Podcasts about Modernism

In the 40th episode of our "Reading the Art World" podcast, Megan Fox Kelly speaks with the Guggenheim's Megan Fontanella, Curator of Modern Art and Provenance, about her beautifully researched book "Gabriele Münter: Contours of a World," published by Guggenheim Museum Publications, distributed by Artbook DAP.Our conversation reveals the life and art of Gabriele Münter, a pioneering German Expressionist whose bold use of color and form helped define early modernism—yet whose place in art history has long been understated. Fontanella traces Münter's path from her early photographic work during travels in the United States (1898-1900) to her vibrant paintings that reimagined landscape, still life, and portraiture through radical simplification and expressive color.We discuss Münter's role as cofounder of Der Blaue Reiter (The Blue Rider), the influential collective that included Vasily Kandinsky and other progressive artists who pushed the expressive potential of color and symbolic form. Fontanella shows how Münter developed her distinctive visual language—one that sought to "convey an essence" rather than imitate reality—offering a lyrical alternative to the pure abstraction that dominated much of early Modernism.One of the most compelling parts of our conversation addresses Münter's actions during World War II, when she hid major works by herself and other Blue Rider artists in the basement of her home in Murnau, Germany, protecting them from Nazi confiscation. This act of quiet courage preserved a vital chapter of modern art history. Fontanella reflects on how women artists of Münter's generation have been systematically undervalued, and how recent scholarship is finally restoring Münter to her place in the modernist canon.For anyone interested in German Expressionism, the recovery of women artists' legacies, or the collaborative networks that shaped the early 20th-century avant-garde, this episode offers essential insights into an artist whose vision continues to inspire—and whose work deserves far greater recognition.ABOUT THE AUTHORMegan Fontanella is Curator of Modern Art and Provenance at the Solomon R. Guggenheim Museum. She is recognized as an expert in provenance research with a focus on World War II spoliation issues. Fontanella graduated from Dartmouth College with a BA in art history and received her MA from the Courtauld Institute of Art, London, where she specialized in late 19th-century French art.ABOUT THE EXHIBITION"Gabriele Münter: Contours of a World" is on view at the Solomon R. Guggenheim Museum, New York, from November 7, 2025 through April 26, 2026. The exhibition presents over fifty paintings across three Tower galleries, alongside nineteen photographs Münter captured during her extended stay in the United States. Learn more here: https://www.guggenheim.org/exhibition/gabriele-munterPURCHASE THE BOOKhttps://www.guggenheimstore.org/gabriele-munter-contours-of-a-worldSUBSCRIBE, FOLLOW AND HEAR INTERVIEWS:For more information, visit meganfoxkelly.com, hear our past interviews, and subscribe at the bottom of our Of Interest page for new posts.Follow us on Instagram: @meganfoxkelly"Reading the Art World" is a live interview and podcast series with leading art world authors hosted by art advisor Megan Fox Kelly. The conversations explore timely subjects in the world of art, design, architecture, artists and the art market. They are an opportunity to engage further with the minds behind these insightful new publications.Megan Fox Kelly is an art advisor and past President of the Association of Professional Art Advisors who works with collectors, estates and foundations.Music composed by Bob Golden

Episode: 3339 Cradling the Body: The Eames Lounge Chair, Leg Splint, and Good Design.  The Eames Lounge Chair and Leg Splint

60 minutes of Club Classics from the 60's. Classics from Atlantic, Stax, Tamla Motown and other labels

Nigerian modern art is having a moment. In London, the Tate has opened a critically acclaimed exhibition, called “Nigerian Modernism,” featuring more than 50 artists who experimented with vibrant new styles in the mid 20th century in the giant and influential West African nation. More generally, the artists of this era have become more recognized outside of their home country in recent decades, from early figures who laid the groundwork like Aina Onabolu to a towering figure of the 1950s like Ben Enwonwu to younger innovators of the 1950s and 1960s such as Uche Okeke and Demas Nwoko, with many more important names to know and bodies of work to discover. This was an earth-shaking time in Nigerian history, when a near-century of British colonial domination was shed and the many problems of a fragile new independent nation had to be faced. These artists were part of figuring out how to express that new sense of identity in images. But their art was not always so celebrated, sometimes dismissed as derivative of European art. The scholar and curator Chika Okeke-Agulu has been important to the recent re-estimation of Nigeria's art history. He teaches at Princeton, and is the author of, among many other things, of Postcolonial Modernism: Art and Decolonization in Twentieth-Century Nigeria, a book that personally excited me very much when I first found it. With the Tate show drawing a fresh wave of interest, art critic Ben Davis thought Okeke-Agulu would be an excellent guide to what this art was, what it meant, and why it still demands attention today.

Nigerian modern art is having a moment. In London, the Tate has opened a critically acclaimed exhibition, called “Nigerian Modernism,” featuring more than 50 artists who experimented with vibrant new styles in the mid 20th century in the giant and influential West African nation. More generally, the artists of this era have become more recognized outside of their home country in recent decades, from early figures who laid the groundwork like Aina Onabolu to a towering figure of the 1950s like Ben Enwonwu to younger innovators of the 1950s and 1960s such as Uche Okeke and Demas Nwoko, with many more important names to know and bodies of work to discover. This was an earth-shaking time in Nigerian history, when a near-century of British colonial domination was shed and the many problems of a fragile new independent nation had to be faced. These artists were part of figuring out how to express that new sense of identity in images. But their art was not always so celebrated, sometimes dismissed as derivative of European art. The scholar and curator Chika Okeke-Agulu has been important to the recent re-estimation of Nigeria's art history. He teaches at Princeton, and is the author of, among many other things, of Postcolonial Modernism: Art and Decolonization in Twentieth-Century Nigeria, a book that personally excited me very much when I first found it. With the Tate show drawing a fresh wave of interest, art critic Ben Davis thought Okeke-Agulu would be an excellent guide to what this art was, what it meant, and why it still demands attention today.

Today's Topics: 1) Pius X to Francis: From 'Modernism Expelled" to "Modernism Enthroned," Pt. 1 https://www.traditionsanity.com/p/pius-x-to-francis-from-modernism 2, 3, 4) Is the Novus Ordo deforming the clergy https://crisismagazine.com/opinion/deforming-the-clergy

In a world devastated by the cataclysm of war, two extraordinary authors and friends, J. R. R. Tolkien and C. S. Lewis, delivered a bracing vision of the human story: a path back to goodness, beauty, and faith. How did they do it? For the first time, historian Joseph Loconte explains how the catastrophe of World War II trans­formed the lives and literary imagination of Tolkien and Lewis. The mechanized slaughter of the First World War had created a storm of disillusionment with the political and religious ideals of Western civilization. The new ideologies of Modernism, communism, Nazism, and totalitarianism rushed to fill the vacuum. At stake was a contest between civilization and barbarism. Tolkien and Lewis sought each other out in friendship and threw themselves into the struggle.Become a Parshall Partner: http://moodyradio.org/donateto/inthemarket/partnersSee omnystudio.com/listener for privacy information.

Melvyn Bragg and guests discuss the dance which, from when it reached Britain in the early nineteenth century, revolutionised the relationship between music, literature and people here for the next hundred years. While it may seem formal now, it was the informality and daring that drove its popularity, with couples holding each other as they spun round a room to new lighter music popularised by Johann Strauss, father and son, such as The Blue Danube. Soon the Waltz expanded the creative world in poetry, ballet, novellas and music, from the Ballets Russes of Diaghilev to Moon River and Are You Lonesome Tonight. With Susan Jones Emeritus Professor of English Literature at the University of Oxford Derek B. Scott Professor Emeritus of Music at the University of Leeds And Theresa Buckland Emeritus Professor of Dance History and Ethnography at the University of Roehampton Producer: Simon Tillotson Reading list: Egil Bakka, Theresa Jill Buckland, Helena Saarikoski, and Anne von Bibra Wharton (eds.), Waltzing Through Europe: Attitudes towards Couple Dances in the Long Nineteenth Century, (Open Book Publishers, 2020) Theresa Jill Buckland, ‘How the Waltz was Won: Transmutations and the Acquisition of Style in Early English Modern Ballroom Dancing. Part One: Waltzing Under Attack' (Dance Research, 36/1, 2018); ‘Part Two: The Waltz Regained' (Dance Research, 36/2, 2018) Theresa Jill Buckland, Society Dancing: Fashionable Bodies in England, 1870-1920 (Palgrave Macmillan, 2011) Erica Buurman, The Viennese Ballroom in the Age of Beethoven (Cambridge University Press, 2022) Paul Cooper, ‘The Waltz in England, c. 1790-1820' (Paper presented at Early Dance Circle conference, 2018) Sherril Dodds and Susan Cook (eds.), Bodies of Sound: Studies Across Popular Dance and Music (Ashgate, 2013), especially ‘Dancing Out of Time: The Forgotten Boston of Edwardian England' by Theresa Jill Buckland Zelda Fitzgerald, Save Me the Waltz (first published 1932; Vintage Classics, 2001) Hilary French, Ballroom: A People's History of Dancing (Reaktion Books, 2022) Susan Jones, Literature, Modernism, and Dance (Oxford University Press, 2013) Mark Knowles, The Wicked Waltz and Other Scandalous Dances: Outrage at Couple Dancing in the 19th and Early 20th Centuries (McFarland, 2009) Rosamond Lehmann, Invitation to the Waltz (first published 1932; Virago, 2006) Eric McKee, Decorum of the Minuet, Delirium of the Waltz: A Study of Dance-Music Relations in 3/4 Time (Indiana University Press, 2012) Eduard Reeser, The History of the Walz (Continental Book Co., 1949) Stanley Sadie (ed.), The New Grove Dictionary of Music and Musicians, Vol. 27 (Macmillan, 2nd ed., 2000), especially ‘Waltz' by Andrew Lamb Derek B. Scott, Sounds of the Metropolis: The 19th-Century Popular Music Revolution in London, New York, Paris and Vienna (Oxford University Press, 2008), especially the chapter ‘A Revolution on the Dance Floor, a Revolution in Musical Style: The Viennese Waltz' Joseph Wechsberg, The Waltz Emperors: The Life and Times and Music of the Strauss Family (Putnam, 1973) Cheryl A. Wilson, Literature and Dance in Nineteenth-century Britain (Cambridge University Press, 2009) Virginia Woolf, The Voyage Out (first published 1915; William Collins, 2013) Virginia Woolf, The Years (first published 1937; Vintage Classics, 2016) David Wyn Jones, The Strauss Dynasty and Habsburg Vienna (Cambridge University Press, 2023) Sevin H. Yaraman, Revolving Embrace: The Waltz as Sex, Steps, and Sound (Pendragon Press, 2002) Rishona Zimring, Social Dance and the Modernist Imagination in Interwar Britain (Ashgate Press, 2013)

In a world devastated by the cataclysm of war, two extraordinary authors and friends, J. R. R. Tolkien and C. S. Lewis, delivered a bracing vision of the human story: a path back to goodness, beauty, and faith. How did they do it? For the first time, historian Joseph Loconte explains how the catastrophe of World War II trans­formed the lives and literary imagination of Tolkien and Lewis. The mechanized slaughter of the First World War had created a storm of disillusionment with the political and religious ideals of Western civilization. The new ideologies of Modernism, communism, Nazism, and totalitarianism rushed to fill the vacuum. At stake was a contest between civilization and barbarism. Tolkien and Lewis sought each other out in friendship and threw themselves into the struggle.Become a Parshall Partner: http://moodyradio.org/donateto/inthemarket/partnersSee omnystudio.com/listener for privacy information.

E. Fay Jones is a name most architects know but the public does not.  A student of Frank Lloyd Wright, Jones blurred the line between indoors and outdoors with careful use of wood, stone, and glass.  It's like these buildings just emerge from the woods. Today, we've got three people dedicated to preserving Jones legacy. David McKee worked for Jones and is the go-to guy for restoring houses.  We'll talk with Jonathan Formanek, who created the E. Fay Jones Conservancy, along with his partner, Andy Whitmore, who live in the Faubus house in Arkansas.  And back in the studio, we talk with influencer Maggie Weber, whose takes on bad design keep us laughing. 

Send us a textDescriptionBreaking the Spell: Reaction Against Romanticism in Early 20th-Century Music” in 60 Seconds. Take a minute to get the scoop!Fun FactWhen Stravinsky's Pulcinella premiered in 1920, audiences were puzzled—was it parody, homage, or rebellion? Stravinsky called it “a look backward with a smile,” summing up the entire neoclassical spirit: modern sensibility dressed in old-fashioned clothes.About Steven, HostSteven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.You can FOLLOW ME on Instagram.

Melvyn Bragg and guests discuss the dance which, from when it reached Britain in the early nineteenth century, revolutionised the relationship between music, literature and people here for the next hundred years. While it may seem formal now, it was the informality and daring that drove its popularity, with couples holding each other as they spun round a room to new lighter music popularised by Johann Strauss, father and son, such as The Blue Danube. Soon the Waltz expanded the creative world in poetry, ballet, novellas and music, from the Ballets Russes of Diaghilev to Moon River and Are You Lonesome Tonight. With Susan Jones Emeritus Professor of English Literature at the University of Oxford Derek B. Scott Professor Emeritus of Music at the University of Leeds And Theresa Buckland Emeritus Professor of Dance History and Ethnography at the University of Roehampton Producer: Simon Tillotson Reading list: Egil Bakka, Theresa Jill Buckland, Helena Saarikoski, and Anne von Bibra Wharton (eds.), Waltzing Through Europe: Attitudes towards Couple Dances in the Long Nineteenth Century, (Open Book Publishers, 2020) Theresa Jill Buckland, ‘How the Waltz was Won: Transmutations and the Acquisition of Style in Early English Modern Ballroom Dancing. Part One: Waltzing Under Attack' (Dance Research, 36/1, 2018); ‘Part Two: The Waltz Regained' (Dance Research, 36/2, 2018) Theresa Jill Buckland, Society Dancing: Fashionable Bodies in England, 1870-1920 (Palgrave Macmillan, 2011) Erica Buurman, The Viennese Ballroom in the Age of Beethoven (Cambridge University Press, 2022) Paul Cooper, ‘The Waltz in England, c. 1790-1820' (Paper presented at Early Dance Circle conference, 2018) Sherril Dodds and Susan Cook (eds.), Bodies of Sound: Studies Across Popular Dance and Music (Ashgate, 2013), especially ‘Dancing Out of Time: The Forgotten Boston of Edwardian England' by Theresa Jill Buckland Zelda Fitzgerald, Save Me the Waltz (first published 1932; Vintage Classics, 2001) Hilary French, Ballroom: A People's History of Dancing (Reaktion Books, 2022) Susan Jones, Literature, Modernism, and Dance (Oxford University Press, 2013) Mark Knowles, The Wicked Waltz and Other Scandalous Dances: Outrage at Couple Dancing in the 19th and Early 20th Centuries (McFarland, 2009) Rosamond Lehmann, Invitation to the Waltz (first published 1932; Virago, 2006) Eric McKee, Decorum of the Minuet, Delirium of the Waltz: A Study of Dance-Music Relations in 3/4 Time (Indiana University Press, 2012) Eduard Reeser, The History of the Walz (Continental Book Co., 1949) Stanley Sadie (ed.), The New Grove Dictionary of Music and Musicians, Vol. 27 (Macmillan, 2nd ed., 2000), especially ‘Waltz' by Andrew Lamb Derek B. Scott, Sounds of the Metropolis: The 19th-Century Popular Music Revolution in London, New York, Paris and Vienna (Oxford University Press, 2008), especially the chapter ‘A Revolution on the Dance Floor, a Revolution in Musical Style: The Viennese Waltz' Joseph Wechsberg, The Waltz Emperors: The Life and Times and Music of the Strauss Family (Putnam, 1973) Cheryl A. Wilson, Literature and Dance in Nineteenth-century Britain (Cambridge University Press, 2009) Virginia Woolf, The Voyage Out (first published 1915; William Collins, 2013) Virginia Woolf, The Years (first published 1937; Vintage Classics, 2016) David Wyn Jones, The Strauss Dynasty and Habsburg Vienna (Cambridge University Press, 2023) Sevin H. Yaraman, Revolving Embrace: The Waltz as Sex, Steps, and Sound (Pendragon Press, 2002) Rishona Zimring, Social Dance and the Modernist Imagination in Interwar Britain (Ashgate Press, 2013) Spanning history, religion, culture, science and philosophy, In Our Time from BBC Radio 4 is essential listening for the intellectually curious. In each episode, host Melvyn Bragg and expert guests explore the characters, events and discoveries that have shaped our world.

Tate Modern continues to explore the histories of Modern art beyond the European and North American canons that were once its focus. This week it opened the exhibition Nigerian Modernism, and The Art Newspaper's digital editor, Alexander Morrison, speaks to the show's co-curator, Osei Bonsu, and to one of the 50 artists in the exhibition, Jimoh Buraimoh. Before the 12-day war between Israel and Iran in June of this year, the art scene in the Iranian capital, Tehran, was thriving. Sarvy Geranpayeh, one of our correspondents for the Middle East, travelled to Tehran for The Art Newspaper and tells Ben Luke how the art world has responded in the aftermath of the conflict. And this episode's Work of the Week is Cakes (1963) by Wayne Thiebaud, a painting in the National Gallery of Art in Washington that has travelled to the Courtauld Gallery in London for Wayne Thiebaud: American Still Life, the first UK museum exhibition of his art. We visit the show and speak to Barnaby Wright, its co-curator.Nigerian Modernism, Tate Modern, London, until 10 May 2026.Wayne Thiebaud. American Still Life, Courtauld Gallery, London, 10 October-18 January 2026.LAST CHANCE student subscription offer: stay connected to the art world from your first lecture to your final dissertation with a three-year student subscription to The Art Newspaper for just £99/$112/€105. Gift, quarterly and annual subscriptions are also available.https://www.theartnewspaper.com/subscriptions-student?offer=4c1120ea-bc15-4cb3-97bc-178560692a9c Hosted on Acast. See acast.com/privacy for more information.

This is an excerpt from a patrons-only episode. To hear the full thing, and dozens more like it, visit Patreon.com/LoveMessagePod and become a patron from £3 a month.In this patrons episode we're taking some time to explore some of the background to our recent main feed show about colonialism, jazz diplomacy and the documentary Soundtrack to a Coup D'Etat with a bitesize primer on the origins of the Cold War. Jeremy and Tim run it all the way back to 1917 to unpack the Bolshevik revolution in Russia, the subsequent years of communist rule leading into WW2, and the musical expressions of this historic period. Along the way they discuss Soviet Realism, Modernism, formal experimentation in the arts, Stalin, the Monro Doctrine and the CIA. Elsewhere in the episode we hear about George Formby, Peter and the Wolf, the Red Army Choir, and ask whether any of us really like orchestral music. Tracklist:The Red Army Choir - The Internationale Billy Bragg - The Internationale Shostakovich - Symphony No.2 (October)Books:William Blum - Killing Hope

We've got author and architect Peter Forguson celebrating Michigan's extraordinary collection of bold, Modernist houses with the new book Contemporary Michigan, from the UK, Michael Diamant rants against Modernism, and later on, musical guest Brent Jensen serves classic tunes made famous by Paul Desmond.  

Every rule was made to be broken, except in architecture, where even the act of breaking rules seems to come with its own set of rules. Modernism promised liberation from the past, but it quickly wrote its own commandments into the story—flat roofs, open plans, white walls, and exposed structure became the expected vocabulary. A movement that arrived as rebellion soon carried the weight of convention, and those conventions still shape how we design and judge buildings today. This week, Andrew and I are taking a closer look at the commandments of Modernism—where they came from, why they matter, and what they mean for the way we practice now. Welcome to Episode 186: The Rules of Modernism.  [Note: If you are reading this via email, click here to access the on-site audio player]  If you are interested in seeing just a few of the houses I mentioned on the podcast, you can see them listed on the Realtor.com (here and here are just a few of them) The Roots of Modernism jump to 6:30 Modern architecture did not emerge in a vacuum. It was a response to seismic shifts in society, technology, and culture that took place in the late nineteenth and early twentieth centuries. Industrialization had transformed the way people lived, cities were expanding at unprecedented rates, and new materials like steel, reinforced concrete, and large sheets of plate glass were suddenly available to architects. These inventions were not simply practical tools, they were symbols of a new age. Architects began to ask why they should keep designing buildings that looked like medieval castles or classical temples when the world around them had become faster, lighter, and more efficient. The very idea of progress seemed incompatible with copying the past, and so Modernism positioned itself as the architecture of a new century - an architecture that would represent industry, rationality, and optimism for the future. This rejection of the past was more than an aesthetic preference, it was a manifesto. Ornament was not just unnecessary, it was cast as dishonest and wasteful. Historical references were treated as evidence of cultural stagnation. In their place, Modernists put forward ideas of functional clarity, open planning, and structural honesty. The promise was bold: architecture would no longer serve as a backdrop for tradition, it would become a tool for shaping a better society. Housing would be healthier, cities would be more efficient, and design would finally align with the realities of modern life. It was not only about how buildings looked, but about how they could transform the way people lived … and that is why the roots of Modernism matter to this conversation. The movement began as a radical break from the architectural traditions that came before it, yet it also established a new set of values that quickly hardened into conventions of their own. Before we can explore the “rules” of Modern design, we need to understand the cultural and historical conditions that gave rise to them. Only then can we appreciate the irony that a movement born from revolution became one of the most codified design languages of the twentieth century. By the time Modernism had established itself internationally, the movement that began as rebellion had already created its own set of unwritten rules. Architects may not have published them in a single manifesto, but they were understood all the same. You could look at a building and know whether it was ‘Modern' or not, based on a handful of essential qualities. These rules were never carved into stone, yet they became the code that defined the movement for decades. To understand Modern design, and to really grasp how it operates, we need to lay out those unspoken commandments - the ideas that quietly dictate what belongs inside the Modernist tradition and what falls outside of it. The Ten Commandments of Modernism jump to 13:42 Modernism never published a rulebook,

In CRUX interview, Leo XIV proposes changing Catholic teaching on sexual morality by changing "attitudes"? The essence of Modernism: faith must follow fads, the cornerstone of the new order "Synodal Church." How the New Order failed Charlie Kirk. This episode was recorded on 09/23/2025. Our Links: http://linkwcb.com/ Please consider making a monetary donation to What Catholics Believe. Father Jenkins remembers all of our benefactors in general during his daily Mass, and he also offers one Mass on the first Sunday of every month specially for all supporters of What Catholics Believe. May God bless you for your generosity! https://www.wcbohio.com/donate Subscribe to our other YouTube channels: ‪@WCBHighlights‬ ‪@WCBHolyMassLivestream‬ Video mentioned by Fr. Jenkins at the start of the episode: • Mary is the Solution to Toxic Feminism May God bless you all!

Michael Vassar is a futurist philosopher who believes that our civilization has lost the ability to think clearly, as the result of a silent project to destroy education that has been running in the background for generations. At the core of his argument is that the modern world has been shaped by elites interested in taking over the world. Interestingly, he seems to think that this multi-generational plan has backfired, and produced a society where there is a vanishingly small number of people even capable of formulating such grand ambitions, let alone possess the cognitive abilities to execute on their plans. We talk through his argument, and start to unpack some lore about the Rationalists, an online community that openly pursues the ideals of the enlightenment but can't stop spawning cults for some reason. PATREON https://www.patreon.com/c/demystifysciPARADIGM DRIFThttps://demystifysci.com/paradigm-drift-showHOMEBREW MUSIC - Check out our new album!Hard Copies (Vinyl) FREE SHIPPING: https://demystifysci-shop.fourthwall.com/products/vinyl-lp-secretary-of-nature-everything-is-so-good-hereStreaming:https://secretaryofnature.bandcamp.com/album/everything-is-so-good-here00:00 Go!00:07:30 Intentionality in Modern Social Structures00:10:00 Media and Perception of Disasters00:12:00 The Roller Coaster Metaphor for Society00:15:00 Erosion of Critical Thinking Abilities00:21:00 Historical Perspectives on Independent Thought00:24:43 Understanding Literature and Its Interpretation00:27:02 Institutional Influence on Thought00:28:35 Market Influence on Power Dynamics00:30:40 Rise of Constitutional Monarchy00:32:17 Comparison of French and English Systems00:37:34 Education and Governance in Germany00:40:11 Historical Context of Education Systems00:42:12 Power Dynamics in Thought and Organization00:46:04 Democracy and Its Challenges00:50:55 Displacement of Romanticism and Specialness00:55:36 Modernism and Institutional Hierarchies01:00:06 The Erosion of Common Law Principles01:05:50 Discretion in the American Legal System01:10:03 Pragmatism's Influence on Legal Thought01:13:10 Bureaucracy versus Common Law01:16:01 The Mythos of American Governance01:17:12 Discussion on Interpretation and Unintended Consequences01:21:25 Cultural Narratives and Their Influence01:29:51 Education and Its Role in Society01:37:03 Historical Context of Educational Systems01:40:54 The Role of Institutional Thinking01:42:30 Economic Control and Marketing Narratives01:44:06 The Rationalist Movement01:52:17 Mistake Theory vs. Conflict Theory01:59:04 Conspiracy Theories and Truth02:07:54 Whistleblowing vs. Conspiracy Theory02:12:03 The Nature of Evidence and Conspiracy Theories02:18:34 Cultural Dynamics of Belief and Inquiry02:23:43 Justice, Honor, and Social Dynamics02:30:58 Rationalism and the Quest for Truth02:33:37 Rationality and Accountability in the Community02:36:40 Justice and Honor in Rational Discourse02:46:10 Power Dynamics and Rationality02:54:00 The Nature of Power and the Human Condition02:59:45 Insights on Ideology and Courage in Pursuit03:02:03 Pursuit of Radical Life Extension#philosophy , #futuristic , #rational , #idw , #criticalthinking , #society , #aistory , #historyfacts , #cultures , #economics , #historyoflaw #legal #powerful , #innovations #philosophypodcast , #sciencepodcast, #longformpodcastMERCH: Rock some DemystifySci gear : https://demystifysci-shop.fourthwall.com/AMAZON: Do your shopping through this link: https://amzn.to/3YyoT98DONATE: https://bit.ly/3wkPqaDSUBSTACK: https://substack.com/@UCqV4_7i9h1_V7hY48eZZSLw@demystifysci RSS: https://anchor.fm/s/2be66934/podcast/rssMAILING LIST: https://bit.ly/3v3kz2S SOCIAL: - Discord: https://discord.gg/MJzKT8CQub- Facebook: https://www.facebook.com/groups/DemystifySci- Instagram: https://www.instagram.com/DemystifySci/- Twitter: https://twitter.com/DemystifySciMUSIC: -Shilo Delay: https://g.co/kgs/oty671

We're back with one of our most popular segments, Children of Genius. Them apples don't fall too far from the tree, and today we'll hear from two that dropped nearby, Toby Rapson and Ron Kappe. They grew up immersed in Modernist design with some of the most influential architecture of the 20th century, thanks to their fathers Ralph Rapson and Ray Kappe, tradition they continue today. Later, Modernist homeowner and musical guest Holly Cole.  

Send us a textDescriptionBack to the Future: Neoclassicism in Music in 60 Seconds. Take a minute to get the scoop!Fun FactStravinsky admitted that Pulcinella wasn't just homage—it was liberation. “It was a backward look, of course,” he said, “but it was a look in the mirror too.” By reworking 18th-century melodies with his own twists, he essentially invented neoclassicism—proving that recycling old material can still create something revolutionary.About Steven, HostSteven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.You can FOLLOW ME on Instagram.

In episode THREE HUNDRED AND FORTY-ONE, Mike and Jason continue their discussion of modernism and modernity. What is relativism? Why is it so attractive? Why doesn't it hold up? The guys discuss stuff like this and more. We hope you enjoy the episode! Show Notes: Support 1517 Podcast Network 1517 Podcasts 1517 on Youtube 1517 Podcast Network on Apple Podcasts 1517 Events Schedule 1517 Academy - Free Theological Education What's New from 1517: Untamed Prayers: 365 Daily Devotions on Christ in the Book of Psalms by Chad Bird Remembering Your Baptism: A 40-Day Devotional by Kathryn Morales Sinner Saint by Luke Kjolhaug The Impossible Prize: A Theology of Addiction by Donavan Riley More from the hosts Michael Berg @ 1517 Wade Johnston @ 1517 Let the Bird Fly! website Thanks for listening! Attributions for Music and Image used in this Episode: “The Last One” by Jahzzar is licensed under an Attribution-ShareAlike 3.0 International License. “Gib laut” by Dirk Becker is licensed under an Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License. “Whistling Down the Road” by Silent Partner.

In this candid conversation, Poppy Bourg and Shannon McGough of Poppy McGough Design House unpack the evolving Dallas design scene, the challenges of modern publishing, and the importance of integrating architecture and interior design. They discuss how their unique backgrounds inform their approach, client expectations in a shifting market, and why authenticity and craftsmanship matter more than fleeting trends. Designer Resources Pacific Sales Kitchen and Home. Where excellence meets expertise. Design Hardware - A stunning and vast collection of jewelry for the home! TimberTech - Real wood beauty without the upkeep LOME-AI.com, simple, inexpensive, text to video harnessing the power of AI to grow your firm, beautifully. From the pitfalls of celebrity-driven design magazines to the nuanced demands of Dallas homeowners, Poppy and Shannon reveal how they balance creativity, technical knowledge, and client relationships to create spaces that are not only beautiful but built to last. They explore the impact of regional influences, climate challenges, and the expanding role of interior designers in shaping cohesive, livable homes. 1. The State of Design Publications & Celebrity Influence Shift in design media focus: from architecture to celebrity homes Challenges of magazines cutting back editorial staff and local flavor Dallas's design culture: diverse, not pigeonholed into one “look” 2. Client Trends and Diversity in Dallas Architecture Clients influenced by wide range of styles via online exposure Resurgence of traditional styles alongside modern, Mediterranean, Santa Barbara influences Growing trend of lake homes post-2020 pandemic and its impact on local design culture 3. Modernism and Design Inspirations Experience visiting Modernism Week in Palm Springs Dallas's limited mid-century modern presence compared to other cities Appreciation for maximalism and richly detailed interiors beyond minimalist trends 4. Backgrounds & Partnership Story Shannon's hospitality design and hotel experience, focus on durability and build process Poppy's real estate and builder project management background, deep builder and trade knowledge How their combined skills create a holistic approach to residential design and construction collaboration 5. Building Challenges in Dallas Impact of active soil, climate extremes, and shifting weather on construction and interiors Importance of realistic client expectations around timelines, soil testing, and permitting Regional differences in design challenges and neighborhood personalities across Dallas metroplex 6. Expanded Role of Interior Designers Growing client education on lighting, air quality, water filtration, and acoustics Increasing involvement in exterior design for cohesive indoor-outdoor flow Navigating intellectual property issues, brand extensions, and designer-led product lines 7. Photography, Styling, and Portfolio Strategy Not every project gets photographed due to client preference or cost In-house styling process balancing client personality with editorial needs Preference for showcasing recent projects and maintaining strong referral-based business Thank you, Poppy, Shannon. Loved our chat and appreciate the time. Thank you for listening. If you liked this episode, share it with a friend or colleague who loves design and architecture like you do, subscribe to Convo By Design wherever you get your podcasts. And continue the conversation on Instagram @convo x design with an “x”. Keep those emails coming with guest suggestions, show ideas and locations where you'd like to see the show. Convo by design at outlook.com. Thank you, Poppy, Shannon. Loved our chat and appreciate the time. Thank you for listening. If you liked this episode, share it with a friend or colleague who loves design and architecture like you do, subscribe to Convo By Design wherever you get your ...

You all know we love midcentury modern houses in Palm Springs, but what about new ones?  These will be the houses we will tour and sip martinis at and give lectures about 40 years from now.  Today we'll talk with one of those architects, Jill Lewis, about a new house in the Desert Palisades area of Palm Springs, along with the landscape architect for that project, John Hreno.  Then we'll meet the leader of SOCOMCM, architect Edward Peck, plus returning jazz vocalist Jaimee Paul. 

Nicolás y Ricardo leen la obra maestra de Malcolm Lowry, encuentran las semejanzas de su protagonista con el Fausto de Marlowe, admiran los volcanes desde el otro lado del Anáhuac, y descubren que los símbolos son más obtusos que las metáforas.

In episode THREE HUNDRED AND FORTY, Mike and Jason modernism and modernity? What are they? Is there a difference? Why do they matter? What do they mean for us today? We hope you enjoy the episode! Show Notes: Support 1517 Podcast Network 1517 Podcasts 1517 on Youtube 1517 Podcast Network on Apple Podcasts 1517 Events Schedule 1517 Academy - Free Theological Education What's New from 1517: Preorder Sinner Saint by Luke Kjolhaug The Impossible Prize: A Theology of Addiction by Donavan Riley Ditching the Checklist by Mark Mattes Broken Bonds: A Novel of the Reformation, Book 1 of 2 by Amy Mantravadi More from the hosts Michael Berg @ 1517 Wade Johnston @ 1517 Let the Bird Fly! website Thanks for listening! Attributions for Music and Image used in this Episode: “The Last One” by Jahzzar is licensed under an Attribution-ShareAlike 3.0 International License. “Gib laut” by Dirk Becker is licensed under an Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License. “Whistling Down the Road” by Silent Partner.

We're back with another episode of Graphic Support Group and we're filled with joy to share this one. Our guest Nontsikelelo Mutiti “is a Zimbabwean born designer, visual artist, and educator whose conceptual approach to design spans the mediums of print, moving-image, web design, fine art, and community engagement.” That introduction doesn't even begin to capture the breadth of wisdom that Nontsi shared with us. As the spring semester came to an end this past May (she is the current Chair of Director of Graduate Studies in Graphic Design at Yale University) the multidisciplinary designer spent a gracious couple of hours with us. Her words moved us through the many worlds and spaces she occupies in her life. The conversation helped Drew and I to re-think some ideas about Modernism, community and representation that admittedly had us in knots over the years. Sometimes the complexity of the world has a simpler, more honest solution. We're so happy to share this generous episode and hope it'll bring some joy to the beginning of the fall. We hope you all will find some joy in the episode and maybe consider becoming a dragon slayer.We R Here 4 U. Get full access to Graphic Support Group Podcast at graphicsupportgroup.substack.com/subscribe

Full Title Name: Why not 15-minute cities? Laity can only pray and fast? Archbishop Lefebvre and sedevacantism: Assisi? Fr Jenkins misleads on "unacum"? Dialectical popes? Modernism and Marxism: demonic duo! "Trans" school shooting: from Gotham to Gollum. Appeal for God's mercy. This episode was recorded on 9/4/2025. Our Links: http://linkwcb.com/ Please consider making a monetary donation to What Catholics Believe. Father Jenkins remembers all of our benefactors in general during his daily Mass, and he also offers one Mass on the first Sunday of every month specially for all supporters of What Catholics Believe. May God bless you for your generosity! https://www.wcbohio.com/donate Subscribe to our other YouTube channels: ‪@WCBHighlights‬ ‪@WCBHighlights‬ May God bless you all!

In Visions of the Divine (Sophia Institute Press), Catholic evangelist, author, and a top Wall Street executive STEPHEN F. AUTH, reunites the art of the Eucharist with the Eucharistic liturgy itself. Much splendid art adorns and magnificently beautifies Churches throughout the globe, a phenomenathat came under great stress during the Reformation, and especially under JOHN CALVIN. "Calvin, especially, was very much opposed to [Church art]," explains AUTH, in this interview with JOHN AIDAN BYRNE. To order Visions of theDivine: https://www.sojolk8trk.com/99LK8N/29X...Other Books by STEVE AUTH: Pilgrimage to the Museum: https://www.sojolk8trk.com/99LK8N/PHW...Missionary of Wall Street: https://www.sojolk8trk.com/99LK8N/51G...Indeed, much of this early Church art was separated from the context of the Mass for which it was created many centuries ago and is relegated now to museums sprinkled around the world. Along with his co-authors Evelyn Auth andMsgr. Roger Landry, Steve leads the reader on a worldwide pilgrimage to some of the most spectacular and moving artistic masterpieces created over the millennia to help clergy and laity alike penetrate more deeply into the Eucharistic mystery. Journeying to museums and churches in nearly twenty cities across the United States and Europe, the authors will guide you through the liturgy of the Mass in ways you may never have experienced. Whether you attend church out of obligation, for the sense of community you find there, or for the Eucharistic presence itself, Visions of the Divine will help you make these experiences richer, more vibrant, and more fulfilling. And if you've never attended a Roman Catholic Mass and are curious about what happens there, Visions will give you an experience guaranteed to leave you thirsting for more. Narrated in the author's simple, emotive style, Visions of the Divine presents you with dozens of colorful images of thought-provoking art that will immerse you in each element of the Mass at a deeper and more profound level, including: How the simple act of making the Sign of the Cross, which the average Catholic does eight times during the liturgy, can make you cry Quieting your mind to listen more actively to the Word of God and to imagine yourself in the moment as the Word is proclaimed and the author guides you through some of the Scriptures' most iconic messages Imagining the Apostles' Creed as it was carved and painted into one of Europe's most colorful Catholic churches. Meditating on a lasting image of eternity while the collection basket is passed — a practice that will forever change how you think about this relatively prosaic element of the liturgy Reliving the sacrifice and triumph of Christ on Calvary during the Eucharistic prayers through some of the greatest artistic masterpieces ever created. Following the path of biblical figures, such as Mary Magdalene, the prodigal son, and St. Paul himself, to freely receive Christ's healing mercy, forgiveness, peace, and love at Mass Experiencing the sacrament of Holy Communion for what it truly is — communion with God Himself. How to re-enter the world following the Mass with visual images in your head that will make you a more effective evangelist From Rembrandt, El Greco, and Van Gogh to Michelangelo, da Vinci, and Raphael; from Velaquez, Picasso, and Dali to lesser-known greats, such as Pontormo, Masaccio and Drolling, the array of breathtaking art in Visions of the Divine will enlighten your path to communion with God. You will witness our Father's love for you and be encouraged to let yourself be loved by Him within the Eucharistic mystery.

If you've ever wondered why so many priests are afraid to preach the hard, honest Catholic faith, stories like that of Fr Winfried Abel are perfect illustrations of the consequences priests face for rejecting Modernism.Sources:https://www.returntotradition.orgorhttps://substack.com/@returntotradition1Contact Me:Email: return2catholictradition@gmail.comSupport My Work:Patreonhttps://www.patreon.com/AnthonyStineSubscribeStarhttps://www.subscribestar.net/return-to-traditionBuy Me A Coffeehttps://www.buymeacoffee.com/AnthonyStinePhysical Mail:Anthony StinePO Box 3048Shawnee, OK74802Follow me on the following social media:https://www.facebook.com/ReturnToCatholicTradition/https://twitter.com/pontificatormax+JMJ+#popeleoXIV #catholicism #catholicchurch #catholicprophecy#infiltration

If you've ever wondered why so many priests are afraid to preach the hard, honest Catholic faith, stories like that of Fr Winfried Abel are perfect illustrations of the consequences priests face for rejecting Modernism.Sources:https://www.returntotradition.orgorhttps://substack.com/@returntotradition1Contact Me:Email: return2catholictradition@gmail.comSupport My Work:Patreonhttps://www.patreon.com/AnthonyStineSubscribeStarhttps://www.subscribestar.net/return-to-traditionBuy Me A Coffeehttps://www.buymeacoffee.com/AnthonyStinePhysical Mail:Anthony StinePO Box 3048Shawnee, OK74802Follow me on the following social media:https://www.facebook.com/ReturnToCatholicTradition/https://twitter.com/pontificatormax+JMJ+#popeleoXIV #catholicism #catholicchurch #catholicprophecy#infiltration

Diana Souhami talks about her new book No Modernism Without Lesbians, out 2020 with Head of Zeus books. A Sunday Times Book of the Year 2020. This is the extraordinary story of how a singular group of women in a pivotal time and place – Paris, between the wars – fostered the birth of the Modernist movement. Sylvia Beach, Bryher, Natalie Barney, and Gertrude Stein. A trailblazing publisher; a patron of artists; a society hostess; a groundbreaking writer. They were all women who loved women. They rejected the patriarchy and made lives of their own – forming a community around them in Paris. Each of these four central women interacted with a myriad of others, some of the most influential, most entertaining, most shocking and most brilliant figures of the age. Diana Souhami weaves together their stories to create a vivid moving tapestry of life among the Modernists in pre-war Paris. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Diana Souhami talks about her new book No Modernism Without Lesbians, out 2020 with Head of Zeus books. A Sunday Times Book of the Year 2020. This is the extraordinary story of how a singular group of women in a pivotal time and place – Paris, between the wars – fostered the birth of the Modernist movement. Sylvia Beach, Bryher, Natalie Barney, and Gertrude Stein. A trailblazing publisher; a patron of artists; a society hostess; a groundbreaking writer. They were all women who loved women. They rejected the patriarchy and made lives of their own – forming a community around them in Paris. Each of these four central women interacted with a myriad of others, some of the most influential, most entertaining, most shocking and most brilliant figures of the age. Diana Souhami weaves together their stories to create a vivid moving tapestry of life among the Modernists in pre-war Paris. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Diana Souhami talks about her new book No Modernism Without Lesbians, out 2020 with Head of Zeus books. A Sunday Times Book of the Year 2020. This is the extraordinary story of how a singular group of women in a pivotal time and place – Paris, between the wars – fostered the birth of the Modernist movement. Sylvia Beach, Bryher, Natalie Barney, and Gertrude Stein. A trailblazing publisher; a patron of artists; a society hostess; a groundbreaking writer. They were all women who loved women. They rejected the patriarchy and made lives of their own – forming a community around them in Paris. Each of these four central women interacted with a myriad of others, some of the most influential, most entertaining, most shocking and most brilliant figures of the age. Diana Souhami weaves together their stories to create a vivid moving tapestry of life among the Modernists in pre-war Paris. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Diana Souhami talks about her new book No Modernism Without Lesbians, out 2020 with Head of Zeus books. A Sunday Times Book of the Year 2020. This is the extraordinary story of how a singular group of women in a pivotal time and place – Paris, between the wars – fostered the birth of the Modernist movement. Sylvia Beach, Bryher, Natalie Barney, and Gertrude Stein. A trailblazing publisher; a patron of artists; a society hostess; a groundbreaking writer. They were all women who loved women. They rejected the patriarchy and made lives of their own – forming a community around them in Paris. Each of these four central women interacted with a myriad of others, some of the most influential, most entertaining, most shocking and most brilliant figures of the age. Diana Souhami weaves together their stories to create a vivid moving tapestry of life among the Modernists in pre-war Paris. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Diana Souhami talks about her new book No Modernism Without Lesbians, out 2020 with Head of Zeus books. A Sunday Times Book of the Year 2020. This is the extraordinary story of how a singular group of women in a pivotal time and place – Paris, between the wars – fostered the birth of the Modernist movement. Sylvia Beach, Bryher, Natalie Barney, and Gertrude Stein. A trailblazing publisher; a patron of artists; a society hostess; a groundbreaking writer. They were all women who loved women. They rejected the patriarchy and made lives of their own – forming a community around them in Paris. Each of these four central women interacted with a myriad of others, some of the most influential, most entertaining, most shocking and most brilliant figures of the age. Diana Souhami weaves together their stories to create a vivid moving tapestry of life among the Modernists in pre-war Paris. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Diana Souhami talks about her new book No Modernism Without Lesbians, out 2020 with Head of Zeus books. A Sunday Times Book of the Year 2020. This is the extraordinary story of how a singular group of women in a pivotal time and place – Paris, between the wars – fostered the birth of the Modernist movement. Sylvia Beach, Bryher, Natalie Barney, and Gertrude Stein. A trailblazing publisher; a patron of artists; a society hostess; a groundbreaking writer. They were all women who loved women. They rejected the patriarchy and made lives of their own – forming a community around them in Paris. Each of these four central women interacted with a myriad of others, some of the most influential, most entertaining, most shocking and most brilliant figures of the age. Diana Souhami weaves together their stories to create a vivid moving tapestry of life among the Modernists in pre-war Paris. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices

Diana Souhami talks about her new book No Modernism Without Lesbians, out 2020 with Head of Zeus books. A Sunday Times Book of the Year 2020. This is the extraordinary story of how a singular group of women in a pivotal time and place – Paris, between the wars – fostered the birth of the Modernist movement. Sylvia Beach, Bryher, Natalie Barney, and Gertrude Stein. A trailblazing publisher; a patron of artists; a society hostess; a groundbreaking writer. They were all women who loved women. They rejected the patriarchy and made lives of their own – forming a community around them in Paris. Each of these four central women interacted with a myriad of others, some of the most influential, most entertaining, most shocking and most brilliant figures of the age. Diana Souhami weaves together their stories to create a vivid moving tapestry of life among the Modernists in pre-war Paris. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

Why does every town in America feel exactly the same? You pull off the highway and it's the same Applebee's, the same Walmart, the same McDonald's, the same beige strip malls with the same parking lots. In this episode, Jason and Emily wonder out loud: is this what it was supposed to be? We talk about how copy-and-paste towns strip away character and community, what we miss about places that actually feel unique, and whether it's possible to find (or build) something different in a world of sameness. 00:00 The Cracker of Cracker Barrel  02:38 America has become copy & paste. 04:52 Cracker Barrel's maple syrup problem.  06:31 Modernism in America. 09:05 Capitalism? 11:02 Regulations can be really bad… 12:56 We're too far gone.  15:01 It's not supposed to be this way.  17:37 Emily's theory.  21:27 The future looks bleak.  24:01 Emily knows whose fault it is.  29:05 sigh… Learn more about your ad choices. Visit megaphone.fm/adchoices

One True Podcast continues our celebration of the centenary of Hemingway's In Our Time by examining a classic Nick Adams story: "The End of Something."We welcome Lisa Tyler to discuss the story, its setting, cast of characters, and curiously inexact title. We examine how the story serves as a prequel to "The Three-Day Blow," (while also pointing out many differences between the two texts), discuss the emotional and psychological damage suggested by Nick's line "everything was gone to hell inside of me," and figure out Bill's role in this break-up tale. Lisa Tyler, esteemed Hemingway scholar and editor of Wharton Hemingway, and the Advent of Modernism, makes the convincing claim that Marjorie emerges from this story as one of the most remarkable female characters in Hemingway's entire canon.Join us for this discussion of a Hemingway classic! 

Jim talks with Lawrence Cahoone about the ideas in his book The Orders of Nature: An Introduction to the Philosophy of Complex Systems for the Life Sciences. They discuss how Cahoone's naturalist philosophy bridges multiple philosophical domains, his distinctive use of emergence theory borrowed from William Wimsatt, the concept of "no simples" in objective relativism, the role of Prigogine in emergence theory, Cahoone's self-taught approach to understanding physics and science, fallibilist and local metaphysics, Columbian naturalism and its rejection of the supernatural, the relationship between objects and their contexts, scientific explanations of relativity and quantum mechanics, and much more. Episode Transcript The Orders of Nature: An Introduction to the Philosophy of Complex Systems for the Life Sciences, by Lawrence Cahoone The Emergence of Value: Human Norms in a Natural World, by Lawrence Cahoone The Feynman Lectures on Physics, by Richard Feynman Lawrence Cahoone graduated with a Ph.D. in Philosophy at Stony Brook University in 1985. Cahoone's areas of specialization are American Philosophy, Continental Philosophy, Social and Political Philosophy, Philosophy of Culture, Metaphysics and Natural Science and Modernism and Postmodernism. Since 2000, Cahoone has taught at Holy Cross and is now currently an Emeritus Professor of Philosophy at Holy Cross. He has also written and published seven books in his career, including The Emergence of Value, The Orders of Nature, and Cultural Revolutions.

Fr. Patrick preached this homily on August 21, 2025. The readings are from Judges 11:29-39a, Psalm 40:5, 7-8a, 8b-9, 10 & Matthew 22:1-14. — Connect with us! Website: https://slakingthirsts.com/ Youtube: https://www.youtube.com/channel/UCytcnEsuKXBI-xN8mv9mkfw

Discover St. Bernard's powerful meditation on the Annunciation and Mary's life-changing “yes.”Morning Offering, August 21, 2025Every morning, join Father Brad as he begins the day with prayer and reflection. In a few short minutes, Father Brad guides you in prayer, shares a brief reflection grounding your day in the Church's rhythm of feast days and liturgy, and provides you with the encouragement necessary to go forward with peace and strength. Disclaimer: The ads shown before, during, or after this video have no affiliation with Morning Offering and are controlled by YouTubeLet us do as the saints urge and begin our days in prayer together so as a community of believers we may join the Psalmist in saying, “In the morning, Lord, you hear my voice; in the morning I lay my requests before you and wait expectantly.” (Psalm 5:3-4)________________

Send us a textI'm honored to welcome Dr. Edward J. Larson to this episode of the podcast. Dr. Larson is the Pulitzer Prize-winning author of Summer for the Gods: The Scopes Trial and America's Continuing Debate Over Science and Religion, a landmark work that reexamines the 1925 Scopes “Monkey” Trial with fresh insight and scholarly depth.In our conversation, Dr. Larson challenges the familiar narrative popularized by Inherit the Wind, revealing the Scopes Trial as far more than a simple clash between science and religion. It was, in fact, a complex cultural moment shaped by political ambition, regional identity, national media, and the anxieties of a rapidly modernizing society.We explore key figures—Clarence Darrow, William Jennings Bryan, and John Scopes—and their roles in this iconic legal battle. Dr. Larson offers fascinating context around Bryan's progressive credentials, his anti-evolution stance, and his public persona as a speaker and political leader. We also discuss the broader implications of the trial for American legal and educational systems, and how its legacy continues to inform today's debates over religion in public life, science education, and Christian nationalism.Dr. Larson reflects on his personal and academic journey, from his early years to his study from college, to grad school, to law school, and his doctoral dissertation on the history of science. He shares what inspired his deep investigation into the Scopes Trial—ultimately culminating in the Pulitzer Prize in 1998. This episode is both thought-provoking and timely. I invite you to join me for a meaningful conversation that sheds new light on a pivotal moment in American history. SHOW NOTESKen's Substack: Scopes in 2025Support the showBecome a Patron - Click on the link to learn how you can become a Patron of the show. Thank you! Ken's Substack Page The Podcast Official Site: TheBeachedWhiteMale.com

Advice to Catholic entering politics? Obligation of Catholic citizens? The mark of a "workaholic"? Catholic expression: "The road to hell is paved with good intentions?" Advice to Catholic college students? Recognizing a true Pope? Gaining most graces at Mass? St Mary Magdalene's feast day reading: "Canticle of canticles"? Modernism in Catholic clothing! This episode was recorded on 08/05/2025. Our Links: http://linkwcb.com/ Please consider making a monetary donation to What Catholics Believe. Father Jenkins remembers all of our benefactors in general during his daily Mass, and he also offers one Mass on the first Sunday of every month specially for all supporters of What Catholics Believe. May God bless you for your generosity! https://www.wcbohio.com/donate Subscribe to our other YouTube channels: ‪@WCBHighlights‬ ‪@WCBHolyMassLivestream‬ May God bless you all!

"What is more precise than precision? Illusion." I talked with my friend, the scholar Siobhan Phillips, about Marianne Moore's poem "Armor's Undermining Modesty." Siobhan Phillips is a professor of English at Dickinson College, where she teaches courses on American literature of the twentieth and twenty-first centuries, food studies, and creative writing. She is the author of The Poetics of the Everyday: Creative Repetition in Modern American Verse (Columbia UP, 2010) and the novel Benefit (Bellevue Literary Press, 2022). Her essays have appeared in such journals as Contemporary Liiterature, Journal of Modern Literature, Modernism/modernity, Literary Imagination, Twentieth-Century Literature, and PMLA. Her essay on Marianne Moore and the Carlisle Indian Industrial School was published on the website of the Poetry Foundation. Please follow the podcast, and leave us a rating and review. Share an episode with a friend! And stay tuned for more episodes to come soon.

Impeccable angels, unfriendly Catholics, dinosaurs and more on this Friday edition of Called to Communion with Dr. David Anders.

Impeccable angels, unfriendly Catholics, dinosaurs and more on this Friday edition of Called to Communion with Dr. David Anders.

"Do I dare / Disturb the universe?" I've been waiting to record this episode for a long time: Megan Quigley, my dear friend and colleague, joins the podcast to talk about T. S. Eliot and "The Love Song of J. Alfred Prufrock."Megan Quigley is an associate professor of English at Villanova University, where she is also on the Irish Studies and Gender and Women's Studies faculties. She is the author of Modernist Fiction and Vagueness: Philosophy, Form, and Language (Cambridge UP, 2015) and the co-editor of Eliot Now (Bloomsbury, 2024). She is also the editor of two clusters of essays on #MeToo, Eliot, and modernism in Modernism/modernity Print+ (2019, 2020). Her essays have appeared in the James Joyce Quarterly, Modernism/modernity, Philosophy and Literature, Poetics Today, LARB, the T. S. Eliot Studies Annual, nonsite, and the Cambridge Companion to European Modernism. She is a four-time lecturer and seminar leader at the T. S. Eliot International Summer School. Her current book project is called "The Love Song of Modernism" and is on modernism and fan fiction. She has two essays in progress on AI and literature and an essay forthcoming on "T. S. Eliot's Women" in A Companion to Eliot's Complete Prose.As always, make sure you're following the podcast on your platform of choice, and, if you've been enjoying it, leave a rating and review. Please also share the podcast with your friends. More soon!

For this "Summer Best-Of" we've put together some of our favorite conversations our centennial series, 100 Years of 100 Things:Ashley Stimpson, Maryland-based freelance journalist who writes about science and conservation, takes us through the past 100 years of kids going to the woods for summer camp.Victoria Rosner, dean of the Gallatin School at NYU and the author of Machines for Living: Modernism and Domestic Life (Oxford University Press, 2020), talks about the post-World War I development of modernism (and post-modernism) across the arts and beyond.Maureen Corrigan, the book critic for Fresh Air, Georgetown professor and the author of So We Read On: How The Great Gatsby Came to Be and Why It Endures (Hachette, 2014), looks at the 1925 publication of the novel, The Great Gatsby, and why it continues to resonate with readers one hundred years later.Polo shirts, khaki shorts, and boat shoes: the classic uniform of elites on their days off.  Avery Trufelman, host of the podcast Articles of Interest, delves into the last 100 years of preppies and their clothes. These interviews were polished up and edited for time, the original versions are available here:100 Years of 100 Things: Summer Camps (Aug 26, 2025)100 Years of 100 Things: Modernism (Jan 8, 2025)100 Years of 100 Things: The Great Gatsby (Jan 13, 2025)100 Years of 100 Things: Preppies and Their Clothes (Mar 26, 2025)

Join Victor Davis Hanson and cohost Jack Fowler for a discussion of the federal budget bill, the Reparations Now Resolution, criticism of General Milley, SCOTUS sided with Venezuelan migrants, was society more stable long ago v. Modernism, what will be said about the current generations, Strategika, Gordon Chang critical of deal with China, and Memorial Day movies.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.