Podcasts about Modernism

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In this homily for the Feast of Saint Pius X, Fr. Chris Alar, MIC reflects on the saint's strong rejection of Modernism and its weakening of objective truth. He explains that Christian love cannot be reduced to simply being nice, avoiding conflict, or affirming everything. True Christian love means willing the good of another person, especially their eternal salvation, and therefore requires us to remain faithful to God's truth even when that truth is difficult or unpopular. Fr. Chris reminds us that truth must always be spoken with mercy, humility, and compassion. Fraternal correction, when motivated by genuine concern for another person's soul rather than judgment or pride, can be a profound act of love. Following the example of Saint Pius X, Christians are called to reject a lack of truth while also rejecting harshness: true love neither sacrifices truth for niceness nor uses truth without mercy, but lovingly guides souls toward conversion, reconciliation with God, and salvation. Readings for August 21st 2026: https://bible.usccb.org/bible/readings/082026.cfm © 2026 Marian Fathers of the Immaculate Conception. All rights reserved. ⭐️ Support our Ministries: https://www.thedivinemercy.org/donate...

Full Title Name: SSPV priests' meeting in Minnesota. Jewish woman new President of Catholic Bible Association. Savage “migrants” turning America into Africa. Anti-Christian Coalition of Religion and Revolution: Marxism, Socialism, Zionism, Islamism, Neopaganism — and Modernism as “one Ring to rule them all.” Bishops worship Pachamama in Peru to prepare for Leo. St Luke 14:26? Unite the clans? Immaculate Heart of Mary in August: The geneology of Jesus Christ. This episode was recorded on 8/18/2026. Our Links: http://linkwcb.com/ Please consider making a monetary donation to What Catholics Believe. Father Jenkins remembers all of our benefactors in general during his daily Mass, and he also offers one Mass on the first Sunday of every month specially for all supporters of What Catholics Believe. May God bless you for your generosity! https://www.wcbohio.com/donate Subscribe to our other YouTube channels: ‪@WCBHighlights‬ ‪@WCBHolyMassLivestream‬ May God bless you all!

[REBROADCAST FROM February 6, 2026] The exhibit "Noguchi's New York" explores how Isamu Noguchi relationship with New York transformed the city even when thwarted by Robert Moses. It displays a survey of 50 of his works and animations of projects that were never realized. Noguchi Museum curator Kate Wiener & museum director Amy Hau discuss the exhibit, and the historical impact of the groundbreaking designer.  Stock photo: Manhattan, Midtown Manhattan, Rockefeller Center, 30 Rockefeller Plaza building, the sculpture "News" by Isamu Noguchi Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Chelsey Hahn is a singer, organist and founding member of Perennial. They're newest record Modernism will be released on September 18th via Earnest Jenning Record Co. Chelsey tells us how the band approached the new record and why capturing their live energy is essential to all of their recordings. She shares the band's dual vocal and writing process, how their instrumentation allows them to maximize their performance and why playing hi-energy shows is Perennials main objective. Joe and Chelsey commiserate on the power and beauty of an All Ages community and we hear a couple new tunes.PerennialEarnest Jenning Record Co.Summer Slip On Sale at Kingston Union. Add a little leisure and style to your summer vibrations with our classic Slip-On. Right now we're offering 25% Off on ALL Slip-On's. Pre beach, post beach, breezy nights on the deck or be your chillest self on your daily errands. Use code SUMMERSLIPS25 to get yours nowEp supported by @distrokid. Distrokid now offers Bandzoogle where you can build your bands website and store in minutes. @thetourstories listeners get 30% off at distrokid.com/vip/tourstories. GET YOUR MUSIC OUT THERE! ITS EASY WITH @distrokidTour Stories would like to welcome our newest sponsor Kuma Coffee. Kuma Coffee is a 100% Independently owned roasting company right here in Seattle since 2008. Kuma is a 5-person team, roasting over 100,000lbs of exclusively high scoring coffee each year. They source their coffees direct from origin and pay well over fair trade pricing to farmers. This guarantees the highest quality, while supporting rural farming communities throughout the Global SouthThey also just launched an instant coffee… (Joe's favorite instant)Find everything Kuma at Kumacoffee.comMentioned in this episode:Kingston UnionKingston Union, your home for the original Wino shoes Kingstonunionmfg.com Kuma CoffeeDistrokid

August 7th, 2026 - We welcome back Dr. Anthony Stine to address the SSPX's blistering statement on the errors of today's Vatican. Then, we welcome back Bishop Joseph Strickland to explain why modernism is the synthesis of all heresies and the root of the crisis unfolding in the Church. Links, Show Notes & More - https://thestationofthecross.com/act Email Us! ACT@TheStationOfTheCross.com

We at LITM are still on our summer break, but while we're away we wanted to share this interview on that most Northern of subjects, Mark E Smith of The Fall. Joining Jeremy for this discussion is Dr David Wilkinson. With reference to David's essay ‘Mark E. Smith, Brexit Britain and the Aesthetics and Politics of the Working Class Weird', the pair get into the weeds on Smith's complicated politics, working class conservatism, the Weird, and the type of guy MES represents: autodidactic, contrarian, nostalgic, boozy. They relate The Fall's work to pulp Modernism, loss and libertarianism, excavate the role of boredom in the development of the band's sound, and ask: why should we care?David Wilkinson is the author of the book ‘Post-Punk, Politics and Pleasure in Britain'. He is Senior Lecturer in English at Manchester Metropolitan University.Thanks so much to David for sharing his time and thoughts. Tim and Jeremy will return together in the next few weeks.Patreon.com/LoveMessagePodwww.loveisthemessagepod.co.ukProduced by Matt Huxley

It's our Children of Genius edition – part of a long-running series interviewing the kids of famous architects. First up, not falling far from the tree, architect Christen Johansen, son of Harvard Five member John Johansen in Connecticut's epicenter of Modernism, New Canaan. Next, Ben Colburn — a Massachusetts real estate attorney whose father, I.W. Colburn, helped define Chicago modernism and even bought an island in Scotland. Later, musical guest Veronica Swift.

The years of this Project have led me to continued exploration of the poetry of the first part of the 20th Century. Recently I've come around to reading the poetry of the writer/critic Conrad Aiken, who was one of the expatriate Americans living in England and Europe, often acting as instigators of Modernism in this era. Today's musical piece with its musical title is the concluding section of a longer poem that served as the titular piece in a 1917 collection of his. Today's simple musical setting is for two cellos and a piano. The Parlando Project takes various words (mostly literary poetry) and combines them with original music in differing styles. We've done over 900 of these combinations, and you can hear any of them and read about our encounters with the words at our blog and archives located at frankhudson.org      

Full Title Name: Card. Burke: We must stop Synodality - but what is it? Modeled after Soviet Union. St Pius X exposed and condemned Synodality. Modernism's “god” of multiple personality disorder. SSPX ambivalence. World Noahide Congress in Jerusalem this November: founding the world religion: ruling the nations from Israel. Must we feed hungry? Where are we in the Apocalypse? Married deacons? The Rome of Saint Praxedes. Fr. Jenkins Pascendi Series: https://www.wcbohio.com/categories/pa... This episode was recorded on 7/21/2026. Our Links: http://linkwcb.com/ Please consider making a monetary donation to What Catholics Believe. Father Jenkins remembers all of our benefactors in general during his daily Mass, and he also offers one Mass on the first Sunday of every month specially for all supporters of What Catholics Believe. May God bless you for your generosity! https://www.wcbohio.com/donate Subscribe to our other YouTube channels: ‪@WCBHighlights‬ ‪@WCBHolyMassLivestream‬ May God bless you all!

In this special summer series, Pastor Sam Rainer walks through six eras of American history and explains the church's impact in each era. Between 1877 and 1945, America became wealthier, more advanced, and more influential. But none of that power could solve the deepest human problem. Industry could not remove sin. Education could not regenerate the heart. The government could not redeem people. And military might could not make humanity righteous. Only the gospel has that kind of power.

This Litany for the Church In Our Times stresses our need for Catholicism to fully reflect its founder Jesus Christ's glory! The transcription for this Podcast can be found at http://ourcatholicprayers.com/A-Litany-For-the-Church-In-Our-TIme.html ADDTIONAL LINKS MENTIONED IN THIS PODCAST Our Lady of Fatima Prayers The Divine Mercy Chaplet Jimmy Akin's Article on Modernism in Catholic Answers

In upstate New York, the latest guesthouse from the sought-after Danish brand Vipp perfectly blends nature and design. On this episode, Dan speaks to its designers, Sharon Johnston and Mark Lee of the award winning LA-based firm Johnston Marklee, about their cutting-edge practice, how they approach Modernism, designing the guesthouse, and much more. Hosted on Acast. See acast.com/privacy for more information.

Episode: 3112 Donald Barthelme: Creative Editor.  Today, a sheriff of an editor.

This is the first episode of our new miniseries, The Public Architect, an RIBA-funded project exploring the past and present relationship between the architectural profession and the public sector.In this episode, we speak to the historian John Gold about post-war architecture in Britain, its relationship to the state and local government, and some of the common misconceptions surrounding this period. We are then joined by Mike Althorpe, Andrea Jung, David Knight and Holly Lewis, a group of practitioners and researchers working across architecture and local government, to explore the contemporary relationship between architecture and the public sector.ContributorsJohn Gold is Honorary Senior Research Fellow at The Bartlett School of Architecture, UCL, Professor Emeritus at Oxford Brookes University, and former Special Appointed Professor at Meiji University in Tokyo. A historical geographer with a focus on cities, he has published more than 200 works on architectural modernism, Olympic cities and urban history, and is currently completing The Legacy of Modernism, the final volume in his trilogy on the Modern Movement.Mike Althorpe is an urban historian, researcher and storyteller. He co-authored Revolutionary Low Rise (2019) and Dual Cities – Social Housing in London + New York (2025). Formerly Public Programmes Lead at the RIBA, he curated exhibitions including A Place to Call Home and Social Housing, and now works independently as The London Ambler.Andrea Jung is an architect with experience across both private practice and local government. After leading commercial projects at KPF and co-founding TURN Architects, she joined the public sector through the Public Practice Associate Programme. She is now Technical Design Manager in Islington Council's New Homes team.David Knight is a designer, strategist, author and director of DK-CM. He has led urban strategies for projects across the UK, holds a PhD from the Royal College of Art, teaches at the London School of Architecture, and edited Public House: A Cultural and Social History of the London Pub, an Financial Times Book of the Year.Holly Lewis co-founded We Made That in 2006 and has led a wide range of urban regeneration and placemaking projects. She champions community involvement in design, equitable city-making and women in the built environment. Holly is a Mayor's Design Advocate for the Greater London Authority, a Design Council Expert, and Town Architect for Hackney Central.Architectural History is the podcast of the Society of Architectural Historians of Great Britain. The Public Architect was made possible thanks to funding from the Royal Institute of British Architects. It was hosted and produced by Claire Jamieson and Jess Kelly, with editing by Front Ear Podcasts and production support from Matthew Lloyd Roberts.If you enjoyed this series, please consider becoming a member of the SAHGB to support our work and access exclusive content: ⁠https://www.sahgb.org.uk/join-renew⁠

With The Art of Living in Avant-Garde Paris: Ethics and Self-Making in Dada, Simultanism, and Surrealism (University of Chicago Press, 2026), Rachel Silveri takes a fresh look at the desire to unify art and life, an ambition long regarded as foundational to the European historical avant-gardes. She reveals how many early twentieth-century artists saw their own everyday lives—their bodies, identities, and relationships—as a type of creative material and a central component to their avant-garde practice. These artists abandoned traditional forms of artmaking and venues of art viewing, instead aspiring to integrate art with everyday life, creating an “art of living.”  Considering Tristan Tzara's performances of Dadaist identity, Sonia Delaunay's simultaneous fashions and self-branding, and the collective endeavor to open and operate the Surrealist Research Bureau, Silveri offers a new narrative about how the artists of interwar Paris developed experiential life practices that resisted dominant forms of “lifestyle” and normative discourses surrounding gender, ethnicity, and office work. This book argues that ethical questions of “How should I live?” and “How should I relate to others?” were as important to the avant-garde as politics, and that aspirations to change the world played out in daily practices of self-making. Hannah Freed-Thall is Professor of French Literature, Thought and Culture at NYU. She is the author, most recently, of Modernism at the Beach: Queer Ecologies and the Coastal Commons. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

With The Art of Living in Avant-Garde Paris: Ethics and Self-Making in Dada, Simultanism, and Surrealism (University of Chicago Press, 2026), Rachel Silveri takes a fresh look at the desire to unify art and life, an ambition long regarded as foundational to the European historical avant-gardes. She reveals how many early twentieth-century artists saw their own everyday lives—their bodies, identities, and relationships—as a type of creative material and a central component to their avant-garde practice. These artists abandoned traditional forms of artmaking and venues of art viewing, instead aspiring to integrate art with everyday life, creating an “art of living.”  Considering Tristan Tzara's performances of Dadaist identity, Sonia Delaunay's simultaneous fashions and self-branding, and the collective endeavor to open and operate the Surrealist Research Bureau, Silveri offers a new narrative about how the artists of interwar Paris developed experiential life practices that resisted dominant forms of “lifestyle” and normative discourses surrounding gender, ethnicity, and office work. This book argues that ethical questions of “How should I live?” and “How should I relate to others?” were as important to the avant-garde as politics, and that aspirations to change the world played out in daily practices of self-making. Hannah Freed-Thall is Professor of French Literature, Thought and Culture at NYU. She is the author, most recently, of Modernism at the Beach: Queer Ecologies and the Coastal Commons. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

With The Art of Living in Avant-Garde Paris: Ethics and Self-Making in Dada, Simultanism, and Surrealism (University of Chicago Press, 2026), Rachel Silveri takes a fresh look at the desire to unify art and life, an ambition long regarded as foundational to the European historical avant-gardes. She reveals how many early twentieth-century artists saw their own everyday lives—their bodies, identities, and relationships—as a type of creative material and a central component to their avant-garde practice. These artists abandoned traditional forms of artmaking and venues of art viewing, instead aspiring to integrate art with everyday life, creating an “art of living.”  Considering Tristan Tzara's performances of Dadaist identity, Sonia Delaunay's simultaneous fashions and self-branding, and the collective endeavor to open and operate the Surrealist Research Bureau, Silveri offers a new narrative about how the artists of interwar Paris developed experiential life practices that resisted dominant forms of “lifestyle” and normative discourses surrounding gender, ethnicity, and office work. This book argues that ethical questions of “How should I live?” and “How should I relate to others?” were as important to the avant-garde as politics, and that aspirations to change the world played out in daily practices of self-making. Hannah Freed-Thall is Professor of French Literature, Thought and Culture at NYU. She is the author, most recently, of Modernism at the Beach: Queer Ecologies and the Coastal Commons. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

With The Art of Living in Avant-Garde Paris: Ethics and Self-Making in Dada, Simultanism, and Surrealism (University of Chicago Press, 2026), Rachel Silveri takes a fresh look at the desire to unify art and life, an ambition long regarded as foundational to the European historical avant-gardes. She reveals how many early twentieth-century artists saw their own everyday lives—their bodies, identities, and relationships—as a type of creative material and a central component to their avant-garde practice. These artists abandoned traditional forms of artmaking and venues of art viewing, instead aspiring to integrate art with everyday life, creating an “art of living.”  Considering Tristan Tzara's performances of Dadaist identity, Sonia Delaunay's simultaneous fashions and self-branding, and the collective endeavor to open and operate the Surrealist Research Bureau, Silveri offers a new narrative about how the artists of interwar Paris developed experiential life practices that resisted dominant forms of “lifestyle” and normative discourses surrounding gender, ethnicity, and office work. This book argues that ethical questions of “How should I live?” and “How should I relate to others?” were as important to the avant-garde as politics, and that aspirations to change the world played out in daily practices of self-making. Hannah Freed-Thall is Professor of French Literature, Thought and Culture at NYU. She is the author, most recently, of Modernism at the Beach: Queer Ecologies and the Coastal Commons. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

With The Art of Living in Avant-Garde Paris: Ethics and Self-Making in Dada, Simultanism, and Surrealism (University of Chicago Press, 2026), Rachel Silveri takes a fresh look at the desire to unify art and life, an ambition long regarded as foundational to the European historical avant-gardes. She reveals how many early twentieth-century artists saw their own everyday lives—their bodies, identities, and relationships—as a type of creative material and a central component to their avant-garde practice. These artists abandoned traditional forms of artmaking and venues of art viewing, instead aspiring to integrate art with everyday life, creating an “art of living.”  Considering Tristan Tzara's performances of Dadaist identity, Sonia Delaunay's simultaneous fashions and self-branding, and the collective endeavor to open and operate the Surrealist Research Bureau, Silveri offers a new narrative about how the artists of interwar Paris developed experiential life practices that resisted dominant forms of “lifestyle” and normative discourses surrounding gender, ethnicity, and office work. This book argues that ethical questions of “How should I live?” and “How should I relate to others?” were as important to the avant-garde as politics, and that aspirations to change the world played out in daily practices of self-making. Hannah Freed-Thall is Professor of French Literature, Thought and Culture at NYU. She is the author, most recently, of Modernism at the Beach: Queer Ecologies and the Coastal Commons. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ukraine's modernist buildings are an extraordinary blend of function, avant-garde aesthetics and ingenious design, but despite these qualities, they remain largely unrecognized. This is a result of several factors, including the stigma of belonging to the Soviet era, corruption, neglect, as well as the ongoing threat of destruction from both unscrupulous developers and war. Photographer Dmytro Soloviov has crossed Ukraine documenting them to form the most comprehensive publication available on the subject.  With an introduction by renowned architecture critic Owen Hatherley, complete with historical images, Ukrainian Modernism: Modernist Architecture of Ukraine (Fuel, 2025) cements these buildings in a cultural and political context. Dmytro Soloviov is a photographer, tour guide, and activist, and the creator of the popular Ukrainian Modernism Instagram page. He frequently leads tours of modernist architecture in different cities in Ukraine. Megan Buskey is an independent writer and scholar focused on Ukrainian history, culture, and politics. She is the author of Ukraine Is Not Dead Yet: A Family Story of Exile and Return (ibidem, 2023). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Ukraine's modernist buildings are an extraordinary blend of function, avant-garde aesthetics and ingenious design, but despite these qualities, they remain largely unrecognized. This is a result of several factors, including the stigma of belonging to the Soviet era, corruption, neglect, as well as the ongoing threat of destruction from both unscrupulous developers and war. Photographer Dmytro Soloviov has crossed Ukraine documenting them to form the most comprehensive publication available on the subject.  With an introduction by renowned architecture critic Owen Hatherley, complete with historical images, Ukrainian Modernism: Modernist Architecture of Ukraine (Fuel, 2025) cements these buildings in a cultural and political context. Dmytro Soloviov is a photographer, tour guide, and activist, and the creator of the popular Ukrainian Modernism Instagram page. He frequently leads tours of modernist architecture in different cities in Ukraine. Megan Buskey is an independent writer and scholar focused on Ukrainian history, culture, and politics. She is the author of Ukraine Is Not Dead Yet: A Family Story of Exile and Return (ibidem, 2023). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

Ukraine's modernist buildings are an extraordinary blend of function, avant-garde aesthetics and ingenious design, but despite these qualities, they remain largely unrecognized. This is a result of several factors, including the stigma of belonging to the Soviet era, corruption, neglect, as well as the ongoing threat of destruction from both unscrupulous developers and war. Photographer Dmytro Soloviov has crossed Ukraine documenting them to form the most comprehensive publication available on the subject.  With an introduction by renowned architecture critic Owen Hatherley, complete with historical images, Ukrainian Modernism: Modernist Architecture of Ukraine (Fuel, 2025) cements these buildings in a cultural and political context. Dmytro Soloviov is a photographer, tour guide, and activist, and the creator of the popular Ukrainian Modernism Instagram page. He frequently leads tours of modernist architecture in different cities in Ukraine. Megan Buskey is an independent writer and scholar focused on Ukrainian history, culture, and politics. She is the author of Ukraine Is Not Dead Yet: A Family Story of Exile and Return (ibidem, 2023). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

Ukraine's modernist buildings are an extraordinary blend of function, avant-garde aesthetics and ingenious design, but despite these qualities, they remain largely unrecognized. This is a result of several factors, including the stigma of belonging to the Soviet era, corruption, neglect, as well as the ongoing threat of destruction from both unscrupulous developers and war. Photographer Dmytro Soloviov has crossed Ukraine documenting them to form the most comprehensive publication available on the subject.  With an introduction by renowned architecture critic Owen Hatherley, complete with historical images, Ukrainian Modernism: Modernist Architecture of Ukraine (Fuel, 2025) cements these buildings in a cultural and political context. Dmytro Soloviov is a photographer, tour guide, and activist, and the creator of the popular Ukrainian Modernism Instagram page. He frequently leads tours of modernist architecture in different cities in Ukraine. Megan Buskey is an independent writer and scholar focused on Ukrainian history, culture, and politics. She is the author of Ukraine Is Not Dead Yet: A Family Story of Exile and Return (ibidem, 2023). Learn more about your ad choices. Visit megaphone.fm/adchoices

Ukraine's modernist buildings are an extraordinary blend of function, avant-garde aesthetics and ingenious design, but despite these qualities, they remain largely unrecognized. This is a result of several factors, including the stigma of belonging to the Soviet era, corruption, neglect, as well as the ongoing threat of destruction from both unscrupulous developers and war. Photographer Dmytro Soloviov has crossed Ukraine documenting them to form the most comprehensive publication available on the subject.  With an introduction by renowned architecture critic Owen Hatherley, complete with historical images, Ukrainian Modernism: Modernist Architecture of Ukraine (Fuel, 2025) cements these buildings in a cultural and political context. Dmytro Soloviov is a photographer, tour guide, and activist, and the creator of the popular Ukrainian Modernism Instagram page. He frequently leads tours of modernist architecture in different cities in Ukraine. Megan Buskey is an independent writer and scholar focused on Ukrainian history, culture, and politics. She is the author of Ukraine Is Not Dead Yet: A Family Story of Exile and Return (ibidem, 2023). Learn more about your ad choices. Visit megaphone.fm/adchoices

This week I'm in Berlin, walking through the Neue Nationalgalerie. A tour of German expressionist paintings and 20th century history This week I'm in Berlin, walking through the Neue Nationalgalerie. A tour of German expressionist paintings and 20th century history. Thumbnail image is Potsdamer Platz by Ludwig Kirchner Hosted on Acast. See acast.com/privacy for more information.

C. Sandbatch joins the show to talk Faulkner, Fletcher, and Southern Modernism. Get ad-free Core Episodes, the After Dark episode, and more at patreon.com/artofdarkpod or substack.com/@artofdarkpod. x.com/artofdarkpod x.com/therewillbbooks x.com/kautzmania Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Pope Pius XII was dying. He knew the Church was facing a crisis that would not come from outside, but from within. In his final months, he commissioned a sweeping encyclical, Cultum Regni, "Worship of the King of Kings"—intended to condemn the theological errors already spreading through Catholic seminaries and universities. He died before it could be published. The document was buried. And the Church chose a different path.Now, newly uncovered Vatican archival research has brought the draft to light. What it reveals is stunning: Pius XII anticipated almost every theological dispute that would erupt after Vatican II. The sacrificial nature of the Mass. The authority of the magisterium. Moral relativism. Doctrinal ambiguity. Ecumenism. The relationship between Church and state. He saw the Nouvelle Théologie for what it was, Modernism dressed in new language, and he was preparing to stop it. HELP SUPPORT WORK LIKE THIS: https://give.lifesitenews.com/?utm_source=SOCIAL U.S. residents! Create a will with LifeSiteNews: https://www.mylegacywill.com/lifesitenews ****PROTECT Your Wealth with gold, silver, and precious metals: https://sjp.stjosephpartners.com/lifesitenews +++SHOP ALL YOUR FUN AND FAVORITE LIFESITE MERCH! https://shop.lifesitenews.com/ +++Connect with John-Henry Westen and all of LifeSiteNews on social media:LifeSite: https://linktr.ee/lifesitenewsJohn-Henry Westen: https://linktr.ee/jhwesten Hosted on Acast. See acast.com/privacy for more information.

Elizabeth Gordon was editor-in-chief of House Beautiful.  In April 1953 she published an influential and controversial editorial that rocked the architecture world, presenting Modernism as uncomfortable, impractical, and like communism a threat to American cultural values. We'll talk with author Monica Penick, author of the definitive book on Gordon, 2001's Tastemaker.  Next up, Alison Fisher just closed a wildly successful exhibition at the Art Institute of Chicago on Bruce Goff, an architect who made Frank Lloyd Wright look restrained. Wrapping up, Naama Gheber is a jazz vocalist with four albums and a voice critics have compared to Peggy Lee. 

(0:00) Intro(0:02) Important announcement about Waqf Qurbani(2:54) Islam par chalna kyun zaruri hai?(3:29) Cheez ko uski ulat se samajhna(4:57) Kufr kise kehte hain?(5:41) Shari'a laws vs duniya ke qanoon(6:03) Chori vs kufr(7:35) Badkari vs kufr(9:33) Ahl-e-Kitab se nikah vs kufr(11:08) Anbiya ki biwiyan badkar nahi ho sakti(12:09) Nasab mein daagh aurat se paida hota hai(13:02) Shohar ka zina vs biwi ka zina(14:32) Aurat ka zina zyada bara jurm kyun?(15:58) AI vs experts(16:12) Qur'an mein har jagah mard ka zikr pehle(17:54) Canada mein aik shakhs ka bayan: “Bahu kaam karne ki machine?”(18:45) Naam nihaad liberals ke rishtay(19:19) Individualism(20:03) Canada mein “chhamak chhalo” ke husband ki death ka waqia(21:34) Aaj ke scholars(21:58) Ilm ki quantity(22:32) Ilm ki quality(23:24) Gaon ki aurat(23:52) Modern aurat(24:33) Muashray ka rona(25:02) Kufr aur Islami sazain(25:51) Qur'an mein mard ka zikr pehle(26:47) “Biwi shohar ka libas hai” — aayat ka matlab(28:18) Karachi ke logon ki sehat(29:17) Libas ka maqsad(30:05) Unmarried logon ke scandals ki wajah(31:33) Male aur female sexual desires mein farq(32:58) Libas mein aurat ka zikr pehle karne ki wajah(33:29) Hazrat Umar (RA) ka qoul apni biwi ke bare mein(34:15) Allama Ibn-e-Qayyim (RA) ka qoul aise taqwa par(35:56) Malaysia(36:15) Pakistan(37:05) Mufti sahab ke world tour experiences(37:48) Pakistani government aur Sindh ka exam system(38:36) Aise sufiyon ka taqwa jab toota(40:35) Mard ko 4 shadiyon ki ijazat ki wajah(40:57) Islam vs liberalism(41:28) Male aur female mein farq(41:55) Mushaqqat wale kaam — mard ki zimmedari(42:59) Bachon ki paidaish ka amal — aurat ki zimmedari (Japan ka naya qanoon)(44:20) Border par larrna — mard ki zimmedari(45:51) Aulad — aurat ke liye Allah ka tohfa(46:27) Women's real rights vs feminism reality(48:00) Nikah ko aasan banane wale liberals(51:06) Qur'an mein zina ke jurm mein aurat ka zikr pehle kyun?(52:02) Zina ki saza vs zina ka jurm(53:28) Badkar biwi vs kafir biwi(54:02) Pardadar biwi(54:15) Bahir mulkon mein husband-wife trust khatam hone ki wajah(56:42) Musalman biwi vs ghair Muslim biwi(59:38) Family system tabah hone ki wajah: modernity(1:01:00) Bachpan mein nikah vs pachpan mein(1:01:48) Islam vs kufr(1:02:42) Zakaat vs sood(1:03:33) Zina vs nikah(1:03:54) Insan ke liye Allah ki ghulami ka hukm vs assembly laws(1:05:17) Eid ul Azha par janwar ki qurbani par liberals ke aitraazat(1:05:59) 1998 ka charsii(1:06:30) Qurbani ke gosht par aitraazat(1:07:05) Sahaba (RA) ka sawal: “Qurbani kya hai?” — Nabi ﷺ ka jawab(1:08:42) “Kyun?” ka jawab(1:09:15) Modernism vs hamare bazurgon ki sehat(1:10:41) Beti ki shadi ki ideal age(1:11:13) Masla: larrki ke liye baap ki wilayat saqit?(1:11:40) Mufti sahab ke bete ki 18 saal ki age mein shadi(1:12:24) Nikah se rizq mein barkat(1:13:21) Hazrat Ibrahim (AS) ka surrender vs shaitan ka surrender na karna(1:14:30) Janwar zibah karne par ye 2 log zyada aitraaz karte hain(1:15:11) Maa ki muhabbat(1:16:10) Eid ul Azha par Allah ki taraf se gosht ki ziyafat(1:17:20) Eid ul Azha par Nabi ﷺ ka pehla khana gosht tha(1:17:42) Eid ul Azha par “decent” banne walon ke liye paigham(1:18:08) Aameen(1:18:10) Waqf Qurbani by MTM Foundation(1:20:01) “Munajat-e-Sabri” kitab parhna kaisa hai?(1:22:53) Madrasa ke tulaba o talibat ka parhai ke dauran nikah aur rukhsati(1:28:53) Khawateen ka Tablighi Jamaat mein nikalna kaisa hai?(1:33:16) “Tibb-e-Nabvi se ilaj” bayan par aitraaz ka jawab(1:40:52) Gosht, charbi aur doodh ki fazilat(1:45:37) Aaj ke bachay khalis doodh aur desi ghee se allergic(1:46:54) Quetta ke Pathan aur Afghani bachay vs burger bachay(1:49:29) Mufti sahab ne 15 saal ki age ke baad gosht khana shuru kiya(1:50:17) Tajurbakaar hakeem?(1:51:20) Barelvi ulama(1:55:27) Mufti sahab ke liye Sindhi ajrak aur topi ka gift(1:56:45) Aurat ki kamai aur financial independence ka Shari'a law(1:59:35) Chhota bhai fohash films dekhta ho? (Shohar ke aib chhupane ka hukm)(2:05:59) Qiston par karobar ka asool Hosted on Acast. See acast.com/privacy for more information.

Adam McKible, Professor of English at John Jay College of Criminal Justice, talks with LaGuardia Community College Professor of English Jesse Schwartz about Jim Crow Modernism, a volume co-edited with McKible, Keith Clark and Robert Jackson. For more, visit IndoorVoicesPodcast.com

In this episode, host Peter Bauman (Le Random's editor in chief) speaks with artists Trevor Paglen and Primavera De Filippi about Protocol art.The occasion is Strange Rules, the landmark group exhibition co-conceived by Hans Ulrich Obrist, Holly Herndon, and Mat Dryhurst, running at the Palazzo Diedo in Venice for the full duration of the Biennale. The show offers the most institutionally significant framing of protocol art to date, and Paglen and De Filippi represent two of its most distinct vantages.The conversation opens with the question of how each artist situates their practice within the protocol framework. Paglen, long known as a revealer of hidden infrastructures, reflects on a career built between systems observation and systems intervention. He and on how his new work Voyager marks a turn inward, toward consciousness rather than exposure. De Filippi, a longtime Protocol art theorist and one of the few artists to self-define as a protocol artist, walks through her Protocolism Manifesto and the decade-long Plantoid project that preceded it, sharpening a key distinction: the difference between making art on top of a protocol and making the protocol itself as the creative act.Meanwhile, our Monday Editorial with Shohei Fujimoto completes our Venice Biennale coverage for the week. (More to come!)00:04 Introduction & The Strange Rules Exhibition01:39 Trevor Paglen's Work: Voyager and the Pivot Inward02:49 Trevor Paglen on Protocol Art & Post-Minimal Influences04:57 Primavera De Filippi Defines Protocol Art & the Protocolism Manifesto08:13 Voyager Explained: AI That Hypnotizes You10:22 Plantoid: The Self-Replicating Blockchain Sculpture13:34 The Breadth of Protocol Art & the Venice Biennale as Platform17:43 Why Protocol Art Is Rising: Generative AI & the Meta-Layer20:57 Photography, Modernism & the Current AI Rupture23:35 Capital-A Algorithm: Fear, Critique & Alternatives26:36 Embracing the Algorithm: Open Source & Artistic Autonomy30:05 Consciousness, Entanglement & Voyager's Six Journeys33:41 Synthetic Life, Symbionts & Machine Qualia39:05 Protocol Art as a Lens for Economics, Politics & Technology42:34 Protocol vs. Instantiation, Copyright & Closing Thoughts

In Bakersfield CA, David Coffey preserves two houses one by Neutra, and one by Wright, but today we talk about his passion, Modernism in Uruguay.  In Los Angeles, Cindy Olnick stewards the Neutra Institute. Later on, jazz duo Lenore Raphael and Chris Hodgkins reunite for their joyful new album, Pennies From Heaven. 

Professor William Thomas doesn't hold back as he lays out the stark choice facing Catholics: following a "diabolical" Synodal church that is built on the errors of Modernism, or staying faithful to the authentic Magisterium of the Catholic Church. A former classmate of Pope Leo XIV, Thomas brings a wealth of theological insights into the unfolding crisis that is causing doctrinal confusion across the world. The solution? Personal holiness and a return to orthodox Catholicism based on the Scriptures and Tradition.HELP SUPPORT WORK LIKE THIS: https://give.lifesitenews.com/?utm_source=SOCIAL U.S. residents! Create a will with LifeSiteNews: https://www.mylegacywill.com/lifesitenews ****PROTECT Your Wealth with gold, silver, and precious metals: https://sjp.stjosephpartners.com/lifesitenews +++SHOP ALL YOUR FUN AND FAVORITE LIFESITE MERCH! https://shop.lifesitenews.com/ +++Connect with John-Henry Westen and all of LifeSiteNews on social media:LifeSite: https://linktr.ee/lifesitenewsJohn-Henry Westen: https://linktr.ee/jhwesten Hosted on Acast. See acast.com/privacy for more information.

Imagine doing Modernist preservation – in a war zone.  Dmytro Soloviov documents Ukraine's modernist architecture.  Ben Wever cares for one of America's modernist treasures, the Miller House in Columbus, Indiana. Hallie Swenson uncovers the stories of San Diego Modernism, and architect Robert Stone brings new desert Modernism to life. 

In this episode, we speak with Lisa Gralnek, Managing Director of iF Design USA and Global Head of Sustainability and Impact at iF Design. We cover the scale and rigor behind the iF Design Award — one of the world's most recognized design competitions since 1953 — and how iF has made sustainability a core, embedded criterion in its judging process. We also discuss the launch of the iF Design Academy, what it means to close the gap between design and business fluency, and the risks of outsourcing critical thinking to AI tools. Plus, we reflect on why design thinking became its own victim, what head-heart-hands means in an age of AI, and what we might be collectively unlearning as machines take on more of the work.TOPICS WE ADDRESS:- Lisa's path from political science and fashion to design leadership- How the iF Design Award jury process works across 93 categories and 9 disciplines- Why sustainability now accounts for 20% of the iF scoring criteria — and what that shift has taught applicants and jurors alike- The circular economy and the "R ladder" of repairability, reusability, and recyclability- iF Design's two free-entry competitions: the iF Design Student Award and the iF Social Impact Prize, both aligned with the UN Sustainable Development Goals- The launch of the iF Design Academy and why designers need more than design education to lead- The upcoming course AI Strategy for Design Leaders (June 2026) — led by Tey Bannerman, former McKinsey partner- Why design thinking became a buzzword without operationalization — and what it would take to bring it back- What the documentary Modernism, Inc.: The Eliot Noyes Design Story says about the long history of design and corporate power- The tension between AI efficiency and the tactile, hands-on learning that makes designers designers- What we might be collectively "unlearning" as AI tools take on more of the creative processRESOURCES MENTIONED:- iF Design: https://ifdesign.com/en/- iF Design Award: https://ifdesign.com/en/if-design-award-and-jury- iF Design Academy: https://ifdesign-academy.com/- iF Design Trend Report (5th annual edition releasing April 28): https://ifdesign.com/en/trend-report- iF Design Student Award: https://ifdesign.com/en/if-design-student-award- iF Social Impact Prize: https://ifdesign.com/en/if-social-impact-prize- Future of XYZ podcast: https://ifdesign.com/en/podcast-future-of-xyz-by-if-design- Lisa Gralnek, "Where Are All the Designers?" (Fast Company): https://www.fastcompany.com/91374558/where-are-all-the-designers- Ellen MacArthur Foundation: https://www.ellenmacarthurfoundation.org/- Modernism, Inc.: The Eliot Noyes Design Story (2023): https://www.imdb.com/title/tt29215800/- UN Sustainable Development Goals: https://sdgs.un.org/goals- AIGA + Yale SOM: Business Perspectives for Creative Leaders: https://www.aiga.org/professional-development/business-perspectives-for-creative-leaders- Subscribe to the AIGA Design Podcast: https://creators.spotify.com/pod/profile/aigadesign/- Questions or feedback? Email us at podcast@aiga.org

[REBROADCAST FROM November 13, 2025] An exhibition at the MoMA celebrates the career of Cuban artist Wifredo Lam, an artist who helped push the boundaries of modernism. Curators Christophe Cherix and Beverly Adams discuss "Wifredo Lam: When I Don't Sleep, I Dream," on view through April 11 2026. Painting is 'The Jungle,' by Wifredo Lam, courtesy of MoMA

J.J. and Dr. Vivian Liska border on the sublime in their discussion of the life and thought of this German-Jewish thinker. If you or your business are interested in sponsoring an episode or mini-series, please reach out at  podcasts@torahinmotion.org Follow us on Bluesky @jewishideaspod.bsky.social for updates and insights!Please rate and review the the show in the podcast app of your choice.We welcome all complaints and compliments at podcasts@torahinmotion.org  For more information visit torahinmotion.org/podcastsVivian Liska is a Professor of German literature and Director of the Institute of Jewish Studies at the University of Antwerp, Belgium. She has published extensively on literary theory, German modernism, and German-Jewish authors and thinkers. Liska's recent books include Giorgio Agamben's Empty Messianism (2008), in German, translated into Hebrew (Resling 2010), When Kafka Says We. Uncommon Communities in German-Jewish Literature (2008) and Fremde Gemeinschaft. Deutsch-jüdische Literatur der Moderne (2011). A Hebrew translation of this book is in the making with Hakibbutz Hameuchad. In 2012, she was awarded the Cross of Honor for Sciences and the Arts from the Republic of Austria. She is the (co-)editor of numerous books, among them the two-volume ICLA publication Modernism (2007), which was awarded the Prize of the Modernist Studies Association in 2008; Contemporary Jewish Writing in Europe: A Guide (2007); Theodor Herzl between Europe and Zion (2007); What does the Veil Know? (2009); The German-Jewish Experience Revisited (2015); and Kafka and the Universal (2016). She is the editor of the book series “Perspectives on Jewish Texts and Contexts” (De Gruyter, Berlin), co-editor of the Yearbook of the Society for European-Jewish Literature, and arcadia. International Journal of Literary Studies. Her most recent book German-Jewish Thought and its Afterlife (Indiana University Press) was published in 2017. 

When I arrived in Palm Springs last month, a few days before the concert-lecture I was to play with my father, Ben Sidran, I found him surrounded by months of research notes, trying to wrestle his ideas into something coherent. The performance was part of the Palm Springs International Jazz Festival during the city's annual Modernism Week, and it grew out of an earlier program we presented at Taliesin, Frank Lloyd Wright's home and studio in Spring Green, Wisconsin. What began as a playful idea about the relationship between architecture and music gradually expanded into a deeper exploration of the natural structures that shape both. Along the way we found ourselves diving into the harmonic series, overtones, Fibonacci sequence, and the physics of vibration, asking how these natural phenomena influence the way we hear rhythm, harmony, and beauty. Drawing on conversations with musicians like Gil Goldstein, Howard Levy, and Jacob Collier, the episode is part personal story, part philosophical inquiry, and part behind-the-scenes look at how creative work actually gets made. And how, in the end, even the most abstract ideas often begin the same way: with a gig. www.third-story.com www.wbgo.org/podcast/the-third-story www.leosidran.substack.com/

Kim Hyesoon is one South Korea's foremost poets. Her groundbreaking and radically feminist poetry – ‘a transnational collision of shamanism, Modernism, and feminism' (Griffin Prize Judges) – has been translated into English by poet Don Mee Choi for over a decade. We celebrate the latest of these translations – the Griffin Prize-winning masterpiece on mourning and survival, Autobiography of Death, now published for the first time in the UK by And Other Stories – with an evening of readings from Kim and discussion of her work with Will Harris, whose latest collection is Brother Poem (Granta).

Bombing Iran: for MAGA or Zionism? Card.Sarah to SSPX: call off consecrations. SSPX to Card. Sarah: call off Modernism. Dancing with Modernists? J. H. Westen: Francis and Leo anti-popes? Battle for the papacy! Socialism: where fraud reigns supreme. The powers of Hell will not prevail against Jesus Christ and His Church! This episode was recorded on 3/3/2026. Our Links: http://linkwcb.com/ Please consider making a monetary donation to What Catholics Believe. Father Jenkins remembers all of our benefactors in general during his daily Mass, and he also offers one Mass on the first Sunday of every month specially for all supporters of What Catholics Believe. May God bless you for your generosity! https://www.wcbohio.com/donate Subscribe to our other YouTube channels: ‪@WCBHighlights‬ ‪@WCBHolyMassLivestream‬ May God bless you all!

What can ancient stories teach us about creativity, courage, and our own place in the modern world? In this episode, Stephen Roach welcomes poet and priest Malcolm Guite back to Makers & Mystics to explore his poetic retelling of King Arthur and the Holy Grail. Malcolm reflects on how these stories shaped him from childhood and why myth still carries moral and spiritual weight in a disenchanted age.Together, they discuss the role of storytelling in recovering a sacramental vision of the world. This conversation is an invitation to re-enchantment—to slow down, commit to your craft, and take your place in the great unfolding story.IN THIS EPISODE YOU'LL HEAR ABOUTWhy Arthurian legend endures: its moral and spiritual resonanceTaking up the tale: how myth becomes personal meaningRe-enchantment: seeing the world with wonder in an age of distractionThe value of slow, faithful creative practiceSend a textJoin Malcolm Guite, Jonathan Pageau, Stephen Roach, and so many others!http://www.thebreathandtheclay.comUse the code "mystic26" for a special podcast listener rate!Support the show Get Tickets to The Breath and The Clay 2026 featuring Malcolm Guite, Jon Guerra, and Jonathan Pageau! March 20-22 in Winston-Salem, NC. Sign Up for Our Newsletter! http://eepurl.com/g49Ks1

The Accidental Empire: Marmol Radziner on Preservation, Prefab, and Fighting the Tyranny of the Nimby. Leo Marmol and Ron Radziner discuss the 36-year evolution of their design-build firm, tracing its roots in a student co-op to becoming a leader in modern residential architecture, restoration, and the urgent need for sustainable urban density in Los Angeles. The conversation features Leo Marmol and Ron Radziner, co-founders of Marmol Radziner, detailing the firm’s history, their design philosophy, and their views on the current state of preservation and sustainability in LA. Origin Story and The Return to Modernism: The co-founders met as students at Cal Poly, San Luis Obispo, living in “The Ark,” a condemned co-op. This environment of free rein to alter the building foreshadowed their later design-build approach. They founded their firm in 1989 during the “dying days of postmodernism,” quickly committing to the modernist ideal of clarity, reduction, and the connection between design and craft (Bauhaus). They attribute the firm’s early success to aligning with the eventual return to California modernism, driven by its rich history in the region. Milestone Projects and Preservation: The first major flag-planting project was the Gutentag Studio (a small, pure concrete block and cedar studio), followed by the new Ward Residence. Their watershed moment in preservation was the Kaufmann House restoration (1993) in Palm Springs. At the time, there was virtually no industry for modern restoration, forcing the firm to develop the roadmap for approaching these aging buildings. They view restorations as “classrooms” that inform their new work, maintaining a healthy split of one-third restoration and two-thirds new construction. Preservation Today: The Fetish vs. Functionality: Marmol and Radziner argue they are often at odds with the preservation community because they believe historic properties must evolve to remain functional and relevant, cautioning against a “fetish” that prevents necessary change. They criticize the current situation where every modern building is deemed “sacred,” citing the contentious, successful fight to demolish the Barry Building on San Vicente as an example of overreach where the building’s significance did not rise to the level requiring preservation. The Problem of Scale (“McModerns”) and Efficiency: They express concern over the proliferation of “McModerns” and elephantine houses, driven by high property values and the pressure to “max out the buildable area” on a site. They emphasize that their modern perspective is less about style and more about the fundamental importance of connection—internal open plans and connecting the home to the landscape and exterior rhythm of nature (a concept that is lost when properties are overbuilt). Sustainability and the Nimby Problem: While California leads the country in robust, fire-resilient, and energy-efficient building codes (which have been a success), they gave the state’s housing policy an “F.” Leo Marmol asserted that the greenest thing the city can do is densify and allow more housing in the urban core, calling out the NIMBY (Not In My Back Yard) mentality as the primary political failure that forces sprawl and long commutes. The Return to Prefabrication (Prefab 2.0): Marmol Radziner initially experimented with prefab from 2004–2012 but stopped after the 2008 crash. They are now returning to prefabrication—Prefab 2.0—as a response to the current “crisis of construction costs” and the need for quick, affordable, and sustainable housing solutions, particularly for fire rebuilds in Altadena and the Palisades. Design-Build Practice Scale: The firm combines Architecture, Construction Services (design-build), Landscape Architecture, and Interior Design under one roof. They support their construction services with their own dedicated cabinet shop and metal shop in El Segundo, allowing for control over craft and execution. Fire Resilience and Landscape: The fires are affecting landscape rules, particularly regarding Zone Zero (the 0–5 feet immediately surrounding the building). They argue against the extreme position of “no planting” in Zone Zero, believing the right, well-irrigated planting can help against embers, which they identify as the biggest culprit in mass fires, more so than direct flame. Home hardening (sealing every vulnerability) is considered the single most important factor, with modern energy codes being an accidental but highly effective form of fire hardening.

SSPX Bishop Fellay justifies consecrations: never says "modernism,," does not judge "failing" authority. Viganò, Strickland, others remark. SSPX begs co-existence with Modernism? The very idea of the Catholic papacy is in question. "Church unity is worth a Latin Mass?" Modernists poison Church; solution is more Modernism. Similar: government control poisons society; solution is more government control: socialism! Pope Leo XIII condemns socialism. The truth and power of the traditional Catholic Faith! This episode was recorded on 2/10/2026. Our Links: http://linkwcb.com/ Please consider making a monetary donation to What Catholics Believe. Father Jenkins remembers all of our benefactors in general during his daily Mass, and he also offers one Mass on the first Sunday of every month specially for all supporters of What Catholics Believe. May God bless you for your generosity! https://www.wcbohio.com/donate Subscribe to our other YouTube channels: ‪@WCBHighlights‬ ‪@WCBHolyMassLivestream‬ May God bless you all!

The exhibit "Noguchi's New York" explores how Isamu Noguchi relationship with New York transformed the city even when thwarted by Robert Moses. It displays a survey of 50 of his works and animations of projects that were never realized. Noguchi Museum curator Kate Wiener & museum director Amy Hau discuss the exhibit, and the historical impact of the groundbreaking designer.

Inspired by Richard Wagner's idea of the total artwork, European modernist artists began to pursue multimedia projects that mixed colors, sounds, and shapes. Dr. Polina Dimova's At the Crossroads of the Senses: The Synaesthetic Metaphor Across the Arts in European Modernism (Penn State UP, 2024) traces this new sensory experience of synaesthesia—the physiological or figurative blending of senses—as a modernist phenomenon from its scientific description in the late nineteenth century to its prevalence in the early twentieth. Structured around twenty theses on synaesthesia, this book explores the integral relationship between modernist art, science, and technology, tracing not only how modernist artists perceptually internalized and absorbed technology and its effects but also how they appropriated it to achieve their own aesthetic, metaphysical, and social goals. Through case studies of prominent multimodal artists—Oscar Wilde, Aubrey Beardsley, Richard Strauss, Aleksandr Scriabin, Wassily Kandinsky, František Kupka, Andrei Bely, and Rainer Maria Rilke—At the Crossroads of the Senses reveals the color-forms and color-sounds that, for these artists, laid the foundations of the world and served as the catalyst for the flourishing exchanges among the arts at the fin de siècle. Rooted in archival research in Russia, Germany, France, and the Czech Republic, At the Crossroads of the Senses taps overlooked scientific sources to offer a fresh perspective on European modernism. Sensory studies scholars, literary critics, and art and music historians alike will welcome its many contributions, not least among them a refreshing advocacy for a kind of sensuous reading practice. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Starting with Los Angeles, we'll talk with Rudolph Schindler homeowner, and star of Two and a Half Men, Holland Taylor.  Then we move to Palm Springs, the center of the Universe for midcentury Modernism. Everybody who's a fan of Modernism needs to plan a trip, and today we'll talk with Palm Springs tour guides Shann Carr and JD Cargill, author Adele Cygelman and her new documentary Arthur Elrod: Modern Cool, Later music from jazz pianist Lenore Raphael. 

Is Modernism "dumb" - or am I stupid? Synodality in five minutes? Leo tells Anglicans we are all one in faith. Modernist lies, Cardinal Roche and the Traditional Latin Mass. Modernism and Marxism: blood brothers. Mamdani's "child care." Venezuela's Maduro, Noriega, Bay of Pigs. DC National March for Life: Nellie Gray and the Paramount Life Principles. This episode was recorded on 1/27/2026. Our Links: http://linkwcb.com/ Please consider making a monetary donation to What Catholics Believe. Father Jenkins remembers all of our benefactors in general during his daily Mass, and he also offers one Mass on the first Sunday of every month specially for all supporters of What Catholics Believe. May God bless you for your generosity! https://www.wcbohio.com/donate Subscribe to our other YouTube channels: ‪@WCBHighlights‬ ‪@WCBHolyMassLivestream‬ May God bless you all!

Day 1,399. Today, President Zelensky has revealed details of the proposed peace plan worked out between US and Ukraine delegations last weekend in Miami, that is due to be put to Russia later today. Plus, since it's Christmas Eve, something a little different: a special look at the Ukrainian art scene, past and present.We begin with the generation of Ukrainian artists at the dawn of the 20th century who helped drive the Modernist movement, breaking with centuries of figurative tradition and pushing art decisively into modernity. We examine how artists are later reclaimed by national narratives – and why – as well as how the full-scale invasion has reshaped the global art market. We then turn to Ukraine's contemporary art scene, focusing on one young, emerging artist and exploring how their generation, and their creativity, is being transformed by the war.CONTENT REFERENCED:In the Eye of the Storm, Modernism in Ukraine, 1900–1930s, Royal Academy of Arts: https://www.royalacademy.org.uk/exhibition/eye-of-the-stormJames Butterwick. Ukrainian and Russian Art Expert: https://www.jamesbutterwick.com/PinchukArtCentre Prize 2025: https://prize.pinchukartcentre.org/enSIGN UP TO THE ‘UKRAINE: THE LATEST' WEEKLY NEWSLETTER:http://telegraph.co.uk/ukrainenewsletter Each week, Dom Nicholls and Francis Dearnley answer your questions, provide recommended reading, and give exclusive analysis and behind-the-scenes insights – plus maps of the frontlines and diagrams of weapons to complement our daily reporting. It's free for everyone, including non-subscribers.Subscribe: telegraph.co.uk/ukrainethelatestEmail: ukrainepod@telegraph.co.uk Hosted on Acast. See acast.com/privacy for more information.

Melvyn Bragg and guests discuss the dance which, from when it reached Britain in the early nineteenth century, revolutionised the relationship between music, literature and people here for the next hundred years. While it may seem formal now, it was the informality and daring that drove its popularity, with couples holding each other as they spun round a room to new lighter music popularised by Johann Strauss, father and son, such as The Blue Danube. Soon the Waltz expanded the creative world in poetry, ballet, novellas and music, from the Ballets Russes of Diaghilev to Moon River and Are You Lonesome Tonight. With Susan Jones Emeritus Professor of English Literature at the University of Oxford Derek B. Scott Professor Emeritus of Music at the University of Leeds And Theresa Buckland Emeritus Professor of Dance History and Ethnography at the University of Roehampton Producer: Simon Tillotson Reading list: Egil Bakka, Theresa Jill Buckland, Helena Saarikoski, and Anne von Bibra Wharton (eds.), Waltzing Through Europe: Attitudes towards Couple Dances in the Long Nineteenth Century, (Open Book Publishers, 2020) Theresa Jill Buckland, ‘How the Waltz was Won: Transmutations and the Acquisition of Style in Early English Modern Ballroom Dancing. Part One: Waltzing Under Attack' (Dance Research, 36/1, 2018); ‘Part Two: The Waltz Regained' (Dance Research, 36/2, 2018) Theresa Jill Buckland, Society Dancing: Fashionable Bodies in England, 1870-1920 (Palgrave Macmillan, 2011) Erica Buurman, The Viennese Ballroom in the Age of Beethoven (Cambridge University Press, 2022) Paul Cooper, ‘The Waltz in England, c. 1790-1820' (Paper presented at Early Dance Circle conference, 2018) Sherril Dodds and Susan Cook (eds.), Bodies of Sound: Studies Across Popular Dance and Music (Ashgate, 2013), especially ‘Dancing Out of Time: The Forgotten Boston of Edwardian England' by Theresa Jill Buckland Zelda Fitzgerald, Save Me the Waltz (first published 1932; Vintage Classics, 2001) Hilary French, Ballroom: A People's History of Dancing (Reaktion Books, 2022) Susan Jones, Literature, Modernism, and Dance (Oxford University Press, 2013) Mark Knowles, The Wicked Waltz and Other Scandalous Dances: Outrage at Couple Dancing in the 19th and Early 20th Centuries (McFarland, 2009) Rosamond Lehmann, Invitation to the Waltz (first published 1932; Virago, 2006) Eric McKee, Decorum of the Minuet, Delirium of the Waltz: A Study of Dance-Music Relations in 3/4 Time (Indiana University Press, 2012) Eduard Reeser, The History of the Walz (Continental Book Co., 1949) Stanley Sadie (ed.), The New Grove Dictionary of Music and Musicians, Vol. 27 (Macmillan, 2nd ed., 2000), especially ‘Waltz' by Andrew Lamb Derek B. Scott, Sounds of the Metropolis: The 19th-Century Popular Music Revolution in London, New York, Paris and Vienna (Oxford University Press, 2008), especially the chapter ‘A Revolution on the Dance Floor, a Revolution in Musical Style: The Viennese Waltz' Joseph Wechsberg, The Waltz Emperors: The Life and Times and Music of the Strauss Family (Putnam, 1973) Cheryl A. Wilson, Literature and Dance in Nineteenth-century Britain (Cambridge University Press, 2009) Virginia Woolf, The Voyage Out (first published 1915; William Collins, 2013) Virginia Woolf, The Years (first published 1937; Vintage Classics, 2016) David Wyn Jones, The Strauss Dynasty and Habsburg Vienna (Cambridge University Press, 2023) Sevin H. Yaraman, Revolving Embrace: The Waltz as Sex, Steps, and Sound (Pendragon Press, 2002) Rishona Zimring, Social Dance and the Modernist Imagination in Interwar Britain (Ashgate Press, 2013)