform of choice, and, if you've been enjoying it, leave a rating and review. Please also share the podcast with your friends. More soon!

Send us a textTo learn more about Silvia Wistuba and her work, please visit here and here.Cover Image: Wistuba's adaptation of work by artist Julie Wolfthorn for the cover of Jugend magazine (1898).Show Notes0:00 Silvia Wistuba on equality of artists1:15 Wistuba's background2:30 Gabriele Münter4:30 ‘Malweiber' meaning 6:00 timeframe of ‘Malweiber' labeling – 1871-19188:30 research process12:00 regional approach to research15:00 twelve female artists focused on in research16:30 finding that art is not gendered18:15 Charlotte Corinth21:30 Dora Hitz22:40 Maria Slavona24:25 Augusta von Zitzewitz25:20 Erma Bossi26:25 Elisabeth Epstein27:23 Maria Franck-Marc30:30 Gabriele Münter32:25 Elisabeth Erdmann-Macke34:25 Ida Gerhardi 36:30 Fifi Kreutzer37:55 Olga Openheimer40:30 range of resources 43:30 Blue Rider Group45:30 Gabriele Münter's donation to Lenbachhaus (Munich) 49:00 Museum Art of the Lost Generation 51:30 current relevance53:30 need for discourse on art's social context55:08 social justice for artists of the past55:20 defining justice as respect shown to all56:25 feedback58:10 challenging the sexist paradigm that art is gendered59:40 plans to convert thesis into book1:00:15 derogatory nature of term ‘Malweiber'1:01:45 cover image inspired by Julie Wolfthorn's image    Please share your comments and/or questions at stephanie@warfareofartandlaw.comMusic by Toulme.To hear more episodes, please visit Warfare of Art and Law podcast's website.To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com. Thanks so much for listening!© Stephanie Drawdy [2025]

David MacMillan is a manager in the City of Toronto's Environment, Climate and Forestry division. He and his team are focused on planning for low-carbon development and energy systems, which includes implementing the Toronto Green Standard, which aims for net-zero new buildings by 2028, and renewable energy programs such as SolarTO and Wastewater Energy.  Cameron Leitch is the director of solutions and innovations at Enwave Energy Corporation, which oversees the largest deep lake water cooling (DLWC) project in the world. Pulling near-freezing water from the depths of Lake Ontario, this massive infrastructure system provides alternative cooling to more than 100 buildings in downtown Toronto, including arenas, condos, offices, data centres and hospitals — a clean energy initiative that has been recognized by the United Nations. Evelyn Allen is the co-founder of Evercloak, a Waterloo-based company that has developed graphene oxide membranes that helps to dehumidify air before it reaches AC and HVAC units, significantly reducing the energy and refrigerants needed to cool a space. The company is currently part of the Mission from MaRS: Better Buildings Adoption Accelerator program. Daniel A. Barber is a professor of architecture and the environment at Eindhoven University of Technology in the Netherlands. Barber's research and work focuses on how changing temperatures have altered our built environment, and how architects can help adapt to the climate crisis. At architecture symposium Biennale Venice, his interactive installation, “Terms and Conditions,” allowed participants to experience the stifling effects of the waste heat that air conditioning units produce. Further reading: Air conditioning poses a climate conundrumToronto company using lake water to cool buildings expands systemToronto is home to the world's largest lake-powered cooling system. Here's how it works.Air conditioners fuel the climate crisis. Can nature help?How to build an AC that will get the world through hotter summersA rebuke to Modernism: the Venice Architecture Biennale imagines new ways of building to cope with climate changeSubscribe to Solve for X: Innovations to Change the World here.. Solve for X is brought to you by MaRS, North America's largest urban innovation hub and a registered charity. MaRS supports startups and accelerates the adoption of high-impact solutions to some of the world's biggest challenges. For more information, visit marsdd.com.

Recorded poolside at the swanky USModernist compound during Modernism Week 2025, this week we're hanging with the Daughters of Design: Susan Saarinen, Celia Bertoia, and Carla Hartman.  Back in the studio, authors Phillip Cox and Niall Cronin on architect Evans Woollen, and later, a well-known NPR host who's toured with Pink Martini, special musical guest Ari Shapiro.

Dispensational Premillennialism? God's multiple covenants? Thousand-year earthly reign of Christ? Saints Peter and Paul vs. ancient pagan ecumenism: Christ as just another one of the "gods"? Conciliar Modernism is today's neo-pagan ecumenism: How attending approved TLM is complete surrender to Modernism. Fatima: dogma of Faith will survive in Portugal. Pius XII consecrated Russia to Mary's Immaculate Heart. This episode was recorded on 07/08/2025. Our Links: http://linkwcb.com/ Please consider making a monetary donation to What Catholics Believe. Father Jenkins remembers all of our benefactors in general during his daily Mass, and he also offers one Mass on the first Sunday of every month specially for all supporters of What Catholics Believe. May God bless you for your generosity! https://www.wcbohio.com/donate Subscribe to our other YouTube channels: ‪@WCBHighlights‬ ‪@WCBHolyMassLivestream‬ May God bless you all!

In this podcast, A.J. asks the question: Is modernism still relevant today? She elaborates on the fundamentals and the qualities of modernism of the past and the present. She interviews students and teachers about the basic idea of modernism and the impact it has had on our society. If you have a deep interest and questions about the large field of modernism, listen to this podcast and enhance your knowledge of the new ideals of modernism. 

For this "Summer Best-Of" we've put together some of our favorite conversations our centennial series, 100 Years of 100 Things:Ashley Stimpson, Maryland-based freelance journalist who writes about science and conservation, takes us through the past 100 years of kids going to the woods for summer camp.Victoria Rosner, dean of the Gallatin School at NYU and the author of Machines for Living: Modernism and Domestic Life (Oxford University Press, 2020), talks about the post-World War I development of modernism (and post-modernism) across the arts and beyond.Maureen Corrigan, the book critic for Fresh Air, Georgetown professor and the author of So We Read On: How The Great Gatsby Came to Be and Why It Endures (Hachette, 2014), looks at the 1925 publication of the novel, The Great Gatsby, and why it continues to resonate with readers one hundred years later.Polo shirts, khaki shorts, and boat shoes: the classic uniform of elites on their days off.  Avery Trufelman, host of the podcast Articles of Interest, delves into the last 100 years of preppies and their clothes. These interviews were polished up and edited for time, the original versions are available here:100 Years of 100 Things: Summer Camps (Aug 26, 2025)100 Years of 100 Things: Modernism (Jan 8, 2025)100 Years of 100 Things: The Great Gatsby (Jan 13, 2025)100 Years of 100 Things: Preppies and Their Clothes (Mar 26, 2025)

Watch this video Right NOW and Ads-FREE on our independent platform: https://remnant-tv.com/v/1436?channelName=RemnantTV Stay Connected! Subscribe to Michael Matt's E-Letter: https://remnantnewspaper.com/web/index.php/subscribe-today/free-remnant-updates Register for the Catholic Identity Conference: https://catholicidentityconference.org/ Viva Cristo Rey! Subscribe to The Remnant Newspaper: https://remnantnewspaper.com/web/index.php/subscribe-today In this edition of The Underground, Michael J. Matt appeals to the clans to stand together against secular politicians and reckless Christian #Zionists. What exactly is #ChristianZionism, and whatever happened to the New Jerusalem that is the Church of Jesus Christ? Plus, #Israel Fatigue kicks into high gear as #DonaldTrump blasts Bibi and the Iranian government. #MAGA leaders call for a regime change, but not necessarily the one you have in mind. Steve Bannon said WHAT?! More good news: #Catholic revival is rising in small towns all across America, and you'll never guess which Mass is at the heart of it all. And, finally, Catholics keep the Faith in a #HolyLand at war. Yes, their community is shrinking, but they are hanging on -- just like the #Cristeros in Mexico, who in the face of a Masonic regime, laid down their lives for the #LatinMass and the #TraditionalFaith of their fathers. Support us | https://remnantnewspaper.com/web/index.php/donate-today Check out my website: https://www.remnantnewspaper.com Sign up for Michael Matt's Weekly E-Letter: https://remnantnewspaper.com/web/index.php/subscribe-today/free-remnant-updates Follow Michael Matt on X: https://x.com/Michael_J_Matt Listen to Michael Matt's podcasts: SPOTIFY: https://open.spotify.com/show/1AdkCDFfR736CqcGw2Uvd0 APPLE: https://podcasts.apple.com/us/podcast/the-michael-j-matt-show/id1563298989 SOURCES: The Top 10 Up-And-Coming Catholic Towns In The USA: https://youtu.be/y46MmnLZ7AY?si=7cI3M4wIORl8v493

What if the key to designing better cities wasn't just in concrete, code, or cost, but in understanding how our brains actually work?In this episode, I talk with Ann Sussman and Kelsey Bradley of the Human Architecture and Planning Institute (HAPI) about a subject that's as profound as it is underdiscussed: how our unconscious biology reacts to the built environment – and how that should change everything about how we design.Ann, architect and author of Cognitive Architecture  and Kelsey, founder of Design Cause Inc., now Executive Director at HAPI, walk us through the neuroscience of placemaking. We talk eye tracking. Skin conductivity. Heart rate variability. And how our “Stone Age brains” are still calibrated for the Savannah, even when we're stuck in a strip mall.This episode will validate what many of us feel but can't quite explain why some places energize us, and others quietly drain us. The answers aren't just aesthetic. They're evolutionary.CHAPTERS:00:00 The Car-Free City: Oslo's Urban Transformation03:43 Human Architecture: Merging Biology and Design08:03 Understanding Human Experience: The Emotional Brain11:24 The Impact of Environment on Human Behavior18:37 The Influence of Modernism on Architecture23:28 The Threatening Nature of Suburban Design26:47 Measuring Human Responses: Biometrics in Architecture31:25 The Science of Emotions in Design33:52 The Power of Empathy in Leadership36:57 Designing for Human Flourishing40:07 The Impact of Built Environments on Mental Health45:35 Understanding Human Perception in Urban Design49:13 The Need for Beautiful and Functional Spaces53:00 The Future of Urban Planning and Community Well-beingMENTIONED RESOURCESBook: Cognitive Architecture: Designing for how we respond to the built environmentBook: Urban Experience & Designhttps://thehapi.org/Free course on "The Genetics of Design" – HAPI.org Courses Design Cause Inc. – Kelsey's nonprofit building schools in AfricaCONNECT WITH ANN SUSSMANLinkedIn: https://www.linkedin.com/in/ann-sussman-a1a34a14/X: https://www.linkedin.com/in/ann-sussman-a1a34a14/ Ann's Blog: https://annsussman.com/ The Genetics of Design: https://geneticsofdesign.com/about CONNECT WITH KELSEY BRADLEYLinkedIn: https://www.linkedin.com/in/kelseybradley/Instagram: https://www.instagram.com/kelseydeebradley/ CONNECT WITH AUSTIN TUNNELLNewsletter: https://playbook.buildingculture.com/ https://www.instagram.com/austintunnell/ https://www.linkedin.com/in/austin-tunnell-2a41894a/ https://twitter.com/AustinTunnellCONNECT WITH BUILDING CULTUREhttps://www.buildingculture.com/ https://www.instagram.com/buildingculture/ https://twitter.com/build_culture https://www.facebook.com/BuildCulture/ SPONSORSThank you so much to the sponsors of The Building Culture Podcast!Sierra Pacific Windows: https://www.sierrapacificwindows.com/ One Source Windows: https://onesourcewindows.com/ 

This week is the close of a wildly popular exhibition at the National Building Museum in Washington DC called Capital Brutalism, the history of DC's best Modernist buildings.  With us is Executive Director Aileen Fuchs and head curator Angela Person.  Heading to California, we'll hear what happened to a couple who went all-in on prefab, which is great, but then their prefab company went belly up, which is not.  Later on, special musical guest Madeleine Peyroux dances us to the end of love. 

From poolside in Palm Springs during Modernism Week 2025, today's guests are authors Chris Rawlins on Fire Island's Horace Gifford, Donald Luxton on Vancouver's Arthur Erickson, and recorded at the PRP4 DOCOMOMO conference in Boston, David Fixler. 

Hi, It's Michele! Send me a text with who you want as a guest!This special #FathersDay Episode is sponsored by Opus 2, MBE LLChttp://www.nielsen-palacios.com/architecthttp://www.nielsen-palacios.com/testimonialshttps://www.linkedin.com/in/christiannielsenpalacioshttps://www.facebook.com/thegrouchyarchitectPhone: 607-319-3150info@thegrouchyarchitect.comLink to blog for text and  images:https://inmawomanarchitect.blogspot.com/2025/06/christian-nielsenpalacios-grouchy.htmlProfessional BackgroundChristian Nielsen-Palacios is a licensed architect with over 40 years of experience, primarily focused on quality assurance (QA), quality control (QC), and technical specification writing for architectural projects. He earned his architecture degree from Universidad Simón Bolívar in Venezuela and later completed a Master's in the History of Architecture at Cornell University in Ithaca, NY .After relocating to the U.S. in 1984, Christian worked in various architectural firms, contributing to numerous public school projects. In 1991, he became a registered architect in New York State . Currently semi-retired, he operates Opus 2 MBE, LLC, offering consulting services that include:Peer reviews of construction documentsTechnical specification writingMentorship for architects, especially those in small firmsTranslation and proofreading services in English and SpanishChristian is active online under the moniker “The Grouchy Architect” (Google him!) where he shares insights on architectural practice, quality control, and professional development.  He also maintains a presence on LinkedIn, where he engages with the architectural community, and on Facebook, sharing both professional and personal content.Christian was featured on the Immigrant Architects Coalition Podcast, discussing his journey from Venezuela to the U.S., his experiences in the architectural field, and his transition into consulting. The episode, titled “How I Became The Grouchy Architect”, provides valuable insights into his career and philosophy.His Master's thesis at Cornell University focused on the evolution of architectural education, particularly Cornell University's shift from Beaux-Arts to Modernism between 1928 and 1950. This research underscores his deep interest in the historical context of architectural practices.Link to MGHarchitect: MIchele Grace Hottel, Architect website for scheduling a consultation for an architecture and design project and guest and podcast sponsorship opportunities:https://www.mgharchitect.com/

Gail Pittaway reviews Towards Modernism: The Walter Cook Collection at Te Papa by Justine Olsen published by Te Papa Press.

When you hear about architect Mies van der Rohe and his famous Farnsworth House in Plano Illinois, little is said of the client.  Today you'll learn the real story of Dr. Edith Farnsworth from author Nora Wendl, we talk with Todd Gannon about architect Frank Israel, plus authors Kevin Murphy and Mary Anne Hunting on women architects in the early days of Modernism. Later on, tacos with musical guest Gabrielle Stravelli. 

Robert Beattie was many things: an architect, a designer of iconic public buildings on Long Island, and a decorated World War II veteran. But most importantly, he was the father of today's guest, Richard Beattie. So we're celebrating Father's Day by celebrating the life and work of Robert Beattie. As an architect, Beattie's specialty was mid-century modern architecture. Working with clean lines, natural light, and an appreciation of the surrounding landscape, he designed many iconic buildings in our area. If you live in the town of Islip, you'll know his MacArthur Airport terminal, the core buildings of Suffolk County Community College's Ammerman Campus, and St. Lawrence Church in Sayville. Richard takes us on a tour of his father's buildings and details his life. Robert was part of the Greatest Generation, earning a Silver Star as an Alamo Scout in the Philippines. He got his start in architecture with the firm Shreve, Lamb & Harmon in New York City. Robert then founded his own firm, Dobecki & Beattie, and embarked on a storied career on Long Island. We discuss the changing architectural landscape of Long Island in the 1960s, the Beattie family's connections to Oakdale, and Robert's devotion to being a father and an architect. Further Research Robert Beattie, Architect (Facebook Memorial page) Church of St. Lawrence the Martyr AIA Long Island “Pockets of Long Island Once Went Crazy for Modernism. Why?” (Metropolis) Audio Footnotes Episode 192 Jones Beach Theater with Richard Beattie Episode 34 Old Mansions (Oakdale) with George Davies Episode 94 Flying on Long Island with Walter Winnicki and Bob Mott Music Intro music: https://homegrownstringband.com/ Outro music: Capering by Blue Dot Sessions CC BY-NC 4.0    

John Arnold built his fortune in energy trading by surrounding himself with smart people, maintaining emotional detachment, sensing market imbalances through first-principles analysis, and focusing with laser intensity on a single niche until he dominated it completely. Now he's applying that same analytical rigor to philanthropy, where he's discovered that changing human behavior for the long term proves far more challenging than predicting natural gas prices, and that the academic research meant to guide social policy is often riddled with perverse incentives and poor methodology. Tyler and John discuss his shift from trading to philanthropy and more, including the specific traits that separate great traders from good ones, the tradeoffs of following an "inch wide, mile deep" trading philosophy, why he attended Vanderbilt, the talent culture at Enron, the growth in solar, the problem with Mexico's energy system, where Canada's energy exports will go, the hurdles to next-gen nuclear, how to fix America's tripartite energy grid, how we'll power new data centers, what's best about living in Houston, his approach to collecting art, why trading's easier than philanthropy, how he'd fix tax the US tax code and primary system, and what Arnold Ventures is focusing on next. Read a full transcript enhanced with helpful links, or watch the full video. Recorded April 28th, 2025. Help keep the show ad free by donating today! Other ways to connect Follow us on X and Instagram Follow Tyler on X Follow John on X Sign up for our newsletter Join our Discord Email us: cowenconvos@mercatus.gmu.edu Learn more about Conversations with Tyler and other Mercatus Center podcasts here.

In this conversation, Paul Weaver interviews John West about his journey from academia to the Discovery Institute, discussing the concept of 'Stockholm Syndrome Christianity' and its implications for modern Christian leaders and institutions. West critiques the shift in evangelical institutions away from biblical inerrancy and highlights the historical context of modernism and fundamentalism. He emphasizes the need for a robust defense of biblical truth and the dangers of theological liberalism, particularly in light of contemporary figures like Andy Stanley and Mike Licona.-John West shares his journey from Seattle Pacific University to the Discovery Institute.-The concept of Stockholm Syndrome Christianity explains how Christians can align with secular culture.-Many evangelical institutions are drifting away from biblical truth.-Historical context shows that the theological compromise is not new.-The need for genuine Christian higher education is crucial for future generations.-Biblical authority is central to the health of evangelicalism.-Critiques of contemporary leaders like Andy Stanley and Mike Licona highlight issues with biblical authority.-Mike Licona's views on "flexible inerrancy" raise major concerns. -The importance of calling out theological liberalism in evangelical circles.-A lack of pushback against liberal theology is troubling for the future of the church.00:00 Introduction01:55 Dr. West's Journey and Institutional Changes04:55 Understanding Stockholm Syndrome Christianity10:06 Historical Context of Modernism and Fundamentalism15:10 Symptoms of Stockholm Syndrome Christianity19:57 Critique of Contemporary Christian Leader - Andy Stanley23:39 Critique of Christian Scholar - Mike Licona 29:50 The Future of Evangelical Institutions

Today's Topics: 1) Gospel - John 16:29-33 - The disciples said to Jesus, "Now You are talking plainly, and not in any figure of speech. Now we realize that You know everything and that You do not need to have anyone question You. Because of this we believe that You came from God." Jesus answered them, "Do you believe now? Behold, the hour is coming and has arrived when each of you will be scattered to his own home and you will leave Me alone. But I am not alone, because the Father is with Me. I have told you this so that you might have peace in Me. In the world you will have trouble, but take courage, I have conquered the world." Memorial of Saints Marcellinus and Peter, Martyrs Saints Marcellinus and Peter, pray for us! Bishop Sheen quote of the day 2) The architect who fought modernism, and inspired a Sacred Architecture revival: One does not necessarily expect to hear the language of warfare coming from the mouth of Duncan Stroik while discussing sacred architecture. Bespectacled and bow-tied, the renowned church architect cuts the figure of the Yale-educated professor... https://www.ncregister.com/features/architect-duncan-stroik-profile 3, 4) Public sin requires public reparation, part 2 https://onepeterfive.com/public-sin-demands-public-reparation/

From poolside at the swanky USModernist compound in Palm Springs, today's guests are the three distinguished men about town. Need a midcentury sofa in green tomorrow?  How about a tour for 25?  Or a private cocktail party at the Dinah Shore house?  Who are you gonna call?  As the expression goes, we got a guy, actually three guys, who make these wonderful kinds of things happen. 

In light of recent conversations about the crisis of masculinity, let's revisit Dr. Andy Oler's book Old-Fashioned Modernism: Rural Masculinity and Midwestern Literature. I sat down with Dr. Oler to discuss the persistent anxiety about masculinity, the role of regional literature in American modernism, and the need for an expansive definition of the Midwest. We also talked about literary representation of futuristic equipment such as the cabbage transplanter. And for our scholar friends, Dr. Oler offers tips on how to secure texts that are not available in libraries or archives.  Andy Oler is a professor in the Department of Humanities and Communication at Embry-Riddle Aeronautical University, Daytona Beach.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In light of recent conversations about the crisis of masculinity, let's revisit Dr. Andy Oler's book Old-Fashioned Modernism: Rural Masculinity and Midwestern Literature. I sat down with Dr. Oler to discuss the persistent anxiety about masculinity, the role of regional literature in American modernism, and the need for an expansive definition of the Midwest. We also talked about literary representation of futuristic equipment such as the cabbage transplanter. And for our scholar friends, Dr. Oler offers tips on how to secure texts that are not available in libraries or archives.  Andy Oler is a professor in the Department of Humanities and Communication at Embry-Riddle Aeronautical University, Daytona Beach.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

What this video Right NOW & Ads FREE on our independent platform: https://remnant-tv.com/v/1424?channelName=RemnantTV In this episode of the Underground, Michae Matt talks strategy based on growing evidence of a possible quid pro quo at the conclave. Even those who are not Latin Mass Catholics realize this is big! Cardinals Muller and Goh went on the record just days after the conclave, calling for the new Pope to restore the Latin Mass. Why? Watch and see! Remnant MERCH! https://shop.remnantnewspaper.com/ Support us | https://remnantnewspaper.com/web/index.php/donate-today Sign up for Michael Matt's Weekly E-Letter: https://remnantnewspaper.com/web/index.php/subscribe-today/free-remnant-updates Follow Michael Matt on X: https://x.com/Michael_J_Matt Listen to Michael Matt's podcasts: SPOTIFY: https://open.spotify.com/show/1AdkCDFfR736CqcGw2Uvd0 APPLE: https://podcasts.apple.com/us/podcast/the-michael-j-matt-show/id1563298989

From watches to undersea lodges to 21st century architecture, we'll step outside the box a bit today to talk exquisite timepieces with  Ben Rousseau, underwater house pioneer Ian Koblick, and architect John Jennifer Marx.  

Join Victor Davis Hanson and cohost Jack Fowler for a discussion of the federal budget bill, the Reparations Now Resolution, criticism of General Milley, SCOTUS sided with Venezuelan migrants, was society more stable long ago v. Modernism, what will be said about the current generations, Strategika, Gordon Chang critical of deal with China, and Memorial Day movies.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Orthodox reject "filioque": principle or pride? St. John 16,7: "If I go not, the Paraclete will not come to you." Leo XIV's first sermon: traditional Catholicism or Modernism? The Freemasons' plan: Permanent Instruction of the Alta Vendita. Strange convergences: Dr Kwaszniewski, the Modernists, the Orthodox; Sedeprivationism and the SSPX. Human nature or "human condition"? Isn't Christ's suffering enough? How can a child without good father know true fatherhood? Viewer comments. This episode was recorded on 5/20/2025 Our Links: http://linkwcb.com/ Please consider making a monetary donation to What Catholics Believe. Father Jenkins remembers all of our benefactors in general during his daily Mass, and he also offers one Mass on the first Sunday of every month specially for all supporters of What Catholics Believe. May God bless you for your generosity! https://www.wcbohio.com/donate Subscribe to our other YouTube channels: ‪@WCBHighlights‬ ‪@WCBHolyMassLivestream‬ May God bless you all!

Altina Schinasi is known as the inventor of cat-eye glasses, but she was also an artist, a documentarian, and an activist. And she was very frank about her own faults and bad decisions. Research: “Altina Schinasi 1924 (1907-1999).” Helen Temple Cook Library. Dana Hall School. https://library.danahall.org/archives/danapedia/alumnae/altina-schinasi-1924-1907-1999/ “Altina Schinasi's 116th Birthday.” Google Doodle. https://doodles.google/doodle/altina-schinasis-116th-birthday/ “Altina Schinasi, The Harlem Girl Who Knew Martin Luther King, Rosa Parks, Salvador Dali And Invented Cat-Eye Glasses.” Harlem World. June 21, 2023. https://www.harlemworldmagazine.com/altina-schinasi-the-harlem-girl-who-knew-martin-luther-king-rosa-parks-salvador-dali-and-invented-cat-eye-glasses/ “Artist Altina Schinasi Miranda Dies at 92.” Ventura County Star. Aug. 17, 1999. https://www.newspapers.com/image/935509837/?match=1&terms=Altina%20Schinasi Bachz, Betty. “From Audrey Hepburn to Hailey Bieber: How cat-eye frames became a timeless look.” Vogue Scandinavia. Oct. 8, 2021. https://www.voguescandinavia.com/articles/history-of-the-cat-eye-sunglasses “Heiress Asks Divorce.” The Cleveland Press. June 21, 1933. https://www.newspapers.com/image/1164656661/?match=1&terms=Altina%20Schinasi “The League’s Legacy.” Art Students League of New York. https://www.artstudentsleague.org/timeline#timeline “Mengel Module Furniture - Morris B. Sanders.” Modernism 101. https://modernism101.com/products-page/industrial-design/mengel-module-furniture-promotionalsales-ephemera-for-morris-b-sanders-furniture-designed-in-1946-produced-by-the-mengel-furniture-company-of-louisville-ky/ “Morris Schinasi.” The Daily Times. Sept. 13, 1928. https://www.newspapers.com/image/724032205/?match=1&terms=Morris%20Schinasi “Morris Schinasi Leaves $1,300,000 to Institutions.” The Daily Times. Sept. 28, 1928. https://www.newspapers.com/image/724032801/ Ravo, Nick. “Altina Schinasi Miranda, 92, Designer of Harlequin Glasses.” The New York Times. Aug. 21, 1999. https://www.nytimes.com/1999/08/21/arts/altina-schinasi-miranda-92-designer-of-harlequin-glasses.html “Rose-Colored Glasses.” Pittsburgh Post Gazette. Sept. 12, 1939. https://www.newspapers.com/image/88914623/?match=1&terms=%22harlequin%20eyeglasses%20%22 Sander, Peter. “Altina.” 2014. Schinasi Estate Put at $8,014,962.” The Springfield Morning Union. May 2, 1930. https://www.newspapers.com/image/1067224117/?match=1&terms=Altina%20Schinasi Peabody, Pam. “Visions: sculptor Altina interviewed by Pam Peabody.” American Women Making History and Culture. WFPW. 1978. https://archive.org/details/pacifica_radio_archives-WZ0295.01 Zaltzman, Lior. “The Pioneering Sephardic Jewish Mother Invented the Cat-Eye Glasses.” Kveller. Aug. 4, 2023. https://www.kveller.com/this-pioneering-sephardic-jewish-mother-invented-the-cat-eye-glasses/ See omnystudio.com/listener for privacy information.