Podcasts about Modernism

The exhibit "Noguchi's New York" explores how Isamu Noguchi relationship with New York transformed the city even when thwarted by Robert Moses. It displays a survey of 50 of his works and animations of projects that were never realized. Noguchi Museum curator Kate Wiener & museum director Amy Hau discuss the exhibit, and the historical impact of the groundbreaking designer.

Starting with Los Angeles, we'll talk with Rudolph Schindler homeowner, and star of Two and a Half Men, Holland Taylor.  Then we move to Palm Springs, the center of the Universe for midcentury Modernism. Everybody who's a fan of Modernism needs to plan a trip, and today we'll talk with Palm Springs tour guides Shann Carr and JD Cargill, author Adele Cygelman and her new documentary Arthur Elrod: Modern Cool, Later music from jazz pianist Lenore Raphael. 

Is Modernism "dumb" - or am I stupid? Synodality in five minutes? Leo tells Anglicans we are all one in faith. Modernist lies, Cardinal Roche and the Traditional Latin Mass. Modernism and Marxism: blood brothers. Mamdani's "child care." Venezuela's Maduro, Noriega, Bay of Pigs. DC National March for Life: Nellie Gray and the Paramount Life Principles. This episode was recorded on 1/27/2026. Our Links: http://linkwcb.com/ Please consider making a monetary donation to What Catholics Believe. Father Jenkins remembers all of our benefactors in general during his daily Mass, and he also offers one Mass on the first Sunday of every month specially for all supporters of What Catholics Believe. May God bless you for your generosity! https://www.wcbohio.com/donate Subscribe to our other YouTube channels: ‪@WCBHighlights‬ ‪@WCBHolyMassLivestream‬ May God bless you all!

On this week's episode we return to 70s for the first of a mini-series on post-punk. A historical period, an unhelpful genre descriptor, a structure of feeling? Whatever it is, the guitar bands of the UK and NYC in 1978 were creating some serious music. Jeremy and Tim discuss where the term came from, what exactly the ‘punk' it was following was, and some the music's early proponents. With reference to The Slits, Wire, Talking Heads and more, we hear about the Hacienda, John Peel, Modernism and Mark E Smith. The guys unpack how funk and reggae were influencing bands like The Contortions in their experimentation with rhythm, visit the CBGB club in New York, and dispute received ideas about the division between punk and disco. Finally, we introduce a major character in out story over the coming months: Arthur Russell.Tracklist:The Slits - New Town (John Peel Session) Wire - I Am the Fly The Fall - Stepping Out Talking Heads - Tentative Decisions The Contortions - I Can't Stand Myself Books:Simon Reynolds - Rip It Up and Start AgainJohn Savage - ‘The New Musick' in Time Travel

LifeSite's John Henry Weston: "What is synodality?" Saint Pius X's encyclical "Pascendi". Francis' 2015 launch of his Synodal Church. The non-magisterium of Leo's listening, learning, "discerning" Church. Not the One, Holy, Catholic and Apostolic Church - now just the Synodal Church. "Synodal" vs. all the marks of the true Catholic Church. Synodal Church the evil offspring of Modernism. Modernism not just a heresy, but "the synthesis of ALL heresies." Modernism perverts art, glorifies ugliness. This episode was recorded on 1/16/2026. Our Links: http://linkwcb.com/ Please consider making a monetary donation to What Catholics Believe. Father Jenkins remembers all of our benefactors in general during his daily Mass, and he also offers one Mass on the first Sunday of every month specially for all supporters of What Catholics Believe. May God bless you for your generosity! https://www.wcbohio.com/donate Subscribe to our other YouTube channels: ‪@WCBHighlights‬ ‪@WCBHolyMassLivestream‬ May God bless you all!

Reconstruction explores the impact of the First World War on the built environment - examining the immediate effects and aftermath of the Great War on the architecture of Britain and the British empire during the interwar years. While much attention has been paid by historians to post-war architectural reconstruction after 1945, the earlier developments of the interwar period (1919-1939) have been comparatively overlooked. Sixteen essays written by leading and emerging scholars bring together new and diverse approaches to the period - a period of reconstruction, fraught with the challenges of modernity and democratisation. The collection considers the complex effects of reconstruction on design, discourse, practice, and professionalism, and deals with the full spectrum of architectural styles and approaches, privileging neither Modernism nor traditional styles. It brings to the fore social and political histories of the built environment, and makes important postcolonial interventions into the architectural history of British Imperialism at home and in its far reaches; in Egypt, South Africa, Australia, and India This interview was conducted by Matthew Wells, Senior Lecturer in Architectural Studies at the University of Manchester. His research explores nineteenth-century European architecture, focusing on cultural techniques, technology, and political economy. Wells is the author of Modelling the Metropolis: The Architectural Model in Victorian London (2023). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Reconstruction explores the impact of the First World War on the built environment - examining the immediate effects and aftermath of the Great War on the architecture of Britain and the British empire during the interwar years. While much attention has been paid by historians to post-war architectural reconstruction after 1945, the earlier developments of the interwar period (1919-1939) have been comparatively overlooked. Sixteen essays written by leading and emerging scholars bring together new and diverse approaches to the period - a period of reconstruction, fraught with the challenges of modernity and democratisation. The collection considers the complex effects of reconstruction on design, discourse, practice, and professionalism, and deals with the full spectrum of architectural styles and approaches, privileging neither Modernism nor traditional styles. It brings to the fore social and political histories of the built environment, and makes important postcolonial interventions into the architectural history of British Imperialism at home and in its far reaches; in Egypt, South Africa, Australia, and India This interview was conducted by Matthew Wells, Senior Lecturer in Architectural Studies at the University of Manchester. His research explores nineteenth-century European architecture, focusing on cultural techniques, technology, and political economy. Wells is the author of Modelling the Metropolis: The Architectural Model in Victorian London (2023). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

Maduro's capture: right or wrong? Praying with annoying people? Did any Jews expect Messiah to be God Himself? Does capitalism beget Communism? The predatory nature of Islam. Charlotte's new order bishop. Mamdani's "warmth of collectivism." Modernism, the synthesis of all heresies, cannot be "reformed." Our reasons for joy and gratitude! This episode was recorded on 1/6/2026. Our Links: http://linkwcb.com/ Please consider making a monetary donation to What Catholics Believe. Father Jenkins remembers all of our benefactors in general during his daily Mass, and he also offers one Mass on the first Sunday of every month specially for all supporters of What Catholics Believe. May God bless you for your generosity! https://www.wcbohio.com/donate Subscribe to our other YouTube channels: ‪@WCBHolyMassLivestream‬ ‪@WCBHighlights‬ May God bless you all!

Reconstruction explores the impact of the First World War on the built environment - examining the immediate effects and aftermath of the Great War on the architecture of Britain and the British empire during the interwar years. While much attention has been paid by historians to post-war architectural reconstruction after 1945, the earlier developments of the interwar period (1919-1939) have been comparatively overlooked. Sixteen essays written by leading and emerging scholars bring together new and diverse approaches to the period - a period of reconstruction, fraught with the challenges of modernity and democratisation. The collection considers the complex effects of reconstruction on design, discourse, practice, and professionalism, and deals with the full spectrum of architectural styles and approaches, privileging neither Modernism nor traditional styles. It brings to the fore social and political histories of the built environment, and makes important postcolonial interventions into the architectural history of British Imperialism at home and in its far reaches; in Egypt, South Africa, Australia, and India This interview was conducted by Matthew Wells, Senior Lecturer in Architectural Studies at the University of Manchester. His research explores nineteenth-century European architecture, focusing on cultural techniques, technology, and political economy. Wells is the author of Modelling the Metropolis: The Architectural Model in Victorian London (2023). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Joyce talks about:The idea of collectivism growing amongst the younger generation. Robbing generations of opportunities with Modernism.A generation hooked on antidepressant medications.People are defending Maduro. The arrest of Maduro and take over of Venezuela took out the supply chain to America's enemies.The possibility of Greenland becoming a part of the US. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Reconstruction explores the impact of the First World War on the built environment - examining the immediate effects and aftermath of the Great War on the architecture of Britain and the British empire during the interwar years. While much attention has been paid by historians to post-war architectural reconstruction after 1945, the earlier developments of the interwar period (1919-1939) have been comparatively overlooked. Sixteen essays written by leading and emerging scholars bring together new and diverse approaches to the period - a period of reconstruction, fraught with the challenges of modernity and democratisation. The collection considers the complex effects of reconstruction on design, discourse, practice, and professionalism, and deals with the full spectrum of architectural styles and approaches, privileging neither Modernism nor traditional styles. It brings to the fore social and political histories of the built environment, and makes important postcolonial interventions into the architectural history of British Imperialism at home and in its far reaches; in Egypt, South Africa, Australia, and India This interview was conducted by Matthew Wells, Senior Lecturer in Architectural Studies at the University of Manchester. His research explores nineteenth-century European architecture, focusing on cultural techniques, technology, and political economy. Wells is the author of Modelling the Metropolis: The Architectural Model in Victorian London (2023). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

Send us a textDescriptionBartók: When Folk Music Met Modernism in 60 Seconds. Take a minute to get the scoop!Fun FactBartók wasn't just inspired by folk music—he treated it like scientific research. Armed with a phonograph, he recorded villagers singing in remote areas, often in harsh conditions. He transcribed songs note by note, preserving traditions that might otherwise have vanished. In the process, he became one of the founders of ethnomusicology—long before the term was widely used.About Steven, HostSteven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.Support the show

Day 1,399. Today, President Zelensky has revealed details of the proposed peace plan worked out between US and Ukraine delegations last weekend in Miami, that is due to be put to Russia later today. Plus, since it's Christmas Eve, something a little different: a special look at the Ukrainian art scene, past and present.We begin with the generation of Ukrainian artists at the dawn of the 20th century who helped drive the Modernist movement, breaking with centuries of figurative tradition and pushing art decisively into modernity. We examine how artists are later reclaimed by national narratives – and why – as well as how the full-scale invasion has reshaped the global art market. We then turn to Ukraine's contemporary art scene, focusing on one young, emerging artist and exploring how their generation, and their creativity, is being transformed by the war.CONTENT REFERENCED:In the Eye of the Storm, Modernism in Ukraine, 1900–1930s, Royal Academy of Arts: https://www.royalacademy.org.uk/exhibition/eye-of-the-stormJames Butterwick. Ukrainian and Russian Art Expert: https://www.jamesbutterwick.com/PinchukArtCentre Prize 2025: https://prize.pinchukartcentre.org/enSIGN UP TO THE ‘UKRAINE: THE LATEST' WEEKLY NEWSLETTER:http://telegraph.co.uk/ukrainenewsletter Each week, Dom Nicholls and Francis Dearnley answer your questions, provide recommended reading, and give exclusive analysis and behind-the-scenes insights – plus maps of the frontlines and diagrams of weapons to complement our daily reporting. It's free for everyone, including non-subscribers.Subscribe: telegraph.co.uk/ukrainethelatestEmail: ukrainepod@telegraph.co.uk Hosted on Acast. See acast.com/privacy for more information.

War, revolution, genocide, rebellion, slump. The economic and political turmoil of the early twentieth century seemed destined to rip asunder the ties that bound colonizers and the colonized to one another. The upheaval represented an opportunity, and not just to nationalists who imagined new homelands or to socialists who dreamed of international brotherhood. For modernists in the orbit of various occultisms, the crisis of empire also represented an opportunity to reveal humanity's fundamental unity and common fate. Lineages of the Global City: Occult Modernism and the Spiritualization of Democracy (U Texas Press, 2025) by Dr. Shiben Banerji recounts a continuous, if also contentious, transnational exchange among modernists and occultists across the Americas, Europe, South Asia, and Australia between 1905 and 1949. At stake were the feelings and affect of a new global subject who would perceive themselves as belonging to humanity as a unified whole, and the urban environment that would foster their subjectivity. The interventions in this debate, which drew in the period's most renowned modernists, took the form of a succession of plans for cities, suburbs, and communes, as well as experiments in building, drawing, printmaking, filmmaking, and writing. Weaving together postcolonial, feminist, and Marxist insight on subject formation, Dr. Banerji advances a new way of understanding modernist urban space as the design of subjective effects. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

War, revolution, genocide, rebellion, slump. The economic and political turmoil of the early twentieth century seemed destined to rip asunder the ties that bound colonizers and the colonized to one another. The upheaval represented an opportunity, and not just to nationalists who imagined new homelands or to socialists who dreamed of international brotherhood. For modernists in the orbit of various occultisms, the crisis of empire also represented an opportunity to reveal humanity's fundamental unity and common fate. Lineages of the Global City: Occult Modernism and the Spiritualization of Democracy (U Texas Press, 2025) by Dr. Shiben Banerji recounts a continuous, if also contentious, transnational exchange among modernists and occultists across the Americas, Europe, South Asia, and Australia between 1905 and 1949. At stake were the feelings and affect of a new global subject who would perceive themselves as belonging to humanity as a unified whole, and the urban environment that would foster their subjectivity. The interventions in this debate, which drew in the period's most renowned modernists, took the form of a succession of plans for cities, suburbs, and communes, as well as experiments in building, drawing, printmaking, filmmaking, and writing. Weaving together postcolonial, feminist, and Marxist insight on subject formation, Dr. Banerji advances a new way of understanding modernist urban space as the design of subjective effects. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

War, revolution, genocide, rebellion, slump. The economic and political turmoil of the early twentieth century seemed destined to rip asunder the ties that bound colonizers and the colonized to one another. The upheaval represented an opportunity, and not just to nationalists who imagined new homelands or to socialists who dreamed of international brotherhood. For modernists in the orbit of various occultisms, the crisis of empire also represented an opportunity to reveal humanity's fundamental unity and common fate. Lineages of the Global City: Occult Modernism and the Spiritualization of Democracy (U Texas Press, 2025) by Dr. Shiben Banerji recounts a continuous, if also contentious, transnational exchange among modernists and occultists across the Americas, Europe, South Asia, and Australia between 1905 and 1949. At stake were the feelings and affect of a new global subject who would perceive themselves as belonging to humanity as a unified whole, and the urban environment that would foster their subjectivity. The interventions in this debate, which drew in the period's most renowned modernists, took the form of a succession of plans for cities, suburbs, and communes, as well as experiments in building, drawing, printmaking, filmmaking, and writing. Weaving together postcolonial, feminist, and Marxist insight on subject formation, Dr. Banerji advances a new way of understanding modernist urban space as the design of subjective effects. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

War, revolution, genocide, rebellion, slump. The economic and political turmoil of the early twentieth century seemed destined to rip asunder the ties that bound colonizers and the colonized to one another. The upheaval represented an opportunity, and not just to nationalists who imagined new homelands or to socialists who dreamed of international brotherhood. For modernists in the orbit of various occultisms, the crisis of empire also represented an opportunity to reveal humanity's fundamental unity and common fate. Lineages of the Global City: Occult Modernism and the Spiritualization of Democracy (U Texas Press, 2025) by Dr. Shiben Banerji recounts a continuous, if also contentious, transnational exchange among modernists and occultists across the Americas, Europe, South Asia, and Australia between 1905 and 1949. At stake were the feelings and affect of a new global subject who would perceive themselves as belonging to humanity as a unified whole, and the urban environment that would foster their subjectivity. The interventions in this debate, which drew in the period's most renowned modernists, took the form of a succession of plans for cities, suburbs, and communes, as well as experiments in building, drawing, printmaking, filmmaking, and writing. Weaving together postcolonial, feminist, and Marxist insight on subject formation, Dr. Banerji advances a new way of understanding modernist urban space as the design of subjective effects. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

War, revolution, genocide, rebellion, slump. The economic and political turmoil of the early twentieth century seemed destined to rip asunder the ties that bound colonizers and the colonized to one another. The upheaval represented an opportunity, and not just to nationalists who imagined new homelands or to socialists who dreamed of international brotherhood. For modernists in the orbit of various occultisms, the crisis of empire also represented an opportunity to reveal humanity's fundamental unity and common fate. Lineages of the Global City: Occult Modernism and the Spiritualization of Democracy (U Texas Press, 2025) by Dr. Shiben Banerji recounts a continuous, if also contentious, transnational exchange among modernists and occultists across the Americas, Europe, South Asia, and Australia between 1905 and 1949. At stake were the feelings and affect of a new global subject who would perceive themselves as belonging to humanity as a unified whole, and the urban environment that would foster their subjectivity. The interventions in this debate, which drew in the period's most renowned modernists, took the form of a succession of plans for cities, suburbs, and communes, as well as experiments in building, drawing, printmaking, filmmaking, and writing. Weaving together postcolonial, feminist, and Marxist insight on subject formation, Dr. Banerji advances a new way of understanding modernist urban space as the design of subjective effects. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Robin Schuldenfrei rejoins me to talk more Bauhaus! In this episode, we discuss her book Luxury and Modernism, covering the complexities of the Bauhaus, which had a leftwing ethos but produced luxury objects, and made them by hand to appear machine made. Robin talks us through how the contradiction between luxury and egalitarianism ran from Morris's arts and crafts movement to the Bauhaus, and modernism only became a truly "everyday" part of life during the colossal expansion of middle-class wealth in the midcentury, as celebrated by Life magazine and recreated in the show Mad Men

Our first guest Volker Welter uncovers how architect Leopold Fischer fled Europe to shape Modernism in the US.  We have Cranbrook Museum's Chief Curator Andrew Blauvelt, and later, musical guests Gregg and Kathy Gelb in a tribute to Paul Montgomery.

Cardinal Cobo is a special kind of cardinal, one who would be perfectly at home in the company of Cardinal Cupich or Bishop Batzing.Sponsored by Nelson Insurance Advisorshttps://www.nelsonplan.comSources:https://www.returntotradition.orgorhttps://substack.com/@returntotradition1Contact Me:Email: return2catholictradition@gmail.comSupport My Work:Patreonhttps://www.patreon.com/AnthonyStineSubscribeStarhttps://www.subscribestar.net/return-to-traditionBuy Me A Coffeehttps://www.buymeacoffee.com/AnthonyStinePhysical Mail:Anthony StinePO Box 3048Shawnee, OK74802Follow me on the following social media:https://www.facebook.com/ReturnToCatholicTradition/https://twitter.com/pontificatormax+JMJ+#popeleoXIV #catholicism #catholicchurch #catholicprophecy#infiltration

Cardinal Cobo is a special kind of cardinal, one who would be perfectly at home in the company of Cardinal Cupich or Bishop Batzing.Sponsored by Nelson Insurance Advisorshttps://www.nelsonplan.comSources:https://www.returntotradition.orgorhttps://substack.com/@returntotradition1Contact Me:Email: return2catholictradition@gmail.comSupport My Work:Patreonhttps://www.patreon.com/AnthonyStineSubscribeStarhttps://www.subscribestar.net/return-to-traditionBuy Me A Coffeehttps://www.buymeacoffee.com/AnthonyStinePhysical Mail:Anthony StinePO Box 3048Shawnee, OK74802Follow me on the following social media:https://www.facebook.com/ReturnToCatholicTradition/https://twitter.com/pontificatormax+JMJ+#popeleoXIV #catholicism #catholicchurch #catholicprophecy#infiltration

New Order baptisms? Leo boosts Parolin, downgrades Latin. Freemason Pope? Perpetual papacy? Popes and modesty! IVF kills six for every life it gives. Catholic burial after suicide? Catholics marry by Justice of Peace? Sunday Mass on Saturday? Familism? No compromise with Modernism! 2025 Christmas Appeal : https://www.icaohio.com/christmasappeal This episode was recorded on 12/2/2025. Our Links: http://linkwcb.com/ Please consider making a monetary donation to What Catholics Believe. Father Jenkins remembers all of our benefactors in general during his daily Mass, and he also offers one Mass on the first Sunday of every month specially for all supporters of What Catholics Believe. May God bless you for your generosity! https://www.wcbohio.com/donate Subscribe to our other YouTube channels: ‪@WCBHighlights‬ ‪@WCBHolyMassLivestream‬ May God bless you all!

This episode of Material Matters is as much about an object as it is a material. Tom Broughton is the founder of Cubitts, a modern spectacles company based in London's Kings Cross. The company started in 2013 from his kitchen table and has grown to 20 stores across the UK and US, serving 250,000 customers across 100 countries. It offers frames in a number of materials – such as stainless steel and titanium – but is renowned for its use of acetate.According to the company's website Cubitts was ‘founded to help more people live better lives through spectacles they proudly wear – and creating a better, and more responsible, industry along the way.'In this episode we talk about: how early Modernism influenced Cubitts; living in (and loving) the Isokon building; founding his company and ‘literally doing everything'; not having a business plan; the joy of acetate and how the material defines his brand; a brief history of spectacles and London's making legacy; why he has a problem with the word ‘eyewear'; being prescribed glasses at the age of 14 and collecting vintage frames in his 20s; getting bored easily and enjoying failure; disrupting the optics industry; being 'unrelenting' and making sacrifices in his personal life; and having an addictive personality.Support the show

The upcoming Chicago Review of Architecture will be produced in collaboration with the New York Review of Architecture.The magazine aims to give a critical eye  to the architecture around us including the politics of it all. The 21st Show is Illinois' statewide weekday public radio talk show, connecting Illinois and bringing you the news, culture, and stories that matter to the 21st state. Have thoughts on the show or one of our episodes, or want to share an idea for something we should talk about? Send us an email: talk@21stshow.org. If you'd like to have your say as we're planning conversations, join our texting group! Just send the word "TALK" to (217) 803-0730. Subscribe to our podcast and hear our latest conversations.  Apple Podcasts: https://podcasts.apple.com/us/podcast Spotify: https://open.spotify.com/show/6PT6pb0 Find past segments, links to our social media and more at our website: 21stshow.org.

Today, Joe examines the claim that the Catholic Church has changed positions to fit with the times, while Eastern Orthodoxy has remained the same since Christ founded the Church. Transcript: Joe: Welcome back to Shameless Popery. I’m Joe Heschmeyer and I want to respond to a specific criticism. I’ve heard from some orthodox against Catholicism that Catholicism is guilty of changing and developing unlike unchanging orthodoxy. And the argument goes, the Catholic church is out here changing the mass and changing her moral teachings to look more like current times unlike orthodoxy, whi...

In the 40th episode of our "Reading the Art World" podcast, Megan Fox Kelly speaks with the Guggenheim's Megan Fontanella, Curator of Modern Art and Provenance, about her beautifully researched book "Gabriele Münter: Contours of a World," published by Guggenheim Museum Publications, distributed by Artbook DAP.Our conversation reveals the life and art of Gabriele Münter, a pioneering German Expressionist whose bold use of color and form helped define early modernism—yet whose place in art history has long been understated. Fontanella traces Münter's path from her early photographic work during travels in the United States (1898-1900) to her vibrant paintings that reimagined landscape, still life, and portraiture through radical simplification and expressive color.We discuss Münter's role as cofounder of Der Blaue Reiter (The Blue Rider), the influential collective that included Vasily Kandinsky and other progressive artists who pushed the expressive potential of color and symbolic form. Fontanella shows how Münter developed her distinctive visual language—one that sought to "convey an essence" rather than imitate reality—offering a lyrical alternative to the pure abstraction that dominated much of early Modernism.One of the most compelling parts of our conversation addresses Münter's actions during World War II, when she hid major works by herself and other Blue Rider artists in the basement of her home in Murnau, Germany, protecting them from Nazi confiscation. This act of quiet courage preserved a vital chapter of modern art history. Fontanella reflects on how women artists of Münter's generation have been systematically undervalued, and how recent scholarship is finally restoring Münter to her place in the modernist canon.For anyone interested in German Expressionism, the recovery of women artists' legacies, or the collaborative networks that shaped the early 20th-century avant-garde, this episode offers essential insights into an artist whose vision continues to inspire—and whose work deserves far greater recognition.ABOUT THE AUTHORMegan Fontanella is Curator of Modern Art and Provenance at the Solomon R. Guggenheim Museum. She is recognized as an expert in provenance research with a focus on World War II spoliation issues. Fontanella graduated from Dartmouth College with a BA in art history and received her MA from the Courtauld Institute of Art, London, where she specialized in late 19th-century French art.ABOUT THE EXHIBITION"Gabriele Münter: Contours of a World" is on view at the Solomon R. Guggenheim Museum, New York, from November 7, 2025 through April 26, 2026. The exhibition presents over fifty paintings across three Tower galleries, alongside nineteen photographs Münter captured during her extended stay in the United States. Learn more here: https://www.guggenheim.org/exhibition/gabriele-munterPURCHASE THE BOOKhttps://www.guggenheimstore.org/gabriele-munter-contours-of-a-worldSUBSCRIBE, FOLLOW AND HEAR INTERVIEWS:For more information, visit meganfoxkelly.com, hear our past interviews, and subscribe at the bottom of our Of Interest page for new posts.Follow us on Instagram: @meganfoxkelly"Reading the Art World" is a live interview and podcast series with leading art world authors hosted by art advisor Megan Fox Kelly. The conversations explore timely subjects in the world of art, design, architecture, artists and the art market. They are an opportunity to engage further with the minds behind these insightful new publications.Megan Fox Kelly is an art advisor and past President of the Association of Professional Art Advisors who works with collectors, estates and foundations.Music composed by Bob Golden

Episode: 3339 Cradling the Body: The Eames Lounge Chair, Leg Splint, and Good Design.  The Eames Lounge Chair and Leg Splint

Nigerian modern art is having a moment. In London, the Tate has opened a critically acclaimed exhibition, called “Nigerian Modernism,” featuring more than 50 artists who experimented with vibrant new styles in the mid 20th century in the giant and influential West African nation. More generally, the artists of this era have become more recognized outside of their home country in recent decades, from early figures who laid the groundwork like Aina Onabolu to a towering figure of the 1950s like Ben Enwonwu to younger innovators of the 1950s and 1960s such as Uche Okeke and Demas Nwoko, with many more important names to know and bodies of work to discover. This was an earth-shaking time in Nigerian history, when a near-century of British colonial domination was shed and the many problems of a fragile new independent nation had to be faced. These artists were part of figuring out how to express that new sense of identity in images. But their art was not always so celebrated, sometimes dismissed as derivative of European art. The scholar and curator Chika Okeke-Agulu has been important to the recent re-estimation of Nigeria's art history. He teaches at Princeton, and is the author of, among many other things, of Postcolonial Modernism: Art and Decolonization in Twentieth-Century Nigeria, a book that personally excited me very much when I first found it. With the Tate show drawing a fresh wave of interest, art critic Ben Davis thought Okeke-Agulu would be an excellent guide to what this art was, what it meant, and why it still demands attention today.

Today's Topics: 1) Pius X to Francis: From 'Modernism Expelled" to "Modernism Enthroned," Pt. 1 https://www.traditionsanity.com/p/pius-x-to-francis-from-modernism 2, 3, 4) Is the Novus Ordo deforming the clergy https://crisismagazine.com/opinion/deforming-the-clergy

In a world devastated by the cataclysm of war, two extraordinary authors and friends, J. R. R. Tolkien and C. S. Lewis, delivered a bracing vision of the human story: a path back to goodness, beauty, and faith. How did they do it? For the first time, historian Joseph Loconte explains how the catastrophe of World War II trans­formed the lives and literary imagination of Tolkien and Lewis. The mechanized slaughter of the First World War had created a storm of disillusionment with the political and religious ideals of Western civilization. The new ideologies of Modernism, communism, Nazism, and totalitarianism rushed to fill the vacuum. At stake was a contest between civilization and barbarism. Tolkien and Lewis sought each other out in friendship and threw themselves into the struggle.Become a Parshall Partner: http://moodyradio.org/donateto/inthemarket/partnersSee omnystudio.com/listener for privacy information.

Melvyn Bragg and guests discuss the dance which, from when it reached Britain in the early nineteenth century, revolutionised the relationship between music, literature and people here for the next hundred years. While it may seem formal now, it was the informality and daring that drove its popularity, with couples holding each other as they spun round a room to new lighter music popularised by Johann Strauss, father and son, such as The Blue Danube. Soon the Waltz expanded the creative world in poetry, ballet, novellas and music, from the Ballets Russes of Diaghilev to Moon River and Are You Lonesome Tonight. With Susan Jones Emeritus Professor of English Literature at the University of Oxford Derek B. Scott Professor Emeritus of Music at the University of Leeds And Theresa Buckland Emeritus Professor of Dance History and Ethnography at the University of Roehampton Producer: Simon Tillotson Reading list: Egil Bakka, Theresa Jill Buckland, Helena Saarikoski, and Anne von Bibra Wharton (eds.), Waltzing Through Europe: Attitudes towards Couple Dances in the Long Nineteenth Century, (Open Book Publishers, 2020) Theresa Jill Buckland, ‘How the Waltz was Won: Transmutations and the Acquisition of Style in Early English Modern Ballroom Dancing. Part One: Waltzing Under Attack' (Dance Research, 36/1, 2018); ‘Part Two: The Waltz Regained' (Dance Research, 36/2, 2018) Theresa Jill Buckland, Society Dancing: Fashionable Bodies in England, 1870-1920 (Palgrave Macmillan, 2011) Erica Buurman, The Viennese Ballroom in the Age of Beethoven (Cambridge University Press, 2022) Paul Cooper, ‘The Waltz in England, c. 1790-1820' (Paper presented at Early Dance Circle conference, 2018) Sherril Dodds and Susan Cook (eds.), Bodies of Sound: Studies Across Popular Dance and Music (Ashgate, 2013), especially ‘Dancing Out of Time: The Forgotten Boston of Edwardian England' by Theresa Jill Buckland Zelda Fitzgerald, Save Me the Waltz (first published 1932; Vintage Classics, 2001) Hilary French, Ballroom: A People's History of Dancing (Reaktion Books, 2022) Susan Jones, Literature, Modernism, and Dance (Oxford University Press, 2013) Mark Knowles, The Wicked Waltz and Other Scandalous Dances: Outrage at Couple Dancing in the 19th and Early 20th Centuries (McFarland, 2009) Rosamond Lehmann, Invitation to the Waltz (first published 1932; Virago, 2006) Eric McKee, Decorum of the Minuet, Delirium of the Waltz: A Study of Dance-Music Relations in 3/4 Time (Indiana University Press, 2012) Eduard Reeser, The History of the Walz (Continental Book Co., 1949) Stanley Sadie (ed.), The New Grove Dictionary of Music and Musicians, Vol. 27 (Macmillan, 2nd ed., 2000), especially ‘Waltz' by Andrew Lamb Derek B. Scott, Sounds of the Metropolis: The 19th-Century Popular Music Revolution in London, New York, Paris and Vienna (Oxford University Press, 2008), especially the chapter ‘A Revolution on the Dance Floor, a Revolution in Musical Style: The Viennese Waltz' Joseph Wechsberg, The Waltz Emperors: The Life and Times and Music of the Strauss Family (Putnam, 1973) Cheryl A. Wilson, Literature and Dance in Nineteenth-century Britain (Cambridge University Press, 2009) Virginia Woolf, The Voyage Out (first published 1915; William Collins, 2013) Virginia Woolf, The Years (first published 1937; Vintage Classics, 2016) David Wyn Jones, The Strauss Dynasty and Habsburg Vienna (Cambridge University Press, 2023) Sevin H. Yaraman, Revolving Embrace: The Waltz as Sex, Steps, and Sound (Pendragon Press, 2002) Rishona Zimring, Social Dance and the Modernist Imagination in Interwar Britain (Ashgate Press, 2013)

In a world devastated by the cataclysm of war, two extraordinary authors and friends, J. R. R. Tolkien and C. S. Lewis, delivered a bracing vision of the human story: a path back to goodness, beauty, and faith. How did they do it? For the first time, historian Joseph Loconte explains how the catastrophe of World War II trans­formed the lives and literary imagination of Tolkien and Lewis. The mechanized slaughter of the First World War had created a storm of disillusionment with the political and religious ideals of Western civilization. The new ideologies of Modernism, communism, Nazism, and totalitarianism rushed to fill the vacuum. At stake was a contest between civilization and barbarism. Tolkien and Lewis sought each other out in friendship and threw themselves into the struggle.Become a Parshall Partner: http://moodyradio.org/donateto/inthemarket/partnersSee omnystudio.com/listener for privacy information.

E. Fay Jones is a name most architects know but the public does not.  A student of Frank Lloyd Wright, Jones blurred the line between indoors and outdoors with careful use of wood, stone, and glass.  It's like these buildings just emerge from the woods. Today, we've got three people dedicated to preserving Jones legacy. David McKee worked for Jones and is the go-to guy for restoring houses.  We'll talk with Jonathan Formanek, who created the E. Fay Jones Conservancy, along with his partner, Andy Whitmore, who live in the Faubus house in Arkansas.  And back in the studio, we talk with influencer Maggie Weber, whose takes on bad design keep us laughing. 

Melvyn Bragg and guests discuss the dance which, from when it reached Britain in the early nineteenth century, revolutionised the relationship between music, literature and people here for the next hundred years. While it may seem formal now, it was the informality and daring that drove its popularity, with couples holding each other as they spun round a room to new lighter music popularised by Johann Strauss, father and son, such as The Blue Danube. Soon the Waltz expanded the creative world in poetry, ballet, novellas and music, from the Ballets Russes of Diaghilev to Moon River and Are You Lonesome Tonight. With Susan Jones Emeritus Professor of English Literature at the University of Oxford Derek B. Scott Professor Emeritus of Music at the University of Leeds And Theresa Buckland Emeritus Professor of Dance History and Ethnography at the University of Roehampton Producer: Simon Tillotson Reading list: Egil Bakka, Theresa Jill Buckland, Helena Saarikoski, and Anne von Bibra Wharton (eds.), Waltzing Through Europe: Attitudes towards Couple Dances in the Long Nineteenth Century, (Open Book Publishers, 2020) Theresa Jill Buckland, ‘How the Waltz was Won: Transmutations and the Acquisition of Style in Early English Modern Ballroom Dancing. Part One: Waltzing Under Attack' (Dance Research, 36/1, 2018); ‘Part Two: The Waltz Regained' (Dance Research, 36/2, 2018) Theresa Jill Buckland, Society Dancing: Fashionable Bodies in England, 1870-1920 (Palgrave Macmillan, 2011) Erica Buurman, The Viennese Ballroom in the Age of Beethoven (Cambridge University Press, 2022) Paul Cooper, ‘The Waltz in England, c. 1790-1820' (Paper presented at Early Dance Circle conference, 2018) Sherril Dodds and Susan Cook (eds.), Bodies of Sound: Studies Across Popular Dance and Music (Ashgate, 2013), especially ‘Dancing Out of Time: The Forgotten Boston of Edwardian England' by Theresa Jill Buckland Zelda Fitzgerald, Save Me the Waltz (first published 1932; Vintage Classics, 2001) Hilary French, Ballroom: A People's History of Dancing (Reaktion Books, 2022) Susan Jones, Literature, Modernism, and Dance (Oxford University Press, 2013) Mark Knowles, The Wicked Waltz and Other Scandalous Dances: Outrage at Couple Dancing in the 19th and Early 20th Centuries (McFarland, 2009) Rosamond Lehmann, Invitation to the Waltz (first published 1932; Virago, 2006) Eric McKee, Decorum of the Minuet, Delirium of the Waltz: A Study of Dance-Music Relations in 3/4 Time (Indiana University Press, 2012) Eduard Reeser, The History of the Walz (Continental Book Co., 1949) Stanley Sadie (ed.), The New Grove Dictionary of Music and Musicians, Vol. 27 (Macmillan, 2nd ed., 2000), especially ‘Waltz' by Andrew Lamb Derek B. Scott, Sounds of the Metropolis: The 19th-Century Popular Music Revolution in London, New York, Paris and Vienna (Oxford University Press, 2008), especially the chapter ‘A Revolution on the Dance Floor, a Revolution in Musical Style: The Viennese Waltz' Joseph Wechsberg, The Waltz Emperors: The Life and Times and Music of the Strauss Family (Putnam, 1973) Cheryl A. Wilson, Literature and Dance in Nineteenth-century Britain (Cambridge University Press, 2009) Virginia Woolf, The Voyage Out (first published 1915; William Collins, 2013) Virginia Woolf, The Years (first published 1937; Vintage Classics, 2016) David Wyn Jones, The Strauss Dynasty and Habsburg Vienna (Cambridge University Press, 2023) Sevin H. Yaraman, Revolving Embrace: The Waltz as Sex, Steps, and Sound (Pendragon Press, 2002) Rishona Zimring, Social Dance and the Modernist Imagination in Interwar Britain (Ashgate Press, 2013) Spanning history, religion, culture, science and philosophy, In Our Time from BBC Radio 4 is essential listening for the intellectually curious. In each episode, host Melvyn Bragg and expert guests explore the characters, events and discoveries that have shaped our world.

Tate Modern continues to explore the histories of Modern art beyond the European and North American canons that were once its focus. This week it opened the exhibition Nigerian Modernism, and The Art Newspaper's digital editor, Alexander Morrison, speaks to the show's co-curator, Osei Bonsu, and to one of the 50 artists in the exhibition, Jimoh Buraimoh. Before the 12-day war between Israel and Iran in June of this year, the art scene in the Iranian capital, Tehran, was thriving. Sarvy Geranpayeh, one of our correspondents for the Middle East, travelled to Tehran for The Art Newspaper and tells Ben Luke how the art world has responded in the aftermath of the conflict. And this episode's Work of the Week is Cakes (1963) by Wayne Thiebaud, a painting in the National Gallery of Art in Washington that has travelled to the Courtauld Gallery in London for Wayne Thiebaud: American Still Life, the first UK museum exhibition of his art. We visit the show and speak to Barnaby Wright, its co-curator.Nigerian Modernism, Tate Modern, London, until 10 May 2026.Wayne Thiebaud. American Still Life, Courtauld Gallery, London, 10 October-18 January 2026.LAST CHANCE student subscription offer: stay connected to the art world from your first lecture to your final dissertation with a three-year student subscription to The Art Newspaper for just £99/$112/€105. Gift, quarterly and annual subscriptions are also available.https://www.theartnewspaper.com/subscriptions-student?offer=4c1120ea-bc15-4cb3-97bc-178560692a9c Hosted on Acast. See acast.com/privacy for more information.

This is an excerpt from a patrons-only episode. To hear the full thing, and dozens more like it, visit Patreon.com/LoveMessagePod and become a patron from £3 a month.In this patrons episode we're taking some time to explore some of the background to our recent main feed show about colonialism, jazz diplomacy and the documentary Soundtrack to a Coup D'Etat with a bitesize primer on the origins of the Cold War. Jeremy and Tim run it all the way back to 1917 to unpack the Bolshevik revolution in Russia, the subsequent years of communist rule leading into WW2, and the musical expressions of this historic period. Along the way they discuss Soviet Realism, Modernism, formal experimentation in the arts, Stalin, the Monro Doctrine and the CIA. Elsewhere in the episode we hear about George Formby, Peter and the Wolf, the Red Army Choir, and ask whether any of us really like orchestral music. Tracklist:The Red Army Choir - The Internationale Billy Bragg - The Internationale Shostakovich - Symphony No.2 (October)Books:William Blum - Killing Hope

We've got author and architect Peter Forguson celebrating Michigan's extraordinary collection of bold, Modernist houses with the new book Contemporary Michigan, from the UK, Michael Diamant rants against Modernism, and later on, musical guest Brent Jensen serves classic tunes made famous by Paul Desmond.  

Every rule was made to be broken, except in architecture, where even the act of breaking rules seems to come with its own set of rules. Modernism promised liberation from the past, but it quickly wrote its own commandments into the story—flat roofs, open plans, white walls, and exposed structure became the expected vocabulary. A movement that arrived as rebellion soon carried the weight of convention, and those conventions still shape how we design and judge buildings today. This week, Andrew and I are taking a closer look at the commandments of Modernism—where they came from, why they matter, and what they mean for the way we practice now. Welcome to Episode 186: The Rules of Modernism.  [Note: If you are reading this via email, click here to access the on-site audio player]  If you are interested in seeing just a few of the houses I mentioned on the podcast, you can see them listed on the Realtor.com (here and here are just a few of them) The Roots of Modernism jump to 6:30 Modern architecture did not emerge in a vacuum. It was a response to seismic shifts in society, technology, and culture that took place in the late nineteenth and early twentieth centuries. Industrialization had transformed the way people lived, cities were expanding at unprecedented rates, and new materials like steel, reinforced concrete, and large sheets of plate glass were suddenly available to architects. These inventions were not simply practical tools, they were symbols of a new age. Architects began to ask why they should keep designing buildings that looked like medieval castles or classical temples when the world around them had become faster, lighter, and more efficient. The very idea of progress seemed incompatible with copying the past, and so Modernism positioned itself as the architecture of a new century - an architecture that would represent industry, rationality, and optimism for the future. This rejection of the past was more than an aesthetic preference, it was a manifesto. Ornament was not just unnecessary, it was cast as dishonest and wasteful. Historical references were treated as evidence of cultural stagnation. In their place, Modernists put forward ideas of functional clarity, open planning, and structural honesty. The promise was bold: architecture would no longer serve as a backdrop for tradition, it would become a tool for shaping a better society. Housing would be healthier, cities would be more efficient, and design would finally align with the realities of modern life. It was not only about how buildings looked, but about how they could transform the way people lived … and that is why the roots of Modernism matter to this conversation. The movement began as a radical break from the architectural traditions that came before it, yet it also established a new set of values that quickly hardened into conventions of their own. Before we can explore the “rules” of Modern design, we need to understand the cultural and historical conditions that gave rise to them. Only then can we appreciate the irony that a movement born from revolution became one of the most codified design languages of the twentieth century. By the time Modernism had established itself internationally, the movement that began as rebellion had already created its own set of unwritten rules. Architects may not have published them in a single manifesto, but they were understood all the same. You could look at a building and know whether it was ‘Modern' or not, based on a handful of essential qualities. These rules were never carved into stone, yet they became the code that defined the movement for decades. To understand Modern design, and to really grasp how it operates, we need to lay out those unspoken commandments - the ideas that quietly dictate what belongs inside the Modernist tradition and what falls outside of it. The Ten Commandments of Modernism jump to 13:42 Modernism never published a rulebook,

In CRUX interview, Leo XIV proposes changing Catholic teaching on sexual morality by changing "attitudes"? The essence of Modernism: faith must follow fads, the cornerstone of the new order "Synodal Church." How the New Order failed Charlie Kirk. This episode was recorded on 09/23/2025. Our Links: http://linkwcb.com/ Please consider making a monetary donation to What Catholics Believe. Father Jenkins remembers all of our benefactors in general during his daily Mass, and he also offers one Mass on the first Sunday of every month specially for all supporters of What Catholics Believe. May God bless you for your generosity! https://www.wcbohio.com/donate Subscribe to our other YouTube channels: ‪@WCBHighlights‬ ‪@WCBHolyMassLivestream‬ Video mentioned by Fr. Jenkins at the start of the episode: • Mary is the Solution to Toxic Feminism May God bless you all!

We're back with one of our most popular segments, Children of Genius. Them apples don't fall too far from the tree, and today we'll hear from two that dropped nearby, Toby Rapson and Ron Kappe. They grew up immersed in Modernist design with some of the most influential architecture of the 20th century, thanks to their fathers Ralph Rapson and Ray Kappe, tradition they continue today. Later, Modernist homeowner and musical guest Holly Cole.  

In episode THREE HUNDRED AND FORTY-ONE, Mike and Jason continue their discussion of modernism and modernity. What is relativism? Why is it so attractive? Why doesn't it hold up? The guys discuss stuff like this and more. We hope you enjoy the episode! Show Notes: Support 1517 Podcast Network 1517 Podcasts 1517 on Youtube 1517 Podcast Network on Apple Podcasts 1517 Events Schedule 1517 Academy - Free Theological Education What's New from 1517: Untamed Prayers: 365 Daily Devotions on Christ in the Book of Psalms by Chad Bird Remembering Your Baptism: A 40-Day Devotional by Kathryn Morales Sinner Saint by Luke Kjolhaug The Impossible Prize: A Theology of Addiction by Donavan Riley More from the hosts Michael Berg @ 1517 Wade Johnston @ 1517 Let the Bird Fly! website Thanks for listening! Attributions for Music and Image used in this Episode: “The Last One” by Jahzzar is licensed under an Attribution-ShareAlike 3.0 International License. “Gib laut” by Dirk Becker is licensed under an Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License. “Whistling Down the Road” by Silent Partner.

In this candid conversation, Poppy Bourg and Shannon McGough of Poppy McGough Design House unpack the evolving Dallas design scene, the challenges of modern publishing, and the importance of integrating architecture and interior design. They discuss how their unique backgrounds inform their approach, client expectations in a shifting market, and why authenticity and craftsmanship matter more than fleeting trends. Designer Resources Pacific Sales Kitchen and Home. Where excellence meets expertise. Design Hardware - A stunning and vast collection of jewelry for the home! TimberTech - Real wood beauty without the upkeep LOME-AI.com, simple, inexpensive, text to video harnessing the power of AI to grow your firm, beautifully. From the pitfalls of celebrity-driven design magazines to the nuanced demands of Dallas homeowners, Poppy and Shannon reveal how they balance creativity, technical knowledge, and client relationships to create spaces that are not only beautiful but built to last. They explore the impact of regional influences, climate challenges, and the expanding role of interior designers in shaping cohesive, livable homes. 1. The State of Design Publications & Celebrity Influence Shift in design media focus: from architecture to celebrity homes Challenges of magazines cutting back editorial staff and local flavor Dallas's design culture: diverse, not pigeonholed into one “look” 2. Client Trends and Diversity in Dallas Architecture Clients influenced by wide range of styles via online exposure Resurgence of traditional styles alongside modern, Mediterranean, Santa Barbara influences Growing trend of lake homes post-2020 pandemic and its impact on local design culture 3. Modernism and Design Inspirations Experience visiting Modernism Week in Palm Springs Dallas's limited mid-century modern presence compared to other cities Appreciation for maximalism and richly detailed interiors beyond minimalist trends 4. Backgrounds & Partnership Story Shannon's hospitality design and hotel experience, focus on durability and build process Poppy's real estate and builder project management background, deep builder and trade knowledge How their combined skills create a holistic approach to residential design and construction collaboration 5. Building Challenges in Dallas Impact of active soil, climate extremes, and shifting weather on construction and interiors Importance of realistic client expectations around timelines, soil testing, and permitting Regional differences in design challenges and neighborhood personalities across Dallas metroplex 6. Expanded Role of Interior Designers Growing client education on lighting, air quality, water filtration, and acoustics Increasing involvement in exterior design for cohesive indoor-outdoor flow Navigating intellectual property issues, brand extensions, and designer-led product lines 7. Photography, Styling, and Portfolio Strategy Not every project gets photographed due to client preference or cost In-house styling process balancing client personality with editorial needs Preference for showcasing recent projects and maintaining strong referral-based business Thank you, Poppy, Shannon. Loved our chat and appreciate the time. Thank you for listening. If you liked this episode, share it with a friend or colleague who loves design and architecture like you do, subscribe to Convo By Design wherever you get your podcasts. And continue the conversation on Instagram @convo x design with an “x”. Keep those emails coming with guest suggestions, show ideas and locations where you'd like to see the show. Convo by design at outlook.com. Thank you, Poppy, Shannon. Loved our chat and appreciate the time. Thank you for listening. If you liked this episode, share it with a friend or colleague who loves design and architecture like you do, subscribe to Convo By Design wherever you get your ...

In episode THREE HUNDRED AND FORTY, Mike and Jason modernism and modernity? What are they? Is there a difference? Why do they matter? What do they mean for us today? We hope you enjoy the episode! Show Notes: Support 1517 Podcast Network 1517 Podcasts 1517 on Youtube 1517 Podcast Network on Apple Podcasts 1517 Events Schedule 1517 Academy - Free Theological Education What's New from 1517: Preorder Sinner Saint by Luke Kjolhaug The Impossible Prize: A Theology of Addiction by Donavan Riley Ditching the Checklist by Mark Mattes Broken Bonds: A Novel of the Reformation, Book 1 of 2 by Amy Mantravadi More from the hosts Michael Berg @ 1517 Wade Johnston @ 1517 Let the Bird Fly! website Thanks for listening! Attributions for Music and Image used in this Episode: “The Last One” by Jahzzar is licensed under an Attribution-ShareAlike 3.0 International License. “Gib laut” by Dirk Becker is licensed under an Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License. “Whistling Down the Road” by Silent Partner.

In Visions of the Divine (Sophia Institute Press), Catholic evangelist, author, and a top Wall Street executive STEPHEN F. AUTH, reunites the art of the Eucharist with the Eucharistic liturgy itself. Much splendid art adorns and magnificently beautifies Churches throughout the globe, a phenomenathat came under great stress during the Reformation, and especially under JOHN CALVIN. "Calvin, especially, was very much opposed to [Church art]," explains AUTH, in this interview with JOHN AIDAN BYRNE. To order Visions of theDivine: https://www.sojolk8trk.com/99LK8N/29X...Other Books by STEVE AUTH: Pilgrimage to the Museum: https://www.sojolk8trk.com/99LK8N/PHW...Missionary of Wall Street: https://www.sojolk8trk.com/99LK8N/51G...Indeed, much of this early Church art was separated from the context of the Mass for which it was created many centuries ago and is relegated now to museums sprinkled around the world. Along with his co-authors Evelyn Auth andMsgr. Roger Landry, Steve leads the reader on a worldwide pilgrimage to some of the most spectacular and moving artistic masterpieces created over the millennia to help clergy and laity alike penetrate more deeply into the Eucharistic mystery. Journeying to museums and churches in nearly twenty cities across the United States and Europe, the authors will guide you through the liturgy of the Mass in ways you may never have experienced. Whether you attend church out of obligation, for the sense of community you find there, or for the Eucharistic presence itself, Visions of the Divine will help you make these experiences richer, more vibrant, and more fulfilling. And if you've never attended a Roman Catholic Mass and are curious about what happens there, Visions will give you an experience guaranteed to leave you thirsting for more. Narrated in the author's simple, emotive style, Visions of the Divine presents you with dozens of colorful images of thought-provoking art that will immerse you in each element of the Mass at a deeper and more profound level, including: How the simple act of making the Sign of the Cross, which the average Catholic does eight times during the liturgy, can make you cry Quieting your mind to listen more actively to the Word of God and to imagine yourself in the moment as the Word is proclaimed and the author guides you through some of the Scriptures' most iconic messages Imagining the Apostles' Creed as it was carved and painted into one of Europe's most colorful Catholic churches. Meditating on a lasting image of eternity while the collection basket is passed — a practice that will forever change how you think about this relatively prosaic element of the liturgy Reliving the sacrifice and triumph of Christ on Calvary during the Eucharistic prayers through some of the greatest artistic masterpieces ever created. Following the path of biblical figures, such as Mary Magdalene, the prodigal son, and St. Paul himself, to freely receive Christ's healing mercy, forgiveness, peace, and love at Mass Experiencing the sacrament of Holy Communion for what it truly is — communion with God Himself. How to re-enter the world following the Mass with visual images in your head that will make you a more effective evangelist From Rembrandt, El Greco, and Van Gogh to Michelangelo, da Vinci, and Raphael; from Velaquez, Picasso, and Dali to lesser-known greats, such as Pontormo, Masaccio and Drolling, the array of breathtaking art in Visions of the Divine will enlighten your path to communion with God. You will witness our Father's love for you and be encouraged to let yourself be loved by Him within the Eucharistic mystery.

If you've ever wondered why so many priests are afraid to preach the hard, honest Catholic faith, stories like that of Fr Winfried Abel are perfect illustrations of the consequences priests face for rejecting Modernism.Sources:https://www.returntotradition.orgorhttps://substack.com/@returntotradition1Contact Me:Email: return2catholictradition@gmail.comSupport My Work:Patreonhttps://www.patreon.com/AnthonyStineSubscribeStarhttps://www.subscribestar.net/return-to-traditionBuy Me A Coffeehttps://www.buymeacoffee.com/AnthonyStinePhysical Mail:Anthony StinePO Box 3048Shawnee, OK74802Follow me on the following social media:https://www.facebook.com/ReturnToCatholicTradition/https://twitter.com/pontificatormax+JMJ+#popeleoXIV #catholicism #catholicchurch #catholicprophecy#infiltration

If you've ever wondered why so many priests are afraid to preach the hard, honest Catholic faith, stories like that of Fr Winfried Abel are perfect illustrations of the consequences priests face for rejecting Modernism.Sources:https://www.returntotradition.orgorhttps://substack.com/@returntotradition1Contact Me:Email: return2catholictradition@gmail.comSupport My Work:Patreonhttps://www.patreon.com/AnthonyStineSubscribeStarhttps://www.subscribestar.net/return-to-traditionBuy Me A Coffeehttps://www.buymeacoffee.com/AnthonyStinePhysical Mail:Anthony StinePO Box 3048Shawnee, OK74802Follow me on the following social media:https://www.facebook.com/ReturnToCatholicTradition/https://twitter.com/pontificatormax+JMJ+#popeleoXIV #catholicism #catholicchurch #catholicprophecy#infiltration

Why does every town in America feel exactly the same? You pull off the highway and it's the same Applebee's, the same Walmart, the same McDonald's, the same beige strip malls with the same parking lots. In this episode, Jason and Emily wonder out loud: is this what it was supposed to be? We talk about how copy-and-paste towns strip away character and community, what we miss about places that actually feel unique, and whether it's possible to find (or build) something different in a world of sameness. 00:00 The Cracker of Cracker Barrel  02:38 America has become copy & paste. 04:52 Cracker Barrel's maple syrup problem.  06:31 Modernism in America. 09:05 Capitalism? 11:02 Regulations can be really bad… 12:56 We're too far gone.  15:01 It's not supposed to be this way.  17:37 Emily's theory.  21:27 The future looks bleak.  24:01 Emily knows whose fault it is.  29:05 sigh… Learn more about your ad choices. Visit megaphone.fm/adchoices