Podcast appearances and mentions of Frank Gehry

La ville de Bâle est considérée comme la capitale architecturale de la Suisse avec notamment ses 13 lauréats du prix dʹarchitecture Pritzker qui ont construit in situ. Frank Gehry, Richard Meyer, Herzog et de Meuron, Diener & Diener, Barbara Buser façonnent le visage de la ville rhénane. Florence Grivel a fait la balade au fil de cette architecture en compagnie de Monique Chevalley, guide-interprète du patrimoine et journaliste.

TVC 687.3: Peter Ford, son of screen legends Glenn Ford  and Eleanor Powell and the author of Glenn Ford: A Life, talks to Ed about how his dad used his star power to hire directors and actors on Cade's County (CBS, 1971-1972) with whom he'd worked before, including George Marshall, Leo Penn, Edgar Buchanan, Barbara Rush, and Broderick Crawford; how James Woods saved Peter's life in 1976 while the two of them filmed a scene together for “Sins of Thy Father,” an episode of Barnaby Jones; and some of the notable people who hired Peter during his twenty-year career as a building contractor, including Don Simpson, Frank Gehry, Blake Edwards, George Clooney, Sally Kellerman, Mary Kay Place, and Steve Tisch. Glenn Ford: A Life is available wherever books are sold through University of Wisconsin Press.

Today we discuss the intersection of architecture and interior design, finding a common ground for both aspects to complement each other. Ian Mills and Becca Roderick, Executive Directors of Architecture and Interiors, respectively, at Morris Adjmi Architects. They delve into the concept of hospitality, the collaborative process within their firm, and how they align their visions to create contextually relevant and impactful projects. The conversation covers notable projects like the Wythe Hotel and The Forth, emphasizing how thoughtful design can redefine neighborhoods and meet client expectations. They also discuss the emergence of branded residences and the importance of client buy-in and strategic investment in design.Takeaways: Encourage regular collaboration and communication between the architecture and interior design teams to align on the project's North Star.Conduct thorough research on the location, history, and context of the project site to create designs that are both impactful and fitting with the surroundings.Prioritize elements that make guests feel cared for, regardless of the budget or exclusivity of the experience.Invest in high-quality design, as it can significantly enhance the financial performance of hospitality projects. Tightly manage budgets to ensure investments are spent judiciously and effectively.Be prepared for unexpected challenges, especially in adaptive reuse projects. Have mechanisms in place to manage and respond to these surprises.Keep clients informed and involved throughout the project's lifecycle to ensure continuous alignment and buy-in.Quote of the Show:“ We're bringing the same mentality and sort of rigor to every project because we think that every project can change the neighborhood that it's in.” - Ian Mills“ When you strip everything back and peel things away, hospitality is really about caring for people and fostering community.” - Becca RoderickLinks:LinkedIn: https://www.linkedin.com/in/ian-mills-a77a1a19/ LinkedIn: https://www.linkedin.com/in/becca-roderick-45405299/ Website: https://ma.com/ Shout Outs:0:48 - Four Seasons https://www.fourseasons.com/ 0:49 - St. Regis https://st-regis.marriott.com/ 0:54 - AvroKo https://www.avroko.com/ 0:55 - One Kings Lane https://www.onekingslane.com/ 9:09 - Wythe https://www.wythehotel.com/ 10:28 - The Goodtime https://www.thegoodtimehotel.com/ 10:43 - Forth Hotel https://forthatlanta.com/ 18:13 - Morris Adjmi https://www.linkedin.com/in/morris-adjmi-7295918/ 25:31 - The Founder's Dilemma 27:46 - Frank Gehry https://en.wikipedia.org/wiki/Frank_Gehry 54:01 - Theory Building https://ma.com/theory-building.html 54:41 - 837 Washington https://ma.com/837-washington.html 56:36 - Scholastic Building https://ma.com/scholastic-building.html 56:42 - Aldo Rossi https://en.wikipedia.org/wiki/Aldo_Rossi 

Gehry, Gensler, and Lessons Leading to TonicDMReg Prentice, CEO and founder of TonicDM, shares his journey from architecture school to leading innovation in design technology. With over a decade at Gehry Partners and nine years at Gensler, Reg's career has centered on bridging architecture and technology — finding ways to make design processes smoother, smarter, and more collaborative.In this episode, Reg discusses key lessons from his time at both firms, including the importance of active listening, understanding client needs, and creating tools that work seamlessly for architects. These insights directly shaped TonicDM, a cloud-based platform designed to simplify project communication for architecture and engineering firms.Reg also reflects on the challenges of integrating technology into design workflows and why customer-focused innovation is essential for the future of the AEC industry.This week at EntreArchitect Podcast, Gehry, Gensler, and Lessons Leading to TonicDM with Reg Prentice.Learn more about Reg online at TonicDM, and connect with him on LinkedIn.Please visit Our Platform SponsorsArcatemy is Arcat's Continuing Education Program. Listen to Arcat's Detailed podcast and earn HSW credits. As a trusted provider, Arcat ensures you earn AIA CE credits while advancing your expertise and career in architecture. Learn more at Arcat.com/continuing-education.Visit our Platform Sponsors today and thank them for supporting YOU... The EntreArchitect Community of small firm architects.

Bandleader and jazz saxophonist Emma Rawicz and the writer and composer Neil Brand join Jeffrey Boakye and Anna Phoebe as they add the next five tracks to the playlist. The journey takes them from Frank Gehry's Walt Disney Concert Hall in Los Angeles, across the English Channel in a rickety aeroplane, then right up to the moon with Les Paul and Mary Ford.Producer: Jerome Weatherald Presented with musical direction by Jeffrey Boakye and Anna PhoebeThe five tracks in this week's playlist:The Bucket's Got a Hole in it by Kid Ory Those Magnificent Men in their Flying Machines by Ron Goodwin Conversation by Joni Mitchell How High the Moon by Les Paul and Mary Ford Sweet Child O'Mine by Guns N' RosesOther music in this episode:Tamacún by Rodrigo y Gabriela Double Concerto for Two Pianos and Orchestra: Mvt 1 by Philip Glass, performed by Katia & Marielle Labèque My Bucket's Got a Hole In It by Hank Williams Bucket's Got a Hole In It by Louis Armstrong My Bucket's Got a Hole In It by Van Morrison 633 Squadron: Main Title Theme by Ron Goodwin Amassakoul by Tinariwen Some Unholy War by Amy Winehouse Didn't It Rain by Sister Rosetta Tharpe

Suitability has been on my mind a lot lately. I was taking the pup for a walk the other day and as I passed a home in the neighborhood that was under major renovation, it got me thinking about the concept of design suitability. I have been thinking about it quite a bit actually. Design suitability could also be interpreted as creatively vibing. To be on the same creative plane, with an ability to communicate freely and effectively. Any designer or client who has experienced creatively vibing understands that the way things get done when people are sharing that headspace is, beyond compare. It's a rarity. Designer Resources Pacific Sales Kitchen and Home. Where excellence meets expertise. Monogram - It's the details that define Monogram ThermaSol - Redefining the modern shower experience. Without steam, it's just a bathroom. Design Hardware - A stunning and vast collection of jewelry for the home!  - Where service meets excellence TimberTech - Real wood beauty without the upkeep When I got back to the house, I found a package leaning against the front door. I don't know about you but coming home to a package delivery still makes me giddy. It's that same feeling when you are out to eat and come back from the restroom to find your food waiting for you. Love that. The package was a book, so we have a new BOOKLOOK for you featuring the new book called Contemporary Living  by Paul McClean of McClean Design. This book is a love letter to California and California living. This is an extraordinary book that opens with an essay about California living and the roots of residential design in the Golden State. You'll hear abut some of California architecture pioneers like Koenig, Gehry and Neutra that leads you through an exploration of McCleans work perched in the Hills of Los Angeles. These modern masterworks demonstrate McCleans understanding and respect for the origins of California living, followed by concrete examples of how he deconstructs the core ideas and presents the concepts within completely original works. It's a masterful understanding of how something works and possessing the talent and ability to take those ideas and reimagine them.  That original idea of creatively vibing with others, the environment, and past works of long lost masters provides all the elements for something very special. Contemporary Living by Paul McClean guides you through a visual journey of the architecture, site placement, scale and material selection. Design books, when done right are treasures to those who love to look at the work. This one is special for those that not only want to see the work but to gather an understanding of the philosophical approach taken to the finished residence. Finding the right architect is critical to obtaining the right shelter space for each individual. That method of vibing creatively allows the design to emerge and adapt to the individual. I don't think we talk enough about the people when it comes to design. This monograph makes sure to focus on elemental ideas like land, water, light, elevation, and the California ethos, which is inextricably connected to people who long for the California feel. If you love modern design and contemporary living that California feel, you should get this book. Published by Rizzoli and you can find a link in the show notes. Brilliant monograph, Paul. Well done. Staying on the creative vibing theme for a bit longer, this episode of the podcast features a conversation with designer, Michelle Murphy of DemiRyan. One of the things that constantly troubles me is the idea that design is a universal concept. It's not. Design is personal. The relationship between client and designer should be personal. That doesn't mean you have to be besties, you don't even have to like each other. Michelle and I talk about a number of things that point to this idea of suitability that can mean success or failure of the client-designer relationship.

Audio recorded verbal descriptions provide an accessible and detailed narrative to extend your experience of the AGO. Explore the AGO facade and the artworks outside the building, Henry Moore's Two Forms and Brian Jungen's Couch Monster: Sadzěʔ yaaghęhch'ill. These descriptions, rich in detail and sensory language, provide a vivid exploration of form, texture, and artistic intention, ensuring that all visitors can engage deeply with these celebrated pieces of architecture and public art.

In the eyes of the architecture critic Paul Goldberger, a building is a living, breathing thing, a structure that can have a spirit and even, at its best, a soul. It's this optimistic perspective that has given Goldberger's writing a certain ineffable, captivating quality across his prolific career—first at The New York Times, where he served as the paper's longtime architecture critic, winning a Pulitzer Prize in 1984; then as the architecture critic at The New Yorker from 1997 to 2011; and now, as a contributing editor at Vanity Fair. Goldberger is the author of several books, including Building Art: The Life and Work of Frank Gehry (2015), Why Architecture Matters (2009), and Building Up and Tearing Down: Reflections on the Age of Architecture (2009). He is also the chair of the advisory board of the Glass House in New Canaan, Connecticut, where we recorded this episode, our third “site-specific” interview on Time Sensitive.On the episode, Goldberger discusses the Glass House's staying power as it turns 75, the evolution of architecture over the past century, what he's learned from writing architects' obituaries, and the Oreo cookie from a design perspective.Special thanks to our Season 10 presenting sponsor, L'École, School of Jewelry Arts.Show notes:Paul Goldberger[05:17] Glass House[05:17] Philip Johnson[07:06] Ludwig Mies van der Rohe[07:06] Farnsworth House[08:42] Brick House[12:37] Gordon Bunshaft[12:37] Lever House[12:37] Frank Lloyd Wright[12:37] Guggenheim Museum[13:18] TWA Flight Center[13:18] Kevin Roche[13:18] Ford Foundation building[13:18] CBS Building[15:17] Noyes House[16:17] U.N. Headquarters[17:50] Centre Pompidou[17:50] I.M. Pei[17:50] Louvre Pyramid[17:50] Frank Gehry[17:50] Guggenheim Bilbao[20:00] Walt Disney Concert Hall[23:20] Stuyvesant Town[24:24] “Oreo, at 75, the World's Favorite Cookie; Machine Imagery, Homey Decoration”[25:46] “Quick! Before It Crumbles!: An architecture critic looks at cookie architecture”[25:46] Nora Ephron[26:18] “Design Notebook; Commonplace Things Can Be Great Designs”[27:16] Bauhaus[29:10] Fallingwater[29:10] Richard Neutra[29:10] Lovell House[29:10] Gehry House[29:10] Louis Kahn[32:38] “Philip Johnson, Architecture's Restless Intellect, Dies at 98”[32:38] “Louis I. Kahn Dies; Architect Was 73”[35:30] Paul Rudolph[36:50] Zaha Hadid[37:22] “New Police Building”[38:19] Henry Geldzahler[41:31] Why Architecture Matters[43:21] Chrysler Building[47:28] Vincent Scully[48:18] Lewis Mumford[1:00:47] The City Observed: A Guide to the Architecture of Manhattan[1:00:47] World Trade Center[1:02:49] “Here Is New York” by E.B. White[1:05:33] Design: The Leading Hotels of the World[1:07:25] Ritz Paris[1:07:25] The Dylan Amsterdam[1:09:01] “Why Buildings Grow On Us”

Host: Duo Dickinson Wednesday September 21, 2024, 12 Noon WPKN 89.5FM www.wpkn.org There's a long history of young architects who design their parents' home, or their own home—something, anything, to make their bones as a designer outside the grinding path of apprenticeship and licensing. Robert Venturi did a house for his mother, Vanna. Frank Gehry renovated a house for his family before anyone hired him. Even Alvar Aalto and Walter Gropius honed their design skills on residences for themselves. Forty years ago, we awoke in our own home: its subsequent recognition and huge resonance over these decades was completely unexpected, but fulfilled a 29 year old architect's hopes, but more became a family home that evolved overe 4 construction reinventions. Directly connecting home design to home use is daunting, empowering and just a bit terrifying: many architects never finish the homes they start, many have great hopes for validation go unfulfilled: On Home Page this week we have three other architects who built homes for themselves or family, sometimes multiple times. Mark Simon FAIA is a partner in Centerbrook Architects. Louis Mackall is a craftsman and architect who created Breakfast Woodworks with Ken Field, and built his own home. Jennifer Lee of Obra Architects created a home for her mother in her words “…in the grand tradition of building houses for their parents.”

The Hearing Architecture podcast, proudly sponsored by Brickworks, presents Again and Again and Again, a mini-series hosted by Hilary Duff. Each week we bring you interviews and conversations as we seek better ways to understand, harness and deploy the expertise and knowledge of professionals currently within the design community, at home and abroad. Our guests are all experts on circularity within the building industry and share the aim to display that waste is not an accident, but the consequence of decisions made at the design stage. Here is our opportunity. We as designers have an opportunity to do better. In this episode I meet with Daniel Bell of Atelier Luma, based in the Camargue region in the South of France. Daniel graduated as an architect from the Glasgow Mackintosh School of Architecture and has since practiced as an Architect in France, Ireland, and the UK.  Since 2018 he has worked at Atelier LUMA; a design and research lab located in Arles. His role here is a slight deviation to the traditional role of an architect, yet he is often working with built space and materials. At Atelier Luma he has joined a team of designers, engineers, scientists, and experts from the fields of culture, craftsmanship, humanities, and social sciences and innovation, to explore the potential of non-extractivist, and often discredited, local materials. Their research subjects vary across areas including invasive plants, agricultural coproducts, algae, and industrial waste. Each project has a hyper local focus. I visited Atelier Luma back in June 2023 shortly following the opening of their new headquarters: Lot 8. Sited within a heritage park of 27 hectares, Lot 8 sits within a campus collection of architectures, with neighbours such as Frank Gehry and Annabelle Selldorf, and a series of historic railway industrial buildings dating from the 19th century. The site is now inhabited by functions including a modern art gallery, and a series of exhibition spaces. The Atelier adds a new function to the park; a semi-public and most fascinating research hub of bioregional design, operating out of a building or rather, one large prototype of what the Atelier researches and investigates. In Spring 2023, Lot 8 opened as a result of a three-year large-scale, experimental building project, designed to serve as a pilot program in the field of renovation. Designed by and for Atelier LUMA, it is the teams' workplace. A research and prototyping space that consists of a biolab, wood, ceramics, textile and research workshops, office spaces, a dye house, a material testing lab, and a functional plant garden.  Le Magasin Électrique is built and equipped with the results of Atelier LUMA's research, in collaboration with BC architects & studies and Assemble, London. From the coating of the façade to the crystal salt door handles. Structural elements such as walls and partitions were produced from waste earth and minerals, and agricultural coproducts. The acoustics and the finishing of the interiors were done with panels of sunflower fibres, rice straw, and soil from the bioregion. The terrazzo floor, bathroom tiles, stains, door handles, and light fixtures are the result of years of research into algae, salt, bioplastics, earth, and enamels in collaboration with local partners. In the following interview, Daniel and I discuss how the building was conceived as a pilot project for an architectural process celebrating craftmanship, collective experimentation, site specificity and the development of biomaterials. In this case the process is anchored in the Arles or Camargue bioregion and the designers tapped into a network of local and international expertise, in order to share acquired knowledge. We discuss the need to move from a globalised, extractive supply chain, towards regional ecosystems of materials that help regenerate the environment. How it is imperative for designers to question the way materials can be assembled, reassembled, or reconfigured to contribute to its adaptation to changing environmental and social conditions. It was wonderful to see a project where the design team identified opportunities, possibilities, and poetics, over waste.  This has been Again&Again&Again, a mini-series of Hearing Architecture, proudly sponsored by Brickworks, made possible with the support of the Alastair Swayn Foundation. This episode was recorded during a period of residency with the Danish Arts Association in Copenhagen. Thank you so much for listening and thank you to our international guest Daniel Bell of Atelier Luma. Thank you for exemplifying how through investigating the resources and know-how in our bioregion, and connecting different fields of expertise, we can develop local solutions for ecological, economic, and social transition. Let's watch this space and we look forward to speaking with you again in the future. Our sponsor Brickworks also produces architecture podcasts hosted by Tim Ross. You can find ‘The Art of Living', ‘Architects Abroad, and ‘The Power of Two', at brickworks.com.au or your favourite podcast platform. If you'd like to show your support please rate, review, and subscribe to Hearing Architecture in your favourite podcast app. If you want to know more about what the Australian Institute of Architects is doing to support architects and the community please visit architecture.com.au This is a production by the   Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. The miniseries Again&Again&Again is proudly supported by the Alstair Swayne Foundation. The Institute production team was Madelynn Jenkins, and Claudia McCarthy, and the EmAGN production team was Daniel Moore and Hilary Duff. This content is brought to you by the Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. This content does not take into account specific circumstances and should not be relied on in that way. This content does not constitute legal, financial, insurance, or other types of advice. You should seek independent verification or advice before relying on this content in circumstances where loss or damage may result. The Institute endeavours to publish content that is accurate at the time it is published, but does not accept responsibility for content that may or will become inaccurate over time. Supported by: State Workshops We respectfully acknowledge the Traditional Owners of country throughout Australia where this podcast was produced, as the first storytellers, the first communities and the first creators of Australian culture. I extend that respect to the Traditional Custodians of country throughout the multiple places abroad where this podcast was recorded.  We thank Traditional Custodians for caring for Country for thousands of generations.  and recognise their profound connection to land, water, and skies.

Reg Prentice on Simplifying Data Management for Design Firms"The two most valuable things people have a design firm has is its people, number one. Right. That's obviously always going to be the case, but number two is really its history and its institutional knowledge, which primarily exists in the form of the information that's stored."Reg PrenticeAbout the Guest:Reg Prentice is the CEO of TonicDM, a cloud-based information management system designed for the AEP and environmental consulting industries. Reg holds a background in architecture, graduating from architecture school but not obtaining a license. His career trajectory led him into the design technology space, initially focusing on CAD management and eventually evolving into information management. Over an extensive 20-year career, he has worked with renowned firms such as Frank Gehry and Gensler, honing his expertise in digital design and data organization before founding Tonic DM.Episode Summary:In this engaging episode of the Zweig Letter Podcast, host Randy Wilburn sits down with Reg Prentice to explore how TonicDM is revolutionizing data management for design firms. With a background in architecture and over two decades of hands-on experience with industry leaders like Frank Gehry and Gensler, Reg shares invaluable insights into the challenges and solutions surrounding the aggregation and utilization of information within architectural, engineering, and planning (AEP) firms.The conversation delves into the evolution of data management, how digital tools influence mentorship, and the role of AI in future-proofing design practices. This episode is brimming with practical advice and forward-thinking perspectives that will benefit anyone interested in elevating their firm's efficiency and project management capabilities. Whether it's the transition from physical to digital storage, integrating simplistic yet functional tools, or the implications of AI, this podcast covers essential topics to help firms navigate the complexities of modern data management.Key Takeaways:Value of Simplicity: Simplifying digital tools can enhance productivity and reduce learning curves for staff, proving crucial for efficient project management.Organizing Data Efficiently: The importance of structuring and storing data efficiently for better accessibility and utilization across all projects.Mentorship and Collaboration: Digital data management tools should enhance rather than hinder mentorship and collaboration within firms.AI in Design Firms: Future considerations for employing AI in AEP firms to improve data organization and retrieval without compromising security.Impact of Physical Documentation: Maintaining physical documentation can significantly aid in mentorship and collaboration by providing a tangible reference for ongoing projects.All this and more on this episode of the Zweig Letter podcast.Resources:Email Reg PrenticeWebsite TonicDMReg Prentice on LinkedInGet...

Als Thomas Anfang des Jahres eine Schreinerin fand, die seiner Tochter zum Geburtstag ein Custom-Puppenhaus in den Proportionen des neuen tatsächlichen Hauses bauen konnte, ahnte er nicht, dass es sich bei Joy Ludorf um die Sängerin des Superhits „Schnappi“ von 2004 handelte. Nach dem Umzug luden Hazel und Thomas Joy in ihr Haus im Maßstab 1:1 ein. Inhalt: 00:00 Kennenlerngeschichte Hazel, Thomas und Joy 03:49 Joy als Tischlerin und Sängerin von Schnappi 13:53 Erfolgsgeschichte Schnappi 19:15 Joys Highlights und Erfahrungen zu Schnappi 27:03 Schnappis Social Media Accounts und Lama aus Yokohama 29:40 Joys Parallelen: Musik und Handwerk 34:22 Inspiration Architektur 39:55 Kontroverse Gebäude 43:53 Hausbau oder Umbau? 53:51 Konkrete Ideen Hausgestaltung 01:02:14 Grenzen bei Aufträgen Innenarchitektur 01:06:57 DamiLee und Sims 01:12:13 Stadtentwicklung und Joys Zukunft als Architektin Die Zeitstempel können variieren. Artikel zum Puppenhaus von Hazels Tochter https://www.schweizer-illustrierte.ch/family/familien-geschichten/hazel-brugger-und-thomas-spitzer-schenken-ihrer-tochter-ein-haus-687109 Joy Ludorf Design https://www.instagram.com/this.is.concept.joy Über die Wanderjahre https://de.m.wikipedia.org/wiki/Wanderjahre Schnappi auf Instagram https://www.instagram.com/p/CUIe42OAv71/?hl=de Joy spricht über den Architekten „Ludwig Mies van der Rohe“ https://de.wikipedia.org/wiki/Ludwig_Mies_van_der_Rohe Sagrada Familia https://de.wikipedia.org/wiki/Sagrada_Família Düsseldorfer Medienhafen von Frank Gehry https://de.wikipedia.org/wiki/Neuer_Zollhof Stadthaus Ulm https://de.wikipedia.org/wiki/Stadthaus_Ulm Thomas empfiehlt diese Architektin auf Social Media https://www.youtube.com/@DamiLeeArch Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/hoererlebnis

Judith Turner-Yamamoto, an award-winning author hailing from a mill town in rural North Carolina, began her writing journey as an art historian, learning to appraise and describe what moved her. Her debut novel LOVING THE DEAD AND GONE, a Mariel Hemingway Book Club pick, is the 2023 Independent Publisher Book Awards Gold Medalist in Southern Regional Fiction and was shortlisted for the 2023 Eric Hoffer Book Awards Grand Prize and awarded an honorable mention in General Fiction. Her writing assignments have taken her all over the world and include interviews with luminaries such as Frank Gehry, Annie Leibovitz, Marcel Wanders, and Mary Chapin Carpenter. Judith talks with me about the importance of deciding who to listen to, how nothing is ever wasted, how revisiting your work over a period of decades brings new perspective to it, and more—we may even have figured out why some people are predisposed to be plotters and some fly by the seat of their pants. There's a lot of wisdom here for writers in particular, but it certainly applies in other fields as well.    Episode breakdown: 00:00 Introduction 04:10 Library books became salvation in my youth. 09:07 Analyzing art criticism and photography exhibition experiences. 10:48 Curated exhibitions, managed processes, positioned for director. 14:08 Psychic's advice led to successful PR career. 20:09 Structured writing involves quoting experts, evoking places. 23:03 Discovery: Plotters focus on plot, pantsers on journey. 25:35 Friend writes crime mystery, minimal world-building, character depth. 30:12 Patience in revising manuscript based on feedback. 33:12 New York Times: essential for writing inspiration. 35:23 Grieving and death shape personal and literary journey. 38:38 Reading challenge due to overthinking and editing. 43:10 Being selective and positive to avoid negativity. 44:49 Editor resists removing crucial elements from book. 47:50 Endure publishing industry rejection, stay true. Successful. 50:34 Praise for a book with unresolved plot. 55:14 Striving for perfection in book pitching process.   Check out the full show notes (now including transcripts!!) at fycuriosity.com, and connect with me and fellow creatives on Substack. Please leave a review for this episode—it's really easy and will only take a minute, and it really helps me reach new listeners. Thanks! If you enjoyed our conversation, I hope you'll share it with a friend. Want more? Here are handy playlists with all my previous interviews with guests in writing.  

We dive into the history of Architect Norma Merrick Sklarek, who broke new ground as the first Black woman licensed in New York and California, with guest Tobi Ashiru reflecting on her own experiences as a Black architectural designer teaching at USC and how Norma's pioneering achievements have inspired her.————About Norma Merrick SklarekNorma Merrick Sklarek (1926-2012) was a pioneering architect who shattered racial and gender barriers in the profession. As the first Black woman licensed as an architect in New York and California, Norma made significant contributions to iconic projects such as the Fox Plaza in San Francisco, the Pacific Design Center in Los Angeles, the US Embassy in Tokyo, and Terminal One at  LAX. But as a black woman, she faced a lot of discrimination throughout her career. In fact, after graduation, she was rejected by 19 firms purely because of her race and gender. But she made an impact at 5 notable firms, including Victor Gruen Associates where she worked with Frank Gehry and Cesar Pelli. She also co-founding a firm with 2 other women, named Siegel-Sklarek-Diamond, which was the first architectural practice led by women in the US. She was also the first Black woman to be part of the AIA in 1959 AND became an AIA fellow later in 1980. Sklarek's legacy extends beyond her architectural achievements; she was a passionate advocate for diversity in the field, mentoring countless young architects and leaving an indelible mark on the architecture community.About Tobi AshiruTobi is a passionate designer and alumna of the USC School of Architecture. With a mission to change the world through design,  she strives to push the boundaries of creativity. Born in Nigeria and raised in South Africa, Tobi seeks to create contextually relevant work that celebrates blackness. She's a interdisciplinary designer with diverse experiences as an architectural designer, installation artist, forever student, educator, and business owner.She stays committed to the advancement of underrepresented voices in many ways and through Poché Design Studio, a black woman owned design agency she co-founded, where the mission is to occupy and amplify the black space in design. Tobi is currently an adjunct professor at USC School of Architecture where she is the lead instructor for the A-Lab program.Instagram: @bypocheWebsite: tobiashiru.com, bypoche.com ____View all the visually rich 1-min reels of each woman on IG below:Instagram: Amber AsayInstagram: Women Designers Pod

6.28.24 - Frank Gehry // Bob Tannen by Crosstown Conversations

To the landscape designer Edwina von Gal, gardening is much more than just seeding, planting, weeding, and watering; it's her life calling. Since starting her namesake firm in 1984 in East Hampton, on New York's Long Island, she has worked with, for, and/or alongside the likes of Calvin Klein, Larry Gagosian, Frank Gehry, Maya Lin, Annabelle Selldorf, Richard Serra, and Cindy Sherman, creating gardens that center on native species and engage in other nature-based land-care solutions. In 2008, von Gal founded the Azuero Earth Project in Panama to promote chemical-free reforestation with native trees on the Azuero Peninsula. Stemming out of this initiative, in 2013, she then founded the Perfect Earth Project to promote chemical-free, non-agricultural land management in the U.S. Her most recent effort, Two Thirds for the Birds, is a call-to-action to plant more native plants and eliminate pesticides, thus creating a greater food supply for birds.On the episode, she discusses the meditative qualities of gardening; reframing landscaping as “land care”; and why she sees herself not as a steward of land, but rather as a collaborator with it.Special thanks to our Season 9 presenting sponsor, L'École, School of Jewelry Arts.Show notes:Edwina von Gal[15:32] William Cronon[15:32] Changes in the Land[15:32] Tiokasin Ghosthorse[24:04] Carl Sagan[24:04] The Demon-Haunted World[26:07] Perfect Earth Project[40:37] Two Thirds for the Birds[42:41] John Fitzpatrick[42:41] Cornell Lab of Ornithology[42:41] Merlin Bird ID[47:01] Garden Club of America[50:21] Diana Vreeland[51:09] Peter Sharp[51:09] Channel Gardens at Rockefeller Center[54:46] Frank Gehry[54:46] Biomuseo[54:46] Bruce Mau[56:32] Azuero Earth Project[1:00:37] Doug Tallamy[1:02:01] Nature's Best Hope[1:05:12] The High Line[1:05:12] Brooklyn Bridge Park[1:05:12] The Battery Conservancy[1:05:12] Brooklyn Museum

Darren meets Arabella Lennox-Boyd at her home in Lancashire to discuss her garden for the Frank Gehry designed Maggies Dundee. Arabella talks openly about her career, her love of plants and the way in which she both instinctive and analytically creates her gardens. She shares some great insights in to her process and reflects on the lessons learnt spanning the last five decades. To find out more about Arabella and her work please visit her website here To find out more about Maggie's visit their website here To find out more about Darren Hawkes see the link here The Garden Design Confessional is produced by Karen Pirie

This podcast is sponsored by Loewen Windows and Doors and Lutron....Link to blog with accompanying text and images:https://inmawomanarchitect.blogspot.com/2024/06/interview-podcast-w-patrick-tighe-faia.htmlPatrick Tighe, FAIA, FAAR, is one of Los Angeles' preeminent architects. The highly acclaimed namesake firm, Patrick Tighe Architecture, is committed to creating an authentic, contemporary Architecture informed by technology, sustainability and building innovation. Since its inception, the firm has produced a strong and diverse body of projects that includes city developed affordable housing, commercial, mixed-use projects, installations and award winning interiors.​The firm's work has received over 100 design awards including eight National AIA Honor Awards, American Architecture Awards, a Progressive Architecture Award, Los Angeles Architecture Awards, West Side Prize, Best of Year Awards as well as local AIA Honors. In 2011 Patrick Tighe was elevated into the College of Fellows of the American Institute of Architects, the highest honor bestowed by the AIA. Patrick Tighe was awarded the prestigious Mercedes T. Bass Rome Prize in Architecture, the American Institute of Architects' Young Architect Award and the 40 under 40 Award. Tighe is a Fellow of the American Academy and The MacDowell Colony.​Patrick Tighe received a Master of Architecture from the University of California, Los Angeles. Prior to establishing Tighe Architecture, Tighe worked in the offices of Frank Gehry and Thom Mayne. Tighe is a professor at the University of Southern California.​The work of Patrick Tighe Architecture has been published extensively, appearing in Architectural Record, Architectural Digest, Global Architecture, The LA Times Magazine, Interior Design, LA Architect, Wallpaper, Metropolis, the New York Times and Newsweek. The firm's work has also been included in numerous architectural anthologies including The Power of Pro Bono (2010) and the latest edition of The Phaidon Atlas of Contemporary World Architecture. ​Tighe frequently lectures on his work. The firm has been exhibited internationally including the 2016 Venice Biennale and the Museum of Contemporary Art, Los Angeles. A monograph of the firm entitled “Building Dichotomy” (published by Images) was recently released. Thank you to our Sponsors...Thank you to Loewen Windows and Doors  and Lutron for sponsoring this program. Loewen Eve Guilbaud, LEED APArchitectural Territory Manager - Southern CaliforniaLoewen Windows & Doors1.800.563.9367Architecture@Loewen.comFor technical information please visit Loewen – Architectural ServicesLUTRON https://www.lutron.com/en-US/Pages/default.aspxSusana CabelloArea Leader, SoCal – Luxury ResidentialC: 484-294-7162Coline Reinhardt [KOH-lihn RAIN-hart]Senior Sales Engineer – Luxury ResidentialLutron Electronics Company Inc.Mobile: (610) 393-9866  Link to MGHarchitect: MIchele Grace Hottel, Architect website for scheduling and podcast sponsorship opportunities:https://www.mgharchitect.com/

The podcast for project managers by project managers. In this second part of our conversation about Decoding Megaprojects with Bent Flyvbjerg, we explore the idea of "Pixar Planning," a method inspired by Pixar Studios' approach to making movies. Next, we tackle the concept of Modularity, and the significance of standardized, modular approaches in driving efficiency and reducing the frequency and severity of project failures. Table of Contents 01:22 … Pixar Planning06:33 … Iteration10:37 … Modularity12:46 … Modular vs. Bespoke16:20 … Kevin and Kyle18:04 … Examples from Shipping Containers22:26 … Advice from Bent28:26 … Contact Bent29:22 … Closing BENT FLYVBJERG:  So, my advice to anybody working in any field is start thinking about how you modularize what you're doing.  Don't ever do bespoke projects.  Only if it's absolutely unavoidable should you ever do bespoke projects.  You should always do projects that have an element of standardization and modularity.  And the larger you can make that element of standardization and modularity, the more successful your projects will be.  So that's the direction of travel for the whole project industry, no matter what type of project you're working in.  And every one of us who's working in this industry can make a huge contribution by constantly thinking, how do we make what we do more modular and more standardized? WENDY GROUNDS:  You're listening to Manage This, the podcast by project managers for project managers.  I'm Wendy Grounds, and as always, I'm joined in the studio by the one and only Bill Yates.  This is Episode 2 of our conversation with Bent Flyvbjerg.  We are thrilled that he generously extended his time with us, and we are eager to share our conversation with you today. Before we dive in today's episode, we want to remind you to check out our website, Velociteach.com, where you can easily subscribe to the show so you never miss out on the latest insights and discussions.  And you can also earn PDUs, your Professional Development Units, by listening to our podcast. Pixar Planning BILL YATES: We're going to jump right back in where we left off. Just a quick review. The first two things we talked about were: thinking from right to left; and thinking slow and acting fast. Bent, I want to shift to a third key concept. You know, where we've seen some of their amazing movies, and Pixar Studio follows this same idea “think slow, act fast” when they take their approach to making movies.  Some of the great stories that I've read through “Creativity, Inc.,” written by Ed Catmull.  As you and I were just talking before we even started recording this, such a great book, such a great leader Ed Catmull is.  When I read the book back in 2016, I didn't latch on to what you found in this and through your research, which is this concept of Pixar planning.  So this idea of Pixar planning, I know you go into it deep.  What is it that makes that unique, and how can we apply these same concepts to our projects that Pixar does when they're developing their movies? BENT FLYVBJERG:  So Pixar planning is not a concept that Ed Catmull came up with.  This is what we call it because we think that their method is so important and ingenious that it deserves a name, you know.  And it deserves the name “Pixar Planning” because Pixar is the organization who came up with this.  And what surprised us was how much Gehry's method and the Pixar method, which was spearheaded by Ed Catmull, who was the CEO of Pixar then, he later became also CEO of Disney Animation and Pixar at the same time, and he's now retired.  So he and his team pioneered this.  And when I read Ed's book back in 2016 also, I was so excited because – and I started asking my students at Oxford to read the book. And at first they were like, what?  We don't work in the movie industry, and certainly not animated movies.  Like why would we want to read about animated movies?  You know,

In this episode Amber Asay and Lisa Congdon talk about the legend that you may have not heard about, Gere Kavanaugh, who's work spans 1950's through 2020. She's another Cranbook Academy and multi-hyphenate designer, and has the most impressive repertoire of work. Sources:Architectural Digest Articles:A Look at the Life's Work of Multi-Hyphenate Designer Gere KavanaughThe Unlikely Story of One of General Motors's First Female DesignersLA Times: Gere Kavanaugh's color avalanche brightened midcentury California design2019 Book: A Colorful Life: Gere Kavanaugh, Designer (written by Louise Sandhaus, Kat Catmur)Metropolis: Gere Kavanaugh: Pioneer With a Penchant for ColorAIGA Medal ArticleAIGA Short Gere Kavanaugh, born in Memphis in 1929, is a legendary American designer known for her vibrant and innovative contributions across industrial design, textiles, and interiors. Educated at the Memphis Academy of Art and Cranbrook Academy of Art, she was influenced by greats like Charles Eames and Eero Saarinen.In the 1950s, Kavanaugh broke barriers at General Motors as one of the few female industrial designers. In 1960, she founded Gere Kavanaugh Designs in Los Angeles, known for bold colors and playful forms. Her work spans textiles, furniture, and interiors, always pushing the boundaries of traditional design.Kavanaugh's influence extends through her collaborations, mentorship, and numerous awards, including the AIGA Medal in 2010. Her legacy is marked by innovation, courage, and an unwavering dedication to making the world a more beautiful, functional place.––––Thank you to Lisa Congdon!https://lisacongdon.com/https://www.instagram.com/lisacongdonHer exhibit is up at St. Mary's until June 23, 2024: https://www.stmarys-ca.edu/museum-art/lisa-congdon-hold-it-lightlyLisa Congdon an internationally known fine artist, illustrator and writer. She makes art for clients around the globe, including The Library of Congress, Target, Wired Magazine, Amazon, Google, Schwinn, Warby Parker, Method, Comme des Garcons, REI and MoMa, among many others. She exhibits internationally, including solo shows at Saint Mary's College Museum of Art (California), Chefas Projects (Oregon) and Paradigm Gallery (Philadelphia), along with group shows at Hashimoto Contemporary in Los Angeles, Museum of Design Atlanta and The Contemporary Jewish Museum in San Francisco. She is the author of ten books, including Art Inc: The Essential Guide to Building Your Career as an Artist and Find your Artistic Voice: The Essential Guide to Working Your Creative Magic. Lisa is self-taught and didn't achieve momentum in her career until she was nearly 40 years old. Despite her untraditional path, Lisa has achieved recognition, not just as an artist, but as a leader in the industry for her work in social justice, mentoring and teaching. In March of 2021, she was named “One of the 50 Most Inspiring People and Companies According to Industry Creatives” published by AdWeek. When she's not making art, you can find her racing her bike around Oregon. She lives and works in Portland, Oregon.

The podcast by project managers for project managers. Part one of our two-part conversation with Bent Flyvbjerg, delving into decoding megaprojects. Bent's research draws from a database of 16,000 megaprojects to extract valuable insights. Megaprojects are increasingly shaping our world, and Bent sheds light on both their successes and failures, aiming to provide lessons for future endeavors, big and small. Table of Contents 03:52 … “How Big Things Get Done.”06:25 … Examples of Mega Projects08:35 … Iron Law of Megaprojects10:23 … The Success Stories12:28 … Thinking from Right to Left14:44 … Frank Gehry's Leadership Principle18:42 … Ren Love's Projects from the Past21:12 … Think Slow and Act Fast26:23 … Guggenheim Bilbao vs. Sydney Opera House30:34 … Find Out More30:43 … Closing BENT FLYVBJERG:  But we made a big effort of, you know, hoovering up all the success stories that we could find and see what we could learn from those and present that to the reader so that we actually, our intention with the book is that people can read this book, and they can start doing their projects better, based on the insights, both the data and the management leadership principles that people who were successful.  So we deliberately sought out people and organizations that have a track record that they can actually deliver one project after another successfully.  So it's not just luck.  They weren't just lucky once.  They actually have some kind of methodology, some kind of system, some kind of process that makes it possible for them to deliver success over and over. WENDY GROUNDS:  You're listening to Manage This, the podcast by project managers for project managers.  I'm your host, Wendy Grounds, and as always I'm joined here in the studio by the one and only Bill Yates. Before we dive in today's episode, we want to remind you to check out our website, Velociteach.com, where you can easily subscribe to the show so you never miss out on the latest insights and discussions.  And if you enjoy what you hear, we'd love you to leave a comment on our website.  Better yet, spread the word about us to your fellow project management enthusiasts.  And you can also earn PDUs, your Professional Development Units, by listening to our podcast. BILL YATES: Looking for an easy and affordable way to maintain your certifications and get better at your job? Our PDU Passport is an all-access pass to every online PDU course in InSite. Take your pick from over 200 high-quality and engaging PDUs aligned to the Talent Triangle. Available when and where you are, with any connected device. WENDY GROUNDS: At Manage This, our focus is on sharing captivating stories of fascinating projects and engaging in conversations with experts who are reshaping the landscape of project management. And today is no different. We're thrilled to have the opportunity to speak with Bent Flyvbjerg. In fact, we're happy to announce that our conversation with actually Bent will span across two episodes. We enjoyed talking with Bent so much that we made the decision not to trim any content, but instead, to extend it across two episodes. Bent is the first BT Professor and Inaugural Chair of Major Program Management at Oxford University's Said Business School.  And we asked him, and the BT stands for British Telecom Corporation.  He's also the professor and chair in Major Program Management at IT University of Copenhagen. He has also received numerous honors and awards, including a knighthood and two Fulbright scholarships.   His latest book is “How Big Things Get Done.” BILL YATES:  Yes.  Somebody recommended his book to me, and I purchased it and started reading it and then got hooked.  The subtitle is “The Surprising Factors That Determine the Fate of Every Project, from Home Renovations to Space Exploration and Everything in Between.”  Bent takes a database of 16,000 megaprojects and looks at their performance, and then extrapolates from that some key findings.

A conversation with Jordan Schnitzer, the world's foremost collector of prints and multiples. In the conversation, we discuss Jordan's undeniable passion for art, his thoughts on collecting, and his unwavering support for arts programming. In particular, we delve into his support of a current exhibition at The Getty titled "First Came a Friendship: Sidney B. Felsen and the Artists at Gemini G.E.L."For over five decades, Gemini G.E.L Co-Founder Sidney B. Felsen has documented the vibrant life and creative processes at Gemini through his love of photography. This has resulted in an unmatched historical record of some of the most influential artists of the last sixty years, including Robert Rauschenberg, Claes Oldenburg, Ellsworth Kelly, Jasper Johns, Roy Lichtenstein, Frank Gehry and Julie Mehretu. Felsen's intimate photographs which capture the collaborations and friendships that have shaped Gemini's legacy, are on view at The Getty through July 7.https://www.getty.edu/research/exhibitions_events/exhibitions/sidney_b_felsen/index.htmlhttps://www.jordanschnitzer.org/https://schnitzercare.org/https://www.geminigel.com/

(NOTAS Y ENLACES DEL CAPÍTULO AQUÍ: https://www.jaimerodriguezdesantiago.com/kaizen/194-creatividad-vii-espera-lo-inesperado-ii-peces-cabreados-furias-asesinas-y-las-primeras-bicicletas/)Hace 60 años, una joven psicóloga llamada Bernice Eiduson comenzó un largo proyecto de investigación sobre la personalidad y los hábitos de trabajo de 40 científicos destacados. Entre los sujetos del experimento había cuatro ganadores del premio Nobel, incluido Linus Pauling que lo ganó dos veces, y un clásico de este podcast: Richard Feynman, cómo no. La investigación duró décadas. De hecho siguió tras la muerte de Eiduson. Y una de las preguntas que trataron de responder fue: «¿Cómo es posible que algunos científicos puedan producir trabajo de alto nivel a lo largo de toda su vida?» ¿Qué tienen de especial? ¿Es su personalidad? ¿Son sus habilidades? ¿Sus rutinas? El patrón que encontraron era claro, aunque sorprendente para algunas personas. Los mejores científicos cambiaban constantemente de tema. Durante sus primeros 100 artículos de investigación, el tema cambiaba una y otra vez. Y no es que cambiaran 3, 5 o 10 veces. De media, los científicos que eran más creativos, durante más tiempo, cambiaron el tema de investigación en sus primeros 100 artículos 43 veces. Y el proyecto de Eiduson no ha sido el único en encontrar resultados similares. Distintos investigadores en diferente campos han llegado a conclusiones similares: las personas más creativas tienen varios proyectos diferentes a la vez. Así empieza una charla TED en la que Tim Harford, un escritor y autor de un podcast muy recomendable del que ya te he hablado alguna vez —Cautionary Tales— habla de creatividad. Y su conclusión es que lo que él llama la multitarea a cámara lenta, es decir, cambiar de tema con frecuencia es algo omnipresente entre la gente creativa.Y dice que es algo que se entrena, que a fuerza de hacerlo, despierta la creatividad. Claro que habría terminado mucho antes si hubiera leído a un griego que hace 2.500 años decía cosas como que «los amantes del conocimiento deben abrir sus mentes a muchas cosas». Bueno, o como se dijera en griego, que cualquiera lo pronuncia. ¿Te gusta kaizen? Apoya el podcast uniéndote a la Comunidad y accede a contenidos y ventajas exclusivas: https://www.jaimerodriguezdesantiago.com/comunidad-kaizen/

The artist Richard Serra died recently, and I know he's considered a big deal in the art world, but honestly I've never really gotten what all the hype is about. I suppose I can appreciate the scale and the forms of some of the work in the same way that I can appreciate the architecture of Frank Gehry, but overall, it just never really grabbed me. Anyway, one of the posts that came up in my feed contained a quote by him that goes:“Art for the most part, is about concentration, solitude and determination. It's really not about other people's needs and assumptions. I'm not interested in the notion that art serves something. Art is useless, not useful.”LINKSConversation with an Artist: Richard SerraRichard Serra - Talk with Charlie Rose (2001)Richard Serra on his Drawing (2011)If you enjoyed this Iteration, I would love it if you would share it with a friend or two. And if it resonated with you on some level, I'd love to know why. Email me at talkback@jefferysaddoris.com.CONNECT WITH MEWebsite: https://jefferysaddoris.com  Instagram: @jefferysaddorisEmail: talkback@jefferysaddoris.comSUBSCRIBESubscribe to Almost Everything with Jeffery Saddoris in your favorite podcast app. You can also subscribe to my newsletter on Substack.MUSICMusic For Workplaces by Jeffery Saddoris

Today I'm talking to the wonderful Sumayya Vally, founder of the architecture and research practice Counterspace. When in 2020 Sumayya designed the Serpentine pavilion, she joined the ranks of luminaries including Zaha Hadid, Peter Zumthor and Frank Gehry. In 2021, Time Magazine named her one of the ‘100 Leaders of the Future' and, more recently, she was artistic director of the inaugural Islamic Arts Biennale in Saudi Arabia.What really shines through in this conversation is Sumayya's interest in the notion of home as it relates to place. She was born in an Indian township in Pretoria, just after Nelson Mandela was released from prison, and she cites the city of Johannesburg as her biggest inspiration. When she arrived in London, she became interested in the gathering spaces where settlers from other countries and communities have established themselves: churches, synagogues, marketplaces, female community centres, black-music venues and so on. ‘Home is not a physical place,' she says. ‘It's a sensibility and a feeling.'The name ‘Sumayya' means ‘to rise to the occasion', and she tells me how she's an outlier in her family and how her parents made sacrifices to provide her with an education. Very occasionally in life, you meet someone who has an inner light that seems to shine more brightly than other people's. For me, Sumayya has that. She's incredibly composed, articulate and wise beyond her years and I'm full of admiration for the work she's doing to bring disparate cultures together.This episode was recorded in person in London.For more:Visit The Modern House website to see images of the spaces discussed in this episode.Check out Counterspace.Production: Hannah PhillipsEditing: Oscar CrawfordGraphic Design: Tom YoungMusic: Father Hosted on Acast. See acast.com/privacy for more information.

This podcast features alumnus author David Grosz, class of 1993. David is editorial director and chief digital officer at Cahiers d'Art Institute, a publisher of catalogues raisonnés of leading twentieth and twenty-first century artists and architects, including Frank Gehry, Sam Gilliam, Robert Irwin, Ellsworth Kelly, Sol LeWitt, Agnes Martin, and Niki de Saint Phalle. David is a graduate of Yale University and received an MFA in creative writing from Brooklyn College. His debut novel is “Providence.”

Stärkung des Foto-Standorts Essen; Frank Gehry wird 95; Tiemanns Wortgeflecht; Neue Martin Luther King-Biografie; Musik-Tipp. Moderation: Rebecca Link Von WDR 5.

Rich sits down with David August – Founder, CEO, and Creative Director of David August Clothing and co-partner with Conor McGregor for August McGregor, a luxury lifestyle brand. Since 1989, David August Heil has crafted the finest custom men's wardrobes for international leaders in business, sports and entertainment, like Tony Robbins, Frank Gehry, Jeff Koons, Sylvester Stallone, Chris Hemsworth, Robert Downey Jr., Lorenzo Fertitta, Warren Buffett, Dave Bautista, Brooks Koepka, Sean McVay, Elon Musk, Louis D'Esposito, Conor McGregor and many others.Rich and David start off by discussing the gift that David gave to Rich prior to recording, Conor McGregor's last fight, David's brother - Duane, how David got into clothing design, David's first company - David Rickey and Co, what David learned from his first mentor, and what it's like dressing Calvin Klein.They then reflect on the importance of personal branding, collaborating with others, how David met Conor McGregor, Dana White, David's fashion collaboration with Conor McGregor - August McGregor, how August McGregor was announced, Conor's famous suit, what being viral means, exclusivity in fashion and branding, Conor McGregor's wardrobe, Conor McGregor's fight with Floyd Mayweather, the next press tour that David will be on, how fashion has evolved in the last 20 years, and why fashion begins in Europe.Lastly, they talk about why certain brands are considered more exclusive and luxurious than others, proper jean measurements, what David is looking forward to in 2024, David's new clothing company, the difference in clothing styles between the east coast and west coast, and making fashion affordable.Connect with David on Instagram: @davidaugustheil  Check out David August Clothing on Instagram: @davidaugustclothing--Connect with Rich on Instagram: @rich_somersInterested in investing with Somers Capital? Visit www.somerscapital.com/invest to learn more. Interested in joining our Boutique Hotel Mastermind? Visit www.somerscapital.com/mastermind to book a free call. Interested in STR/Boutique Hotel Management? Visit www.excelsiorstays.com/management to book a free call.

Can an eye-catching museum revitalize a city? The answer might surprise you. Getting the right designer is vital. If you don't like a painting you can put it away, but if you don't like a building, you can't take it down. Why is it important to have the goals of a complex museum project fit in a mantra of a few words? What comes first in museum architecture, practicality or creative genius? Should you choose your designers by design competition? If not, what's the alternative? What are the three things a designer needs to do, to win a major project? Andy Klemmer (Founder, Paratus Group) joins host Jonathan Alger (Managing Partner, C&G Partners) to reveal “The Real Bilbao Effect”. Along the way: why every architect has a bad building, how $300 per square foot can beat $3,000 per square foot, and why you should always take people to ball games. Talking Points: 1. Words matter2. Helping an owner be a conductor3. Every architect has one bad building4. Good Bilbao Effect vs. Bad Bilbao Effect5. Architecture is practicality first, fun second6. Why you shouldn't hold a design competition7. Nature, community, service, faith (& other mantras) How to Listen:Apple Podcastshttps://podcasts.apple.com/us/podcast/making-the-museum/id1674901311 Spotifyhttps://open.spotify.com/show/6oP4QJR7yxv7Rs7VqIpI1G Everywherehttps://makingthemuseum.transistor.fm/ Guest Bio:Andrew Klemmer established Paratus Group in 1997 to offer specialized consulting for cultural projects involving complex programs, exceptional design, intricate construction, and highly creative global teams. With over thirty years of experience, Andrew assumes a pivotal leadership role in every Paratus project. The genesis of Paratus stems from Andrew's oversight of the expansion of the landmarked Frank Lloyd Wright-designed Solomon R. Guggenheim Museum in 1991 and subsequent involvement in directing the planning and programming of Frank Gehry's Guggenheim Museum Bilbao in Spain. Paratus uniquely leads in programming, planning, budgeting, design, and construction oversight for cultural institutions, adhering to core principles from project inception to completion. Noteworthy projects include collaborations with renowned architects like Renzo Piano, SANAA, Jean Paul Viguier, and Herzog de Meuron. Andrew is active in the architecture community, contributing as a guest critic, speaker, and advisory panelist. He holds bachelor's degrees in economics and environmental studies from Bowdoin College.About MtM:Making the Museum is hosted (podcast) and written (newsletter) by Jonathan Alger. This podcast is a project of C&G Partners | Design for Culture. Learn about the firm's creative work at: https://www.cgpartnersllc.com Show Link: Paratus Group: https://www.paratusgroup.com/ MtM Show Contact: https://www.makingthemuseum.com/contacthttps://www.linkedin.com/in/jonathanalgeralger@cgpartnersllc.comhttps://www.cgpartnersllc.com  Newsletter: Like the episode? Try the newsletter. Making the Museum is also a one-minute email on exhibition planning and design for museum leaders, exhibition teams and visitor experience professionals. Subscribe here:https://www.makingthemuseum.com

Modernists said, “form follows function” focusing on how people will use a space, but Gehry focuses on how people will react to the space. His goal is to inspire, to make them feel. He talks about the challenge of creating feeling with inert materials. He says it is the movement that brings out a feeling. With his design in Bilbao, Spain, rather than simply designing a building to house a collection of some of the world's most beautiful and inspiring art, Gehry made the building itself a work of art that inspires awe and wonder. The Guggenheim Bilbao is one of the required artworks for AP Art History. Check out my Spotify playlist, AP Art History Cram Session to learn about other artists and artworks from that curriculum. Check out my other podcasts Art Smart and Rainbow Puppy Science Lab Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: advertising@airwavemedia.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Underlying every great city is a rich and vibrant culture that shapes the texture of life within. In The Speculative City: Art, Real Estate, and the Making of Global Los Angeles (U Minnesota Press, 2021), Susanna Phillips Newbury teases out how art and Los Angeles shaped one another's evolution. She compellingly articulates how together they transformed the Southland, establishing the foundation for its contemporary art infrastructure, and explains how artists came to influence Los Angeles's burgeoning definition as the global city of the twenty-first century. Pairing particular works of art with specific innovations in real estate development, The Speculative City reveals the connections between real estate and contemporary art as they constructed Los Angeles's present-day cityscape. From banal parking lots to Frank Gehry's designs for artists' studios and museums, Newbury examines pivotal interventions by artists and architects, city officials and cultural philanthropists, concluding with an examination of how, in the wake of the 2008 global credit crisis, contemporary art emerged as a financial asset to fuel private wealth and urban gentrification. Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Underlying every great city is a rich and vibrant culture that shapes the texture of life within. In The Speculative City: Art, Real Estate, and the Making of Global Los Angeles (U Minnesota Press, 2021), Susanna Phillips Newbury teases out how art and Los Angeles shaped one another's evolution. She compellingly articulates how together they transformed the Southland, establishing the foundation for its contemporary art infrastructure, and explains how artists came to influence Los Angeles's burgeoning definition as the global city of the twenty-first century. Pairing particular works of art with specific innovations in real estate development, The Speculative City reveals the connections between real estate and contemporary art as they constructed Los Angeles's present-day cityscape. From banal parking lots to Frank Gehry's designs for artists' studios and museums, Newbury examines pivotal interventions by artists and architects, city officials and cultural philanthropists, concluding with an examination of how, in the wake of the 2008 global credit crisis, contemporary art emerged as a financial asset to fuel private wealth and urban gentrification. Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Underlying every great city is a rich and vibrant culture that shapes the texture of life within. In The Speculative City: Art, Real Estate, and the Making of Global Los Angeles (U Minnesota Press, 2021), Susanna Phillips Newbury teases out how art and Los Angeles shaped one another's evolution. She compellingly articulates how together they transformed the Southland, establishing the foundation for its contemporary art infrastructure, and explains how artists came to influence Los Angeles's burgeoning definition as the global city of the twenty-first century. Pairing particular works of art with specific innovations in real estate development, The Speculative City reveals the connections between real estate and contemporary art as they constructed Los Angeles's present-day cityscape. From banal parking lots to Frank Gehry's designs for artists' studios and museums, Newbury examines pivotal interventions by artists and architects, city officials and cultural philanthropists, concluding with an examination of how, in the wake of the 2008 global credit crisis, contemporary art emerged as a financial asset to fuel private wealth and urban gentrification. Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Underlying every great city is a rich and vibrant culture that shapes the texture of life within. In The Speculative City: Art, Real Estate, and the Making of Global Los Angeles (U Minnesota Press, 2021), Susanna Phillips Newbury teases out how art and Los Angeles shaped one another's evolution. She compellingly articulates how together they transformed the Southland, establishing the foundation for its contemporary art infrastructure, and explains how artists came to influence Los Angeles's burgeoning definition as the global city of the twenty-first century. Pairing particular works of art with specific innovations in real estate development, The Speculative City reveals the connections between real estate and contemporary art as they constructed Los Angeles's present-day cityscape. From banal parking lots to Frank Gehry's designs for artists' studios and museums, Newbury examines pivotal interventions by artists and architects, city officials and cultural philanthropists, concluding with an examination of how, in the wake of the 2008 global credit crisis, contemporary art emerged as a financial asset to fuel private wealth and urban gentrification. Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Underlying every great city is a rich and vibrant culture that shapes the texture of life within. In The Speculative City: Art, Real Estate, and the Making of Global Los Angeles (U Minnesota Press, 2021), Susanna Phillips Newbury teases out how art and Los Angeles shaped one another's evolution. She compellingly articulates how together they transformed the Southland, establishing the foundation for its contemporary art infrastructure, and explains how artists came to influence Los Angeles's burgeoning definition as the global city of the twenty-first century. Pairing particular works of art with specific innovations in real estate development, The Speculative City reveals the connections between real estate and contemporary art as they constructed Los Angeles's present-day cityscape. From banal parking lots to Frank Gehry's designs for artists' studios and museums, Newbury examines pivotal interventions by artists and architects, city officials and cultural philanthropists, concluding with an examination of how, in the wake of the 2008 global credit crisis, contemporary art emerged as a financial asset to fuel private wealth and urban gentrification. Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-west

Underlying every great city is a rich and vibrant culture that shapes the texture of life within. In The Speculative City: Art, Real Estate, and the Making of Global Los Angeles (U Minnesota Press, 2021), Susanna Phillips Newbury teases out how art and Los Angeles shaped one another's evolution. She compellingly articulates how together they transformed the Southland, establishing the foundation for its contemporary art infrastructure, and explains how artists came to influence Los Angeles's burgeoning definition as the global city of the twenty-first century. Pairing particular works of art with specific innovations in real estate development, The Speculative City reveals the connections between real estate and contemporary art as they constructed Los Angeles's present-day cityscape. From banal parking lots to Frank Gehry's designs for artists' studios and museums, Newbury examines pivotal interventions by artists and architects, city officials and cultural philanthropists, concluding with an examination of how, in the wake of the 2008 global credit crisis, contemporary art emerged as a financial asset to fuel private wealth and urban gentrification. Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of Louis Vuitton [Extended] — The Podcast, host Loïc Prigent invites you to listen to a one-of-a-kind conversation with Frank Gehry— iconic architect, designer, and collaborator of Louis Vuitton. Delve into the mind of the 94 year old visionary, whose passion and childlike innocence still permeate through his art after 6 decades, as he reveals his creative process and projects that make him proud.

The Sydney Opera House celebrates its 50th anniversary on October 20, 2023.The American architect Frank Gehry called it “a building that changed the image of an entire country” and you could argue that the modern perception of Australia has a profound relationship with that stunning structure on Sydney Harbour. Yet, it has a controversial history. Jørn Utzon, the Danish architect responsible for the iconic shell design, declined an invitation to the opening ceremony claiming he would make “negative comments”. Also, in speeches made that day, there was no mention of the building's founding father – the man who proposed the idea of an opera house for Sydney, then lobbied tooth and nail in tricky political circumstances to turn his dream into a reality. His name was Sir Eugene Goossens, an English composer and conductor who thrived in Australia after the Second World War. He became a celebrity as we understand one now, only to be run out of his adopted home in 1956 “like a diseased rat”, as one commentator wrote, his plans for the opera house in tatters. The scandal shocked and puzzled Australia in equal measure. What happened and why have this visionary man's many extraordinary achievements been largely forgotten? Music journalist Phil Hebblethwaite traces the intriguing story of Sir Eugene Goossens, meeting his niece, a former student, and experts in Australian classical music and cultural life. We'll find out that the Goossens saga was just the beginning of the troubles for the Sydney Opera House… With contributions from Jennie Goossens, Richard Bonynge, Ita Buttrose, Dr Drew Crawford and Professor Marguerite Johnson. Extra research by Barnaby Smith. Written and presented by Phil Hebblethwaite Produced by Alexandra Quinn A Loftus Media production for BBC Radio 4 (Photo of Sir Eugene Goosens c/o Library of Congress, Prints & Photographs Division)

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Priya is recognized globally in luxury brand strategy, product development and manufacturing. She has brought her creative vision and expertise to an extensive career at Tiffany & Co., working directly with the likes of world renowned architect Frank Gehry, famed designer Paloma Picasso, and the esteemed archives of Jean Schlumberger. More recently, she has built her own brand, Rania Designs, developing custom pieces for private clients and as a luxury retail consultant. Priya's rich heritage and life experiences give her a unique perspective and path to success no matter the journey. In this episode, Priya speaks with Katharine McKee about how she took the career path that led her to do the one thing she thought she'd never want to do.

Westermann: Memorial to the Idea of Man If He Was an Idea is a 3-D documentary film about the life and work of artist and marine H.C. (“Cliff”) Westermann. As a veteran of World War II and the Korean War who struggled with the ramifications of modern warfare, Westermann's dramatic personal history can be traced through his beguiling, surreal artworks. Westermann: Memorial to the Idea of a Man If He Was an Idea explores the themes of Westermann's life and work, including resiliency, hope, and humor. Westermann used art as a means of processing the trauma of war, and in spite of these horrors, he adopted an empathic and hopeful spirit that courses through his artwork and relationships, becoming an inspiration to many young artists. The film features featuring interviews with Ed Ruscha, Frank Gehry, William T. Wiley, Billy Al Bengston, and other artist-pals. The film is executive produced by the internationally acclaimed artist, KAWS, along with award-winning documentary producer Caryn Capotosto. Westermann features music by legendary artists Laurie Anderson (with the Kronos Quartet) and Terry Allen. MacArthur “Genius Grant” winner Tomeka Reid composed the original score. Director Leslie Buchbinder joins us for a conversation on enlisting Academy Award nominated actor Ed Harris to voice the writings of Westermann, the enduring influence that H.C. Westerman had on his chosen pursuit of sculptor as well as his philosophical approach to art and work ethic that continues impact other accomplished artists. For more go to: pentimentiproductions.org/hc-westermann

On today's episode of 'Conversations On Dance', we are joined by Michael Small, former reporter for People Magazine and the host of the podcast 'I Couldn't Throw It Out'. Michael tells us about a fascinating experience he had interviewing Martha Graham at age 95, an interview that Michael luckily held onto on cassette tape for nearly three decades because he, naturally, couldn't throw it out.We listen to the interview here, but for a deep dive on Michael's other interview subjects, including an upcoming with Tupac Shakur, check out his podcast on Apple Podcasts or at throwitoutpodcast.com. Listen to the original episode of the Throw It Out Podcast here. The transcript of Martha's interview is available here.The interview with Martha starts around 33:00.Try Audible Plus free for 30 daysGive the gift of Audible PlusTHIS EPISODE'S SPONSOR:The Bard College Dance Program, located 90 miles north of New York City in the Hudson Valley and housed in the Frank Gehry designed Fisher Center, sees the pursuit of artistry and intellect as a single endeavor and the study of the body as a cognitive act, demanding both physical practice and exploration of the broader academic contexts in which the art form exists. Through intensive technique and composition courses, onstage performance, and production experience, dance students are prepared to understand and practice the art of choreography and performance. Since 2009, the Bard Dance Program has hosted an in-residence dance company or performing arts organization bringing professional technique and composition to the academic program in the form of teaching, educational licensing projects, master classes, full-Company production residencies, and public performances. Past partnerships have included Bill T Jones Dance Company, Trisha Brown Dance Company, American DanceFestival, and Gibney Dance. For more information please contact Program Director, Tara Lorenzen tlorenzen@bard.edu.LINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceMerch: https://bit.ly/cod-merchYouTube: https://bit.ly/youtube-CODJoin our email list: https://bit.ly/mail-COD Hosted on Acast. See acast.com/privacy for more information.

Nikita Adickes, a fabricator and project manager at Orange County, California-based architectural fabrication shop CTEK, discusses her passion for metal fabrication and her nontraditional journey in the industry. She shares her experience working on various projects, including architectural art installations with the likes of Frank Gehry and James Turrell. Nikita also talks about the challenges she faces as a woman in a male-dominated field and the importance of proving herself through project managing, hard work, and dedication. CTEK was founded by Nikita's father, Eric Adickes, in 1993. Nikita also mentions her love of automotive customization and interest in exploring other trades, such as carpentry and glassblowing. At the top, hosts Dan Davis and Lincoln Brunner offer their takes on FABTECH 2023. Email us at podcast@fmamfg.org with any comments, questions, or suggestions.

Modernists said, “form follows function” focusing on how people will use a space, but Gehry focuses on how people will react to the space. His goal is to inspire, to make them feel. He talks about the challenge of creating feeling with inert materials. He says it is the movement that brings out a feeling. With his design in Bilbao, Spain, rather than simply designing a building to house a collection of some of the world's most beautiful and inspiring art, Gehry made the building itself a work of art that inspires awe and wonder. The Guggenheim Bilbao is one of the required artworks for AP Art History. Check out my Spotify playlist, AP Art History Cram Session to learn about other artists and artworks from that curriculum. Check out my other podcasts Art Smart and Rainbow Puppy Science Lab Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: advertising@airwavemedia.com Learn more about your ad choices. Visit megaphone.fm/adchoices

This podcast is a commentary and does not contain any copyrighted material of the reference source. We strongly recommend accessing/buying the reference source at the same time. ■Reference Source https://www.ted.com/talks/frank_gehry_my_days_as_a_young_rebel ■Post on this topic (You can get FREE learning materials!) https://englist.me/332-academic-words-reference-from-frank-gehry-my-days-as-a-young-rebel-ted-talk/ ■Youtube Video https://youtu.be/fpsvl1XX02Y (All Words) https://youtu.be/ZCUOgQrHe_o (Advanced Words) https://youtu.be/ACqvWomtv8A (Quick Look) ■Top Page for Further Materials https://englist.me/ ■SNS (Please follow!)

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This week Luke and Janine rock into Water Seven with special guest, Eric aka Rhythm Bastard, the crew explores anime Venice where mystery and danger are the main attractions! Covering One Piece episodes 229-235 Cover art by Mike Patten Links! Itunes – https://podcasts.apple.com/us/podcast/dohmance-dawn/id1620557454… Spotify – https://open.spotify.com/show/0iOBMkRGKTz04wJB2kitx7… RSS – https://pinecast.com/feed/dohmance-dawn… Bluesky - https://bsky.app/profile/dohmancedawn.bsky.social

Episode: "Perspectives on Luxury with Robert Charles" Host: Nikki Klugh Welcome to Create Your Sacred Space Podcast with Nikki Klugh. the podcast that unveils the soul of architecture and design. Join us as we explore the passion, creativity, and purpose behind the most inspiring spaces and projects and dive deep with those who create them consistently. I'm your host, Nikki Klugh, and I'll be your guide as we journey through the hearts and minds of sacred space architects and designers who are driven by compassion and authenticity. _________________________________________________ Robert Charles Bio: Robert Otis Charles was born in the projects of East Orange, New Jersey. He is a descendant of Costa Rican and West-Indian parents. Robert is the second youngest of four children. Robert established his career based on his creative talents. He developed his passion for multi-disciplinary creativity around the age of five. He held on to his creativity because he was very limited in his physical ability because of his long-term battle with chronic asthma and his encounter with bone cancer at age 21. Robert drew with crayons; built with his beloved Lego and wooden blocks; built go-carts and tree houses of wood; built scale models; supported his father in providing professional photography; and initiated an ongoing livelihood with the trumpet all before his teenage years. He was introduced to architecture by his older sibling and developed a distinct love for architectural design at the age of twelve. His father, (Neil Charles, Sr.), kindled his fire for drawing with excellence. “Pop” Charles purchased Robert's first drafting table shortly after his demonstrated commitment to architecture, drawing, and building. Robert's father continually invested in his career from his youth and procured a large loan that initiated his architectural college training. Robert was educated at Florida Agricultural & Mechanical University where he received both his undergraduate and professional degrees in Architecture. He has received several architectural awards including the distinguished Alpha Roe Chi Medal of Leadership, Service, and Merit, and led design on award-winning projects over his 30-year career. He is a current member of the American Institute of Architects and the lead design architect at LBA Architects. Also, in 1998, Robert established ROC STUDIOS INTERNATIONAL, INC which is his own multi-disciplinary design studio. His studio provides visual arts, creative branding, and professional photography. The following famous architects and artists influence his style of designing buildings and producing graphic works. The architects that inspire Robert are Frank Lloyd Wright, Kenzo Tange, Le Corbusier, Richard Meier, Frank Gehry, Santiago Calatrava, Eliel Saarinen, and Alvar Aalto. Artists like Salvador Dali, Pablo Picasso, Paul Cezanne, and Georges Braque inspire Robert's style of producing abstract graphics. Photographers such as Neil Charles, Sr., Ansel Adams, David Eggleston, and a host of others influence Robert's photography. Prominent political officials, doctors, lawyers, architects, business leaders, bishops, pastors, other artists, organizations, churches, and the general public have collected his artworks and photography. His works have also been displayed in public facilities including those that he designed. Robert is a passionate man who is a joyfully exuberant nerd and enjoys staying fit, public speaking, and playing his horns. Robert readily acknowledges his many blessings including his creatively gifted wife (Shantae). __________________________________________ Thank you for being a part of our heart-centered community, and until next time, may your life be filled with sacred spaces that reflect the beauty of your soul. Remember, FIRST We shape our buildings; thereafter they shape us.

When I phoned Frank Gehry to ask him to do this podcast, he immediately said yes. And I'm not the only one Frank has said yes to. Ask around and the stories are the same—Frank giving a million dollars for an arts education in underserved communities along the Los Angeles River, or overseeing a program for mentoring children in underperforming elementary schools. His philanthropy is based on personal relationships, and I think his architecture is, too. Every time a new Frank Gehry building opened, Richard and I would make a pilgrimage to visit them—the Disney center in Los Angeles, the Louis Vuitton building in Paris, the Guggenheim Museum in Bilbao. But one summer, in 2008, all we had to do was walk 10 minutes from our house to Hyde Park, because he had built a temporary pavilion for the Serpentine Gallery. He designed the timber-and-glass structure with his son Sammy. For those few months, we met there almost daily, to watch the sunset, to listen to people play music, to eat, and drink. This brave and beautiful structure made the park a better park and, for the summer, London a better city. Today, I have traveled from London to Los Angeles, not to see a Frank Gehry building but to see my dear friend, Frank. Will we have a good time? As always with Frank Gehry, the answer is yes.  Please rate & review the podcast on Apple podcasts, Spotify, IHeart Radio app or wherever you get your podcasts. For more information, recipes, and ingredients, go to: Web: https://rivercafe.co.uk/Instagram: www.instagram.com/ruthiestable4Facebook: https://en-gb.facebook.com/therivercafelondon/ For any podcast enquires please contact: willem.olenski@atomizedstudios.tv For more podcasts from iHeartRadio, visit the iheartradio app, apple podcasts, or wherever you listen to your favourite shows.See omnystudio.com/listener for privacy information.

MaryAnne Gilmartin is the Founder & CEO, MAG Partners, the urban real estate company with decades of experience developing impactful, iconic, large-scale projects including most recently the Ruby in Chelsea at 243 West 28th Street, a beautiful 480 unit apartment building with an outdoor pool. Another exciting venture Mag Partners is developing is the Baltimore Peninsula, with business partner, Kevin Plank, Founder of Under Armour. The Baltimore Penninsula is a multi-million square foot development portfolio includes three multifamily rental buildings and a ground-up commercial development in Manhattan and a master plan redevelopment in Baltimore. Prior to launching MAG Psrtners, MaryaAnne was CEO at Forest City Rattner where she worked for 23 years. MaryAnne pioneered and spearheaded the development of the globally renowned Barclays Center in Brooklyn, The New York Times building in Times Square, New York by Gehry which was completed in 2011, this 896 unit building—dubbed “Frank Gehry's Love Letter to New York”—was the tallest residential building in the Western Hemisphere and a  catalyst for the transformation of Lower Manhattan into a 24/7 mixed use community. MaryAnne and I sync up about where her career in real estate began, how she got into development, what the landscape was like when she started and how it has evolved, and what she loves about her career.  We talk about several of the game changing ventures she is working on and has pioneered thus far in her career, what it is like to be on the forefront of innovation and a founder and entrepreneur in real estate. I get the inside scoop of the exercise and wellness fueling her for success, her awesome family and fur babies, books she is reading, shows she is watching, and her fave fitness and fashion gear and apparel! CONNECT Marni On The Move Instagram, TikTok, LinkedIn, or YouTube Marni Salup on Instagram and Spotify SUBSCRIBE TO OUR NEWSLETTER Sign up for our weekly newsletter, The Download, for Marni on the Move updates, exclusive offers, invites to events, and exciting news! OFFERS InsideTracker: Get 20% percent off today at InsideTracker.com/marnionthemove AG1 by Athletic Greens: Get 5 free travel packs and a year's supply of vitamin D with your first purchase at AthleticGreens.com/MarniOnTheMove SUPPORT THE PODCAST Leave us a review on Apple. It's easy, scroll through the episode list on your podcast app, click on five stars, click on leave a review, and share what you love about the conversations you're listening to. Tell your friends to what you love on social. Screenshot or share directly from our stories the episode you're listening to, tag us and the guests, and use our new Marni on the Move Giphy!